Architectural Portfolio

PORTFOLIO RITU R. NAIK ARCHITECT I ARTIST

Bachelors from

School of environment and architecture, Mumbai University [2017- 2022]

Exposure 2024 2022 2019

CAUP summer school camp for 2 weeks in Tog hai- Planning healthy & resilient city Excellence on handling contradictory imperat ecology • Excellence in design imperatives and conc • Connected collabrative studio, exchange p

Software Autocad Rhino Sketchup

Photoshop Illustrator Indesign Premiere pro

Experience 2020- 2021

2022- 2024 2024

RITU NAIK ritunaik199@gmail.com +91 8788477816 12th July 1999

MUMBAI, INDIA

‘Studio Untag’ - six months internship, Mumbai ‘Cadence Architects’ - Junior architect, Banglore ‘ The Drawing studio’, Mumbai

Publication 2017 2018 2018 2018 2019 2019 2019 2020

Buhari : An open village Pune : Intervening the inner city Mumbai neighbourhood studies vol.4 Connected collabrative studio What is clinic?

Architecture of Ahoms, Sivasagar Assam First question, SEA press Blurred edges

Interest Sketching Mix media art Singing Swimming

Content creation Making reels Vlogging Exploring cities

gji university, Shang-

tives of housing and

cepts program

Content 1. Architecture of public spaces Thesis Design 2. House at Mount Kusur ‘Studio Untag’ 3. Kirdant residence Personal project 4. KMNR residence ‘Cadence Architects 5. Work Experience ‘Cadence Architects’ 6. Work Experience ‘The drawing studio’ 7. CAUP Urban design course Tongji University, Shanghai 8. Personal Introduction Jalgaon- Mumabai- Banglore

1. Architecture of Public spaces in Jalgaon Research analysis

The thesis looks at when does open space become public through spatial factors like activities, materiality, claims, edge condition, and accessibility.

The thesis rethinks the idea of public spaces, for which it opens up different categories of subconsciously formed public spaces by different agencies in the Jalgaon city. The study includes an analysis of public places like a lake, an open ground, a chowk, and a garden in the city.

The methodology of conducting the study uses interviews and site observations of different activities, life affordances, changes in edge conditions, livelihoods, etc. throughout the day put together in narrative drawings.

The research then argues that public spaces work much better when there is an overlap of activities, edges are soft and allow interactions to happen, accessiblity to humans as well as animals.

Site drawing- Mehrun lake 1. Study of the lake edge through daily observat The drawing shows that how undefined lake ed interactions to happen and defined edge restric by user.

tions and interviews. dge allows maximum ct claims, negotiations

Individual academic dissertation project Sem 9 & 10 I 5th year I June 2021 Site - Jalgaon, Maharashtra Supervisor- Ar. Prasad Shetty I prasad@sea.edu.in Ar. Vastvikta Bhagat I vastavikta@sea.edu.in

Previous page drawing refers to the first research site - Mehrun lake. This lake has no edge condition so the movement of the animals and humans is very blurred.

On the other hand the developed lake edge has evident boudary to segregate the spaces and activitives . Through the research it is seen that blurred edges allow more claims on the site.

In the case of other site (on the right) Public square known as ratnavali chowk, the planning encourages more claims and negotiations to happen. Here the planning plays an crutial role in the workability of the public space. From selling vegetables, fruits to conducting protest all kinds of activities allows the spatiality of the square.

Animal & Human movment

Site 3 - Ratnavali chowk (public square)

Conclusive drawing

To conclude with the inc of claims an From the research, comparison of all sites concludes The edge of the Mehran lake smudges the activities and claims on-site. It is organically formed by people and affords all types of practices. Adding a fence in Sagar park made that place monotonous in terms of activities. It restrictsthe free-flowing nature of activities. Whereas in Ratnavali chowk, the planning of the space allows all sorts of activities to happen. So the planning plays a crucial role in the workability of the space.

‘Bhaunche udyan’ is the planned garden but the edge condition fails the space to serve its function.

1. Publicness can be generated in a place by several factors, few of the factors that are highlighted in this study are that of: • Accessibility • Size and shape • Architecture and adjacencies • Edge condition • Activities and practices • Security and safety 2. The spatialities that increase the publicness of the space have been analysed through the site studies• Edge conditions • Proportion • Neighbourhood type • Scale • Functions within space

e, the publicness of space increases crease in smudgeness of form, blurring nd overlapping of activities in the open space.

Reimaging type: Public space Design intervention The research was looking at the open spaces in the Jalgaon city and spatialities make open space into public space. So the scope of the research conclusion is to reimagine the existing public space using the identified stratagies to moderate publicness. The design tries to open up the idealized form of public space in the neighbourhood of Jalgaon through the spatialities which can afford contemporary practices of retails.

What is the typology of the public space which can afford contemporary practices of retail as well as maintain the publicness of the space?

The design site is Big bazzar mall in Jalgaon and has site area around 23000 sq m. The present mall started become an alienated builtform in the neighbourhood.

Right now it is in dilapidated condition. The present builtform is set of four walls or big object sitting on plain paper without any connection with the context.

So the concept is to create public space which continues with the sesnsibilities and scales of the streets and that is how it will start merging with the neighbourhood.

Mixing of the scales will allow to control the publicness and give more possibilities to user experience at the same time make that public space into open space.

The design process started by looking at different grids in the neighbourhood and overlapping them to create the pattern.

Site context

Existing grids in the neighbourhood

Overlaying the existing grids on the site

Identifying nodes

Modulating site boundaries

Programs distribution

Master planning

Scale and Proportion

The design tries to bulr the edges to allow maximum transactional activities through soft scaping and hardscaping of the edge.

The spatial articulations like courtyards, verandas, pavillions, terraces etc. helped in smudging and blurring the public space. The modulation of plinth gives playful nature to the design. Movement path are roof to roof connections of built forms or series of staircases that creates labyrinth in its own way. The internal thin streets connects programs without any boundaries. Courtyards from set of walls and roof as foliage of trees creates a sense of closeness and intimate space in the public area.

Form and Spatiality

View of market from the Ground floor

View of public- private courtyards in park

View of market from the First floor

Design argues with the idealized form of public space like mall. So design tries to break the single entry idea by introducing multiple entry and exits from all sides. Different edge conditions has introduced accourding to the context and user group. Orange part allows hawkers or thelawalas to occupy whereas brown part is tall stone wall which is limiting certain activities. Circulation is integral part of design which holds all programs together.

Distribution of programs is coming from the scale of the neighbourhood- the lower part is adjacent to main road that is why retail shops are happening where as large public gathering spaces started coming on upper part; near to exiting railway station. Programs are amphitheater, public private courtyards, play area, multiplex, foodcourt, market, art gallery.

View of prop

posed design

2. House at Mount Kusur Studio UNTAG

A Mumbai-based casting director commissioned an eco-sensitive, costeffective escape house in the Western Ghats near Pune. The conceptual design features two elongated spaces connected by an internal staircase, with green courts on either side.

Perched at 600m altitude, the 2700sq ft house boasts framed views of the Sahyadri mountains.

The design seamlessly integrates with nature through elements like courts, verandahs, decks, tall windows, and sloping roofs. Gauri and Tejesh introduced the concept of ‘borrowed land,’ preserving most of the site in its natural state, reducing landscaping costs and water consumption. The existing pond was converted for rainwater harvesting, which becomes a seasonal stream, further enhancing the home’s harmony with nature.

Conceptual ModelTwo volumes with connection in the middle

Detailed ModelMade in file card and mount board with laser cut.

Work experience at studio UNTAG Sept 2020 Site - Kamshet Lead architects -Ar. Gauri Satam, Ar. Tejesh Patil studio@untagarchitecture.com Scope- Working drawing set, model making

Shingles is the roofing material used along with Shahabad stone flooring, creates the countryside feel to the house. 10ft projected roof forms the connection between built and unbuilt framing the view of the mountains.

I joined the project during the construction stage, where working drawings played a crucial role. My involvement included site visits and model making to gain a deeper understanding of the project and address potential site issues. This stage was critical in ensuring accurate planning and execution, and I worked closely with the team to tackle any challenges that arose.

The key takeaways from this project are the importance of contextual design execution, minimal material usage to maintain budgetfriendliness, and striking a balance between blending with the context while still maintaining a unique identity. These aspects are crucial to consider during the design process to create a building that is both harmonious with its surroundings and distinct in its character.

https://www.architecturaldigest.in/story/this-casting-directors-hilltop-retreat-in-the-westernghats-is-an-idyll-for-all-seasons/

Site images after completion

3. Kirdant residence Personal Architectural project

Located in Ambajogai, Maharashtra, this single-story residence was designed for a middle-class family of four with a modest budget of 50 lakhs. Prioritizing simplicity, minimalism, and sustainability, we incorporated durable materials and contextual considerations. The hot and dry climate led us to use Weinerberger bricks and roofing tiles for thermal insulation, while naturally available black stone reduced construction costs. The design features an exposed ceiling, lime plaster walls, and no air conditioning, embracing a natural and ecofriendly approach.

While designing this project, working experience helped alot to figure out details and understand the construction process.

This project is a collaborative effort with my friend Somesh, where we aimed to design and execute a house for a family of four within their specified budget. Our scope includes both design and on-site execution, working together to bring the project to life.

Form development

Basic one story structure with flat slab

Sloping roof to create good double height space in the living room

Cut out in sloping roof adding to the language of the house; continuing steel frame structure to make semi open terrace covered with green

Enough light and good cross ventilation

Public area of the house has kept spacious with double height

Use of sustainable roofing tiles which are durable, easy to maintain & thermally efficient

Plinth and wall made in Locally available stone masonary

Weinerberger 400mm thk bricks to provide the thermal insulation

Freelance architectural project in collabration with Ar. Somesh Nadkanrni Site - Solapur, Maharashtra nadkarnisomesh@gmail.com Scope- Design and execution

The project features a 60’x40’ plot with a minimum 7’ setback on all sides, allowing for a spacious and well-ventilated design that incorporates Vastu principles as per the client’s request.

The layout includes one bedroom on the ground floor and three on the first floor, accompanied by a small, greenery-covered open terrace. The design experiments with various opening types, showcasing a thoughtfully curated palette of bay windows with wooden frames and opaque shutters, fixed square openings, and tall windows for bedrooms.

The staircase serves as a central element, connecting all spaces while adding to the overall spatiality, enhanced by small square openings on the staircase wall that contribute to a sense of continuity and flow.

Section A

Ground floor plan

A

N First floor plan

Prior to commencing the design process, my partner Somesh and I conducted research on the daily habits and spatial requirements of the family, as well as the typology of existing houses in the surrounding context. This investigative phase helped us gain a deeper understanding of the family’s needs and preferences, informing our design decisions and ensuring a tailored solution that responds to their lifestyle and the local architectural vernacular.

The design in progress

• • • •

Site Pictures Wooden windows details Color samples Updated render

4. KMN Residence Cadence Architects

This exposed concrete project demands precision, with no room for error. Detailed drawings are created for each wall, using unique shuttering materials like pinewood for line textures and teak wood for curved textures. All electrical, plumbing, and HVAC elements are carefully planned and cast into the slab or walls to avoid any subsequent damage, requiring interior design to precede each floor’s slab construction.

I joined the project during the ground floor roof slab concreting phase, with the overall design already finalized. My role involved extensive site work, creating working drawings, reviewing consultant drawings, and regular discussions with the Project Management Consultant (PMC).

Additionally, I oversaw the execution of the interior design.

Exposed concrete construction poses unique challenges, requiring meticulous attention to detail since once the concrete is cast on site, changes are impossible.

Staircase detail with 50mm gap on the both sides to give it floating effect.

The pine wood lines on the wall will be clashing with steps lines; to avoid that the gap has been kept to make the staircase unique.

On site it got casted properly. The gap is seen and light will be installed soon.

Laying electrical conduits before doing PCC

Final design

Work experience at Cadence architects February 2023 Site - Bengaluru Lead architects -smaran@cadencearchitects.com shameem@cadencearchitetcs.com Scope- Site handling & execution with GFC dwgs

STAGES OF CONSTRUCTION It takes three lifts of the walls as the floor to floor height is 12’. All electrical and wall light points needs to leave while casting the walls.

1

2

90-105 Days to complete one floor walls till beam bottom

3

• •

•

Normally for skirting wall get chipped but in exposed concrete that will not be possible. The concrete wall is 200mm thick as to accomodate the 25mm thick skirting wall thickness increased to 225.

In the project flooring is considered as 100mm(including screeding and extra)as client want to use terrazzo. Basically 100mm flooring with 50mm skirting has been kept from unfinished floor. The pine wood lines starts from 150mm from the floor.

Every wall elevation is designed as per pine wood shuttering panel size.

Available size is 2440x1250mm in which 150mm will be left for skirting and then interval of 100mm, pinewood lines will start. All pinewood panels needs to be align to have continuous pinewood lines on the wall.

The project is nearing completion, with flooring and interior work next.

Exposed concrete construction means curing time is the only slow process, and the unfinished product is the final product. This unique project required extensive preplanning for MEP and HVAC systems, involving a detailed set of working drawings, including shuttering, skirting, and RCC wall plans, for every aspect of the build.

Ground floor walls done

Staircase as per details

Ground floor roof shuttering

Ground floor roof after de-shuttering

Carpentary work started

Material selection with the vendors

5. Work experience CADENCE ARCHITECTS Gaining two years of work experience with Cadence Architects involved tackling various challenges, acquiring valuable learnings, and deepening my understanding of materials.

Projects are described through detailing & materiality, site challenges, design & client approach instead of explaining it through plan section drawings

List of the projects : 1. KMN Residence - Architecture & interior 2. Anith Residence - Architecture 3. Long Haus- Architecture 4. Unnati Residence - Architecture 5. Vimal Bohra Residence - Architecture 6. Ranka Residence & Bhurat ResidenceArchitecture at finishing stage

DETAILS AND MATERIALITY 1. SKIRTING DETAIL - KMNR

2. RAILING AND METAL COLUMN DETAIL - KMNR

Flame instensity is so much that it is creating pattern blue and grey.

Intensity of the flame is controlled but spotting can be resolved.

Glossy finish top layer applie to protect from weathering.

Grey terrazzo base with grey chips

Dark grey terrazzo base with black chips

Grey terrazzo base with blac chips

ed .

3. EXPLORING MATERIALS While experimenting with mild steel metal sheets, we discovered that achieving a specific texture depends on the intensity of the flame applied, highlighting the crucial role of flame intensity in texture formation

The texture has come out good in matt finish.

We developed multiple Stonecrete samples for the Bhurat residence, experimenting with brown hues as our primary focus, while also investigating grey shades to offer alternative design possibilities.

ck

Grey terrazzo base with black & brown chips

DESIGN REFINEMENT 1 . PUJA FRAME DESIGN- KMN RESIDENCE

Frame in granite with Grey Terrazzo flooring

Frame in Kota with kota top on the storage unit. Stand alone frame dettached from wall giving the sense of door/ threshold.

Frame ornamented with Brass inlay

Leveled platform with painting freamed

2 . Reconfiguring the plan The Unnati residence floor plan design incorporates four bedrooms including one that can be adaptively reused as a (home office, study, hobby room, etc) in the future, providing versatility and long term value.

Work experience at Cadence architects 2022-24 Sites - Bengaluru Lead architects -smaran@cadencearchitects.com shameem@cadencearchitetcs.com

Over the course of Tw Cadence Architects, I’v be involved in various p my skills and expertise experience and collab

LONG HAUS- ARCHITECTUR

KMN RESIDENCE- ARCHITECTURE & INTERIOR

ANITH RESIDENCE- ARCHITECTURE

UNNATI APARTMENT- ARCH

wo years (2022-24) at ve been fortunate to projects, developing e through hands-on borative teamwork.

RE

HITECTURE

BHURAT RESIDENCE-ARCHITECTURE at finishing stage

RANKA RESIDENCE- ARCHITECTURE at finishing stage

6. Work experience THE DRAWING STUDIO

Revitalize the historic Raj Mahal in Kadhiyawad by incorporating contemporary arches, blending fragility with the structure’s boldness. The goal is to create a sculptural intervention that complements the existing structure, rather than simply adding to it, and showcases a harmonious blend of old and new.

The idea is to intervene with a series of arches, blending modernity with the historic Raj Mahal’s essence, maintaining its identity while adding a delicate, contemporary touch. We explored various options, experimenting with different dimensions, shapes, and combinations of arches to find the perfect balance for the Raj Mahal’s intervention.

The drawing style is inspired by Mughal era paintings, with intricate details and ornate flourishes, blending traditional aesthetics with modern arches.

Work experience at ‘The Drawing studio’ July 2024 Mumabai Lead architects - deepshikhajaiswal89@gmail.com

7. CAUP - Urban Design summer camp AT TONGJI UNIVERSITY, SHANGHAI The 2024 TONGJI CAUP International Design Summer School chose Fuxing Island as the targeted study area.

The main purpose of this workshop was to discuss how to explore the full potential of the strategic reserve area, amend the defects of the urban environment, improve the quality of urban space, and rejuvenate existing neighborhoods, through creative urban design. The workshop sought to establish a public space network that could be compatible with the city’s future development and introduce prosperity and vitality to the community of Fuxing Island.

The course included lectures from expert faculty from different universities over the w providing diverse perspectives on urban des and planning. We also embarked on city wa to understand Shanghai’s city planning and development, gaining valuable insights into the city’s urban transformation. Through the experiences, I gained a deeper understandin of the complexities of urban design and the importance of collaborative approaches to creating sustainable and resilient cities.

Besides, this workshop explored how to effectively integrate the concepts of health and resilience in urban planning, provide innovative solutions for the sustainable development of future cities, and promote the construction and development of healthy and resilient cities.

The propose of paths, cou

week, sign alks d o ese ng e

ed idea for the regeneration of the island is to foster a joyful place with the laybrinth and heirarchy urtyards, edge conditions, temporality of space. Perceive the building as a object to play with.

8. Personal Introduction Jalgaon - Mumbai - Banglore Hello, As a pragmatic individual with a passion for experiential learning, I enjoy exploring new cities and uncovering their underlying fabric. I delve into the city’s structure, observing how it shapes the daily routines and lifestyles of its inhabitants. My travels often take me through narrow alleys and gullies, as well as to art galleries and museums, where I discover hidden gems and unexpected spots that reveal the unique character of each place.

With a zest for new adventures, I thrive on exploring innovative design ideas and tackling challenges with confidence.

When faced with obstacles, I believe in taking a step back, reassessing, and reframing my approach. My spontaneous decision-making style keeps me adaptable and energized. I embrace mistakes as opportunities for growth, recognizing that learning from them is essential to personal and professional development.

Lastly, I have an insatiable appetite for growth and strive for bigger and better opportunities. Meanwhile, I prioritize maintaining a harmonious work-life balance, making conscious efforts to carve out personal time and avoid burnout. By doing so, I aim to nurture my well-being and foster a sustainable approach to my professional pursuits.

Sketching/ painting at the beach

I’m on a journey to define my arch practice and space-making a clarifying my fundamental princ values to create a cohesive and in design meth

Resin

hitectural approach, ciples and ntentional hodology.

n artworks

Experimenting resin with wood

Singing & Learning Veena

Acrylic on Canvas

RITU NAIK ritunaik199@gmail.com +91 8788477816