7.19 & 7.26 New Release Book

NEW RELEASES Street Date: 7.19.19 | Order Date: 6.28.19 Street Date: 7.26.19 | Order Date: 7.05.19 REDEYEWORLDWIDE.COM

THE RUNAWAYS

THE RUNAWAYS / QUEENS OF NOISE (7/26)

FREE SHIPPING Starts 7/1!

See inside cove r for details.

WHAT’S INSIDE: Dave Douglas | Hamell On Trial | Sarathy Korwar

FREE SHIPPING! STARTING 7/1!

Indie Indie stores stores will will now now be be eligible eligible for for free free shipping shipping to to anywhere anywhere in in the the continental continental U.S. U.S. for for all all shipments shipments over over 20 20 units. units.

Transit Transit times times will will not not exceed exceed 33 days. days.

www.redeyeworldwide.com

stephen@redeyeworldwide.com

~ BURIAL ~

~ CLAUSTRO / STATE FOREST ~ Catalogue Number Street Date Format UPC Box Lot

: : : : :

SI-HDB-120 06/14/2019 12” 5055869558952 25

A. ‘Claustro’ [05:41] B. ‘State Forest’ [08:03] 180g vinyl www.hyperdub.net

Summertime is right around the corner, so make sure you’re stocked up on the finest SURF ROCK and GARAGE ROCK to soundtrack your summer!

Yep Roc is offering up to up to 30% OFF catalog titles from LOS STRAITJACKETS, CHUCK PROPHET, THE REVEREND HORTON HEAT, THE FLESHTONES, THE SADIES and more!

On sale June 1st - August 31th!

Ask your sales rep for details!

CHUCK PROPHET BOBBY FULLER DIED FOR YOUR SINS YEP-2490

CD: LP:

LOS STRAITJACKETS

WHAT’S SO FUNNY ABOUT PEACE, LOVE AND LOS STRAITJACKETS YEP-2496

CD: LP:

THE REVEREND HORTON HEAT

LAUGHIN’ AND CRYIN’ WITH THE REVEREND HORTON HEAT YEP-2172

6

34457 24962 2

6

34457 24961 5

CD:

THE FLESHTONES BUDGET BUSTER YEP-2497

CD: LP:

34457 24972 1

6

34457 24971 4

34457 24902 8

6

34457 24901 1

THE SADIES

NEW SEASONS YEP-2148

CD: 6

6

SHADOWY MEN ON A SHADOWY PLANET DIM THE LIGHTS, CHILL THE HAM YEP-2464

JEREMY & THE HARLEQUINS

HEAVY TRASH HEAVY TRASH YEP-2077

INTO THE NIGHT

CD:

YEP-2477

BIG SANDY & HIS FLY-RITE BOYS TURNTABLE MATINEE YEP-2121

CD:

CD:

LP:

6

CD:

34457 21212 1

LP:

SPdK_CDbookletFINALprint

5/25/06

9:04 AM

Page 1

Professional wrestling interprets the universe better than any ideology I have ever seen. I live for professional wrestling.

I avoid competition, I think competition is ugly. I have never been into what people refer to as “sports.” I love drama. And that’s what rasslin’ is — there’s no competition because the ending is already determined. When people start talking to me about it being fake, I tell them when you fall from the top rope to the arena floor, your head has just gone eighteen feet into concrete. You can’t fake that. You gotta be able to take it. And that’s what those old guys could do, they’re the toughest bastards on earth.

In Memphis in the late ’50s and early ’60s, we had Sputnik Monroe, the greatest wrestler in the world, who was an incredible role model. His rules of wrestling, which I try to follow as my rules of life, are “Win if you can, lose if you must, always cheat, and if they take you out, go out tearing down the ring.” Ha! There’s a natural bond between rock’n’roll and wrestling, especially in Memphis. It was very strong. Just the flamboyance of Sputnik, Jackie Fargo, The Great Bolo, The Graham Brothers — it was all like rock’n’roll.

The best wrestling I have ever seen in my life was broadcast from a Quonset hut in Dyersburg, this little one— horse town in North Tennessee. They had two or three old— school wrestlers and a bunch of skinny kids, and it was fucking dynamite. It was beautiful.

Of course, the worse it is, the better I like it. They had two hand— held cameras. The music was over— modulated and it would be sheer distortion. The ring announcer was over—dubbed so it was out of synch. He would describe something that hadn’t even happened yet. It was great. Nowhere else but Memphis would they have let it gone on the air.

— JIM DICKINSON, transmission from the Zebra Ranch, April 2006

LAIKA & THE COSMONAUTS

LEGENDARY SHACK SHAKERS

YEP-2624

YEP-2149

COSMOPOLIS

CD:

SWAMPBLOOD

CD:

I THINK THIS IS YEP-2207

CD:

34457 21492 7

THE SOUNDTRACK OF OUR LIVES

THROW IT TO THE UNIVERSE YEP-2281

CD:

THE MAN WHO LIVES FOR LOVE YEP-2078

6

YOUNG FRESH FELLOWS

SPENCER DICKINSON

CD:

NIGHT & DAY YEP-2269

CD: LP:

SOUTHERN CULTURE ON THE SKIDS & FRED SCHNEIDER PARTY AT MY TROUSE YEP-2334

SI:

ANDRE WILLIAMS & THE SADIES

JOHN DOE & THE SADIES COUNTRY CLUB YEP-2192

CD:

All summer long we’ll be offering up to 30% OFF on Yep Roc indie rock and indie pop titles as part of our “INDEPENDENTS DAY” sale!

SLOAN 12

YEP-2588

JUKEBOX THE GHOST SAFE TRAVELS

CD: LP:

YEP-2279

6

34457 25882 2

6

34457 25881 5

THE APPLES IN STEREO

TRAVELLERS IN SPACE AND TIME YEP-2212

CD:

THE MINUS 5 THE MINUS 5 YEP-2065

CD:

6

34457 22122 2

6

34457 22121 5

LIAM FINN THE NIHILIST YEP-2376

CD: LP:

SKYFUL OF HOLES YEP-2247

CD:

LP:

LP:

NICK LOWE

JESUS OF COOL YEP-2620

CD:

THE SADIES

NORTHERN PASSAGES CD

LP:

OCEANS APART YEP-2105

CD:

LOOK PARK

34457 24932 5

ROBYN HITCHCOCK ROBYN HITCHCOCK YEP-2483

CD: LP:

YEP-2460

CD: 6

THE GO-BETWEENS

LOOK PARK

YEP-2493

CD: LP:

FOUNTAINS OF WAYNE

LP:

JEREMY & THE HARLEQUINS REMEMBER THIS YEP-2554

6

34457 24832 8

6

34457 24831 1

CD: LP:

6

34457 25542 5

6

34457 25541 8

UP TO 30% OFF! SALE ENDS 8/31/19!

Ask your sales rep for details!

Featuring titles from FOUNTAINS OF WAYNE, SLOAN, THE APPLES IN STEREO, JUKEBOX THE GHOST, THE MINUS 5 and MORE, this sale celebrates the independent artists that we love listening to and the independent record stores that we love to visit.

THE BASEBALL PROJECT 3RD

YEP-2374 CD:

BORN RUFFIANS

YOU AM I

BIRTHMARKS

CONVICTS

YEP-2319

CD:

YEP-2144

CD:

BOB MOULD

BODY OF A SONG YEP-2091

CD:

LP:

6

LP:

MERCURY REV

DRESSY BESSY

YEP-2191

YEP-2458

SNOWFLAKE MIDNIGHT CD:

KINGSIZED

CD:

YOUNG FRESH FELLOWS TIEMPO DE LUJO YEP-2286

CHUCK PROPHET BOBBY FULLER DIED FOR YOUR SINS YEP-2490

CD:

CD:

LP:

SHADOWY MEN ON A SHADOWY PLANET SAVVY SHOW STOPPERS YEP-2463

CD: LP:

NICK LOWE

ROBYN HITCHCOCK

YEP-2621

YEP-2315

LABOUR OF LUST

34457 20912 1

LOVE FROM LONDON

6

34457 24902 8

6

34457 24901 1

CHUCK PROPHET TEMPLE BEAUTIFUL YEP-2255

CD:

CD:

CD:

LP:

LP:

LP:

THE LEAF LABEL

EARDRUM SIDE EFFECTS

310 THE DIRTY ROPE

ROB ELLIS MUSIC FOR THE HOME 2

310 RECESSIONAL

CD (CD-BAYL-018) UPC 666017024226

CD (CD-BAYL-019) UPC 666017019222

CD (CD-BAYL-029) UPC 666017067223

CD (CD-BAYL-033) UPC 666017067421

ICARUS PSAPP I TWEET THE BIRDY ELECTRIC TIGER, MY FRIEND

PHELAN SHEPPARD HARPS OLD MASTER

VARIOUS CHECK THE WATER

CD (CD-BAYL-036) UPC 666017079325

CD (CD-BAYL-041) UPC 843190000098

CD (CD-BAYL-046) UPC 843190000722

2CD (CD-BAYL-050) UPC 843190000470

SUTEKH BORN AGAIN

VOLCANO! BEAUTIFUL SEIZURE

ADRIAN KLUMPES BE STILL

NANCY ELIZABETH BATTLE AND VICTORY

2CD (CD-BAYL-052) UPC 843190000418

CD (CD-BAYL-054) UPC 843190000449

CD (CD-BAYL-056) UPC 843190001026

CD (CD-BAYL-060) UPC 843190006021

DEEP DISCOUNT ON THESE LEAF CATALOGUE CDS 40% OFF FOR A LIMITED PERIOD, WHILE STOCKS LAST

SPRING 2019 CATALOGUE SALE

VOLCANO! PAPERWORK

A HAWK & A HACKSAW DÉLIVRANCE

NANCY ELIZABETH WROUGHT IRON

EFTERKLANG PERFORMING PARADES

CD (CD-BAYL-063) UPC 843190006328

CD (CD-BAYL-064) UPC 843190006427

CD (CD-BAYL-068) UPC 843190006823

CD + DVD (CD-BAYL-069) UPC 843190006922

MATTHEW BOURNE MONTAUK VARIATIONS

POLAR BEAR WITH JYAGER COMMON GROUND

ROLL THE DICE IN DUST

VOLCANO! PIÑATA

CD (CD-BAYL-077) UPC 843190007721

CD (CD-BAYL-078) UPC 843190007820

CD (CD-BAYL-079) UPC 843190007929

CD (CD-BAYL-081) UPC 843190008124

NANCY ELIZABETH DANCING

ROLL THE DICE UNTIL SILENCE

WILDBIRDS & PEACEDRUMS RHYTHM

VIGROUX & BOURNE RADIOLAND

CD (CD-BAYL-084) UPC 843190008421

CD (CD-BAYL-089) UPC 843190008926

CD (CD-BAYL-094) UPC 843190009428

CD + book (CD-BAYL-102) UPC 843190010226

The Leaf Label theleaflabel.com contact@theleaflabel.com

877.733.3931 redeyeworldwide.com jeep@redeyeworldwide.com

BEST S E L L E R S 01

FLYING LOTUS FLAMAGRA

02

JUSTIN TOWNES EARLE THE SAINT OF LOST CAUSES

03

JIMMIE VAUGHAN BABY, PLEASE COME HOME

04

EARTH FULL UPON HER BURNING LIPS

05

STEREOLAB MARS AUDIAC QUINTET

WARP RECORDS

NEW WEST RECORDS

LAST MUSIC COMPANY

SARGENT HOUSE

WARP RECORDS

06

CHARLY BLISS YOUNG ENOUGH

07

STEREOLAB TRANSIENT RANDOM NOISEBURSTS WITH ANNOUNCEMENTS

08

MADVILLAIN MADVILLAINY

09

STEVE EARLE AND THE DUKES GUY

10

FILTHY FRIENDS EMERALD VALLEY

BARSUK RECORDS

WARP RECORDS

STONES THROW RECORDS

NEW WEST RECORDS

KILL ROCK STARS

VINYL S P O T L I G H T NICK LOWE LOVE STARVATION/TROMBONE

BILL CALLAHAN SHEPHERD IN A SHEEPSKIN VEST

YEP ROC RECORDS

DRAG CITY

FU MANCHU GODZILLA’S/EATIN’ DUST +4 (Color Vinyl)

JUSTIN TOWNES EARLE THE SAINT OF LOST CAUSES

AT THE DOJO RECORDS

NEW WEST RECORDS

DADDY LONG LEGS LOWDOWN WAYS ( Opaque White Vinyl)

CHAI PUNK

DRESSY BESSY FAST FASTER DISASTER

PLAID POLYMER

YEP ROC RECORDS

WARP RECORDS

CAVE IN FINAL TRANSMISSION

LOS COAST SAMSARA (Color Vinyl)

YEP ROC RECORDS

HYDRA HEAD RECORDS

COMING S O O N 8/02/19 TY SEGALL - FIRST TASTE - DRAG CITY RUSSIAN CIRCLES - BLOOD YEAR - SARGENT HOUSE

BURGER RECORDS

NEW WEST RECORDS

ORDER FORM Street Date: 7.19.19 | Order Date: 6.28.19 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

730003320521

CD-STRUT-205

Rushen, Patrice

REMIND ME: The Classic Elektra Recordings 1978-1984

CD

$10.00

$14.99

730003320514

LP-STRUT-205

Rushen, Patrice

REMIND ME: The Classic Elektra Recordings 1978-1984

Vinyl

$21.30

$31.99

186980000701

SI-GRE-1070

Douglas, Dave

Showing Up / The Power of the Vote

Vinyl

$6.65

$9.99

607396646524

CD-NW-6465

Hamell On Trial

Choochtown (20th Anniversary Edition)

CD

$8.65

$12.99

607396532018

LP-NW-5320

Hamell On Trial

Choochtown (20th Anniversary Edition)(COLOR VINYL)

Vinyl

$13.30

$19.99

5060446070949

LP-EARS-113

L7

Detroit (COLOR VINYL)

Vinyl

$19.30

$28.99

5060446070086

CD-EARS-095

L7

Fast & Frightening

CD

$12.00

$17.99

5026328104447

CD-SOJR-444

Fab 5 Freddy, Jonzun Crew, Yoko Ono

Soul Jazz Records presents KEITH HARING: The World of Keith Haring

CD

$15.30

$22.99

5026328004440

LP-SOJR-444

Fab 5 Freddy, Jonzun Crew, Yoko Ono

Soul Jazz Records presents KEITH HARING: The World of Keith Haring

Vinyl

$26.00

$38.99

5026328204444

LP-SOJR-444X

Fab 5 Freddy, Jonzun Crew, Yoko Ono

Soul Jazz Records presents KEITH HARING: The World of Keith Haring

Vinyl

$26.65

$39.99

5414940013405

CD-WEBB-575

Quiet Temple, The

The Quiet Temple

CD

$9.30

$13.99

5055036215756

LP-WEBB-575

Quiet Temple, The

The Quiet Temple

Vinyl

$14.65

$21.99

5060609660963

LP-TRU-007X

Bonobo

Animal Magic (COLOR VINYL)

Vinyl

$14.00

$20.99

5060180323882

CD-BWOOD-0205

Various Artists

Sunny Side Up

CD

$10.00

$14.99

5060180323875

LP-BWOOD-0205

Various Artists

Sunny Side Up

Vinyl

$13.30

$19.99

5060180324032

LP-BWOOD-0205X

Various Artists

Sunny Side Up (INDIE EXCLUSIVE / COLOR VINYL)

Vinyl

$14.65

$21.99

634457828322

CD-BRGR-1248

Chats, The

Get This In Ya

CD

$5.30

$7.99

634457828315

LP-BRGR-1248

Chats, The

Get This In Ya

Vinyl

$12.00

$17.99

5052442015840

CD-22A-028

Tenderlonious

Hard Rain

CD

$10.00

$14.99

5052442015857

LP-22A-028

Tenderlonious

Hard Rain

Vinyl

$14.00

$20.99

823134005921

CD-DAPT-059

Various Artists

Bad Education, Vol. 1: The Soul Hits of Timmion Records

CD

$9.30

$13.99

823134005914

LP-DAPT-059

Various Artists

Bad Education, Vol. 1: The Soul Hits of Timmion Records

Vinyl

$13.30

$19.99

5024545377422

CD-GRON-30

Sol Seppy

The Bells of 12

CD

$10.00

$14.99

5060238635486

LP-GRON-30

Sol Seppy

The Bells of 12

Vinyl

$11.30

$16.99

5060446072103

CD-EARS-145

Bolan, Marc

The Home Demos

CD

$27.35

$40.99

072632063036

CD-TVAS-1037

Various Artists

Let The Good Times In (Sunshine, Soft & Studio Pop 1966-1972)

CD

$10.00

$14.99

5055300399519

LP-ZIQ-408

Antwood

Delphi

Vinyl

$16.00

$23.99

781484075011

LP-DC-750

Major Stars

Roots of Confusion Seeds of Joy

Vinyl

$16.65

$24.99

634457825413

LP-ALIVE-0112LE

Pop, Iggy & James Williamson

Kill City (COLOR VINYL)

Vinyl

$13.30

$19.99

634457825512

LP-ALIVE-0160LE

Radio Moscow

Magical Dirt (COLOR VINYL)

Vinyl

$13.30

$19.99

5060446071816

LP-EARS-140

Ronson, Mick

Just Like This (COLOR VINYL)

Vinyl

$19.30

$28.99

5060446072035

LP-EARS-136

Scott Morgan’s Powertrane

Beyond The Sound (..And Beyond)

Vinyl

$20.65

$30.99

634457828223

CD-VTBL-002

Levin, Ben

Before Me

CD

$10.00

$14.99

5902860141686

CD-AST-009

EABS

Slavic Spirits

CD

$10.00

$14.99

5902860141709

CD-AST-009LE

EABS

Slavic Spirits

CD

$16.65

$24.99

5902860141716

LP-AST-009

EABS

Slavic Spirits

Vinyl

$20.00

$29.99

5902860141723

LP-AST-009LE

EABS

Slavic Spirits

Vinyl

$33.30

$49.99

634457821712

LP-NNA-120LE

Bertucci, Lea

Resonant Field

Vinyl

$14.00

$20.99

DEAL

ORDER FORM Street Date: 7.19.19 | Order Date: 6.28.19 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

5060446072332

CD-EARS-155

Busaras, Dave-Id & Ferrari, Giancarlo

I Am You Are

CD

$10.00

$14.99

5060446071298

CD-EARS-122

Busaras, Dave-Id & Toshiyuki Hiraoka

Bushy Luxury (The Whole story)

CD

$10.00

$14.99

5060446071304

LP-EARS-122

Busaras, Dave-Id & Toshiyuki Hiraoka

Bushy Luxury (The Whole story) (COLOR VINYL)

Vinyl

$15.30

$22.99

607396516919

LP-NW-5169

Clark, Guy

Live From Austin, TX (COLOR VINYL)

Vinyl

$16.65

$24.99

634457827110

LP-SAL-098

Friend Of My Youth

Telling

Vinyl

$10.00

$14.99

5055274709420

LP-RAS-1909

Lost Souls Of Saturn

Lost Souls Of Saturn

Vinyl

$21.30

$31.99

634457827844

CS-HAUSMO-91

RXM Reality

DEViL WORLD WiDE

Cassette

$6.00

$8.99

634457823747

CS-BRGR-1416

Blood Stone

Bleed Together / Get Revenge

Cassette

$4.65

$6.99

DEAL

Street Date: 7.26.19 | Order Date: 7.05.19 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

DEAL

090771809322

CD-MH-093

Runaways, The

The Runaways

CD

$10.00

$14.99

090771809315

LP-MH-8093

Runaways, The

The Runaways

Vinyl

$16.65

$24.99

090771809421

CD-MH-094

Runaways, The

Queens Of Noise

CD

$10.00

$14.99

090771809414

LP-MH-8094

Runaways, The

Queens Of Noise

Vinyl

$16.65

$24.99

858275056525

CD-MP-429

Caamp

By and By

CD

$9.30

$13.99

858275056518

LP-MP-429

Caamp

By and By

Vinyl

$20.00

$29.99

858275056686

LP-MP-429IDE

Caamp

By and By (Indie Only / Color Vinyl)

Vinyl

$20.00

$29.99

843190011223

CD-BAYL-112

Korwar, Sarathy

More Arriving

CD

$8.00

$11.99

843190011216

LP-BAYL-112

Korwar, Sarathy

More Arriving

Vinyl

$14.65

$21.99

843190011230

LP-BAYL-112X

Korwar, Sarathy

More Arriving (Indie Only Transparent Red Vinyl)

Vinyl

$16.65

$24.99

702397836520

CD-TZA-8365

Zorn, John

Tractatus Musico-Philosophicus-Philosophical Investigations from The Invisible Theatre

CD

$16.65

$24.99

702397510727

CD-TZA-5107

Gnostic Trio

The Book Beri’ah Vol 7-Netzach

CD

$12.65

$18.99

090771820228

CD-MH-202

Mighty Sparrow, The

The Slave

CD

$10.00

$14.99

090771820211

LP-MH-8202X

Mighty Sparrow, The

The Slave (RED VINYL)

Vinyl

$16.65

$24.99

090771808820

CD-MH-088

Senay, Eddy

Step By Step

CD

$10.00

$14.99

090771808813

LP-MH-8088X

Senay, Eddy

Step By Step (WHITE VINYL)

Vinyl

$16.65

$24.99

708535794325

CD-SBR-7943

Reinhardt, Django

Djangology: Solo and Duet Recordings

CD

$14.00

$20.99

857387005780

CD-BBIB-055

De Lorians

De Lorians

CD

$10.00

$14.99

857387005766

LP-BBIB-055

De Lorians

De Lorians

Vinyl

$12.65

$18.99

634457821620

CD-DG-185

Mikey Erg

Waxbuilt Castles

CD

$9.30

$13.99

634457821613

LP-DG-185

Mikey Erg

Waxbuilt Castles

Vinyl

$12.65

$18.99

5060146099844

CD-MI-0560

School Of Language

45

CD

$8.00

$11.99

5060146099813

LP-MI-0560

School Of Language

45

Vinyl

$12.00

$17.99

5060146099820

LP-MI-0560LE

School Of Language

45 (INDIE EXCLUSIVE / COLOR VINYL)

Vinyl

$14.65

$21.99

605633137729

CD-RGNET-1377

Various Artists

Rough Guide To Blind, Black & Blue

CD

$10.00

$14.99

605633138429

CD-RGNET-1384

Various Artists

Rough Guide To Mali Blues

CD

$10.00

$14.99

605633012224

CD-TUG-1122

Masike, Hope

The Exorcism Of A Spinster

CD

$8.65

$12.99

809236156914

LP-FIRE-569

Modern Studies & Tommy Perman

Emergent Slow Arcs

Vinyl

$20.00

$29.99

5055300399458

CD-TIMESIG-010

Datach’i

Bones

CD

$9.30

$13.99

5055300399441

LP-TIMESIG-010

Datach’i

Bones

Vinyl

$16.00

$23.99

655173118719

LP-BARK-187

Hibou

Halve (Pink Vinyl)

Vinyl

$12.65

$18.99

603784912042

CD-IARC-0026

Resavoir

Resavoir

CD

$8.00

$11.99

ORDER FORM Street Date: 7.26.19 | Order Date: 7.05.19 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

603784912035

LP-IARC-0026

Resavoir

Resavoir

Vinyl

$13.30

$19.99

5060609660437

CD-TRU-365

Jarman-Pinto, Bryony

Cage and Aviary

CD

$7.30

$10.99

5060609660444

LP-TRU-365

Jarman-Pinto, Bryony

Cage and Aviary

Vinyl

$14.65

$21.99

634457816220

CD-TE-197

Strange Ranger

Remembering The Rockets

CD

$8.65

$12.99

634457816213

LP-TE-197

Strange Ranger

Remembering The Rockets (COLOR VINYL)

Vinyl

$12.65

$18.99

634457816244

CS-TE-197

Strange Ranger

Remembering The Rockets

Cassette

$6.00

$8.99

659457527211

LP-LR-157

Dang, Ami

Parted Plains

Vinyl

$11.30

$16.99

4050486115138

LP-ERATP-123

Art Ensemble Of Chicago

We Are On The Edge

Vinyl

$22.00

$32.99

4050486115145

LP-ERATP-123LE

Art Ensemble Of Chicago

We Are On The Edge (Limited Edition Expanded)

Vinyl

$46.70

$69.99

600385290128

CD-VTGC-01

Curran, Gracie

Gracie Curran & Friends: Come Undone

CD

$10.00

$14.99

843563113981

CD-JBR-0179

Fogarty, Eamon

Blue Values

CD

$7.30

$10.99

843563113974

LP-JBR-0179

Fogarty, Eamon

Blue Values

Vinyl

$13.30

$19.99

634457896628

CD-YKY-0022

Junkie

Fast Times

CD

$6.00

$8.99

634457896611

LP-YKY-0022

Junkie

Fast Times (COLOR VINYL)

Vinyl

$12.00

$17.99

781484072324

CD-DC-723

Gantry, Chris

Nashlantis

CD

$11.30

$16.99

781484072317

LP-DC-723

Gantry, Chris

Nashlantis

Vinyl

$16.65

$24.99

5051083147118

CD-VGR-047

de Wardener, Max

Kolmar

CD

$9.30

$13.99

5051083147101

LP-VGR-047

de Wardener, Max

Kolmar

Vinyl

$14.00

$20.99

843563117118

LP-EIS-094

Maneka

Devin

Vinyl

$12.65

$18.99

023632674890

LP-577R-5806

Carter, Daniel, Stelios Mihas, Irma Nejando, Federico Ughi, Radical Invisibility

Radical Invisibility

Vinyl

$12.65

$18.99

634457826748

CS-BRGR-1425

Crover, Dale

The Fickle Finger Of Fate

Cassette

$4.65

$6.99

634457887947

CS-BRGR-1216

McDonald, Jeff

Jeff McDonald

Cassette

$4.65

$6.99

DEAL

NEW RELEASES Street Date: 7.19.19 | Order Date: 6.28.19

PATRICE RUSHEN - REMIND ME

THE CLASSIC ELEKTRA RECORDINGS 1978-1984

Strut present the first definitive retrospective of an icon of 1970s and ‘80s soul, jazz and disco, Patrice Rushen, covering her peerless 6-year career with Elektra / Asylum from 1978 to 1984.

THE

Joining Elektra after three albums with jazz label Prestige, Patrice had shown prodigious talent at an early age and had first broken through after winning a competition to perform at the Monterrey Jazz Festival of 1972. By the time of the recordings on this collection, she had become a prolific and in-demand session musician and arranger on the West coast, appearing on over 80 recordings for other artists. She joined the Elektra / Asylum roster in 1978 as they launched a pop / jazz division alongside visionaries like Donald Byrd and Grover Washington, Jr. “The idea was to create music that was good for commercial radio / R&B,” Patrice explains. “We were all making sophisticated dance music, essentially.”

CLASSIC ELEKTRA RECORDINGS 1978-1984

DEFINITIVE 3LP COMPILATION OF CLASSICS, 12” VERSIONS AND ORIGINAL SAMPLES REMASTERED FROM ORIGINAL TAPES BY THE CARVERY INCLUDES FULL INTERVIEW WITH PATRICE RUSHEN + RARE PHOTOS

Drawing on some of the leading musicians in L.A. like saxophonist Gerald Albright, drummer “Ndugu” Chancler and bassman Freddie Washington and keeping an open minded approach from her training in classical, jazz and soundtrack scores, Patrice’s music was a different, more intricate proposition to many of the soul artists of the time. “L.A. musicians were not so locked into tradition,” she continues. “None of us were accustomed to limitation and the record label left us to take our own direction.”

Early classics like ‘Music Of The Earth’ and ‘Let’s Sing A Song Of Love’ were among Patrice’s first as a lead vocalist before her ‘Pizzazz’ album landed in 1979, featuring the unique disco of ‘Haven’t You Heard’ and one of her greatest ballads, ‘Settle For My Love’. “Although ballads make you feel more vulnerable as an artist because they are often personal, I think listeners relate to that sincerity,” she reflects. By now, Patrice’s records were supremely arranged and produced as her confidence as an all-round writer, producer, arranger and performer grew.

Slick dancefloor anthem ‘Never Gonna Give You Up’ and the ‘Posh’ album in 1980 led to her landmark album ‘Straight From The Heart’ two years later. Receiving little support from her label, Patrice and her production team personally funded a promo campaign for the first single from it, ‘Forget Me Nots’. It went on to peak at no. 23 on the Billboard Hot 100 and the album was later Grammy-nominated, while the track became a timeless anthem and popular sample, inspiring Will Smith’s theme for the film ‘Men In Black’ and George Michael’s ‘Fastlove’.

Patrice’s final album for Elektra, ‘Now’ kept the bar high with sparse, synth-led songs including ‘Feel So Real’ and ‘To Each His Own’. It concluded a golden era creatively for Patrice which remains revered by soul and disco aficionados the world over.

‘Remind Me’ features all of Patrice Rushen’s chart singles, 12” versions and popular sample sources on one album for the first time. Formats included a 3LP set and 1CD fully remastered by The Carvery from the original tapes. Both formats include an exclusive new interview with Patrice Rushen and rare photos.

TRACKLISTING 3LP (CD SAME TRACKLIST, DIFFERENT SEQUENCE) A1 MUSIC OF THE EARTH 3.57 A2 LET’S SING A SONG OF LOVE 3.43 A3 WHEN I FOUND YOU 5.20

KEY POINTS: • First definitive Patrice Rushen compilation released on vinyl since the ‘80s • Includes all of her chart hits, DJ favourites and sample sources • Official release featuring full interview with Patrice Rushen about her career and music • Features rare photos from her personal collection + some of the photographers she has worked with during her career • Fully remastered by The Carver y from the original ¼” tapes • Start of full Patrice Rushen reissue programme from her Elektra era

B1 HAVEN’T YOU HEARD (12” VERSION) 7.18 B2 GIVIN’ IT UP IS GIVIN’ UP WITH DJ ROGERS 4.58 C1 FORGET ME NOTS (12” VERSION) 7.16 C2 LOOK UP! (LONG VERSION) 4.55 C3 WHERE THERE IS LOVE 3.07 D1 NEVER GONNA GIVE YOU UP (WON’T LET YOU BE) (LONG VERSION) 6.49 D2 NUMBER ONE (12” VERSION) 6.45 E1 ALL WE NEED 5.55

FOR FANS OF: Chaka Khan, Candi Staton, Anita Baker, Joey Negro, Horse Meat Disco, Gilles Peterson, Chic, Randy Crawford, Jones Girls, Minnie Riperton, Jean Carne, Donald Byrd, Crusaders, Change, Salsoul, West End Records

E2 REMIND ME (LP VERSION) 5.16 E3 SETTLE FOR MY LOVE 5.14 F1 FEELS SO REAL (WON’T LET GO) (12” VERSION) 6.48 F2 TO EACH HIS OWN 4.12

WEB LINKS www.strut-records.com

For more information please contact: Adam Calman adam@k7.com / +1 718 722 9935 x12

RE L E ASE DAT E : 19T H J U L Y 2019 ARTIST: PAT RICE RU SH EN T ITL E : RE MIN D ME : T H E CL ASSIC EL EKT RA RE CORD INGS 197 8 -1 984 CAT. NO: ST RU T 205L P / ST RU T 205CD CONF IGU RATION : 3L P / 1C D PACKAGIN G: 3L P IN SIN GL E SL E EV E + 8PP 12” BO OK L ET / 1CD in DIGIPAK + 20PP B OOKL E T BAR CODES: 3L P: 730003320514 / 1CD: 7300033 205 2 1 GE NRE : SOU L / DISC O

Dave Douglas SHOWING UP / THE POWER OF THE VOTE “Showing Up. That’s what so many of us did over the past year.

Change is coming, and it feels like we’re collectively waking up to the bigger, more fundamental changes that need to happen. We won’t all agree about everything, but there is a sense of common purpose regarding the dangers of our current situation.”

– Dave Douglas on ENGAGE “Douglas wrote Uplift as an assessment of, and prescription for, the current political climate of the United States. You can hear all the turmoil, zeal, and soul-searching that’s playing out across the country in every measure.”

– JazzTimes on UPLIFT

Iconoclastic trailblazer Dave Douglas is always moving forward. The trumpeter / composer releases a collector’s 7” 33 RPM disc featuring two tracks of exclusive new music, for the first time in retail - these piece are part of Greenleaf Music’s unique Subscription Series.

This limited edition release (500 copies) includes two Douglas compositions dedicated to positive action: the lead track from 2019’s ENGAGE, “Showing Up” which features guitarist and cellist Tomeka Reid. The B side is “The Power of the Vote,” from the 2018 series UPLIFT that features Joe Lovano and Bill Laswell.

First available as special release exclusively for Record Store Day 2019, this disc is now being made available for listeners worldwide. It’s a great introduction to this extraordinary music in a new format.

Track Listing Side A: Showing Up Side B: The Power of the Vote Album Details Artist: Dave Douglas Title: Showing Up / The Power of the Vote Label: Greenleaf Music Catalogue #: GRE-33-1070 Format: 33 RPM 7” vinyl with download card Genre: Jazz UPC: 1 86980 00070 1 Street Date: 07/19

Label Mark Micklethwaite Greenleaf Music markmick@greenleafmusic.com Publicity Matt Merewitz Fully Altered Media matt@fullyaltered.com greenleafmusic.com davedouglas.com

1

86980 00070

1

505 Eno Street Hillsborough, NC 27278 svacinas@redeyeusa.com

Hamell on Trial

Choochtown (20th Anniversary Edition) Street Date: Tracklist

Ed Hamell on Choochtown I was living in Brooklyn, constantly on the road, and been dropped from my major label deal on Mercury/Universal. I really had nothing to lose and I was very inspired, if I remember, by the movie Pulp Fiction and the Biggie Smalls record: Ready To Die. I recorded anywhere I could. My friend Billy Nicgorski had an analog one inch studio in his basement, his younger brother had a band and I would use them. I also did a bunch of it in my basement in Brooklyn which had a dirt floor and I set the recording gear up on plastic paint pails. Used them as drums sometimes too. I released it on my own label Such-A-Punch and it got licensed to Evangeline in the UK where it got rave reviews and established my career over there. After all the press I got for my first two albums on a major I couldn’t get shit over here in the States, only that CMJ magazine which took their silliness pretty seriously who basically said, “We don’t know what it is but it’s art.” Duh. I’m pretty proud of all my records, I’ve been very lucky in that I’ve always been able to maintain complete creative control but this one I was particularly proud of because every inch of it, from the recording which one track as you’ll see was recorded on my boom box, to the artwork, was all mine.

July 19, 2019

1. Go Fuck Yourself 2. When Bobby Comes Down 3. Hamell’s Ramble 4. I’m Gonna Watch You Sleep 5. Uncle Morris 6. Disconnected 7. Nancy’s Got A New Boyfriend 8. Choochtown 9. Shout Outs 10. The Lottery 11. The Long Drive 12. Judy 13. Joe Brush 14. The Mall 15. Bill Hicks (Ascension) 16. Bill Hicks 17. Nancy’s Got A New Boyfriend (Nicgorski Basement Outtakes)* 18. The Mall (Nicgorski Basement Outtakes)* 19. Hamell’s Ramble (Nicgorski Basement Outtakes) * 20. Choochtown (Nicgorski Basement Outtakes)* 21. Bobby Comes Down (Nicgorski Basement Outtakes)* 22. Uncle Morris (Nicgorski Basement Outtakes)* 23. Nancy’s Got A New Boyfriend (Nicgorski Basement Outtakes Version 2)* 24. Bobby Comes Down (Nicgorski Basement Outtakes Version 2)* 25. Joe Brush (Nicgorski Basement Outtakes)* 26. The Lottery (Nicgorski Basement Outtakes)* 27. Hamell’s Ramble (Nicgorski Basement Outtakes Version 2)* *Not on the vinyl version. CD and digital only.

Hamell On Trial is set to reissue Choochtown (20th Anniversary Edition) Digitally and on CD with 11 bonus tracks from the original recording sessions with Billy Nicgorski. Choochtown will also see its first proper vinyl release worldwide. The vinyl version is a remastered version of the original album released in 1999.

Vinyl

Sel. #: NW5320 CONFIG: Vinyl Jacket, 150 Color Vinyl UPC: 607396532018 Box Lot: 75 Genre: Alternative, Singer-Songwriter NON RETURNABLE

CD

Sel. #: NW6465 CONFIG: Jewel Case, CD Featuring 11 Bonus Tracks UPC: 607396646524 Box Lot: 30 Count Genre: Alternative, SingerSongwriter

“...amazing and entertaining and poignant...” -- The Stereo Times Online Magazine, October 2000 “...high-spirited...manic energy..artful” -- CMJ, April 2000 *****(5 stars--highest rating) “Absolutely brilliant!” -- UNCUT Magazine, April 2001

Marketing Points

Digital UPC: 607396640331

•Remastered and released on vinyl for the first time ever!

•CD and Digital include 11 Bonus Tracks from the original recording sessions •Available for contesting and in-stores

NewWestRecords.com

HamellOnTrial.org

Detroit

Easy Action LP Transparent Green EARS113 5060446070949 Capturing the group at a pivotal point in their development – in this case, the gig coinciding with the initial release of Smell the Magic as a six-track EP by Sub Pop – their performance in Detroit preserves the raw, kinetic energy of the era. Limited pressing of 800. Contains classic tracks such as “Shove”, “Deathwish” & “Shitlist” 1.Fast and Frightening 2.(Right On) Thru 3.Scrap 4.Broomstick 5.Packin’ A Rod 6.Cat-O- Nine Tails 7.Deathwish 8.Till the Wheels Fall Off 9.Shove 10.Bloodstains 11.Shitlist Live Detroit 1st September 1990

Fast & Frightening

Easy Action 2CD EARS095 5060446070086 2 CD set bursting with rarities, cover versions tracks only found on compilations or one -off split 7” singles PLUS a rare radio session PLUS a live gig in Detroit all of which shows the band at the top of their game ..fast and frightening ! Deluxe card sleeve with 12-page booklet with unseen photos and liner notes by author Dick Porter.

Disc One 1. Gas Chamber (aka Camel Lips) (From film Serial Mom) 2. This Aint the Summer of Love (Blue Oyster Cult Cover I Know what you did last summer film) 3. Hanging On the Telephone (Blondie Cover, The Jerky Boys Film) 4. Bloodstains (Agent Orange Cover for Teriyaki Asthma album) 5. Lion’s Share (The Germs Cover) 6. Cherry Bomb (Live Runaways Cover W/ Joan Jett ‘Spirit of ’73: Rock for Choice’) 7. Questioning My Sanity (U.S Broadcast) 8. Stuck here again (U.S TV broadcast) 9. Baggs (Shonen Knife Cover for ‘Every Band has A Shonen Knife Who Loves Them’) 10. Boys in Black (Free the West Memphis 3). Three Days (with Waylon Jennings cover Twisted Willie album) 12. Used to Love Him (Guns n Roses Cover) 13. Sweet Sex (Radio Tokyo Tapes) 14. Suzy is a Headbanger (Ramones Cover) 15. Livin’ Large (U.S Tv Broadcast) 16. Pretend We’re Dead (Broadcast UK) 17.

Yummy Yummy (Melting Pot Comp) 18. Lost Cause (Cosmic Psychos Cover live UK) 19. The Witch (Live at The Factory Milan Sonics cover w/ opening band Wool) 20. Let’s Lynch the Landlord (Dead Kennedy’s cover) 21. El Wahtusi ( live ) Disc Two Radio Brisbane 1992 32 mins 01. Deathwish [4:12]02. Diet Pill [3:55] 03. Everglade [2:59] 04. (Right On) Thru [3:09] 05. Wargasm [3:07] 06. Pretend We're Dead [3:28] 07. Shove [3:21] 08. Fast and Frightening [3:08] 09. Shitlist [4:12] Live Clutch Cargo Detroit 1st September 1990 1. Fast and Frightening 2. (Right On) Thru 3. Scrap 4. Broomstick 5. Packin’ A Rod 6. Cat-O- Nine Tails 7. Deathwish 8. Till the Wheels Fall Off 9.

Shove 10. Bloodstains 11. Shitlist

Soul Jazz Records Presents

KEITH HARING: The World of Keith Haring Featuring Fab 5 Freddy, Jonzun Crew, Yoko Ono, Class Action, Johnny Dynell, Art Zoyd and more

19th July 2019

Soul Jazz Records are releasing this stunning new collection, The World of Keith Haring, featuring music influential to the artist Keith Haring.

The art of Keith Haring is today one of the most recognisable of any visual artists of his generation, defining 1980s New York during an intense period when downtown artists and musicians collaborated like never before. Haring’s musical inspiration took in the punk/dance downtown sounds of clubs like The Mudd Club, underground disco at Larry Levan’s Paradise Garage, as well the early days of hip-hop and electro.

The album is released to coincide with the opening of the first major exhibition in the UK of Keith Haring’s work at Tate Liverpool and which runs for the next six months.

Haring’s many friends included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab Five Freddy, William Burroughs, Jenny Holzer, Yoko Ono, Grace Jones, Larry Levan, Futura 2000.

If you were looking for a person to guide you through the wide variety of nightclub scenes of downtown New York in the 1980s, then Keith Haring would have been your man.

This album comes in deluxe artwork and three formats – Double CD + 48-page book, a deluxe 3xLP + bonus 7” + download code vinyl version, and a standard 3xLP + download standard vinyl version. All formats of the album feature stunning photography, extensive sleevenotes and interviews.

The music here includes the work of a number of Haring’s close friends, including Jean-Michel Basquiat, Yoko Ono, Larry Levan, John Sex and George Condo (The Girls), as well as healthy dose of rare disco, early electro and New York punk/dance tracks.

Tracklisting 1. B Beat Girls – For The Same Man 2. Damon Harris – It’s Music 3. Pylon – Danger 4. The Jonzun Crew – Pak Man (Look Out For The OVC) 5. Funk Masters – Love Money 6. John Sex – Bump And Grind It 7. Sylvester – Over And Over (12" Disco Mix) 8. The Girls – Jeffrey I Hear You** 9. Johnny Dynell and New York 88 – Jam Hot (Rhumba Rock) 10. Talking Heads – I Zimbra* 11. Art Zoyd – Sortie 134 (Part 2) 12. Class Action – Weekend (Larry Levan Mix) 13. Adiche – Chuka-Ja (Get Ready) 14. The Girls – The Elephant Man** 15. The Golden Flamingo Orchestra – The Guardian Angel Is Watching Over Us 16. Gray – Cut It Up High Priest 17. Extra T’s – E.T. Boogie 18. Convertion – Let’s Do It 19. Yoko Ono - Walking On Thin Ice

Release Date: 19 July 2019

20. Fab 5 Freddy – Change The Beat

Artist:

Featuring Fab 5 Freddy, Jonzun Crew, Yoko Ono, Class Action, Johnny Dynell, Art Zoyd and more

* bonus track CD only * bonus track CD + deluxe vinyl only

Title:

Soul Jazz Records presents KEITH HARING: The World of Keith Haring

Label:

Soul Jazz Records

th

Format 1:

Cat. No: SJRCD444, Double CD UPC: 5026328104447

Format 2:

Cat. No: SJRLP444, Triple LP UPC: 5026328004440

Format 3:

Cat. No: SJRLP444-7 Deluxe Triple UPC: 5026328204444

5

0 263 28 1 044 47

5

0 263 28 0 044 40

5

0 263 28 2 044 44

Redeye contact: Will Savery 877-733-3931 x287 will@redeyeworldwide.com No shipments outside of North America.

THE QUIET TEMPLE The Quiet Temple is an amorphous collective grounded by Soulsaver’s Rick Machin and multi-instrumentalist Duke Garwood, featuring a revolving cast of members from Stereolab, Spiritualized, and Julian Cope. The self-titled full length debut will come out on July 5 via Wichita Recordings. The Lp’s six tracks move from the languorous lysergic shuffle of lead single “The Lat Opium Den (On Earth”)” to the beatific - almost Balearic - lazy grooves of “ the Bible Black.

Self described as their “experimental cosmic-pysyche-jazz-krautrock-post-punk-dub record” gives way to something far more menacing and visionary of Talk Talk into unapologetic cosmic territory.

RELEASE DATE: JULY 19 FORMAT : LP

FORMAT : CD

BOX LOT : 20

BOX LOT : 30

CAT : WEBB565LP

CAT : CD-WEBB-575

UPC : 5055036215756

UPC : 5414940013405

1. THE LAST OPIUM DEN (ON EARTH) 2. THE BIBLE BLACK 3. SHADES OF GEMINI 4. X-RATED 5. NOAH’S THEME 6. UTOPIA & VISIONS

Label Contact: mark@wichita-recordings.com Distribution Contact: harrellp@redeyeworldwide.com

DAP-059

A R TI ST: . . . . . . . . . . . . . . .................................... . . . V A R IO U S A R T IS T S TITLE:.............................................BAD EDUCATION, VOL. 1 L A B E L : . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P T O N E R EC O R D S C A T A L O G N o . : . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P- 0 5 9 R E LE ASE DA TE : . . . . . .................................. . . . . . . . JU LY 1 9 T H , 2 0 1 9 F O R M A T : . . . . . . . . . . . . . . . . . . . . . . . . ................ . LP (W/DOWNLOAD CODE) GENRE:...............................................................R&B/SOUL N O EX P O R T For the better par t of 15 years Helsinki's own Timmion Records has released some of the most exciting soul sides happening today. To help spread the Timmion love, Daptone staffers and brass made a list of their favorite Timmion tracks from the past couple years. Presented here is Bad Education, Vol. I, the culmination of weeks of deliberation and infighting (mainly due to their unusually high batting average) - 10 tracks that best represent the eclectic wealth of soulful riches Timmion Records has to offer.

Side 1 one gets cracking with "This is What Love Looks Like", a mid-tempo, breezy dancer by NYC's own Carlton Jumel Smith whose recent album, 1634 Lexington Ave, is poised to be one of the top Soul releases of 2019. Johnny Benavidez, the Texas-born, California-raised balladeer showcases his hear tfelt falsetto with "Tell Me That You Love Me" - a beat ballad of the highest order, and a must for fans of Texas giants The Commands. Pratt & Moody, a vocal duo who have been making waves for sometime in their native Finland, ser ve up another hear t-wrenching, head-bobbing ballad with "Lost, Lost, Lost". Picking up the tempo we have the undisputed queen of Finnish Soul, Miss Nicole Willis! The New York native is already a household name on the UK Nor thern Soul scene, but now it's time for this expat to make some noise Stateside. Closing out the side we have the leather-clad-fringed flute phenom know as Ernie "Scorpio Man' Hawks. The Scorpio Walk's deep groove laced with murmuring fuzz bass and surf guitar rushes the listener like a maniacal villain in an ar t house spy movie.

Side 2 two packs even more soulful punches, star ting with the unreleased track "Until You’re Mine" by Wanda Felicia. Equal par ts slick, Big City street harmony and raw, southern soul, the track evokes the ver y best of Fame-era Candi Staton. Next up, we have Bobby Oroza whose featured track "This Love" took the Soul scene by storm upon its release in 2016. His understated, earnest vocal let's the sparse arrangement and heavy beat take you to a place where the sun shines bright and the low-riders shine brighter where the Sunday afternoon sun dances off the gold flecks of custom paint jobs.

"Bad Education" the funky, afro-latin soul monster with a message (whose title graces the cover of this album) tips the hat to legends like Joe Bataan and Ray Barreto. The debut single by Bardo Mar tinez, already known for his work with Chicano Batman, lays down a fier y indictment of the educational system defining it as a mouthpiece for the militar y industrial complex. A heavy tune with a heavier message!

From top to bottom Bad Education, Vol. I is a feast for discerning funk & soul freaks alike!

TR ACKLISTING: THIS IS WHAT LOVE LOOKS LIKE!

KEY MARKETING POINTS: • Features the exclusive, unreleased track by Wanda Felicia "Until You're Mine" • Includes Timmion's most sought after 45 singles, Bobby Oroza "This Love", Pratt & Moody "Lost,

TELL ME THAT YOU LOVE ME LOST LOST LOST

Lost, Lost", and Carlton Jumel Smith "This Is What Love Looks LIke" • Also features tracks by Emilia Sisco, Willie West • Publicity by Stephanie Weiss • Radio Campaign by Distiller Promo • Comprehensive digital advertising campaign

PAINT ME IN A CORNER

CD

LP

SCORPIO WALK UNTIL YOU'RE MINE THIS LOVE BAD EDUCATION DON'T BELIEVE YOU LIKE THAT I'M STILL A MAN

DAPTONE RECORDING Co., 115 TROUTMAN ST., BROOKLYN, NY 11206

RELEASE DATE: JULY 19TH 2019

Marc Bolan - The Home Demos

Easy Action 5CD EARS145 5060446072103

n amazing insight into the workings of Marc Bolan, here we have over 100 tracks of his own personal home recordings. Marc purchased the best tape recorders of the day as early as 1970 to record his ideas on.

Included are work in progress versions of many tracks that went onto become global hits such as Get It On, Jeepster, Metal Guru, Telegram Sam, The Groover, Truck On (Tyke), Thunderwing, Sunken Rags and many more. Nearly all of the other tracks were never issued during Marc’s lifetime. Presented in a clam shell box with a booklet featuring full liner notes by Andrew Gardner of the Bolan Society and designed by Bolan fan and top designer Les Clark. Most of these recordings were stolen from Marc & Gloria’s home literally the day after Marc died. Audio restored and mastered by Anders Peterson at Ghost Sound in Sweden, royalties from sales of this set will help fund the Marc Bolan School of Music through Gloria’s charity The Light of Love Foundation. 4 of the discs have been issued on limited edition vinyl pressings but disc 5 remains exclusive to this box set.

Disc 1 1. Here Comes the Electric Warrior / There Was A Time 2.Planet Queen 3.Marc & Mickey Jam #1 4.Girl #1 5.Marc & Mickey Jam #2 6.Girl #2 7.Marc & Mickey Jam #3 8.Dark Lipped Woman 9.Jeepster 10.Get It On 11.11: Children of the World 12.12: Work with Me Baby 13.13: Wild About My Baby (Spaceball Boot) 14.14: Meadows of The Sea 15.15: Sailors of The Highway 16.16: Alligator Man 17.17: Gypsy Queen (My Shaky Jane) Disc 2. 1: Sunken Rags 2: Cadilac 3: Truck On (Tyke) 4: Metal Guru 5: Thunderwing 6. Spaceball Ricochet 7: Telegram Sam 8: Rock On 9: Buick MacKane 10. Sugar Baby 11: The Slider 12: Buick MacKane & The Babe Shadow 13: Baby Strange 14: Slider Blues 15: This is My Life 16: Is It True 17: Just Like Me 18: Take me Down to Birmingham Disc3 1 : Free Angel #1 2.05 2 : Life Is Strange 2.13 3 : Mister Mister 2.06 4 : Country Honey 2.03 5 : Jet Tambourine 2.16 * 6 : Did You Ever 3.07 7 : Highway Knees 1.49 8 : Electric Lips 2.37 9: Mad Donna #1 2.17 10 : Mad Donna #2 2.19 11 : Up On The Roof About Midnight .39 12 : Free Angel #2 2.11 13 : Jitterbug Love#1 2.46 14 : Guitar Jam 1.17 15 : Jitterbug Love #2 2.29 16 : Mad Donna #3 2.06 17 : Canyon 1.22 18 : Rapids 1.30 19 : Mr Motion #1 1.48 20: Mr Motion #2 1.41 21: Left Hand Luke 2.40 Disc 4 1.Dance In The Midnight 2.Saturday Night 3.Look Around You Baby / Delanie #1 4.Look Around You Baby / Delanie #2 5.Galaxy 6.Keyboard Instrumental 7.Carsmile Smith and the Old One 8.The Leopards #1 9.Look To Your Soul (Painless Persuasion) 10.Squint Eye Mangle 11.Misfortune Gatehouse 12.The Leopards #2 13.Galaxy 14. Nameless Wildness 15. All Alone Disc 5 1.I'm Coming to Rock n' Roll 2.Street and Babe Shadow 3.Pop Songs (Free Angel) 4.You Got the Look (Electric Slim) 5.Down Home Lady 6.Rolling Stone 7.Broken Hearted Blues 8.Tenement Lady 9.The Groover 10.City Port 11.Zinc Rider 12.Would I Be the One? 13.Shake It Winged One 14.Sign 15.Cry Baby - acoustic 16.Cry Baby - electric 17.Shame on You 18.Little Girl 19.Over the Flats 20.Shadow Babe (Rock On) 21. Always 22.Little Girl (Shame on You) 23.Auto Machine 24.What Do I See 25.Change – Marc & Steve Currie 26.Sitting There 27.High Wire 28.Spanish Midnight 29.The Avengers (Superbad) 30.Nameless wildness 31.The Leopards Electric 32.Lay on Me Lena (Poem)

Let The Good Times In (Sunshine, Soft & Studio Pop 1966-1972)

Teensville CD TV1037CD 0072632063036 The fourth volume in Teensville’s look at obscure flowery-pop delights of the late sixties and very early seventies. Expect elaborate arrangements, lilting melodies, alluring harmonies, and most of all, the ultimate feeling of warmth through music. Includes 33 tracks and a fully annotated 24 page booklet. Artists include The Sunrise Highway, Spring Fever, Ray Chafin, Jonathan Cloud and many more!

1. Vic Dana – Let The Good Times In 2. The Sunrise Highway – Goin’ To California 3. Spring Fever – Stop!

4. Luis Bravo – Overlooking You 5. Finders Keepers – Don’t Give In To Him 6. Steve Leeds – Midsummer’s Night 7. Rogue Show – Come Back Baby 8. S.N & The C.Ts – The Pleasure of Your Company 9. Michael Gately – Shine Your Light On Me 10. Cathy Rich – Darkest Before Dawn 11. Barry Gordon – A House Built On Sand 12. Ray Chafin – Life Is A Winner 13. Chris & Peter Allen – Two By Two 14. The Contrasts featuring Bob Morrison – What A Day 15. Collage – Looking For An Answer 16. Jonah P Jones – My Mind’s Losing Me 17. Jesse Lopez – Lookin’ So Much Better

18. The Jackals – Linda Come Lately 19. Jonathan Cloud – Jonathan Cloud 20. Vince Donofrio – Weather’s Better 21. Buffalo Nickel – I Could Be So Good To You 22. Tommy T’s Federal Reserve – Someday (They’ll Reach Out) 23. Bennett And Evans – No, No You Don’t Know 24. The Sherry Sisters – And Then I Think Of You 25. Sandy Kannon – Mr. Hitmaker Man 26. Peter Antell – Wanting 27. Ken Stella – I Wanna Spend My Whole Life Loving You 28. The Imaginations – Summer In New York 29. Luis Bravo – Look For The Rainbow 30. Spring Fever – You Made My Life 31. Eternal Flame – Ciao Baby 32. Barbra Streisand Goes Studio Pop - Our Corner Of The Night 33. Alan O’Day – Somewhere She Is Sleeping

Antwood Delphi LABEL:

FORMAT DETAILS:

STREET DATE:

EAN: 5055300399519.

Planet Mu Records Ltd. 07/19/2019

LP: ZIQ408.

Box count 25. 3mm spine.

Tristan Douglas returns to Planet Mu with his third Antwood album, the epic ’Delphi’.

01 Skype Ghost 02 Club Dread 03 Delphi 04 Queasy 05 A Hostile Message 06 Healing Labyrinth 07 Portal 08 First Delphic Hymn (To Apollo) 09 Cave Moth 10 Castalian Fountain 11 Ecstatic Dance 12 Delphi’s Song 13 Some Dust REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

Tristan has always used conceptual frameworks to facilitate the writing process and ‘Delphi’ is no exception. This time Tristan worked with his girlfriend Olivia Dreisinger to develop a fictional character: the young lovelorn Delphi. She is represented throughout by a recurring melody, with the album developing the story around her. Deeper than this however, ‘Delphi’ represents the hurdles faced by modern lovers, and those felt personally by Tristan, as the album encompasses a wide range of his emotions. The character ’Delphi’ finds solace in escaping to a place, her namesake, the ancient Greek city. She gets lost in her fantasy, realising it is not as she had idealised.

“Olivia and I started making the album cover as soon as I knew what direction ‘Delphi’ was headed in. I took objects that had significance to me at the time of production and physically recreated them as “Delphi world” objects, so that the album’s narrative and each track are represented in the cover photo. If you flip the album over, there is a computer rendering by Paulin Rogues of the two landmarks in the ancient city of Delphi - not quite ancient or modern Delphi, somehow real life but also fantastical.”

Delphi is an album where the real and the fantastic combine, where functional club music meets evocative piano miniatures. “I ended up working on ‘Delphi’ for over a year, where it developed and grew in parallel to my own life. It became story-like, and I embraced the story-like quality of it.” Perhaps the story of ‘Delphi’ is the story of our own lives.

PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / STEPHEN SVACINA svacinas@redeyeworldwide.com

LIMITED PRESSINGS

COLOR VINYL

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LTD. EDITION of 200 COPIES

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LTD. EDITION of 200 COPIES

street date 7/19

Mick Ronson - Just Like This Easy Action LP Red Vinyl EARS140LP 5060446071816 First time on vinyl ever! Limited pressing of 800. Fully remastered.

Just Like this was recorded shortly after Ronson finished touring with Bob Dylan as his guitarist on the Rolling Thunder Revue. Mick Ronson was David Bowie’s right hand man in the Spiders From Mars Side One 1.Just Like This (T Bone Walker) 5.25 2.I’d Give Anything to See You (M. Ronson)5.59 3.Takin’ a train (J. Davis)6.17 Side Two 1.Hard Life (M. Ronson) 6.33 2.(I’m Just a) Junkie for Your Love (R. Fataar)2.49 3.Crazy Love (B. Chaplin)6.58 4.Hey Grandma (S. Spence)4.55

Scott Morgan’s Powertrane – Beyond The Sound (..And Beyond) Easy Action LP+7” EARS136LP 5060446072035 Scott Morgan: Lead vocals, guitar & harmonica. Robert Gillespie: Lead guitar, acoustic guitar, backing vocals. Chris “Box” Taylor: Bass.

Andrew Frost : Drums. First time EVER on vinyl! The original cd version was only ever made available on mail order in the U.S. Fully remastered, album redesigned, includes bonus radio session tracks on a 7” single.

Side A 1. Beyond the Sound (Morgan / Andersson) 2. Chilly Willy Is Missing (Morgan / Frost / Taylor) 3. Mixed Up Shook Up World (Morgan / Gillespie) 4. Ain’t No Time (Morgan / Taylor) 5. Pearl (Morgan) 6.

One Eyed Jacks (Morgan / Gillespie) 7.

Nightliner (Morgan / Gillespie) Side B 8.

Inner Flight Royale (Tyner / Gillespie) 9. I Stole Everything (Morgan / Gillespie) 10.

Taboo (Tyner / Gillespie) 11. Talk Is Cheap (Morgan / Gillespie / Skill) Bonus tracks: LIVE ON WDET, DETROIT. RECORDED 2001-11-07/B-CAST 2001-11-10 12. Full of Fire (Al Green) 13. Runaway slaves (Morgan) Plus 7” vinyl single 1.Detroit (Morgan) 2.Satisfier (Morgan)

BEN LEVIN BEFORE ME

BEFORE ME is the second album from brilliant young Cincinnati-based blues pianist/singer/ songwriter BEN LEVIN, featuring performances by his musical friends and heroes – guitarist Bob Margolin, harmonica ace Bob Corritore, and (King Records drummer) Philip Paul.

“After garnering two Blues Blast Music Award nominations for his first release, Ben’s STREET DATE: 7/19/19 Blues, Ben Levin returns with another enticing package that features his mesmerizing piano playing, relaxed vocals, and a half dozen noteworthy original songs… Listening to this album, you start to think that Levin is the product of decades of long nights in dark clubs and smoky juke joints.

He has that sound, a mature perspective that comes from totally immersing yourself in the music until it permeates the deepest recesses of your soul. The reality is that Ben Levin is just finishing his first year of college. But, make no mistake, his musical apprenticeship is over. The joy he feels for the music radiates from every track, and his skillful presentation will keep you coming back for more.”

– Mark Thompson (from the liner notes) TRACKS: 01. I Feel So Good 02. Pappy 03. This Morning 04. Confessin’ the Blues 05. Before Me 06. Creole Kitchen 07. Lonesome Whistle Blues 08. So Soon 09. Load Off My Back 10. Lightnin’ 11. I Wanna Hug Ya, Kiss Ya, Squeeze Ya 12. Open Late

BEN LEVIN title: BEFORE ME Label: VizzTone Genre: Blues Territory: Worldwide Compact Disc - DigipakCat. # VT-BL002 Street Date: 7/19/19 UPC: 634457828223

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BENLEVINPIANO.COM

Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com

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Lea Bertucci ‘Resonant Field’ Third NNA full-length album from NYC-based composer, saxophonist, and sound artist Lea Bertucci.

It is with tremendous pleasure that we announce ‘Resonant Field’, the brand new full-length album from New York-based sound artist and composer Lea Bertucci. Following up her critically acclaimed 2018 NNA full-length ‘Metal Aether’, Lea continues her devotion to the exploration of physical spaces by way of sound, channeled through her alto saxophone. Where her previous work investigated a variety of locations around the globe, ‘Resonant Field’ narrows her focus to one space in particular - the Marine A Grain Elevator at Silo City in Buffalo, New York. Using her horn, Lea intends to awaken certain resonances within the space, which have laid dormant and forgotten for decades. In this sense, ‘Resonant Field’ is the documentation of an event, a human’s profound personal interaction with an inanimate space through the medium of sound.

Release Date: July 19th, 2019 Tracklist: 1. Wind Piece (4:54) 2. Warp and Weft (12:53)* 3. Resonant Field (17:32)* 4. Deliquescence (2:26) (*Singles & Suggested tracks) File Under: Experimental / Electro-Acoustic / Modern Classical / Noise Label: NNA Tapes Catalog #: NNA120 UPC: Vinyl - 634457821712 Formats: Special Edition Vinyl LP, Digital RIYL: Tony Conrad, La Monte Young, Alvin Lucier, Harry Partch, Lou Harrison, Terry Riley, Sarah Davachi, Eli Keszler, Tigue, Battle Trance, Olivia Block Selling Points (Special Edition Vinyl LP): • Screen printed jacket artwork with silver metallic ink • Special insert with detailed liner notes from the artist • Limited edition of 400 copies • Includes digital download coupon

The decommissioned structure at Silo City is a massive, cavernous space filled with large cast concrete cylinders, measuring 18 feet wide and 130 feet tall. A grain silo that was once active, noisy, loud, and filled with kinetic energy now lays dormant as a silent, hulking concrete corpse, as is the case with many industrial sites across the United States. Through playing her saxophone inside this structure, Bertucci’s goal was to excite and activate the space by playing certain pitches and extended techniques. By engaging with the acoustics in this manner, particularly the 12 seconds of natural decay, Bertucci is able to reimagine the saxophone as a polyphonic instrument, creating unique effects of microtonality and complex rhythmic phenomena, facilitated by the distinct delay as the sound bounces from one end of the silo to the other. Her microtonal playing moves delicately through the octaves, creating an interactive, responsive dance up and down the frequency scale.

The extreme density that forms from these overlapping tones fills the ears and head with an eternal buzz, while also revealing an array of fluttering psychoacoustic phenomenon to the listener.

Due to the specific architecture and sonic conditions of the Marine A Grain Elevator, a space where saxophone has likely never been played before, Lea has captured new, never-before-heard sounds that truly cannot be duplicated by any other means. Her playing is improvisatory and reactionary to the space’s unique acoustics, and by allowing imperfections to exist within the recordings, the compositions evoke a rawness and emotion free of premeditation or calculation, surrendering herself to the bestial, monumental atmosphere and presence of Silo City. Because of this, the compositions feel like “collaborations” with the space itself… a duet in a sense. This formation of an intimate connection with her surroundings is both scientific and spiritual, putting Lea in a duality of roles as both an archaeologist of sound, and a sonic medium as well. The fact that these recordings took place during the partial solar eclipse of 2017 even further contributes to the ceremonial, ritual quality of the work, making ‘Resonant Field’ a profound, industrial meditation on beauty, emptiness, and the deep melancholy of forgotten spaces. “an improvising alto saxophonist and composer whose music is a kind of scientific sound poetry.” –New York Times “she devoutly mines the kaleidoscopic sonic possibilities of the saxophone, augmenting it with touches of electronics, field recordings, and processed instruments” –NPR Music “Lea Bertucci is a composer in conversation with the world around her. She regards physical spaces as though they were her collaborators... Harmonics accumulate and stretch toward infinity. Bertucci’s noise feels untethered and limitless.” –Pitchfork

NNA Tapes, LLC 35 St. Mary’s Street #1 • Burlington, VT 05401 • USA Contact: Toby Aronson / Matt Mayer | info@nnatapes.com Web: nnatapes.com

Distributed by Redeye 449-A Trollingwood Road • Haw River, NC 27258 • USA Project Manager: Will Savery | will@redeyeworldwide.com Web: redeyeworldwide.com

Dave-Id Busaras & Giancarlo Ferrari - I Am You Are

Easy Action CD EARS155 5060446072332 Unreleased album by Virgin Prune Dave-id Busaras with Italian experimentalist & poet Giancarlo Ferrari. Giancarlo Ferrari biog: 1992 to 1998 was the founding member and singer of the band Some Sad Clowns until a near fatal car crash ended the band. In 1999 published a book of poems named “Libro Di Poesie”. In 2009 won a poetry award. In 2010 published a science fiction poem named “Bastardo”. 2011 Some Sad Clowns released an album (1995/96), “Rehearsals For The End”, reviewed by Mick Mercer (he called the album “a deeply charming thing”). 2016 released the album “Colder Than Death”. 2017 released the album “King Of Darkness”. Dave-Id Busaras was a founding member of the Virgin Prunes 1.I am, You Are 2.All I want to be is Freedom 3.Parasites kill it all 4.Holy Soul 5.Of Life's things 6.Always the same 7.All in Your Mind 8.Lana 9.The King of Dirt 10.When Your Looks are Lost 11.Say you love me!

Dave -iD Busaras & Toshiyuki Hiraoka - Bushy Luxury (The Whole Story) Easy Action LP Clear Vinyl EARS122LP 5060446071304 CD EARS122 5060446071298 Virgin Prunes’ Dave- Id Busaras again teams up with Japanese electronic wizard Toshiyuki Hiraoka. Includes contributions from fellow Virgin Prune lead vocalist Guggi. Limited pressing of 400 copies on CLEAR vinyl worldwide. Mastered for vinyl by Ghost Sounds, Sweden.

CD Tracklist 1.Wake Up (Busaras/ Hiraoka) 2.Dirty Mood ( Bushy Luxury ) (Busaras/ Callan) 3.Help Rich, Kill Poor (Busaras) 4.She Pulls Trick (Busaras/ Hiraoka) 5.Story from The Wood (Busaras/ Callan) 6.Castal Muck (Guggi) 7.Too Young to Die, Not Too Young to Fuck (Busaras/ Hiraoka) 8.She’s the one for you (Busaras/ Hiraoka) 9.Disease of conceit (Busaras/ Hiraoka) 10.AIDS Kills, who wants to die (Busaras/ Callan) 11.Waiting (Busaras/ Hiraoka) 12.Dirty Talk (Busaras) 13.Sex City (Busaras/ Rowen/ Reynolds) 14.Cannot Wait till Morning (Busaras/ Hiraoka) 15.Sick for Her Love (Busaras/ Rowen/ Reynolds) 16.Sunday Blues (Busaras) 17.Angel (Busaras/ Hiraoka) 18.Won’t Get Over It Long Time (Busaras/ Hiraoka) 19.Bushy Luxury (The whole story) (Busaras/ Hiraoka) 20.Who wants to look like Dave-iD(Part II) (Busaras) LP Tracklisting Side One: 1.Wake Up (Busaras/ Hiraoka) 2.She Pulls Tricks (Busaras/ Hiraoka) 3.She’s the one for you (Busaras/ Hiraoka) 4.Too Young to Die, Not Too Young to Fuck (Busaras/ Hiraoka) 5.Cannot Wait till Morning (Busaras/ Hiraoka) 6.Story from The Wood (Busaras/ Callan) 7.Castal Muck – Guggi Vocals (The Virgin Prunes) Side Two: 8.Disease of conceit (Busaras/ Hiraoka) 9.Waiting (Busaras/ Hiraoka) 10.Angel (Busaras/ Hiraoka) 11.Won’t Get Over It in A Long Time (Busaras/ Hiraoka) 12.Sunday Blues (Busaras) 13.Sick for Her Love (Busaras/ Rowen/ Reynolds) 14.Dirty Talk 15.Bushy Luxury (The whole story) (Busaras/ Hiraoka)

GUY CLARK

e v i L TX n i t s u A

from

Original Street Date: January 27, 2017 TRACKLIST: 1. Texas 1947 (3:24) 2. L.A. Freeway (Pack Up All Your Dishes) (4:13) 3. The Carpenter (3:26) 4. Old Friends (3:44) 5. Come From The Heart (2:58) 6. I’m All Through Throwing Good Love After Bad (2:32) 7. Randall Knife (4:28) 8. Immigrant Eyes (4:09) 9. Desperados Waiting For A Train (4:40) 10. The Last Gunfighter Ballad (2:56) 11. New Cut Road (4:14) 12. Better Days (3:20) 13. Homegrown Tomatoes (4:17) 14. To Live Is To Fly (3:51) 15. Texas Cookin’ (4:07)

LP Sel. #: NW5169 Config: Gatefold, 2xLP, 180g Green Color Vinyl UPC: 607396516919 Box Lot: 20 Count Genre: Singer-Songwriter, Country • NON RETURNABLE

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New West Records is proud to reissue

this quintessential title in the Live From Austin, TX performance series. Guy Clark’s 1989 performance is a career-spanning retrospective of legendary proportions featuring classics such as “Desperados Waiting For A Train,” “Texas 1947” and “Homegrown Tomatoes.”

Remastered and pressed onto 180g vinyl, this title is also being made available in CD + DVD combo in redesigned packaging, stunning 5.1 surround sound and competitive mid-line pricing.

Hi Res UPC: 607396637553

C & P 2017 New West Records, LLC.

L i v e Fr o m A u s t i n T X . c o m N e w W e s t R e c o r d s . c o m

Friend of My Youth Telling

Label: Salinas Records Format: Vinyl 12” Catalog Number: SAL-098 Release Date: July 19th, 2019 Box Lot: 40 LPs Contact Information: wideawakeprpdx@gmail.com

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!

Andy McCumber and Indiana Laub started Friend of My Youth for the first time in Santa Barbara, CA in late 2013 and played our first show on New Year's Eve. With Laub moving in six months, the band played a bunch of shows and made a tape as fast as possible. Laub moved to Corvallis, OR that summer and the band was supposed to be dead but two years later, the pair decided to start playing again despite the 900 mile distance. After another couple years of flying back and forth to play shows and write songs in borrowed practice spaces, and the addition of Spencer Burnette-McGrath on bass the band recorded Telling in their living room.

Telling is about processing and reprocessing memory and trauma and weird feelings over and over until the point of feeling like an alien around everyone you know. It's also about being obsessed with science fiction and alternate timelines.Many of the songs came out of the idea that maybe we have to repeat harmful and unhealthy cycles forever without even realizing what we're doing, across generations, or maybe we don’t?

Track Listing: 1. Soft Sci-Fi 2. Ancestral 3. Tortoiseshell 4. Thrall 5. Graduation Card 6. Tourist Town 7. Dark Charizard 8. Zelda 9. Cobalt 10.Half Home

John Massel : Wide Awake PR, 5025 SW Corbett AVE. #17

505 Eno St. Hillsborough, NC 27278 (877)733.3931 www.redeyeworldwide.com Contact: Will Savery will@redeyeworldwide.com

LOST SOULS OF SATURN ‘LOST SOULS OF SATURN’ R&S present the eponymous, debut, full length album transmission from Lost Souls Of Saturn. Epic in scope, time and space, this multidimensional mind trip is for fans of Mark Leckey’s ‘Fiorucci Made Me Hardcore’, David Morales’ Red Zone dubs, Don Cherry’s ‘Organic Music Society’, The Orb’s ‘Ultraworld’ and KLF’s ‘Space’ and much more besides.

This ambient house masterpiece combines flavours gathered from across the galaxy, stewing them up into a delicious primordial soup. Old sci-fi soundtracks, acid, free jazz, avant garde, musique concrete, world music and more all whirl around an underground-dance-music axis.

Primarily LSOS are Seth Troxler and Phil Moffa, plus further opaque participants congregating to combine music, imagery, and storytelling into an inextricably linked whole, all wrapped-up in a philosophy of their own making.

Attempting something creatively that’s above-and-beyond, LSOS explore new ways to open doors of perception and challenge the reality vs. simulation paradigm, whilst capturing the spirit of Alejandro Jodorowsky, Philip K. Dick and Sun Ra within their music, live experiences and films.

These spiritual, psychoactive aural vibrations resonate for a long distance, all the way back to something deeper and more enchanting than the prosaicism of modern life:

- LOST SOULS OF SATURN ARE SETH TROXLER AND PHIL MOFFA - DEBUT ALBUM ON R&S RECORDS - ALBUM WILL BE LAUNCHED WITH A LIVE SHOW AT ART BASIL MIAMI - DOUBLE LP IN FOIL PRINT PICTURE SLEEVE - LP ARTWORK INCLUDES ARGUMENTED REALITY ELEMENTS - FOR FANS OF THE ORB, FUTURE SOUND OF LONDON, BICEP

RELEASE DATE: 07.19.19 ARTIST: LOST SOULS OF SATURN TITLE: LOST SOULS OF SATURNCAT NO: RS1909 CONFIGERATION: DOUBLE LP BARCODE: 5055274709420 GENRE: ELECTRONIC

A1 Connection A2 System Anomalies A3 Midnight Karma B1 Divine Plane (Méditation Des Enfants) B2 Genesis Singularity B3 Lunarvision C1 Ring Transmission C2 Lost Souls Of Saturn D1 Frequency Revelation D2 The Awakening WEB LINKS lostsoulsofsaturn.com instagram.com//lostsoulsofsaturn facebook.com/lostsoulsofsaturn facebook.com/randsrecords twitter.com/randsrecords

HAUSU MOUNTAIN

Doug & Max HausuMountain @gmail.com 847-220-1755

RXM Reality is Chicago-based producer Mike Meegan. His futuristic strain of detailed beat work jitters somewhere between the margins

Artist: RXM Reality Album: DEViL WORLD WiDE

Label: Hausu Mountain Cat#: HAUSMO91 Format: Cassette Release Date: 07/19/19 6

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RIYL: Arca, Demdike Stare, Haxan Cloak, Jlin, Actress, Container, Emptyset, DJ Rashad, Fire-Toolz, Andy Stott, DJ Paypal, Foodman, Amnesia Scanner, Autechre, Vatican Shadow.

RXM Reality has shared the stage with Eartheater, Laurel Halo, Actress, & RP Boo. “...more stylistic divergence than some electronic musicians manage in a career, swerving from dancefloor-ready transfiguration of the glacial staccato of Mark Fell’s Sensate Focus project, to melees of harsh melodic overdrive of Autechre circa Confield, to warmly familiar descending garage organ chords.” - Wire (Issue 418) “There are quick flashes of nearly every genre of electronic music under the sun, from footwork to vaporwave—but it’s paradoxically more rewarding when you sit still and just disappear inside it, trying to predict every one of Meegan’s unpredictable left turns. [RXM Reality] plays like a mini encyclopedia of dance music, containing enough passing references to satisfy genre lifers and enough hairpin turns to keep dilettantes stunned.”

- Bandcamp (Essential Releases - March 2018) “If UK grime sonics pummeled through a distorted pipe straight into the frontal lobe are your speed, then [RXM Reality] might make for a pleasant afternoon.” - Tiny Mix Tapes

of kinetic IDM, grimy industrial electronics, and intricately spatialized textural collage. DEViL WORLD WiDE, his second release with Hausu Mountain, builds on the precedent established by Panic Cycle (HAUSMO72, 2018), as Meegan steers his hybrid rig of hardware samplers and software systems through a series of rhythmic sketches that are as transfixing as they are claustrophobic. While RXM Reality builds his tracks over a rough grid that keeps one foot rooted in danceable rhythms, bursts of jagged percussion counteract the groove while noise debris drips between morphing synthetic elements. Individual synth voices serve as both anti-melodic lead lines and rhythmic markers akin to drum patterns, quivering their way through his tracks in various states of granular disintegration. When he eases back on the level of density and allows his sound sources to melt into swathes of silence, specters of beat structures carry on in lurching, start-and-stop rhythms.

RXM Reality’s music draws inspiration from his urban surroundings in Chicago as much as from a growing canon of dystopian audio and visual touchstones that inch closer and closer to real life as time goes on. DEViL WORLD WiDE’s fractal, continually splintered approach to sound design recalls the work of modern luminaries like Arca and Actress, two influences Meegan cited as formative to his expanding conceptions of production and composition. Like fellow members of the Hausu Mountain roster such as FireToolz, Khaki Blazer, or Bonnie Baxter, the music of RXM Reality toys with building blocks of dark humor and chaotic irreverence, as tracks break into unexpected shifts in mood or shed any semblance of legible rhythm on a dime to explode into the territory of pure texture. A pummeling passage of breakbeats might slide into a patch of 8-bit squelch, while a brief flash of bouncy, major-key melody might herald the waves of feedback rushing in to wash out the mix. With track titles that land between the diction of dependence (“The Enabler,” “Addict”) and inner serenity (“Totally Stress Free,” “Prayers to Fall Asleep in Perfect Peace”), DEViL WORLD WiDE offers hints at the motivations that orbit Meegan’s art. In practice, RXM Reality’s tracks transcend our mundane daily existence and transmute his internal turmoil and composure into pulsing networks of sound as complex as the emotions that inspired them.

NEW RELEASES Street Date: 7.26.19 | Order Date: 7.05.19

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Artist: The Runaways

CHERRY BOMBS OF ICON & INFLUENCE! After snatching a record deal due to the brute strength of a single rehearsal, The Runaways proceeded to change the face (and gender) of rock and roll with the release of their 1976 debut. Full of tough, snarling tales of misbehavior and anthems of offbeat adolescence, the album established these juvenile idols and remains a source of inspiration for the next generation of rebels. Includes the delectable “Cherry Bomb,” “American Nights,” a venomous VU cover, & so much more!

The Runaways is the sound of a handful of untested chemicals being poured into a beaker and exploding. It's the sound of a knee-high platform boot stomping down onto the top of a guitar amp, of a gang of warriors, of defiance. It's the sound of a band too good to last — a band so sure of its chops that it started its record with "Cherry Bomb," the first of many hits Joan Jett would help pen in her career, and refused to back down from there. Decades of documentaries, biopics and interviews have revealed just how much the group endured just to get into the studio and on stage, but damn if it wasn't already a chilling experience to listen to Cherie Currie wail about her "Secrets" and whisper back and forth with Jett on the album's final track, "Dead End Justice." From start to finish, The Runaways captures a band that tapped into the zeitgeist of its era with curiosity and passion, chugging power chords, snarls and screams.

Though it was under-appreciated when it was released, it captures a moment in quintessential '70s rock.

—Andrea Swensson (Minnesota Public Radio) from NPR’s 150 Greatest Albums made by Women

Title: The Runaways Black Vinyl LP or CD Box lot Quantity: 30 LP / 60 CD File Under: Rock / Punk LP MH-8093 / 090771809315 CD MHCD-093 / 090771809322 Release Date: 7/26/19

TRACK LISTING SIDE A: CHERRY BOMB YOU DRIVE ME WILD IS IT DAY OR NIGHT? THUNDER ROCK AND ROLL

• THE FIRST EVER AUTHORIZED US LP REISSUE OF THIS ADOLESCENT ANGST MASTERPIECE! • CUT BY KEVIN GRAY, AND PRESSED ON BLACK VINYL AT RTI! • INCLUDES REPLICA OF ORIGINAL GATEFOLD JACKET AND LYRIC INSERT!

SIDE B: LOVERS AMERICAN NIGHTS BLACKMAIL SECRETS DEAD END JUSTICE

CONTACT SUNDAZED/MODERN HARMONIC CONTACT: BRIAN THOMPSON 615-920-5855 BRIAN@SUNDAZED.COM WWW.SUNDAZED.COM

Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.

HIGHLIGHTS • Sold out 37/46 headline shows (300-1400 capacity rooms) and 25K tickets sold over the past 8 months. Second nights added in Chicago and Boston.

• Upcoming World Cafe Live session with key tracks off the new album • NPR’s “20 Artists to Watch in 2019” • Miller Lite’s "Made in Ohio” Campaign featuring national social and digital advertising • Grandstand Media hired for US press "The charm of CAAMP's acoustic songs can be heard in the heartfelt simplicity of the music, the sentiments in its lyrics about family and relationships, and the unfeigned ease and intensity of the band's live performances."

- NPR TOP MARKETS (North America): Cincinnati, OH Columbus, OH Nashville, TN New York, NY Los Angeles, CA Denver, CO Chicago, IL

St. Louis, MO Atlanta, GA Dallas, TX Seattle, WA

TRACK LISTING

Toronto, CA San Francisco, CA

TOURING 6/9 - Bellvue, CO - Mishawaka 6/11 - Morrison, CO - Red Rocks Amphitheatre - Red Rocks Amphitheatre *with Rainbow Kitten Surprise SOLD OUT 6/15 - Athens, GA - Duck Creek Log Jam 6/21 - Doverm, DE - Firefly Music Festival 7/9- Nantucket, MA - The Chicken Box 7/10 - Nantucket, MA - The Chicken Box 7/13 - Louisville, KY - Forecastle Festival 7/28 - Detroit, MI - Mo Pop Festival 8/1-2 - Portland, OR - Pickathon 8/2 - Portland, OR - Pickathon 8/9-11 - San Francisco, CA - Outside Lands Music & Arts Festival 8/11- Edmonton, Alberta - Edmonton Folk Festival 9/21 - Bristol, TN - Bristol Rhythm & Roots Reunion 9/27-29 - Roseland, VA - Devils Backbone Hoopla 10/4-6 - Austin, TX - Austin City Limits 10/11-13 - Austin, TX - Austin City Limits 10/15- Phoenix, AZ - The Crescent Ballroom 10/16 - Los Angeles, CA - The Fonda Theatre 10/18 - Santa Ana, CA - The Observatory 10/19 - Solana Beach, CA - Belly Up Tavern

10/23 - Portland, OR - Wonder Ballroom 10/24 - Seattle, WA - The Showbox 11/1 - Bozeman, MT - The Rialto 11/2 - Missoula, MT - The Wilma 11/4 - Boise, ID - Knitting Factory Concert House 11/5 - Salt Lake City, UT - The Depot 11/8 - Denver, CO - Ogden Theatre 11/12 - Omaha, NE - The Waiting Room 11/13 - Minneapolis, MN - First Avenue 11/15 - Milwaukee, WI - Turner Hall Ballroom 11/16 - Chicago, IL - Thalia Hall NEW SHOW ADDED 11/17 - Chicago, IL - Thalia Hall 11/19 - Nashville, TN - The Basement East 11/20 - Nashville, TN - The Basement East 11/22 - Atlanta, GA - Variety Playhouse 11/2 - Raleigh, NC - The Ritz 11/2 - Asheville, NC - The Orange Peel 12/ - Toronto, ON - Danforth Music Hall 12/5 - Montreal, QC - L'Astral 12/6 - Boston, MA - Royale 12/7 - Boston, MA - Royale NEW SHOW ADDED 12/10 - Brooklyn, NY - Brooklyn Steel

01. Feels Like Home 02. Keep the Blues Away 03. No Sleep 04. Peach Fuzz 05. Wolf Song 06. Penny, Heads Up 07. Wunderbar 08. On & On & On 09. Moonsmoke 10. Huckleberry Love 11. By and By 12. Of Love and Life ARTIST TITLE LABEL STREET DATE

Hallie Anderson Lori Miller David Jacobs

hallie@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com

WWW.MOMANDPOPMUSIC.COM

TOURING

Mike Greisch Keith Levy

CAAMP By & By Mom + Pop Music 07/26/2019

CONFIGURATION UPC CATALOGUE #

CD 858275056525 CD-MP-429

CONFIGURATION UPC CATALOGUE # DESCRIPTION

LP 858275056518 LP-MP-429 Black Double Vinyl, Gatefold, Etching + Insert

CONFIGURATION UPC CATALOGUE # DESCRIPTION

LP (Indie) 858275056686 LP-MP-429IDE Orange Double Vinyl, Gatefold, Etching, + Insert

9.6K

LABEL REDEYE RADIO

(5:11) (3:53) (3:57) (3:44) (3:28) (3:27) (2:49) (3:37) (3:18) (4:27) (4:40) (3:51)

22.8K

3.6K

mgreisch@paradigmagency.com klevy@paradigmagency.com

1140 BROADWAY SUITE 1505 NEW YORK NY 10001

WWW.CAAMPTHEBAND.COM

SARATHY KORWAR MORE ARRIVING street date: file under: territory:

Friday July 26 2019 Jazz/hip-hop/world World ex. Europe and Japan

CD BAY 112CD UPC 843190011223 box lot: 40 Black vinyl LP BAY 112V UPC 843190011216 box lot: 20 Ltd edition transparent red vinyl LP BAY 112VX UPC 843190011230 box lot: 20 We live in divisive times. Multiculturalism rises hand-in-hand with racial tensions, and politicians seem powerless to even bring people within earshot of their convoluted message. It’s time for a different perspective.

On his second studio album, More Arriving, Sarathy Korwar blasts out his own vibrant, pluralistic missive for the world to hear. This is not necessarily a record of unity; it’s an honest reflection of Korwar’s experience of being an Indian in a divided Britain. Recorded over two and a half years in India and the UK, More Arriving draws on the nascent rap scenes of Mumbai and New Delhi, incorporating spoken word with Korwar’s own Indian classical and jazz instrumentation. This is a record born of confrontation; one for our confrontational times.

With this album, Korwar expands his politicised narrative to envelop the entire diaspora. “This is a modern brown record.

The kind of record that a contemporary Indian living in the UK for the past 10 years would make,” Korwar says. “This is what Indian music sounds like to me right now.”

It all begins with the title: “More Arriving comes from the scaremongering around Brexit,” Korwar says. “It’s a tonguein-cheek play on the fact that there are more people coming and you’ll have to deal with it!” Through this defiance, Korwar takes clear pride in the knotty mix of his identity – harking back to the new India of the Mumbai hip-hop kids, as well as identifying with London’s cultural diversity. “I want the idea of brown pride to come through,” he says. “My voice is one amongst a thousand, but this record is a snapshot of something much greater than myself. It’s the chance to send a message.”

sarathykorwar.com facebook.com/sarathykorwarmusic @SarathyKorwar instagram.com/sarathykorwar

The Leaf Label theleaflabel.com contact@theleaflabel.com

• Born in the US, raised in India and resident in the UK, Korwar has established himself as one of the most original and compelling voices in the UK jazz scene • Korwar’s debut Day To Day (Ninja Tune, 2016), combined the folk rhythms of India’s Sidi community with contemporary electronics and jazz textures, earning praise from the likes of Four Tet, Gilles Peterson and Floating Points • In 2018, he followed up with the live UPAJ Collective album, My East Is Your West (Gearbox Records), a critically-acclaimed take on the cultural appropriation of ‘spiritual’ Indo-jazz • Korwar has toured with Kamasi Washington, Yussef Kamaal and Moses Boyd, and has collaborated with the likes of Shabaka Hutchings (The Comet Is Coming), clarinettist Arun Ghosh and producer Hieroglyphic Being • More Arriving is available on CD, black vinyl and limited edition transparent red vinyl for indie stores only • The album is preceded by the digital single ‘Mumbay’ (May 2) featuring Mumbai rapper MC Mawali, with lyrics in Hindi/Marathi • ‘Mumbay’ is accompanied by an evocative video shot in the streets of Mumbai, and remixes will be released in May • A short film about the album’s genesis, filmed in Delhi, will also be released in May • A lyric video will be released for the album’s central text, ‘Pravasis’ (from which the album takes its name, written and read

by Deepak Unnikrishnan) • Other featured artists on the album include Delhi Sultanate, Prabh Deep, Zia Ahmed, Aditya Prakash, TRAP POJU and Mirande • Danalogue (The Comet Is Coming) co-produced ‘Mumbay’ and ‘Bol’ with Korwar • We anticipate a broad spread of media coverage for More Arriving, with a Guardian feature confirmed, and ‘Bol’ already receiving support from Gilles Peterson (“One of the best things we’ve been able to play on the radio for a very long time”) • Extensive social media marketing campaign • Korwar is set to tour widely in 2019 – dates to follow

877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com

JOHN ZORN TRACTATUS MUSICO-PHILOSOPHICUS TZA CD 8365 Archival Series John Zorn.

Tractatus Musico-Philosophicus Drawing inspiration from philosophy, avant-garde cinema, drama and music, Tractatus brings many of Zorn’s lifelong interests together into a stunning new musical universe. Including big band cutups, saxophone fireworks, environmental soundscapes and a rip-roaring game-call-Ketjak, this is Zorn musing alone in the studio harnessing the powers of his twisted imagination and underground musical sensibility. Filled with wit, color and mystery, this bizarre suite is among the weirdest music Zorn has ever created and will appeal to only the most open-minded of listeners. Not for the faint of heart. Caveat Emptor!

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File Under: Avant-Garde

Street Date: July 26, 2019 SELLING POINTS: Playing sax, piano, organ, guitar, drums, bass, game calls, percussion, vocals and more, this is perhaps the strangest project Zorn has ever created.

Export: No Export Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

GNOSTIC TRIO THE BOOK BERI’AH VOL 7—NETZACH TZA CD 5107 Archival Series Bill Frisell, Kenny Wollesen, Carol Emanuel.

Pirke Avot * Ha-Murgash * Atarah * Shiur Koma * Safra * Re’cha * Merkaba * Hispashut * Olamot One of Zorn’s most beloved and unique 21st century ensembles, the Gnostic Trio features the distinctive guitar of Bill Frisell, the vibraphone of Kenny Wollesen and the ethereal harp stylings of Carol Emanuel. The sounds are soulful and heavenly and for this, their seventh cd together, they perform nine tunes from the Book Beri’ah, the last book of music completing the Masada legacy. Frisell’s magical sonorities dance around harp and vibraphone creating a heavenly improvisational counterpoint. Truly music of the angels, Netzach is a gem.

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File Under: Jazz/Jewish/Avant Garde

Street Date: July 26, 2019 SELLING POINTS: John Zorn’s epic box set The Book Beri’ah now released as individual CDs! Export: No Export Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

Description:

De Lorians ...and sometimes it just turns out that the newest members of the freak music family are a bunch of long-haired Japanese twenty-somethings playing Zappa-loving Canterbury-inspired blissed-out spiritual jazz rippers. If you had that on your predictions list, right on, you’ll be extra amped. But either way, meet De Lorians, Tokyo’s newest fire music exports, by way of their self-titled debut.

Grown from the always-heady Tokyo music scene and led by Takefumi Ishida, playing sax and synth, all five De Lorians contribute material to what they call pataphysical music. Ranging in age from 22 to 27, the five De Lorians tap into a library of ideas from their precursors, less in retro-loving emulation than for alchemical strategy.

De Lorians De Lorians

Label: Beyond Beyond is Beyond Catalog Number: BBIBR055 LP: 857387005766

The seven tracks here burst with overstuffed Weasels Ripped My Flesh-style action: bonkers horn arrangements, savage guitar solos, constant movement, through-composed sections, improv, surreality, and the occasional peaceful woodwind-dabbled valley. No singing, no poodle play, just constant surprises, rich vibes, and heavy fun.

With the whole album packed into 32 zig-zagging minutes, it’s a compact and powerful first statement for a young band exploding with ideas, and with a lot more under the hood. At De Lorians’ monthly gigs, there are plenty of more surprises, too. There’s ample improvisation, of course, but some nights they disassemble the sections of their songs, piecing them into new suites that might run longer than the length of their studio debut.

Think of this album, perhaps as their (temporarily) definitive ur-suite, a progfusion dream of inside-out rhythms and catchy af melodies. Recorded at the Tsubame Studio in Tokyo in September 2018, De Lorians is timeless highenergy unity and barely controlled propulsion, exploding soon from a portal near you.

Tracklisting:

1. Daytona 2. Magso 3. A Ship of Mental Health 4. Gomata 5. Roccotsu 6. Himalia 7. Daytona - Reprise 8. Toumai

CD Digipak: 857387005780

Release Date: 2019/07/26 Territory: Worldwide

File Under – D – Rock / Progressive / Jazz Fusion / Psychedelic

Information: • •

•

Touring in Asia and Europe 2019 RIYL: Frank Zappa, Hawkwind, Soft Machine, Sunwatchers, Ornette Coleman, King Crimson Download code with vinyl

Press: Nathan Walker, Riot Act Media Redeye: stephen@redeyeworldwide.com Label contact: info@beyondbeyondisbeyond.com

MIKEY ERG

WAXBUILT CASTLES

SCHOOL OF LANGUAGE 45 STREET DATE: 26 July 2019 School of Language is David Brewis, who also makes music with his brother Peter as Field Music. This is the third School of Language album, following on from Sea From Shore in 2008 and Old Fears in 2014.

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I’ve Got The Numbers Nobody Knows A Beautiful Wall Rocket Man Rex The Goldwater Rule Adult In the Room And Even If I Did Lock Her Up The Best People

CD:

CAT NO: MI0560CD UPC: 5060146099844

STANDARD LP (+ MP3):

CAT NO: MI0560LP UPC: 5060146099813

INDIE EXCLUSIVE LIMITED EDITION YELLOW VINYL LP (+ MP3):

This is an album about Donald Trump - his dubious rise in politics, his capricious behaviour while in office and the motley cast of characters he has surrounded himself with.

It’s not exactly a protest record, though it is shot through with anger. It’s definitely not a joke, though some of it is darkly funny. It is a tragedy and it is a farce. The songs are sung from different points of view, almost as if it’s a Donald Trump funk musical.

One advisor sells Trump on the idea of a border wall.

Another one feels he can’t quit because of the chaos that might follow. Rex Tillerson fumes at his plummeting status. Psychiatrists fret about the President’s mental stability. Hillary Clinton laments her loss. Trump himself brags and equivocates in his own unique, blustering style.

45 was written and recorded in a little less than two months during gaps in the schedule at Field Music’s studio in Sunderland. It was inspired by Bob Woodward’s book Fear, articles in the Washington Post, The New Yorker and The New York Times and

by Nate Silver’s FiveThirtyEight. It was also inspired

by James Brown, Sly and the Family Stone, The Meters, Otis Redding and Free.

CAT NO: MI0560LPX UPC: 5060146099820

www.memphis-industries.com • info@memphis-industries.com

MUSICROUGHGUIDES

The Rough Guide to

Blind, Black & Blue Reborn and Remastered

The Rough Guide To Blind, Black & Blue Cat No: RGNET1377CD Label: World Music Network Street date: July 26, 2019 File Under: Blues Format: CD digipak & digital download Box lot: 55 ct/CD CD UPC: 605633137729 Digital UPC: 605633137736

Marketing points: • A unique compilation of tracks from blind blues musicians who left remarkable musical legacies in the face of incredible adversity • Featuring many legendary guitarists including Blind Blake, Reverend Gary Davis, Blind Willie McTell and Blind Willie Johnson

A remarkable phenomenon in the history of the blues was the vast contribution made by blind musicians, whose legacy has left a lasting impact on American music to this day. From ‘The Father Of The Texas Blues’ Blind Lemon Jefferson to slide guitar evangelist Blind Willie Johnson, this Rough Guide highlights the blind blues pioneers who, against all the odds and in the face of incredible adversity, were responsible for a musical revolution.

• A diverse selection of tracks ranging from upbeat rags and gospel tunes to earthy blues and hokum

Track-List

• Includes hidden gems by artists shrouded in mystery

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17

Blind Blake He’s In The Jailhouse Now 02:44 Teddy Darby Lawdy Lawdy Worried Blues 03:05 Blind Boy Fuller Truckin’ My Blues Away No. 2 (Take 2) 02:46 Blind Lemon Jefferson See That My Grave Is Kept Clean 02:51 Sonny Terry Harmonica Stomp 02:45 Blind Joe Reynolds Third Street Woman Blues 02:39 Blind Joe Taggart Religion Is Something Within You 02:43 Blind Willie McTell Stomp Down Rider 03:04 Reverend Gary Davis The Angels Message To Me 03:02 Willie Walker South Carolina Rag (Take 2) 03:07 Blind Willie Johnson Nobody’s Fault But Mine 03:08 Blind Roosevelt Graves Crazy About My Baby 03:03 Blind Gussie Nesbit Pure Religion 03:19 Bo Carter Don’t Mash My Digger So Deep 02:56 Blind Mamie Forehand I Wouldn’t Mind Dying If Dying Was All 03:26 Sleepy John Estes Diving Duck Blues 03:10 Blind Willie Davis I’ve Got A Key To The Kingdom 03:10

• Highlighting the incredible contribution made by blind blues musicians that has left a lasting mark on the history of American music

• The image of the blind bluesman is undoubtedly one of the most iconic and meaningful themes in the history of the blues • Following on from the success of other blues titles in the Rough Guide range • A must-have album for blues guitar enthusiasts • Lovingly remastered using pioneering restoration techniques

CD

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Available for instore co-op campaigns, listening posts and racking / Servicing all blues music magazines, radio programmes and websites

Redeye 505 Eno St, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com www. redeyeworldwide.com

World Music Network (UK) Ltd US Label enquiries, contact: Connie Kirch connie@2jakes.net www.worldmusic.net

MUSICROUGHGUIDES

The Rough Guide to

Mali Blues The Rough Guide To Mali Blues Cat No: RGNET1384CD Label: World Music Network Street date: July 26, 2019 File Under: World Format: CD digipak Box lot: 60 ct/CD CD UPC: 605633138429

Marketing points: • An exploration of the living links and musical connections between Mali and the blues • Featuring the iconic Tuareg band Tartit as well as Songhai bluesman Samba Touré, protégé of the legendary Ali Farka Touré

From the beating heart of the capital city Bamako to the rich musical soils of Niafunké, Mali has become synonymous with the raw desert blues sound. Featuring the likes of the legendary Tuareg band Tartit as well as Songhai bluesman Samba Touré, this Rough Guide also includes tracks by other unsung heroes, all of whom share the same goal of preserving a culture under serious threat.

• Includes several previously unreleased tracks never heard outside of Mali • Tracks from artists who speak out about the huge social issues present in Malian society • Mali is widely acknowledged as a primary source and spiritual homeland of the blues • Includes tracks by lesser-known Malian artists who deserve to be heard

Track-List 01 Samba Touré Yermakoye 05:18 02 Tartit Afous Dafous 03:12 03 Ali Baba Cissé Kaya 03:24 04 Sabu Doriente Yawoyé 06:55 05 Anansy Cissé Gomni 04:16 06 Modiba Diabaté Bonya 04:37 07 Alkibar Jr La Paix 06:28 08 Alba Griot Ensemble Horonia 03:52 09 Souleymane Arby Takamba 03:48 10 Abba Gala Cissé 04:20 11 Djambé Kambé Sadio 04:50 12 Bally Du Dezer Tiow 03:48 13 Moussa Sarré Baoudi 04:22 14 Espoir De Niafunké La Paix au nord du Mali 03:11 15 Tahaninte Solane 04:30

• An album which will appeal to both blues and world music fans alike • Following on from the success of other Malian albums in the Rough Guide range • Bringing to the fore some of Mali’s best kept musical secrets • An album which proves how Mali continues to be the musical crown jewel of Africa

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Available for instore co-op campaigns, listening posts and racking / Servicing all world music magazines, radio programmes and websites

Redeye

505 Eno St, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com www. redeyeworldwide.com

World Music Network (UK) Ltd US Label enquiries, contact: Connie Kirch connie@2jakes.net www.worldmusic.net

Hope Masike is a pioneering singer from Zimbabwe who plays the historically male-dominated mbira (thumb piano). The Exorcism Of A Spinster, her debut solo international release, sees Hope speak from the heart about the country that she loves and the changing roles of women.

Marketing Points: • Hope’s captivating, playful and experimental vocal skills combine beautifully with her mbira (thumb piano) playing

traditional Zimbabwean instrumental traditions with guitar, bass and drum backing

• Known as “The Princess of mbira”, Hope’s music has its roots in both traditional and modern African culture

• Hope Masike draws upon the musical legacy of female pioneering musicians from Zimbabwe such as Chiwoniso Maraire and Stella Chiweshe

• An album which represents a young African woman floating somewhere in between her dreams and the natural urge to fit in

• Voted as the first ‘Outstanding Female Musician’ for Zimbabwe’s (NAMA) National Arts Merit Awards

• A torch-bearing female artist who speaks out about the difficulties of womanhood in her Zimbabwean culture

• Hope has performed with Salif Keita at the Harare International Festival of Arts

• Hope Masike is the lead singer in the internationally acclaimed trans-national music collective Monoswezi

• An artist whose deep and meaningful lyrics speak of the changing times in Zimbabwe

Cat No: TUGCD1122 File Under: World Box lot: 55CD/ct Label: Riverboat Records Street Date: July 26, 2019 Format: 1CD digipak & digital download CD UPC: 605633012224 Digital UPC: 605633012231

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• Hope sounds like a young, modern and female version of Thomas Mapfumo

• An album which seamlessly combines

Available for instore co-op campaigns, listening posts & racking / Servicing all specialist music magazines, radio programmes & websites

Redeye

World Music Network (UK) Ltd

505 Eno St, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com www. redeyeworldwide.com

US Label enquiries, contact: Connie Kirch connie@2jakes.net www.worldmusic.net

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STREET DATE:

CD: TIMESIG010CD. EAN: 5055300399458.

BOX COUNT 25. JEWEL CASE.

07/26/2019

Having broken a decade's silence with 2016's 'System', LA-based electronic musician Joseph Fraioli, a.k.a.

Datach’i, returns this summer with his eighth album 'Bones'. Released on Venetian Snares' Timesig imprint, ‘Bones’ features 12 tracks of mind expanding electronica, once again recorded on his custom-built Eurorack modular system.

Much like its predecessor, 'Bones' manages to make the most of the possibilities modular systems offer, whilst avoiding their many pitfalls that can often turn such music into little more than a dry academic exercise. Indeed 'Bones' is a remarkably intimate album, written and recorded in the time following his father's death, and reflects this intense period of personal change in Joseph's life.

"Creating this music was a therapy of sorts," Joseph recalls. "It was almost like a close friend being there for me, and it's something that I hope others can perhaps utilize in the same way."

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REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

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The connection to his father is something that is reflected not just in the emotional intensity of 'Bones', but in the actual production itself. "My father and I were very close," he explains. "Whilst he was sick with cancer I bought him a guitar as he wanted to learn how to play, just to have something to do while he was getting treated. After he passed away my mother gave me the guitar to have as a sort of memory of him. I had the idea to record some sounds and music on the guitar and load it onto granular sample players on the modular synth so I could make new music from those sounds as a sort of tribute to my dad. You can hear some of those sounds on a few of the tracks here like 'Arrivals', 'Motion in the Living Room' and 'Undimension'."

The resulting album grapples with the intensity of these emotions. But for all their weight, tracks like 'Saugerties Road', ‘Rockledge 3A’ and ‘Antumalal’ transform that heaviness into something warm and comforting whilst the aforementioned 'Arrivals' or ‘Wand’ ultimately achieve some kind of escape velocity and soar.

Even though 'Bones' is about endings and finding closure, it also looks forward to new beginnings. "It was something very much on my mind throughout recording this album," he relates, "ends being beginnings and beginnings being the end. Cycles of time and how time works, it's all reflected throughout the album right down to how the tracks are ordered."

Ranging from blissful ambience and guileless, starry eyed melodies, to intricate claustrophobic rhythms that forever sound close to collapsing in on themselves before expanding into bold new patterns, 'Bones' is the work of a producer who, twenty years on from his debut, continues to push the boundaries of electronic music.

TIMESIG / PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / STEPHEN SVACINA svacina@redeyeworldwide.com

Resavoir Resavoir Riding the ripples of their debut single “Escalator” (which BBC’s Gilles Peterson called “a winner,” and Supreme Standards’ Tina Edwards likened to “Radiohead on a Jazz trip”), Chicago collective Resavoir return with their first full length effort. The self-titled album presents a juicy suite of elegantly-orchestrated lo-fi jazz instrumentals germinated from home recording experiments by the group’s producer/arranger Will Miller. Applying a compositional approach attributable to his experience producing hip-hop beats as much as his studies at Oberlin Conservatory, Miller built melodic sketches on foundations of samples & loops before bringing pieces to the group for collective development. After integrating recordings of the full band into his home-produced impressions (not unlike IARC predecessors Jeff Parker and Makaya McCraven), he overdubbed another dozen friends into the mix (including Brandee Younger, Sen Morimoto, Carter Lang, Knox Fortune and Macie Stewart) before finalizing the arrangements. In Miller’s modest editing room, Resavoir grew from experiment into epic opus recalling the lush, psychedelic soul jazz orchestrations of David Axelrod & Charles Stepney… but in the sampled-laden style of Yesterday’s New Quintet, Broadcast, or Thundercat, with a lyrical affinity for minimalism & texturalism, like trumpeter/composers Jon Hassell & Justin Walter.

IARC 0026

Resavoir – Resavoir Format/Release Date: LP/CD – July 26th 2019 RIYL: David Axelrod, Piero Umiliani, The Avalanches, Makaya McCraven, Jeff Parker, Tortoise, Whitney, Thundercat, Stereolab, Flying Lotus, BADBADNOTGOOD, Kamasi Washington

CD – 603784912042

…about Resavoir…

Resavoir is a diverse collective of instrumentalists – most of whom are Chicago born & raised, some of whom have been playing together since high school, all of whom represent exciting new directions in Chicago’s fertile contemporary jazz & creative music scenes. The core lineup features Will Miller on trumpet/synths, Irvin Pierce on saxophone, Akenya Seymour on keys/vocals, Lane Beckstrom on bass, Peter Manheim on drums and Jeremy Cunningham on drums. All highly active players, the band’s compiled resume includes collaborations with Noname, Chance the Rapper, Makaya McCraven, Jeff Parker, Saba, Nick Mazzarella, Mavis Staples and many more.

The group is led by the composing, producing & arranging work of Will Miller, a trumpeter by trade who, thus far, is most known as a member of the band Whitney, or for his brass cameos on tracks by Mac Miller, Lil Wayne, Eryn Allen Kane, Twin Peaks, A$AP Rocky and Xavier Omar.

International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com

LP – 603784912035

North & South American Distribution: Will Savery – will@redeyeworldwide.com Label Contact: Scottie McNiece – scottie@intlanthem.com

Strange Ranger Remembering The Rockets TE197 12” LP on Red / Orange Swirl - includes Insert, MP3 DL Code Cassette on Pink w/ MP3 DL Code CD Digipak

RELEASE DATE :

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n its third full-length Remembering The Rockets, Strange Ranger continues to excel at translating the way intimacy can feel so overwhelmingly gigantic. With a dozen releases across its 10 years as a band, the Philly-via-Portland-via-Montana group has traversed genres, moods and textures while maintaining one important throughline: an exploration of closeness.

016’s double-LP Rot Forever was a 72-minute freakout that paired Built To Spill grandiosity with early Modest Mouse intensity. On the 2017 follow-up Daymoon (Tiny Engines), Strange Ranger hung up the distortion pedals and traded caustic yelps for Alex G-esque croons. It was a synth-adorned, insular bedroom-pop record that floated rather than soared, and the band opted for lyrical impressionism over the hyper-specific outbursts of the debut. arontman Isaac Eiger’s writing style reads like a loose assembly of quotes from conversations he’s had with others spliced with his own, private introspections. He is a modern master of conveying the anxiety and uncertainty of growing older through a mixture of childhood nostalgia and interpersonal tidbits. There’s plenty of that on Remembering The Rockets, but after all of these years of singing about Eiger’s own coming-of-age story, the album approaches the quandary of whether he’ll ever be able to impart that process—through which he’s reaped so much artistic joy and curiosity—onto someone else.

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or a topic as severe as ecological collapse affecting his own parental aspirations—as well as other melancholy ruminations on loneliness, the passing of time, and the complications of emotional intimacy—Strange Ranger still ended up making the lushest, smoothest, and most pleasingly hypnotic album of its career.

F O R F A N S O F : B U I LT T O S P I L L , T H E M I C R O P H O N E S , M O D E S T M O U S E

S PA R K L E H O R S E , T H I R D E Y E B L I N D , T H E F L A M I N G L I P S PAST PRESS QUOTES

“Strange Ranger brings together a handful of classic indie rock influences: there’s early Death Cab for Cutie in the slow, longing backdrop, some early Modest Mouse in the vocal delivery, and a little Microphones in the intentionally lo-fi recording.” — BROOKLYNVEGAN “In the tradition of fellow Northwest acts like Modest Mouse, Strange Ranger make music that ranges from quiet and personal to boisterous and aggressive, using a broad palette of sounds to enhance their down-tempo rock ’n’ roll beats.” — THE VILLAGE VOICE

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TRACK LISTING

01. Leona 02. Sunday 03. Ari Song 04. Athens, GA 05. Message To You 06. Nothing Else To Think About 07. Rockets 08. Ranch Style Home 09. Pete’s Hill 10. Beneath The Lights 11. Planes In Front Of The Sun 12. ‘02 13. Living Free 14. Cold Hands Warm Heart TOUR DATES: TINYENGINES.NET/TOURS

Full U.S. Tour this Summer + Fall

in support of Rockets

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“Daymoon is as sprawling and ambitious as everything else Strange Ranger has put out, but it comes with the added benefit of a stronger sense of self-editing.” — STEREOGUM

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07/26/19

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Ami
 Dang Parted Plains RELEASE DATE: August 2, 2019 LABEL: LEAVING RECORDS CATALOG: LR157 FORMAT: VINYL GENRE: ambient / experimental / electronic / world FOR FANS OF: Ravi Shankar, Terry Riley, Laraaji, Suzanne Ciani

TRACKLISTING

1. Raiments 2. Bopoluchi 3. Make Enquiry 4. Stockholm Syndrome 5. Sohni 6. Auberjinn 7. Love Liesse 8. Conch and Crow 9. Souterrain

6

59457 52721

Ami Dang fuses sitar, voice, and electronics to create east-meets-west, ambient/trance music. On the experimental instrumental album Parted Plains, she draws inspiration from South Asian and Middle Eastern folktales, specifically, the four tragic romances of Punjab, Sohni Mahiwal, Sassi Punnun, Heer Ranjha, and Mirza Sahiba; Flora Annie Steel’s Tales of the Punjab: Folklore of India, and selected stories from One Thousand and One Nights. Galvanized by the Western interpretations of these stories, Parted Plains unfolds as a new sort of soundtrack for a yet-to-be written folktale that is neither Eastern nor Western, not traditional or contemporary--but somewhere in between.

Redeye 505 Eno St, Hillsborough NC 27278 contact: tim@redeyeworldwide.com

1

The Art Ensemble of Chicago

We Are On The Edge: A 50th Anniversary Celebration Formats: 4LP (Special Edition w/ Live Recordings) / 2LP including download codes.

File under: Jazz · Box lot: 15 LE / 15 LP Release date: 07/26/2019 Label:

Erased Tapes

Catalogue No.:

ERATP123LE ERATP123LP

Barcode (EAN):

4050486115145 (LE) 4050486115138 (LP)

Distributor:

Redeye

Territory:

North America

Tracklisting: 1. Bell Song 2. We are on the Edge 3. I Greet You with Open Arms 4. Chi-Congo 50 5. Jamaican Farewell Part I 6. Villa Tiamo 7. Saturday Morning 8. Jamaican Farewell Part II 9. Mama Koko 10. Fanfare and Bell 11. Variations and Sketches from the Bamboo Terrace 12. Oasis at Dusk 13. We are on the Edge/Cards (Live) 14. Oasis at Dusk (Live) 15. Chi-Congo 50 (Live) 16. Tutankhamun (Live) 17. Mama Koko (Live) 18. Saturday Morning (Live) 19. Odwalla/The Theme (Live) Official Websites: https://www.erasedtapes.com/artist/the-artensemble-of-chicago PR Agent: pr@erasedtapes.com Booking Agent: alberto@akamu.net

Iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge in April, and Erased Tapes are honoured to announce the vinyl edition of this exceptional body of work. Led by surviving founding members Roscoe Mitchell and drummer Famoudou Don Moye, these brand new recordings involve a staggering array of contemporary artists ranging from across the jazz, experimental and improvised music spheres; from the visionary poet and musician Moor Mother, trumpeters Fred Berry and Hugh Ragin, who have performed with Mitchell for over five and four decades, to bassist Jaribu Shahid, supreme cellist Tomeka Reid, celebrated flute virtuoso Nicole Mitchell and the extraordinary voice of Rodolfo CordovaLebron.

The vinyl edition, due for release on July 26th, will be available as a double album featuring a meticulous studio session of the newly assembled group of musicians, combining re-recordings of works spanning the last 50 years, some never before recorded, as well as new compositions. The 4-LP special edition also includes their live set recorded at Edgefest, the annual experimental jazz and creative new music festival in Ann Arbor, Michigan.

Having witnessed this exciting new formation around Roscoe and Don live at Big Ears Festival in Knoxville, Robert Raths was compelled to start a conversation with their US label Pi Recordings, based out of New York, and support this project in any way possible.

The Art Ensemble of Chicago is a band that has been at the forefront of creative improvised music since forming in 1969. It has also long served as the flagship ensemble of the Association for the Advancement of Creative Musicians (AACM), the august Chicago-based organisation that also fostered the careers of members such as Muhal Richard Abrams, Anthony Braxton, Henry Threadgill, and Wadada Leo Smith, among many others. Now led by the surviving members Roscoe Mitchell and drummer Famoudou Don Moye, their new album We Are On The Edge: A 50th Anniversary Celebration is not only a commemoration of a half-century of magical music making, but also a loving tribute to the band’s three original members who have passed: Lester Bowie, Malachi Favors, and most recently, Joseph Jarman.

The greatness of the Art Ensemble has always been the shared commitment of its original members to the total realm of African diasporic music: what they have long-termed “Great Black Music — Ancient to the Future”. Also important are the group’s disparate musical and artistic personalities, comprised of jazz, advanced compositional techniques, theatrical performance, poetry, PanAfrican percussion, all tied together with improvisational flair, a taste for the absurd, and the exploration of pure sound and space. It is this openmindedness – absorbed from the basic tenets of the AACM – that has made the band one of the most important in the history of music.

Mitchell and Moye are now 78 and 72, respectively, but one would never guess by their outlook. Mitchell, who was recently named to a prestigious United States Artist Fellowship, is about to retire from his teaching position at Mills College, is most excited when you ask him about his upcoming projects, gushing about a dizzying array of performances, commissions, collaborations, composition ideas, and musical studies and inventions. There is, of course some wistfulness when looking back, particularly with the passing of Joseph Jarman earlier this year, but the overwhelming feeling is anticipation of what is coming next or, as Moye always says, "focus and forward motion". It’s a clarion statement that Mitchell and Moye are intent on ushering The Art Ensemble of Chicago forcefully into its sixth decade. As Moor Mother declares: "We are on the edge!"

Previous press for the AEC:

“As vibrant as any of the music the AEC released these past 50 years. Long live the Art Ensemble of Chicago” ★★★★ — All About Jazz “The sheer breadth of the ensemble's expression on We Are on the Edge is staggering, a strident declaration that Mitchell and Moye will carry the AEC's powerful, boundary-less creative ethos full force into its sixth decade” ★★★★ — AllMusic

GRACIE CURRAN COME UNDONE

COME UNDONE was recorded in Gracie Currran’s adopted home town of Memphis, Tennessee, with the help of co-producer/ guitarist Damon Fowler and notable friends and neighbors including Victor Wainwright, Reba Russell, Mark Earley, Doug Woolverton, Pat Harrington and more.

In the five years since the release of her critically acclaimed debut album PROOF OF LOVE, STREET DATE: 7/26/19 Gracie has been packing venues across the country and around the world with her stunning voice, soul shaking delivery, and phenomenally fun live shows.

In this sophomore release, you will hear her stories; shaped by the influence of all the places she’s been. In Gracie’s own words, “This music is the soundtrack of five years on the road – COME UNDONE is the story of losing it all, losing yourself, and hope – the things we do to get by, until we get it all back. Learning to be whole again. I find the more personal I am, the more honest I am with my music, the more people connect with it. It’s in the spaces where we feel most alone, that we are most connected. Everyone goes through heartache, loss, joy, new love –- it’s all part of life– and this is life, through music.”

TRACKS: 01. Come Undone 02. Ernestine 03. Stay Up! 04. The Things We Love 05. Sweet Sative 06. If Mama Ain’t Happy 07. Love Is The Cruelest Thing I Know 08. Chasing Sunsets

GRACIECURRAN.COM

GRACIE CURRAN title: COME UNDONE Label: VizzTone Genre: Blues Territory: Worldwide Compact Disc - Jewel Box Cat. # VT-GC01 Street Date: 7/26/19 UPC: 600385290128

Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com

EAMON FOGARTY BLUE VALUES 1. Motet 2. God’s Guts 3. Utopia In Blue 4. Fire Can Flow 5. If The Spirit 6. Mist 7. Buster-Jangle 8. How Royal the Jelly 9. Carriers 10. I Am The Cosmos

CD-JBR-0179

LP-JBR-0179

These recordings find Eamon teaming up with a core unit of Chad Taylor (Chicago Underground Duo, Marc Ribot, Sam Prekop) and drums and Devon Hoff (Nels Cline, Xiu Xiu) on bass, with production work by Chris Schlarb (Psychic Temple).

“Eamon Fogarty has no guile. He is as true as a bird singing in the trees. His music, like life itself, contains the beautiful and the grotesque. Some artists demand love from their audience. I don’t know how or why it works but I love Eamon’s music. I feel protective of it. When something that powerful calls out... you should pick up the phone." − Chris Schlarb, Psychic Temple If someone were to present disturbing news to you in a smooth and dazzling way, you’d expect the effect to be jarring. But that’s not the case with the music of New Hampshire-born composer, lyricist, and singer Eamon Fogarty. As he delivers lyrics imbued with equal parts humor and dread, the rich timbre and sureness of his baritone belie the dark things he’s often singing about.

That tension—between beauty and destruction, humor and dread—is the driving force behind Fogarty’s new album, Blue Values, offering an oddly elegant expression of the way we’re all muddling through such tensions all the time.

Largely recorded in Long Beach, California, in the confusing, bracing days following the 2016 election, Blue Values is alternately serene and frenetic - composed interludes intermingling with improvised band arrangements. Declassified Department of Energy nuclear test films provided one of the album’s guiding images: Fogarty found himself compulsively watching the films, which show the mundanity and logistics that underlie the atomic enterprise, after a trip to the one-time uranium boomtown of Moab, Utah. We know how the scientists behind the first nuclear weapons regarded their creation—think of J. Robert Oppenheimer’s famous invocation of the Bhagavad Gita: “Now I am become death, the destroyer of worlds”—but what about what’s happened since? How can such destruction come to seem quotidian? How long can you rehearse for apocalypse before you forget there might someday be an opening night?

The songs on this album are tinged with such questions about the tenuousness of being human in the 21st century, but they’re also playful and intimate, languorous yet richly orchestrated. The slightly twisted logic of Chad Taylor’s ((Chicago Underground Duo, Marc Ribot, Sam Prekop) drumming complements Devon Hoff’s (Nels Cline, Xiu Xiu) bass-playing, which—like Fogarty’s words—swings between metallic ferocity and extreme gentleness. Recalling at moments the expansive jazz-tinged excursions of Tim Buckley, Blue Values was inspired in part by Alice Coltrane’s spiritual jazz approach to group improvisation, while the album’s instrumentation—especially the prominence of clarinet and bass clarinet—bears the influence of Mark Hollis of Talk Talk’s lone solo album. The record closes with a fiery reworking of Chris Bell’s lovelorn cult anthem “I Am The Cosmos.”

The overall effect is of something barely contained, the rhythms of the everyday haunted by the constant threat of explosion. If the apocalypse comes, you’ll want Fogarty’s steady and sincere voice to show you flashes of beauty and guide you through the chaos.

E I K N U J “F A S T

” LP T I ME S

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s (drums) first met Mark Perez (guitar/vocals) and Jonathan Jame band called punk each other while playing in a local hardcore nio High School Contentment and aaending South San Anto k began to discover in their hometown of the same name. As Mar t, Surf Curse, Wavves, the west coast surf-rock stylings of Best Coas n to shii rapidly-- seeping and the Growlers, his musical interests bega his songwriing, in parrcular. i into ept, and idea for Mark approached James with the name, conc draa of a song called the band in summer of 2013 in addiion to a and fun spirit of their “The Boyz”—an homage to love, camaraderie, closest group of ten high school friends.

Sierra, passed away Sadly, one of these great high school friends, mates, and the in October of 2013 shocking Junkie, their class San Antonio community as a whole.

Mark and James Though shocked and devastated by the loss, o on the bass hunkered down, added Daniel Garcia-Moren enough to play ght finalizing their lineup, and became just nized to rally the their first live set at a benefit show they orga with memorial community around Sierra’s family to help them ing. costs. The response was incredible, and mov nio Current, Said James in an interview with the San Anto le reason “She was the ‘Z’ in “The Boyz. She was the who as friends ther toge d we got off our ass to do shows. We pulle ng force.” drivi and as a band, and I honestly ssll feel she’s the

A string of digital singles followed along with the Stupi d Feels EP, xoxo EP, and the Bong Dazed EP culminaang with the band’s first full length record W/E released on casseee in May of 2016 and paired with an 18-date west coast tour featuring a sell-out of the famous Los Ange les based all-ages DIY space, the Smell.

Junkie built upon those road lessons channelin g their tour momentum into opening slots alongside prom inent acts like Dune Rats, Colleen Green, Bleached , Hinds, Shannon & the Clams, La Luz, Froth, and othe r naaonal touring acts before temporarily relocaang back in Los Angeles in July of 2017 where they played with No Parents, Beach Goons, the Paranoyds, and two sold -out shows at the Observatory and Constellaaon Room ..

In addiion to opening slots lined up with Wav ves and Beach Fossils, they returned to their hom e-recording studio in San Antonio armed with a new batc h of material forming their newest ten-track LP and viny l debut, Fast Times—out July 26th. 2019.

“Fast Times talks about geeng over love, focu sing on yourself, and enjoying the fast mes you can’ t get back,” said James of the new album, “It’s youthful and kineec. We wanted to write songs that are outgoing, fun, and can suck you in—something you can bring people toge ther and skate to.”

BOX LOT: LP 30 - CD 30 YKY 0022 6. Padres (1:45) 1. Fast Times (3:38) 7. Luv Died (3:44) 2. Take Me To the Grave With You (1:48) 8. Double Dog Dare (3:13) 3. Bad Attitude (3:23) 9. Lisp and Lips (3:14) 4. Swirly Tongues (2:49) 10. Meet Me In the Summer (2:57) 5. Inbetween (1:36) nload code, double sided insert, Special 180 gram clear vinyl featuring dow to each individual record. and hand written note from Junkie unique

N DA

LLPP::

JA M ES

fit show with And drive they did. Junkie followed up the bene , 2014 at San Antonio’s an opening spot for Warm Soda on March 10th e of San Antonio thereaaer Ten Eleven, and exploded onto the live scen St. Mary’s strip while playing bars up and down the city’s famous bouncers surprised to learn by occasionally geeng thrown out aaerward they were ssll underaged high schoolers. them down, Junkie Not leeng being too young for 21+ bars get ings, downtown gravitated toward house parres, gallery show everything in between and music fessvals, independent book-stores, fessval in James’ backyard while also kick starrng their own mini-music dees for a number of called Junk Fest garnering upwards of 400 aaen local and regional bands.

C CDD ::

DC723 LP/CD Street Date: July 26, 2019

Y R T N A G e S I R H C

Track Listing Life Well Lived / Where’s the Woman? / Wasted / Box of Crayons / Vince / Angel of Crazy / Closer Than the Air / The Climb / Broken / Say Sorry Later / I Cry Quietly LP

CD

ALSO AVAILABLE FROM DRAG CITY Chris Gantry At the House of Cash LP/CD DC686

DRAG CITY INCORPORATED Post Office Box 476867 Chicago, IL 60647 Phone 312-455-1015 / sales@dragcity.com

NO EXPORT TO EUROPE OR AUSTRALIA; FLOAT NASHLANTIS TO ALL OTHER EXTANT CONTINENTS!

The annals of Nashville, the 20th century’s immortal Music City, are filled with lore of the legends, as well as tales of the one-shots, the lesser-knowns and the delightful obscurities: singers, writers and players who had a moment, were a step away from stardom or just stood in the same room with the men and women whose names we know. Like the outlaw he defines himself as, Chris Gantry doesn’t really fit in any of those boxes – and 50-plus years since he wrote his first and biggest hit, he’s still writing and singing, having lived to tell the tale of his serpentine but ultimately joyful path, a “Life Well Lived.”

Now in his mid-70s, Gantry is still a consummate performer and an inveterate writer, appearing in performance as a lusty, genial man, grateful to have drunk of the experience he’s had, transcendent in that experience and ebullient in the moment of singing it. Nashlantis is the ninth record of Gantry tunes to be released since Chris moved to Nashville in early 1960. Then, he fell in with like-minded others: Shel Silverstein, Kris Kristofferson, Eddie Rabbitt, Vince Matthews and Mickey Newbury – guys working day and night to break into the business, writing and singing their way through the chaos of their youth. It was an intoxicating environment – everyone with his own vision, and Chris’s cosmic stirrings setting him a little apart from the rest.

He first got a contract to make an album after Glenn Campbell’s version of his tune “Dreams of the Everyday Housewife” went to number three on the Billboard Country Charts in 1967. Between 1968 and 1975, he recorded three madly diverse records, released by three different imprints – Monument, Magic Carpet (a Monument subsidiary) and ABC Dot. One other session from that time sat in the can for over 40 years, until Drag City put it out in 2017 as At the House of Cash.

Meanwhile, the fellow who brought that long-lost project to Drag City, Jerry David DeCicca (a singer and performer in his own right, who also co-produced the Larry Jon Wilson album released back in 2008), was producing a new record for Chris.

Recorded in Nashville with the legendary engineer Rob Galbraith, Nashlantis features 11 mesmerizing Gantry performances (“a séance with the Human Spirit” as the producer puts it), retouched in Austin with painterly brevity

by DeCicca and Stuart Sikes. Preserving the intimate nature of Chris’s acoustic guitar and vocals, Don Cento, Ryan Jewell, and Marina Peterson wove electric guitar, mandolin, synthesizer, percussion and cello into the fabric of the songs, and guest harmony vocalists Edith Frost and Bill Callahan added stellar contributions as well.

Nashlantis is inevitably a reflection on Gantry’s long and winding path through this world – but the vitality of the songwriting stops the music from becoming simple elegy or denouement. Chris’ crafty old-school way with a tune and his smooth melodicism gives him the space to tell his tales with ease; lovers, losers and madmen are depicted with warmth and empathy, a genuine love of the human spirit and the singing chops of a man who’s known tens of thousands of nights of song.

Nashlantis is a testament to the career and talent of Chris Gantry – the individualism that set him apart from his earliest days and his openhearted embrace of the unknown. Jerry David DeCicca’s production sound makes for yet another unique chapter in the Chris Gantry catalog – a potent new entry, five decades and more down the line – the improbability of which makes it pure Gantry, all the way.

M A X D E WA R D E N E R KO L M A R

VGCD047

5051083147118 07 / 26 / 19

FILE UNDER:

Electronic/ Avant-garde EXPORT :

VGLP047

World Ex-UK

5051083147101 07 / 26 / 19

1. AMBER 2. FREE RADICALS 3. CASINO ON THE DUNES 4. WRAITH 5. TWO CHORDS 6. KOLMAR 7. PRELUDE 8. VANITAS 9. KOLMAR (REPRISE) 10. MERRICAT 11. PALINDROME 12. FALTER

SIDE A:

SIDE B:

AMBER FREE RADICALS CASINO ON THE DUNES WRAITH TWO CHORDS KOLMAR

PRELUDE VANITAS KOLMAR (REPRISE) MERRICAT PALINDROME FALTER

For innovative composer Max de Wardener, music is a kind of time travel, a means of exploring the antique and the arcane and repurposing them for a forward-facing now.

Classically trained, de Wardener is nevertheless renowned for compositions that explore everything from church organs to self-built instruments, as well as electronics and more orthodox chamber configurations.

On Kolmar, his debut album for Village Green, the composer teases pure, dream-like sine wave tones from recondite, early-to-mid 20th century instruments like the ondes martenot, the Cristal Baschet and the glass harmonica.

De Wardener melds these seamlessly with heavily manipulated Buchla and Oberheim analogue synthesisers, grand pipe organs pitched down several octaves (or with all the stops pushed in “so that the sound collapses”) and miscellaneous exotic but precisely applied acoustic percussion, most of it courtesy of prodigious jazz drummer Moses Boyd.

Yet for all its vintage kit, this is no techno-historical grab bag or sonic museum piece. Nor is it merely an exercise in arch retro-futurism.

Kolmar, over two years in the making, is often ravishingly mellifluous and emotionally stirring, while simultaneously retaining the power to disorient – provoking and unsettling the ear as readily as charming and seducing it.

Propelled and defined by such playful means of disrupting default creative gesture, Kolmar is the work of a musical adventurer eager to map terra incognita, albeit using some resonant contours of the past.

Crucially, de Wardener’s delight in pure tone and ingenuous joy in the sculptural possibility of sound are as palpable as they are persuasive.

Time travel has rarely sounded so compelling.

Welcome to the brave new old world.

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REMIND ME: THE CLASSIC ELEKTRA RECORDINGS 1978-1984 (7/19)

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