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TIVE PHILLY’S NEWS ALTERNA ART
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How this band changed its tune to play big time shows.
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Designers flock to Philly making the fest one to remember.
SEE PAGE 10
SEE PAGE 8
Should big insurance be louder in fight for affordable health care? Their recipients and their bottom line say yes.
Silent
Majority SEE PAGE 6
SEPT. 27-OCT. 4, 2017
CALENDAR
PUB CRAWL
Take a trip back to the roaring 20’s this weekend. SEE PAGE 16
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FROM THE EDITOR
Priorities. Let’s get them in check KERITH GABRIEL
T
here’s one thing the debacle that is the state of the American health care system has taught me and should teach all of us: start taking better care of your body. Like, now. As you can see, this current toilet paper of a health care bill hastily being shoved through the House of Representatives is similar to its two predecessors, offering to drastically increase premiums, screw citizens with pre-existing conditions and turn health care into a free market battle royale. At its core, it’s morally wrong but as we all know, politicians, lobbyists and anyone else associated that stands to proďŹ t rarely gives zero fucks about morals. Whether you lean left or right, you have to at least respect the people out there pushing for fair care for all. I know I do. I was blown away at the response here in Philly just this week of the people – many of whom stand to lose a great deal from these lackluster offerings – petitioning and preaching again outside of Sen. Pat Toomey’s ofďŹ ce. For people with pre-existing conditions it’s vital that there is an affordable health care bill to ensure a quality of life, but for those of us that don’t have health issues now is really the time to start thinking prevention. Take me for example, I’m a black man in my 30s that loves eating out and a good glass of bourbon every now and again. That also arrives with the consumption generally of simple carbohydrates, unnecessary sugars and whole lot of sodium. Numbers from the CDC note that two in every ďŹ ve African-Americans have high blood pressure and less than half of that number has it under control. So for me in this era of uncertainty, this has made for the perfect time for reection. Look, I’m one of the lucky ones. I have affordable care that’s comprehensive. I don’t smoke, I drink alcohol socially and I don’t have anything serious that qualiďŹ es as a pre-existing
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condition. But that doesn’t mean something can’t go wrong tomorrow. We have to start taking care of ourselves, Philly. Clearly no one else is doing it for us. You think big pharma wants a cure for diabetes when their making a killing off of supplying insulin? You think a politician truly gives a shit if you die of colon cancer because you never saw a porterhouse you didn’t like? I learned a great deal about the state of health care in America (page 6) from the research that crafted this week’s cover piece. I spoke with activists, politicians, heads of insurance providers and you and the collective takeaway is that we’re all seriously screwed. A former colleague who hailed from India told me something once that I’ll never forget. He told me that in his region of India, cancer isn’t a thing. In fact, it simply doesn’t exist. It’s mainly diet – they aren’t routinely chasing cheesesteaks with diet soda or rushing to their nearest fast food spot. It’s a diet of grains, vegetables, beans and rice. It may not be as savory by Western standards, but it’s sustainable and more importantly keeps them out of the doctor’s ofďŹ ce. I just remember him saying, and it’ll always stick in my mind: “People just don’t get colon cancer where I’m from.â€? Point is, take better care of yourselves, Philly. Because in this current climate, you’re truly the only one that cares about you – unless of course you can afford to make it worth their while. -----------------------------------In completely unrelated news, I just want to note that there are people still stuck under rubble in Mexico, some who may be miraculously clinging to life without food or water for over a week. Additionally, there are people that can’t even relay a message to their families living in Puerto Rico, a U.S. territory because the decimated island is still without power and cell phone service. Meanwhile, the top stories surround the Donald Trump, Leader of the Free World, ďŹ ring up a North Korean despot who’s readily preparing for World War III and an entire sports league where athletes have banded to use their popularity for more than just the spoils that generally coincide. Good for ratings, I suppose. Q
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Connect with us: @PhillyWeekly EDITORIAL Kerith Gabriel, Editor kgabriel@philadelphiaweekly.com Max Marin, Staff Writer, mmarin@phillyweekly.com Tim Ronaldson, Editor-in-chief , Newspaper Media Group tronaldson@newspapermediagroup.com
state city
CONTRIBUTORS: A.D. Amorosi, Swabreen Bakr, Kriston Bethel, Jared Brey, Andrea Cantor, Gregory Dale, Sarah Rose Etter, Scott Himelein, Hayden Mitman, Andrea Monzo, Timaree Schmit, Alex Vuocolo, Daniel Barnes, Anne Johnson, Dan Savage, Logan Gardner, Sabrina Vourvoulias
Jake Elliott must REALLY
BUSINESS Perry Corsetti, COO, pcorsetti@bsmphilly.com Deidre Simms, Director of Major Accounts, deidre@phillyweekly.com
love Philly
PRODUCTION Mark Homer, Design and Layout
S
o this week’s love affair is undoubtedly Eagles kicker Jake Elliott. Unless you “had better things to do� on Sunday, then you watched the 22-yearold boot a 61-yard field goal to give the Birds the win over the rival Giants. But what’s interesting is that this isn’t Elliott’s first time kicking a game winner at Lincoln Financial Field. In an interview with sports radio shock jock Angelo Cataldi on SportsRadio WIP (94.1FM), Elliott mentioned that he hit a gamewinning FG against Temple while as a kicker at the University of Memphis that made the Tigers bowl eligible. Q
CIRCULATION/DISTRIBUTION Pearl Harta, 215-354-3146 pharta@bsmphilly.com PHILADELPHIA WEEKLY 2 Executive Campus, Cherry Hill, N.J. 08002 Phone: 215-563-7400 Classified: 215-354-3054
PHOTO COURTESY PHILADELPHIA EAGLES
OVERHEARD in
Philly
“I live a block from the [Market-Frankford] Line and it would get me into work faster than driving, but there’s no way I’ll take it. Until they remove those ‘guess the stain’ felt seats, I’ll just stick to driving into work. Nasty.� – Well-dressed woman speaking to another similarly well-dressed woman in East Kensington on Monday. This sentence would have been impossible 10 years ago.
3,000 Mark Zuckerberg cheesesteak caption contest
O
ver the weekend, Mark Zuckerberg, leader of the free world, pit-stopped in Philly and did what all good tourists do: hit up Passyunk Ave. Zuck picked Pat’s and had posted this picture on his Facebook page. Now, it’s up to you to give it the best caption. Send us your best quip for this shot via email (mail@phillyweekly.com) or slip into our Twitter DMs with a caption. The best one will win something from us. We’re not sure what it is yet. Could be tickets to something, could be a magnet, or maybe a beer koozie. But it’s on us. Q 6(37(0%(5 2&72%(5
A century in Fishtown
O
n Sept. 26, Georgette Williams, the most Fishtown native ever, turned 100 years old, our sister paper The Star reports. In true Philly fashion, Williams still has an opinion or two to say about all the “changes� happening in her hood – which, let us re-emphasize, she has lived in for a century. “I liked the old days,� she told The Star. “There were a lot of people, but everyone was nice and did not bother you.� Ah, the good old days. Q
THAT’S ROUGHLY HOW MANY SUGGESTIONS MAYOR JIM KENNEY’S ADMINISTRATION RECEIVED REGARDING WHAT TO DO WITH THE CONTENTIOUS FRANK RIZZO STATUE, ACCORDING TO WHYY NEWSWORKS. HAVE WE REACHED A CONSENSUS? UH, FAR FROM IT.
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LUIS FONSI LOVE + DANCE WORLD TOUR
THIS SATURDAY – SEPTEMBER 30
TERRY FATOR
JUST STAY INSIDE
I
THE VOICE OF ENTERTAINMENT
FOREVER
OCTOBER 6
n case you missed this fatty little newsbite, slurp off the Cheeto dust from your fingers and rejoice: Wawa, beloved area convenient store with locations every square mile of the city, is helping Philadelphians like you achieve the absolute minimum in life. Thanks to the chain’s new service with GrubHub, you hereby never have to leave the house again. Praise be, this revelation comes just in time to pre-order the Gobbler shorties for Thanksgiving with your ex’s family. Enjoy responsibly. And remember Uber is way cheaper than an ambulance to the hospital. Q
RODNEY CARRINGTON LIVE IN CONCERT
OCTOBER 14
OUR LADY PEACE
CELEBRATING 20 YEARS OF CLUMSY
OCTOBER 27
(finally) VOTER FRAUD? Philly gets a black The Fox & Friends brigade will have a we-told-you-so bull’s eye on Philadelphia for the next decade — or at least through the 2020 election. Remember the countless, exaggerated allegations about voter fraud in Philadelphia from the last campaign cycle? Well, last week, our local City Commissioner Al Schimdt announced that an error in the state’s voter registration system allowed 1,160 non-citizens to register to vote since the 1970s. About half of them had cast ballots in at least one election since then, but other specifics were scarce. Schmidt has already called to fix the glitch, and it should be addressed in short order. But the damage of this serious but relatively marginal error will be reverberating on conservative cable networks for years. Yay. Q 3+,/$'(/3+,$:((./< &20
monument
Maybe all this Frank Rizzo hooplah has led to something productive. Or maybe the timing is just right. Either way, Octavius V. Catto, a prominent 19th century African American intellectual and civil rights warrior, will be getting his own monument in his adopted home city. Catto was born a free man in antebellum North Carolina, and moved north to Philly as a child. He rose to prominence as a teacher, an activist, and by all accounts a pretty damn good sportsman to boot. He was murdered during a race riot on Election Day in 1871. Q
Tickets on sale at Visit ticketmaster.com or call 1-800-745-3000.
Shows subject to change or cancellation. Must be 21 or older to gamble, enter and remain in a New Jersey casino or participate in any Caesars Entertainment promotion. Know When To Stop Before You Start.Ž Gambling Problem? Call 1-800-GAMBLER. Š2017, Caesars License Company, LLC.
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NEWS
PHOTO CREDIT KJ BETHEL PHOTOGRAPHY
A rally in protest of the proposed Graham-Cassidy health care bill was the scene outside Sen. Pat Toomey’s Philadelphia office Monday.
Silent Majority Should big insurance be louder in fight for affordable health care? Their recipients and their bottom line say yes. BY KERITH GABRIEL
D
ana Richter could only shake her head as she sat in reection. For Richter, 43, a single mother of two from Bella Vista, Monday marked the third time she’s taken a day off from work to join scores of others from the Greater Philadelphia Region to denounce another health care bill that stood to drastically affect the health care of over 20 million Americans. Richter saying she’d deďŹ nitely be one of them. “I’ve been out of [Sen. Pat] Toomey’s ofďŹ ce way too much this year,â€? Richter said standing outside the U.S. Customs House on a unseasonably steamy September afternoon. I was here for the [July] campout and I’ve been to a few Tuesdays with Toomey events, but I feel like I had to be here, given this has been the worst plan placed on the table.â€?
The plan is the proposed Graham-Cassidy Bill, which much like GOP proposed bills before this one has the opportunity to signiďŹ cantly cut federal spending and leave close to 21 million Americans without healthcare coverage. Spearheaded by Sens. Lindsey Graham and Bill Cassidy, the proposed bill was pushed through with virtually no time to review, and with revisions made only in an effort to appease other Senate Republicans who oppose the bill. As it stands, the pair is hard-up to get the 50 votes it needs to pass the bill and for good reason. A potential $215 billion federal cut and placing the power back into the hands of individual states has made not just ACA recipients raise eyebrows, but providers as well. “The ACA’s role when it went into effect was to transfer a lot of that regulatory authority back to the federal government which nationally then would set the benchmarks of
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how insurance would work,â€? said Scott Post, vice president of public policy for Independence Blue Cross, the region’s largest healthcare provider. “In essence what Graham-Cassidy is trying to do is take that federal funding that was allocated for the ACA and let’s just push that back to the state to determine products, rates, how the markets would work and things like that without a lot of speciďŹ city and quite frankly without a lot of time.â€? But some feel that this pushback from IBX is refreshing considering aside from its involvement in the ACA, it has – and admittedly after speaking to Post – has raised rates signiďŹ cantly in an already expensive marketplace. As it pertains to a bill that would replace the ACA, however IBX notes that the importance of “sustained federal fundingâ€? is vital, despite there being issues with the current plan. There are also some calling for IBX CEO
Dan Hilferty to explain himself and a change in tune after it appeared he initially sided with proposed GOP bills that mirrored much of the carnage that would come from the passing of Graham-Cassidy. In February, Hilferty was one of 10 industry CEOs that met with the President. White House transcription shows that Hilferty, was one of many who thanked Trump for his immediacy in allowing federal agencies to chip away at the ACA, Trump’s ďŹ rst ofďŹ cial act in ofďŹ ce. “Why would you as an insurance provider want to strip millions of people from their care?â€? asked Antoinette Kraus, director of the Pennsylvania Health Access Network, a statewide advocacy agency based in Philadelphia committed to the education of health policy issues. During an interview earlier this year with PW, Kraus claimed Hilferty and IBX released a statement in support of the Trump administration’s destabilizing of the ACA. Additionally, Kraus claims it has been the questionable business practices from IBX, that led to a protest outside the company’s Market St. headquarters in addition to imparting the Pennsylvania Insurance Commission, the state regulator of insurance premiums, et al to hold a series of statewide town hall meetings. “We’ve just had a number of members who had a hard time dealing with the company, have gotten the runaround, been charged unfairly, or haven’t had cases resolved,â€? said Kraus. “We just wanted the PIC to listen to those stories and hold IBX accountable for those business practices.â€? Kraus continued: There needs to be more transparency. One of the principles [we’re asking IBX] to have is more transparency and I think that if you look at IBX’s footprint in this region, you’ll see that they are deeply embedded in the power structure. They are a funder of media outlets...where they’ll have shared spots reporting on healthcare and the spot is underwritten by [IBX]. They are on buses and bikes throughout the city. Dan Hilferty was on the post committee for the Democratic National Election...I think this prevents them from getting a lot of negative attention because they are so involved and connected into the power structure [of media and advertising]. So it’s important to ask for transparency in a time like this.â€? But to IBX’s credit, the company has offered education in the form of a webpage called “Getting Healthcare Right,â€? which offers a “Key Issuesâ€? tab breaking down everything from the week in health care reform to explaining what is a pre-existing condition. It’s this, the company hails as its way to keep consumers up to date on all of its movements in a turbulent healthcare landscape. Additionally, Hilferty has been ever-present in the media pushing for a bipartisan solution to reform. In a recent interview with NPR.org, Hilferty noted that while he thinks
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health care is “best delivered at the state and local level in collaboration with the federal government,� that IBX’s primary goal regardless of what happens will continue to be as an industry leader given the combination of both the ACA and Medicare accounts for roughly 10 percent of total business. “More than half of the people in the United States get their insurance from employer-
“We raised rates signiďŹ cantly at the same time when we saw our competitors like Aetna and Unitedhealthcare drop out completely. Our markets are affected really in the same way that most other markets competing in the individual markets have been under the ACA.â€? Upon hearing that, Richter said it provided some comfort that leading healthcare provid-
“Maybe they’ll fight more for us little people since it affects their bottom line too...They’re the big dogs, they’re the microphone and really they have the pull to make true change happen.� – DANA RICHTER, ACA RECIPIENT
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based markets, so they’re not really under the same pressures the individual market is under today,â€? said Post. “There are a lot of people who get their coverage from Medicare which is not really impacted at all by the ACA, you’re really talking about the individual marketplace...we raised rates this year going into last year quite a bit because we were experiencing what all other insurers were experiencing with regarding to the composition of the risk pool.â€? IBX did take hit with the full implementation of the ACA in 2015, citing a $54 million loss and having to shell out $236 million in ACA related taxes and fees in 2016, according to the company’s latest annual report. However, IBX prides itself on despite having to signiďŹ cantly increase premiums, it’s remained steadfast in remaining the provider for over 300,000 recipients across Pennsylvania and South Jersey.
ers were feeling the same pain everyday recipients like her feel. As a child care worker working primarily as an independent contractor, Richter says there is an unsettling uncertainty of what’s going to happen. Refreshing to know, that it could be much of the same for big business. “Maybe they’ll ďŹ ght more for us little people since it affects their bottom line too,â€? she said. “At the end of the day, I don’t have Blue Cross, but I know they are a big company. They need to be the one’s ďŹ ghting alongside us. They need to be out here too in the sun showing us who choose them and pay them that they support us. It’d just be nice to know that they feel what we feel. They’re the big dogs, they’re the microphone and really they have the pull to make true change happen.â€? TWITTER: @SPRTSWTR
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Independence Blue Cross which covers 300,000 recipients in Philadelphia and South Jersey is one of many mega insurance companies feeling the effects of healthcare instability. 3+,/$'(/3+,$:((./< &20
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ARTS
PHOTO COURTESY DEVIN EUTSEY FOR MACY’S INC
Philadelphia singer Sevyn Streeter was the life of a weeklong party in Philly last week for the annual Fashion Week festivities.
Phasionable Philadelphia City of Brotherly Love certainly carved out a sizable piece of the national craze that is Fashion Week. Here’s how she did it BY ANDREA CANTOR
L
ast week was the time to leave the sweats at home, and pull out the chic looks for Philadelphia Fashion Week. Philly fashion lovers had a whole lineup of glam events to show off their styles and see innovative and new collections on the runway. “I think this season was deďŹ nitely a game changer. It opened up a lot of people’s eyes,â€? said Kerry Scott, co-founder and CEO of PFW. “It has deďŹ nitely made an impact, a great impact, in showcasing the hidden talent that is here.â€? The week started with Monday, Sept. 18’s kickoff to the fashion extravaganza with the Style Gala at Dilworth Park. Current and past residents of Macy’s Philadelphia Fashion Incubator, a non-proďŹ t that helps local designers cultivate small businesses, presented their collections to go down the runway.
“[PFI] is a program that teaches you the business side of fashion,â€? said Jovan O’Connor, a 2014 resident of the program. “A lot of us already went to school and had our businesses started, but we needed a little bit more expertise on the lines of production, sales, and marketing.â€? O’Connor showcased her “La Bella Donnaâ€? collection, which was inspired by Italian masonry that featured intricate hand stitching, structure, and beading. Several Philadelphia natives who took part in the gala included a charitable aspect to their work. While some of the designers had portions of their sales being donated to local organizations, ďŹ rst-year PFI resident Rachel Mednick recently launched the Lucy & Leo Project. The mission behind the project is for children to create totes and stuffed animals out of scrap material to donate to other children in homeless shelters. A ďŹ tting mission, considering Mednick’s Lucy & Leo designs is organic
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baby clothing made here in the United States. “’The Wizard of Oz is one of my absolute favorite movies growing up, and I am also inspired by a lot of vintage. So I actually based this collection on vintage Wizard of Oz books,â€? said Mednick during the style gala, her ďŹ rst runway showing. “I just thought the illustrations were really fun and I think it is something kids can relate to, because it is really friendly. If you read the books, there is some really interesting messaging that is very applicable to today’s world and what’s going on.â€? The current six PFI residents also showcased their works on Sept. 21 at Macy’s Center City Fashion Show. The event previewed Macy’s fall collections in their “Get Readyâ€? themed runway, which included “Western Vibrations,â€? “Modern Muse,â€? and “More is More.â€? Celebrity stylist and television personality Carson Kressley hosted the fashion show, which included a music performance by singer
Sevyn Streeter. Throughout the week there were other events, including the Made Institute’s Launch Party & Fashion Show on Sept. 20 and a Kid’s Runway Show on Sept. 23. But the main events were Friday and Saturday night, where a contingent of more than 20 designers, many local, displayed their collections at Dilworth Park. Several of the collections were unique and off the mainstream path of fashion. Steel Pony designer Joanne Litz described her collection as “wedding alternative.â€? “It’s the kind of collection you buy, not just to get married in,â€? said Litz, whose store is nestled in the heart of South Philadelphia’s Fabric Row. “Just throw on jeans with one of those handmade jackets and you are good to go.... It’s not just for weddings, but the vibe is very wedding.â€? Litz works with the city chapter of Fashion Group International to bring manufacturing back to Philly. What was refreshing for the whole week was the diversity in model body types. The fashion shows incorporated thin-framed, average-build, and plus-size models within single collections. Most rare to see was the medium body types work the runway. “This season we said ‘you know what, we need to highlight all body types, all shapes and sizes.’ That’s what we did,â€? said Scott of PFI’s 12th year. “We sought out designers who cater to every size, because we realized in the fashion industry, we can show you a sample size 2, but at the end of the day we want to give you what the average person is wearing, what the average person would look like.â€? In what is usually a stuffy affair for swanky types, Philly’s Fashion installment resembled more of a party, given the level of noise from the audience in various events. “We encourage it! We encourage it, because this is a fun time. A fashion show is supposed to be fun, it is supposed to be full of life,â€? explained Scott. “Fashion is life. Fashion is colorful. Fashion is noise. Why not be the person to sit and cheer and enjoy yourself? It’s about an experience we try to create here.â€? Scott explained that his and co-founder Kevin Parker’s mentor is Fern Mallis, the creator of New York Fashion Week, which occurred a week before PFW. “New York is the mother of fashion weeks. But you know it has died a little bit, but it is still the mother,â€? said Scott. “What I think Philadelphia has to offer is that we have such a stylish city. We are such a music city, a stylish city. Great people come out of Philadelphia so why not showcase it here, in our own hometown?â€? Like a great but unďŹ tted dress, PFW will need some tailoring to compete with the top fashion weeks. But for what it is, unlike the often stiff and exclusive events of notable fashion shows, PFW is an accessible opportunity for audiences to relate more with what they wear and, ultimately, have fun with fashion. Q TWITTER: @ANDREACANTOR9
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MUSIC
PHOTO COURTESY MACH22
Spearheaded by frontman Lamont Caldwell, rock-soul group MACH22 is a certainly a twist on the genre norm.
The speed of soul Mach22 moving up the musical ranks with a great collision of rock, metal and soul BY A.D. AMOROSI
A
powerful saxophonist and with a baritone to boot, Lamont Caldwell is something of an enigma. It’s wizardry that has found the Camdenborn Caldwell on albums by Bilal, touring with Jay-Z and Kirk Franklin and mingling with other neo-soul circles – but using chattering Led-Zeppelin-like rock with his zealous band MACH22 to stake his reputation as an instrumentalist. Caldwell, who is African-American, called it “a gamble going against the grain.� But it’s one that has paid immense dividends both for him and his MACH22 collective.
You’re either admired or hated. Luckily, though, I’ve been embraced,� said Caldwell. “So many people have said to me, ‘Dude, I hope this isn’t wrong to say, but I’ve never heard a black dude sing like that. You rock!’ Kind of gives me hope for humanity. I didn’t think I had the voice for R&B, especially with artists like Bilal, who do justice to that style of music. Besides, big rock’s energy has been with me since childhood, starting with KISS.� Now, after opening shows for Motley Crue, Bon Jovi and Guns N’ Roses and dropping hard, strutting albums and EPs like 2015’s Like My Chances and 2014’s Sweet Talk Intervention, MACH22 is readying its next EP and album, as well as opening for and back-
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ing up Cinderella’s Tom Keifer on Oct. 13 at Harrah’s Philadelphia. This gig is a family affair as MACH22’s lead guitarist guitarist Sebastian Labar is the son of Cinderella’s axe king Jeff Labar. “In terms of our Cinderella connection, it’s an honor to have Sebastian’s association, and with Philly’s hometown heroes too,â€? said Caldwell. Glam metal’s platinum plated past and familial connections aside, MACH22 has its own path to blaze, one with its own precious metal sound in town. “This band allows me to be myself,â€? Caldwell continued. “I can be at the helm, but I can also voice my story which is ďŹ lled with success, failure, doubt, heartache and victory all at the same time.â€?
Though Caldwell welcomed the experience of playing Japan, Europe and England with Bilal and The Roots and could’ve easily remained under the umbrella of R&B and rap, the singer was writing something far harder, louder and guitar-strewn. “MACH22 started because I wanted to play music live that I was shopping to other artists,â€? said Caldwell. “I was a songwriter and had great singers to demo my tracks. My early writings were more R&B due to my connections, but I was also writing rock songs in the hope of getting my music to Lenny Kravitz.â€? The Kravitz connection never panned out, and Caldwell won’t spill the beans on who originally sung his demo tracks, but he did drop the dime on a conversation with Kravitz. “You have a good voice, why don’t you sing it instead,â€? Caldwell recalled. “So I ďŹ nally did, and from there, there was no turning back. I always had this desire to sing, but I never really felt that I had a contemporary R&B voice.â€? Going back to his youth as a KISS/Led Zeppelin acolyte, singing rock felt like a more free sensation for Caldwell. What he had to offer that world was a voice and a passion to deliver a message. What he needed was a bunch of hard swaggering guys with guts in a band to believe in him. “I needed to trust people as musicians. I needed to ally myself with great musicians and have a solid band,â€? he says of the pairing to create MACH22. Enter Sebastian Labar, along with bassist Jaron Gulino, drummer Damian Montecarlo and second guitarist Ric Haas – guys Caldwell could feel close to in different ways: “Damian because we share a similar upbringing; Baz [Lebar] because we’re both gearheads, and love wrenching on cars, trucks and motorcycles; Jaron because we share a passion for world domination; Ric because I see myself in him when I was his age in terms of his desire to want to improve his skill level.â€? Corny as it sounds, as soon as MACH22 got together as a unit and recorded its ďŹ rst album, they sounded seasoned, rich, swaggering, rocking and for all his talk to the contrary, deeply soulful. Produced by Jeff Labar and recorded at Dragon Sound Studios in Nashville, Caldwell still thinks of this as his favorite group effort to date. “We wrote and practiced for weeks then went away. It helped to get out of town, kept us on track to be in another city away from our day to day lives and the usual inuences,â€? he said. Since those early releases, shows of larger and larger scale the likes of Guns N’ Roses were a proving ground that MACH22 can actually do this on a high level. “Playing in front of such huge crowds and winning them over is a task,â€? said Caldwell. “Anyone can play on those stages, but actually reaching the crowds to where they walk away with a piece of what you do and like it... now that’s show business.â€?Q TWITTER: @ADAMOROSI
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PHOTO COURTESY HECTOR VAZQUEZ
The reviews are in and Asya Zlatina’s performance in ‘Storm’ has the highlight of this year’s Fringe Festival.
A Typhoon of Emotion Asya Zlatina’s second dance performance ‘Storm’blows audiences away BY ANDREA CANTOR
D
raconian immigration reform and the recent termination of the Deferred Action for Children Arrivals have created a whirlwind of opinions and panic. Similar to the many immigrants who come to the States, one woman who ed Russia from religious persecution at the age of 5, found her American Dream through dance. Asya Zlatina’s “Storm,â€? while not inspired by the current political regime, certainly captures the extreme emotional states of the American people. The 45-minute show debuted at the Fringe Festival on Sept. 14 and had two following performances on Sept. 17 at the Performance Garage. In all, as its name suggests, the show had a typhoon of emotion. “‘Storm’ is a showcase of the things that people have in them that are beautiful and ugly at the same time,â€? said Zlatina, the show’s creator and principal dancer. “People have a whole range of emotion within them. Very rarely do they show that whole range as adults, I feel. I wish that people were more in tune with their emotions.â€?
The modern dance piece is set to the music of English composer Gustav Holst’s “The Planets,â€? which reaches its centennial this time next year. Just as the music suite, the dance contains seven acts to represent the different planets, sans Earth. Going even deeper, each planet assumes an emotion, such as anger with “Mars, The Bringer of Warâ€? and joy with “Jupiter, The Bringer of Jolly.â€? Before picking a song, Zlatina began assembling the movements as cathartic relief for a fellow dancer who was going through a tough period of her life. In direct contrast, during last year’s Fringe Festival, Zlatina put on the show “Barry,â€? which was in dedication to her deceased grandmother, and the Yiddish songs she sang to the dancer as a child. “The ďŹ rst show, everything was based around the music. The music inspired everything. I heard the music, I saw the vision, and that was it,â€? explained Zlatina, who is touring with “Barry,â€? and is scheduled for April to perform the piece in D.C. “This was completely the opposite. This time we started with no music, we just started doing the movement, and I am not used to working like that. I just had to say, ‘what is the integrity of pain. How
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can we showcase this and ďŹ nd relief for her at the same time?’â€? But then the stars aligned when Zlatina happened to listen to the radio one day and heard the Saturn section of Holt’s “The Planets.â€? Proving to be even more cosmologically destined, Zlatina purposefully constructed the dance without doing much research of the suite — only to ďŹ nd out that, for the most part, she hit the nail on the head with Holt’s intentions. “I was shocked, I was absolutely stunned by how close my feelings were, and my interpretations of each section were to what he had put in it. I think that speaks to his incredible genius of being able to transfer onto other people exactly what he is trying to say,â€? Zlatina afďŹ rmed. Standouts of the seven-section performance were Greg Anmuth, whose melliuous dancing was a staple in several sections, and Sophie Malin, whose character in “The Bringer of Jollyâ€? was absolutely infectious. But the showstopper was undoubtedly the portion that started it all – Saturn. In the solo that is subtitled “The Bringer of Old Age,â€? Zlatina agitatedly spins and throws herself around, all while holding a knife — don’t worry, it’s a butter knife. Zlatina elevates the prop to become
a force of its own, representing death staring her in the face. “It is just that frantic craziness of that character. You don’t know if she is turning [the knife] on you, you don’t know if she is turning it on herself, you don’t know if she is going to use it at all,â€? said Zlatina, who actually lost the small knife the ďŹ rst time she performed the solo in front of a crowd, but pulled it off without a hitch during her festival performance. “But I knew there had to be some object that would keep you really anxious, ‘what is this person going to do? Somebody stop her, she is going to hurt someone, or herself.’â€? Zlatina explained that she was able to tap into the character of the aging woman, because while she is only 30 years old, in dancer years, she is nearing the end of her career. “I think, especially within this dance profession, it is such a limited amount of years ‌ I ended up graduating early from high school and getting out really early from college, because as a dancer, you are always thinking about how limited your time is,â€? said Zlatina. “In Russia they make you retire when you are 40. Saying you’re 30, it may not be the oldest age, and by no means do I think I’m old, but it is that nearing of a certain age where you are going to be cut off.â€? But getting up there in age is not the only challenge the dancer has faced — she is also a Modern Orthodox Jew. As a former dancer with Philadelphia’s Koresh Dance Company for eight years, Zlatina explained how difďŹ cult it was to keep kosher and Sabbath while on tour. “Always, since I was little, I tried to seek a way to merge [Judaism and dance]. It was always sad to me that I didn’t know how,â€? said Zlatina who scheduled her show purposely on Thursday and Sunday so she could keep the Sabbath. “For example, I can’t invite my Rabbis to come see me dance. Sometimes the people I want the most at my shows, they don’t even know I’m doing the shows.â€? For those who could attend, the solos, duets and group numbers brought layer after layer of visceral emotion: innocent to sexual, anger to sadness, giddiness to nervousness. While a simple background of colors clued viewers into what emotion was being portrayed, that was about all the help the audience received from the piece without a straight narrative or story arc. Beautiful movements followed intentionally ugly, improvisational scenes were linked with calculated and precisely rehearsed steps, and sounds, like stomping, were employed to capture the different “texturesâ€? of life. In that, the show challenges audiences to just take in what is being presented — an emotion in movement. Finished at this year’s Fringe Festival, Zlatina hopes to tour with the show in the future. That would be a most welcomed prospect, because this “Stormâ€? is not ready to pass. Q TWITTER: @ANDREACANTOR9
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PHOTO CREDIT KATE RAINES
Shows like Strange Tenants shot in an Old City basement was one of Fringe’s best performances.
weightlifting workout; clothes ying from the catwalks; a hair-raising dance solo that makes use of dangerous power tool. The cast of impressive and versatile dancers will be familiar to those who’ve been to other Montana shows, as will be the cameo of the Pope character from his 2015 Fringe hit “Purgatory.â€? And the dancing crosses uidly between genres. It’s tender, at times violent, and always, yes, kinky. By the end of the hourlong show, the set itself becomes something of its own character, constantly transforming to an eclectic soundtrack that goes beyond your predictable EDM fare. The show’s loose narrative succeeds in exploring the playfulness and joy and freedom of kink, while also providing commentary on identity issues that come with the territory. But the show’s numerous themes – from drug abuse and self image in the gay community to loneliness and longing for deeper human connection – begin to pile up, and as a result the show starts to buckle under its own weight. The ending felt uncharacteristically abrupt, but “KINK HAĂœSâ€? generates more than enough energy to compensate for its diffuseness.
Earth,� comes in the form of an all-ages show starring a father and son. (Phillips told PW that his son served as a creative counsel for much of the script.) What begins as a father’s effort to coax his young boy to bed transforms into an interstellar quest to retrieve a lost toy. As they traverse through various epochs, a crew of talented stagehands helps transform the ambitiously minimalistic set, with a roiling sea, a starry night sky, a frozen tundra, and more. The low-tech atmosphere was charming at moments, as when the actors climb through a life-sized refrigerator and emerge in a world of super-sized milk cartons. Some of the other effects, however, were hackneyed even by children’s standards. At a family-friendly Sunday matinee, “A Billion Nights on Earth� began as a laughable success with parents and kids alike, but lost its steam about 20 minutes into the performance, when the dialogue abruptly disappears and the show relies too heavily on its visual gimmicks to sustain the audience.
A LOVE SUPREME
FISHTOWN: A HIPSTER NOIR
FLASH FRINGE:
A retrospective The best and the worst of Philly’s latest experimental theater festival BY MAX MARIN
I
t was physically impossible to see every Fringe show this year. But...
STRANGE TENANTS “Strange Tenantsâ€? is the type of serious, daring theater that makes us lift our hands and give thanks for the Fringe – because who knows how often something like would ďŹ nd the public otherwise? In a darkly imagined Old City basement, the story begins with four distant women who reunite in a house from their past under eerie circumstances. Director Sam Tower and playwright Jeremy Gable will hardly take full credit for the unnerving script. As Towers told me before the show on its closing night, the show was an experiment in collaborative playwriting.
There were strong echoes of Hitchcock, Marsha Norman and Harold Pinter at his darkest hour. And if Fringe had awards for most clever set design – a life-sized corn ďŹ eld on stage! – “Strange Tenantsâ€? would have taken home the prize. Keep an eye out for anything by Sam Tower + Ensemble hitting the stage in Philly down the line.
KINK HAĂœS Gunnar Montana, a Fringe staple of the last ďŹ ve years, has earned a reputation for high-production value shows. For his latest choreographed world, “KINK HAĂœS,â€? he reportedly spent the bulk of an $11,000 crowdfunding campaign to transform the Latvian Society at 7th and Spring Garden streets into a garish underground nightclub, and the grafďŹ ti-and-grit set design does not disappoint. “KINK HAĂœSâ€? is a relentless visual rollercoaster from start to ďŹ nish, regardless of your interest in the queerer side of life. Without giving away all of the visual surprises, three notable favorites include: a dildo
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The Fishtown of the latest Tribe of Fools’ production has little in common with its neighborhood namesake – but the jokes are delightful nonetheless. We’re talking about “new� Fishtown, after all. It’s a place of “startups and letdowns,� according to the play’s protagonist, a luddite private eye. But beyond the jabs at La Colombe, “Fishtown� has something for its old-timers, too. The ambitious yet familiar plot offers a cautionary tale about technology – with a timely emphasis on what we sign away under “terms and conditions.� Beyond its delightfully surprising set design and reserved nods to the noir genre, the show’s dance scenes were some of the most inventive and playful that Fringe had to offer this year. We declare it a hands-down success for Tribe of Fools.
A BILLION NIGHTS ON EARTH Protean director/actor/playwright Thaddeus Phillips has been premiering new work at Philly Fringe since its inception in the mid1990s. His latest work, “A Billion Nights on
It would be difďŹ cult, I suspect, even for the non-enthusiast, to have sat through the 50-minute performance of “A Love Supremeâ€? and not felt some of its magic. There is little wonder why this particular dance has been touring since 2005: it is quite simply a stunning experience. Salva Sanchis and Anne Teresa De Keersmaeker brought their moving interpretation of John Coltrane’s 1965 masterpiece from Europe to Philly Fringe’s curated stage this year. The piece involves four male dancers and the four-part suite of the jazz legend’s opus, and as De Keersmaker told PW in a preview to the performance, the movement is as improvisatory as Coltrane’s sax. “Improvisation is organized freedom, an outburst of individual musicians supported by their ensemble,â€? De Keersmaker said. “We translated this idea into choreography, interweaving composition and improvisation into a seamless whole.â€? Q TWITTER: @MAXMMARIN
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NEWS
FILE PHOTO
Philly Music Hall LLC co-founder Deborah Rose Hinchey answers questions from residents during a March 23 community meeting at the historic Tacony Music Hall building.
No sex for you
Tacony residents win out in effort to prevent private sex club in neighborhood BY WILLIAM KENNY
P
hiladelphia’s Zoning Board of Adjustment has revoked a self-described “sexpositiveâ€? organization’s permit to operate a private sex-oriented club at a historic former music hall in Tacony. The six-member board voted unanimously on Sept. 13 in favor of the Tacony Civic Association’s appeal of the fraternal organization permit previously granted to Philly Music Hall LLC by the city’s Department of Licenses and Inspection on April 3. The permit applied to the 4815 Longshore Ave. building, commonly known as the Tacony Music Hall. The civic association successfully argued through a private attorney that the Philly Music Hall group did not qualify as a “fraternal organizationâ€? under the zoning code’s deďŹ nition of the term. The civic group further argued L&I improperly awarded the permit to the club for what amounts to a regulated adultoriented use. “We appealed their over-the-counter permit to act as a fraternal organization like the Sons of Italy,â€? Tacony Civic zoning chairman Sam Schepis said. “We told the zoning board [that Philly Music Hall] didn’t tell L&I everything.â€? “Right now, they do not have a permit to do anything in that building,â€? said Connie Schepis, who is Sam’s wife and a Tacony civic board member.
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Deborah Rose Hinchey, a Philly Music Hall spokeswoman, said her organization will appeal the zoning board’s decision. “The Philly Music Hall is going to immediately appeal. We’re in conversations with L&I to make sure we fully adhere to the zoning code,â€? Hinchey said. The city Law Department, which argued in support of the permit on behalf of L&I, declined to comment on the case. An attorney for the civic association, Matthew N. McClure of Ballard Spahr, said he wished to withhold comment on the case due to the possible appeal. Philly Music Hall obtained its fraternal organization use permit on April 6, but use of the Longshore Avenue property has been a public issue since Jan. 30, when Philly Music Hall applied to operate a nightclub or private club there. Opened in 1885, the three-story red brick building originally served as an entertainment venue, library and community center for the company town created by Henry Disston around his world-renowned saw works. By 1965, it was being used as a furniture warehouse. In 1989, a local couple bought the building and established a real estate business there. The building later housed the Tacony Historical Society ofďŹ ce and archives. In 1995, the zoning board permitted a daycare center that still operates on the ground oor. After the property’s sale last year, Philly Music Hall
agreed to lease the second and third oors and sought to establish what it described as a “sex-positive communityâ€? there. After L&I denied the night club/private club application in January, Philly Music Hall appealed to the zoning board. As part of the zoning appeal process, Philly Music Hall was required to present its plans at a public meeting. More than 100 people attended the March 23 session at the music hall. During the meeting, Hinchey said her group wanted to establish a “safe, membersonly space for the alternative sexual communities of Philadelphia.â€? Previously, Hinchey said the proposed center would serve “those who are marginalized for their sexual identities,â€? such as the lesbian, gay, bisexual, transgender or transsexual communities as well as those who identify as queer, intersex or asexual and those who practice non-traditional relationship styles. Collectively, Hinchey referred to those categorizations as the alt-sex community. Hinchey further said at the March 23 meeting sexual activity would not be encouraged on-site, but it would not be prohibited. She said that club employees or members would not be compensated for sex demonstrations or performances. Alcohol and drugs would be prohibited from the property, Hinchey said. Neighbors voted 81-18 that night to oppose the club’s zoning application. Rather than ďŹ ght the neighbors at an ensuing zoning board meeting, Philly Music Hall withdrew its nightclub/private club application and ďŹ led a new application as a fraternal organization. L&I granted the permit on April 6 allowing the club to operate privately. Four days later, the civic association appealed the permit. City Councilman Bobby Henon, state Sen. John Sabatina and state Rep. Mike Driscoll each co-signed the civic association’s April 10 letter to the zoning board seeking a new hearing. The city’s zoning code deďŹ nes “fraternal organizationâ€? as, “The use of a building or lot by a not-for-proďŹ t organization that restricts access to its facility to bona ďŹ de, annual duespaying members and their occasional guests. Banquet rooms and the preparation and serving of food and beverages and occasional live entertainment are uses and activities in association with fraternal organizations.â€? Meanwhile, the zoning code deďŹ nes “adultoriented servicesâ€? as a regulated use, including adult cabarets, modeling or photography, movie theaters, spas or health clubs and massage shops. Sales of adult-oriented merchandise such as printed materials, videos and sex toys are also regulated by the code. Hinchey has said that Philly Music Hall would conduct social and educational events involving sexual and non-sexual topics. Members pay dues. The organization ďŹ led for nonproďŹ t status last spring. Q
INTERESTED IN FREE CONTESTS AND TICKETS? Go to philadelphiaweekly.com/contests to see what you can win!
TWITTER: @NORTHEASTKENNY
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Find more events at philadelphiaweekly.com/calendar Tell us about your upcoming events! Send press releases and information to: events@phillyweekly.com
The winner will receive $100. | 5-10pm. $5. SkyGarten, 1717 Arch St. skygarten.com
DRINKS
Philadelphia Wine Cruise
Forget the booze cruise, this one is for the winos. Try different wines from around the world while you enjoy artisan cheeses. Now how relaxing does that sound? Learn proper techniques for tasting wine as you sail along the waters. 6:30-9:30pm. The Ben Franklin Yacht, 401 N. Columbus Blvd. $65 plus $4.57 fee. eventbrite.com/e/philadelphia-winecruise-tickets-37005020011?aff=facebook
FESTIVAL
the scene What to do in & around the city
Broadway Philadelphia Presents ‘Kinky Boots’
D
on’t just put on any old pair of shoes to go to the theater. Wear your Kinky Boots! For one week, the six-time Tony award-winning musical, “Kinky Bootsâ€? is walking its way from New York to Philly. Audiences will be sure to enjoy the songs written by Grammy and Tony award-winning Cyndi Lauper. But this musical does not rest solely on its music and dance laurels. It also has a strong narrative. Based on the true story, Charlie Prince must take over the family’s failing shoe factory after his father passes away. Unsure of how to save the company, the solution comes in the unlikely form of Lola, a drag queen. From there, the business soars by providing women’s shoes for men. With October being LGBT+ History Month, this show is a great opportunity to learn about acceptance, gender norms and drag. Reminding us, no matter the shoe type or size, we all ďŹ t in this world. Tuesday, Oct. 3 – Sunday, Oct. 8. Prices vary. Academy Of Music, 240 S. Broad St. kimmelcenter.org/events-and-tickets/201718/broadway-philadelphia/kinky-boots
– ANDREA CANTOR | @ANDREACANTOR9
WEDNESDAY, SEPTEMBER 27 OPEN MIC
Callback Comedy Open Mic
Think you got the funny bone? Show off your stuff at the comedy open mic. Polish your set to a live audience. Build up your conďŹ dence and get comfortable on stage. Novice to expert comedians welcome. | 8pm. Free admission. Punch Line Philly, 33 E. Laurel St. punchlinephilly.com
COMMUNITY
South Philly Potluck
Come with a dish and leave with new con-
nections. Meet people from the South Philly community and talk over food and drink. Let the organization know if you can bring something to add to the fest. Even if you are empty handed, still come! It’s a great day to get in touch with your community. | 7:30pm. Free. 2021 S. 13th St. reclaimphiladelphia.org
GAMES
‘The Simpsons’ Quizzo
Are you all about Homer, Marge, Bart, Lisa, Maggie, and the rest of SpringďŹ eld? Show off your knowledge of the long-running animated comedy at the themed Quizzo. Be a smartypants Lisa with the trivia, but have fun and drink like Homer – well, maybe not as much
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as Homer. | 8-10pm. Free admission. The Grey Lodge Pub, 6235 Frankford Ave. greylodge. com
THURSDAY, SEPTEMBER 28 DRINK
Oktoberfest 2017
Brews and views! Celebrate the German festival with German beer and food 700 feet above the city. Start stretching your arms for the liter lift competition at 8pm on both Thursday and Friday. The rules are simple. Participants have to extend their arm in a prost-ian pose while holding a glass beer stein. If any beer spills or if you bend your arm, you lose.
PHOTO CREDIT: MAX GRUDZINSKI
Feastival 2017
While the Fringe Festival showcases the arts, the Feastival celebrates the art of cooking. Come hungry for mouthwatering dishes from the best chefs around town. “Top Chef� winner Nicholas Elmi, James Beard winners Michael Solomonov and Stephen Starr, and famed restaurateur Audrey Claire Taichman host the glam event. What’s more is that you’re eating for a good cause! The event is a fundraiser for FringeArts. | 7-10pm. $300. FringeArts, 140 N. Columbus Blvd. phillyfeastival. ticketleap.com
FRIDAY, SEPTEMBER 29 GAMES
Clue & Booze: ‘Hunger Games’
May the odds be ever in your favor! Play “Hunger Games� themed mystery games as you drink cocktails. Play with friends or by yourself. Only one team can be the victor! To get to Front Street Dive, go through The Victoria Freehouse and up the stairs. | 8-10pm. Front Street Dive, 10 S. Front St. cluesandbooze.com
DANCE
Salsa Night
Get ready to shake a tail feather! Don’t know how to salsa? No worries, before the party switches into high gear, there will be a salsa lesson at 9pm. At 11pm, get ready to show off those moves to live DJs as you dance on the rooftop. | 8pm-1am. Free before 9pm. $5 cover after 9pm. South Bowl, 19 E. Oregon Ave. southbowlphilly.com
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TASTE OF PHILLY A Culinary Sampling Experience A
EVENT
SAVE THE DATE Philadelphia Weekly’s unique culinary event in Center City, will be held November 15, 2017 at the Crystal Tea Room. Great food is an art – and Philadelphia Weekly’s annual celebration of Philly food & drink spotlights the mealtime masterpieces that need to be framed and hung inside the museum of your belly. Philadelphia Weekly invites you to join us and sample food & drink from some of the top venues in the area as they show off their masterpieces, by offering samples of their most creative, unusual and delicious menu items!! 3+,/$'(/3+,$:((./< &20
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PUB CRAWL
SUNDAY, OCTOBER 1 FESTIVAL
Prohibition Pub Crawl
Shh, let’s keep this night on the down low. Take a walking tour through Philly’s past as you go to different bars that served as speakeasies in the 1920s. Learn about all things Prohibition as you walk, drink and play trivia. Tickets include a complimentary drink and snack. | 6-9pm. $50. 1 N. Independence Mall West philatour.com
SATURDAY, SEPTEMBER 30 FESTIVAL
Oktoberfest Live!
Federal Donuts Block Party
Do you go do-nuts over Federal Donuts? Well, this is the festival for you! This fried food frenzy has fried chicken sandwiches and a pegboard wall of donuts! The event will also include free eats, live music, and $5 beer. | 1-4pm. Free admission. Federal Donuts, 1632 Sansom St. uwishunu.com/2017/09/federaldonuts-throw-food-filled-block-party-sunday-october-1/
DANCE
Calling all cider lovers! Start fall off right by sampling ciders from six historic houses in Fairmount Park. Your ticket includes a souvenir tasting cup and free house-to-house transportation via Phlash’s CiderFest Loop. Don’t worry about eating lunch before you leave. Food trucks will be at the different locations. Choose your starting house location when you buy your ticket online. | Noon-4pm. $40 in advance. Various locations in Fairmont Park. fairmountpark.ticketleap.com/ciderfest/
‘Hocus Pocus’ (1993)
Even though it’s only the beginning of October, are you already feeling the Halloween vibes? Start getting into the pumpkin lantern and trick-or-treat mood by watching the cult classic movie about witches. Break out the brooms and pointed hats. All those who dress up as a character from the 1993 movie will receive a free beer. The ďŹ lm starts at 8pm, but come before 7pm and get a free beer and play classic games. After the movie there will be trivia, prizes and rafes. Enjoy drink specials and food. | 6:30 doors open. $3. The Trocadero, 1003 Arch St. thetroc.com
Are you a yogini and a beer lover? Why not combine both your passions! Come for some Vinyasa and brews. Just bring a mat, and get your yoga and drink on. | 6-7pm. Free. Fishtown Hops, 1001 N. Delaware Ave. ďŹ shtownhops.com
CRAFTS
Spruce Street Harbor Park Formal Dance
Dress to impress for Spruce Street’s last night of the season. Dance under the lights, and enjoy the remainder of warm nights. So grab your dancing shoes, and get ready to boogie! | 9pm. Free admission. Spruce Street Harbor Park, 401 S. Columbus Blvd. delawareriverwaterfront.com/places
YOGA
Puppy Yoga
Do downward dog with a dog! Before jumping back into the “ruffâ€? work week, relax with yoga stretches and adorable pups. The event beneďŹ ts the Pennsylvania SPCA, which will be there with adoptable dogs. Who knows, you may leave not only with a good stretch, but also with a new furry friend! Stick around after the yoga session for a complimentary drink. Remember to bring your own mat. | 9:30am. Free. 1100 Social, 1100 Pattison Ave. 1100social.com
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Culinary Literacy Center, 1901 Vine St. eventbrite.com/e/cheesemaking-101
CONFERENCE
Pennsylvania Conference for Women
Ready to hear from awe-inspiring women? The keynote speaker will be Michelle Obama. Yes, former First Lady Michelle Obama! Get empowered, and learn what women can do from a whole lineup of changemakers! | 7:30am-5pm. Prices vary. Pennsylvania Convention Center, 1101 Arch St. paconferenceforwomen.org
MOVIE
Yoga Hoppy Hour
March To End Rape Culture 2017
CiderFest at the Historic Houses of Fairmount Park
Celebrate Citylight Church’s ďŹ fth anniversary! The festival will include all the classics. Listen to live music, eat ice cream and other treats from food trucks, get your face painted, grab your friends for a photo-op in the photo booth, and play tons of lawn games! | 1-4pm. Free admission. Gorgas Park, 6300 Ridge Ave. citylightphilly.com
YOGA
PROTEST
DRINKS
Citylight Fall Fest
MONDAY, OCTOBER 2
It’s time to break out the lederhosen for this epic Oktoberfest. Join thousands of people for unlimited samplings of 250-plus craft beers from 125-plus breweries, food trucks, games, live music and more! Not a beer drinker? The event will also have ciders and wine. | 3-7pm. Prices vary. upcomingevents.com/e/oktoberfest-live
Do you want to put an end to rape culture? Then let your voice be heard, and come out to demand change! Support rape survivors, and let them know they are not alone. Hear from an incredible lineup of guest speakers, complete with ASL interpreters, and learn about helpful resources. Survivors and allies will march through the streets to tell the world enough is enough. There will be therapists on site for those who are triggered during the protest. | 11am-3pm. Thomas Paine Plaza, 1401 JFK Blvd. mterc.org
FESTIVAL
Build Your Own Boozearium
Tired of making the regular terrariums? Want to incorporate your love of crafts, environment and booze? Come and turn empty liquor bottles into self-contained mini forests to take home! Ticket includes all materials and step-by-step instruction. | 6-8pm. $45. Bourbon & Branch, 705 N. 2nd St. tickety.com/ purchase/event
TUESDAY, OCTOBER 3 FOOD
Cheesemaking 101: Ricotta and Paneer
Are you cheese lover? Want to learn how it is made? Come for a cooking lesson with cheese aďŹ cionado and writer Alex Jones. Find out how easy it is to make milk ricotta and paneer at home. Learn about the nutritional beneďŹ ts and sciences behind cheese. Not to get all cheesy on you, but you’ll have a Gouda time! | 6pm. $15. Free Library of Philadelphia
WEDNESDAY, OCTOBER 4 COMEDY
Philly All-Pro Comedy Showcase
“Philadelphia Weekly� joins Punch Line Philly to put on a night of laughs. The only thing that is not funny is how cheap these tickets are! For only $8, you can watch eight of Philly’s top comics. Headlining the show is Philly native and hilarious standup comic Chris Cotton. | 8pm. $8. Punch Line Philly, 33 E. Laurel St. punchlinephilly.com
MOVIE
Not-So-Silent Cinema presents The Cabinet of Dr. Caligari
Movie buffs will love watching the 1920s ďŹ lm that pioneered German Expressionism. Get popcorn, drinks and free admission to the museum from 6-7pm. Just before the movie about a murdering somnambulist, forensic psychiatrist Dr. Ken Weiss will give a short talk on the link between sleep disorders and violence at 7pm. The event is in conjunction with the new exhibition, the Rosenbach Museum and Library’s Frankenstein & Dracula: Gothic Monsters, Modern Science. | 6-9pm. $20 general admission. MĂźtter Museum of The College of Physicians of Philadelphia, 19 S. 22nd St. eventbrite.com/e/not-so-silent-cinema-presents-the-cabinet-of-dr-caligari-tickets-37103829553
DRINKS
Oktoberfest Beer Garden
If you’re searching for a way to get over hump day, look no further. Come for local craft brews and German bites, such as a large Bavarian pretzel or a bratwurst. The Great Stair Hall Balcony will be turned into an Oktoberfest Beer Garden every Wednesday throughout October. | 5-8:30pm. Prices vary. Philadelphia Museum of Art, 2600 Benjamin Franklin Pkwy. philamuseum.org Q
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SAVAGE LOVE:
At the Palace DAN SAVAGE I had a blast hosting Savage Lovecast Live at San Francisco’s Palace of Fine Arts. Audience members submitted questions before the show, and I consumed a large pot edible right after the curtain went up and then raced to give as much decent sex advice as I could before it took effect. Here are some of the questions I didn’t get to before my judgment became too impaired to operate a sex-andrelationship-advice podcast.
constantly and gets passive-aggressively mad whenever she tries to hang out with people besides him. When she complains about him, I want to say fuck him, he’s a dick, except‌ she’s having a full-on affair with another guy and seems not to feel bad about it! I don’t know what advice to give or how to make sense of the situation. What’s my responsibility to her? To her boyfriend? Maybe your best friend’s boyfriend is jealous and controlling because he senses—or because he knows—his girlfriend is cheating on him. Or maybe it didn’t occur to your best friend to cheat on her boyfriend until after he accused her of cheating for the millionth time—maybe she ďŹ gured she might as well commit the crime since she was already being punished for it. Or maybe they’re both terrible people who deserve each other and neither is your responsibility.
My partner and I are a straight couple in our 20s/30s. We’re curious about straight PDA in gay bars. She feels it should be kept to a minimum, but a little is okay. He feels it shouldn’t happen, as it may make people uncomfortable. Thoughts? I think this is something you and your opI’ve been on the dating apps a while. What’s posite-sex partner should discuss over drinks in up with serial ďŹ rst daters? Back when people primarily met at par- one of the thousands of straight bars in the San ties, bars, clubs, etc., we established baseline Francisco Bay Area. physical/chemical attraction before learning I feel like all my friends resent me for getting someone’s name and long before a ďŹ rst date. (We eyeballed ’em, we said hello, we made a married. How do I make them feel less insecure moment’s small talk.) With apps, however, we about my new relationship? Ask yourself which is likelier: All of your can’t establish baseline physical/chemical attraction until our ďŹ rst face-to-face meeting— friends—every single one of them—are so petty until after that â€œďŹ rst date,â€? which itself comes and insecure that they resent you for getting after we’ve swapped irty messages, sent ad- married or you were a megalomaniacal brideditional pics, and made a plan to meet. Since or-groom-or-nonbinary-zilla and behaved so apps mean more â€œďŹ rst dates,â€? it feels like we’re atrociously that you managed to piss off all meeting a lot more “serial ďŹ rst datersâ€? these your friends? If it’s the (less likely) former, days. We aren’t—it’s just that now we have to make better friends. If it’s the (more likely) latmeet up with people to eyeball ’em, say hello, ter, make amends. and make small talk. Don’t think of that ďŹ rst meeting with someone you met via an app as My brother’s ďŹ ancĂŠe told my mom that she a â€œďŹ rst date,â€? think of it as the pre-interview doesn’t like my mom’s usual lipstick color and before the ďŹ rst date. asked my mom to wear a shade she picked out for the wedding. My mom is 75 and wears cute What is the appropriate amount of side pink lipstick. Is it wrong if both my mom and I boob? wear the pink in solidarity? This is outside my area of expertise/giving a You should absolutely wear your mom’s shit. So I’m going to pass this question on to shade in solidarity—and send me a pic of you Tim Gunn. I’ll let you know what Tim has to two at the wedding, please! (Hey, person who say should he respond. asked the previous question, did you pull this kind of shit? Did you order your friends around My best friend is in a relationship with a re- the way this woman’s future DIL is ordering ally jealous, controlling guy. He guilt-trips her her around?). Q
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Reel in the Memories this Fall! A Pennsylvania fishing license is your ticket to FALL FISHING FUN!
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SEAN GOLDEN 570.234.7061
2300 HARTRANFT STREET BETWEEN PENROSE AVE. AND 26TH ST.
sgolden @philadelphiaweekly.com WHAT TO DO | WHERE TO GO | WHERE TO LIVE | WHAT’S UP NEXT
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The Damon Michels Team Go Solo. If you’re ready to move up to a bigger house, and the thought of dealing with real estate agents has you up a tree, call Solo Real Estate. We can move you up at a price you can afford. So when you’re ready to put down new roots, give us a call.
610.668.3400
MAIN LINE SUBURBS
1220 Gladwyne Drive, Gladwyne 5 Bed/3.2 Bath; 4264 sq ft Colonial $995,000
NEW LISTING 705 Conshohocken St Rd, Bala Cynwyd 4 Bed/2.1 Bath; 1649 sq ft Traditional $424,000
1204 Denbigh Lane, Wayne
224-30 W Rittenhouse Sq, Unit 905, Philadelphia 3 Bed/2 Bath, 1,483 sq ft Condo $870,000
828 Summit Road, Penn Valley
NEW LISTING
4 Bed/2.1 Bath Colonial $700,000
1900 John F Kennedy #1522, Logan Square
712 Sussex Road, Wynnewood
1 Bed/1 Bath; 605 sq ft Unit $85,000
238 W Montgomery Ave, Haverford
4 Bed/ 2.1 Bath; 2479 sq ft Colonial $649,000
515 Northwick Lane, Villanova
519 S Narberth Ave, Merion Station
4 Bed/5.1 Bath; 6191 sq ft Colonial $1,265,000
4 Bed/2.1 Bath; 2400 sq ft Twin $399,900
115 Booth Lane, Haverford
3900 Ford Road #5A, Philadelphia
3 Bd/2.1 Ba; 2371 sq ft French Colonial $749,900
2 Bed/1.1 Bath; 1330 sq ft Unit $110,000
5 Bed/3.1 Bath; 2557 sq ft Colonial $670,000
519 Spruce Lane, Villanova
926 Merion Square Road, Gladwyne
507 Kingsley Court, Roxborough
3 Bed/3 Bath; 1800 sq ft Bi-level $665,000
5 Bed/6.1 Bath; 5502 sq ft Colonial $1,250,000
JUST REDUCED 1122 Greentree Lane, Penn Valley
131 Iron Works Way, Wayne
JUST REDUCED
3 Bed/3.1 Bath; 2632 sq ft Condo $1,260,000
143 East Street, Manayunk
68 W Lodges Lane, Bala Cynwyd
4 Bed/2 Bath; 1680 sq ft Rowhome $255,000
5 Bed/2.1 Bath; 2150 sq ft Colonial $599,000
2254 N Carlisle St, Philadelphia
5 Bed/3.1 Bath; 3900 sq ft Colonial $1,024,000
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CENTER CITY PHILA.
5 Bed/2.1 Bath; 2018 sq ft Colonial $399,000
500 N Spring Mill Road, Villanova
Call us at 215-564-7656 or visit solorealty.com. 2017 Chancellor Street Philadelphia, PA 19103
Studios $200,000 to $300,000 1 Bedrooms $300,000 to $400,000 2 Bedrooms $400,000 to $500,000 3 Bedrooms $500,000 to $650,000 "
5 Bed/5.1 Bath; 8575 sq ft Colonial $1,295,000
6 Crest Lane, Swarthmore
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The William Penn House - Center City Living! "
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4 Bed/2.1 Bath; 1846 sq ft Cape $469,000
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“Specializing in MainLine & Center City� Damon Michels Damon@DamonMichels.com 265 Homes www.DamonMichels.com Sold in 2016
3 Bed/2.1 Bath; 2512 sq ft Tudor $399,000
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EQUAL HOUSING OPPORTUNITY
1461 Lanes End, Villanova 5 Bed/4.3 Bath; 7322 sq ft Colonial $2,495,000
5 Bed/2 Bath; 1830 sq ft Row $270,000
304 Dogwood Lane, Elkins Park
2248 N Carlisle St, Philadelphia
4 Bed/2.1 Bath; 3064 sq ft Colonial $449,900
5 Bed/2 Bath; 1606 sq ft Row $240,000
442 Fawn Hill Lane, Penn Valley
317 S Bryn Mawr Ave, Bryn Mawr
4 Bed/3.1 Bath; 4301 sq ft Colonial $720,000
4 Bed/2.1 Bath; 3287 sq ft Colonial $689,000
4411 Garden Street, Bridesburg
550 Foxglove Lane, Wynnewood
1351 Bobarn Drive, Penn Valley
3 Bed/1.1 Bath; 960 sq ft Rowhome $225,000
5 Bed/3.2 Bath; 2701 sq ft Contemporary $830,000
5 Bed/4.1 Bath; 6647 sq ft Contemporary $1,350,0000
116 Clwyd Road, Bala Cynwyd 5 Bed/3.1 Bath; 3918 sq ft Normandy $1,099,000
408 Mill Creek Road, Gladwyne 5 Bed/4.1 Bath; 6334 sq ft Normandy $1,350,000
240 Twinings Lane, Wayne 5 Bed/5.2 Bath; 7221 sq ft Colonial $1,575,000
CONDO LIVING
1655 Oakwood Dr #N103, Penn Valley 1 Bed/1 Bath; 858 sq ft Unit $185,000
20 Conshohocken St Rd #410, Bala Cynwyd 2 Bed/2 Bath Unit $199,900
St Rd #611, Bala Cynwyd 191 Presidential Blvd, Bala Cynwyd Unit 824-25 20 Conshohocken 2 Bed/2 Bath; 1735 sq ft Unit $225,000 2 Bed/2 Bath; 2100 sq ft $425,000 11510 Valley Forge #15J, King of Prussia 50 Belmont Ave #211, Bala Cynwyd 2 Bed/2 Bath; 1440 sq ft Unit $389,000
2 Bed/2.1 Bath; 2383 sq ft Condo $425,000
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304 PEMBERTON STREET QUEEN VILLAGE’S BEST BUY $399,000 WOW ! Meredith Catchment, Pristine Move In Condition, 3 Bedrooms, Designer Baths, Large Cook’s Eat-in Kitchen with Custom Built Butler’s Pantry, Lots of Cabinet and Counter Space, Hardwood Floors Throughout, Gas Heat, Central Air, Good Closet and Storage Space + a Set of French Doors Leading to the lovely Outdoor Garden Perfect for Al Fresco Dinning
$399,000 WHAT THEY ARE SAYING: “Kathy, Pat and their team helped me ďŹ nd a condo in Philadelphia. I always felt that Kathy and Pat were looking out for me, giving me sound advice and facts, and letting me make the decision. I always trusted them throughout the entire process. They have been in the business for a long time, and I got the sense that all the other agents knew of them and respected them. On top of that, their team is amazing. They responded to all my inquiries, big or small, very promptly.â€? Edwin Li
Patrick Conway
Kathy Conway
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