Applause 73

Applause

The Met ropolitan Opera

Issue No. 73

February 2016 - May 2016

Rising Stars of the Metropolitan Opera February 19

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Moscow Festival Ballet: Sleeping Beauty February 25 Saturday Night Fever March 15

Rising Stars Concert Series

The Illusionists April 5 42nd Street April 30

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The American Songbook: Gems by Cole Porter and George & Ira Gershwin May 19

73 Moscow Festival Ballet presents

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59 SPOTLIGHT SPECIALS

Jerry Seinfeld

JUNE 3, 2016 7:00

pm

The Naked Magic Show JULY 7, 2016 7:30

pm

CONTENTS 4 Curtain Raisers 80 6 RiverCenter Members 81 10 RiverCenter 81 Capstone Society 82

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Volunteers Board of Trustees Administration and Staff Ticket Information

Message From the director It is a distinct pleasure for me to share the upcoming RiverCenter performances with you. Our annual season continues with shows that will delight, inspire, and amaze.

In our halls you are sure to find something that pleases be it classical ballet, science fiction, opera, a very hungry caterpillar, or simply a story told with grace and artistry.

RiverCenter holds a very special place in the heart of the Valley, not only by its programming and educational outreach but by its support of local arts organizations such as the Columbus Symphony Orchestra, Schwob School of Music, Youth Orchestra of Greater Columbus, Cantus Columbus, and the Columbus Ballet. Additionally, RiverCenter supports outstanding community events including

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To help support RiverCenter please contact the Advancement

the Miss Georgia Pageant, Columbus Ballet Nutcracker, National Trumpet Competition, Cufflinks and Pearls, the Army Band’s Holiday Concert, Georgia Thespian Conference, Junior League Follies, and many more.

As an independent, private 501(c)3 nonprofit organization, RiverCenter could not provide these services without the generous support of donors and patrons like you. Every contribution made to RiverCenter results in services to organizations that utilize our facility continually enhancing our community and the surrounding region.

Thank you for your support. I hope you are excited as well about the future of RiverCenter and will join us to explore and celebrate the live performing arts!

See you at the theatre.

Norman S. Easterbrook Executive Director

Team at 706.256.3653 or development@rivercenter.org

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RiverCenter Advancement

RiverCenter is a 501(c)3 nonprofit. Ticket sales meet only a portion of RiverCenter’s operating expenses. The balance is covered by contributions to RiverCenter. The generosity of many individuals and corporations helps River­Center present world-class artists and offer varied educational opportunities. To receive informa­tion about becoming a Mem­ber or Curtain Raiser, please call 706-256-3653 or email development@rivercenter.org.

RiverCenter Sponsors: Curtain Raisers

Curtain Raisers are RiverCenter’s sponsors or corporate members. The funds support River­Center’s diverse program schedule, in­cluding pro­fessional touring attractions and edu­ca­tional activi­ties. RiverCenter values its phenomenal partners.

SEASON SPONSOR

CHAMPION

SUSTAINER

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BENEFACTOR

SPONSORSHIP IN MEMORY OF GERALDINE SPENCE

DIAMOND

MISS LUCY HILL BOWERS

GARY & LANDA TRENTHAM

JUDY W. THOMAS

Center Insurance Chattahoochee Valley Libraries Courtyard Marriott SunTrust

PLATINUM

Wells Fargo Westfield Insurance ZĂ–e Pediatrics

GOLD

Anonymous (1) Columbus Water Works Junior League of Columbus Columbus Botanical Garden Creek Stand Partners, LP MetroPower, Inc ColumbusPower Fox Theatre Institute SILVER

Anonymous (1) Jacob & Claire Beil Chattahoochee Pallets, Inc.

Chick-fil-A, Inc. Vincent & Dian Naman Duke and The Doctor

BRONZE

Richard & Helen Robbins Pat & Jack Wilensky

Knight-Rawls Inc.

Rivertown Dental Care 5

RiverCenter Members MARQUEE SOCIETY MEMBERS • The Marquee Society advances

fulfillment of RiverCenter’s mission of “bringing together a variety of artists and audiences for entertainment, education and enrichment of the cultural life of our region.”

Society members annually contribute $1,000 or more and know the true value of the arts and cultural preservation.

Membership has its benefits. Please contact Lauren Minter at 706-256-3653 to discuss Marquee Society membership.

MARQUEE SOCIETY: CHAMPION LEVEL

Anonymous (1) MARQUEE SOCIETY: SUSTAINER LEVEL

Mr. & Mrs. Stephen T. Butler

Anonymous (1)

MARQUEE SOCIETY: BENEFACTOR LEVEL

Gardiner & Nora Garrard

Mr. Gavin Spence

Judy W. Thomas

(In memory of Geraldine Spence)

MARQUEE SOCIETY: DIAMOND LEVEL

Anonymous (1) Mr. & Mrs. Daniel P. Amos Miss Lucy Hill Bowers Akitoshi & Etsuko Kan Dr. David and Suzanne Levine

Ms. Polly Miller

Al & Betsy Ramsay Mrs. Mary W. Schley Gary & Landa Trentham Mr. & Mrs. Wright B. Waddell

MARQUEE SOCIETY: PLATINUM LEVEL

Kriss & Lisa Cloninger Mrs. Virginia Norman Rick & Jan Ussery (In memory of Rozier Dedwylder) Mrs. Richard Hallock Wade & Adrianne Wallace Mr. & Mrs. Jack J. Pease, III Mr. & Mrs. John C. Martin, II Mr. & Mrs. M. Troy Woods Mr. and Mrs. William P. Mrs. Francis A. Norman James D. & Ruth B. Yancey Scarbrough 6

MARQUEE SOCIETY: GOLD LEVEL

Anonymous (1) Dr & Mrs. Ferdinand Q. Alcaide Rick & Cindy Alexander Dr. Catalina Aranas Dr. Champ & Sue Anne Baker Jacob & Claire Beil Dr. & Mrs. Thomas N. Bernard, Jr. Mr. & Mrs. Walker R. Bickerstaff Mr. & Mrs. Walker R. Bickerstaff, Jr. Mr. & Mrs. James H. Blanchard Mr. & Mrs. Richard Bradley Frank & Jo Ann Brown Mr. & Mrs. Charles W. Burgin Max and Ann Burr Mrs. Forrest L. Champion, Jr. Mr. & Mrs. D. Copeland Janet Davis Mr. and Mrs. Norman S. Easterbrook Mr. & Mrs. Thad Estes Drs. Bobbi Farber & Thomas Walsh Suzanne & Joel Fine Mrs. Frank D. Foley, Jr. Dr. & Mrs. Mark R. Fortson Mr. & Mrs. D. Clyde Fountain Cindy & Spencer Garrard Mr. & Mrs. J. Hudson Garrett Dr. and Mrs. Jerry Goldsmith Mr. & Mrs. A. Comer Hobbs, Sr. Roderick C. & Stephanie Y. Hunter Jo & George Jeter Matthew E. & Cynthia Woodsmall Jones Mr. & Mrs. Gaylon M. Jowers, Jr. Dr. William P. Kendall Ashok & Mary Kumar John & Kayron Laska

Dr. & Mrs. Thomas W. Lawhorne, Jr. Mrs. Donald M. Leebern, Jr. Dr. & Mrs. Darcy Leerssen Mr. Wendell Lewis Mr. & Mrs. Anthony D. Link Mr. & Mrs. James B. Lipham Jacki W. Lowe Mr. & Mrs. Chuck Lowery The Honorable Julia Willcox-Lumpkin Sando & Colonel Donald Mark Sando, U.S. Army, Retired Jim & Debbie Martin Mr. & Mrs. A. Ben Moon, Jr. Jimmy & Barbara Motos Marjorie & Jerry Newman Mr. & Mrs. Marc Olivie David & Linell Pringle Mrs. Sam Rawls Joan Redmond Mr. & Mrs. Jeff Reed Richard & Helen Robbins Barbara Rothschild (In memory of Wendell Lewis) Mr. & Mrs. Claude G. Scarbrough, III Mr. & Mrs. John A. Shinkle Mr. & Mrs. Clifford J. Swift, III Chip & Audrey Tillman Mr. & Mrs. Philip Tomlinson Brad & Sally Turner Mr. & Mrs. Jack G. Turner Mr. & Mrs. John T. Turner Mrs. Ronald Watson (In memory of Dr. Davis R. Watson) Chris Weaver James & Teresa White Mr. & Mrs. Joel O. Wooten 7

SILVER & BRONZE MEMBERS • Individuals may become members of RiverCenter with a contribution of $100 or more.

SILVER LEVEL

Judge & Mrs. Barschall Andrews Bruce & Angie Bacon Mr. & Mrs. Wilson W. Blackmon Sherida Brannan Cantus Columbus (In memory of Wendell Lewis)

Mr. & Mrs. Thomas M. Flowers Marlene & Robert Garnett Mr. & Mrs. William B. Hardegree Mr. & Mrs. Richard Hare Mrs. Melinda Hunter Charlie & Pam Johnson Mrs. Charlyn Kerr Mr. & Mrs. Justin Krieg Ben & Annelle McCosh Mr. Walter Miller, Jr.

Dr. & Mrs. William Paull Gene & Meg Perkins Bob & Stacy Poydasheff Col. & Mrs. Robert H. Robinson Marnie Salter Mr. Paul G. Schmidt (In honor of Dr. Gorum and his team) Otis J. & Sandy Scarborough Len & Glenda Sexton Mr. & Mrs. J. Edward Sprouse Mr. & Mrs. Charles T. Staples Dr. & Mrs. Franklin J. Star Dr. & Mrs. Thomas R. Stewart Mr. & Mrs. Mat D. Swift Martha S. Tubb Pat & Jack Wilensky

BRONZE LEVEL

Mr. & Mrs. W. Mizell Alexander Alfred & Courtney Blackmar Ray L. Allison Neil Block & Regina Satlof Randy Aman Ms. Juanita Booker (On behalf of The Retired Bums, Chuck & Carol Bradshaw in memory of Wendell Lewis) Ms. Julie A. Bray Mr. & Mrs. Richard F. Andrews Dr. & Mrs. Philip L. Brewer Ms. Betty L. Auten Mrs. Kay Broda Mr. & Mrs. James R. Ballengee Dr. & Mrs. William J. Bullock Peggy & Charles Batastini (In memory of Wendell Lewis) Janice Beam Thomas B. Buck, III Susan & Carter Berry Dr. Bob & Lisa Bunting Mansfield & Bernice Bias Revs. Taylor & Grace BurtonEdwards Mr. & Mrs. Richard Bicknell Mrs. James J. W. Biggers, Jr. Dr. & Mrs. Robert H. Bush 8

Mr. & Mrs. Dennis Calhoun Mr. & Mrs. Marc Calhoun John & Eva Chappelle Joan S. Cheves Skip & Joyce Chittenden Dr. Thomas Cochran Bonnie & Leslie Cohn Red & Fay Coleman Rev. & Mrs. Mabry Collins Mrs. Marion Cornwell Donna J. Craig Sandra Cullen Mrs. L.A. Cunningham Don & Bobbie Dakin

Martha & Kelly Dimon Ms. Joan Mainor Montgomery E. Thorne, Sr. Mr. & Mrs. Frank S. Etheridge, III Mrs. Inge Mason Jim & Sue Trott ( In memory of Wesley J. Mason) Steve & Kim Evans Mr. & Mrs. Dave Troxel Jim & Mary Matthews Mr. & Mrs. John J. Fatum Mrs. Michael A. Tryon Ginny Mayher Christy Fields Mr. Richard M. Tucker (In memory of Wendell Lewis) Mr. & Mrs. Max R. McGlamry (In memory of Marjorie S. Tucker) Tim Vinson Judge & Mrs. Kenneth Cecil & Liz McGouirk Followill Dr. Thomas A. & Sherry F. Wade Almeda Medlin Brett Gant Mary Lewis & Duke Walsh Dr. & Mrs. F. J. Meine Mr. & Mrs. Mike Gaymon Mr. & Mrs. Charles P. Watson Chris & Wendy Miller Steve & Mary Hall Lynn & Rex Whiddon Mr. & Mrs. Richard Olson Dr. & Mrs. Lamar Hamric Mr. & Mrs. J. Mark Weaver Corneila S. Partain (In honor of Chris Weaver & Phil & Marie Hand Louise & Judson Patten in memory of Wendell Lewis) MG (Ret.) & Mrs. Henry H. Bill & Pat Porter Lamar & Dorenda Weaver Harper Ruth Ann & Lamar Powers David & Cathy Woolbright Corinne M. Haslam Janet Prater & Cindy Mohney Jerrel & Laura Yates Sally & Madden Hatcher Mr. & Mrs. E. Lowry Reid, Jr. Mrs. Margaret G. Zollo Mr. & Mrs. David Hay Helen Reinking & Bill Jones Ed & Lana Helton Marjorie T. Richardson Dr. & Mrs. Steven Henslee Dr. & Mrs. Theus W. Rogers, Jr. Pamela C. Humber Sally Rotunno Jeanette & Milton Jones DON’T SEE Dr. Carole Rutland & Kevin & Donna Kelly YOUR NAME? Mr. Robert D. Offer Jean & Gerald Kent Ralph & Edith Satterwhite Mr. & Mrs. Paul Kilpatrick, Jr. Mr. & Mrs. George Schladensky Jo Ann & Ernie Kirk JOIN Patricia Schneider LTC. Patricia A. Krause, INSTANTLY ON Joyce & Henry Schwob USA Ret. Alva R. Shirley RIVERCENTER.ORG Dr. A.J. Kravtin TODAY! Mr. & Mrs. Mason Houghland Murray & Celia Solomon Lampton Mrs. Bettye T. Spence Mr. & Mrs. John T. Laney, III Warren & Lorie Steele Mr. & Mrs. Ray Lemieux Dr. & Mrs. John R. Stephenson Marv & Vicki Lieberman Mary Stewart Julie & Neal Littlejohn Mark & Jane Strunk Wylene & Morris Loeb Patty Kimbrough Taylor

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The Capstone Society

“Assuring the Promise of Tomorrow” The Capstone Society is RiverCenter’s planned-giving program. The Capstone Society program was founded by the late Wendell Lewis. The society honors donors who disclose they have included RiverCenter for the Per­forming Arts in their estate plans. It provides RiverCenter the opportunity to recognize and thank these donors during their lifetimes. If you have made a plan­ned gift to River­Center, Inc. and are not listed below, or if you wish to discuss how your planned gift can assist RiverCenter in its artistic and educa­tional mission, please contact the Advancement office at 706-256-3653 or development@rivercenter.org.

Mr. & Mrs. W. Mizell Alexander Thomas B. Buck III Mrs. Otis B. Burnham Dorothy Jean Bush

Nora Garrard Charlyn Kerr Virginia Norman Chris Weaver

“The true meaning of life is to plant trees under whose shade we do not plan to sit.”

—Nelson Henderson

In memory and celebration of the life of Wendell Lewis.

Special thanks to

for their annual commitment to the arts.

FEBRUARY 19

The Met ropolitan Opera

Rising Stars Concert Series supported by MISS LUCY HILL BOWERS 15

RISING STARS OF THE MET

Columbia Artists Management LLC The Creative Source for the Performing Arts

The Metropolitan Opera Rising Stars Concert Series Lori Guilbeau, soprano Simone Osborne, soprano Sarah Mesko, mezzo-soprano Trevor Scheunemann, baritone Brent Funderburk, piano IL BARBIERE DI SIVIGLIA (Gioachino Rossini) “Una voce poco fa”.........................................Sarah Mesko FALSTAFF (Giuseppe Verdi) “Sul fil d’un soffio etesio”....................................................Simone Osborne I PURITANI (Vincenzo Bellini) “Or dove fuggo mai … Ah! per sempre”..................Trevor Scheunemann MADAMA BUTTERFLY (Giacomo Puccini) “Un bel dì vedremo”............................................Lori Guilbeau L’ITALIANA IN ALGERI (Gioachino Rossini) “Cruda sorte”.......................................................Sarah Mesko LE NOZZE DI FIGARO (Wolfgang Amadeus Mozart) “Crudel! perchè finora”.................Simone Osborne, Trevor Scheunemann LE NOZZE DI FIGARO (Wolfgang Amadeus Mozart) “Sull’ aria”...............Lori Guilbeau, Simone Osborne COSÌ FAN TUTTE (Wolfgang Amadeus Mozart) “Ah! guarda sorella”..............Lori Guilbeau, Sarah Mesko COSÌ FAN TUTTE (Wolfgang Amadeus Mozart) “Il core vi dono”........Sarah Mesko, Trevor Scheunemann LA TRAVIATA (Giuseppe Verdi) “Ah, fors’è lui … Sempre libera”.....................................Simone Osborne Intermission TANNHÄUSER (Richard Wagner) “Dich, teure Halle”...........................................................Lori Guilbeau LES CONTES D’HOFFMANN (Jacques Offenbach) “Belle nuit, ô nuit d’amour”.............Simone Osborne, Sarah Mesko LA TRAVIATA (Giuseppe Verdi) “Di Provenza”............................................................Trevor Scheunemann SAMSON ET DALILA (Camille Saint-Saëns) “Mon coeur s’ouvre à ta voix”.............................Sarah Mesko ARABELLA (Richard Strauss) “Aber der Richtige”.....................................Lori Guilbeau, Simone Osborne HAMLET (Ambroise Thomas) “O vin, dissipe la tristesse”.........................................Trevor Scheunemann RUSALKA (Antonín Dvořák) “Měsíčku na nebi hlubokém”...................................................Lori Guilbeau GIANNI SCHICCHI (Giacomo Puccini) “O mio babbino caro”.........................................Simone Osborne SOUTH PACIFIC (Richard Rodgers) “Some enchanted evening”..............................Trevor Scheunemann CAROUSEL (Richard Rodgers) “You’ll never walk alone”.......................................................Sarah Mesko MY FAIR LADY (Frederick Loewe) “I could have danced all night”........................................Lori Guilbeau PROGRAM SUBJECT TO CHANGE Tour Direction: Tim Fox//Alison Ahart Williams//Sarah Davis Columbia Artists Management LLC New York, NY www.cami.com 16

RISING STARS OF THE MET “The Metropolitan Opera Rising Stars Concert Series” offers fans across North America a rare opportunity to experience remarkable young artists on the cusp of extraordinary careers.

For more than 125 years, the Metropolitan Opera has been the artistic home of the greatest singers in the world. But the Met is also the launching pad for the opera stars of the future. Some of today’s leading artists got their first big break by winning the company’s national auditions, as members of the young artist program, or by catching the attention of Met talent scouts. Stephanie Blythe, Renée Fleming, Susan Graham, Deborah Voigt, Thomas Hampson, and Mariusz Kwiecien are just a few of the major artists to have come through the Met ranks.

ARTISTS

BRENT FUNDERBURK, pianist, Praised by The New York Times as an “excellent pianist,” South Carolina native Brent Funderburk has partnered world-class singers and instrumentalists in concert and on recording. He has garnered respect as a distinguished recitalist and vocal coach in New York City.

Mr. Funderburk has participated in many renowned summer programs and festivals including Ravinia’s Steans Music Institute, where he returned as a resident pianist in the 2015 Program for Singers. Other recent summer engagements include the International Vocal Arts Institute (IVAI) in Virginia and SongFest at Pepperdine. He is a recipient of the Margo Garrett and Marc and Eva Stern Fellowships along with the prestigious Music Academy of the West in Santa Barbara.

In the realm of art song, Mr. Funderburk has made many notable appearances, including a recent performance in the Marilyn Horne Song Celebration at Zankel Hall. He has collaborated with rising young artists as part of The Song Continues at Carnegie Hall. His long-running collaboration with mezzo-soprano Naomi O’Connell has led to many U.S. recital appearances under the auspices of Concert Artists Guild, as well as radio broadcasts on New York’s WQXR as part of The McGraw-Hill Companies’ Young Artist Showcase. Mr. Funderburk has also appeared in recitals at Alice Tully Hall, Merkin Hall, Symphony Space and the Ravinia Festival, among others. Also known for his instrumental collaborations, Mr. Funderburk has maintained an active schedule with violinist Francesca Anderegg. The duo has performed at many U.S. venues, including the Chicago Cultural Center as part of the International Music Foundation’s Dame Myra Hess Memorial Concert series. They have been featured on WQXR, Chicago’s WFMT, and MPR (Minnesota Public Radio). Recording credits include a debut release with Ms. Anderegg under the Albany label. Mr. Funderburk is on staff of the Ellen and James S. Marcus Institute for Vocal Arts at The Juilliard School, where he received his Master’s degree in Collaborative Piano under the tutelage of Brian Zeger, Margo Garrett, and Jonathan Feldman.

LORI GUILBEAU, soprano, Hailed by The New York Times for her “beautiful tone and a graceful sense of phrasing,” soprano Lori Guilbeau returns to Theater Kiel in the 2015–16 season, this time as a member of the company’s ensemble, where she will sing her first performances of Helmwige in Die Walküre, Micaëla in Carmen, and Euridice in Orfeo et Euridice. Last season, she returned to her home state for Verdi’s Requiem with the Louisiana Philharmonic and to Theater Kiel for Mahler’s Symphony No. 2. She also returned to the Metropolitan Opera as the High Priestess in Aida as well as for the company’s production of Don Carlo.

The soprano made her Metropolitan Opera debut in 2012 as the High Priestess in Aida with Marco Armiliato conducting and has returned to the company for Voce dal Ciel in Don Carlo as well as for its productions of Götterdämmerung and Nabucco. She recently sang her first performances of the title role of Ariadne auf Naxos 17

RISING STARS OF THE MET with Theater Kiel, Giorgetta in Il Tabarro with LidalNorth in Oslo, and Fiordiligi in Così fan tutte with Shreveport Opera. On the concert stage, she joined the American Symphony Orchestra for Esmerelda in Schimidt’s Notre Dame at Carnegie Hall as well as for concerts featuring French repertoire by Saint-Saëns, Gounod, Delibes, and Massenet at the Bard Music Festival. Among her other concert performances are Strauss’ Vier letzte Lieder with the Monterey Symphony, Verdi’s Requiem with the East Alabama Arts Association, and concert programs of varied repertoire for Verein Opera in Zurich and Den Nye Opera. She sang a solo recital in New York City that was presented by the Marilyn Horne Foundation and Weill Music Institute at Carnegie Hall and joined bass John Relyea in a recital presented by the George London Foundation at New York City’s Morgan Library.

She triumphed as a grand prize winner of the 2010 Metropolitan Opera National Council Auditions in which she sang “Give me some music” from Barber’s Antony and Cleopatra and “Toi qui sus le néant” from Don Carlos with the legendary orchestra under the baton of Marco Armiliato. She is the 2010 recipient of the George London/ Leonie Rysanek Award from the George London Foundation, first prize in the Gerda Lissner International Vocal Competition, first prize in the Alan M. and Joan Taub Ades Vocal Competition at Manhattan School of Music, and the Richard F. Gold Career Grand from the Shoshannah Foundation. Addition, she received the Beverly Sills Award from the Elardo International Opera Competition and both the Edvard Grieg and Audience Choice Award at the Solveig Competition in Oslo, Norway.

The soprano received both her Master of Music and Bachelor of Music from Manhattan School of Music, at which her performances of the title role of Fauré’s Pénélope received great critical acclaim. While there she also performed scenes of Agathe in Der Freischütz, Contessa in Le Nozze di Figaro, Amelia in Un Ballo in Maschera, Leonore in Fidelio and was presented in recital at the Terrace Theater of the John F. Kennedy Center as part of the Conservatory Project Recital Series singing songs of Duparc and Marx. A former participant of the Merola Opera Program in association with San Francisco Opera, she sang excerpts of the title role of Arabella, Alice Ford in Falstaff, and Mimì in La Bohème. Additionally, she is a former participant of the International Institute of Vocal Arts in Chiari, Italy; Intermezzo Festival in Bruges, Belgium; Lidal North in Oslo, Norway, and Sherill Milnes’ VOICExperience.

SARAH MESKO, mezzo soprano, Sarah Mesko begins the 2015–2016 season with her role debut as Carmen at Washington National Opera in the Domingo-Cafritz Young Artist performance. She will also cover Malcolm in La donna del Lago at the Metropolitan Opera. In concert, she will appear with the Columbus Symphony in Alexander Nevsky and with Mercury Baroque in Beethoven’s Ninth Symphony.

Recently, Ms. Mesko debuted at the Glimmerglass Festival in Vivaldi’s Catone in Utica to great acclaim. She was seen at Washington National Opera as the Second Lady in Die Zauberflöte and made her debut at Houston Grand Opera as Mrs. Segstrom in A Little Night Music. In concert, she appeared with the Bach Society of Houston as well as Mercury Baroque in Houston.

As a member of the Domingo-Cafritz Young Artist Program, Ms. Mesko’s appearances with Washington National Opera include Alisa in David Alden’s production of Lucia di Lammermoor, a striking role debut as Dorabella with Washington National Opera in their Emerging Artist performances of Così fan tutte, and her role debut as Hansel.

In 2011 she made her debut in Madama Butterfly, first as Kate Pinkerton and then in a highly acclaimed role debut as Suzuki, conducted by Plácido Domingo in a Young Artist performance. The Washington Post remembered her as “the best part of the Young Artist Program performance of Madama Butterfly last year.”

In 2009, Ms. Mesko was a national finalist of the Metropolitan Opera National Council Auditions, performing with the Met Orchestra under Patrick Summers. She is also among a rare number of singers who have won the Richard F. Gold Career Grant more than once: in 2011 from Washington National Opera and in 2009 from Central City Opera.

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RISING STARS OF THE MET SIMONE OSBORNE, soprano, Soprano Simone Osborne is one of the youngest winners of the Metropolitan Opera National Council Auditions and an alumna of the Canadian Opera Company Studio Ensemble. Simone Osborne begins the 2015–2016 season with a return to the role of Gilda from Verdi’s Rigoletto and Handel’s Messiah with Vancouver Opera. She returns to the Canadian Opera Company to debut the role of Micaela in Bizet’s Carmen with an all-star cast. She will return to the Toronto Symphony Orchestra for performances of Mahler’s Symphony No. 4 and a selection of soprano opera arias. Ms. Osborne will debut Berlioz’ Les Nuits d’été with Berkeley Symphony and join Bach Choirs for Handel’s Messiah. In the 2014–2015 season, Ms. Osborne was played Nannetta in Robert Carsen’s production of Falstaff at the Canadian Opera Company and made her role debut as the title role in Lucia di Lammermoor at Edmonton Opera.

On the concert stage under the direction of Kazuki Yamada, Ms. Osborne reprised the role of Marguerite in Honegger’s Jeanne d’Arc au bûcher with Orchestre Philharmonique de Monte-Carlo, Orchestre National du Capitole de Toulouse, and Orchestre de Paris. She also debuted with the New York Philharmonic in the same piece under Alan Gilbert. Simone has performed with Vancouver Opera as Pamina in The Magic Flute and debuted with the Los Angeles Philharmonic under Gustavo Dudamel as Barbarina in Le Nozze di Figaro.

She also debuted at Opera Hamilton as Gilda in Rigoletto and at Carnegie Hall with pianist Warren Jones as a part of the Marilyn Horne Song Celebration. In the summer of 2012, she was performed at the Saito Kinen Festival in Honegger’s Jeanne d’Arc au bûcher as Marguerite under the guidance of Seiji Ozawa. At the Canadian Opera Company, she played Gilda in Rigoletto, Lauretta in Gianni Schicchi conducted by Sir Andrew Davis, Pamina in Die Zauberflöte, and Ilia in Idomeneo conducted by Harry Bicket. She also made her Vancouver Opera debut as Juliette in Roméo et Juliette.

TREVOR SCHEUNEMANN, baritone, In the 2015–2016 season, Trevor Scheunemann will make his Atlanta Opera debut as Marcello in La Bohème. Last season he played Marcello at the Washington National Opera in a new production of La Bohème. He returned to the Metropolitan Opera as Morales in Carmen and Silvano in Un Ballo in Maschera. In the summer of 2015, Mr. Scheunemann debuted at Teatro Municipal de Santiago as Sharpless in Madama Butterfly. He also debuted in Orff’s Carmina Burana and in Bernstein’s A Quiet Place with the Montreal Symphony and Kent Nagano. In recent seasons, he appeared at Opéra de Monte Carlo in his role debut as Donner in Das Rheingold, Belcore in L’Elisir d’Amore with Baltimore Concert Opera, and the Metropolitan Opera as Silvano in the new production of Un Ballo in Maschera under Fabio Luisi, which became a Met Opera HD broadcast.

Mr. Scheunemann played the debut role of Joe in the world premiere of Heart of a Soldier at the San Francisco Opera. Additionally, he debuted at Théâtre du Capitole in Toulouse as Sharpless in Madama Butterfly to great acclaim and Opéra National de Bordeaux as Count Almaviva in Le Nozze di Figaro. Additional performances include Schaunard in La Bohème and Sid in La Fanciulla del West at the Metropolitan Opera, Count in Le Nozze di Figaro at San Francisco Opera under Nicola Luisotti, the world premiere of Die Marquise von O

by René Koering at Opéra de Monte Carlo, Zurga in Les Pêcheurs de Perles and Count Almaviva in Le Nozze di Figaro at Washington National Opera, Morales in the new production of Carmen conducted by Yannick Nézet-Séguin at the Metropolitan Opera, Guglielmo in Così fan tutte at Oper Frankfurt, Rameau’s Dardanus with Emmanuelle Haïm at Opéra de Lille, San Francisco Opera debut as Jake Wallace in La Fanciulla del West conducted by Nicola Luisotti, Melot in Tristan und Isolde and Robert Carsen’s L’incoronazione di Poppea conducted by Emmanuelle Haïm at the Glyndebourne Festival, and his Metropolitan Opera debut as Curio in Giulio Cesare.

Trevor Scheunemann is an alumnus of the Domingo-Cafritz Young Artist Program at the Washington National Opera.

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Proud Supporters of RiverCenter

FEBRUARY 25

Moscow Festival Ballet presents

supported by

MOSCOW FESTIVAL BALLET: SLEEPING BEAUTY

Moscow Festival Ballet: Sleeping Beauty Ballet in three acts with prologue and apotheosis

Music by

Pyotr Ilyich Tchaikovsky

Choreography by

Marius Petipa and Lev Ivanov

Stage Version by

Elena Radchenko

Synopsis by

Marius Petipa and Ivan Vsevolozhsky after Charles Perrault’s fairytale La belle au bois dormant PROLOGUE ACT I The Spell --Intermission-ACT II, Scene One The Vision ACT II, Scene Two The Awakening ACT III The Wedding

Cast Princess Aurora.....................................................Maria Klyeva, Maria Sokolnikova, Alexandra Krukova Prince Désiré.........................................................Dmitriy Sitkevich, Ivan Zviagincev, Nurlan Kinerbaev King Florestan...............................................................................................................Dmitry Romanov Queen..............................................................................................................................Natalia Ivanova Master of Ceremonies................................................................................................Denis Onufriychuk Fairy Carabosse.............................................................................................................Evgeniy Rudakov Lilac Fairy.........................................................................................Olga Gudkova, Hanna Zimovchenko Fairy Tenderness...........................................................................................................Elena Khorosheva Fairy Boldness...................................................................................................................Galina Ishenko Fairy Generosity.......................................................................................................Hanna Zimovchenko Fairy Carelessness.............................................................................................................Olga Sharikova Fairy Canary................................................................................................................................Irina Tsoy 4 Gavalers.......................................Anton Baglikov, Nurlan Kinerbaev, Viorel Miron, Vladimir Tapharov Princess Florine................................................Olga Gudkova, Hanna Zimovchenko, Malika Tokkozhina Blue Bird............................................................................................Vladimir Tapharov, Anton Baglikov White Cat.....................................................................................................................Elena Khorosheva Puss-in-Boots.......................................................................................................................Sergey Kotov Little Red Riding Hood....................................................................................................Daria Lednikova Wolf..................................................................................................................................Iaroslav Lishuk

MOSCOW FESTIVAL BALLET: SLEEPING BEAUTY The Sleeping Beauty, a crowning jewel of Marius Petipa’s career, is often considered the finest achievement of the Classical ballet. It is a grandiose and refined blending of the traditional mime, expressive pas d’action and spectacular divertissements in a lavish theatrical setting. Tchaikovsky was delighted with the invitation to write the music for a ballet based on Charles Perrault’s well-known fairy tale. A baby princess, condemned at her christening by an evil fairy to prick her finger and die on her 16th birthday, is saved by the gift of the good Lilac Fairy, who declares the princess will only sleep until awakened by the kiss of a prince. The fairy tale, replete with a king and queen, fairies both good and evil, a beautiful princess and dream prince, magical stage effects, and courtly splendor, lent itself perfectly to the full evening ballet that was Petipa’s pride.

Although different productions have cast the kingdom of King Florestan and his Queen in varying centuries, it is really a storybook kingdom set in the realm of the imagination. In the Prologue, the hall of the palace where the christening is about to take place is resplendent with color, and imposing with its high ceilings and great stone archways.

The master of ceremonies, pages, heralds, ladies in waiting, and finally the King and Queen all promenade into the royal setting, looking most distinguished in their elaborate dress. Next, the fairies of the kingdom join the scene of courtly pageantry with the Lilac Fairy, six cavaliers and maids of honor entering last. All dance in honor of the King and Queen and baby Aurora, about to be christened. Each of the fairies dances her own solo, presenting a gift to the Princess. Just as the Lilac Fairy finishes her dance a strange and frightening rumble is heard. Its meaning soon becomes clear: the master of ceremonies has forgotten to invite the evil Fairy Carabosse! The grotesque woman, her face a white mask, her long dress black and tattered, enters in a huge black coach drawn by four ugly rats. Stepping down, she gesticulates with her hand and threatens with her stick that they will have to pay the price for their omission.

In mime, she delivers the ominous curse that the

Princess will prick her finger on a spindle and die.

The master of ceremonies is in disgrace, the King and Queen are in despair. But the Lilac Fairy has not given her the gift. She steps forward and assures the royal court that on her 16th Birthday the princess will indeed prick her finger, but then fall asleep for 100 years. Carabosse speeds off in a rage while the others surround the infant’s cradle as if to protect her from further harm.

The Sleeping Beauty was the first of Petipa’s classics to be seen in Western Europe. Under the title The Sleeping Princess, it was presented

by Serge Diaghilev (1872–1929) in London in 1921. In 1939, it was remounted in Great Britain and has been considered the foundation of the Classical ballet repertory in that country ever since. It has now been adopted worldwide, and performance of the leading role remains a kind of initiation rite for aspiring ballerinas.

The Sleeping Beauty is a supreme demonstration of the challenge of Petipa’s style—steel point work, sharply accented spinning turns, soaring leaps, high extensions, brilliant battery (beats in the air), daring lifts and, in addition, it gives a fairy tale plot lavish stage treatment. However, its production actually checked a growing tendency toward shapeless extravaganza in 19th century ballet, adhering closely to the principle of choreographic symphonism—like the composition of a symphony—it had a certain formal structure. The Sleeping Beauty was choreographed in strict association with Tchaikovsky’s music. There are themes developed and resumed throughout the ballet, and each act is a unity unto itself. Tchaikovsky willingly took instruction from Petipa as to the length tempo and character of each musical sequence (as he would also do in The Nutcracker). The themes—a young girl’s coming of age and the triumph of good over evil—are developed dramatically and musically during the course of the ballet. Each of the three acts in cludes an Adagio for Princess Aurora, the first celebrating her girlhood, the second her falling in love, and the third her marriage. In these pas d’actions, Petipa makes fuller use than previous choreographers of the dramatic potential of

MOSCOW FESTIVAL BALLET: SLEEPING BEAUTY the Classical ballet, as when Aurora’s curved (questioning) attitudes become sharp (exclamatory) arabesques and her balances grow steadily surer.

PROLOGUE King Florestan the XIVth declares a grand christening ceremony to be held in honor of the birth of his daughter, Princess Aurora named after the dawn. An entourage of six fairies are invited to the Christening to be godmothers to the child.

They are the Candide Fairy, the Coulante Fairy, the Miettes Fairy, the Canari Fairy, the Violente Fairy and—most importantly—the Lilac Fairy, who is the last to arrive. As the fairies are happily granting gifts of honesty, grace, prosperity, song and generosity, they are suddenly interrupted by the arrival of the wicked fairy Carabosse, who is furious at the King’s failure to invite her to the ceremony.

The King and Queen begin to remonstrate, and the Master of Ceremonies, Catallabutte, intervenes to take responsibility, whereupon Carabosse rips off his wig, laughing. With spite and rage, Carabosse declares her curse on Princess Aurora: she will prick her finger on her sixteenth birthday and die. But all is not lost. The Lilac Fairy, fortunately, has not yet granted her gift to the Princess. She acknowledges that Carabosse’s power is immense and she cannot completely reverse the curse.

However, she declares, though the Princess shall indeed prick her finger, she will not die, but instead sleep for 100 years until she is awakened by the kiss of a prince. Carabosse departs, and the curtain falls as the good fairies surround the cradle.

ACT I: The Spell Act I opens at Aurora’s 16th birthday party. Brightly clad peasant girls dance a divertissement with flower garlands. Holding the arched garlands overhead, they dance in multiple circles, weaving in and out to a waltz tempo. All await the arrival of the Princess Aurora. The ballerina princess bursts onto the scene, dancing a brief and vivacious solo in the manner of a carefree young girl. She is then ceremoniously introduced to the four princes who

have come to seek her hand. The Rose Adagio, the famous pas d’action expressing a young girl’s blossoming into womanhood, is about to start. Aurora begins the adagio in with one leg raised and bent behind her, one curved arm raised overhead.

Some have read in this “attitude” pose, which Aurora repeats often, a kind of gentle questioning or youthful uncertainty. One after the other, each of the suitors turns and displays her while she maintains her pose. She releases the hand of the suitor supporting her, and raising both of her arms overhead, balances momentarily, as if tentatively testing her abilities. She then takes the arm of the next prince and begins the sequence again. After a brief interlude in which the princess dances alone, she returns to accept a rose from each of the suitors (hence the title, Rose Adagio). She pirouettes slowly and accepts each rose; one prince supports her while the next offers his flower. At the end of the Adagio, she returns to her attitude position, and supported in turn by each prince, she again releases her hand and balances for a little longer each time. Finally, as she frees her hand from the clasp of the fourth prince, she again releases her hand and balances for a little longer each time.

Finally as she frees her hand from the clasp of the fourth prince, the curved attitude straightens into a sharp, arabesque extension. She retains her balance poised confidently on one toe, as if she has visibly come of age before the eyes of the adoring suitors. The Princess continues dancing a joyful solo until her attention is suddenly distracted by a strange woman dressed in black who offers her an unfamiliar object. Before anyone can stop her, Aurora seizes the dreaded spindle. The unwary Princess pricks her finger, grows weaker, and falls to the floor in a swoon. Just as those assembled lapse into despair, the Lilac Fairy steps forward. Waving her wand soothingly, she reminds them that the Princess will only sleep and she casts everyone into deep slumber along with her. The Lilac Fairy summons a forest of thorns, thickets, and enormous shrubbery to grow around the sleeping court.

INTERMISSION

MOSCOW FESTIVAL BALLET: SLEEPING BEAUTY ACT II: Scene One: The Vision Act II takes us to a neighboring kingdom 100 years later. Prince Charming and his lord and lady friends are out for a hunt. The cheerful retinue amuse themselves with dances and games, but the Prince is tired of everyday diversions and stays behind to wander about alone. Suddenly the Lilac Fairy floats in on a boat with gossamer sails. She offers to show the melancholy Prince a vision of Aurora. The Prince is utterly enchanted by the sight of the Princess dancing lyrically and romantically amidst a tableau of fairies and nymphs, bathed in a bluish light. He pursues her but can only hold the Princess in his arms for a moment before she eludes him and disappears. She is after all only a spectral image conjured up by the Lilac Fairy. The Fairy offers to take the Prince across the lake, through the dense and tangled forest, to the castle where the real Princess lies asleep.

ACT II: Scene Two: The Awakening The Prince approaches the canopied bed set on a high platform and, as the music heightens, he plants the awakening kiss. Aurora greets him. The King and Queen appear from either side of the stage and welcome the awakened Aurora and her Prince with joy.

ACT III: The Wedding The final act ushers us into a sumptuous hall, graced with statuesque columns and a circular gold staircase crowned by a blue sky. It is here that the Royal wedding of Prince Charming and Princess Aurora will take place. A full series of celebratory divertissements is performed by the inhabitants of fairyland. Puss ‘n Boots, Bluebeard and his wife, Goldilocks and a Bear, Little Red Riding Hood and the Wolf all dance. A highlight is the pas de deux of the soaring Blue Bird and his Princess. First dancing together and then separately, they compete with each other spinning and fluttering in sparkling flight, sometimes jumping so high they seem virtually suspended in the air. The man’s variation in particular, which features many

beating jumps while he arches his body backwards and forward (brises voles) is one of the most famous and demanding in the international repertory. The Bluebird’s Dance ends with the female lifted on the male’s shoulder. The celebration then climaxes with the Grand Pas de Deux danced by the Prince and Princess. They are regal, formal and confident dancing together. Prince Charming supports his bride’s pirouettes and displays her long extensions and secure balances. The Prince jumps and spins during his solo and the Princess spins on pointe with even surer mastery than she showed in the Rose Adagio. Finally, Aurora whirls into the Prince’s arms and dives toward the floor; the Prince catches her around the waist and supports her in the famous inverted pose known as the fish dive. All join the bride and groom for a spirited mazurka and the Lilac Fairy, standing in their midst, bestows her blessing on the happy couple.

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SATURDAY NIGHT FEVER

New Fever On Tour LLC Presents

Based on the Paramount/RSO Film and the story by Nik Cohn Adapted for the stage by Robert Stigwood in collaboration with Bill Oakes North American version written by Sean Cercone and David Abbinanti

FEATURING SONGS BY THE BEE GEES

Music by Barry Gibb, Maurice Gibb and Robin Gibb; Lyrics by Barry Gibb, Maurice Gibb and Robin Gibb

MATTHEW BAKER

STARRING DANIELLE MARIE GONZALEZ

with LANCE BORDELON, JJ BUTLER, CHRIS CARSTEN, MICHAEL J. CLARK, MACLAIN DASSATTI, KATIE LADUCA, MARIA LAWSON, MIKE MCLEAN, WALTER A. MILANI, GABRIEL ANDREW REYES, GABRIEL RODRIGUES, BENJAMIN PAUL ROWAN, YVONNE STRUMECKI, JENNA LEIGH ZITO and ANNA BAKER SCENIC DESIGN RANDEL WRIGHT

LIGHTING DESIGN KIRK BOOKMAN

CASTING ALISON FRANCK CSA GENERAL MANAGEMENT SURE ZON PRODUCTIONS

COSTUME DESIGN COSTUME WORLD

VOCAL SUPERVISOR CASEY BREVES

SOUND DESIGN BRUCE LANDON YAUGER

PRODUCTION SUPERVISOR RITCHARD DRUTHER

NATIONAL PRESS REPRESENTATIVES DAVID GERSTEN & ASSOCIATES MUSICAL SUPERVISOR SKIP BREVIS MUSIC DIRECTOR ETHAN ANDERSEN CHOREOGRAPHED BY DENIS JONES DIRECTED BY JEFFREY B. MOSS

This performance is dedicated to the memory of Robert Stigwood (April 16, 1934 - January 4, 2016) SATURDAY NIGHT FEVER is presented through special arrangement with Theatrical Rights Worldwide, 570 Seventh Avenue, Suite 2100, New York, NY 10018, www.theatricalrights.com 32

SATURDAY NIGHT FEVER

CAST

Tony………..………………………………………………………………………MATTHEW BAKER Stephanie……………………………….........…………………………DANIELLE MARIE GONZALEZ Annette……………………………………………………………......……………….ANNA BAKER Bobby C..............………………………………………………………………….LANCE BORDELON Jay…………………....…………………………………………………………………...JJ BUTLER Frank Senior……………………………………………....…………………………CHRIS CARSTEN Joey …….....…………………………………………………………...................MICHAEL J. CLARK Double J……….……………………………………………………...................MACLAIN DASSATTI Doreen ………..……………………………………………………………………...KATIE LaDUCA Candy…………………………………………………………………...…………..MARIA LAWSON Salesman/Frank Junior…………………………………………….......……………....MIKE McLEAN Fusco……………………………………………….......………………………….WALTER A. MILANI Cesar………………………………………….....…………………………GABRIEL ANDREW REYES Monty…………………………………………………….……………………GABRIEL RODRIGUES Gus………………….……………………………………………………..BENJAMIN PAUL ROWAN Flo………………………..…………………………………………………….YVONNE STRUMECKI Pauline……………………………………………………………………............JENNA LEIGH ZITO DANCE ENSEMBLE

KATHERINE MARGO BROWN, JJ BUTLER, NICOLAS DE LA VEGA, JAMES DU CHATEAU, MARLON FELIZ, GABRIEL ANDREW REYES, KATHERINE STANAS, LAUREN TANNER SWINGS

DANCE CAPTAIN

BANJI ABORISADE, KATIE LADUCA

KATIE LaDUCA

MUSICIANS

Ethan Andersen, Conductor

Kelly Thomas (Keys 2/Assistant Conductor), Tom Goslin (Guitar), David Vincola (Drums), Will Hack (Bass) UNDERSTUDIES & STAND-BYS

Banji Aborisade (Monty), JJ Butler (Tony, Frank Junior), Katie LaDuca (Stephanie, Annette, Pauline, Candy), Mike McLean (Joey, Double J, Gus, Bobby) SONG CREDITS Music by Barry Gibb, Maurice Gibb and Robin Gibb; Lyrics by Barry Gibb, Maurice Gibb and Robin Gibb “Staying Alive,” “How Deep Is Your Love,” “Night Fever,” “More Than A Woman,” “Jive Talkin’”, “You Should Be Dancing,” “If I Can’t Have You,” “Immortality,” “Nights On Broadway,” “Tragedy” Music by Barry Gibb and Albhy Galuten; Lyrics by Barry Gibb and Albhy Galuten “What Kind Of Fool” Music by David Shire; Lyrics by David Shire “Salsation,” “Night On Disco Mountain,” “Manhattan Skyline” Adapted by Walter Murphy “Fifth of Beethoven” Music by Harry Casey and Richard Finch; Lyrics by Harry Casey and Richard Finch “Boogie Shoes” Music by Leroy Green and Tyrone Kersey; Lyrics by Leroy Green and Tyrone Kersey “Disco Inferno” Music by Ronald Bell / Kool & The Gang; Lyrics by Ronald Bell / Kool & The Gang “Open Sesame” 33

SATURDAY NIGHT FEVER

SCENES & MUSICAL NUMBERS

TIME: 1977. PLACE: BAY RIDGE, BROOKLYN AND MANHATTAN.

ACT I

SCENE 1: STREET/SHIRT STORE/PAINT STORE

“STAYIN’ ALIVE”.......................................................................................................TONY AND COMPANY SCENE 2: MANERO HOME SCENE 3: OUTSIDE 2001 ODYSSEY

“BOOGIE SHOES”.............................................................................TONY, BOBBY, JOEY, DOUBLE J, GUS SCENE 4: INSIDE 2001 ODYSSEY

“DISCO INFERNO”.................................................................................. CANDY, MONTY AND COMPANY SCENE 5: VERRAZANO BRIDGE SCENE 6: MANERO HOME

“TOP OF YOUR GAME”......................................................................................................................TONY SCENE 7: OUTSIDE & INSIDE DANCE STUDIO SCENE 8: ON THE STREET

“HOW DEEP IS YOUR LOVE”................................................................................... PAULINE AND BOBBY SCENE 9: MANERO HOME SCENE 10: INSIDE DANCE STUDIO / STREET / CAFE

“100 REASONS”....................................................................................................TONY AND STEPHANIE SCENE 11: STREET

“JIVE TALKIN’”............................................................................................BOBBY, JOEY, DOUBLE J, GUS SCENE 12: INSIDE DANCE STUDIO

“IF I CAN’T HAVE YOU”................................................................................................................ANNETTE SCENE 13: 2001 ODYSSEY

“NIGHT FEVER”......................................................................................CANDY, MONTY, AND ENSEMBLE

“YOU SHOULD BE DANCING”….............................................................................TONY AND COMPANY

ACT II

SCENE 1: 2001 ODYSSEY / STREET

“NIGHTS ON BROADWAY”............................................................................. CANDY, ANNETTE, PAULINE SCENE 2: TONY’S BEDROOM SCENE 3: DANCE STUDIO SCENE 4: PAINT STORE SCENE 5: OUTSIDE STEPHANIE’S APARTMENT / A PARK / THE MANERO HOME

“WHAT KIND OF FOOL”.......................................................................................................... STEPHANIE SCENE 6: HOSPITAL SCENE 7: INSIDE 2001 ODYSSEY

“OPEN SESAME”......................MONTY, CANDY, AND ENSEMBLE **DANCED BY CHESTER AND SHIRLEY

“MORE THAN A WOMAN”.............................MONTY AND CANDY **DANCED BY TONY AND STEPHANIE

“SALSATION”...........................................................................................DANCED BY CESAR AND MARIA

“HOW DEEP IS YOUR LOVE” (REPRISE).........................................................................................BOBBY SCENE 8: VERRAZANO BRIDGE

“TRAGEDY”………...........................................................................................................................TONY

“TOP OF YOUR GAME” (REPRISE)....................................................................................................TONY SCENE 9: OUTSIDE STEPHANIE’S APARTMENT FINALE.......................................................……………...………………………………..TONY AND STEPHANIE THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION 34

SATURDAY NIGHT FEVER

WHO’S WHO BANJI ABORISADE (Onstage Swing/Understudy Monty) Recent credits include Saturday Night Fever at the Finger Lakes Musical Theater Festival, Damn Yankees (Mickey), Hairspray (Syracuse Stage), Sunday in the Park with George (Syracuse Drama), Urinetown Off-Broadway (choreographer). Film/TV: “Unbreakable Kimmy Schmidt” Season 2. Much thanks and love to About Artists and my wonderful parents. BFA Syracuse.

Jay Scheib, prod. Cohl/Sonenberg). Lance is proud of his soulful roots in south Louisiana, earning his BA & Master’s degree at LSU. www.LanceBordelon.com KATHERINE MARGO BROWN (Dancer) has spent the past several summers performing in multiple regional theatres and theme parks across the US. She also was a member of The Young Americans performing arts company working with at-risk youth teaching music and dance. Her most recent credit took her to the islands of Hawaii onboard Norwegian Cruise Line’s Pride of America as a dancer/singer. Katherine graduated from Coastal Carolina University in 2014 with a BFA in Musical Theatre and a BS in Health Promotion.

ANNA BAKER (Annette) is beyond thrilled to be making her National Tour debut with this incredible company, sharing this iconic story.

Anna is a proud graduate of Emerson College with a BFA in Musical Theatre. Past credits include Funny Girl (Fanny Brice), Les Miserables (Fantine/ ensemble), Annie Get Your Gun (Annie Oakley), and Shrek (Princess Fiona). Tremendous thanks to JJ BUTLER (Dancer) makes his national tour Alison Franck Casting, our leader Jeffrey B Moss, debut in Saturday Night Fever. Previous credits and to my dear family—“I am because you are”. include America’s Got Talent Season 9, Just Dance Shanghai, Hairspray and 42nd Street https://m.youtube.com/user/AnnaBaker90/videos RMTC. JJ is an aspiring dancer, singer and MATTHEW BAKER (Tony Manero), originally choreographer, and a proud alumnus of the from England, is now a proud New Yorker and University of Alabama. All credit goes to his Lord thrilled to be putting his boogie shoes back on and Savior for his talents. Don’t lose your fight! for the National Tour of Saturday Night Fever. I Corinthians 9:24 @jjbutler18 Graduated from Bird College in London with a National Diploma in Musical Theatre. London CHRIS CARSTEN (Tony Sr) is delighted to be credits: Sweeney Todd (u/s Tobias), Ripper the joining the cast of SNF! Mr. Carsten recently Musical and Hair (Woof). Other credits include: completed a national tour of A Christmas Story Aladdin: A Musical Spectacular, Mary Poppins The Musical as Jean Shepherd. Other credits (Bert) with Disney Cruise Line; Original cast of include Higgins in My Fair Lady, West Side Saturday Night Fever (Double J/u/s Tony) with Story 50th anniversary world tour, Adams in RCCL Productions; Jerry Herman in Concert. Huge 1776, and Uncle Ernie in The Who’s Tommy thanks to Franck Casting and the creative team. European tour. Chris would like to dedicate his For my wife Dorothy and families both in the UK performance to his wife and three children. and the US for their continued love and support.

MICHAEL J. CLARK (Joey) graduated from LANCE BORDELON (Bobby C.) is thrilled to make UNCSA High School and SUNY Purchase College his National Tour debut. Favorite credits: We Will summa cum laude. Favorite credits include High Rock You (Galileo u/s; RCCL & Queen Theatrical, School Musical (Ryan), One Direction Tribute West End, dir. Tony Edge), Saturday Night (Louis), and “America’s Got Talent.” Michael would Fever (Bobby C.; RCCL in assoc. with Robert like to thank his friends and especially his family Stigwood Org.), Les Miserables, 9 to 5, Hairspray, for all their love and support. Originally from Ohio, Evita (Theatre Baton Rouge). He also recently now residing in the Bronx, he also writes his own worked with the legendary Jim Steinman on music—check it out at www.michaeljclark.com. his new rock musical in development (dir. IG: @themichaelj.clark Twitter: @mrmichaeljdotclark 35

SATURDAY NIGHT FEVER MACLAIN DASSATTI: (Double J) National Tour Debut! Regional credits: Mr. Tumnus (The Lion, The Witch, and The Wardrobe—Syracuse Stage), Bob Cratchit (Scrooge No More—Busch Gardens Williamsburg). BFA Musical Theatre, Syracuse University. All my love to my family, ATB Talent, LF, KL, and GLD. NICOLAS DE LA VEGA (Dancer), originally from Hoboken, NJ, is thrilled to be part of Saturday Night Fever! Credits include: Radio City Christmas Spectacular, North Carolina Dance Theatre, Los Angeles Ballet (corps de ballet), Ballet Next (Soloist). Many thanks to MSA and love to my friends and family!

JAMES DU CHATEAU (Dancer) studied at The Conservatory of Dance at Purchase College where he performed the works of Shannon Gillen, Sue Bernhard, and Jose Limon. James has also performed the Bang Group’s NutCracked, played Danny Who in How The Grinch Stole Christmas on Broadway, danced in the movie Enchanted and on the tour of The Radio City Christmas Spectacular. He most recently performed in Hello Dolly at Muhlenberg College. James is excited to perform on tour with Saturday Night Fever!

MARLON FELIZ (Dancer) started dancing to the Latin rhythms of Merengue, Salsa, and Bachata in her hometown Miami, FL with her big Dominican family. She has toured internationally with Pilobolus’ evening-length show Shadowland; worked with Royal Caribbean as a dancer and aerialist; freelanced in NYC; and earned a BFA in Dance from NYU Tisch School of the Arts. Now Marlon is thrilled to be touring with Saturday Night Fever and hopes you enjoy the show!

DANIELLE MARIE GONZALEZ (Stephanie) is thrilled to be back on the road! She was previously seen in National Tours of Flashdance: The Musical (Tess) and Rock of Ages. Other credits: 9 to 5 (Maria), Legally Blonde (Brooke). She is a native New Yorker, where she graduated in Musical Theatre from AMDA and Drama from LaGuardia High School of Music and Art and Performing Arts.

Thank you to the creative/production team for this opportunity. Tremendous amounts of love to her 36

parents, family, and friends who have supported her on this journey. And to CF for being a “mean” teacher, could not have done this without you.

KATIE LADUCA (Dance Captain, Onstage Swing, Female Cover) Katie is thrilled to be making her national tour debut in Saturday Night Fever! Previous credits include West Side Story (Consuela), Gypsy (u/s Louise), Singin in the Rain, The Buddy Holly Story (Featured Dancer), The Addams Family (u/s Wednesday), and La Boheme (New York City Opera). Katie would like to thank her husband for his continuous love and support.

Much love to the entire cast and crew! @katieladuca_ MARIA LAWSON (Candy) is thrilled to make her US debut in Saturday Night Fever. She is a British singer and songwriter who has relocated to the US. A former Sony BMG UK recording artist, her previous credits include: Theatre: Thriller Live—Principle, West End, European tour; Soul Train Musical—Swing UK tour; Little Shop of Horrors—Chiffon, Edinburgh Fringe Festival.

TV & Film: “X Factor UK” finalist; “X Factor” national tour; “Scorned: Love Kills”—ID Discovery Channel; “EastEnders”—BBC; “Sharon Osbourne Show”—Simon Cowell Syco Entertainment; “Never Mind the Buzzcocks”—BBC. MTV short film, “Comic Relief”—BBC. Maria has also written songs for various musical artists including the 2010 BT Paralympic World Cup song. She is grateful to her family Lawrence, Brandon and Sienna for all their love and support.

MIKE McLEAN (Frank Jr.) is a classically trained actor and singer from California who recently moved to New York City. He is thrilled to be touring the country with Saturday Night Fever.

Mike is a Presidential Scholar in the Arts. He has a BFA in Acting from the University of Southern California. His favorite credits include Brigadoon (Tommy), Ziegfeld’s Midnight Frolic (Jack Pickford) at the Liberty Theater, The National Tour of Guys and Dolls (Benny), Carousel (Billy), The Crucible (John Proctor), The Threepenny Opera (Tiger Brown), and Life Could Be a Dream (Wally).

IG: @themcleanman

SATURDAY NIGHT FEVER WALTER A. MILANI (Fusco) National/Int. tours as a performer: Annie Get Your Gun, Damn Yankees, Man of La Mancha, The King & I, The Sound of Music and West Side Story. International Tours: West Side Story, The Sound of Music and The King & I. He’s toured 25 over countries as either an actor or a company manager. When home in New York he has performed regularly over the past 16 years in the interactive dinner theatre comedy Murdered By The Mob. GABRIEL REYES (Cesar) hails from New Jersey and is extremely thrilled to be joining the cast of Saturday Night Fever. After training at Stockton University, Gabriel has performed in Atlantic City for Maxine Nightingale and for Tovaris Wilson. He also choreographed a Burlesque show at 1925 Lounge in Philadelphia and has performed in Puerto Rico, New York City and for Norwegian Cruise Line. He would like to thank the production and cast members for welcoming him. Gabriel dedicates his performances to his family and friends who have supported him in pursuing his love of performing.

GABRIEL RODRIGUES (Monty) is thrilled to be a part of this production of Saturday Night Fever. National Tours: Man Of La Mancha (Jose), Guys and Dolls (Ensemble). Regional: 110 in the Shade (Bill Starbuck), Man Of La Mancha (Padre/ Jose), The Full Monty (Harold), All Shook Up (Jim), Spitfire Grill (Caleb), Closer Than Ever (Man 2) and Carousel (Enoch Snow). Gabriel holds a BFA in Musical Theatre from Montclair State University.

BENJAMIN PAUL ROWAN (Gus) Tours: Yo Gabba Gabba Live!, Sesame Street Live!, Disney Jr’s Chuggington Live!; Regional: Arizona Broadway Theatre, Palace Theatre (NH), OCTC, Pittsburgh Musical Theatre, Broward Stage Door; Film: Yo Gabba Gabba Live! (NYC Beacon Theatre). Benjamin has directed for Nickelodeon with Norwegian Cruise Line and has musically directed for the Emmy winning RWS and Associates. Gratitude to the entire SNF team for this opportunity! IG: @benjaminpaulrowan KATHERINE STANAS (Dancer) is ecstatic to be stayin’ alive on the Saturday Night Fever

National Tour! Recent credits include: The Little Mermaid (Adella), West Side Story (Minnie), and Mary Poppins. Thanks to Mom, Dad, and John for their endless love and support!

YVONNE STRUMECKI (Flo Manero) is thrilled to be back on the road again on her third national tour! National touring credits include South Pacific (Bloody Mary) and Man of La Mancha (Housekeeper). Regional credits include Les Miserables, South Pacific, Hello, Dolly!, Yeoman of the Guard, Sound of Music, Candide, Into the Woods), Nunsense), Fiddler on the Roof, and Little Shop of Horrors. TV credits:“Orange is the New Black” (Season 3), “Law & Order SVU” (Season 16). Many thanks to the amazing creative team, SNF cast, and family and friends who’ve supported her no matter how crazy her life may be.

LAUREN TANNER (Dancer) is delighted to be a part of Saturday Night Fever! Recent/favorite credits include West Side Story at The Muny, A Chorus Line at The Crown Uptown Theatre, Aida at Century II Concert Hall, and Kirstie Alley’s 100 Days of Dance. She also recently contributed to The Magic of Rob Lake. Lauren has a Bachelor of Performing Arts in dance from Oklahoma City University. She would like to thank God, family and teachers for providing constant encouragement and love.

JENNA LEIGH ZITO (Pauline) is beyond excited to be on tour with Saturday Night Fever! Favorite credits include Some Enchanted Evening (Nellie), Come From Away (Sherri), Les Miserables (Eponine), Spring Awakening (Anna), Miss Saigon (Kim), A Chorus Line (Morales) and Thoroughly Modern Millie (Millie). Jenna is a graduate of the Hartt School, where she received her BFA in musical theater. Much love to her family who has supported her through everything! www.jennaleighzito.com RICHARD DRUTHER (Production Supervisor) recently reigned over the original “mean girls” and murderous teens of Westerberg High in the Off-Broadway production of Heathers The Musical. Other credits include: Silence! The 37

SATURDAY NIGHT FEVER Musical; Reefer Madness!; Blood Orgy of the Carnival Queens! Other: Popesical; Yeast Nation; Merry Christmas Charlie Brown; Tours: The Radio City Christmas Spectacular; A Christmas Story; Puppetry of the Penis; Lawyers, Lovers and Lunatics. Hey D!

That Hee Haw Musical (Dallas Theater Center), The Tempest (NY Shakespeare Festival, Delacorte), Paint Your Wagon (NY City Center Encores!), and Honeymoon in Vegas (Nederlander Theater).

Upcoming projects include Irving Berlin’s Holiday Inn (Roundabout Theater Company, Studio 54).

JEN GRUNFELD (Stage Manager) is thrilled to join the National Tour of Saturday Night Fever.

Recent credits include the Benefit Reading of The Man Who Came to Dinner (Roundabout Theatre Company, Studio 54), Regional: The Night Alive (Round House Theatre), West Side Story, Light in the Piazza, Saturday Night Fever, Sweeney Todd (Merry Go Round Finger Lakes Musical Theatre Festival), Laugh, Choir Boy, Bad Jews, Belleville (Studio Theatre), and Camp David (Arena Stage).

Upcoming: Merry Go Round Finger Lakes Musical Theatre Festival 2016 Season. Love and Thanks to Becca, Mom & Dad.

RANDEL WRIGHT (Scenic Design), native Texan, has designed scenery for Singin’ In The Rain (national tour), Unsinkable Molly Brown (national/Debbie Reynolds), Pal Joey (Joel Grey, Dixie Carter), The Wiz (Stephanie Mills), I Do, I Do (Sandy Duncan), Batteries Not Included (Jamie Hammerstein co-author & dir.), Coca Cola Centennial, Dr. Pepper Centennial and Yale University Tercentennial.

JEFFREY B. MOSS (Director) is the awardwinning director of the critically acclaimed recent Off-Broadway production of Rothschild & Sons. He often directs newly imagined productions of classic musicals such as Golden Boy (Coconut Grove Playhouse) and Rags (Papermill Playhouse), as well as new plays and musicals such as Before The Dream by Charles Strouse and Leslie Lee, Passin’ It On by Larry Atlas and Terry Cashman, The Jazz Club by John Nassivera, Mermaids based on the MGM film, and Charles Strouse’s Real Men. He has staged over 35 national and international tours including Guys and Dolls, Hello, Dolly!, Man of La Mancha, The Sound of Music, Peter Pan, On the 20th Century, The Music Man, The Best Little Whorehouse In Texas, West Side Story, 42nd Street, Annie Get Your Gun, and Damn Yankees, among others. In New York, he directed the hit musical Mayor by Strouse and Warren Leight, Little Me, Bill Boggs’ Talk Show Confidential and Some Enchanted Evening (NYC and Kennedy Center).

DENIS JONES (Choreographer). Recent credits include Forum (Williamstown Theatre Festival/Two River), Rothschilds and Sons (York), Moonshine: 38

KIRK BOOKMAN (Lighting Design) Broadway: The Sunshine Boys (Jack Klugman, Tony Randall), The Gin Game (Julie Harris, Charles Durning), Gentlemen Prefer Blondes, Right You Are; OffBroadway: Rothschild & Sons, Closer Than Ever; Charles Busch’s The Tribute Artist and The Divine Sister; Irish Rep—Man & Superman, Playboy of the Western World, Eclipsed, The Importance of Being Earnest and Major Barbara; Drama Dept Rude Entertainment, The Book of Liz (David and Amy Sedaris), Les MIZrahi (Isaac Mizrahi), As Thousands Cheer, and June Moon; The Shawl directed by Sidney Lumet. San Francisco Symphony: The Thomashefskys (PBS) with conductor Michael Tilson Thomas. Of Thee I Sing, Oedipus Rex, The Nightingale and A Flowering Tree. NY Philharmonic: Company (PBS).

Regional: Utah Shakespeare Festival, Cincinnati Playhouse in the Park, Pittsburgh Public, Pioneer Theater Co. Dance: English National, Santiago, and Hungarian National Ballet.

BRUCE LANDON YAUGER (Sound Design) is principal of falconmusik LLC a multimedia production company. Past design credits include Jesus Christ Superstar (with Ted Neeley and Carl Anderson), Man of La Mancha, A Chorus Line, West Side Story, Fiddler on the Roof, and dozens of others, as well as Spiderman Live!, a precursor to the current Broadway show for which he also served as principal composer. Recent credits

SATURDAY NIGHT FEVER include the world premiere of Director John Caird’s (Les Miserables) new musical Little Miss Scrooge at the Rubicon Theatre, composition and production of Ted Neeley’s new CD “Workin’ for the Words,” and a music track in Quentin Tarantino’s Django Unchained. Bruce has several albums out under the alias of Bruce Landon and performs regionally as a solo artist or with the band Sama Papa. “Shout-outs to my lovely wife Julie and two of the loudest (and busiest) boys on the planet, Landon and Lorenzo.”

ALISON FRANCK, CSA (Casting Director) has been working in casting for almost 20 years.

Currently: national tours of A Christmas Story The Musical!, The Producers, and Dr. Seuss’s How the Grinch Stole Christmas (6th year!). Recent projects include Hello Dolly (Sally Struthers), Man of La Mancha, tons of commercials and voice overs. Past tours of Hair, Dreamgirls, My Fair Lady, Ain’t Misbehavin’ (Ruben Studdard and Frenchie Davis), Chitty Chitty Bang Bang, Gloryana at The Public, A Moment in Time the new John Denver musical, It’s Just Sex and The Donkey Show (dir.

Diane Paulus). TV: “Soul Man” (Dan Aykroyd), “LateLine” (Al Franken), “Talk to Me” (Kyra Sedgwick), “Peter Rabbit,” and pilots of “Freaks and Geeks” and “Madigan Men.” Also was the Casting director for several films including Broke Even starring Kevin Corrigan. Formerly, Resident Casting Director for Paper Mill Playhouse (10 years, over 50 productions), including the Broadway transfer of I’m Not Rappaport (Judd Hirsch and Ben Vereen, dir. Daniel Sullivan).

Regional: Pirates! (Goodspeed/Paper Mill), Hairspray, and Les Misérables (North Shore) and Seven Brides for Seven Brothers (TUTS/Paper Mill Playhouse/North Shore/TOTS).

Website: www.franckcasting.com SKIP BREVIS (Music Supervisor) is a busy New York City pianist, arranger, musical director, composer, performer, producer and consultant who works with top artists in theater, music and film. He co-created, arranged, and musical directed the original production of Beehive, the ‘60s Musical. Other original works include Winner Take All (A Rock Opera) which premiered

at the NY International Fringe Festival, and Showdown!, an interactive Motown “American Idol” spoof now in its seventh year in Europe and the Mediterranean. His long running R&B show band, The Stingers, continues to perform at events around the world. Skip is thrilled to be working again with director Jeff Moss, choreographer Denis Jones, and the fabulous ZON Companies!

CASEY BREVES (Vocal Supervisor) performs across the United States, Europe, and Asia as both a pop and classical vocalist.

Born and raised in New York, he sang with the Grammy Award‐winning male vocal ensemble Chanticleer for three seasons immediately after graduating from Yale, where he was a member of Schola Cantorum, the Duke’s Men of Yale and the Whiffenpoofs. He has been recording and producing originals and covers of pop music, and releasing videos on YouTube. His duet with Sam Tsui, covering Ed Sheeran and Sam Smith, has received more than 29 million views to date.

Casey was a guest soloist on “SNL” and has shared a stage with such artists as Kylie Minogue and Marc Broussard. He recently opened for Bon Jovi in Indonesia and sang backup for Adele on her NBC Special. Casey performs regularly while writing and recording a debut original album. His YouTube channel can be found at youtube.com/caseybrevesmusic.

ETHAN ANDERSEN (Music Director) As a music director, composer, and pianist, he has enjoyed credits in New York and regionally across the country including Flat Rock Playhouse, Theatre Raleigh, and Le Petit Theatre. His original musical, HeadVoice, was recently produced Off-Broadway as a part of the New York Musical Theatre Festival. Love to Mom, Dad, Justine, and Madison. Proud Elon University alum. www.ethan-andersen.com.

SURE ZON PRODUCTIONS (General Mngmt).

Broadway credits as General Manager and/or Producer include Shear Madness, The Temptations & Four Tops on Broadway, Mike Tyson: Undisputed Truth directed by Spike Lee, The Lyons starring Linda Lavin, Kathy Griffin Wants a Tony, Rain: 39

SATURDAY NIGHT FEVER A Tribute to the Beatles on Broadway, Saturday Night Fever, Jekyll & Hyde, Sandra Bernhard’s I’m Still Here…Damn It!, Patti LaBelle on Broadway, The Kentucky Cycle and Solitary Confinement starring Stacey Keach. Off-Broadway: Lady Day starring Dee Dee Bridgewater, Falling (Drama Desk nomination), Irish Rep, The MarijuanaLogues starring Tommy Chong, among others.

Numerous national tours including Spider-Man Live!, The Best Little Whorehouse in Texas starring Ann-Margaret, Man of La Mancha starring Robert Goulet, Ain’t Misbehavin’ starring Martha Reeves & the Vandellas. Jeff Chrzczon is a member of the Association of Theatrical Press Agents & Managers.

DAVID GERSTEN & ASSOCIATES (National Press Representatives) has served as press representatives and marketing consultants on Broadway and off for over twenty years. Current clients include the hit comedy whodunit Shear Madness as well as several not-for profit theaters including INTAR, Keen Company, Mint Theater, NAATCO, Red Bull Theater, and Theatreworks USA, among others. David serves on the Board of Governors of ATPAM, the Association of Theatrical Press Agents & Managers and is a member of the Off-Broadway League and a founder of the Off-Broadway Alliance.

COLUMBIA ARTISTS THEATRICALS (CAT) (Tour Direction) was founded in 1956 as a subsidiary of Columbia Artists Management (CAMI), an international leader in managing the careers and touring activities of the world’s most prominent performing artists and institutions.

CAMI has been on the forefront of performing arts management and production throughout the world for nine decades. As a subsidiary of CAMI, CAT collaborates with artists, producers, production companies and management agencies, bringing performances to over 450 cities around the world. Currently, CAT’s roster includes Blue Man Group, Buddy: The Buddy Holly Story, Chicago, Elvis Lives, Just Jim Dale, Legends in Concert, Lennon: Through A Glass Onion, Menopause: The Musical, New York Gypsy All Stars, Brian Henson’s Puppet Up!, Saturday Night Fever, Shaping Sound, STOMP, The Phantom’s Leading Ladies, and Voca People.

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THEATRICAL RIGHTS WORLDWIDE – TRW Displaying confidence and expertise, TRW entered the marketplace in 2006 with an acquisition plan, licensing protocols and operational strategy aimed at maximizing sales and fostering relationships. Bolstered by a strong infrastructure and stellar reputation, TRW brought numerous top tier Broadway titles into their catalogue including Grease, Spamalot, The Addams Family, Ghost, Big Fish, Ring of Fire, All Shook Up, The Color Purple, Curtains and Memphis and the recently announced Jersey Boys. Concurrent with developing their Broadway collection, the TRW team focused their resources on the acquisition and development of new properties geared for the regional, community, school, youth theatre and family sectors. TRW has led the way in theatrical licensing with innovative performance and rehearsal products, unmatched customer service and pristine script and music materials. After only a few short years, TRW has become firmly established as an industry leader in the theatrical marketplace. They are the trusted agency for both authors and customers alike, and are poised for continual growth in volume and profitability.

SATURDAY NIGHT FEVER

STAFF FOR SATURDAY NIGHT FEVER THE MUSCIAL GENERAL MANAGEMENT SURE ZON PRODUCTIONS Jeffrey Chrzczon Morag MacPherson/Evan Pulliam NATIONAL PRESS REPRESENTATIVES DAVID GERSTEN & ASSOCIATES David J. Gersten/Daniel DeMello TOUR DIRECTION Columbia Artists Theatricals www.columbiaartiststheatricals.com Company Managers…………....………………................………...Grace Guo, Walter A. Milani Production Supervisor…...………………………………..…………………….Richard Druther Stage Manager………….………………………………. …………………….....Jen Grunfeld Hair & Wig Design……………………………...…………………………Shannon Harrington Press Associate………………………….…........………………………………Daniel DeMello Asst Choreographer……………………….……….....……………………………..Barry Busby Lighting Programmer………………………………………………………...Corey Whittemore Lighting Design Assistant……………………………….………….……………..Steve O’Shea Technical Director/Head..........…………………………......…………………….....Justin Glinn Assistant Technical Director/Props……………………...................…………...Joshua Nicholson Production Electrician…………....………………................……...................…...John Kernisky Assistant Electrician…...……….........………………………..…………………….Erin Yoshida Audio Engineers.…………………….……...…………………….....Colin Hardesty, Tim Jarrell Keyboards Programmer……………………...……………………...................……James Harp Wardrobe Supervisor……………………………………………………Melanie Clifton-Harvey Wardrobe Assistant……………………….……….....……………………………..Emily Rosko Props Shopper……………………………………………………...................…...Lena Forman Costume Shopper……………………………….………….……………...........Rodney Harper Production Photography..........…………………………......………………….......Carol Rosegg Accounting........................................................Marks Paneth LLP/Mark D’Ambrosi, Jana Jevnikar Insurance……………………………….………..........….Hub International/Carol Bressi Cilona Busses..........…………………………......……………………...........................Mayo Tours Inc. Scenic Transport……………………...…….........................................................……...Janco Ltd CREDITS

Scenery fabrication by Center Line Studios. Costumes provided by Costume World Inc. Lighting equipment provided by Christie Lites 41

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SAVE THE DATE: JULY 7, 2016

APRIL 5

supported by

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THE ILLUSIONISTS SIMON PAINTER, TIM LAWSON, MAGICSPACE ENTERTAINMENT PRESENT

ANDREW BASSO THE ESCAPOLOGIST

BEN BLAQUE THE WEAPON MASTER

KEVIN JAMES THE INVENTOR

JEFF HOBSON THE TRICKSTER

JAMES MORE THE DECEPTIONIST

Lighting Designer JARED A. SAYEG

Costume Designer ANGELA AARON

YU HO-JIN THE MANIPULATOR DAN SPERRY THE ANTI-CONJUROR

Video Designer NICE STUDIOS

Illusion Designer DON WAYNE

Illusion Director MARK KALIN

Associate Director KIRSTY PAINTER

Associate Director/Choreographer

Resident Director RACHEL BICKERTON

Composer EVAN JOLLY

Additional Compositions EDDIE COLE & DUSTIN MOORE

JENN RAPP

Creative Director JIM MILLAN Director/Creative Producer NEIL DORWARD Creative Producer SIMON PAINTER

Executive Producer TIM LAWSON

THE USE OF ANY RECORDING DEVICES, AUDIO OR VIDEO, AND THE TAKING OF PICTURES, WITH OR WITHOUT FLASH, WITHOUT THE WRITTEN PERMISSION OF ILLUSIONISTS MANAGEMENT, IS STRICTLY PROHIBITED.

THE ILLUSIONISTS

WHO’S WHO ANDREW BASSO (The Escapologist) is Italy’s star escape artist and is fast becoming one of the world’s favorite illusionists. His hero is Harry Houdini and his thrilling escapes take place under water, 150 feet in the air and everywhere in between. Explosives, water boxes, handcuffs, chains, padlocks, straightjackets, cars bursting into flames... his escapes place him within seconds of life and death and have audiences all over the world frozen in suspense and disbelief.

You’ll never catch The Escapologist. He is definitively born to escape. www.AndrewBasso.com

whether children and parents, or his colleagues, or the world’s finest magicians. Yu was recently named Magician of the Year (2014) by the Academy of Magical Arts (AMA). Yu would go on to win numerous magic competitions with his emotional performances. At age 19, he took first prize in the manipulation category and was the Grand Prix Winner in stage magic at Federation Internationale des Societes Magiques (FISM), a competition that is considered the Olympic games for magicians. Now you see it, now you don’t—meet The Manipulator.

BEN BLAQUE (The Weapon Master) Born and raised in the mid-west of Missouri. Ben Blaque was introduced to magic, variety acts and live performance when he accepted a job working as a stage tech for the Kirby Vanburch show in Branson, Misssouri. It didn’t take him long to fall in love with magic and illusions and the live stage shows that he wanted to create an act for himself.

As Protege to Kirby, they both decided to start with the crossbow act. Kirby made a deal with Ben if he learned the act that he would feature him in his show as a special variety act. After 6 years of performing in the Kirby VanBurch show and establishing himself in the crossbow performing world, he moved on to perform all over the United States, many beautiful countries, and live TV shows, including season 7 of “Americas got Talent”, and NBC 2015 show “I Can Do That”.

KEVIN JAMES (The Inventor) is one of today’s most ground breaking and innovative illusionists. Some of his ideas have made it into the shows of Penn & Teller, David Copperfield and Doug Henning. He is an inventor and collector of the strange and unusual. Performing on Broadway is a highlight of his career, right next to his performance at the White House. Kevin believes he has a solemn responsibility to remind people of that important sense wonder they felt as a child. Whether he’s holding a rose or swinging a chain saw, anything is possible with The Inventor.

JEFF HOBSON (The Trickster) is an actor, comedian, magician, and the only natural blond in the show. He’s been known as “the host of Las Vegas” for more than 15 years and is the epitome of glamour and showmanship. A veteran of more than 20,000 live performances around the globe, Jeff leaves audiences laughing long after the curtain goes down. Don’t be fooled by his innocent appearance—The Trickster will get you every time. www.JeffHobson.com YU HO-JIN (The Manipulator) Through elegant manipulation and mystery, the artistic Yu Ho-Jin has the ability to turn anyone into a loyal fan—

JAMES MORE (The Deceptionist) Master Illusionist James More burst onto an unsuspecting world following an amazing run of performances on “Britain’s Got Talent” three years ago. His first appearance, featuring one of the illusions in tonight’s show, has now been viewed by nearly 54 million people on YouTube. Unlike the magic you’ll often see on TV, James prides himself on being the guy that can actually “do it live”. No camera tricks or special edits here! With James More, what you see is what you get. Fantastic illusions from a charismatic performer who takes the art of illusion to new heights with illusions that promise to keep you on the edge of your seat. James is extremely proud to be the first ever UK Illusionist to appear on Broadway and comes direct from a sell-out Arena Tour in the UK with Diversity’s Limitless Show, where he became the first illusionist to ever appear at the 15,000 seat 02 Arena in London. Tonight it’s your chance to

THE ILLUSIONISTS see who everyone’s been talking about; the incredible James More.

Follow James at: Twitter: @jamesmore Facebook: james more magic Website: www.jamesmoremagic.com DAN SPERRY (The Anti-Conjuror) With millions of hits on YouTube and hundreds of thousands of loyal online followers, Dan Sperry the Anti-Conjuror has become a social media phenomenon and one of the most sought after live performers working today. His totally unique style of shock illusion initially captured the imagination of his fans, it is his hilariously eccentric and shocking routines that have grown his popularity across the globe. From headlining sell-out tours to guest starring on popular TV shows, Dan Sperry blends a bizarre mixture of comedy magic and mayhem into an utterly original performance that is as unique as it is entertaining.

SIMON PAINTER (Creative Producer) is a visionary creative producer and entrepreneur based in California. Originally from London, Simon started his career as a classical violinist but soon transitioned into producing and creating commercial theatre. During the last 10 years, Simon has been at the forefront of the live entertainment industry, having launched and managed major performance venues and conceived, created and produced acclaimed productions such as Adrenaline and Le Noir. The first show he produced, Le Grand Cirque smashed box office records at the Sydney Opera House selling over 40,000 tickets in 10 days. The Illusionists franchise followed, becoming one of the biggest magic shows of all time, playing in over 50 cities in 15 countries, including performances at London’s Hammersmith Apollo which was broadcast on ITV. The show has since expanded with the stunning sequel The Illusionists 2.0 and The Illusionists 1903 is set to debut in Australia in January 2015.

TIM LAWSON (Executive Producer) Australasian theatrical credits include Sweet Charity, Buddy — The Musical, Jolson, Spirit of the Dance, Oh! What A Night, Fiddler on the Roof starring Topol, It’s A Dad Thing!, Weary—The Life of Sir Edward Dunlop, Shout! The Musical, Brave Men Run In Our Family,

Jekyll and Hyde, The Rocky Horror Show narrated

by Richard O’Brien, A Chorus Line (and London Palladium season), and Chitty Chitty Bang Bang.

With partner Simon Painter, credits include the international theatre and arena tours of Le Grand Cirque, Ariel Dreams, Adrenaline, Le Noir, The Illusionists, The Illusionists 2.0 and the upcoming The Illusionists 1903—The Golden Age of Magic.

Collectively their network spans over 120 cities through 23 countries. www.tmlenterprises.com NEIL DORWARD (Director/Choreographer). A top commercial theatre and TV director/choreographer; Neil’s worked on critically acclaimed shows around the world: Le Noir ,The Dark Side of Cirque (World Tour), Le Grand Cirque Adrenaline (Sydney Opera House), All Night Long (U.S/ European Tour), Rock Around the Clock (Monte Carlo), Spirit of Christmas (Kodak, LA), Man in the Mirror (European tour). Neil proudly directed The Illusionists franchise from its debut, to the London’s Apollo theatre to Broadway. www.directordorward.com JIM MILLAN (Creative Director) NYC Play Dead (Teller/Robbins) off Broadway. Mythbusters Live, which sold out across North America and Australia (ongoing). Jim collaborated with celebrity chef Alton Brown on his Edible Inevitable tour (ongoing). As a comedy writer/director he created SPANK! The 50 Shades Parody which has played in over 200 cities/ 4 countries in the last three years. Director/producer of cult comedy legends The Kids in the Hall. Has directed comedy, plays, magic and musicals on five continents in 35 countries in 17 languages in his career including 150 premieres. Lives in Toronto with his wife Kyra and children.

JARED A. SAYEG (Lighting Design). His designs for theatre, opera and dance have been seen throughout the U.S., Broadway, Off-Broadway, the West End, Canada, Spain, Edinburgh and Las Vegas. Broadway/NY: The Illusionists (Neil Simon Theatre and U.S. tour), Gotham Glory (Carnegie Hall). He was also on the design teams for Primo, Andrew Lloyd Webber’s The Woman in White and The Radio City Christmas Spectacular. Notable projects include the national tour of Blithe Spirit starring Angela Lansbury, The Who’s Tommy

THE ILLUSIONISTS (L.A.), The Queen of Spades starring Placido Domingo (Teatro Real Madrid) and Rolling With Laughter at Her Majesty’s Theatre (West End). He is principal designer of USA International Ballet Competitions, held every four years, and his architectural designs are seen regularly in restaurants and exhibits. Jared became the youngest member of the United Scenic Artists–Local 829 and serves as a trustee to the executive board. In memory of Liz Stillwell. www.jaslighting.com ANGELA AARON (Costume Designer). International stylist Angela Aaron has suited and booted them all. She has styled the covers of magazines from Esquire to Newsweek, costumed chart topping music videos, and seen her work featured on national TV. On the live front, her costumes have graced stages and circuses from Beijing to Sydney and from Beirut to Dubai. She is proud and happy to work with The Illusionists, adding her own style of magic to a Broadway success story.

NICE STUDIOS (Video Design) is a multi disciplinary design and production studio with locations in Los Angeles and New York. Founded in 2011 by award winning visual effects supervisor, Ian Noe, and Emmy Award winning animator, Gil Nevo, Nice Studios specializes in promotional videos as well as animated LED content design and high end print. Nice Studios has supported the entire Illusionists franchise including The Illusionists, The Illusionists 2.0, The Illusionists 1903 as well as Le Noir with print work, video and creative consultation. www.nice-studios.com RACHEL BICKERTON (Resident Director). After a decade of performing and touring back in Australia, Rachel won her hand at the green card lottery.

With Broadway in her sights she moved to NYC where she lived the dream making her broadway debut in Chicago (Go to Hell Kitty) Theatre credits: Mamma Mia, Leader of the Pack, Dusty the Musical, We Will Rock You, 42nd ST, Chicago (Australasia), Rock of Ages, Rocky Horror Picture Show (Columbia). Rachel is thrilled to be on the other side of the creative process with The Illusionists.

EVAN JOLLY (Composer). Theatre includes: The Illusionists 2.0 (Sydney Opera House), Le Grand Cirque (Sydney Opera House); Big White Fog (Almeida, London); arrangements for The Genius of Ray Charles and Thriller: The Musical (West End, UK and US tours). Film and TV credits include Tonight Is Cancelled (Fastnet Films); Under The Skin (FilmFour); Cowboys In India (Channel 4); “Graham and Alice” (BBC). Video games (with James Hannigan) include Command & Conquer and the Harry Potter franchise.

EDDIE COLE, DUSTIN MOORE (Additional Composition). They Took Off, composer/producer/DJ duo of Dustin Moore (aka Neon Phoenix) and Eddie Cole. Credits include the 2008 hip-hop Grammy-nominated Nas album Untitled, the original The Illusionists show score, and many professional artist collaborations. Both are bred musicians: Moore’s mother toured as a rock/funk band-leader in the 1970’s; Eddie is the greatnephew to Nat ‘King’ Cole. Their multitude of influences result in a self-designated sub-genre of Galaxy Music, encompassing elements of glo-fi, underground hip-hop, experimental electropop, and vintage jazz-rock.

ASIA LIVE NETWORK (Producer). Asia Live Network owns and operates the interests of producers Simon Painter and Tim Lawson,who began collaborating in 2007 on Le Grand Cirque at the Sydney Opera House. The show broke all box office records in the history of the iconic venue and led to multiple international productions. They repeated the critical and box office success over the coming years with Aerial Dreams and Adrenaline, again launching at the Sydney Opera House followed by extensive touring through Australasia and beyond. Recognizing the absence in the market of a high-quality touring magic show, the company created a production showcasing seven of the world’s best magicians, The Illusionists— Witness the Impossible. The show sold out its Sydney Opera House season before opening, a pattern that would follow throughout arenas and theatres in more than 50 cities in 15 countries within its first two years. The London season was filmed live and aired throughout the UK and is

THE ILLUSIONISTS available on DVD. Following the show’s unprecedented success, The Illusionists 2.0—The Next Generation of Magic, was created to cater to the demand for a sequel, and a brand new show, The Illusionists 1903—The Golden Age of Magic, premieres in Australia in early January. During this time, their critically acclaimed production, Le Noir—The Dark Side of Cirque, has been setting imaginations and box office records on fire. Each venue it plays around the world, ranging from 500 to 15,000, is transformed like never before, so audiences experience the jaw-dropping, daredevil talents of the world’s finest circus artists and acrobats in the round, up close and personal.

MAGICSPACE ENTERTAINMENT (Producer).

Principals Lee D. Marshall, Joe Marsh, John Ballard, Steve Boulay and Bruce Granath have been producing and presenting shows worldwide for more than 30 years. Broadway producing credits include Hello, Dolly! starring Carol Channing; Jekyll & Hyde; The Who’s Tommy; Cabaret; Donny & Marie: A Broadway Christmas; and Rain: A Tribute to the Beatles on Broadway. National tour credits include The 101 Dalmatians Musical, AnnMargret starring in The Best Little Whorehouse in Texas, West Side Story, Grease, A Chorus Line, Jesus Christ Superstar and concert tours by Janet Jackson, Cher, Fleetwood Mac, Styx, Britney Spears and *NSYNC. Special tours and events produced or presented on the road include Michael Flatley’s Lord of the Dance, Tom Stoppard’s Every Good Boy Deserves Favour starring Patrick Stewart, Van Cliburn, the Alexandrov Red Army Chorus, Tutankhamun and the Golden Age of the Pharaohs exhibition, Titanic: The Exhibition, Diana: A Celebration and St. Peter and the Vatican: The Legacy of the Popes exhibition. MagicSpace Entertainment manages Broadway subscriptions in seven cities and hundreds of events each year across the U.S. and Canada. MagicSpace Entertainment is currently touring The Magic of David Copperfield, Rain: A Tribute to the Beatles, The Christmas Music of Mannheim Steamroller

by Chip Davis, Adam Savage and Jamie Hyneman starring in Mythbusters: Behind the Myths Tour, Alton Brown Live! The Edible Inevitable Tour, Walking With Dinosaurs—The Arena Spectacular, and The Illusionists—Witness the Impossible.

SPECIAL ACKNOWLEDGEMENTS Creative Producer Simon Painter Executive Producer Tim Lawson Director/Choreographer Neil Dorward Creative Director Jim Millan Automated Lighting Designer Christopher Osborne Production Manager David Simpson Lighting Programmer Christopher Boon Casey, Jonathan Edwards Producer Jonathan Sanford Associate Producer Hollie Sanford Casting (Magician’s Assistants) Stuart Howard-SH Entertainment Orchestral Recordings Prague Symphony Orchestra Additional Guitars Luis Almau Additional Keyboards & Brass Evan Jolly Music Mix Simon Changer, Toby Wood

THE ILLUSIONISTS STAFF FOR THE ILLUSIONISTS - Live From Broadway GENERAL MANAGER MAGICSPACE ENTERTAINMENT Dave Stinson PRODUCTION SUPERVISOR Travis Brendle COMPANY MANAGER Gretchen Pfarrer PRESS REPRESENTATION TELLEM/GRODY PR John Tellem, Dan Grody MARKETING REPRESENTATION MAGICSPACE ENTERTAINMENT Kristy Maple Head Carpenter............................... Steve Curtis Assistant Production Supervisor... Josiah Parson Assistant Carpenter/Rigger.. Franco Castronuovo Head Electrician........................... John Edwards Assistant Electrician..........................Will Brown Head Sound.......................................John Kelly Head Prop Person...........................Sam Weaver Camera Operator...........................Lance Strader Camera Operator............................ Josh Stewart Video Engineer..............................Chris Schultz Wardrobe Supervisor............Sarah Jarrell Wade Insurance..................................Crane Insurance Merchandise................................... Tauz Lozano TOUR DIRECTION THE ROAD COMPANY, Stephen Lindsay & Brett Sirota WILLIAM MORRIS ENDEAVOR, Clint Mitchell

ASIA LIVE NETWORK Chairman & CEO.................................Tim Lawson Financial Controller..........................Liam Gretgrix Production Manager..................... David Simpson Producer................................... Jonathan Sanford Associate Producer......................... Hollie Sanford Payroll Services.............................................CAPS Marketing.......................................................AKA Graphic Design & Video................... Nice Studios/ Gil Nevo, Ian Noe Merchandise....Sam Klingner, Christopher Wayne MAGICSPACE ENTERTAINMENT Chief Executive Officer/Producer Lee D. Marshall Chairman............................................. Joe Marsh President..................................... John W. Ballard Chief Operating Officer.....................Steve Boulay Vice President, Marketing.............. Bruce Granath Vice President Touring..................... Dave Stinson Tour Marketing.................................. Kristy Maple Tour Marketing...............................Grace Torreano Graphic Designer............................... Katie Perhai Accounting....................................... David Rooker Mary Deon-Roberts CREDITS Makeup provided by M-A-C. ACKNOWLEDGMENTS Sydney Opera House, Gil Nevo & Ian Noe from Nice Studios, Clint Mitchell, Lee Marshall, Stephen Lindsay WARNING The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theatre, without the written permission of the management, is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for money damages.

Backstage Employees are represented by the international Alliance of Theatrical Stage Employees (or I.A.T.S.E.)

Become a fan of The Illusionists on Twitter @Illusionists7, Facebook, Instagram, & YouTube!

www.TheIllusionistsLive.com

This one’s for you...

Geraldine Spence

“Gerry was my life partner. She and I met as teens at a place called Scraggy Neck on Cape Cod. We would have celebrated our 50th anniversary this past year. She was a wonderful wife and mother who was primarily responsible for the fact that we raised three children—Heather, Greg and Patrick—of whom we are justifiably proud. She loved and doted on our four grandchildren—Harrison, Will, Caroline and Bert and would be thrilled to know that a fifth grandchild is on the way. In the mid 1960’s I was in graduate school at Princeton—only about an hour from New York City. We used the opportunity to go to many Broadway shows. We had always loved Broadway musicals, and this love was enhanced by seeing shows with legendary performers such as Ethel Merman, Barbra Streisand, Jerry Ohrbach, Angela Lansbury, Liza Minelli, Zero Mostel, Carol Burnett, Sammy Davis, Jr. and many others. I chose 42nd Street for this tribute because in October, 2001 it was the last Broadway musical Gerry and I attended in New York.” —Gavin Spence

This performance is dedicated to the memory of Geraldine Spence.

APRIL 28 30 NOVEMBER

dedicated to

GERALDINE SPENCE

59

42ND STREET TROIKA ENTERTAINMENT, LLC presents

The Song and Dance Fable of Broadway Book By

Music By

Lyrics By

MICHAEL STEWART & MARK BRAMBLE HARRY WARREN

AL DUBIN

Based on the novel by BRADFORD ROPES

Original Direction and Dances by

Originally Produced on Broadway by

GOWER CHAMPION

DAVID MERRICK

Starring

MATTHEW J. TAYLOR KAITLIN LAWRENCE

BRITTE STEELE STEVEN BIDWELL MARK FISHBACK DJ CANADAY BLAKE STADNIK NATALIA LEPORE HAGAN CARLOS MORALES LAMONT BROWN ROB OUELLETTE VANESSA MITCHELL SARAH FAGAN MALLORY NOLTING

and introducing CAITLIN EHLINGER as Peggy Sawyer with MATTHEW ALEXANDER EMILY BLAKE ANDERSON BRITTANY BIGELOW ALLISON BLANCHARD MOLLY JEAN BLODGETT STEPHANIE BROOKS TAYLORE BURKE MITCHELL CANFIELD JOEL CHAMBERS KAHLIA DAVIS TRICIA DeSARIO LUCIA FOSTER KELLY GLEASON PATRICK HEFFERNAN TOMMY JOSCELYN BRADY MILLER MANDY MODIC GEORGINA MOORE COURTNEY MORAN JOCELYN MOSS ALICIA NEWCOM TANNER OUTLY MICHAEL PERSSON Scenic Designer

Costume Designer

BEOWULF BORITT

ROGER KIRK

Hair, Wigs & Makeup Design

KEN BILLINGTON PETER FITZGERALD

DAVE BOVA & J. JARED JANAS Music Supervisor

J. MICHAEL DUFF

Tour Marketing and Press

Casting By

JOY DEWING, CSA JOY DEWING CASTING

Music Director

TODD ELLISON

Sound Designer

Lighting Designer

Exclusive Tour Booking

Music Coordinator

TALITHA FEHR TL MUSIC INTERNATIONAL Technical Director

AMY KATZ COURTNEY DAVIS

THE BOOKING GROUP MEREDITH BLAIR

RANDY MORELAND

RANDALL A. BUCK

TOWNSEND TEAGUE

JOHN WILSON

Executive Producer

General Manager

Production Manager

Musical Staging and New Choreography By

RANDY SKINNER Directed By

MARK BRAMBLE

The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights.

60

42ND STREET

CAST (in order of appearance) Andy Lee. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAMONT BROWN Maggie Jones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRITTE STEELE Bert Barry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVEN BIDWELL Mac. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CARLOS MORALES Phyllis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MALLORY NOLTING Lorraine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .VANESSA MITCHELL Diane. . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH FAGAN Annie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATALIA LEPORE HAGAN Billy Lawlor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLAKE STADNIK Peggy Sawyer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CAITLIN EHLINGER Oscar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROB OUELLETTE Julian Marsh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATTHEW J. TAYLOR Dorothy Brock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAITLIN LAWRENCE Abner Dillon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARK FISHBACK Pat Denning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DJ CANADAY Thugs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CARLOS MORALES, MATTHEW ALEXANDER Doctor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CARLOS MORALES ENSEMBLE MATTHEW ALEXANDER, EMILY BLAKE ANDERSON, BRITTANY BIGELOW, ALLISON BLANCHARD, MOLLY JEAN BLODGETT, TAYLORE BURKE, MITCHELL CANFIELD, JOEL CHAMBERS, KAHLIA DAVIS, TRICIA DeSARIO, SARAH FAGAN, LUCIA FOSTER, KELLY GLEASON, PATRICK HEFFERNAN, TOMMY JOSCELYN, BRADY MILLER, VANESSA MITCHELL, MANDY MODIC, GEORGINA MOORE, COURTNEY MORAN, JOCELYN MOSS, ALICIA NEWCOM, MALLORY NOLTING, MICHAEL PERSSON CO-DANCE CAPTAINS STEPHANIE BROOKS, TANNER OUTLY SWINGS STEPHANIE BROOKS, TANNER OUTLY UNDERSTUDIES

Understudies never substitute for listed players unless a specific notice is posted at the time of the performance.

For Julian Marsh: DJ CANADAY; For Dorothy Brock: EMILY BLAKE ANDERSON; For Peggy Sawyer: JOCELYN MOSS; For Maggie Jones: KAHLIA DAVIS; For Bert Barry: BRADY MILLER; For Billy Lawlor: MATTHEW ALEXANDER; For Pat Denning: PATRICK HEFFERNAN; For Abner Dillon: CARLOS MORALES; For Andy Lee: MICHAEL PERSSON; For Annie: SARAH FAGAN; For Lorraine: STEPHANIE BROOKS; For Phyllis: STEPHANIE BROOKS, TRICIA DeSARIO; For Mac/Doctor/Thug: TOMMY JOSCELYN The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

61

42ND STREET

SCENES & MUSICAL NUMBERS

The action takes place in New York City & Philadelphia, 1933.

ACT I Overture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra Scene 1: Stage of the 42nd Street Theatre, New York City “Audition”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andy Lee and Ensemble “Young and Healthy”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy Lawlor and Peggy Sawyer “Shadow Waltz” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maggie Jones, Dorothy Brock and Ensemble Scene 2: The Gypsy Tea Kettle Restaurant “Go Into Your Dance” . . . . . . . . . . . . . . . . . . . . . Maggie, Annie, Peggy, Phyllis, Lorraine and Andy Scene 3: Stage of the 42nd Street Theatre “You’re Getting To Be a Habit With Me”. . . . . . . . . . . . . . . . Dorothy, Billy, Peggy and Ensemble Scene 4: Dorothy Brock’s Dressing Room Scene 5: Stage of the 42nd Street Theatre “Getting Out of Town” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company Scene 6: The Arch Street Theatre, Philadelphia “Dames”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy and Men “Keep Young and Beautiful”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maggie, Bert Barry and Girls “Dames” (Continued). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company Scene 7: Regency Club and Dorothy Brock’s Hotel Suite “I Only Have Eyes for You” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dorothy Scene 8: Opening Night of “Pretty Lady” at the Arch Street Theatre, Philadelphia “I Only Have Eyes for You” (Continued). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy and Girls “We’re in the Money”. . . . . . . . . . . . . . . . . . Annie, Peggy, Lorraine, Phyllis, Billy and Ensemble “Act One Finale” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dorothy and Company THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION

62

42ND STREET

SCENES & MUSICAL NUMBERS ACT II Entr’Acte. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra Scene 1: Backstage at the Arch Street Theatre, Philadelphia Fifteen Minutes later “There’s A Sunny Side To Ev’ry Situation”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Annie and Ensemble Scene 2: Broad Street Station, Philadelphia “Lullaby of Broadway”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julian Marsh and Full Company “Getting Out of Town” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert, Maggie and Full Company Scene 3: Stage of the 42nd Street Theatre, New York City “Montage”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julian, Andy, Peggy and Ensemble Scene 4: Peggy’s Dressing Room “About a Quarter to Nine”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dorothy and Peggy Scene 5: The Opening Night of “Pretty Lady” on Broadway Overture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra “With Plenty of Money and You”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Peggy and Men “Shuffle Off to Buffalo”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert, Maggie, Annie and Girls “42nd Street” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Peggy, Billy and Ensemble Scene 6: Stage of the 42nd Street Theatre “42nd Street” (Reprise). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julian Finale. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Full Company Additional lyrics by Johnny Mercer and Mort Dixon 42ND STREET ORCHESTRA

Music Director/Keys 1: J. Michael Duff Associate Music Director/Keys 2: Alec Bart Keys 3: Alex Navarro Woodwind: Michel Gohler Trumpet 1: Andrew Golden Trumpet 2: Nick Sednew Trombone: John Grodrian Drums/Band Tech: Christian Dionne Music Coordinator: Talitha Fehr (TL Music International) 63

42ND STREET

WHO’S WHO

MATTHEW J. TAYLOR (Julian Marsh) earned a BM from Westminster Choir College and an MM from Oklahoma State University. Favorite Credits include Guys and Dolls (Sky), Cats (Tugger), Damn Yankees (Joe), Oklahoma! (Curly), and The Music Man (Harold). Thanks to family, friends and teachers.

Mermaid. TV: “Boardwalk Empire.” Enormous love to her amazing family, friends and mentors. Follow her adventures on tour: @natalialeporehagan

CARLOS MORALES (Mac, Doc, Thug, U/S Abner Dillon) Born and raised in Puerto Rico, Carlos moved to New York to attend AMDA. Since graduating, Carlos has been in musicals such KAITLIN LAWRENCE (Dorothy Brock) National tour: California as White Christmas and 42nd Street. Also, a proud member of Dreaming (Mama Cass). Select Regional: Steel Magnolias the tap company Cats Paying Dues. (Love You Mom)!

(Shelby), Mary Poppins (Mrs. Banks) and Alaska Cabin Nite (Amber). BFA Musical Theatre - University of Florida. Endless LAMONT BROWN (Andy Lee) is excited to make his National gratitude for Joy Dewing Casting, TROIKA, Mark Bramble, and Tour debut! Studied at American Musical and Dramatic my family. Namaste. www.kaitlinlawrence.com Academy in NYC. Credits: Hairspray (Duane, u/s Seaweed, Co-Dance Captain), American Showstoppers: Irving Berlin with CAITLIN EHLINGER (Peggy Sawyer) is thrilled to be making the Fred Barton Orchestra. Love to all my family and friends! her tour debut with 42nd Street! Favorite credits: Chicago Youtube.com/Montmont94 (Roxie), West Side Story (Anita). Special thanks to Mark Bramble, Randy Skinner, Kelli Barclay, Joy Dewing & TROIKA. ROB OUELLETTE (Oscar) Tours: 42nd Street (US, Asia).

Love to my family, Suzanne Semans, Jack Beetle and David Regional: 42nd Street (Riverside Vero Beach), The Producers Kent. www.caitlin-ehlinger.com (Westchester Broadway), Tommy Djilas in Music Man (Utah Festival Opera), La Cage aux Folles, Anything Goes, Mame BRITTE STEELE (Maggie Jones) is honored to be a part of (Arts Center Coastal Carolina). Thanks to Mark and Randy for this fantastic production! Many thanks to Mr. Bramble, Mr. bringing me back and love to my family!

Skinner, Joy Dewing Casting, and to YOU for supporting live theatre! Please visit Britte’s website, brittesteele.net for news VANESSA MITCHELL (Lorraine, Ensemble) is thrilled to be and credits. Proverbs 4:18 on the road with 42nd Street. Regional: 42nd Street, Victor/ Victoria, Singin’ in the Rain. Canada: Royal Visit of Queen STEVEN BIDWELL (Bert Barry) is originally from Canada. In NYC Elizabeth II, Royal Visit of Will & Kate. Proud member of 8 years. Off-Broadway: Fabulous! and Einstein. Regional: Oliver!, ALMA NYC Dance Company. www.vanessamitchell.ca A Christmas Carol (Centenary Stage), Forever Plaid (Cornerstone), Hello Dolly (RCMT). NYC: American Clock; Urinetown. Film, TV and SARAH FAGAN (Diane, Ensemble, U/S Annie) First National commercials. Producer: www.thebenchproject.tv. Circle in the Tour! Proud OKCU graduate. Favorite credits: Holiday Inn Square graduate. www.stevenbidwell.com (Goodspeed, MUNY), Crazy for You (Riverside Theatre), Anything Goes (NSMT), The Producers (Palace Theatre), MARK FISHBACK (Abner Dillon) National Tours: Elf (Santa) Singin’ in the Rain (MTW). Thanks to the 42nd Street team, and West Side Story (Broadway revival, Doc). Regional my family and Layne! www.sarahfagandance.com favorites: The Fantasticks! (Hucklebee), The Will Rogers Follies (Clem Rogers), The Drowsy Chaperone (Underling), Cabaret MALLORY NOLTING (Phyllis, Ensemble) National Tour (Herr Schultz) and Little Shop of Horrors (Mushnik). debut! Recent graduate of Marymount Manhattan College with a BA in Dance. Thanks to the cast, creatives, Troika, and DJ CANADAY (Pat Denning, U/S Julian) Off-Broadway: A Joy Dewing for th is opportunity. Much love and thanks to Christmas Carol (Scrooge, IT Award nom), Phantom (Phantom her family, friends and teachers. www.mallorynolting.com u/s), and Fabulous! Regional: The Music Man (Harold Hill, BroadwayWorld nom), Carousel (Billy Bigelow), Tuesdays with MATTHEW ALEXANDER (Thug, Ensemble, U/S Billy) is Morrie (Mitch), Cabaret (Emcee). International stages include an Ohio native and has a BFA in musical theatre from Costa Rica, China and the Philippines. For Iz .

Point Park University. Tours: 50 Shades! The Musical Parody, Monty Python’s Spamalot, Bye Bye Birdie and BLAKE STADNIK (Billy Lawlor) is absolutely thrilled to be A Christmas Carol. Love to Mom, Dad, Stacey, Ashley, Matt playing Billy. As a graduate of the Penn State Musical Theatre and Graham. Instagram/Twitter: @MattGAlexander program, his credits include Marius: Les Misérables (Fulton theater/ NAMT), Claude: Hair (MSMT), Mary Poppins/Man of La EMILY BLAKE ANDERSON (Ensemble, U/S Dorothy) Mancha (PCLO).Love you Moms and Dad! Tour debut! Arizona raised, Astoria, NY resident. Favorite Facebook.com/blakestadnik Twitter: @blakestadnik credits: A Chorus Line, White Christmas, & The Producers.

Training: Loyola Marymount University& CAP21. Thanks to NATALIA LEPORE HAGAN (Annie) is transplanted from our creative team, Joy Dewing Casting and my parents. All Youngstown, Ohio to New York City. Off-Broadway: NYMF’s you need is love! www.emilyblakeanderson.com The Mapmaker’s Opera. Regional: Crazy for You, The Little 64

42ND STREET BRITTANY BIGELOW (Ensemble) is ecstatic to be living her dream as part of the 42nd Street National Tour! Many thanks to Mark, Randy, and the entire creative team for this opportunity. Love to my family, friends, Melissa, Leslie and Bloc NYC! www.brittanybigelow.com

LUCIA FOSTER (Ensemble) is thrilled to be here. Sweet Charity Nat’l Tour (Helene), Music Man: Riverside Theatre, iLuminate: Artist of Light (Infinity, Ali Understudy). Thanks to Joy Dewing, TROIKA, Kendrick, Kris, Mom, Josh and Craigyou are my everything. www.Lucia-Foster.com

ALLISON BLANCHARD (Ensemble) is a Franklin, TN native and recent University of South Florida graduate (BFA Modern Dance Performance). She is thrilled to be on tour with this show! Thanks Mom and Dad for always supporting my crazy dreams and God for his abundant blessings.

KELLY GLEASON (Ensemble) is thrilled to join the cast of such an iconic show! Pace University student. Favorite credits include Crazy for You (Mitzi), Singin’ in the Rain (Zelda Zanders), and Chicago (Hunyak). Much love and thanks to Mom and Dad!

MOLLY JEAN BLODGETT (Ensemble) is thrilled to be making her National Tour debut! Favorite credits: Crazy for You (Mitzi), Mary Poppins (Katie Nanna/ Mary Understudy), Singin’ in the Rain (Zelda), Sweet Charity, A Chorus Line (Judy). NYU grad. Love to her beautiful friends and family!

PATRICK HEFFERNAN (Ensemble, U/S Pat) Previous tours: Anything Goes (swing), Fiddler on the Roof (Perchik).

Southern, CA native and Wagner College grad, Patrick now resides in NYC as a performer, yoga instructor and connoisseur of chocolate chip cookies. Love and gratitude to teachers, family and friends.

STEPHANIE BROOKS (Co-Dance Captain, Swing, U/S Phyllis, Lorraine) Tours: Mamma Mia!, Ad Deum Dance Company, Apassionata. Regional: Mary Poppins, White Christmas, My Fair Lady and Chicago. Co-Founder of ALMA NYC. BFA University of Arizona. Love to family, friends, Randy, Joy and MSA. www.stephaniebrooks.org

TOMMY JOSCELYN (Ensemble, U/S Mac, Doctor, Thug) First National Tour! Regional: Oklahoma (Dream Curly, Will u/s), Hot Mikado (Nanki-Poo), Swing (featured dancer/singer), The Match Maker (Ambrose Kemper). Favorites include The Drowsy Chaperone (Robert Martin), Romeo and Juliet (Tybalt) and Dog Sees God (Matt). Proud Wagner alum!

TAYLORE BURKE (Ensemble) is excited to make her touring debut in 42nd Street! Taylore is from St. Louis, Missouri and she recently graduated from AMDA New York City. She’d like to thank her mom and grandma for always supporting her!

BRADY MILLER (Ensemble, U/S Bert Barry) Thrilled to be making his US tour debut! Regional credits include The Little Theatre on the Square and Porthouse Theatre. Recent graduate of Ohio Northern University. Much love to Mom, Dad and Jared. www.bradyamiller.com

MITCHELL CANFIELD (Ensemble) Favorite credits include: Cafe Variations (Siti Company/Arts Emerson), Hairspray (Mill Mountain), Highlands Playhouse summer season, White Christmas (Jenny Wiley) and A Christmas Carol (Geva Theatre). BFA Musical Theatre-Emerson College.

Special thanks to my family and friends for their support.

MANDY MODIC (Ensemble) National Tour debut!

International: Edinburgh Fringe Festival. Favorite regional: Tommy, A Chorus Line, Beauty and the Beast, Les Misérables, Spamalot, Anything Goes, Carousel. TV: NBC’s “Playboy Club.”

Roosevelt grad. Loves laughing, travel, sports & her Texas roots! Love to family! @mandymodic. www.mandymodic.com

JOEL CHAMBERS (Ensemble) National Tour debut! Recent credits include Gypsy (Tulsa), 25th Annual Putnam County Spelling Bee (Leaf Coneybear), and White Christmas. Joel is a Kansas City native and proud graduate of Point Park University.

Thanks to my supportive family and friends! www.joelchambersnyc.com KAHLIA DAVIS (Ensemble, U/S Maggie) is from Melbourne, Australia and overjoyed to be making her American debut with 42nd Street! Graduate of the American Musical and Dramatic Academy. Favorite credits: West Side Story and Seussical. Endless love and thanks to my beautiful family and friends. Instagram: kahlyd TRICIA DeSARIO (Ensemble, U/S Phyllis) is thrilled to join her favorite show on the road! Recently, she appeared in 42nd Street at Gateway. She has a BS from SUNY-Geneseo in speech-pathology and is a certified Pilates instructor. Special thanks to Mom, Husband and Herman.

GEORGINA MOORE (Ensemble) is making her touring debut as a graduate of NYC’s American Musical and Dramatic Academy. Thank you to Mom and Dad for signing me up for my first tap class! XO Emily, Alexander. Philippians 4:13. @GeorginaMooreNY COURTNEY MORAN (Ensemble) is so excited to tap across the country in this dream show! Regional credits: A Chorus Line (Bebe), Irving Berlin’s White Christmas (Rita), and The Wizard of Oz. Many thanks to my wonderful family–I love you!

JOCELYN MOSS (Ensemble, U/S Peggy) is delighted to be joining the 42nd Street cast! Jocelyn is from Covington, Kentucky, and is so thankful for the opportunity to travel the country doing what she loves!

ALICIA NEWCOM (Ensemble) First National Tour. Regional: Arizona Broadway Theatre, Merry-Go-Round Playhouse, and Lyric Theatre of Oklahoma. Proud graduate of Oklahoma

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42ND STREET City University. Thanks to the 42nd Street creative team and endless love to my friends, family and wonderful husband James. www.alicianewcom.com TANNER OUTLY (Co-Dance Captain, Swing) is thrilled to be tapping across the country in what marks his 3rd tour with 42nd Street, having toured the U.S. in 2005 and Asia in 2008. Point Park University grad. Dedicated to my family and friends...love yinz guys!

MICHAEL PERSSON (Ensemble, U/S Andy) is excited to be making his National Tour debut! He is a graduate of CAP21 in NYC. Favorite credits: Footloose (Ren), West Side Story (Big Deal). Many thanks to TROIKA. Love & gratitude to Mom, Dad, Gabi, family and friends.

MARK BRAMBLE (Director/Co-Author) began his theatrical career working for legendary producer David Merrick.

As author, his shows include Barnum, starring Jim Dale, which introduced Glenn Close as a leading actress, with songs by Cy Coleman and Michael Stewart (10 Tony Award nominations including Best Book and Best Musical, Outer Critics Circle Award for Best Musical); 42nd Street, with songs

by Harry Warren and Al Dubin, produced by David Merrick with direction and choreography by Gower Champion (Tony Award for Best Musical, Laurence Olivier Award for Musical of The Year, Evening Standard Drama Award for Best Musical, Plays and Player Citation For Musical Of The Year, etc.); The Three Musketeers with the music of Rudolph Friml; many collaborations with Michael Stewart including The Grand Tour, with songs by Jerry Herman; Treasure Island, with songs by Jule Styne; and the Off-Broadway opera Elizabeth & Essex, based on Maxwell Anderson’s play Elizabeth The Queen, with music by Doug Katsaros, and Pal Joey ’78, which he adapted for the Los Angeles Civic Light Opera production starring Lena Horne. At the Haymarket Theatre in Leicester, Mr. Bramble and Henry Krieger (composer of Dreamgirls) created Fat Pig, a rock and roll extravaganza about health. He directed the 2001 Tony Award winning Best Revival of 42nd Street on Broadway for which he received a Tony Award nomination, and has staged productions of the show in London, Sydney, Tokyo, Berlin, Amsterdam, Shanghai, and Vienna. Mark Bramble was educated at the McDonogh School, Emerson College and New York University. He received an Honorary Doctor of Arts from Washington College.

RANDY SKINNER (Choreographer) Shows include: 42nd Street (Tony, Drama Desk, Outer Critics, Astaire nominations), Ain’t Broadway Grand (Tony, Outer Critics nominations), Irving Berlin’s White Christmas (Tony, Drama Desk nominations), State Fair (Outer Critics nomination), After The Night And The Music (MTC/Friedman Theatre), Do Re Mi, Of Thee I Sing, Face The Music, No, No, Nanette, Gentlemen Prefer Blondes, Lady Be Good (the last six at City Center Encores), Lone Star Love (Lucille Lortel nomination), Broadway: Three Generations (Kennedy Center), Lend Me A Tenor The Musical (West End), Irving Berlin’s White Christmas (West End), Stormy Weather (with Leslie Uggams/Pasadena Playhouse). In Los Angeles: Garry Marshall’s Happy Days, Hello, Dolly! (with Nell Carter),

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Pal Joey (with Dixie Carter and Elaine Stritch), Strike Up The Band (with Tom Bosley). Choreographer for the Lincoln Center/ PBS concert of Show Boat with the NY Philharmonic Orchestra.

He played Phil Dolan in On Your Toes for City Center Encores and choreographed and performed in Cole Porter’s long lost Ambassador Revue at New York’s Town Hall. He has received the LA Drama Critics, LA Drama-Logue, Bay Area Theatre Critics, Connecticut Critics Circle, and Cleveland Times Theatre Awards.

Current: Dames At Sea on Broadway at The Helen Hayes Theater.

MICHAEL STEWART (Co-Author) scored on Broadway the first time out when he won a Tony for his Bye Bye Birdie libretto. Subsequently he was the librettist for Carnival, for which he won the Drama Critics Circle Award, and Hello, Dolly!, which won him both the Tony and the Drama Critics prize. He also wrote the books for George M; Mack and Mabel and The Grand Tour, both book and lyrics for I Love My Wife, and lyrics for Barnum. Mr. Stewart died in 1987.

HARRY WARREN AND AL DUBIN (Composer and Lyricist) were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer songwriters for sound pictures.

Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945. Harry Warren was born in Brooklyn in 1893 and passed away in 1981. His first hit song was written in 1922, and he scored his last movie in 1962. His other collaborators included Ira Gershwin, Billy Rose, Joe Young, Gus Kahn, Arthur Freed, Johnny Mercer, Mack Gordon, Mort Dixon, Bud Green and Ralph Blane.

GOWER CHAMPION (Director and Choreographer of original 42nd Street) was awarded the Tony Award for Best Choreography for 42nd Street and also won the Drama Desk Award in the same category.His name is synonymous with some of the greatest musicals in Broadway history. He was the director and choreographer for Lend an Ear, Bye Bye Birdie (for which he won Tony Awards as Director and Choreographer), Carnival (Tony nomination for Direction), Hello, Dolly! (two more Tony Awards for Direction and Choreography), I Do! I Do, The Happy Time (two more Tony Awards), Sugar, Irene and Mack & Mabel. He died in 1980.

BEOWULF BORITT (Set Designer) Current tours of Annie and Joseph... Dreamcoat. Broadway: Act One (Tony Award), The Scottsboro Boys (Tony Nomination), Hand To God, On the Town, Sondheim On Sondheim, …Spelling Bee, LoveMusik, Rock of Ages, Chaplin, Bronx Bombers, Grace, The Two and Only. Off-Broadway: 99 shows including The Toxic Avenger, The Last Five Years, and Miss Julie. International: Race for Love (Beijing), Chaplin (St. Petersburg Russia), The Scottsboro Boys (London), and Rock of Ages (Australia). Other designs: The Seven Deadly Sins (New York City Ballet) and the Ringling Brothers and Barnum & Bailey Circus. He received a 2007 OBIE Award for sustained excellence.

42ND STREET ROGER KIRK (Costume Designer) is a Tony Award winning set and costume designer for theatre, film and television.

He has designed costumes for production such as The Boy From Oz Arena Spectacular with Hugh Jackman and King Kong The Musical. He has worked extensively for Opera Australia. Operas include set and costume for AIDA, Manon, The Tales of Hoffman and HMS Pinafore. Broadway credits include The King & I (Tony Award), Jesus Christ Superstar and 42nd Street (Tony Nominations). West End credits include Andrew Lloyd Webber’s Aspects of Love and Whistle Down the Wind, The King & I, and Pirates of Penzance.

Ballets: Silver Rose and Le Corsaire at Munich Opera House.

KEN BILLINGTON (Lighting Designer) has almost 100 Broadway shows to his credit including such theatre milestones as Sweeney Todd and the longest running American musical in history Chicago. Other Broadway productions include Sondheim on Sondheim, The Drowsy Chaperone and Footloose to name a few. Many touring productions have included Chicago (worldwide), Riverdance (lighting supervisor), White Christmas, High School Musical and Annie. Other projects: Hugh Jackman in Concert, the Radio City Christmas Spectacular (1979 to 2006) and for SeaWorld Parks “The Shamu Shows,” Fantasmic! at Disneyland and Jubilee at Bally’s Las Vegas. Ken’s many awards include the Tony and the Lumen for his architectural work.

PETER FITZGERALD (Sound Designer) Current designs: Clinton the Musical, New York Philharmonic’s Joan at the Stake and Penn & Teller, New York. Additional credits: All the Way, Old Jews Telling Jokes, New York Philharmonic’s productions of Sweeney Todd and Carousel, Will Ferrell’s You’re Welcome America, Billy Joel’s Movin’ Out, Gypsy; Paul Simon’s The Capeman, The Will Rogers Follies, 42nd Street, La Cage aux Folles, City of Angles, and The Best Little Whorehouse in Texas. Noted plays: Glengarry Glen Ross, Speed-the-Plow, Blithe Spirit, The Odd Couple, M. Butterfly, The Beauty Queen of Leenane. Peter and wife Maritza are the proud parents of daughters Lori and Mallori.

DAVE BOVA (Hair, Wig, and Makeup Design) Makeup design: Violet, The Real Thing (Broadway). Hair/Makeup Design: Little Miss Sunshine, Here Lies Love, Booty Candy, The Killer, My Name is Asher Lev, Good Person of Szechwan, The Ohmies, Romeo and Juliet. Central City Opera Company 2012/13/14 Seasons, Bard Summerscape 2014 Season & Sarasota Opera Fall 2014 Season; Chitty Chitty Bang Bang (1st National Tour), The Addams Family, Camelot, Rock of Ages and Spamalot (Non-equity Tours). Broadway Wig construction: Wicked, Memphis, The Miracle Worker, Jersey Boys, Guys and Dolls, Xanadu, The Addams Family, Spamalot, Rock of Ages, Jekyll & Hyde and Cirque du Soleil.

Thank you Zevie for all your love and support.

J. JARED JANAS (Hair, Wig, and Makeup Design) Broadway designs include The Visit (Makeup), The Real Thing (Makeup), Lady Day at Emerson’s Bar and Grill (Wigs and Special Makeup Effects), Motown (Makeup), The Gershwins’ Porgy and Bess (Wigs and Makeup), Peter and the Starcatcher (Hair), All About Me (Wigs), and Next to

Normal (Wigs). Recent Off-Broadway designs include The Tempest (Shakespeare in the Park), Pretty Filthy, Texas in Paris, A Month in the Country, Allegro, Passion, Bad Jews, By the Way, Meet Vera Stark, and Detroit 67. TV/Films include God’s Pocket, Six by Sondheim, “30 Rock,” Lola Versus, “Gilded Lilys,” and Angelica.

TODD ELLISON (Music Supervisor) Broadway: American in Paris, Annie, La Cage aux Folles, Spamalot, Lestat, Amour, 42nd Street, Wild Party, On the Town, Once Upon a Mattress, How to Succeed…, She Loves Me, Cats, Starlight Express, and Annie 2. Composer-incidental music: A Class Act and Taller…Dwarf. Encores at City Center: Band Wagon, On the Town and No, No, Nanette. International Conducting: Vienna Konzerthaus, Carnegie Hall, Hollywood Bowl, Philly Pops, San Diego, Pittsburgh, Long Beach, New Haven, New Jersey and York Symphonies. www.ToddEllisonmusic.com J. MICHAEL DUFF (Music Director) Broadway: The News; National tours: West Side Story, Cats, Les Misérables, Starlight Express, Nunsense with Dody Goodman, 42nd Street, Bob Fosse’s Dancin’. International tours: 42nd StreetMoscow, The Sound of Music- Asia, The King and I- Asia, Cinderella with Lea Salong- Asia. Resident Musical Director: Burt Reynolds Jupiter Theatre (1981-1988), Marriott’s Lincolnshire Theatre (1991-1996). Composer: Phantom of the Country Opera (Marriott’s Lincolnshire Theatre), Joseph Jefferson Award nominee for Best New Work, published by Music Theatre International; Rodeo (ASCAP/Disney Musical Theatre Workshop winner); At Wit’s End (Florida Stage and Northlight Theatre), Carbonell Award winner for Best New Work. Other credits: Who’s Who In Entertainment and guest conductor- Grant Park Orchestra.

TALITHA FEHR TL MUSIC INTERNATIONAL (Music Coordinator) strives daily to carry on the contracting traditions of her mentor, Sam Lutfiyya. Broadway: A Christmas Story. National tours: Sister Act, Annie, The Wizard of Oz, Joseph and the Amazing Technicolor Dreamcoat, Ghost The Musical, West Side Story, Evita, Catch Me If You Can, Priscilla Queen of the Desert, Come Fly Away, Mamma Mia!, Fiddler on the Roof, Jesus Christ Superstar, Cats, Chicago, Chitty Chitty Bang Bang, Chita Rivera: A Dancer’s Life, Movin’ Out, and 101 Dalmatians. International tours: West Side Story, Sound of Music, Swing!, Cinderella, The King and I. Other: The Pirate Queen, 2010 Winter Olympics Ceremonies.

JOY DEWING CASTING (Casting Director) This is Joy’s third production of 42nd Street and she continues to be inspired by these characters and their story. Joy & associates have discovered talent for Broadway, Off-Broadway, tours, regional, readings, and dance companies. Recent tour credits: Annie, The Wizard of Oz, Mamma Mia, In the Heights, Bring It On, West Side Story, Catch Me if You Can, and many others. www.joydewingcasting.com

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42ND STREET NEURO TOUR (Physical Therapy) is honored to be part of 42nd Street. We have provided backstage treatment to more than 80 productions. Credits include Broadway: The Lion King, Hedwig and the Angry Inch. Off-Broadway: STOMP!, Sleep No More. Tours: Movin’ Out, Billy Elliot, Sister Act. Concert Tours: U2, P!nk, Lady Gaga, and Katy Perry.

KELLI BARCLAY (Associate Choreographer) served as Randy Skinner’s associate choreographer on the Tony Award winning 2001 Revival of 42nd Street. Broadway credits with Mr. Skinner: State Fair, Ain’t Broadway Grand and Irving Berlin’s White Christmas. Additional credits: Pipe Dream, Camelot in Concert, My One and Only, Hello Dolly!, Damn Yankees. Film: Made for Each Other.

ADAM KIDD (Assistant Director) has served as assistant to Mark Bramble since the 2001 Tony Award winning revival of 42nd Street. Directing credits include: Children of Eden, Rent, Into the Woods and premier productions of A Too Fast Waltz, Secrets and Other Indulgences, Sticky Rice, and his own series of Cabaret acts.

CANDACE HEMPHILL (Company Manager) National Tours: Once (Asst. Company Manager), Sister Act, Avenue Q (PSM), Young Frankenstein, The 25th Annual Putnam County Spelling Bee, RENT. Regional Credits: Chautauqua Theater Company, Barrington Stage Company. MFA Wayne State University, BFA Drake University.

DONAVAN DOLAN (Production Stage Manager) National Tours: Annie, GHOST, Catch Me if You Can, Grease, Peter Pan 360, Jesus Christ Superstar, RENT, Mame, Barbie Live, Oklahoma!, A Chorus Line, Copacabana. International Tours: 42nd Street, The Sound of Music and Thomas & Friends.

TOWNSEND TEAGUE (General Manager) received a B.A. in Arts Management from Indiana University’s Individualized Major Program and is a member of The Association Of Theatrical Press Agents and Managers. As General Manager he oversees 42nd Street and Annie, and previously Ghost (1st Nat’l), Bring It On (Nat’l & Japan), West Side Story and Priscilla QOTD (1st Nat’l). Townsend was Company Manager for tours of Catch Me If You Can (1st Nat’l), Cats, Les Misérables (25thAnniversary), Mel Brooks’ Young Frankenstein (1st Nat’l) and The Producers (1st Nat’l & Las Vegas). Broadway credits include The Norman Conquests, Gypsy, Radio Golf and The Producers. @Townsendteague RANDY MORELAND (Technical Director) is currently in his second season with TROIKA Entertainment working on 42nd Street, Annie, and The Wizard of Oz. For more than 40 years Randy has toured Broadway shows and special events around the world. Shows have included The Phantom of the Opera (Music Box Company), Les Misérables, Cats, Siegfried and Roy in Japan, Fela, Fiddler on the Roof (with Zero Mostel), Stop the World (with both Sammy Davis Jr. and Anthony Newley), and Hello, Dolly! (with Pearl Bailey).Randy would like to thank his wife Mara for her love and support.

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RANDALL A. BUCK (Producer, Chief Executive Officer) has produced more than 50 productions across the globe for TROIKA Entertainment. Before joining TROIKA in 1999, Mr. Buck was Vice President and General Manager for Livent in Toronto. Mr. Buck was a stage manager for more than 20 years, surviving a year with Mary Martin and Carol Channing in Jimmy Kirkwood’s Legends!, a year in Japan with Siegfried & Roy, opening The Phantom of the Opera Music Box Company and opening Show Boat on Broadway. When not on the road Randy can be found in the Washington, D.C. area with his wife, Angela, and their daughter Sierra Ashley Buck.

DONALD KINDL (Chief Financial Officer) joined TROIKA in 1992 as the company’s comptroller and assumed his current role in 2000. In this role, he is responsible for the financial, administrative, and human resources aspects of the company. He holds both a Bachelor of Science degree in Accounting and a Masters of Business Administration from the University of Connecticut. He has been involved in the production of such great TROIKA shows as Cats, Starlight Express, Evita, Joseph and the Amazing Technicolor Dreamcoat, The Sound of Music, Smokey Joe’s Café, Swing, Come Fly Away and as well as many others. Mr. Kindl would like to thank his lovely wife Cindy and three wonderful children for their love and support over the years.

MICHAEL J. ORSINO (Chief Operating Officer) has enjoyed over a decade working around the world with TROIKA Entertainment, touring several years as a stage manager and company manager before landing in the office. A Philadelphia native and a graduate of DeSales University, Mr. Orsino is pleased to have settled down in Maryland with his wife Anissa, a fellow tour veteran, and their sons Cameron and Carson.

TROIKA ENTERTAINMENT (Producer) has been the innovator in touring musical theater productions for over two decades, producing shows throughout North, Central, and South America, Europe and Asia. Additionally, the company is experienced in casino and leisure markets having produced for the Wynn, Caesars, Grand Casino, Hilton, Eldorado and Harrah’s. Current and upcoming productions include Annie, Calamity Jane, Cheers, Ghost, Joseph and the Amazing Technicolor Dreamcoat, Sister Act and The Wizard of Oz. With strong ties to the Broadway community, TROIKA prides itself on delivering top quality productions to audiences worldwide. Please visit us at www.troika.com

42ND STREET 42nd STREET TOUR STAFF

EXECUTIVE PRODUCER Randall A. Buck GENERAL MANAGER Townsend Teague Assistant General Manager. . . . . . . . . Brian Schrader TOUR MARKETING & PRESS Amy Katz, Courtney Davis PRODUCTION MANAGER John Wilson Associate Production Manager. . . . . . . Anna E. Bate TECHNICAL DIRECTOR Randy Moreland COMPANY MANAGER Candace Hemphill TOUR DIRECTION The Booking Group Meredith Blair, Mollie Mann, Brian Brooks and Richard Rundle www.thebookingroup.com CASTING Joy Dewing Casting Joy Dewing, CSA

PRODUCTION STAGE MANAGER. . . . . . . . . . . . . . . . . . . . . . DONAVAN DOLAN Stage Manager/Assistant Company Manager. . . . . . . Saori Yokoo Assistant Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Kidd Associate Choreographer. . . . . . . . . . . . . . . . . . . . . . Kelli Barclay Associate Scenic Designer. . . . . . . . . . . . . . . . Jared Rutherford Production Properties.. . . . . . . . . . . . . . . . . . . . . . . . Clista Jarrett Associate Lighting Designer. . . . . . . . . . . . . Jonathan Spencer Assistant Lighting Designer. . . . . . . . . . . . . . . . . John Demous Moving Light Programmer. . . . . . . . . . . . . . . . . Marc Polimeni Production Electrician. . . . . . . . . . . . . . . . . . . . . Stephen Atwell Production Sound. . . . . . . . . . . . . Marc Rongere, Colle Bustin Associate Sound Designer. . . . . . . . . . . . . . . . . . . . Kevin Heard Keyboard Programming. . . . . . . . . . . . . . . . . . . Stuart Andrews Copyist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elaine Davidson Rehearsal Piano. . . . . . . . . . . . . . . . . . . . . . . . . . . Rob Cookman Co-Dance Captains. . . . . . . . Stephanie Brooks, Tanner Outly Production Assistants. . . . . . Claire Carden, Lisa Jeanne Peterson HEAD CARPENTER. . . . . . . . . . . . . . . . . . . . . . . . MARK WISE Assistant Carpenter. . . . . . . . . . . . . . . . . . . . . . . Avram Steinberg Head of Properties. . . . . . . . . . . . . . . . . . . . . . . . . Susan Whitaker Swing Tech. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andy Butkovaich Head Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kwame Tucker Assistant Electrician. . . . . . . . . . . . . . . . . . . . . . Adrian Workman Assistant Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . Eric Johnson Head of Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Lundberg Assistant Sound Engineer. . . . . . . . . . . . . . . . . . Zachary Ireson Head of Wardrobe. . . . . . . . . . . . . . . . . . . . . . . . . Meredith Scott Assistant Wardrobe. . . . . . . . . . . . . . . . . . . . . . . . Rachel Mairena Head of Hair and Makeup. . . . . . . . . . . Derrick “Cosmo” West Assistant Hair. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Angela Johnson Physical Therapy. . . . . . . . . . . . NEURO TOUR, Physical Therapy, Inc. Physical Therapist. . . . . . . . . . . . . . . . Annie Chambers, PT, DPT Medical Director. . . . . . . . . . . . . . . . . . . . . . . . . Craig E. Weil, MD Accounting. . . . . . . . . . . . . . . . . . . . . . . . . . . Zwick & Banyai, PLLC Employee Benefits. . . . . . . . . . . . . . . . . . . . . . The Capital Group Insurance. . . . . . . . . . . . . . . . . . . Maury, Donnelly and Parr, Inc.

Legal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S. Jean Ward, Esq. B-roll. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HMS Media Creative Services. . . . . . . . . G Creative Advertising & Design, Inc. Production Photography. . . . . . . . . . . . . . . . . . . . Chris Bennion Merchandise Provider. . . . . . . . . . . . . . . . . . . . . Creative Goods For TROIKA Entertainment Chief Executive Officer. . . . . . . . . . . . . . . . . . . . . Randall A. Buck Chief Operating Officer. . . . . . . . . . . . . . . . . . Michael J. Orsino Chief Financial Officer. . . . . . . . . . . . . . . . . . . . . . . Donald Kindl General Managers. . . . . . . . . . Townsend Teague, Jim Lanahan Assistant General Managers. . . . . . . Brian Schrader, Abram Best Production Manager. . . . . . . . . . . . . . . . . . . . . . . . . John Wilson Associate Production Manager. . . . . . . . . . . . . . . Anna E. Bate Marketing Manager. . . . . . . . . . . . . . . . . . . . . . . Courtney Davis Marketing Consultant. . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Katz Booking Associate. . . . . . . . . . . . . . . . . . . . . . . . . . Doria Montfort Budgeting & Forecasting Manager. . . . . . . George Lamberty Controller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Marshall Staff Accountant. . . . . . . . . . . . . . . . . . . . . . . . . . . Lourdes Castillo Staff Accountant. . . . . . . . . . . . . . . . . . . . . . . . . . Colin Djieugoue Accounting Clerk. . . . . . . . . . . . . . . . . . . . . . . . . Marite Espinoza Warehouse Manager. . . . . . . . . . . . . . . . . . . . . . . . . Scott Garrish Office Assistant. . . . . . . . . . . . . . . . . . . . . . . . . Miranda Lamberty For TROIKA Costumes Costume Shop Manager. . . . . . . . . . . . . . . . . . Danielle M. King Costume Shop Administrator. . . . . . . . . . . . . . Alison M. Smith Workroom Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Helen Jones First Hand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katherine Kraus Craft Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Risa Ono Project Assistant. . . . . . . . . . . . . . . . . . . . . . . Rachel Christensen Lead Stitcher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Browning Stitchers. . . . . . . . . Kara Allen, Jennifer Bae, MaryElise Collier, Kristen Czako, Naomi Davidoff, Ginny Duncan, Audrey Gair, Sharon Landrum, Karen Murphy, Caitlin O’Hare, Jesse Shipley, Olivia Tran Crafts Persons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . April Camlin, Suzanne Herbert-Forton, MinHee Hwang, Katy Kincade, Sharon Landrum, Izzy Lawlor, Joanna Para,Ariel Pond, Eliza Vlasova, Kat Zotti CREDITS

Production travel by ROAD REBEL ENTERTAINMENT TOURING, San Diego, CA. Scenery by PRG SCENIC, a division of PRODUCTION RESOURCE GROUP. Additional scenery by TOM CARROLL SCENERY, Jersey City, NJ. Custom painted drops by SCENIC ART STUDIOS, Newburgh, NY. Soft goods by I. WEISS & SONS, Fairview, NJ. Props by TOM CARROLL SCENERY, Jersey City, NJ; PRACTICAL PROPS. Lighting equipment from PRG LIGHTING, Secaucus, NJ. Sound Equipment by SOUND ASSOCIATES, Yonkers, NY. Motors provided by CHRISTIE LITES, Seattle, WA. Backline by JONAS PRODUCTIONS, Fountaintown, IN. Costumes by TROIKA ENTERTAINMENT COSTUME SHOP, Glen Burnie, MD. Shoes by DANCING FAIR/ THE FAIR, INC. Hair and Wigs by BACKSTAGE ARTISTRY. Trucking by JANCO, LTD., Wayne, NJ.

Rehearsed at RIPLEY-GRIER STUDIOS, New York, NY. Technical Rehearsals and Previews held at THE CAPITOL THEATRE in Yakima, WA The musicians employed in this production are members of the American Federation of Musicians.

The International Alliance of Theatrical Stage Employees represents technicians, artisans, and craftspersons in the entertainment industry, including live theatre, film, and television production.

The Director-Choreographer is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.

United Scenic Artists represents the designers and scenic painters for the American Theatre.

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MAY 19

The American Songbook Gems by Cole Porter and George & Ira Gershwin

Cantus Columbus William J. Bullock, conductor Janie Lee Bullock, pianist

Vega Quartet

Domenic Salerni, violin Jessica Shuang Wu, violin Yinzi Kong, viola Guang Wang, cello

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CANTUS COLUMBUS and VEGA QUARTET

The American Songbook: Gems by Cole Porter and George & Ira Gershwin Thursday, May 19, 2016, 7:30 pm • RiverCenter for the Performing Arts, Legacy Hall

Cantus Columbus

William J. Bullock, conductor

Janie Lee Bullock, pianist

Vega Quartet

Domenic Salerni, violin Jessica Shuang Wu, violin Yinzi Kong, viola Guang Wang, cello A CONCISE PROGRAM, PERSONNEL AND BIOGRAPHIES ARE GIVEN HERE. SEE INSERT FOR INTRODUCTION, DETAILED PROGRAM, NOTES, AND TEXTS. —Program— PLEASE HOLD APPLAUSE UNTIL AFTER EACH ROMAN-NUMBERED PROGRAM SECTION.

I. Opening

Cole Porter: Another Op’nin’, Another Show (from Kiss Me, Kate, 1948)—arr. William J. Bullock CHORUS, PIANO, STRING QUARTET

II. 1924-1926 1924

Gershwins: Fascinating Rhythm (from Lady Be Good!)—arr. Stanley Silverman STRING QUARTET

1925

Gershwins: Sweet and Low-Down (from Tip-Toes)—arr. Stanley Silverman STRING QUARTET

1926

Gershwins: Someone to Watch Over Me (from Oh, Kay!)—arr. Pete Schmutte CHORUS, PIANO

III. 1927-1929 1927

Gershwins: ‘S Wonderful (from Funny Face) [CHORAL VERSION]—arr. David Blackwell [INTERPOLATION]—arr. George Gershwin CHORUS, PIANO PIANO

1928

Cole Porter: Let’s Do It (from Paris) [1ST VERSION]—arr. Jean Reynolds Davis [2ND VERSION]—arr. David Blackwell PIANO CHORUS

1929

Gershwins: Liza (from Show Girl)—arr. Tony Esposito STRING QUARTET 74

CANTUS COLUMBUS and VEGA QUARTET

IV. 1930 – Gershwins’ Show: Girl Crazy

Embraceable You—arr. William J. Bullock CHORUS, PIANO, STRING QUARTET I Got Rhythm [1ST VERSION]—arr. Christopher Clapham [2ND VERSION]—arr. Calvin Custer CHORUS PIANO, STRING QUARTET

V. 1931-1934 1931

Gershwins: Who Cares? (from Of Thee I Sing)—arr. George Gershwin PIANO

1932

Cole Porter: Night and Day (from The Gay Divorce)—arr. Calvin Custer PIANO, STRING QUARTET

1933

Gershwins: Mine (from Let ‘Em Eat Cake)—arr. Tony Esposito STRING QUARTET

1934

Cole Porter: Anything Goes (from Anything Goes)—arr. Philip Kern CHORUS, PIANO

VI. 1935–1936 1935

Gershwins: A Porgy and Bess Pair—arr. William J. Bullock Summertime (from Porgy and Bess)

I Got Plenty o’ Nuttin’ (from Porgy and Bess) CHORUS, STRING QUARTET

1936

Cole Porter: I’ve Got You Under My Skin (from the film Born to Dance) arr. Phil Mattson, transcribed William J. Bullock CHORUS, PIANO, STRING QUARTET

VII. 1937 – Gershwins’ Film: Shall We Dance Let’s Call the Whole Thing Off—arr. Russell Robinson CHORUS, PIANO They Can’t Take That Away from Me—arr. Carl Strommen, transcribed William J. Bullock CHORUS, STRING QUARTET

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VIII. 1937 Cole Porter: In the Still of the Night (from the film Rosalie)—arr. Jackie O’Neill CHORUS, PIANO Gershwins: Nice Work If You Can Get It (from the film A Damsel in Distress)—arr. Lee Evans PIANO Gershwins: A Foggy Day (in London Town) (from the film A Damsel in Distress) arr. Russ Robinson (CHORUS, PIANO), Lee Evans (PIANO), Bill Thorp (STRING QUARTET) compilation and transcription by William J. Bullock

IX. 1938–1940 1938

Gershwins: (Our) Love Is Here To Stay (from the film The Goldwyn Follies) arr. Derek Smith (PIANO, STRING QUARTET), Kirby Shaw (CHORUS) compilation and transcription by William J. Bullock

1939

Cole Porter: Do I Love You, Do I? (from Du Barry Was a Lady)—arr. Gary D. Fry CHORUS, PIANO

1940

Cole Porter: I Concentrate on You (from the film Broadway Melody of 1940)—arr. Bert Ligon STRING QUARTET

X. 1948 – Cole Porter’s Masterpiece: Kiss Me, Kate Why Can’t You Behave?—arr. Clay Warnick CHORUS, PIANO Were Thine That Special Face—arr. William J. Bullock MEN OF THE CHORUS, PIANO Always True to You in My Fashion—arr. Clay Warnick CHORUS, PIANO So in Love—arr. Clay Warnick CHORUS, PIANO

XI. A Nod to the ’50s Cole Porter: From This Moment On (added to film version of Kiss Me, Kate, 1953)—arr. Gary D. Fry CHORUS, PIANO Cole Porter: I Love Paris (from Can-Can, 1953)—arr. William J. Bullock PIANO, STRING QUARTET

XII. Closing Cole Porter: Ev’ry Time We Say Goodbye (from Seven Lively Arts, 1944)—arr. William J. Bullock CHORUS, PIANO, STRING QUARTET

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Collaboration This concert is the sixth in a series of collaborations between the Vega Quartet and Cantus Columbus: • • • • • •

In the Still of the Night: The Music of Cole Porter (2007), With a Song in My Heart: the Music of Rodgers & Hart (2008), Love Is Here To Stay: The Music of George and Ira Gershwin (2010), Sensational Serenades (2011), Can’t Help Singing: The Music of Jerome Kern (2014), and The American Songbook: Gems by Cole Porter and George & Ira Gershwin (2016)

Cantus Columbus Cantus Columbus, a professional chorus, was founded in 2000 by Dr. William J. Bullock. It presented its inaugural concert in the spring of that year at the Springer Opera House and that December inaugurated its annual series of Christmas concerts at Columbus’ Saint Luke United Methodist Church. The concerts of its subsequent seasons have been performed at RiverCenter for the Performing Arts, one each in Studio Theatre and Bill Heard Theatre, the rest in Legacy Hall. The group has occasionally performed run-out concerts in LaGrange and Savannah. Made up of singers from Columbus and the surrounding areas, the chorus is proud of its performance standards and the quality and variety of its literature. Its annual Christmas concert, A Cantus Christmas, which draws sell-out crowds, recounts the Christmas story with music of master composers and familiar audience carols. Frequently the chorus also presents a spring concert. Except for one program of Psalm settings performed at First Baptist Church of Columbus, these concerts have presented lighter works in RiverCenter’s Legacy Hall.

Recent spring programs have been joint presentations with the Vega Quartet and have featured arrangements of the music of Cole Porter, Rodgers & Hart, George & Ira Gershwin, and Jerome Kern and a diversity of “serenades” by a variety of composers. Now a resident performing ensemble at RiverCenter for the Performing Arts, the chorus is supported by grants, contributions, concert sponsors, and ticket sales. The group rehearses in Columbus at the Saunders Center on the River Park campus of CSU and at St. Thomas Episcopal Church and First Baptist Church. It is managed by Debbie Anderson, who may be contacted at 706-561-9573 or DEBA264@aol. com or P.O. Box 8832, Columbus, GA 31908. Gary Holloway is treasurer.

Sopranos Denise Bernard Meg Brukhardt Carol Holloway Cindy Rollins Carrie Beth Wallace

Altos Pam Bailey Bettie Biggs Lucy Bowers Beth Campbell Allison Ladshaw Freeman Stephany Warnock

Tenors Ken Bailey Ed Biggs Mark Culpepper Luis Diaz II Adam Mitchell

Basses Thomas Bernard, Jr. Myron Douglas Gary Holloway Chris Waterstraat Andy White 77

CANTUS COLUMBUS and VEGA QUARTET

Vega Quartet The Vega Quartet, the string quartetin-residence at Emory University, is creating and cultivating a new generation of passionate and educated chamber music lovers. The New York Times raved that the quartet’s playing “had a kind of clean intoxication to it, pulling the listener along...the musicians took real risks in their music making...”, and the Los Angeles Times praised the ensemble’s “triumphant L.A. debut”. The quartet has toured throughout Asia, Europe and North America and has performed in major cities such as Brussels, Cologne, London, New York, Mexico City, Paris, Seoul, Tokyo and Vancouver. The quartet has appeared in New York at Carnegie Hall’s Weill Hall and Zankel Hall and in London in the Royal Academy of Music’s Duke Hall. It is a frequent guest at numerous music festivals (including Amelia Island, Aspen, Brevard, Highlands-Cashiers, Kingston, Mostly Mozart, Rockport, San Miguel de Allende, and SummerFest La Jolla) and has been the quartet-in-residence at the Van Cliburn Institute and on the artist roster of Carnegie Hall’s New York City Neighborhood Concert series. It also is on the Community Concerts Association roster and is a part of the Woodruff Arts Center’s Art for Learning program serving the greater Atlanta area.

Since being designated Emory University’s quartet-in-resident in 2006, the quartet has undertaken a number of major projects, including a complete cycle of Beethoven quartets, a Bach-Bartók cycle, and numerous commissions and premieres of works by leading composers. It also started the Youth Chamber Music Program and developed innovative programs collaborating with other art forms, including dance, painting, poetry and theatre.

The quartet’s live broadcast credits include NPR’s Performance Today (USA), the National Radio of China, Shanghai TV, Radio France, France Musiques, the Westdeutscher Rundfunk, and the National Radio of the Czech Republic. The quartet captured four of the top six prizes at the 1999 Bordeaux String Quartet Competition (including the international music critics’ prize) and top prizes at the Coleman Chamber Ensemble Competition, the Carmel Chamber Music Competition, and the National Society of Arts and Letters String Quartet Competition.

The members of the Vega Quartet (violinists Domenic Salerni and Jessica Shuang Wu, violist Yinzi Kong, cellist Guang Wang) frequently collaborate with some of the world’s finest musicians, including Andres Cardenes, Eliot Fisk, Robert McDuffie, Christopher O’Riley, William Preucil, Richard Stoltzman, Robert Spano, Charles Wadsworth, the Eroica Trio, and the St. Petersburg Quartet.

The Vega Quartet’s residency at Emory is made possible in part by a generous grant from the Abraham J. and Phyllis Katz Foundation.

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CANTUS COLUMBUS and VEGA QUARTET

Conductor William Bullock, conductor, brings forty-seven years of conducting and administrative experience to his work with Cantus Columbus. In 2000 he retired as professor emeritus from Columbus State University’s Schwob School of Music, where he had served as coordinator of music studies and director of choral activities. Previously he held similar positions at the University of Southern Mississippi and Tarrant County Community College (Fort Worth). His BME, MM and Ph.D. degrees are from Florida State University. He recently retired as executive director of RiverCenter for the Performing Arts.

Bill has conducted and adjudicated choruses in seven south and southwestern states, conducted concert tours of Mexico and Eastern and Western Europe, and led study tours of Scandinavia and Australia. He has participated in international choral conferences in Vienna, Sydney, and Vancouver, founded the Six Flags over Texas Choral Festival, and served as Mississippi state president of the American Choral Directors Association, executive director of Southeastern Music Center, and choirmaster for Methodist and Episcopal churches. A choral literature authority, Bill has published journal articles, musical editions and arrangements, a book on the cantatas of J. S. Bach, and a well-received edition of the Brahms Requiem that includes his own modern, prosodic translation. A recipient of several awards, he is a member of Pi Kappa Lambda, Phi Kappa Phi, and various professional organizations (including the American Choral Directors Association) and is listed in biographical publications, including The New International Who’s Who in Music.

Pianist

Janie Lee Bullock, pianist, has been the pianist for Cantus Columbus since the group’s founding in 2000. She is also principal pianist for the Columbus Symphony Orchestra and a collaborative pianist for the Schwob School of Music, where she plays numerous recitals, choral concerts, opera productions, juries, competitions and auditions. Janie Lee received the BME degree from Florida State University and the MM degree in piano performance from the University of Southern Mississippi, where she collaborated in many vocal and instrumental chamber music programs and musical theater performances. She has had extensive accompanying experience, having played for the MTNA Young Artist competitions at national conventions in Toronto, Canada and Denver, Colorado.

Janie Lee has played choral concert tours throughout eastern and western Europe with the Columbus Civic Chorale and the Young Presbyterian Singers and concerts for CSU’s Choral Union and University Singers. As a piano instructor, she has taught private and group piano from the preparatory through college levels. She also is active in musical theater, having served as music director and pianist for Broadway shows in Texas, Mississippi and Georgia. Janie Lee also has served as organist in Methodist and Episcopal churches and is currently organist for First Baptist Church of Columbus, Georgia.

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RiverCenter Volunteers

Made up of devoted, conscientious supporters of the arts, the members of RiverCenter Volunteers work tirelessly in support of the many programs, projects, and activities that RiverCenter produces or hosts.

A major portion of the volunteers’ efforts involves ushering at events and assuring that all patrons have an enjoyable experience each time they visit RiverCenter. To receive information about River­Center Volunteers call Heather Watson at 706-256-3652.

Verneda Alford Mary Ann Alexander Nina Alexander Ola Alexander Jean Anderson Shelley Anderson Edie Barber Sandra Barker Belinda Barron Susan Benson Carol Bingemann Kerri Bingemann Sinnie Borel Morris Bowman Gail Brantley Marie Brooks Christina Brown Eloisa Brown Karen Brown Barry Bruch Carl Burell Pat Burell Judith Burgess Trinna Bustamante Brenda Byrd Cynthia Cain Ann Carlisle Bobbie Carter Jeanette Cauthen Betty Chambers Ricky Chambers Vivian Chambers Philip Chan Laura Chandler Eva Chappelle John Chappelle Levonia Cochran Pat Cole Latrella Conwell Denise Cook Marie Cook Gabriel Couroux Sandra Couroux Shirley Covington Doug Dennis Minnie Dennis Sharon Dennis Cynthia Dickson 80

Pixie Dillard Linda Duncan Eileen Edwards Angela Emziah Pat Etemadi Linda Fannin Connie Farrow Gwen Ferguson Glenn Fleming Sherrel Floyd Fran Fluker Deborah Ford Vickie Francis Ruth Frick Dorothy Garza Rosalind Gilbert Mary Gist Arnie Goodman Lindy Goodman Lois Griffiths Barbara Grubbs Cenneta Gunn Charles Hancock Wendy Harding Jennifer Hardy Sandi Harris Shirley Harris Theresa Hart Jim Henley Cynthia Hightower Mary Hightower Claren Hill Colette Hilliard Creola Howard Irene Hughes Beverly Jackson Pat Jackson Priscella Jackson Gloria Johnson Mirchelle Johnson Hattie Jones Lorrie Kasych Ben Kirby Jan Knowles Carol Lee William Lee Audrey Lenig Patti Lin

Robert Little Diane Lyons Jane Madayag Georgia Matheney Suzanne Maynard Tom McKibben Katrina McKinney Doug McLeod Charlotte McShurley Cheryl Meyers Dell Miller Michael Miller Catherine Murphy Sheila Murphy Mary Nell Nail Linda Nerness Mary Noles Barbara Nye Julius Otero Ethel Pate Ethel Patrick Chyll Perry Christine Peters Lorene Peterson Adrien Rameau Paulette Rameau Kitrina Ray Joyce Richburg Sandra Richmond Beverly Riley Dianne Robinson Jean Royer Linda Rumold Wanda Rutledge Sandy Saling Gloria Samuel Dolores Sanchez Beverly Schlitzkus Susie Scott Sandra Severt Sandra Shackelford Betty Shaw David Shemwell Lyn Shemwell Sabrina Shine Nancy Shipman Miriam Short Sara Silva

Louise Simmons Barbara Singleton Sylvia Singleton Rose Slonaker Billie Smith Cheryl Smith Donna Smith Eva Smith Judy Smith Gene Snyder John Soltau Tess Soltau Alice Spengler Louise Spivey Gail Stafford John Stafford Faye Teel Gloria Terry Brenda Thompson Karin Thompson Mona Thorington Marion Tiemeyer Carolyn Tigner Connie Ussery Ron Ussery Irina Veschi Annice Walker Katherine Walker Sophia Walker Geraldine Watson Howard Watson Jo Weiss Charles Wike Renate Wiley Carol Williams Juanita Williams Walter Williams Jane Wilson Margot Wilson Yulane Wilson Mildred Wynne Fred Young Frank Zylstra Gayle Zylstra

2015–2016 RiverCenter Board of Trustees

Mr. Richard Hare, Chair Dr. Frank Brown, Past Chair Mrs. Susan Lawhorne, Vice Chair Dr. William P. Kendall, Secretary Mr. Dave Troxel, Treasurer Mr. Norman S. Easterbrook, Executive Director

Mr. Stephen Butler Dr. Max Burr Mr. Gardiner Garrard Mrs. Dale Goldsmith Mr. Isiah Harper Mr. Gene Perkins Mrs. Lucia Reed Mrs. Barbara Rothschild Mrs. Becky Rumer Mr. Alex Shalishali Mrs. Linda Shinkle Mrs. Judy Thomas

Ms. Teresa White Mr. Troy Woods Mr. Jimmy Yancey ex-officio Hon. Teresa Tomlinson

RiverCenter Administration & Staff EXECUTIVE GROUP Mr. Norman S. Easterbrook, Executive Director John Camp, Technical Director Cherwanda Jones, Operations Director Rick McKnight, Community Support Officer Jannina McPherson, Director of Business Affairs (CFO) Lauren Pastwik-Minter, Advancement Director Jim Rutland, Program & Education Director ADVANCEMENT Lauren Pastwik-Minter, Advancement Director Carla Gridley, Marketing & Promotions Administrator Nalisa Capers, Marketing Specialist Kristen Patterson, Advancement Administrative Assistant BUSINESS AFFAIRS Jannina McPherson, Director of Business Affairs (CFO) Saida Wilson, Accounting Coordinator & HR Assistant Ellen Moulter, Business Affairs Assistant Margaret Abrego, Administrative Assistant BOX OFFICE April Waldron, Box Office Manager Jennifer Graham, Assistant Box Office Manager Kayla Reid, Ticketing Associate Noah Kirby, Ticketing Associate

Gracelyn DePeaza, Ticketing Associate Rebekah “Chase” Worthey, Ticketing Associate OPERATIONS Cherwanda Jones, Operations Director Seth Burgamy, Events Manager Veronica Frazier, Facility Coordinator Marion Fletcher, Facility Services Specialist Ishmun Holcomb, Events Assistant Heather Watson, House Manager/Volunteer Coord.

PRODUCTION John Camp, Technical Director Tammy Whorton, Stage Manager John (J.D.) Davis, Assistant Technical Director & Audio Coordinator Carson “Jake” Waters, Stage Coordinator Clayton Smith, Information Technology Coordinator James Cash, Technical Theater Coordinator Adam Bell, Lighting Coordinator Lance Fraker, Production Associate PROGRAMMING & EDUCATION Jim Rutland, Program & Education Director SECURITY Billy Johnson, Security Lead Robert Wright, Security Officer 81

Ticket Information The RiverCenter box office has tickets available for these series and events: TSYS Broadway on Broad­way, Synovus Center Stage, RiverCenter Music, WOW! Discovery Matinees, and Spotlight Spe­cials. Tickets also are available for programs presented by the Columbus Symphony Orches­tra, CSU Schwob School of Music, and various third-party presen­ters. The box office accepts cash, and all major credit cards: VISA, Master­Card, American Ex­press and Discover.

SINGLE TICKETS—Single tickets to individual RiverCenter events may be purchased without a service charge at the box office at the corner of Broadway and Tenth Street. For a service charge, tickets also may be purchased online at tickets. com.

TICKETS AT THE DOOR—Tickets to events that are not sold-out may be purchased at the box office beginning one hour before the start of the event.

SPECIAL DISCOUNTS—Patrons must come to the box office to take ad­vantage of most special promotions and dis­counts. Mil­i­tary, Public Service, Educator and Senior discounts are avail­ able on single ticket purchases to most events.

Student Rush prices are available all day on the day-of-show at most events. Patrons using vouchers or gift certificates should note dead­ lines and restrictions that apply. No refunds are given for ticket price variances or special offers.

SEASON TICKETS—Season tickets may be purchased at the box office by telephone (706-2563632) or with order forms in RiverCenter publi­ cations and mailings.

CUSTOM COMBOS—Tickets to single RiverCenter events may be pur­chased at a savings as Custom Combos. A Custom Combo con­sists of at least one ticket to each of at least three events per patron.

GROUP DISCOUNTS—Most RiverCenter events offer discounts on indi­vidual tickets sold to groups of 10 or more. For information call 706256-3612.

Important Information signs. In case of fire or other emergency, please do not run, but walk to the exit nearest to your BOX OFFICE—The box office at RiverCenter, lo- seat. cated at the corner of Broadway and Tenth Street, is open Monday–Friday, 10:00 am to 5:30 pm. It EMERGENCY NOTIFICATIONS—The RiverCenter opens one hour before each performance and re- emer­gency phone number is 706-256-3610. mains open through inter­mission. The box office Please pro­vide this number and your seat lois not open on federal holdays unless there is an cation to your personal contacts or child care event that day. providers.

BOX OFFICE & PARKING

PARKING—Parking is available in the parking garage directly in front of RiverCenter, 900 Broad­way. A fee of $2.00-$5.00 is charged after 6:00pm for some events. Parking for those with disabilities is avail­able in front of RiverCenter’s main entrance. Park­ing also is available without charge on the streets around RiverCenter. The garage is managed by the City of Columbus, not RiverCenter.

IN CASE OF EMERGENCY

HOUSE RULES NO BABIES IN ARMS—Everyone attending a ticketed event, including all children regardless of age, must have a ticket.

BACKSTAGE AREAS RESTRICTED—For safety and security and out of respect for performers’ privacy, patrons are not given access to backstage areas be­fore or after performances.

HOUSE OPENING AND LATE ARRIVALS— RiverCenter’s Grand Lobby opens one hour prior FIRE NOTICE—Exits are indicated by red “exit” to events and seating begins approximately 30 82

min­utes before curtain. At the discretion of house days then donated to Valley Rescue Mission, Inc. man­agement and in compliance with artists’ con­ Own­ers may claim lost items by calling 706-256tractual agreements, latecomers will be seated at 3610. appropri­ate intervals during events. Latecomers RENT A VENUE may be seated near the entry doors out of cour­ tesy to performers and other patrons.

Bill Heard Theatre, Studio Theatre, and/or Legacy PROHIBITED EQUIPMENT—Please be courteous Hall—Call 706-256-3607 regarding availability and turn off devices such as cell phones and pag- of specific dates on the RiverCenter master calers. Photography and record­ing is prohibited in endar. Complete rental fees and policies can be found on rivercenter.org. the theatres.

SMOKE-FREE POLICY—RiverCenter is a smoke- PATRONS ROOM—The Patrons Room on the free facility. Smoking is permitted in outdoor ar- mezzanine level may be reserved for private functions by RiverCenter Members and Partners. For eas only. Thank you for your cooperation. information call Jim Rutland at 706-256-3607.

SPECIAL SERVICES

ILLGES PLAZA—Event and green space on 10th BAR SERVICE—Bar service is available in the St. on North Side of Center may be reserved for Grand Lobby prior to the start and during inter­ special events. Call 706-256-3607. missions of most RiverCenter events. Food and drink is not permit­ted in the theatres.

IMPORTANT NUMBERS ELEVATOR—A patron elevator is located between Emergency ������������������������������������706-256-3610 the entrances to Bill Heard Theatre and Studio The- Event Information ������������������������706-256-3612 atre.

Ticket Information �������������������������888-332-5200 WHEELCHAIRS—Wheelchairs are available for Season Ticket Purchases ���������������706-256-3632 pa­trons needing help getting to or from seating. Group Sales ����������������������������������706-256-3612 Ushers will provide assistance.

Rentals ������������������������������������������706-256-3607 AUDIO AIDS—Subject to availability, infrared lis­ Volunteer Office ����������������������������706-256-3652 tening devices are available for hearing impaired Development ��������������������������������706-256-3653 patrons. They may be obtained free of charge by Marketing �������������������������������������706-256-3657 presenting personal identification to ushers.

Advertising �����������������������������������706-256-3653 LOST AND FOUND—Lost items should be given to an usher for storing with RiverCenter Security. ArtsReach ��������������������������������������706-256-3607 These items are retained by Security for sixty

Applause, the program guide for RiverCenter for the Performing Arts, is published periodically by RiverCenter, Inc. and distributed to patrons of season shows.

Graphic design and typography by Nalisa Capers. Each issue includes program and performer information for a group of contemporaneous performances and general information about RiverCenter program­ming, facilities, donor members, sponsors and staff. Cover art by Nalisa Capers.

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We salute the RiverCenter and its commitment to performing arts in the Valley area! The artistry and creativity of every presentation enhances the quality of life for us all.