New Orleans Ballet Association - 2018-2019 Program

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Table of Contents 6

Welcome Letter

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Sponsor Feature

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Board of Directors and Staff

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NOBA Will...

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Season of Dance

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DIAVOLO | Architecture in Motion

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Dance Theatre of Harlem

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Alvin Ailey American Dance Theater

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BODYTRAFFIC

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50th Anniversary Evening of Stars Gala

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NORD/NOBA Center for Dance

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Dancing Through Generations

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Partnerships for Youth

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Summer Programs for Youth

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Advanced Summer Programs

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NOBA Faculty

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Partnerships for Health

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BRAVO Letter

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BRAVO Events

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Prix d’Elegance Awards Luncheon

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Donors

Executive Editor

Jenny Hamilton

Project Manager

Jessica DeBold

Traffic Manager

Topher Balfer

PRODUCTION DESIGNERS

Emily Andras, Rosa Balaguer, Meghan Rooney

ART DIRECTOR

Molly Tullier Sales Manager

Brooke LeBlanc 504-830-7242 Brooke@myneworleans.com vice president of sales

Colleen Monaghan CEO

Todd Matherne

The 2018-19 New Orleans Ballet Association program is produced for the New Orleans Ballet Association by Renaissance Publishing, LLC New Orleans Ballet Association 935 Gravier St., Suite 800, New Orleans, La 70112 504-522-0996 | www.NOBAdance.com Copyright 2018 New Orleans Ballet Association and Renaissance Publishing, LLC. No part of this publication may be reproduced without the consent of the publisher. © New Orleans Ballet Association 4

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Welcome to the 2018-19

Season of Dance

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ifty years of dance in all its glorious forms! In 2019, a starstudded performance and gala will kick off what will be a twoyear tribute to our rich history with a journey of performances, activities and festivities that will honor our past, celebrate our present and inspire our future. Thank you for joining us!

The 2018-19 Main Stage Season proudly showcases the New Orleans debut of one of the country’s most exciting new companies, BodyTraffic, as well as the return of companies whose contributions of time, talent and resources have been instrumental over the past decade in NOBA’s recovery and continued growth. In the fall of 2005, both Alvin Ailey American Dance Theater and Diavolo were fundraising in earnest in their hometowns to help NOBA recover. Ailey sent a check that helped us re-launch our free dance programs again by November of that year at a local church in Metairie for the community-at-large. Diavolo, scheduled to appear on the Main Stage Season in January 2006, travelled at their own expense to New Orleans, despite the season’s cancellation, and conducted a week of their signature trust workshops at our schools when children needed it most. In October, Dance Theatre of Harlem will conclude its second four-month residency in three years that has generously given Center for Dance youth unprecedented and unique opportunities to be part of the legacy of this historic company. We are sincerely grateful to each of these premier dance companies for their generosity and devotion to our community.

Year after year, we are humbled by the privilege of serving the families of this region, and we remain inspired by the accomplishments of our participants. In May 2018, Center for Dance youth performed for honorees Gloria and Emilio Estefan and Carolina Herrera at Ballet Hispánico’s Carnaval Gala at the Plaza Hotel in New York City, marking the fourth performance in New York with a major company since 2012.

In January, it was our greatest honor to be included in New Orleans icon and former board member Leah Chase’s 95th birthday celebration.

Due to the devoted leadership, stalwart investment and creative vision of a tenacious team of board members, volunteers, donors, staff and community partners, the past decade has seen a significant expansion of innovative programs that serve, heal and change lives.

Led by a phenomenal faculty of local and guest artists, over 1,750 citizens ages 3-80+ will actively participate this year in a classes held at one of 13 sites in three parishes designed to deliver high quality dance, movement and wellness activities within a safe, inclusive and accessible environment — all tuition-free. The continued enthusiasm and commitment by BRAVO and Men and Women of Fashion who work tirelessly to fundraise and expand support for NOBA remain critical components of our ability to meet our goals and achieve our mission.

As we reflect on our amazing past and the compelling growth that defines our present, one thing has remained constant — the ceaseless dedication and support of our team and YOU — our audience. Whether you are a longtime fan or a newcomer to the art form, we invite you to explore, enjoy and revel in the magic of dance!

"These students are getting exposed to the kind of artists that don’t necessarily walk into just any studio. To be able to work with such renowned artists, especially tuition-free, is very special. This is an incredibly unique program that is highly specialized. I invited the NOBA students to join our annual fundraiser performance so that our audience witnesses the brilliance of their training and artistry.

I only put the best of dance on my stage, and NOBA is the best of what a community organization can bring to our young people."

-Eduardo Vilaro, Artistic Director, Ballet Hispánico

Center for Dance students with Ballet Hispánico Artistic Director Eduardo Vilaro following their performance at the Carnaval Gala

Pamela and Warner Williams with the students at the pre-gala red carpet celebration at The Plaza Hotel in New York

Let’s Dance!

John M. Duck

Chair, Board of Directors 6

Jenny R. Hamilton Executive Director

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At her 95th Birthday Celebration, Leah Chase is congratulated by choreographer Darrell Grand Moultrie (seated), who created an original work in her honor for NOBA alumnae and performers Cori Lewis (seated) and Caleb Dowden (standing). NOBA alum and Texas Ballet Theater artist Alex Danna joins them.

LIVE WELL. BE WELL. DO WELL. Pan-American Life Insurance Group believes that protecting lives does not only mean providing financial security and peace of mind, it means giving back and creating a positive, lasting impact on families and communities through community development, the arts, education and public safety.

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an-American Life Insurance Group (PALIG) has been a proud sponsor of the New Orleans Ballet Association (NOBA) for over a decade. Our support has provided critical resources for NOBA to provide the city with performances by prestigious dance companies and tuition-free dance, fitness and wellness classes and healthy lifestyle workshops.

Pan-American Life Master Artist Series

PALIG’s collaboration with NOBA is focused on delivering diverse education and healthy lifestyle activities for the youth of the Greater New Orleans area, creating strong bodies, minds and spirits into the leaders of today and tomorrow. Through the year-round Master Artist Series, local students receive innovative and unprecedented opportunities to learn, perform and be mentored by world-renowned artistic directors and dancers from some of the top companies in dance.

Culminating a four-month residency, NOBA and Dance Theatre of Harlem (DTH) will celebrate their 50th Anniversaries with the restaging of the seminal 1974 ballet, Dougla, created by Trinidad-born visual artist, actor, dancer and choreographer, Geoffrey Holder. The expanded cast of dancers will feature four guest artists chosen from NOBA’s Pre-Professional Program, who will join the company in performance.

This fall, former DTH superstar and Pan-American Life Master Artist in Residence Donald Williams will set the choreography and rehearse with the students. NOBA Pre-Professional students will also perform an excerpt of world-renowned choreographer Darrell Grand Moultrie’s Invigorated Heights as part of the DTH student concert on October 19 for over 2,000 K-12 students at the Mahalia Jackson Theater.

Other highlights of the 2018-19 Master Artist Series include an original work by Ballet Hispánico (BH) choreographer Michelle Manzanales in fall 2018 and a Celebration of Cuban Dance in summer 2019 with a team of BH artists who will lead classes and choreography in Cuban ballet technique, Afro-Cuban and Salsa. Celebrated as the premier Latino dance organization in the U.S., BH brings individuals and communities together to celebrate and explore Latino cultures through dance. In addition to classes with Alvin Ailey American Dance Theater, the Series will also include artists such as Complexions Contemporary Ballet Associate Director Jae Man Joo as well as other artists.

“NOBA has created an environment that nurtures an incredibly high standard of professionalism that is evident through the children's dedication, work ethic and eagerness to learn. The opportunities given to these very talented students to work with artists from top companies across the nation is something I have not witnessed at this level anywhere else in my experience as a dance educator. Through the PanAmerican Life Master Artist Series, the bridge built between the artists in the field of today and the future is changing lives.”

- Michelle Manzanales, Ballet Hispánico

Pan American Life Insurance Group's Carlos Mickan with Master Artist Michelle Manzanales of Ballet Hispánico and Center for Dance students during the August 2018 creation residency Photo by Jeff Strout

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Master Artist Michelle Manzanales of Ballet Hispánico rehearses with Center for Dance students Photo by Jeff Strout

“Pan American Life’s partnership with NOBA is part of our commitment to the cultural vitality, health and wellness of Greater New Orleans and the communities we serve across 22 countries in the Americas,” said Carlos Mickan, Vice Chairman of the Board, Head of Finance and Administration for Pan-American Life Insurance Group. “We are proud to support NOBA through the Pan-American Life Master Artist Series, giving local children who are passionate about dance an opportunity to learn from the world’s most accomplished artists.”

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Board of Directors Chair John M. Duck Vice Chairs Dottie Belletto Monique Gougisha Doucette Cynthia LeBreton Secretary Chad Berg Treasurer Cathy M. Green Immediate Past Chair Charlotte Bollinger Members Michael Allday Toni Van Zandt Bachmann William D. Bennett Tiffa Boutté Guy P. Brierre Stephanie Burks Jacquee Carvin Sandra Chaisson

Gregory Curtis Rosalyn Ditta Terry A. DuFrene Elizabeth Ellison-Frost John M. Fox Teresa Guzzetta Bernard M. Jaffe MD Carmen L. LaBrie-Brown MD Henry M. Lambert Theron Lewis Willis A. Lovell Pamela Lupin Carlos F. Mickan Max Moreno Holly S. Popham Constance Willems Pamela M. Williams Lifetime Members M. Cécile Gibson Henrietta Ramirez Hall Dr. E. Ralph Lupin* Nancy O’Connell* Phyllis M. Taylor Betty Wisdom*

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*deceased

1: Seated (l to r) Cécile Gibson, Cynthia LeBreton, Monique Doucette. Standing (l to r) John Duck, Chad Berg 2: Seated (l to r) Cathy Green, Elizabeth Ellison-Frost, Pam Williams. Standing (l to r) Theron Lewis, Carlos Mickan 3: Seated (l to r) Tiffa Boutte, Pamela Lupin. Standing (l to r) Jacquee Carvin, Bill Bennett, Teresa Guzzetta 4: Holly Popham, Sandra Chaisson, Charlotte Bollinger. Standing (l to r) Gregory Curtis, Dottie Belletto, Terry DuFrene, Stephanie Burks, Gregor Fox by Jeff Strout

Staff

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EXECUTIVE DIRECTOR Jenny R. Hamilton

PROGRAMMING/MARKETING Laura Burkhart

BOX OFFICE/AUDIENCE SERVICES Wanda W. Fulton

TECHNICAL/WARDROBE Joan Long

FINANCE/OPERATIONs Sandra Fank

PHOTOGRAPHER Jeff Strout

DEVELOPMENT Francesca Martin Chris Frerichs

GRAPHIC ARTIST Lauren Faustermann

EDUCATION Susan Bensinger Millette White

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COMMUNICATIONS Gambel Communications 4

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New Orleans Ballet Association

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ounded in 1969, the New Orleans Ballet Association (NOBA) cultivates understanding, appreciation and enjoyment of dance through performance, education and community service. NOBA’s dynamic programs position it as a leading dance and service organization throughout the region, and one of very few presenting organizations in the United States dedicated solely to dance.

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IN 2018–19, NOBA WILL… PRESENT

14 extraordinary concerts featuring over 350 artists 12 dance companies as artists in residence 105 performances in NOBA’s education programs 75+ pre-professional students in performance on local and national stages

TRAIN

2,000 students ages 3-80+

PROVIDE

120+ weekly tuition-free classes and activities at 13 neighborhood sites 5,000+ tuition-free dance classes and activities 100,000+ contact hours with participants of education programs 40+ local artists’ employment and professional development

ENRICH

33,000 dance enthusiasts through more than 5,500 services 2

New Orleans Ballet Association 935 Gravier Street, Suite 800 New Orleans, La., 70112 T (504) 522-0996 | F (504) 595-8454 www.NOBA dance.com

Follow us @nobadance on

1: Dance Theatre of Harlem dancer Lindsey Croop Photo by Rachel Neville 2: NOBA students in a spring concert at Dixon Hall Photo by Jeff Strout 3: NOBA students before a spring concert at Lyons Rec Center Photo by Millette White

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Season of Dance Diavolo | Architecture in Motion

2018-19 photo by Thomas Ammerpohl

Saturday, Sept. 22, 8 p.m.

Mahalia Jackson Theater for the Performing Arts "I really hope that everyone gets a chance to see Diavolo live. I know it is amazing on television, but it is even more amazing live and right in front of you.”

— Heidi Klum, "America’s Got Talent" Judge As top 10 finalists last summer on the NBC hit TV show, “America’s Got Talent,” Diavolo wowed millions of viewers by pushing the limits of dance as extreme sport and defying gravity with awe-inspiring, daredevil movement on a playground of oversized architectural structures. Since becoming a TV sensation, the company has been selling out live performances and entertaining legions of new fans. Led by Paris-born maverick, Jacques Heim, these intrepid dancer-athletes perform a new action-theater show that is a thrilling spectacle for the entire family.

Dance Theatre of Harlem Saturday, Oct. 20, 8 p.m.

Mahalia Jackson Theater for the Performing Arts “The enthusiastic applause for the revival of Dougla started as soon as the curtain rose.”

— The New York Times

Photo by Rachel Neville

50th Anniversary Evening of Stars Saturday, Jan. 26 Mahalia Jackson Theater for the Performing Arts NOBA kicks off its golden anniversary year with a star-studded evening, celebrating 50 years of Bringing Dance to Life in New Orleans. This glittering event features performances by some of the world’s most distinguished artists from companies such as American Ballet Theatre and New York City Ballet and will honor community visionaries who have supported and championed NOBA’s mission for many years.

The 50th Anniversary Evening of Stars artists and program will be announced at a later date. Subscribers will be the first to receive detailed information about this premium event and may purchase tickets at a special subscriber discounted ticket price before they go on sale to the general public.

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Continuing a half-century legacy of breaking boundaries and transforming lives through ballet, the classically American and globally renowned Dance Theatre of Harlem puts power on pointe with gorgeous works by George Balanchine, Darrell Grand Moultrie and Christopher Wheeldon. The evening’s spectacular finale will be the triumphant restaging of the seminal 1974 ballet, Dougla, by Trinidadborn visual artist, actor, dance and choreographer, Geoffrey Holder.

Colorfully depicting the exotic pageantry of a Trinidadian wedding ceremony, the expanded cast of dancers features four guest artists from NOBA’s Center for Dance. This season, New Orleans is just one of the four US tour cities, including New York, Miami and Washington D.C., to produce this inspiring work.

Alvin Ailey American Dance Theater Friday, Mar. 22, 8 p.m. Program A Saturday, Mar. 23, 8 p.m. Program B Mahalia Jackson Theater for the Performing Arts “The irresistible dancers of Ailey are back.”

— The New Yorker Returning for the first time in almost a decade, Alvin Ailey American Dance Theater celebrates 60 years as one of America’s most famous and beloved companies, bringing the African American experience and dance traditions to the world’s stages. Directed by the charismatic choreographer Robert Battle, these powerhouse “dancers will set the stage on fire” (Chicago Sun-Times) with two different programs of stunning new works and classics, including Ailey’s masterpiece, Revelations, performed on Friday night’s program A. Photo by Andrew Eccles

BODYTRAFFIC Friday, Apr. 5, 8 p.m.

Saturday, Apr. 6, 2 p.m. & 8 p.m.

Freda Lupin Memorial Hall, NOCCA Co-presented with The NOCCA Institute “One of the most talked about companies, not just in L.A. but nationwide.”

— The Los Angeles Times In just a decade, Los Angeles-based BODYTRAFFIC has blazed onto the international dance scene as one of the hottest contemporary dance companies in the US. Hailed as one of Dance Magazine’s “25 to watch” and “the company of the future” by The Joyce Theater in New York, this 10-member ensemble has earned a stellar reputation for its high-energy, thought-provoking, humorous, jazzy and boldly theatrical performances. Featuring work by today’s most distinctive dance makers and hand-picked for the company’s New Orleans debut, the program spotlights an incredible range of styles with works by Hofesh Shechter, Matthew Neenan and Richard Siegal and music by Peggy Lee, Oscar Peterson and Count Basie.

PHOTO by Lee Gumbs

The Nutcracker Suite Dec. 2, 3 p.m. and 6 p.m.

Dixon Hall, Tulane University

Center for Dance Spring Concert May 19, 7 p.m.

Dixon Hall, Tulane University Photo by Jeff Strout

Experience the magic of Tchaikovsky’s classic holiday adventure in a special one-hour production perfect for the entire family. From an enchanting party, a dramatic battle and dancing dolls to a whimsical journey to the Land of Sweets, this magical tale is uniquely brought to life by over 200 participants of NOBA’s tuition-free programs for youth and senior citizens from the greater metropolitan area.

Celebrate the extraordinary Photo by Jeff Strout talent and accomplishments of our local artists at the annual Kennedy Simon and Pre-Professional students perform Spring Concert, featuring over in the 2018 spring concert at Tulane's Dixon Hall 100 dancers ages 7 to 80+.

The evening highlights new choreography by local artists as well as guest artists Michelle Manzanales of Ballet Hispánico, Jae Man Joo of Complexions Contemporary Ballet and others.

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DIAVOLO ARCHITECTURE IN MOTION® Saturday, Sept. 22, 8 p.m.

Mahalia Jackson Theater for the Performing Arts 18

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photo by George Simian

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IAVOLO | Architecture in Motion® uses dance to explore the relationship between the human body and its architectural environment. Artistic Director Jacques Heim steers DIAVOLO’s diverse team of dancers, designers, choreographers and engineers to create visceral and awe-inspiring works that reveal how we are affected emotionally, physically and socially by the spaces we inhabit.

Meticulously designed bespoke architectural structures serve as

Photo by Leandro Damasco

Jacques Heim

Founder, Artistic Director Jacques Heim has been a transformative director for over 20 years, founding DIAVOLO in 1992, newly renamed DIAVOLO | Architecture in Motion®, and has directed the Company’s work ever since.

Heim was born and raised in Paris, France. His earliest experiences with performance came from street performing.

He attended Middlebury College (Bachelor of Fine Arts in theater, dance and film), University of Surrey in England (Certificate for analysis and criticism of dance), and

the central inspiration for each work, activated by the stylistically varied and intensely physical choreography which has become the hallmark of this truly original company throughout its rich 25 year history. Through The DIAVOLO Institute, the company also provides educational and outreach opportunities to people of all ages and abilities while touring and at home in Los Angeles, sharing the pioneering art form and the power of dance as a means of social impact.

California Institute for the Arts (Master of Fine Arts, choreography). Heim is not a dancer or acrobat but calls himself an “architect of motion.” He is like a drill sergeant or a football coach. He loves working with dancers — pushing them beyond their own physical and emotional limits to make them feel like they can conquer anything, to make them realize they are heroes.

Heim is named directly after his grandfather, the late and revolutionary fashion designer, who in 1946 launched the first ever two piece bathing suit called Atome, later renamed 'the bikini,' and also invented le pret a porter, or ‘Ready to Wear’ clothing. Just as his grandfather broke ground in the fashion industry, Heim continues to challenge and break the mold of conventional wisdom surrounding dance, developing the unique and incomparable aesthetic of Architecture in Motion®.

In addition to his work with DIAVOLO, Heim has worked extensively for other companies in dance, theater, television and special events worldwide. Heim created five new performances based on DIAVOLO creations for NBC’s “America’s Got Talent 2017.” DIAVOLO appeared as one of the top ten contestants in AGT’s finale at the Dolby Theater in Hollywood.

He also recently directed DIAVOLO for a special appearance on “Le Plus Grand Cabaret du Monde’s New Year’s Eve 2017,” one of the most watched TV shows in France and Francophone countries. DIAVOLO also appeared on Helene Fischer’s “2017 Christmas Spectacular.”

In 2004, Heim choreographed Kà for Cirque du Soleil at the MGM Grand, Las Vegas, a destination show featuring apparatus inspired by DIAVOLO structures and architecture. In 2010, he was invited to be a creative director for the opening ceremony of The 16th Asian Games, in Guangzhou, China. Heim worked with Guy Caron and Michael Curry as consulting choreographer on Ice Age Live!, a “mammoth” arena show that had its world premiere at London’s Wembley Stadium in November 2012 and is now touring Europe.

In addition to three USA Fellowship nominations and four Alpert Award nominations, Heim has received the Martha Hill Choreography Award of the American Dance Festival, Special Prize of the Jury at the 6th Saitama International Dance Festival, Brody Arts Fund fellowship, James Irvine Foundation Fellowship and is the 2016 Barney Creative Prize recipient.

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Photo by Rachel Neville

Dance Theatre of Harlem Saturday, Oct. 20, 8 p.m.

Mahalia Jackson Theater for the Performing Arts Freda Lupin Memorial Hall, NOCCA

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or 50 years, Dance Theatre of Harlem (DTH) has been dedicated to transforming lives through the power of its art and its vision of inclusion and access to all. Founded in 1969 by the legendary Arthur Mitchell and his former teacher, the late Karel Shook, DTH is a globally-acclaimed dance institution that has occupied a distinguished place in New York City’s cultural landscape and at the forefront of American artistic achievement. Located on a block officially named “Dance Theatre of Harlem

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Way” in testament to its enduring legacy, DTH now comprises a professional touring company, a school and a broad range of community programs.

Under the leadership of Virginia Johnson, a former prima ballerina with the company who was appointed artistic director in 2010, the DTH mission has been revitalized to: – Present a company of African American and racially diverse artists who perform the most demanding repertory at the highest level of quality; – Maintain a world-class school that trains

young people in classical ballet and allied arts; and – Provide arts education, community outreach and positive role models for all.

The company is a racially diverse, 16-member professional dance ensemble that tours across national and international stages. The DTH company has performed in 41 countries on six continents, in 44 states and in more than 250 cities across North America. Last year alone, the company performed for nearly 60,000 audience members across the U.S.

and reached more than 6,000 during its home season at New York City Center.

Focused on a future that is characterized by expansion and engagement, the company brings together artists from various dance styles and disciplines, such as music and fashion, to create new works that influence and enhance the ballet art form. Committed to cultivating a community for dancers, choreographers and other artists, DTH’s company also serves as a pipeline for talent and an ambassador for connection on local, national and global levels.

The DTH school provides classical ballet and dance training to children and youth from ages three to 18. Cultivating an expectation and spirit of excellence, the school invests in providing high-quality training while ensuring that students of diverse backgrounds feel inspired and supported. Within the walls of DTH, students can feel physically and emotionally safe and are encouraged to explore their greatest potential as artists.

Like the school and company, DTH’s community programs address the unique experience of artists of color and provide a forum where experiences of race and culture can be studied, expressed, experienced and discussed. DTH’s community offerings include its flagship Dancing Through Barriers® arts-ineducation program, master classes, a Sunday matinee concert series, open rehearsals and work-in-progress showings that provide insights into the creative process.

Photo by Rachel Neville

Photo by Rachel Neville

Virginia Johnson Artistic Director

A founding member of Dance Theatre of Harlem, Johnson was one of its principal ballerinas over a career that spanned nearly 30 years. After retiring in 1997, Johnson went on to found Pointe Magazine and was editor-in chief for ten years.

A native of Washington, D.C., Johnson began her training with Therrell Smith then with Mary Day at the Washington School of Ballet. A graduate of the Academy of the Washington School of Ballet, she was a University Scholar in the School of the Arts at New York University before joining Dance Theatre of Harlem.

Johnson is universally recognized as one of the great ballerinas of her generation and is perhaps best known for her performances in the ballets Giselle, A Streetcar Named Desire, and Fall River Legend. She has received such honors as a Young Achiever Award and an Outstanding Young Woman of America from the National Council of Women, the Dance Magazine Award, a Pen and Brush Achievement Award, Washington Performing Arts Society’s 2008-2009 Pola Nirenska Lifetime Achievement Award and 2009 Martha Hill Fund MidCareer Award.

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Alvin Ailey American Dance Theater Friday, Mar. 22, 8 p.m.

Program A Saturday, Mar. 23, 8 p.m.

Program B Mahalia Jackson Theater for the Performing Arts

Photo by Andrew Eccles

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lvin Ailey American Dance Theater grew from a now-fabled performance in March 1958 at the 92nd Street Y in New York City. Led by Alvin Ailey and a group of young African-American modern dancers, that performance forever changed the perception of American dance. The Ailey company has gone on to perform for an estimated 25 million people at theaters in 48 states and 71 countries on six continents and has reached millions more through television broadcasts, film screenings and online platforms. In 2008, a U.S. Congressional resolution designated the company as “a vital American cultural 22

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ambassador to the world” that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage. When Mr. Ailey began creating dances, he drew upon his “blood memories” of Texas, the blues, spirituals and gospel as inspiration, which resulted in the creation of his most popular and critically acclaimed work Revelations. Although he created 79 ballets over his lifetime, Mr. Ailey maintained that his company was not exclusively a repository for his own work.

Today, the company continues Mr. Ailey’s mission by presenting important works of

the past and commissioning new ones. In all, more than 250 works by more than 100 choreographers have been part of the Ailey company’s repertory. Before his untimely death in 1989, Mr. Ailey named Judith Jamison as his successor, and over the next 21 years she brought the company to unprecedented success. Jamison, in turn, personally selected Robert Battle to succeed her in 2011, and The New York Times declared that he “has injected the company with new life.”

Photo by Andrew Eccles

Photo by Pierre Wachholder

Robert Battle Artistic Director

Battle became artistic director of Alvin Ailey American Dance Theater in July 2011 after being personally selected by Judith Jamison, making him only the third person to head the company since it was founded in 1958.

Battle has a longstanding association with the

Ailey organization. A frequent choreographer and artist-in-residence at Ailey since 1999, he has set many of his works on Alvin Ailey American Dance Theater and Ailey II, and on students at The Ailey School. The company’s current repertory includes his ballets Ella, In/ Side, Mass, No Longer Silent and The Hunt.

In addition to expanding the Ailey repertory with works by artists as diverse as Kyle Abraham, Mauro Bigonzetti, Ronald K. Brown, Rennie Harris and Paul Taylor, Battle has also instituted the New Directions Choreography Lab to help develop the next generation of choreographers.

Battle’s journey to the top of the modern dance world began in the Liberty City neighborhood of Miami, Florida. He showed artistic talent early and studied dance at a high school arts magnet program before moving on to Miami’s New World School of the Arts, under the direction of Daniel Lewis and Gerri Houlihan. He then was admitted to the dance program at The Juilliard School, under the direction of Benjamin Harkarvy, where he met his mentor, Carolyn Adams. He danced with Parsons Dance Company from 1994 to 2001

and also set his choreography on that company starting in 1998. Battle then founded his own Battleworks Dance Company, which made its debut in 2002 in Düsseldorf, Germany, as the U.S. representative to the World Dance Alliance’s Global Assembly. Battleworks subsequently performed extensively at venues, including The Joyce Theater, Dance Theater Workshop, American Dance Festival and Jacob’s Pillow Dance Festival.

Battle was honored as one of the “Masters of African-American Choreography” by the Kennedy Center for the Performing Arts in 2005, and he received the prestigious Statue Award from the Princess Grace Foundation-USA in 2007. He has honorary doctorates from The University of the Arts and Marymount Manhattan College. Battle was named a 2015 visiting fellow for The Art of Change, an initiative by the Ford Foundation.

He is a sought-after keynote speaker and has addressed a number of high-profile organizations, including the United Nations Leaders Programme and the UNICEF Senior Leadership Development Programme.

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BODYTRAFFIC when people think LA, they think dance.

Co-presented with The NOCCA Institute Friday & Saturday, Apr. 5 & 6, 8 p.m. | Saturday, Apr. 6, 2 p.m.

Freda Lupin Memorial Hall, NOCCA

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ODYTRAFFIC is helping establish Los Angeles as a major center for contemporary dance. Founded in 2007 by Lillian Rose Barbeito and Tina Finkelman Berkett, BODYTRAFFIC has surged to the forefront of the concert dance world, recruiting great talent from around the globe to create worldclass contemporary dance by distinctive choreographic voices. Named “the company of the future” by The Joyce Theater Foundation, Dance Magazine’s “25 to Watch” and “Best of Culture” by The Los Angeles Times, the company is internationally recognized for their high quality of work. The Los Angeles Times 24

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says BODYTRAFFIC is “one of the most talked-about companies — not just in LA, but nationwide.”

Repertory includes works by MacArthur Fellow Kyle Abraham, Sidra Bell, Stijn Celis, Sarah Elgart, Alex Ketley, Anton Lachky, Loni Landon, Barak Marshall, Andrea Miller, Laura Gorenstein Miller, Ohad Naharin, Matthew Neenan, Joshua L. Peugh, Arthur Pita, Victor Quijada, Gustavo Ramírez Sansano, Zoe Scofield, Hofesh Shechter, Richard Siegal and Guy Weizman & Roni Haver.

BODYTRAFFIC has performed for sold-out audiences at prestigious theaters and festivals around the world, including The Joyce Theater, Jacob’s Pillow Dance Festival, Israeli Opera/

Tel Aviv Performing Arts Center, New York City Center’s Fall for Dance Festival, Chutzpah!

Festival in Vancouver, Laguna Dance Festival, The Broad Stage, Santa Monica and American Dance Festival. In 2012, BODYTRAFFIC performed with the Los Angeles Philharmonic for its 2012 opening night gala conducted by Gustavo Dudamel. In 2016, BODYTRAFFIC made its Hollywood Bowl debut with the Los Angeles Philharmonic. For BODYTRAFFIC’s 10th anniversary season, the company toured domestically and internationally to over 20 cities, including Moscow and St. Petersburg for the CONTEXT. Diana Vishneva Festival and The Hague, Netherlands, for The Holland Dance Festival.

Photo by Alice Bangero

BODYTRAFFIC

In addition to performing, BODYTRAFFIC has an extensive outreach and education program that provides training opportunities for pre-professional dancers and customized dance experiences for populations of all ages and abilities around the globe.

In 2015, BODYTRAFFIC was selected by the Obama Administration to be cultural ambassadors of the United States via DanceMotion USASM, a dynamic cultural diplomacy program that supports United States foreign policy goals by engaging international audiences through educational opportunities, cultural exchange and performance. Produced by BAM (Brooklyn Academy of Music), DanceMotion USASM is a program of the Bureau of Educational and Cultural Affairs of the US Department of State. BODYTRAFFIC has also served as cultural ambassadors of the United States in South Korea (2016) and twice in Algeria (2017, 2018).

PHOTO BY Lee Gumbs

Lillian Barbeito Artistic Director

Barbeito holds a Bachelor of Fine Arts from The Juilliard School, where she studied on a four-year, full-tuition scholarship awarded by Tomorrow’s Leaders of America for her essay on the world dancing together in harmony.

Barbeito had an extensive performance career that took her to Europe, New York and then, finally, to Los Angeles, where she founded BODYTRAFFIC with Tina Berkett. Barbeito is one of 28 teachers in the world who is certified in Anouk van Dijk’s groundbreaking Countertechnique. With a passion for

mentoring dancers of all ages and abilities, she has taught internationally for organizations such as CalArts, Idyllwild Arts Academy, L’Ecole de Danse de Quebec, Northwest Dance Project, San Francisco Conservatory of Dance, The School at Jacob’s Pillow, UCLA's Department of World Arts and Cultures and Loyola Marymount University, where she is currently on faculty. She has choreographed over 50 works for high schools, universities, competitions and professional dance companies throughout the U.S. and Canada.

Tina Finkelman Berkett Artistic Director

A native of New York City, Berkett trained and learned to love dance under the tutelage of Michele Cuccaro Cain. Upon graduation from Barnard College, Columbia University summa cum laude with degrees in math and economics, she joined Aszure Barton & Artists and performed with the company throughout the U.S., including at Jacob’s Pillow and Spoleto festivals. As Aszure Barton’s assistant, Berkett taught alongside Barton both in the

U.S. and abroad. She had the incredible honor of being a founding member of Mikhail Baryshnikov’s Hell’s Kitchen Dance, where she also served as the company’s dancer liaison.

In 2007, she moved to Los Angeles and founded BODYTRAFFIC with Lillian Barbeito.

Berkett often remarks that BODYTRAFFIC is the dream come true that she never knew she had.

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Bringing Dance Into the Community NORD/NOBA Center for Dance Celebrates 27 Years

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n 1992, visionary leaders of multiple institutions — New Orleans City Council, Office of the Mayor, New Orleans Recreation Department and NOBA — united in a common goal: to touch the lives of every member of our community through dance. Through the collective vision of this dedicated group, the unique and groundbreaking partnership between the New Orleans Ballet Association and the New Orleans Recreation Department — the Center for Dance — was formed to ensure children, regardless of economic means, would have access to high quality dance instruction.

Over the past 26 years, the Center for Dance has provided more than $6 million of free classes to nearly 22,000 youth, many of whom would not otherwise have the opportunity to study this art form. The program has garnered national recognition and awards along the way, including the Coming Up Taller Award by the President’s Committee on the Arts and the Humanities, the National Endowment for the Arts and others.

The program, which started with just 30 students at one NORD site, has grown to now serve over 1,750 students each year at 13 sites in partnership with NORD and other community organizations. Weekly, more than 120 tuition-free classes and activities are offered by a professional faculty who brings a wealth of knowledge, care and experience. Students study ballet, tap, hip hop, modern, jazz, yoga, tai chi, dance fitness and other movement forms. These classes are regularly filled to capacity on a first come, first served basis, and if a child has a specific need, the Center for Dance provides shoes, leotards and tights. Pre-Professional students

“This program is life changing!”

– Center for Dance Student

ages 8 and up receive additional intensive training and classes by world renowned dancers and choreographers through the Pan American Life Master Artist Series at Lyons Rec Center and at Tulane University; internships; advanced summer training locally; scholarships to study at prestigious national summer programs; free or reduced tickets ($5) for Main Stage performances and more.

In 2008, NOBA, at the request of NORD, expanded its reach in the community by providing participants ages 55 and up a dance fitness program.

This year, the Center for Dance proudly continues to grow, including the expansion of the Early Childhood Development Program for ages 3-5 at Lyons and St. Bernard Rec Centers and the establishment of the Relevé Program to prepare students for the rigors of the pre-professional intensives.

For a packed house of family and friends, students ages 3-80+ take part in fully produced performances with costumes, professional stage management and lights at Tulane University’s Dixon Hall as well as presentations at each partner site. The pre-professional students annually receive opportunities for advanced study and guest artist residencies in addition to invitations to perform throughout the community and appear on regional and national stages and venues such as New York City’s Joyce Theater and Plaza Hotel, Kennedy Center and Jacob’s Pillow Dance Festival.

This season, the Center for Dance is honored to be invited by the iconic Dance Theatre of Harlem to join them on stage as part of our main stage season of dance!

Photos by Jeff Strout & Millette White

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“As a single mother of three kids I could never afford to give my children dance lessons, but thanks to NOBA, they are learning the skills of patience, hard work, and dedication – I could never put a price tag on that.”

– Center for Dance Parent

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Dancing Through Generations “This program helped save my life.”

– Virgin Powell, Senior Dance Fitness Program participant

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hrough an extension of the Center for Dance’s award-winning, innovative programs, over 1,200 community members will participate in 2018-19 in a variety of weekly sessions, including adult dance technique, Senior Dance Fitness, yoga, tai chi, Pilates, Dance for Parkinson’s and more — all tuition-free.

Following the devastation of Hurricane Katrina and at the request of NORD for the development of crucial programming for seniors, NOBA’s Senior Dance Fitness Program launched at St. Bernard Rec Center in 2008 and continues to positively impact the lives of countless participants ages 55+. Currently offered twice a week at three centers, this completely free program includes stretching; cardio and dance set to fun music; dance workshops with visiting Main Stage artists; performance opportunities; social events; discounted tickets to select Main Stage performances and more!

For many participants, the Senior Dance Fitness Program is more than just fun — it is life-saving. In 2012, following a second heart attack, Virgin Powell was issued an exercise prescription by her doctor.

After trying several programs and activities, she found the Senior Dance Fitness Program and has remained involved ever since. At first, Powell did not know any of her classmates, but she now credits the program for an active social life and new friendships. She joined one of the dance teams for the Senior Olympics as captain, and in the Fall of 2016, made the decision that she wanted to audition for a special project with NOBA Main Stage artist and internationally renowned choreographer Ronald K. Brown. When Powell was a child, her dream was to perform with a professional dance company, and on Jan. 27, 2017, as part of a local cast of 32, ages 11-66, she fulfilled a life-long dream. “When you have a life-threatening illness, you get depressed. The doctors told me that to survive, I needed exercise. I found this program, and it was so different than others. I spoke with the instructor when I first started to tell her my story. She worked with me and helped me and helped create a movement plan that suited my needs. She was patient, loving and kind, and it made all the difference. This program helped save my life.”

Year-round, the Center for Dance also offers classes open to all adults and teens in ballet and Horton modern technique, along with fitness and wellness classes in tai chi, yoga and Pilates. Taught by master guest artists and NOBA instructors, these sessions provide participants the opportunity to enhance their dance skills or explore dance and movement for the very first time.

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1: Virgin Powell (far right) in a rehearsal with Ronald K. Brown (center) and other On Earth Together cast members in January 2017 Photo by Jeff Strout

2: NOBA alum Caleb Dowden in an open community ballet master class (from Hubbard Street Dance Chicago residency) Photo by Millette White

3: NOBA Senior Dance Fitness participants perform in a spring concert at Dixon Hall Photo by Jeff Strout

4: Senior Dance Fitness participants Photo by Millette White 30

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Bringing Dance Into the Community Partnerships for Youth “Dancing brings my son joy, and we’ve loved watching how much he has progressed.”

– Broadmoor Arts & Wellness Center parent

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OBA’s comprehensive programs reach deep into the community, bringing dance to neighborhood centers and schools in three parishes. NOBA is honored to collaborate with these institutions to enrich the lives of hundreds of youth ages 6-18 through quality tuitionfree training, performances, family field trips to Main Stage performances, workshops with guest artists, successful auditions for NOBA’s pre-professional programs and more.

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ST. BERNARD PARISH AFTER-ScHOOL BALLET PROGRAM In its first expansion for training programs beyond Orleans Parish, NOBA began a partnership in 1995 with Chalmette Refining, LLC and the St. Bernard Parish School Board. With unwavering dedication and support, this collaboration has fulfilled thousands of dance dreams and today provides instruction twice a week in the beautiful dance studios of the Chalmette High School Cultural Arts Center, which also houses the program’s performances.

JEFFERSON PARISH AFTER-SCHOOL BALLET PROGRAM In 2007, NOBA began classes in Jefferson Parish and, for the fifth year, is proud to partner with Kenner Discovery Health Sciences Academy to offer ballet technique classes twice a week open to any child ages 6-14 in the parish.

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BROADMOOR ARTS AND WELLNESS CENTER AFTER-SCHOOL BALLET PROGRAM NOBA and the Broadmoor Education Corridor are built around a common vision: affordable and quality programming opportunities for New Orleans youth. NOBA’s partnership since 2010 with the Broadmoor Improvement Association has provided children ages 6-18 a year-round program of ballet classes twice a week, which for the fourth year are being housed at the Broadmoor Arts and Wellness Center.

1: Students from the Broadmoor Arts and Wellness Center perform in a spring concert Photo by Millette White 2: St. Bernard After-School Ballet Program Primary students perform in a winter concert Photo by Jeff Strout 3: KDHSA students in a ballet class Photo by Susan Bensinger

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When School is Out, Dance is in!

Summer Programs for Youth “My kids asked, ‘Is there ballet today?’ It was Sunday!”

–Parent

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OBA’s tuition-free programs for youth extend beyond the school year into a kaleidoscope of summer dance and fitness camps in partnership with NORD and other community organizations. Led by a faculty of passionate and highly qualified local and visiting artists, these camps engage both the mind and body through health education related activities that foster life skills such as self-confidence, teamwork, discipline, focus and commitment.

Adventures in Dance Three-Week Day Camp for 35+ children ages 8-10 is held in The Chevron Studio at Lyons Rec Center in July. This comprehensive, popular camp offers: • Daily technique classes in ballet, jazz, modern and hip hop • Global dance workshops such as African, Brazilian, Hawaiian and more • Educational activities in nutrition, health, dance history, sewing, craft arts, arts integration and literacy • A children’s dance book for each participant to add to their home library • Nutritious breakfast and lunch in partnership with The Fresh Food Factor • Fully costumed culminating studio performance for family and friends

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JUNE PREPARATORY DANCE PROGRAM for ages 3-18 offers evening technique classes in ballet, modern, tap, hip hop and more at partner sites.

Young Dancer Day and Evening Intensives for ages 8-12 feature a rigorous schedule of technique classes, choreography workshops, sessions in nutrition and conditioning, dance history and more.

Teen Dance Intensives for ages 11-18 foster an emphasis on building technical proficiency, confidence, and self-expression through classes in conditioning, ballet, modern and world dance workshops.

For more information about advanced summer intensive programs, available by audition for talented, focused young dance students, please visit pages 38-39.

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3 1: Nanette Ledet with June Prepatory Dance Program studenys at Bernard Rec Center Photo by Jeff Strout

2: Adventures in Dance students perform a Brazilian dance Photo by Jeff Strout 3: Students in a June Master Artist Series choreography workshop Photo by Millette White

Adventures in Dance campers perform a musical theater excerpt in the culminating event Photo by Jeff Strout

A June Young Dancer Intensive student performs a ballet variation during the culminating showcase Photo by Millette White

July Young Dancer and Teen Intensive students in a class led by Larry Keigwin of KEIGWIN + COMPANY Photo by Millette White

June Young Dancer students in a conditioning class Photo by Millette White

Complexions Contemporary Ballet Associate Artistic Director Jae Man Joo assists a June Young Dancer Intensive student Photo by Millette White

Adventures in Dance campers perform in a studio showcase Photo by Jeff Strout

June Master Artist Series students at the culminating studio showcase Photo by Millette White

Adventures in Dance campers perform with a maypole in the culminating event Photo by Jeff Strout

NOBA alum and guest instructor Malerie Dempster with a July Young Dancer Photo by Jeff Strout

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NOBA Advanced Summer Programs

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“I love the level of diversity that’s here, and that everyone can participate on an equal level.”

- Theresa Ruth Howard, former Dance Theatre of Harlem artist and NOBA guest instructor

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n many realms of our society, notwithstanding arts education, the notion of cost versus quality continues to be an inevitably stigmatic topic of contention. “When you hear about a free program, oftentimes one thinks that the quality of the program isn’t going to be that great,” offers Theresa Ruth Howard, former Dance Theatre of Harlem artist and 2018 NOBA Summer Intensive guest instructor. Howard continues, “What is extraordinary about NOBA is that it has a great faculty and staff that are very dedicated and caring. That trickles down to their students who, in turn, really do appreciate what the program offers them. I love the level of diversity that’s here, and that everyone can participate on an equal level.”

For over 26 years, NOBA has been steadfast in its commitment to offer students year-round opportunities to connect, train and dance with worldclass talent — all tuition-free. “As a NOBA student, it’s insane to be able to have the opportunities to work with these kinds of artists, pay no tuition and know that there are people who care enough to make it happen for me!” proclaims student Celeste Jupiter.

In June, through the Master Artist Series, dancers and artistic directors from all over the country visit New Orleans to teach their respective companies’ and/or schools’ techniques and styles during week-long 38

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sessions of master classes and choreography workshops, culminating with a showcase for family and friends. The 2018 summer roster of master artists included Daniel Ulbricht, principal dancer with New York City Ballet and artistic director of Stars of American Ballet; Danielle Diniz, dancer with Stars of American Ballet; Jae Man Joo, associate artistic director of Complexions Contemporary Ballet and Princess Grace awardwinning choreographer; and former Alvin Ailey American Dance Theater artist Rosalyn Sanders.

At the three-week Summer Intensive in July, students trained for up to eight hours a day with prestigious guest faculty, including the internationally renowned American dance maker Larry Keigwin and veteran KEIGWIN + COMPANY artist Jaclyn Walsh, plus master artists Donald Williams and Theresa Ruth Howard from Dance Theatre of Harlem, which will celebrate its 50th Anniversary this year. Each student was featured in a professionally produced concert at NOCCA’s Freda Lupin Memorial Hall, where they performed the difficult choreography set on them by these artists during the three weeks. In addition to rigorous, toprate dance instruction, the exposure to these companies gives students a preview of what it’s like to dance in a professional company and create

1: Theresa Howard leads a rehearsal Photo by Millette White 2: Dance Theatre of Harlem Master Artist Donald Williams leads a rehearsal Photo by Jeff Strout 3: Da’Von Doane and Yinet Fernandez in Christopher Wheeldon’s This Bitter Earth Photo by Jeff Strout

4: July Summer Intensive students and faculty backstage at NOCCA Photo by Millette White 5: Green Track Students perform Off the Grid by Jaclyn Walsh Photo by Jeff Strout 6: Student A’briel Mitchell in a rehearsal Photo by Millette White

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7: Larry Keigwin leads a rehearsal Photo by Millette White 8: Keigwin + Company artist Jaclyn Walsh performs Sweet Memories Photo by Jeff Strout 9: Green Track students perform Nymphs of the Bayou

by Theresa Howard Photo by Millette White 10: Purple Track students perform Holberg Variations Photo by Jeff Strout

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meaningful, long-term connections that can prove extremely valuable as they navigate careers in dance and other fields. “These students are very fortunate to get to work with different choreographers,” offers Walsh.

“It’s rare that you book a job via cattle call. It’s about networking and building those relationships.” Keigwin adds, “I think one of the things I appreciate the most about NOBA is how much the organization invests in this community. The students are very engaged and joyful, and they don’t take it for granted.”

For Summer Intensive students, the only tuition required is that of character, commitment, pride in one’s work and respect for others. As Jupiter states, “Working with professional dancers has helped me learn a sense of responsibility and accountability for myself. You have to be on time for dance, and you have to be present in the dance room when you’re working with people at that level.” These intangible costs turn into priceless assets and are reciprocated over and over again to the students by an incredible support system of guest and local artists, faculty

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and staff. As a NOBA master artist-in-residence since 2013, Williams offers, “I hope to bring the idea to these dancers that what they bring to a performance or choreography is something special. It’s not just about doing the steps — it’s about bringing something of yourself and showing who you are as an artist. One of the things that Arthur Mitchell (founder, Dance Theatre of Harlem/DTH) would always say to us is ‘You’re always representing something bigger than yourself.’ NOBA bringing DTH to New Orleans and giving the students the opportunity to rehearse and perform choreography from its 50-year history with the current company dancers on the Mahalia Jackson Theater stage in October 2018 supports our efforts to revive that energy and connect the students to the DTH legacy.”

As Howard adds, “Arthur Mitchell started DTH and the school to give back to the community the love of dance and the idea that you can be anything you want if you have a good work ethic and a positive outlook, and I think that that’s one of the things that myself and Donald Williams, representing DTH, really try to give to the students here at NOBA.” N E W O R L E A N S B A L L E T A S S O C I AT I O N 2 0 1 8 - 1 9

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NOBA Faculty Christina Andrini is the founder of Jai Bhakti Yoga LLC and Jai Bhakti Yoga Foundation (JBYF). She is also CEO and board chair of JBYF, and a 200hr E-RYT, YACEP yoga instructor and Reiki Level 1 practitioner. Andrini has studied various forms of yoga under many extraordinary teachers worldwide and has been teaching since 2011. Her vision of making yoga accessible to disadvantaged and underserved communities became the driving force for her founding of JBYF. Teaching participants of all abilities at assisted living facilities, fitness centers and public community centers, Andrini also hosts outdoor classes and events and leads global and domestic yoga volunteerism and wellness retreats.

Emily Apple is a graduate of Tulane University, where she earned a Bachelor of Arts in dance and performed with the Newcomb Dance Company. While at Tulane, she premiered two contemporary works of original choreography and received the Jill Karp Prize for dance choreography. Apple currently dances with Mélange Dance Company and teaches modern dance, zumba, yoga and barre3 in New Orleans. She is also a talented photographer with the New Orleans Dance Network and began working with NOBA in 2017.

Susan Bensinger earned a Bachelor of Arts in dance education from Pennsylvania State University and a Master of Arts in dance from George Washington University in Washington, D.C. While there, she performed with the Maida Withers Dance Construction Company. She has taught dance at George Washington University, Foxcroft School and Lusher Charter School. In 2007, she was voted Teacher of the Year at Lusher. Bensinger has performed locally with New Orleans Dance and Anne Burr and began working with NOBA in 2012.

April Dayok earned a Bachelor of Arts in dance from Point Park University.

After relocating to New York, she danced with Becky Radway Dance Project, Counter Tides Dance, Mark Dendy Dance and Theater Projects, and also worked with the Mark Morris Dance Group’s Dance for PD® program. Dayok has toured nationally and internationally with Lightwire Theater, currently performs with Mélange Dance Company and works for Pamela Quinn, a dancer, Parkinson’s patient, and movement specialist for Parkinson’s Disease patients. She began working with NOBA in 2017.

“The Center for Dance has been a major part of my life.

When my family could not afford training, being a part of this FREE program made it possible and also opened opportunities for me to study with Dance Theatre of Harlem, The Ailey School and more. But NOBA doesn’t stop at dance. I was fortunate enough to have mentorships from local surgeons, like Dr. Bernard Jaffe, and physical therapists. Watching our students work with such top caliber artists, it’s amazing to see how far we’ve come with the training and the space, from the old firehouse on Mandeville Street where classes were held, to now being in The Chevron Studio at the Lyons Rec Center. I’m proud to be an alumna and now a teaching artist for the Center for Dance.”

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Rebecca Delery Chauvin began her ballet training in 1986 under Kathy Gamble and continued her instruction at Ballet Hysell, where she has performed for over twenty years. She has danced with the Anne Burr Dance Company since 1993 and has also performed with Monique Moss in Drama Rama, Confederacy of Dances, Tsunami Dance Company, d’Project and many others. Chauvin has been a NOBA faculty member since 2006.

Aline Neves de Souza, a native of Brazil, holds a degree in physical education from the Universidade Castelo Branco and is a graduate from Escola Estadual de Danças Maria Olenewa of the Municipal Theatre of Rio de Janeiro. She performed and toured internationally with the Ringling Brothers and Barnum & Bailey Circus and in festivals as a dancer and an aerialist. De Souza has danced and choreographed for Komenka Ethnic Music and Dance Ensemble, performing nationally and in Bulgaria, France and Canada. She has served as the local rehearsal director for Center for Dance student projects with Complexions Contemporary Ballet, Ballet Hispánico, Parsons Dance and Limón Dance Company and is the founding and lead instructor for the Senior Dance Fitness Program. Also the director for The Nutcracker Suite, de Souza joined the NOBA faculty in 2007.

Kelly Harp Haber

began dancing in Monroe, Louisiana, with Twin City Ballet. Haber also studied modern dance at Louisiana Tech University while earning her degree in elementary education and later received a Master of Education at Vanderbilt University. She has worked with Encore Ballet Company in Madison, Mississippi, and Ballet Mississippi as an instructor, teaching all levels and serving as director of the lower school. Haber brings her experience in working with residents of The Blake, an assisted living facility, many of whom had Parkinson’s disease, to her role with NOBA as lead instructor for the Oscar J. Tolmas Charitable Trust Dance for Parkinson’s Program. Haber’s additional training includes workshops in Dance for PD® at the Mark Morris Dance Center in Brooklyn, New York.

Chanice Holmes,

a native of New Orleans, began her technical training at Lusher Charter School, where she graduated with a certificate of artistry in dance. She is a 2015 dean’s list graduate of Hollins University in Roanoke, Virginia, with a Bachelor of Fine Arts in dance and two certificates in arts administration and leadership. She was also awarded the Lisa Lindsey Award for Outstanding Achievement in Theater Arts. Holmes has worked with notable companies and choreographers such as Urban Bush Women, Abraham.In.Motion and the National Dance Institute, and trained with artists from Ballet Hispanico and Complexions Contemporary Ballet, among others. A Center for Dance alumna, Holmes joined the NOBA faculty in 2015.

Nanette Ledet

attended Tulane University before relocating to New York to pursue her career as a dancer, choreographer and percussionist. She studied on scholarship at the José Limón School and with Finis Jhung, and performed with DanceBrazil, Solaris Dance Theater, Stephen Petronio, New York Shakespeare Festival, Djoniba Mouflet’s Drum and Dance Ensemble, among others. Her choreographic achievements include being awarded the prestigious Louisiana Division of the Arts’ Artist Fellowship for Choreography in 2004 and choreographing the first season of the Disney TV show “The Imagination Movers.” Ledet joined the NOBA faculty in 2000.

Tess Losada

earned a double Bachelor of Arts in dance performance and recreation management from Illinois State University in 2014 before relocating to New Orleans to pursue a career as a dancer, choreographer and certified Pilates teacher. In 2018, Losada became a third generation classical Pilates teacher by completing the comprehensive program with Alycea Ungaro’s Real Pilates NYC. She continues to pursue further education in the science of movement and hopes to give her students a better understanding of the world around them through dance. Losada joined the NOBA faculty in 2015.

Monique Moss, a

native of New Orleans and artistic director of Third Eye Theatre Interdisciplinary and Improvisational Performance Company, earned a Bachelor of Arts in French, a Master of Arts in Latin American Studies and a Master of Fine Arts in interdisciplinary dance performance from Tulane University, and a Master of Arts in museum studies from SUNO. She has presented at prestigious venues such as the Kennedy Center Millennium Stage and Voodoo Festival, among many others. Producer of the International Haitian Arts and Culture Exchange and Congo to Congo Square Dance and Drum Consortium, her awards include the Smithsonian National Museum of African American History and Culture Travel Scholarship, Fulbright-Hays Teacher Fellowships and Big Easy Classical Arts Awards. A teacher in the Tulane Department of Theatre and Dance, Moss joined the NOBA faculty in 1994.

Alice Pascal Escher is an

associate professor of dance in the Newcomb Dance Program, Tulane Department of Theatre and Dance and the artistic director of the Newcomb Dance Company. Escher is a native of Baton Rouge, where she studied ballet with Elisa Minet Fuchs. She earned a Bachelor of Fine Arts in dance from Florida State University, a Master of Fine Arts in dance from Temple University and is a Certified Movement Analyst (CMA). Escher has been instrumental in the development of the dance major program at Tulane. She enjoys teaching in the Center for Dance Pre-Professional program and is constantly inspired by the energy, enthusiasm and dedication of the students and staff.

Carly Sistrunk Bourgeois started

training at age three at Sandra Dottolo’s Dance Etc. By 11, she was taking instruction in classical ballet and competed in regional and national competitions in various genres of dance until 2011. She has been a teacher’s assistant since 2005 in general dance classes and classical ballet. In 2012, she began assisting with the Loyola University New Orleans’ Ballet Preparatory Program. Sistrunk has performed with D’Project, Inc. and Storytellers Dance Project, and toured nationally and internationally with Komenka Ethnic Dance and Music Ensemble. Sistrunk is a trained NOBA Senior Dance Fitness Program instructor and joined the NOBA faculty in 2013.

Rosalyn Sanders

is a native of New Orleans and attended the New Orleans Center for Creative Arts. During her junior year in high school, she was invited to attend the dance program at The Juilliard School, where she attained her Bachelor of Fine Arts in dance. In 1999, Sanders joined Ailey II, and after one season became a member of the Alvin Ailey American Dance Theater. She has toured extensively throughout the U. S. and the world. In 2011, she moved to Miami, Florida, where she began her dance teaching career with the Thomas Armour Youth Ballet and New World School of the Arts. She was also the dance magnet director at Norland Middle School’s Center for Visual & Performing Arts for three years and joined the NOBA faculty in 2018.

Tai Ashley Teamer has studied

with the NORD/NOBA Center for Dance, Lusher Charter School, NOCCA and New Orleans Dance Academy. She has trained with artists from Alvin Ailey American Dance Theater, Ballet Hispánico, Paul Taylor Dance Company and Complexions Contemporary Ballet. A recent graduate of Loyola University New Orleans with a Bachelor of Business Administration, Teamer is a former cheerleader for the Arena Football League’s New Orleans VooDoo Dolls and currently serves as an instructor for Loyola Group Fitness and Dancing Grounds; Cheer Coach for Lusher Charter School; and director of Spotlight Dance Company. Teamer is a trained NOBA Senior Dance Fitness Program instructor and joined the NOBA faculty in 2013.

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NOBA Faculty Kelly White, born

and raised in New Orleans, is a performer, choreographer, teaching artist and educator. She holds a Bachelor of Fine Arts in dance performance and choreography from the University of Southern Mississippi and a Master of Arts in dance education from New York University. White has taught with the Mark Morris Dance Group, Alvin Ailey American Dance Theater Extension Program and Djoniba Dance and Drum Centre, and has performed with Feet of Rhythm, Prophecy Works and Blacksmith’s Daughter, among others. Her choreography has been performed at the New York City Dance Educators Collective and at Dance New Amsterdam Showcase, in addition to other entities. White joined the NOBA faculty in 2018.

Millette White

formerly danced with Sandra Organ Dance Company, Michele Brangwen Dance Ensemble, Ballet Hysell, and Ballet Apetrei. Her training includes the Atlanta Ballet Center for Dance Education, Joffrey Ballet School, Pittsburgh Ballet Theatre School, NOCCA, and Apetrei Dancenter. White acquired her BA from the University of New Orleans. She has taught at the New Orleans Dance Academy, Body Expressions Center of Performing Arts, the Conservatory of Ballet Aviv, Main Street Dance and Activity Center and Apetrei Dancenter, and began working with NOBA in 2010.

Donald Williams

(Pan American Life Insurance Group Master Artist in Residence), a Chicago native, became a member of Dance Theatre of Harlem in 1977 and ended a 27-year career with the company as premier danseur in 2004.

Known for his versatility, Williams’ repertoire encompasses ballet, jazz, African and contemporary idioms. As a principal guest artist, Williams has performed with London’s Royal Ballet at Covent Garden, International Ballet Festival in Cuba and starred in many other international galas. He has worked with Complexions Contemporary Ballet, Dances Patrelle and Fugate/Bahiri Ballet NY, creating critically acclaimed, original roles with them.

Williams made his film debut in The Cotton Club, starred in numerous award-winning films and has made television appearances and commercials. In 1998, Williams made his Broadway debut in the Tony Award winning

musical Ragtime. In 2000, he was guest artist in the New York City Ballet/Dance Theatre of Harlem collaboration for the Diamond Project, dancing the principal roles in Robert Garland and Robert LaFosse’s Tributary and Balanchine’s Agon. He was featured in the national tour of The Phantom of the Opera and most recently with Phantom: The Las Vegas Spectacular at the Venetian Resort and Casino.

Williams’ teaching credits include company teacher for Alvin Ailey American Dance Theater, Dance Theatre of Harlem, Complexions Contemporary Ballet, Celine Dion: A New Day, Nevada Ballet Theater and Las Vegas Contemporary Dance Theater, among others; school instructor for Dance Theatre of Harlem, The Ailey School, Ballet Academy East (NYC) and The Rock Center for Dance (Las Vegas); and guest teacher for Marymount College, Florida State University and Tulane University, among others. He was also personal trainer for Keanu Reeves for the film Devil’s Advocate.

Williams began working as a Master Artist-inResidence with the Center for Dance PreProfessional Program in 2013.

“I’ve been blessed to work with NOBA since I first came to New Orleans in the fall of 2007 and still fall in love with NOBA’s mission to make dance accessible for everyone. I feel that I have found my ‘happy place’ where I can do what I love with people that share my passion.”

– Aline Neves de Souza, faculty member and director of NOBA’s Center for Dance production of The Nutcracker Suite

Brittney Williams,

a native New Orleanian, began her formal dance training at the NORD/ NOBA Center for Dance.

She has also studied at New Orleans Dance Academy, NOCCA, Dance Theatre of Harlem and The Ailey School.

Williams has worked with choreographers including Daniel Catanach, Monique Moss, Nanette Ledet, Joya Powell, Rebecca Stenn and Eduardo Vilaro. In 2009, she received her Bachelor of Arts in natural science from Fordham University and now hopes to educate students on the connection between the art of dance and the science of movement. Williams joined the NOBA faculty in 2012.

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Nutcracker Director Aline de Souza rehearses with Celeste Lewis for the role of Clara in The Nutcracker Suite Photo by Jeff Strout

“I hope to bring the idea to these dancers that what they bring to the performance is something special. One of the things that Arthur Mitchell would always say to us is, ‘You’re representing something bigger than yourself!’”

Donald Williams demonstrates a ballet combination for preprofessional students Photo by Jeff Strout

– Donald Williams, Pan American Life Master Artist in Residence

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NOBA Partnerships for Health “I dance because…my soul takes wings!”

-Dance for Parkinson’s participant

“I

believe movement heals,” proclaims Kelly Harp Haber, lead instructor for NOBA’s newest community program, Dance for Parkinson’s. This belief is at the heart of NOBA’s mission to annually deliver inclusive and accessible dance, movement, wellness and fitness activities for over 2,000 participants ages 3-80+ through more than 5,500 free classes in a variety of dance forms, yoga, tai chi, Pilates and fitness at neighborhood partner sites. From early childhood development to senior programs, everyone is given the opportunity to experience the joy and transformative power of dance and movement.

NOBA’s Dance for Parkinson’s Program, generously sponsored by the Oscar J. Tolmas Charitable Trust, is held in partnership with the New Orleans JCC, and modeled after the Mark Morris Dance Group’s internationally renowned Dance for PD® program. These specialized, weekly classes empower people with Parkinson’s disease to creatively explore movement and live music, all in a safe and welcoming environment for participants and their family, friends and caregivers.

Participants state that the class makes them feel alive and forget limitations, and makes a huge difference in managing symptoms — improving balance, walking, flexibility and strength. The program has blossomed since its launch in September of 2017 and gained recognition locally and statewide by Parkinson’s medical professionals, support groups and advocates. During its one-year anniversary in October 2018, NOBA’s Dance for Parkinson’s program will be presented with the Rosina K. Sapir Community Service Award as part of the annual Louisiana Walks for Parkinson’s event.

NOBA’s relationships and residency work with Main Stage companies and artists regularly produce unique experiences for community members to be moved in body, mind and spirit. In September 2018, NOBA will again partner with the New Orleans VA Medical Center to offer a special movement workshop for veterans, led by artists from the award-winning dance company, DIAVOLO | Architecture in Motion. As one VA Medical staff member states, “These kinds of workshops improve morale and decrease stressors, and are beneficial to both our VA patients and staff.” Ongoing collaborations with an expanded network of partners, including the Arc of Greater New Orleans, New Orleans Council on Aging, Tulane Dance Medicine and many more, continue to increase NOBA’s capacity to deliver positive health outcomes and build vibrant, creative communities.

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1: NOBA Dance for Parkinson’s kickoff event at the New Orleans JCC Photo by Jeff Strout

2: NOBA Dance for Parkinson’s class at New Orleans JCC Photo by Millette White

3: Behrman Charter School students in movement workshop led by guest artists from Ballet Hispánico Photo by Jeff Strout 4: Veterans participate in a special movement workshop led by Jessica Lang Dance artists at the New Orleans VA Medical Center Photo by Jeff Strout 44

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BRAVO

Ballet Resource and Volunteer Organization

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ew Orleans has been identified with culture and the arts throughout its history. BRAVO, the Ballet Resource and Volunteer Organization of the New Orleans Ballet Association, has played a major part in facilitating this identity in our community.

As the current BRAVO president, my ultimate aspiration is to engage each member with various activities and events that will support and promote NOBA’s nationally award-winning programs for ages 3-80+. Annually, BRAVO helps make possible over 5,000 tuition-free classes and activities at numerous community sites tuition-fee for youth and seniors. As we look ahead to NOBA’s Golden Anniversary year, we hope that you will join us with your time and your talents as we plan for this year’s exciting fundraising events to support these renowned programs.

In addition to our fun membership meetings and Holiday Social, we will present BRAVO’s magnificent annual Gala event on the stage of the Mahalia Jackson Theater following the 50th Anniversary Evening of Stars on Jan. 26.

Also, BRAVO is honored once again to be the recipient of the proceeds of the Men and Women of Fashion’s Prix d’Elegance Luncheon on April 9.

I’m excited, delighted and, most importantly, honored to work alongside such an enthusiastic, dedicated and talented group of volunteers who love our city enough to make a difference. This season, BRAVO will work hard to honor our past, impact our present and shape our future.

We invite you to help us elevate and contribute to NOBA’s important mission by becoming a member of BRAVO! Stop by the NOBA table located in the lobby, email bravo@nobadance.com or call the office at (504) 522-0996 x208.

Sincerely,

Stephanie Burks President, BRAVO

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Standing (l to r) Diane Hollis, Renee Carrere, Sandra Chaisson, Jacquee Carvin, Martine Chaisson Linares, Teresa Guzzeta. Seated (l to r) Gail Barnes McKenna, Sandra Herman, Stephanie Burks, Carol Hall, Deborah Alciatore Empey

BRAVO Toni Bachmann Penny L. Baumer C.J. Blanda Dottie Belletto Gayle Benson Walda Besthoff Jo Ann Bohn Charlotte Bollinger Virginia Boulet & Alvin R. Albe, Jr. Kerry & Tiffa Boutté Stephanie & Ryan Burks Renee Carrere Sandra Stage Chaisson Hon. Jacquelyn Brechtel Clarkson Nancy L. Claypool Dr. Chuck & Lorraine Cucchiara Gayle B. Dellinger Richard DiCarlo & Susie Allen John & Renea Duck Dr. & Mrs. Charles L.Dupin Virginia & John Eckholdt Elizabeth Ellison-Frost Deborah Alciatore Empey Marguerite Knight Erwin Tricia Rivers Estey Mary Fazekas-May Nicole Ferrier

Extends its deep appreciation to the 2018-19 Sustaining Members.

Patricia Fullmer Marie-Cécile Gibson Leon Giorgio, Jr. Joanna Giorlando Laurie Guimont Guillaume Teresa Guzzetta Henrietta Ramirez Hall Jenny R. Hamilton Deborah D. Harkins Russ & Sandra Herman Karen R. Humphrey Mrs. Carlie Meyer Kahn Beverly Katz, Landscape Designer Millie & Robert Kohn Anayansi Arias Konrad Lana W. Konrad Cynthia & Robert LeBreton Theron Lewis Martine Chaisson Linares B. Benjamin Lowry & Shelly Gullender Pamela Halter Lupin Sharon Marchand Mrs. Warren P. McKenna, Jr. (Gail) Kathleen N. Mix Gilda H. “Cuqui” Moore Max Moreno

Dr. Lynne Neitzschman Dr. Denise L. Newman Suzanne L. Parker Nina R. Pugh Helen G. Roy Janet L. Schmid Dr. Byron & Suzanne Scott David R. Silvers, M.D. Olga G. Smoak Tiffany Soles R. Sonda Stacey Bethany Stich Leslie Stokes Jim & Teri Sutterfield Judith B. Swenson Phyllis M. Taylor Janée M. Tucker Nina C. Tyler Gerri Valene Raymond Washington Pamela & Warner M. Williams Karen Kraak Wood Dr. Lawrence & Joan Zaslow *Members as of August 24, 2018

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BRAVO’s Annual Fundraising Events

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ach year, the dedicated members of BRAVO present one of the community’s most anticipated annual galas and fundraising events to raise much-needed operating support for NOBA to bring the power and excitement of dance to the New Orleans community by combining a Main Stage series of world-renowned dance and extensive, multi-faceted education programs. The success of the 2018 Gala, Une Affaire d’Avant Garde: En Blanc et Noir, would not have been possible without the diligent commitment and hard work of the gala committee chairmen and volunteer members. NOBA extends its sincere gratitude to all members of BRAVO for their year-round hard work and the magical nights they create to benefit NOBA. On Feb. 23, 2017, BRAVO’s Gala, sponsored by the Hyatt Regency Hotel New Orleans and chaired by Jacquee Carvin and Teresa Guzzetta, celebrated New Orleans’ Tricentennial and the return of Monte-Carlo’s 50-member national ballet company — Les Ballets de Monte-Carlo — for the first time in over a decade to New Orleans. On Feb. 1, Benefactor Dinner Honorary Chair and First Lady of Louisiana, Donna Hutto Edwards, welcomed patrons to the exclusive dinner hosted by the Windsor Court Hotel. Patrons enjoyed cocktails, a delicious three-course meal and a live

auction of a delicate diamond necklace from Lee Michaels. With support

by Gala Honorary Chair Lt. Governor Billy Nungesser, the spectacular evening began with an exclusive patron party in the Hyatt Regency’s chic 8 Block Kitchen, featuring specialty champagne cocktails and passed hors d’ouevres. United States Ambassador Maguy Maccario-Doyle welcomed guests and introduced Monaco’s Hotel Hermitage Executive Chef Benoit Witz and Chef Luc Gamel and Hyatt Regency Executive Chef Yvan Didelot for the elegant seated dinner of French-inspired cuisine. Inspired by Les Ballets de Monte Carlo’s stark, contemporary staging of Roméo et Juliette, guests were encouraged to wear masques and dress in black-and-white as they danced to live music of the Benchwarmers, competed for the raffle of a Lee Michael’s shopping spree and bid on a spectacular silent auction, which included special masque-themed pieces by select local artists in homage to the theme. The following evening, Les Ballets de Monte-Carlo stunned the audience with Artistic Director Jean-Christophe Maillot’s striking Roméo et Juliette at the Mahalia Jackson Theater, and a post-performance reception concluded the festivities with generous contributions by Louisiana Seafood and local restaurants.

Please Save the Date for BRAVO’s 2019 Gala, a grand dinner by 1718 Catering by Hyatt Regency New Orleans on the stage of the Mahalia Jackson Theater following NOBA’s Golden Anniversary Evening of Stars.

Guests will celebrate with some of the world’s most distinguished artists from top companies such as American Ballet Theatre, New York City Ballet, and more.

Artists and program to be announced at a later date.

Saturday, Jan. 26, 2019 Mahalia Jackson Theater

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For more information or to become involved, please contact Francesca Martin at (504) 522-0996 x 208 or fmartin@nobadance.com

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Photos by Jeff Strout

1: Chefs Benoit Witz, Yvan Didelot and Luc Gamel 2: Debbie Alciatore Empey, LBMC dancer Matej Urban, Joan Zaslow and LBMC dancer Maude Sabourin 3: Sherylann & Bill Bennett, Charlotte Bollinger and Dottie Belletto 4: Les Ballets de Monte-Carlo Artistic Director Jean-Christophe Maillot, Ambassador of Monaco to the United States, Her Excellency Maguy Maccario-Doyle, Pam & Warner Williams

Photos by Jeff Strout

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11 5: Stephen Sonnier, Janée Tucker, & Roy Dunn 6: Gregory Curtis, Chad Berg and David Teich 7: Gayle Dellinger, LBMC dancer Stephan Bourgond, Tiffa Boutté, LBMC dancer Christian Tworzyanski 8: Hyatt Regency’s Tiffany Taffaro, Jessica Tantardini, Kelly Browne, Kayleigh Laderman, and Bobby Hill with Jean-Christophe Maillot 9: Jenny Hamilton, Mayor Latoya Cantrell, Ryan and BRAVO President Stephanie Burks

12 10: First Lady Donna Hutto Edwards with NOBA Students 11: Gala Chair Jacquee Carvin, Ralph and Ashley Mahana, Gala Chair Teresa Guzzetta 12: Joel and Sandra Chaisson (BRAVO President 2016-2018) & Frances and Honorary Consul of Monaco Calvin Fayard

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Prix d’Elegance

Awards Luncheon

1 Women of Fashion Officers Laurie Guimont Guillaume, Carol V. Hall, Cynthia Aucoin, Sonda Stacey, Sandra Stage Chaisson, & 2018 Prix d’Elegance Co-Chair Debbie Buchler (seated, l to r) 2018 Prix d’Elegance Co-Chair Kathy Pastorek and Officers Teresa Guzzetta, Deborah Alciatore Empey, Virginia Eckholdt

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Men of Fashion Board (seated l to r) Michael Hecht, John M. Duck, Leon L. Giorgio, C. Michael Winters, Todd Murphy (standing, l to r) Brett Patrick Bauman, Kenneth Rubenstein, Mark Andrews, Steven Trotter, Joey DiFatta, Ray Seamon

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nationally recognized dance programs is of paramount importance to Men and Women of Fashion. We want our young dancers to have the ability to enjoy dance and to strive to become dance artists and successful professionals.” Men of Fashion President Lee Giorgio adds, “We are privileged to be able to appreciate the inherent beauty and true value of the Arts; to listen and to observe each distinctive talent so that we are able to learn perspective and respect for each person’s uniqueness. The Men and Women of Fashion are proud to embrace this richness of spirit and to continue our mission to aid in the growth of the artists in our community who are standing on the edge of meaningful accomplishment.

As St. Francis of Assisi said, ‘For it is in giving that we receive.’”

Combining haute couture with New Orleans’ signature brand of generosity, this year’s Prix d’Elegance Awards Luncheon will again showcase that the Men and Women of Fashion’s commitment to dress to impress and dress to invest is what makes their work truly fashion-forward.

Photos by Jeff Strout

fter last year’s record success, fundraising will again make a bold ‘fashion statement’ on April 9, 2019, for one of the year’s most prestigious giving events: the 47th annual Prix d’Elegance Luncheon and Fashion Show in the Grand Ballroom of the Hilton New Orleans Riverside Hotel. Each year, the Men and Women of Fashion organizations honor 20 individuals in our community who exemplify unique personal style as well as excellence and generosity through business, civic and charitable endeavors. Additionally, two honorees — one man and one woman from the memberships of both organizations — are inducted into the Hall of Fame for their sustained contributions to the mission. From 10:30 a.m. to 2 p.m., guests enjoy a champagne reception, an upscale silent auction, a raffle with contributions from Rubensteins and Lee Michaels Fine Jewelry, a savory three-course lunch, a performance by students of the Center for Dance and a show-stopping Fashion Show of spring’s exciting trends.

This year’s upcoming Prix d’Elegance Awards Luncheon will again benefit BRAVO, the Ballet Resource And Volunteer Organization, of the New Orleans Ballet Association, and will be co-chaired by Debbie Buchler and Kathy Pastorek, both 2018 award recipients. The duo remarks, “We are honored and excited to help welcome the most fashion-minded men and women of New Orleans so they can make a difference in the lives of our children, giving them the opportunity to study dance when it may never have been an option otherwise. This Luncheon has fashions not to miss from Chatta Box and Jeff’s Haberdashery, in addition to special auction items and, of course, celebrating the ‘Best Dressed’ volunteers of the year!”

“In my second year as Women of Fashion President, I am proud that we remain a cornerstone of financial support for BRAVO’s dynamic, award-winning programs,” says Women of Fashion President Deborah Alciatore Empey. With a nearly fifteen year partnership, she feels “our commitment to BRAVO remains unwavering and strong. The members of Men and Women of Fashion are privileged and honored to work alongside NOBA and to dedicate the proceeds from our annual Prix d’Elegance Luncheon to NOBA’s dynamic and innovative dance programs. To provide financial support to assist the continuation of the youth orientated,

2017 Luncheon Co-Chairs Carol Hall & Marilyn Dittmann with MOF & WOF Presidents Lee Giorgio & Deborah Alciatore Empey

Photos by Jeff Strout

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1: Jeff Chouest, Jr., Rebecca Nordgren, Jeff Chouest III 2: WOF & MOF Chairs Teresa Guzzetta & R.K. Hoddinott, III with BRAVO President 2016-18 Sandra Chaisson 3: 2017 Hall of Fame Award Recipients Henry Shane & Mary Katherine Lonatro-Tusa 4: Paul Leaman, Jr. & Kathleen Mix 5: Leo Palazzo & Marian Gibbs 6: Jamie Moreau, Kenny Rubenstein, Kathy Singleton

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Instutional Investors T he New Orleans Ballet Association gratefully acknowledges the following contributions received from July 1, 2017, to July 31, 2018. Due to the limitations of space, we unfortunately are not able to acknowledge all supporters. Please know that each and every gift is equally appreciated.

We make every effort to ensure an accurate listing. Should you find an error, please contact the Development Office at 504-522-0996 or fmartin@nobadance.com. Thank you! *Contributions include the value of both cash and in-kind gifts.

PREMIERE CIRCLE ($100,000+)

Ballet Resource And Volunteer Organization (BRAVO) Bloomberg Philanthropies Arts Innovation and Management Program Chevron Foxmor, LLC Friends of NORD, Inc. Hyatt Regency New Orleans Lois & Lloyd Hawkins, Jr. Foundation Louisiana Economic Development Men of Fashion National Philanthropic Trust Pan-American Life Insurance Group Women of Fashion

PRINCIPALS

($50,000-$99,999) Adams & Reese, LLP City of New Orleans Edward Wisner Donation Entergy National Endowment for the Arts Oscar J. Tolmas Foundation WWL-TV

UNDERWRITERS

($25,000-$49,999) Chalmette Refining, LLC Greater New Orleans Foundation The Helis Foundation Lee Michaels Fine Jewelry The Pamela and Warner Williams Charitable Fund Renaissance Publishing, LLC Windsor Court Hotel

BENEFACTORS

($10,000-$24,999) Arts Council of New Orleans Clayton-Royer Family Fund Embassy of the Principality of Monaco Louisiana Division of the Arts Louisiana Wildlife & Fisheries Foundation Newcomb Dance Program, Tulane University Department of Theatre and Dance NOCCI Ogletree Deakins Patrick F. Taylor Foundation

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Ruth U. Fertel Foundation Selley Foundation St. Charles Avenue Magazine South Arts Wells Fargo

Carlos Mickan, Tango Fire Director German Cornejo, Jan Mickan

LEADERS

($5,000-$9,999) Capital One Chatta Box Boutique Dunn & Sonnier Antiques and Flowers Hispanic Chamber of Commerce of Louisiana IBERIABANK Jeff’s Haberdashery New Orleans Center for Creative Arts New Orleans & Company New Orleans Silversmiths New Orleans Tourism & Marketing Corporation Regions Bank RosaMary Foundation Strout Photography United Way

PARTNERS

($2,500-$4,999) Anton, Ltd. The Audubon Group at Morgan Stanley The Chatwal Hotel, New York Dorignac’s Gambel Communications Kabacoff Family Foundation Martine Chaisson Gallery New England Foundation New Orleans Pelicans One Cleaners Rubensteins

ASSOCIATES

($1,000-$2,499) Blessings & Hope Fund Brown-Forman Catholic Foundation of South Louisiana The Dakota Restaurant & Grand Events Edison Chouest Offshore Ellen Macomber Fine Arts & Textiles First Bank and Trust Hancock Whitney Bank The Harouni Gallery J. Edgar Monroe Foundation Longue Vue House and Gardens

Lauren Buggs, Carolyn Verdin, Leah Brown

Mulate’s Omega Production Resource, LLC Planetguide The Ritz-Carlton, New Orleans Saks Fifth Avenue Select Properties, Ltd. Van der Linden Family Foundation Westin Savannah Harbor Golf & Resort Spa Yvonne La Fleur New Orleans

SUSTAINERS ($500-$999)

Amnee Jarushi Art Audubon Nature Institute Bailey Institute Burkedale Foundation Chateau Golf & Country Club Christopher Devon Becnel Law The Columns Hotel Didier, Inc. Erika Goldring Photography Hilton New Orleans Riverside John Fernandez Interiors Joyce W. Laporte Fine Art J.P. Morgan Kendra Scott Mignon Faget, Ltd. Nanette LoCoco, D.D.S. St. Maria Goretti Church Weinstein’s

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CONTRIBUTORS ($100-$499)

Acme Oyster House Adler’s American Luxury Limousines Ann Hartley-Alys Beach Antoine’s Restaurant Anytime Fitness-Lakeview Ballin’s, LTD Basics Underneath Fine Lingerie & Basics Swim & Gym Bebe Marchal & The Carlisle Collection Boudreaux’s Jewelers Brave Design Café Amelie Charvet’s Garden Center Desi Vega’s Steakhouse Diana Gorlin Interiors Downtown Fitness Center English Turn Golf & Country Club Gallery Rinard Garry S. Salvaggio, D.D.S. Gordon’s of Metairie G.W. Fins Historic New Orleans Collection Hotel Monteleone Jefferson Performing Arts Society John’s Tuxedos, Inc. Katie Koch Home Le Petit Théâtre Du Vieux Carré Le Visage Day Spa Little Travelers Louisiana Philharmonic Orchestra Marcello’s Wine Market Café Metairie Small Animal Clinic Mikimoto Japanese Restaurant Mimi N Me Jewelry Muriel’s Jackson Square Restaurant National WWII Museum New Orleans Friends of Music New Orleans Jazz & Heritage Festival and Foundation, Inc. New Orleans Museum of Art New Orleans Opera Association Ogden Museum of Southern Art

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Hon. Jacquelyn Brechtel Clarkson, Cheryl Landrieu, Her Excellency Maguy MaccarioDoyle & Hon. Mitch Landrieu

First Lady Donna Hutto Edwards, Gregory Curtis & Jaquee Carvin Photos by Jeff Strout

Pat Garin Photography, L.L.C. Perlis Clothing Petricia Thompson Antiques Pharmavite Ralph Brennan Restaurant Group Reagan Charleston Design, Inc. Restaurant Patois Rock ‘n’ Bowl & Ye Olde College Inn

Rotolo’s Pizzeria Royal Clip/Jeffrey McIlwain Saenger Theatre Scriptura Southern Rep Theatre Starlight Ballroom Dance Studio Tennis Shop of Mandeville Terrance Osborne Gallery

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Individual Donors

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OBA extends its gratitude to its Presenters Club—those donors who contribute a minimum of $1,000 toward the annual campaign above and beyond all other designated funds. Presenters Club members receive special perks, including VIP parking and invitations to the VIP Wine Intermission Receptions at all Main Stage season shows at the Mahalia Jackson Theater.

ETOILES

($10,000+) Dottie Belletto Chad & Vanessa Berg Charlotte Bollinger Jacquee Carvin Gregory Curtis Monique & Jason Doucette Mr. & Mrs. John M. Duck Tricia Rivers Estey John M. Fox Mr. & Mrs. Terence E. Hall Mr. & Mrs. Carlos Mickan Mr. & Mrs. Leo Palazzo The Estate of Lynette Stilwell Jeff Strout Phyllis M. Taylor Mr. & Mrs. Warner Williams

PLATINUM CIRCLE ($5,000-$9,999)

Tiffa & Kerry Boutté Mr. & Mrs. Joel T. Chaisson, II Roy Dunn & Stephen Sonnier Deborah & John Empey Mr. & Mrs. Calvin Fayard Mr. & Mrs. Jake Giardina Marian Gibbs Jenny R. Hamilton Henry Lambert & Carey Bond Mr. & Mrs. Casey Willems Dr. & Mrs. Lawrence Zaslow

CHOREOGRAPHERS ($2,500-$4,999)

Toni Van Zandt Bachmann Stephanie & Ryan Burks Mario Calonje Gayle B. Dellinger Mr. & Mrs. Terry DuFrene Dr. & Mrs. Don Guzzetta Carol V. Hall

Ginny & John Lovell and Mary & Andy Lovell

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Sandra & Russ Herman Michael S. Hollis Lana W. Konrad Mr. & Mrs. Juan Linares Mr. & Mrs. Robert LeBreton Dr. & Mrs. Byron C. Scott Mr. & Mrs. Henry Shane Mr. & Mrs. James Sutterfield Steven Trotter Murray & Gerri Valene Alison Wolpert

PATRONS

($1,000-$2,499) Jonathan B. Andry Cynthia Aucoin Dr. Laura Badeaux Mr. & Mrs. Brett Bauman John & Paulette Battaglia Henry Bernstein Forrest L. Bethay, III C.J. Blanda Jerry Bolgona Maurice & Dr. Carmen LaBrie Brown Peter & Deborah Buchler Renee Carrere Hon. Kevin J. Centanni Joseph S. DiFatta, Jr. Roz Ditta & Rusty Gaudé Marilyn V. Dittmann Sharon Lo Drucker Tom M. Drummond, III Matthew S. Emory Elizabeth Ellison-Frost Nicole L. Ferrier Melissa Gibbs Leon L. Giorgio Cathy M. Green Laurie Guimont Guillaume Bill & Kathy Hornsby Mr. & Mrs. Michael R. Howard Dr. Bernard M. Jaffe

J. Bart Kelly, III Dr. Augusta LaFleur Joyce W. LaPorte Dr. B. Benjamin Lowry Pamela Halter Lupin Jamie M. Manders, DDS & James R. Riopelle, MD Mr. & Mrs. Stephen D. Manshel Dr. & Mrs. Warren P. McKenna, Jr. Mr. Bruce & Dr. Jane C. Miller Barbara & Biff Motley Mr. & Mrs. Carl Panebiango Stephanie Parker Kathy Pastorek Leo J. Radosta & Maria Caso Charlotte Reiss Mr. & Mrs. Alfred E. Stacey, IV Sammy L. Steele, III Dr. & Mrs. Harold M. Stokes Judith Benson Swenson Janée “Gee” Michelle Tucker Dominic & Mary Katherine Tusa Janis Van Meerveld Dr. & Mrs. George Van Wormer Desi Vega Cathie Choppin Weinstein Betty A. Wilson Karen Kraak Wood & Jim Ward Hon. & Mrs. Michael S. Yenni

Chad & Vanessa Berg

Cynthia LeBreton, Les Ballets de Monte-Carlo Artistic Director Jean-Christophe Maillot, Cecile Gibson & Robert LeBreton

Dayna & Robert Reso and Kenya & Tod Smith

BENEFACTORS ($500-$999)

Mr. & Mrs. Alvin A. Baumer, Jr. Mr. & Mrs. Jeff Chouest John Cleveland Jennifer Dyess Mr. & Mrs. John L. Eckholdt Dr. Mary Fazekas-May Betsie Gambel Mr. & Mrs. Harold C. Harper R.K. Hoddinott, III

Kerry Clayton & Paige Royer with Hubbard Street Artistic Director Glenn Edgerton

Elizabeth & Scott Frost

Max Moreno, Ballet Hispánico Artistic Director Eduardo Vilaro & Dr. Blanca Maldonado

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Donna Howland Theron Lewis & Kimberly Hakes Sharon Marchand Dr. & Mrs. Robert Matheney Kathleen N. Mix & James G. Diamond, M.D. Jamie Moreau Max Moreno Catherine Myers Richard Nesbitt & David Boudreaux, M.D. Judy Norwalt Sally Richards Joan Lisso Rogers Mr. & Mrs. Stephen Rosenthal Suzanne L. Parker Mark E. Schneider & Michelle Charvet Carol Stone Raymond & Lisa Washington

SUSTAINERS ($250-$499)

Juan Barona & Capt. Robert Phillips Jane S. Bateman Donna Kay Berger Mr. & Mrs. Joseph C. Canizaro Melanie G. Cannatella Hon. Joel T. Chaisson Robert A. Chaisson Nancy Claypool Dr. Jane Clayton Rev. Gary P. Copping Mary Virginia Crawford Nancy D’Amico Ronald Durnford Larry Ferguson Dr. Jerry & Carolyn Fortino Kimberly Gambino Mr. & Mrs. Edward N. George Charles & Cathy Glaser Mr. & Mrs. Douglas Lanaux Grundmeyer Terri Guerin Trudi Haney-Dyer Dana Hansel Sharon Hayes Diane M. Hollis Mr. & Mrs. Stephen LaMarr Ingram

Angela Isbell Juli Juneau Robert & Millie Kohn Charles Kunz Yvonne LaFleur Mr. & Mrs. Edward F. LeBreton Irene Lutkewitte Kay McArdle Jeffrey McIlwain Gabriel Nassar Dr. Denise L. Newman Ronald Lee Nichols Mr. & Mrs. Joseph S. Paternostro Kenneth E. Pickering Julie Quinn Dottie Reese Kenneth Rubenstein LeeAnne Leopold Savoie Jacqueline Scuderi Dr. & Mrs. J. Terry Segura Barbara Spencer Mr. & Mrs. Frank B. Stewart, Jr. Sabrina Strander Dr. Nia K. Terezakis Mr. & Mrs. Hugh C. Uhalt Dr. & Mrs. Alfredo Vichot C. Michael Winters Mr. & Mrs. D. Brent Wood Edward R. Young Mr. & Mrs. Robert E. Young Donnell Zeringue

CONTRIBUTORS ($100-$249)

Dallas Alleman Natasha Alveshire Bobby Asaro Barbara A. Beckerman Roland L. Belsome Dr. & Mrs. James W. Bohm Jane Ettinger Booth Lauren Buggs Stacie G. Burns Seth Chazanoff Hon. Jacquelyn Brechtel Clarkson Misty Corrington Willa S. Cristina Simone Bruni Crouere Donald & Bernice Daigle

Patricia Bereciartua, Tango Fire dancer Carla Dominguez, Ana Gershanik Photos by Jeff Strout 58

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Judith B. Darensborough Mr. & Mrs. Thomas S. Davidson Charmaine Davis Henson Davis Emeline V. Deese Bart Dornier Ellen Dornier Heidi Dugan Dr. & Mrs. Charles L. Dupin Dr. & Mrs. Gregory Eckholdt Bonnie Eubanks Dr. Blackwell Evans, Jr. Betsy Fifield Betty Foster Miriam Gallagher Juan & Ana Gershanik Marie-Cécile Gibson Lois Gioe Salvador Genovese Valerie Gordon-Garofalo KaTrina Griffin Christopher Guarisco Melissa Guidry Holley Haag Adrea D. Heebe Dr. Rick Henderson & Mr. James Bruce Nancy Iovino Lyndia Jones Mrs. Carlie Meyer Kahn Beverly Katz, Landscape Designer Dawnee Keeney Dr. & Mrs. Don Kern Jerri L. Klein Thomas Klyce Alice E. Kraemer Shirley Laska Gary Lazarus Lara Leone Kyle Lopez Pat Macaluso Mr. & Mrs. Brian J. Marceaux Sue McNabb Mr. & Mrs. C. G. Melville Dr. Lynne Neitzschman Linda Nelson Chris O’Sullivan Jovanna Paulson Faith Peperone

Sandra Herman, Patricia Riddlebarger, Janée M. Tucker

Conny & Casey Willems with Les Ballets de Monte-Carlo artists

Melanie Cannatella & Lee Giorgio

Michael Stivers, Augusta Lafleur, Lynette & Terry DuFrene

Norma Jane Sabiston, Mark Romig, Deborah Alciatore Empey, Ashley Stagg

Terence & Henrietta Hall

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Mary Peters Michael Phillips Norma G. Phillips Nicole Plunkett Jean Rice Phyllis Roberson Simonne G. Robinson Pamela A. Rogers Stephanie M. Rogers Christina Roux Beverly Sakauye Mr. & Mrs. Ira Savoie Juliet Schindler Janet Schmid Helen Schneidau Carol Short

Mr. & Mrs. Rick Skelding Adam Stierwald Shirley Strain Sylvia Toth Donald C. Trahan Mary Tucker Dr. & Mrs. Peter Tufton Nina C. Tyler Alejandra Valenzuela Rachel Van Voorhees Maurer Van Voorthuysen John Waggenspeak Mariah Walton Heather Weaver Louis & Sandra Wilson Joann B. Wisdom

Gail Barnes McKenna, Holley Haag, Cynthia Aucoin

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John & Renea Duck and Leo & Dana Palazzo

Kristen Van Meerveld, Janis Van Meerveld & Monique Doucette with Les Ballets de Monte-Carlo artists

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NUTCRACKER LEGACY DONORS —Holiday Tree Donors— —Snowflake Donors— Toni Van Zandt Bachmann Penny L. Baumer Dottie Belletto Kerry & Tiffa Boutté Stephanie & Ryan Burks Sandra Stage Chaisson Dr. & Mrs. Charles L. Dupin Elizabeth Ellison-Frost Tricia Rivers Estey Joanna Giorlando Teresa Guzzetta Henrietta Ramirez Hall Cynthia & Robert LeBreton Pamela Halter Lupin Carlos & Jan Mickan Mrs. Larry W. Pickett Dr. Byron & Suzanne Scott Janée M. Tucker Gerri Valene Pamela & Warner M. Williams Joann Wisdom

Penny L. Baumer Deborah Alciatore Empey R. Sonda Stacey Leslie Stokes

—Candy Cane Donors—

Anayansi Arias Konrad Lana W. Konrad Susanna E. Marino Gail West Moore Pamela A. Rogers Tiffany Soles Judith B. Swenson Raymond Washington Dr. Lawrence & Joan Zaslow

—Holiday Stocking— Natasha Alveshire Penny L. Baumer Gayle Benson C.J. Blanda Lois B. Gioe Gail Barnes McKenna Faith W. Peperone Olga G. Smoak

Penny L. Baumer James Lou Bartolo Mrs. Guy B. Corbett (Loretta) John & Renea Duck *Nutcracker Legacy Fund donations received between July 1 - August 24, 2018 Russ & Sandra Herman Martine Chaisson Linares B. Benjamin Lowry & Shelly Gullender Hon. Jacquelyn Brechtel Clarkson Gilda H. “Cuqui” Moore Joan Lisso Rogers

—Holiday Bow Donors— Cynthia Aucoin Penny L. Baumer Kathy M. Christian Marlene Duronslet Marguerite Knight Erwin Mary Fazekas-May Mrs. John Hall (Carol)

COMMEMORATIVE GIVING In Honor of Grace Belletto Dottie Belletto In Honor of Marian Gibbs Women of Fashion In Honor of Cécile Gibson Cynthia LeBreton In Memory of Lorraine Myers Hamilton Mr. & Mrs. John Duck

BRAVO President 2016-2018 Sandra Chaisson is thanked by student Amari Patterson on stage for establishing the Nutcracker Legacy Fund.

Photo by Jeff Strout

DANCE FOR PARKINSON’S is made possible by generous community support provided by: Gary Lazarus, In honor of Dr. Lawrence & Mrs. Kelly Haber Alan & Marilyn Levin Oscar J. Tolmas Charitable Trust Phyllis K. Shnaider

Kimberly Hakes & Theron Lewis

Toni Bachmann & Cynthia LeBreton

In Memory of John H. Jackson, Jr. Deborah Alciatore Empey In honor of Jessica Carvin and Joseph Albert Luchenta Mr. & Mrs. Robert E. Young In Memory of Marie Jeanne Trauth Shirley Laska

Sharon Marchand, Donnell Zeringue, Juan Barona & Martine Chaisson Linares

Carmen and Maurice Brown & Jamie M. Manders, DDS and James M. Riopelle, MD

In Memory of Elaine Van der Linden Van der Linden Family Foundation In Memory of Walter Williams, Jr. Deborah Alciatore Empey Wanda Fulton

Tango Fire dancer Marcos Esteban Roberts, Luz Caputto, Mayra Pineda with dancer Sebastian Alvarez Photos by Jeff Strout 62

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Betty Speyrer, Jenny Hamilton

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Invest In The Future “At Adams and Reese, our commitment to serving others defines our culture, as we continually look for opportunities to give back to the communities in which we work and live. We are proud to support the New Orleans Ballet Association’s work to enrich lives through dance through the Center for Dance and tuition-free programs for seniors and children throughout the Greater New Orleans area.”

— Adams & Reese on behalf of John M. Duck

Y

our investment in NOBA’s programs directly touches the lives of all those whom we serve. With your support, we will continue (1) to fulfill our vital role in the international dance community by presenting, producing, commissioning and providing resources to artists and (2) to sustain our nationally recognized education programs of over 5,000 tuition-free classes and activities by a phenomenal faculty of local and guest artists annually.

GIFTS OF ANY AMOUNT TRULY MAKE A DIFFERENCE. $20 will supply a pair of ballet or tap shoes to a child $50 will provide a student’s full uniform of leotard, tights and shoes $100 underwrites the cost of a new costume for The Nutcracker Suite

SUSTAINING GIFTS Become a NOBA Monthly Sustainer and join the growing number of supporters who have generously decided to make easy, convenient and automatic monthly gifts of any amount that provide a sound foundation for each season and for NOBA’s future.

MEMORIAL/IN HONOR OF GIFTS Whether a gift in memory of a friend or a loved one or a commemoration of a birthday, anniversary or an important milestone, these gifts are a wonderful way to pay tribute to those whom we hold dear. NOBA will send a beautiful card to the honored person or family notifying them of your thoughtfulness.

BRAVO The Ballet Resource And Volunteer Organization is a powerful force of 200+ who “FUN-raise” for NOBA. Find out how you can become involved on pages 46-49.

GIFTS IN-KIND Help us reduce our costs through the donation of non-cash gifts delivered in the forms of goods, services or expertise. Some examples include office supplies; bottled water and healthy snacks for students; art, jewelry and accessories, or restaurant gift certificates for silent auctions or raffles at BRAVO’s fundraising events and pro bono services such as catering, photography or graphic design.

John Duck with Center for dance alumnae Taylor Landry and Cori Lewis

PLANNED GIFTS A planned gift represents the ultimate gift from one’s estate, including simple bequests in one’s will, charitable remainder trusts, unitrusts, charitable lead trusts and gifts of insurance. These gift vehicles offer attractive benefits that might include an income for life for the donor or a designated beneficiary, a significant charitable tax-deduction or the ability to reduce the taxable portion of one’s estate while having the satisfaction of making a charitable gift.

NOBA recommends you speak with your financial advisor to develop the best method of planned giving that will complement your estate’s needs.

NAMING OPPORTUNITIES AND ENDOWMENT Your gift can keep on giving through major gifts in your name to a capital campaign for bricks and mortar, commissions of new artistic works, dedicated scholarships and investments in NOBA’s endowment held at the Greater New Orleans Foundation.

GIFTS OF STOCK NOBA gratefully accepts gifts of stock valued at any amount. Oftentimes, a gift of appreciated stock may significantly reduce your capital gains tax while creating a larger charitable deduction.

Please help us continue our work and efforts to make sure that dance remains a vital part of the cultural fabric of this great city. For more information or to make your donation, contact us today at 504-522-0996, fmartin@nobadance.com or visit www.NOBAdance.com.

CORPORATE MEMBERSHIP Demonstrate your company’s commitment to the community and boost your marketing efforts with a winning sponsorship. NOBA offers a variety of special benefits for our corporate partners, and opportunities are available at many levels.

MATCHING GIFTS The impact of your gift to NOBA may be doubled or possibly tripled! Many companies sponsor matching gift programs that will match any charitable contributions made by their employees, retirees and/or spouses.

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Women of Fashion members Virginia Eckholdt, Diane Hollis, Carol Short and Jean Rice volunteer at the Prix d’Elegance Luncheon.