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Emergency Magazine May 2020

Page 1

Sonnet and artwork b Tanith Brown

Tin Kingdom

The drivewa winds through thicket, rough but short, The house unfolding past the grass and stones. The sovereign o er the woodpile (which he owns) Tail bristling, lungs e pelling shrill retort To one who dares to move the pile s support And take a log or two whilst he intones A shriek! He chirrups loudl , then postpones, Then stops, for thief has brought a large escort Whose canines flash and e es gleam for a chase,

Breath clouding in the earl evening cold Whilst fellow trespasser does come apace. Thus lord retreats above to his stronghold And pruning fra led tail so to save face, gnored b all, he soon resumes his scold.


G ee Team T a h P lic : For man , a rip o he ra h can, rec cling bin, orange bag, or compo mean hiking o ide he cla room, migra ing do n he hall a , and hen di po ing of he i em. S emming from man ho r of re earch from Green Team Mae e Pear on and Zoe Pe er on, he projec ha me npreceden ed cce . The projec enco rage people o be more acco n able for heir ra h, claim Green Team ad i or and Geograph eacher Jen Bi ri . The idea i ha hen people are forced o ake he rip do n he hall a , he are more con cio of he indi id al impac of heir a e. Addi ionall , hi i a in for a e red c ion hen i come o rep rpo ing, rec cling, and compo ing. No onl i i e remel implified and ea o nder and, b an orange bag, compo , and rec cling bin i a ailable. The e 4 recep acle impl eren a ailable in e er cla room prior o he change. So, he her or no o ppor or de e he hike o he ra h can, no e ha i a in for ainabili , a in for managemen , and a in for o r ra h ream.

C mme F m S de : 1." think the are helpful and the help the en ironment." 2. " t is anno ing that there are no trash cans in the classroom." 3. " like ho green team had man assemblies about hat goes it hat and the signs on the bins." 4. "There should be more locations. f am in a class far from the trash, it is er incon enient." 5. "There should be the same s stem in the lunchroom. Wh isn't it there? That is here most trash is thro n a a ."


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A E NE DEAN F DEN . CAN AL A EE HE ENGAG NG H DEN A ND CAM , H NG A EMBL E , AD E EN , AND HE E EN MAKE A EA ANCE N CLA E F M ME ME. H EA HE BEGAN A HA E CL B A CH L AND C EN L E C EDL A A NG HE A AL F HE F CH LD!

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CRYSTA SWARTS La eek, i h fif een 8 h g ade , con ide ed n clea annihila ion. Ho o ld i feel, e onde ed, o al a be ead o die? P e a ing fo ha alk, a ched foo age of old men, no , once o ng A alian oldie a he de c ibed he nigh ma e of a ching he a-bomb e lode. Onl e , mind o , ho gh o he e men, hei memo ie , hei familie , he e l a e ill coming in. Wi h oice embling, he ecalled co e ing hei clo ed e e i h hei hand , cking head in o knee , c ea ing a m ch o ec ion a bodil o ible. And e : in he fla h

ill eeing he bone of hei finge , ho e g e ome in e e hado b ning h o gh e e hing el e. Toda , and in he fo e o ide of he mall o n he e li e. Fif een 9 h g ade o nd me, ie l calling do n he m e of oe , he he he an o o no . And , looking a a fallen leaf in he n, eeing i ein glo h o gh i a e fle h can onl hink of ho e bo , no old men, man gone (le kemia, mo l ) ho e bo ee ing a he na ked-fo igh of hei o n f agili .


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Jael, I didn kn f a l ng ime, b in he ime ha I did, I kn I l ed . S e, b ke m hea bef e I died ( he fi ime), b I ill kne ca ed, e en if didn' eali e i . A Anne F ank aid, I kee m ideal , beca e in i e f e e hing I ill belie e ha e le a e eall g d a hea . B , en gh ab he . I kn I h ld e lain m ac i n . N ha e ha e alked ab he b eak , I eali e he an e he iddle. Af e n icing De dd beha i , I did a g gle ea ch n him and lea ned ab De Elli , he ich de cenden f a al ha li ed in he ame n a . The d e e ea c nnec f m he e. He ac ed a k a d and he f nd me in he alle . I a a dead gi ea a . S hen, I l ked in he e f he iddle. The nigh had be he nigh f m dea h. S , if e e e la he game f i e, e ld e e e le , hich he e in lined he i e f b i l . S, I im l eali ed: af e la ing he a f heale , f , I had heal he ld b d ing, De ld a e he ld b ma ing me, and ld be a g d b anding a ide and le ing he ld be changed, e en if i a n in a a an ed. And, an a , end n a final e,, a aid b D mbled e, Af e all, he ellgani ed mind, dea h i b he ne g ea ad en e. The End


INTER IE ITH THE RIS MODEL UNITED NATION CLUB


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am from a s one ho se res ing pon a barren hill, fenced b erdan foliage. s bricks co ered i h flaking pain , i s g ers clogged i h he fallen lea es of a mn. And a second d elling, on he cool shores of a reser oir, he calls of a erfo l carr ing across he s ill s rface of silen a ers i hin he small ho rs of he morning. A ho se of pale s cco, b ffe ed b spring inds, o erlooking a migh can on c b a mere creek, And he echoes of hispered con ersa ions floa ing hro gh he crisp nigh air. am from a d s barn, i s rooms o erflo ing i h he scen of dir and cracked, orn lea her. From he sal s ea of horses, and heir silen ga e. The h ndering of eq ine hoo es before da n, he sparkling c riosi and sof kindness hidden i hin heir deep, coffee-colored e es, And he s range empa h be een o ho are impossibl differen . A hidden oasis a a from he orld, a a from he masks, falsehoods and facades. A simple place, a place here ma le do n m alls. The soar high, o ering abo e all else, The n ielding bricks and mor ar of ca ion, c nicism, and dis r s domina e m fragile life.


M opaq e facade keeps me safe and pro ec ed, And defends me from he endless dangers of li ing. For i h e er or h hile benefi comes i h a hidden cos , A price of en grea er han ha is broadcas o he orld. Wi h open r s comes precario s lnerabili , And i h friends come hidden enemies. Wi h confidence comes ine i able nderes ima ion, And i h brigh op imism comes g llible nai e . Na ral alen brings en from hose born i ho , And i h s ccess comes con emp from hose ho ha e failed. E er ar , alk he knife s edge be een ransparenc and safe , And hide behind m o ering alls. Blending in o he masses of a socie of hose ho do he same. E en no , he are ebbed i h deep cracks onl halfhear edl pa ched. Perhaps one da , he ill fall, brick b cr mbling brick. B e en behind m apa he ic facade, behind he frac red brick of m alls, s ill al e hones , r s , and ransparenc , e en as hide m r e self behind he g ise of he apa h . al e he abili o alk o a person, o a close friend ho can be r s ed, e en ho gh am open o no one. The feeling of ela ed confidence, despi e he ine i able nderes ima ion of he challenge, And he shining op imism ha inspires h mani o mo e for ard, e en ho gh he e er-e panding ni erse ill con in e on i ho s.


Perhaps al e ha am mos lacking in. Beca se, e en ho gh he ni erse ill carr on, e en ho gh o r ac ions are l ima el inconseq en ial, Time ill con in e o mo e for ard, aking each of s i h i , o ha e er lies be ond. And if here is no poin o i all, o o r s range, improbable e is ence on his odd li le orld, f here is no grand scheme, no r e meaning o o r insignifican and nimpor an li es spen orr ing o er ins bs an ial no hings, Then all e can do is make he mos of he in sli er of ime e ha e on his plane , And bring as m ch good in o he orld as e can. B belie e in h mili , in admi ing hen o are rong, n in egri , in doing ha is righ for no re ard, And in empa h , in nders anding a person s si a ion before passing j dgmen . belie e in peacemaking, in conflic onl as a las , despera e resor , n le ing he emp ing oppor ni for re enge o pass, And goodness abo e all else. belie e hese hings beca se of a simple r h, Beca se despi e o r bes effor s o escape reali , no ma er ho hard e ma r o lea e he orld behind, We all e is on Ear h, on a single mo e of d s drif ing i hin he endless e panse of he ni erse. The orld ill con in e on i ho s, regardless of he li es e li e, and ca se o hers o li e.There is no poin o diminishing he li es of o hers, And here is no poin o making o r o n li es a bo omless pi of miser .We re all rapped on his plane oge her, and e ma as ell make he mos of o r ime on i .


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En ironmen ali m d ring Corona ir : ha doe hi mean? the en ironmental implications of the pandemic

The c a i ha c ea ed a a i e ec ic, i ica , a d hea h c i i , b i ha e ed a a a i e e e i e : ha if e dde did ' d i e 1/3 f a ca ? Wha if ai affic dde g d a ha ? We' e e e ee hi i a i bef e i de cie , a d i e he a gib e be efi f ed ced e i i : i c ea i g bi di e i , a e & ai a i i c ea e, a d ecede ed i ibi i . Ye de i e hi i add ic e e i e a eg a i e e a i e i ab e e i i eb d, he EPA ha dec i ed, e i g e f a ge c ai .


COV D-19 i a e c ef a i ica age da; i ' a a eca . Wha ha e he e ha e affic? Wha ha e he e fec i ed i d ia cie i hi i h a e bi gica di a e ? Thi i a ef cie a e e ha i f e e i ac i ica a d ec ic e ; hi ea h da , e a ei acc e a f i ,b h ac i ha e iface ed i ac d ide.

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BUDDHISM CONCEPT HAIKUS 1

Dukkha (Suffering) - A boy loved his bear His bear slowly tore. he said: Life is suffering

2

Anicca (Change) - Every seven yearOld cells replaceChange starts from within

3

Anatta (lack of permanent self) - Honggeol is my nameI am collection of parts “I” am not Honggeol

4

8 Fold path (Right mindfulness) - Focus now focus!What do you see, hear, smell, feel?Conquer them fully

5

Nirvana (Enlightenment) - Don’t dwell in the past Do not dream of the future Be free and let go

6

Maya (Illusion) - I dreamt all day long It felt real but I woke up Fake birds lulled me there

7

Sila (ethical conduct) - it's how we deal with everyday life that makes us who we really are

8

Nirvana (Enlightenment) - Don’t dwell in the past Do not dream of the future Be free and let go

9

Samadhi (Effort) - Away from the body The “I” disappears in the Realm of no form

10

Panna (Wisdom) - long sword glints in sun A carrier of my deedsis part of my soul

H

gge l Kim


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Emergency Magazine May 2020 by Riverstone International School - Issuu