Skip to main content

Portforlio

Page 1

POR TFO LI O

Xue Gao Master’s Program of Landscape Architecture 2018- Present Rhode Island Shcool of Design


Curriculum Vitae Education

Rhode Island School of Design| 08/ 2018- Present Master's Program of Landscape Architecture (2 years) Southeast University| 09/ 2013- 06/ 2018 Bachelor’s program of Landscape Architecture University of California, Los Angeles| 06/ 2017- 08/ 2017 Summer Session: Environmentalism, Sustainable Architecture, & Digital Cinema

Research Project

A Student Research Training Program project| 11/ 201612/ 2017 Landscape Design for Medical Rehabilitation in Residence Community

Technial Skills

Photoshop, Illustrator, Indesign Rhinoceros 5, SketchUp, Lumion AutoCAD ArcGIS, Ecotect, CARA Microsoft Office Sketching Physical Modelling Laser Cutter

Language Chinese (Mother Language) English (TOEFL: 102)

Ashes to Ashes , Dust to Dust

National Undergraduate Training Programs for Innovation and Entrepreneurship| 11/ 2016-12/ 2017 Research on Optimization Design Method of Space and Environment of Rehabilitation Facilities

11

19

HongJue Temple Cemetery Design

Come Together

29

Tengfeiyuan Residential Community Landscape Design

What Do We Talk about, When We Talk about Time?

Prize of Excellence, the 4th China Suzhou Cultural Innovation Industry Exposition| 2015 Issued by Suzhou Municipal Government

39

Visual Interpretation and Spatial Representation of the Movie "Predestination"

Tianjin Architecture Design Institute| 09/ 2017- 11/ 2017 Internship, Landscape Architect Little Architect Program, Volunteer Society| 02/201406/2015 Educational Group Leader

Design Principle Studio Design

o1

Constructed Ground Studio Design

Best Design Award for the Temporary & Removable, the 14th Annual Asian Design Award| 2016 Issued by Asia Architecture and Urbanism Alliance

Experience

the Invisible Force the Last RISD RIde is at 3 a.m.

Professional Indoor Decoration & Design – Level Three| 05/ 2017 Issued by China Occupational Skills Testing Authority Certificate Honors & Prizes

Contents

Other Work Paver Design for RISD Farm's Parking Lot

47 Vegetation Analysis in Plant and Material Class


Module Study

Soil Study

Soil Profile

The Invisible Force Design Principle Studio Design

Location: RISD Farm, Providence, Rhode Island Date: 09/ 2018- 12/ 2018 Type: Individual Work Instructor: Adam Anderson In the design principle studio, we were asked to systematically study the phenomena of the site, RISD Farm, and design two outdoor labs to reveal those phnomena based on our experience. I personally considered the site has two opposite characters, so I designed two labs with relatively opposite phnomena in winter and summer. When people visit these two labs, they would feel there is an invisible force between them so that they would subconsciously learn how wind, vegetation, light, and shadow, which the invisible force actually is, work together to create a system. 1

Paper Soil Model

Linear Soil Model

At the first stage of the studio, we were asked to develop a module that could form either rigid or flexible structures. Then, we texted how the structure filter lights and observed how the forces transport through the structure. After visiting the RISD Farm, each of the students was assigned to a pit to study the soil structure. The soil profile helped me understand different layers of the soil and how much organic materials contained in each layer. The models enabled me to further analyze moisture, particle sizes, and porosity of the soil. From hand-making models, I also developed a linear module based on the original paper module. This module would help me analyze the whole site at the next stage.

Soil Pattern 2


Site Analysis

Hybird Analysis

Topography

Hydrology

The woodland at RISD Farms functions as a twosided filter. View decays at a different speed when people stand on the different side of the woodland. This phenomenon is caused by topography, distance, and density of vegetations.

Vegetation

View

Site Section

3

4


Armature Model

Design Generation

Concept Diagram

Summer

Parti Diagram To apply what I learnt to the design, I focused more on the difference between the two sides. The phenomenon I was most interested in was light and shadow. From this design, I would like people to notice that light and shadow are not fixed. There are rooms of light in rooms of shadow and rooms of shadow in rooms of light. Even if we zoom in to the minimal, light and shadow are also changing with time. Thus I built two labs, one on the ridge and one in the woodland. Using the linear module developed before, I made an armature model of the site. Wood chips stand for surface water on the ground, water table, and canopies of the woodland. The form of the wood chips also indicates the shape of the landform. Piano wires are root systems and trunks of the woods. Thus, the denser the wood chips are, the wetter the site is. The denser the piano wires are, the denser the vegetations are. The wood chips also show the concept of the two-sided filter. 5

Winter

In the woodland lab, the evergreens are planted in the north while the deciduous are planted in the south. Therefore, the lab will be cool and shady in summer because of the canopy, and warm in the winter because the evergreen trees block the north wind, and sunshine could cast down because there is no canopy in the south. In the ridge lab, the small evergreens are planted in the south while the deciduous are planted in the north. Thus, the lab will be hot in the summer while cold in the winter because the site embraces the wind.

Phenomenon Diagram 6


Site Plan

Site Section

For the detail design, vegetations would be planted in three different groups according to the structures and canopies. As the sun passes by, different kinds of shadow would be cast on the ground, so that visitors could notice the temporal dimension of light and shadows 7

8


Detail Sections

9

Concept Section Perspective

10


19

19

17

18

18

19 17

17 15

16

14

14 14 13

13 13 12

12

11

11

14

11

13 13 12

10

X X

Multistory Masonry Building

8

7

7 7

8 9

8

8

7

15

9

16

8

14 7

7 7

6

13

6

6

6

6

6

9

Multistory Masonry Building

Multistory Masonry Building

8

7

10

9

6

6

PROJECT BOUNDARY

PROJECT BOUNDARY

14

11

13 13 12

10

Passing-by (Water gathering) 11

X

10

9

5

4 3

1

3

1

1

1

0

0

9

Platforms Gathering Space

8

7

8

9

8

7

7 7

6

EXTENT OF MODEL

EXTENT OF MODEL

6

6

Light at Night

9

8

4

2

2

Multistory Masonry Building

5

11 10

10

Light at Night

12

X

11 PROJECT BOUNDARY

PROJECT BOUNDARY

14

Entrance

5

5

15

Stairs(Private Space)

12

5

5

15

X

8

16

10 10

9

X

9

8 9

17

Entrance

11

X

10 10

9 10

17

16

12

11

X

X

11

Multistory Masonry Building

12

10

12

17

15 14

Multistory Frame Building

Multistory Frame Building

15

15

Multistory Frame Building

16 15

11

18

16

16 15

13

17

17

16

17

16

14

18

17

17

Multistory Masonry Building

View

18

18

17

11

Rhythm of Light

1

Concept

LEGEND

SHEET NO:

View Anal

TITLE:

15 7.5 0

1" = 30'

SCALE BAR:

SCALE:

N

LDAR W20

COURSE NUMBER:

02 / 06 / 2

CONSTRUC GROUN

COURSE NAME:

DATE:

9

Xue Gao

NAME:

SHEET NO:

Light at Nig Analysis

TITLE:

15 7.5

1" = 30'

SCALE BAR:

0

SCALE:

N

LDAR W207

CONSTRUCT GROUND

COURSE NUMBER:

COURSE NAME:

Xue Gao

02 / 06 / 20

DATE:

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

BEB PARKING LOT DESIGN

NAME:

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

BEB PARKING LOT DESIGN

Site Analysis at City Scale

View

6

Entrance

PROJECT BOUNDARY

Entrance

5 5

The Last RISD Ride is at 3 a.m.

Currently, the site is in-between two main streets of Providence, North Main Street and Water Street, and two teaching buildings of RISD, BEB and ID Building. Based on site analysis, I think the site could function as a guide to lead people from North Main Street to Riverside and vice versa. To achieve it, I define some attractions along the street and Riverside, analyze where on the site can people see these attractions and finally get two view corridors as the results.

Constructed Ground Studio Design

Location: the Parking lot of the BEB, Providence, Rhode Island Date: 01/ 2019- 02/ 2019 Type: Individual Work Instructor: Joseph James In the constructed ground studio, we were asked to use grading as a tool to redesign the parking lot outside our department building. Based on the site analysis, I considered the site as a connection between two streets and two teaching buildings. According to my own experience, students in these two teaching buildings sometimes stay up late, so I'd like to reform the site to a place where students could take a breath from their heavy work and refresh themselves.

11

PROJECT BOUNDARY

5

Type of Passerby

Another possibility of the site is that it could be a connection between ID Building and BEB and function as a shared space for both departments. Students from these two departments sometimes stay up late, so I want this design to be a place for them to relax at night. I observed and analyzed which windows of these two buildings are bright at night and what space these window lights define at the parking lot. The bright space at night will be the activity areas in the design. The upper area of the site will be multiple seating steps. It is a more private space on the site. Students could spend several minutes there having lunch or smoking. The middle area will be a passing by area since it is dark at night, but it's not boring because water will gather beside the roads because of the landform. The area below will be the central gathering space. Students could have BBQ there or outdoor exhibitions. The vegetation areas will become the buffers to avoid influences from the streets.

4 3

2

1

1

0

EXTENT OF MODEL

Parti Diagram 12


Generation Process

Design Analysis LEGEND Multistory Masonry Building

> 8.33%

NAME:

NAME:

Xue Gao

Xue Gao Multistory Masonry Building

DATE:

02 / 06 / 2019

DATE:

02 / 06 / 2019

5- 8.33% COURSE NAME:

COURSE NAME:

COURSE NUMBER:

COURSE NUMBER:

CONSTRUCTED GROUND

5% 2-5%

CONSTRUCTED GROUND

LDAR W207

2%

LDAR W207

N

N

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

Multistory Masonry Building

SCALE BAR: 0

Multistory Masonry Building

TITLE:

Entrance

DATE:

02 / 06 / 2019

COURSE NAME:

COURSE NAME:

COURSE NUMBER:

COURSE NUMBER:

CONSTRUCTED GROUND

CONSTRUCTED GROUND

LDAR W207 N

15

30'

0

Multistory Masonry Building

7.5

15

TITLE:

TITLE:

Light Analysis

Circula�on

SHEET NO:

SHEET NO:

10

10 ADA and Quick Pass

1" = 30'

SCALE BAR:

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

Multistory Masonry Building

7.5

EXTENT OF MODEL

0

SCALE: Multistory Frame Building

BEB PARKING LOT DESIGN

SCALE BAR:

PROJECT BOUNDARY

1" = 30'

Multistory Frame Building

PROJECT BOUNDARY

SCALE:

PROJECT BOUNDARY

13

4 Final Model

02 / 06 / 2019

N

PROJECT BOUNDARY

3 Pancake Model

4 Platforms and roads with hard materials are slight till to 2% slope for drainage. The landform of vegetation areas is revised to form a set of small channels.

Multistory Masonry Building

LDAR W207

EXTENT OF MODEL

3 Small spaces below are united and transformed into one big platform. Seating steps and vegetation spaces are also revised to meet ADA demand.

Xue Gao

Xue Gao

DATE:

Quick Walkway

2 The pancake model is translated from the monster model. In this version, there is no obvious big gathering space.

NAME:

NAME:

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

2 Pancake Model

LEGEND ADA Pathway

11

Vegetation

BEB PARKING LOT DESIGN

1 Monster Model

SHEET NO:

8 Multistory Masonry Building

30'

Vegeta�on Analysis

SHEET NO:

Slope

15

TITLE:

Slope Analysis

1Folding and cutting are the languages I use to generate landforms.

7.5

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

30'

1" = 30'

Multistory Frame Building

BEB PARKING LOT DESIGN

15

BEB PARKING LOT DESIGN

7.5

EXTENT OF MODEL

0

SCALE:

PROJECT BOUNDARY

1" = 30'

SCALE BAR:

PROJECT BOUNDARY

PROJECT BOUNDARY

EXTENT OF MODEL

PROJECT BOUNDARY

SCALE: Multistory Frame Building

Light Design

14

30'


Atlantic Real Estate

10 11 11.5

9.5

9 12.5 13

BS+9

11.5

12 HP +17.5 9

11

LP+10.5 12.5 A

13.5 14 13

14.5 15 15.5 BS+14

BS+13

16

16.5 17 TS+16

14 13

TS+15

BS+14

BS+15 15.5 2%

16 2%

TS+18 9.5

TS+16

TS+11

12 12.5

A 13

13 13.5

12.5 14 14

5%

BS+16 15

TS+17 15.5 BS+15

B

10

11

10.5

16

17

B

TW+10.5 BW+10.34

TW:10.5

16 15.5 15.5 16 16.5 17

17

16.5 16 15.5 15

14

14.5

13

13.5

12.5 12 11.5

TW+5

2%

15

HP +17.5

A

10

12

17 12

TW+5 BW+4

8

9.5

TW+13.5 BW+10

5%

LP+10.5

TW+7.5 BW+6

A

HP +17.5

16 A

LP+10.5

5%

TW+13.5 BW+10

10

9.5

8

2%

BS+15

TS+16

BS+14

TS+15

BS+13

BS+14

13

TW+13.5 BW+10

TW+9.5 BW+7.78

TW+7.5 BW+6

2%

TS+16

TS+15

BS+15

13

BS+13

BS+14

BS+14

TW+13.5 BW+10

TW+7.5 BW+6

TW+9.5 BW+7.78

15.5 2%

2%

A

2%

2%

16 5%

15

13

2%

2%

BS+11

TS+12

13

LP+12

2%

LP+12

13

13.5

TS+11 BS+10

2%

9

2%

2%

TS+18

BS+17

BS+16

TS+17

TS+10 BS+9

TS+9

6

TS+18

14

BS+17

TS+17

BS+16

TS+10 BS+9

TS+9

BS+7

TS+8

BS+8

8

TW+9

6

17 16 TS+16

15.5 BS+15

15

14.5

14

13.5

13

18 12.5

11.5

12

17 11

10.5

10

9.5

16

9

8.5

8

15 7.5

7

14 6.5

13

12

11

10

9

8

516

17

6

18 7

BS+7

TS+8

BS+8

8

TW+9

4 3

2

1

14

TW+10.5

9

BS+10

TS+11

13.5

TW+7.5 BW+6

BW+6

BW+7

BW+7

BW+9.5

2%

12.5

A

12

14

4

A

A

TS+12 BS+11

2%

2%

COURSE NAME: TW+10.5

TW+7.5 BW+6

BW+6

BW+7

BW+7

BW+9.5

2%

12.5

13

15

5%

16

2%

2%

17

TW+10.5 BW+10

TW+12 BW+10.5

12.5

15.5

12.5

7.5

TW+10.5 BW+10

TW+12 BW+10.5

12

14

2%

2%

7.5

19

15 11.5

3.4%

TW+9.5 BW+8.18

11.5

BS+9

11

TS+11

8.5

TS+7

BS+5

BS+6 TS+6

5

3.5

16 15.5 15.5 16 16.5 17

17

16

16.5

15.5 15

TS+11

BS+9

11

11.5

12

12.5

13

13.5

14

14.5

BW+4.5 4.5 BW+3.5

B

TW+10.5 BW+10.34

TW:10.5

TW+9.5 BW+8.18

3.4% TW+7.5 BW+6

A

TW+5 BW+4

Xue Gao

18

12 10.5

TW+9 TW+9.5 BW+9

10

11

BW+9.5

A

10 9.5

BW+9.5 TW+9 TW+9.5 BW+9

8.5

17

2%

A

2%

16 15.5

BS+17 9

3

A

9

2%

14.5 TW+9 BW+6

9

9.5

10

TW+9 BW+6

10

2.4%

TW+7 BW+6

2%

9.5

10

10

2.4%

6

15.5 16 16.5 17

12 TS+9

B

5%

5%

9.5

9

8.5

8

7.5

7

6.5

BS+6

TW+6 BW+5

TW+5 BW+3

TS+9

6

A

TW+5

4 3

TS+16

15.5 BS+15

5

15

14.5

14

13.5

13

18 12.5

11.5

12 17

11

10.5

10

9.5

16

9

15

8.5

8

7.5

7

14 6.5

13

12

11

10

9

8

7

B

N

LDAR W207

LEGEND:

TITLE:

Planting Area

Decomposed Granite

Stone

Wood

Concrete Paver

Lawn

1" = 8'

SCALE:

N 19

9.5

9

TS+9

2 8.5

8

7.5

7

6.5

BS+6

TW+6 BW+5

TW+5 BW+3

TS+9

9

9.5

10

TW+9 BW+6

10

2.4%

6

9

10

9.5

10

2.4%

TW+7 BW+6

SITE PLAN Material

SHEET NO:

B

9.5

9

8.5

8

7.5

7

6.5

9

3

A

9

2%

A

2%

AIN STREET , RI 02903

16

15

14

13

12

11 2%

10

9

8

7

6

5 5

18

17

9.5

9

8.5

8

7.5

7

6.5

BS+6

TW+7 BW+6 TS+7 BS+6 TS+6

5

3.5

BS+5

BW+4.5 4.5 BW+3.5

4

02/06/2019

16

1" = 8'

SCALE:

16

15

14

13

12

11

10

9

8

7

6

5 5

TW+6 BW+5

TW+5 BW+3

3

A

2

SCALE:

1" = 8' 15

LDAR W207

6

231 SOUTH MAIN STREET PROVIDENCE, RI 02903

COURSE NUMBER:

LDAR W207

COURSE NUMBER:

BEB PARKING LOT DESIGN N

CONSTRUCTED GROUND 5%

CONSTRUCTED GROUND 5%

Landing Stairs

5%

LEGEND: 5%

5%

COURSE NAME: 5%

1" = 8'

SCALE:

DATE:

02/06/2019

DATE:

N

NAME:

Xue Gao

CONSTRUCTED GROUND

2%

Multistory Masonry Building NAME:

LDAR W207

COURSE NUMBER:

2% 2%

2%

Multistory Masonry Building

Payette

COURSE NAME:

Contour Plan

Atlantic Real Estate Atlantic Real Estate

02/06/2019

Material Plan

G LOT DESIGN

DATE:

11

LP+12 13.5

13

2%

14


Seating Elements Design

Section A-A

Section B-B

Detail Sections 1

Detail Models

Detail Sections 2

The design of seating elements is also respond to the language of landforms, which are folding and cutting. 17

18


Public Cemeteries in Nanjing

Site Analysis Site

Site

Public cemeteries

Closely Related Related Entrance Peak

LongWang Mount Cemetery

XiTian Temple Dai Mount YinLong Temple FuGui Mount

LongQuanMount Cemetery BaiLong Mount Cemetery BaiYun Temple Cemetery Xiang Mount Cemetery BaoShan Temple Cemetery

Cemetery Cemetery Cemetery Cemetery

Valley Village Abandoned

LiYu Mount Cemetery QingLong Mount Cemetery WoLong Mount Cemetery

High-Speed Railway

Park Accessible to Foding Palace

Mining Pit Abandoned Personal Leisure Club Factory Under Demolition

HongJue Temple Cemetery Village Habitants moving out Concrete Factory

Mortality of Nanjing Population

Ashes to Ashes, Dust to Dust HongJue Temple Cemetery Design Location: Nanjing, Jiangsu Type: Individual Work (The original information of the site was collected by group.) Advisor: Gege Wang

1995 5.94

2001 6.43

2010 7.87

1997 5.85

2003 7.03

2012 6.88

1999 5.53

2005 7.69

2015 6.21

Fo Ding Palace A New Attraction

The lack of burial land has been a serious issue in Nanjing nowadays. The government only issue land permit of 30 years for burial land. On the other hand, Nanjing has prohibitted cemetery construction since 27 years ago. It will be no future supply for burial land in Nanjing. HongJue Temple Cemetery was built in 1990. During the 27-year usage, it has lost most of its green space to concrete tombs. The gaps between tombs are too narrow to provide a proper mourn environment.

Collage of Site

The design was based on the tourism regional planning project in my senior year. After examing the site again, I noticed an old cemetry in the site, which was impeamearble and of high density. And this is also the shared situation for most public cemeteries in Nanjing. Thus, I was intrigued to find a more sustainable way of burial that can serve the purpose of memorial and also be efficient in space. During my exploration, I added another layer of ecological planning with artificial construction to stress the natural cycle, of which death is part. HongJue Cemetery 19

Mining Pit Village

Da Shi Lake

Park 20


Intergrated Site Evaluation

Study of Burials

Construction Suitability Geomorphology Elevation High Sensitivity >100m Medium Sensitivity Low Sensitivity

50-100m

<50m

Slope

>30°

15-30°

<15°

Exposure

Ecological Sensitivity

Land Use

Soil

Land Use

Soil Type

Runoff Buffer

Catchment Buffer

Vegitation Type

Canopy Coverage

Silty Soil

<10m

<50m

Coniferous / Mixed Forest

Barrenness

North /Northwest/Preserved Northeast Land West / East

Builtable Land

Sandy Soil

Water

Vegitation

Seasonal Change

Green Stucture

Deciduous Forest

Arbor + Bush + Herbage

10-50m

50-150m

Broad-Leaved Forest Bushwood / Glassland

Sparsity

Mixed Forest

Bush + Herbage

>50m

>150m

Farmland

Lushness

Evergreen Forest

Herbage

Loamy Soil South/Southwest/ Under Southeast Construction

Calculation Process in ArcGIS Primary Indicators

Secondary Indicators

Final Result Low Sensitivity Medium Sensitivity High Sensitivity Optimazed Area for Construction

Cremation is the most prevalent way of burial in Nanjing nowadays, nevertheless, in rural area, some people still prefer inhumation. Both these two burial ways take a piece of land for grave. Once the land is taken, it is hard for cemetery land to convert into other land use. As a result, the government has little incentive to provide more land for cemetery use as land resource in urbanized area becomes more and more limited. Thus, these two common types of burial are no longer suitable when facing the high-density development of urban area. Other than inhumation and cremation, Cliff burial and indoor burial are two other traditional ways that have been employed in a few other Chinese regions. However, cliff burial highly depends on landform while indoors burial could only happen when families live in bungalows. The main idea of sea burial and sky burial is to turn remains into food of eagles or fish. In this way, the dead become part of the cycle of nature again, which is highly eco-friendly but not cultrally acceptable for a lot of people. Eco-burial is a recent trend that shares the idea of "returning to Nature" but includes products which are more civilized and visible. Among forms of eco-burial, wall burial makes full use of vertical space like cliff burial. Organ donation, tree burial and flower burial inherit the core value of sea burial and sky burial, but in a more romantic way. These improvements allows eco-burial to gain a better opportunity in urban development. Store

Runoff Buffer

Catchment Buffer

Green Stucture

Water

Burn

Decompouse

Cliff Burial

Tree Burial

House

Indoors Burial

Wall Burial Collective Statue

Bury

Land Use Personal Flowers

Sea Burial

Flower Burial

Inhumation

Sky Burial

Organ Donation

Common Burials

Traditional Burials

Eco-burials

Cremation Seasonal Change

Canopy Coverage

Vegitation Type

Vegitation

Soil

Integrated Evaluation

Ecological sensitivity and construction suitability are the two dimensions I used to evaluate land value. Ecological sensitivity stands for the ability or the posibilities of an area to aviod environmental disruption and protect itself when facing external interference. Construction suitability is a measurement of how suitable artificial consturction can be appiled to an area.

Elavation 21

Exposure

Slope

Geomorphology

In order to evaluate, I firstly picks up 11 primary indicators and divide each primary indicator into 3 classes. Then I utilize AHP to give each primary indicator a proper weight. I imported each indicator as a layer in ArcGIS then use the weight to calculate the final result.

Pray

Funeral

Bury

22


Historical Slices

The site has been experiencing a dramatic change in the last 2 decades. In general, the site is constantly losing green space.Up to 2016, woods in HongJue Temple cemetery (A) has been completely replaced by tombs. Farmland in the north (B) was firstly replaced by bungalows. After the village was abandoned, it became deserted land. Land in the middle of the site (C) was also a village till 2011. After being abandoned for 3 years, it was built up as a park in 2015. Now this area is at the first stage of ecological recovery.

Phasing Strategy

Programs

Master Plan N N

10 50

s

am

r og

Pr

Burying

Sporting

s

ie

er

et

em

C

2003 2005 2007 2010 A. HongJue Temple Cemetery

2011

2012

2013

2014

2015

2016

100 m

1

1 Meditation Garden 2 Wall Burial Area 3 Tree Burial Area 4 Flower Burial Area 5 Preserved Woods 6 Entrance Plaza 7 Parking Lot 8 Tourist Center 9 Memorial Plaza 10 Communication Center 11 Cremation Area 12 Mining Pot 13 Private Leisure Club 14 DaShi Lake

2

3

4

a az

Pl

&

ks

5

r Pa

n

6

tio

ta

r po

ns

a Tr

Visiting Cemeteries

Camping

&

ds

8 9

oo W

2003 2005 2007 B. Village in the North

2010

2011

2012

2013

2014

2015

7

4

r

e at W

2016

p

or

12

m

eo

10

13

y

og

l ho

G 10

Yr

sA

Meditating

go

es

2010

2011

2012

2013

2014

2015

4

en

3

t

1

2016

Within my design, to relieve the pressure of the cemetery, it is reasonable to utilize bare land in the north into burial land. Tombs in the original cemetery will be resettled in the north. In the next 5 years, tree burial areas will be built in the old cemetery. Up to 10 years, flower burial and wall burial areas will also be finished. There is no cremation area in the new cemetery. Tree burial and flower burial areas will be built within 5 years. After 10 years, wall burial 23

11

9

14

Pr

2003 2005 2007 C. Park in the Middle

Chatting

will be put into use.As the road system revises, the cemetery will be more popular as both a medication destination and a recreational space with both cultural and ecological value.

5

9

5Y

rs

2

3

La

ter 5

11 2

10

Yr

sL

Maintainence

ate

Hiking

r

24


Types of Burial

Tree Burial In tree burial areas, each tree represents a dead person. Relatives are allowed to choose the representative species for the deceaseds. As time goes by, tree burial areas will be promoted from simple cemeteries to woods.

Wall Burial Area This area is composed of a series of sunken plazas which are framed by walls and decorated by grass and water fountain. The walls are made of customized metal sheets, Embedded in the wood frames, visitors can open and rotate these walls.

Âą0.00

N N

1 5 10 m Present

5 Years Later

10 Years Later

Flower Burial

-0.50

Flower burial areas are collective cemeteries. Cremains will be spilt into these areas and flowers will grow as the number of the dead increasing. With these areas developing, they will finally became flower fields for leisure. No cemeterial signs will be found except the sculptures.

Present

5 Years Later

A -2.00

-0.50

10 Years Later

Wall Burial Wall burial areas are also collective cemeteries, h o w e v e r, e a c h m e t a l sheet within the wood frames represents a deceased.As time flies, the walls will be increasingly closed because more and more sheets are added.

Present 25

5 Years Later

A

-1.50

Section A-A 1

5

10 m

10 Years Later 26


Tree Burial Area

Vegitation Planting

Tree burial area provides the opportunity to memorize a beloved one with a new form of life. Relatives pick their plant species and buried the deceased in containers under the tree. The dead body will provide nutrition to the young plant as a new cycle of life starts.

Seasonal Color Change

Magnolia Grandiflora Linn

Cerasus serrulata (Lindl.) G. Don ex London.

Hosta ventricosa (Salisb.) Stearn

Albizia julibrissin Durazz.

Camellia japonica L.

Begonia grandis Dry

Flower Burial Area This area are for group burials, and personal memorials will be replaced by a collective sculpture.Lower shrubs,flowers and herbs are aligned together to form the peaceful landscape.

N N

N N

1 5 10 m

Acer palmatum 'Atropurpureum'

Gardenia jasminoides Ellis

Zephyranthes candida indl.ďź&#x2030;Herb.

Spring

Summer

Autumn

Winter

1 5 10 m

C

C B

B

Section B-B 1

27

5

10 m

Section C-C 1

5

10 m

28


Serial Sections of the Central Plaza

Site Analysis Tengfeiyuan Residential Community was built in 2000. There are almost 8000 residents , most of which are retired teachers and professors. There are two activity centers, a kindergarten, a middle school, a central square and a special school for children and teenagers with intelligent impediment and psycological issues. With the decreasing usage of public spaces, the community is losing its energy.

Work Places

Special Education

Elderly People

Green Spaces

Community

White Collars

Education

Traffic

Children

Nanjing Gulouqu Special Education School

Entrances

Community Center

Entertainment Center

Tengfei Kindergarten

Bus

Sta

tion Nanjing Ninghai Middle School

Office Buildings

Bus

Pub

Sta

lic G

tion Pub

lic G

Come Together

ree

Moonlight Square & Sunlight Square

nS

ree

nS

pac

e

pac

Cao

e

chan

gme

Caochangmen Bridge

n Br

idge

Tengfeiyuan Residential Community Landscape Design Location: Nanjing, Jiangsu Date: 11/ 2017- 12/ 2017 Type: Individual Work Advisors: Ying Zhou, Gege Wang The design was based on the reserch training program I participated in senior year. The original study focused on therapeutic landscape while this time I decided to observe the site from another perspective. I noticed that the community lacked energy and there was no communication among different types of people. Thus, in the new design, I focused on breaking the invisible wall and introducing new energy to the community. In addtion, I also tried to express my corcern to the disadvantaged, the elders and children with intellgent impediments in this case, by meeting their physical and mental needs in the landscape design form.

Total Usage & Frequency of Public Space

Elderly People Children White Collars Total Number

Sunlight Square 29

Number 35

Number 70

Number 30

0

0

Caochangmen Street

Moonlight Square

Time

Community Center

Time

Moonlight Square

Residential Area

Residential Area

0

Time

Entertaiment Center

Community Committe

Residential Area

Entertaiment Center 30


Everyday Activities White Collars

Elderly People

Do Exercise

Cognititive Training

Physical Training

Enjoying the Sunshine

Health Lecture

Entertament

Working

Lunch Break

Looking After Children

Taking a Walk

Oral Training

Physical Training

Life Skill Training

For me, the keys to meet their needs are to break the wall and to create new feelings with existing elements. I find out that the trainings elders and special children have are almost the same, which means they could recieve do exercise together. Besides, their physical exercises did not require professional facilities, so they can do exercise in normal activity spaces. Therefore, I divided these activites into six categories. I designed spaces that can be shared by all residents for each types of the activities. In this way, it would be more likely for residents different demographic groups to meet each other.

Special Children

Normal Students

Exercise

Individual Study

Classes

Playing in the Square

Time Analysis of the Activities

For further study, I categorized the residents into four (demographic) groups: elderly people, white collars, normal students and special children. Then I did a survey about their daily life to to understood their needs for improvements and to find the common activities or routines among the four. The essential needs of the elders and special children are selfesteem and social activity with other groups, while the other two groups of residents wanted a more interesting life.

Needs Analysis Based on Maslow's Theory · I want my life to be more interesting than homework and classes. ·I wanna help others to prove myslef.

Cognititive Training

Playing inside Campus

Sandplay Therapy

Come-together Strategy · Working and doing housework every day can't bring me new friends. ·Life should be more meaningful.

Physical Traning

Taking a Walk

Playing

Cognitive Training

Cognitive Training

Classes

Elderly People

Self Actualisation Esteem

White Collars

Social Safety Physiological Normal Students

Special Children 6:00 7:00 8:00 31

Special Runway

9:00

10:00

11:00

12:00

13:00

14:00

15:00

16:00

17:00

18:00

19:00

20:00

· My Campus makes me feel safe, but it also lock me up. ·I might be different but I'm no less than other kids.

Meadow

Playground

Horticulture Square

Sanken Square

· I wish I could spend more time with my children and grandchildren. ·I wanna feel youth again. Physical Traning

Excercise

Lunch Break

Entertaiment

Oral Training

Health Lecture 32


Generation

Master Plan

Entrance N

N

Community Spot

Runway Connection Landscape Spot

1

10 5

Planting Design Species

m a

To bring all residents together, the first thing to do is to link existing public spaces together. Thus, my design starts with a runway which links city streets, the central square, the kindergarten, schools and activity centers together. Not only could residents travel on the runway, passers could also be introduced to the community. Then, I set a series of facilities ranging from playground to horticulture square to meet the needs of different people.

e

a

a.

11

Deciduous Arbor Height: 14m-18m Sterilize

Ameliorate Kidney Deficiency

Lower Blood Preesure

Ameliorate Rheumatism

Soften Blood Vessels

Warm the Stomach

Ameliorate Respiratory Tract Diseases

Smooth the Nerves

Calm Down

Relieve Cough

AntiDepression

Relieve Inflammation

Enhance Memory & Concentration

Anti-Aging

Protect Skin

Analgesia & Stanch

b.

6

Osmanthus sp.

9

5

Evergreen Arbor Height: 5m-10m

3 c

From the survey before, I find that a huge number of the residents are facing mental or physical health issues. Thus, the vegetation design took into account of the medical values of plants. I hope the plants could improve their health. 1

Chinese Medical Value

Ginkgo biloba L.

7

f

Modern Medical Value

h

b

f

e

d

b

Armeniaca mume Sieb..

Deciduous Arbor Height: 4m-10m

d

10

a

c.

b

d.

a

Pelargonium hortorum

e

Evergreen Shurb Height: 2m

b e.

g

Lawsonia inermis L.

Evergreen Shurb Height: 2m-6m

4

2

Landscape Spot

d

b

f.

Normal Student

f

Special Children Elderly People

d

White Collar

c

g

c

a

c

c

d

a

g

Rosmarinus officinalis

e g

Evergreen Shurb Height: 40cm-1m

Passer g.

h

Service Object 33

1.Nanjing Gulouqu Special Education School 2. Horticulture Garden 3. Tengfei Kindergarten 4. Playground 5. Community Center 6. Training Square 7. Entertainment Center 8. Botanic Square 9. Runway 10. Central Plaza 11. Caochangmen Bridge

h

h

Cymbopogon citratus

h

Perennial Herb Height: 40cm-50cm

d

f

c

h.

Lavandula angustifolia Mill. b

g 8

Perennial Herb Height: 30cm-60cm

34


The focus of the central plaza design was to bring the people in the community together as well as attracting people outside to enter the community. The central plaza consisted of two major parts. One was a sporting park which was open to the main street in the south while the other was multiplelevel squares with a runway fuctioning as a tunnel which leads people into the community.

Bird-eye View of Central Plaza

+0.90m

±0.00m

+0.90m

+2.10m

Layers

+3.00m

Programs

+2.10m 7 8

5

3 2

Section Perspective A-A

In this design, I wanted this two parts to share a similar form language but meanwhile in a significant visual contrast. Thus, materials with dim colors were used in the sporting park while strip-shape tiles with rainbow colors were used in the squares.

ds Woo

ing Rest

re

Squa

6

ay

-0.30m

1

Runw

r Wate

1. 2. 3. 4. 5. 6. 7. 8. 9.

uare

er Sq

Flow

ds Woo

S

ool ter P

Cen

+2.10m

Resting Square Sporting Square Ruanway Flower Square Water Square Overlook Square Climbing Square Leisure Lawn Woods

e quar

s

4

Stair

r Wate

re

Squa

-1.20m 9

Vegetation

4

Section Perspective B-B 2

2 6 5

±0.00m

ark ing P

rt Spo

+0.90m 1. 2. 3. 4. 5. 6. 35

Flower Beds 3 Road Caopies Cherry Tree Woods Maple Woods Square Plantation Leisure Lawn

1

±0.00m

ting Res

are

Squ

36


Detail Design of Runway A. Runway with Progressive Training Trails

C. Inclined Runway Tiles

Concrete

Wood

Plastic

B

D

Grass

ay nw Ru 5m 1.2

y wa

n Ru ed n i l Inc 4m

ay Runw 3.5m

Lawn

wn

La

B.Training Stairs Concrete

Plastic

Plastic

nt

n

L

Apartm

ent

Lawn

RunF way Blower ed F Runw 1.75m ay Blower 1.5m ed W 3.5m alkwa

y

37

In this design, the runway connects and serves all the residents. To play this role, it consists of jogging trails and walking trails. Besides, I design four different parts: one for progressive training, one for stairs training, slope climbing and resting to satisify all the residents.

ShiHu

Dendrobium nobile Lindl

Perilla

Meehania fargesii(LĂŠvl.) C.Y.Wu var. radicans(Vaniot)C.Y.Wu

Fameflower

Talinum paniculatum (Jacq.) Gaertn.

Cat's Whiskers

Clerodendranthus spicatus (Thunb.) C. Y. Wu

Heart Leaf

Hernandia sonora

Black Face General

Euphorbia pekinensis Rupr.

Sabah Snake Grass

Clinacanthus nutans

Perspective of Horticulture Garden

There are also two parts of runway with slopes. Users could receive higher level of physical training.

awn

Law

Okra Root

Abelmoschus esculentus (Linn.) Moench

Besieds vegetation mentioned before, residents could plant other herbs on the horticulture square on their own. The planting beds are on different levels: on the ground, 0.5m and 1.0m.In this way, people on wheelchair could also participate in horticulture.

Training stairs are a series of staris running up and down. There are two types of rise height, 10cm and 15cm. The whole stairs peaks at 1.75m.

rtme

Apa

er Flow ed B s Stair 1.5m m 5 1.7

C

The progressive training trails help elders and special children to walk better on different types of ground. One trail consists of five textures, which are tiles, wood, grass, sand and gravel.

D. Relaxing Area

er Flow Stairs ed B m 1.75 way Run 1.5m 3.5m

B

n

Gravel

Wax Rose

Pereskia bleo (Kunth) DC.

A

Law

Sand

er gFlow Trainin Bed il Tra 1.5m Lawn 1.75m

Common Plantain

Plantago depressa Willd.

A

C

ing r Train Flowe Trail Bed 1.75m 1.5m

Vegetation Design of Horticulture Garden

D

In the relaxing area, all the residents could sit down and chat with each other after training. 38


Storyline Analysis

1

2

3

4

1. Baby Jane was brought to orphanage by the barkeeper. 2. The Barkeeper brought John back to the time when John met Jane and they fell in love. After that, John was brought to future by the barkeeper and Jane was abandoned. 3. Jane gave birth to the baby Jane. After two weeks, the barkeeper stole the baby.

Film Collage

What Do We Talk about, When We Talk about Time?

5

6

9

10

11

Jane

the barkeeper

John

Fizzle Bomber

8. John was persuaded to be an agent. 9. John became the barkeeper. 10. The barkeeper received his final mission. 11. The barkeeper became the Fizzle Bomber.

-"And now that you've found her, you know who she is,and you understand who you are, and now maybe you are ready to understand who I am."

-"You know what they say about good things happening to those who wait" -"But only the things left behind by those who hustle."

-"Time catches up with us all. I guess you could say, we were born into this job." -"The snake that eats its own tail forever and ever. I know where I come from. But where do all you zombies comee from?"

-"A tourist is someone who travels across the ocean only to be photographed sitting next to their boat.."

-"But two weeks later that didn't mean anything. She was snatched." -"I spent eleven months in that fucked up place and had three major operations. 39

8

4. Jane became John after transsexual operations. 5.John and the barkeeper met each other and had a conversation. 6. Agent John successfully defused bomb but his face was ruined during explosion. The barkeeper saved John by handing him the time machines. 7. The barkeeper found the Fizzle Bomber to be himself and killed him.

Visual Interpretation and Spatial Representation of the Movie " "Predestination" Type: Individual Work Advisors: Gege Wang, Zhuoni Yang This study came from my interest of sci-fi movies. The idea of translate time travels into a spatial experience came to me after watching the move " Predestination ".My translating process started from analyzing the multiple storyline of the movie to abstract these storyline as simple geographical form. Then I used these geographical abstract to generate various spatial forms according to the storyline. My final step was to choose the most important storyline in the movie as representative then visually combined all events of this storyline as a spatial representation.

7

-"He is laying out the dominoes. We are just watching it fall." 40


Characters' Timeline Analysis

2

4

5

Scenario Matrix

6

9

To start with, I choose eleven important events in the film and give them values from one to eleven. Then I study the timeline of the charactors individually to see how the numbers jumps as the film goes by. After studying the film carefully, I found that there are actually two storylies in the film. The first one is about Single Mother, including Jane and John; the other one Final mission consists the stories of the barkeeper and the Fizzle Bomber.

10

Timeline of John Value: 4——5——2——6——9——10

1

2

3

4 6

Timeline of Jane Value: 1——2——3——4

1

The core metaphor of the film is Ouroboros, a snake which bites its own tail. This line inspires me to utilize torus as the prototype of the study. The radius of the two circle sin the prototype may stand as the two storylines in the film. In my study, I try to change the two radius of torus according to the film.

7

11

Timeline of the Fizzle Bomber Value: 11——6——7

3

5

6

7

9

10

11

Timeline of the Barkeeper Value: 9——10——5——6——3——1——7——11

1

2

3

4

5

6

8

9

8

9

Storyline: Single Mother Value: 1——2——3——4——5——2——8——6——9——10

1

3

5

6

7

10

11

Storyline: Final Mission Value: 9——10——5——6——3——1——7——11——6——7 41

42


Top View of Space Generation

R ∈ [1,2] r ∈ [9,10]

R ∈ [2,3] r ∈ [10,5]

R ∈ [3,4] r ∈ [5,6]

R ∈ [4,5] r ∈ [6,3]

R ∈ [5,2] r ∈ [3,1]

R ∈ [2,8] r ∈ [1,7]

R ∈ [8,6] r ∈ [7,11]

R ∈ [2,3] r ∈ [10,5]

R ∈ [3,4] r ∈ [5,6]

R ∈ [4,5] r ∈ [6,3]

R ∈ [5,2] r ∈ [3,1]

R ∈ [2,8] r ∈ [1,7]

R ∈ [8,6] r ∈ [7,11]

R ∈ [2,3] r ∈ [10,5]

R ∈ [3,4] r ∈ [5,6]

R ∈ [4,5] r ∈ [6,3]

R ∈ [5,2] r ∈ [3,1]

R ∈ [2,8] r ∈ [1,7]

R ∈ [8,6] r ∈ [7,11]

R ∈ [6,9] r ∈ [11,6]

R ∈ [9,10] r ∈ [6,7]

Front View of Space Generation

R ∈ [1,2] r ∈ [9,10]

R ∈ [6,9] r ∈ [11,6]

R ∈ [9,10] r ∈ [6,7]

Side View of Space Generation

R ∈ [1,2] r ∈ [9,10] 43

R ∈ [6,9] r ∈ [11,6]

R ∈ [9,10] r ∈ [6,7] 44


Combined Spatial Representation

Plan of the Combinatorial Space

After generating the nine individual forms, focused on how to combine these spatial component as a whole to provide a more complex spatial experience under the framework of the movie. Thus, based on my own understatnding, I choose the most important event in the whole story, the explosion event, as the subject and select the four individual space form which directly connected to this event.

A B C D R ∈ [8,6] R ∈ [6,9] R ∈ [9,10] R ∈ [3,4] r ∈ [7,11] r ∈ [11,6] r ∈ [6,7] r ∈ [5,6] A. John successfully prevented the explosion, but he was injured by the Fizzle Bomber. B. John saved himself by jumping into future. After the cosmetic surgery he became the barkeeper. Meanwhile, the Fizzle Bomber intended to injure John so he could get the attention of the barkeeper. C. The new barkeeper received his final mission while the Fizzle Bomber was found by the old barkeeper. D. The barkeeper realized that it was him who saved himself, so he made the desicion to keep the loop running. Single Mother B

A

C

Single Mother Final Mission

B A

B

C A D

C

A

B

B

Single Mother Final Mission

B

C A D

D D Flotting

Section A-A

45

Ogranized by the Storylines

Crossing

Cutted A

Section B-B

46


06/ 2014 Still Life Sketch Practice

Other Work 47

04/ 2015 Non-figurative Painting Practice In this practice, I was asked to present my feelings of something by non-figurative painting technique. My choice was a piece of the OST in the film "Hero".

11/ 2016 Traditional Chinese Garden Design In this studio work, My team member,Junjie Shi, and I tried to convert the lifestory of Guofan Zeng, a famous politician and a poet, into a private garden. In the procees, we learnt a lot about structure of Chinese traditional architecture and utlized it into our own design.

07/ 2017

08/ 2017 A Photography Experiment

In this assignment, I was aksed to express some terms in the form of photography.

My model, Duolan Dihua, and I tried to create completely different effects without any after-effect softwares. We took these pictures by only manipulating light and camera settings. All the photos were taken in the same place.

"Point of View" , "Flat Space" & "Isolated"

48


Thank You for Your Time. E-mail: xgao01@risd.edu Telphone: 401-215-7532


Turn static files into dynamic content formats.

Create a flipbook
Portforlio by xgao01 - Issuu