Kentucky Homes & Gardens Magazine

JANUARY/FEBRUARY 2014

KENTUCKY HOMES

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Kentucky Homes & Gardens January/February 2014 Volume 11 Issue 2

On the Cover: photograph by Walt Roycraft A Home for Art Turn to page 42 to see more.

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Contents

13 Homescapes

First Impression

16 Antiques

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Rose Medallion

18 Landscapes

Top 10 Mistakes in Landscape Planning

20 Gardens

Hidden Delight

24 Special Feature

Captivating Kitchens

30 Artist 24

34 A View From the Top 42 A Home for Art 50 Central Kentucky Sanctuary 63 Discovering Kentucky

63

Rock Star

Maker’s Mark Distillery

KENTUCKY HOMES

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Published by RHP Publishing, LLC PO Box 22754 Lexington, KY 40522 859.268.0217 Publisher: Rick Phillips 1rickphillips@windstream.net Associate Publisher: Carolyn Rasnick carolyn@rhppublishingllc.com

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Associate Publisher: David Bishop david@rhppublishingllc.com Circulation and Distribution: 1rickphillips@windstream.net Account Executives: Lexington/Central Kentucky Rick Phillips 859-268-0217 1rickphillips@windstream.net Mimi Leet 859-273-7616 mimileet@windstream.net Louisville Ben Ruiz 502-244-6778 502-558-7083 C ben@adhawks.com Editors: Rick Phillips, Carolyn Rasnick Senior Associate Editor: Kirsten E. Silven Photography: Walt Roycraft Contributing Writers: Bill Henkel Christina Noll Jerry Shrout

Kirsten Silven Kathie Stamps

Art Direction & Design: Meghann Holmes meghann.holmes@ymail.com Printing: Freeport Press 121 Main St. Freeport, Ohio 43973 Kentucky Homes and Gardens is published six times a year by RHP Publishing, LLC. 859.268.0217 www.kentuckyhomesandgardens.com All rights reserved.

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HOMESCAPES 1

First

Impression

BY CHRISTINA NOLL

Day or night, your home’s curb appeal is enhanced by the right front door lighting.

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1 Recessed lighting inside an open bottom canister style fixture gives off a soft, welcoming glow.

2 The most popular fixtures today are either black or a brushed bronze, such as this clear glass fixture. www.kentuckyhomesandgardens.com

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3 This ‘Arts and Crafts’ style fixture is an example of one of the most current trends.

4 Beveled glass adds a bit of sparkle to this traditional black fixture.

Not only does your front door lighting provide safety and security in the dark, it makes a visual impact all day long. As one of the first things visitors to your home see, your exterior light fixtures should provide a warm welcome and add to the overall style and beauty of your home.

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When it comes to deciding on the best type of front door lighting, the most important factors to consider are size, color and size. “We recommend staying with the style of the outside of the home,” says Julie Zinsmeister, lighting specialist with Brecher’s Lighting in Louisville. “So even if you’re style is contemporary inside the home, if the outside of your home is a traditional style, you want to stick with a traditional fixture to keep a nice flow on the outside.”

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Choosing the correct fixture is more than just deciding on a style, however.

“We encourage customers to take pictures of the front of their home and bring it in, in the case of a retro-fit,” says Paula Minton, lighting specialist with Kentucky Lighting in Lexington. “This enables us to get an idea of the scale of the house before choosing a particular fixture.” Your lighting specialist will also need to know how wide the door is, how tall the door is and where the junction box is in relation to that door in order to help you find the best fit.

“You have to be mindful of the fixture you choose, based on the porch ceiling, door height and placement of the electrical box. It becomes very detailed,” explains Zinsmeister.

Current trends show bronze and black as the most popular color for front door fixtures. “Customers are usually just looking to update,” says Zinsmeister.

“Most have the older style polished brass fixtures and are looking to update because those have become tarnished or have disintegrated over the years.”

She says that because the brass does tarnish, bronze and black colored fixtures are in style. “Usually you want to match the coloring of the home, so if you have black shutters, you want to go with black, for example,” she says.

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5 In this fixture, we see classic pillar candle lighting housed in a modern fixture for a one of a kind display.

6 An opalescent glass compensates for the appearance of LED and florescent bulbs, so homeowners can achieve a traditional look with modern lighting.

7 Fixtures come in a wide array of shapes and sizes to compliment the style of any home.

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Luckily, customers are not limited when it comes to front door lighting choices. Hundreds of options exist, from traditional to contemporary, in different colors and with different types of glass. Some are open at the bottom and some are closed, some are extremely decorative and some are very simple. “All of those are considerations and make for a lot of choices when choosing your fixtures,” says Minton.

Once you’ve chosen the style and color, there is the glass to consider. “Many people prefer the look of a beveled clear glass because it allows for sparkle,” says Minton. “ However to compensate for the appearance of LED and florescent bulbs, a lot of people choose an opalescent glass where the most you can see is the outline of the bulb.” To help keep the appearance of dust and dirt away, a seeded glass works best.

With all these options, homeowners may worry that they will make the wrong choice. That’s where a good lighting specialist comes in to help. “One of the biggest mistakes we see customers make is choosing too small of a fixture for the front of the home,” says Minton. “They don’t want to feature the fixture, but many times when they go smaller it does draw attention to the fixture because it looks an inappropriate size.”

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Another consideration is that many newer homes often feature several different materials on the front of the home, so choosing a recessed light on the porch roof may work best. No matter what you decide for front door lighting, don’t skimp on this important house detail—one that will make a first impression on every visitor to your home!

www.kentuckyhomesandgardens.com

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Antiques

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RoseMedallion The Winner in Chinese Porcelain’s Triple Crown

BY JERRY SHROUT PHOTOGRAPHY BY WALT ROYCRAFT

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Pleasing the eye of the collector for centuries, Rose Medallion was one of the 19th century Chinese Export favorites in the world of porcelain. Made exclusively for export to England and the United States from 1850 until the early 20th century, Rose Medallion is characterized by the distinctive pattern of a dominant pink design with green leaves and gold embellishments surrounding a center medallion housing a peony bloom or bird. The panels, or “reserves” reaching out from the center medallion are reminiscent of flower petals. Scenes are intricately hand painted and enameled under a glaze in each segment. Forms of the Rose Medallion pattern include plates, cups, saucers, platters, pitchers, cream and sugars, chargers, and more.

Pricing on Rose Medallion is currently depressed, which presents an excellent opportunity for those wishing to begin a collection. There are bargains to be had, but before beginning a collection, there are a few rules of thumb to follow. Rose Medallion colors will be constant and mix well with Rose Canton and Rose Mandarin, as they are all from the “famille rose” family. “Rose” is the French word for pink, and the peony bloom is sometimes mistaken for a rose because of the assumption from the name. Only Rose Medallion will depict people in the alternating panels or “petals”. If the piece looks like Rose Medallion, but has no birds or people present, it’s Rose Canton. If the piece has only people in long robes and no birds present, it’s Rose Mandarin.

Collectors will naturally want to find earlier examples that have greater value, and there are a few ways to make better decisions. Although not foolproof, the obvious way to date-check your object is to look on the back or bottom for a stamp with the word “China”. Because of the 1890 McKinley Tariff Act passed by the US Congress, marks from the nation of origin were required for imported items. So from that year until around 1920 and forward you’ll begin to see “made in china”. Anything made before 1890 will be unmarked, and could be as old as 1780. Most pieces of Rose Medallion will be circa 1840-1940, as this was the most prolific period of production.

Older pieces are going to have a bronze look where the gold has aged, and the artist detail will be more specific with more consistent use of color. The older and larger pieces are more valuable, but collectors should beware and study pieces carefully for cracks or repair, as “mint” condition is obviously best for re-sale or pure ownership.

Jerry Shrout is the proprietor of Thoroughbred Antique Gallery in Lexington. He can be reached at 859-233-9375 or tagallery@windstream.net.

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1 Large round porcelain bowl 2 Porcelain tea pot 3 Vegetable dish 4 Tea cup and saucer 5 Oval serving dish 6 Scalloped plate

www.kentuckyhomesandgardens.com

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Landscapes

The 10 Most Common & Costly Mistakes of

Landscape Planning

BY BILL HENKEL

A lot of gardening wisdom is gather by trial and error. Some of the best surprises in gardening are the result of bending the rules and receiving amazing results. This is commonly referred to as luck, however luck is not a strategy.

Effective, quality landscapes do not rely on luck, they are painstakenly planned and designed. This is a planning process that has been proven over several centuries to work. The great gardens and landscape of the world did not happen by chance, someone took the time to do the hard work, to follow the rules to produce a stunning garden by following the planning process.

The rules offer no guarantee that your project will be a “million seller” these guidelines simply mean that your plan might succeed as a functioning, environmental, ecological and natural unit.

If the rules

are ignored, mother nature will deliver a wake up call that carries an expensive repair bill.

Many small gardens can be successful and appealing without the assistance of trained professionals. High functioning successful gardens and landscapes are planned and the time and money spent in the planning phase will deliver a landscape project devoid of the most common pitfalls that sabotage our investment and success.

The order of these rules/guidelines can be adjusted to suit your needs. I always suggest considering # 10 first in saving yourself time, headache and money. The “do it yourself” experience is usually the most time consuming and expensive. Landscape projects that are worth doing are certainly worth doing right and doing the project right from the start is the least expensive approach. In today’s world, undoing any project is costly in both the demolition and the rebuilding phases.

There are several ways to find help in finding quality landscape professionals to guide you through the planning process. Ask your neighbors and friends who they have used and had positive experiences with. Go to Angie’s list. Once you have some names, interview several candidates for your project and check their references and the experience they bring to the table. Always give careful consideration to the professional that takes the time to listen to your needs and asks you the probing questions about what you are expecting from your project.

Correcting these mistakes will give you beautiful landscape and a beautiful garden that you can enjoy for many years to come.

Bill Henkel-landscape architect and garden designer. Partner at HenkelDenmark. Lexington’s design, build and management company, 100% Bluegrass.

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1 Incomplete or inaccurate landscape site analysis, ignoring existing conditions.

2 Failure to investigate fully the lay of the land and drainage.

3 Ignoring important views both positive and negative.

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Discounting the value of solar orientations.

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Ignoring the prevailing weather patterns.

6 Ignoring the relationship between the functions of any important structure on the site and the site functions.

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Making poor plant selections.

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Making poor hardscape selections.

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Disobeying the rule “right plant, right place.

10 Recognizing that you are not a trained professional landscape technician and trying to do it yourself.

Save yourself time, frustration and money by hiring competent professionals.

www.kentuckyhomesandgardens.com

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Gardens

Hidden

Delight

BY KIRSTEN E. SILVEN PHOTOGRAPHY BY WALT ROYCRAFT

Tucked into less than one acre near Louisville, this small garden seems expansive and makes the most out of all available space, lending the illusion of a much larger area. Owner Caroline Seay Borgman has worked as a garden designer with Clint Hayden of Hayden Landscaping Company for more than ten years and her skills are apparent in all she has done with her own personal outdoor space.

“You have to think about scale,” stated Borgman, who is also a certified

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Kentucky nurseryman and a Zone Representative for The Garden Club of America. “I tried to create many different areas within the garden.”

One fascinating space is the rose garden, which Borgman enjoys because it “presents a challenge.” Here, more than 40 varieties of roses are surrounded by a substantial boxwood hedge. The hedge was slipped from cuttings and hides a fence, which protects the plants from the greedy jaws of local rabbits. In addition, an existing patio was

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extended to incorporate a large outdoor fireplace, which is quite tall in order to add height and ensure a proper draft.

A pea gravel pathway leads down from the driveway into the heart of the garden, winding through dense yet carefully planned foliage, past a seating area and several boxwoods that Borgman has owned for many years and actually transplanted from her former residence.

A goldfish pond, waterfall and stream also meanders through the space and resembles a natural bubbling brook, thanks to a hidden pump that recirculates the water. Initially built in just one weekend, the pond has evolved and improved over time, just like the garden itself.

Finally, Borgman worked with a local blacksmith to bring her designs to life and hand-forge the hardware for a custom gate. Stone mason Charlie Herold created the two brick columns that anchor the gate, which also serves as a canvas for tendrils of green ivy to climb.

“We wanted privacy from the street in our side yard,” shared Borgman. “Today the entire garden is very well screened.”

This space has taken more than 18 years to reach its current stage, but as with most gardens it is still continuously evolving. In fact, watching the metamorphosis throughout the years is one of Borgman’s favorite aspects of garden design. In addition, she enjoys experimenting with and collecting a variety of different plants and takes great delight in how the exterior interacts with the home’s interior spaces by providing interesting and colorful views from every window.

“I also enjoy plantings that attract birds, like serviceberries,” shared Borgman. “There are so many possibilities and you don’t need a large amount of space to create an interesting garden.”

In essence, Borgman’s garden is a living testament to this fact and successfully incorporates a variety of different features and separate rooms in a relatively small space. Each of these different areas are nonetheless artfully interconnected with one another in a way that feels quite organic and makes the entire space seem much more expansive than it really is.

2 1 The hardware for this custom made gate was hand forged by a local blacksmith and the distressed brick was carefully selected to match the home (not pictured). Ivy, holly hedges and a magnolia grandiflora frame the view.

2 This whimsical fairy garden with its tiny inhabitants is contained within a jewel-toned planter that holds a variety of succulents along with some aloe to provide height. Purple campanula hovers in the background.

www.kentuckyhomesandgardens.com

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Garden Credits: STONE MASON Charlie Herold DESIGN Carolyn Seay Borgman Garden Designs INSTALLATION Hayden Landscape Company 22

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3 The outdoor fireplace is part of an extended patio added by the homeowners a few years ago. An American holly hedge provides privacy from the street beyond and the stream recirculates water from a goldfish pond. Styrax and hostas, along with many brightly colored blooms from the rose garden, are also visible here.

4 Even the drive approaching the home is part of the overall garden design, with a cobblestone border and pea gravel pathway leading to the interior rooms. A Theodore Kline Silver Cloud redbud, a Chinese fringe tree, hydrangeas, black-eyed Susans, zinnias and alyssum are all pictured here.

5 Dewdrops glisten upon the petals of this Gentle Giant rose.

6 Ornamental peppers and Diamond Frost Euphorbia sweet potato vine provides a fresh take on classic fall garden design.

8 A seating area provides the ideal place to sit and enjoy warmth from the outdoor fireplace, which lies just to the right of this view. Boxwoods encircle the rose garden in the background, The boxwoods hide a fence buried 6 inches in the ground, protecting it from rabbits. Hostas, ivy, pineapple lily, red-hot poker plant, purple campanula, hydrangea, styrax and zinnias are all visible in the foreground.

9 This stone bench provides a place to sit and enjoy the garden while walking along the pea gravel pathway that leads down from the driveway to the right. Fothergilla, hydrangeas, hellebores, Foster holly, burkwood viburnum and beautyberry are visible here, along with a few miniature boxwoods that came from Caroline Borgman’s grandmother’s garden in Winchester, Kentucky.

7 The garden owners created the original version of this goldfish pond and waterfall in just one weekend and continued making improvements over years as the garden grew to fill in the perimeter. The result is a delightful water feature that resembles a natural stream. A variety of succulents wind around the stones, while Endless Summer and Pee Gee catnip, hydrangeas and mini crepe myrtles are also visible.

www.kentuckyhomesandgardens.com

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1 The large center island boasts a unique shape that flows beautifully through the kitchen in this Louisville-area home, which features plenty of seating and ample room for entertaining.

Here, beaded inset style cabinets are finished in both cherry and antique ivory glazes, with well-lit display cases up top for showcasing special items, and a variety of intricate details throughout. Design and installation by Barber Cabinet Company.

Special Feature

Captivating Kitchens

BY KIRSTEN E. SILVEN

www.kentuckyhomesandgardens.com

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2 Kitchen design has evolved in recent years to present a whole new array of options for homeowners, whether remodeling an existing space or building a new residence. Comfort, functionality and beauty are equally important, since the kitchen remains one of the most important spaces in any home and can even be viewed as an investment in its future value.

“The kitchen is naturally the room everyone gathers in,” shared Mike Barber of Barber Cabinet Co. “During the planning phase, we encourage homeowners to keep an open mind about what it can become.”

As with any type of design, when creating a kitchen it is essential to determine which elements are most important before the planning stage begins, especially since the options are virtually endless. For example, a large family or homeowners who love to entertain will likely have different needs than a more private couple or single person. In addition, the finishes – from countertops to cabinetry to flooring – will often depend on how the space will be used.

“We are seeing a continual mix of finishes with more painted colors and cabinetry that has the look and feel of furniture,” shared Laura Dalzell, president of Cabinets & Designs in Lexington. “At the same time, a more streamlined appearance has emerged, with a greater focus on functionality.”

Dalzell also suggests planning ahead to incorporate artwork, special serving pieces or family heirlooms into the space, which can impact everything from color selection to how the kitchen is laid out. For

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example, opting to include display cases in the cabinetry for select pieces will provide a personal touch and ensure that the items receive the attention they deserve.

“Mixing a variety of textures, patterns and colors is challenging from a design perspective, but can also help to create a truly custom space,” shared Debra Hupman, CKD, CBD, ASID Allied, who often works closely with Pam Newton, CKD, at Creative Kitchen and Bath in Lexington.

The cleaner aesthetic that is seen in many of today’s kitchens comes paired with the inclusion of more custom features, specialty appliances and durable finishes. Although simple lines and smoother finishes may be taking center stage in kitchen design, the “wow” factor is still an important element and can be achieved by including an impressive feature that will draw the eye and command immediate attention.

“Including a main focal point in the design, such as a custom range hood, provides an elegant look and feel,” shared interior designer Lisa Lynn Knight of Lisa Lynn Designs in Louisville.

Of course, countertops are one of the most important elements in kitchen design, since they are used daily and often receive a great deal of wear. Popular options include exotic woods, natural granite, manufactured quartz and limestone, all of which can provide a stunning aesthetic. When making a selection, consider how durable the surface needs to be in order to withstand the level of use it will receive and also be sure to look at the required maintenance.

“Today’s homeowner wants what no one else has,” shared Tim Slayton of Cardinal Kitchens in Louisville. “Within a matter of months you will begin to see porcelain counter tops hit the market. Available in multiple colors and textures, and offering features including scratch and UV resistance, I feel certain porcelain countertops will impact our industry in a big way.”

Flooring is another critical piece of the design puzzle, since kitchens tend to be high traffic areas, especially when entertaining. Wood floors provide a warm aesthetic and there are many options to choose from, including oak, bamboo and cork. Tile is generally more durable, but comes with a different set of maintenance requirements.

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“Porcelain tile that has the appearance of real wood is another new option,” shared Barb Fraser, general manager of Pro Source Wholesale Floor Covering in Lexington. “It comes in a wide variety of colors and patterns, including the appearance of rustic or reclaimed wood.”

The Internet is an excellent way for homeowners to narrow down the range of choices and determine what will work best in any situation.

Having ideas before consulting with a design professional will not only help to streamline the process, but it will also ensure that the finished space incorporates everything you’ve imagined.

“How you plan to use your kitchen and the features you desire are the main objective,” shared Jack Logsdon, owner of Whitis Cabinets in Somerset. “Our goal is to build your dream kitchen to fit your home and your budget.”

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2 This 2013 Louisville-area Homearama residence showcases multiple surfaces, colors and textures in the kitchen, including Absolute Black granite in a honed matte finish on the perimeter, which breaks away from a more standard polished finish. The island features plenty of storage space below and is topped by Viatera Everest, an LG Quartz surface. Design and installation

by Cardinal Kitchens.

3 A sleek modern range and glass tile backsplash blend beautifully with the warm tones of the wood cabinetry in this highly functional kitchen, which also features plenty of counter space and Kichler lighting with art glass and cut stone from the Riverview collection. The simple lines and geometric shapes of the twin pendants give this kitchen a comfortable and stylish appeal. Photo courtesy of Ferguson Bath, Kitchen & Lighting Gallery.

4 Located in a historic home in downtown Frankfort, this unique space was created by opening up three separate rooms and boasts an 11 foot high copper ceiling, lighting from Restoration Hardware and cork flooring. The mirrored pantry reflects light to create a more expansive feel, while the center island features an Iroko wood top on cherry cabinets. The perimeter cabinets are crafted with a painted finish on maple and feature limestone countertops with a quilted stainless steel backsplash for the range. The painting to the right of the pantry is an original Paul Sawyier and depicts the walkway in front of the home as it appeared many years ago. Design and installation

by Cabinets & Designs.

www.kentuckyhomesandgardens.com

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When it comes to color, many designers are seeing a trend toward anchoring lighter cabinetry on the perimeter with a darker island and pops of bright color here and there to add visual interest. Whether painted, stained or glazed, mixing different wood looks can also add warmth and dimension to the room and can highlight any special details in the finish.

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“We have also seen a shift toward the use of softly shaded grey stained cabinets,” shared Ashley Galante, a kitchen designer with Southern Kitchens in Louisville. “Charcoal hues provide a unique twist on traditional neutrals.”

Of course, no discussion about kitchens would be complete without touching on what’s new in the realm of appliances, since they are literally the engine that drives how the space is used. Today, a wide range of specialty appliances provide a greater level of functionality than ever before, including hidden microwave drawers, Teppanyaki grills, steam ovens and convection ovens, to name only a few.

“We work with designers to maximize the performance of all components,” shared Michael Wells, contract sales manager for Pieratt’s in Lexington. “Appliances can blend seamlessly with the cabinetry thanks to wooden panels and integrated hardware.”

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A luxury kitchen can update an existing home or increase the overall appeal of a new home. In either case, it is an investment that will provide returns for many years to come, and it will serve as a major hub of activity both every day and on special occasions.

5 Designed to have the look and feel of a luxurious yet rustic lodge, this spacious Nolin Lake home is owned by two couples who also happen to be best friends. As for functionality, this kitchen features a variety of custom touches, including spice pullouts, two hidden wastebaskets, a copper range hood enclosed in an impressive stone arch and a variety of high quality specialty appliances that are concealed by wood panels to match the cabinetry. The perimeter is solid maple finished with a rustic acorn stain and black glaze, while the center island and bar are done in a rustic cherry with distressed black painted finish. Design and installation by Southern Kitchens. Finish and furniture selections by Laura Popovich of Creative Interiors. Granite by Todd Rush of Designs in Stone.

6 This elegant but modern space is the first Poliform kitchen to be installed in the Northern Kentucky/Greater Cincinnati area and was created from this luxury Italian furniture manufacturer’s Varenna collection.

The project involved transforming the original cabinetry and existing space into a more functional kitchen with clean lines and custom touches that make it ideal for cooking and entertaining. Top of the line Wolf, Sub-Zero and Miela appliances remain artfully hidden behind the carefully crafted Italian cabinetry, which boasts remarkably fluid movement that closes whisper soft every time. Interior Designer Shannon Riley of Voltage, Inc. and the homeowner conceptualized the space, while Steve McCord Carpentry handled the installation. Photography by Walt Roycraft.

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7 Traditional and eclectic, this kitchen boasts custom trim work with bold architectural details, including corbels and columns. The perimeter cabinets are crafted from solid maple and finished with a taupe glaze, while the island is done in mahogany with a deep brown stain. A wine rack holding stemware and topped by cabinets with glass fronts add to the custom appeal, and spice racks are tucked away on either side of the range. LED lighting under the cabinets, a glass tile backsplash on the perimeter, oil rubbed bronze hardware and a triple ogee edge on the extra thick granite countertops complete the look. Custom built and installed by Whitis Cabinets. Design by Mike Williams. Photography by Dani Ford.

8 This spectacular addition to an existing home was designed to incorporate a variety of professional-grade touches, including a steamer, deep fryer, 60-inch range, three ovens, two warming drawers and a built in wine cooler. The curved island boasts a zebra wood top and spans 12 feet in length, with oversized lanterns above, while the center island is topped by thick granite.

The perimeter features both Caesarstone quartz and stainless steel countertops. Led lighting illuminates stainless shelving, and Dutch Made cabinetry completes the look.

Wood inlaid with tile and set on the diagonal creates a solid foundation for the space.

Design and installation by Creative Kitchen and Bath. Photography by Walt Roycraft.

9 9 This Louisville-area kitchen was remodeled to achieve a more beautiful and functional setup for the homeowner, who is a gourmet cook. A gas range is found on the center island, which is topped by two different types of granite featuring a broken edge to add texture, and finished with a dark stained maple below. The perimeter cabinets are also crafted from solid maple and boast a lighter glaze that helps bring out fine details in the wood. Custom mullions, beading, raised panels with applied molding and glass cabinet fronts complete the look. Design by Lisa Lynn Designs.

www.kentuckyhomesandgardens.com

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ARTIST Rock

Star

BY KATHIE STAMPS

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1 The artist holding up the rocks at Valley of Fire State Park in Nevada. “I always marvel at the incredible beauty of the natural formations,” she said. Artist photo 2 Standing 15” high, “Cocky” is in a private collection in Winchester, Ky. It is made of French rouge marble.

Photographer: Robert Bagley 3 Made of Kentucky River palisades limestone, this 36” piece has an equine influence and is titled “Hot Brown.”

Photographer: Robert Bagley

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Lexington-based sculptor Julie Warren Conn graduated as a welder from the University of Tennessee in 1965. For the next 10 years she built solid, organic sculptural forms out of flat sheets of steel. Then she finished a marble sculpture she had started in college, and promptly set aside welding to carve beautiful creations out of stone.

“With power tools, first electric and now pneumatic, I use any process to cut away the rock,” she said. She will draw flowing lines on a block of marble and use a 25-pound diamond saw to cut the lines. After she breaks the stone with chisels, she smoothes it with a heavy grinder and sander and polishes by hand with 40-grit to 1,000-grit sandpaper.

Conn typically has five or six pieces in progress at any given time.

Many are abstract pieces of flowing, open forms, while others are inspired by animals or the human figure. She has exhibited her work from New York to California, and in plenty of Kentucky locations.

“The greatest joy is having someone see one of my works, which I have already created, and have them want it,” she said. “Commission work is more difficult in that I must be certain that the finished art is what the client wants.” Her commissioned pieces have found a home in many private residences, as well as public buildings throughout Tennessee and North Carolina.

As a child growing up in a peaceful wooded area of Knoxville, Conn was inspired by shapes in clouds and trees. “Even today, I still see shapes all around me,” she said.

She has been self-employed as an artist since shortly after graduating from college. “During those college years, I was convinced that stone carving would take so much time that it would be impossible to support myself as a professional sculptor,” she said. Thanks to power tools and perseverance, she realized she actually could make a living with her art, and the world is better for it.

In 2001 she married Dr. Philip Conn, who was the president of Western Oregon University. When he retired in 2005, the couple left the Beaver State for the Bluegrass. “I have been greatly inspired by the beauty of the area and the fabulous horse farms,” she said. They live in Lexington, and she maintains a showroom and studio in nearby Winchester. Her husband is now president of the couple’s company, Conn Fine Art and Design. A member of the Kentucky Guild of Artists and Craftsmen, Conn was selected in 2013 for the Kentucky Crafted program of the Kentucky Arts Council.

Conn has sculpted around 500 pieces in her lifetime, ranging in size from smaller sculptures for tabletops to a giant 60-ton project, with New Mexico travertine, for the headquarters of GlaxoSmithKline, based in North Carolina’s Research Triangle Park. She enjoys working with stone of all types, including granite from South Dakota and Zimbabwe, marble from Tennessee and Italy, and onyx from Mexico. Limestone from the Kentucky River palisades works up like marble, because it is harder than the relatively soft limestone from Indiana and Minnesota.

Conn loves what she does, even though sculpting is physically challenging.

“My intent is to work until I drop or can no longer handle the tools,” she said.

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4 This is the female side of “Back to Back,” a 22-inch high sculpture. Photographer: Robert Bagley 5 At 8 feet tall, “All Creatures” is an interior sculpture of Italian serpeggiante marble on a bronze base. It is in a private collection in Memphis, Tenn. Photographer: David Luttrell 6 In 2009 the artist began having bronzes made of some of her favorite stone sculptures, such as this 17” long piece called “Repose.” Photographer: Robert Bagley

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7 7 “Counterpoint” is made of Tennessee imperial black marble. It stands 8 feet tall at the Knoxville Convention Center. Photographer: David Luttrell

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8 “Toltec” is a foot tall. The artist crafted it out of Minnesota limestone, which is softer than Kentucky limestone. Photographer: Robert Bagley 9 This 20-inch wide piece is a bronze edition of a sculpture titled “Out of Africa.” Photographer: Robert Bagley See more of Julie Warren Conn’s sculptures at www.juliewarrenconn.com.

www.kentuckyhomesandgardens.com

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View From the Top

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BY KIRSTEN E. SILVEN PHOTOGRAPHY BY WALT ROYCRAFT

1 The panoramic view gives this custom-designed Boyd County home a lodge-like feel and makes the most of this fantastic location, which is perched atop one of the highest points in the area. The interplay between brick and stone creates visual interest and encourages the eye to explore the home’s many special touches.

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hen homeowners Michael Huy and Dr. Gloria Kayfan discovered this spacious lot and custom-built home being offered for sale by its builder Mark Breeding in an up and coming Boyd County neighborhood close to I-64, they knew immediately that it had everything they were looking for. At just over one acre, the views speaks for itself and always seem to take center stage regardless of the time of year.

The couple fell in love with the home’s eclectic design, which is a mix of craftsman and traditional Kentucky colonial, with special touches that help to create an upscale mountain lodge effect. Perched on one of the highest points in the area, the home also incorporates a dramatic portico to provide shelter for anyone coming and going.

The finished design totals more than 6,000 square feet including the lower level, which houses a theater room and workout area.

2 Recessed areas in the ceiling add architectural interest and dimension in the spacious entryway and throughout the home, while large exposed ceiling beams add to the home’s mountain lodge feel.

“Mark named this property ‘Journey’s End’ because it is an idyllic place to come and rest at the end of the day,” shared Huy. “It’s always exciting to arrive home after being away and we still don’t take it for granted.”

Mark had the home built with many special touches, including oval and round windows, recessed ceilings with gold leaf paint and adjustable lighting, handcrafted cabinetry and shelving, as well as Marvin windows and several gas burning fireplaces. The solid maple kitchen cabinets were handcrafted by The Woodshop, which is owned and operated by a group of Mennonite craftsmen in nearby Louisa, Kentucky.

“We custom designed every aspect of the home with the help of an architect to ensure structural integrity,” shared Breeding. “The result is both understated and elegant, with plenty of usable space that makes the most of this location.”

3 Antique furnishings add a traditional touch to this home’s formal living room and the chairs were recently reupholstered to a bright red, which imparts a sense of visual contrast with the soft yellow walls and earth tones that are present throughout the space. A three-sided gas log fireplace with stone veneer provides warmth and connects this area with the kitchen beyond.

4 Situated just off the entryway, the formal dining room boasts a round window, which hearkens back to its craftsman-style roots, while the recessed ceiling adds second tier height and provides additional architectural interest.

The antique table and chairs date back to the early 1900s and are grounded by a genuine Persian hand woven rug. www.kentuckyhomesandgardens.com

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5 5 In the kitchen, solid maple cabinets that were handcrafted by The Woodshop, a local Mennonite group in Louisa, Kentucky, take center stage. Lighting in the recessed ceiling provides a soft glow and adds height to the space, while black granite countertops and a ceramic tile floor complete the look.

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August marked just one year since Huy and Kayfan moved in to the home, which has proven to be quite functional and exceeds their expectations. Next to the views, the library, kitchen and den have become a few of the homeowners’ favorite areas. In fact, the den was originally used as a breakfast nook, but the home’s new owners made the space their own by converting it into a comfortable place to unwind. In addition, they turned the former study into what is now an elaborate library, adding their own personal touch to the home’s design, complete with wooden cabinets and shelving, as well as a coffered ceiling handcrafted by the same Mennonite craftsmen who worked on the kitchen.

The open floor plan is also ideal for entertaining and provides plenty of space for guests to mingle and enjoy the main level. During warmer months, the expansive deck stretches from the master suite to the den and provides additional room for party guests or just a place for the homeowners to relax and enjoy the view. In addition to the three-car garage that is accessible from the front of the home, a bonus single car garage space opens from the back of the home on the lower level.

Nestled in an intimate neighborhood setting, the area is still growing and holds great promise for the future. The homeowners look forward to enjoying both the home and its location for many years to come and are thrilled with where this part of their journey has finally come to an end.

www.kentuckyhomesandgardens.com

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6 A coffered ceiling and shelving handmade by Mennonite craftsmen at The Woodshop in Louisa, Kentucky, lends a sense of true elegance to the home’s library, which also features black granite to match the kitchen countertops. The space also serves as a home office and is well loved by both the homeowners and extended family members, who come to borrow a book and take in breathtaking views of the surrounding valley

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7 Situated just off the kitchen, the den is where the family goes to relax and unwind after a long day. A genuine Persian hand woven rug provides a solid base for the room’s design, which also features comfortable and durable leather furniture, as well as direct access to the outdoors via a second story deck.

8 An oval window and two columns flanking the tub bring added architectural interest to the home’s master bath, which features ceramic tile with inlay detail, a Jacuzzi tub and an elevated fireplace with a blower for added warmth.

9 The spacious master suite boasts fantastic views from the second story deck, which wraps around to connect with the den. A gas fireplace brings a cozy touch, while distressed hardwood floors and the recessed ceiling completes the look.

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House Credits:

INTERIOR DESIGN Gary Coon BUILDER Mark & Sherry Breeding www.kentuckyhomesandgardens.com

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A Home for Art

haven

A Louisville couple transformed a 150-year-old barn into a comfortable themselves and their art collections.

BY KATHIE STAMPS

for

PHOTOGRAPHY BY WALT ROYCRAFT

1 Formerly a dairy barn, this house in the Crescent Hill neighborhood of Louisville looks like it could have been a little red schoolhouse. It has been added onto over the years, and is now a 4,000-square-foot home surrounded

by Kentucky flora and fauna on the outside, and filled with happy artwork and charm on the inside.

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nce upon a time, around 1865, there was a dairy farm in the Crescent Hill neighborhood of Louisville. Around the turn of the 20th century the barn was turned into a house. By the early 1990s the property had changed hands, from architect and developer Bill Weyland to the current homeowner, pediatric cardiologist Dr. Robert Solinger.

Fast forward to the new millennium. In late 2001, Dr. Solinger married Jacque Parsley, an artist known for her mixed-media collages. Parsley started collecting Kentucky folk art 30 years ago when she was involved with the Kentucky Art and Craft Foundation (now known as the Kentucky Museum of Art and Craft, in Louisville). When she married Solinger, she turned him on to folk art. “He loves it as much as I do,” she said.

2 Originally the front porch, this hallway is now known as “the west gallery” to showcase more artwork. Behind the table with flowers, the huge abstract painting on the wall was painted by Louisville artist Bob Higgins. The wrought iron spiral staircase leads to Dr. Solinger’s home office.

3 The fireplace is the focal point for all manner of artwork in the sunroom, which looks out to a lovely garden. To the right of the garden window is a stone alter created by the homeowner herself.

4 Dr. Solinger’s upstairs office, built in 2011, has the desk and books befitting a physician’s home office, while the soothing yet colorful walls and shelves bespeak his love of artwork. Throughout the office are pieces by folk artists from Kentucky and Mexico.

He designed the ceiling beams, which visitors have said look like whalebones. Made on-site, the beams are hollow on the inside.

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When Solinger remodeled the house in the 1990s, he looked to his son-in-law, engineer Troy Lutgens, to draw the plans.

The doctor’s son, Adam Solinger, was general contractor for the project. They had fun adding on to the side of the house, opening the front, expanding the sunroom off the kitchen, and changing the rooflines. From the outside, the house looks fairly small, but inside there is more than 4,000 square feet of living space.

“To have an old place and add on, and add on, turns out to be more interesting,” Solinger said. “It’s a fun house,” he said. “I don’t want to go outside, but just sit in the house.”

The rooflines vary throughout the house, with low ceilings and high, and even a triangle-shaped ceiling in the kitchen. The different rooflines are one of the features Solinger likes best about the house. “All the ceilings are not flat,” he said. “The only flat ceilings are in the old part, the middle of the house.

Everything else has slant to it.”

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7 Skylights in the triangular-shaped kitchen and other rooms bring in natural light. There are no drapes or curtains in the entire house. Off the kitchen, the sunroom has a wall of glass windows from the floor almost to the ceiling, with a beautiful leaded glass treatment creating a prism effect. The window artwork was provided by artist Peter Eichhorn, who also did the stained glass art for two windows in Solinger’s second-floor office. Originally from Germany, Eichhorn has a stained glass studio in Louisville. “We asked him to look at the house and do whatever he felt,” Solinger said.

The couple loves to entertain, often hosting fundraisers and dinner parties for up to 60 people. “I’m the cook; Robbie does the dishes,” Parsley said. “This kitchen made me a better cook.

It’s so nice, I had to. You can’t ignore that Viking stove.”

What was once the front porch of the house a century ago is now a long hallway filled with art. Because Parsley has such a trained artistic eye, the couple did not need to hire an interior designer. She has three degrees in fine art, two of which are master’s degrees from UK and U of L. “If you do it slowly and are really sure about everything you do, people can do it themselves,” she said of interior design. “We just think a lot about it and then we do it.”

When she is not at her gallery and studio on Baxter Avenue, Parsley uses the former garage in the back of the house as her office. But it is within the walls of the house that she has so much fun.

5 When the homeowners married in 2001, she repainted the kitchen in the same shade of blue as their house in Mexico City, which they visit every winter. The vibrant color is thought to keep away evil spirits. The kitchen has Saltillo tile flooring, granite countertops and stainless steel appliances.

6 Off the kitchen, and in between the living room and sunroom, is the open dining room. The cherry wood oval dining table is surrounding by artwork of Mary Dennis Kannapell, Gayle Cerlan, Junior Lewis, Rodney Hatfield and other noted Kentucky artists. Through the faux-finished columns, the dining room opens to the living room, which houses a Kawai baby grand piano.

7 Most of the house has Saltillo tile flooring from Mexico, including the sunroom. On the left-hand side of the room, looking out to the garden, the wall of stained-glass windows was designed by Peter Eichhorn. Kentucky artist Harry Jennings created the freestanding musicians guarding the chaise lounge as they “play” guitar, harmonica, fiddle and banjo.

“The first thing everybody says is, it’s an artistic house,” she said. “It’s a real happy house.”

www.kentuckyhomesandgardens.com

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8 Three panels of mixed media collage, by Louisville artist Teri Dryden, are a feature in the west gallery hallway, with its brick wall and skylights.

9 The living room is part of the original floor plan from the 1800s, and the neutral palette provides a museum-like backdrop to showcase certain artistic works. Peter Eichhorn cut the glass for the coffee table, which sits atop a unique bronze base. The glass and wood cabinet on the left side of the room houses a mixture of contemporary and Mexican folk art. Above the red settee, the pastoral scene with clouds was painted by Kentucky artist Angela Campbell. The homeowners’ furniture is composed of mid-‘60s art deco pieces from Chicago.

10 When the homeowners married in 2001, she chose to paint the master bedroom sunflower yellow, one of her favorite colors. The large blue floral painting next to the fireplace is by Kentucky artist Michael Kirk. The fireplace itself has a handpainted scene, depicting the rustic nature of the house and property, by Louisville artist Melissa Wilson.

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“The first thing everybody says is, it’s an house...It’s a real

happy

artistic

home.”

www.kentuckyhomesandgardens.com

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Central Kentucky

Sanctuary

This secluded home is more than a great escape, it’s a hidden masterpiece.

BY CHRISTINA NOLL PHOTOGRAPHY BY WALT ROYCRAFT

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1 The Saver home sits on ten acres surrounded by ample woods and a large creek. “In the summertime, when the trees have leaves it’s even more secluded, you can hear the creek but not see it,” says Dan. With 6,000 square feet, the home features four bedrooms and four and a half baths, a private swimming pool and a view that is practically unrivaled in Central Kentucky.

www.kentuckyhomesandgardens.com

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2 Located just off the front entrance, the office was built as a bedroom, but the Savers knew they would use it as an office from the start. The leopard print carpet gives an unusual flair to the room, and offers a nice contrast to the maple wood floors of the foyer. Deep red walls in the office are home to hunting scenes and tie the room to the rest of the home’s color scheme.

3 Tons of counter space and top of the line appliances, including a Wolf range and double ovens, make the Savers kitchen a dream for any cook. Extra tall cabinets give plenty of storage, as do two pantries. There is even a second utility sink to make sharing kitchen prep work more convenient.

4 Open to the main area of the home, the dining space is defined by a black border painted on the maple hardwood, as well as black circular columns. A tray ceiling is painted with a red and gold finish that perfectly highlights the bold light fixture from Kentucky Lighting. Authentic Chippendale dining chairs were antiques from Dan’s mother, while the end chairs were found by the Saver’s decorator to coordinate with the rich colors throughout the house. A breakfront featuring a light inside holds Dan’s grandmother’s china, which they bring out for special occasions.

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t first glance, visitors to Dan and Sara Savers home just outside of Nicholasville will assume it is just another beautiful home built in the seclusion of quiet, restful surroundings. A short trek down rural roads and just a few turns lead to the tranquil property located on the former farm of country music star John Michael Montgomery.

Set against the frozen backdrop, the house is already a beautiful sight, but just beyond the Saver’s front door is the secret to why this home is truly amazing. The entire home has been designed to take advantage of the heart stopping view out the back, which includes a roaring creek and thick woods. “We had first pick of the lots and we chose this for the woods and creek—that’s what we love—the solitude of all this,” says Dan Saver. “The architect laid out all the rooms on angles, and purposely made the home point where you look out over the creek at the woods, and so it created irregular shaped rooms and provided a uniqueness.”

Unique is an understatement. From the very moment you approach the front door, which is set facing to the side on the front porch, you realize this home will be different.

From the unconventional entry, the eyes are immediately drawn to a large apex that spans the full height of the house and is framed by the open staircase to the downstairs level. “This was originally going to be one of the chimneys,” says Dan, “and when the rooms were moved a bit the builder had to change that.” Skylights in this open space keep the area interesting and bright. “It truly gives you some good light coming through here,” he says.

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7 5 Making the most of the outdoor views, the Saver’s family room features plenty of windows, all trimmed in black to draw the eye outside. The fireplace mantel with sweeping curves was modeled after one they found in a magazine, while the windowpane detail in the ceiling was something they always knew they wanted. Rich, red carpet picks up on the reds from the dining room and office, as does the coordinating furniture.

6 A big stone fireplace hearth with hand hewn wooden beam mantel from Longwood Restoration anchors one wall in this retreat.

Wood from the same collection as the mantel, with a different finish, was used to create the bar. Separation from the bar and den area is achieved by the clever adornment of a support beam, while bead board ceiling over the bar ceiling helps to differentiate the space.

7 The Savers took advantage of the interesting angles in the Master bedroom to create a cozy retreat complete with a wood burning fireplace and built in alcoves, one which holds a minifridge. The Master bedroom has it’s own private deck with direct access to the pool via a separate staircase.

8 8 Creamy neutrals set the tone for this spa-like master bath with two of everything, including double walk in closets, a double vanity and a double head walk in shower. There is also a whirlpool tub and three way dressing mirror.

The super-sized bathroom still feels homey, with marble countertops and tile floors that transition nicely from the deep blue of the bedroom. www.kentuckyhomesandgardens.com

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A tapestry on the wall, called a Prayer Rug, is from Dan’s grandmother.

In fact many of the items in the home are antiques passed down from Dan’s mother, who was an antique dealer. “We either have very old things that are antiques, or furniture that was new when we moved in. We have both ends of the spectrum,” says Sara.

Built in 2004, the home was one way Dan and Sara merged their lives together when they married. The house features 6,000 square feet, split between two levels, with a total of four bedrooms and four and a half baths. “We never thought we’d end up with something this large,” Sara jokes. The large home, however, is perfect for the frequent entertaining they do, both business and personal, due to the wide open floor plan and spacious guest accommodations.

On the main floor, the kitchen, dining room and family room are open to allow for plenty of flow. The dining area is delineated with a painted black double border directly on the maple hardwood floors.

“We spent all this time looking for a rug in the dining area,” says Sara, “And our decorator said, ‘why do you want to cover up all this beautiful wood?’” The painted double border matches the black circular columns that differentiate the space from the rest of the main floor, where other painted black touches are used as highlights, including around window frames. “We don’t have any curtains in this house at all, and we’re really comfortable with that,” says Sara.

The kitchen, which seems to flow into the other rooms of the house, is set at an angle that allows for plenty of traffic with large gatherings. “So you can have everybody working at the same time,” says Sara. Over the main sink is a view of the creek and woods that will make anyone willing to do dishes. Just off the kitchen on the opposite side of the family room is a dinette area and a large pantry complete with an extra refrigerator. Beyond that is a mudroom and entry to the three car garage. There is also a fabulous screened porch with incredible views of the pool and the creek and woods beyond.

The main floor alone would be enough to feast the eyes on, but Dan and Sara are saving the best for last. Downstairs another world awaits in a comfortable den that feels both inviting and well loved. “This was a big open space so I really did design this,” says Dan. “I’d sit and sketch at night.”

Dan knew he wanted a bar downstairs from the beginning. “I used to go down to the Metropol in downtown Lexington and the owner told me the old wood bar there came from Longwood Antique Woods,” he explains. “They do a nice job, they tear down these old barns and convert it into wood you can use to build.” The wood featured in Dan’s bar is from the War Admiral collection from Faraway Farm and despite a beautiful new finish still retains the authentic marks from where the horses would bit the wood and rub their necks against it. “When I found this wood, I knew it was perfect,” says Dan. Whitewashed antique black cabinetry completes the look and feel of this horse and wine lovers bar. Special touches, such as the framed Antique Daily Racing form and photo of Derby winner Super Saver autographed by Calvin Borel, enhance the special space. The Savers even found the perfect bar stools for the room: ladder back style with leather seats.

On the other side of the room from the bar a large Cigar Indian sculpture from an antique store downtown beckons visitors toward the game room and the rest of the spacious downstairs area. In the game room, pinball machines and bar tables with retro looking bar stools around them have a playful feel, while an antique bench with a fold down top that turns it into a table offers a place to hold snacks during the Saver’s pool parties.

A hallway leads right into the pool area and includes a dedicated changing room guests can access right from the pool. Two more bedrooms downstairs, each with their own bath, provide ample room for overnight stays. There is also an exercise and drum room, laundry room and large storage area.

It may seem like an incredible amount of space, but the rooms get used by business guests and family, and during parties and gatherings the Savers host. “We really did this with the intent of using it and it being very livable,” says Dan. But even when no one else is around, the Savers enjoy the quiet beauty of the home they’ve created together.

House Credits:

DECORATOR Lindsey Shaffer ARCHITECT Michael Jackson Home Design Associates WOOD George Gatewood with Longwood Antique Woods (all restored wood in bar, mantel & wine cellar)

LIGHTING Kentucky Lighting 56

9 A well stocked wine cellar just off the bar is also home to Longwood Restoration wood. “We saw an article in a wine magazine that had a beam above the wine racks and we designed this like that,� says Dan. The wine racks are from California, along with a wine barrel (not shown) Sara found in Napa.

www.kentuckyhomesandgardens.com

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REAL ESTATE

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TURF TOWN PROPERTIES

859.268.4663 62

www.turftown.com

DISCOVERING

KENTUCKY

Maker’s Mark Distillery Step back in time and discover the secrets of a rich Kentucky tradition you can savor with every sip.

BY CHRISTINA NOLL

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Whether you are a bourbon lover or not, a visit to Maker’s Mark® Distillery outside Loretto is a must among authentic Kentucky experiences. Designated as a National Historic Landmark in 1980, the distillery offers a glimpse back in time, along with a thorough understanding of how Maker’s Mark® bourbon is made.

Tucked away in the rolling hills of the Bluegrass state, this favorite tourist destination shines among the already idyllic countryside. It’s the little touches that make this place so quaint: like the world’s only trapezoidal bridge and the Quart House, America’s oldest remaining “retail package liquor store.” The distillery even has its own antique fire engine on the property.

Young and old will enjoy the interactive visitor’s center, outfitted as a replica of the Samuel’s family home. Through a series of ‘talking’ photographs, you can learn the history of Maker’s Mark® and get to know the people who made it what it is today. Afterward, enjoy a complimentary cup of bourbon coffee in the family kitchen, before you head out.

Your tour of the distillery is just as comfortable and familiar as the family setting suggests. Your guide will happily explain how soon after purchasing the historic Burks Spring Distillery in Happy Hollow, Ky., Bill Samuels, Sr., accidentally set fire to the family drapes while burning the only copy of the 170-year-old family whisky formula.

There is only one Maker’s Mark® recipe, the one Samuels created, and it consists of corn, malted barley and red winter wheat. Traditional bourbons use rye for their flavoring, but the red winter wheat in Maker’s Mark® gives it a distinct flavor. Samples are taken from each delivery of grain and run through a lab to ensure the highest quality. From there the grain is taken to the Still House, originally built in the early 1800s as a gristmill, where the distillery continues to use a traditional roller mill to produce a course powder from the grain. Combined with pure limestone spring water found in the nearby lake, which acts as a natural filter to remove iron impurities and supplies a rich source of calcium, the grains are cooked into sour mash in giant cypress tubs.

Massive copper tanks remove impurities during the double-distillation process to create a more refined whisky. Once the whisky—called ‘white dog’ at this stage—is ready, it’s put into handmade new white oak barrels to be aged to perfection. The barrels used in the creation of Maker’s Mark® are charred for 40 seconds to open the pores in the wood and caramelize the natural wood sugars. Only about 1,000 gallons, or approximately 19 barrels, are produced in each batch, and each barrel is rotated by hand so it’s exposed to consistent temperatures throughout the warehouse during the aging process. “We do not temperature

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control, so we paint the warehouses a dark color so they absorb as much heat from the sunlight as possible,” explains Catherine Rembrandt, Bourbon Specialist at Maker’s Mark®.

Every barrel must be aged in the warehouse at least three Kentucky summers, before a tasting panel samples the bourbon to determine if the barrels are ready to be rotated down to a cooler part of the warehouse for the rest of the aging process.

In the bottling plant, visitors can watch as actual Maker’s Mark® bottles are filled and hand-dipped into the signature red wax. That wax, along with the name, came from Samuel’s wife, who loved the look of a French cognac bottle. “One day Margie got out the deep fryer, heated up some wax and started dipping the bottles to see what would happen,” says Rembrandt.

“She wanted us to be remembered for the Maker’s Mark, the mark on the bottle, a symbol left behind so people would know who the crafter was behind the masterpiece,” so she designed the symbol for Maker’s Mark. She started with a Star, which represents Star Hill Farm, the name of the old family farm, added an S for Samuels and added IV to symbolize that he was a fourth-generation distiller to form the current mark.

The signature red wax itself has been part of the process since the very first bottle was sold in the fall of 1958 and the labels on the bottles are still printed on location on a vintage press today. Taking home your own printed label is just one of several pleasant surprises you’ll find on this tour. Another is the opportunity to hand dip your own bottle in red wax after purchasing it in the extensive gift shop.

At the end of your Maker’s Mark® tour and the thorough explanation of bourbon making, there is no doubt you’ll want to sample a taste in the brand new tasting facility. Perhaps you’ll even be converted into a bourbon lover!

IF YOU GO: Maker’s Mark® Distillery is open Monday–Saturday from 9:30 a.m. to 3:30 p.m. and Sundays from 11:30 p.m. to 3:30 p.m. The distillery is closed on Sundays in January and February. The tour and bourbon tasting is $7 per adult. For more information or to make a group reservation, please contact the Visitor Center at 270-865-2099.

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12/11/13 11:25 AM