Portfolio

Rose Fan - Portfolio

Portfolio

4

Rose Fan - Portfolio 2016

About me

06-07

AZCA

08-23

This is England

24-37

Therry Street Project

38-51

H.N.I

52-59

Skyscraper

60-69

Furniture

70-73

Gatehouse

74-81

Contents

Contents

6

Rose Fan - Portfolio 2016

My name is Rose Fan. I am a Chinese Australian that has grown up in Melbourne and studied here.

Oh! I’m also a design enthusiasts.

It all started as a child, following dad around while he made everyday house hold repairs and items. This evolved into a general interest in arts and craft then onto fashion and lastly into Architecture.

Architecture isn’t my first career choice, but it has become something that I breath and read, an occupational hazard, which has rendered my nonarchitectural friends frustrated at the constant stopping in the streets at construction sites.

I’m not very good with words, hence I have worked hard and continue to improve on my work, as I truly believe actions speak louder then words.

I hope this portfolio acts as evidence to my passion and hard work.

About Me

About Me

8

Rose Fan - Portfolio 2016

AZCA

AZCA

0 1

AZCA - Brief/Master Plan Project Date: 2015

Master Plan Concept:

Location: AZCA, Madrid Spain

AZCA was designed to become Madrid’s new business centre, the multipacility designed it with the aim of eluding businesses away from the city centre.

Brief: AZCA is a trouble financial district in Madrid. Hence our brief was to propose a plan for the site to work.

Rose Fan - Portfolio 2016

This project was completed in partnership with Filiz Colzen

The Major problem with AZCA other than the master plan, is that because of the financial crises in 2008, many of the properties on site are no longer relevant to the current market. Because it is private property and due to the lack of funds, many of the skyscrapers and buildings onsite are abandoned.

AZCA is located between Tetuan, Chamberi and Chamartin.

While Chamberi and Chamartin are much wealthier districts, Tetuan is a refugee district and has a high number of homeless and elderly occupant.

AZCA was designed to cater more to Chamberi and Chamartin then anywhere else, however the rental prices for the offices in AZCA are 40-50% more expensive then 5 minutes up the road. Hence a disconnect has developed between the program, the community and Madrid as a whole.

Because of the financial crises, the developments that were planned for AZCA were halted. Due to hard times, companies are unwilling to pay for high prices that AZCA asks for the environment and it provides.

The problem with AZCA, is the fortress like typology of the area and the lack of density. Hence our master plan and design, hopes to create a much open AZCA by shifting the program from business to more residential, institutional and cultural.

BACKGROUND RESEARCH ECONOMICS AND DEMOGRAPHY

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INHABITANTS

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UNIVERSITY DEGREE

MASTERPLAN CONCEPT

INTERVENTIONS EXPANDED ENTRANCEWAYS CENTRALLY LOCATED SUBWAY EXITS EXTENDED SIGHT-LINES THROUGH LEVELLING OUT OF HEIGHTS

PROGRAM: RESIDENTAL COMMERCIAL EDUCATIONAL ADMINISTRATIVE RECREATIONAL CULTURAL

CONCOURSES FOR CONFLUENCES OF: YOUNG ELDERLY OFFICE WORKERS UNEMPLOYED FAMILIES HOMELESS

ENHANCEMENT OF: ACCESS POINTS IN AREA ACCESS TO TRANSPORTATION LEVELS ON SITE

PROGRAMMATIC INTERVENTIONS ADDITION EXTENSION

ADDITION OF CONCOURSES PARKS CULTURAL INSTITUTIONS ACTIVITY CENTRES

ACCESS

DENSITY

INTEGRATION

Complex Projects - Brief Master Plam

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2 1

BACKGROUND RESEARCH FINDINGS PROGRAM

PROGRAM ABOVE STREET LEVEL - DAYTIME ORIENTED

PROGRAM UNDERGROUND - NIGHTTIME ORIENTED

TETUÁN

TETUÁN

TETUAN

TETUAN

CHAMARTÍN CHAMBERI

CHAMARTÍN CHAMBERI

AZCA

NUEVOS MINISTERIOS

DOMINANCE:

AZCA

NUEVOS MINISTERIOS

TYPE:

DOMINANCE:

TYPE:

Rose Fan - Portfolio 2016

OFFICES

FINANCIAL SECTOR

CULTURAL

NIGHT CLUBS

DWELLING

APARTMENTBLOCKS (CHAMARTÍN ONE FAMILY HOUSES)

COMMERCIAL

NIGHT CLUBS

COMMERCIAL

FASHION, RESTAURANTS CAFÉS

‘DWELLING’

HOMELSESS

CULTURAL

RELIGIOUS, SPORTS

MASTERPLAN

OFFICES

INTERVENTIONS BEFORE

AFTER

SUNKEN PARK

BLOCKED ENTRANCE

OFFICES DWELLING COMMERCIAL CULTURAL/PUBLIC

MASTERPLAN INTERVENTIONS PARK ACTIVITY RECREATIONAL

SUBWAY EXIT RESIDENTIAL AREA

TORRE BBVA

SUBWAY EXIT

MASTERPLAN INTERVENTIONS FOOD MARKET SUPERMARKET

SUBWAY EXIT FOOD STREET

TORRE BBVA

SUBWAY EXIT

4 1

BUILDING DIAGRAM CONCEPT

ART INSTITUTION: PERFORMING ARTS CRAFTS

Rose Fan - Portfolio 2016

VISITORS

NIGHT PROGRAMS: RESTAURANTS/CAFE BARS/NIGHT CLUBS

IN-BETWEEN SPACES: ENTRANCE FLOOR ROOFTOP TERRACES

DAY PROGRAMS: OFFICE ART INSTITUTION

EXHIBITION SPACES: GROUND FLOOR IN BETWEEN SPACES

FAMILIES

FOODIES: RESTAURANTS/CAFE BARS/NIGHT CLUBS

EXHIBITION SPACES: GROUND FLOOR IN BETWEEN SPACES

ELDERLY

OFFICE WORKERS

BUILDING DIAGRAM CONCEPT

MULTI PROGRAM

IN-BETWEEN

DAY ACTIVITY

The idealogical behind out building is to create space where all walks of life from Madrid and AZCA can interact and become involved with the growing of the city itslef.

Hence we have chosen to do this through three spaces

Through the terrace gardens and bridges connecting the two separate cores, this public in the air is designed to let people get lost and explore the BBVA in a different way, perhaps even stumbling across new friends.

Populating the building with day activities will allow the building to draw not only office workers but also students and the younger generation of spanish people.

NIGHT ACTIVITY Inversing the current AZCA the building will incorporate “Underground activies at different intervals up the building, drawing in a different crowd of participants later at night.

AZCA - Concept/Program

The BBVA building belong to the National Bank of Madrid and is Spain’s largest bank. The tower it self was designed as a poster boy of modern architecture. The Tower stands on the south east corner of AZCA and is the first building you see at the major intersection, hence it acts as a post for the whole AZCA. In the master plan Filiz and I wanted to add more cultural and communal elements to AZCA to bring local people into the space to cross the boundary of the tower fortresses. So in order to do this, more cultural programs were needed on site.

Hence in our tower, we included: art institutional programs [as from our research, there shows a large population of arts students in Tetuan, and also multiple communal art projects continuing in the surrounding districts.

This was also decided upon as there was a lack of higher institutions in the area in comparison to the south of Madrid], restaurants and bars [bars and restaurants are an important part of Spanish Culture, this was also a way for us to add to the density at night, making AZCA more lively at night will attract more people and by attracting more people we produce a higher surveillance area hence making it safer at night] Along with the residential additions on site, the built density of AZCA is condensed. These changes were made in hopes of attracting more local people on site in order to stimulate the economy and people flow.

Other than adding new buildings into the area, buildings and structures were taken away to create a safer space.

AZCA as a site has a very unique typography, where multiple built layers exist. This causes visitors to become confused and because of the dead corners these layers produce it also makes the space seemly dangerous. This overloaded need of layers have also bought a lot of homeless people on site, which in turn deters people away from the site itself.

In the Master Plan, Fliiz and I removed the extra layers in the park and added a Metro opening in the centre of the site to add to pedestrian flow.

The central existing park is lowered to street height and buildings blocking the visual crossing of the site is also removed. By dividing the site down into smaller more manageable blocks, people are more likely to travel in [this is taken from the comparison of the block sizes in the City Centre in comparison to AZCA itself.].

With the structure of the tower, Filiz and I choose to retain the current major structure and for it to become a hanger to hang program boxes off. In order to attract people to move higher up into the building, public terraces are designed in the in between spaces of the programs and are transformed into pop up bars and restaurants to keep the food centred Spanish culture [there is also an annual food trust festival held in AZCA].

Taking from missing programs near our site, there is a lack of markets and everyday necessity stores near by. With this in mind, we added a permanent market near the new Metro opening and a space for pop up markets right in front of our building where the metro entrance stands right now.

AZCA - Concept Program

Concept Program

6 1

BUILDING DIAGRAM DISTRIBUTION OF PROGRAM

GOVERNMENT OFFICE SPACE

BAR/NIGHT CLUB

ART INSTITUTE

RESTAURANTS

Rose Fan - Portfolio 2016

RENTED OUT OFFICE SPACE CAFE/BISTRO

PROGRAMS

SEQUENCE S EQUENCE B BUILDING UILDING

SEQUENCE S EQUENCE B BUILDING UILDING LOOKING L OOKING UP UP

AZCA - renders

ENTRANCE E NTRANCE

8 1

MASSING DIAGRAM STRUCTURE 4 STEPS

Rose Fan - Portfolio 2016

1 PRIMARY CONCRETE STRUCTURE EXISTING CORE AND MECHANICAL FLOORS

2 ADDED MEGACOLUMNS SUPPORTS FACADE

AZCA - construction drawings

3 MASSING DISTRIBUTION

4 FLOOR SLAB DISTRIBUTION

B

A

PRIMARY STRUCTURE CONCRETE EXISTING 1

2

3

4

Rose Fan - Portfolio 2016

PLAN DIAGRAMS STRUCTURE SCALE 1:200

5

6

11800 mm

0 2

B

A

SECONDARY STRUCTURE STEEL 1 NEW

5300 mm

2

6300 mm

Bridge 8500x3300mm

4

AZCA - documentation

3

6400 mm

5

6

3000 mm

300mm

900mm

Escalators 2

Fire escape

Fire escape

Escalators 2

Concrete covered steel mega column 600x900mm

1

3

5

1

3

3

INNER FACADE ELEVATION 1:20 ELEVATION

4

2

1

1. SPANDREL PANELS 2. FIXED TRIPLE GLAZED DOUBLE FACADE PANELS 3. OPERABLE VENT OPENINGS 4. STEEL SECTION FOR SERVICE SKYWALK

A2.2

(ORIGINAL SIZE A0)

EXTERIOR ELEVATION FROM INSIDE 1:20 ELEVATION

2

1

1. STEEL SECTION 2. OUTDOOR TIMBER* OPERABLE SHUTTERS 3. SERVICE RAILING 4. METAL BRACING FOR FACADE STRUCTURE

AA

4

RONG FAN (4506480) FILIZ COSKUN (4508293)

COMPLEX PROJECTS: AZCA

INTERIOR WALL ELEVATION 1:20 ELEVATION

1

4

5

1. ACOUSTIC TIMBER PANELS IN SELECTED AREAS 2. OUTDOR TIMBER FACADE

A2.3

2

2

INTERIOR WALL SECTION 1:20 SECTION

1. INSULATION 2. OUTDOOR TIMBER FACADE 3. WATERPROOFING MEMBRANE 4. PLYWOOD 5. ALIMINIUM STUD WALL SYSTEM 6. CONCRETE SLAB

CC

6

5

4

3

2

1

1

Rose Fan - Portfolio 2016

BUILDING TECHNOLOGY

2

EXTERIOR FACADE ELEVATION 1:20 ELEVATION

PLAN 1:20 PLAN

1. CONCRETE COVERED STEEL MEGACOLUMN 2. FIXED TRIPLE GLAZED DOUBLE FACADE PANELS 3. SERVICE RAILING EVERY 2 STOREYS 4. OUTDOOR TIMBER* OPERABLE SHUTTERS 5. OUTDOOR TIMBER FIXED PANEL 6. STEEL SECTION

A1.1

5

1

1. STEEL SECTION 2. OUTDOOR TIMBER* OPERABLE SHUTTERS 3. SERVICE RAILING 4. METAL BRACING FOR FACADE STRUCTURE 5. TIMBER COVER IN FRONT OF MEGACOLUMN

A2.1

2

2

4

600X900MM 120x1000x3200MM 1500x550MM 60x600MM 60x600MM 70x150MM

6

3

2

70x150MM 60x600MM H:1500MM Ø60MM 60x600MM

3

7. ALIMINIUM STUD WALL SYSTEM 8. INSULATION 9. WATERPROOFING MEMBRANE 10. PLYWOOD 11. OUTDOOR TIMBER FACADE 6x1250x2500MM 30x1250x2500MM

70x30MM, CC 900MM 75MM

DOUBLE FACADE SECTION 1:20 SECTION

11

10

9

8

7

215x1000MM 10MM 5MM 16MM 190MM 360MM

40MM 1000x1200MM [ 00 40MM

AZCA - documentation

1. INSULATION 2. CONCRETE SLAB 67((/ ¶,· %($06

4. INSULATION TO DAMPEN NOISE 5. OPERABLE VENT OPENINGS FOR PANELED INNER FACADE 6. HARDWOOD FLOORING 7. RUBBER LAYER 8. PLYWOOD 9. RAISED FLOOR SYSTEM 10. SUSPENDED CEILING SYSTEM

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5

1

BB

AA

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10

9

6 7 8

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DOUBLE FACADE SECTION 1:20 SECTION

5

3

1

4 2

Rose Fan - Portfolio 2016

This Is England

This is England

6 2

This is England - Brief/Concept Project Date: 2014

Concept:

Location: Hypothetical site

The series follows LOL, Woody as they work through personal and social issues that arise after the first series.

Studio Leader: Rennie Liffen, Virginia Mannering Brief: Rose Fan - Portfolio 2016

Based on the English TV mini series This is England, the studio’s brief was to design a hair studio and a scooter garage as an addition onto a concrete social housing apartment block.

The hair studio is referred to as Astra, as it stood on the roof top, and the garage as Terra as it was the connection point between the complex and the ground floor.

Astra was done as a project while Terra and the staircase connecting the two were done as an esquise.

Though the studio’s main theme was This is England, the studio also had a heavy expression of phenomenology and human occupation/experience.

Astra is a hair salon design for LOL and her son (whom she gave birth to after an one night stand with a close friend), it’s a place of sanctuary for her.

Set in the 1980’s the characters in the series have a strong association with the punk rock movement. Hence hair is an important visual expression for them. Where they have the control over the style, colour and styling, the one aspect of their lives that they have control over versus the social turmoil and the negative spiral of living in social housing and the slums of England during that time.

Wanting to keep with the rough exterior of the preexisting apartment complex, only small additions were added on, while the main design wrapped itself around the ideal of the removal of sight. I wanted to play with acoustics, in a program so heavily reliant on visual connection.

Hence the different stations through the hair salon are designed to magnify and disorientate with manipulated sound.

While Astra was designed to reflect sound, Terra was designed to magnify sound and the staircase to create sound.

This Is England - Brief Concept

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8

12 Rose Fan - Portfolio 2016

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2 This Is England - Floor Plans

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Rose Fan - Portfolio 2016

This Is England - rendered sections

2 3

FORMED ROOF

Rose Fan - Portfolio 2016

The only actual formed concrete element adding weight into the Astra entrance, alerting the occupant to the end of their journey up, an entrance way to a new journey into Astra

CLIP ON SYSTEM

PREFABRICATED PARABOLA WALL Thin elements used to transfer and create vibrational sounds, to be transmitted through the air.

Creating sound made from the architecture by human occupation.

Imitation of formed concrete walls, the weathering concrete facade acts as a harsh contrast to the glowing transparent concrete blocks along the air shaft.

LITRACON BLOCK Warm LED lighting, lights up space through the air channel, allow mellow light to sneak into major shaft at night.

While daylight dimly lights up the space during the day.

STEEL SQUARE SECTION Steel square section penetrate through high grade concrete slabs to create small detail, highlighting structure.

STEEL METAL SHEETING Thin elements used to transfer and create vibrational sounds, to be transmitted through the air.

Creating sound made from the architecture by human occupation.

Materiality:

Sound:

The main material of the design is concrete. Smooth, Rough, transparent.

With the different finishes of concrete you are able to design spaces that emit different experiences.

Astra- astra was designed with the main goal of a neat shoe box, in contrast the the complex lives of the characters within. as you enter around the concrete box, the metal stairs create sounds to signal to those inside that there is a person approaching. As you move to individual stations within the small salon, you are cut of visually from everything else. However the sounds are still transmitted, forcing you to rely on your ears and not your eyes.

In the design, smooth concrete is designed into areas that are to reflect sound, while rough finishes in places that need less sound. While transparent concrete is used in spaces where occupation [occupation of a space] is needed to be visualized.

In the models, where there are layers of black, are the spaces where transparent concrete are used. The reason for the transparent concrete, is that it allows more privacy, while still allowing light to be transmitted.

Staircase- The staircase is designed to create sound. Staircases aren’t often the safest spaces and because of spacial constraints you can’t always design a stair case that goes straight down.

Hence when visually you cannot create safety,acoustically you should try.

Under the stairs there are different mental elements designed to create different sounds. As a person walks up these stairs, the different sounds can signal which floor you are on and who else is occupying the same space without having to visually see them. This is done with different lengths of metal sheets hidden underneath the stairs where the vibrations of the steps above causes two separate sheets to tap against each other. While the openings in the concrete walls will reflect these sounds in different directions.

Terra- With the connection to the ground floor, this meant terra was a perfect opportunity to form a small public space.

With this in mind the long cantilever designed as a small exhibition space opens up on both ends to allow a linear form of sound to be blasted in both directions. While the interior walls act as a magnifier of these sounds with the smooth finish.

This Is England - Materiality Sound

Therry Street Project - Materiality/Sound

4 3

Rose Fan - Portfolio 2016

This Is England - Final Model

6 3

Rose Fan - Portfolio 2016

This Is England - Sketch models

8 3

Rose Fan - Portfolio 2016

Therry Street Project

Therry St. Project

0 4

Therry Street Project - Brief/Concept Project Date: 2014

Concept:

Location: Therry Street, Melbourne, opposite Queen Victoria Market

While on the tread to the site, I started to notice the numerous high rises popping up all over the Melbourne CBD, a grave difference from the city I knew as a child.

Studio Leader: Paul Katsieris - Katisieris Origami Architects Brief: Rose Fan - Portfolio 2016

Initially in the Studio, we were given two briefs. One located in Fairfield and the other on Therry Street. Hence within the first half of the studio, all students were juggling two separate sets of research, design and iterations.

However after the mid point of the semester, we were asked to drop one site and to continue on the other for the final presentations.

The Therry Street site, had requirements for a multi-use program. Office spaces, Commercial spaces and Residential housing.

The interesting element to these high rises were their parasitic nature towards the heritage buildings beneath.

From there the concept evolved. I wanted the design to reflect modern day urban life at the time. Where commercialization has infiltrated all aspects of our lives, from our work places and straight into our homes.

Therry Street Project - Brief Concept

2 4

Rose Fan - Portfolio 2016

Therry Street Project - ground Floor Plan

4

Rose Fan - Portfolio 2016

Therry Street Project - Program/Circulation

Red - residential apartments, 101 apartments all together Blue - Office spaces Yellow - Retail Spaces, the lower block holds the different retail spaces, while the upper hold dinning and a cinematic experience Following the concept the retail space winds itself over the office spaces and through the residential space.

top diagram 1: program break down Middle diagram 2: Retail floor plate diagram bottom Diagram 3: retail space break down

Diagram 3: Taking inspiration from OMA’s National France Library competition, the interior retail spaces are designed to be orbs where different spherical spaces elude to different retail programs. While the red columns (structural concrete tubes) act as structural support for the orbs to be hang off. While escalators between levels act as main circulation through the retail space. (This can be seen in the model in the upcoming pages)

Therry Street Project - Program Circulation

Diagram 1:

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Rose Fan - Portfolio 2016

Therry Street Project - Sketch Models

8 4

Rose Fan - Portfolio 2016

Therry Street Project - Final Model

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Rose Fan - Portfolio 2016

Therry Street Project - Final Model

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Rose Fan - Portfolio 2016

N.A.I Building

N.A.I Building

4 5

COLLECTION

Het Nieuwe Instituut

Museum Park

RONG [ROSE] FAN 4506480

Museum Boikmans van Beuningen

LOCATION The Het Nieuwe Instituut (previously N.A.I) is located in the end of the Museum Park. This is due to the restriction on car access within the park, hence the most logical location of the HNI would be along the Rochussenstraat allowing both bike, pedestrian and car accesses.

The HNI originally was the combination of the “Living” Foundation, Dutch center for documentation of Architecture, Architectural Museum foundation.

Hence the building was initially designed for the management, storage and publication of the Dutch Architectural collection. The HNI is now the home to both the Architectural institute, Fashion and Theater institute.

CONCEPT

SHEET LAMINATED As sheet laminated timber is laminated in sheets when needed on one plane it works very well. as the diagonal and horizontal members of the facade truss also act as ties for the structure this nature of the material becomes essential.

The H.N.I was originally designed • to store Architectural collection • to manage Architectural collection • to educated on Architectural collection Along with this the collection of Architectural forms can also be seen on site with the collection of the • Archives • Office Building • Exhibition Space • Cafe With this in mind, the concept of Collection came to mind.

I wanted the modification of the Office Building to be a collection of collections by using solar panels, roof and air to collect energy, water and heated/cooled air respectfully.

The double facade became the most obvious modification to the office facade. However in order to create the double facade, extra structure must be added onto the current structure in order to hold the double glazed facades (with transparent solar panels and electrochromatic glass). Looking at the structures on site, there seems to be concrete, glass and steel, however the used of wood seems to be forgotten on site.

From this, I set out to design a timber structure connected by timber.

HORIZONTAL MEMBERS

SUN WIND

ORIENTATION

The design of the HNI also opens it self to the sun, opening it self to the sun.

With it’s location and flat terrain, the site is open completely to the solar heat, allowing maximum access in Winter, however in the Summer, this openness to the sun would cause cooling issues.

Referring straight directly to it’s location, the N.A.I’s four different functions were designed in order to orientate to the other features surrounding it. Along with it’s unique orientation (of each of it’s components) the structural components of each of the four functions are unique to the program. With the seamless merging of different programs on site, the structural components also mimic this.

Taking inspiration from traditional timber architecture in Asia and Shigeru Ban’s Tamedia Office extension, the lattice design of my structure is pinned and interlocks in between members.

Starting off with circular joints, it was soon obvious by Shigery Ban choose the oval shape in order to resist the torque of the pined joints. Taking the oval joints, the interlocking and systematic ordering of the different members and their ability to cancel out the buckling and twisting became the most important task.

Taking inspiration from traditional architecture, where carpenters choose timber from the tree and studying not only the grain but also the growth of the timber, it became apparent that the craftsmanship needed to create a solid timber structure is extremely labour and time intensive.

Hence the look towards laminated timber elements.

Other than the connection of the timber elements, the connection of the new structure onto the old structure also proved to be a feat. Taking into consideration the nature of timber as material and it’s resistance in wanting to adhere to different materials, the most logical way to go about attaching the concrete columns and the timber would be through superimposing the columns onto the timber members.

PRECEDENT

BLOCK LAMINATED Sheet laminated are laminated in sheet, when pulled in the direction perpendicular to the sheets the material is easier to pull apart. As these connection tubes are used to transfer loads and resist loads, block lamination becomes the best option.

Rose Fan - Portfolio 2016

CONNECTION DETAIL TYPE 01

HORIZONTAL MEMBERS

CONNECTION DETAIL TYPE 03

PREFABRICATED CONCRETE COLUMN CONNECTIONS. CONCRETE NODES Timber is a very unique material due to its natural grain, adding foreign materials to it becomes a very complicated practice and it’s interaction with timber is very important hence with this in mind, instead of using bolts and glues to adhere the two different materials, nodes were designed for the joints

SOLID TIMBER CONNECTORS

CONNECTION DETAIL TYPE 03

PREFABRICATED REINFORCED CONCRETE COLUMNS

LOAD DIAGRAM

VENTILATION DIAGRAM

SUMMER FACADE DIAGRAM

WINTER FACADE DIAGRAM

DOUBLE SKIN FACADE The main issue seen as my group investigated into the building is the lack of a climate buffer. While insulation or thermal mass may help the other elements of the N.A.I, the office was seen as a floating glass element, hence

STRUCTURAL BREAK DOWN

with little to no climate buffer.

By adding a double facade onto the main office area we are able to create a stack effect/thermal chimney.

The stack effect works on the principal

SOLAR ELECTROCHROMATIC GLASS WESTERN FACADE

While the electrochromatic glass is installed on all sides of the exterior facade, the transparent solar panels

are installed only on the western and souther facade as these two facades will gain the most sun exposure.

that hot air rises and cool air falls. With this in summer the louver system at the top of the building is opened in summer to allow the hot air to escape. This does not only help draw heat away from the office area but as the hot air escapes it

also draws cool air into the cavity.

In winter the louvers are closed off and hot air is trapped in the high roof system and forces the cool air down, creating a layer of heated insulation.

SOLAR ELECTROCHROMATIC SOUTHERN FACADE

With maintenance in mind, the glass tinted glass, as maintenance so high panels above and below the louver up becomes more complicated due to system has been designed as clear and newer technology.

Brief:

Concept:

The H.N.I. Is Netherlands national art institution. It holds a wide and important range of documentation for dutch architects.

The H.N.I was originally designed to store, manage and educate the Architectural collection, With this in mind, the concept of Collection came. I wanted the modification of the office building to be a collection of collections by using modern technology and passive design techniques to collect energy to be used within the building.

Set in Rotterdam, the H.N.I. is a collection of concrete and steel forms.

It was our brief to choose a program of the H.N.I to modify into a more sustainable and green environment.

The double face is the most obvious modification to the office facade.

However in order to create the double facade, extra structure must be added onto the current structure to hold the double glazed facades. Taking cues from the site which is populated with concrete steel and glass, a timber element is lost.

Taking inspiration from traditional timber architecture in Asia and Shigeru Ban’s Tamedia Office extension, the lattice design of my structure is pinned and interlocks in between member.

H.N.I - Brief concept

H.N.I - Brief/Concept

6 5

'

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Rose Fan - Portfolio 2016

'28%/( */$=(' */$66 3$11(/6 :,7+ 287(5 /$<(5 $6 62/$5 3$11(/6 $1' ,17(5,25 /$<(5 $6 (/(&7520$7,& */$66

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'

%%

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$

H.N.I - documentation

62,/' 7,0%(5 3,16 86(' 72 6(&85( 7+( 7+5(( 6(3(5$7( %($06 72*(7+(5 7,0%(5 /289(5 6<67(0

8 5

Rose Fan - Portfolio 2016

67((/ %2/76 $1' 67((/ &211(&7,216 )25 &857$,1 :$//

150

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H.N.I - documentation

/$0,1$7(' 6+((7 7,0%(5%($06 &211(&7,21 (/(0(17 86(' 72 7,( 9(5,7&$/ $1' +25,=217$/ /$0,1$7(' 7,0%(5%($06 72*(7+(5 /$0,1$7(' 6+((7 7,0%(5%($0

( 5

400

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,168/$7(' 63$1'5(/ 3$1(/ 7,0%(5 /289(5 6<67(0

200

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0 6

Rose Fan - Portfolio 2016

skyscraper

Skyscraper

2 6

SOLAR ACCESS DIAGRAM EXPLANATION: WE HAVE CHOSEN TO INSTALL PV CELLS ONTO THE TOP OF OUR TRUSS AS OUR SLICE AT THE TOP RECEIVES OVER 4000 Wh/m2 AVERAGE DAILY ENERGY ALLOWING THE BUILDING TO CAPTURE AS MUCH OF THIS SOLAR ENERGY AS POSSIBLE. THE DIAGONAL CUT ALLOWS FOR A GREATER AREA FOR PANELS COMPARED TO A SIMPLE FLAT ROOF FOR INCREASED NUMBER OF PV PANELS. ADDITIONALLY THE TALL NATURE OF OUR BUILDING ENSURES THERE WILL BE A RELATIVELY LOW POSSIBILITY OF NEIGHBOURING SKY RISES OVER SHADOWING OUR PANELS. IN OUR CALCULATIONS THESE PANELS WILL BE ABLE TO PRODUCE ENOUGH ENERGY TO POWER OVER FOUR FLOORS ANNUALLY. THOUGH ONLY 6% OF THE WHOLE BUILDINGâ&#x20AC;&#x2122;S ENERGY USE, THESE PANELS WILL ACT AS AN ADVERTISEMENT FOR GREENER BUILDINGS, THE WAY WE SHOULD BE HEADING INTO IN THE FUTURE.

Rose Fan - Portfolio 2016

A01

EAST ELEVATION A3.2 1:1000

A05

A02

SOUTH ELEVATION A3.2 1:1000

A03

A04

WEST ELEVATION A3.2 1:1000

A3.2

SOLAR ACCESS DIAGRAM

MODEL PHOTOS

A3.2

A07

HERO SHOT

A3.2 A06 A3.2

3D IMAGE OF FRIT

DRAWING: 3.2 ENVELOPE N

GROUP

JOSH STELLINI SCOTT WALKER RONG FAN

TUTOR: CHRIS

DATE

19-04-2014

TUTORIAL TIME: TUTORIAL 15 WEDNESDAY 5:15PM-7:15PM SCALE: AS ANNOTATED ORGINAL @ A2

Brief:

Concept:

In a team of 3, we were asked to choose a site on Collins Street, and to design and document a tower with the maximum height of 66 stories.

Taking into consideration of the maximum leaseable area the drop off elevator banks, our team set out to design a tower that will take advantage of the site with natural lighting and shading.

The design came down to practicability.

In order to shrink down the floor depth, it became apparent that more vertical structure would be needed if the horizontal is to be reduced. Hence taking precedents from the HSBC tower in HongKong, we designed a truss on the exterior of the tower to remove some of the structure from the interior.

Along with this, solar panels were designed into the building.

Hence producing the slice at the top at 22.3 degrees.

skyscraper - Brief Concept

Skyscraper - Brief/Concept

4 6

THE EXOSKELETON TRUSS SYSTEM WHICH IS PINNED AT EVERY MECHANICAL FLOOR TO THE MAIN CORE AND IS ALSO TIED TOGETHER AT THE MECHANICAL FOORS AT THE TAPER. THIS TO HELP THE TRUSS STAY IN ITS PLACE

A05 A2.2

A

B

C

4500

D

4500

4500

F

E 4500

G

4500

H

4500

J

I

4500

4500

K

4500

L

4500

4500

<3000>

1

<3000>

2 A06 A2.2

<3000>

3

<3000>

4 EDGE BEAM (820WB) AROUND WHOLE BUILDING ENVELOPE 629 MM DEEP WE ALSO WANT TO USE THIS FOR ASPECTS OF THE FACADE IN THE FUTURE

<3000>

5

<3000>

6 800 WB

<3000>

7

<3000>

8

<3000>

9 STEEL COLUMN 500SHS (400SHS FOR MEDIUM RISE ONLY) 600 WB BEAMS AS ADVISED BY A STRUCTUAL ENGINEER OUR BEAMS NOW USES UNIVERSAL BEAMS OVER THE ORIGINAL TRUSS SYSTEM. ALONG WITH THE USE OF A FULL STREGHTH BUTT WEILDTO DECREASE THE DEPTH OF OUR BEAMS AND TO INCREASE THE STRUCTUAL INTEGREDITY

<3000>

10

<3000>

11

<3000>

12

<3000> <3000>

14

15 <3000>

Rose Fan - Portfolio 2016

13

16

A01 A2.1

LEVEL TWENTY TWO (MEDIUM RISE) 1:200 PLAN

A

B

C

D

E

F

G

H

I

J

K

L

STEEL COLUMNS AT 600SHS FOR LOW RISE DUE TO INCREASED LOADS

A

B

C

D

E

F

G

H

I

J

K

STEEL COLUMNS AT 400 SHS FOR HIGH RISE AND SKY RISE DUE TO REDUCED DEAD LOADS HIGHER UP IN THE BUILDING

L

PHYSICAL GAP BETWEEN THE TRUSS FACADE AND THE GLAZED FACADE HELPS THE TWO DIFFERENT STRUCTUAL SYSTEMS STAY SEPERATE. HENCE THE TWO PARTS OF THE BUILDING ACTS SEPERATLY

1

2

D

3

4

5

NOTES 6

FROM THE CORNERS OF THE CORE THERE ARE 820WBS AND BETWEEN THEM, 600UBS. AND 820WB WHERE IT METS THE CORE DEEPER BEAMS WERE USED FOR TWO REASONS

7

8

9

FRIST- THEY ARE BEST SITUATED TO TIE THE CORE TO THE PERIMETER IN AN EVEN WAY

10

11

12

SECOND - THEY SUPPORT MULTIPLE COLUMNS THAT ARE NOT ABLE TO BE FIXED TO THE CORE

13

14

15

16

A02 A2.1

LOBBY LEVEL (GROUND) 1:500 PLAN

STEEL COLUMNS 500SHS

A04 A2.1

LEVEL THIRTY-SIX (HIGH RISE) 1:500 PLAN

6

5

A06 A2.1

4

3

BEAM FLOOR SECTION A 1:100 SECTION

2

1

1

2

RL 133.20

3

4

RL 131.91

5

6

7

8

9

RL 129.00

10

11

12

13

14

A05 A2.1

15

BEAM FLOOR SECTION B 1:100 SECTION

16

PURPOSED MATERIAL DETAILS

A03 A2.1

LEVEL SIX (LOW RISE) 1:500 PLAN

COLUMNS: STEEL SQUARE SECTION 600 SHS, 500 SHS, 400 SHS SIDES BEAMS: 820 WB, 600UB EXOSKELETON TRUSS: SQUARE SECTIONS 800 MM (PROPOSED WIDTH)

LEGEND GRID LINE HIDDEN BEAMS

N

TUTOR: CHRIS

DRAWING: A2.1 STRUCTURE

TRUSS STURCTURE GRID LINE

GROUP JOSH STELLINI SCOTT WALKER RONG FAN

TUTORIAL: T15 WEDNESDAY 5:15PM - 7:15PM SCALE: AS ANNOTATED ORGINAL @A2

GLAZING AND WINDOW SPECIFICATION:

PHOTOVOLTAIC PANELS: WE HAVE CHOSEN TO INSTALL PV CELLS ONTO THE SLANT OF OUR BUILDING WHICH WAS INITIALLY DESIGNED AND TILTED AT THE OPTIMAL ANGLE FOR THE CELLS.

ENVIROTECH FACADE SOLUTIONS 100 CW 1300mm 6/12/6 DOUBLE GLAZED UNITIZED CURTAIN WALL FRAMING

PV SPECIFICATIONS: HETROJUNCTION WITH INTRINSIC THIN LAYER (HIT) PHOTOVOLTAIC MODULES

WITHOUT TINT U VALUE: 3.1 SHGC: 0.37 LIGHT TRANSMISSION: 0.58

SANYO 210 W HIT PANELS AREA: 1.26Msq PER PANEL AREA OF ROOF: 2641 m2 APPROXIMATE PANELS NEEDED: 2095 PANELS ESTIMATED ANNUAL PRODUCTION: 688 MWh (APPROXIMATELY 6% OF ENERGY GENERATED ANNUALLY FOUR FLOORS WORTH OF ENERGY) CO2 GAS AVOIDED ANNUALLY: APPROX 530 TONNES

TINT CHOSEN: HIGH PERFORMANCE WINDOW FILM EMF 4426 THE GLAZING WILL ALSO BE TINTED, FURTHER REDUCING HEAT GAIN, UV EXPOSURE AND GLARE AS WELL AS GIVING AN ATTRACTIVE DEEP GREY APPEARANCE EXTERNALLY

SUN SHADING: TO MAXIMISE THE VISUAL SLIM SHAPE OF OUR BUILDING WE HAVE CHOSEN TO USE A CERAMIC FRIT FOR SUN SHADING RATHER THAN ANY EXTERNAL SHADING DEVICES. THE FRIT WILL BE EMBEDDED IN THE GLASS DURING ITS MANUFACTURE AND WILL ACT AS A DECORATIVE SHADING DEVICE BY BLOCKING INCIDENT SUNLIGHT. THE FRIT ALLOWS FOR A CREATIVE PATTERNED FACADE WHILE ALSO PROVIDING SHADING FOR OUR NORTH, EAST AND WEST ELEVATIONS. THE CERAMIC FRIT IS NOT NEEDED ON THE SOUTH DUE TO THE LACK OF DIRECT SUNLIGHT EXPOSURE.

SHADING COEFFICIENT: 0.26 SOLAR HEAT REJECTION: UP TO 77% UV REJECTION: OVER 99% GLASS HOUSE GLAZING 6&+(0( & USED WITH SPANDREL, GLAZING AND LOUVRE UNITIZED SYSTEM: 1500mm

THE PROPOSED FRIT PATTERN IS SHOWN BELOW AT AN INCREASED SCALE TO AVOID COMPLICATING THE LARGER ELEVATION TO THE LEFT.

SPANDREL PANEL 800mm X 1500mm

PRECEDENT: SPOT BUILDING

VISION GLASS 2500mm X 1500mm

RAISE FLOOR LOUVRES 500mm X 1500mm

A02

FRIT PATTERN PROPOSED A3.1 NOT TO SCALE

A06

GLAZED MODULES A3.1 NOT TO SCALE

A04

THE JOINING OF THE ANGLED TAPERED SIDE OF OUR BUILDING WILL BE SEALED AND JOINT THROUGH SPECIALISED JOINTS. PRECEDENTS: ONE WORLD TOWER

A03

CORNER PLAN A3.1 1:100 LOUVRES INSTALLED NEAR THE CEILING TO HELP HOT AIR LEAVE THE OFFICE SPACE ALSO ALLOWING STACK VENTILATION TO OCCUR INSIDE THE SPACE. PRODUCING A BETTER WORKING ENVIRONMENT, WHICH WILL LEAD TO HIGHER PRODUCTIVITY WITHIN WORKERS. THESE CAN BE MANUALLY OR REMOTELY CONTROLLED.

LOUVRES INSTALLED INTO THE RAISE FLOORING TO ALLOW VENTILATION TO MOVE INTO THE OFFICE SPACE WITHOUT PRODUCING AN UNCOMFORTABLE DRAFT THROUGH OUT THE SPACE

A01

NORTH ELEVATION SPLIT VIEW A3.1 1:500

A04

SECTION A A3.1 1:50

DRAWING: 3.1 ENVELOPE N

GROUP

JOSH STELLINI SCOTT WALKER RONG FAN

TUTOR: CHRIS

DATE

19-04-2014

TUTORIAL TIME: TUTORIAL 15 WEDNESDAY 5:15PM-7:15PM SCALE: AS ANNOTATED ORGINAL @ A2

skyscraper - documentation

CEILING LOUVRES 400mm X 1500mm

6

DUE TO THE HIGHER LOAD ON THE LOBBY WE HAVE OPTED TO USED POST TENSION CONCRETE COLUMNS IN THE LOBBY.

TO PROVIDE A CANOPY WITHOUT COMPERMISING OUR OVERALL FORM OF THE TOWER, WE HAVE OPTED TO HAVE THE DOOR RETRACT INSIDE TO ALLOW A SMALL CANOPY AND SPACE TO HIDE FROM THE RAIN. THIS FORM IS ALSO ENHANCED BY THE CURVED GLAZING ON ETHER SIDE OF THE REVOLVING DOOR. THE CURVED GLASS PANNELS RUN FOR THE FULL HEIGHT OF THE LOBBY SPACE.

E

A03 A4.1.2

TO ALLOW THE GLAZING SYSTEM TO BE ATTACHED ONTO THE REVOLVING DOOR, WE HAVE ADDED AN EXTRA HORIZONTAL STEEL BAR (ENCASING THE DOOR FROM THE GROUND) TO FINISH OFF THE PANELS, ALSO ALLOWING THE DEAD LOADS AND WIND LOADS OF THE CURVED PANELS TO BE TRANSFER ED INTO THE GROUND SLAB MORE EASILY

F

G

L

A02 A4.1.2

1 FOR THE TRUSS WE PROPOSE THE CONNECTION OF THREE HOLLOW STEEL MEMBERS, CONNECTED AT THE GROUND FLOOR, WHILE ENCASED BY A LAYER OF FIRE PROTECTIVE COATING TO ENSURE STRUCTURE INTEGRITY DURING EMERGENCIES

A10 A5.1

A01 A4.1.1

PARTIAL PLAN 1:50

E

A02 A4.1.1

FOR THE CONCRETE COLUMNS, WE HAVE OPTED TO DRESS THEM IN WHITE MARBLE TILES (LARGE PANNELS) AS THE MAIN FLOORING FOR THE LOBBY SPACE. THE INTERNAL WALLS OF THE CORE IN THE LOBBY WILL BE DRESSED BY THE SAME MATERIAL

FOR THE LOBBY GLAZING SYSTEM WE HAVE CHOOSEN A FRAMELESS OPTION FROM AGP, THIS SYSTEM ACCOMPANIED BY SPIDER JOINTS AND A CANTILEVERED GLASS FIN SYSTEM FROM THE ROOF TO MINIMIZE OBSTRACTIONS FROM THE EYE LEVEL IN THE LOBBY

F

G

A03 A4.1.1

PARTIAL PLAN 1:50

REFERENCE PLAN NO SCALE

L

Rose Fan - Portfolio 2016 A04 A4.1.1

PARTIAL ELEVATION 1:50

SIDE DOORS ARE AGP SLIDING DOORS INSTALLED WITH MOTION SENSORS FOR DISABLED ACCESS DURING THE DAY ON THIS DOOR AND PUSH BUTTON ACCESS DURING NIGHT. THE SLIDING DOORâ&#x20AC;&#x2122;S DRIVE UNIT IS INSTALLED ONTO THE GLAZING FACADE WHILE ALSO ATTACHED ONTO THE COLUMN FOR EXTRA SUPPORT AS THE DOOR IS THE MAXIMIN SIZE THE COMPANY MAKES.

A05 A4.1.1

TO ALLOW A SEAMLESS TRANSITION FROM THE FLOOR FINISH TO THE GLAZING SYSTEM, THE STILLS OF THE GLAZING SYSTEM ARE EMBEDDED INTO THE FLOOR FINISH TO CREATE A SMOOTHER TRANSITION AND OPTIMISE THE VISION GLASS OF THE LOBBY.

LEGEND PRODUCTS PROPOSED GRID LINE

STURCTURAL ELEMENTS

TOWER BOUNDRY

CONCRETE

RAMP FALL

INDUSTRY LINKS AGP PRODUCTS HAVE BEEN USED IN AUSTRALIA QUITE A NUMBER OF TIMES THE SILDING DOORS USED AT 242 EXHIBITION STREET HERE IN MELBOURNE THE CRYSTAL REVOLVING DOOR USED AT 800 BOURKE STREET HERE IN MELBOURNE THE FRAMELESS GLASS SYSTEM COMMONLY USED IN COMMERCIAL SPACES THROUGHOUT THE CBD

AGP - 4 LEAF CONFIGURIATION REVOLVING DOOR CRYSTAL SERIES SPECIFCATION - 4400 DIAMETER WIDTH, 3008 DOOR OPENING WIDTH, 3500 HEIGHT WITH MOTER UNDERNEATH THE SLAB ON THE UNDER SIDE OF THE CARPARK CEILING AGP - SLIDING DOOR SPECIFCATION - 2000 DOOR OPENING WIDTH, 3000 HEIGHT WITH SYSTEM ATTACHED ONTO THE GLAZING FACADE AGP - FRAMELESS GLAZING ASSEMBILY SPECIFCATION - CANTILEVERED GLASS FINS TO ALLOW MAXIUM VISABILITY THROUGH INTO THE LOBBY

PARTIAL ELEVATION 1:50

DRAWING: 4.1.1 LOBBY AND FACADE N

GROUP A MEMBER RONG FAN GROUP

JOSH STELLINI SCOTT WALKER RONG FAN

TUTOR: CHRIS

DATE

10-05-2014

TUTORIAL TIME: TUTORIAL 15 WEDNESDAY 5:15PM-7:15PM SCALE: AS ANNOTATED ORGINAL @ A2

A07 A5.1 A

B 1005

4500 2000

1005

775

C 346

4500 2000

346

775

D 965

4500 2000

965

775

1

A01 A4.1.2

PARTIAL PLAN (CLOSER TO CEILING) 1:50

FOLLOWING THE FRAMELESS SYSTEM, SPIDER JOINTS ARE USED ALONG WITH SILICON SEALS TO CONNECT THE GLASS PANELS TO ONCE AGAIN MINIMIZE THE USE OF METAL JOINTS.

FOR THE CANOPY CEILING, WE HAVE OPTED FOR THE SAME MATERIAL AND COLOUR AS THE INTERIOR. THE CEILING WILL BE FINISHED OFF WITH PLASTER, (WITH THE CANOPY USING BLUE BOARD AND VILLABOARD FOR THE INTERIOR)

BY USING CANTILEVERED GLASS FINS THAT ARE HANG OFF THE BEAMS ON TOP IT ALLOWS US TO FREE UP THE STRUCTURE FORTHE EYE LEVEL PART OF THE LOBBY. THE STRUCTURAL GLASS FINS ARE 630MM DEEP, AND 63MM WIDE FOLLOWING RULESOF THUMB. THE SPLICE WOULD BE CONNECTED TOGETHER BY A DOVE JOINT LIKE DETAIL, TO PRESERVE THE TRANSPARENCY AND UNITY OF THE GLASS LOBBY FACADE, SECURED BY SPECIALISED BOLTS.

1

LAMINATED GLASS THREE LAYERS

2 A04 A4.1.2

SPLICE SECTIONAL DIAGRAM NO SCALE

A05 A4.1.2

PARTIAL PERSPECTIVE OF LOBBY STRUCTURE NO SCALE

A06 A4.1.2

PARTIAL PERSPECTIVE OF LOBBY ENTRANCE NO SCALE

RL 36.60

RL 32.40

RL 29.85

RL 27.50 RL 27.30

THE CRYSTAL SERIES REVOLVING DOOR IS HELD UP BY TWO CROSSING STEEL MEMBERS. TO BE ABLE TO WITHSTAND THE DEAD AND WIND LOADS FROM THE GLAZING ABOVE, WE HAVE OPTED TO ADD AN EXTRA SET OF MEMBERS TO ALLOW THE SUCCESSFUL AND SAFE TRANSFER OF LOADS

SLOPE/RAMP GRADIENT 1/14 RL 24.00

A07 A4.1.2

A02 A4.1.2

PARTIAL SECTION 1:50

A03 A4.1.2

PARTIAL SECTION 1:50

AS THE TRUSS SYSTEM CAN STAND ON ITâ&#x20AC;&#x2122;S OWN STRUCTURAL SYSTEM, THE TRUSS WILL NEED TO HAVE A DIRECT COLUMN LOCATED UNDERNEATH IN THE CARPARK TO BE ABLE TO TRANSFER THE DEAD LOAD OF THE TRUSS INTO THE FOUNDATION SYSTEM, THIS ALSO ACTS AS AN ANCHOR FOR THE TRUSS AS WE PRESUME THE UNDERGROUND CARPARK WILL BE MULTI- STOREY

UNDER SLAB DRIVE UNIT FOR THE ROTATING DOOR, AS THERE IS A CARPARK UNDERNEATH OUR TOWER, THE UNIT CAN BE MOUNTED UNDER THE SUSPENDED SLAB WHICH WOULD MAKE MAINTENANCE AND SERVICE MUCH MORE EASIER THEN CONTAINING THE DRIVE UNIT INSIDE THE SLAB ITSELF. THE DRIVE UNIT IS 1400MM X 1000MM X 400MM

DIAGRAM OF EXTRA MEMBER ON DOOR NO SCALE

THE REVOLVING DOOR CHOSEN FOR OUR MAIN ENTRANCE IS THE AGP 4 LEAF CONFIGURATION CRYSTAL SERIES. THIS DOOR IS STRUCTURAL HELD UP BY STEEL MEMBERS EXTERIOR TO THE GLASS CURVED PANELS IN A CROSS FORMATION. THE DRIVE UNIT OF THE DOOR CAN BE MOUNTED AND CONTAINED IN THE SLAB, FOR OUR PROJECT WE HAVE CHOSEN TO MOUNT THE DRIVE UNIT UNDER THE CONCRETE SLAB

LEGEND PRODUCTS PROPOSED GRID LINE

STURCTURAL ELEMENTS

TOWER BOUNDRY

CONCRETE

RAMP FALL

INDUSTRY LINKS AGP PRODUCTS HAVE BEEN USED IN AUSTRALIA QUITE A NUMBER OF TIMES THE SILDING DOORS USED AT 242 EXHIBITION STREET HERE IN MELBOURNE THE CRYSTAL REVOLVING DOOR USED AT 800 BOURKE STREET HERE IN MELBOURNE THE FRAMELESS GLASS SYSTEM COMMONLY USED IN COMMERCIAL SPACES THROUGHOUT THE CBD

AGP - 4 LEAF CONFIGURIATION REVOLVING DOOR CRYSTAL SERIES SPECIFCATION - 4400 DIAMETER WIDTH, 3008 DOOR OPENING WIDTH, 3500 HEIGHT WITH MOTER UNDERNEATH THE SLAB ON THE UNDER SIDE OF THE CARPARK CEILING AGP - SLIDING DOOR SPECIFCATION - 2000 DOOR OPENING WIDTH, 3000 HEIGHT WITH SYSTEM ATTACHED ONTO THE GLAZING FACADE AGP - FRAMELESS GLAZING ASSEMBILY SPECIFCATION - CANTILEVERED GLASS FINS TO ALLOW MAXIUM VISABILITY THROUGH INTO THE LOBBY

DRAWING: 4.1.2 LOBBY AND FACADE N

GROUP A MEMBER RONG FAN GROUP

JOSH STELLINI SCOTT WALKER RONG FAN

TUTOR: CHRIS

DATE

10-05-2014

TUTORIAL TIME: TUTORIAL 15 WEDNESDAY 5:15PM-7:15PM SCALE: AS ANNOTATED ORGINAL @ A2

skyscraper - Brief Concept

RL 35.30

8 6

CARPET TILE

380

LOUVER SYSTEM

120

520

CARPET TILE ADJUSTABLE STOOL

CONCRETE SLAB SUSPENSION ROD BRACKETS 3.5R THERMAL INSULATION BATTS FIRE AND ACOUSTIC INSULATION

610

600 UB

810

820 WB SUSPENSION RODS

SPANDERL PANNEL

CEILING TILE FRAME PACKER SHADOW LINE PROFILE PLYWOOD SHEETING VILABOARD

A01 A5.1

A02 A5.1

A03 A5.1

SECTIONAL DETAIL 1:10

SPLITZ DIAGRAM NO SCALE

Rose Fan - Portfolio 2016

60

SECTIONAL DETAIL 1:10

60

MARBLE TILES

310

400

COLD FORMED ANGLES

MARBLE TILE ATTACHEMTN DIAGRAM NO SCALE

A05 A5.1

110

ANGLE SECTIONS USED TO ATTACH 30MM MARBLE TILES ONTO CONCRETE COLUMNS. AS THE LARGE TILES WILL BE TOO HEAVY TO BE COMMONLY GROUTED ON.

SECTIONAL DETAIL 1:10

A06 A5.1

ELEVATION DETAIL 1:10

A09 A5.1

ELEVATION DETAIL 1:10

60

A04 A5.1

COLD FORMED ANGLES

SECTIONAL DETAIL 1:10

115

A08 A5.1

155

143

INTERIOR

630

EXTERIOR

ENDING JOINT FOR THE FINS (APPROX 3000 UP FROM LOBBY FLOOR)

143

30 75

330

230

THE SPLICE WOULD BE CONNECTED TOGETHER BY A DOVE JOINT LIKE DETAIL, TO PRESERVE THE TRANSPARENCY AND UNITY OF THE GLASS LOBBY FACADE, SECURED BY SPECIALISED BOLTS.

1/100 FALL

75 30

143

260

A07 A5.1

SUSPENDED CONCRETE SLAB

A11 A5.1

PLAN DETAIL 1:10

SECTIONAL DETAIL 1:10

G.JAMES SHOP FRONT SERIES 451 USED IN DRAWINGS (DUE TO UNAVILABLITY OF AGP FRAME DOCUMENTS) A SMALL UPSTAND WILL BE NEEDED IN THE CONCRETE SLAB TO ALLOW INSTALLATION COLD FORMED ANGLES THE SYSTEM IS USED IN CONJUNCTION WITH AGP CANTILEVERED GLASS FIN SYSTEM

MARBLE TILES

A12 A5.1 A10 A5.1

SYSTEM DIAGRAMED IS SIMILAR TO THE SYSTEM WE HAVE CHOOSEN ONLY INSTEAD OF THE SMALL BOLTS ON THE EXTERIOR OUR SYSTEM HAS A SMALL CIRCULAR CAP

LEGEND TOWER BOUNDRY

FIN SYSTEM DIAGRAM NO SCALE

PLAN DETAIL 1:10

CONCRETE

DRAWING: 5.1 LOBBY AND FACADE INDUSTRY LINKS

PRODUCTS PROPOSED

THE FRAMELESS GLASS SYSTEM COMMONLY USED IN COMMERCIAL SPACES THROUGHOUT THE CBD

AGP - FRAMELESS GLAZING ASSEMBILY SPECIFCATION - CANTILEVERED GLASS FINS TO ALLOW MAXIUM VISABILITY THROUGH INTO THE LOBBY

N

GROUP A MEMBER RONG FAN GROUP

JOSH STELLINI SCOTT WALKER RONG FAN

TUTOR: CHRIS

DATE

31-05-2014

TUTORIAL TIME: TUTORIAL 15 WEDNESDAY 5:15PM-7:15PM SCALE: AS ANNOTATED ORGINAL @ A2

skyscraper - Brief Concept

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Rose Fan - Portfolio 2016

Furniture

Furniture

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Rose Fan - Portfolio 2016 Hallway Table made from Victorian Ash, Brushbox, Jarrah 2014

Furniture Hallway Blocks made from Kokoda Ply, and FCS Brich For process information: https://issuu.com/rfan92/docs/binder1/1

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Rose Fan - Portfolio 2016

Gatehouse

Gatehouse

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Gatehouse - Brief Project Completion Date: 2015 Location: Elsternwick Elsternwick, Victoria

Primary

School,

Brief:

Rose Fan - Portfolio 2016

The gatehouse is a built project inside Elsternwich Primary School. The project started in 2014 at the University of Melbourne as a donation for the Primary Schoolâ&#x20AC;&#x2122;s Mandarin Program.

The structure takes inspiration from the Summer Palace in Beijing, China.

Taking from traditional Chinese timber Architecture, the structure is joint together with timber only with the foundation made and joint together with concrete.

Gatehouse - brief

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Rose Fan - Portfolio 2016

Gatehouse - photos

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Rose Fan - Portfolio 2016

Gatehouse - photos