7.09 & 7.16 New Release Book

RELEASE DATES: 7.09.21/7.16.21 | ORDERS DUE BY 6.18.21/6.25.21

THE WALLFLOWERS EXIT WOUNDS

NEW WEST RECORDS

VOIVOD | A PLACE TO BURY STRANGERS | THE GOON SAX

SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE

•

+

SPECIAL SALE: 10% OFF SELECTED RELEASES

Flash Sale! 10% off selected releases across the Soul Jazz Records catalogue! Your chance to stock up on 100% essential music! Hurry, selling fast!

For a comprehensive list of sales titles please ask your Redeye sales rep.

Label manager: Jeep Ward

877-733-3931 x225

jeep@redeyeworldwide.com

No shipments outside of North America ••S o u l

J a z z R e c o r d s • S o h o , L o n d o n , U K • w w w . s o u l j a z z r e c o r d s . c o . u k • @ s o u l j a z z r e c o r d s ••

PERPETUAL GROOVE

Having just released their first album in a decade, and a music video for the track, “Spirit Bear,” the roller coaster again seems to be ascending towards it highest peak yet, with the overall world of PGroove seemingly on more solid ground than it has ever been, possibly ever before.

– Jambands.com Tour Dates 2021 Charleston, SC • 6.24.21 • The Charleston Pour House

Rocky Mount, VA • 10.22.21 • Harvester Performance Ctr

Charleston, SC • 6.25.21 • The Charleston Pour House

Charlotte, NC • 10.23.21 • The Neighborhood Theatre

Asheville, NC • 6.26.21 • SAHAE

Hamden, CT • 10.26.21 • Space Ballroom

Columbia, SC • 9.23.21 • The Main Course

Pawling, NY • 10.27.21 • Darryl’s House

Birmingham, AL • 9.24.21 • Saturn

Burlington, VT • 10.28.21 • Higher Ground

Savannah, GA • 9.25.21 • Two Tides Brewing

Brooklyn, NY • 10.29.21 • Brooklyn Bowl

Asheville, NC • 10.1.21 • The Orange Peel

Alston, MA • 10.30.21 • Brighton Music Hall

Nashville, TN • 10.2.21 • The Basement East

Denver, CO • 11.5.21 • Ophelia’s

Raleigh, NC • 10.15.21 • Lincoln Theatre

Denver, CO • 11.6.21 • Ophelia’s

Washington D.C. • 10.16.21 • Union Stage

Atlanta, GA • 11.24.21 • Terminal West

Baltimore, MD • 10.17.21 • Baltimore Sound Stage

Atlanta, GA • 11.26.21 • Terminal West

Pittsburgh, PA • 10.19.21 • Thunderbird Music Hall

Athens, GA • 12.30.21 • Georgia Theatre

State College, PA • 10.20.21 • State Theatre

Athens, GA • 12.31.21 • Georgia Theatre

Ardmore, PA • 10.21.21 • Ardmore Music Hall

Sweet Oblivious Antidote 710184765427

CD

All This Everything

710184767322

CD

Perpetual Groove

710184756821

CD

Perpetual Groove

710184756838

Vinyl

Sunburned Hand of the Man

PICK A DAY TO DIE NEW PRESSING! BACK IN PRINT! LP-TLR-133

Format: LP (with download) UPC: 711574915217

Sunburned Hand of the Man might be the last of the great American free rock collectives. There was a time, not too long ago, when every region of this great republic could boast of its own visionary troupe of seekers and improvisers, thrumming at the frequency of the illuminated world. There was Pelt in the south and Jackie-O Motherfucker in the Pacific northwest, No-Neck Blues Band in New York and the iridescent Jewelled Antler out in the Bay Area. And up in the New England wilds, there was The Sunburned Hand of the Man. It was a glorious time to be a weirdo, even amidst the smoldering wreck of the George W. Bush administration.

While the pale white hipsters of the early millennial New York rock scene were cutting the canon of American music to a thin rail of pre-approved bands and albums, the amorphous free rock tribes were expanding it boundlessly. It was all in there. A veritable head music awakening. Loft jazz and European free improv, Xpressway and Takoma, Jandek and Elizabeth Cotton, the Taj Mahal Travelers and the Grateful goddamn Dead. David Keenan of The Wire memorably called it the New Weird America. It felt to me like the mystical democracy of Walt Whitman. It was never arch or jittery or wiry; it sprawled like the continent and massed like the seas. It produced some of the most singularly thrilling performances that I ever had the privilege of witnessing. Most of those groups have since gone dormant—disbanded entirely or decomposed into smaller units and solo projects. But the Sunburned Hand of the Man remains.

Or rather, we might say that the Sunburned Hand has returned. The sudden appearance of the phenomenal Headless in late 2019 felt like something of a resurfacing. There had, of course, been a steady trickle of obscuro cassettes and CDRs over the years, filling out an already bewilderingly immense and impossible to master discography. But Headless felt like their first proper album since the release of the Kieran Hebden-produced A on Ecstatic Peace! all the way back in 2010. It appears that it was no one-off.

When Sunburned settled on Pick A Day to Die as their new album’s title, I imagine it sounded more like a cool-ass James Bond movie than a grim memento mori for a plague-stricken nation. But here we are. Assembled from recently revisited recording sessions from between 2007 and 2017, Pick A Day to Die captures the full range of Sunburned’s sonic jive. The chiming opener “Dropped a Rock” situates Jeremy Pisani’s lovely acoustic guitar within a vast ECM-like spaciousness, even as knocks and creaks of percussion and the almost-animal whine of electronics suggest some enclosing menace just beyond the frame. The tension is eventually relieved by the motorik rip of the killer title track. “Let’s feel the midnight,” vocalist Shannon Ketch commences a solemn Beefheart-esque rant about jet black leather diapers and eightpiece chicken dinners. The greasy cycle-delica of “Pick a Day to Die” is a good reminder that Sunburned always rocked harder and, if they felt like it, nastier than their compatriots in the early aughts shamanic underground. Ketch barks at you nonsensically to “Taste the campfire!” like Iggy taunting the bikers on Metallic K.O. And, indeed, after the space disco nitrous hit of “Flex,” they are back at it. The tight “Black Lights” is more rumble music. The long demented eastern-tinged odyssey “Initials” dominates the second side, laying malfunctioning computer vocals over a serpentine guitar line. The savage album closer “Prix Fixe” is an aborted hardcore number that slowly gives way to bluesy desert rock blowout. The legendary J Mascis lends his inimitable lead guitar to some “Maggot Brain”-like acid rock ascendance.

The thing that one has to remember about Sunburned Hand of the Man is that while they were no less committed to vast, ritualistic summonings than their siblings in the American free rock underground, they were perhaps uniquely capable of channeling that cosmic funk. There’s a throb and a groove to Sunburned’s music that made it as much body music as head music. This is a different kind of American weirdness than that which conjures ghosts and threatens to tear down the veil between worlds. This is “free your ass” weirdness that chugs and bounces. It makes us want to get out of our heads where we’ve all been trapped these past months and drive on the freeway or bop down the street or loaf like Walt Whitman in the stoned sun. Like the man said, it makes us want to taste the campfire. Pick A Day to Die. Sure, but definitely not today.

1. Dropped a Rock (4:00) 2. Pick A Day To Die (7:25) 3. Flex (4:01) 4. Black Lights (2:37) 5. Solved (4:11) 6. Initials (9:42) 7. Prix Fixe (4:54)

SALES POINTS - The first widely-released album in ten years from these long-running and massively influential underground psychedelic mainstays. Prior titles on Ecstatic Peace!, Eclipse, Smalltown Supersound, and many more labels.

- 140g black vinyl LP housed within a matte jacket bearing new artwork by Jacy Webster (with multiformat Bandcamp-enabled download). As a part of the Three Lobed 20th Anniversary series it has an OBI strip featuring an essay by Tyler Wilcox (Aquarium Drunkard).

PRAISE FOR “PICK A DAY TO DIE” - “…back with their best album in over a decade.”

Uncut - “Pick A Day to Die is, after more than two decades of playing, performing, exploring and deconstructing, one of the strongest summaries of Sunburned Hand of the Man’s musical universe to date." Treble - “…it feels good to have the band’s psychedelic scrawl fuming out of the speakers once more…” Raven Sings The Blues - “A very welcome return.” The Quietus - “Recommended if you wish the Grateful Dead sounded more like Can.” Uproxx - RIYL: Sonic Youth, No Neck Blues Band, Sun City Girls, krautrock, instrumental rock, out music, free jazz, having a damn fine time, self-improvement.

- Late 2021 live dates are anticipated.

Three Lobed Recordings PO Box 2345 Jamestown, NC 27282 www.threelobed.com

--Brent Sirota—

Distributed by Redeye / 505 Eno Street / Hillsborough, NC 27277 / stephen@redeyeworldwide.com / (877) 733-3931 ext 249

MARYANNE AMACHER SOUND CHARACTERS 2 TZA CD 8055 Composer Series Maryanne Amacher.

TEO! A Four Part Sonic Sculpture: Pt 1 * Pt 2 * Pt 3 * Pt 4 (A) & (B) FOCUS ON A TZADIK CLASSIC One of contemporary music’s greatest and most elusive mavericks returns to Tzadik with yet another CD of ear bending electronic sounds. A student of Stockhausen and close collaborator of John Cage and David Behrman, Amacher has been creating acoustic art, electronic soundscapes and site-specific installation work since 1967. A new CD of Amacher compositions is a true cause for celebration and Teo! Is one of her greatest works. The winner of Prix Ars Electronica in the Digital Musics category, Teo! premiered in the Esplanade of the Palacio de Bellas Artes in Mexico City and is a collaboration with scientists at the Sun Pyramid of Teotihuacan. An absolutely stunning electronic masterpiece!

7

02397-8055 - 2

6

File Under: Electronic/Avant Garde/Classical

Street Date: July 23, 2021 Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

ORDER FORM Street Date: 7.09.21 | Order Date: 6.18.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

607396649723

CD-NW-6497

Wallflowers, The

Exit Wounds

CD

$9.30

$13.99

607396545612

LP-NW-5456

Wallflowers, The

Exit Wounds

Vinyl

$17.30

$25.99

607396551910

LP-NW-5519LE

Wallflowers, The

Exit Wounds (INDIE RETAIL EXCLUSIVE, PURPLE VINYL)

Vinyl

$17.30

$25.99

607396552313

LP-NW-5523X

Wallflowers, The

Exit Wounds (Indie Exclusive, Super Deluxe Gray & Purple Marble Vinyl)

Vinyl

$46.70

$69.99

191401162326

CD-OLE-1623

Goon Sax, The

Mirror II

CD

$10.65

$15.99

191401162319

LP-OLE-1623

Goon Sax, The

Mirror II

Vinyl

$16.00

$23.99

191401162333

LP-OLE-1623LE

Goon Sax, The

Mirror II (WHITE VINYL, INDIE EXCLUSIVE)

Vinyl

$16.00

$23.99

789993991174

CD-IARC-0039

Locks, Damon - Black Monument Ensemble

NOW

CD

$8.65

$12.99

789993991167

LP-IARC-0039

Locks, Damon - Black Monument Ensemble

NOW

Vinyl

$16.00

$23.99

789993991297

LP-IARC-0039LE

Locks, Damon - Black Monument Ensemble

NOW (CRIMSON & BLACK VINYL, INDIE EXCLUSIVE)

Vinyl

$18.00

$26.99

889030021427

CD-YT-214

Koreless

Agor

CD

$10.65

$15.99

889030021410

LP-YT-214

Koreless

Agor

Vinyl

$16.65

$24.99

848064013204

LP-RGM-1320LE

Voivod

The Outer Limits ( “Rocket Fire” Red with Black Smoke Vinyl)

Vinyl

$16.00

$23.99

848064012009

LP-RGM-1200LE

McDaniels, Eugene

Headless Heroes of the Apocalypse (Limited, 50th Anniversary Purple Vinyl Edition)

Vinyl

$18.00

$26.99

848064012283

LP-RGM-1228LE

Spacehog

Resident Alien (Limited 2-LP Pink Vinyl)

Vinyl

$26.65

$39.99

848064012313

LP-RGM-1231LE

Tiny Tim

God Bless Tiny Tim (Limited Yellow Tulip Vinyl)

Vinyl

$17.30

$25.99

848064012511

CD-RGM-1251LE

DEVO’s Gerald V. Casale

AKA Jihad Jerry & The Evildoers (Expanded Edition)

CD

$10.00

$14.99

848064012412

LP-RGM-1241LE

Sandals, The

The Endless Summer (“Ultra” Violet Vinyl)

Vinyl

$16.65

$24.99

848064000037

CD-RGM-0003

Grateful Dead

Dick’s Picks Vol. 34—Rochester, NY 11/5/77 (3-CD Set)

CD

$33.30

$49.99

848064000044

CD-RGM-0004

Grateful Dead

Dick’s Picks Vol. 35—San Diego, CA 8/7/71, Chicago, IL 8/24/71 (4-CD Set)

CD

$38.66

$57.99

634457279629

CD-YEP-2796

Sharp, Graham

Truer Picture

CD

$10.65

$15.99

634457279612

LP-YEP-2796X

Sharp, Graham

Truer Picture (FIRST EDITION BLUE VINYL)

Vinyl

$16.65

$24.99

191400024014

SI-4AD-0240

Harding, Aldous

Old Peel

Vinyl

$5.30

$7.99

634457045538

CD-FTK-184

Packs

Take the Cake

CD

$8.00

$11.99

634457045507

LP-FTK-184

Packs

Take the Cake

Vinyl

$12.65

$18.99

634457045521

LP-FTK-184LE

Packs

Take the Cake (Indie Exclusive Clear Blue Vinyl)

Vinyl

$12.65

$18.99

5051083164757

CD-DFG-8816

Popa Chubby

Tinfoil Hat

CD

$11.30

$16.99

5051083164771

LP-DFG-016

Popa Chubby

Tinfoil Hat

Vinyl

$19.30

$28.99

5050580759350

LP-TIMR-12011

Cold Diamond & Mink

From Us To You... With Love

Vinyl

$13.30

$19.99

5056321637512

CD-HDB-058

Foodman

Yasuragi Land

CD

$10.00

$14.99

5056321637505

LP-HDB-058

Foodman

Yasuragi Land

Vinyl

$13.30

$19.99

5060609663513

LP-TRU-270LE

Russell, Alice

To Dust (Bonus Track Edition)

Vinyl

$17.30

$25.99

618119855192

CD-ADR-28

Rousay, Claire

A Collection

CD

$14.65

$21.99

5060845320232

LP-HOUND-143LE

SCALPING

Flood (TRANSPARENT VIOLET VINYL)

Vinyl

$9.30

$13.99

844667052077

LP-WABB-090

Tabane, Philip and His Malombo Jazzman

The Indigenous Afro-Jazz Sounds Of

Vinyl

$18.00

$26.99

634457050136

LP-GBR-118C

Hekt, Lande

Going To Hell (PINK VINYL)

Vinyl

$13.30

$19.99

845121031546

LP-NMR-0085LE

Sweany, Patrick

That Old Southern Drag (SEAFOAM GREEN VINYL)

Vinyl

$14.00

$20.99

5060168042262

LP-UCKE-001

EXUM

Xardinal Coffee

Vinyl

$16.65

$24.99

630808829147

CD-WWR-4776

Joy, Samara

Samara Joy

CD

$10.00

$14.99

630808829154

LP-WWR-4776LE

Joy, Samara

Samara Joy (VIOLET & BLACK MARBLE VINYL)

Vinyl

$22.00

$32.99

DEAL

ORDER FORM Street Date: 7.16.21 | Order Date: 6.25.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

634457054042

CD-DED-002

A Place To Bury Strangers

Hologram

CD

$6.65

$9.99

634457054035

LP-DED-002

A Place To Bury Strangers

Hologram (NEON ORANGE VINYL)

Vinyl

$10.00

$14.99

634457054059

LP-DED-002LE

A Place To Bury Strangers

Hologram (RED & TRANSPARENT BLUE VINYL, INDIE EXCLUSIVE, LIMITED EDITION)

Vinyl

$11.30

$16.99

759656024662

LP-KRS-246R

Smith, Elliott

Elliott Smith (25th Anniversary Remaster)

Vinyl

$13.30

$19.99

759656024655

LP-KRS-246C

Smith, Elliott

Elliott Smith (25th Anniversary Remaster / Indie Exclusive Purple Vinyl)

Vinyl

$13.30

$19.99

759656052412

LP-KRS-524

Smith, Elliott

From A Basement On The Hill

Vinyl

$16.65

$24.99

759656062947

LP-KRS-629LE

Kleenex/Liliput

First Songs (LIME GLASS VINYL, INDIE EXCLUSIVE)

Vinyl

$16.65

$24.99

759656069144

LP-KRS-691X

Xiu Xiu

Dear God, I Hate Myself (Deluxe Reissue, Grey Vinyl, Indie Exclusive)

Vinyl

$16.00

$23.99

759656069113

LP-KRS-691X2

Xiu Xiu

Dear God, I Hate Myself (Deluxe Reissue, Cloudy Clear Vinyl, Indie Exclusive)

Vinyl

$16.00

$23.99

823134006720

CD-DAPT-067

Cochemea

Vol. II: Baca Sewa

CD

$9.30

$13.99

823134006713

LP-DAPT-067

Cochemea

Vol. II: Baca Sewa

Vinyl

$13.30

$19.99

659457245214

LP-STH-2452

Stimulator Jones

Low Budget Environments Striving For Perfection

Vinyl

$12.00

$17.99

781484112129

CD-DC-1121

Sweeney, Matt & Bonnie Prince Billy

Superwolves

CD

$11.30

$16.99

781484112112

LP-DC-1121

Sweeney, Matt & Bonnie Prince Billy

Superwolves

Vinyl

$22.00

$32.99

781484112143

CS-DC-1121

Sweeney, Matt & Bonnie Prince Billy

Superwolves

Cassette

$8.65

$12.99

781484075226

CD-DC-752

Hanson, Cory

Pale Horse Rider

CD

$11.30

$16.99

781484075219

LP-DC-752

Hanson, Cory

Pale Horse Rider

Vinyl

$20.65

$30.99

090771016027

CD-BEAT-160

Garland Records

Pacific Northwest Pandora’s Box

CD

$11.30

$16.99

090771414311

LP-BEAT-160LE

Garland Records

Pacific Northwest Pandora’s Box (BLUE VINYL)

Vinyl

$16.65

$24.99

090771824721

CD-MH-247

J Ann C Trio, The

At The Tan-Tar-A

CD

$11.30

$16.99

090771824714

LP-MH-8247

J Ann C Trio, The

At The Tan-Tar-A (GOLD VINYL)

Vinyl

$16.65

$24.99

090771413017

LP-MH-8087LE

Something Weird

Greatest Hits (YELLOW VINYL)

Vinyl

$23.30

$34.99

5054429144994

LP-AHED-030

DJ Food

Kaleidoscope \+ Companion (4 LPs, MARBLE BLUE VINYL & MARBLED ORANGE & RED VINYL, INDIE EXCLUSIVE)

Vinyl

$24.65

$36.99

4250506838782

CD-HDYA-07

Various Artists

Too Slow To Disco Presents: Yacht Soul Covers

CD

$10.00

$14.99

4250506838805

LP-HDYA-07

Various Artists

Too Slow To Disco Presents: Yacht Soul Covers

Vinyl

$20.65

$30.99

4250506838799

LP-HDYA-07LE

Various Artists

Too Slow To Disco Presents: Yacht Soul Covers (YELLOW/ORANGE VINYL, INDIE EXCLUSIVE)

Vinyl

$21.30

$31.99

809236190628

CD-VOID-006

Leatherface

Mush

CD

$10.00

$14.99

809236190611

LP-VOID-006

Leatherface

Mush

Vinyl

$16.65

$24.99

809236190697

LP-VOID-006LE

Leatherface

Mush (WHITE VINYL, INDIE EXCLUSIVE)

Vinyl

$18.65

$27.99

5053760070344

CD-LEE-1

Lee, Toby

Aquarius

CD

$10.00

$14.99

5053760070368

LP-LEE-1

Lee, Toby

Aquarius

Vinyl

$20.00

$29.99

5053760070351

CD-LEE-1X

Lee, Toby

Aquarius (2CD)

CD

$12.65

$18.99

5053760070375

LP-LEE-1X

Lee, Toby

Aquarius (2LP)

Vinyl

$24.00

$35.99

5065002142337

CD-SUBC-30

Murry, John

The Stars Are God’s Bullet Holes

CD

$11.30

$16.99

5065002142351

LP-SUBC-30

Murry, John

The Stars Are God’s Bullet Holes

Vinyl

$20.00

$29.99

727431747082

CD-ADR-27

Knowler, Cameron

Places of Consequence

CD

$8.65

$12.99

727431747075

LP-ADR-27

Knowler, Cameron

Places of Consequence

Vinyl

$13.30

$19.99

5060845320454

CD-FABRIC-209

Overmono

fabric presents Overmono

CD

$8.00

$11.99

726667037097

CD-MSR-123

Tonnon, Anthonie

Leave Love Out of This

CD

$6.65

$9.99

726667037080

LP-MSR-123

Tonnon, Anthonie

Leave Love Out of This (INDIE EXCLUSIVE)

Vinyl

$13.30

$19.99

634457050983

LP-HAUSMO-108

Damiana

Vines

Vinyl

$13.30

$19.99

634457060906

LP-GBR-128

Accidente

Canibal

Vinyl

$11.30

$16.99

5055869548137

LP-BLANG-92

Becasses, Les

Bloody Winter

Vinyl

$10.65

$15.99

DEAL

NEW RELEASES Street Date: 7.09.21 | Order Date: 6.18.21

THE WALLFLOWERS “EXIT WOUNDS” STREET DATE: JULY 9, 2021

1. Maybe Your Heart’s Not In It No More 2. Roots And Wings 3. I Hear The Ocean (When I Wanna Hear Trains) 4. The Dive Bar In My Heart 5. Darlin’ Hold On 6. Move The River 7. I’ll Let You Down (But Will Not Give You Up) 8. Wrong End Of The Spear 9. Who’s That Man Walking ‘Round My Garden 10. The Daylight Between Us Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it.

And you always hear it with The Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over.

But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, The Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. That life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over.

Exit Wounds, which, true to its title, is an ode to people – individual and collective – that have, to put it mildly, been through some stuff.

“I think everybody – no matter what side of the aisle you’re on – wherever we’re going to next, we’re all taking a lot of exit wounds with us,” Dylan says. “Nobody is the same as they were four years ago. That, to me, is what Exit Wounds signifies. And it’s not meant to be negative at all. It just means that wherever you’re headed, even if it’s to a better place, you leave people and things behind, and you think about those people and those things and you carry them with you. Those are your exit wounds. And right now, we’re all swimming in them.”

LP

Sel. #: NW5456LP CONFIG: Jacket, 1x LP, Black Vinyl UPC: 607396545612 Box Lot: 20 Count Genre: Rock

6

07396 54561 2

TheWallflowers.com

INDIE EXCLUSIVE LP Sel. #: NW5519 CONFIG: Jacket, 1xLP, Purple Color Vinyl UPC: 607396551910 Box Lot: 20 Count Genre: Rock

6

07396 55191 0

CD

Sel. #: NW6497CD CONFIG: Digiwallet, sticker UPC: 607396649723 Box Lot: 30 Count Genre: Rock

6

07396 64972 3

NewWestRecords.com

THE GOON SAX Mirror II SELLING POINTS

• INDIE STORE EXCLUSIVE WHITE VINYL LIMITED TO 1,000 COPIES • INCLUDES DIE-CUT LP JACKET • FIRST NEW MUSIC SINCE THE 2018 LP WE’RE NOT TALKING • TOURING PLANNED FOR 2021-2022 • PRESS COVERAGE IN THE FADER, PITCHFORK, NPR, THE GUARDIAN...

“Devastatingly great...” – Rolling Stone Coming July 9th: The long awaited third album from The Goon Sax, Mirror II, available on indie exclusive white vinyl.

Since forming in high school, Brisbane band The Goon Sax—the trio of Riley Jones, Louis Forster, and James Harrison, best friends who take turns writing, singing, and playing each instrument— have been celebrated for their unpretentious, kinetic homemade pop. Mirror ll, The Goon Sax’s first album for Matador, is something else entirely: a new beginning, a multi-dimensional eclectic journey of musical craftsmanship that moves from disco to folk to no wave skronk with staggering cohesion. Gone are the first-person insecurities of their school days—they’ve been made expansive, more universal, more weird.

Mirror II is intense, the sum of everything that has always made The Goon Sax great: robust sprechgesang, raw lyrical candor, ascending guitar pop structures that would make the most storied jangle bands blush, elevated into their newfound narrative verisimilitude and expanded sonic experimentations. Each member’s idiosyncratic style comes across on record: Riley’s bubblegum noise is more present than ever before, Louis’ moody, supernatural avant-pop, and James’ psychedelic folk.

“The Brisbane guitar-pop trio infuses conversational vocals with deep emotional resonance” – Pitchfork “Fans of early Talking Heads albums, listen up. This group of teenagers from Brisbane could be your favorite new band.” – NPR

TRACKLIST

01. IN THE STONE 02. PSYCHIC 03. TAG 04. TEMPLES 05. THE CHANCE 06. BATHWATER 07. DESIRE 08. CARPETRY 09. TIL DAWN 10. CATERPILLERS

Indie Exclusive White LP OLE-1623-LPE 191401162333

134 Grand St New York, NY 10013 United States (212) 995-5882

Black LP OLE-1623-LP 191401162319

RELEASE DATE: JULY 9, 2021 NON EXPORTABLE

CD OLE-1623-CD 191401162326

505 Eno Street Hillsborough NC 27278 United States (877) 733-3931

Damon Locks – Black Monument Ensemble NOW Originally conceived as a medium for Chicago-based multi-media artist/activist Damon Locks’s sample-based sound collage work, Black Monument Ensemble (BME) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. A genuinely multi-generational collective, ages of BME members range from 9 to 52 years old; members include instrumentalists and fellow IARC recording artists Angel Bat Dawid and Ben LaMar Gay. Their debut album Where Future Unfolds was released in 2019 by International Anthem glowing praise; landing at #3 on Bandcamp’s “Best Albums of the Year,” #25 on WIRE Magazine’s “Best Albums of 2019,” and being repeatedly dubbed “The Best Album of 2019” by BBC/Worldwide radio titan Gilles Peterson.

Locks & BME’s new album NOW was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”

IARC0039 Damon Locks – Black Monument Ensemble NOW Format/Release Date: LP/CD – July 9th, 2021

Classic Black LP – 789993991167

CD – 789993991174

Ltd Edition RedEye Direct Crimson & Black color vinyl LP – 789993991297

North & South American Distribution: Tim Jones – tim@redeyeworldwide.com

In addition to our Classic Black vinyl & CD, a limited-edition Crimson & Black color vinyl version of NOW available to indie retailers only, RedEye direct, for the first pressing only.

International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com

Label Contact: Scottie McNiece – scottie@intlanthem.com

KORELESS AGOR

STREET DATE: 07/09/2021

There is an idea of hidden depths suggested by the title of Koreless’ debut album. Agor is the Welsh word for open and it’s an apt name for a recording which exists at sensory thresholds, helping guide the listener from one realm to another less visited.

LP: YT-214-LP File Under: Alternative Vinyl non-returnable

CD: YT-214-CD File Under: Alternative

TRACK LISTING A1 A2 A3 A4 A5 A6

Yonder Black Rainbow Primes White Picket Fence Act(s) Joy Squad

B1 B2 B3 B4

Frozen Shellshock Hance Strangers

Agor sits at the intersection between technology, nature and humour, and the ways in which these worlds collide vary throughout the project.

Through Koreless’ impressive and meticulous production, the music on Agor conjures images of mythology, fantasy, cult, dance and wonder, and provokes juxtaposed feelings of pure serenity and complete chaos, of mind-boggling complexity and of sheer simplicity. It is a human electronic record, with a personal touch buried within each element, and blood and guts where the wires should be.

Koreless, real name Lewis Roberts, is carving out a very unique and varied space in music.

As well as his own releases on Young, including the acclaimed Yugen EP, he has collaborated with Sampha as Short Stories, on David Byrne’s American Utopia, was a collaborator in the writing and producing process of FKA twigs’ critically acclaimed MAGDALENE and recently remixed Caribou and Perfume Genius.

“He’s had an outsized impact considering his scant discography and shy presence, but now the Welsh producer returns in a high-profile way … Time hasn’t dulled the unique shine of his tracks.” – Resident Advisor

134 GRAND STREET, NEW YORK, NY 10013

WWW. Y-O-U-N-G.COM

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

..

SELLING POINTS • The Quebec Band Voïvod Has Long Been One of the Leading Lights of the Canadian Metal Scene • Their Mix of Atonal Riffs, Off-Time Tempo Changes, and Sci-Fi Imagery Set Them Apart from Other Groups North or South of the Border • Their 1993 Album The Outer Limits Is One of the Highlights in Their Catalog • Features a Fantastic Cover of Pink Floyd’s “The Nile Song” • The Album’s Centerpiece, the 17-Minute Long “Jack Luminous,” Is a Prog-Metal Masterpiece • Until Real Gone Music’s Release Earlier This Year, The Outer Limits Had Only Appeared on Vinyl in Europe • Demand Was So Pent-Up That the First Reissue Pressing Sold Out Well Before Street Date • Now, The Outer Limits Returns in a New, Unlimited “Rocket Fire” Red with Black Smoke Pressing • Comes with Jacket and Inner Sleeve Featuring Lyrics Illustrated by the Band’s Drummer, Michel Langevin

iBarcoder Trial

UPC:848064013204 FORMAT: Regular Weight “Rocket Fire” Red with Black Smoke Vinyl PACKAGING: LP Jacket with Printed Inner Sleeve BOX LOT: 50

THE OUTER LIMITS (“Rocket Fire” Red with Black Smoke Vinyl Edition) STREET DATE: JULY 9, 2021 Until we reissued it in early 2021, The Outer Limits had only come out briefly on vinyl in Europe. Which is one reason why demand for our initial LP release of this 1993 record was absolutely INSANE. But the other reason is that The Outer Limits offers the unique blend of atonal riffs, off-time tempo changes, and sci-fi imagery that made this Quebec band such a shining star in the Canadian metal scene. The Outer Limits features a great cover of Pink Floyd’s “The Nile Song” (Voïvod had covered “Astronomy Domine” on their 1989 album Nothingface), but without question the album’s centerpiece is the winding 17-minute song “Jack Luminous,” which is something of a prog-rock masterpiece. Our reissue comes with a jacket and inner sleeve boasting lyrics and drummer Michael Langevin’s illustrations.

Brand-new “Rocket Fire” Red with Black Smoke vinyl pressing!

SIDE ONE FIX MY HEART MOONBEAM RIDER LE PONT NOIR THE NILE SONG THE LOST MACHINE TIME WARP SIDE TWO JACK LUMINOUS WRONG – WAY STREET WE ARE NOT ALONE

SELLING POINTS • Eugene “Gene” McDaniels First Broke Through in the Early ‘60s with Pop Soul Hits Like “A Hundred Pounds of Clay”

eugene mc daniels: headless heroes of the apocalypse

• But by the Time the ‘70s Rolled Around, He Had Re-Christened Himself “the left rev mc d” and Embraced Radical Politics and Psychedelic Soul-Jazz

(Limited, Deluxe 50th Anniversary Purple Vinyl Edition)

• His 1971 Album Headless Heroes of the Apocalypse Is His Ultimate Statement and the Cult Classic Album to End All Cult Classic Albums

“It was a black man in open, conscious resistance of the power that was trying to keep him enslaved—that was me…At last I had a chance to say what I believed in my deepest heart about politics, slavery, and about the genocide of Indians.”—Eugene McDaniels a/k/a the left rev mc d. talking about his album, Headless Heroes of the Apocalypse, Pitch Magazine 2002

SIDE ONE

The Nixon administration tanked the album, Questlove called him a genius, Prince put his music on his Paisley Park party playlist, Aloe Blacc compared him to Gil-Scott Heron and Marvin Gaye, but, as he said, “the lyrics are 10 times more potent”, Beastie Boys, A Tribe Called Quest, Pete Rock, Gravediggaz, Busta Rhymes and De La Soul, among others, sampled tracks from this album, yet most people have never heard of this psychedelic soul jazz underground cult classic or of Eugene McDaniels himself.

Now, 50 years after its release, Headless Heroes of the Apocalypse makes a timely and triumphant return in a special anniversary edition curated by Eugene’s widow, Karen McDaniels. Inside the newly-created gatefold jacket are artwork from Eugene’s private collection and unseen writings, while a 4-page insert features handwritten lyrics, the original lyric sheet, quotes from such admirers as Vernon Reid, Adrian Younge, Chicano Batman, and Alphonse Mouzon (who played on the record along with his Weather Report band-mate Miroslav Vitous) and new liner notes by Mark Anthony Neal, Professor of African and African American Studies, Duke University, Author, and host of Left of Black podcast. Neal’s essay gets to the heart of Headless Heroes: “Years after its release, Headless Heroes of the Apocalypse remains one of the most blatantly political musical tomes ever released commercially by a major label. The album contained critiques of blue-eyed soul (“Jagger the Dagger”), examined the phenomenon of “shopping while black” (“Supermarket Blues”)—years before “racial profiling” entered into the national lexicon— and the futility of race hatred (“Headless Heroes”). “The Parasite” was McDaniels’ most stinging critique though, as he gets at the root of American Imperialism and its relationship to the genocide of America’s native populations.”

Real Gone Music’s deluxe, 50th anniversary release of Headless Heroes of the Apocalypse is limited to 1750 copies pressed in purple vinyl, and cut from the original LP master. It’s an album whose relevance— and prescience—reverberate ever more loudly. To quote the title track: “Better get it together, Better get it together, And see what’s happening, To you and you and you”

SIDE TWO

• Produced by Joel Dorn, and Featuring Weather Report Band-Mates Alphonse Mouzon and Miroslav Vitous • It’s Perhaps the Most Nakedly Political Album Ever Released by a Major Label • Now, Real Gone Music Is Releasing a Deluxe 50th Anniversary Edition of Headless Heroes of the Apocalypse Curated by Eugene’s Widow, Karen McDaniels • Newly-Created Gatefold Jacket • Gatefold Spread Features Art from McDaniels’ Private Collection and Unseen Writings • New, 4-Page Insert Includes Handwritten Lyrics, the Original Lyric Sheet, and Quotes from Such Admirers as Vernon Reid, Adrian Younge, Chicano Batman, and Aloe Blacc • Also Offers Extensive Liner Notes by Mark Anthony Neal, Professor of African and African American Studies, Duke University, Author, and the Host of Left of Black Podcast • Cut from Original LP Master • Purple Vinyl Pressing • Limited to 1750 Copies • An Album Whose Relevance and Prescience Reverberate Ever More Loudly

“The Genius—this is Eugene McDaniels!”

—Questlove

iBarcoder Trial

UPC: 848064012009 FORMAT: Regular Weight Purple Vinyl PACKAGING: Gatefold LP Jacket with 4-Page Insert LIMITED EDITION: 1750 Copies BOX LOT: 50

STREET DATE: JULY 9, 2021 1.

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The Lord Is Back Jagger the Dagger Lovin’ Man Headless Heroes Susan Jane

1. Freedom Death Dance 2. Supermarket Blues 3. The Parasite (for Buffy)

SELLING POINTS • Spacehog was Antony & Royston Langdon, Jonny Cragg, and Richard Steel

>>>>S P A C E >>>>RESIDENT

(Limited 2-LP Pink Vinyl Edition)

• Their 1995 Debut Album Resident Alien Was a Classic Slice of Mid-‘90s Glam • So Entitled Because the Band Were All Leeds Expats Living in New York • Background of Album Cover Matches That of British Passport • Album Went Gold • Features the Hit “In the Meantime” • First Widespread Vinyl Release to Music Retail • 2-LP Set • Newly-Created Gatefold Packaging • Pink Vinyl Pressing

H O G <<<< ALIEN<<<<

STREET DATE: JULY 9, 2021 It’s the first widespread vinyl release LP for this classic slab of mid-’90s British glam!

Recorded at Bearsville in NY by a bunch of Leeds expats (hence the Resident Alien title), this Gold album features the hit “In the Meantime” and lots of other hooks ‘n’ riffs from “The Band That Fell to Earth” (featuring Antony & Royston Langdon, Jonny Cragg, and guitar hero Richard Steel). Newlycreated gatefold packaging housing a limited pink vinyl pressing (Note: watch out for the “Untitled” track!).

SIDE ONE 1.

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In the Meantime Spacehog Starside Candyman

SIDE TWO 1.

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Space Is the Place Never Coming Down (Part I) Cruel to Be Kind Ship Wrecked Only a Few

SIDE THREE 1. The Last Dictator 2. Never Coming Down (Part II) 3. Zeroes SIDE FOUR 1. To Be a Millionaire…Was It Likely?

2. Untitled

iBarcoder Trial "

!"#$! #%&&"

'

UPC: 848064012283 FORMAT: Regular Weight Pink Vinyl PACKAGING: Gatefold LP Jacket BOX LOT: 20

SELLING POINTS

• Tiny Tim a.k.a. Herbert Buckingham Khaury Was Far More Than a Mere Novelty Act • Though Best Known for Getting Married to Miss Vicki on The Tonight Show and for His Farcical Falsetto-and-Ukulele Hit “Tiptoe Thru’ the Tulips with Me,” Tim Was Actually His Generation’s Leading Scholar of Vaudeville and Tin Pan Alley Music • Tim Was Also Blessed with a Stupendous Vocal Range, from Baritone to his Trademark Falsetto, and Was Adept on Not Just Ukulele but Guitar, Mandolin, and Violin • His Debut Album, 1968’s God Bless Tiny Tim, Displayed Both His Knowledge of Early 20th Century Pop Music and His Multi-Faceted Talent • The Album Also Married Tim’s Unique Vision with Amazingly Lush Production by Richard Perry, Who Would Go On to Produce Everybody from Diana Ross to Rod Stewart • God Bless Tiny Tim Featured an Amazing Array of Instruments Including Didgeridoo, Koto, Celeste, and Tympani, with Nary a Ukulele to Be Found on Many Tracks • The Record Also Was Dusted with Some of the Period’s Psychedelic Touches, and Featured anUnexpected Cover of Sonny Bono’s “I Got You, Babe” • Pressed in Yellow “Tulip” Vinyl • Limited Edition of 700 iBarcoder Trial "

!"#$! #%&'%

'

UPC: 848064012313 FORMAT: Regular Weight Yellow “Tulip” Vinyl PACKAGING: LP Jacket LIMITED EDITION: 700 Copies BOX LOT: 30

TINY TIM

GOD BLESS TINY TIM (Limited Yellow Tulip Vinyl Edition) STREET DATE: JULY 9, 2021 If you think, based on “Tiptoe Thru’ the Tulips with Me” and his nationally televised marriage to Miss Vicki on The Tonight Show, that Tiny Tim was a mere novelty act, think again.

Behind that ukulele, pasty white make-up, falsetto, and prominent proboscis was a serious scholar of American music, perhaps the only performer of the ‘60s (and certainly the only performer of his age group) keeping the torch alive for songs from vaudeville and Tin Pan Alley. Tim (born Herbert Buckingham Khaury) also was blessed with a stupendous vocal range, from baritone to his trademark falsetto, and was adept on not just ukulele but guitar, mandolin, and violin. Even with all that talent, though, had Tiny Tim just made a straight ‘20s trad jazz/pop/folk album for his debut record, God Bless Tiny Tim would not be the stone-cold cult classic it is today. But the album married Tim’s innate eccentricity with stupendously lush production from Richard Perry, who was fresh from working on Captain Beefheart’s debut, Safe as Milk, and would go on to produce everybody from Diana Ross to Rod Stewart. With Perry’s production, and Artie Butler’s arrangements, God Bless Tiny Tim featured an incredible assortment of instruments, from didgeridoo to koto to celeste to tympani, with nary a ukulele to be found on many of the tracks. Furthermore, the album was sprinkled with some of the psychedelic fairy dust that was in the air at the time (1968), full of non sequiturs both verbal and musical (like the cover of Sonny Bono’s “I Got You Babe”). The result: an album that stands outside of time, defying categorization or description. Now, Real Gone Music is releasing God Bless Tiny Tim on LP in an oh-so-appropriate yellow “tulip” vinyl edition limited to 700 copies. This record belongs in any serious—or not-so-serious!—record collection.

SONGS

SIDE ONE 1.

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7.

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Welcome to My Dream Tip-Toe Thru’ the Tulips with Me Livin’ in the Sunlight, Lovin’ in the Moonlight On the Old Front Porch The Viper Stay Down Here Where You Belong Then I’d Be Satisfied with Life Strawberry Tea

SIDE TWO 1.

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The Other Side Ever Since You Told Me That You Love Me (I’m a Nut) Daddy, Daddy, What Is Heaven Like?

The Coming Home Party Fill Your Heart I Got You, Babe This Is All I Ask

SELLING POINTS • In 1964, The Sandals Were Still The Sandells with a Great but Obscure Surf Music Album Called Scrambler! to Their Credit • But Then They Hooked Up with Surfing Documentary Maker Bruce Brown • Brown Had the Idea of Following Surfers Around the World as They Chased the Summer Sun in Search of the Perfect Wave • The Sandells Pitched Brown on Including a Song of Theirs in the Movie but Brown Ended Up Using Most of the Album • The Blend of Easygoing Surf Instrumentals with Brown’s Spectacular Footage Proved to Be Pure Magic • The Film The Endless Summer Ran for a Full Year in NYC and Proved Instrumental in Spreading Surf Culture Worldwide • The Sandells Re-Named Themselves The Sandals, Re-Named Their Album The Endless Summer, and Became Surf Music Legends • Now, Real Gone Music Is Re-Issuing The Endless Summer on Vinyl for the First Time Domestically • Features the Smash “Theme from Endless Summer” • “Ultraviolet” Vinyl Pressing • Great Way to Kick Off the Summer! iBarcoder Trial

UPC: 848064012412

FORMAT: Regular Weight “Ultraviolet” Vinyl PACKAGING: LP Jacket BOX LOT: 50

SELLING POINTS • In 2005, DEVO’s Gerald V. Casale Released the Notorious Jihad Jerry & The Evildoers Album as a Limited Edition CD

THE SANDALS:

The Endless Summer (“Ultraviolet” Vinyl Edition) STREET DATE: JULY 9, 2021 You never know when the magic is going to happen. Witness the saga of The Sandals’ 1966 album The Endless Summer. The San Clemente, CA-based surf group The Sandells had released their album Scrambler! on the World Pacific label in 1964 to little notice when they met up with surf documentary maker Bruce Brown. Brown had already made five surf-oriented movies, also largely ignored, but had hit upon an intriguing idea for his next one: tracking two surfers across the world as they followed the Summer sun from the Northern Hemisphere to the Southern Hemisphere and back in search of the perfect wave. Brown was just beginning to edit his footage when The Sandells played him tunes from Scrambler!, hoping to sell him a song for the film. Brown was so smitten by the music that he used a number of tunes from Scrambler!, including the classic “Theme from Endless Summer,” which, even though it was recorded two years earlier, became the film’s musical calling card. The blend of the easygoing surf instrumentals with Brown’s spectacular footage proved to be pure gold: the movie The Endless Summer ran in New York for a full year and was instrumental (no pun intended) in spreading surf culture worldwide. As for The Sandells, they changed their name to The Sandals, and re-released Scrambler! as The Endless Summer in 1966, ensuring that the album took its rightful place as one of the greatest surf instrumental records of all time. Our Real Gone reissue comes in “ultraviolet” vinyl with the original artwork…first-ever domestic reissue, sunscreen not included!

AKA JIHAD JERRY & THE EVILDOERS

• Features Band Members JOSH FREESE, BOB MOTHERSBAUGH, MARK MOTHERSBAUGH, and the late BOB CASALE

(DELUXE EXPANDED EDITION)

• Includes the Unreleased Tracks “Huboon Stomp,” “Pieces of Joe,” and Casale’s Album-Closing Benediction, “The Manifesto” • Also Includes a Newly-Recorded Track, “I’m Gonna Pay U Back,” Featuring Oingo Boingo Guitarist Steve Bartek with Members of DEVO • New Cover Art by Acclaimed Woodcut Artist Tomo77 • First Release of New Music by DEVO Members in Over 10 Years iBarcoder Trial

UPC: 848064012511

FORMAT: Compact Disc PACKAGING: Jewel Case with Booklet BOX LOT: 30

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Scrambler 6-Pac Drifting Theme from Endless Summer Good Greeves Decoy

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Out Front Wild as the Sea Trailing Jet Black Lonely Road TR-6

DEVO’S GERALD V. CASALE:

• Considered to Be the Great Lost DEVO Album

• Now, Real Gone Music Is Reissuing Jihad Jerry & The Evildoers in a New, Deluxe Expanded Edition

SIDE ONE

STREET DATE: JULY 9, 2021 In 2005, DEVO’s Gerald V. Casale released the notorious Jihad Jerry & The Evildoers album as a limited edition CD from Cordless Recordings. With contributions from all of his DEVO bandmates, Josh Freese, Bob Casale (d.2014), Bob Mothersbaugh, and Mark Mothersbaugh, it’s considered to be the “lost” DEVO album, and a holy grail for collectors. Now, Real Gone Music presents a new deluxe expanded CD featuring new artwork by acclaimed woodcut artist Tomo77, and no less than 5 bonus tracks. Includes the previously unreleased “Huboon Stomp,” and “Pieces Of Joe,” plus the BRAND NEW SINGLE, “I’m Gonna Pay U Back” (also here in an instrumental version) which features members of DEVO joining forces for the first time ever with Oingo Boingo’s lead guitarist Steve Bartek. (Plus there’s even a spoken-word “benediction” to end the album.) It’s been over 10 years since DEVO’s 2010 album Something for Everybody...this one will slake the thirst of the band’s devotees.

SONGS 1. The Time Is Now 2. Army Girls Gone Wild 3. Danger 4. Beehive 5. I Been Refused 6. The Owl 7. What’s In A Name?

8. If The Shoe Fits 9. All She Wrote 10. Find Out 11. He’s Always There 12. I Need A Chick 13. Pieces Of Joe [unreleased demo] 14. Huboon Stomp [previously unreleased] 15. I’m Gonna Pay U Back 16. I’m Gonna Pay U Back [instrumental] 17. The Manifesto [previously unreleased]

SELLING POINTS

“Dick” was Dick Latvala, the official tape archivist for the Grateful Dead until 1999, whose inspiration and encyclopedic knowledge of the band’s vaults spawned the fabled Dick’s Picks series of live Dead concert recordings. Comprised of 36 volumes, Dick’s Picks follows the band on its long, strange trip through a multitude of eras, tours and venues, featuring handpicked shows that display the band at its visionary, improvisational height.

• The Dick’s Picks Series of Live Recordings Followed the Grateful Dead on Their Long, Strange Trip Through Every Era and Edition of the Band

GRATEFUL DEAD:

• Now, Real Gone Music Is Bringing Two of the Most Coveted Volumes in the 36-Volume Series Back into Print

(3-CD Set)

• Dick’s Picks Vol. 34 Hails from the Peak Touring Year of 1977 • Features the Complete 11/5/77 Concert from the Community War Memorial in Rochester, with Some Tasty Tidbits from the 11/2/77 Show at the Seneca College Field House in Toronto

Dick’s Picks Vol. 34—Rochester, NY 11/5/77 STREET DATE: JULY 9, 2021 This three-CD set won raves from the Dead collector community both for its pristine sound (mastered in HDCD) and blazing performances

• Don’t Miss the Version of “The Other One” on This 3-CD Set

(check out the ever-ascending

• Dick’s Picks Vol. 35 Offers a Complete Show and Excerpts from Two Others on a 4-CD Set

second set). Includes the complete

• Taken from the Legendary “Houseboat Tapes,” Which Jerry Garcia Gave Keith Godchaux to Familiarize Him with the Band’s Repertoire

War Memorial in Rochester,

• Godchaux Left the Tapes on His Parents’ Houseboat, Where They Lay Undiscovered for About 35 Years • Includes the Complete 8/7/71 San Diego Show, Plus Parts of a 8/24/71 Chicago Show and a 8/6/71 Hollywood Bowl Show • Very Few Soundboard Recordings of This Summer ’71 Tour Exist, So This Was and Is a Real Find • Both Vols. Mastered in HDCD Sound

version of The Other One in the 11/5/77 show from the Community leavened with some particularly inspired excerpts from the 11/2/77 show at the Seneca College Field House in Toronto.

GRATEFUL DEAD:

Dick’s Picks Vol. 35—San Diego, CA 8/7/71, Chicago, IL 8/24/71 (4-CD Set) STREET DATE: JULY 9, 2021 The story behind this volume

GRATEFUL DEAD: Dick’s Picks Vol. 34—Rochester, NY 11/5/77 (3-CD Set) iBarcoder Trial

of Dick’s Picks is truly rich—Jerry Garcia gave the ¼” tapes to these shows to Keith Godchaux in order

UPC: 848064000037 FORMAT: 3-CD Set PACKAGING: “Clamshell” Jewel Case BOX LOT: 10 GRATEFUL DEAD: Dick’s Picks Vol. 35—San Diego, CA 8/7/71, Chicago, IL 8/24/71 (4-CD Set) iBarcoder Trial

to familiarize him with the band’s repertoire. Godchaux then left the tapes on his parents’ houseboat in Alameda, where they remained for nearly 35 years until being discovered by Keith’s brother in 2005! Despite the less-than-optimal storage conditions, the sound on this four-CD set (mastered in HDCD)

UPC: 848064000044 FORMAT: 4-CD Set PACKAGING: “Clamshell” Jewel Case BOX LOT: 10

is stellar, and the fact that these tapes were lost means that soundboard recordings of this tour were very scarce indeed. Includes the entire San Diego show and all that could be salvaged from the Chicago show, plus the end of the 8/6/71 show at the Hollywood Bowl.

CD One Set One 1. New Minglewood Blues 2. Mississippi Half-Step Uptown Toodeloo 3. Looks Like Rain 4. Dire Wolf 5. Mama Tried 6. Big River 7. Candyman 8. Jack Straw 9. Deal CD Two Set Two 1. Phil Solo 2. Take a Step Back 3. Eyes of the World 4. Samson & Delilah 5. It Must Have Been the Roses Bonus Tracks 6. Might as Well 7. Estimated Prophet 8. St. Stephen 9. Truckin’ 10. Around and Around CD Three Set Two (cont.)

1. Estimated Prophet 2. He’s Gone 3. Rhythm Devils 4. The Other One 5. Black Peter 6. Sugar Magnolia; 7. One More Saturday Night Bonus Tracks 8. Lazy Lightning 9. Supplication.

CD One Set One 1. Big Railroad Blues 2. El Paso 3. Mr. Charlie 4. Sugaree 5. Mama Tried 6. Bertha 7. Big Boss Man 8. Promised Land 9. Hard to Handle 10. Cumberland Blues 11. Casey Jones San Diego Set Two 12. Truckin’ CD Two San Diego Set Two (cont.)

1. China Cat Sunflower 2. I Know You Rider 3. Next Time You See Me 4. Sugar Magnolia 5. Sing Me Back Home 6. Me and My Uncle 7. Not Fade Away 8. Goin’ Down the Road Feeling Bad 9. Jam 10. Johnny B. Goode Chicago Show 11. Uncle John’s Band 12. Playing in the Band 13. Loser CD Three Chicago Show (cont.)

1. It Hurts Me Too 2. Cumberland Blues 3. Empty Pages 4. Beat It On Down the Line 5. Brown-Eyed Woman 6. St. Stephen 7. Not Fade Away 8. Goin’ Down the Road Feeling Bad 9. Not Fade Away 10. Me and Bobby McGee 11. Big Boss Man 12. Brokedown Palace CD Four Chicago Show (cont.)

1. Good Lovin’ Bonus Tracks 2. The Other One 3. Me and My Uncle 4. The Other One 5. Deal 6. Sugar Magnolia 7. Morning Dew 8. Turn On Your Lovelight

1. Truer Picture of Me 2. Generation Blues 3. Love Yourself 4. North Star 5. Bad Apple 6. Deeper Family 7. Why We Explode 8. My Neighborhood 9. Coming Back to Life 10. Come Visit My Island

FIRST EDITION LP:

ARTIST: Graham Sharp TITLE: Truer Picture CATALOG #: LP-YEP-2796X UPC: 634457279612 PACKAGING: Blue Vinyl in LP Jacket BOX LOT: 30 TERRITORY: Worldwide

GRAHAM SHARP TRUER PICTURE CD / LP RELEASE DATE: 07/09/2021 Graham Sharp has made a name for himself as the chief songwriter and a founding member of the GRAMMY-winning Americana group Steep Canyon Rangers. As the world entered lockdown in 2020, Sharp began to draw inspiration from a wellspring of emotions. On his first solo album, Truer Picture, the songwriter tackles difficult feelings of isolation (“Come Visit My Island”) and addresses the ever-topical political unrest we continue to see in the country (“My Neighborhood”).

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34457 27961 2 CD:

ARTIST: Graham Sharp TITLE: Truer Picture CATALOG #: CD-YEP-2796 UPC: 634457279629 PACKAGING: CD Wallet BOX LOT: 25 TERRITORY: Worldwide

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Sharp’s unique style of songwriting is apparent on Prine-esque songs like “North Star’’ and “Coming Back to Life,” and the lush instrumentation on tracks like “Deeper Family” (featuring harmony vocals from The War on Drugs’ David Hartley) illustrates the stark sonic differences between Sharp’s solo work and his music with Steep Canyon Rangers. What we’re given is a raw portrait of one of the finest songwriters of our time, a truer picture of Graham Sharp.

HIGHLIGHTS: ☛ Debut solo album by Steep Canyon Rangers’ chief songwriter/banjoist Graham Sharp. ☛ First Edition vinyl LPs are autographed, pressed on blue vinyl and limited to 500 copies worldwide.

☛ The War on Drugs’ David Hartley contributes harmony vocals on “Deeper Family”. ☛ Lellie Capwell is US publicist. ☛ Brad Paul servicing Americana radio. ☛ Graham is performing socially-distanced outdoor shows with Steep Canyon Rangers this summer.

Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278 INFO@YEPROC.COM | YEPROC.COM 336-578-7300

GRAHAM SHARP SOLO TOUR DATES:

STEEP CANYON RANGERS TOUR DATES:

April 30 - The Orange Peel (w/ Woody Platt) - Asheville, NC

June 3 - Spoleto Music Festival - Charleston, SC

May 13 - 185 King Street - Brevard, NC

June 5 - White Oak Amphitheatre (w/ Greensboro Symphony Orchestra) Greensboro, NC

May 15 - Spring Skunk Festival - Greer, SC

July 10 - Blue Ridge Music Center - Galax, VA

May 27 - The Ramkat - Winston-Salem, NC

Sept 16 - Mishawaka Amphitheatre - Bellvue, CO

June 10 - Memorial Auditorium (w/ Fireside Collective) - Raleigh, NC

Sept17 - Chautauqua Auditorium (w/ Jon Stickley Trio) - Boulder, CO

June 17 - Charlotte, NC

Oct 21 - Old Settler’s Music Festival - Dale, TX

June 18 - The Orange Peel - Asheville, NC

Nov 6 - Sellersville Theater 1894 - Sellersville, PA Nov 7 - The Birchmere - Alexandria, VA

UP TO 25% OFF STEEP CANYON RANGERS CATALOG TITLES NOW THROUGH JULY 9, 2021 Ask your sales rep for details!

ARM IN ARM

BE STILL MOSES

NORTH CAROLINA SONGBOOK

YEP-2698

YEP-2694

YEP-2667

LP: CD:

LP: 6

34457 26983 5

6

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CD:

LP: 6

34457 26943 9

6

34457 26942 2

CD:

6

34457 26671 1

6

34457 26672 8

ALDOUS HARDING

Old Peel 7” Press

“No music I heard this year convinced me I could hear my own cells dividing like Designer.”

- NPR

“Harding’s songs create jagged, impressionistic outlines that allow listeners to climb inside, yet they are unmistakably her own.”

- Pitchfork

7” Single 4AD-0240-S2

Tracklist

7” 1 | A1 Old Peel 2 | B1 Old Peel (Alternate Version)

Having hit her creative stride with Designer, one of 2019’s stand-out albums, New Zealander Aldous Harding returns this summer with a brand-new track, “Old Peel.”

Released as a standalone, limited 7” with an alternate version on the B-side, “Old Peel” has long been the song she closes her stunning live [PW_ _Q\P IVL VM_[ \PI\ Q\¼[ ÅVITTa JMQVO ZMTMI[ML will delight many.

Also Available: Party LP + CD

Designer LP + CD

505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931

Available from: June 9th, 11th,2021 2021 July 4AD 134 Grand Street, New York, New York 10013

www.redeyeworldwide.com

stephen@redeyeworldwide.com

FOODMAN ~ YASURAGI LAND ~ Catalogue Numbers : Release Date : Formats : UPCs : Box Lots :

HDBLP058 / HDBCD058 07.09.2021 LP / CD 5056321637505 [ LP ] / 5056321637512 [ CD ] 25 [ LP ] / 35 [ CD ]

Foodman is Takahide Higuchi, from Nagoya, in central Japan. After remixing Jessy Lanza’s ‘Alexander’ last year, ‘Yasuragi Land’ is his first release for Hyperdub, alive with Footwork-inspired musical freedom and the sense that everything is a rhythm.

Unusually, ‘Yasuragi Land’ has no bass. Instead, the album is breezy and refined; hyper-rhythmic music, made with a few simple tools, dances around your head. ‘Yasuragi’ and ‘Parking Area’ feel like gently deconstructed acoustic jazz, while ‘Ari Ari’ is deep house splattered with a cartoonish hiccup. ‘Hoshikzu Tenboudai’ and ‘Shiboritate’ bounce around the speakers like tranceinducing polyrhythmic updates of the New York minimalists, programmed past human limits.

‘Food Court’ is busy with mechanical rhythm and naive melodies, ‘Gallery Café’ pairs a cute wooden flute melody with micro edited wooden drums, ‘Michi No Eki’ is like a digital take on Magma's complex rock, and ‘Sanbashi’ indirectly approximates 80s R&B. The album ends on ‘Misyuku’, with a treated guitar lick sounding like it was stolen from Daft Punk, woven into dense interlacing drums.

A1. Omiyage A2. Yasuragi A3. Michi No Eki ft Taigen Kawabe A4. Ari Ari A5. Shiboritate A6. Hoshikuzu Tenboudai A7. Shikaku No Sekai B1. Food Court B2. Gallery Café B3. Numachi B4. Parking Area B5. Iriguchi B6. Aji Fly B7. Sanbashi ft Cotto Center B8. Minsyuku

www.hyperdub.net

American Dreams Records CLAIRE ROUSAY A COLLECTION

We’ve been jokingly referring to A Collection as Claire Rousay’s “Greatest Hits.” Over the last four or five years, Rousay’s made a lot of music - frankly, it can be hard to know where to start. A Collection is our attempt to showcase her music prior to a softer focus - an origin primer, beginning with her recordings as a solo drummer and the ensuing transition into musique concrete/new music composer.

A Collection clocks in at about two hours and fifteen minutes and boasts thirteen songs, split over two CDs. Rousay selected her favorite drumming cuts to fill the first CD and did the same with musique concrete/

new music for the second. On disc one, scattershot, frenetic percussion compositions like “All,” “Tusk,” and “Good Set” share space with more constant drumming pieces like “Virulence.” Disc two often maintains the use of percussion, but even at the outset on “Things I Doubt You’d Care About,” we hear Rousay’s vocals - sometimes spoken, sometimes whispered.

We begin to find light melodic content, a shrill drone frequency, her now-staple field recordings, and voice-totext like on “I’m Not A Bad Person.” Want to find where Claire Rousay begins? Look no further.

RIYL: Julianna Barwick, Drew McDowall, LEYA, Grouper CD

Sales Points - 2xCD compilation of previously released music from acclaimed composer Claire Rousay - “rousay unearths modes of expression that make it hard to remember a time when ambient music sounded any differently” Rob Arcand, Pitchfork - “The world is full of beauty and noise, and Claire Rousay has the uncanny ability to translate these disparate elements into a gorgeous, unique musical journey.” - Chris Ingalls, PopMatters

Label: Mended Dreams Records Release Date: 7/9/2021 Cat#: 1 MDR Format: CD Barcodes: CD: 727431747273

Mended Dreams Records is the imprint of Claire Rousay and a sublabel of American Dreams Records. Mended Dreams will present limited editions of solo and collaborative projects from Rousay.

Label Contact: Jordan Reyes jordan@american-dreams.zone

Redeye Contact: Lori Miller lori@redeyeworldwide.com

Artist: Title:

A1 A2

Monolithium The Perimeter

B1 B2

Cloudburst Empty Cascade

Format: Catalog No. UPC/EAN

12" - Violet (transparent) HTH143 5060845320232

SCALPING Flood

Release date: July 9th 2021 Following an exciting end to 2020, which saw them sign to Houndstooth, release a blistering single ‘Deadlock’ and named in the NME 100 for 2021, SCALPING prepare their first full body of work, ‘FLOOD’ EP which is set for release June 18th on Houndstooth.

SCALPING have quickly established themselves amongst the UK’s most sensational acts, drip-feeding explosive shots of techno, punk and hardcore into the world and igniting venues and festivals across UK and Europe with a precise, unrelenting energy. The ‘FLOOD’ EP is a major milestone for the band and is the first proper holistic realisation of SCALPING’s stylistic breadth and mastery of a unique boundary-blurring approach, along with a developed sense of the total control exerted over their music at all times. ‘FLOOD’ is undoubtedly the sound of a band seizing and maximising a singular vision.

‘Monolithium’ brings a pulverising gyrating intensity that unstoppably grinds through the gears to a riotous peak. The pneumatic crushing weight of ‘The Perimeter’ is constantly cranked up, increasing in volume, depth and power eventually forcing out a trance-metal hybrid gemstone, once again displaying SCALPING’s remarkable ability to forge anything they choose to from whatever they feel like.

‘Cloudburst’s throbbing acid synth line provides a more straightforward dancefloor orientated sound whilst still maintaining dizzying energy and ruthless propulsion. ‘Empty Cascade’ is an epic mission statement, a perfect combination of rave fundamentals and straight up system blowing sludge that could legitimately only be pulled off by SCALPING.

Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com

Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com

EXUM 'Xardinal Coffee' Released July 8th 2020 • • • • • •

Debut album from EXUM Ex-NFL pro (49ers & Vikings) Released on his own imprint, ücke “ücke yellow” coloured LP Brilliant videos for 'Dark Kept Secret', 'Bad Chick Bad Dude' & 'Arrest The Dancer' Early support from The Guardian, Dazed, Gorrila vs. Bear & Colors

Xardinal Coffee is a debut album that is a strikingly contemporary record of slick hip hop, rich textures, idiosyncratic grooves and electronictinged wonky R&B. It’s an album that feels intricate and busy but also manages to retain a sense of space and looseness, allowing hypnotic rhythms to unfurl with grace. EXUM, aka Antone Chavez Exum Jr. credits the 'genius' of his two producers, Erik Samkopf and Dex Barstad, who he works closely with. Samkopf being the producer responsible for Xardinal Coffee respectively. 'Sam and I don’t really like doing anything that doesn’t have an ückean effect. We’re not from here you know, we’re just getting adjusted’, says EXUM of the album’s eclectic sonic palate. 'We love to push the envelope on what is considered quirky, but try not to think about it too much. If me and another are walking down a street, whose going to be first to try something spectacular? Them. My walk will speak.’

However, any sense of weirdness is also married with an infectious and accessible quality. Tracks such as Arrest the Dancer - 'a David Bowie/Lady Gaga-type beat we got from YouTube by a producer named Raixsa' - comes alive with an irresistible funk strut, almost recalling Prince in the swaggering bounce of it. On top of this, EXUM’s vocals offer versatility and flexibility, moving from caramel smooth croons to tight rap flows and to enthusiastic bursts of singing.

A sense of texture is palpable throughout too. Portabella Mushroom was recorded on a rare magic mushrooms trip and retains a lysergic and psychedelic quality, sucking the listener up into its swirling atmospheres. Whereas the sparse, minimal and slightly eerie beats of Wolves Eat Wolves was recorded in pitch black and the song takes on that kind of crepuscular vibe, which interspersed with the song’s dark lyrical content touching upon sex trafficking - further cements this. ‘I take no form’, the artist says, and his formless nature speaks to his willingness to constantly recreate himself as an artist.

A love of words is also clear in EXUM’s delivery, with them being carefully placed and sequenced amidst the ambitious soundscapes of the record. 'Writing is precious to me', he says. 'The vulnerability to bleed on paper. While playing with words, styling the same outfit for the 7th day in a row.'

Initially EXUM looked up producer Erik Samkopf to work with when he’d had a temporary falling out with his previous producer Barstad. In love with Samkopf’s work with Pen Gutt, EXUM took a punt and flew from his hometown of Richmond, Virginia to Oslo, Norway to work with him. As EXUM and Barstad patched things up, EXUM and Samkopf were building chemistry, creating something truly unique. 'Dex and Sam never cease to amaze me', he says. 'They’re versed and creative beyond measure, they both have an immense amount of musicality, and most of all, their love for music is sweaty.’

However adding to the legend, EXUM took a little detour on his musical journey, spending years as a professional footballer in the NFL, for teams such as the San Francisco 49ers and the Minnesota Vikings. Now leaving that chapter of his life behind, EXUM has returned to the true love held dear to him ever since he can remember: music.

EXUM is not simply trying his hand at music though; he is crafting every part of his artistic journey, from carefully selected contributors (such as string composer Christian Balvig) and overseas producers, to shaping his own brilliant music videos with directors such as Allison Bunce and Rosabel Ferber. Both of whom occupy creative space in his art world, which goes by the name of ücke. He has effectively created his own musical ecosystem. 'You’ve got to create your own world and live highly in that first', he says. 'Making it inevitable for other worlds to not be touched by what’s vibrating through you. In my world I’m already a massively iconic artist.'

SINGLE “ücke yellow” LP CAT NO: ücke001 LABEL: ücke TRACKLISTING: 1. Sage The Room 2. Dark Kept Secret 3. Bad Chick Bad Dude 4. Just Me and The Bottle

FILE UNDER: HIP-HOP / POP / ALTERNATIVE 6. The Brotherhood of The Travelling Raf 7. Arrest The Dancer 8. Wolves Eat Wolves 9. Muffin Years in Lydian

EXPORT: NORTH AMERICA ONLY

JAZZ| RELEASE DATE: 07/09/2021

SAMARA JOY SAMARA JOY

Samara Joy is a singing star in the ascendancy: the young vocalist attracted attention in 2019 after winning the Sarah Vaughan International Jazz Vocal Competition. Now, the 21-year-old announces her self-titled debut release, which puts her spin on jazz standards from the Great American Songbook.

Label: WHIRLWIND RECORDINGS Cat. No: WR4776 Format: CD Barcode: 0630808829147 Label: WHIRLWIND RECORDINGS Cat. No: WR4776LP Format: LP (Violet & Black Marble Vinyl) Barcode: 0630808829154

Produced by Grammy-nominated veteran Matt Pierson, she's joined by jazz guitar virtuoso Pasquale Grasso and his trio (Ari Roland and Kenny Washington) for a release that furthers Joy's reputation as one of America's most promising young jazz vocalists.

Joy's interpretations balance the breezy-fresh feel of a relative newcomer with a reverence for a tradition she is now undoubtably part of. "But Beautiful", "Let's Dream in the Moonlight" and "Jim" pay homage to Billie Holiday's original versions, and she acknowledges the great Nat King Cole with versions of "It Only Happens Once" and "The Trouble with Me is You". "Stardust" is another nod to Cole, showcasing a talent for storytelling well beyond her years. As she says, "There's nothing like hearing someone who understands sing it to you." Moods range from the happy-go-lucky simplicity of "Everything Happens to Me" to the longing of "Lover Man".

Winning the Vaughan award was transformational for Joy. "I was suddenly on the jazz radar. It's still bizarre to think of how fast things have progressed." Since then, Joy has dug deep to discover her jazz roots, without losing sight of the innate simplicity that makes her sound shine. Her first album announces the arrival of a young artist destined for greatness.

Tracks: 1. Stardust 2. Everything Happens To Me 3. If You Never Fall In Love With Me 4. Let's Dream In The Moonlight 5. It Only Happens Once 6. Jim 7. The Trouble With Me Is You 8. If You'd Stay The Way I Dream 9. Lover Man (Oh Where Can You Be?) 10. Only A Moment Ago 11. Moonglow 12. But Beautiful

NEW RELEASES Street Date: 7.16.21 | Order Date: 6.25.21

TRACK LISTING 1. End Of The Night 2. I Might Have 3. Playing The Part 4. In My Hive 5. I Need You RIYL: The Cure, Velvet Underground, Stooges Slowdive, The Jesus and Mary Chain

CD

A PLACE TO BURY STRANGERS HOLOGRAM

RELEASE DATE: JULY 16, 2021 Hologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange.

Hologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound.

With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the on-going global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.

NEW YORK TIMES “In concert, A Place To Bury Strangers produces wonderfully overwhelming, yet tuneful, waves of psychedelic noise, whose effects are enhanced by dizzying strobe lights.”

ITEM NUMBER: DED-002 CD UPC: 634457054042 PACKAGING: 4 Panel Digipack CD BOX LOT: 30

LP

34457 05404 2

1st Pressing NEON ORANGE VINYL

ITEM NUMBER: DED-002 LP UPC: 634457054035 PACKAGING: Full Color LP Jacket and Download Code BOX LOT: 30

LP

6

6

34457 05403 5

LIMITED EDITION RED / BLUE CRUSH VINYL

ITEM NUMBER: DED-002 LE UPC: 634457054059 PACKAGING: Full Color LP Jacket and Download Code BOX LOT: 30

6

34457 05405 9

ALLMUSIC “Equally raw and sleek, Pinned is one of the band's most cohesive albums--even if change is a constant in A Place to Bury Strangers' world, so is the quality of their music” Highlights: 1. Highly anticipated follow up to their 5th album Pinned.

2. Written, Recorded, and Produced by Oliver Ackermann.

3. First Release with new band members, Sandra Fedowitz (Drums) and John Fedowitz (Bass) of Ceremony East Coast.

DEDSTRANGE.COM STEVEN MATRICK INFO@DEDSTRANGE.COM 917-325-0656

4. Legendary Touring Artist and Festival Veterans including Coachella, Reading/Leeds, Primavera, Oya, Levitation, ATP & many more....

5. Toured with NIN, The Jesus and Mary Chain, The Kills, Idles, MGMT, Beak, BJM, Shannon and the Clams, Sextile & many more....

Press Campaigns: Pitch Perfect (US), Big Mouth (UK) and a Radio Campaign with Terrorbird (US) as well as supplementary PR via Redeye in the UK, Germany, France, Italy, Netherlands, Sweden and Australia and additional Radio support in the UK and Germany..

505 ENO ST. HILLSBOROUGH, NC, 27278 REDEYEWORLDWIDE.COM STEPHEN SVACINA stephen@redeyeworldwide.com

APRIL 23, 2021

ELLIOTT SMITH ELLIOTT SMITH

• 25TH ANNIVERSARY REMASTER ON STANDARD WEIGHT VINYL • INDIE EXCLUSIVE EDITION ON PURPLE VINYL

SIDE A 1. Needle In The Hay 2. Christian Brothers 3. Clementine 4. Southern Belle 5. Single File 6. Coming Up Roses

SIDE B 7. Satellite 8. Alphabet Town 9. St. Ides Heaven 10. Good To Go 11. The White Lady Loves You More 12. The Biggest Lie LP-KRS-246 | BLACK VINYL UPC: 759656024662

LP-KRS-246LE | PURPLE VINYL UPC: 759656024655

BACK IN STOCK STREET DATE: JULY 16, 2021 SIDE A 1. Coast To Coast 2. Let's Get Lost 3. Pretty (Ugly Before)

SIDE C 8. Ostrich & Chirping 9. Twilight 10. A Passing Feeling 11. The Last Hour

SIDE B 4. Don't Go Down 5. Strung Out Again 6. A Fond Farewell 7. King's Crossing

SIDE D 12. Shooting Star 13. Memory Lane 14. Little One 15. A Distorted Reality Is Now A Necessity To Be Free

ELLIOTT SMITH

FROM A BASEMENT ON THE HILL STANDARD WEIGHT VINYL

LP-KRS-524 UPC: 759656052412

7

59656

05241

2

KLEENEX/LILIPUT FIRST SONGS STREET DATE: JULY 16, 2021 SIDE A 1. Ain’t You 2. Beri-Beri 3. Madness 4. Krimi 5. 1978 6. Nighttoad 7. Hedi's Head SIDE B 8. Ü 9. You 10. Nice 11. DC-10 12. Die Matrosen 13. Split SIDE C 14. Hitch Hike 15. Eisiger Wind 16. Igel 17. Türk 18. Wig-Wam 19. Thumblerdoll SIDE D 20. Tisko 21. Turn The Table 22. Dolly Dollar 23. I Had A Dream 24. When The Cat's Away • KRS 30 YEAR ANNIVERSARY REPRESS • EXTENSIVE LINER NOTES FROM GRIEL MARCUS • INCLUDES 46 TRACK DIGITAL DOWNLOAD • INDIE EXCLUSIVE LIME-GLASS COLOR VINYL EDITION During the punk rock era of the late '70s, there were three bands comprising women who made some of the best, most adventurous, most exhilarating, and most critically derided music of the time. Two were the English bands the Slits and the Raincoats, and the third band, from Switzerland, was LiLiPUT. Fans of all three bands will argue ad infinitum as to who was the better. But one thing is for certain: LiLiPUT was an amazing band that recorded amazing music, and comparing what they accomplished to that of another band is a useless intellectual exercise. Besides, it detracts from valuable listening time. They began with the name Kleenex until the threat of a lawsuit by corporate giant Kimberly-Clark (who had copyrighted the name Kleenex) forced them to become LiLiPUT in 1980.

What's collected here certainly belongs in the same realm as the other great, pioneering, female-dominated bands of the time. Liliput were one of the finest in their field, male or female. From their punkier singles as Kleenex to their more avant-garde developments as Liliput, this compilation offers over two solid hours of great music that hasn't depreciated at all. In light of all the bands they've inspired, this stuff probably sounds even better than it did when it was first issued.

LP-KRS-0629

LP-KRS-0629LE

XIU XIU DEAR GOD, I HATE MYSELF STREET DATE: JULY 16, 2021 SIDE A 1. Gray Death 2. Chocolate Makes You Happy 3. Apple For A Brain 4. House Sparrow 5. Hyunhye's Theme 6. Dear God, I Hate Myself

SIDE B 7. Secret Motel 8. Falkland Rd. 9. The Fabrizio Palumbo Retaliation 10. Cumberland Gap 11. This Too Shall Pass Away (For Freddy) 12. Impossible Feeling

BONUS 7” The Ropes Have Pulled Tight b/w Cute Pee Pee

• KRS 30 YEAR ANNIVERSARY REISSUE

• REMASTERED FROM THE ORIGINAL AUDIO SOURCE

• INCLUDES BONUS 7” w/ 2 PREVIOUSLY UNRELEASED TRACKS • NEW LINER NOTES FROM THE ARTIST

• DIGITAL DOWNLOAD INCLUDES DRUNK COMMENTARY FOR THE FULL ALBUM • 2 UNIQUE LIMITED EDITION COLOR VINYL VARIANTS

The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music. The sound is still distinctly Xiu Xiu, but Jamie Stewart's vocals are finally effortless paired with vibrant melodies full of subtlety and the distinct sonic accents expected of this anticipated Xiu Xiu release. The result is a record that proves that art can be pop and pop can challenge you to look inside yourself.

Each new Xiu Xiu release has evolved alongside the lives of Jamie Stewart and company. On this record you'll find more intensity and introspection than ever before, but sonically and lyrically it continues to move forward with a subtly new perspective — hyper-focused yet aware of a larger, external picture unfolding. The pace of the record grips you, the music offers layers of detail, and the themes focus on not just the past or stark present but hint towards vespers of the future as well. Dear God, I Hate Myself will challenge you and force you to look inside yourself, but only after you get lost in the music. It's passionate, it's energetic, and it affects you.

Dear God, I Hate Myself is a beautiful piece of humanist art. It's an important addition to the growing body of intelligent music from Xiu Xiu. And it's a brilliant gothic pop record that can stand next to anything.

LP-KRS-0691LE

LP-KRS-0691REDEYE

DAP-067

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C O C H E M E A T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . V O L . I I : B A C A S E WA LABEL.......................................................DAPTONE C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P - 0 6 7 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J U L . 1 6 , 2 0 2 1 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C D / L P ( w / D O W N L O A D C O D E ) NO EXPORT The Dap-Kings' electro-sax space warrior returns with Vol. II: Baca Sewa, a groove-heavy sequel to All My Relations, an expressive, transcendental voyage through the archive of his indigenous roots and beyond. Drawing on ancestral memories and family histories to wrap new flesh around the bones of histor y, this album is a bold, semi-autobiographical work that leads us deeper into the annals of family histor y, mythology and the cultural imaginar y.

•

“Baca Sewa” is Cochemeaʼs original family name prior to Spanish colonization and the fracturing or erasure of ancient knowledge and ways. The melody for the title track was composed by Anthony Gastelum and features vocals and drumming by the Baca Sewa Singers- family members with whom he has reunited. The album runs thick with sonic tributes and remembrances. “Chitoʼs Song” is a contemplative, ethereal tribute to a beloved uncle. “Curandera” conjures the memor y of the irrepressible healing power of medicine women. “Black Pearl” recalls his great grandfather, heir to a legacy of indigenous peoples enslaved as pearl divers in the Sea of Cortez.

•

Leading a nine-piece ensemble composed of New Yorkʼs top percussionists and members of Daptoneʼs rhythm section, Cochemea recombined ancient elements of drums, winds, and voice, creating his own world of emotional textures and rhythmic possibilities.

His musical and spiritual synthesis is made possible through his deep reverence of the horn and of the music and traditions preceding him. Vol. II: Baca Sewa, is an offering, born from the fruits of this journeyman's storied quest for knowledge and musical oneness.

MARKETING HIGHLIGHTS

TRACKLISTING

• Cochemeaʼs second album on Daptone Records.

1. BURNING PLAIN

• PR Campaign by Stephanie Weiss.

2. TUKARIA

• Radio Campaign by Jessica Weber - Co-Sign Promotions.

3. MIMBREÑOS

• Die cut album cover.

4. CHITO’S SONG

• Previous press coverage by Pitchfork (7.9 Review), Rolling Stone, Cool

5. NAHSUAREO BWIKAM

Hunting, Billboard, Stereogum, WNYC and many others.

CD

6. BLACK PEARL 7. PEACE PRAYER

LP

8. CURANDERA 9. BACA SEWA (CHANT) 10. BACA SEWA (SONG)

DAPTONE

RECORDING

Co.,

115

TROUTMAN

S T. ,

BROOKLYN,

NY

11206

Stimulator Jones – Low Budget Environments Striving For Perfection ARTIST

Stimulator Jones

TITLE

Low Budget Environments Striving For Perfection

CATALOG #

STH2452

LABEL

Stones Throw Records

GENRE

Instrumental Hip-Hop

FORMAT

Vinyl

VINYL UPC

659457245214

KEY SELLING POINTS

RELEASE DATE

July 16th, 2021

- Peanut Butter Wolf curated album of

TRACKLIST 01 The Essence 02 Dungeon Master 03 Chill & Sip 04 How Much You Care 05 Icy Altitudes 06 Heat Index 07 Blowin Gold 08 Flow Speed 09 Errybodyguh 10 Ecstasy Ride 11 Grover Chop 12 Thunderball 13 Figueroa 14 Watermelon Slices 15 Rhythm Ace 16 Peaceful 17 Spirit (JD) 18 Vague Vibes 19 Quarantine 20 Side Step 21 Useless Trees 22 Sun Rays 23 Juju

instrumental beats from Stones Throw artist Stimulator Jones.

- Follow-up to Exotic Worlds and Masterful Treasures, featuring break out hit “Soon Never Comes”.

- Stimulator Jones has an outspoken fan in Billie Eilish, who has posted “Soon Never Comes” on socials multiple times.

DESCRIPTION

- Instrumental beat tape from multiinstrumentalist and hip-hop DJ Stimulator Jones.

- An anthology of sorts, this instrumental record is comprised of atmospheric hiphop beats made over a 5-year period, mainly using a Yamaha SU700.

DC1121 Street Date: July 16, 2021 LP / CD / CS NO EXPORT TO UK/EU, AUSTRALIA OR JAPAN; THROW THE WOLVES TO THE REST OF THE WORLD LP

DRAG CITY P.O. BOX 476867 CHICAGO ILLINOIS 60647 312.455.1015 sales@ dragcity.com

Also on Drag City from Matt Sweeney and Bonnie ‘Prince’ Billy

It is 2021. We have almost come to accept life with them. There is fear, and loathing, but we concede that they are among our number. The almost look like us. They live somewhat like we do. But what world are they from?

They gave you “I Gave You.” Their home was “My Home Is the Sea.” The life they gave you was “Life in Muscle.” They must have been “Must Be Blind.” They recently spat out “You’ll Get Eaten, Too.” All that still goes. But there’s something more. Where once was Superwolf, now roam Superwolves, the demon spawn of Matt Sweeney and Bonnie ‘Prince’ Billy.

It’s been years, and we’ve heard from them only occasionally.

They’ve come to us upon a lonely road, through a strange country, a world that looks like ours, where the sun shines as we’ve known it to do, and there appears to be wind and rain, water, animals and people — but in this place, there is no resistance to the demands of nature.

No hubristic attempts to bend the recourse of natural resource. No

Superwolf DC179 LP/CD

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corruption in killing. Reason gathers behind all initiatives. So their music, then, is similarly aligned with the traditional sounds that come from all beings. A music expression knowing no borders other than rivers, mountain ranges, coastlines — the natural delineations of tribal areas, boundaries meant to be overcome with fascination and explored with daring by our challenged race.

The songs, then, go boldly into undreamed-of places, and go deep, as Matt and Bonny take all the musics they know to make songs that penetrate. In classic Garcia-Hunter style, Sweeney and the ‘Prince’ first work separately, finding a path to each other in their solitary imaginings. Bonnie lyric sets delivered to Matt spark Sweeney’s guitar brain; chords and a melody are shaped, recorded fast and loose and sent back to the Prince, then the two parties meet up to sing, stitch, strengthen and finally perform them together in front of a small unsuspecting audience. Then new sets of lyrics are sent, animated and played in

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a high wire style until the shared songs and experiences are ready to commit to record. This is just the beginning of their fusion process, as words imply vocalizations to counter and support, and guitar lines suggest harmonic fields to subtly push into. In this process, a new creature grows out of the old one. In this name of this partnership, the guitar shares an open and fluid space with the vocals, the voices sing with the guitars — every moment in the life of Superwolves is an extravaganza, guided only by its need.

On this album Sweeney sings harmonies along, with, and around his favorite singer, and plays all electric, acoustic, and bass guitars, joined in places by David Ferguson on stand-up bass, Mike Coltun on electric bass, Mdou Moctar on electric lead, Ahmoudou Madassane on rhythm guitar, Souleyman Ibrahim, Ryan Sawyer and Peter Townsend on drums and Mike Rojas on keys. The Bonnie ‘Prince’ sings. Does he ever. And Superwolves rules over all.

“Must Be Blind” DC481 10”EP

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ARTIST: GARLAND RECORDS TITLE: PACIFIC NORTHWEST PANDORA’S BOX BLUE VINYL LP / CD BOX LOT QUANTITY: 30 LP / 60 CD FILE UNDER: HARD ROCK BR 160 UPC: 090771414311 BRCD 160 UPC: 090771016027 RELEASE DATE: 7/16/21

AN ACE FREE-FOR-ALL OF SPARKING PNW POWER CHORDS! From out of the basements and garages of the Pacific Northwest comes more unearthed reels from Salem Oregon’s Garland Records! This combustible cache of unheard and rarely heard late 60s/70s hard rockers and slobber knockers includes ECLIPSE, the PNW answer to the other makeup-wearing platform-walking monster rockers!

Like other Pacific Northwest music, nine months of dank rainy days seeped into the sounds of Salem In the late 60s and 70s, the youth of the capital city were in the shadow of the post counterculture come-down. Hiding behind the well-to-do public facades was the dark alter-ego of their home. It may sound like the freewheelin’ good time music of the era, but instead of kaleidoscopic day glow, the palette of Pandora’s Box is overcast in shades of grey.

• A COMBUSTIBLE CACHE OF UNHEARD AND RARELY HEARD 60S & 70S ROCKERS FROM THE GARLAND STUDIOS IN SALEM, OREGON! • AVAILABLE ON BLUE VINYL CUT & PRESSED AT THIRD MAN AND CD! • FEATURING FANTASTIC PHOTOS OF ECLIPSE PLUS A SET HEAVY SET OF NOTES!

A GLITTER BOMB OF UNISSUED GLAM! TRACK LISTING PURPLE HAZE WHITE FEATHER SLAVE DRIVER ECLIPSE DON’T BE A FOOL INNER CIRCLE THOR’S HAMMER LOYAL OPPOSITION BACK STREET QUEEN ECLIPSE DAY DREAMS II MESSICK HEY JOE THE ZERO END GOT TO GET MOVIN’ ECLIPSE DON’T WANT TO BE ALONE HIGH VOLTAGE GONNA SEE THERE’S A CHANGE ECLIPSE STONE MOUNTAIN THE OTHER SIDE THEY’LL PASS ME BY MESSICK

MODERNHARMONIC.COM

Four solid slabs of Northwest Nuggets!

BR 152

BR 153

BR 156

BR 156

The Pacific Northwest was a hotbed of musical creativity in the 60s, and Garland Records was there for all of it! From their vaults comes this fantastic new series, featuring Fuzz Box (garage), Stash Box (psych and hard rock), Juke Box (soul and R&B) and Snuff Box (country/Americana). Ranging from impossibly rare to previously unissued, here's an absolutely smokin' stash of phenomenal music from the folks at BeatRocket / Sundazed!

Now available at beatrocket.com!

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GROWLING AND PROWLING LIKE A MORE PLAYFUL WANDA JACKSON,

Ann Delrene leads this trio down avenues of jazz, rockabilly, & folk, all from the comforts of a Missouri resort! A record that sounds as good as it looks, there’s no wonder folks have traded four figures for a copy!

This private press treasure gets its first ever reissue!

“Here's one right here that goes way back for me. In fact this is one of the life-changers for me. Just looking at it and, ‘woah, what's she sound like?’ and those guys... the song ‘Voodoo Doll,’ in particular, when I heard it, that was what put it all together for me. At that time, I was still heavily into garage music. It had the garage thing. I was really into space music and sort of, science fiction-y aspects and the guitar is sort of freeform reverb noise and I was really into sexy female vocalists and having those three, and having a groove sort of beat going…’Funnel Of Love’ also appeals to the twilight zone sort of strange aspect, which was early on a heavy thing for me – getting that twilight zone feeling when I hear a record, like I got with Peter Grudzien. Where I feel like what I imagine drugs would have done for me if it’d worked, when I was a little kid wanting to run away to San Francisco or something.

Something that just seems like it's from another dimension. When I hear it. it just puts me into this almost... is my hair going to prickle up? Am I making some sort of secret mysterious contact with some lost little scene that's going on? What was that scene like? Who were the people around it? You know, what were their friends like? What did they do? Or like, was it a David Lynch type weirdness or what?

So, I had that sort of thing going on. So, for lounge bands, it is one of the big ones and one of the first ones that I got into.”

– Paul Major (from Enjoy The Experience)

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ARTIST: THE J ANN C TRIO TITLE: AT TAN-TAR-A GOLD VINYL LP / CD BOX LOT QUANTITY: 30 LP / 60 CD FILE UNDER: ROCKABILLY / JAZZ MH-8247 UPC: 090771824714 MHCD-247 UPC: 090771824721 RELEASE DATE: 7/16/21

RARER THAN PALM HAIR!

FIRST EVER REISSUES! TRACK LISTING

• AVAILABLE ON GOLD VINYL CUT & PRESSED AT THIRD MAN OR CD! • THIS PRIVATE PRESS PRIZE IS FINALLY REISSUED AFTER 50 YEARS! • HOUSED IN A JACKET THAT FAITHFULLY REPRODUCES THE ALLURING ORIGINAL!

JAMBALAYA (ON THE BAYOU) NIGHT TRAIN MORE HEY BO DIDDLEY IF I HAD A HAMMER VOODOO DOLL YOUR CHEATIN’ HEART CHERRY PINK AND APPLE BLOSSOM WHITE THE GIRL FROM IPANEMA THE TIDE FUNNEL OF LOVE MOON RIVER MODERNHARMONIC.COM

DJ FOOD KALEIDOSCOPE + COMPANION BACK IN PRINT + UNRELEASED 2LP Released in April 2000, Kaleidoscope marked a new era for the DJ Food alias first conceived by label founders Coldcut.

Now under the expert control of fellow Ninjas Kevin Foakes, aka Strictly Kev, and Patrick Carpenter, aka PC, the album broke with the past by reflecting a possible future of beats and pieces. Twenty years later, amid the first national lockdown in England, Kev and PC decided to celebrate Kaleidoscope's 20th anniversary by digging through their personal archives for material from the original recording sessions. They found more than they bargained for, compiling versions, alternate mixes, and unreleased ideas into a series of mixes that have now been further refined into the Kaleidoscope Companion and presented alongside the original album on quadruple vinyl.

DJ Food cemented Ninja Tune’s foundations with a series of five ‘Jazz Brakes’ albums in the first half of the 90’s. So called because they were making ‘Food for DJs’, the albums started as tools to scratch and mix with but progressively became more complex with each volume due to the addition of Patrick Carpenter aka PC. Joined by Kevin Foakes aka Strictly Kev, for the sixth album, 1995’s ‘A Recipe For Disaster’, the latter duo paired up to become ‘the face’ of DJ Food.

With ‘Kaleidoscope’ turning 20 on April 3rd 2020 and a national lockdown meaning they had time on their hands, PC and Kev unearthed hours of unreleased material made 20 years previously. As Kev puts it, "It’s not a new DJ Food album, it’s an old one that never was. In an alternate reality it might have become Kaleidoscope but now, 20 years on, it’s a companion to the original album.”

CAT NO: AHED030 UPC: 5054429144994 Box Lot: 8

- Quadruple LP including Kaleidoscope 2LP on marbled Blue 140g vinyl plus unreleased Kaleidoscope Companion 2LP on marbled orange and red vinyl - Packed in gatefold sleeve - Includes Music Declares Emergency poster/information flyer insert - Comes protected by bio-based shrinkwrap

KALEIDOSCOPE

COMPANION

SIDE A A1: Full Bleed (featuring Bundy K Brown) A2: Cookin' A3: Break A4: The Riff

SIDE A A1: The Ents Go To War A2: Protoype I & II A3: The Crow (Slow)

SIDE B B1: The Ageing Young Rebel (featuring Ken Nordine) B2: The Crow

SIDE B B1: A Strange Walk B2: Hip Operation B3: Skylark B4: Zoom Zoom

SIDE C C1: Nocturne (sleep dyad 1) C2: Nevermore (sleep dyad 2)

SIDE C C1: Quadraplex (A Trip to the Galactic Centre) C2: See Saw

SIDE D D1: The Sky At Night D2: ...You D3: Minitoka

SIDE D D1: Stealth D2: The Rook + Type 3 D3: Boohoo

Genre: Electronic Key Markets: Los Angeles, New York City, San Francisco, Chicago, Seattle Recommended if you like… Coldcut, Amon Tobin, Mr. Scruff, The Herbaliser

naretail@ninjatune.net ninjatune.net

Too Slow to Disco presents Yacht Soul – The Cover Versions Release Date: 16.07.2021 www.tooslowtodisco.com

TSTD returns with another trip into the musical past of the sundrenched Westcoast: This time DJ Supermarkt unearthed 16 Soul & Funk versions of original Westcoast/AOR/Yachtpop gems. You can find tracks originally performed by Fleetwood Mac, The Doobie Brothers, Hall & Oates, Steely Dan, Wings covered by big Soul & Funk legends like Aretha Franklin, Chaka Khan, Quincy Jones, Brothers Johnson and more.

Most of the tracks have been recorded in the late 70s/early 80s, but failed to become big hits and fell under the radar. Like Chaka Khan doing a seriously funky version of Fleetwood Mac’s „Everywhere“ (from an unreleased album recording), next to obscure reworks like Leslie Smith’s version of „Nothin’ You Can Do About It“ by the overlooked Airplay (Jay Graydon and David Foster). There are especially surprising versions here, like Millie Jackson’s gospel-like rendering of „This Is It“ by Kenny Loggins/Michael McDonald, or Billy Paul’s „Black Power“-influenced version of Paul McCartney/Wings’ „Let Em In“ and the rare cover of The Beach Boys’ „God Only Knows“ by Betty Everett. Overall another TSTD collection of smooth, sunny, extremely soulful and funky tracks, that needed to be dug-out to be heard again. This is Bottled Sunshine!

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SELLING POINTS Brand new compilation of the critically acclaimed west coast compilation series, curated by DJ Supermarkt 16 rare cover versions of original Westcoast/AOR/Yachtpop gems Artist: Various Artists Album: Too Slow to Disco presents Yacht Soul - The Cover Versions Release Date: 16.07.21 Label: How Do You Are? Genre: Soul, Funk, Disco, Yacht Soul, Rock Formats 2LP: Cat #: HDYA RE07LP UPC: 4250506838799 PPD: Eur 18,00,Configuration: 180g heavy double vinyl, comes in a gatefold with extended liner notes + download CD: Cat #: HDYA RE07 UPC: 4250506838782 PPD: Eur 12,00,Configuration: CD Jewel case, with O-Card and extended liner notes Tracklist: Side A 1. THE MAIN INGREDIENT – Summer Breeze (SEALS & CROFT) 2. DEE DEE BRIDGEWATER – He’s Gone (HALL & OATES) 3. TAVARES – I Hope You’ll Be Very Unhappy Without Me (BILL LABOUNTY) 4. BETTY EVERETT – God Only Knows (BEACH BOYS) Side B 5. THE EBONYS – A Love Of Your Own (NED DOHENY) 6. POINTER SISTERS – Dirty Work (STEELY DAN) 7. LESLIE SMITH – Nothin’ You Can Do About It (AIRPLAY) 8. THE BROTHERS JOHNSON – In The Way (JEFF PORCARO/TOTO) Side C 9. GREG PHILLINGANES – Lazy Nina (DONALD FAGEN) 10. PEABO BRYSON – Minute By Minute (DOOBIE BROTHERS) 11. CHAKA KHAN – Everywhere (FLEETWOOD MAC) 12. ARETHA FRANKLIN – What A Fool Believes (DOOBIE BROTHERS) Side D 13. BILLY PAUL – Let ‘Em In (WINGS) 14. SIDE EFFECT – Georgy Porgy (TOTO) 15. QUINCY JONES – Takin’ It To The Streets (DOOBIE BROTHERS) 16. MILLIE JACKSON – This Is It (KENNY LOGGINS & MICHAEL MCDONALD)

American Dreams Records CAMERON KNOWLER PLACES OF CONSEQUENCE

Responding to a comment that the foreground of his Western photographs feels like a stage set, the photographer and auteur Wim Wenders suggests, “that impression is basic to the American West.

Everything people have built there has a highly theatrical air.” This animates Places of Consequence, the second album and first solo LP from Cameron Knowler, which deploys guitar and banjo as cinematic tools to soundtrack and investigate the region.

“Despite the fact that the lightheartedness of youth lifts and the problematic components of the West reveal themselves over time,” Knowler says, “there are still ways of harnessing the space to richly creative ends.”

A lifelong Westerner and recent Los Angeles transplant, Knowler spent his childhood in Yuma, Arizona and Houston, Texas, where much of his learning was selfdirected: riding dirt bikes in the desert, writing poetry, or visiting antique stores with his mother, who sold vintage glass beads. At seventeen, a bluegrass concert changed his life, and he began practicing guitar for twelve to sixteen hours a day, developing the quiet focus that permeates

his music. As an instrumentalist largely eschewing fingerstyle technique, Knowler’s music presents as understated, but has much in common with the music of his peers. Like those of frequent collaborator Eli Winter, Knowler’s performances are affecting, his melodies intuitive and learned; like Yasmin Williams, his arrangements are lush and deceptively simple, informed by his jazz guitar studies at the University of Houston.

Album opener “I’m an Old Cowhand,” an old song about an inept cowboy who drives a Ford V8, is dense and striking, recalling Sonny Rollins’ seminal rendition or the Haitian dances of Frantz Casseus. Knotty, waggish electric miniatures like “Supertone Biome” or “Atelier de Stein” recall Terry Allen and Ry Cooder’s Paris, Texas soundtrack. “Puerto Suelo,” which features acoustic and electric guitars playing in unison and a small orchestra of kitchen utensils, exemplifies Knowler’s knack for gorgeous, understated melodies and studio experimentation, nodding to LA session wizards like Blake Mills or Sam Gendel.

Elsewhere—”Don Bishop A” or “Sonora Road”—one might think of Chet Atkins or

RIYL: Ry Cooder, Terry Allen, Norman Blake, Bruce Langhorne

CD American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

Label Contact: Jordan Reyes jordan@american-dreams.zone

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the criminally unregarded Robert Bowlin.

Knowler’s desert upbringing informs his willingness to use silence as a compositional tool. This becomes clear on the rich, moving “Second Train to Alamogordo,” whose notes commune with silence. It’s perhaps most evident on “Kuyina,” derived from Congolese accordionist Camille Feruzi and late, legendary fiddler Jon Bekoff, who passed moments after playing the song in his backyard. In Knowler’s arrangement—a tribute to his late mother— one senses the depth of his consideration, where something as small as a bent note nearly tears a hole in the song.

Katy Riddell’s album art suggests the inherent challenges of the album’s goal.

“Her illustrative style,” Knowler says, “calls to mind a certain academic reserve, which I myself feel having grieved the place of my upbringing through my academically trained craft. Whereas I was once wishing to get out, I am now wishing to reenter in some ways. Both are futile pursuits.” Places of Consequence is testament to making the effort, and a document of Knowler’s clear talent.

Label: American Dreams Records Release Date: 7/16/2021 Cat#: 27 ADR Format: LP, CD Barcodes: LP: 727431747075 CD: 727431747082

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Artist: Overmono

fabric presents Overmono

Title: Release date: 2021/07/16

Following on from the success of their recent Everything You Need and Pieces of 8 / Echo Rush EPs, brothers Ed and Tom Russel curate a mix for the 'fabric presents' series that takes in dubstep, drum & bass, techno and the experimental end of electronica. Three Overmono tracks feature in the mix, which opens with the UK garage-influenced ‘So U Kno’, and its flipside ‘BMW Track’. Their exclusive ‘If U Ever’ is a brightly lit cut that is as optimistic as they come shining with bright synths, breaks and an R&B vocal by Smerz that sounds like it’s been warped by sunlight. Spoken word features from Benjamin Zephaniah in ‘I Have A Dream’ and the poetic lyrics of For Those I Love’s ‘I Have A Love’, plus fresh tunes from Powder and LCY make this a bold and emotionally-moving, postlockdown dancefloor treasure.

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Overmono - So U Kno Artwork - The Soul Foremost Poets - MoonRaker Milanese - Billy Hologram Antonio - Hyperfunk Overmono - If U Ever DJ Zank - Pegassans Surgeon & James Ruskin - Sound Pressure Part 3 Holy Ghost - 4AM At The Crying Cactus L.B. Dub Corp - I Have A Dream ft.

Benjamin Zephaniah Plastikman - Fuk [Plus 8 Records] For Those I Love - I Have A Love (Overmono Remix) DJ Misjah - Victim Powder - Lost of Light Overmono - BMW Track LCY - shhh Vex'd - Pop Pop Robert Fleck - Bromine Anz - Morphing Into Brighter Actress - Caves of Paradise Remarc - Thunderclap (Dubplate Mix) Equiknoxx - A Rabbit Spoke To Me When I Woke Up Ed Rush & Optical - Bacteria Orca - Intellect Smith & Mighty - Film Score Blawan - Fourth Dimensional Roy Of The Ravers - Erolfa Sockethead - When I Close My Eyes I See Paint 1995 epilepsy - get 2 kno

Format: CD Catalog No. fabric209 UPC/EAN: 5060845320454

Highlights:

• There’s an unreleased gem from Blawan in ‘Fourth Dimensional’ • Orca’s sought-after 90’s jungle classic ‘Intellect’ is one of the mix’s crown jewels • The moving poetic narrative which plays out almost in full in ‘I Have A Love’ by FTIL has been remixed by Overmono for this compilation • Much of the music has its origins in the famed Bristol dubstep scene of the early 2000’s that proved highly influential for Ed and Tom’s early music careers

fabric Records 77a Charterhouse Street London, EC1M 6HJ fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Kate Malcolm – kate@fabriclondon.com

Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com

HAUSU MOUNTAIN

HAUSMO DOUG & HAUSMO MAX HAUSUMOUNTAIN @GMAIL.COM

Natalie Chami and Whitney Johnson perform as a duo under the name Damiana. Both artists have built their own catalogs as multiinstrumentalist improvisers and composers in the Chicago experimental music scene, exploring the intersections between ambient, electroacoustic improv, and more legible songcraft based around their voices and their work with synths and electronics -- all �ltered through their backgrounds in classical performance and education. Chami’s solo recordings under the TALsounds moniker have appeared on labels such as NNA Tapes, Ba Da Bing!, and Moog’s own imprint, and her collaborative projects include the trio Good Willsmith with Hausu Mountain co-founders Max Allison and Doug Kaplan. Johnson has released a series of solo LPs as Matchess on the label Trouble in Mind, and performs with Laura Callier (Gel Set) as the duo Simulation — along with contributions to recordings and live performances by Ryley Walker, Circuit Des Yeux, Bitchin Bajas, and Tortoise’s 20th anniversary performances of TNT, among other artists.

After meeting in the early 2010s, Chami and Johnson embarked on multiple US tours together, and their informal duo collaborations naturally crystallized over time into the Damiana project.

The duo’s debut album Vines presents their �rst recordings after years of live sets and home recording sessions. The album strikes a balance between the realms of deliberate compositional sculpting and freeform improvisation, as Damiana’s evolving sessions of looping synth phrases and harmonized vocal lines emphasize austere beauty and meditation as much as spectral disorientation and instrumental complexity. While the tracks on Vines create the illusion at any given moment of a standing cloud, often colored by Johnson’s lush viola and Artist: Damiana Chami’s effect-manipulated electronics, a zoomed out perspective of each session reveals an undulating story arc with contrasting Album: Vines (click album artwork to stream) emotional resonances and constantly shifting timbral focus. Treading Label: Hausu Mountain the line between transportive stasis and upward motion, the duo has their sense of when to push forward with a new texture or Format: LP // Catalog #: HAUSMO108 // Releases 7/16/2021 honed melodic �ourish without disrupting the atmospheres that they Debut album from Damiana: the collaboration between meticulously build together.

Chicago artists TALsounds and Matchess. TALsounds Chami and Johnson’s partnership in Damiana makes the most out of has released music through NNA Tapes, Ba Da Bing, their striking similarities in performance style and technique. Both Moog’s in-house label, & Hausu Mountain. Matchess has musicians perform with an arsenal of hardware synths, keyboards, loopers, and effects pedals, and have come to be so comfortable with released a series of LPs on Trouble in Mind and has their chosen instruments that they can easily generate spontaneous collaborated with Ryley Walker, Circuit des Yeux, compositions complete with gorgeous vocal lines and complicated Bitchin Bajas, & Tortoise. instrumental backdrops at a moment’s notice. In a vast sea of improvised, one-take electro-acoustic music, Chami and Johnson stand Artwork by Heather Gabel - member of HIDE (Dais out as bastions of technical prowess and nuanced emotional Records, Sub Pop). Mastered by Angel Marcloid storytelling. Both look at solo performance with the full frequency (HausMo artist Fire-Toolz & Nonlocal Forecast) range in mind, switching between everything from swooning melodies in the highest vocal octave, to short percussion patterns that clatter “Meditation and improvisation are very different along as gentle rhythmic frameworks, to amorphous electronic noise, to practices, but the sprawling synth music of Chicago bursts of low-end that steer their sessions into new harmonic experimentalist Natalie Chami makes that difference con�gurations. All these strategies permeate the music of Damiana, nearly imperceptible.” - Pitchfork (Miles Bowe) effectively doubling the palette of sounds at their disposal. The resulting sessions can sound at times like one mind with two voices and “Whitney Johnson’s music shoots straight for the four hands, with complementary vocal melodies and synth phrases subconscious. Recording as Matchess, she makes songs pouring out in unison. In other moments, Chami might leap into a out of dense atmospheres, ghostly singing, and cascading synth solo that evokes Terry Riley, or Johnson might start submerged beats that sound like the pulse inside your looping majestic layers of her viola into the mix, while their partner head.” - Pitchfork (Marc Masters) works to �esh out the swirling landscape of textures and harmonies behind them.

Chami and Johnson approach the music of Damiana as a distinctly femme endeavor. In talking about the project, Johnson argues that a soft-femme aesthetic is often stigmatized or ignored in the noise/ experimental world compared to the dominant hard-masc voices, or lumped into its own category closer to popular vocal music despite its adventurous, complex, and troubling elements. Chami identi�es a back and forth shift in the duo’s music between the forces of support / nurturing vs. disintegration / depletion — a dichotomy that mirrors the reality of the lived femme experience. Damiana presents a view of femininity that’s just as much grounded in its beautiful and delicate aspects as its challenging or even frightening turns. Chami and Johnson sonify beyond binary expectations of gender, and seek to transcend other imaginary limitations on what the world can become.

Les Becasses - Bloody Winter Blang Records LP

BLANG92LP 5055869548137

8 x 2 minute bursts of French femme-melody surfing a wave of razor-pop energy. A riposte to Brexit, Blang's first step into Europe. 12" vinyl (inner sleeve w lyrics). A typical Les Becasses song is a two minute rush of female melodies surfing a wave of razor-pop energy. From the French underground squat circuit, Paris-based Marion (vox, guitar), Christophe (bass) and Aurelie (drums/bvs) visited England for a mini-tour in 2019 where they met the Blang label. In a riposte to Brexit, Blang's first release in 2021 is their first step into Europe. "Bloody Winter" is an eight track mini-album clocking in at twenty minutes. The band work in hospitals and care services in Paris. They know it's going to be a long winter. This record makes us look forward longingly to bloody loud live gigs again where we can jump around to songs like this. Ne dites pas au revoir, crier bonjour! "swinging between angry pop and hesitant punk" (Agora Frog) //"reminds me of the Olympia/Portland scene eg Bratmobile, Sleater Kinney" (Radparty Onligne) // "scratched riffs...surfing patterns... no frills or marketing attitudes" (Furia Sound) 1.Moscow Nights 2.Insubordination 3. Bloody Winter 4.Drifting Away 5.The Late Show 6. Johnny's Got A Gun 7.Forward Crash 8.Sunday's Eye

PATRICE RUSHEN - STRAIGHT FROM THE HEART Strut present the definitive edition of Patrice Rushen’s landmark album from 1982, ‘Straight From The Heart’.

Recorded during Elektra’s drive for ‘sophisticated dance music’ as many jazz artists created their own arrangements of disco and boogie, the sessions marked a progression for Patrice as she began exploring sonics as much as songwriting.

“I was looking at different ways to experiment with the sounds on my records.

Synths widened the palette available to us.”

Singles from the album included ‘Breakout!’, ‘Number One’ and the global hit ‘Forget Me Nots’. “Bassist Freddie Washington played the bassline during a jam at my family’s house. I caught it, we kept messing around with the groove, then I developed the lyrics and chorus. It was just about recognising that moment when it came up.”

“When I delivered the album to the label, the A&R said, ‘we don’t like anything on here.’ I realised quickly that they would give us no support so producer Charles Mims, myself and Freddie decided to engage a promotion company ourselves to start working the single. Although it took a while to pick up support, it paid off.”

The single hit no. 23 on the Billboard Hot 100 in March 1982 and the album became Patrice’s best seller globally from her time with Elektra / Asylum, securing a Grammy nomination. In more recent years, the album has become a regular source for samples in the world of hip hop and R&B. Most famously, Will Smith’s theme for the film ‘Men In Black’ and George Michael’s ‘Fastlove’ were both based, to varying degrees, on ‘Forget Me Nots’.

Strut’s new reissue of ‘Straight From The Heart’ is released on 9th April 2021. LP and CD are presented in their full original artwork and feature bonus 12” versions of the album’s singles including a previously unreleased extended mix of ‘Tired Of Being Alone’. Package includes rare photos by Bobby Holland and a new interview with Patrice Rushen.

All tracks remastered from the original tapes by Technology Works.

KEY POINTS

Definitive reissue of Patrice Rushen’s landmark album from 1982 Includes the 12” versions of ‘Forget Me Nots’, ‘Breakout!’, ‘Number One’ and a previously unreleased long version of ‘I Was Tired Of Being Alone’ Official release featuring full interview with Patrice Rushen about the making of the album and rare photos from photographer Bobby Holland Fully remastered from the original ¼” tapes

LP TRACKLIST A1 FORGET ME NOTS 4.42 A2 I WAS TIRED OF BEING ALONE 3.49 A3 ALL WE NEED 5.50 A4 NUMBER ONE (Instrumental) 4.55

B1 WHERE THERE IS LOVE 3.07 B2 BREAKOUT! 4.04 B3 IF ONLY 3.19 B4 REMIND ME 5.15 B5 (SHE WILL) TAKE YOU DOWN FOR LOVE 4.20

C1 FORGET ME NOTS (12” version) 7.18 C2 BREAKOUT! (12” version) 5.49

D1 I WAS TIRED OF BEING ALONE (12” version: F. Byron Clark remix) 7.00 D2 NUMBER ONE (Instrumental) (12” version) 6.48

CD TRACKLIST

1. FORGET ME NOTS (4.42) 2. I WAS TIRED OF BEING ALONE (3.49) 3.

ALL WE NEED (5.50) 4. NUMBER ONE (Instrumental) (4.55) 5. WHERE THERE IS LOVE (3.07) 6. BREAKOUT! (4.04) 7. IF ONLY (3.19) 8.

REMIND ME (5.15) 9. (SHE WILL) TAKE YOU DOWN FOR LOVE (4.20) 10. FORGET ME NOTS (12” version) (7.18) 11. BREAKOUT! (12” version) (5.49) 12. I WAS TIRED OF BEING ALONE (12” version: F. Byron Clark remix) (7.00) 13. NUMBER ONE (Instrumental) (12” version) (6.48)

FOR FANS OF: Chaka Khan, Candi Staton, Joey Negro, Horse Meat Disco, Gilles Peterson, Chic, Randy Crawford, Jones Girls, Minnie Ripperton, Jean Carne, Donald Byrd, Crusaders, Change, Salsoul, West End Records Release Date : 9th July 2021 Artist: Patrice Rushen Title: Straight From The Heart

For more information, contact Adam Calman: adam@k7.com weblink: strut-records.com

Cat. No. STRUT221LP / STRUT221CD CONFIGURATION: 2LP / 1CD PACKAGING: 2LP IN SINGLE SLEEVE + 4PP 12” BOOKLET / 1CD in DIGIPAK + 12PP BOOKLET Bar Code: 2LP - 4062548005691 / CD 4062548005684

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