RELEASE DATES: 6.12.20/6.19.20 | ORDERS DUE BY 5.22.20/5.29.20
sonic boom
ALL THINGS BEING EQUAL C A R PA R K R E C O R D S
BIBIO + BRAIDS + THE SOFT PINK TRUTH
Label: PINK FLAG LP PF26LP 5024545882117 CD PF26CD 5024545882124
Wire-10.20
Originally scheduled for RSD 2020 Pink Flag have decided to make 10:20 a regular LP/CD release. A glimpse into Wire’s working practices, when Wire play live there are different 3 classes of pieces that are performed, new songs, old songs and “new old” songs. The latter often involves taking something that existed on a previous release and re-working it, very often evolving a stage highlight from it. There also pieces that have never seen a major release but for some reason never fitted on an album. The best of these ideas were recorded in 2 sessions - one relating to Red Barked Tree but recorded in 2010 and another relating to Wire’s latest album Mind Hive released in 2020. Incidentally celebrating the decade Matt Simms has been with the band. The album divides in to two halves - the 2010 side & the 2020 side - hence the title.
2010 SIDE. 1. Boiling Boy. 2. German Shepherds.3. He Knows.4. Underwater Experiences. 2020 SIDE. 5. The Art of Persistence.6. Small Black Reptile. 7.Wolf Collides.8. Over Theirs
Tracks 1 to 4 were recorded in the latter part of 2010 and feature contributions from both Margaret Fielder (of Laika) – who had been performing guitar duties with Wire on live dates the previous year – and Simms, who was on the point of becoming an official member of the band.Track 1 ‘Boiling Boy’ first appeared on 1988’s A Bell is a Cup… Until it is Struck. ‘Boiling Boy’ has gone on to become perhaps the most played Wire song ever. Throughout the ’00s, it became one of the acknowledged highlights of Wire’s live sets.Track 2 ‘German Shepherds’ is another late ’80s Wire song that has developed a second life on stage. The recording is also notable in that it includes vocal contributions from Newman, Lewis and Fielder. Track 3 ‘He Knows’ was developed back in 2000 when Bruce Gilbert was still with the band. It emerged in a reinvigorated form in 2008 when it became a staple of Wire’s live show. This is the only studio recording to have surfaced. Track 4.’Underwater Experiences’ was demoed for the band’s sophomore album Chairs Missing, but in the end was omitted. Having lay dormant for a couple of years, the song later appeared in two fast, abrasive, contrasting versions on Wire’s notoriously confrontational live album Document And Eyewitness, and a fifth iteration surfaced on 2013’s Change Becomes Us. However, the song has never sounded quite as it does here .Tracks 5 to 8 were recorded more recently with the long-established line up of Newman, Lewis, Grey and Simms. Track 5 . ‘The Art of Persistence’ arrived fully formed when Wire reconvened in 2000. But it was previously only available as a rehearsal room run-through on long deleted EP The Third Day or as a live version on Legal Bootleg album Recycling Sherwood Forest. Track 6 ‘Small Black Reptile’ originally appeared on the band’s 1990 album Manscape. Of all the reimagined songs on 10:20, this is the one that has traveled the furthest. Whereas the original was a skeletal and arch computer-driven pop song, this new version sees the composition retooled as a piece of melodic rock. Track 7 ‘Wolf Collides’, with its warm synth tones and spindly lead lines, sounds as if it deserves to be sitting regally on side two of 1978’s Chairs Missing. In actual fact, it was written in 2015 and became a stalwart of that year’s live set. This version was recorded for inclusion on 2017’s Silver/Lead but was omitted due to lack of space. Track 8 ‘Over Theirs’ is the climax of the continuing reassessment of Wire’s 1980s output. Although the song appeared on The Ideal Copy and has been an intermittent component of the group’s live shows since 1985, its true power had never been properly harnessed in the studio – until now. 10:20 is that rare thing: an album that not only serves as a must-have for long-term fans and completists, but paradoxically also the perfect introduction for anyone new to the band.
ORDER FORM Street Date: 6.12.20 | Order Date: 5.22.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
677517014228
CD-CAK-142
Sonic Boom
All Things Being Equal
CD
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All Things Being Equal
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Beth, Jehnny
To Love is to Live
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To Love is to Live
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CD-WRP-310
Bibio
Sleep On The Wing
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Bibio
Sleep On The Wing
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Kurt Rosenwinkel Trio
Angels Around
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CD-NS-128
Beauty Pill
Please Advise
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Please Advise
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Please Advise
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Silvestri, Alan
Predator Original Motion Picture Soundtrack (Limited Blood Red with Neon Green Predator Blood Splatter Vinyl Edition)
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The Dream Belongs to Me (Limited 2-LP Gold Vinyl Edition)
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Release of an Oath (Limited Maroon with White Splatter Vinyl Edition)
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Kleeer
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Psychedelic Sex Kicks
Original Motion Picture Soundtrack (CD + DVD)
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Folkstone Prism
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Crash Test Kid
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Crash Test Kid
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Crash Test Kid (INDIE EXCLUSIVE / COLOR VINYL)
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Neon Cross
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Neon Cross (INDIE EXCLUSIVE / HOT PINK VINYL)
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708535797821
CD-SBR-7978
Professor Longhair
The Bach Of Rock
CD
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Auger, Brian
Introspection
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Armed, The
Only Love
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Armed, The
Only Love (COLOR VINYL)
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Disheveled Cuss
Disheveled Cuss
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TENGGER
Nomad
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Nomad (INDIE EXCLUSIVE / KELLY GREEN VINYL)
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Batoh, Masaki
Smile Jesus Loves YOU
CD
$11.30
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Batoh, Masaki
Smile Jesus Loves YOU
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LP-TCLR-035
DJ Boring
Like Water
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LP-DG-203
Painted Zeros
When You Found Forever
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LP-EHSE-041
Graham, Geoff
Survivors
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DEAL
ORDER FORM Street Date: 6.19.20 | Order Date: 5.29.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
680341970028
CD-SCRT-097
Braids
Shadow Offering
CD
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LP-SCRT-097X
Braids
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Fu Manchu
Fu30, Pt. 1
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Soft Pink Truth, The
Shall We Go On Sinning So That Grace May Increase?
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Soft Pink Truth, The
Shall We Go On Sinning So That Grace May Increase?
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White, Jim and Marisa Anderson
The Quickening
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The Quickening (INDIE EXCLUSIVE TRANSLUCENT GREEN VINYL)
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Rose City Band
Summerlong
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Summerlong
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Rose City Band
Summerlong (INDIE EXCLUSIVE ORANGE & BLUE SPLATTER VINYL)
Vinyl
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790377051216
LP-THRILL-512
Golden Retriever and Chuck Johnson
Rain Shadow
Vinyl
$16.65
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790377512113
LP-THRILL-512A
Golden Retriever and Chuck Johnson
Rain Shadow (INDIE EXCLUSIVE CLEAR VINYL)
Vinyl
$18.00
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191400024410
LP-4AD-0244X
National, The
High Violet (Expanded Edition)(Purple and clear marble vinyl)
Vinyl
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634457271050
CD-YEP-2710
Third Mind, The
The Third Mind (STANDARD EDITION)
CD
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LP-YEP-2710
Third Mind, The
The Third Mind (STANDARD EDITION)
Vinyl
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623339913928
CD-OUTS-9139
Barber, Jill
Entre nous
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623339913911
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Barber, Jill
Entre nous (Mimosa coloured vinyl)
Vinyl
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CD-WRP-312
Darkstar
Civic Jams
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LP-WRP-312
Darkstar
Civic Jams
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858275060423
CD-MP-471
Hawke, Maya
Blush
CD
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858275060416
LP-MP-471
Hawke, Maya
Blush
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$13.30
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810874023919
CD-IL-2072
Yano, Jonah
souvenir
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LP-IL-2072
Yano, Jonah
souvenir
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$14.00
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810874023933
CS-IL-2072
Yano, Jonah
souvenir
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634457010437
CD-DG-202
Paisley Fields
Electric Park Ballroom
CD
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634457010420
LP-DG-202LE
Paisley Fields
Electric Park Ballroom (CLEAR/PINK SPLATTER VINYL)
Vinyl
$13.30
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798576937522
LP-RELIC-122
Wailin’ Storms
Rattle
Vinyl
$14.00
$20.99
SI-PRS-1001
Thee Sacred Souls
Can I Call You Rose b/w Weak For Your Love
Vinyl
$5.30
$7.99
SI-PRS-1002
Thee Sinseers
Seems Like b/w Instrumental
Vinyl
$5.30
$7.99
SI-PRS-1003
Joshua, Jason
Language of Love b/w La Vida Es Fria
Vinyl
$5.30
$7.99
SI-PRS-1004
Altons, The
When You Go (That’s When You’ll Know) b/w Over & Over
Vinyl
$5.30
$7.99
SI-PRS-1005
Los Yesterdays
Tell Me I’m Dreaming b/w Time
Vinyl
$5.30
$7.99
603784912554
SI-IARC-0032
Angel Bat Dawid
Transition East
Vinyl
$6.65
$9.99
195269000677
CD-MAHA-004
Edward “Kidd” Jordan, Joel Futterman, William Parker, Hamid Drake
A Tribute to Alvin Fielder, Live at Vision Festival XXIV
CD
$8.00
$11.99
634457015623
CD-IT-16
Birchall, Claire
Running In Slow Motion
CD
$10.00
$14.99
634457015630
LP-IT-16LE
Birchall, Claire
Running In Slow Motion
Vinyl
$16.65
$24.99
3700551783021
LP-ERATP-129
Naqvi, Qasim
Beta (INDIE EXCLUSIVE)
Vinyl
$18.65
$27.99
5054429142129
SI-AHED-7025
Keleketla!
FUTURE TOYI TOYI / CRYSTALLISE
Vinyl
$8.00
$11.99
DEAL
NEW RELEASES Street Date: 6.12.20 | Order Date: 5.22.20
SONIC BOOM ALL THINGS BEING EQUAL
CARPARK RECORDS www.carparkrecords.com
It’s auspicious that Sonic Boom—the solo project and nom-deproducer of Peter Kember (Spectrum, Spacemen 3)—returns in 2020 with its first new LP in three decades. Kember’s drawn to the year’s numerological potency, and this intentionality shines into every corner of All Things Being Equal. It’s a meditative, mathematical record concerned with the interconnectedness of memory, space, consumerism, consciousness—everything. Through regenerative stories told backwards and forwards, Kember explores dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives.
TRACKLIST 1. Just Imagine 2. Just a Little Piece Of Me 3. Things Like This (A Little Bit Deeper) 4. Spinning Coins and Wishing on Clovers 5. My Echo, My Shadow and Me 6. On a Summer’s Day 7. The Way That You Live 8. Tawkin Tekno 9. I Can See Light Bend 10. I Feel a Change Coming On CATALOG NUMBER: CAK142 STREET DATE: June 12. 5, 2020 2020 FILE UNDER: Alternative/Electronic DISCOUNT: 5% on LP, 10% on CD until July 3, 2020 ALL THINGS BEING EQUAL INDIE-EXCLUSIVE LP UPC 677517014235 ALL THINGS BEING EQUAL LP UPC 677517014211 ALL THINGS BEING EQUAL CD UPC 677517014228
Sonic Boom’s second album and first for Carpark began in 2015 as electronic jams. The original sketches of electronic patterns, sequenced out of modular synths, were so appealing that Stereolab’s Tim Gane encouraged Kember to release them instrumentally. “I nearly did,” confesses Kember, “but the vibe in them was so strong that I couldn’t resist trying to ice the cake.” Three years later, a move to Portugal saw him dusting off the backing tracks, adding vocals inspired by Sam Cooke, The Sandpipers, and the Everly Brothers (which he admits “don’t go far from the turntable pile”), as well as speculative, ominous spoken word segments. His new home Sintra’s parks and gardens provided a different visual context for Kember’s thoughtful observations, and he thematically incorporated sunshine and nature as well as global protests into the ten resulting tracks. “Music made in sterility sounds sterile,” he says, “And that is my idea of hell.” Over the vivid, calculating arps of opener “Just Imagine,” Kember nudges listeners to do as the title suggests. It’s based on a story he read about a boy who healed his cancer by picturing himself as a storm cloud, raining out his illness. “The Way That You Live,” a rollicking drone powered by drum machine rattles and bright chord beds, morphs political distrust into a revolutionary mantra about ethical living. “I try and live my life by voting every day with what I do and how I do it, who I do it with and the love that I can give them along the way,” offers Kember. An unusually curated gear list accompanies each song, unexpected layers reinforcing the monophonic skeletons. Mystery soundscapes and grinding sweeps were teased from EMS synths, synonymous with and evocative of ‘60s BBC scoring and ‘70s Eno. Pacing basslines oscillating into warbling heartbeats came from a cheap ‘80s Yamaha. A modern OP-1 generated subtle kicks and eerie theremins, while his toy Music Modem— an unused holdover from sessions Kember produced for Beach House and MGMT—finally found its recorded home. ALL THINGS BEING EQUAL • North American publicity by Motormouth • College/Non-Commercial radio by Terrorbird • Digital Marketing by Terrorbird • Indie-Exclusive LP inside foil jacket designed by Marco Papiro • “Just Imagine” music video with more in the works • North American and European touring in 2020 • Vinyl includes free digital download
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
JEHNNY BETH \ TO LOVE IS TO LIVE \ release date: june 12, 2020 Best known as the charismatic lead singer and co-writer of UK band Savages, who received Mercury Prize nominations for both of their now-classic two albums Silence Yourself (2013) and Adore Life (2016), Jehnny Beth’s voice, lyrical perspective, and incredible live performances have captivated audiences since the early Aughts. But it’s in To Love Is To Live that Jehnny Beth truly steps into - and claims - the spotlight. The album is a sonic tour de force, a dark cinematic meditation on the strange business of being alive. Throughout the record, she explores the deepest reaches of her creative consciousness...wrapped in a whirlwind of sounds. Indeed, in accessing those darkest and least comfortable parts of herself, Jehnny Beth has created a piece of work that is stunningly cathartic, fiercely abrasive, delicately exposed, and rich for discourse. The album, which was recorded in Los Angeles, London, and Paris, features a number of collaborators, including producers Flood, Atticus Ross, and longtime co-creator Johnny Hostile, and guest turns from actor Cillian Murphy and IDLES’Joe Talbot.
HIGHLIGHTS
CD Catalog #: CD-JB-001X UPC #: 634457020481 Packaging: Mintpack Box Lot: master box of 180 – 4 inners w/ 45 each
Vinyl standard (black) Catalog #: LP-JB-001 UPC #: 634457020498 Packaging: Standard single pocket w/inner sleeve Box Lot: 25 per box
Vinyl indie exclusive (red) Catalog #: LP-JB-001X UPC #: 634457020689 Packaging: Standard single pocket w/inner sleeve Box Lot: 25 per box
T rack Li sti n g
01. I Am
02. Innocence 03 . Flowe r
0 4. We Wi ll Si n Tog e th e r
0 5 . A P l a c e A b o v e ( f e at. C i l l i a n M u r p h y )
06. I’m Th e Man 0 7. T h e R o o m s 08. He roi n e
0 9 . H o w C o u l d Y o u ( f e at. J o e Ta l b o t ) 10 . F r e n c h Co u n t rys i d e 11 . H u m a n
redeye Wo rldwi de 505 Eno st., hillsbo rough, nc 27278 redeyewo rldwi de.com
20l07 music 20l07@sam musicbiz.com
ARTIST • BIBIO RELEASE • SLEEP ON THE WING INFO
RELEASE DATE • 06.12.2020 FILE UNDER • B / ALTERNATIVE WEBSITE • bibio.co
WARPLP310
WARPCD310
SPEC • 1LP in paper inner in gatefold outer sleeve, download card insert
SPEC • CD in digipak
BOXLOT • 25
BOXLOT • 30
UPC • 801061031015
UPC • 801061031022
OVERVIEW Bibio returns with a new collection of music called Sleep On The Wing, just over a year on from his last album Ribbons. This collection continues the story of Ribbons, with ten tracks drawing on similar inspiration and using a similar palette of instruments and sounds. In this way it continues a pattern in Bibio’s work, like Dye The Water Green following Silver Wilkinson. It is much more instrumental focused with only two tracks featuring vocals. Bibio performs the following on Sleep On The Wing: Acoustic guitar / Tenor acoustic guitar / Baritone acoustic guitar / Baritone electric guitar / Bass guitar / Mandolin / Mandola / Octave mandolin / Violin / Viola / Cello / Piano / Rhodes / Wurlitzer / Minimoog / Mellotron / Alto saxophone / Clarinet / Voice
NO EXPORTS • NO EXPLICIT CONTENT SELLING POINTS
• Cover artwork and music video for ‘Sleep On The Wing’ by Chris Wormell
derek@warprecords.com http://warp.net
TRACKLISTING 01. Sleep On The Wing 02. A Couple Swim 03. Lightspout Hollow 04. Oakmoss 05. Miss Blennerhassett 06. The Milky Way Over Ratlinghope 07. Awpockes 08. Crocus 09. Otter Shadows 10. Watching Thus, The Heron Is All Pool
ALSO AVAILABLE
BIBIO • RIBBONS (WARP299)
BIBIO • WXAXRXP Session (WARPDD300-2)
harrellp@redeyeworldwide.com http://redeyeworldwide.com
The title of this record was inspired by our circumstance. Please Advise is a liminal work. A document of a time of uncertainty and fragmentation. I'm proud of this record, but it's not perfect. I will go one step further: I'm proud of this record because it's not perfect. All I wanna do is keep moving. Please Advise meets this criterion. For me, at least. I hope people find it valuable.
We named our record PLEASE ADVISE after producer Teo Macero’s famous 1969 memo to Columbia Records about Miles Davis (“Miles just called and said he wants this album to be titled BITCHES BREW. Please advise.”) It’s darkly funny to us now, but I bet it wasn’t funny to Teo then. I find that memo to be encouraging. Even in working with an artist as brilliant and masterful as Miles Davis, there were moments of uncertainty and maybe even panic. Like “What is this motherfucker doing?” panic. There’s probably no aesthetic connection between Miles Davis and Beauty Pill, but that memo makes me feel better about my own path. It’s okay if sometimes I don’t know what I’m doing. It’s okay if sometimes you don’t know what I’m doing either. The paradox of any artist’s life is you need to cultivate confidence AND humility to survive.
Artist:
Beauty Pill Album Title:
Please Advise Catalog #: NS128 Release Date: 5/08/20 6/12/20 **Each physical format (CD, LP, cassette) features unique artwork and 1 unique bonus track which is exclusive to each format** LP packaging: Includes 12 pg booklet Heavy “discobag” printed sleeve albaplex reverse board jacket Designed by a grammy award winning artist Brian Grunert Black Vinyl LP 309272740240 Indie Exclusive “Dark Green” Vinyl LP 309272738216 CD gatefold wallet 309272740219 Cassette 309272738254 RIYL: Lungfish, Dismemberment Plan, Beck, Stereolab, Destroyer, TV On The Radio
But you know what? That’s the paradox of your life too. Thanks for listening. Chad Clark Washington, DC
Label Contact: Adam Downey adam@northern-spy.com
Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287
ALAN SILVESTRI: SELLING POINTS • Though Derided as Derivative When It Came Out, Predator Has Only Grown in Reputation as One of the Great Action/Sci-Fi Films, and Marked the Full Flowering of Arnold Schwarzenegger as a Genuine Movie Star • The Soundtrack by Alan Silvestri (Romancing the Stone; Back to the Future) Has Also Become a Cult Favorite, Sparking No Less Than Three Limited-Edition CD Releases • Silvestri’s Score Is Every Bit as Brutal and Hard-Hitting as the Film Itself, Employing a Full Orchestra, Deft Electronic Touches, and Bruising Percussion • Among the Highlights Are the Eerie, Descending Strings as the Predator Descends to Earth, the Propulsive Military March That Introduces the Commando Team, and the Simple Trumpet Fanfare in “He’s My Friend” Lamenting the Loss of a Fallen Comrade • Sound Is Taken from Intrada’s 2012 Complete and Definitive Edition of the Score • Real Gone Music’s Vinyl Release Features Custom Front Cover Art by Rafał Wechterowicz Depicting the Predator in All Its Gory Glory • Gatefold Double-LP Set Also Includes Production Stills • Blood Red with Neon Green “Predator Blood” Splatter Vinyl Release • Limited to 1000 Copies
iBarcoder Trial "
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UPC: 848064010470 FORMAT: Regular Weight 2-LP Blood Red with Neon Green “Predator Blood” Splatter Vinyl PACKAGING: Gatefold LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 20
PREDATOR ORIGINAL MOTION PICTURE SOUNDTRACK (Limited Blood Red with Neon Green “Predator Blood” Splatter Vinyl Edition) (2-LP Set)
STREET DATE: JUNE 12, 2020 Alan Silvestri’s masterful score to the 1987 film Predator has been one of the most sought-after action film soundtracks of all time, sparking no less than three limited-edition CD releases that all successively sold out in short order (as did our first vinyl pressing). And it’s little wonder; fresh from back-to-back triumphs with Romancing the Stone and Back to the Future, Silvestri employs a full orchestra, occasional, deft electronic touches, and—most of all—bruising percussion to fashion a score every bit as muscular and hard-hitting as the film itself. Among the truly inspired touches are the eerie, descending strings as the Predator descends to earth, the propulsive military march that introduces the commando team, and the simple trumpet fanfare in “He’s My Friend” that laments the loss of a fallen comrade. Real Gone is proud to present Alan Silvestri’s score to Predator in a double-LP set featuring custom front cover art by Rafał Wechterowicz that captures the Predator in all its ugly mother******ness, with additional stills from the production decorating the gatefold package. The sound to our release is taken from Intrada’s 2012 complete and definitive edition of the score, and it comes on blood red and neon green “Predator Blood” splatter vinyl limited to 1000 copies. Get it before it disappears into the jungle!
SIDE ONE 1. Fox Fanfare 2. Main Title 3. Something Else; Cut ‘Em Down; Payback Time 4. The Truck 5. Jungle Trek
SIDE TWO 1. Girl’s Escape 2. Blaine’s Death 3. What Happened? 4. He’s My Friend 5. We’re Gonna Die 6. Building the Trap 7. The Waiting
SIDE THREE 1. Can You See Him? 2. Dillon’s Death 3. Billy and Predator 4. Dutch Builds Trap
SIDE FOUR 1. Predator Injured 2. Hand to Hand Combat 3. Predator’s Death 4. The Aftermath; The Pick-Up and End Credits
SELLING POINTS • Tim Buckley Remains One of ‘60s & ‘70s Pop Music’s Most Captivating Figures • Elements of Rock, Folk, Jazz, and R&B Swirl in His Music • His Elusive Persona and Alternately Poetic and Profane Lyrics Add to His Enduring Mystique 45 Years After His Death • The Dream Belongs to Me Captures the Many Sides of This Multitalented Artist • The First Six Tracks Were Recorded in New York and Hollywood in March and June of 1968, Between the Releases of Goodbye and Hello and Happy Sad • The Remaining Eight Tracks Are from a Sefronia Demo Session Recorded February 12, 1973 • Features Some of Buckley’s Most Cherished Songs (“Song to the Siren,” “Buzzin’ Fly”) and Underrated Ones (“Sefronia,” “Honey Man”) • Also Includes Two Songs, “The Dream Belongs to Me” and “Falling Timber,” That Were Unknown Until This Release • Offers a Preview of Songs That Later Surfaced on Such Fantastically Progressive Albums as Happy Sad, Blue Afternoon, and Starsailor • Also Premieres Songs That Ended Up on His Last Two Albums, Sefronia and Look at the Fool • 2-LP Set • Vinyl Debut • Liner Notes • Rare Photos • Gold Vinyl Pressing Limited to 1000 Copies • A Fascinating Glimpse into Tim Buckley’s Creative Process
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UPC: 848064010463 FORMAT: Regular Weight 2-LP Gold Vinyl PACKAGING: Gatefold LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 20
Tim Buckley THE DREAM BELONGS TO ME (Limited 2-LP Gold Vinyl Edition) STREET DATE: JUNE 12, 2020 Of all the singer-songwriters to emerge from the ‘60s, Tim Buckley was the most difficult to pigeonhole. Was his music folk? Rock? Jazz? Even R&B? The answer was, of course, that it was all of those things. Add to that an impossible-to-pin-down persona, and a lyrical bent that swung wildly from the poetic to the profane, and one can understand why Buckley continues to fascinate today, some 45 years after his passing. Indeed, it takes all four sides of this 2-LP set to capture the many facets of Tim Buckley on display here; the first six tracks were recorded in New York and Hollywood in March and June of 1968, between the releases of Goodbye and Hello and Happy Sad, while the remaining eight tracks are from a Sefronia demo session recorded February 12, 1973. The Dream Belongs to Me features some of Buckley’s most cherished songs (“Song to the Siren,” “Buzzin’ Fly”), some of his most unappreciated (“Sefronia,” “Honey Man”), and others that until this release were completely unknown (“The Dream Belongs to Me,” “Falling Timber”). Offering a preview of songs that later surfaced on such fantastically progressive albums as Happy Sad, Blue Afternoon, and Starsailor as well as on his last two albums, Sefronia and Look at the Fool, The Dream Belongs to Me presents a fascinating peek into the artist’s creative process, and it appears here for the first time on LP, in a limited gold vinyl pressing (complete with liner notes and rare photos of Buckley) limited to 1000 copies!
SONGS
RECORD ONE 1968 Recordings Side One 1. Song to the Siren 2. Sing a Song for You 3. Ashbury Park Side Two 1. Danang 2. Happy Time 3. Buzzin’ Fly
RECORD TWO 1973 Recordings Side One 1. Sefronia 2. Because of You 3. The Dream Belongs to Me 4. Falling Timber Side Two 1. Stone in Love 2. Freeway Dixieland Rocketship Blues 3. Honey Man 4. Quicksand
SELLING POINTS • The Electric Prunes Broke on the Scene with Their 1967 Self-Titled Debut Record Featuring the Hit “I Had Too Much to Dream (Last Night)” • The Band Made Four Fantastic Albums for Reprise in the Space of Two Years • But by the Time They Made Release of an Oath, the Last of the Four, Not a Single Member of the Original Band Remained • Dave Hassinger, Engineer/Producer for Such Bands as The Rolling Stones, Jefferson Airplane, and the Grateful Dead, Retained the Rights to the Electric Prunes Name • Hassinger Produced Release of an Oath and Brought Back Legendary Composer/Arranger David Axelrod, Who Had Previously Written and Arranged the Prunes Album Mass in F Minor • Having Created a Psychedelic Catholic Mass, for Release of an Oath Axelrod Tackled “The Kol Nidre,” the Jewish Prayer That Begins the Yom Kippur Service • Just as Occurred with Mass in F Minor, the Arrangements Proved Too Complex for the Then-Current Line-Up of the Electric Prunes (Except for Vocalist Dick Whetstone) • So Axelrod Brought in The Wrecking Crew in the Persons of Guitarists Howard Roberts and Lou Morrell, Bassist Carol Kaye, Keyboardist Don Randi, and Drummer Earl Palmer • With Such a Sterling Line-Up, Axelrod Brought His Trademark Blend of Psychedelic Rock, Jazzy Orchestration and AvantGarde Touches to Full Fruition • The Result Was an Album That Sounds Fresh and CuttingEdge over 50 Years After It Was Recorded • Real Gone Music’s Reissue Features the Original Album Art • Maroon with White Splatter Vinyl Edition • Limited to 1000 Copies!
THE ELECTRIC PRUNES RELEASE OF AN OATH
(Limited Maroon with White Splatter Vinyl Edition) STREET DATE: JUNE 12, 2020
UPC: 848064010425 FORMAT: Regular Weight Maroon with White Splatter Vinyl PACKAGING: LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 40
Starting with their 1967 self-titled release featuring “I Had Too Much to Dream (Last Night),” The Electric Prunes made four fantastic albums for the Reprise label in the space of two years, but by the time they made Release of an Oath, the last of the four, not a single member of the original band was left. But two key individuals were still in the fold. One was Dave Hassinger, engineer for The Rolling Stones, Jefferson Airplane, Grateful Dead and other superstar groups of the ‘60s, who retained the rights to the Electric Prunes name and served as producer of the album. The other was legendary composer and arranger David Axelrod. Axelrod had already written and arranged the Prunes album Mass in F Minor, the complexity of which had forced the band’s original members to quit in frustration. Now, having composed a psychedelic Catholic mass, Axelrod turned his attention to the Old Testament and specifically “The Kol Nidre,” the prayer that begins the Yom Kippur service in the Jewish faith. Once again, the orchestration proved too much for the then-current edition of the band (except for vocalist Dick Whetstone), so Axelrod brought in The Wrecking Crew in the persons of guitarists Howard Roberts and Lou Morrell, bassist Carol Kaye, keyboardist Don Randi, and drummer Earl Palmer. Armed with that formidable line-up, Axelrod brought his trademark blend of psychedelic rock, jazzy orchestration and avant-garde touches to full fruition, creating an album that sounds fresh and cutting-edge over 50 years later. Now, for its first vinyl reissue, Real Gone Music presents this one-of-a-kind record in a maroon with white splatter vinyl pressing that’s every bit as psychedelic as the music it contains. If you know and love this album like we do, you’ll love this edition, and if you haven’t heard it, now is the time!
SELLING POINTS
K L E E E R
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• Led by Drummer/Vocalist Woody Cunningham, New YorkBased Kleeer Featured Formidable Players and Writers in Richard Lee, Paul Crutchfield, and Norman Durham • The Group Went Through a Lot of Incarnations Before Becoming One of the Leading Disco-Funk Outfits of the Late ‘70s and Early ‘80s • Went from Funk (The Jam Band) to Hard Rock (Pipeline) and Back to Funk (Universal Robot Band) Before Forming as Kleeer in 1979 • As Kleeer, They Record Half a Dozen Well-Regarded Albums for Atlantic, of Which Intimate Connection Was the Fifth • Features Production by Eumir Deodato • Influential on Rap and Hip-Hop, as the Hit Title Track Formed the Basis of 2Pac’s 1995 Smash “California Love” • “Tonight” Was Also Sampled by 2Pac and DJ Quik • Highly Collectible Release • “Red Telephone” Vinyl Pressing to Match the FaithfullyReproduced Cover Art • Limited to 1000 Copies iBarcoder Trial
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UPC: 848064010418 FORMAT: Regular Weight “Red Telephone” Vinyl PACKAGING: LP Jacket LIMITED EDITION: 1000 Copies BOX LOT: 40
SONGS: Side One 1. 2. 3.
Kol Nidre Holy Are You General Confessional
Side Two 1. 2. 3. 4.
Individual Confessional Our Father, Our King The Adoration Closing Hymn
INTIMATE CONNECTION (Limited “Red Telephone” Vinyl Edition)
STREET DATE: JUNE 12, 2020 Cult ‘80s electro-funk from this multi-talented and multifaceted New York ensemble! Led by drummer/vocalist Woody Cunningham, but featuring formidable players and writers in Richard Lee, Paul Crutchfield, and Norman Durham, Kleeer went through several incarnations as a funk/disco band (The Jam Band), a hard rock group (Pipeline), and then back to a studio disco outfit (the highly collectible Universal Robot Band) for the legendary Greg Carmichael-Patrick Adams-Leroy Burgess production team before striking out on their own as Kleeer in 1979 and recording a half dozen well-regarded albums for Atlantic. Of those albums, though, 1984’s Intimate Connection particularly stands out; not only did it feature production by Eumir Deodato, but it also cast a long shadow into the rap and hip hop styles to come, as the hit title track formed the basis of 2Pac’s 1995 smash “California Love” (2Pac and DJ Quik also sampled “Tonight” from this record). Our Real Gone release marks the first time this hotly sought-after album has been reissued on LP, and it comes in a “red telephone” vinyl pressing limited to 1000 copies!
SONGS:
Side One 1. Ride It 2. You Did It Again 3. Go for It 4. Intimate Connection Side Two 1. Next Time It’s for Real 2. Break 3. Tonight 4. Do You Want To?
Kahil El’Zabar’s ‘Spirit Groove’ ft. David Murray RD: 12 10 JUNE APRIL2020 2020
Kahil El’Zabar: multi-percussion & voice David Murray: tenor sax Emma Dayhuff: acoustic bass Justin Dillard: synth, piano, organ Nep Sidhu: artwork & art direction
RELEASE DATE: LABEL: CATALOG: FORMAT:
04/10/2020 06/12/2020 SPIRITMUSE RECORDS SPM-KEZ003 Deluxe Gatefold 2xLP 180g Deluxe CD • DIGITAL
GENRE:
JAZZ, SPIRITUAL JAZZ, GROOVE, DANCE JAZZ FOR FANS OF: Kahil El’Zabar, David Murray, Ethnic Heritage Ensemble, Pharoah Sanders, Archie Shepp, Gary Bartz, AACM, Phil Cohran TRACKLISTING 1. 2. 3. 4.
In My House Necktar Songs of Myself Katon
5. 6. 7.
In The Spirit Trane In Mind One World Family
LP
GATEFOLD 2xLP 180g CAT NO: LP-KEZ003 UPC: 634457011915
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DELUXE CAT NO: CD-KEZ003 UPC: 634457011922
SELLING POINTS • New spiritual jazz & groove album with unique collaboration of these two jazz giants • Kahil El’Zabar continues on strong success from 2019, with outstanding performance as leader, composer and ‘best percussionist in the world’ • Phenomenal performance by David Murray as you’ve never heard before! • Upcoming musicians Justin Dillard (Junius Paul Qt) & Emma Dayhuff of ‘hot’ Chicago jazz scene • Original artwork by Nep Sidhu (Erykah Badu / Shabazz Palaces / Vogue US) • Liner notes by Paul Bradshaw/Straight No Chaser • Extensive PR / media campaign in US & Europe • On the trend for young audiences of the current ‘hot’ jazz/dance/groove scene • Hits the mark with classic jazz audiences as is a phenomenal collaboration of these two giants with a strong following PRODUCT BLURB Kahil El’Zabar’s ‘Spirit Groove’ on Spiritmuse Records is the latest musical inspiration from Kahil El’Zabar, feat. the legendary tenor sax colossus, David Murray. El’Zabar’s & Murray’s collaborative efforts span over 4 decades of exceptional explorations in the varied realms of spiritual jazz. ’Spirit Groove’ is an innovative journey into the core soul of jazz and groove, uniting them in the higher plane of the Cosmos in Spirit! UPCOMING TOUR DATES • U.S. & Canada: throughout JUNE 2020 • Europe: JULY 2020 (w/ dates at Worldwide Festival Sete, New Morning Paris and Ronnie Scott’s London)
Redeyeworldwide.com • 505 Eno Street Hillsborough NC 27278 • PM: Jeep Ward jeep@redeyeworldwide.com
877.733.3931
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ARTIST: PSYCHEDELIC SEX KICKS
A TRIPPY SITAR SEXTRAVAGANZA! This 1967 sleazealogue about the sex and drug crazed San Francisco hippie underground is a strange trip soundtracked by the psychedelic sounds of sitar and tabla, backwards vocals, heavy breathing, satanic flutes bathed in tape delay, all underscoring the thoughts and hallucinations of the filmʼs plastered protagonists. Itʼs a sensual, id-shaking, mind-bending experience that may leave you forever changed! Rather than the tawdry wah-wah-ified funk youʼd get with similar films, weʼre treated here to that groovy ʻ60s psychedelic sound of classical Hindustani music. While no one will mistake the performers for Ravi Shankar and Alla Rakha, thereʼs a certain primitive charm to their way out Indian improvs. The acid really starts to kick in on “Happening Inside You Now,” when backwards tape loops and delay effects saunter into the experience, and the album continues to get trippier when “Lysergic Sitar Delusions” explodes with heavily reverberated piano and sitar, backwards vocals, heavy breathing and satanic flutes bathed in tape delay. The flutes continue on “Sonic Spiraling” recalling the work of Sun Ra, who wrote numerous compositions for dueling flutes Put all these wigged out sounds and visuals together - especially during the nude dancing scene with Ariel Meredith & The Happy Hippies - and youʼve got a full blown Psychedelic Freak Out. Don't take the brown acid! Otherwise, you may never get off this trip, man.
TITLE: ORIGINAL MOTION PICTURE SOUNDTRACK PSYCHEDELIC SWIRL LP + DVD / CD + DVD BOX LOT QUANTITY: 30 LP / 45 CD FILE UNDER: SITAR SOUNDTRACKS MH-8223 LP UPC: 090771822314 MHCD-223 CD UPC: 09077182321 RELEASE DATE: 6/12/20
LP +DVD or CD+DVD! TRACK LISTING
• CRISP ROLLING PAPER WHITE VINYL OR CD, BOTH INCLUDING A DVD OF THE BIZARRE FILM! • A WILD MIX OF SITAR & TABLA, SONIC EXPERIMENTATION, AND HIPPIE MUSINGS! • DVD INCLUDES LOADS OF ADDITIONAL COUNTERCULTURE CRAZINESS FROM THE SOMETHING WEIRD VAULTS!
LIKE, PREVIEW TIME A THIN PAD LSD: THE LAST PLATEAU MIND BENDING IMAGERY UNIVERSE ME NOW HAPPENING INSIDE YOU NOW SONIC SPIRALING LYSERGIC SITAR DELUSIONS SITAR SIT RA UPTIGHT AND HUNGUP COMING DOWN MODERNHARMONIC.COM
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ARTIST: KENNÉLMUS
“IF THE MOODY BLUES HAD BEEN STRANDED IN THE SONORA DESERT WITH NOTHING BUT PEYOTE FOR SUSTENANCE, THIS THIS THE ALBUM THEY WOULD HAVE MADE.” - RECORD COLLECTOR Maybe itʼs their proximity to all that funny-tasting cactus, but Arizona has produced more than its share of mind-bending rock combos and Kennélmus might just be the wildest of the bunch. The Chantays sand-wrestling with the Electric Prunes, refereed by Captain Beefheart almost certainly does justice to the mind-bending sound of Kennélmus. “This way-obscure Phoenix band released a late-period psychedelic album in 1971, that by the standards of self-released LPs of the time, was several layers above the usual such offering. The exotic dabs or melodica, zither, and special effects by multi-instrumentalist and songwriter Ken Walker added a cloud of eeriness; ʻI Donʼt Knowʼ has keyboards straight off the Chantaysʼ surf classic ʻPipeline,ʼ ʻGoodby Pamela Annʼ has scorching psychedelic guitar that sounds like a mating of the Electric Prunes and Haight-Ashbury, and ʻMother Of My Childrenʼ has vocals that sound like a Lee Hazlewood parody.” - ALLMUSIC.COM “This album is excellent, trippy, and mind-bending, with very surfadelic guitars and strange sounds. It is obvious that a lot of thought and planning was put into its production.” - UGLY THINGS
• OUT OF PRINT FOR OVER 25 YEARS AND NOW BOB IRWINʼS DEFINITIVE MASTER IS GETTING THE KEVIN GRAY TREATMENT! • CUT BY KEVIN GRAY AND PRESSED THIRD MAN PRESSING IN DETROIT. • LP HAS 8 PANEL BOOKLET WITH REVERSE BOARD JACKET AND SNAPPY OBI STRIP!
TITLE: FOLKSTONE PRISM BLACK VINYL LP / CD BOX LOT QUANTITY: 30 LP / 45 CD FILE UNDER: PSYCHEDELIC ROCK MH-8065 LP UPC: 090771806512 MHCD-065 UPC: 090771806529 RELEASE DATE: 6/12/20
TRACK LISTING I DONʼT KNOW PATTIʼS DREAM DANCING DORIS GOODBYE PAMELA ANN MONOLOGUE BLACK SUNSHINE THINK FOR YOURSELF THE BUG, THE GOAT, & THE HEARSE SHAPES OF SLEEP CLOUD OF LEAD MOTHER OF MY CHILDREN 1001 TWICE SYLVAN SHORES BULLETIN!!! THE RAVEN MODERNHARMONIC.COM
SAMMY BRUE CRASH TEST KID Street Date: June 12, 2020 track listing 1. Gravity (2:29) 2. Die Before You Live (3:38) 3. Teenage Mayhem (2:48) 4. True Believer (3:54) 5. Pendulum Thieves (3:47) 6. Crash Test Kid (4:23) 7. Megawatt (4:01) 8. Fishfoot (3:02) 9. Skatepark Doomsday Blues (3:16) 10. What You Give (3:10) 11. Paint It Blue (3:30)
CD Sel. #: NW6460 CONFIG: Jewel Case UPC: 607396646029 6 07396 64602 Box Lot: 30 Count Genre: Alternative / Singer-Songwriter
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vinyl “Music has just been a part of my life since I was very young—it’s been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it’s going to take me…”
Sel. #: NW5326 CONFIG: Vinyl UPC: 607396532612 6 07396 53261 Box Lot: 40 Count Genre: Alternative / Singer-Songwriter
Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West fulllength debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.
indie only vinyl
But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverlypicked guitar.
Sammybrue.com
Sel. #: NW5402 CONFIG: Colored Vinyl UPC: 607396540211 6 07396 54021 Box Lot: 40 Count Genre: Alternative / Singer-Songwriter
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marketing points •Extensive US press campaign •Non-Comm, Americana and College radio campaigns, including promo appearances to support release •Comprehensive social media, indie and corporate campaigns to support release •Available for in-stores and contesting
Newwestrecords.com
Sweet Mess Neon Cross LIVIN Make Something Outta Me By Your Side Just A Woman (feat. Jessi Colter) Goodbye Queen Mercy Rattlesnake Girl Hurt So Bad (feat. Shooter Jennings) Demon Tied To A Chair In My Brain If there’s one lesson to be gleaned from Jamie Wyatt’s latest album, Neon Cross, it’s that life goes on. And through it all—good times and bad, dreaming and desperation, there is truth. When it came to capturing that truth on tape, Wyatt had some assistance from Shooter Jennings, who produced Neon Cross. Together, she and Jennings boldly color outside the country lines, taking a wide-lens sonic and stylistic approach to the songs on Neon Cross. MARKETING POINTS: Produced by Shooter Jennings featuring Neal Casal on guitar Comprehensive press and radio campaigns, including promo appearances to support release Comprehensive social media ad campaigns to support release Available for in-stores and contesting campaigns with retail Multiple pre-order campaigns including the indie option Comprehensive touring starting in May
VINYL Sel. #: NW5376 LP CONFIG: 1x LP, Jacket, Black Vinyl UPC: 607396537617 Box Lot: 40 Count Genre: Singer-Songwriter, Country
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INDIE RETAIL EXCLUSIVE VINYL Sel. #: NW5395 LP CONFIG: 1x LP, Jacket, Neon Vinyl (Limited to 500) UPC: 607396539512 Box Lot: 40 Count Genre: Singer-Songwriter, Country 6
CD Sel. #: NW6477 CONFIG: Digiwallet UPC: 607396647729 Box Lot: 30 Count Genre: Singer-Songwriter, Country
07396 53951 2
JaimeWyatt.com
NewWestRecords.com
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2 CDs / 30 TRACKS - STUDIO AND LIVE RECORDINGS • THE BEST OF LONGHAIR’S LIVE RECORDINGS • REMASTERED FROM THE ORIGINAL ANALOG TAPES • HIS MOST SIGNIFICANT SONGS •
Disc 1 She Ain’t Got No Hair (Studio) • Bye Bye Baby (Studio) Professor Longhair’s Boogie (Studio) • Mardi Gras In New Orleans (Studio) • East St. Louis Baby (Studio) • Boyd’s Bounce (Studio) Bald Head • Big Chief • Bright Lights, Big City • Cry To Me Everyday I Have The Blues • Got My Mojo Workin’ Her Mind Is Gone • Hey Little Girl • Jambayala Disc 2 Mess Around • Rockin’ Pneumonia • Rum and Coke She Walked In • Stagger Lee • Tipitina • Hey Now Baby I’m Movin’ On • Junko Partner • Lovely Lady • Whole Lotta Lovin’ Tell Me Pretty Baby • Mari Gras In New Orleans (Live) How Long • Tipitina
Almost every musical history contains at least one crucial forebear whose inventions were too bold to translate to a broad audience, but who was nonetheless a profound influence on subsequent generations, and therefore changed the culture at an odd remove—a musician’s musician”. In the nineteen-forties and fifties, that was Fess’s stature. Roy Byrd aka Professor Longhair, his legacy looms larger than any other musical figure with the possible exception of Louis Armstrong. On THE BACH OF ROCK, Longhair bounces buoyantly through old favorites while adding some new songs into the mix. Fess’s infectious vocals, jaunty ivory-tickling, and funky groove provide the ultimate soundtrack to the Crescent City and show exactly why the city has the reputation that it does. This superb two-disc set features the Professor’s signature style--a stomping left-hand bass and a right hand that flies all over the place--on classics such as “Tipitina,” “Junco Partner,” and “Ball the Wall.” It begins in the early ’50s, when ‘Fess called his band Roy Byrd & His Blues Jumpers, and ends in the ’70s with an incredible live version of “Big Chief” and “Tipitina.”
“It’s echoed in my songs, whether you could hear it or not - as for the licks themselves, but my heart always have some Professor Longhair in it, in probably everything I do.”—ALLEN TOUSSAINT “Fess put funk into music ... Longhair’s thing had a direct bearing I’d say on a large portion of the funk music that evolved in New Orleans.”—DR. JOHN “He had this great…rolling piano style. And he was singing this song called ‘Tipitina’, which is like one of his hits. I just loved the style so much that I composed something called ‘My Carnival’ basically ripped him off.”—PAUL McCARTNEY RELEASE DATE: 6/12/20 ARTIST: PROFESSOR LONGHAIR TITLE: THE BACH OF ROCK CATALOG: CD-SBR-7978 CD CONFIGURATION: 2 CD FOLDER UPC: 708535797821 BOX LOX: 30 UNITS GENRE: R&B/FUNK
REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com
INTROSPECTION “Those who remain oblivious to the obvious delights of Brian Auger’s Oblivion Express do so at their own risk!”—Beastie Boys “Brian Auger is one of the best B-3 artists I have ever heard in my life. His technique is awesome.”—Herbie Hancock “My goodness you almost blew the skins off the potatoes! You are truly my hero.”—Keith Emerson The legendary Brian Auger has returned with this 3 disc 50 year career retrospective. Since the early ‘60s Auger has proven to be a restless, wandering musical spirit, and this collection is the proof in the pudding that his enormous talent and vision have warranted -- and continue to warrant -- his participation in multiple genres as a multi-instrumentalist, composer, bandleader, and arranger who has successfully and effortlessly blurred the lines between jazz, blues, R&B, funk, soul, fusion, and rock. His voice is clearly recognizable to his millions of fans. With over 20 albums to his name, Brian Auger has accumulated Grammy Nominations, 10 albums charting in Billboards Hot 100, a #1 single, and the title of “The Godfather of Acid Jazz”. His tracks have been sampled by Mos Def, Common, the Beastie Boys, Air and Kid Loco; his original compositions covered by Sarah Vaughan, Richard ‘Groove’ Holmes and The Main Ingredient. Brian’s bands over the years have featured Rod Stewart, Long John Baldry, Julie Driscoll and even Jimi Hendrix. In addition, Brian has recorded with great luminaries as The Yardbirds, Eric Clapton, Van Morrison, Eric Burdon, Jimi Hendrix, Paul McCartney and more. INTROSPECTION is an indispensable compendium for the collector and a welcomed introduction for the novice. This is the Auger collection everyone needs to own.
DISC 1
FREDDIE’S FLIGHT • IT BURNS ME UP • BUTTERFLY ISOLA NATALE • THE LADY’S IN LOVE • MIDNIGHT SUN • SEASON OF THE WITCH • INNER CITY BLUES • LIGHT MY FIRE • HAPPINESS IS JUST AROUND THE BEND • FANFARE FOR THE COMMON BLUE TURKEY
DISC 2
PLANET EARTH CALLING • SEA OF TRANQUILITY • THIS WHEEL’S ON FIRE JUST ME JUST YOU • THE ROAD TO CAIRO • INDIAN ROPE MAN SUNDOWN • SECOND WIND • SOMEBODY HELP ME WE THREE KINGS • WHENEVER YOU’RE READY • FUTURE PILOT
DISC 3
ELLA • PAVANE • CRY ME A RIVER • BIRDS OF PARADISE • LAMENT FOR MISS BAKER • JAM SIDE DOWN • IF YOU COULD SEE ME NOW HOMEWARD • LOOKING IN THE EYE OF THE WORLD DAWN OF ANOTHER DAY • VOICES OF OTHER TIMES • I’VE GOTTA GO NOW
INTROSPECTION
3 CDs / 35 Songs / Over 180 Minutes Of Vintage Brian Auger Contains 22 Previously Unreleased Performances Remastered From The Original Analog Tapes Includes Vocal Performances By Julie Driscoll, Alex Ligertwood (Santana) & Savannah Auger
RELEASE DATE: 6/12/2020 ARTIST: BRIAN AUGER TITLE: INTROSPECTION CATALOG: CD-SBR-7979 CD CONFIGURATION: 3 CD FOLDER UPC: 708535797920 BOX LOT: 30 UNITS GENRE: R&B/JAZZ/ROCK
REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com
Release Date: June 12th, 2020
June 12th, 2020
DC757 LP
Masaki Batoh
Smile Jesus Loves YOU
Tracklisting: In the Hour of Serpent Pobrecito Mi Cigarro Speculum Banjo Suite * Shrine Coke * Uzumaki No Momento Sarabanda Smile Jesus Loves YOU Are You Experienced? ** * Digital-only ** Non-LP/CD
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June 8, 16,2020 2020 LP/CD Street Date: May NO EXPORT TO EUROPE/JAPAN/AUSTRALIA — JESUS LOVES ALL OTHER EXPORTS!
M
asaki Batoh’s solo career continues to rise up with his 5th solo album, and second in the last two years, Smile Jesus Loves YOU. As long time listeners of Ghost and The Silence are well aware, Batoh’s music is of the world and for the world . . . it exists as part of the conundrum of the world, for us to hear and form thought or feeling. We have no way of knowing it, other than to listen. The defiance of a fixed notion in Batoh’s world and music is made clear, as with the ambiguities of last year’s mortality meditation Nowhere, by the title of his new album. This shouldn’t be taken at face value. It might be a politically bitter statement. It might not be political at all, in this time of insane corrupt leaders who clearly believe in nothing except what they can use. It is a question for anyone who believes, or doesn’t believe. Listeners must come up with their own understanding, based on their own sentiment and where they find themselves in their evolving form. Following the mostly solitary activity of making Nowhere, Batoh has invited several guests to play with him for parts of Smile Jesus Loves YOU. Like family members, collaborators from The Silence and Ghost make guest appearances, including, for two songs, ex-Ghost and legendary percussionist Hiroyuki Usui (Fushitsusha). For the journey of this new album, Batoh takes us a great distance, singing in Japanese, English, Spanish and Latin, including an amazing cover of one of his heroes, Atahualpa Yupanqui, with lyrics translated from Spanish to Japanese, giving them a haiku-like feeling. Batoh plays a variety of stringed instruments throughout, as well as mellotron and shanai, supported at times by the playing of others on flute, piano, lap steel, saxophone, contra bass and drums. The songs expand amoebically, with music styles of the world shifting and merging to form their whole. Through phases of dark and light, including some new musical discoveries in Batoh’s world, we travel through the multipart epic title track to salvation. This world is a difficult place, whether or not the gods will come to save us, but there is a happy ending for us if we accept and make it so. As with all of Batoh’s recent releases, Smile Jesus Loves YOU is a 100% analogue recording of absolutely human playing, with no digital copying and pasting. This allows us to hear and feel the air around the recording as if it is our own. And we do! DRAG CITY P. O. BOX 476867 CHICAGO, IL 60647 • (312) 455-1015 sales@dragcity.com
Also by Masaki Batoh Collected Works
DC180 LP/CD
Brain Pulse Music
DC471 CD
Nowhere
DC722 LP/CD
DJ BORING Like Water Release Date: June 12th, 2020 Recent signing DJ BORING releases 12” Like Water on Technicolour, Ninja Tune’s label imprint. Melbourne born, London based producer DJ BORING (real name Tristan Hallis) joins Techniolour to release Like Water, his first EP in two years. The tracks were originally produced as part of his acclaimed live show, which consisted of 100% new, unreleased music, and sparked much excitement amongst fans, who have been searching for the tracks ever since. Like Water’s 4 tracks showcase a variety of inspirations from Chicago house, Detroit techno through to trance and funk. From the uplifting title track ‘Like Water’ through to punchy yet melodic ‘Stockholm Syndrome’, an ode to his much-loved cat back in Melbourne, Hallis’ humorous and energetic personality shines through.
CAT NO: TCLR035 UPC: 5054429142105 Box Lot: 20
SIDE A 1. Like Water 2. Another Day SIDE B 1. Stockholm Syndrome 2. Seems Like Yesterday
￫ 140g black vinyl 12” ￫ Gloss 12” sleeve w/ 3mm spine. ￫ Not shrinkwrapped ￫ White paper inner
naretail@ninjatune.net ninjatune.net
NIGHTPORTS W/ BETAMAX NIGHTPORTS W/ BETAMAX street date: file under: territory:
Friday June 12 2020 Electronic/jazz World ex. Europe
CD BAY 118CD UPC 843190011827
Black vinyl LP BAY 118V UPC 843190011810
Nightports is based on a simple but unbreakable rule of restriction: only sounds produced by the featured musician can be used. Nothing else. These sounds can be transformed, distorted, translated, processed and reprocessed, stretched, cut, ordered and reordered without limitation. Nightports is about amplifying the characteristics of the musician – celebrating what’s particular about them, finding sounds that nobody else can make, constructing a complex sonic weave that, however radical the transformations, still bears the watermarks of its origin. Nightports w/ Betamax is the second in a series of albums from musician-producers Adam Martin and Mark Slater to be released on The Leaf Label, following 2018’s Nightports w/ Matthew Bourne. This time, Nightports have enlisted the formidable talents of drummer and percussionist Betamax, the beating rhythmic heart of sonic explorers The Comet Is Coming. “Within the depths of the drum takes, we found hidden melodies, chords, structures and bass lines which we distilled and exaggerated to realise this album,” Slater explains. “On the one hand, this album is fully improvised in that all drum performances were spontaneous, intuitive and responsive; however, they were then subjected to editing and manipulation to arrive at a sound that is neither purely improvised nor constructed.” nightports.com twitter.com/nightports facebook.com/nightportsmusic instagram.com/nightportsmusic
The Leaf Label theleaflabel.com contact@theleaflabel.com
• Nightports w/ Betamax will be released on CD, digital and limited edition vinyl LP • As with the previous album, the vinyl is packaged in an intricate die-cut sleeve, designed by Split • Recorded in one day in February 2018 with The Comet Is Coming’s Betamax at Malcolm Catto’s Quatermass Sound Lab studio • The Comet Is Coming continue their stratospheric trajectory, this record follows 2019’s Trust In The Lifeforce of the Deep Mystery • The album is preceded by digital single ‘Hydro’, which is accompanied by a James Islip generative video • Support at radio from Mary Anne Hobbs, Giles Peterson and Stuart Maconie at BBC 6 Music, and BBC Radio 3’s Late Junction and Unclassified • For fans of: Sebastian Rochford, Hello Skinny, Szun Waves, Hauschka CD: 1. 2. 3. 4. 5. 6. 7. 8 9. 10. 11.
LP: A1. A2. A3. A4. A5. B1. B2. B3. B4. B5. B6.
Ritual Sirkel I’ll Tell You What’s Happening Frø Fourteenth Amalgam Sparke Hydro Hidden Sated Composite
877.733.3931 x225 redeyeworldwide.com jeep@redeyeworldwide.com
Sky Valley Mistress - Faithless Rituals New Heavy Sounds LP
NHSLP029X 5055869546805
CD
NHSCD029
5055869546812
Second vinyl pressing on green vinyl. Now in standard sleeve. Full download included as well. CD still available. Sky Valley Mistress are 4 young upstarts from Blackburn, Lancashire, full of spit and vinegar who deliver a ferocious, two fingered hello to rest of the world with their debut album 'Faithless Rituals'. Eight tracks of blistering stoner rock 'n' roll with huge riffs, buckets of fuzz and hooks guaranteed to nail you to the wall. Couple that one of the best female vocalists around ... you have one helluva debut album. The album was recorded at the legendary Rancho De La Luna, Joshua Tree, California, and co-produced by, and featuring Dave Catching (Queens Of The Stone Age, Eagles Of Death Metal and Mojave Lords amongst others) and like all great rock 'n' roll it has vibe and attitude in spades. “I just wanna tell you guys a little somethin’ about this record. Somethin’ that you really need to know. I want this to perforate your eardrums, have a fight inside your head and leave a slow burnin’ fire in the darkest part of your mind. That will never let you forget what will be embedded inside you forever” These are the words of Dave Catching Side A: 1. A Faithless Ritual 2. You Got Nothin' 3. Lost In Shock 4. Punk Song 5.It Won't Stop. Side B: 1.Skull & Pistons 2. She Is So 3. Blue Desert 4. Electric Church
NEW RELEASES Street Date: 6.19.20 | Order Date: 5.29.20
Street date: June April 24, 19,2020 2020
BRAIDS, comprised of Raphaelle Standell-Preston, Austin Tufts and Taylor Smith, are a Montreal-based three-piece. Formed in 2007 in Alberta, they have solidified a decade-long reputation for their musical ingenuity and established themselves as one of Canada’s most acclaimed art rock bands. A luscious and expansive release – engineered and co-produced by Chris Walla (Death Cab For Cutie), Shadow Offering leads us through a sonic tapestry of narrative. With heart-breaking honesty and precision, listeners traverse a nuanced and complicated world: one full of beautiful contradiction. Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. Its arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, retract. With a new sense of confidence, listeners will find Braids at their most personal, unabashedly flexing through their new music. CAREER HIGHLIGHTS
• Previous album Deep in the Iris won the 2015 JUNO for Alternative Album of the Year • Deep in the Iris (2015) + Native Speaker (2011) were both shortlisted for the Polaris Music Prize • Has supported or toured with Toro Y Moi, The Antlers, Wye Oak, Purity Ring, Friendly Fires, Wild Beasts, and many others • Festival performances at Glastonbury (UK), Primavera (Spain), Osheaga (CA), Hopscotch Festival (USA), SXSW (USA), and many others • Previous albums have generated over 15 million streams
SELLING POINTS
• New album Shadow Offering engineered & produced by Chris Walla (Death Cab For Cutie) • First single Eclipse (Ashley) released Nov. 2019 picked up by Pitchfork, The New York Times, Stereogum (The 5 Best Songs of the Week), Stereogum, Paste Magazine, Brooklyn Vegan, Brooklyn Vegan, The Line of Best Fit, Exclaim!, DIY Magazine, The Globe and Mail, Indie 88, Northern Transmissions, The 405, Clash Magazine, FYI Music News, The Partae, Broadway World, American Songwriter, Tone Deaf, Stereoboard, Dots and Dashes, Indie Native, Mystic Sons, Son of Marketing, She Makes Music, Melographic, Circuitsweet, Sounds and Books • Album announcement and second single Young Buck release pick up by The New York Times, The Fader, Brooklyn Vegan, Consequence of Sound, Cool Hunting, Northern Transmission, Pitchfork, Stereogum, Under the Radar, Under the Radar • 30+ dates US tour after album release • Press and radio campaign led by Missing Piece, Co-Sign and A Man A Plan A Canal in the US
US TOUR DATES
80341
LP-SCRT-097X
97001
1
Exclusive Opaque Red 12’’ vinyl in Standard jacket w/ gloss & emboss effect Printed inner sleeve with lyrics Download coupon included
TRACKLIST
1. Here 4 U 2. Young Buck 3. Eclipse (Ashley) 4. Just Let Me 5. Upheaval II
June 3 – Detroit, MI – Marble bar June 4 – Chicago, IL – Empty Bottle June 6 – Minneapolis, MN – 7th Street Entry June 12 – Portland, OR – Mississippi Studios June 13 – Vancouver, BC – Biltmore Cabaret June 14 – Seattle, WA – Barboza June 16 – San Francisco, CA – Cafe Du Nord June 18 – Los Angeles, CA – Zebulon June 19 – San Diego, CA – Soda Bar June 20 – Phoenix, AZ – Valley Bar June 23 – Austin, TX – Barracuda June 24 – Dallas, TX – Ruins June 27 – Columbus, OH – Rumba Cafe June 28 – Washington, DC – DC9 June 30 – Philadelphia, PA – Boot & Saddle July 2 – Brooklyn, NY – Rough Trade July 3 – Boston, MA – Great Scott July 4 – Montreal, QC – La Sala Rosa July 9 – Toronto, ON – Paradise Theatre
LABEL: Secret City Records FILE UNDER: Alternative
6
6
80341
97002
CD-SCRT-097
4-panel digipak Lyrics poster included
6. Fear Of Men 7. Snow Angel 8. Ocean 9. Note To Self
EXPORT: No Export BOX LOT: 50 CD / 25 LPX
Secret City Records 7665 Boul. Saint-Laurent, Suite 200, Montreal, QC H2R 1W9
Contact: Juliette Devert juliette@secretcityrecords.com Facebook: @secretcityrecords Twitter: @secretcityrecords Instagram: @secretcityrecords
Redeye Distribution 505 Eno St, Hillsborough, NC 27278 USA Contact : Jeep Ward jeep@redeyeworldwide.com
8
Fu Manchu – Fu30, Pt. 1
At The Dojo 10” Translucent Orange Vinyl
ATD019 5060446124291
The first instalment in Fu Manchu’s 30th Anniversary vinyl 10” series, Fu30, Pt.1, includes 2 new original Fu Manchu songs, as well as a cover of The Doobie Brothers’ “Takin’ It To The Streets.” The band will be releasing 2 more editions in this 10” series over this year making a total of 30” of new Fu Manchu music for the Fu30 anniversary. Each release will include 2 new original compositions and a newly recorded cover. Like the band’s most recent album, Clone Of The Universe, Fu30, Pt. 1 was recorded at The Racket Room in Santa Ana, California by Jim Monroe (Adolescents, Ignite) and co-produced with Fu Manchu. This limited edition 2500 unit run is pressed on translucent orange sunshine vinyl at 45 RPM for maximum heaviness with a package design that pays homage to the cover of the Doobie Brother’s original single. 1.“Time Is Going On” 2.“As You Crawl” 3.“Takin’ It To The Streets”
The Soft Pink Truth Shall We Go On Sinning So That Grace May Increase Thrill - 519 CD BOX LOT CD 50
79037H-A51926
LP BOX LOT LP 25 Vinyl is non-returnable
79037H-A51919
GENRE : Electronic FILE UNDER : “S” Soft Pink Truth, The RELEASE DATE: June1,19, 2020 RELEASE DATE : May 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE The Soft Pink Truth is Drew Daniel, who also forms one half of acclaimed electronic duo Matmos. Started as an outlet to explore visceral and sublime sounds that fall outside of Matmos’ purview, it draws on knowledge of rave, black metal, and crust punk obscurities to subvert and critique genre expectations. On this record Daniel takes a bold and surprising new direction, moving beyond simple plunderphonic sampling and opening up a genuine dialogue with other musicians, Daniel left room in his compositions for moments of genuine surprise, capturing the freeform, communal energy of a DJ set or live improvisation session more than a recording project. It feels ethereal but full, both ambiently hypnotic, and deliciously danceable. Shall We Go On Sinning… began as an emotional response to the creeping rise of fascism around the globe. Daniel explains: “The election of Donald Trump made me feel very angry and sad, but I didn’t want to make ‘angry white guy’ music in a purely reactive mode. I felt that I needed to make music through a different process, and to a different emotional outcome, to get past a private feeling of powerlessness by making musical connections with friends and people I admire, to make something that felt socially extended and affirming.” Those musical connections make this record what it is; vocals provided by the chorus of Colin Self, Angel Deradoorian and Jana Hunter form the foundation of most of the tracks, sometimes left unchanged as with opening line (“Shall”) or the sensuous R&B refrains on “We”, other times shrouded in effects, morphing into new forms. Stately piano melodies written by Daniel’s partner M.C. Schmidt as well as Koye Berry alongside entrancing vibraphone and percussion patterns from Sarah Hennies push tracks toward ecstatic and melodic peaks, while rich saxophone textures played by Andrew Bernstein (Horse Lords) and John Berndt are used to add color and texture throughout. The album’s overall sound was in part shaped by Daniel hosting Mitchell Brown of GASP during Maryland Deathfest. Daniel borrowed Brown’s Roland Space Echo tape unit which he then used extensively throughout to give the album a flickering, ethereal quality. The melodies, jubilance, and meditative nature of album provides a much-needed escape from the contemporary hell-scape. The process of creating Shall We Go On Sinning So That Grace May Increase?, in and of itself, is the Soft Pink Truth’s way of championing creativity and community over rage and nihilism.
ALSO AVAILABLE : Why Do The Heathens Rage? CD/LP (Thrill 368) ALSO AVAILABLE FROM MATMOS: Plastic Anniversary CD/LP (Thrill 482) Ultimate Care II CD/LP (Thrill 401) The Marriage of True Minds CD/2xLP (Thrill 316) The Ganzfeld EP CD/12”EP (Thrill 315)
TRACK LISTING: 1. Shall 2. We 3. Go 4. On 5. Sinning
6. 7. 8. 9.
So That Grace May Increase
SALES POINTS “It’s unapologetic, it’s profane, it’s delicious.” - NPR Music Features Colin Self, Angel Deradoorian (previously Dirty Projectors), Jana Hunter, M.C. Schmidt, Koye Berry, Sarah Hennies, Andrew Bernstein (Horse Lords) and John Berndt The Soft Pink Truth is Drew Daniel, one half of Matmos Artwork & design by Robert Beatty. The Soft Pink Truth will be playing select dates thru 2020 For fans of anything from Steve Reich & Jenny Walsche to deep house music originators like Larry Heard or DJ Sprinkles. Mastered by Heba Kadry (known for her work with Bjork, Lightning Bolt, Future Islands, Beach House, & others) “Daniel has managed to bring the intellectual and the primal together for one big dance party.” - Exclaim ”[Drew Daniel is] bubbly. Energetic, thinking... at a mile a minute, but with deeper waters moving underneath.” - The Quietus
Follow The Soft Pink Truth Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
Jim White & Marisa Anderson The Quickening
CD BOX LOT CD 50
Thrill - 511
LP BOX LOT LP 25 Vinyl is non-returnable
LISTEN HERE
Translucent Green LP BOX LOT LP 25 Vinyl is non-returnable
790377-051124 79037H-051117 790377-511116
GENRE : Alternative
The Quickening is an improvised work guided by emotional intuition and an FILE UNDER : “A” Anderson, Marisa “W” White, Jim ability to spin collective experience into music of potent and boundless beauty. RELEASE DATE: June15, 19,2020 2020 RELEASE DATE : May Jim White and Marisa Anderson instrumental voices’ are unmistakable and NO EXPORT (JAPAN, S. AMERICA EXPORT OK) spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic TRACK LISTING: 6. Diver percussion passage with its own distinct personality. Together their melodic 1. Gathering 7. The Quickening flourishes cascade and twist upon one another, at times trading conversational 2. Unwritten 8. Pallet exchanges, and at others drifting in unison as if lost in the same train of thought. 3. The Lucky 4. The Other Christmas Song 9. 18 to 1 White and Anderson share an abounding appetite for musical exploration. White, 5. Last Days 10. November as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led SALES POINTS to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson’s prolific output as a solo performer, her mastery of traditional folk and A new collaboration between two acclaimed improvisers blues forms and her abilities to make them entirely her own has established her experimental guitarist Marisa Anderson and drummer Jim as one of the most exciting and forward-thinking guitarists of the last decade. White (Xylouris White, Dirty Three etc). White and Anderson’s considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The “Jim White is indie rock’s drummer of choice—and with duo’ friendship and shared explorative nature inform these warm and daring good reason ... Those who play with White speak of him improvisations. Their remarkable performances take the listener on a journey of with the ardor of religious converts. Drummers are one thing and Jim is another” - TIme Out NY exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70’s that had been largely closed before some young engineers took it over. The “slight disorientation” of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of “The Lucky” and “The Quickening”. The duo did not rehearse or perform together prior to the recording sessions; as White puts it, “it’s good to suspend disbelief at this stage of playing.”
ALSO AVAILABLE : Marisa Anderson - Cloud Corner CD/LP (Thrill 466)
“Marisa Anderson is a sickeningly skilled guitarist... getting sounds so solid and so spacious simultaneously is nothing short of a miracle. Her style is the embodiment of “American music” and she is one of the few instrumentalists that can tell a story and retell a history.” - Tiny Mix Tapes Anderson has contributed to recordings by Beth Ditto, Sharon Van Etten and Circuit Des Yeux among others, as well as creating music for short films and soundtracks
Jim White has worked with Nick Cave, Cat Power, Courtney Barnett, Kurt Vile, among others. Available on limited edition green vinyl. Tours planned for spring 2020 “There are some musicians whose skillful playing seems to come so easily, it can appear supernatural. Guitarist Marisa Anderson is one such sorcerer of song.” - NPR
Follow Marisa Anderson Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
Rose City Band Summerlong Thrill - 523 CD BOX LOT CD 50
79037H-A52329
LP BOX LOT LP 25 Vinyl is non-returnable
790377-A52312
Orange & Blue Splatter LP BOX LOT LP 25 Vinyl is non-returnable
LISTEN HERE It is impossible to talk about modern psychedelic music without mentioning Ripley Johnson. As bandleader of Wooden Shjips and half of Moon Duo, Johnson has continually charted new cosmic paths that expand on the language of the genre. With Rose City Band, Johnson’s songwriting and beautiful guitar lines take center stage. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang. Buoyant and joyous, Summerlong is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. Summerlong is a record that, taken in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson’s joy in every aspect of this album is delightfully infectious. Rose City Band started purely as a recording project, with Johnson’s role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating, a focus on music without any expectations. With a chuckle, Johnson elaborates, “I always would threaten to my friends that I’m gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band … more of a social music experience.” Freedom from expectation and obligation gave Johnson the space to experiment. The introduction of lap steel, mandolin, and jaw harp enhance Johnson’s lean guitar work with radiant overtones, placing Summerlong more overtly within the country tradition than its predecessor. Work on the album began at Johnson’s home studio in Portland during the summer, but, interrupted by touring, was not be finished until winter. The dark isolation of winter and the pining for summer’s easier days can be felt in the album’s few quieter moments. Summerlong was mixed by John McEntire (Stereolab, Broken Social Scene, Tortoise) at his newly minted Portland Soma Studios and mastered by Amy Dragon at Telegraph Mastering, also based in Portland. The aptly named Summerlong, born of Johnson’s own fondness for the season, delivers an emotional lift—an expression akin to the joy of getting out there on a warm day, be it gathering for a BBQ, hopping onto a bike, leaping into a swimming hole, or simply reading in a park.
ALSO AVAILABLE : Rose City Band LP (Thrill 520) Wooden Shjips - West LP/CD (Thrill 279) Wooden Shjips - Back to Land LP/CD (Thrill 351) Wooden Shjips - V. LP/CD (Thrill 464)
Follow Rose City Band Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
790377-523119
GENRE : Psych / Country Rock FILE UNDER : “R” Rose City Band RELEASEDATE DATE: June15, 19,2020 2020 RELEASE : May NO EXPORT (JAPAN, S. AMERICA EXPORT OK) TRACK LISTING: 1. 2. 3. 4.
Only Lonely Empty Bottles Real Long Gone Floating Out
5. 6. 7. 8.
Morning Light Reno Shuffle Wee Hours > Wildflowers
SALES POINTS Rose City Band is a solo project by Ripley Johnson, a giant in the world of psych rock, well-known for Wooden Shjips & Moon Duo. LP will be available in black, and orange with teal hi melt in full color package featuring art by Jaime Zuverza. Special guest John Jeffrey (Moon Duo, Yukon Blonde) on drums Mixed by John McEntire (Stereolab, Broken Social Scene, Tortoise) at his newly minted Portland Soma Studios and mastered by Amy Dragon at Telegraph Mastering. For fans of Johnson’s other bands, this record will also appeal to fans of music with more of a blues/country lean to it like Relatively Clean Rivers or Flying Burrito Brothers.
“The record’s a psychedelic crossroads that’s not being traversed as much these days, and as usual Johnson’s created a record that’s absorbing as its own little world. Once this hits the turntable you’re set to repeat endlessly“ - Raven Sings the Blues Rose City Band’s first release sold out of it’s first and second vinyl pressings.
@thrilljockey
Golden Retriever and Chuck Johnson Rain Shadow Thrill - 512 LP BOX LOT LP
25
Clear LP BOX LOT LP 25 Vinyl is non-returnable
79037H-051216 790377-512113
GENRE : Experimental / Electronic FILE UNDER : “G” Golden Retriever, “J” Johnson, Chuck RELEASEDATE DATE: June15, 16, 2020 192020 RELEASE : May NO EXPORT (JAPAN, S. AMERICA EXPORT OK)
LISTEN HERE
Golden Retriever and Chuck Johnson are artists unified by their ability to build entire ecosystems of sound. As Golden Retriever, bass clarinetist Jonathan Sielaff and synthesist Matt Carlson blur the lines between their respective instruments while guitarist Chuck Johnson is lauded for crafting a diversity of atmospheres, be it through fingerstyle acoustic or droning pedal steel. The combined powers of the trio is intoxicating. On their debut album, Rain Shadow, they combine slowly shifting instrumental layers and clouds of melody and texture, punctuated by emotional peaks. Minimalist approaches compound into maximalist pieces, evoking images of vast open desert and clear skies, simple yet seemingly endless. Rain Shadow’s title is taken from a natural phenomenon which leaves the plains just beyond mountain ranges desolate and dry. Each piece moves with the ease and progression of a cloud formation. Inside a wash of ever-building layers of drone, subtle movement propels them forward. The album’s A side emulates the the beauty and solace of these open spaces with lush beds of pedal steel chords and deliberate melodies trading between synthesizer and bass clarinet. Sielaff’s increasingly distorted winds on “Sage Thrasher” gradually guide the ensemble towards the overcast deluge of the album’s second half. The trio utilize steady, imperceptible motion akin to a desert’s wind eroding stones into new and exciting configurations of sound. The four longform pieces that comprise Rain Shadow were devised entirely remotely. In contrast to the album’s harmonious sound, each member of the trio tracked their performance separately from one another - Johnson from in Oakland, CA, and Sielaff and Carlson each in their Portland, OR homes. Previous Golden Retriever albums have used live performances as a reference point for arranging and consolidating ideas, but Rain Shadow’s collaboration instead grew from members introducing a simple idea and each other member responding with musical reactions. Johnson’s extended tape loops which gently degrade with each repetition into resonant tones served as the basis for the album’s two longer pieces. Like the phenomenon that inspires the title 3 different forces come together to create something new.
ALSO AVAILABLE FROM GOLDEN RETRIEVER: Occupied With The Unspoken CD/LP (Thrill 308) Seer LP (Thrill 361) Rotations CD/LP (Thrill 446)
TRACK LISTING: 1. Empty Quarter 2. Lupine 3. Sage Thrasher 4. Creosote Ring SALES POINTS “Golden Retriever communicate a shared humanity above their personal skill, innovation, or ambition. And it only betters the music when they do so with a vocabulary meant for everyone to understand.” - Pitchfork “Chuck Johnson’s music always finds the calm at the center of the storm. He’s best known for his hypnotic, yet lyrical, solo guitar work.” - NPR Golden Retriever is Jonathon Sielaff (formerly AU) on bass clarinet and Matt Carlson on modular synth (known for his solo work & work with Nassau, Quest for Fire). Chuck Johnson has worked with Marielle V. Jakobsons, Phillip White, & others, and has composed for documentaries and shows appearing on HBO, PBS & others. Chuck Johnson’s latest release Balsams was rated as one of the best albums of the year in NPR, Uncut, Chicago Reader, others. The trio will be touring Summer of 2020 Golden Retriever have previously collaborated with Ilyas Ahmed for the acclaimed album Dreamboat as well as the Mousai Remix String Quartet on 2016’s Rotations through a grant from Portland’s Regional Arts & Culture Council. Golden Retriever & Matt Carlson have performed at Rewire Festival, the Graham Foundation, touring both the US and Europe. Available on limited edition clear vinyl LP.
Follow Golden Retriever & Chuck Johnson
“Tranquil, glistening, zen-like” - Tiny Mix Tapes
Chicago / London Ph : 312.492.9634 sales@thrilljockey.com
@thrilljockey
THE NATIONAL
HIGH VIOLET (EXPANDED EDITION) Tracklist
3xLP
Limited Edition Purple Marbled 3xLP 4AD-0244-LPX
Tour
Fri 5/8 - Sat 5/9 Cincinnati, OH Homecoming Festival Tue 7/14 Shelburne, VT The Green at Shelburne Museum Fri 7/17 Chicago, IL Pitchfork Music Festival
A1 A2 A3
Terrible Love Sorrow Anyone’s Ghost
B1 B2 B3
Little Faith Afraid of Everyone Bloodbuzz Ohio
C1 C2 C3
Lemonworld Runaway Conversation 16
D1 D2
England Vanderlyle Crybaby Geeks
E1 E2 E3 E4
Terrible Love (Alternate Version) Wake Up Your Saints You Were a Kindness Walk Off
F1 F2 F3 F4
Sin-Eaters Bloodbuzz Ohio (Live on The Current) Anyone’s Ghost (Live at Brooklyn Academy of Music) England (Live at Brooklyn Academy of Music)
On June19, 2020, The National will release the 10-year anniversary deluxe edition of their 2010 album High Violet. The triple LP package includes a third LP which includes tracks never before available on vinyl. To commemorate the anniversary, The National will perform High Violet in full at some special shows during 2020, including its own Homecoming Festival in Cincinnati this May.
Mon 7/20 Minneapolis, MN Surly Brewing Co Thu 7/23 Edmonton, AB Edmonton Events Centre Selling Points
Sat 7/25 Bonner, MT Kettlehouse Amphitheatre Sun 7/26 Boise, ID Outlaw Field at Boise Botanical Garden Wed 7/29 Vienna, VA Wolf Trap Center for Performing Arts Thu 7/30 New Haven, CT Westville Music Bowl Fri 7/31 Bethlehem, PA Musikfest
• • • • •
Over 500,000 albums scanned in the US The National will perform High Violet in full throughout 2020 Includes eight songs never before available on vinyl Pitchfork 8.7 best New Music review Limited edition purple and clear marble vinyl with trifold jacket and obi strip
Sat 8/1 Cooperstown, NY Brewery Ommegang
505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
Available from: June 19th, 2020 4AD 134 Grand Street, New York, New York 10013
1. Journey in Satchidananda 2. The Dolphins 3. Claudia Cardinale 4. Morning Dew 5. East West 6. Reverberation
4/6 - San Diego, CA - The Casbah 4/7 - Morro Bay, CA - The Siren 4/8 - Santa Cruz, CA - Moe’s Alley 4/10 - Portland, OR - Mississippi Studios 4/11 - Vancouver, BC - BlueShore at CapU 4/12 - Seattle, WA - The Crocodile 4/15 - San Francisco, CA - The Chapel 4/16 - Winters, CA - The Palms Playhouse 4/17 - Los Angeles, CA - The Troubadour 4/18 - Pioneertown, CA - Pappy & Harriet’s
THE THIRD MIND THE THIRD MIND (STANDARD EDITION)
LP (Standard Edition): ARTIST: The Third Mind TITLE: The Third Mind CATALOG #: LP-YEP-2710 UPC: 634457271036 PACKAGING: Single Jacket LP BOX LOT: 30 TERRITORY: Worldwide
AVAILABLE NOW! I had a crazy idea and was looking for musicians who perhaps didn’t ❝ think it was so insane.” - Dave Alvin Dave Alvin, Victor Krummenacher (Cracker, Camper Van Beethoven), Michael Jerome (Toadies, Better Than Ezra) and David Immerglück (Counting Crows, Camper Van Beethoven) form the core of this group of seasoned musicians, who have joined forces to take a trip back to the psychedelic folk/rock sound of the late 1960s and early 1970s. They put their own spin on songs made famous by Alice Coltrane, 13th Floor Elevators, Fred Neil and others, plus an original song, “Claudia Cardinale,.” “Many years ago I’d been reading John Szwed’s excellent biography of Miles Davis, “So What”, and was fascinated by his thorough descriptions of how Mr. Davis and his producer, Teo Macero,created some of his classic electric albums like Bitches Brew and Jack Johnson. Basically, Miles would gather great musicians in a studio, pick a key and a groove and then record everything live over several days. Then he and Mr. Macero would edit and shape these improvisations into compositions. Having never recorded like that, I had a fantasy to try it someday if the fates ever allowed.
6 34457 27103 6 CD (Standard Edition): ARTIST: The Third Mind TITLE: The Third Mind CATALOG #: CD-YEP-2710 UPC: 634457271050 PACKAGING: Digipak BOX LOT: 25 TERRITORY: Worldwide
6
34457 27105 0
One night after a gig in San Francisco, a decade or more later, I mentioned this fantasy to Victor Krummenacher. I’d known the always musically adventurous Mr. Krummenacher for a couple of decades (since he was a young buck bassist in Camper Van Beethoven) and hoped he would understand.” – Dave Alvin
HIGHLIGHTS:
☛ The band members: Dave Alvin, Victor Krummenacher (Camper Van Beethoven, Cracker, Monks of Doom), David Immergluck (Counting Crows, Monks of Doom, John Hiatt), and Michael Jerome (Richard Thompson, Better Than Ezra)
☛ First Edition CD and LP SOLD OUT almost immediately ☛ The Third Mind will tour USA in Spring 2020
Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278 INFO@YEPROC.COM | YEPROC.COM 336-578-7300
ARTIST • DARKSTAR RELEASE • CIVIC JAMS INFO
RELEASE DATE • 06.19.2020 FILE UNDER • D / ELECTRONIC WEBSITE • http://darkstar.ws
WARPLP312
WARPCD312
SPEC • 1LP in printed inner in printed outer sleeve, download card insert
SPEC • CD in digipak
BOXLOT • 25
BOXLOT • 35
UPC • 801061031213
UPC • 801061031220
OVERVIEW Darkstar return with their fourth album ‘Civic Jams’ on 15th May. On their most personal record to date, Darkstar counterbalance observations of their home with those of the community surrounding it. ‘Civic Jams’ is a photonegative of a dance record shaped by a dialogue between shoegaze atmospherics and UK bass music’s ‘hardcore continuum’. Darkstar find themselves at once looking homeward and venturing further into their own psychic hinterland with each record. They’ve covered a lot of ground from the introspective expanse of their debut ‘North’ [2010], to utopian visions of society in ‘News From Nowhere’ [2013] and the unique dynamics of a pre-Brexit northern England on ‘Foam Island’ [2015]. On their latest offering, home is within reach. Inspired by the intervening years, Darkstar (aka Aiden Whalley and James Young) show how the personal can be political and reveal more of themselves than they’ve ever done before. Imagine emotional realism built from spectral rave echoes, anchored in timeless songs of love and loss in the digital now and you’ve got it.
NO EXPORTS • NO EXPLICIT CONTENT SELLING POINTS • Darkstar’s first album in 5 years. • Following collaborations with Empress Of, Actress, Wild Beats and Zomby • Commissioned by New Music Biennial, London Contemporary Orchestra, St. Paul Chamber Orchestra, Metal Liverpool, Artis Council England and Harthill Community Centre
derek@warprecords.com http://warp.net
TRACKLISTING
ALSO AVAILABLE
01. Forest 02. Jam 03. 1001 04. 30 feat. Laura Groves 05. Wolf 06. Loon 07. Tuesday 08. Text 09. Blurred NEWS FROM NOWHERE (WARP225)
FOAM ISLAND (WARP258)
harrellp@redeyeworldwide.com http://redeyeworldwide.com
Following the release of Maya Hawke’s independently released A and B side singles in 2019, she returns with a deeply personal debut full-length album. Hawke, who wrote the lyrics, continued her collaboration with Grammy Award-winning songwriter Jesse Harris, who wrote the music for the album. On creating the album, Hawke says, “This album happened accidentally… Jesse and I started working together accidentally... we kept writing, kept collecting songs because it brought joy into both of our lives. Collecting them into an album and releasing it comes from a crazy, if not pathological desire to share that joy with others. From my point of view, ‘Blush’ is a collection of secret messages, hidden communications with the people in my life. ‘By Myself’ was a secret message to myself, that I hope I’ll receive someday soon.”
HIGHLIGHTS - Maya Hawke is a multi-talented actress, singer and lyricist. Her filmography includes, “Stranger Things,” “Once Upon a Time in Hollywood,” “Ladyworld,” "Little Women" and more - Hawke's first single "By Myself" has received great press from Pitchfork, MTV, Exclaim!, Happy Mag, LA Magazine & more. Past additional press from Vogue, Wall Street Journal, Harper's Bazaar, GQ, Elle, Glamour, Refinery29, TIME and more. - Maya will be on the digital cover of Nylon and will be featured in Bust Magazine TOP MARKETS: NY, LA, Chicago, Brooklyn
SALES & STREAMING: 22.5K Monthly Listeners; 13.4K Followers
SOCIALS: 3M followers
TRACK LISTING 01. Generous Heart 02. So Long 03. By Myself 04. Animal Enough 05. Coverage 06. Hold the Sun 07. River Like You 08. Bringing Me Down 09. Cricket 10. Menace 11. Goodbye Rocketship 12. Mirth ARTIST TITLE LABEL STREET DATE
3:35 3:59 2:26 3:27 3:45 2:59 2:16 2:35 3:10 3:57 3:10 2:57
Maya Hawke Blush Mom + Pop Music 06/19/20
CONFIGURATION LP DESCRIPTION black vinyl + lyric booklet UPC 858275060416 CATALOGUE # MP471 CONFIGURATION DESCRIPTION UPC CATALOGUE # LABEL REDEYE RADIO
Hallie Anderson Lori Miller David Jacobs
hallie@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com
WWW.MOMANDPOPMUSIC.COM
PUBLICITY TOURING
Kelly Hires Shirin Nury Jenna Adler
CD wallet 858275060423 MP471
kellyh@wk-pr.com shirin.nury@caa.com jadler@caa.com
1140 BROADWAY SUITE 1505 NEW YORK NY 10001
WWW.MAYAHAWKMUSIC.COM
PAISLEY FIELDS
ELECTRIC PARK BALLROOM
Electric Park Ballroom is the Don Giovanni Records debut by Brooklyn/Nashville-based singer, songwriter, and bandleader, Paisley Fields. Fields' writes country music. His songs are tender and authentic, but also pretty good with a joke. They’re mindful of tradition, but deeply informed by his singular background -- as a teenage Midwestern church pianist, a Manhattan piano bar survivor, and a touring member of pioneering queer country outfit, Lavender Country. He’s worked on a farm and co-written songs for RuPaul’s Drag Race. The stories are his, but the feeling they convey -- love, loneliness, lust, and so on -- are, hopefully, universal. Electric Park Ballroom features contributions from Patrick Haggerty (Lavender Country), Mercy Bell, and Sam Gleaves
RECORDS I t i s o u r d i s t i n c t p l e a s u r e t o p r e s e n t Pe n r o s e , a n ew i m p r i n t p o i s e d t o u s h e r i n a w h o l e n ew e r a o f s o u l f u l s o u n d s . F o u n d e d by D a p t o n e Re c o r d s ' ow n B o s c o M a n n a f t e r b u i l d i n g a n ew r e c o r d i n g s t u d i o i n h i s h o m e t ow n o f R i ve r s i d e , C a l i f o r n i a , Pe n r o s e w i l l s h owc a s e t h e m o s t exc i t i n g a c t s e m e r g i n g o n t h e b l o s s o m i n g S o C a l s o u l d i e s s c e n e t o d a y. F o r i t s i n a u g u r a l r e l e a s e , t h e l a b e l o f f e r s u p f i ve s i n g l e s by f i ve exc i t i n g n ew a r t i s t s : T h e e S a c r e d S o ul s f r o m S a n D i e g o ; J a s o n J o s h u a f r o m M i a m i ; E a s t L . A . m a i n s t a y s T h e e S i n s e e r s , a n d T h e A l t o n s ; a n d A l t a d e n a ve t e r a n s , L o s Ye s t e r d a ys .
R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J U N E 1 9 , 2 0 2 0 F O R M A T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 5 R P M B O X L O T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5 LABEL.......................................................................................................PENROSE NO EXPORT
45s
A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T H E E S A C R E D S O U L S TITLE....................................................CAN I CALL YOU ROSE b/w WEAK FOR YOUR LOVE C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P R S - 1 0 0 1 A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T H E E S I N S E E R S TITLE..........................................................................SEEMS LIKE b/w INSTRUMENTAL C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P R S - 1 0 0 2 A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J A S O N J O S H U A TITLE..............................................................LANGUAGE OF LOVE b/w LA VIDA ES FRIA C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P R S - 1 0 0 3 A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T H E A L T O N S T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W H E N Y O U G O ( T H AT ’ S W H E N Y O U ’ L L K N O W ) b / w O V E R & O V E R C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P R S - 1 0 0 4 A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L O S Y E S T E R D AY S TITLE........................................................................TELL ME I’M DREAMING b/w TIME C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P R S - 1 0 0 5
DA P TO N E R E C O R D I N G C o . 115 Troutman S t., Brookl yn, NY 11206 • phone 718 366 3849
Angel Bat Dawid Transition East Transition East features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book Make Some Space – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre. Angel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed & recorded "Transition East" alone in her space on the Southside of Chicago, originally to be an accompaniment for the audiobook version of Make Some Space. Angel conceptualized & named “Transition East” in commemoration of the storied Chicago community center that was a hub for the AACM and icons from the Black Arts Movement in the 1960s, and was recently revived by one of her mentors, Eliel Sherman Storey.
IMRC0032 Angel Bat Dawid – Transition East Format/Release Date: 7” vinyl – June 19th, 2020 RIYL: Art Ensemble of Chicago, Damon Locks & Black Monument Ensemble, Timmy Thomas, Ben LaMar Gay, Irreversible Entanglements, Yusef Lateef, Lonnie Holley, Alice Coltrane, Alabaster DePlume
7” vinyl – 603784912554
"No Space Fo Us" was composed & recorded at a space in Salvador, Bahia, Brazil, where Angel travelled with a crew of Chicago artists (including IARC label mates Ben LaMar Gay & Damon Locks) on a collaborative mission called Close to There (Perto de Lá). The track features Angel with Ben LaMar Gay and new Brazilian friends Edbrass Brasil, Romulo Alexis, Tadeu Mascarenhas, Nancy Viégas & Germano Estacio.
North & South American Distribution: Tim Jones – tim@redeyeworldwide.com
International Anthem is proud to present these two beautiful pieces of music on a deluxe 45rpm 7" vinyl inside a picture sleeve designed by Jeremiah Chiu.
Label Contact: Scottie McNiece – scottie@intlanthem.com
International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com
Edward “Kidd” Jordan, Joel Futterman, William Parker & Hamid Drake
A Tribute to Alvin Fielder, Live at Vision Festival XXIV Mahakala Music (mahakalamusic.com) - MAHA004 // CD&DL available 6/19/20
UPC: 195269000677
Pianist Joel Futterman and saxophonist Kidd Jordan salute a fallen comrade on Tribute to Alvin Fielder, an energized and eclectic free improvisation. Joined by bassist William Parker and drummer Hamid Drake, their performance was recorded live at the Brooklyn club Roulette during the 2019 Vision Festival in New York. It includes 45 minutes of continuous—and continuously shifting— music. Futterman and Jordan were longtime friends and collaborators of Fielder, an explorative drummer and founding member of the Association for the Advancement of Creative Musicians (AACM) who passed away in January of 2019. Parker previously worked with the trio on Jordan’s 1999 New Orleans Festival Suite. With Drake taking the kit, the musicians ably evoke Fielder’s loose, omnivorous approach to rhythm and time and run the gamut of the jazz lineage. From New Orleans tradition to bop to free form, Tribute to Alvin Fielder also pays tribute to the music Fielder loved. Although the quartet’s improvisation consistently changes shape and approach, it doesn’t easily break down into sections. The twists and turns are organic, each idea a logical extension of the preceding one. Still, there are constants in the music. They lie in Parker and Drake’s simmering rhythmic lines—which for all their varying forms and directions, never relent even for an instant—and in the raw intensity of the performance. Fielder’s friends and fellow artists grieve his loss, yet also summon the powers of their imaginations to create sublime, in-the-moment music.
Edward “Kidd” Jordan – Tenor Saxophone Joel Futterman – Piano William Parker – Bass Hamid Drake – Drums Track Listing: 1.
A Tribute to Alvin Fielder
will@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278
CLAIRE
BIRCHALL
RUNNING IN SLOW MOTION
STREET DATE STREET DATE MAY JUNE29TH 19TH
Running In Slow Motion, the new record from Claire Birchall is an album of contradictions, a perhaps surprising new direction from a stalwart of Melbourne’s indie rock scene. A darkly emotive synth-pop record, recorded entirely to 4-track, alone in her bedroom, the album is Birchall’s first foray into electronic music and it’s pretty hard to put your finger on. Sometimes it sounds like the soundtrack to an unknown 80’s sci-fi movie, sometimes you could certainly throw the term “darkwave” at it, post-punk maybe, but the songwriting is a bit more classic pop. Owing as much to the influence of The Beach Boys or Big Star as Alan Vega or Depeche Mode. The simplicity of it’s production sits in juxtaposition to the complexity of her songcraft. Rough edges cut through beautiful, layered melodies. Birchall is a master of pop songwriting. Largely known for her melodic rock songs with bands Paper Planes and The Phantom Hitchhikers. A multi-instrumentalist, devotedly DIY, Claire wrote, played and recorded the entire record herself, with the exception of the stark ‘Pretty Boy’ which is a striking cover of a Randy Newman deep cut from his 1979 album Born Again. A record collector and lover of music with broad taste you’ll catch the influence of widely disparate music styles and artists, from the dark Portishead like drone and pulse of ‘Hang It Up ‘ to the Bacharachian splendour of ‘Song For The Man In The Moon’. Claire recently took this new material on a national tour supporting Kim Salmon (The Scientists, Beasts of Bourbon) and was compared to the likes of Jonnine Standish (HTRK), Nico and Lana Del Ray, none of which really hit the mark but it’s interesting to see what people are hearing in these songs. Running in Slow Motion is a remarkable record and unique take on the synth pop idiom. Really catchy tracks. We absolutely love it and can’t wait to get it out there.
IT RECORDS Fitzroy, VIC 3065 Australia Label Contact: Kate Reid itrekkids@gmail.com
RUNNING IN SLOW MOTION TRACKLIST: 1.
6.
Running In Slow Motion 2. Dead Air 3. Hang It Up 4. The City and The Sea 5. Small Town Kid Song For The Man In The Moon 7. Electricity 8. Pretty Boy 9. Lullaby 10. Rain
Running In Slow Motion LP IT-LP-16
box lot 30
LTD ED 200 units in total
Running In Slow Motion CD IT-CD-16
505 Eno Street, Hillsbourough, NC 27278 Redeye Contact : Antonio Foxlee
Qasim Naqvi Beta Format: LP clear vinyl (incl. Download Code) File under: Electronic · Box Lot: 20 LP Street Date: 06.19.2020
Label:
Erased Tapes
Catalogue No.:
ERATP129LP
Distributor: Territory:
Redeye NA
Barcode (EAN):
3700551783021
Track listing: Side A 1. Roll Program 2. Matic 3. Ctaphone 4. Onna at Pulse Side B 1. Teenages Live
Pakistani-American avant-composer and drummer from the cult experimental acoustic trio Dawn of Midi, Qasim Naqvi has announced a new record titled Beta to be released as a limited edition on clear vinyl on 19th of June. Meant as a sister release to last year’s acclaimed six-part modular synth suite Teenages, Beta is a series of experiments chronicling Naqvi’s understanding of writing for this type of instrument and the growth of the instrument itself. “Beta is a prequel to the story of Teenages. At the time I had the most basic elements of a modular synthesizer- one oscillator and a random voltage generator which is a module that releases sporadic currents through the system. Ironically, this component provided a lot of warmth and humanness to the music, a kind of fallibility. I fed simple melodic ideas and rhythmic patterns into this bare bones setup and observed the responses, while occasionally guiding the music in other directions. It was like a diagnostic test. At the time I felt that this music was underdeveloped but listening back, I think the Beta tracks add an interesting dimension to the entire Teenages arc.They’re the zygotes.” — Qasim Naqvi The B side of Beta is a live performance of the track Teenages, which was recorded at the first Erased Tapes x LCO: Purcell Session at Southbank Centre, London in February 2019. “I had performed this work just a couple of times and this particular one was special. There were microphones up everywhere and you could hear the room bleeding into the sound of the synthesizer” says Qasim of the performance. If Teenages captured the sound of electronics living, breathing and mutating of their own accord, Beta rather describes the moment they came to life. Praise for Teenages
Official Websites: http://www.qasim-naqvi.com/ www.erasedtapes.com PR Agent:
julian@erasedtapes.com
"Teenages, is a masterclass in the almost forgotten art of playing synthesisers for their own sake" — The Guardian⠀ ⠀⠀ "Its expertly-cultivated moods will captivate current fans and win over new ones" (9/10) — DJ Magazine⠀ ⠀⠀ ⠀
"Teenages offers plenty to commend it" (8/10) — Uncut Magazine⠀ ⠀⠀ "Variously tonal, textural and rhythmic, the music evolves and grows" — The Wire Magazine⠀ ⠀⠀ “Gorgeous intricacy and sweeping scale” — Spin Magazine "Unlike many contemporary modular synth releases, Teenages has arrived at an original sound, combining 20th Century experimental composition with 21st Century notions of artificial intelligence" — The Quietus ⠀ ⠀ ⠀ "A more sinister Four Tet. Naqvi shows promise as a composer of marvellous opacity" — Stereogum
KELEKETLA! KELEKETLA! Release Date: June 19, 2020 Keleketla! Is an outstanding fusion of musical connections and cultures. Both track versions available only on the 7” Keleketla! is an expansive collaborative project, reaching outward from Johannesburg to London, Lagos, L.A. and West Papua, “Keleketla!” started as a musical meeting ground between Ninja Tune cofounders Coldcut and a cadre of South African musicians,including the raw, South African-accented jazz styles of Sibusile Xaba, and rapper Yugen Blakrok. From those initial sessions, the record grew to encompass a wider web of musical luminaries, including Afrobeat architects Tony Allen and Dele Sosimi and West Papuan activist Benny Wenda.
The final product is a future-facing assemblage of influences, drawing connections between different points in a jazz-tipped, soulfully-minded spectrum; it builds outwards, from the solid musical foundations of those first sessions, featuring the likes of Thabang Tabane, esteemed percussionist and son of the legendary Phillip Tabane. On the one hand, there are gqom beats, interlaced with activist chants and live Afrobeat drums; on the other, there are warm, lyrical meditations, aided by horns and keys. The name “Keleketla” means “response”, as in “call-and-response”, a title which speaks to the project’s aim: to build out a shared musical ground, traced across different recording sessions, continents apart.
FUTURE TOYI TOYI / CRYSTALLISE - 7" CAT No: AHED7025 UPC: 5054429142129 Box Lot: 20
Both track versions unavailable on the standard LP
FUTURE TOYI TOYI / CRYSTALLISE - 7" SIDE A 1. Future Toyi Toyi (Gqom Version) SIDE B 1. Crystallise (Hip Hop version) RIYL: Tony Allen, Hugh Masakela, Shabaka Hutchings, Coldcut, Fela Kuti, Antibalas Top Markets: Los Angeles, Johannesburg, London, New York City, San Francisco Genre: Electronic / Afrobeat
naretail@ninjatune.net ninjatune.net
RELEASE DATES: 6.12.20/6.19.20 | ORDERS DUE BY 5.22.20/5.29.20
jehnny beth
TO LOVE IS TO LIVE 20L07 MUSIC
KURT ROSENWINKEL TRIO + BEAUTY PILL + FU MANCHU