Cocoa Cantata - Robert Paterson/David Cote (Piano/vocal Perusal Score)

Piano Part/Vocal Score *)

COCOA CANTATA for Soprano, Baritone, Bass-Baritone & Chamber Ensemble

Inspired by J.S. Bach’s Schweigt stille, plaudert nicht, BWV 211 (Coffee Cantata)

Music

ROBERT PATERSON Libretto

DAVID COTE *) This part contains the piano part from the full score and the vocal staves.

It is not a vocal score for performance or a reduction of the full score.

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PROGRAM NOTE Cocoa Cantata is a 21st-century response to J.S. Bach’s Coffee Cantata. Written for soprano, baritone, and bass-baritone, the work explores politics in the multibillion-dollar chocolate industry. Musically, the piece imitates Bach’s instrumentation, but not his Baroque style. The paternalism of Bach’s secular cantata is replaced by a more evolved (yet humorous) attitude toward issues of patriarchy, fair-trade practices, and the marketing of pleasure.

Cocoa Cantata was commissioned by Triphammer Arts Inc. with The Arts at Grace and Society for New Music.

David Cote thanks the Hambidge Center for time and support in writing the libretto.

CHARACTERS BOBBY WONDERS IV (Baritone) CEO and public face of a century-old, family-owned global confectionary brand. He’s trying to balance profits and his conscience.

Prone to patronizing bluster, cynicism, and bad puns.

AMARA BLISS (Soprano) Stylish founder of a chic, fair-trade boutique chocolatier. She competes in a cutthroat environment, but maintains poise and values. A fighter, survivor, and innovator in the business.

SNACKWRIGHT (Bass-Baritone) Head of the Flavor Lab at Wonders Inc. He specializes in chocolates and other sweets. An unabashed flavor nerd who really gets into the chemistry of taste.

SETTING Present day. The gleaming corporate offices of Wonders Inc., the global brand that manufactures immensely popular chocolate bars and a constellation of other candies. We are in the 35th floor executive suite, outside a conference room. Coffee table, chairs, prominent Wonders™ logo displayed on a wall. Poster-size photographs of children of all nations smiling and laughing as they bite into a Wonders Bar™.

SYNOPSIS Chocolate global mogul Bobby Wonders is attempting a hostile takeover of boutique chocolatier Bliss Confections. He has invited Bliss founder Amara Bliss to his corporate office to sign over her company. Amara refuses. They argue over their businesses and missions. A flavor scientist named Snackwright eavesdrops, finally interrupting to say he has created a new type of chocolate.

Combining elements from both companies, he says, he has created a superchocolate called Wow Cacao. Each boss tastes it and is transported with pleasure, which leads to a reconciliation. Amara won’t sell her company, but they can collaborate on exploring the possibilities of Wow Cacao.

INSTRUMENTATION

Soprano, Baritone, Bass-Baritone Flute, String Quartet, Piano

WORLD PREMIERE PRODUCTION Virtual World Premiere Society for New Music, featuring Julie Ebner, soprano; Steven Stull, baritone; David Neal, bass-baritone; May 23, 2021 Live World Premieres American Modern Ensemble, featuring Cree Carrico, soprano; Steven Stull, baritone; David Neal, bass-baritone Presented by Triphammer Arts, CRS Barn Stage, Ithaca, NY, June 13 and 14, 2021 The Arts at Grace; Rose Hall, Cortland, NY, June 15, 2021 Mostly Modern Projects, Universal Preservation Hall, Saratoga Springs, NY, June 17 and 18, 2021 Mostly Modern Projects, Chelsea Market, New York, NY, June 20, 2021

Duration: ca. 24’00”

LIBRETTO (During the overture, there’s an argument in the conference room. We see figures silhouetted behind a frosted window.

Sitting, standing, pacing, pointing fingers. Enter SNACKWRIGHT in white lab coat, carrying a silver box.

AMARA BLISS storms out, followed by BOBBY WONDERS, who waves a paper at her.)

Sign!

No!

AMARA —and exploit the goodwill I have earned to benefit Big Choco. It’s a PR stunt! I won’t merge and become a subsidiary of Bobby Wonders’ global choco octopus! I will go back to my board and draft a counterproposal.

BOBBY

BOBBY Why do you think I’m doing this, Amara?

AMARA

AMARA You can’t stand competition, Bobby.

BOBBY I admire you. Wonders Inc. is committed, too. We pay tens of millions extra for certified cocoa, millions more to certification firms. But demand is high. Higher than you can supply.

(They freeze, as Snackwright addresses the audience.)

ru

sa

I work for Bobby Wonders, who’s attempting an acquisition.

The target is Amara Bliss.

I’m not the villain; please don’t hiss.

Will bonbons come from bitter opposition?

AMARA So the market fluctuates. When I started out, there were only a few boutique chocolatiers. Now there’s an Indie Choco glut. Our customers will accept a bump in cost.

BOBBY ‘Til no one can afford a Bliss Bar? Kids don’t get them on Halloween. They’ll never know how good they taste.

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I am a scientist, you see, and food’s my chosen field, to be precise, confection’ry: sweets and treats and all candy that cocoa beans and sugar cane will yield.

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SNACKWRIGHT Like agitated molecules, they clash with intent to destroy.

Some chain reactions in a tube reveal the data that can prove how certain taste collisions lead to joy.

(Amara and Bobby return to their argument.)

Pe

BOBBY Amara, this offer is very generous.

AMARA My company is worth far more than that.

BOBBY Not according to your board of directors. Wonders Inc. is tossing a lifesaver—pardon the pun—to Bliss Confections.

You’re in the red.

AMARA When a company commits to sustainable cocoa farms, zero deforestation, and fair trade practices, it can bite into profits. But the chocolate tastes twice as delicious.

Remember delicious, Bobby?

BOBBY Yes, Amara Bliss products are a wonder—pardon the pun.

You are the epitome of Indie Choco! We should join forces and—

AMARA What’s your game, Bobby?

BOBBY Who do you make chocolate for?

Anyone who loves it.

AMARA BOBBY

You know as well as I Bliss Bar customers are coastal elites whose carbon footprint deletes any eco-benefits accrued.

They think they’re so green, because of sustainable beans; but it’s just a load of attitude.

AMARA Oh, are we going there?

At least I’m not marketing death.

Mass-produced candy meth, addicting innocent kids.

They don’t know that these sweeties will lead to diabetes…!

Sales would plummet if they did.

SNACKWRIGHT If I may interrupt for a moment: Both of you are right— yet both of you are wrong.

BOBBY Amara, this is Snackwright, the head scientist from the Flavor Lab. SNACKWRIGHT Hello Ms. Bliss, a pleasure to meet you. I admire your Sour Salt Crunch.

(Snackwright opens the box, which contains two squares of chocolate.)

AMARA Uh, thanks. How are we both right and wrong?

Total Cacao!

SNACKWRIGHT The rivalry between you is no secret. Trash talk on social media, gossip at the Choco Expo. However… I’ve made a discovery that pertains to both of you. A new kind of chocolate.

Total Cacao!

co re

sa

(Snackwright holds up the box he had been carrying.)

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AMARA & BOBBY

Pe

SNACKWRIGHT Because when it hits your mouth, the taste goes pow!

Wow Cacao!

AMARA & BOBBY

SNACKWRIGHT Next! Organic fermentation, solar-powered roasting ovens, micro-grinding down the nibs, nano-mapping happy chemicals swimming in the pure liquor.

Minutely calibrating levels of: Caffeine!

Phenylethylamine!

Theobromine!

Anandamide!

Sugar, vanilla and secret ingredients go into a bar that shatters all sense: Total Cacao!

BOBBY What is this feeling flowing into me?

A rush of energy and ecstasy?

My taste buds tingle and I have to smile, I feel like a kid who could sprint a mile.

Aromas and spice from a distant shore, sharp yet tender, layered with mystery: a chocolate bar with a sense of history.

Now it’s all gone, and I want more!

lS

SNACKWRIGHT We know the names of cocoa beans: Criollo, Forastero, Trinitario, Nacional.

Four types of seeds from the cacao tree.

Now I have hybridized a new variety, the choicest and spiciest of Bliss beans spliced with the classics at Wonders Inc. I call it—Wow Cacao!

Wow Cacao?!

TUTTI

(Amara and Bobby each take a piece, cautiously. They look at each other, and at Snackwright, before popping the chocolate into their mouths. Each slowly chews, tastes, swallows.)

BOBBY

Impossible!

SNACKWRIGHT

SNACKWRIGHT I call it The WonderBliss Double Choco Shocko!

That name might be too long. Taste it.

AMARA

A new kind?

Ah. Wow Cacao!

Total Cacao!

AMARA & BOBBY

AMARA Ambrosia may be food of the gods, but this goddess is calling them frauds; Olympus never had it so fine.

One bite and it’s like I’m drunk on wine.

My body is floating on a cloud of bliss.

Smoky and dark, layered with mystery: a chocolate bar with a sense of history.

Come down here, angel, and give me a kiss.

SNACKWRIGHT What is the sense the newborn knows, before they see or hear, or recognize a mother’s touch?

Taste.

Ah.

AMARA & BOBBY

SNACKWRIGHT What is the first passion that we know, before we kiss, embrace, find the partner of our dreams?

Taste.

Taste.

AMARA & BOBBY TUTTI

SNACKWRIGHT What is the sense that calms the mind?

BOBBY Yes! Centuries old.

SNACKWRIGHT Centuries and centuries.

TUTTI

Taste.

AMARA Mystic wisdom, medicine, divinity…

SNACKWRIGHT What is the sense that turns back time?

Taste! Taste! Taste!

Holidays, global trade…

TUTTI

And, yes, cavities.

AMARA Listen, Bobby. My company is not for sale. But maybe we can form a partnership.

For joy!

SNACKWRIGHT

AMARA A source of woe…

BOBBY Of woe.

lS

AMARA

Love.

BOBBY

For joy!

co re

BOBBY

Love?

SNACKWRIGHT

AMARA A force for joy…

BOBBY To investigate the social and commercial potential of Wow Cacao?

AMARA Yes. Candy this powerful must be sold responsibly. From a place of…

BOBBY

Of woe.

sa

(They shake hands.)

SNACKWRIGHT

AMARA Which way will we go?

SNACKWRIGHT As a fugue by Bach may start out wild, by the end it soothes with melodies mild.

These choco bosses began in heat, but bitter beings, like cocoa beans, yield to sweet.

BOBBY Which way?

Pe

ru

BOBBY I like a well-tempered chocolatier. Pardon the pun.

I burned with bitterness at the things you did.

I built up this business, and you place a bid.

AMARA

BOBBY Power can be so sweet, an aphrodisiac.

But the aftertaste is sour, revealing what you lack.

SNACKWRIGHT Balance is key, blending bitter and sweet.

The science of flavor is precisely where they meet.

AMARA Chocolate is an ancient force.

Which way?

SNACKWRIGHT

AMARA Bitter or sweet?

BOBBY Sweet or bitter?

Bittersweet.

SNACKWRIGHT AMARA

Bitter or sweet?

BOBBY

Where we meet.

Bittersweet.

SNACKWRIGHT

That’s where we meet.

AMARA

Where we meet.

BOBBY SNACKWRIGHT

Bittersweet.

AMARA When the taste hits your tongue…

The taste goes pow!

Wow—!

Wow—!

Wow Cacao!

Wow!

SNACKWRIGHT AMARA BOBBY

co re

Wow Cacao!

BOBBY

TUTTI

lS

[The End]

sa

Libretto, Program Note, Characters, and Synopsis Copyright © 2021 by David Cote. Reprinted With Permission.

IMPORTANT NOTICE

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Performances of this opera must be licensed by the publisher.

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All rights of any kind with respect to this opera and any parts thereof, including but not limited to stage, radio, television, motion picture, mechanical reproduction, translation, printing, and selling, are strictly reserved.

License to perform this work, in whole or in part, whether with instrumental or keyboard accompaniment, must be secured in writing from the Publisher. Terms will be quoted upon request Copying of either separate parts or the whole of this work, by hand or by any other process, is unlawful and punishable under the provisions of the U.S. Copyright Act. The use of any copies, including arrangements and orchestrations, other than those issued by the Publisher, is forbidden.

To inquire about Grand Rights, or to rent or purchase materials, please contact:

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Piano/vocal Score

Commissioned by Triphammer Arts Inc. with The Arts at Grace and Society for New Music

COCOA CANTATA

David Cote

Robert Paterson (2020)

Overture

° 4 &4

∑

∑

∑

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* Piano

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Snackwright

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Bobby Wonders

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Amara Bliss

ffsub.

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* This is the piano part for the piece, not a reduction of the full score.

ffsub.

w w >

bb˙˙˙

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Copyright © 2020 Robert Paterson Music (ASCAP) International Copyright Secured. All Rights Reserved.

b˙˙

˙ n#>˙˙ b>˙˙ ø

b˙˙ ˙ b˙˙ ø

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b>˙˙ ø

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25

3

& b˙ bœœ œœ ˙ n ˙˙ b œ œ nn ˙˙ ?

3

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Bobby

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Allegro, q = ca. 132

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q = ca. 80

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3

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3

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b˙ ˙ ø

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Cocoa Cantata—Piano/vocal Score

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n˙ & bb ˙˙

14

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2

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accel.

j œœ œ. œœ. œœ J

‰ ‰

œœ œ. œ œ.

Cocoa Cantata—Piano/vocal Score

3

(accel.)

33

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No!

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¢

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∑

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˙ ? #˙˙ ø

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° Œ & 36

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Molto allegro, q = ca. 144

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(accel.)

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° >œ œ œ™ &

( T hey freeze, as Snackwright addresses the audience.) ff

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ff

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Cocoa Cantata—Piano/vocal Score

{

?b b

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41

b &b Œ

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Like

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clash with in - tent

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f

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de - stroy.

≈

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≈ ˙˙ ø

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Andante, q = ca. 92

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4

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Cocoa Cantata—Piano/vocal Score

°? b œ™ ¢ b 49

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veal

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that

b & b ˙˙˙

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Œ

joy.

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∑

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lead

to

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>œ. >œ. Œ œœ ‰ Œ œœ ‰ J J j œœj ‰ Œ œœ ‰ Œ œ œ >. >.

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you see,

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&

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co re

f

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fsub.

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œ

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Moderato, q = ca. 108

55

Snack.

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sa

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#œœœ U #˙˙ ˙

? b ˙˙˙ b ø

51

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can prove how

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3

5

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U > œ œ f

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to

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f

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3

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and sug - ar

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cane

will

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f

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?

Cocoa Cantata—Piano/vocal Score

°? # ˙ ¢ 60

yield.

That

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poco rit.

not

3

the

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>œ. œ J

3

vil - lain; please don’t hiss.

#œœ œ #œœ œ ø

‰ œJ >œ. œ ‰ J

Will

Œ

Will

‰

Œ

&

ø

ø

>œA tempoœ œ #œ >œ œ™ J 3

bon - bons come from bit - ter

œœ >œ >œœ

#œœœ

œœœ > >œœ

#œœ ø

3

bon - bons come from bit - ter

œœœ

#œœœ

œœ

#œœ ø

3

˙˙˙ ™™™

ø

op - po - si - tion?

œœœ

œœœ

œœ ø

œœœ ø

˙˙˙ ™™™ ø

>œ. œ ‰ J

#œœ œ #œœ œ ø

˙˙ ˙˙˙

rit. >poco œ™ œ œ œ #œ >œ >œ œ œJ œ™ J J poco rit.

3

The tar-get is A- mar-a Bliss. I’m

#˙˙ #˙˙˙

ø

œ œ œ™ J

b &b ˙ >˙ ? bb >˙˙˙

{

˙˙ ˙˙˙

#˙˙ ˙ #˙˙ ˙ ø

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

bb bb

Œ

co re

3

68

Snack.

&

œ œ œ œ œ œ œ#œ œ œ ™ œ œ œ #œ >œJ ‰ œ œ œ œ ‰ œ J J J J 3 3 3

work for Bob- by Won - ders, who’s at - tempt - ing an ac -qui - si - tion.

°? b >œ ¢ b

{

Œ

Meno mosso, q = ca. 88

∏∏∏∏∏∏∏∏∏∏∏

{

I

˙™ ˙™

Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

Œ

b &b ˙ ˙ mfpoco ? bb ˙˙˙

66

Snack.

˙™ ˙™

‰ œ J

˙˙ ™™ ˙˙ ™™

?

bb

mf

cane will yield.

Œ

ru

Pno.

Œ

°? b œ œ œ œ œ ¢ b J 63

Snack.

b>˙˙ ™™ & ˙™ b >˙˙ ™™ ˙™

Pe

Pno.

co - coca beans and sug - ar

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

Œ

3

sa

Snack.

˙™

>œ œ™ œ #œ œ œJ

> ‰ œ bœ œ J

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

6

Œ

>œ

3

œ J

op - po -

œœ >œ >œœ œ ø

œ U Œ

"b b

#>œ. " U #œ ‰ b b J U ? b Œ b

Cocoa Cantata—Piano/vocal Score

∑

Pno.

Bobby

Moderato, q = ca. 100

w ? bb w w

mf

74 3 ° b œ^ #>œ. ‰ Œ œ #œ J &b

{

∑

b & b #˙˙˙ > >˙ ? bb #˙˙ ø

ø

ø

∑

Ó

{

Won - ders Inc.

w ? bb w w w w

∏∏∏∏∏∏

ff

>˙ ˙

œ œ œ œ œ™ J

3

‰ œ œ œ œ œ œ œ > Not ac - cord - ing

j ‰ œœ œ >. j œ ‰ œ >.

is toss - ing a

Œ

>˙ ˙

Œ

Ó

> w w #w w w > ø

œ

Œ

˙™ # ˙˙ ™™

Œ

œ œ œ œŒ

‰ #œJ

˙˙ ™™ ø

Œ

life - sav - er

∑

∑

to your board of di - rec - tors.

ff 77 >œ œ œ > œ œ œ >œ > œ ˙ °? b >œ œ #œ ¢ b 3

b &b Ó

Pno.

w w w w w w

w #w w w #w w

f3

#>œ. #œ ‰ Œ J

∑

3

sa

¢

? bb

far more than that.

3

is worth

of - fer is ver - y gen - er - ous.

ru

Bobby

This

b w &b w w

Pe

Amara

{

3

A- mar - a,

∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

3

My com - pa - ny

œ^ œ œ #œ œ œ œ œ œ Œ J

f

Bobby

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? b ‰ ‰ >œJ œJ œ œ™ ¢ b

‰ œj œ œ œ œ œ œ f

co re

Amara

Moderato, q = ca. 100

(Amara and Bobby return to their argument.)

lS

° b &b 71

7

Œ

mf

par - don the pun—

j œ ‰ Œ œ >.

mf

∑ Ó

to

Cocoa Cantata—Piano/vocal Score

8 80

Ó

œ ˙ > ? b œ ™ œ #œ ¢ b

{

When a >œ œ œ >œ Œ ≈ J‰Œ

Bliss Con - fec - tions.

83

Amara

Ó

#w w w > ? bb #w w w >

° b ¢& b

{

bœ œ œ

œ œ œ

tain - a - ble

co - coa

° b ¢& b >œ

Pno.

{

ru

ø

œ

œ ≈ œ™ œ œ

œ œ

3

fair trade prac - tic - es,

≈ b & b ˙˙˙ ™™™ > ≈ > ? bb ˙˙˙™™™ ø

œ > ze

farms,

Pe

Amara

˙

sa

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

bw w ? bb b w

85

>œ œJ ‰ Œ

˙ >˙ ø

b bw &b b w w

Pno.

>œ Œ œJ ‰

>œ œ œ ˙ bœ

‰œ œ

com - pa - ny com - mits

to sus-

∑

You’re in the red.

b &b

Pno.

Œ ‰bœ œ

Adagio, q = ca. 84

Adagio, q = ca. 84

bw w w

mfpoco

bw w w

co re

Bobby

∑

œ

lS

Amara

mf

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

° b &b

it can

Œ Œ

- ro

œ œ œ œ 3

ø ‰

œ

de - for - est - a - tion,

j œ

and

w nw w > > w w nw

Più mosso, q = ca. 92

œ>

bite

œ œ œ œ™

Œ

in - to prof - its.

j œ œ bœ. ‰ > mf >œ. œ ‰ J

‰

œ œ But the

Œ

Ó

Œ

Ó

Cocoa Cantata—Piano/vocal Score

° b > ¢& b œ œ œ œ

j œœ œ >>. œœ.

J

b & b ˙˙˙ > ? b >˙˙ b ˙

° b2 œ &b 4 89

Pno.

? b2 ¢ b 4

{

{

A tempo (q = ca. 84)

b3 &b 4 Œ

Pno.

Yes,

? bb 43

mf

poco rit.

3

œ œ œ œJ >

par - don the pun.

Œ

≈ ∑

≈ ‰ Œ

are a

U ∑

2 4

3 4

U 2˙ 4˙ ˙ ˙ 2U 4 ˙˙

˙˙ ˙ ˙˙ ˙

f

You

4 w 4 w w f

4 w 4 w w

œ œ œ œ œ œ œ 3

are the

3 4

won - der

poco rit.

4 >œ 4

œ. œ ≈ J ‰

mf

3

A- mar - a Bliss prod - ucts

sa

°? b 3 ‰ ¢ b 4

2 4

> b>-œ ™ œ œ œ œ œ œ ™ œ œ œ 2 œ^ bœ U œ 4 f

5 4 Œ

∑

2 4

∑

> ≈ nœ œ > œ nœ. b 2 œœ 5 b J ‰ 4 bb˙˙ ™™™ & 4 œ f >˙ œ 5 bb>˙˙˙ ™™™ ? bb 42 œœœ Œ 4

92

Bobby

‰

5 4

Œ

n≈ w w w ≈ w nw w w

œœj ‰ œ. œœ.

J ‰

‰

3

Re - mem - ber de - li - cious, Bob -by?

ru

Bobby

de - li - cious.

Pe

Amara

3

3

choc - o - late tastes twice as

3

co re

{

>œ œ œ œ œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

f > >œ ≈ œ™ 2 n œ j œ™ ‰ ‰ œ œ œ œ 4

Meno mosso, q = ca. 84

lS

Amara

poco rit.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

87

9

3

e - pit - o - me

3 4 3 4

œ of

Cocoa Cantata—Piano/vocal Score

10

°? b >œ ¢ b

ff

94

{

Amara

Pno.

ff

{

2 #˙˙˙ &4 f # ˙˙ ? 42 ˙ ø

4 4

I have earned

∑

w 4 bwbw 4 w

Intense (l’istesso tempo)

4 4

2 nn 4

ffsub.

≈™ œ bœ b>œ œ œ b >œJ n œ œ ‰

to

ben-e - fit

co re

Œ

nn 42

œ J

lS

¢

? 42

p

> ##n˙˙˙˙

bw w ø

{

bb>œœœ nnœœœœ. ‰ Ó & J >œ n>œ. bœ œ ?

J ‰ Ó

##>˙˙ ø

99 f ° b>œ b>œ >œ. ‰ Œ ‰ œ œ^ œ œ bœ œ bœ œ œ J J ¢&

P R stunt!

˙ nn>˙˙˙ b˙˙ > ø

≈ ∑

Big Choc - o.

œœœ œ≈

It’s a

Œ

≈ œœ

Œ

œ œbœ œ œ œ œ œ™ >œ œ™ >

I won’t merge and be - come a sub - sid - i - a - ry

b˙˙˙˙ v ˙˙^

and—

w #w w

> ° 2 ‰ œf œ bœ œ 4 b>œ œ œ œ b œ n œ ™ 4 &4 3 œ

2 nn 4

mf

Intense (l’istesso tempo)

good will

3

œ J

œ

w #w w

‰

Œ

And ex- ploit the

> œ œJ

f #>œ œ

We should join for - ces

sa

Pno.

Œ

>œ. œJ

Pe

Bobby

>˙˙ ™™ ˙™

? b >˙˙ ™™™ b ˙ ø

96

Amara

Œ

In - die Choc - o!

b &b

Pno.

œ

œ

ru

Bobby

>œ œ™

bb˙˙˙˙ > f b>˙˙ ø

of Bo - by Won - ders’

œœœœ > >œ œ ø

œœœœ > >œ œ ø

Cocoa Cantata—Piano/vocal Score

ff bœ > # ™ ° >œ bœ ™ œ #œ >œ œ Œ ¢& 3 102

choc - o

ff

° & #œ œ > 105

Amara

coun - ter

Bobby

° & ¢

pro - pos - al.

{

j 3 œ 4 bbœœ œ ‰ Œ > v mf ff >œ b œœ^ 3 œ J ‰ Œ 4

Ó

Œ

Œ

>œ

Ó

f

bb˙˙˙˙˙

ø

f

3

œ œ œ bœ

you think

œ œ œ #œ

I’m

3

do - ing

this

∑ ∑

> bœ œ œ œ œ œJ ‰ #œ œ ‰ v

You can’t stand com - pe - ti - tion,

œ œ bœ œ ˙ J 3

> ˙˙˙

∑

˙

‰ œj

and draft a

ḃ>˙ ˙

4 4 bb˙˙ ˙v f 4 bb˙˙˙^ 4

sa

ø

∏∏∏∏∏

&

back to my board

Why do

?

&

Pno.

œ

∑

w & #w w w > > w ? #w w

107

Amara

œ œ

?

{

3

I will go

bœ œ œ œœ œ J œ œ v 3

ru

Pno.

¢

‰ Œ

Pe

Bobby

‰ Œ

> œ b œœ œ b œ n œ ? œ b œ œ #œ J ø ø p sub.

Œ

oc - to - pus!

b>œœ b œ n œ & œœ bbœœ œ # œ J

Pno.

f

co re

{

glob- al

3 4 Œ

b>œ œ œ 4 4

lS

Amara

11

&

rit.

∑

Bob- by.

∑

∑

A- mar - a?

>˙ ˙ ˙˙˙ ˙

> œœœ.

J

rit.

‰

Œ

j ‰ b œ b œœ >.

Œ

Ó ?

j ‰ Œ #œ # œ. >

> b˙˙˙˙ b>˙˙˙

œœ ™™ œœ™™ œœœ ™™™

‰ ‰

Cocoa Cantata—Piano/vocal Score

12

°? ‰ ¢ 112

Pno.

{

Bobby

Pno.

nœœœ

œœ œ

ø

ø

ø

nœœœ

mf

œ J

œ

We

pay

? #œœ

œœ

°? ‰ ¢

{

U œœ

œœ

œœ œ

114

Won - ders

U œœ œ

& #œœœ ø

you.

>œ œ œ œ >œ

ff

#œœœ

ø

>œ œ

ø

mil - lions more

& #œœœ

œœ œ

ø

ø

? #œœ

œœ

Inc.

com - mit - ted,

too.

is

œ

mf

œ

fsub.

œœ ø

ø

f

œ #œ œ œ > œ

for

œœ œ

3

œ

cer - ti - fied co - coa,

U ˙˙ ˙˙ > fsub.

U >˙˙ ˙

#œœœ

œœ

U œœ >œ U >œœ

œœ œ

ø

ø

Ϫ

U >œ

œœœ

tens of mil - lions ex - tra

˙˙ >˙ ff >˙˙

œ

œœœ

#œœ

Pe

Bobby

ad - mire

œ

œ œ™ œ œ f

co re

? #œœœ

#œ

lS

{

mf

I

œ œ œ™

U œ

sa

Pno.

& #œœœ

#œ ™ mf

ru

Bobby

Andante, q = ca. 80

°? ¢ Œ 110

#œœ ø

ø

ff

ff mf œ >œ œ œ œ œ œ 3

U ‰

to cer - ti - fi - ca - tion firms

˙˙ ˙ > ffsub. >˙˙ ø

œ œ #œ

U > œ ˙

But de - mand - is - high.

U œœœ

#œœœ

ø

ø

mf

U œœœ

#œœ

U ˙ nb˙˙

ffsub.

U ˙ b n ˙˙ ø

mf

U œ

Cocoa Cantata—Piano/vocal Score

Amara

U ∑

Bobby

¢

?

{

>œ œ™

œ

œ

>œ œ œ U #œ

than you can sup - ply.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

#œU œœ œ mf U # œœ œ

ø

ø

° ‰ j œ #œ œ nœ œ ¢&

{

A tempo (q = ca. 80)

When

Amara

° Œ ¢&

{

ø

ø

poco rit. > # œ œ œ œ œ™

3

sa

there were

ø

A tempo

? #˙˙˙

poco rit.

ru

ø

& #˙˙

Pno.

out

U ##w ww U w ##ww w

n˙˙˙

? #˙˙˙

120

start - ed

œ œ

Pe

Pno.

I

˙ n˙˙

& #˙˙˙

#>œ

fluc - tu - ates.

U ∑

lS

Amara

So the mar - ket

3

High - er

˙˙ ™™ ? ˙™

118

#>œ œ U œ™

3 > ‰ #œ œ œ œ J

mf

˙™ & ˙˙ ™™

Pno.

mf

poco rit.

co re

° & 116

13

on - ly

f

#>˙˙ ˙ ˙ #˙˙

b-œœ

-œœ

bœœœœ^ ‰ J f b œœœ^ J ‰

3

ø

‰

Now there’s an In - die Choc -o glut.

œœ -œ

≈ ˙˙ ˙ ≈ ˙˙ ˙

≈ œ œ œ œ

bou - tique choc - o - lat - iers

ø

bœ^ œ œ bœ œ œ œ J ‰ bœœœ -

a few

œ œ

œ #>œ nœ œ œ œ œ #œ œ J

mf

Our cus - tom - ers

#œœ œ

mf

# œœ

will ac - cept

n˙ # ˙˙

œœ

n˙ # ˙˙

œœ

ø

a

° œ^. & 122

Amara

bump

Bobby

Pno.

? Ó ¢

{

j œ & #œœ. v œœ^. ? J

Cocoa Cantata—Piano/vocal Score

œ

U œ

nœ

in

cost.

U Œ

‰ ‰

U œœ œ

nœœ œ

Amara

Bobby

Pno.

? 43

Bliss

Œ

Ó

bœ J

>œThey’ll œ

ru

Pe game, Bob- by?

{

Bar?

af - ford

> bœ bœ

Œ

>œ bœ > b >˙ œ œ œ œ

f

œ

3 4

œ

What’s your

3 4

lS

Œ

ø

3 & 4 œœœ > >œœ 3 ?4 ø

a

ca

œ

w w

Kids don’t get them on Hal-low- een.

° 3 >œ &4 b>œ œ ‰ Œ ¢

bb>œœ ø

3

> w ? w w w >

126

no - one

w w

>œ œ b >œ œ œ >œ œ œ ?

{

œ

Ó

∑

& Ó

Pno.

œ >œ

b œœ

U œœ

n œœ

° & ¢

‰

bœ œ œ œ œ™

sa

Bobby

œ J

mf

’Til

124

Amara

∑

Œ

co re

14

∑

4 4

nev - er know how good they taste.

> w w w w Œ ø

∑

b >œ œ œ œ > œ œ œ œ œ 4 J 4 f

3

Œ

Œ

Œ

4 4 bw w w > 4 w 4 w >

3 4

˙™ ˙™ >

œ >œ œ œ œ b>œ œ U J poco rit.

"b b

An - y- one who loves it.

U ∑

3

Who do you make choc - o - late for?

Œ

3 4

∑

b>˙˙˙ ™™™ >˙˙ ™™ ˙™

poco rit.

ø

U >œ œ U œœœ

bb "

bb bb

{

Cocoa Cantata—Piano/vocal Score

Pompously, q = ca. 92

mf

{

You know as well

? bb ˙ ˙

136

Pno.

{

Bobby

Pno.

°? b ¢ b

{

j œœ ‰ œ. j œ ‰ œ.

Bliss Bar cus - tom - ers

3 4 ˙™ ˙˙ ™™ > 3 4 >˙˙ ™™

œ. œ ‰ 4 J 4w w w w .œ > J ‰ 44 w w >

car - bon foot - print de - letes

j œœœ >. j œœ >.

‰

j‰ œœ œ. j œ ‰ œ.

an - y

>-œ

œ 3

think they’re

b &b Ó > w w ? bb w w w >

‰

œ so

>œ 3

green,

>˙ ˙˙

œ J

œ

œ

˙˙ >˙ ˙ >˙

j œœœ >. j œœ >.

‰

œ. œ ‰ Œ J

‰

Œ

œ J

˙™

are coast - al

e - co ben - e - fits

3

be - cause of

œ.

>œ

sus - tain

e -lites

Ó

> w w w w w > ø

3

a

j œœ ‰ œ. œ. œJ ‰

˙™ >˙ ™ >˙ ™™ ˙˙ ™ ø œ -

ble

whose

Œ œ ‰ J

ac - crued.

œ -

j œœ ‰ œ. j œ ‰ œ.

œ >œ œ œ œ ‰ ‰ J J

>œ œ >œ œ > œ œ œ œ œ œ œ œ œ 4 ‰ 4 J

b &b œ œœ > ?b œ b >œ

139

j‰ œœ œ. j œ ‰ œ.

Pe

Bobby

˙˙˙

j‰ œœ œ. j œ ‰ œ.

>œ œ > œ œ œ œ œ 3 4

as I

≈ j ‰ œ œœ œœ œ. > ≈ j œœ ‰ œœ >.

mf

°? b ¢ b

≈ > œ œ

j‰ œœ . j‰ œ.

sa

Pno.

˙˙ >˙ ˙ >˙

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b &b

j‰ œœ . j œ. ‰

poco rit.

co re

> °? b ‰ >œ œ œ œ™ J ¢ b A tempo

133

Bobby

j ‰ j ‰ œj ‰ œœ œœ œ œ. œ. œ. j ‰ œj ‰ œj ‰ œ œ. œ. œ.

ru

Pno.

b & b œœj ‰ œ. f ? b j‰ b œ œ.

lS

129

15

They

j ‰ œœ . œœ. ‰ œJ >œ

beans;

˙˙ >˙

Œ

Cocoa Cantata—Piano/vocal Score

> °? b -œ ™ œ œ œ œ™ ¢ b >

Pno.

> ? b ˙˙˙ b

>˙ ˙

ø

Pno.

>œœ n b œ 3 4 ø

Œ

U œœœ

Œ

ff

‰

‰

3

b &b j œœ . ? bb œj œ.

Mass pro - duced can - dy meth,

° b ¢& b >œ

{

At

œœ œU

-œ^ ° b ‰ œ œ œ b œ œ J ¢& > f

3

148

Amara

go - ing there?

3 bnœ>œœ 4

‰

‰

j œœœ . j œœ .

don’t

b & b #ww w > > w ? bb #w w ø

‰

œ know

‰

j œœ ‰ -v -œœ^ œJ ‰

4 4 j b œœ .

4 œj 4 œ .

‰

>œ

œ

œ J

f

ff

Œ

j ‰ n œœ. œ j œ nœ. ‰

‰

ad - dict - ing

Œ

that these sweet - ies

will

lead

w #w w > > ww w ø

3

j œ

in - no - cent kids.

ff œ œ œ J œ œ J 3

to

j bœœ ‰ Œ -v -œœ^ bœJ ‰ Œ

œ œ œ #œ ™ > 3

w w w > f #w w w >

œ

œ œ œ

ff

3

>œ

œ J

2 4

least I’m not mar - ket - ing death.

j œ

3

6

3

f

3

are we

2 4

-^ ‰ œJ 44 œ œ œ œ œ œ bœJ ‰ Œ >

œ œ bœ 43 n>œ œ œ U œ

Oh,

6

3

3

b2 & b 4 b˙˙˙ > ff > ? bb 42 bn˙˙˙

{

œ > œ œ œ œ œ

œœ >œ ø

With tension (l’istesso tempo)

{

.j œ œœ ‰ 3 œ œ œ œœ œ œ J. œ œ œ œ >

f

ø

° b 2 f>œf ¢& b 4

2 4

at - ti - tude.

œœ >œ

Pe

Pno.

of

˙˙ >˙

146

Amara

load

b & b ˙˙ >˙

143

Amara

a

œ.

J ‰

ff

œ

lS

{

it’s just

sa

Pno.

But

ru

Bobby

œ^ œ œ™

f

œ J

141

co re

16

di

-

They

Ϫ

a - be - tes...!

Cocoa Cantata—Piano/vocal Score

b &b

j œœ ‰ Œ œ

°? # 2 ‰ ¢ #4

{

°? # #

œ

œ

If

I

may

œ œ 44 œ

3

in - ter - rupt

Più mosso, q = ca. 84

∑

{

˙ >˙ ? ## >˙˙

3

for

a

j œœ ‰ Œ œœ >. j ‰ Œ œ œ >.

Ó

## 2 4

Ó

## 42

poco rit.

are right—

j œœ ‰ Œ >. >œ. œ J ‰ Œ

∑

bœ

j b œ bn œœœ

‰

nœœ J

q = ca. 76

‰

Ó

poco rit.

˙ >˙ >˙˙

U nb˙˙˙˙ U Ó

U > Œ ‰ ‰ œJ

mf

3

U ∑

>œ œ œ œ œ n˙ >

yet both of you

U Ó

mo - ment:

4 œœ 4

Più mosso, q = ca. 84

## 2 4

œ œ nœ

4œ 4 œœ

Both of you

Ó

did.

j ‰ œœ # œ. j œœ ‰ # œœ .

>. ? ## >œ nœ œ œ œ œJ ‰ ‰ œJ ¢ ## &

Pno.

3

mf

Pe

Snack.

œ J

‰

## 2 & 4 ˙˙˙ > mf ? ## 42 >˙˙

155

Bobby

Ó

if they

lS

Pno.

œœœ J ‰ Œ

would plum - met

˙˙ ™™ >˙ ™ ˙˙ ™™ ™ >˙

Ó

Andante, q = ca. 76

153

Snack.

Sales

j œ. ‰ Œ >

co re

{

?b b

œ^ œ ™ œ >. #œ.

œ J

sa

Pno.

>Ϫ

Ó

ru

Amara

are wrong.

q = ca. 76

nb>˙˙ >˙ n˙ ø

˙˙ ˙˙

U œœ œœ

∏∏∏∏∏∏∏∏∏∏∏∏∏

œ.

J ‰ Œ

150

∏∏∏∏∏

° b ¢& b

17

U œœ œœœ ø

A-

Cocoa Cantata—Piano/vocal Score

18

°? # œ œ œ œ œ œ #

Più mosso, q = ca. 88 >

? ##

{

Snack.

Più mosso, q>= ca. 96 lo

° ## 2 & 4

‰

>œœ œ J >œœ J

{

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

˙ ? ## 42 ˙ °

œœ œ

‰ ‰

your

Œ U > bbb˙˙˙ bb ˙˙ ˙ > u ø

œœ

> 4 bœ œ bœ 4 bœ> 3

œ J a

? ## 42 œ œ ™ œ œ mire

‰ Œ Œ

œ

plea - sure to meet

4 Π4 bw bw w 4 bw 4 bw w

œ

you.

>j . ‰ œ bb œœ bœ

Sour

Ϫ

mf

‰ > œœ

. œ œ

œ œ 2 4 I

b>-œ ‰ ≈ Œ J

Œ

4 4

≈ ∑

Œ

b>˙ 4 b˙ 4

≈ Ó

Œ

4 4

Uh,

Salt Crunch.

bœœ>œœ. ‰ œœj b ‰ œ.

J > mfsub. >œ. >œ. b œ b œ 3 œJ J ‰ ‰ 4

3 4

4 ‰ 4

∑

> .

3 œ œ >œ bœJ ‰ 4

3 4

ad -

2 4 2 4

Sost. Ped.

3 4

U fœ 3 ‰ ‰ J 4 3 U >œ Hel œ 3 4

Œ

ø

Bliss,

∑

# 2 & # 4 ˙˙˙

Pno.

Ms.

## 3 œj & 4 œœ. ‰ f œœ. ? ## 43 J ‰

¢

œ J

>-œ

œœ œ œœ

Ó

°? # 3 œ ¢ #4

162

Amara

˙˙

3

molto rit.

‰ Œ

ru

Pno.

j œœ œœ >.

Più mosso, q = ca. 88

3 4

sci -en - tist from the Fla - vor Lab.

Ó

Pe

Snack.

head

∑

? ## ˙˙˙

160

the

co re

{

## &

Pno.

this is Snack - wright,

lS

¢

‰ œJ

3

mar - a

Snack.

œ

b >œ œ œ U œ œ n œ œ œ œ

molto rit.

sa

Bobby

>œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

158

3 4

thanks.

≈ ∑

3 4 3 4 3 4

Cocoa Cantata—Piano/vocal Score

165

Amara

Snack.

¢

œ œ œ œ > œ

How are we

? ## 43

both

∑

{

U j ‰ nœœ œ b-œ >œ > U >-œ >œœ n b œ bœ ‰ œ J

# 3 & #4

˙™ >˙ ™ ? ## 43 >˙˙ ™™

Moderato, q = ca. 120

°? # #>œ œ œ U Ó ¢ # se - cret.

U > w w ? ## w w w > u ø

°? # 3 n>œ ¢ #4 172

Snack.

Pno.

{

2 4

>œ

Ϫ

Choc - o

## 3 nœj & 4 œœ > ff > nb œœ ? ## 43 J

Ex

Allegro, q = ca. 144

‰ ‰

riv - al - ry

œœœ

œœ >œ œ>œ

œ -

po.

j œ œ J œ nœJ ˙ ˙

be-tweenyou

is

4 nbw w 4 w w > ø

accel.

3 4

U œ 3

U œœ œ œ œU

2 œ^ œ ‰ ‰ œ œ 3 4 4

so - cial me - di - a,

3 4

j ‰ Œ œ n œœœ v f 2 ^ 4 bnœœJ ‰ Œ

Allegro, q = ca. 144

ff

on

Moderato, q = ca. 120

Pe

Pno.

Trash - talk

ru

## Ó &

U >˙ ˙

4 b>œ nœ œ 4 4 Ó 4

œœ œ

accel.

sa

{

no

∑

f 2 bœ^ œ œ nœ 3 b>œ nœ œ œ œ œ 4 4

168

Snack.

4 4

The

lS

Pno.

U > n bœ- œ œ œ > right and wrong? mf 3 U Œ Œ ‰ ‰ nœj

co re

° ## 3 & 4Œ

19

3

3

gos - sip

2 œj 4 b#œœœ v f ^ 2 nœœœJ 4

∑ ∑

, mfsub. Adagietto, q = ca. 80 œ 2 bœ œ ™ œ J 4 How

‰ ‰

-

ev - er...

2 bnœœj 4b œ . mf .

2 bn œœJ 4

at the

‰ Œ

3 4

‰ Œ

3 4

bœ

4 4

I’ve

Adagietto, q = ca. 80

‰

Œ

4 4

‰

Œ

4 4

Cocoa Cantata—Piano/vocal Score

°? # 4 bœ œ œ œ b œ # n œ œ 4 ¢

b>œ œ #œ œ n œ # œ n œ œ ‰ J accel.

174

{

## 4 Ó & 4 Œ

Snack.

° ## 5 Ó & 4

>œ œ œ √ n œ > œ n œ œ ? ## 45 ¢

{

°? ¢

{

&

Pno.

3

3

3

√ > nœ nœ nœ > ƒ √ œœ œœœ ƒ

> œ # 6 bœ nœ #œœ œœ œ nœ œ >

Ó

p

w nw w w ø

Più mosso, q = ca. 96

Pe

Œ

ffsub.

>ø

Allegro, q = ca. 132

ff

^ ? #w w w wv ø

∑ ∑

Ó

>œœ >-

f

w w w w

3

3

A new kind?

f

5 4

Meno mosso, q = ca. 72

>œ b œ œ œ U ˙ 4 ‰ ‰ J 4

nn

ff

3

Im - pos - si - ble!

U Ó

nn

Meno mosso, q = ca. 72

˙ ˙ ˙

4 Ó 4

˙˙ ˙˙˙

U > n w 4 b# nw w w 4 w w > u ø

rit.

Œ

œœ # œœ œ #œ

5 4

,n n

4 Ó 4

Ó

A

U ˙

ff >œ n>œ bœ 4 ˙ b ‰ ‰ J 4

rit.

new kind of choc - o - late.

> ? ## 45 nn˙˙˙ n˙˙

178

Snack.

√ ∑

? ## 45

## 5 Π& 4

Pno.

√ Œ

Più mosso, q = ca. 96

3

sa

Bobby

˙˙ ™™

nœ ? ## 44 bbnœœœ

176

Amara

bb˙˙ ™™

œ ‰ ‰ J 45

that per - tains to both of you.

ru

Pno.

> bœ Œ bœ

made a dis - cov- er - y

lS

Snack.

ff

f

co re

20

œœ

œœ

œœ

U ^ n#b˙˙˙˙ v u

,n n nn

‰ b œœ n œœ # œœ ff

j œ

ff

We

°? > ¢ œ 180

{

3

know

œ

j œ œ #œ the names

of

coc - coa

& Ó

Pno.

°? b>œ bœ œ œ ¢ 3

n>œ

ff

Pno.

sa > ##n ˙˙˙

ru

bb ˙˙˙

> #n˙˙˙

ø

{

œ 3

Four types

Ó & #w#w w w > f ? #w #w w > ø

3

j #œ œ

j œ œ

3

œ

3

#œ

>œ

#œ œ œ

> ˙ ˙

from the ca - cao

of beans

For - as - ter - o,

3

œ >

n˙˙˙

mfsub.

ø

Œ >œ J #œ #œ

nœ bœ nœ œ mf

˙™

b>œ

tree.

Now

∑ w w w w ø

Tri - ni -

n˙˙ ˙

w w w

ø

œ

> œ œ œ bœ œ œJ œ œ bœ J 3 3

˙™

‰

ffsub.

? bb˙˙˙

f °? >œ ¢

œ œ J

Na - cion - al.

Pe

{

3

tar - i - o,

186

Snack.

‰ ‰ œj >œ

> 3 3 œ b œ œ 3 œ #œ œ #>˙˙ b œ œ ˙ & œ œ œ œ #œ bœ Œ > ? ˙˙ #˙˙ Ó ˙˙ >˙ ø ø

&

Pno.

w w w w

3

Cri - ol - o,

184

Snack.

œ

f

3

Œ

{

j œ >

Ó

co re

Pno.

beans:

‰ ‰

> ? #w w w w >ø

°? Ó ¢

˙ 3

Œ

182

Snack.

œ

œ

21

lS

Snack.

Cocoa Cantata—Piano/vocal Score

mf

bbw w w > w bbw w > ø

3

œ œ œ v I

3

j œ œ

have hy - brid - ized

f °? > # œ œJ œ b œ œ œ œ ¢ J

Cocoa Cantata—Piano/vocal Score

˙™

189

{

& ˙˙ ˙

#˙ n ˙˙

? ˙˙ ˙

°? #>œ ¢

>œ

Pno.

{

Bobby

> œ œ

class -ics

Ó b#ww w > > w b#ww

b˙˙ > b>˙˙˙ ø

ø

˙

ø

∑

∑

œ œ

‰

w ww

Œ

∑

Snack.

Pno.

¢

{

Œ

> ˙™ & b#˙˙˙˙˙ ™™™™ ™ > ? ø

b>œ œ ‰ J I

call

∑

œ J ‰

it—

œj œ ‰ œœœœ J

of

Ó

j #œ œ œ bœ >˙ b-œ > mf f

ff

3 > > bœ œj ˙

Wow Ca - cao?!

∑

Œ

( Snackwright holds up the box he had been carrying.)

?

> b˙ b˙

3

and spic - i - est

at Won - ders Inc.

Pe

?

> b>œ œ ‰ #œJ œ œ œ

b>œ œ œ 3

195

Amara

w w w

Bliss beans—splicedwith the

& Ó > ˙ ? #˙˙˙ ˙˙ >ø

° &

#˙ n ˙˙ ø

œ >œ œ œ œ œ J

Ó bbww w w > > bb w w

ru

Snack.

choic - est

w w w

f

192

the

va - ri - e - ty,

new

lS

Pno.

3

3

a

b>œ œ J

sa

Snack.

œ ‰ J

co re

22

ff

œ^

Wow

œ œj >˙ 3

Ca - Cao!

∑ ^ w w #w w w wv

ff

>œ #œ >˙ J

ff

3

Wow Ca - cao?!

˙ > b˙˙˙ ˙ bb˙˙ > ø

Œ > ˙˙˙ ˙˙˙ > ∑ ø

œ ‰ ‰ J

mf

3

Be -

Cocoa Cantata—Piano/vocal Score

Snack.

{

3

3

ff

3

fsub.

bœœ^.

J ‰

mfsub.

? #˙˙ ø

° Ó &

like an exclamation f

>¿

Œ

Œ

Ah.

ff

Snack.

? ^ ¢ œ

{

Wow

Œ

œ

Pno.

{

∑

^ w ? bbw w ø

‰ bœ œ œ œ œ ˙™ ˙™ v mfsub. œ

3

>¿

f

Œ

ff

>œ

Ah.

3

> œ ˙ J

œ

>r # œœ œœ # ™ ‰ œR >

Œ

œœ ™™™ œœ ™ œ™

w w w w w w

∑ > bw w w w > ø

3

#>œ

œ >˙ J

> > œœœ # w w w œœ #w w > >

>œ #œ >˙ J 3

Wow Ca - cao!

w w w w w w

f

Or - gan - ic

ff

Wow Ca - cao!

Ó

> # ˙˙ ™™™ #˙˙˙ ™™ >

mf

j œ ‰ œ.

>œ #œ >˙ J

3

Wow Ca - cao!

˙

3

Wow Ca - cao!

j bœ bœ ˙ œ ‰ ‰ bœj œ œ bœ œ v

f

Next!

w & bbw w v

˙˙^

3

3

Wow Ca - cao!

Pe

^ w w ? #w w w wv

°? ¢

Œ

ru

Œ

ffsub.

204

Snack.

j œ >˙

Ca - Cao!

& Ó

Pno.

3

˙˙ ˙v

lS

? Ó

>. j œ 3 bœ œœ œ ‰ œ œ œ J. œ bœ œ > 3

ff #>œ œ >˙ J

sa

Bobby

like an exclamation

∑

goes pow!

j j œœ ‰ bbœœœ ‰ Œ >>. >œ. > œ ‰ bb-œœœ ‰ Œ J J

j ‰ œ bœ. v

201

Amara

œ b>-œJ ‰ œ ˙^ J

cause when it hits your mouth, the taste

& #˙˙

Pno.

>œ

œ œJ bœ^ œ J f

co re

°? #œ ¢ 198

23

fer - men - ta - tion,

‰ ˙˙˙ ™™™ ˙™

œ. ‰ J

mf

3 j œ bœ œ bœ œ œ œ j ‰ œ œ. > mf f mf .j œœœ ‰ œJ .

°? ¢ Œ 207

Snack.

Pno.

{

Cocoa Cantata—Piano/vocal Score

œ #œ ™ œ œ œ #œ nœ J œ

>œ. # œ œ œ J ‰ & #œœœ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ > 3 f . > ™ w ˙ œ ™ ˙ œ ? #w ™ w ˙ œ ‰ J So - lar - pow - ered roast - ing 3

3

°? b˙ ™ ¢

Pno.

> bw w bbw bw w >

3

œ.

J ‰

œ˙ J

na - no map- ping hap - py chem - i - cals

lS

swim - ming

in the pure

liq - uor.

> j b œ ‰ œ œ bœ œ œ œ œ œj ‰ #w nw w . > 3 mf f mf .j ˙˙˙ ™™™ œœœ > w # w ˙˙ ™ œœ ‰ n w ™ J.

∑

> bw w b ? bw w w >

°? b>œ œ >œ œ œ œ ¢

{

3

sa

{

3

3

216

Snack.

>œ

∑

>œ. œ œœœ J ‰ œ œ œ œ œ œ œ œ j j ‰ b œ ‰ œ œ œ œ œ œ œ œ œ œ & bœ œ œ œœœ . > >œ 3 3 f 3 3 f mf .j > w ˙˙ ™™ œœ. ˙ ™ œ w ˙ ™ œ ? ˙™ œœ ‰ J ‰ ˙˙ ™ œJ ™ .

213 ^ °? Œ b œ œ œ bœ œ ˙ j œ œ œ bœ ™ Œ ‰ œ J ¢ &

Pno.

mi -crogrinding - downthe

Mi - nute - ly

ru

Snack.

{

nibs,

œ bœ œ œ bœ œ

Œ

3

3

œ. bœ œ œ œ œ # œ J ‰ Œ

Pe

Pno.

ov - ens,

3

210

Snack.

œ. ‰ J

œ

co re

24

3

ca - i - brat - ing lev - els

& #˙˙˙ ™™™ > ? #>˙˙˙ ™™™ ø

œ

f #>œ œ

of

Caf - feine!

j œœœ ‰ #œœœ ™™™ . > œœœ. ‰ #>œœ ™™ J

Œ

nœ #œ

#>œ #œ nœ ˙

#œ œ

3

Phen - yl

eth- yl - a - mine!

3 > w j bœ nœ #œ #œ œ œ œ #w w œ p sub. f > nœ #œ n w b œ w œ œ œ œ œ J 3 ø

The - o -

Cocoa Cantata—Piano/vocal Score

{

3

bro - mine!

™ & #œœœ ™™ > >œ ™™ ? œ

An

3

p sub.

&

ø

3

j œ œ bœ œ #œ #œ œ œ

°? w ¢

Snack.

Pno.

{

Su - gar,

>˙ ##˙˙˙

˙ ˙

b˙˙ ø

3

go

in - to

#˙˙˙ > >˙ ? n#˙˙

˙™

ø

## ˙˙

a

bar

œ #œ #œ J #œ J J

va - nil - la

and

˙˙˙˙

n#˙˙˙

ø

&

ø

œ^ œ #œ >˙

œ

that

lS

in - gre - di- ents,

#w w > ø

?

sa

& #n˙˙ > ø

225

3

se - cret

Pe

Pno.

Œ

an - da - mide!

n>œ #œ #œ >œ

ru

{

&

3

>œ œ J

f

°? >œ #œ #œ œ bœ œ ‰ œJ ¢ >˙ ˙

-

œ

> w j œ œ œ œ bœ nœ #œ ##ww œ

222

Snack.

>œ #œ œ J

œ ‰ ‰ J

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

œ

co re

Snack.

219 °? >œ #œ œ ¢

25

3

shat - ters

all

^ ˙ ˙ #˙

˙˙˙ > >˙˙

#>˙˙˙ b>˙˙

˙˙˙^

ø

ø

ff

Œ

sense:

ø

>œ œ #œ ˙ Œ

b œ. œ œ œ 3 3 bœnœ#œ#œ œ J ‰ œ œ œ œ & # œ n œ # œ b œ 5 œœ #œ #œ œ œ 3 > mfsub. p ff . > ^ œ 3 #œ œ œ œJ ? #w # œ 3 # œ ? #œ #œ #œ #œ œ œ n œ # œ w œ ‰ œ n w & bœ nœ #œ#œ œ nœ nw 3 5 n wv

3

To - tal Ca -cao!

∑

Cocoa Cantata—Piano/vocal Score

26

° & 228

Amara

∑

Œ

b >œ œ œ ˙

{

&

Pno.

> #œ

? ˙˙˙ ™™™ ˙™ ˙™

3

œ œ #œ œ œ

3

° & 231

Snack.

? ? ¢ Œ

{

& Ó

Pno.

> w ? #w w w w >

Œ

b >œ œ œ ˙ 3

To - tal Ca - cao!

b>œ œ œ ˙ 3

∑

3

To - tal Ca - cao!

>˙ >œ œ #œ 3

To - tal

> bbw w w

> bb w w w ø

Ca - cao!

>˙ >œ œ #œ 3

To - tal

Ca - cao!

#>œ œ œ >˙ 3

To - tal

œ œ œ œ

œœ. ‰ œJ œœ. œ ‰ J

˙˙ ™™ ˙™

To - tal Ca - cao!

>œ œ #œ ˙ #>œ

˙˙ ™™™ ˙

> bbw w w

Œ

∑

∑

.j > bw b w œœœ ‰ w œ œJ .

ru

Bobby

∑

3

∑

>œ. œ œ J ‰

3

œ.

J ‰

To - tal Ca - cao!

œ.

J ‰

Pe

Amara

œ

˙™

co re

¢

? ˙™

( Snackwright opens the box, which contains two squares of chocolate.)

lS

Snack.

b>œ œ œ ˙

Œ

∑

sa

Bobby

œ.

J ‰

3

To - tal Ca - cao!

?

˙™

#˙˙ ˙

#w w w > ø

Ca - cao!

> ˙ #˙˙˙ ˙˙˙ >

° &

w

234

Œ

{

5

Pno.

œ

Shock - o!

Œ

bU œ bœ

bœ ‰ J

mf

That name might be

∑

mf

>œ & œJ

mf

>œ

mf

Taste

‰

Œ

too

Ó f

>œ. b b œœJ

Ó

œ #>œ œ œ

U Œ

Allegro, q = ca. 120

Dou - ble Choc - o

˙ ˙ ˙

Ó

∑

°? Œ ¢

{

> b˙ b˙ b˙ >

ru

Œ

U Œ

rit.

Pe

> ? b˙˙ ™™™ bb ˙˙ ™ b ˙˙™™ >

?

the Won - der - Bliss

mp q

˙

√ œ

‰

= ca. 80

long.

Ó

>œ. ‰ œœ J

√ œ ##œœœœœ

∏∏∏∏∏

°? j bœ ™ ¢ b>œ.

240

Snack.

b>œ œ > >œ œ b>œ >œ œ bœ ‰ J J J ‰ bœ ™ œ œ™ J

œ œœ # œ 3 œ œœ œ œ œ ^j ‰ Œ # œ œ & Œ #œ œœ œ œ bbbœœœœ œ 5 Ó 3 ff > mfsub. ? #œœœ Œ Ó j‰ Œ œœ bœ b œv >

{

∑

Andante, q = ca. 96

& Ó

Pno.

∑

I call it

237

Snack.

∑

lS

Pno.

¢

? w

∑

co re

Bobby

Snack.

w

?

27

Andante, q = ca. 96

sa

Amara

Cocoa Cantata—Piano/vocal Score

ƒ √ ∑

Œ Œ

mp

( Amara and Bobby each take a piece, cautiously.

T hey look at each other, and at Snackwright, before popping the chocolate into their mouths.

Each slowly chews, tastes, swallows.)

U Ó U >˙ ˙

#œ it.

U ∑

Cocoa Cantata—Piano/vocal Score

28

Allegro, q = ca. 144

° ¢& 241

∑

{

w b#ww

ø

^ b w w w # bww wv

bw w w

?

Pe

{

ø

ø

> œœ bœœ nœœ #˙˙˙ # œ œ # & ‰ œ œ > 3 3

247

Pno.

Œ

ru

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

?

3

ø

ø

w #w w

‰

sa

244

& ##w ww

bw ww

∏∏∏∏∏∏∏∏∏∏∏∏

∏∏∏∏∏

ww ? b#ww w w

Πbbww w

3

∑

> b˙™ b˙ ™

co re

>˙ ™ ˙™

∑

lS

{

Œ

&

Pno.

∑

∏∏∏∏∏∏∏∏∏∏∏∏

Amara

cautiously tastes chocolate

ø

> ˙ œ #œœ #œœ bœœ nœœ #˙˙ œ > 3 3

3

3

˙™ ˙v ™

w w

> œœ bœœ nœœ #œœœ # œ œ # ‰ œ œ > 3 3

3

ø

3

U ∑

U œœ œ u

"

## 6 8 ## 68

{

Cocoa Cantata—Piano/vocal Score

Ϫ

{

What is

# & # Ϊ

Pno.

>œ ™ œ™

°? # œ n œ ¢ # J

Pe

? ##

°? # ¢ # 260

Pno.

{

n˙ ™ n˙ ™ ø

Ϫ

# & # nnœœœ ™™™ n œœ ™™ ? ## ∏∏∏∏∏∏∏∏∏∏∏∏

Bobby

œ nœ n œ œ nœ

ø

œœ ™™ œœœ ™™™

nn˙˙˙ ™™™ ø

>œ ™ œ™

is

>œ œ œ œ

in

-

Ϫ

ing

œ nœ n œ œ œ

to

this

˙™ ˙™

feel

-

ing

˙˙ ™™ ˙˙™™

™ œ nœ J

˙™ ˙™

flow

™ nn œœœ ™™

œ œ œ

œ

nœ n˙˙ ™™ nœ œ bœ

Ϊ

ø

>œ ™ Œ™ > ˙˙ ™™ ˙˙™™ >ø

>œ œ n œ

∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

flow - ing

nœ ™ n œœ ™™

‰

&

f

What

ru

{

## &

˙˙ ™™ ˙˙™™ œ™

257

Bobby

˙™ ˙™

this feel - ing

? ## ˙˙ ™™ ˙˙™™ ø

œ

sa

Bobby

œœ ™™ œ™

U œœ ™™ ? n>œ ™ ø

me

˙™ nnœœœ ™™™

œœœ™™™

∏∏∏∏∏∏∏∏∏∏∏∏

>œ™ °? # mf œ œ™ œ œ # ¢ 253

U >œ ™ , nœœ ™™

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

˙™ ˙™

∏∏∏∏∏∏∏∏∏∏∏∏

mfsub.

œœœ ™™™

co re

? ## 68

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

˙˙ ™™™ ˙

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

# 6 & #8

Aria: What Is This Feeling œœœ ™™™ nœœœ ™™™ ˙˙ ™™™ ˙ œœ ™™ œ œ™ n œœ ‰ ˙™ ˙™ ø ø

lS

Largo, q. = ca. 52

249

29

n œœ ™™

œœ ™™

ø

ø

>œ

f

nœ ˙ ™ b œ œ nœ #>˙ ™ in

f

˙˙ ™™ >ø

-

œ J

to

Ϫ

me?

mf

‰

{

∑

## ˙ ™ & ˙™ ? ##

°? # >œ ¢ #

{

∑

˙˙ ™™ ˙˙™™ ø

˙™ ˙™

267

Bobby

mf

œ nœ

œ J

œ J

‰

? ## nn>˙˙˙ ™™™

en - er - gy

A

? ##

°? # ¢ #

{

? ##

œœ ™™

of

?

n>œ

ø

œ

œ

œ

nœ J

nn>˙˙˙ ™™™ &

rush

>œ ™ œ>œ ™™

Ϫ Ϫ

ø

˙˙ ™ >˙ ™ >˙˙ ™™ ˙™ ø

,

œœ œ

œ J ‰ ‰

œ œ ∑

& œœ ™™

œ

ø

and

œœ ™™ œ™

n˙ ™ n ˙v ™ ø ˙™

? ## œœ ™™

Pno.

sa

en - er - gy

272

Bobby

Ϫ

ru

{

Ϫ

Pe

Pno.

rush

of

?

nn>˙˙˙ ™™™

n˙ ™ n>˙ ™ ø 269 °? # œ^ œ n œ ¢ # ? ## nn˙˙˙^ ™™™

nœ J

ff

? ##

Bobby

Ϊ

œœœj n ˙ ™ ‰ ‰ œœ ˙˙ ™ œJ nn ˙˙˙ ™™™ A

œ

lS

Pno.

‰ ‰ œJ f

˙˙ ™™ ˙˙™™

ff

nœ ™

Ϊ

∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

263 °? # ˙™ ¢ #

co re

Bobby

Cocoa Cantata—Piano/vocal Score

∏∏∏∏∏

30

Œ™ œœœ ™™ œœœ ™™™

>œ œ œ œ œ™ ec - sta - sy?

#˙˙ ™™ ˙˙ ™™ ‰

‰

œ J

mf

b

My

œœœ œœœ

‰

b

‰

b

{

j œœ ‰ ‰ œ.

taste

buds

&b ‰ ?

mf

b

œ >.

œ.

°? Œ ™ ¢ b 278

Bobby

Pno.

{

°? >œ ¢ b

Bobby

Pno.

œ >.

{

&b Œ™ > ? b ˙˙˙ ™™™ ˙™ >ø 284 œ™ °? ¢ b

{

> œ œ œ

œœœ ™™™ œ™

œ œ

> Ϫ Ϫ Ϫ >

like a kid

ø

>œ

who could sprint

œ ,

>œ œ œœ œ œ b & œ œ œ ?b œ™ œœ ™™

to

œ

j œœ ‰ ‰ œ.

buds

‰

> œ œ œœ J

and I have

>œ J

My taste

f

œ œ ‰ ‰ œ

Ϫ

œ >.

œ.

‰ ‰

tin - gle

‰ ‰

j œœ ‰ œ >. œ ‰ >.

œ >. ‰

œ J

‰

œœ ™™ œ œœ œ> ™ œ œ œ œ f 3 > œœ œ œ œ œ œ œœ œ œ œ™ ˙™ >ø ff > ˙™ œ œ™ J smile,

a

>œ ™™ œœ ™ >œ™

Pe

Pno.

feel

. ‰ œœœœ ‰ ‰ œœœ J > >œ œ. ‰ ‰ ‰ œ œ >.

œ ‰ >.

œœœœ. ‰ ‰ œœ ‰ b & J >œ >œ ? b œ. ‰ ‰ ‰ œ œ >.

281

Bobby

‰ ‰

j œœ ‰ œ >.

‰ ‰ œJ

I

sa

Pno.

tin - gle

Ϊ

ru

Bobby

>œ œ ‰ ‰

31

co re

œ

>œ œ

lS

°? >œJ ¢ b 275

Cocoa Cantata—Piano/vocal Score

3

ff

œœ œ

œ J

mf

ø

ff

œ J

‰

œœ ™™ ™ >œø

buds

>

œ œ˙ ™ œ ˙˙ ™™

>œ œ œ ‰

mf

œ.

œ œ œ

Ϊ

tin - gle

j œœœ ‰ ‰ .

‰

œ >.

œœ ™™ >œ ™

œ

My taste

‰

mile.

‰ ‰ > œ.

œœœj ‰ >. >œ. ‰

‰ œ >.

œ œ œ

œ œ œ

‰ ‰ œJ œœœœ. ‰ ‰ œœ J >œ >œ œ. ‰ ‰ ‰ œ

My

Cocoa Cantata—Piano/vocal Score

32

œ buds

?

b

œ >.

œ.

‰ ‰

Bobby

Pno.

œ œ œ

œ œ

˙™

Ϫ

˙˙˙ ™™™ ˙˙˙™™™ b &

œœœ ™™™ œœœ™™™

°? ¢ b 293

{

? b ˙™ ˙˙ ™™

‰

‰

‰

œ >.

‰

œœœœ. ‰ ‰ œœ J >œ >œ œ. ‰ ‰ ‰ œ

œ J

œ

I

feel

and I

have

œœ ™™ œ™

like a kid

> Ϫ Ϫ Ϫ >

> ˙˙ ™™ ˙˙ ™ ™ > ø

3

œœ ™™ œ™

‰ œœœ œœœ œœ œ

‰

œ J

to

œ™ ø

smile,

œœ ™™ >œ ™ f> œ œ œ œ œ œ œ™ >

ff >œ ™ >œ œ J ‰ J

œ œ œJ ‰ œ œ

Ϊ

œœ œ œ

ru

{

?b œ œ œ ˙™

‰

Pe

Pno.

j œœ œ >.

œ >.

°? œ™ ¢ b &b

gle

œ. >

290

Bobby

-

j œœ ‰ ‰ œ.

&b ‰

Pno.

tin

who could sprint

lS

{

taste

Ϊ

> œf œ œ œ J

œ œ ‰ ‰ œ

sa

Bobby

œ^ œ œ œ ™

co re

°? œJ ¢ b 287

>œ ™™ œœ ™

>œ™ ø

mfmolto

™ œ œ œ œ

Ϫ

a

mile.

>j œœœ œ ‰ ‰ œœJ > > ff œœ ™™ œ™ œœ ™™ œ™ >ø

‰

‰

A - ro - mas and spice

‰ ‰

œœ

˙˙ ™™

mfpoco

j œœ œj œœ œ

œ J A -

œœ

˙˙ ™™

j œœ œj œœ œ

Cocoa Cantata—Piano/vocal Score

297

{

and

j œ œj œ œ

& b œœ ?

spice

œ œ

˙˙˙ ™™™ ˙˙ ™™ v

°? >œ œ™ ¢ b

{

lay- ered

?b

˙ ™™ >˙ø

°? >œ ¢ b

{

sense

˙™ & b ˙™

Pno.

& b ˙˙ ™™™ ˙

Sharp

˙˙˙ ™™™ ˙˙ ™™ v

yet ten

der,

-

œœœ ™™™ œ™

˙˙˙ ™™™ ˙™

ø

œ J

>œ œ œ

A

choc - o - late

œ

œ

with mys - ter - y:

œ œ œ >œ J f

of his - tor - y.

Ϫ

‰

‰

˙˙™™

&

˙ ™™ ˙

Ϫ

poco rit.

&

U œ

‰

b œ^ ™

ff A

‰

f

œ

>˙˙™™

œ

bar

˙˙˙ ™™™ > ø

œ œ œ b œ^ ™

tempo

A tempo U b ˙ ™ ˙ ™ >œ ‰ ? bb˙˙ ™™ œœ œ œ œ œ f ffsub.

U >œ ‰ ? œ œœœœœ bbb˙˙˙ ™™™ Now

poco rit.

œ

œ ‰ œ œ œ œ ?

Ϊ

mfsub.

308

Bobby

œ >œ

˙˙ ™™™ ˙

mf > œ^ J ‰ œJ œ œ œ œ œ œ™

mf

Pe

? b >˙˙™™

Pno.

˙˙˙ ™™™ ˙™

œœ ™™™ œ ø

f

mf

˙˙˙ ™™

fsub.

∏∏∏∏∏

ø

‰

˙˙˙ ™™™ ˙˙ ™™

œœœ ™™™ œ™

œœœ ™™

sa

? b Ϊ

305

Bobby

yet ten - der,

ø

shore,

f

œ

ru

{

Sharp

Ϫ

∏∏∏∏∏

Pno.

œœ ™™ œ™

˙™ ˙™

mf œ^ °? J ‰ œJ œJ œ ¢ b

&b

dis - tant

j œ œj œ œ œ œ

œ œ

b ˙™ ˙™ ø

301

Bobby

œœ ™™ œ™

from a

˙™

co re

Pno.

ro - mas

lS

Bobby

> œ œ™ J

œ

œ ‰ œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Ϫ

°? œ œ œ œ œ œ œ ¢ b

33

f

it’s all

gone

b˙˙˙ ™™™ b˙v ™

&b

˙˙ ™™ ˙™

œ œ with a

œ bœ œ it’s all

Cocoa Cantata—Piano/vocal Score

?b

{

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b˙˙ ™ ? b b ˙ ™™

Pno.

?b

I

want

∑ ∑

mf

fsub.

Pe

{

&b

and

sighing because the chocolate tastes so good

∑

more!

?

> ™ ‰ b œ œ bœ œ œ œ œ œ œ b˙˙˙ ™™™

&b

318

œ J

U ∑

ø

316

Pno.

>œ

˙˙^ ™™ ˙™

˙˙ ™™ ˙™

˙™ ˙v ™

˙™ ˙™

&

mf

˙™ ˙™ ø

˙˙˙ ™™™

q = ca. 40

rit.

n ˙˙˙ ™™™ ˙™

>œ bœ œ œ œ bœ œ œ œ œ œ bœ

˙˙˙ ™™™ ˙™ ˙™ ˙™

U œœœœ ™™™ œœ ™™™

∏∏∏∏∏∏

Pno.

gone,

U ^ ™™ b ˙ ˙ b ˙™ b b˙ ™

œ J

‰

^ ˙™

lS

{

&

‰

sa

Bobby

U b ˙^ ™

ru

°? ¢ b 312

co re

34

p

U Œ™ ø

,U Ϊ

U œœ ™™ œ™ œ™ œ™ u ø

"# # 44 ## 44

Cocoa Cantata—Piano/vocal Score

∏∏∏∏∏∏

∏∏∏∏∏

Œ

œœœ # Œ œœœ

œ œœœœ

w #w w w w ø

w w w w w

w w ? ## b w w w w ˙ Œ ˙ ™™ ø ∏∏∏∏∏∏∏

lS w w w w w w ø

∏∏∏∏∏

∏∏∏∏∏∏ ∏∏∏∏∏∏

œœœ b œœ

∏∏∏∏∏∏∏

Ó

œ œœœœ

œœœ œœ

∏∏∏∏∏∏

∏∏∏∏∏

œœœ œœ

∏∏∏∏∏

Œ

∏∏∏∏∏

œœ œœœ

œœœ œ œœœ œœœœ

∏∏∏∏∏∏

bœœœœœ

poco rit.

∑

∏∏∏∏

Ó

3

3

sa

3

∑

∏∏∏∏∏

## &

œœœ œ œœ œœœ œ

>j >j œ œ œ œb œ œ œ œ n œ n œ ‰ œ nœœbœœ œœ œ ‰ œ nœœbœœ œœ œ œ Ó bnœœœœ œ œJ œJ > > w w bw w w w w w w b w ˙™ n˙ ™ w Œ ˙™ b ˙™ w ø > 3

3

Pe

ø

œœœ œœ

∏∏∏∏∏∏

∏∏∏∏∏ ∏∏∏∏∏

∏∏∏∏∏

co re

∏∏∏∏∏∏

œ œœœœ #œœœœ œ

∏∏∏∏∏∏

∏∏∏∏∏∏∏

w nb w w bw w n˙ ™ Œ b ˙™ ø

∏∏∏∏∏∏∏

∏∏∏∏∏∏∏

° ## ¢&

{

3 >j nœ œ œ œ ‰ œ nœ b œ œ œ œJ >

ru

Œ

w ? ## nb w w bw w Œ

330

Pno.

∏∏∏∏∏∏

œœ n œ b œ > œ ## ‰ j œ bœ nœ œœ œ œ nœ œ & œJ > w w ? ## w w w w w

{

œœœ œ œœ œœœ œ

3

3

## &

Amara

∏∏∏∏∏

∏∏∏∏∏∏

{

œœœ œœ

w w w w w

∏∏∏∏∏∏∏

w ? ## 44 w w w w

327

Pno.

œœœ œœ

mfdelicato

324

Pno.

œ œœœœ

∏∏∏∏∏

# 4 & #4 Œ

œ œœœœ

∏∏∏∏∏

{

like a harp, do not arpeggiate too fast

321

Pno.

Aria: My Body Is Floating

Largo, q = ca. 56

œœœ œœœ

35

˙˙ ˙˙ ˙˙

U Œ

U ˙ bnn˙˙˙˙ ˙ u p

U Ó ø

‰ œj

mf

Am -

Cocoa Cantata—Piano/vocal Score

{

∏∏∏∏∏∏ œœœ # œœœ

> w b w ? ## n bw w nw w > ø

ffsub.

god - dess

œœœ œœœ

˙™

mp

‰ ‰ œJ

‰ j nœ œ nœ b>œ œ œ œ œ > f ˙˙ ™™™ ˙˙ ™ Œ ˙˙™™ 3

is call - ing them

œœœ œœœ

mf

w w w w w

f

3

œœœ œœœ

Œ

∏∏∏∏∏∏

sa > w w #w w w >

mf

n>˙ ™ n˙ ™

> w b w n bw w nw w > ø

fsub.

3

this

∏∏∏∏∏∏

∏∏∏∏∏∏

# œœ # œ Œ # œœœ

frauds;

## Π&

Pno.

but this god - dess

ru

>f ° ## fw ¢&

n>˙ ™ n˙ ™

3 j >œ œ œ œ œ ‰ œ œ œ œœ

‰ œ œ œ œ™ œ Œ > 3

3 3 ## ‰ n œ j œ bœ œ œ & œ nœ œ > > mf ˙™ ? ## ˙˙˙ ™™™ Œ ˙˙™™

339

Amara

Œ

Œ

mp

lS

° ## mf ˙ ¢&

{

w w w w w

gods,

œœ œœœ œ

mf

Pe

Pno.

mp

œ œ œ œ œ

œ nœ ™ J

O - lym - pus

3

bw w w w w ø

œœœ œœœ

∏∏∏∏∏∏

w ? ## w w w w ø

œœ œ œ œ œœœ œœœœ

Œ

> w

f

3

co re

mf

336

Amara

œœœ œœ œ

3

may be food of the

∏∏∏∏∏∏

∏∏∏∏∏∏

œ #œœœœ œœœœ œ # œœ

∏∏∏∏∏∏∏

Pno.

Am - bro - sia

∏∏∏∏∏∏

{

# &# Œ

œ

3

bro - sia

∏∏∏∏∏∏

Amara

j > ‰ œ œ œ œ œ

A tempo

∏∏∏∏∏∏ ∏∏∏∏∏∏

° ## œ œ ˙ ¢& 333

∏∏∏∏∏∏

36

mp

œ

œ fœfsub.

J 3

O-

Cocoa Cantata—Piano/vocal Score

> ° ## œ œ nœ œ ¢&

œ ‰ nœ bœ œ œ

342

-

Amara

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ bite

bite

and it’s like I’m

> ˙™ ˙™

> w ? ## #w w w w >ø

˙˙˙ ™™™ ˙˙™™

on

w nbw w

Ó

∑

wine.

3

3

drunk

ø

∑

‰ #œj œ œ œ œ œ ˙™ >

nœ œ œ œ bœ œ œ œ œ

w nb w w

ø

˙

w w w w w

co re

œ œ œ œ œ

> w w w

° ## j œ ™ ¢& >œ

{

Πw w w >

œ œ

ru

ø

One

> ˙™ ˙™

? ## w w w

# &# Œ

Pno.

, >œ

˙™

## Π& w w w

348

w w w

> w b w nw Œ bn ˙˙ ™™ ø

lS

{

One

fine.

mf

ø

° ## ¢& œ

so

w nbw w

Pe

Pno.

3

nev- er had it

# w w & # nw > ff > w b w w ? ##

345

Amara

3

pus

Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

lym

Œ

> œ bbbœœœ >ø

Œ

‰ œj œ œ œ œ œ ˙ ™ > 3

w w w w w ø

∏∏∏∏∏∏∏∏

Pno.

3

˙™

w

mf

sa

Amara

37

˙˙˙ ™™™ ˙˙™™

Œ

‰ œj My

Œ Œ

Cocoa Cantata—Piano/vocal Score

38

° ## œ ¢& œJ

is

3

Pe œ

j œ

Smok - y

and

∏∏∏∏∏∏∏∏

w ? ## nbw ww nw w ø

∑

œœœ 3

is

float - ing 3

3

3

œœ 3 œ œœ ‰ œœœœœœ w w ø 3

3

co re

bliss.

ru

∏∏∏∏∏∏

j œ

œ J

3

lS

on a cloud of

∑ ø

° ## ¢&

{

bw

>œ

œœœœœœ œ œœ

Œ

w w w w w w ø

œ œ œ œ

‰

w ww ? ## w w w

3

∑

∏∏∏∏∏∏

° ## ˙ ¢&

# &#

Pno.

3

3

3

‰ œ œ œ J J My bod - y

3

358

Amara

3

œœ œœ œ œ ? ## ‰ œ œ œ œ œ w w

{

Œ

œœœ œœœ œ œœ

## &

Pno.

˙

float - ing

3

355

Amara

œœ œ

∑

w bbbw w w bw ø

∑

3 j œ b œ ‰ bœ œ œ œ œ œ œ bœ œ œ œ œ J

w w w w w

j œ

˙ dark

œ layered

w ww n wbw w

∏∏∏∏∏∏

{

bod - y

## Π&

Pno.

œ J

sa

Amara

œ

Più mosso, q = ca. 60

352

w w w w w w

3

j œ n>œ

with

3

œ

œ

mys - ter - y:

œ

Cocoa Cantata—Piano/vocal Score

co re ∏∏∏∏∏∏∏∏∏∏∏∏∏

U ww bbw w U w b bw w Œ u ø

œœœ œœœ

∏∏∏∏∏∏

∏∏∏∏∏∏∏∏∏∏

‰ bœ ™ nb œœ ™™ ø

œœœ œœœ

˙˙ ˙

Ϫ Ϫ

w w w

∏∏∏∏∏∏∏

∏∏∏∏∏∏

˙ ˙

œ nbbœœœœ n œœœœ œ œœ

-

gel,

œœœ œœœ

w w œœœ b n œœœ

œœœ

bœœœ œ

nœœœ

nœœœœ nœœ

bœœ œ œ ‰ œ™™ ø

2 4 2 4

œœœ œœ œ œœœ œ œ œœœ œœœœ

∏∏∏∏∏∏∏

∏∏∏∏∏∏∏

4 ‰ 4

here, an

b˙™ b˙™ u

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b œœœ œœœ

œœœ œœœ

∏∏∏∏∏∏∏∏∏∏∏∏∏

# nœ & # bnœœœœ bn œœ

œœœ œœ œœœ œœœœ

4 œœœœ 4 œœ œ

<n>œ œ œ œ U œ 42

w

∏∏∏∏∏∏∏

∑

kiss.

∏∏∏∏∏∏∏

? ## 42

{

down

Largo, q = ca. 56

∏∏∏∏∏∏

∑

? ##

˙™ ˙™

ru

## 2 & 4

368

Pno.

a

Pe

{

3

∏∏∏∏∏∏

Pno.

an - gel, come

j œ œ œ 4 w œ 4

and give me

Come

∏∏∏∏∏∏

° ## 2 ‰ ¢& 4

ø

poco rit.

365

Amara

˙™ ˙™

ø

3

an- gel, come down here,

w w w w w Œ

œœœ œ

lS

w w w ? ## w w w Œ

3

sa

{

down here,

# &#

Pno.

w w w w w w

∏∏∏∏∏∏∏∏∏∏

Amara

his - tor - y.

ww n wbw w w

3 j‰ œœœ œ œ œ j œ œ œ J œ œœ

362

of

œ

œœœ œ œœœ b œœœœ œ

∏∏∏∏∏∏

° ## j ¢& œ œ™

œ œ œ nœ with a sense

∏∏∏∏∏∏∏

{

> w ? ## nbw ww nw w >ø

∏∏∏∏∏∏

Pno.

3

∏∏∏∏∏∏

Ó

>œ œ œ œ

∏∏∏∏∏∏∏

# &#

œ

∏∏∏∏∏∏∏∏

Amara

3 >˙ j œ n œ œ > œ A choc - o - late bar > n˙ n˙ n˙ >

∏∏∏∏∏∏

‰

360

∏∏∏∏∏∏

° ## ¢&

39

˙ ˙

p

°? b 6 mf ¢ b 8 œ

{

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

˙˙ ™™™ ˙

? bb 68 ™ ˙˙ ™ ˙™ ø

5

nœ œ œ is

mfsub., poco

the sense

∏∏∏∏∏∏∏∏∏

3

‰

œœj œ.

mf

j nœ œ #œ œ œ œ œ œ. ‰ 3

Maestoso, q. = ca. 88

What

U w w w w w w u

j bœ œ bœ œ œ œ .

3

Pe

ø

b œ^

sa

? bb #n>˙˙˙ ™™™

b6 &b 8

Pno.

˙™ bb>˙˙ ™™ ø

∏∏∏∏∏∏∏∏

b & b n œœ # >œ

380

Snack.

œ bb œœ f

# œ^

377

p

w #w w w w w ø

ø

œ J

mf

the

œ

new - born

˙˙ ™™™ ˙ ˙˙ ™™ ˙™

4 bb 4

bbw w w

U b w bbw w w > ff U > b w w b bw w

p

nw nw w

œ knows,

p

bbw w w

‰

nw nw w

œœ. ‰ œ J

œ J

" b4 b 4

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∑

w ? bb 44 w w w w w

{

≈ ˙˙ ˙

Interlude: allegro, q = ca. 132

b4 &b 4

Pno.

∑

lS

{

nœœœ

U w w w w w w u

co re

∏∏∏∏∏∏∏∏∏∏∏∏∏

œ ? ## b œœ ˙ ˙

374

Pno.

œœœ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Pno.

nbœœœ

≈ ˙˙ ˙

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

# &#

371

∏∏∏∏

{

Cocoa Cantata—Piano/vocal Score

ru

40

6 8 6 8

ø

œ J

be

-

bœ

œ J

œ

œ J

fore

they

see

or

˙˙ ™™ b b ˙™

˙™ bb ˙˙ ™™ ø

Cocoa Cantata—Piano/vocal Score

°? b bœ ™ ¢ b

œ

383

{

hear,

Pno.

?b b

œ bœ b œ

œ bœ bœ

or

rec - og - nize

Ϊ

œ bœ b œ J a

3

n -œ nœ J ‰ ‰

œœ ™™ œ™

nn# ˙˙˙ ™™™

œœ ™™ œ™

ø

° b &b

œ n-œ J J ‰ ‰

moth - er’s touch?

#˙ ™ nn ˙˙ ™™

. œb œ œ œ bœ œ

386

Amara

nœ bœ nœ

Ϊ

≈™sigh Yû

co re

b &b

œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Snack.

‰

41

mf

∑

≈sigh Y ™û

Ah.

{

Pno.

What

˙™ bb ˙˙ ™™

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b &b

bœ

? bb

bbb˙˙˙ ™™™ ø

‰

≈ ™ b˙˙˙ ™™

Taste.

‰

‰

Ϊ

‰

‰

Ϊ

Pe

°? b ¢ b

‰

Ah.

œ œ œ is

the first

œ

œ J

pas - sion

bœ that

˙˙ ™™™ ˙ ˙˙ ™™ ˙™

≈ ∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

j nn œœ œ >. ? bb j nœ n œ. >

388

Snack.

n>œ J

?b ™ ¢ b Œ b &b

Pno.

lS

∑

sa

Snack.

mf

≈ b ˙˙˙ ™™™

ru

Bobby

? bb

bœ J

œ

we know

œ J be

-

nœ

bœ b œ J

fore

we

#˙ ™ nn ˙˙ ™™ #˙ ™ nn ˙˙ ™™ ø

kiss,

œ J em -

Cocoa Cantata—Piano/vocal Score

œ

brace,

#œ œ nœ n œ œ #œ nœ œ œ n œ œ nœ

? bb

∑

° b3 Œ &b 4

Taste.

>œ J ‰ Œ

6 8

stage whisper with some pitch f

? bb 43 Œ

Taste.

Pno.

? b3 ¢ b 4

{

b3 & b 4 œj ‰ Œ b œœ >. fsub. ? bb 43 j ‰ Œ bœœ b œ. >

∑

Œ Œ

j ≈ #œ nœ ™

the partner

of

our

dreams?

nn ˙˙˙ ™™™ nn˙˙˙™™™

∑

6 8

b˙™ 6 bb˙˙˙ ™™™ 8b ˙™ b ˙™

∑

3 4

œœ ™™ œœœ ™™ ™

3 4

∑

3 4

ø

U Œ #œ Œ >

6 8

Œ

6 8

Œ

6 8

Œ

6 8

Taste.

∑

What is the sense that

3 4

≈ nn œœœ ™™™ nnnœœœ ™™™ œ™ Δ ≈ Œ™

œœ ™™ œœ ™™ œœ™™

nœœ ™™ nœœœ ™™™

Ϊ

6 bœ œ œ œ œ 8 J

Pe

Snack.

6 8

ru

Bobby

œ

ø

stage whisper with some pitch f

j œ> ‰ Œ

j œ

co re

b &b

394

Amara

find

j #œ nœ

3 4

∑

Œ

3 4

Œ

calms the mind?

˙™ bbb˙˙˙ ™™™ ˙™ ˙˙ ™™™ ˙˙ ™ ˙˙™™

U n>œ

U n>œ

Taste.

bœ œ œ™ J

∏∏∏∏∏∏

{

œ

lS

Pno.

‰

sa

Snack.

Taste.

U

3 4

n#n œœœ œœœ U 3 4 nœ œ Œ nœ œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

°? b nœ ™ ¢ b 391

∏∏∏∏∏∏∏∏∏

42

ø

6 8

Cocoa Cantata—Piano/vocal Score

? bb 68 œ ¢

{

What

#œ œ nœ is the sense

? bb 68 nœœœ ™™™

Pno.

{

U b˙˙˙ ™™™ ˙™

Taste!

>Ϫ

>Ϫ

b>œ ™

Taste!

Taste!

Taste!

fsub.

n>œ ™

>œ ™

>œ ™

Taste!

Taste!

Taste!

b>œœœ ™™™

n œœœ ™™™ >

bU ˙˙ ™™™ b˙˙ ™ ø

sa

œ™ nnœœ ™™ ø

Andante, q = ca. 88

>œ ™ bœ œ œ ™ œ œ >

mf

Lis - ten, Bob - by,

b4 & b 4 n œj ‰ Œ b œœ > f ? bb 44 nœj ‰ Œ b œœ >

Taste!

q. = ca. 66

ru

° b4 Œ ¢& b 4 402

Amara

poco rit.

Pe

Pno.

U > >œ ™ œ ™ œ™

that turns back time?

œœœ ™™™ nœ ™

b6 ™ & b 8 nnœœœœ ™™™

q. = ca. 72

ff

j œ

Taste! f

U ∑

∑

>œ ™

b>œ ™

œ œ œ

my

b >œ bœ R ‰™ Œ mf

r n œ b œ & œ ‰™ Œ >

?

com - pa - ny

>œ ™™ bœœ ™ ø

nœœœ ™™™ > ø

>-œ™ œ œ œ J

is

not

U n>œ ™

ff

"4 4

Taste!

U n>œ ™

ff

4 4

Taste!

U b>œ ™

ff

4 4

Taste!

U nœ ™™ bbœœœ ™™™ n# œœ ™

" 4 4

poco rit.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? b 68 b f

Snack.

∑

>œ ™

f

U ∑

poco rit.

poco rit.

co re

Bobby

q. = ca. 72

lS

Amara

q. = ca. 66

° b6 &b 8 398

43

>œœ ™™ #nU œ™ b b œ ™ n œœ ™™ ff

4 4

ø

ø

2 4œ

‰ œ 43 J

for sale.

But

w w

2 4 ˙˙

3 4

w w w

2 ˙˙˙ 4

3 4

Cocoa Cantata—Piano/vocal Score

° b3 &b 4 œ 405

Bobby

Pno.

? b3 ¢ b 4

{

œ œ œ œ 3

may - be

we

can form

j 4 >œ œ 4 œ œ ˙™

3

a

∑

˙˙ ™™ ˙™ ø

poco rit.

œ œ °? b œ œ œ œ œ œ œ œ œ ¢ b

Amara

Bobby

¢

? bb

{

so - cial and com - mer - cial

˙˙ ˙

sa ˙˙ ˙ ø

ru

f ° b ‰ nœ^ J Œ &b

b &b

Pno.

œœ œ

ø

œ

œ œ

3

To

œ nœ œ™

>™ œ œ œ

po - ten - tial

of Wow

A tempo

lS

poco rit.

b & b ˙˙˙ ˙

409

the

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

3

ves - ti - gate

? bb Œ

‰

in -

Yes.

nw w w nw w Œ

j n œœ ‰ Œ >. fsub. > ? bb nœœœ. ‰ Œ J

œ

n>œ

Ca - cao?

ø

˙™ ˙™ >

3 ≈ >œ œ œ >œ œ œ œ œ œ™ œ œ œ œ œ œ œ 42 œj œ ‰ 44 >

rit.

mf

Can - dy this pow- er-ful Must be sold re - spon - si - bly. From a

Œ

ff

A tempo

Pe

Pno.

Œ

f

4 4

407

Bobby

4Ó 4

> w w w f > w w 4 4 ø

b3 & b 4 ˙˙ ™™™ ˙ ? bb 43

3

part - ner - ship.

Ó

place of...

≈ ∑

∑

2 4 2 4 œœ ™™

Ó

˙˙ ˙

˙˙ ˙

Ó

˙˙ ˙

˙˙ ˙ ø

rit.

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Amara

œ

f

co re

44

2 œœ™™ 4 ø

4 4

≈ 4 ‰ 4 ≈ 4 ‰ 4

Cocoa Cantata—Piano/vocal Score

° b4 &b 4 Ó

nU œ

412

U Œ

? b 44 n>˙ ¢ b

I

U nœœ nœœ U œœ œœ u

∏∏∏∏∏∏

? bb 44 n˙˙ ˙˙

°? b b 414

Bobby

‰

U ∑

A tempo

>œ ™ like

> œ œ a

œ œ

œ™ >œ œ U

well - tem - pered choc - la - tier.

U ∑

A tempo

Œ

∏∏∏∏∏

{

œ J

Love?

b4 &b 4 Ó

Pno.

Œ

Love.

mf

Bobby

(They shake hands.)

U ∑

Œ

co re

Amara

mf

45

U > ≈ #œ œ œ œJ ‰ Ó

A tempo

∑

Par - don the pun.

{

lS

¢

? bb

Ó

∑

sa

Snack.

b &b

Pno.

œ -œ

? bb œ -œ

j ‰ œœœ . j œœ ‰ .

œ #œ

˙˙˙ ˙ ˙

As a

U ‰ Œ U ‰ Œ

poco rit. f

may start out wild, by the

œ -œ

≈ œ # œœ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

fugue by Bach

mp

A tempo

‰ œ œ mf

≈ >œ , mfsub. A tempo œ ™ b œ n nœ bœ œ >œ œ œ #≈ œ œ nœ œ œ ™ nœ

Andante, q = ca. 72

> °? b œ œ œ ™ ¢ b

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

œ œ

416

Snack.

-œ œ

Pe

? b Ϫ b

ru

b œ nœ œ œ œ œ œ. œ &b œ œ œ œ œ b#œœ

Pno.

U Œ >. œj œ œœœJ . mf œ. œ J

œ -œ

≈ œœ

fsub.

end

it soothes with mel - o - dies mild. These

≈ ∑ ≈ ∑

?

Cocoa Cantata—Piano/vocal Score

46

>œ °? b b>œ œ œ œ #œ œ™ b ¢

{

b6 &b 8 j ‰ b œœ . > fsub. ? bb 68 œj ‰ œ >.

° b ¢& b 425

{

Pno.

‰

j ‰ œœœ >. j ‰ œœ ‰ >. ∑

q = ca. 54

nœœ œ U œ "6 # œ œ 8

mfsub.

œ -œ

œ -œ

œ -œ

œ -œ

˙˙ ™™ v ˙˙^ ™™™ ˙

‰ ‰

burned

j ‰ œœ >. j œœ ‰ >.

˙˙ ™™ v ˙˙^ ™™™ ˙

b &b j ‰ ‰ j œœœ œœ . >. mf > ? bb œj ‰ ‰ œj œ. œ. > >

at the things

‰ ‰ ‰ ‰

‰

j ‰ œœœ >. j ‰ œœ ‰ >.

#˙˙

mfsub.

#˙˙˙ ø

œœ ™™ > >œœ ™™ œ™

f > # œ œ J

you did.

#œœ ™™™ >œ #œœ ™™ >œ ™ ø

mfsub.

j œ I

‰ ‰

Ϊ

∑

j ‰ ‰ œj ‰ ‰ œœ œœ >. >. j j œœ ‰ ‰ œœ ‰ ‰ >. >.

j >œ œ œ œ œ >œ œ with bit - ter - ness

≈ œœ œ fsub. ≈ œœ

sweet.

U n˙˙ ˙

" 6 8

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

œ -œœ

ru

° b > ¢& b œ

{

œ -œ

∑

b &b j ‰ ‰ j ‰ ‰ œœœ œœ .> >. ? b œj ‰ ‰ œj ‰ ‰ b œ œ .> >.

429

Amara

ø

Pe

Pno.

≈ Œ

#œœœ

Andante, q. = ca. 69

421

Amara

≈ >œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

œ

≈ Œ

lS

{

f

co re

& #œ

?b b ˙ >˙

Pno.

tempo, rit.

choc - o boss - es be - gan in heat, but bit - ter be - ings, like co - coa beans, yield to

? b >˙˙ b

Pno.

mfsub. A

sa

Snack.

≈ >œ œ >œ œ™ >œ œ œ >œ œ J ≈R

poco rit. f

A tempo

418

≈

nU ˙˙ ˙

6 8

ø

# ˙˙v ™™ ˙˙ ™™ v

mf ≈ ‰ ‰ œj

I

# ˙˙v ™™ ≈ ˙˙ ™™ v

> œ> œ œ œ œ œ œ

built up this busi - ness, and you

j ‰ ‰ œj ‰ ‰ œœ œœ >. >. j j œœ ‰ ‰ œœ ‰ ‰ >. >.

œ J

place

Bobby

{

∑

bid.

>œ

f

∑ > #œœœ ™™™ #œœ™™ >

Ϊ

? bb #˙˙˙ ™™™ ˙™

œ

Pow - er

°? b ‰ >œ œ #œ œ œ œ b

˙˙ ™™ ™ >˙ø

Pe

? bb ™ ˙˙ ™ >ø

°? b >œ #œ ™ ¢ b

Pno.

{

bit - ter

>œ

rit.

≈ œ œ œ œ #œ œ œ

sour,

b & b #œœœ ™™™ > ? bb

>œœ ™™ œ™ ø

œœœ ™™™ #U

œœœ ™™™ #U ø

The

aph - ro - dis - i - ac.

≈ ∑

>œ ™™ œœ ™ >œœ™™

f

ø

∑

> >œ œ œ #œ

mf

œœ™™

Meno mosso, q. = ca. 60

œœ ™™ > >œœ ™™ œ™

# œœœ ™™™

ø

œ #>œ œ œ œ of

œ œ

Bal-ance is key, blend - ing

ø

sci - ence

Meno mosso, q. = ca. 60

re - veal - ing what you lack.

≈ #>˙˙˙ ™™™

U >œ , fœsub. >œ œ œ J and sweet.

an

œ œ #œ œ œ

ø

≈ #˙>˙˙˙ ™™™™

˙˙˙ ™™™ >

438

Snack.

#˙˙˙ ™™™

sweet,

œ J

# ˙˙˙ ™™™

sa

{

so

rit.

b &b

Pno.

be

>œ

ru

¢

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Snack.

can

œ J

mf

lS

But the af - ter taste is

? bb

œ #œ

fsub.

435

Bobby

∑

˙˙ ™™ >˙ ™

∏∏∏∏∏

Pno.

a

?b ¢ b b &b

>œ ™

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Amara

>œ

47

f

co re

° b &b 432

Cocoa Cantata—Piano/vocal Score

fla - vor

œœ ™™ #>œ ™ >œ ™™ #œœ ™ ø

>œ ≈ J œ

is pre - cise - ly

j œœœ œ >. >œ. œœ J

≈ Œ ≈ Œ

ø

œ #œ #>œœœ ™™™ œ™

#>œœ ™™™ œ

œ

where they

?

Cocoa Cantata—Piano/vocal Score

48 Andante, q. = ca. 69

?b j b œ œ >.

ffsub.

{

‰

‰

‰

‰

? bb #˙˙˙^ ™™™ ? bb

> ? # œœœœ ™™™ ˙ ™ ˙ ™ v

Amara

>

œ œ œ

° # & œ œ œ 453

mf

Choc - o - late

Bobby

Pno.

¢

?#

{

‰

∑

˙˙ ™™ ˙v ™

j œ œ >.

˙˙^ ™™ ˙™

œ

œ J

œ

is

an

an

Ϊ

˙˙˙˙ ™™™

˙™ ˙™ ø

˙™ ˙™

-

‰

‰

‰

‰

>. >œ. œœ ‰ ‰ œœœœ ‰ ‰ J J

˙˙ ™™ ˙v ™ f

˙™ ˙™

? # ˙˙˙˙ ™™™ ?#

>œ. œœ J

j ‰ ‰ œj ‰ ‰ œ œ. œ. > >

> œ œ œ œ œœ™™ œ œ œ œ œ >

Pe

Pno.

fsub.

‰

∑

f

j ‰ ‰ œj ‰ ‰ œ œ. œ. > >

L’istesso tempo

449

‰

ru

{

˙˙ ™™ v

# Ϊ &

j œ œ >.

‰

˙˙^ ™™ ˙™

>. >œ. œœ ‰ ‰ œœœœ ‰ ‰ J J

444

Pno.

>. œœœœ J

∑

œ J

∑

ff

j œ œ >.

Ϫ

cient force.

>-œ

f

Yes!

‰

‰

‰

&

˙˙ ™™ v

˙˙˙ ™™ ˙˙ ™™

˙˙ ™™

∑ bœ ™ >œ nœ bœ

mfsub.

Cen - tu - ries

Œ™ > ˙™ bbb˙˙ ™™ ˙™ >ø

# #

˙˙˙ ™™

mfsub.

mf

‰

#˙˙˙^ ™™™

ø

f

‰

>. œœœœ J

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

>œ. ? b œœ b J

Ϊ

‰

co re

Pno.

meet.

‰

lS

Snack.

ff

sa

°? b >œ ¢ b J 441

bœ™ ™ & bœ

old.

?

° # &

Cocoa Cantata—Piano/vocal Score

456

? # >œ œ œ œ œ œ œ ¢ & ˙˙ ™™ ™ >˙ ? # ˙˙ ™™ >˙ ™ ø 459 ° # &

{ ¢

?# &

Pno.

Amara

‰

{ ¢

∑

?# > # b˙˙ ™™ & b˙˙ ™™ ˙™ > ? # Œ™ ø

˙˙˙ ™™ ˙ ™ ˙˙ ™™ ˙ ™

f ‰ œj b>œ œj œ ™

>œ > >œ œ œ œ J

of

woe...

‰

∑

bœœ ™™ œœ ™ ™

‰

Ϫ

œ J

b˙ ™

Of

woe.

‰

˙˙ ™™™ ˙˙ ™ ˙™ ˙˙ ™™ ˙˙ ™ ™

œ J

‰

œ™ œœ ™ œ ™™

Ϫ

œ ‰ œJ J

b˙ ™ ‰ ‰ œJ

Ϊ

force for joy...

> b bb˙˙˙ ™™™ b ˙˙™™ > f Œ™

And, yes, cav - i - ties.

˙˙ ™™™ >˙ ˙˙ ™™ >˙ ™ ø

∑

Ϊ

∏∏∏∏∏∏∏∏∏∏ >œ ™ œ™

# Ϊ

? # Ϊ

med - i - cine, di - vin - i - ty...

∑

A

∑

? # bb˙˙ ™™ b ˙˙ ™™ ø 463 ° # b>œ j & œ œ™

Bobby

Pno.

Ϊ

∑

Hol-i - days, glob- al trade...

source

Snack.

> ˙˙˙ ™™ ˙ ™ ˙˙ ™™ ˙ ™ ø

? # >œ nœ bœ >œ œ bœ

Bobby

Snack.

Cen - tu - ries and cen - tu - ries.

∑

wis - dom,

co re

{

#

tic

-

j œ œ™

Of

woe.

ø

‰

‰ ‰ bœ œ™ J

joy!

˙˙ ™™™ ˙˙ ™ ˙™

œ™ bbbœœ ™™ œ™ j œ

˙˙ ™™ ˙™ ˙™ >œ

Ϊ

œ

Which way will

Œ™ ˙˙ ™™ ˙™ > ˙˙ ™™ >˙ ™ ø

A

f

For

∑

lS

Amara

Mys

mf

sa

Pno.

∑

ru

Snack.

f œ œ œ œ œ œ œ

œ œ œ œ œ J

mf

Pe

Amara

49

œ we

f

For joy!

Ϫ

fp

go?

‰

∑ > œ™ œ™

‰

œ J Which

Cocoa Cantata—Piano/vocal Score

50

° # œ™ & 466

˙™ way?

Pno.

{

‰

mf ° # ‰ b>œ œ œ œ ™ &

ru

Bit - ter or

?#

{

> ? # bb˙˙˙ ™™™ ?#

ff

™ bb>˙˙ ™ ø

Ϫ

j œ

ff

Which way?

œ œœ

mfsub.

œ œœ

˙™

bit - ter?

mf

˙˙ ™™

œ œœ

3

&

Bit - ter or

œ

?

?

sweet?

>œ œ b œ œ Sweet or

‰ ‰ œ bœ ™ > œ ˙˙˙™™™

œœ

> ‰ bœ œ œ œ™ Œ™

>œ œ bœ œ ˙™

∑

‰

> Ϫ Ϫ

mf

Sweet or

Pno.

‰

sweet?

Pe

? # Œ™ ¢

Which way?

∑

Œ™ ˙˙ ™™ # ˙™ & œ œ œ œ œ œ > mfsub. ff >˙˙ ™™ 3 ˙™ ?# œ œ œœ œ œ ø

Bobby

Snack.

Ϊ

ff

Which way?

469

Amara

™ ‰ ‰ œJ ˙

Which way will we go?

Ϫ

œ J

˙™

sa

Snack.

?# ‰ ¢

>œ ™ j œ œ œ œ >

co re

?#

Bobby

‰

ff

lS

Amara

œ J

f

∑

Bit - ter sweet.

b>˙˙ ™™™ & ˙ b>˙˙ ™™ ˙™ mf

ø

bit - ter?

Cocoa Cantata—Piano/vocal Score

° # ˙™ &

bœ ™ b>œ bœ œ

472

Snack.

{

œœ ™™ ? # œ™

° # f>f & bœ 475

Amara

bœ œ

Snack.

Pno.

{ ¢

?#

∑

# ™ & nb˙˙˙ ™™ > >˙˙ ™™ b ? # n ˙™ ff

ø

f

Bit - ter sweet.

˙˙ ™™ ˙™

ø

bœ œ

Ϫ

Where we

meet.

ff

˙˙˙ ™™™ ˙™

>˙˙ ™™ b b ˙™

ru

meet.

‰

bœ ™ ‰ œ bœ

meet.

f

3

Ϫ

Pe

Bobby

f

œ bb˙˙˙ ™™™ œ b>˙ ™ œ bœ

>™ œ œ nœ

That’s where we

? # Ϊ

bœ ‰ bœ ∑

Bit- ter sweet.

‰

˙™

sweet?

Where we

? # ‰ ‰ œ œ bœ ™ > ¢ # œœ ™™ & œ™

Pno.

Ϊ

or

œ

co re

Bobby

˙™

Bit - ter

lS

?#

Ϫ

f

sa

Amara

51

‰ Œ™

bœ ‰ œ nœ J ff

œœ ™™ œ™ œœ ™™™ œ

bœ

œ

When

the

taste hits your tongue

Ϊ

#œ ‰ ‰ J The

‰

Bit - ter sweet.

mf

> #>œ #œ nœ #œ ™

nœ bœ œ

‰

Œ™ n#˙˙˙ ™™™ # bœ œ #>˙˙ ™™™ n # ˙ ff

ø

∑

#œ ™ #œ ™

° # ˙™ &

Ϫ

478

Bobby

Snack.

¢

?#

{

&

Pno.

taste

>Ϫ

œ J goes

∑

>œ ™ œ™

#>œ ™ # #œ ™

œœ ™™ œ™ œ™ œ™

Pe taste goes pow!

¢

?#

{

&

Pno.

Wow

n>œ ™ # nœ ™

? # bn˙˙ ™™ b >˙ ™

∑

b >œ ™ bœ™

the

taste hits your

Ϊ Ϊ

Wow!

Ϊ

b>œ ™

> bœ™ bœ ™

‰

Wow Ca - cao!

œ >œ™ œ œ

∑

Œ™ ˙˙ ™™™ n ˙ nœ b b œ b ˙™ bœ f ff > n œ > bœ b œ >˙ ™ b bœ nœ b ˙˙ ™™ ø ø

> bϪ bϪ

œ > œ™ œ œ

Wow!

bœ bœ

The

ø

>˙™

Wow Ca - cao!

œœ ™™ œ™

Œ™ n˙ bb ˙˙ ™™™ > ff n>˙˙ ™™™ b b ˙

#œ œ #œœ œ œ œ ø

b >œ ™ > b œ ™ ‰ nœ

Ϫ Ϫ

‰

bœ ‰ J

∑

Ca - cao!

f

tongue

Ϊ

œ #œ œ

ru

n>œ b œ > J bœ ™ ?#

Bobby

Snack.

Ϫ Ϫ

? # #˙ ™™ ˙˙ ™

° # ˙™ &

Ϊ

When

>œ™ > œ ™ ‰ #œ

pow!

481

Amara

Ϫ

œ

> n>œ bœ bœ b œ ™

co re

?#

#>œ

‰

#œ

sa

Amara

Cocoa Cantata—Piano/vocal Score

lS

52

‰

Wow Ca - cao!

‰ œ™ œ œ >

‰

Wow Ca - cao!

?

n>˙˙ ™™™ #˙ n˙˙ ™™ > ø

&

Cocoa Cantata—Piano/vocal Score

>˙™

485

Amara

b >œ ™

Wow

Œ™ & bn˙˙˙ ™™™ b ˙™ > ? # bb>˙˙˙ ™™™ #

° # >˙™ & Wow!

Bobby

Wow!

Snack.

¢

? # b>˙ ™

{

Wow!

# bb>œœœ ™™™ &

Pno.

> ? # bbœœœ ™™™ ø

‰ ?

n>˙˙ ™™™ # # ˙ n˙˙ ™™ > ø

>Ϫ

œ œ

™ >œ

Wow

b>˙ ™

Wow!

‰

Ca - cao!

b>˙ ™

Wow!

‰

œ œ Ca - cao!

Wow!

>œœ ™™ b ™ &bœ

>Ϫ~~~~~~~~~~~~~~~~

> bbœœœ ™™™

>Ϫ~~~~~~~~~~~~~~~~

ø

√ b >˙ ™

U ∑

√ b >˙ ™

Wow!

Pe

> ? # b˙ ™

Ca - cao!

Wow

ø

488

Amara

> bœ™ bœ ™

œ

Wow

‰

lS

{

∑

œ œ

sa

Pno.

¢

?#

Wow!

Ϫ

>˙™

ru

Bobby

Snack.

Ϊ

?#

œ

co re

° # &

53

U ∑

√ >˙™

Wow!

√ >˙ ™ ~~~~~~~~~~~~~~~~~~~ b >œ™ b ˙˙ ™™

U ∑

Wow!

√ >˙˙ ™™ b ~~~~~~~~~~~~~~~~~~~ b ˙™ >œ™ ø

?

œœ^ b b œJ j bœ b œv

‰

‰

U Ϊ

‰

‰

U Ϊ