The sad park full score watermark2

The Sad Park Blank and Inexpressive

Part 1

Tape: 'two evil planes broke in little pieces and fire came'

T O

N

Violin 1

Violin 2

Viola

Enter on the word "came," at the end of the 4th complete play through the end of the tape (at about 30').

off the string

PE

R

FO

R

AN M

mp Copyright Š 2005 Red Poppy Ltd. Š 2006 by Poppy, Ltd. Administered exclusively by G SchirmerCopyright Inc (ASCAP) AllRed Rights Reserved International Copyright Secured Administered exclusively worldwide by G. Schirmer, Inc., (ASCAP) New York, NY. International Copyright Secured. All Rights Reserved.

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E

Vc.

off the string

C

28 Vla.

23 Vla.

(continue similarly throughout)

19 Vla.

mp

14 Vla.

9 Vla.

R

4 Vla.

q = 113

FO

Cello

Michael Gordon

with groove and drive Do not accent the beat.

2

33 Vla.

38

T O

N

Vc.

sim.

Vla.

Vc.

FO

43 Vla.

R

Vc.

PE

48 Vla.

R

Vc.

Vla.

Vla.

Vc.

Vc.

E

Vla.

C

63

AN M

58

R

Vc.

FO

53

3

68 Vla.

Vc.

T O

N

73

Vln. 1

Vln. 2

sim.

sim.

C

E

Vc.

off the string

AN M

Vla.

mp

mp

R

Vln. 2

off the string

83 Vln. 1

FO

Vc.

R

Vla.

PE

Vln. 2

78

Vln. 1

R

Vc.

FO

Vla.

4

88

Vln. 2

N

Vln. 1

T O

Vla.

Vc.

93

Vln. 2

98

Vln. 2

103

Vln. 1

Vc.

E

Vla.

C

Vln. 2

AN M

R

Vc.

FO

R

Vln. 1

Vla.

PE

Vc.

R

Vla.

FO

Vln. 1

Vln. 1

Vln. 2

N

5

T O

Vla.

108

Vc.

113

Vln. 2

118

122

Vln. 1

Vla.

Vc.

E

C

Vln. 2

AN M

Vc.

R

Vla.

FO

Vln. 2

R

Vln. 1

PE

Vc.

R

Vla.

FO

Vln. 1

6

127

Vln. 1

Vln. 2

N

131

T O

Vla.

Vc.

Vln. 2

139

Vln. 1

Vc.

E

Vla.

C

Vln. 2

AN M

Vc.

R

Vla.

FO

Vln. 2

R

Vln. 1

135

PE

Vc.

R

Vla.

FO

Vln. 1

143 Vln. 1

T O

N

Vln. 2

7

Vla.

Vc.

148 Vln. 1

FO

Vc.

R

Vla.

PE

Vln. 2

R

FO

Vln. 1

Vc.

Gradually slow down

E

Vla.

C

Vln. 2

AN M

R

153

8

158

Vln. 1

T O

N

Vln. 2

q = 96

Vla.

Vc.

Vln. 2

168 Vln. 1

Vc.

E

Vla.

q = 78

C

Vln. 2

AN M

R

FO

Vc.

Gradually slow down

R

Vla.

PE

Vln. 1

R

FO

163

173

Vln. 2

9

T O

N

Vln. 1

Vla.

Vc.

Vln. 1

FO

Vc.

R

Vla.

PE

Vln. 2

R

FO

177

Vln. 1

Vc.

E

Vla.

C

Vln. 2

AN M

R

181

10 Vln. 1

Gradually slow down

T O

N

Vln. 2

185

Vla.

Vc.

FO Vln. 1

q = 55

3 3

legato sul tasto

PE

p

3 3 3 3

(glissando occupies full value of note)

R

190

3

Vla.

FO

Vc.

R

Vln. 2

3 3

AN M

R

194

3 3 3 3

3 3

Vln. 2

Vla.

E

Vc.

C

Vln. 1

198 Vln. 1

N Vln. 2

3 3 3

3

3 3 3

11

3

202

T O Vla.

Vc.

Vc.

Vln. 1

Vc.

3 3 3 3 3 3 3

E

Vla.

C

Vln. 2

3 210

AN M

Vc.

R

Vla.

3 3 3 3 3 3 3

FO

Vln. 2

R

Vln. 1

206 3

PE

Vla.

R

Vln. 2

FO

Vln. 1

3 3 3 3 3 3 3 3

12

214 Vln. 1

3 3

3 3

3 3 3 3

N

Vla.

Vln. 2

T O Vc.

218

R

FO

3 3

3 3

3 3 3 3

Vln. 2

Vla.

R

FO

Vc.

PE

Vln. 1

222

3 3

3 3

AN M

R

3 3 3 3

Vln. 2

Vla.

E

Vc.

C

Vln. 1

13

Part 2

q = 60

Violin 1

N

3

Violin 2

3

3

T O

mp

3

Violoncello

FO

Viola

R

5

Vln. 1

(phrase glisses similarly)

3

Vln. 2

Vla.

(phrase and gliss. like vln.2)

mp

3

3

3

3

3

3

3

3

3

3

FO

Vc.

3

R

3

PE

3

3

3

9

Vln. 1

(continue phrasing similarly through M52)

Vln. 2

(continue phrasing similarly through M52)

Vla.

3

3

3

(phrase and gliss. like vln.2)

Vc.

3 3

mp

3

3

3

3

3

3

3

3

3

3

3

3

3

mp

3

3

3

3

3

3

3

3

E

3

(phrase and gliss. like vln.2)

C

3

AN M

R

3

14

13

Vln. 1

3

3

N

Vln. 2

T O

Vla.

3

3

(continue phrasing similarly through M52)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

E

Vc.

C

3

3

3

3

3

Vla.

3

AN M

21

Vln. 2

R

3

3

3

FO

3

3

Vln. 1

3

3

3

R

Vc.

3

3

3

PE

Vla.

3

3

very gradual increase

(continue phrasing similarly through M52)

3

Vln. 2

3

3

3

3

3

3

3

R

17

Vln. 1

FO

Vc.

3

3

3

3

3

15

25

Vln. 1

N Vln. 2

3

3

T O Vla.

3

3

3

3

3

3

mf

mf

Vc.

3

3

mf 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

E

Vla.

3

3

3

3

C

3

Vln. 2

3

mf

3

3

3

3

3

3

3

3

3

3

AN M

Vln. 1

3

3

R

3

33

3

3

3

3

3

3

FO

3

3

3

3

3

3

3

3

R

Vc.

3

PE

3

3 3

3

3

3

3

Vla.

R

29

Vln. 2

3

3

Vln. 1

3

FO

Vc.

3

3

3

16

37

Vln. 1

N Vln. 2

3

T O

3

3

3

3 3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

E

3

C

3

3

3

3 3 3 3 3

Vc.

3

3

3

AN M

Vla.

3

3

3

Vln. 2

3

R

45

Vln. 1

3

3

3

3

3

3

3

FO

3

R

Vc.

3

PE

Vla.

3

Vln. 2

R

41

Vln. 1

3

3

3

3

3

3 3

3

FO

Vc.

3

3

3

Vla.

3

3

49

Vln. 1

N

T O 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3 3 3 3

3

3

3

AN M

R sul tasto / floating

3

3

3

3 3

3

3

3

3

3

3

3

3

p

3

3

3

3

3

3 3

3

3

3

3

3

3

E

3

C

3

p

Vla.

sul tasto / floating

57

Vln. 2

3

3

3

3

3

3

3

FO

p

3

3

R

3

sul tasto / floating

Vla.

p

Vc.

3

PE

Vln. 2

3

R

sul tasto / floating

Vln. 1

3

FO

3

53

Vc.

3

3 3 3

3 3 3 3

Vla.

Vln. 1

3

3

Vln. 2

Vc.

3

17

3

3

18

3

61

Vln. 1

N

Vln. 2

T O

3

3

3

3

3

3

3

3

3

3

3 3

3 3

3

3

3

3

3 3

3 3 3 3 3 3

3

3

3

3

3

3

3

3

3

3

3 3

3

3 3

3

3 3

3

3

3

3

3

3

3

E

3

3

3

3

3

C

3

AN M

3

3

3

3

3

3

3

3

3

3

3

3

3

R

Vc.

3

3

3

3

3

FO

3

3

69

Vla.

3 mf

3

3

Vln. 2

3

3

R

Vla.

Vln. 1

PE

3

3

R

Vln. 2

Vc.

3

3

3

65

Vln. 1

ord.

3

3

FO

Vc.

3

3

Vla.

3

3

3

3

3 3

73

Vln. 1

N Vla.

T O

3

3

gradually move to ord.

3

3

3

3

gradually move to ord.

3

3

3

3

3

3

3

3

3

gradually move to ord.

3

p gradually move to ord.

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

E

C

AN M

Vc.

R

Vla.

FO

3

Vln. 2

3

3

3

81

Vln. 1

3

3

3

R

3

3

PE

3

3

3

3

3

3

3

3

3 3 3 3

R

Vc.

3

3

sul tasto / floating

3

3

3

3

3

Vla.

FO

Vln. 2

3 3

3

77

Vln. 1

3

3

3

3

Vln. 2

Vc.

19

3

3

20

3

85

Vln. 1

N Vln. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

ppp

ppp

3

3

ppp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

3

3

E

3

3 3

3

C

Vc.

3

3

3

3

3

3

3

AN M

Vla.

3

mf

3

3

Vln. 2

3

93

Vln. 1

3

3

3

3

R

3

3

3

3

FO

Vc.

mf

3

3

3

R

Vla.

3

PE

Vln. 2

mf

3

3

R

89

Vln. 1

3

3

3

mf

FO

Vc.

3

3

T O Vla.

3

3

21

Part 3

one bar of click track before entrance

e= 194

Tape: 'I just heard that on the news that the buildings are crashing down'

p

p

legato, but every note with energy

N Vln. 1

T O Vln. 2

Vla.

FO

Vc.

p

R

Vln. 1

Vc.

E

Vc.

C

Vla.

p

AN M

Vln. 2

11

Vln. 1

R

FO

Vla.

R

Vln. 2

PE

6

22 Vln. 1

N Vln. 2

T O

16 a little more

Vla.

Vc.

Vln. 1

21

mp

mp

FO

Vc.

R

Vla.

PE

Vln. 2

R

FO

mp

mp

Vc.

E

Vla.

C

Vln. 2

AN M

R

Vln. 1

26

23

Vln. 1

31

p

N Vln. 2

T O

p

Vla.

Vc.

Vln. 1

36

FO

Vc.

R

Vla.

PE

Vln. 2

R

FO

p

Vc.

E

Vla.

C

Vln. 2

AN M

R

Vln. 1

41

24 Vln. 1

N Vln. 2

45

T O

Vla.

Vc.

Vln. 1

p

Vln. 1

Vc.

E

Vla.

54

C

Vln. 2

AN M

R

FO

Vc.

49

R

Vla.

PE

Vln. 2

R

FO

p

25

59

Vln. 1

N

Vln. 2

T O

Vla.

Vc.

Vln. 1

PE

64

Vln. 2

p

Vln. 1

69

mp

mp

Vc.

mp

E

Vla.

C

Vln. 2

AN M

R

FO

R

Vla.

Vc.

R

FO

mp

26 Vln. 1

N Vln. 2

74

T O Vla.

Vc.

Vln. 1

PE

80

p

Vln. 2

detaché

FO

p

R

Vla.

Vc.

R

FO

mf

AN M

R

Vln. 1

85

Vln. 2

Vc.

E

Vla.

C

27

Vln. 1

90

N

Vln. 2

T O

Vla.

Vc.

95

phrase with viola

p

phrase with violin 2

p

R

ord.

100

Vln. 1

p

Vc.

p

with violin 1 phrase

E

Vla.

phrase with cello

C

Vln. 2

AN M

R

FO

Vc.

PE

Vla.

R

Vln. 2

FO

Vln. 1

p

28 Vln. 1

N

104

Vln. 2

T O Vla.

Vc.

PE

mp

Vln. 2

mp

R

Vla.

FO

mp

Vc.

109

Vln. 1

R

FO

mp

AN M

R

Vln. 1

114

p

Vln. 2

C

p

Vc.

p

E

Vla.

29

Vln. 1

119

N

Vln. 2

T O

Vla.

Vc.

R

124

mp

PE

Vln. 2

FO

Vln. 1

mp

128

mp

Vln. 1

Vc.

mp

E

Vla.

C

Vln. 2

AN M

R

FO

Vc.

R

Vla.

mp

mp

30

132

Vln. 1

N

Vln. 2

T O

FO

R

Vc.

Vla.

mf

PE

R

Vln. 2

FO

135

Vln. 1

Vla.

Vc.

138

Vln. 1

mf

Vla.

E

C

Vln. 2

Vc.

AN M

R

31

141

Vln. 1

N

Vla.

R

PE

AN M

R

FO

R

147

E

Vla.

C

Vln. 2

Vc.

Vla.

Vln. 1

Vln. 2

Vc.

144

Vln. 1

FO

Vc.

T O

Vln. 2

32 Vln. 1

150

N

Vln. 2

Vln. 2

E

C

AN M

Vc.

Vla.

156

Vln. 2

R

Vln. 1

FO

Vc.

R

Vla.

PE

153

Vln. 1

R

FO

T O Vc.

Vla.

Vln. 1

159

N

Vln. 2

T O Vc.

R

FO

R

Vc.

Vla.

PE

Vln. 2

162

Vln. 1

FO

Vla.

33

165

Vln. 1

E

C

Vla.

Vc.

Vln. 2

AN M

R

34

pp

pp

172

Vln. 1

N Vln. 2

T O

Vla.

pp

FO

Vc.

pp

R

176

Vln. 1

180

Vln. 1

Vc.

E

Vla.

C

Vln. 2

AN M

R

FO

R

Vla.

Vln. 2

Vc.

gradually more

PE

35

Vln. 1

184

N

Vln. 2

T O

Vla.

Vc.

mp

mp

Vla.

C

AN M

Vln. 2

R

192

E

Vc.

mp

mp

Vln. 1

FO

R

Vc.

PE

Vla.

188

R

Vln. 2

FO

Vln. 1

36 Vln. 1

Vln. 2

N

196

T O

Vla.

Vc.

Vln. 1

Vln. 2

208

Vln. 1

Vc.

E

Vla.

C

Vln. 2

AN M

Vc.

204

R

Vla.

FO

Vln. 2

R

Vln. 1

PE

Vc.

R

Vla.

less - change color

FO

200

Vln. 1

T O

N

Vln. 2

37 212

mp

(continuous glissando)

mp

mp

Vla.

Vc.

Vln. 1

Vla.

224

E

Vla.

Vc.

C

Vln. 2

AN M

Vln. 1

R

Vc.

FO

Vla.

R

Vln. 2

220

Vln. 1

PE

Vc.

R

Vln. 2

mp

Tape: 'and all the persons that were in the airplane died'

FO

216

38 Vln. 1

Vln. 2

N

T O

Vla.

229

Vc.

Vla.

242

E

Vc.

C

Vla.

AN M

Vln. 2

R

Vln. 1

238

Vla.

Vc.

FO

Vln. 2

R

Vln. 1

PE

Vc.

R

Vln. 2

FO

Vln. 1

234

Vln. 1

Vln. 2

N

39

T O

Vla.

246

Vc.

Vln. 1

Vla.

254

Vln. 1

Vla.

Vln. 2

E

Vla.

Vc.

C

257

Vln. 1

AN M

Vc.

R

FO

Vln. 2

R

PE

R

Vln. 2

Vc.

FO

250

40 Vln. 1

260

Vln. 2

N

T O

Vla.

Vc.

264

Vln. 2

Vla.

273

p

p

p

(TACIT)

tune C string to B-flat

E

p

Vc.

C

Vla.

AN M

p

R

Vla.

Vln. 2

FO

(continuous glissando)

Vln. 1

(continuous glissando)

Vln. 2

Vc.

(continuous glissando)

R

Vln. 1

268

PE

Vc.

R

FO

Vln. 1

Distortion on

Part 4

Driving, but sober

q = 114

non vib.

mf

no click track

non vib.

T O

N

scordatura

marcato off the string

mf

non vib.

mf

R

(sim.)

PE

Vln. 2

(sim.)

9

marcato

marcato

E

Vla.

C

Vln. 2

AN M

R

FO

Vla.

Vc.

(sim.)

Vln. 1

R

5

Vc.

FO

Vc.

Vln. 1

mf

42

13

Vln. 1

N

Vln. 2

T O

Vla.

non vib.

(sim.)

E

Vla.

C

Vln. 2

AN M

R

FO

R

PE

R

21

Vc.

Vla.

Vln. 1

Vln. 2

Vc.

17

Vln. 1

FO

Vc.

25

Vln. 1

N

Vln. 2

T O

Vla.

marcato off the string

C

AN M

E

Vla.

Vc.

Vln. 2

R

33

Vln. 1

FO

R

PE

Vla.

R

Vln. 2

Vc.

29

Vln. 1

FO

Vc.

43

44

37

Vln. 1

N Vln. 2

T O

Vla.

41

Vln. 1

E

C

AN M

Vc.

Vla.

R

Vln. 2

45

Vln. 1

FO

R

Vla.

PE

Vln. 2

Vc.

R

FO

Vc.

49

Vln. 1

N

T O

Vla.

Vla.

E

C

AN M

R

Vla.

Vc.

Vln. 2

57

Vln. 1

FO

R

PE

Vln. 2

Vc.

R

FO

53

Vln. 1

Vln. 2

Vc.

45

46

61

Vln. 1

N Vln. 2

T O

Vla.

Vc.

E

Vc.

C

Vla.

AN M

Vln. 2

69

Vln. 1

R

marcato

FO

Vla.

R

PE

Vln. 2

R

marcato

65

Vln. 1

FO

Vc.

47

73

Vln. 1

N

Vln. 2

T O

Vla.

E

C

Vc.

AN M

Vla.

R

Vln. 2

81

Vln. 1

FO

R

Vc.

Vla.

PE

R

Vln. 2

77

Vln. 1

FO

Vc.

48

85

Vln. 1

N Vln. 2

T O

Vla.

Vla.

E

C

AN M

R

FO

Vln. 2

Vc.

R

93

Vln. 1

Vla.

Vc.

PE

Vln. 2

R

89

Vln. 1

FO

Vc.

97

Vln. 1

N

Vln. 2

T O

Vla.

E

C

AN M

R

FO

Vla.

Vc.

105

Vln. 2

R

Vln. 1

PE

Vla.

101

Vln. 2

Vc.

R

Vln. 1

FO

Vc.

49

50

109

Vln. 1

N

Vln. 2

T O

Vc.

Vln. 1

Vc.

E

Vla.

C

Vln. 2

AN M

117

R

FO

Vla.

R

PE

R

Vln. 2

113

Vln. 1

FO

Vc.

Vla.

121

Vln. 1

N

Vln. 2

T O

Vla.

Vla.

E

C

Vln. 2

Vc.

51

AN M

129

Vln. 1

R

FO

Vc.

R

Vla.

PE

Vln. 2

R

125

Vln. 1

FO

Vc.

52

132

Vln. 1

N

Vln. 2

Feedback on

Feedback on

Feedback on

T O

Vla.

Feedback on

R

FO

Vc.

R

PE

E

C

AN M

R

FO