AUGUST 30 - SEPTEMBER 6, 2017
TIVEPHILADELPHIAWEEKLY.COM PHILLY’S NEWS ALTERNA Jay-Z brings the noise to the Parkway once again this weekend for the always raucous Made in America Festival. SEE PAGE 25
Dance, theater and acrobatics expertly collide in Lifelines, the new Fringe performance by Tangle Movement Arts, Sept. 6-9 at Neighborhood House.
Beginning Sept. 7 all of Philadelphia is a stage. We dedicate 12 pages to the arts, theater and revelry that is Fringe. SEE PAGE 9
Every story in the rainbow Stirring romances. Inspiring dramas. Uplifting biographies. Pride comes in many stories. Experience the vast collection of LGBTQ movies and shows on XFINITY X1. Explore the LGBTQ Film & TV collection on XFINITY On Demand or just say “Pride� or “LGBTQ� into the X1 Voice Remote to find exciting, new entertainment curated especially for you – all year long.
I am Jazz available at xfinity.com/stream
El Canto Del Colibri available on XFINITY Stream app
Discover more about the LGBTQ Film & TV Collection at xfinity.com/findyourself Restrictions apply. Not available in all areas. Š 2017 Comcast. All rights reserved.
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The mission of the American Liver Foundation is to facilitate, advocate and promote education, support and research for the prevention, treatment and cure of liver disease. For more information about the American Liver Foundation visit liverfoundation.org. #LIVERLIFEWALK
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FROM THE EDITOR
Let’s all soldier on KERITH GABRIEL
I
’m beginning to think this current Administration simply enjoys stirring the pot. Well, that or protests must be really good for exposure. Fueled by itchy Twitter ďŹ ngers and awful nationally televised speeches, the leader of the pack ladles things up with arcane ideology and dangerous rhetoric. But it’s not surprising. He ran a campaign mired in sexism, racism and alleged collusion. His lack of denouncing the now overtly obvious racial hatred and bigotry has arguably further divided a nation. It’s not like we didn’t always know racism existed, but there is a bit of shock at just how ready racists are to rip off their masks and sing it from the mountain top. Sadly, that’s not even what shocks me anymore. What Trump and his rotating door of muppets are doing to transgender and nongender identiďŹ ers of our armed forces is perhaps one of the more cruel and manipulative mandates made since the start of his term. While this imposed ban arrived with respect to the U.S. Coast Guard, it’s a ban that will affect all branches of our combined forces. The phasing out of people dedicated to defending our country under the belief that the former administration didn’t effectively prove that transgender service members would not “hinder military effectiveness and lethality, disrupt unit cohesion, or tax military resources,â€? is BS on an already layered cake of BS. The latter of cost being the deciding factor as the government doesn’t want to pay for elective surgeries for these members is perhaps the greatest cop out, but one that again has caused divide and an inability to see people as a mixed bag of human beings. I’ve talked to quite a few highly educated people who don’t seem to be educated on 3+,/$'(/3+,$:((./< &20
the true cost of war. I get that. Unless you work at the Department of Defense you aren’t going to be privy to exact dollars and cents, but you don’t have to drive to the Pentagon every day to understand that this is a silly notion. Earlier this month, PBS Newshour correspondent William Brangham interviewed Agnes Gereben Schafer, a strategist who in 2016 conducted a study for the DoD under the Obama administration on allowing transgender people in the armed forces and the costs associated. Schaefer noted that the cost for these surgeries range anywhere from $2.4 million to $8.4 million for the government. Not per soldier, mind you. Total. Plus this ďŹ gure is only accurate assuming the estimated 11,000 total transgender members of the armed forces, both active and reserve, elected to have the surgery. Which they don’t. It reportedly costs $17,500 to equip one soldier for war and this is just for what they carry daily. We have millions of troops stationed all over the world and thousands currently in active duty. Earlier this month, President Trump elected to send an additional 5,000 troops into Afghanistan. Remember after you equip them, you have to deploy them. Which according to CNN.com, costs upward of $850k to $1.4 million per soldier. But let’s use the basic numbers. $17.5k to outďŹ t an additional 5,000 troops equates to $87.5 million for the government and ultimately the American taxpayer. So we’ll readily fork out $87.5 million, but scoff at less than $9 million for a surgery that affects a fraction of our military manpower? I did the math and at the end the only thing that added up is this administration’s inability to accept people for who they are. To use cost as a reason is insulting, disrespectful and pathetic. Think about it: our country would refuse to offer someone ready and willing to lay down their life to protect freedom a surgery that would grant that person the freedom to be who they choose. It’s the type of notion among many in this current political and social climate that continues to bring America’s rich melting pot from a simmer to a hard boil. Q TWITTER: @SPRTSWTR
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Connect with us: @PhillyWeekly EDITORIAL Kerith Gabriel, Editor kgabriel@philadelphiaweekly.com Max Marin, Staff Writer, mmarin@phillyweekly.com Tim Ronaldson, Editor-in-chief , Newspaper Media Group tronaldson@newspapermediagroup.com
state city of the
CONTRIBUTORS: A.D. Amorosi, Swabreen Bakr, Kriston Bethel, Jared Brey, Andrea Cantor, Gregory Dale, Sarah Rose Etter, Scott Himelein, Hayden Mitman, Andrea Monzo, Timaree Schmit, Alex Vuocolo, Daniel Barnes, Anne Johnson, Dan Savage PRODUCTION Mark Homer, Design and Layout BUSINESS Perry Corsetti, COO, pcorsetti@bsmphilly.com Deidre Simms, Director of Major Accounts, deidre@phillyweekly.com CIRCULATION/DISTRIBUTION Pearl Harta, 215-354-3146 pharta@bsmphilly.com PHILADELPHIA WEEKLY 2 Executive Campus, Cherry Hill, N.J. 08002 Phone: 215-563-7400 Classified: 215-354-3054
Overheard in Philly... “I trained for a month DQG , Ť QLVKHG EHWWHU than I thought I would, , GLGQĹ?W VSUDLQ RU WHDU DQ\WKLQJ DQG WKLV KRW guy who looked damn good DVNHG IRU P\ QXPEHU ZKLOH , ZDV DOO VZHDW\ DQG JURVV 3OXV WKLV EHHU WDVWHV DPD]LQJ ,Ĺ?G VD\ ,Ĺ?P KDYLQJ D SUHWW\ JRRG 6XQGD\ Ĺ“
Pissed off at SEPTA
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It’s been a year since the transit authority, facing an avalanche of rider complaints, rolled out a liquidrepelling paint to discourage public urination. In theory, the hydrophobic coat is supposed to repel uids on contact and send a warm, wet message right back to all who relieve themselves in public. Brilliant. Sure. But Billy Penn reports that SEPTA has seen little to no change in the number of complaints about those who pee, the pee itself, and, of course, the unmistakable pee smell at the undisclosed transit hubs where the paint is being testing. In other news, we’re starting a petition to paint the entire surface area with of the Mummers Parade next year with this paint. For science. Q
– Woman having a celebratory craft concoction at Evil Genius Brewing Company in Fishtown; obviously still feeling the endorphins having just finished the Philly 10k on Aug. 27
Oh,shut up!
Homerun Hoskins
He’s only been in the majors for a few weeks, but everyone in Phillies sports has their eyes on Rhys Hoskins — the rookie who, last week, became the ďŹ rst player in MLB history to begin his career with 11 home runs in his ďŹ rst 18 at-bats. Granted, by the time you’re reading this, there are only 30 games or fewer left for the Phils this season. But let’s count this as a nothing short of extraordinary start to Hoskins’ career. Q
140
The sum of independently produced art performances scheduled to take place during the three weeks of the annual Fringe Festival beginning Sept. 7. We tap into a few of them in our 12-page Fringe guide that kicks off on page 9. Q 3+,/$'(/3+,$:((./< &20
$5.26 Million Philly police ofďŹ cers are making serious overtime in this tumultuous year of anti-Trump marches, police shooting protests, and most recently, rallies to tear down the Frank Rizzo statue. How much? The city has spent $5.26 million on police overtime in ďŹ scal year 2017, City & State PA reports. Q
Philly to Texas In the days after Tropical Storm Harvey landed in Texas, both Pennsylvania and New Jersey sent emergency task forces ďŹ re and emergency personnel to Texas deal with the damage. PA Task Force 1 departed Philadelphia on Sunday, August 27. The 45-member aid crew included at least 20 Philly ďŹ reďŹ ghters. Way to step up, Philly. Q
Thumbs up Ah, good old inter-league bromance. There’s nothing quite like that sweet seasonal overlap when one Philly sports team is revving into preseason mode as another is dragging its carcass to the ďŹ nish line of a dismal season. But there’s plenty to love about the Phils’ new hopeinspiring slugger hitting up Eagles QB Carson Wentz on Twitter, only to ďŹ nd out that the respect is mutual. Q
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Thumbs down So, about that police contract‌The Inquirer reports that Philadelphia Police OfďŹ cer Cyrus Mann, who was hired in 2008, shot three men in four years, got sued six times, costed the city hundreds of thousands of taxpayer dollars in damages and settlements, and who was ďŹ red in 2015... you still with us? Mann was just rehired after an arbitration ruling, thanks to Fraternal Order of Police Lodge 5. The city recently signed a new deal with the police union, but in terms of discipline, it’s the same as the old one when it comes to putting bad-apple cops back on the street. Q 3+,/$'(/3+,$:((./< &20
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Good. Bad. Beautiful. Fringe. Choreographer and Fringe staple Gunnar Montana returns this year with “KINK HAĂœSâ€? at the Latvian Society beginning Sept. 5.
Beginning Sept. 7, Philadelphia transforms into a transmissive delivery of various ideas, beliefs through theater, comedy, spoken word and design. Some of it will amaze. Some of it will honestly be downright awful. But that knowledge has always been the true beauty, the art and the soul of Fringe.
PHOTO: GUNNAR MONTANA
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PHOTO: SCOTT SHAW
Zakiya Cornish, Patricia Peaches Jones, and Lela Aisha Jones reimagine African identity in “Plight Release and the Diasporic Body.�
The Soul of Philly Fringe After 21 years and untold growing pains, the festival’s anything-goes platform is still home to new and established artists.
19 996 9 96:
BY MAX MARIN
C
hained to a bathtub on the oor, Gunnar Montana balances an angle grinder on his groin and begins to free himself from the shackle. His cotton-candy blue European mullet glows in a shower of sparks. Jessica Daley observes her choreographer with concern, unsure of how she’ll manage this power-tool feat into the middle of her dance solo. “I just thought it’d be cooler if the sparks were ying out of your pussy,â€? Montana tells Daley. “I feel like we could still get that ame-from-pussy vibe.â€? $8*867 6(37(0%(5
The Fringe Festival’s inaugural debut in Philadelphia featuring just 50 total shows.
Montana’s latest dance production, “KINK HAĂœS,â€? kicks off Philly Fringe Festival at the Latvian Society on Sept. 5. For the last three months, he has been transforming this ad hoc theater space into an ultra-queer, underground nightclub, replete with steampunk grafďŹ ti and an enormous silicone penis that dangles from the catwalk. A hanging sign reads “REJECTED MATERIAL.â€? An operatic rock ballad — “Dark Nightsâ€? by Dorothy — blasts through the speakers. Montana self-produced his ďŹ rst Fringe show, “Basement,â€? in 2013 at the Asian Arts Initiative. His budget came out of his pocket at the time. After working a
restaurant shift, he’d bike down to Home Depot to buy props for his set. This year, thanks to fans he has won over six years of Fringe performances, Montana fundraised more than $11,000 to put on his kinky nightclub fever dream. He’s in the process of starting his own nonproďŹ t dance company. Amid all of this motion, he feels himself getting older and further from the soul of Fringe. Rehearsal is over, and the 28-year-choreographer is ďŹ ddling with a plastic zipties to use reconnect the severed lengths of chain. Each year the production value of his shows gets bigger. He transformed this same space into a fairytale wonderland for 2016’s “Wroughtland,â€? and in 2015, into a brooding, candlelit chapel for a particularly well-received show titled “Purgatory.â€? “This whole balls-to-the-wall, don’tgive-two-fucks, I’m-just-here-to-make art is that real essence of Fringe,â€? Montana says. “I get sad the more and more I make work and the bigger my work gets, the further I stray from that ‌ I’m really happy to be able to be where I’m at, but at the same time I kind of miss being a nobody and just doing my thing.â€? But the nobodies, as it happens, would probably sacriďŹ ce limbs to be in one of Gunnar’s shows today. FringeArts, the nonproďŹ t brainchild of the festival, is now showcasing young artists who weren’t even born when the Fringe Festival began in 1996. The scale has grown over the years, according to FringeArts director Nick Stuccio. Uncurated productions, which range from high-end stage acts to mobile one-woman performances, still make up the bulk of the festival. Two decades ago, Fringe had 60 curated and uncurated performances; this year will showcase more than 200, plus another fresh slate of online-only digital shows. Two miles away, a dozen UArts students are rehearsing in a cramped black-box theater in Gershman YMCA on South Broad Street. The title of the piece, “An Incomplete List of All the Things I’m Going to Miss When the World is No Longer,â€? has the windedness of a post-rock song. Its 19-year-old creator, Dante Green, is reckoning with some weighty subject matter — death, life after death, experimenting with hallucinogenic drugs — through a mix of dance, song and dialogue. In one chorus, student actors break out into a mournful harmony about hunting for signs of hope in a bleak world. There’s no course credit for Green and his peers. Like Montana’s early works, 3+,/$'(/3+,$:((./< &20
Green is ďŹ nancing his own project. Why? For the glory of Fringe. “To be able to be 19 and show this thing that I’ve been working on to the whole city of Philadelphia ‌ I think that’s like it,â€? Green says. “That is the soul.â€? Make no mistake: Many Fringe shows are startlingly bad. The awful factor is part of the tradition. Conventional advice varies for ďŹ rst-time and veteran attendees alike, but in general, one should take a gamble on (at least) three uncurated shows. One will be bad and another one will also be bad. But one will likely change the way you look at the performing arts. Today, with its $3-million-a-year budget and a new waterfront headquarters, Philly FringeArts still retains its fundamental democratic virtues. Artists pay to play, and no one is spurned for lack of talent. The success or failure — largely fueled by the media (and the gossip mill) over the course of the festival — rests on each show’s laurels, Stuccio says. Philly Fringe has its growing pains, but they’re not as bad as others. The eponymous festival in Edinburgh, Scotland,
began in 1947 as a protest movement against the high-brow and the elite theater festivals that excluded serious works from unknown artists. In 1966, Tom Stoppard premiered his now-famous drama, “Rosencrantz & Guildenstern are Dead.â€? Today, sophomore comedy acts dominate the festival, so much that it’s hard to imagine a serious, three-act drama dramatic work ďŹ nding a stage. “No one would give a shit now,â€? says Stuccio. But in Philly, there is still space — this year, at least. It’s not the artist’s paradise it once was. Funding remains an ever-graver concern for artists given the current economic climate. When Fringe begin in the mid1990s, Stuccio recalls that thespians rented Old City apartments for $200 a month, and there was cheap warehouse space within a stone’s throw in any direction. But the silver lining of the city’s real estate boom is that, each year, more Fringe shows appear in neighborhoods outside of Center City. There are varying opinions about the Fringe’s slate of curated shows — which tend to be established, crowd-drawing
acts that are premiering new work — but many of those curated artists got their start on the festival’s ground oor. For one, protean director-actor Thaddeus Phillips opened Fringe in the mid-1990s with a solo rendition of Shakespeare’s “The Tempest,â€? relayed from a plastic kiddie pool. Phillips has returned to more than a dozen festivals since then, and this year he’ll produce his latest work, “A Billion Nights on Earth,â€? on the FringeArts main stage. Other artists come to the festival midcareer. Choreographer Lela Aisha Jones, 39, had a ďŹ rst Fringe experience just a few years ago, and returns his year “Plight Release and the Diasporic Body,â€? an Afrocentric production that was commissioned by Temple University’s dance department. “The Fringe is an open space that’s ready go for whatever message you have,â€? Jones says. “What your work is centered around culturally, or with gender or with class, you have permission to go into this space and do your work.â€? Q TWITTER: @MAXMMARIN
ANYTHING GOES KINK HAUS
The Latvian Society 531 N. 7th St Sept 5 - 24 $35 / 60 minutes
AN INCOMPLETE LIST OF ALL THE THINGS I’M GOING TO MISS WHEN THE WORLD IS NO LONGER Gershman Hall, The University of the Arts 401 South Broad Street Sept 8 - 10 $10 / 75 minutes
PLIGHT RELEASE AND THE DIASPORIC BODY Conwell Dance Theater 1801 North Broad Street, 5th Floor $20 / 70 minutes
A BILLION NIGHTS ON EARTH
FringeArts 140 N. Columbus Boulevard Sept 14 - 17 $29 general / $20.30 member PHOTO: JOSEPH MCANDREW
“An Incomplete List of All the Things I’m Going to Miss When the World is No Longer� is the brainchild of 19-year-old UArts student Dante Green. 3+,/$'(/3+,$:((./< &20
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Many names in theatre, the arts and more keep making the pilgrimage to the annual Fringe Festival. Here’s a look at a few of them. several of Fringe’s very ďŹ rst performers, a group of progressive theater artists who in 1997, were just coming into their own. A conforming thought for Stuccio who was in the similar situation right around the same time. After studying classical ballet and biology at Skidmore College, he apprenticed with the Pennsylvania Ballet and won a position as a corps member with the company where he danced for eight years. Later, Stuccio co-founded “Shut Up and Dance,â€? an annual beneďŹ t created by Pennsylvania Ballet members for the beneďŹ t of MetBY A.D. AMOROSI ropolitan Aids Neighborhood Nutrition ick Stuccio never seems rattled or Alliance (MANNA). nervous when it comes to curatHowever, it was only after he retired as ing and crafting what winds up a dancer in 1996 when he began producas the next Fringe Festival. Perhaps it’s ing full-time. because with 2017 being the 21st itera“[So] 1996 was a seminal year for tion of the annual event, he’s used to the so many of the people that are part of bustle of juggling artist egos, new and Fringe Fest this session,â€? says Stuccio. old, as well as steering and supporting “Now, so many of these performers the talents he so treasures. are big names in theater – internation“That’s the thing that drew me to this ally renowned, off-Broadway, Brooklyn in the ďŹ rst place, presenting all of these Academy of Music names [and the great dynamic talents,â€? Stuccio said from his thing is that] some of them who haven’t ofďŹ ce inside the FringeArts’ Columbus appeared at the Fringe Fest for a minute Blvd location. are returning.â€? One thing that allows Stuccio – FringeTheir homecoming-of-sorts dovetails Arts’ president and producing director – nicely with what Stuccio sees as Fringe to rest easy and cast a surprisingly senti- Fest 2017’s over-arching umbrella conmental eye towards this occasion is that, cept: “the idea of home, comfort, familduring the festival, he has at his ready, iarity, coming home.â€? Stuccio claims that $8*867 6(37(0%(5
Fringe Festival:
An anthology
Reflecting on 21 years of the people and moments that made Fringe what it is today
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so many of Fringe 2017’s Murderer’s Row of iconic theater practitioners – those who headline the Festival as part of its “Fringe Arts Curatedâ€? tag – were only just making their mark in the Philadelphia area in 1996. “[Playwright and actor] Thaddeus [Phillips] had just ďŹ nished college (Colorado College, then a year at Charles University (DAMU) in Prague) and started making theater,â€? says Stuccio of the man behind Fringe 2017’s whimsical, familyfriendly Billion Nights on Earth and a dozen other Festival productions since the ďŹ rst Fringe in 1997. “The guys from Pig Iron [Theater] had all just graduated from Swarthmore, set up shop and only just created their initial works in 1995 and 1996 (Odyssey, Dig or Fly) when they got to the ďŹ rst Fringe Fest,â€? says Stuccio of 1997’s Cafeteria. That quirky affair was the start of a beautiful relationship between the Pig Iron braintrust (founders Dan Rothenberg, Dito van Reigersberg, Quinn Bauriedel), one that ďŹ nds itself furthered by the deeply existential, life questioning, symphonic new epic, A Period of Animate Existence. “Whit MacLaughlin had just moved here from Virginia with his whole New Paradise Laboratories (NPL) ensemble, performers like Lee Etzold, and commenced to thrill local audiences,â€? with their deeply experimental work. Stuccio was quick to add that MacLaughlin, with NPL’s new Fringe offering – the horrordriven Hello, Blackout – has only grown “more radical and experimental in his themes and his approach to theater.â€? Performance artist/theater innovator Geoff Sobelle had only just arrived from Los Angeles to Philadelphia and joined his aesthetic with that of Pig Iron Theater as an itinerant member, as well as creating solo works for the Fringe. As someone whose newest work, “HOME,â€? all-but deďŹ nes and lends a conceptual umbrella of comfort and cool to the 2017 Fringe, Sobelle is proud – and surprised – to be part of the Murderers Row of this year’s Fest, especially since several artists (Pig Iron, NPL) haven’t given work to Stuccio in several years. “I think that it’s lovely, and no, I was not aware of all of these artists and old friends of mine coming together in one place and one year,â€? says Sobelle during a temporary break from HOME rehearsal to take in the solar eclipse. “Pig Iron was my artistic home for many many years. The Fringe Fest has always been open
and generous to my ideas, and HOME is just the latest chapter. I feel great thinking of myself as part of that ideal, that moment, past and present.� Stuccio assured that bringing new icons and new friends to bear on the Curated Fringe was, and is, his number one goal. David B. Devan, general director and president of Opera Philadelphia, presented Andy: A Popera in 2015 through the Fringe Fest, and this year, co-presents director Bill T. Jones’ We Shall Not Be Moved at the Wilma Theater for 2017. “Relationships are built on trust,� says Devan. “I don’t look for people who are like me, I try to partner with people who are different from me and who bring different perspectives, but who I trust. Nick is one of those guys. The basis for the trust is that I think we share a desire to explore contemporary life through artistic activity that has meaning.� New friends or old, Stuccio is just pleased to get this year’s Fringe Festival off the ground with a grand mix of new and old. “This is an interesting time in the cultural history of our city as all of our old friends have come to play with our new friends,� says Stuccio. “My desire, when I started Fringe, was not to make but to support. The artist’s desire was to talk about our culture through their own particular lenses. So there is a nice symmetry to this year’s fest; a real point of origin story – a cultural big bang – that you could see blossoming into something bigger. These guys have all found fame beyond Philadelphia. We’re all grown up.� TWITTER: @ADAMOROSI
FRINGE FAST FACT: This will be the third year that the Fringe Festival will host digital-only, web-based shows. This year is the most of any in years past with 18 shows scheduled to take part. 3+,/$'(/3+,$:((./< &20
INVITES YOU AND A GUEST TO
ON TUESDAY, SEPTEMBER 5 AT 8:00PM UNITED ARTISTS RIVERVIEW STADIUM 1400 S. Christopher Columbus Blvd., Philadelphia, PA 19147
TO ENTER TO WIN AN ADMIT-TWO PASS TO AN ADVANCE SCREENING, VISIT PHILADELPHIAWEEKLY.COM/CONTESTS
SELECT LUCKY WINNERS WILL ALSO RECEIVE THE IT SOUNDTRACK RATED R FOR HORROR VIOLENCE/HORROR, BLOODY IMAGES AND FOR LANGUAGE. Please note: Passes are limited and will be distributed on a ďŹ rst come, ďŹ rst served basis while supplies last. No phone calls, please. Limit one pass per person. Each pass admits two. Seating is not guaranteed. Arrive early. Theater is not responsible for overbooking. This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio or video recording device into the theater (audio recording devices for credentialed press excepted) and consent to a physical search of your belongings and person. Any attempted use of recording devices will result in immediate removal from the theater, forfeiture, and may subject you to criminal and civil liability. Please allow additional time for heightened security. You can assist us by leaving all nonessential bags at home or in your vehicle.
IN THEATERS SEPTEMBER 8TH Soundtrack Available Now
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Philadelphia Fringe Festival 2017
Bad Activist Sex Politics, Palestine, and YOU Sept. 16, 7pm Art Church of West Philadelphia
Sept. 17, 7pm The Rotunda
Sept. 22, 7pm Art Church of West Philadelphia
$5 suggested. Tickets at fringearts.com/event/bad-activist-sex-politics-palestine
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Playwright Thaddeus Phillips calls his latest performance for Fringe a place “where ideas, themes and content are stripped down to bare essentials.�
Thaddeus Phillips: World traveler
Upcoming Fringe performance of A Billion Nights on Earth plans to take everyone on an adventure – for one night and place.â€? Phillips is talking about A Billion ou could call Thaddeus Phil- Nights on Earth, his Fringe Festival conlips, his back-and-forth between tribution done in tandem with multi-dishomes in Philadelphia and BogotĂĄ cipline Philadelphia artist Steven Dufala. and his continental body of stunningly The production, that looks like a pop-up visual, wittily emotional theater work book designed by David Byrne, a planet ďŹ lmed by Jean-Jacques Beineix, and reads that of a lodger or a drifter. That is – if it wasn’t so deeply rooted as a journey into an alterna-Wonderland in family and the familiarity of longtime tells the tale of a father/son pairing in their own quest for truth and love. digs in Philly. Before we get to that, however, ďŹ rst Concentrating on existential themes with a smartly-told, up-close-and-per- we must know: whose Barry Seal is betsonal brand of oratory, Phillips’ mood- ter, his sartorially correct version of the ring-colored theater usually holds an inti- ashy, cocaine-running, CIA operative macy resembling a long, deep, passionate or Tom Cruise’s in American Made? “Frankly, I don’t think either of us are kiss. “Everything I’ve ever created has been good casting,â€? claims Phillips. “Howguided by life and circumstance – and I ever, in my research, I was fascinated by have tried to make work that reects on Mr. Seal’s style and humor, feel those asthe current world – which makes it dif- pects were important, and am quite satisďŹ cult in planning, grant writing, booking ďŹ ed you noticed both,â€? laughed Phillips. performances, as it is great to go with “Barry was cool and level-headed in the the ow and see what needs to be made, craziest of situations, and our goal with and why,â€? says Phillips in one massive our stage versions of the Seal projects breath. “In this new work...there’s more was to present the oddest realities.â€? Go one step further and there’s Philfreedom in that we’re working with very large universal themes that surprise time lips’ other, more widely televised look $8*867 6(37(0%(5 BY A.D. AMOROSI
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into the drug trade in Netix’s Narcos, one of that network’s ďŹ rst original programs, a fact that makes the actor proud. “I love it, but try not to binge watch and, instead, pretend the shows come on nightly or weekly,â€? he says reminding me that his “Agent Owensâ€? on Narcos is lost in the jungle. “At least that’s my logic as the second and third season writers can’t seem to ďŹ nd him anywhere.â€? When it comes to Billions however, Phillips claims this new production is a break from that. “Billions is where ideas, themes and content are stripped down to bare essentials, he said. “From [my past performances of] The Melting Bridge to Red-Eye to Havre de Grace, [these have] been full of detailed ideas about the world, politics [and] the creation of the Universe.â€? This new work has as many ideas as, say, 17 Border Crossings, but there, Phillips’ concepts are unspoken and condensed into one narrative about crossing borders. “Billions does the same thing, but with many visual motifs and ideas – so actually it will be a accumulation of sorts of the physical and psychic through
line of my work – but it’s more subconscious, more seen and heard and experienced.â€? While its title signals what it is to be on the planet – as a “natural, un-natural amazing rock being hurled very fast around the sun in a dark corner of the universe,â€? Phillips states that children possesses a constant wonder about the sky, space and natural things. “Often, adults get bogged down in the rules of a human created society,â€? Phillips said. “Night time is a time of looking up, thinking, dreaming and imagining inďŹ nite possibilities and wondering about what the universe is, who we are and what is actually happening.â€? So along with local father-and-son actors Michael and Winslow Fegely, and installation artist Dufala – the art of the latter Phillips lauded as “insanely clever, playful and imaginative,â€? and that he looks at each scene as an installation, painting or sculpture, – Phillips’ other collaborator on Billions was his son, Rafael. Rather than slow his output – and having a child has “increased it dramaticallyâ€? – while exploding his international footprint in the theatrical world, Phillips has toured 17 Border Crossings across the globe and began freelance directing, with his latest being an adaptation of Shaun Tan’s graphic novel The Arrival in Sweden. “I always start with ideas, images and concepts before stories and the line of reasoning behind A Billion Nights on Earth is simple, a work that a parent and child could see together,â€? says Phillips. Q TWITTER: @ADAMOROSI
140The: sum of independently produced art performances at this year’s festival across nine regions throughout Philadelphia in addition to digital-only shows. 3+,/$'(/3+,$:((./< &20
It’s about to get awesomely weird at Fringe courtesy of the latest installment from theater company New Paradise Laboratories’: “Hello, Blackout!�
The Darkness is spreading Whit MacLaughlin says boo, philosophically, with New Paradise Laboratories’: “Hello, Blackout!� BY A.D. AMOROSI
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hen Fringe boss Nick Stuccio says New Paradise Laboratories’ co-founder and artistic director Whit MacLaughlin has only grown “more radical and experimental in his themes and his approach to theaterâ€? since their arrival in Philadelphia, he’s really only describing half of the picture. With his arrival here from Virginia, and NPL’s ďŹ rst shows for the Fringe Festival, MacLaughlin and a company – that (still) includes actor-movement artist-lighting designer Matt Saunders – exploded the pop cultural mythology of machismo, athletics, mating rituals, The Beatles, James Bond, Castenada, Playboy and Marcel Duchamp with cheerful absurdity and a touch of the sinister. “I came to Philadelphia just after the Fringe Festival began and our work has transformed and become even more ad3+,/$'(/3+,$:((./< &20
venturous over time,� says MacLaughlin. “We’ve grown up with the Festival. Perhaps it goes without saying, but the Fringe Festival has been an excellent partner through the years. It has walked with us hand-in-hand throughout our 21-year history. A multi-year blind date.� When MacLaughlin considers Stuccio’s umbrella concept of home for 2017’s Fringe, the NPL boss is quick to say that with its contribution to this year’s festival, “Hello Blackout!� he and his troupe are “returning to a house that has been reconsidered, remade, and made strange by the folks that moved in while we were looking the other way. Hopefully there’s a lot of innovation and good evolution. If not, at least it’s a very interesting time and decent, clean, and vibrant place to hang around.� With all that, “Hello Blackout!� sounds like a rather dangerous place to hang around: a politicized, horror-farce with what MacLaughlin and co-com-
9
The total of Fringe Festival late-night events this year. Call it Fringe: After Dark.
I greatly admired ‘Get Out’ (the eerily comic recent race-relations ick from director Jordan Peele) because its kick and terror came from unexpected, realistic sources,â€? says MacLaughlin of its blend of horror with social issues with a really unnerving accuracy. “In ‘Hello, Blackout!,’ we are exploring the horriďŹ c limitations of our ability to think about things – the almost ontological problem of consciousness trapped inside a prison of its own making. We hope this will reect meaningfully on the more bizarre characteristics of the world we actually live in...if you get my meaning.â€? Along with crowing about the addition of another actor to the NPL family in Jeffrey Cousar, a former dancer with Rennie Harris Puremovement, MacLaughlin is proud to espouse the graces of Rainey’s work, a score-maker who always kicks MacLaughlin’s work into a new gear. “This time, we are performing with a live chamber orchestra, but not like anything you hear at most chamber music performances,â€? says MacLaughlin. “In a sense, this performance will be as much a music concert as it is a theater piece. This ensemble is a supergroup of musicians who are equally skilled in extended techniques as well as standard classical intonation. I can truly say, the music in ‘Hello Blackout!’ is going to blow people away.â€? Also in part too because MacLaughlin’s Kissimmee clan is very badly behaved. “Alien. Barely human,â€? he says with a laugh “I am reminded of Goya’s painting of the family of King Charles IV. That family gave Goya a rich opportunity to comment on leadership – both good and bad – in public. The Kissimmees do the same thing for us. They give us an opportunity to examine some of the thornier challenges of being alive today. This family allow us to ask the question: What is human consciousness, really? We walk daily with it, carrying it right inside our heads, but is it ours or is it a sort of a specter – an unnamed companion – that follows its own rules? Is there a monster living inside each of us? I ask this question often as I check my Facebook feed or read the about current White House antics over my morning coffee.â€? Q
poser Bhob Rainey, call “philosophical overtones.â€? “Hello Blackout!â€? tells the tall tale of eccentric family-triplets named the Kissimmee’s, their mother, and an elusive father at the beginning of time moving quickly into “an inexplicable future – with grim and hilarious results,â€? according to MacLaughlin. In continuing that myth, the Kissimmees’ journey acts as a pageant for the new American era, presenting a world where everything is unprecedented, and where we must learn to live happily with the unpredictability of the universe. It’s reminiscent of a cross between the newest “cultâ€? iteration of Ryan Murphy’s “American Horror StoHello Blackout! | Sept 5-17. $15-29. ryâ€? franchise on the FX Networks and the famous Wes Anderson ďŹ lm, “The The Proscenium Theatre at the Drake, 1512 Spruce St. fringearts.com/ Royal Tenenbaums.â€? “We are experimenting with something we are calling ‘horror-farce,’ as TWITTER: @ADAMOROSI $8*867 6(37(0%(5
Yvonne Love, working with TangenT to produce the upcoming “Weight of Water� noted that the best is yet to come as the collaborative continues to try various things ahead of the Fringe Festival.
When the“Weight of Waterâ€?is too heavy The third project by TangenT takes a look at state of water in our society The four-person, multi-media team is hurriedly getting ready to unveil the lint, Michigan. Love Canal. new project at FringeArts’ Digital Fringe Erin Brockovich. Kickoff Party on Wednesday, Sept. 6 at Places, people and things United By Blue Coffeehouse and Cloththat come to mind when dealing ier. “Weight of Waterâ€? is TangenT’s with the topic of water contamithird project presented at the Fringe Fesnation. But rarely do we think of tival. Last year, the collective released our own home faucets. “diASp0RA,â€? a multimedia exhibition TangenT, a socio-politically on global displacement. charged art collaborative, is According to Yvonne Love, a collaboworking to change that mentalrator with TangenT, “Weight of Waterâ€? ity for the people of Warminster is still only in its early stages and will Township with an exhibit called go through different iterations before “Weight of Water.â€? producing the ďŹ nal product. However, spectators can get a taste of their project through an interactive program that incorporates the various components of the water crisis in Warminster. TangenT plans on being much further along by the time they show the exhibit at the Chemical Heritage Fund in April. While Love explained that these types of collaborative projects take approximately two years, “Weight of Waterâ€? really began in 1977 when Love’s sister, Michelle Murphy, died of Leukemia at age 11. Love, who grew up in Warminster, believes that her sister’s fatal illness $8*867 6(37(0%(5 BY ANDREA CANTOR
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21
Number In Years The Annual Fringe Festival Has Taken Place In Philadelphia.
was caused by benzene exposure from the host of chemicals dumped at the former Naval Air Warfare Center (NAWC) in the 1950s through the early 70s. “This piece is very political, but it is also very personal,â€? said Love who was nine at the time of her sister’s passing. Love has dealt with her sister’s death through her solo work over the years. But while her own work has been nonpolitical in nature, the collaborative places social justice at the forefront of its mission. “I really wanted to jump in and doing something that was more political in regards to this, especially because the community is still hurting,â€? said Love, who is also an assistant professor of art at Penn State Abington College. “A really critical piece of why we work well together is because on top of all of this other stuff, there is a shared commitment to what we think is politically relevant and what we think is important to comment on socially, and beyond that is this aesthetic that‌is how we all think,â€? said Gabrielle Russomagno, who collecting stories and doing portraitures of Warminster citizens affected by the water pollution.
In preparation, the collaborative constructed the exhibit off of mountains of research, including interviews, town halls, scientiďŹ c research, and partnerships with congressmen and other ofďŹ cials. One such relationship of TangenT’s is with Lora Werner, who works with the Environmental Protection Agency’s Central for Disease Control. As Love explained, the CDC is in the midst of assessing the health of Warminster’s population, which includes the history of the naval base and chemical dumping, the toxicity level of the since closed wells, and the array of pervading illnesses in Warminster that could be linked to the chemicals, most notably from Peruorooctanoic acid (PFOA) and Peruorooctanesulfonic acid (PFOS) According to Love, Warminster currently pumps water in from North Wales, a cost that the community shoulders alone. “The [EPA is] trying to clean the chemicals out of the wells, but they are not doing it effectively, quickly enough, and with enough ďŹ nancial support from the government and the navy to do that,â€? argued Love. The community has also asked for blood tests to ďŹ nd out the level of chemicals in individual’s bloodstreams. “There is legislation that has been passed by Pennsylvania. It is in the federal courts now to get funding to do blood testing for the community, but it hasn't been approved yet,â€? relayed Love. “Weight of Waterâ€? is the TangenT’s ďŹ rst exhibit that has direct, personal resonance with one of its members. The art group has worked on a number of projects over the span of nearly ten years, showcasing an upwards of 20 exhibits. Their ďŹ rst work together was entitled “Echo, Echo, Echo,â€? which dealt with over-consumption in society. “What’s interesting about the collaboration is we all bring a slightly different strength to the table,â€? said William Cromar, who the art program at Penn State Abington College. “ [Russomagno] is involved with photography and videography. I’m involved with new media, but by way of sculpture and design. Yvonne is pretty much hardcore sculpture. Mike [Brenner] is a musician.â€? “We are like a band. We are not like a group of artists,â€? responded Cromar when asked how the four have effectively worked together over the years. “In a lot of ways, we each kind of have a place where we operate and in that sense, we have managed not to step on each other’s egos or toes.â€? Q TWITTER: @ANDREACANTOR9 3+,/$'(/3+,$:((./< &20
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PHOTO CREDIT XO EVANGELINE
Evon Burton ho hopes his Fringe event “Who Rockss the Party� will aid in changing the perception (and the role) of the nightclub nightcl DJ.
Turning the tables es
All things digital underground sub subculture discussed in this Fringe roundt roundtable
h Ranging in duration from an hour to an hour-and-half, the conversation von Burton ďŹ rmly believes in the will w feature ďŹ ve well-known Philly DJs. concept of clubs as social spaces. The DJs include: noted house music DJ But founder and creator of Philly’s King Britt, B former Nicki Minaj DJ and go-to R&B music guide “Anderson Street mastermind mastermin behind the Power 99 Friday Projectâ€? maintains that clubbing reputa- night sets Diamond Dia Kuts, creator of Suntion has been misrepresented. dae parties Lee Jones, head of monthly “I think hink that nightlife has a terrible Friends & Fam parties p Matthew Law, rap. I could d tell you the amount of friends and lead instructor at a Scratch DJ AcadI’ve met because ause of parties,â€? Burton, the emy DJ Royale. self-proclaimed professional music fan, “What is great is that the breadth of said.â€? “I’m not talking alking about hookups knowledge is going to be very ver vast from from the night before re or doing molly at people who have been in the game gam maybe the shoe corner with friends iends ‌ I’m talk- 10-to-15-years to people who have hav been ing about good friendships, s, that can still doing this an upwards of 30-years,â€? Burhappen within the nightlife scene.â€? cene.â€? “align ton said of the DJs he thanks for “alignBurton hopes to repair nightlife’s htlife’s im- ing [his] chakrasâ€? with their beats. age not only through his interview-based w-based Burton upholds that although DJs and party-promoting online site, but also are a crucial component for a successful at the FringeArts’ upcoming Fringe Fess- nightlife scene, their works are an undertival, which provides three weeks of art appreciated and overlooked art form. programs pro throughout the city. Partner- “You have to have a level of musicology ing with w XO Evangeline, a multi-media to string songs together,â€? said Burton. fashion and lifestyle production agency, “The DJs are also noted remixers. So Burton is managing a discussion-based they pretty tty much reconstruct songs in a y, which makes you think of event, entitled “Who Rocks the Party: A musical way, Philly Best DJs,â€? that places songs in a new w way. That is nothing short Chat with Philly’s part Philadelphian partygoers in direct con- of art.â€? th spin behind the tact with the DJs that Burton has long “understood the imbooths. portance of the DJ,â€? especially in Phila $8*867 6(37(0%(5 BY ANDREA CANTOR
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d l delphia. �In Philly you can’t really go to a venue and expect to have a good time, just on any given day, that’s just not the culture of the city,� explained Burton. “What I always tell people who ask me for advice on navigating Philadelphia’s nightlife scene, I always tell them to follow DJs who match their style.� Audiophiles will have a rare chance to see if they connect with the DJs away from their turntables at Burton’s free event that will take place at 5:30pm on Tuesday, September 19 at South Kitchen & Jazz Parlor. “I always wanted to have a conversation with DJs of various genres or scopes of work, just to bring them together and to have a conversation of one, their art, b the current climate of the city as well,� but said Burton of “Who Rocks the Party,� which is a play on MC Lyte’s 90s classic “Cold Rock A Party.� Burton hopes that events such as these will change the lands nightlife landscape and “thought pattern that [people] can always go to New York g or D.C. instead of going to a club in their own backyard.� According to Burton, many of these DJs live in close proximity to one another k in West Philly. “So I want to know what the culture is in West Philly. How has the
culture of West Philly impacted their DJ style, and why they all decided to become DJs,� questioned Burton, who attended the same high school, Central High, as King Britt and Matthew Law. These are some of the pre-prepared conversation topics Burton has come up with to structure the event, although a good portion will be allocated to audience questions. It is through this “access of information� that Burton believes Philly’s nightlife scene can be strengthened. One area that Burton wants to remedy is the age dynamic. “I think there is a misconception that people in their 30s don’t want to go out. I would love to change that,� said the 29-year-old who is teetering the acceptable party age line. “The charge of market of the industry is 25-to-35. I know people want to go out, that’s what keeps them in the city.� FringeArts Festival newbie, Burton has had the idea of bringing together Philly DJs for some time. “I never thought that in a million years that [the event] would be at the FringeArts Festival, the largest arts festival that happens in the city,� said Burton. “I am so glad that they were able to accept me and welcome me. It’s truly an honor.� Q Who Rocks the Party | Sept. 19. 5pm. South Kitchen and Jazz Parlor, 600 N. Broad St. fringearts.com/event/rocksparty-chat-phillys-best-djs/ @A TWITTER: @ANDREACANTOR9
FRINGE FAST FACT: The annual Fringe Festival in Edinburgh, Scotland which wrapped in mid-August is the largest Fringe event of its kind, spanning 25 days and featuring over 50,000 performances. 3+,/$'(/3+,$:((./< &20
The official beer of the Fringe Festival is a full bodied pale ale featuring hops from New Zealand.
PHOTO: KERITH GABRIEL
Beer with better benefits
The official beer of Fringe is better than last year’s. It has to be BY KERITH GABRIEL
T
he best way to brew really good beer is to learn from your mistakes. It’s the sentiment of the entire collection of brewmasters at North Philadelphia-based Saint Benjamin Brewing Company and its fearless leader, owner Timothy Patton. See last year, the collective created its inaugural beer for the annual Fringe Festival, but the draw was tough, admittedly noted Patton, who said using heather as part of the avoring probably wasn’t the smartest idea. “Yeah, [the] heather [beer] was a tough sell, and it didn’t have the best avor stability in bottles,â€? Patton recently told PW. “Plus, nobody was dying to have heathered beer and the shelf life was awful so for us there was no point in making it again. The solution? A pale ale dubbed “Fringe BeneďŹ tsâ€? Patton believes will be a crowd pleaser. Sold primarily as a draught, (and a select number in bottles) the brew will be at a select number of establishments linked to Fringe shows and the main attraction during the three-week festival at Saint Benjamin’s North Philly taproom (1710 N. 5th St.) and at the bar at La Peg, FringeArts’ ofďŹ cial headquarters (140 N. Columbus Blvd). “We’re using a New Zealand hop called azacca that we’re are a huge fan of and we think people will really enjoy,â€? Patton said. “We’re also using oats in [this version] of the [Fringe] beer to give it a little more body. It’ll really have a distinct avor and after last year, we think people will really enjoy this a lot more.â€? 3+,/$'(/3+,$:((./< &20
Despite what Patton might see as a fail, it hasn’t stopped Fringe from tapping the brewery again for another year and SBB recently linked with the Parkway Council to create Parkway Centennial Pale Ale, a signature beer to debut during Parkway 100, the Sept. 8 centennial celebration of Philly’s most iconic strip. “In general, we love the idea of doing a lot of work with different city groups and civic institutions we align with,â€? said Patton. “Many times, they’ll ask us for a signature beer that we can’t move. They’ll want one keg, but the smallest batch we make is 20 at any time. We’d already had a relationship with La Peg, just from our relationship as a vendor...it’s such a perfect ďŹ t for us culturally [and I think] being a signiďŹ cant but smaller arts organization, I think that they liked the idea of working with a smaller brewery. As a brewery, the ďŹ t could also come from the fact that being unconventional and experimental is the game and those traits have been the soul of Fringe’s 21-year history. Plus, get the opportunity to sit and have a chat with Patton and the vibe of quirky and unconventional is readily apparent. “I think [Fringe] being quirky, unconventional and experimental as a Philadelphian makes this event really valuable,â€? said Patton. “I mean, let’s be honest, Philadelphia is a weird town and Fringe is one of the things that keeps Philly weird. As a brewer, I like that because while we make a lot of conventional things here and we do strive to do things a little different from the norm than everyone else is doing.â€? Q
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Center City
Puppet-delphia Fringe Slam
Lifelines | Sept. 6-9. Mon-Wed., 8pm. Sat., 3pm and 8pm. $14-20. Neighborhood House, 20 N. American St. tangle-arts.com
Fringee Fe Festival val
ALL PHOTOS COURTESY FRINGEARTS
shows,�Martenson told PW. “One will be amazing, one you’ll just like and one et the creation of art by artists of all will probably be pretty awful. But that types commence. has always been the beauty and the soul From center stage to basement of Fringe. It’s what makes this festival so floors, a collection of art, spoken word, special.� theater, comedy, roundtable discussions and more will make up the 21st installment Spread out across nine sections of the city and a robust digital component we (at of the Fringe Festival beginning Sept. 7. Fringe has always been a veritable cornu- random) took a look at some of the shows you check out. copia of wonder and weird, of interesting Some have world renowned performers, and boring. It was perhaps Hallie Martenson, communications director at FringeArts, some may just be some dude and his cat putting on a puppet show. who said it best: But it’s all Fringe. “I always tell people pick at least three BY KERITH GABRIEL
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Show type: Puppet show Why you should go: A dirty puppet show? Sign us up. If you’ve ever wondered what was under Miss Piggy’s dress – then you’re a little weird – and this show is perfect for you! This adults only performance will feature not just puppeteers from Philadelphia, but from all over the country. The explainer on the site says to come watch “puppets and their humans get frisky.� Sounds interesting? But it’s not just puppets, there will also be a special guests and multiple musical acts for a show slated to run just over an hour and a half. So go watch someone shove their hand up a puppet’s ass. You just might like it. Details: Sept. 23. 10:30pm. $10. Drake Theater, 302 S. Hicks St. fringearts.com/event
The Flat Earth Show type: Improv and sketch comedy Why you should go: Good or bad, improv is always worth the time. However, the accolades keep piling up for this collective known as Philly’s most senior sketch comedy team. In 2016, Flat Earth picked up a pair of awards as the best new troupe at the Montreal Sketchfest and received a producer’s pick award at the Toronto Sketchfest. Coming off of dominating Canada, the group heads home for four nights at the Adrienne Theater bringing a robust mix of ridiculous, interesting and costuming that is sure to make even the straightest of straight edge chuckle. Plus, the show lasts one hour, so plenty of time to go out and grab a cocktail after and process what just transpired. Details: Sept. 20-23. 8:30pm., Sept. 24, 2pm. $12, Adrienne Theater (main stage) 2030 Spruce St., theatearthsketchcomedy. com PW picks runner-up: The Turn of the Screw. Horror. Suspense. Sex. All three take place in this adaptation of Henry James’ notable novel. | fringearts.com/event/the-turn-of-the-screw/ Q 3+,/$'(/3+,$:((./< &20
Fairmount
Northern Liberties
South Philly:
Death is a Cabaret Ol’ Chum
The Edge of the Rock Show type: Dance Why you should go: If for not going to see some of the city’s best dancers across all different schools of dance primarily ballet, go to support The Rock School for Dance Education, and its outreach program that provides instructional arts and ďŹ tness classes to over 26,000 students throughout the Philadelphia School District. This show will showcase some of the brightest up-and-coming dancers in Philadelphia hailing from a school that has found scores of its alumni move on to some of the most prestigious dance troupes and companies worldwide. It’ll be a good show, but for an even better cause. We think that’s worth the admission. Details: Sept. 23, 2pm. $10. Rock School of Dance, 1101 S. Broad St. therockschool.org PW picks runner-up: Something Blue. This solo show visual arts event examines gender speciďŹ c stereotypes in present day relationships. | Free. fringearts.com/ event/something-blue-4/ Q 3+,/$'(/3+,$:((./< &20
Show type: Cabaret/Theater Why you should go: The REV Theater Company doesn’t disappoint. Last year, it picked up Best of Philly Fringe honors and is back with a night of cabaret and cocktails – in graveyard, a venue favorite for this group. Despite the venue, the acting is always intense and is the reason why this show sells out year after year. Plus cabaret in a cemetery sounds dope. It’s this trait of playing away from traditional stages and playhouses and taking the act to the street that has made this New York production a success wherever the caravan stops. Only downside? due to the space, this show isn’t wheelchair accessible. Details: Sept. 13-16. 7:30pm. (rain date: Sept. 17, 7:30pm) $25. Laurel Hill Cemetery, 3822 Ridge Ave. revtheatrecompany.org PW picks runner-up: KITH. Exploratory interpretative dance always makes you take a second look at yourself in both the literal and ďŹ gurative sense. | fringearts.com/event/kith-5/ Q
I am the Machine Gunner unner Show type: Theater Why you should go: Street thugs. gs. War stories. Urine. All three somehow intertwine in this performance from Russian sian playwright Yury Klavdiev. It’s a sstory of a criminal struggling with his own brutal al existence and through this vessel an eye-opening look at the history of violence in the 20th h century. There is a deep Philly tie in this one as three of the artists in the play hail from Pig Iron Theater in Northern Liberties. Also, let’s talk venue. If you’ve never been to the large industrial space that is Firth and Wilson Transport Cycles on Frankford Ave. it will be interesting to see how this space is converted for what sounds like a really introspective theater performance. Details: Sept. 8-10, 8pm. Free. Firth and Wilson Transport Cycles, 1101 Frankford Ave. fringearts.com/event/i-am-the-machine-gunner-3/ PW picks runner-up: Alchemist. Producer Mary Tuomanen pairs with fellow llow longtime Fringe producer and friend Chris Davis to produce their ďŹ rst theater performance – together. | fringearts.com/event/alchemist-9/ Q
Fishtown/Kensington The Passion of Kellyanne (Conway) Show type: Theater Why you should go: The name says it all. This play will explore Trump’s most interesting adviser in an intimate, part funny, and most likely probably pretty sad look. LiveFeedNYC, the group putting his 45 minute show on, noted that the idea for this one arrived after watching Conway go on national nal television and describe information as “alternative facts.� Get excited too, because this group went nt to great lengths to follow her South Jersey upbringing from the Garden State to Trump Tower,, to (re) enactments of her most memorable moments, this one is bound shed an interesting light on n the robot that comes on screen in defense of the latest installment of America’s commander-in-chief. ef. Plus, it’s a one-night affair, so there is nothing to lose – considering dignity is already out the window. indow. Details: Sept. 16. 4pm and 8pm. $15. Mascher Space Cooperative, 155 Cecil B. Moore Ave. fringearts.com/event/the-passion-of-kellyanne-2/ PW picks runner-up: Americana Psychobabble. Part violence, part nonsensee this narrative plans to touch on a variety of things that have nothing to do with anything particular. ular. |fringearts.com/event/ americana-psychobabble-5/ Q $8*867 6(37(0%(5
West Philly
Old City
Germantown/Manayunk
Drunk Dads Comedy Extravaganza Breath Beneath
The Hand Job Show type: Theater Why you should go: Okay, it’s not what you think. While the title does make you take a second look, this show from the Manayunk Theatre Company throws a bit of satire at conspiracy theories, as lead character Jean, tries to solve the great mystery of the “white hand in the window.â€? Artistic director Sean Connolly spearheads this project under the MTC umbrella and marks the ďŹ rst show of the season for the outďŹ t. Also, to add a little comedy to the what’s in a name of this 70 minute performance? It takes place inside a church. Details: Sept. 6-8, 8pm. Sept. 9, 8pm and 10pm. Sept. 13-16, 8pm. $10-15. St. John the Baptist Church, 146 Rector St. manayunktheatreco.org/currentprojects
Show type: Music/Technology/Art Why you should go: So what’s interesting about this is that attending this show makes the audience a focus group as well in a pilot program attempting to mesh music, interactive tech and visual arts seamlessly. Created by the PRISM quartet and Drexel University’s College of Media Arts & Design, Breath Beneath will feature saxophonists, ďŹ lmmakers, designers and composers in an effort to stimulate all ďŹ ve senses. Plus, seeing any show at the Black Box Theater is always worth the trip. On paper, this performance has all the makings of really wowing the crowd or being one you cross off the list. But given we’re promoting it, we feel pretty conďŹ dent in the former. Details: Sept. 14, 7pm. $15. URBN Center Annex, Black Box Theater, 3401 Filbert St. fringearts.com/event/breath-beneath/ PW picks runner-up: The Soul Speaks. It’s been dubbed “improv dance performance in it’s purest form. We can get down with that (pun intended). | Sept. 7. 7pm. Free. fringearts.com/event/soul-speaks-improv-danceperformance/ Q
PW picks runner-up: Urgent Care: A social care experience. A three-story Victorian is transformed into a memoir museum examining the concept of urgent care. | fringearts.com/event/urgent-caresocial-care-experience-12/ Q $8*867 6(37(0%(5
Show type: Comedy-Improv Why you should go: If you’re a dad this’ll probably be the night to hear other dads just like yourself afďŹ rm all the things you think (but don’t say) everyday. Leave the Baby Bjorn and the strollers with mom, hit up those other dads on the group and enjoy a craft beer as you get hit with what’s described as a “six pack of honesty.â€? The Sunday Funnies is the comedy collective putting this one on in what sounds like a hilarious mix of panel discussion, stand up comedy and interactive games. To get a taste of what this night is slated to look like check out the #DrunkDadsPhilly hashtag. Enjoy. Details: Sept. 10-12. 7pm. Free. Buffalo Billiards, 118 Chestnut St. fringearts.com/event PW picks runner-up: #DogsofFringeArts. Pay what you wish to hang with some of the city’s coolest pups. It’s for a good cause and you can pay what you wish. | Sept. 14-19. fringearts.com/event/dogsoffringearts-4/ Q
Digital Links to Landscape Show type: Digital only Why you should go: This online-only exploration takes a look at ďŹ ve artists and/or groups in the Greater Philadelphia Region using augmented reality content. From deep dives into prison sentences at Eastern State Penitentiary to the work of Pig Iron Theatre debuting a decade ago at Independence Seaport Museum, Links to Landscape is an interestingly interactive look at the people, places and moments that happen throughout Philadelphia. Details: Goes live Sept. 7 and runs through length of Fringe Festival. Free. linksinthelandscape.wordpress.com PW picks runner-up: Leo. P Hylan III, A look at the work of this multimedia artist and the various medium he uses. | Sept. 7. Free. hylantown.com Q 3+,/$'(/3+,$:((./< &20
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MUSIC Block Party? Ferracone: We did a “Live at Five,� which is when they invite local bands on air at 5pm on Fridays on 104.5. We just exchanged some emails afterwards, thanked them for having us, and Amber Miller reached out to the band like a month ago and asked us to do the slot. We were very fortunate and happy to be asked.
You all went to Kutztown University so basically this is the cheerleading squad for the school here. But how did you all meet? Vallone: Me, Luke, John, Anthony, and Dylan. We all went to Kutztown. Nils and Mike are from the Philly area so we hooked-up with them when we wanted to hire the horn section. As far as how we met at Kutztown, it was a lot of happenstance. Like, meet this guy by this part of the campus or meet this guy at this club — eventually we just all came together.
The five piece collective of Groove the Merchants rocked the recent 104.5-FM Summer Block Party and are poised for even bigger things.
PRESS PLAY:
TheGrooveMerchants Philly funk quintet steadily grooving a path into playlists all over the country BY ANDREA CANTOR
W
formed in 2012 at Kutztown University about just their continued rise in the music world.
hile the bill touted the likes of Portugal. The Man and Vance Joy, it was Groove Merchants, How does it feel just now having opened for a ďŹ ve-member funk blues band that recently owned the stage at the Radio Portugal. The Man and Vance Joy? Vallone: It’s pretty insane. The whole 104.5-FM Summer Block Party earlier process has been about a month and a this month. With songs from their 2016-released half of buildup, getting everything ready album “Take it.â€? The band, all twenty- — getting the horns together. Then we something hopefuls include: lead singer got here around 11:30am, and we probTye Vallone, guitarist Luke Ferracone, ably looked dumb, because we were like trumpeter Dylan Hinnershitz, bassist “this is so cool.â€? But the whole experiJohn Evin Groome, and drummer An- ence is pretty surreal. Now you play, thony Guidotti made an even funkier with all that buildup, and thirty minutes splash rampening up its horn section later. Snap! You’re done. It’s awesome, with Philly musicians Nils Mossblad and just to be on the same stage as all these guys, it’s crazy. Mike Rilli. PW recently caught up with the upand-coming funk/blues quartet, who How did you guys land set at 104.5-FM’s $8*867 6(37(0%(5
Who had the idea to form the band, the name, etc? Vallone: I met John ďŹ rst. We were just chilling on the quad one night, jamming some tunes. And then I met Anthony, because he and I both play drums so we met in the Jazz band. Then John, Anthony and I got together as a little trio, and that was the trio that came up with the name “Groove Merchants.â€? Anthony and Luke went to the same high school so when I couldn’t play with John and Anthony, they would play with Luke. Long story short, we were playing a show where we were both on the bill as two different acts ‌ and I was like “that doesn’t work. It’s only one person difference so why don’t we all just play together?â€? None of them sang, so I said, “I’ll sing, Luke will play guitar, and we will make a bunch of noise.â€? That’s pretty much how it happened.
marketplace. Of course you have to think about those things when you are trying to market in music, you have to, but when we make the music that’s not really in the conversation. Vallone: I think people connect to the music, because of the energy. The way we started playing was in Kutztown, really small venues and house parties. Everybody was really in your face and high energy. We love that so I think when we write, we try to capture that same vibe.
Tye, you definitely have energy, especially with those dance moves at the mic. Vallone: I’m just acting a fool when I do that. We are honestly surprised sometimes by how many people, our age, dig all the stuff. We do other gigs where we do a lot of cover tunes and old blues, and all of the old-heads, they get into the stuff, but the younger crowd does too.
You just released your second album last year called “Take It.� Can you describe the album in one word? Ferracone: Almost. We are constantly shooting for that thing. It comes out in glimpses, sometimes you miss it, and sometimes you hit it. It’s a running joke, like “we almost got there.� When someone messes up, it’s like, “we almost got it man.� Vallone: We actually wanted to call the record “Almost,� but they were like “no, that’s too much.�
How does this album differ from your first self-titled, self-produced record? Ferracone: I think the ďŹ rst one was a little more experimental, not experimental musically, but experimental where we weren’t as organized and just put stuff on tape that we had been playing. When the second record came along, we played a lot more, had a lot more experience, and just captured that.
How do you make a genre like blues appeal to a younger demographic? Even though this What song would you recommend Groove is an alternative concert, it is not common for Merchant newbies listen to first? Guidotti: Probably “Hold Your Millennials to be hardcore blues fans. Ferracone: When we write these tunes, we don’t necessarily have that in mind of what will appeal to people. We just try to see what moves us the most and feels truest to us. We just follow that and put that out there, and hopefully like minded people will come. But we don’t really worry too much about getting into a particular
Hand,� because it is the most relatable. It’s a good tune that gets to the essence of what we do. It’s simple, but it contains everything that we want to put into a song, and I think it’s probably the best representation of us. Q TWITTER: @ANDREACANTOR9 3+,/$'(/3+,$:((./< &20
Find more events at philadelphiaweekly.com/calendar Tell us about your upcoming events! Send press releases and information to: events@phillyweekly.com
WEDNESDAY, AUGUST 30 MUSIC
MOVIE
Stroll the Street Movie Night: “La La Landâ€? Are you gaga over “La La Landâ€?? Come for a magical night with the Oscar-winning musical! For those who just want to come for the ďŹ lm, the movie starts at 7:30pm. But the event will also have food trucks, in-store shopping events and $5 cocktails as well as appetizers. | 5-9pm. Free admission. 4312 Main St. http://manayunk.com MUSIC
Laser Background Washed Out After a day of work, mellow out at Washed Out’s Mister Mellow Tour. Get ready for a night of chill sounds with the chillwave singer/songwriter/producer’s set. | 7pm. $25. Union Transfer, 1024 Spring Garden St. http://www.utphilly.com DRINKS
CCD Sips at Dilworth Park
the scene
AP PHOTO MATT ROURKE
What to do in & around the city
Budweiser Made In America Festival
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ork got you stressed? Unwind and spend Labor Day Weekend, the national holiday that honors your hard work as an American, with this annual two-day festival on the Parkway. Get ready for a music extravaganza, because Jay-Z is back with his curated Made in America Festival. Jay-Z, J. Cole, and The Chainsmokers headline the event, which has more than 50 performances. The event is like a lifetime’s worth of concerts condensed into just two days. Some of the talent coming to Philly includes: Kaskade, Marshmello, Migos, Solange, Run The Jewels, Little Dragon, 21 Savage, Cash Cash, R3hab, Pusha T, and Marian Hill. As you indulge in your music cravings, indulge in some bites as well. Enjoy traditional festival to gourmet foods, and always stay hydrated with the free ďŹ ltered water services situated through the Parkway. Don’t work hard, party hard. You earned it — you have Monday off anyway! Saturday, Sept. 2 – Sunday, Sept. 3. $162 two day standard ticket. The Benjamin Franklin Parkway. madeinamericafest.com
– ANDREA CANTOR | @ANDREACANTOR9 3+,/$'(/3+,$:((./< &20
What better way to get over hump day than with drink specials and live music? Take in the summer air at the Dilworth Park CafĂŠ as you listen to a DJ spin, and enjoy $3 beer, $4 wine and $5 Effen Vodka cocktails. Drink specials end at 7pm, but the live music goes until 8:30pm. | 5-8:30pm. Free admission. Dilworth Park, 1 S. 15th St. centercityphila.org/parks/dilworth-park/dining YOGA
Recharge & Flow Yoga Get over hump day by recharging your zen batteries. Get down with downward dog and tap into your chi. BYOMat to the Navy Yard’s Crescent Park for a needed stretch. Your body will thank you. 6-7pm. Free. The Navy Yard, 4747 S Broad St. https://clients.mindbodyonline.com/classic/mainclass
THURSDAY, AUGUST 31 DRINKS
End of Summer Beer Garden at The MĂźtter
For a night that will pop, get ready for some psych-pop music. Check out headliner Andy Molholt a.k.a. Laser Background play from a new album, “Dark Nuclear Bogs.� Laser Background will be on at 11pm, but come early to hear Vexxed and Mavis The Dog. | 9pm. $10. Johnny Brenda’s 1201 Frankford Ave. http://www. johnnybrendas.com
FRIDAY, SEPTEMBER 1 MOVIE
Fantastic Beasts in Clark Park Jump on your broomsticks, and come for a night of fantastic beasts. Before there was Harry Potter, there was Newt Scamander. Bring a chair or blanket, and watch the young wizard journey in the 1920s magical realm of New York City. Come early to make fantastic beast ďŹ nger puppets and listen to live entertainment. | 8pm. Free admission. Clark Park, 43rd and Baltimore Ave. http://www.friendsofclarkpark.org DANCE
First Friday Salsa Night Get ready to shake a tail feather to live salsa music! Are you new to salsa or need to freshen up on your moves? Executive Director of Philadelphia Dance Foundation Jackie Fisher will provide a free lesson at 7pm. After the warm up, Jimmy Jorge and the Latin Express will perform at 7:30pm so you can dance the night away. | 7-10pm. Free admission. The Piazza at Schmidt’s Commons, 1001 N 2nd St. https://theschmidtscommons.com/
Why go to a typical beer garden when you can go to one with human remains? NIGHTLIFE Drink specialty beers and sangrias in the Benjamin Rush Medicinal Garden. Roam It’s a Vibe Yacht Party Ready to up your party level to yacht stathe museum and explore different exhibits on medical oddities. | 6-10pm. Price tus? Well, then this event is for you. Come varies. Mßtter Museum, 19 S 22nd St, listen to DJ Lioness’ beats and enjoy a CaPhiladelphia. https://www.eventbrite. ribbean buffet, island drink specials and a com/e/end-of-summer-beer-garden-tick- rafe for cash prizes. | 9:30pm-1am. Prices vary. The Ben Franklin Yacht, 401 N. Coets-35979962035 $8*867 6(37(0%(5
lumbus Blvd. https://www.eventbrite. com/e/its-a-vibe-tickets-36115038051
SATURDAY, SEPTEMBER 2
Street Harbor Park, 401 S Columbus Blvd. http://www.delawareriverwaterfront.com/places/spruce-street-harborpark FIREWORKS
HISTORY
on your dancing shoes and let’s party with Philly native and noted nightlife professional DJ Kevin Kong. | 5-9pm. $5. Morgan’s Pier, 221 N. Columbus Blvd. http://www.morganspier.com
Philadelphia Psychotronic Film Society Meeting
Summer is ending and it’s time to get the kids back into learning mode. But hey, learning can be fun! Bring the family to learn about our nation’s founding. Kids 12 and under will receive free admission to the Museum from Saturday to Monday. Every child also leaves with a free backpack that contains colored pencils, an eraser, a history-themed coloring book and a pocket-sized Declaration of Independence. | 9:30am-6pm. Museum of the American Revolution, 101 S 3rd St. https://www.amrevmuseum.org
Calling all movie buffs. Come for free screenings of cult/weirdo/B-movie fare. BYOB, and watch a ick with other ďŹ lm lovers. After signing into three meetings, you will receive an enamel pin with the Philadelphia Psychotronic Film Society’s logo. 7:30-9:30pm. Free. PhilaMOCA, 531 N. 12th St. https://www.facebook.com/events/1091156131020170/
Pet Portraits Are you missing that purr-fect photo of you and your pet? Come for a 20-minute portrait session with your furry friend. Just remember to bring a treat or toy so that your animal stays calm for the pet pic! Proceeds will be donated to the PSPCA.| Noon-3pm. $40. Zoom Room Philadelphia, 180 W. Girard Ave. https://www.eventbrite.com/e/pet-portraits-at-the-zoom-room-september-tickets-37106749286 CAR SHOW
Ridge Runner’s Show Vroom vroom! Car lovers will be in automotive heaven at this car show. See different makes and models, watch winners be announced and enjoy a DJ and food. Some of the proceeds will be donated to Saint Mary’s Church. | 11am-3pm. Free admission. Saint Mary’s Episcopal Church, 630 E. Cathedral Road. http:// www.roxboroughridgerunners.com/st-. mary-s--2017-car-show-application.html
DRINKS
MOVIES
Back to School – Labor Day Weekend at the Museum
PHOTOGRAPHY
WEDNESDAY, SEPTEMBER 6
Labor Day Weekend Fireworks What better way to celebrate Labor Day than with ďŹ reworks? Enjoy live music, drinks, and light bites as you watch the show from the second oor terrace and third-story rotunda balcony. | 9:30pm. Price varies. Independence Seaport Museum, 211 S. Columbus Blvd. http://www.phillyseaport.org/ďŹ reworks
TUESDAY, SEPTEMBER 5 HONEY FESTIVAL
COMEDY
MONDAY, SEPTEMBER 4 MUSIC
Vinyl Night Love that vinyl sound? Play your favorite songs on the bar’s record player. Drink specials for anyone who brings in a record to play and half price growler ďŹ lls. | 7pm-midnight. Jon’s Bar & Grille, 606 S. 3rd St. http://jonsbarandgrille.com NIGHTLIFE
SUNDAY, SEPTEMBER 3 MARKET
R5 Punk Rock Pop-up Market OK you punk rockers, this market is for you. With 16 vendors, you are bound to ďŹ nd something that matches your hardcore punk aesthetic. Make sure to come out, because this is the ďŹ nal Pop-up Punk Rock Market of the summer sea- DJ Kevin Kong son! | Noon-5pm. Free admission. Spruce Ready to get down? Well then throw $8*867 6(37(0%(5
Who says nerds can’t have fun? Among the event’s talks, learn about the ancient history of beer. As you discover new facts about your favorite drinks, enjoy happy hour specials. For history buffs and beer lovers alike, come and be a savvy drinker! | 7:30-9:30pm. $5 cover. Frankford Hall, 1210 Frankford Ave. http://frankfordhall.me CRAFTS
Sunday’s Free Improv Jam Think you have the funny bone? Whether a novice or expert at improv, sign up and work your ability to think on your feet. Can’t make it this week? Don’t worry, PHIT Comedy offers a free improv session every Sunday. | 8:309:30pm. PHIT Comedy, 2030 Sansom St. https://phitcomedy.ticketleap.com/ sundays-free-improv-jam-jul-23-2017/
Nerd Nite No. 78: Beer History and More
Bees at the Bar Hey, honey! No, not you – actual honey. Join the Eighth Annual Honey Festival Team to learn about bees, sample some honey and get a sneak peek at what is planned for the Honey Festival in September. | 6-8pm. Free admission. Tattooed Mom, 520 South St. https://phillyhoneyfest.com COMEDY
Frankenstein So funny it’s scary. Get ready for the improvisational show based off of Mary Shelley’s classic, Gothic novel “Frankenstein.� | 7:30pm. $5. PHIT Comedy, 2030 Sansom St. http://phitcomedy.com ENTERTAINMENT
Open Mic Night Think you got the chops to take the stage? All are welcome, whether a novice who wants to take a crack at the mic or an expert who wants to polish their craft. Too nervous this time around? No worries. The Raven Lounge has an open mic every Tuesday. | 9pm. Free. The Raven Lounge, 1718 Sansom St. http://www. ravenlounge.com
Picasso & Prosecco Let’s get tipsy and crafty! Channel your inner Picasso, and decorate your own beer mug. Participants will also receive a complimentary glass of Prosecco. Take in the summer night and views of the Ben Franklin Bridge and Delaware River while you sip and paint. | 7-9pm. $35. Fishtown Hops, 1001 N. Delaware Ave. https://www.pinotspalette.com/ cherryhill/event/182453 ART
Digital Fringe Kickoff Party Get pumped for three-weeks of art programs with the Fringe Festival. To get your feet wet, come out and celebrate the Digital Fringe, as well as the opening of FringeArts’ popup Festival bookstore. Tap into your artsy-self, and check out the multimedia projects. | 6-9pm. Free admission. United By Blue, 144 N. 2nd St. http://fringearts.com/all-presentations/digital-fringe/ 3+,/$'(/3+,$:((./< &20
SAVAGE LOVE:
Hard to Do DAN SAVAGE My ex-boyfriend and I were together for a year and a half. He is a silver fox who is signiďŹ cantly older than me. I was 23 when we met and he was 58. It was supposed to be a ing, but it evolved into a beautiful romance. But after much consideration (he has a vasectomy and already has four kids and will be retiring soon), we ended it three months ago. It was heartbreaking, but we made a conscious decision to be close friends and talk every day. Out of the blue last week, he asked me if I had a boyfriend. I don’t, but I was coincidentally about to go on my ďŹ rst date since the breakup. He proceeded to tell me he “kindaâ€? has a new girlfriend, a woman closer to his age. This was not something I wanted to hear, which he could tell from the silence that met this disclosure. This conversation ruined my weekend. I have been unable to eat or sleep. The guy I went on a date with was sexy—not a love connection, but a bangtown prospect—but I was too emotionally fucked to do anything with him. Do I explain these thoughts to my ex? Let time do the healing? Why did my ex feel the need to tell me about his new girlfriend? – Heartbroken Over New Ex’s Yummy Your ex told you about his new girlfriend because you two are close friends, right? And close friends typically conďŹ de in each other about their love lives, don’t they? And that’s what you wanted, isn’t it? Backing up: It’s always inspiring when two people manage to salvage a friendship after their romantic relationship ends. But it’s not possible—it’s certainly not on anyone’s list of breakup best practices—to go in an instant from lovers to besties who talk on the phone every day. You got your heart broken, HONEY, and only time can cauterize that particular wound. Your reaction to the news that your ex has a new girlfriend proves your post-breakup friendship wasn’t a “conscious decisionâ€? but an ill-advised rush. And while the physical 3+,/$'(/3+,$:((./< &20
aspect of your relationship with Mr. Silver Fox ended three months ago, you never got out of each other’s pants emotionally. (A bruised ego might also be contributing to your inability to eat or sleep—he got over you faster than you got over him). I don’t think you should explain anything to your ex right now, HONEY, because I don’t think you should talk to your ex for the next six months or so. You need to get on with your life—and getting on that new guy is a good place to start. I’m a 26-year-old heterosexual female, and I was recently dumped by my boyfriend. He was my ďŹ rst love and the person I lost my virginity to. We’d been seeing each other for a little over a year. I had sex with someone else while I was seeing my ex (it was a more casual relationship in the beginning). I wanted more, and I’m not 100 percent sure but think that’s what scared him off. I went into a depression and started seeing a therapist. This all happened a little more than a month ago. Friends tell me that the “best way to get over someone is to get under someone else,â€? but I’m not sure what to do. I’m pretty sure I’m doing the thing I shouldn’t be doing: holding out hope my ex will decide he made a horrible decision and want to be with me again. I know it is idiotic to have this hope. Can you give me some direction? – Don’t Underestimate My Pain This may not be helpful in the short term, DUMP, but it’s not idiotic to hold out hope your ex will take you back. It could happen—indeed, it has happened for lots of folks. I have two friends who are married to men who dumped them, regretted it, and begged to be taken back. The trick, however, is to assume it won’t happen and make a conscious effort to get on with your life. (And, if necessary, a conscious effort to get under someone else.) Your boyfriend/ďŹ rst love/ďŹ rst fuck dumped you a little more than a month ago—you’re allowed, one month and change later, to live in hope of a reconciliation. Odds are good, though, that it’s a false hope, DUMP, so don’t pass on any solid offers and keep seeing that therapist.Q
THERE’S MORE SAVAGE LOVE! Read more at PHILLYWEEKLY.COM Ask a question: MAIL@SAVAGELOVE.NET
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TESTIMONIAL
Linsky’s Pharmacy ran their recruitment ad in the Employment Weekly section and hired two new employees within two weeks. A new Pharmacy Technician and a Cashier/Clerk. - Jamie Martin
Owner/Operations Manager Linsky’s Pharmacy
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304 PEMBERTON STREET QUEEN VILLAGE OPEN HOUSE 9/3 FROM 12:00 TO 2:30 Location! Location! Location! Found on One of Queen Village’s Most Sought After Tree Lined Blocks (Also in Meredith School Catchment). A Lovely 3 Story 3 Bedroom Home with Hardwood Floors Throughout, Lots of Exposed Brick, Lovely Brick Paved Garden off of the Expansive Living Room,lower level large terriďŹ c newer Kitchen with Great Cabinet, Quartz Counter-top and a Custom Built Pantry. A Dining Room and Separate Laundry Room with Full Size Washer and Dryer + Mechanicals & Storage Space. Off to the 2nd Floor - - - an Entire Brick Wall to a Nice Size Front Main Bedroom with Large Front Double Windows and 2 Side Accent windows + a Large Walk in Closet. The Hall Area has a Window allowing Nice Light throughout. A Beautiful New Designer Bath with an Over-sized Vanity, Mosaic Tile Flooring, White Subway Tile Surround, Window and Closet (this Bath compensates for not having another Bath). 3rd Floor - - - Window in the Hall Stairwell allowing Good Light, an entire Exposed Brick Wall, Front Bedroom with a Large Double Window + 2 Accent Side Windows & Closet. A Rear Bedroom with Window & Closet. Great House on a Great Block.
$425,000 WHAT THEY ARE SAYING: “We have had the pleasure of working with Kathy Conway for more than 10 years and are pleased to consider her our go-to real estate advisor and agent. She has a comprehensive and ďŹ rst-hand knowledge of the Philadelphia market, is a great strategizer and has an acute understanding of the sense of urgency we frequently feel, on either the buyer’s or seller’s side. Recently, for example, she showed us a property that we insisted would be ideal for us. Once we saw the space and found it disappointing, she immediately, based on her familiarity with our needs and lifestyle, gave us a suggestion that she believed would be better suited. We’re moving into that place, a month from now. Thanks, again, Kathy.â€? Patricia Harris
Patrick Conway
Kathy Conway
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RITTENHOUSE SQUARE DÇ‹ĂžÂśĂŒÇź Ĺ˜_ ÞNjɴʰ ¯ȖĜĜɴ Č–Ćź_ Çźs_ ǣǟȖ_ÞŸ Ĺ¸Ĺ˜ ÇźĂŒs ËĄËŁÇźĂŒ ʪŸŸNj Ÿ¯¯sÇ‹ĂžĹ˜Âś ĹŽ ĘŠĂžĹ˜Âś OÞǟɴ Ĺ˜_ ÇŁČ–Ĺ˜ÇŁsÇź ɚÞsÉ ÇŁĘł ÇťĂŒs OĹ¸Ĺ˜_Ÿ ÂŻs ǟȖNjsÇŁ Ĺ¸Ç‹ĂžÂśĂžĹ˜ Äś Ćź NjLJȖsÇź ʪŸŸNjǣ Ĺ˜_ Ĺ˜sÉ Ä¨ĂžÇźOĂŒsĹ˜ É ĂžÇźĂŒ œNj Ĺ˜ĂžÇźs OĹ¸Č–Ĺ˜ÇźsÇ‹ÇŁ Ĺ˜_ ÇŁČ–EÉ É´ ǟÞĜs E OĨǣƟĜ ÇŁĂŒĘł ÇŠsÇŁĂž_sĹ˜ÇźÇŁ sĹ˜Ä Ĺ¸É´ ËĄËŁËšĂŒĹ¸Č–Ç‹ _ŸŸNjŎ Ĺ˜Ę° ĘŠÇźĹ˜sÇŁÇŁ OsĹ˜ÇźsÇ‹Ę° Ĺ˜_ ÇŁs ÇŁĹ¸Ĺ˜ Äś NjŸŸ¯ǟŸƟ ƟŸŸĜ OĜȖE
$240,000
FITLER SQUARE Ds ȖǟÞ¯ȖĜ ǣƟĜÞǟ˚ĜsÉšsÄś OĹ¸Ĺ˜_Ĺ¸ĹŽĂžĹ˜ĂžČ–ĹŽ ÂŻs ÇźČ–Ç‹ĂžĹ˜Âś ŎŸ_sÇ‹Ĺ˜ ĨÞǟOĂŒsĹ˜ É ĂžÇźĂŒ ĹŽ Ç‹EÄśs OĹ¸Č–Ĺ˜ÇźsÇ‹ÇŁË€E OĨǣƟĜ ÇŁĂŒĘ° œĜ ǣǣ˚ǟŸƟ ǣǟŸɚsĘ° Ĺ˜_ Ĺ˜ĂžOs EÇ‹s Ĩ¯ ÇŁÇź E Ç‹Ęł ÇťĂŒs ŸƟsĹ˜ ÄśĂžÉšĂžĹ˜Âś NjŸŸŎˀ_ĂžĹ˜ĂžĹ˜Âś NjŸŸŎ ÂŻ OsÇŁ ÇŁĹ¸Č–ÇźĂŒ É ĂžÇźĂŒ œNjs Çź ÇŁČ–Ĺ˜ sɎƟŸǣȖNjsĘł ÇťĂŒs OĹ¸Ĺ˜_Ÿ Ÿ¯¯sÇ‹ÇŁ ÂŻ Ĺ˜Çź ǣǟÞO OÞǟɴ ɚÞsÉ ÇŁĘł ËĄ Ds_NjŸŸŎǣʰ Ë D ÇźĂŒ
$369,000
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NEW PRICE NORTHERN LIBERTIES É&#x;Ĺ¸Ĺ˜_sÇ‹ÂŻČ–Äś Ë Es_NjŸŸŎ OĹ¸Ĺ˜_Ÿ ĂžĹ˜ ĂŒĂžÂśĂŒ NjÞǣs EȖÞĜ_ĂžĹ˜Âś ÂŻs ÇźČ–Ç‹ĂžĹ˜Âś ĂŒ Ç‹_É Ĺ¸Ĺ¸_ ĘŞĹ¸Ĺ¸Ç‹ĂžĹ˜Âś ÇźĂŒÇ‹Ĺ¸Č–ÂśĂŒĹ¸Č–ÇźĘ° Ë Ë¤ ¯ǟʳ OsĂžÄśĂžĹ˜ÂśÇŁĘ° Ĺ˜ Č–Ćź_ Çźs_ ĨÞǟOĂŒsĹ˜ É ĂžÇźĂŒ Ĺ˜sÉ ĆźĆźÄśĂž Ĺ˜OsÇŁĘ° Ĺ˜_ ÇŁĆź OÞŸȖǣ ÄśĂžÉšĂžĹ˜Âś NjŸŸŎ É ĂžÇźĂŒ ƟĜsĹ˜ÇźÉ´ Ÿ¯ ÇŁČ–Ĺ˜ÄśĂžÂśĂŒÇź Es ĹŽĂžĹ˜Âś ÇźĂŒÇ‹Ĺ¸Č–ÂśĂŒ ˢ Äś Ç‹Âśs É ĂžĹ˜_Ĺ¸É ÇŁĘł ÇťĂŒs OĹ¸Ĺ˜_Ÿ EȖÞĜ_ĂžĹ˜Âś Ÿ¯¯sÇ‹ÇŁ ÂŻÇ‹Ĺ¸Ĺ˜Çź _ŸŸNjŎ Ĺ˜
$174,900
POINT BREEZE Ds ȖǟÞ¯ȖĜĜɴ _sÇŁÂśĂžĹ˜s_ Ĺ˜sÉ OĹ¸Ĺ˜ÇŁÇźÇ‹Č–OÇźĂžĹ¸Ĺ˜ ĂŒĹ¸ĹŽs É ĂžÇźĂŒ ˢ ŸȖǟ_ŸŸNj ÇŁĆź OsÇŁĘ° ÂŻs ǟȖNjsÇŁ ĂŒ Ç‹_É Ĺ¸Ĺ¸_ ʪŸŸNjǣʰ OȖǣǟŸŎ ĨÞǟOĂŒsĹ˜ É ĂžÇźĂŒ ÇŁÇź ĂžĹ˜ÄśsÇŁÇŁ ÇŁÇźssÄś ƟƟĜÞ Ĺ˜OsÇŁ Ĺ˜_ LJȖ Njǟʊ OĹ¸Č–Ĺ˜ÇźsÇ‹ÇŁĘ° Ĺ˜_ ÇŁĆźs ĨsÇ‹ ÇŁÉ´ÇŁÇźsĹŽ ÇźĂŒÇ‹Ĺ¸Č–ÂśĂŒĹ¸Č–Çź ÇźĂŒs ĂŒĹ¸Č–ÇŁsĘł Ë Ë&#x; Éłs Ç‹ Çź ÉŽ E ÇźsĹŽsĹ˜Çź ƟƟNjŸɚs_
$419,000
BELLA VISTA NŸʊɴ EÞ˚ĜsÉšsÄś OĹ¸Ĺ˜_Ÿ ÂŻs ÇźČ–Ç‹ĂžĹ˜Âś Es ȖǟÞ¯ȖĜ ĂŒ Ç‹_É Ĺ¸Ĺ¸_ ʪŸŸNjǣʰ sɎƟŸǣs_ EÇ‹ĂžOĨʰ Ĺ˜ Č–Ćź_ Çźs_ ĨÞǟOĂŒsĹ˜ É ĂžÇźĂŒ ŎŸ_sÇ‹Ĺ˜ ƟƟĜÞ Ĺ˜OsÇŁ Ĺ˜_ ʊɎǟȖNjsÇŁĘł ÇťĂŒs OĹ¸Ĺ˜_Ÿ Þǣ ÇŁČ–ĆźsÇ‹ EÇ‹ĂžÂśĂŒÇź É ĂžÇźĂŒ ÇŁČ–Ĺ˜ÄśĂžÂśĂŒÇź ĆźĹ¸Č–Ç‹ĂžĹ˜Âś ÇźĂŒÇ‹Ĺ¸Č–ÂśĂŒ ÇźĂŒs ÇŁÄ¨É´ÄśĂžÂśĂŒÇź Ĺ˜_ EČ–Ĺ˜_ Ĺ˜Os Ÿ¯ É ĂžĹ˜_Ĺ¸É ÇŁĘł Ćť NjĨ ɴŸȖNj O Ç‹ ĂžĹ˜ ÇźĂŒs Ç‹sÇŁĂž_sĹ˜ÇźĂž Äś Ćź Ç‹Ä¨ĂžĹ˜Âś ĜŸǟ ONjŸǣǣ ÇźĂŒs ǣǟNjssÇź
$189,500
$8*867 6(37(0%(5
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