AMERICAN AQUARIUM +
RIDE +
RAC +
RELEASE DATES: 5.01.20/5.08.20 | ORDERS DUE BY 4.10.20/4.17.20
D AV E D O U G L A S
Redeye Welcomes
LE DOUBLE DOUB WHAMMY RECORDS
car seat headrest
MAKING A DOOR LESS OPEN M ATA D O R
ORDER FORM Street Date: 5.01.20 | Order Date: 4.10.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
191401157124
CD-OLE-1571
Car Seat Headrest
Making a Door Less Open
CD
$10.65
$15.99
191401155816
LP-OLE-1558
Car Seat Headrest
Making a Door Less Open
Vinyl
$16.00
$23.99
191401155809
LP-OLE-1558LE
Car Seat Headrest
Making a Door Less Open (INDIE EXCLUSIVE / COLOR VINYL)
Vinyl
$16.00
$23.99
607396648528
CD-NW-6485
American Aquarium
Lamentations
CD
$8.65
$12.99
607396539611
LP-NW-5396
American Aquarium
Lamentations
Vinyl
$13.30
$19.99
607396539819
LP-NW-5398LE
American Aquarium
Lamentations
Vinyl
$13.30
$19.99
5055036265843
CD-WEBB-584
Ride
Clouds In The Mirror (This Is Not A Safe Place reimagined by Pêtr Aleksänder)
CD
$9.30
$13.99
5055036225847
LP-WEBB-584
Ride
Clouds In The Mirror (This Is Not A Safe Place reimagined by Pêtr Aleksänder)
Vinyl
$15.30
$22.99
5055036215848
LP-WEBB-584LE
Ride
Clouds In The Mirror (This Is Not A Safe Place reimagined by Pêtr Aleksänder) (Limited Edition Clear Vinyl)
Vinyl
$15.30
$22.99
186980000763
CD-GRE-1076
Douglas, Dave
Dizzy Atmopshere
CD
$9.30
$13.99
191400022928
CD-4AD-0229
Lemon Twigs, The
Songs for the General Public
CD
$10.65
$15.99
191400022911
LP-4AD-0229
Lemon Twigs, The
Songs for the General Public
Vinyl
$15.30
$22.99
887828044023
CD-WIG-440
Austra
HiRUDiN
CD
$9.30
$13.99
887828044016
LP-WIG-440
Austra
HiRUDiN
Vinyl
$14.65
$21.99
887828044030
LP-WIG-440LE
Austra
HiRUDiN (INDIE EXCLUSIVE / COLOR VINYL)
Vinyl
$14.65
$21.99
887828046072
LP-WIG-460LE
Blood Orange
Angel’s Pulse (PICTURE DISC)
Vinyl
$13.30
$19.99
677517700329
CD-WIX-03
Warren, Johanna
Chaotic Good
CD
$9.30
$13.99
677517700312
LP-WIX-03
Warren, Johanna
Chaotic Good
Vinyl
$10.65
$15.99
5055869547086
CD-TLV-130
Stroppies, The
Look Alive
CD
$10.00
$14.99
5055869547079
LP-TLV-130
Stroppies, The
Look Alive (COLOR VINYL)
Vinyl
$16.65
$24.99
7331915024717
LP-BBP-071
Vidal, Cesar
Cesar Vidal
Vinyl
$13.30
$19.99
749846024725
CD-SLR-247
Williams, Devon
A Tear In The Fabric
CD
$7.30
$10.99
749846024718
LP-SLR-247
Williams, Devon
A Tear In The Fabric
Vinyl
$12.00
$17.99
5055300399700
CD-ZIQ-418
Ital Tek
Outland
CD
$9.30
$13.99
5055300399694
LP-ZIQ-418LE
Ital Tek
Outland (COLOR VINYL)
Vinyl
$16.65
$24.99
600246986047
LP-CSN-139
Konradsen
Rodeo No. 5
Vinyl
$10.00
$14.99
634457008953
CD-SWMAF-14
Primer, John & Corritore, Bob
The Gypsy Woman Told Me
CD
$10.00
$14.99
750363782623
CD-TVAS-1045
BrillianTears , The
Love Vows On The Telephone
CD
$9.30
$13.99
5055869506762
CD-WAAT-072
Irma Vep
Embarrassed Landscape
CD
$8.65
$12.99
5055869506755
LP-WAAT-072
Irma Vep
Embarrassed Landscape
Vinyl
$16.65
$24.99
736373968585
CD-TVAS-1046
Various Artists
The Love Revolution (Soft, Sunshine & Harmony Pop 1966-1971)
CD
$10.00
$14.99
634457014497
CD-MOD-00102
Rodzevski, Kristo
HUBRIS
CD
$6.65
$9.99
634904057503
LP-XL-575
Scott-Heron, Gil
Nothing New
Vinyl
$17.30
$25.99
3700551783106
CD-ERATP-132
Boysen, Ben Lukas
Mirage
CD
$10.65
$15.99
3700551783090
LP-ERATP-132
Boysen, Ben Lukas
Mirage
Vinyl
$16.00
$23.99
3700551783113
LP-ERATP-132LE
Boysen, Ben Lukas
Mirage (CLEAR VINYL)
Vinyl
$18.65
$27.99
5060180324360
LP-BWOOD-0226
Forest Law
Forest Law
Vinyl
$10.00
$14.99
888295972857
CD-MAHA-002
Sewelson, Dave
More Music for a Free World
CD
$6.65
$9.99
5026328004303
SI-SOJR-430
Wailing Souls, The
Trouble Maker / Run My People
Vinyl
$12.65
$18.99
659457528218
LP-LR-159
Green-House
Six Songs for Invisible Gardens
Vinyl
$10.65
$15.99
5060384617350
LP-DISC-4
Model Home
One Year
Vinyl
$13.30
$19.99
798576004194
CD-ODM-0008
Okee Dokee Brothers, The
Songs for Singin’
CD
$12.00
$17.99
827565062805
LP-LAZYOCT-026
MANKIND
POPHITS
Vinyl
$14.00
$20.99
DEAL
ORDER FORM Street Date: 5.01.20 | Order Date: 4.10.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
843563126684
LP-JBR-0141LE
Builders And The Butchers, The
Salvation Is A Deep Dark Well (INDIE EXCLUSIVE GREEN VINYL)
Vinyl
$14.65
$21.99
634457008021
LP-FFINC-081
Moodie Black
Fuzz
Vinyl
$15.30
$22.99
023632675019
LP-577R-5839
Astroturf Noise
Astroturf Noise
Vinyl
$12.65
$18.99
5060514963425
LP-NHSS-363
London Elektricity
Building Better Worlds
Vinyl
$18.00
$26.99
634457014930
CD-HAUSMO-103
Various Artists
HausMo Mixtape II
CD
$8.65
$12.99
634457014923
CS-HAUSMO-103
Various Artists
HausMo Mixtape II
Cassette
$6.65
$9.99
5060366788665
CD-TRAPPED-018
Fassine
Forge
CD
$10.00
$14.99
5060366788818
LP-TRAPPED-018
Fassine
Forge
Vinyl
$16.65
$24.99
5060464100376
CD-MONO-143
Stumbleine
Sink Into The Ether
CD
$10.00
$14.99
5060464100383
LP-MONO-143
Stumbleine
Sink Into The Ether (COLOR VINYL)
Vinyl
$18.00
$26.99
827565062775
CD-BLANG-82
David Cronenberg’s Wife
The Ship (Necrologies)
CD
$8.65
$12.99
5055869546997
CD-BLRS-054
Stafford, Harry
Gothic Urban Blues
CD
$10.00
$14.99
5055869546980
LP-BLRS-054
Stafford, Harry
Gothic Urban Blues
Vinyl
$16.65
$24.99
DEAL
Street Date: 5.08.20 | Order Date: 4.17.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
858275060027
CD-MP-467
Baraz, Alina
It Was Divine
CD
$9.30
$13.99
858275060010
LP-MP-467
Baraz, Alina
It Was Divine (COLOR VINYL)
Vinyl
$20.00
$29.99
5054429140903
CD-COUNT-205
RAC
BOY
CD
$9.30
$13.99
5054429140569
LP-COUNT-205
RAC
BOY (CLEAR PINK VINYL)
Vinyl
$20.00
$29.99
5054429140910
LP-COUNT-205X
RAC
BOY (INDIE EXCLUSIVE / SPLATTER VINYL)
Vinyl
$20.00
$29.99
5060516092666
LP-EBTG-011
Everything But The Girl
Temperamental
Vinyl
$21.30
$31.99
634457008564
CD-HCR-08
Kurt Rosenwinkel Trio
Angels Around
CD
$10.65
$15.99
634457008588
LP-HCR-08
Kurt Rosenwinkel Trio
Angels Around (COLOR VINYL)
Vinyl
$14.65
$21.99
708535797821
CD-SBR-7978
Professor Longhair
The Bach Of Rock
CD
$18.00
$26.99
095081020924
CD-ALIVE-0209
Bobby Lees, The
Skin Suit
CD
$9.30
$13.99
095081020917
LP-ALIVE-0209
Bobby Lees, The
Skin Suit
Vinyl
$13.30
$19.99
887834009528
CD-RBN-095
Buscabulla
Regresa
CD
$9.30
$13.99
887834009511
LP-RBN-095
Buscabulla
Regresa
Vinyl
$14.65
$21.99
634457003767
LP-SH-225
Armed, The
Only Love
Vinyl
$15.30
$22.99
634457011656
LP-SH-225NG
Armed, The
Only Love (COLOR VINYL)
Vinyl
$15.30
$22.99
634457009288
CD-SH-222
Disheveled Cuss
Disheveled Cuss
CD
$9.30
$13.99
634457009295
LP-SH-223
Disheveled Cuss
Disheveled Cuss
Vinyl
$13.30
$19.99
848064000600
CD-RGM-0060
Grateful Dead
Dick’s Picks Vol. 29-5/19/77 Atlanta, GA 5/21/77 Lakeland, FL (6-CD Set)
CD
$46.70
$69.99
848064000204
CD-RGM-0020
Grateful Dead
Dick’s Picks Vol. 33 10/9 & 10/10/76, Oakland Coliseum Stadium, Oakland, CA
CD
$38.66
$57.99
848064002444
CD-RGM-0244
Wills, Bob and his Texas Playboys
Riding Your Way--The Lost Transcriptions for Tiffany Music, 1946-1947 (2-CD Set)
CD
$20.00
$29.99
634457014916
CD-HAUSMO-99
Fire-toolz
Rainbow Bridge
CD
$8.65
$12.99
634457014602
LP-HAUSMO-99
Fire-toolz
Rainbow Bridge
Vinyl
$13.30
$19.99
634457014909
LP-HAUSMO-99LE
Fire-toolz
Rainbow Bridge (INDIE EXCLUSIVE / COLOR VINYL)
Vinyl
$14.00
$20.99
309272740219
CD-NS-128
Beauty Pill
Please Advise
CD
$9.30
$13.99
309272740240
LP-NS-128
Beauty Pill
Please Advise
Vinyl
$15.30
$22.99
309272738216
LP-NS-128LE
Beauty Pill
Please Advise
Vinyl
$15.30
$22.99
DEAL
ORDER FORM Street Date: 5.08.20 | Order Date: 4.17.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
309272738254
CS-NS-128
Beauty Pill
Please Advise
Cassette
$6.00
$8.99
634457008601
LP-BRGR-875C
Part Time
Virgo’s Maze
Vinyl
$16.65
$24.99
5060609662264
CD-TRU-391
Harnoune, Rabii & V.B.Kuhl
GNAWA ELECTRIC LAUNE
CD
$5.30
$7.99
5060609662325
LP-TRU-391
Harnoune, Rabii & V.B.Kuhl
GNAWA ELECTRIC LAUNE
Vinyl
$9.30
$13.99
781484075721
CD-DC-757
Batoh, Masaki
Smile Jesus Loves YOU
CD
$11.30
$16.99
781484075714
LP-DC-757
Batoh, Masaki
Smile Jesus Loves YOU
Vinyl
$20.00
$29.99
809236159823
CD-FIRE-598
Modern Studies
The Weight Of The Sun
CD
$10.00
$14.99
809236159816
LP-FIRE-598
Modern Studies
The Weight Of The Sun
Vinyl
$16.65
$24.99
634457014725
LP-WSAR-010
Shepparton Airplane
Sharks
Vinyl
$14.65
$21.99
9780123465788
BK-POW-5788
Principato, Tom
They Tell Me I Had a Good Time (INDIE EXCLUSIVE)
Book
$13.30
$19.99
702224128323
CD-MD-283
worriedaboutsatan
Time Lapse
CD
$7.30
$10.99
702224128316
LP-MD-283LE
worriedaboutsatan
Time Lapse (COLOR VINYL)
Vinyl
$14.65
$21.99
023632675033
LP-577R-5811
Sabir Mateen, Patrick Holmes, Federico Ughi
Survival Situation
Vinyl
$12.65
$18.99
DEAL
NEW RELEASES Street Date: 5.01.20 | Order Date: 4.10.20
CAR SEAT HEADREST MAKING A DOOR LESS OPEN SELLING POINTS
• THE FIRST ALBUM OF BRAND-NEW MATERIAL SINCE 2016’S TEENS OF DENIAL • MASSIVE NORTH AMERICAN TOUR PLANNED AROUND RELEASE IN SPRING/SUMMER 2020 • VINYL AND CD FEATURE UNIQUE MIXES AND TRACKLISTS, PHYSICAL COPIES COME WITH DOWNLOAD CODE FOR ALL THREE VERSIONS • 104K EQUIVALENT COPIES OF TEENS OF DENIAL SOLD TO DATE (U.S. ONLY) • LIMITED EDITION PINK VINYL EDITION AVAILABLE
“Maybe one of the best rock records of the century, and maybe one of the top 10 rock records ever made.” - NPR’s #8 Best Album of 2016, Teens of Denial
BIO
Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016’s Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful “collaboration” between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo’s alternative persona, “Trait.” To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs. In this way, Making A Door Less Open sees Toledo embarking on new and imaginative roads to songwriting and recording, placing emphasis on the individual songs, each with its own “special energy,” rather than attempting to draw a coherent storyteller narrative through the album as he has in the past , resulting in his most dynamic and open-ended work to date. Comprised of Will Toledo, Andrew Katz (drums), Ethan Ives (guitar) and Seth Dalby (bass), Car Seat Headrest has either released 11 or three albums to date, depending on the way you look at it. A prolific songwriter, Toledo took his moniker from making early recordings in the private environment of his family’s car, releasing a dozen self-recorded and produced albums on Bandcamp and building a tight-knit following. Toledo has since gone from an empty five-seater to selling out tours and filling festival main stages. 2015’s Teens of Style was a collection of songs from his early years. The band’s proper Matador debut, Teens of Denial, followed in 2016 and catapulted them to overnight commercial success and widespread critical acclaim, as well as highlighting Toledo as a prodigious lyricist. 2018’s Twin Fantasy, an epic re-imagination of an album originally released in 2011,
134 Grand St New York, NY 10013 United States (212) 995-5882
VINYL TRACKLIST 01. WEIGHTLIFTERS 02. CAN’T COOL ME DOWN 03. HOLLYWOOD 04. THERE MUST BE MORE THAN BLOOD 05. HYMN 06. DEADLINES 07. MARTIN 08. WHAT’S WITH YOU LATELY 09. LIFE WORTH MISSING 10. FAMOUS CD TRACKLIST 01. WEIGHTLIFTERS 02. CAN’T COOL ME DOWN 03. HOLLYWOOD 04. MARTIN 05. HYMN (REMIX) 06. THERE MUST BE MORE THAN BLOOD 07. DEADLINES 08. WHAT’S WITH YOU LATELY 09. LIFE WORTH MISSING 10. FAMOUS 11. DEADLINES (ALTERNATE ACOUSTIC BONUS TRACK) 12. HOLLYWOOD (ALTERNATE ACOUSTIC BONUS TRACK) LTD PINK LP OLE-1558-LPE2 Non-Returnable BLACK LP OLE-1558-LP Non-Returnable CD: OLE-1571-CD
RELEASE DATE: MAY 1, 2020 NON EXPORTABLE
505 Eno Street Hillsborough NC 27278 United States (877) 733-3931
Lamentations by American Aquarium Street Date: May 1, 2020
TRACK LISTING Me + Mine (Lamentations) Before The Dogwood Blooms Six Years Come September Starts With You Brightleaf + Burley The Luckier You Get The Day I Learned To Lie To You A Better South How Wicked I Was The Long Haul LAMENTATIONS is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for help go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most. - BJ Barham MARKETING POINTS ● Produced by Shooter Jennings ● Comprehensive press and radio campaigns, including promo appearances to support release ● Comprehensive social media ad campaigns to support release ● Available for in-stores and contesting campaigns with retail ● Multiple pre-order campaigns including the indie option ● Comprehensive touring starting in May VINYL Sel. #: NW5396 LP CONFIG: 1x LP, Jacket, Black Vinyl UPC: 607396539611 Box Lot: 40 Count Genre: Alt-Country, Singer-Songwriter
6
07396 53961 1
INDIE VINYL Sel. #: NW5398 LP CONFIG: 1x LP, Jacket, Grey Opaque Vinyl (Limited to 500) UPC: 607396539819 Box Lot: 40 Count Genre: Alt-Country, Singer-Songwriter
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CD Sel. #: NW6485 CONFIG: Digiwallet UPC: 607396648528 Box Lot: 30 Count Genre: Alt-Country, Singer-Songwriter
07396 53981 9
NewWestRecords.com
AmericanAquarium.com
6
07396 64852 8
+ Album title
: CLOUDS IN THE MIRROR (THIS IS NOT A SAFE PLACE REIMAGINED BY PÊTR ALEKSÄNDER)
Release date : MAY 1ST 2020
Track List : 01. R.I.D.E. 02. FUTURE LOVE 03. REPETITION
LIMITED EDITION CLEAR VINYL 500 UNITS PRESSED FOR THE U.S. & CANADA INCLUDES 12" INSERT AND DOWNLOAD CODE. CATALOGUE NUMBER : WEBB584LP BARCODE : 5055036215848 BOX LOT : 25
04. KILL SWITCH 05. CLOUDS OF SAINT MARIE 06. ETERNAL RECURRENCE 07. FIFTEEN MINUTES 08. JUMP JET 09. DIAL UP 10. END GAME 11. SHADOWS BEHIND THE SUN
5 055036 215848
BLACK VINYL LP INCLUDES 12" INSERT AND DOWNLOAD CODE. CATALOGUE NUMBER : WEBB584LPN BARCODE : 5055036225847 BOX LOT : 25
5 055036 225847
COMPACT DISC (DIGIPAK) CATALOGUE NUMBER : WEBB584CD BARCODE : 5055036265843 BOX LOT : 40
12. IN THIS ROOM
5 055036 265843
Ride handed the entirety of their highly acclaimed sixth studio album, This Is Not A Safe Place (WEBB570CD / LP), to mysterious London act, Pêtr Aleksänder, who stripped the songs back to just the band’s vocals and added their customarily beautiful string arrangements, keys and synth textures beneath them. The results take Ride deep into the neo-classical / ambient territory that a couple of the remixes of their previous album hinted at. These new “reimaginings” will appeal to fans of those musical styles, as well as those who consider themselves a part of the Ride fanbase. ALSO AVAILABLE BY RIDE This Is Not A Safe Place LP – WEBB570LP / 5055036215701 CD – WEBB570CD / 5055036275705 Weather Diaries LP – WEBB510LP / 5055036215107 CD – WEBB510CD / 5055036265102
Label contact : MARK BOWEN mark@wichita-recordings.com
Distributor contact : PERRY HARRELL harrellp@redeyeworldwide.com
Dave Douglas Dizzy Atmosphere Dizzy Gillespie at Zero Gravity
greenleafmusic.com davedouglas.com
Track Listing 1. Mondrian 2. Con Almazan 3. Cadillac 4. See Me Now 5. Manteca 6. Pickin’ The Cabbage 7. Pacific 8. Subterfuge 9. We Pray Album Details Artist: Dave Douglas Title: Dizzy Atmosphere Label: Greenleaf Music Catalogue #: GRE-CD-1076 Format: CD Genre: Jazz UPC: 1 86980 00076 3 Street Date: 05/01
1
86980 00071
Contacts
8
“Dizzy Atmosphere and its cross-connected comrades managed to acknowledge and salute Gillespie’s pioneering efforts without ever mimicking his motions or taking on his mantle. You couldn’t ask for a truer tribute to this giant.” — JazzTimes
When Dizzy Gillespie put his hat in the ring for President of the United States in 1964, he also offered to be the first African-American astronaut, just in case they couldn’t find anyone else. In making Dizzy Atmosphere, Dave Douglas’s tribute to the great trumpeter, composer and humanist, Douglas said he wanted to explore Dizzy’s experimental and wide open mind as well as the influence of his music. This album shines a light on the whole legacy of Gillespie, one of America’s finest artists. The original music Douglas wrote swings and shimmers with a grace reminiscent of the great man. Dizzy Atmosphere also contains several imaginative arrangements of Gillespie compositions, including reinterpretations of two key Gillespie tunes “Manteca” and “Pickin’ the Cabbage.” Douglas’s band is also remarkable, featuring fellow trumpeter Dave Adewumi, recent winner of the Carmine Caruso Competition, along with pianist Fabian Almazan, guitarist Matt Stevens, bassist Carmen Rothwell, and drummer Joey Baron. Like his previous explorations of the influential music of Mary Lou Williams, Wayne Shorter, and Booker Little, this album is sure to inspire listeners to hear the music of Dizzy Gillespie in new and interesting ways.
Label Mark Micklethwaite Greenleaf Music markmick@greenleafmusic.com
Publicity Matt Merewitz Fully Altered Media matt@fullyaltered.com
505 Eno Street Hillsborough NC 27278 stephen@redeyeworldwide.com
iting time of year with their forthcoming album, Winterland.
On their new 2-disc album, GRAMMY® Award-winning The Okee Dokee Brothers ask their audience to join the chorus and sing along. The prolific duo, Justin Lansing and Joe Mailander, wrote 27 songs perfect for singing throughout the natural rhythms of the day, from morning (disc 1) to night (disc 2). Songs for Singin’ (Release date: May 1st, 2020) includes a 32-page book with the lyrics and chords to every song. Joe and Justin say, “it doesn't matter if you sing these songs perfectly. Go ahead and add your own words, change the keys to fit your voice, speed them up, slow them down. Make them more meaningful, make them more ridiculous, but most of all, make them your own.”
Track Listing:
In the folk tradition of Woody Guthrie and Pete Seeger, Songs for Singin’ inspires families to engage in the current social conversation. As long as folks are singing together there’s a glimpse of hope for our world. “So sing to the sunrise and sing to the moon,” the Brothers say. “Sing with your kids and sing with your neighbors. Sometimes it just takes singing a song with one another to remind us that we’re all family.”
NIGHT DAY 1. Raise a Ruckus 1. Hope Machine 2. Campin’ 2. Early Bird 3. Neighborhood Band 3. In My Bones 4. Let’s Throw a Party 4. One Little Heart 5. Jumbo Gumbo 5. Sally-O 6. Ask Away 6. If You Want a Song 7. Church of the Woods 7. Jubilation 8. Singin’ for Me Supper 8. Music Train 9. Go Slow 9. Sunnyside Up 10. Thank You 10. Afternoon Walk 11. Seasons in a Day 11. Colors 12. Hushabye 12. Wastin’ Time 13. Grandmaderation 14. You Are the One 15. Language of the Flowers
Street Date:
May 1st, 2020 Highlights: • GRAMMY® Winning Artists • 2-Disc Album with 27 Songs • Includes a 6x9 32-page illustrated songbook • Export World Wide
Details: Artist: The Okee Dokee Brothers Title: Songs for Singin' Label: Okee Dokee Music Box Lot: 100 Item Number: CD-ODM-0008 Packaging: 2 CDs / 6x9 32-page Songbook included CD UPC: 798576004194 CD:
7
98576 00419
4
• Also Available: GRAMMY® winning album: Can You Canoe? and GRAMMY® nominated albums: Through the Woods, Saddle Up, Winterland The Okee Dokee Brothers theokeedokeebrothers@gmail.com www.okeedokee.org Lori Miller at Redeye Distribution millerl@redeyeusa.com 877-733-3931 X 216
Redeye Distribution 505 Eno St., Hillsborough, NC 27278 www.redeyeworldwide.com
THE LEMON TWIGS
SONGS FOR THE GENERAL PUBLIC
Tracklist
CD/LP 1 / A1 2 / A2 3 / A3 Met) 4 / A4 5 / A5 6 / A6 7 / B1 8 / B2 9 / B3 10 / B4 11 / B6 12 / B7
Hell on Wheels Live in Favor of Tomorrow No One Holds You (Closer Than The One You Haven’t Fight Somebody Loving You Moon The One Only a Fool Hog Why Do Lovers Own Each Other? Leather Together Ashamed
LP 4AD-0229-LP
The D’Addario brothers will return this Spring with their third Lemon Twigs album, Songs For The General Public. The prodigiously-talented duo’s showstopping melodies mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff. Songs For The General Public was written, recorded and produced by the D’Addarios at their Long Island home studio, Sonora Studios in Los Angeles and New York City’s Electric Lady. TOUR: April 29 – DURHAM, NC, Motorco Music Hall April 30 – ASHEVILLE, NC, The Orange Peel May 1 – NASHVILLE, TN, Exit / In May 2 – ATLANTA, GA, Shaky Knees Festival May 5 – ST. LOUIS, MO, Off Broadway May 7 – COLUMBUS, OH, Ace of Cups May 8 – INDIANAPOLIS, IN, Hi-Fi May 9 – DETROIT, MI, El Club May 12 – TORONTO, ON, Mod Club May 13 – MONTREAL, QC, Belmont May 15 – BROOKLYN, NY, Elsewhere Hall May 16 – PHILADELPHIA, PA, Underground Arts May 17 – BOSTON, MA, Sinclair June 3 – SAN DIEGO, CA, Music Box June 5 – LOS ANGELES, CA, Troubadour June 6 – SAN FRANCISCO, CA, The Chapel June 10 – PORTLAND, OR, Wonder Ballroom June 12 – VANCOUVER, BC, Fox Cabaret June 13 – SEATTLE, WA, Crocodile June 16 – MINNEAPOLIS, MN, Fine Line June 17 – CHICAGO, IL, Lincoln Hall June 19 – WASHINGTON, DC, U Street Music Hall 505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931
CD 4AD-0229-CD
“The charm of the Lemon Twigs is in the unabashed, theater-kid fun they have with their record collection, an energy that guides their work more than any particular style” - Pitchfork “When I first heard The Lemon Twigs, I felt like I was listening to music from a time that never was. The sound made by these two teenaged brothers distills pop music from the 1960s through a 21stcentury lens.” - Bob Boilen, NPR “The Lemon Twigs blend classic country twang with piano-driven glam, building steadily to a peak packed with an uproarious burst of banjo and guitar.” - Rolling Stone “The main concern, for them, is to keep working, to capitalize on a moment and chase the big, convoluted dreams they concocted back there in Hicksville. It has been a strange enough trip so far. Who knows what weird twists and turns the Lemon Twigs have in store next. But contrary to whatever you might think, they definitely aren’t fucking around.” - Stereogum “Things are most definitely happening for The Lemon Twigs, but this isn’t something they suddenly lucked into: Michael and Brian have been working towards a career in music in one way or another their whole lives.” - Vice
Available from: May 1st, 2020 4AD 134 Grand Street, New York, New York 10013
AUSTRA HiRUDiN
TRACKLISTING 1. Anywayz 2. All I Wanted 3. How Did You Know? 4. Your Family 5. Risk It 6. Interlude i 7. It’s Amazing 8. Mountain Baby feat. Cecile Believe 9. I Am Not Waiting 10. Interlude ii 11. Messiah CATALOG NUMBER: WIG440 RELEASE DATE: May 1, 2020 FILE UNDER: Alternative “A” CD Boxlot: 30 UPC: 887828044023
LP w/ DOWNLOAD Boxlot: 20 UPC: 887828044016
Vinyl is non-returnable
DELUXE LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828044030
Vinyl is non-returnable
OVERVIEW Being in a toxic relationship can sometimes feel like being lost in a maze. Every attempt to turn a corner lands you back where you started. Austra aka Katie Austra Stelmanis’ fourth album, HiRUDiN – set for release on May 1st - is both a bold acknowledgement of such patterns of behaviour and a testament to the power of breaking them.
HiRUDiN saw Austra taking an entirely different, free-spirited approach to making a record. Seeking out all new collaborators, she booked three days of sessions in Toronto with improv musicians she’d never met before. Accumulating a vast and vibrant mass of source material, Austra holed up in a studio in the Spanish countryside and took a collage approach to sampling, arranging, writing and producing to reveal the songs that would form the album. HiRUDiN additionally saw her work alongside co-producers for the first time, Rodaidh McDonald and Joseph Shabason, and she brought in David Wrench and Heba Kadry to mix and master the record respectively. While Austra’s third album, Future Politics, was concerned with the external power structures that shape society, HiRUDiN points inward. Named after the peptide released by leeches that is the most potent anticoagulant in the world, it is about the importance of healing the self, letting go of harmful influences, and finding the power to rebuild through exploring your innermost desires. It reaps the rewards of Austra’s leap into the unknown, in her most introspective yet inventive statement to date.
SELLING POINTS • This is Austra's fourth album, she has ammased over 20 million streams. • Radio campaign to impact non-commercial/specialty formats on album release. • Major market North American dates to be announced. • Standard LP comes with printed inner sleeve and download card.
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• The Deluxe LP comes on dark green vinyl with printed inner sleeve and download card.
WAX NINE RECORDS www.waxnine.com
JOHANNA WARREN CHAOTIC GOOD
CARPARK RECORDS www.carparkrecords.com “I’ve been thinking of life as one big roleplaying game,” Johanna Warren offers when asked why she chose to title her new album after a Dungeons & Dragons reference. “There’s chance, there’s choice, and there’s alignment—what forces in the universe do I choose to align myself with?” Chaotic Good is Warren’s fifth full-length album and first for Wax Nine/Carpark Records. It represents a moment of rupture in the singer-songwriter’s career as she transitions away from the quiet, folk-adjacent work that defined her early solo albums with a bold statement piece that demonstrates the breadth of her ambition. Here, Warren flits between crushing admissions set to spare piano solos and muscular declarations of independence that have more in common with grunge acts of bygone years than anything we’ve heard from Warren in the past. “The last few years I’ve had an urge to change my name, or create some alter-ego,” she says. “But I’ve come to realize that ‘Johanna’ is already just a character. We think we know who we are based on what’s already happened, but we’re allowed to make new choices.” The oceanic, soothing single “Bed of Nails” illustrates that realization perfectly when Warren sings: “I tried a little bit too hard to be myself/It turned me into something else.” Recording Chaotic Good was an exercise in self-reinvention. Warren decided to produce the album on her own, borrowing recording equipment from a friend to do much of the preliminary tracking alone in a garage. She enlisted a few key collaborators to fully enliven her vision, most notably former Sticklips bandmates Chris St. Hilaire and Jim Bertini. On the raucously resilient “Part of It,” Warren is joined by her musical brethren as she addresses a noncommittal narcissist and—a trademark of Warren’s work—the narrator’s complicity in her own suffering: “Don’t look at me like I’m the one holding you back/and I won’t look at you like you have something I lack.” Adding to the album’s dynamism is the fact that it took shape over the course of four years in studios across the United States while Warren was touring her most recent albums Gemini I and II. Warren uses words like “patchwork” and “scrapbook” to describe Chaotic Good; it is a collection of sonic snapshots that transport her to specific places in time with each listen.
TRACKLISTING 1. Rose Potion 2. Part of It 3. Only the Truth 4. Bed of Nails 5. Twisted 6. Hole in the Wall 7. Faking Amnesia 8. Every Death 9. Thru Yr Teeth 10. Bones of Abandoned Futures
“This album is about learning how to be with myself after a lifetime of codependent relationships,” Warren says. You can hear that especially well on “Twisted,” which finds her confronting a former lover, and ultimately, letting them go. “I’m a warrior, but I give up,” Warren howls, the surrounding production warping and distorting as her raw vocal crests to an acidic scream. Though her lyrics are resigned, her delivery is anything but. It is a moment of total abandon, when the multitudinous aspects of a personality coalesce to form something at once dazzling and monstrous. “Chaotic Good is a metamorphosis,” Warren says. “It’s my phoenix moment. Everything I’ve done before was just building the funeral pyre.”
CATALOG NUMBER: WIX03 STREET DATE: May 1, 2020 FILE UNDER: Alternative Rock DISCOUNT: 7% until May 8, 2020 CHAOTIC GOOD LP UPC 677517700312 CHAOTIC GOOD CD UPC 677517700329 ALSO AVAILABLE Johanna Warren Gemini I & II LP – UPC 677517700411 Johanna Warren Gemini I CD – UPC 677517700428 Johanna Warren Gemini II CD – UPC 677517700527
CHAOTIC GOOD • North American publicity by Erin Thompson • College/Non-Commercial radio by Terrorbird • Digital Marketing by Terrorbird • Translucent Red colored vinyl • “Bed of Nails,” “Only The Truth,” and “Twisted” music videos in the works • North American and European touring in 2020 • Vinyl includes free digital download
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
Tough Love
The Stroppies - Look Alive
LP
TLV130LP
5055869547079
CD
TLV130CD 5055869547086
The Stroppies have now evolved into what some might call a “proper band”. 2019 saw the release of their debut LP Whoosh!, a studio-based affair that evolved The Stroppies sound, underpinned with a newly discovered melodic classicism. Look Alive!, their latest effort which was recorded only months after the bands return to Australia after their second European tour of 2019, represents a marriage of the two different styles of Stroppies recordings and rounds out an incredibly productive twelve months for the group. Look Alive! Is the sound of The Stroppies honing their craft under new and unfamiliar conditions. Written mainly on the road then finished and recorded at home with whatever was on hand with only three of the four members present, it is according to the band’s singer/guitarist Angus Lord, "an EP forged in circumstance. A sum total of fleeting vignettes on scraps of paper, voice memos and iPhone notepads all collated between soundchecks and long stretches in a tour van rolled pieced together over weekly jams " If Whoosh! glimmered and sparkled with tight production and succinct pop songwriting, Look Alive! is a somewhat darker shade, employing a more diffuse, impressionistic sonic palette and a more obvious penchant for experimentation. Tracked by the band and long time friend/ collaborator Alex Macfarlane (Twerps, The Stevens, Hobbies Galore) at home and then mixed and mastered direct off the tape at Phaedra studios in Coburg by John Lee, it’s also a somewhat collaborative project. The title track sees acoustic pianos duel with synthesizers over Pavement-esque guitar wig outs, whilst ‘The Aisles of the Supermarket’ employs tape loops to forge loose ambient foundations. Though these ideas may reflect the band’s noted “stream of consciousness creativity”, remarkably the songwriting remains as sharp as ever. Album opener ‘Burning Bright’ gallops forward with the propulsive energy of ‘77-era Talking Heads. Elsewhere, lead single ‘Holes In Everything’ presents the band at its pop best: Their penchant for push and pull of light and dark splashed against the backdrop of trepidation and humour makes The Stroppies records so endearing and open-ended. Though undeniably pop structure orientated, the bands propensity for re-inventing and re-appropriating their recording and writing process ensures that nothing starts to fossilize. Indeed, Look Alive! is that most intriguing of records precisely because it represents two ideas at the same time - the sound of a band in flux, but also the sound of a band becoming more sure footed as they walk their crooked line. 1. Burning Bright / 2. Look Alive / 3. Sad Sorry Soul / 4. Roller Cloud / 5. Holes in Everything / 6. The Aisles of the Supermarket / 7. Enter or Exit / 8. Rigid Men and Conduct Codes
CÉSAR VIDAL
César Vidal Writing somber songs that you want to play over and over agian or pop tunes that never comes off corny and singing them with perfection without sounding contrived takes a unique voice. César Vidal from Swedish psych/60s/garage/indie-act Caesars aka Caesars Palace has that voice and he makes it all look so easy.
Side A 1 Same Old Bus 2 If You Want This Love 3 Up The Hills 4 Moped Girl 5 Universal Friend Side B 1 I Wonder 2 Step By Step 3 Watching The Moon 4 Bilder 5 Keep On Trying
The tracks on his debut solo album are ageless and could have landed softly into any decade from the 60s and onwards. There are hints of just about everything from jangly psych pop, British invasion, surf, shoegaze, lo-fi and punk, all delivered with the golden voice of a sad angel. César Vidal is a seasoned player after years with his band but here he really gets to stretch out and take full command of his entire musical universe without compromising. Give a grain of sand lots of time and a pearl takes form in an oyster. César Vidal delivers not only a pearl but a necklace of perfect songs on this stunning solo debut. There are no fillers here, only killers.
Media: Vinyl LP Production: 2020 Label: Busy Bee Production EAN: 7331915024717 Number: BBP071 300 ex blackvinyl 100 ex white vinyl signed and numbered on the innersleeve
Busy Bee Production, Box 147, 343 22 Älmhult. Mailorder & distribution: www.hotstuff.se
Devon Williams
Label: Slumberland Records
Catalog Number: SLR 247
Street Date: May 1, 2020
“A Tear In The Fabric”
1. Followed Me Back
2. A Tear In The Fabric
3. In Babylon
4. Out Of Time
5. Domesticated
6. Deadly Turn
7. For My Memory To Collect
8. Snake In The Grass
9. Borderline
10. Slow Motion
11. Circus World
12. Peace Now? File Under: Alternative - W
TL; DR: Impressionistic, dreamy pop with distinct 80s power-pop and folk-pop flavors. RIYL The Church, Felt, The Go-Betweens, Tommy Keene. LP UPC: 749846024718
Packaging: Vinyl LP with DL code
Box Lot: 20/40 7
49846 02471
CD UPC: 749846024725
Packaging: Gatefold wallet
Box Lot: 50/200 master 8
7
49846 02472
5
Over three albums under his own name, Devon Williams has honed a trademark blend of power pop, folk rock, and jangle pop, anchored by his distinctive melodic gifts. After a six-year break, he returns with "A Tear In The Fabric": 12 songs driven by a lilting dreaminess, rock-solid songcraft, and unerring hooks.
The years since his last album were defined by a series of major life changes; Williams found himself engaged in an endless dialogue with his thoughts and, in turn, continuously tweaking and prodding the material. The finished songs are a series of evocative snapshots for Williams: questions asked, answers given, compromises reached.
Rarely have songs so personal sounded so luxurious. Reference points might include artists like Tommy Keene, The Church and Felt, but Williams is very much his own writer and in a catalog full of pop gems, "A Tear In The Fabric" stands out for its completeness – individual worlds of sound and sentiment, timeless and transcending their origins. Also available:
“Euphoria”
LP/CD Contact: Stephen Svacina
email: stephen@redeyeworldwide.com
tel: 1.877.733.3931
“Gilding The Lily”
LP/CD Territory: The Americas & Japan
Posters and stickers available, ask your rep.
Ital Tek Outland LABEL:
PLANET MU RECORDS LTD. STREET DATE:
1st May 2020
FORMAT DETAILS:
COLORED VINYL LP: ZIQ418 BARCODE: 5055300399694. BOX COUNT 25. 3MM SPINE
CD: ZIQ418CD. BARCODE: 5055300399700. BOX COUNT 25. JEWEL CASE.
Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘. The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean tentrack album. Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan's sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions.
On Colored Vinyl LP and CD formats 01 Chamber Music 02 Open Heart 03 Deadhead 04 Reverie 05 Bladed Terrain 06 Diamond Child 07 Angel In Ruin 08 Leaving The Grid 09 Endless 10 Oblivion Theme
The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’. The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.
REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931
PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / WILL SAVERY will@redeyeworldwide.com
Konradsen Rodeo No. 5 Out May 1, 2020 on Cascine Konradsen is the Norwegian duo of vocalist and pianist Jenny Marie Sabel and multi-instrumentalist Eirik Vildgren. Inspired by the traditional songs and hymns Sabel sang with her family as a child, and the modern pop music she and Vildgren collectively admire — the work of Sufjan Stevens, Frank Ocean and composer Christophe Chassol — Konrasen weaves Sabel’s soulful and transportive vocals with field recordings and samples of ambient sounds. Voices of past and present dance over minimalist piano, atmospheric electronics, programmed beats and organic horns, forming a delicate sonic and thematic narrative centered on family and community that reflects the arc of their musical journey. After last year’s celebrated debut album, Saints and Sebastian Stories, the pair returns with a new EP, Rodeo No. 5. These new songs are perhaps more organic and spare, but no less powerful or beautiful.
Tracklisting: A 01. Give It Back To The Feelings 02. The Year Is Over B 03. Rodeo No. 5 04. Christoff 05. Many People Selling Points: ● Favorable press from Pitchfork, The FADER, The Line of Best Fit, Gorilla vs. Bear, CLASH ● Press campaign from Pitch Perfect PR ● Radio promotion from Terrorbird Media ● Co-released by Cascine and Su Tissue ● Upcoming European tour
Stephen Svacina // Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 http://www.redeyeworldwide.com/ stephen@redeyeworldwide.com
Artist: Konradsen Title: Rodeo No. 5 Street: May 1, 2020 Label: Cascine Cat.No: CSN139 Format: 12” Box Lot: 20 Genre: Indie / Folk / Electronic Export: Worldwide minus Scandinavia CSN139 UPC: 600246986047
Nick Passarelli // Cascine 56 Bogart St, Ste 229, Brooklyn, NY 11206 http://www.cascine.us nick@cascine.us
JOHN PRIMER & BOB CORRITORE
The Gypsy Woman Told Me
Blues harmonica ace BOB CORRITORE teams up with frequent musical partner, acclaimed blues guitarist/vocalist (formerly with Muddy Waters, Magic Slim and Junior Wells) JOHN PRIMER for THE GYPSY WOMAN TOLD ME, the follow up to the highly successful recent VizzTone releases by Bob Corritore and Friends, DON’T LET THE DEVIL RIDE and DO THE HIP SHAKE, BABY!
STREET DATE: 5/1/20
Here is that rare album that’s fully connected to the core of Chicago Blues. Both John Primer and Bob Corritore are experienced veterans of the genre, fluent in its sacred, expressive vocabulary. With a team of A-list players, Primer and Corritore fulfill and expand their branded presentation of Chicago blues on THE GYPSY WOMAN TOLD ME, their third collaborative effort.
Produced by Bob Corritore, Clarke Rigsby, and Kid Andersen. With Billy Flynn, Jimi “Primetime” Smith, Kid Andersen, Bob Welsh, Ben Levin, Kedar Roy, Troy Sandow, Mike Hightower, June Core, and Brian Fahey. JOHN PRIMER & BOB CORRITORE The Gypsy Woman Told Me Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - Eco-Wallet Cat. # VT-SWMAF-14 Street Date: 5/1/2020 UPC: 634457008953
TRACKS: 01. Keep A-Driving 02. The Gypsy Woman Told Me 03. Knockin’ On Your Door 04. Gambling Blues 05. Little Bitty Woman 06. Walking the Back Streets and Crying 07. I Got the Same Old Blues 08. My Imagination 09. Let’s Get Together 10. Left Me With a Broken Heart 11. Walked So Long
6
JOHNPRIMERBLUES.COM • BOBCORRITORE.COM
34457 00895 3
12. Ain’t Gonna Be No Cuttin’ Loose
Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com
The BrillianTears - Love Vows On The Telephone Teensville Records CD TV1045CD 750363782623 The BrillianTears are back ! This time with some new amazing contributors to this Doo Wop Super group - Joining The Leader Frankie B is - World renown Darren Page (the Voice of Roy Orbison in the UK), the amazing Dana Countryman who’s one of the most talented singer/ songwriter going around today and he is joined by his wonderful wife, Tricia who lends her mezzo-soprano talents to this album. The soulful voice of Jordi Majo from Spain also returns and sings lead on some wonderful covers. 21 brilliant-sounding, newly recorded doo wop tracks! Talk about variety--you get several different lead singers with 11 original compositions plus tremendous remakes of tunes such as “Singing Waters”, “Teenage Sonata” and “Those Magic Changes”! The sound is fresh, the quality is superb, and the style stays true to the way songs were done in the 50's and early 60's. If you want to add some fabulous new doo wop to your collection, then check out this must-have CD! 1. Love Vows On The Telephone 2. Lover Don't You Weep 3. Summer Holidays 4. House Where Lovers Dream 5. Joys Of Cupid 6. The Things You've Done 7. Did You Care 8. Never, Never 9. How Can I Let You Know 10. Singing Waters 11. Three Little Loves 12. Teenage Sonata 13. Heart Full Of Tears 14. Here Am I Broken-Hearted 15. Oh, Can't You See 16. I Want Only You 17. Real Love 18. Waitin', Waitin', Waitin' 19. Those Magic Changes 20. Wonderful, Marvellous 21. The Man
Irma Vep - Embarrassed Landscape Gringo Records LP
WAAT072LP 5055869506755
CD
WAAT072CD 5055869506762
Irma Vep is the on-going, evolving main vehicle for polymath musician Edwin Stevens and on Embarrassed Landscape the project has reached a zenith. Recorded with frequent collaborators Ruari Maclean and Andrew Cheetham, it is an album that breathes in a fetid skip full of millennial dread, self-effacing anxiety and doubt before exhaling it as heartbreaking songs and ecstatic abandon. Built around the skeleton of Stevens’s songwriting and fleshed out with loose, virtuoso playing, it’s a body of work that could have been the anxious songs of an overthinker but rendered here Embarrassed Landscape revels in a kind of un-selfconscious confidence. Lyrics are riven with poetic, crushing self-analysis and absurdity only to be performed against a backdrop of trance-rock music skewered with Stevens’s own instantly recognisable guitar playing. Songs wring nuggets of uncanny truth out of prosaic, every day activities while sounding like Rolling Thunder Revue era-Dylan. Songs that seem hewn from some unspeakable personal pain are laced with a disarming streak of black humour, massive, world-ending psych jams that harken to Vibracathedral Orchestra’s wall of sound dissipate into tender songs that deserve to be picked apart and cried to.
1. King Kong 2. Disaster 3. I Do What I Want 4. Standards 5. The Feeling Is Gone 6. Tears Are The Sweetest Sauce 7. Not Even 8. Purring 9. Canary
The Love Revolution (Soft, Sunshine & Harmony Pop 1966-1971)
Teensville Records CD TV1046CD 0736373968585 Teensville’s latest look at the world of obscure soft, sunshine, and harmony pop spanning the years 1966-1971. Expect gorgeous vocals, heavenly harpsichord, exquisite melodies and big arrangements. Featuring artists such as The Carmel, The Game, Lloyd Banks, The Rubber Band and more! The 31 song, 80 minute compact disc also includes a full-color 20 page booklet with annotations, release information and the stories behind the songs. 1. Billy Bud – The Love Revolution 2. The Five D – She Can’t Be My Girl 3. The Game – My Kind Of Morning 4. The Carmel – I Can’t Shake This Feeling 5. Lloyd Banks – Sixpenny Dreams 6. The Sunflower Singers – Autumn 7. Phil Taylor – California (Be Fine) 8. Graham Chapman – Now It’s My Turn 9. The Honestmen – It’s Too Late To Turn Around 10. The Rubber Band – I’m Gonna Make It 11. Tony & Siegrid – Just Be Good 12. The Alphabetical Order – All Over The World (La La) 13. William Bonny – You Won’t Find That Kind In Me 14. 1st National Band – The Trip Down 15. Peter Ford – Once There Was A Child 16. Harry’s Group – Old Man Trouble 17. The Grapevine – I Can’t Get Enough Of You 18. Frankie Love – First Star 19. The Troys – Gotta Fit You Into My Life 20. Randy Benjamin – Look At You Now 21. Chapter Six – Lovin’ All The Time 22. Crib And Ben – Emily 23. The Rubber Band – Messin' Up The Mind Of A Young Girl 24. The Five D – Freeloader 25. Lloyd Banks – Miss Amanda 26. The Honestmen – New York’s My Home 27. The Sunflower Singers – Strangers 28. Graham Chapman – Pardon Me Miss 29. The Game – Things For Me 30. Phil Taylor – A.M 31. The Carmel – They Didn’t Believe Me
KRISTO RODZEVSKI HUBRIS
Nails 4:47 Wasting Your Time 4:26 St e f i e 5:03 Gauze 3:53 Ica rus 5:03 Locked In 5:12 Blow Up 4:31 Bl Pr ide 4:29 Bailey’s Bicycle 3:36 Of f Sui t 4:49 Kristo Rodzevski : vocals, guitar Mary Halvorson: guitar Bill Laswell : bass Ikue Mori : electronics Tomas Fujiwara : drums lyrics & music by Kristo Rodzevski (BMI)
label : M.O.D. Reloaded UPC: 634457014497 product #: MODRL00102 release date: May 1st, 2020 pre-order: March 10th, 2020 genre: rock / alternative audio: soundcloud.com/modreloaded advisory: explicit total time : 45:54
produced by Bill Laswell
recorded & mixed at Orange Music, West Orange, NJ engineer ing: J ame s Dellat acoma mastered by Michael Fossenkemper TurtleTone Studio, NYC
cover photo by Ivanco Talevsk i artwork & design by Yoko Yamabe @ Randesign M.O.D. Reloaded: Dave Brunelle, Yoko Yamabe
HUBRIS is the fourth album from the New York based songwriter, vocalist and guitarist Kristo Rodzevski. The album is a natural continuation from his previous free jazz/pop infused work, but includes a more hard-edged, rock sound. Rodzevski works with his usual troupe of notable musicians from New York’s avant and experimental music scene. His abrasive guitar chords provide an ominous foundation over which vulnerable vocals and deeply personal lyrics are intertwined with the scintillating, architectural electronics of Ikue Mori (DNA, Phantom Orchard), the forward driving drums of Tomas Fujiwara (Thumbscrew, Triple Double), the phantasmagorical sound of Mary Halvorson (Code Girl), and the grounding, iconoclastic bass of Bill Laswell. Richly produced to craft a singular landscape of sound by Laswell, it achieves a blended and layered effect while still allowing the songs space to breathe. Acerbic and provocative, HUBRIS is a sonic mural, a turning, folding chimera with themes of distorted intimacy, unconscious fantasy, mortality, loss, and the realities of the immigrant experience. This is life in its unflinching wholeness messy, sad, exuberant, and joyous.
Gil Scott-Heron Nothing New
STREET DATE: 5/1/20
Nothing New is an album of recordings that Gil Scott-
LP: XL-575-0 File Under: R&B Vinyl non-returnable
TRACK LISTING A1 A2 A3 A4 A5 A6 A7 B1 B2 B3 B4 B5 B6 B7
Did You Hear What They Said Better Days Ahead Household Name (Interlude) Your Daddy Loves You Changing Yourself (Interlude) Pieces Of A Man Enjoying Yourself (Interlude) Alien (Hold On To Your Dreams) Before I Hit The Bottom (Interlude) 95 South (All Of The Places We’ve Been) The Other Side The On/Off Switch (Interlude) Blue Collar On Bobby Blue Bland (Interlude)
134 GRAND STREET, NEW YORK, NY 10013
Heron and Richard Russell made in New York during the sessions for I’m New Here. It is comprised of songs that Gil chose from his back catalogue, just voice and piano. Each song he chose was from a different album of his. He carefully curated the selection, so this album serves as an excellent introduction to his previous output. Originally released for RSD 2014 as a limited edition of 2,000 copies with silk screen covers, this has now been repressed on black vinyl as a companion piece to the current Gil Scott Heron Makaya McCraven release.
WWW.XLRECORDINGS.COM
505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931
Ben Lukas Boysen
Mirage
Format: CD, LP, Ltd LP (incl. DL code) File under: Electronic · Box Lot: 50 CD / 20 LP Street Date: 05/01/2020
Label:
Erased Tapes
Catalogue No.:
ERATP132CD ERATP132LP
Barcode (EAN):
3700551783106 (CD) 3700551783090 (LP)
Distributor: Territory:
Redeye N.A. (exclusively)
Ltd. Edition on Clear Vinyl Catalogue No.: Barcode (EAN):
ERATP132LE 3700551783113
Tracklisting: 1. 2. 3. 4. 5. 6.
Empyrean Kenotaph Medela Venia Clarion Love
Official Websites: www.benlukasboysen.com www.erasedtapes.com PR Agent: julian@erasedtapes.com
Berlin based composer and producer Ben Lukas Boysen returns with his most progressive and shape-shifting work to date, the long awaited Mirage, on 1 May 2020 with Erased Tapes. The third album to be penned under his own name proceeding his Hecq moniker, Mirage follows 2013’s Gravity and the acclaimed 2016 full length Spells, a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation. Since the release of Spells, Ben continued to be in demand for his scoring abilities, collaborating with cellist and composer Sebastian Plano on the music for David OReilly’s landmark innovative video game Everything. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar. In 2019 Ben contributed to the Brainwaves project alongside fellow Erased Tapes artists Michael Price and Högni Egilsson in collaboration with a team of scientists at Goldsmiths University, London — linking states of consciousness and music. He also scored the soundtrack to the DAFF award-winning German TV show Beat, the feature film The Collini Case, and co-composed the music for the short film Manifesto with Nils Frahm, starring Cate Blanchett. As with Gravity and Spells, Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut Lines of Sight. Lead track Medela features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains. By the end it’s difficult to tell what exactly was heard; “I wanted to experiment with blending these recordings with 100% artificial elements, often to points where an instrument becomes an abstraction of what it was and the musicians’ presence in the song is much more of an important DNA string in the song rather than an obvious layer.” Mirage, like its title suggests, feels like a sonic optical illusion — each piece containing sounds and techniques bent and processed to make them seem overexposed; the overly felt-y piano on Clarion, Daniel Thorne’s saxophone on Medela, the single note voice of Lisa Morgenstern splitting into different chords on Empyrean. It is detectable but also easily missed, like the double piano on Kenotaph that could be perceived as one, but is actually two pianos in two different rooms, separate countries even — one is digital while the other is acoustic. While on Spells Ben made programmed pieces sound indistinguishable from human playing, with Mirage he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage. “A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With Spells and Gravity I was trying to hide the machines. On Mirage, I’m trying to hide the human” — Ben Lukas Boysen Praise for 2016’s Spells: "Dexterous melding of the orchestral and electronic worlds… A blissful collage of organic and digital sound" ★★★★ — MOJO “Piano in big spaces, misterioso effects, frozen journeys, strangely upbeat nocturnes” — The Wire
Dave Sewelson Quartet More Music for a Free World Mahakala Music (mahakalamusic.com) - MAHA002 // CD&DL available 5/1/20
UPC: 888295972857
Recorded by four well-known master improvisers, Dave Sewelson’s More Music for a Free World represents the culmination of decades of a deep musical partnership between Sewelson and his bandmates., Recorded in Brooklyn, New York, the music capital of the world, at Park West Studios on December 17 of 2018, this recording is the follow-up to the acclaimed Music for a Free World, released in late 2018. The music here is completely improvised. Maybe someone was going to tell the musicians to try to make some shorter pieces, less challenging for a casual listener but they didn’t. Perhaps someone said, let the drums kick this one off or “go” but no instruction was given. These sounds come out of the silence that is already swinging. The results show that when these four musicians start playing together the result is exquisite music. Call it chemistry, collaboration, community but it is contagious.
Dave Sewelson – Baritone Saxophone Steve Swell – Trombone William Parker – Bass Marvin Bugalu Smith– Drums Track Listing: 1. 2. 3.
Memories Dreams Reflections
will@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278
Soul Jazz Records presents Studio One
THE WAILING SOULS Trouble Maker / Run My People 12” Single
1st May 2020
HUGE STUDIO ONE 12” SINGLE! Two fantastic tracks from one of Jamaica's finest ever vocal groups, these heavy hitting anthems were recorded for the legendary Studio One label in the early 70s. Surprisingly both tracks have never been released as singles, previously only appearing on two different rare and long deleted Jamaican LPs. Cut super loud on a 12" single and housed in a heavyweight card Studio One sleeve, these won't be around for long – very limited edition 1000 copies worldwide!
Release Date: Artist: Title: Tracks: Label: Format:
1st May 2020 The Wailing Souls Trouble Maker / Run My People A: The Wailing Souls – Trouble Maker B: The Wailing Souls – Run My People Soul Jazz Records Cat. No: SJR430-12, 12” Single UPC: 5026328004303
Contact: Will Savery • 877-733-3931 x287 • will@redeyeworldwide.com No shipments outside of North America.
5
0 263 28 0 043 03
model home one year
CAT NO: DISC4 (Vinyl) UPC: 5060384617350 (Vinyl) RELEASE DATE: May 1st, 2020
Overview:
Otherworldly beat science from the currently vibrant Washington DC underground. The heavily processed MCing of NappyNappa weaves in and out of the skewed electronics and stuttering percussion of Patrick Cain. Loosely affiliated with the Future Times crew and featuring contributions from Dolo Percussion (aka Max D). In the duo’s own words “a collaborative experiment in liberated sound, vision, and performance“, Model Home orbit in their own universe, with glimmers of light from distant galaxies refracted in their sound. Some moments are reminiscent of DJ Screw, MF Doom or a mangled dub sound system cassette that’s been left in the sun for too long, the grainy collage backing tracks closer to the sick midwest drones of Aaron Dilloway than any modern beatmakers, but this is implicitly it’s own thing. The spirit of free improvisation pervades the tracks, a sound evolving from two artistic sensibilities bouncing off each other without a set plan and creating a third pathway to unknown worlds. One Year compiles tracks from 8 different self-released mixtapes made during an intense initial 12 month period of musical activity that birthed the project. Approached with the same archival sensibility that Disciples has brought to albums-that-never-were from Black Lodge, Bogdan Raczynski and His Name As Alive, but with the idea of creating a framework to present an underground NOW sound. A Jamaican style ‘showcase’ album for these outliers from the District of Columbia. Although without sonic precedent it somehow makes a kind of perverse sense that these sounds have emerged from the same place that birthed Dischord Records and Trouble Funk. Model Home reached the attention of Disciples via the writer Mike McGonigal, the force behind essential music periodicals Chemical Imbalance, Yeti, the newly launched Maggot Brain, and sleevenote writer for our series of unearthed His Name Is Alive teenage home recordings. He opined that had cult UK label On-U Sound started today, this is the kind of stuff they would be releasing, which immediately had our interest well and truly piqued, and indeed perhaps a 21st century interpretation of the still unique and indefinable hybrid sounds of New Age Steppers or Mark Stewart & The Maffia makes some kind of sense when trying to swim in the slipstream of Nappa’s cosmic logic and beautifully abstracted flow, the spliced-and-diced loops of Cain adding hook-laden carpets of texture, just check the quasi-gamelan bed of “Cheek To The Matrix” or the Patrick Conway synth soundtrack through a fuzz pedal thrust of “Livin’ In A Treehouse”. McGonigal also says: “It's dubby and weird, electronics and voice -- experimental rap of interest to fans of Sleaford Mods, Roll Deep Crew, the Fall, 'Metal Box,' etc.” Product Description:
Tracklisting:
Black Vinyl LP in reverse board sleeve with full color printed inner sleeve and download card Box Lot: 25 Ⓟ & © 2020 Disciples
A Side
B Side
A1. No Threshold ft. Dolo Percussion A2. Push Thru ft. Boost, Marty Heem Cherry, Dolo Percussion A3. Grip A4. Damn Disco 99 ft. Discipline 99 A5. Faultfinder A6. Baya Style
B1. Livin' In A Treehouse B2. Loud Pause B3. Thousand Miles B4. Cheek To The Matrix ft. Jelani B5. One Year No Barcode ft. Greenss
NO EXPORTS ALLOWED For more info please contact Matthew: matthew@warprecords.com or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
MANKIND - POPHITS LAZYMNKDA001 Street date: May 1, 2020 Formats: Vinyl & digital File under: Alternative / Indie UPC (vinyl): 827565062805 Tracklist: 1. Colours 2. Waltzing Charade 3. Pickled Love 4. Faceless Stranger 5. Silent Treatment 6. Tired 7. Happy Child 8. Heart On Sleeve 9. Mother Said 10. No Doubt In My Mind, pt. i 11. No Doubt In My Mind, pt. ii 12. Simple Is Good
Stockholm, Sweden quartet MANKIND have long been a hidden treasure of the European underground rock scene, touring across Europe on the strength of a few EPs and singles, and now they’re finally ready to unveil their debut LP POPHITS on May 1 via Stockholm label Lazy Octopus Records (home to Holy Now, Second Oracle, AOP etc). Having worked with the likes of Strokes producer Gordon Raphael on their early work MANKIND mainly opted to self-produce when it finally came to recording the long-awaited debut album – only one out of 12 tracks was recorded with Raphael, the rest is all MANKIND. Having grown a reputation as a must-see live band it’s easy to see why with their blend of garage rock energy and britpop stylings and with POPHITS the band’s set to introduce themselves to the wider world. Press for MANKIND “a gritty, sweat drenched underground track that taps into grunge pop anthemics with ease” – The Line of Best Fit “art rock with a rust-coating of scuzz, music that flicks between dirt-raw and gritty and playful and snarky” – Nothing But Hope And Passion “dark and menacing, hypnotic and fierce” – The Revue
Lazy Octopus Records c/o PNKSLM Recordings Krukmakargatan 22 11851 Stockholm Sweden Exclusively distributed by Redeye worldwide excluding UK.
© 2020 Lazy Octopus Records
THE BUILDERS AND THE BUTCHERS SALVATION IS A DEEP DARK WELL Golden and Green Devil Town Short Way Home Barcelona Hands Like Roots Down in this Hole Raise Up Your Weary Hands Vampire Lake The Wind Has Come In the Branches The World is a Top
LP-JBR-0141LE
“The band is devoted to the creation/destruction dichotomy, along with an American roots music aesthetic and punk attitude.” Prefix, 2009 After their initial self titled record, recorded live and performed mainly on the street, The Builders and the Butchers entered the studio with acclaimed and beloved Portland musician and producer Chris Funk to record the bands next collection of songs. An album to be titled Salvation is a Deep Dark Well. The spirit of the Builders has always been, and always will be, inclusion and collaboration. From the early shows on the street, to passing out instruments in clubs, the early days were always about how many people would be “in the band” on any given night. The Builders took this spirit of inclusion into the studio where they invited some of their favorite musicians and best friends to perform on Salvation is a Deep Dark Well. Over 50 different musicians perform on the album, including the Portland Flash Choir, a gospel choir, Portland Cello Project, string quartets, as well as horn sections. This is on top of the band members who played over 30 different instruments themselves. These performances were masterfully orchestrated by Chris Funk and then mixed with care by the esteemed Tucker Martine. Resulting in an album that is not only lush and full, but also immediate, vital and dark.
ALSO AVAILABLE: THE BUILDERS AND THE BUTCHERS LP-JBR-0105LE
THE BUILDERS AND THE BUTCHERS DEAD RECKONING LP-JBR-0156
6 16892 48744 9
HAUSU MOUNTAIN
Artist: Various Artists Album: HausMo Mixtape II
Label: Hausu Mountain Cat#: HAUSMO103 Formats: CD / Tape Release Date: 05/01/20 (click album art to stream) CD:
6
34457 01493 0
Tape:
6
34457 01492 3
Eighty-minute program with selections from HausMo releases from 2018-2020. XL J-cards and 6-panel CD packaging. Hausu Mountain was featured in Tiny Mix Tape’s “Favorite 30 Labels of the Decade”, FACT Mag’s Best Label of the Year list, and other label-centric features in Pitchfork, Bandcamp, Chicago Reader, VICE, Red Bull Music Academy, & Impose. “There was also the warped improvisational vibes of Moth Cock, the MIDI dreamscapes of Nonlocal Forecast, the gonzo footwork by Khaki Blazer, the gleeful reimagination of library music from Euglossine, the mutating collages of Eartheater, the glitchy attack on cyberpunk tropes mounted by Fire-Toolz, the densely human reveries of TALsounds, and so much more. Each of these albums and artists were key to understanding the unique community that coalesced around Hausu Mountain, a group of creators and fans who continue to call us into the next, unexplored zone. On to the following peak. And you can bet a long, strange trip awaits.” – Tiny Mix Tapes “...delivering experimental music that was as challenging as it was fun. Hausu’s albums overflowed with personality...” - FACT Magazine “No matter the ostensible scene or style of a given release on the Chicago experimental label Hausu Mountain, the music’s sort of spiritually united. It’s hazy, organic, surreal, smoky, and absurdist—even occasionally a little paranoid. It’s the stuff that you want to pass around to your friends once you’ve experienced it yourself. ” - Vice
Doug & Max HausuMountain @gmail.com 847-220-1755
As the old adage goes: another arbitrary period of years, another HausMo Mixtape. Doug Kaplan and Maxwell Allison, heads of the Chicago-based experimental label Hausu Mountain and members of projects like Good Willsmith and Pepper Mill Rondo, scroll back through the label’s recent catalog for the second installation of their compilation series. While 2018’s HausMo Mixtape I sourced music from around 80 releases from the label’s first five years on this big ole blue ball, HausMo Mixtape II culls from the pool of releases that have appeared from 2018 to mid-2020. With the HausMo biscuit factory churning out the goods at a more competent and prolific rate than ever, it’s no surprise that this relatively short period contains untold depths of freak magic. Cooked up by a stable of artists both deeply rooted in the label’s catalog and new to the family, the compilation’s 22 tracks lay out a body of far-flung styles and idiosyncratic visions that manage, like all of the label’s releases, to make some twisted sense when framed together. Featuring everything from progressive avant-electronics to fried free-jazz noise to gonzo pop deconstruction to ornate jazz fusion to to pure ambient drift — to as many possible descriptors as there are numbers in the catalog — what HausMo releases share is the same as what drives Kaplan and Allison: a “chaotic good” motivation to entertain their listeners while challenging them in equal measure. Like a nice return to a familiar routine, listeners know that their next trip to Hausu Mountain will yield music consistent only in its unpredictability, committed to a benevolent strain of confusion. The 2018-2020 period sees threads central to the Hausu Mountain mosaic teased out and sent unfolding off at new angles. Producers like Bonnie Baxter, Tiger Village, and RXM Reality, all at least three albums deep in the HausMo catalog at this point, continue to explore the space between structurally crumbling electronic experimentation and dancefloorready bangers. Seasoned heads Pulse Emitter, M. Geddes Gengras, and Long Distance Poison plumb the far reaches of ambient and drone music at varying degrees of cosmic drift and softly percolating rhythmic presence. Brass and electronics duos Moth Cock and BANG! BROS hold down their unique brands of gonzo carnival-core noise/free-jazz improv, while Andrew Bernstein’s sax flows into spiraling, minimalist sheets of sound. Nonlocal Forecast and Euglossine offer up hyper-detailed Weather Channel jazz fusion compositions, and Dustin Wong expands his similarly luminous guitar-based style into the realm of dense electronic arrangement. Music from HausMo mainstay artists Fire-Toolz and Quicksails appears here in the form of previews of their forthcoming 2020 LPs: the former maintains a commitment to radically chameleonic composition and complete genre overload, while the latter sinks deeper into the sweet spot between austere synth work and percussive post-jazz atmospheres. Experimental / plunderphonic legend and Negativland member Wobbly turns in a glitched-out opus of garbled melody and app-focused electronic alchemy. Mondo Lava’s bedroom four-track recording slides its way through Afro-Brazilian rhythms, video game music timbres, and stoned synth psychedelia. Perhaps the biggest “?” moments arrive in the form of Kaplan’s and Allison’s own experiments, including the culture-in-a-blender sample hell of their duo Pepper Mill Rondo and the free-associative hip hop anachronisms of Allison’s collab with legendary underground rapper Sharkula. In their approach to the curation of Hausu Mountain, Kaplan and Allison insist on abolishing distinctions between high- and low-brow art, and reject any generational or preconceived value judgements that slot genres and styles into hierarchies based on their “coolness” or “cheesiness” at any given moment of assessment. The continuum of music history has shown that nothing is constant, and the accelerating rate of cultural regurgitation and recursive trend-chasing has become more fickle and arbitrary than ever. To exist outside of that realm is to allow only your personal interests as a listener to guide you, and to acknowledge that unexpected delight or complexity can be found in any mode of creation. As culture collapses into itself, new forms are created from the synthesis of seemingly diametrically opposed ideas just as easily as they spring to life seemingly with no precedent. Previously hated styles or tonal palettes provide a productive shock or a rush of joy when placed by the right hands in the right contexts. More than ever there really are no rules, other than those that artists impose upon themselves, and moments when even those limitations snap can yield truly exciting deviations. More than the musical traditions or production touchstones that Hausu Mountain artists choose to nod to on their path to self-expression, the vibrant personalities of the creators themselves shine brightly before us.
Stumbleine - Sink Into The Ether Monotreme LP
MONO143VNL
5060464100383
CD
MONO143CD
5060464100376
UK producer Stumbleine’s seventh album is chilled, heavenly and thought provoking. The album envelops the listener from the outset with the soft, pitched sway of “Sonder”. The track ebbs through calming shadows, showcasing Stumbleine’s warm, electronic glow and gamut of influences, with hushed hypnotic delayed sounds, vocal samples and snappy beats. Stumbleine’s skill at blending an array of electronic timbres washes over the largely instrumental record, exemplified in “Supermodels”, with its lo-fi chorus-drenched haze building to an emotional, percussion-driven climax. Here, and scattered about the album, RnB vocals are chopped-up, but glistening a dark, dreamy hue. A cover of the Hole song, “Malibu” features Elizabeth Heaton of Midas Fall.. Elsewhere on the album tracks like ‘Lost To The World’ come together more immediately with flourishing synths and soaring backdrops overlaid by a heady bass and intricate beats, while ‘White Noise Therapy’ invokes a cinematic Tokyo-set film score peppered with playful soft pianos. “Lost To the World” swings in addictive pitched-vocal punches, circling itself into a spiral. “Your Angel Was Fake” has a hopeful darkness about it -it scales and then pulls away, at once breathing and stopping, full of blanket synth pads and subtle snaps of percussion. His sound, if it can be compared to anything at all, straddles post-rock shoegaze soundscapes with ambient electronica and experimental movements. 1. Sonder 2. Aloof 3. Malibu (ft Elizabeth Heaton) 4. My Head Hurts 5. Lost To The World 6. Tidepool 7. Words Fail Me 8. Supermodels 9. White Noise Therapy 10. Your Angel Was A Fake 11. Disintegrate Together
Fassine – Forge Trapped Animal
LP
TAR018V
5060366788818
CD
TAR018CD
5060366788665
Fassine’s third album and first on Trapped Animal Records, is a tribute to the unassuming heroes on the fringes of society - about the small pockets of communities that are overlooked, unheard, ignored. Their ways of work and living are changing, either drying up or being sold off, and this is causing people to burn with frustration whilst also causing them to reaffirm their strengths and identities”, say Fassine. The London trio’s distinctive take on electronic music has previously earned acclaim and support from the likes of The Guardian, The Independent, Clash and more. On ‘FORGE’ they’re bolder than ever before, the instrumentation heavier and more aggressive than on previous full lengths ‘Gourami’ (2017) and ‘Dialectik’ (2016)., “This process was far more improvisational - a lot of ideas were done on-the-fly in the studio. We had a skeletal demo, then ideas were batted out and put down. Far fewer demos were gone through to begin with, and gut instinct was followed much more quickly. We also decided that no matter what the song, if we liked it, it would go on’’. Their track ‘Whatever It Takes To Help You Sleep’ played as the backdrop to Netflix’s first feature film ‘Velvet Buzzsaw’, and ‘Leaves’ was featured on Oprah Winfrey’s Queen Sugar. “Oppressive yet artful music of an electronic bent, the three-piece sit in a wonderfully British lineage of pop futurists." Clash Magazine 1. Forge 2. Limbs 3. Magpie 4. Perfectly Planned 5. Migraine 6. Everyone Is Guilty To Me 7. Max 8. Bloom 9. Hellsto (The Sweetness Came For Us)
David Cronenberg's Wife - The Ship (Necrologies) Blang Records CD
BLANG82CD
827565062775
DCW at their idiosyncratic best, with songs about Shackleton’s journeys to the North Pole, suicide, the Ukrainian mafia and the president of Kazakhstan. The former Soviet Union is a world that lead singer Tom Mayne knows well from his days as an anti-corruption campaigner. The album follows their 2018 LP The Octoberman Sequence. A key band in the late 2000s/early 2010s UK antifolk DIY scene, David Cronenberg’s Wife served as a catalyst for other likeminded bands in London to follow suit. ‘David Cronenberg’s Wife are wicked’ (Lias Saoudi, Fat White Family) // ‘Where genius meets idiocy’ (Mark Lamarr, BBC Radio 2) // ‘Bitterly humorous… a mix of 80s Fall and the Velvet Underground.’ (NME) 01 - Suli's House 02 - No Way Out.03 - I Don't Know Anymore 04 - Nazarbayev Applause Laughing 05 - Delete All Now 06 - Put My Name Beneath Jane's 07 - You Can't Donate a Heart (And Live to Tell the Tale) 08 - Hannity Comes Home 09 - The Russian Death Song 10 - No Man's Land
Harry Stafford - Gothic Urban Blues Black Lagoon Records LP
BLRLP054
5055869546980
CD
BLRCD054
5055869546997
An album about the Metropolis, the naked city, the urban sprawl and the need to get back to the ripped back streets when you’re far away. If there are a million stories in the naked city, here are a few to keep you warm. Mixed and engineered by Ding Archer (The Fall, PJ Harvey) at his 6Db Studio in Salford, this album was co-produced by Archer and Harry Stafford. Led by Harry Stafford, best known as founder, guitarist and vocalist of post-punk gothic rockers Inca Babies, the band's core includes drummer Rob Haynes (The Membranes, Inca Babies), trumpeter Kevin Davy (Lamb, Cymande), guitarist Andy Mills, and Vincent O'Brien on Weisseborn slide guitar. 'Gothic Urban Blues' and debut solo album 'Guitar Shaped Hammers', released in December 2017, reflect a multitude of ideas around a driving yet lilting punk-piano blues. The new album features a more defined sound of a band finding its stride. The band is hereforth called Guitar Shaped Hammers to reflect this cohesion of musical unity - with more guitars from Vincent O'Brien, and an additional layered sonic blast from Nick Brown (The Membranes). With intense percussion from Rob Haynes and a truly masterful trumpet contribution from jazz supremo Kevin Davy, the result is very much the soundtrack of a basement radio station stumbling across a new genre they’ve tagged Gothic Urban Blues. 01.She Just Blew Me Away 02.Cruel Set of Shades 03.Gothic Urban Blues 04.Painted Ocean 05.Infinite Dust 06.Black Rain 07.Sideways Shuffle 08.Disappearing 09.Man in a bar 10.Into The storm
NEW RELEASES Street Date: 5.08.20 | Order Date: 4.17.20
Born in Cleveland, Ohio to Russian parents, Alina Baraz has been around music all her life. With both parents having classical training, she was destined to find her voice through music. Almost immediately after the release of her first single, “Roses Dipped in Gold” at age 19, Baraz and her family moved to Los Angeles to pursue her career as a singer/songwriter full time. In 2015, Baraz released her debut project, Urban Flora. The acclaimed project was praised by the Guardian, NPR, Huffington Post, Harpers Bazaar and many more, and sat on Billboard’s Top Dance/Electronic Albums chart for over 125 weeks, peaking at #2. In January of 2017, she released the viral single “Electric” ft. Khalid, which has been streamed over 190M times and counting. In 2018 she released The Color of You, enlisting Grammy-nominated producer Robin Hannibal (Kendrick Lamar, Calvin Harris, Cee Lo Green) to help produce the project. Baraz has been in the works of a special project, leading with her single “Trust” as her first release of 2020.
HIGHLIGHTS - Over 2.19+ Billion Total Global Streams - RIAA Certified Gold for her track ‘Fantasy’ from Urban Flora - Debut project, Urban Flora was Top 10 on iTunes electronic charts for 150+ weeks - Headlined two North American tours selling over 54k tickets total - Joined Coldplay as support on their Head Full of Dreams Tour - Previous press support from: Harpers Bazaar, Rolling Stone, Teen Vogue, The Fader, PAPER, Entertainment Weekly
ARTIST TITLE LABEL STREET DATE
Alina Baraz It Was Divine Mom + Pop Music 05/08/2020
CONFIG UPC CAT # DESCRIPTION
LP 858275060010 MP467 Gatefold Jacket + Clear Double Vinyl
CONFIG UPC CAT # DESCRIPTION
CD 858275060027 MP467 trifold wallet
US SALES HISTORY: Urban Flora 2015 - 100k+ units (10% physical) The Color of You 2018 - 15k units (20% physical) SOCIALS: 163k likes 136k followers 366k followers 192K subscribers TOP CITIES: Los Angeles, Chicago, Dallas, NYC, Houston, San Francisco, Atlanta, Seattle, Miami, Denver LABEL REDEYE RADIO
Hallie Anderson Lori Miller David Jacobs
hallie@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com
WWW.MOMANDPOPMUSIC.COM
PUBLICITY TOURING
Dana Meyerson Christine Cao
dana@biz3.net ccao@paradigmagency.com
1140 BROADWAY SUITE 1505 NEW YORK NY 10001
WWW.ALINABARAZ.COM
RAC BOY Release Date: May 8, 2020 RAC (André Allen Anjos) returns with his third studio album, BOY, his second album release on Counter Records. The melody-driven indie-electronica that RAC has made for 'BOY', his forthcoming third album, washes over you like faint memories. The songs are soft, light, warm, and comforting, as though revisiting old photo albums and recalling years gone by without any of the day-to-day struggles. It's at peace with the past, while lodged in the present. André Allen Anjos (aka RAC) is originally from Porto in Portugal. He's 35-years-old now, and has lived in Portland, Oregon for the past decade with his wife and cats. And even though it's more than two decades in the past, he's never reconciled with his own childhood. He's decided to do so now… Three years ago, Anjos began to make 'BOY'. He had achieved so much in his career, between DJing, soundtrack work, and his own album releases. He felt more comfortable in his own skin, and in a place of security, to really delve into his formative years. “I didn't have a major concept, I just wanted to see what happened,” he says, of the longest record-making process he's ever committed to. He found himself more prolific than ever. “I was just writing and writing and writing. I wrote so many demos, and I kept coming back to this theme of childhood. So that's why I called it 'BOY'.” CAT NO: COUNT205 UPC: 5054429140569 Box Lot: 20
￫ 12” gatefold sleeve ￫ 140g pink glass vinyl ￫ 12” black paper inner
CAT NO: COUNT205X UPC: 5054429140910 Box Lot: 20
￫ 12” gatefold sleeve ￫ 140g color vinyl ￫ 12” black paper inner
CAT NO: COUNTCD205 UPC: 5054429140903 Box Lot: 35
￫ Gatefold sleeve ￫ Matte finish ￫ On-body color printing ￫ CD insert
SIDE A 1. Rapariga 2. Boomerang (ft. Luna Shadows) 3. MIA (ft. Danny Dwyer) 4. Passion (ft. Louis The Child) SIDE B 1. Sweater (ft. Maddie Jay) 2. Next To You (ft. Emerson Leif) 3. Toulouse (ft. Minke) SIDE C 1. Gomas 2. Stuck On You (ft. Phil Good) 3. Together (ft. Evalyn) 4. Carefree (ft. LeyeT) 5. Oakland (ft. Winnetka Bowling League) SIDE D 1. 2. 3. 4. 5. 6.
naretail@ninjatune.net ninjatune.net
Arcoíris Solo (ft. Gothic Tropic) Get A Life (ft. Instupendo) Change The Story (ft. Jamie Lidell) Dolores Park Better Days (ft. St. Lucia)
2 CDs / 30 TRACKS - STUDIO AND LIVE RECORDINGS • THE BEST OF LONGHAIR’S LIVE RECORDINGS • REMASTERED FROM THE ORIGINAL ANALOG TAPES • HIS MOST SIGNIFICANT SONGS •
Disc 1 She Ain’t Got No Hair (Studio) • Bye Bye Baby (Studio) Professor Longhair’s Boogie (Studio) • Mardi Gras In New Orleans (Studio) • East St. Louis Baby (Studio) • Boyd’s Bounce (Studio) Bald Head • Big Chief • Bright Lights, Big City • Cry To Me Everyday I Have The Blues • Got My Mojo Workin’ Her Mind Is Gone • Hey Little Girl • Jambayala Disc 2 Mess Around • Rockin’ Pneumonia • Rum and Coke She Walked In • Stagger Lee • Tipitina • Hey Now Baby I’m Movin’ On • Junko Partner • Lovely Lady • Whole Lotta Lovin’ Tell Me Pretty Baby • Mari Gras In New Orleans (Live) How Long • Tipitina
Almost every musical history contains at least one crucial forebear whose inventions were too bold to translate to a broad audience, but who was nonetheless a profound influence on subsequent generations, and therefore changed the culture at an odd remove—a musician’s musician”. In the nineteen-forties and fifties, that was Fess’s stature. Roy Byrd aka Professor Longhair, his legacy looms larger than any other musical figure with the possible exception of Louis Armstrong. On THE BACH OF ROCK, Longhair bounces buoyantly through old favorites while adding some new songs into the mix. Fess’s infectious vocals, jaunty ivory-tickling, and funky groove provide the ultimate soundtrack to the Crescent City and show exactly why the city has the reputation that it does. This superb two-disc set features the Professor’s signature style--a stomping left-hand bass and a right hand that flies all over the place--on classics such as “Tipitina,” “Junco Partner,” and “Ball the Wall.” It begins in the early ’50s, when ‘Fess called his band Roy Byrd & His Blues Jumpers, and ends in the ’70s with an incredible live version of “Big Chief” and “Tipitina.”
“It’s echoed in my songs, whether you could hear it or not - as for the licks themselves, but my heart always have some Professor Longhair in it, in probably everything I do.”—ALLEN TOUSSAINT “Fess put funk into music ... Longhair’s thing had a direct bearing I’d say on a large portion of the funk music that evolved in New Orleans.”—DR. JOHN “He had this great…rolling piano style. And he was singing this song called ‘Tipitina’, which is like one of his hits. I just loved the style so much that I composed something called ‘My Carnival’ basically ripped him off.”—PAUL McCARTNEY RELEASE DATE: 5/8/20 ARTIST: PROFESSOR LONGHAIR TITLE: THE BACH OF ROCK CATALOG: CD-SBR-7978 CD CONFIGURATION: 2 CD FOLDER UPC: 708535797821 BOX LOX: 30 UNITS GENRE: R&B/FUNK
REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com
STREET DATE
5-8-20 The Bobby Lees are a young bone-shaking Garage Rock band
out of Woodstock NY. Their new record “Skin Suit” is produced
by underground punk legend Jon Spencer of the Blues Explosion, and mixes classic garage-punk hits with raw and emotive ALIVE 0209-1 VINYL LP
UPC : 095081020917 ROCK
ALIVE 0209-2 CD DIGIPAK
UPC : 095081020924 ROCK
storytelling.
In the past year they’ve played with The Chats, Future Islands,
Boss Hog, Daddy Long Legs, Shannon & The Clams and Murphy’s Law. They will be on tour in the US and Europe throughout 2020.
The Bobby Lees Are The Giant Green Cyclops of Rock ‘n’ Roll. – BTRtoday
BUSCABULLA REGRESA
TRACKLISTING 1. Vámono 2. La Fiebre 3. El Aprieto 4. Club Tú y Yo 5. Mío 6. NTE 7. Manda Fuego 8. No Sabemos 9. Nydia 10. Volta 11. Ta Que Tiembla CATALOG NUMBER: RBN095 RELEASE DATE: May 8th, 2020 FILE UNDER: Alternative “B” CD Boxlot: 30 UPC: 887834009528
LP w/ DOWNLOAD Boxlot: 20 UPC: 887834009511
Vinyl is non-returnable
OVERVIEW Like generations of Puerto Ricans before them, Raquel Berríos and Luis Alfredo Del Valle of experimental pop duo Buscabulla moved to the mainland United States to hustle for their dreams, but a longing for their island ran deep, never escaping their thoughts during the decade they resided there. After Hurricane María, the band moved home to Puerto Rico from Brooklyn to help rebuild the community, raise their daughter, and record their debut full length album.
Regresa was recorded in its entirety in Raquel and Luis Alfredo’s home studio in Puerto Rico, and is an emotional roller coaster in which they face and ponder the issues affecting them and Puerto Rican society at large: the frustration at the lack of opportunities for locals while tax breaks lure rich investors, self-doubt and anxiety, even the rise of religious fanaticism. For the finishing touches, the band worked with Patrick Wimberly (Chairlift, MGMT, Solange, Blood Orange, etc.) who contributed additional production and mixed the album. They also enlisted their dear friend Helado Negro to contribute an orchestral arrangement for "Club Tú y Yo" as well as songwriting contributions on “Mío” and “Volta” from Nick Hakim. Full of angst and an underlying sense of loss, Regresa -- which means “return” or “to come back” -- is a bittersweet, introspective, eye-opening journey. “The album reflects the joys of being back but it’s also melancholic,” says Raquel. “You feel like a stranger in your own home because the island is going through very hard, weird times. Most people our age have fled. We have also changed after being away for so long.” Buscabulla ultimately calls for self-reflection, awakening and perseverance in the midst of an uncertain future. Says Raquel, “Regresa is about self-acceptance of oneself with all our imperfections, and the acceptance of coming back home, with all its flaws.”
SELLING POINTS • Over 20 million streams across past 2 EPs. • Radio campaign to impact non-commercial/specialty formats on album release, with early support already from KCRW and KEXP. • Major market North American dates to follow album release in July / August 2020. RIBBON MUSIC 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 ribbonmusic.com Contact: Cyrus Lubin cyrus@dominorecordco.com
• “Vámono” featured in FIFA ’20 (world’s highest selling sports game in history).
REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• Standard LP comes with gatefold jacket and download card.
• Performances at Coachella, Estéreo Picnic, Ceremonia, Corona Capital, and Carnaval De Bahidorá. Sold out shows at Elsewhere (NYC) and The Regent (LA).
sargenthouse.com/the-armed
TIM JONES REDEYE WORLDWIDE tim@redeyeworldwide.com (336) 578 - 7300 x 2300
MARC JETTON SARGENT HOUSE marc@sargenthouse.com (310) 808 - 8083
thearmed.com Tw i t t e r. c o m / t h e a r m e d Facebook.com/thearmed instagram.com/thearmedixi
SH 222
SH 223
634457009288
634457009295
sargenthouse.com/disheveled-cuss
TIM JONES REDEYE WORLDWIDE tim@redeyeworldwide.com (336) 578 - 7300 x 2300
MARC JETTON SARGENT HOUSE marc@sargenthouse.com (310) 808 - 8083
Tw i t t e r. c o m / b b q d b r a i n s Facebook.com/disheveledcuss instagram.com/disheveledcuss
GRATEFUL DEAD:
Dick’s Picks Vol. 29—5/19/77 Fox Theatre Atlanta, GA 5/21/77 Lakeland Civic Center Arena Lakeland, FL
SELLING POINTS • Real Gone Music Returns to the Legendary Dick’s Picks Series of Grateful Dead Live Recordings with Represses of Two Highly Coveted Editions •
• • •
• •
•
(6-CD Set)
STREET DATE: MAY 8, 2020
GRATEFUL DEAD:
Dick’s Picks Vol. 33—10/9 & 10/10/76, Oakland Coliseum Stadium, Oakland, CA (4-CD Set)
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UPC: 848064000600 FORMAT: Six-CD Set PACKAGING: Two 3-CD Clamshell Jewel Cases Inside Slipcase BOX LOT: 10 Dick’s Picks Vol. 33—10/9 & 10/10/76, Oakland Coliseum Stadium, Oakland, CA
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UPC: 848064000204 FORMAT: Four-CD Set PACKAGING: Clamshell Jewel Case BOX LOT: 10
5/19/77 Fox Theatre Atlanta, GA DISC ONE Set One 1. 2. 3. 4. 5. 6. 7. 8.
Promised Land Sugaree/ El Paso Peggy-O Looks Like Rain Row Jimmy Passenger Loser
DISC TWO 1. Dancing in the Streets Set Two
Just say “Spring ‘77” to any Dick’s Picks Vol. 29 Presents Two Shows Deadhead you know—chances from the Hallowed Spring ’77 Tour in are a big smile will steal across his Support of the Forthcoming Terrapin or her face. That’s because of all Station Album the road trips in the Dead’s long history, arguably the one that saw The Only Six-CD Set in the Series (There the most consistently high level Isn’t Even a Five-CD Set) of playing was the Spring ’77 tour the band undertook in support of Two Complete Shows (Minus One Encore) its forthcoming Terrapin Station Plus Some Unbilled Bonus Tracks album. And that’s why, out of the 36 volumes in the Dick’s Picks Features a Mammoth Medley of “Estimated series, only one, this one, is a 6-CD Prophet”/“He’s Gone”/“Drums”/“The set (there isn’t even a 5-CD set)! Other One”/“Comes a Time”/ Inside are two complete shows minus “St. Stephen”/“Not Fade Away”/ one encore (from the Florida show), plus some equally fantastic, unlisted “St. Stephen”/“One More Saturday Night” bonus tracks from a 10/11/77 show in Norman, Oklahoma, all impeccably recorded by Betty Cantor-Jackson. Highest among the many highlights Dick’s Picks Vol. 33 Captures the Dead in from the Fox Theatre show are the version of “Sugaree” and the incredible 1976 Fresh from an 18-Month Touring Hiatus segue from “Playing in the Band” to “Uncle John’s Band” (also don’t miss the unbilled, primal version of “Not Fade Away”). But the Lakeland show just 4-CD Set Offers Two Complete Shows from may take the cake—two medleys, a breathtaking “Scarlet Begonias”/”Fire Their Historic Pairing with The Who as Part on the Mountain” and a jaw-dropping “Estimated Prophet”/”He’s of Bill Graham’s Day on the Green Concerts Gone”/”Drums”/”The Other One”/”Comes a Time”/”St. Stephen”/”Not Fade Away”/”St. Stephen”/”One More Saturday Night,” are the icing. Comes with Highlighted by Another Monumental slipcased packaging. Medley of “St. Stephen”/”Not Fade Away”/”St. Stephen”/”Help on the Way”/”Slipknot!”/”Drums”/”Samson and Delilah”/”Slipknot!”/”Franklin’s Tower”/”One More Saturday Night”
Dick’s Picks Vol. 29—5/19/77 Fox Theatre Atlanta, GA 5/21/77 Lakeland Civic Center Arena Lakeland, FL
SONGS:
STREET DATE: MAY 8, 2020 Fresh from a year-and-a-half touring hiatus, and back to full, two-drummer strength, the Dead opened for The Who as part of Bill Graham’s historic Day on the Green concerts in 1976. This 4-disc set—which is among the cleanest soundboard recordings in the entire series—captures both dates in their entirety, and features one of the most monumental medleys (and that’s sayin’ something!) in band history with a 60-minute, 10-song journey through “St. Stephen”/”Not Fade Away”/”St. Stephen”/”Help on the Way”/”Slipknot!”/”Drums”/”Samson and Delilah”/”Slipknot!”/”Franklin’s Tower”/”One More Saturday Night” on the first day. Day two offers excellent takes on two solo Garcia favorites, “Might as Well” and “The Wheel,” that were new to the concert repertoire and a particularly fine “Ramble on Rose.” Bill Graham had honored the Dead by selecting them to close the year’s stellar series of Day on the Green concerts, and that—perhaps coupled with the presence of formidable coheadliners The Who—sparked some of the band’s finest performances of the period.
2. 3. 4.
Samson and Delilah Ramble On Rose Estimated Prophet
DISC THREE 1. 2. 3. 4. 5. 6. 7.
Terrapin Station/ Playing in the Band/ Uncle John’s Band/ Drums/ The Wheel/ China Doll/ Playing in the Band
5/21/77 Lakeland Civic Center Arena, Lakeland, FL DISC FOUR Set One 1. 2. 3. 4. 5. 6. 7. 8. 9.
Bertha Me and My Uncle They Love Each Other Cassidy Jack-A-Roe Jack Straw Tennessee Jed New Minglewood Blues Row Jimmy
DISC FIVE 1. 2. 3.
Passenger Scarlet Begonias/ Fire on the Mountain
Set Two 4. 5.
Samson and Delilah Brown-Eyed Woman
DISC SIX 1. 2. 3. 4. 5. 6. 7. 8. 9.
Estimated Prophet/ He’s Gone/ Drums/ The Other One/ Comes a Time/ St. Stephen/ Not Fade Away/ St. Stephen/ One More Saturday Night
SONGS: DISC ONE Set One 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Promised Land Mississippi Half-Step Uptown Toodeloo Cassidy Tennessee Jed Looks Like Rain They Love Each Other New Minglewood Blues Scarlet Begonias Lazy Lightnin’> Supplication; Sugaree
DISC TWO Set Two 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
St. Stephen> Not Fade Away> St. Stephen> Help on the Way> Slipknot!> Drums> Samson and Delilah> Slipknot! Franklin’s Tower> One More Saturday Night U.S. Blues
DISC THREE 10/10/76 Set One 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
Might as Well Mama Tried Ramble on Rose Cassidy Deal El Paso Loser Promised Land Friend of the Devil Dancing in the Streets Wharf Rat Dancing in the Streets
DISC FOUR Set Two 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Samson and Delilah Brown-Eyed Woman Playing in the Band Drums The Wheel Space The Other One Stella Blue Playing in the Band Sugar Magnolia Johnny B. Goode
BOB WILLS AND HIS TEXAS PLAYBOYS
Riding Your Way—The Lost Transcriptions for Tiffany Music, 1946-1947 (2-CD Set) SELLING POINTS
STREET DATE: MAY 8, 2020
• The Tiffany Transcriptions Are Generally Recognized as the Greatest—and Rarest—Recordings by the King of Western Swing, Bob Wills
This 2-CD, 50-track set from Real Gone Music offers folks a chance to own some of the most revered—and rare—recordings in the history of American music. In 1946 and 1947, Bob Wills and His Texas Playboys cut nearly 400 full songs for Tiffany Music, Inc., recordings that came to be known as the Tiffany Transcriptions. These recordings were distributed only to radio stations on 16-inch transcription discs, and were intended for airplay as part of a syndicated radio show featuring Wills and the Playboys. However, the transcriptions proved to be a financial failure, and Tiffany Music, Inc. folded by the end of the ‘40s, seemingly relegating the Tiffany Transcriptions to obscurity (and leaving over 200 songs in the can). But that was not the end of the story. The Tiffany Transcriptions were unlike anything else in the King of Western Swing’s discography. Typically recorded on a Monday in between tours, they usually consisted of on-the-spot arrangements of everything from Wills hits to western swing standards to sentimental ballads to blues and hot swing instrumentals, and the 16”, 33 1/3 rpm recording format allowed some of the songs to be longer than the normal, three-minute limitation of the 10-inch, 78 rpm commercial records of the day. This meant that Wills and his incredible band— with the great Tommy Duncan on vocals—had a chance to stretch out and have fun with the material. The result: the Tiffany Transcriptions are generally regarded as the best recordings Bob Wills and His Texas Playboys ever made. For decades, the Tiffany Transcriptions were more legend than fact. Finally, in the early ‘80s, Kaleidoscope Records began releasing a series of vinyl volumes of the Tiffany Transcriptions, followed by a CD release on Kaleidoscope and Rhino Records in the ‘90s. To date, however, less than half of the songs recorded by Wills and the Playboys have seen the light of day since the original transcription pressings of the ‘40s. Now, Bob Wills and His Texas Playboys: Riding Your Way—The Lost Transcriptions for Tiffany Music, 1946-1947 presents 50 of those long-lost transcription sides—20 of them never released even on transcription disc— inside a package worthy of the material, a 6-panel DVD-style digipak featuring photos and memorabilia from the collection of Kaleidoscope Records cofounder Tom Diamant. The 20-page, DVD-sized booklet includes notes featuring quotes from the original Playboys by Western Swing expert Cary Ginell and a complete discography of the Tiffany recordings. The recordings are mastered by Bob Fisher from recently discovered tapes to preserve their vintage sonic vibrancy while eliminating excess background surface noise. It’s a treasure trove from one of the most compelling and unique bandleaders—and bands—in the history of American music.
• Originally Intended for Radio Airplay Only, and Distributed on Transcription Discs, Less Than Half of the Songs Bob Wills and His Texas Playboys Recorded for Tiffany Music Have Ever Been Issued in Any Format • This 2-CD Set Includes 50 Songs That Have Never Been Reissued in Any Format • 20 of the 50 Songs Have Never Been Released, Not Even on Transcription Discs • Taken from Original Tapes and Mastered by Bob Fisher to Preserve Vintage Sonic Vibrancy While Eliminating Excess Surface Noise • Deluxe Packaging in DVD Digipak Format • Liner Notes by Western Swing Expert Cary Ginell Features Quotes from Members of the Playboys • Foreword by Co-Producer Mike Johnson, Who Discovered the Tapes • Complete Tiffany Transcriptions Discography • Vintage Photos and Memorabilia from the Collection of Kaleidoscope Records Co-Founder Tom Diamant • Some of the Most Important—and Joyous— Recordings in the History of American Popular Music
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UPC: 848064002444 FORMAT: 2-CD Set PACKAGING: DVD Digipak with Booklet BOX LOT: 15
SONGS Disc 1 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25.
PUT ANOTHER CHAIR AT THE TABLE MAKE ROOM IN YOUR HEART FOR A FRIEND I CAN’T BEGIN TO TELL YOU NO LETTER TODAY THE COVERED WAGON ROLLED RIGHT ALONG BRUSHY FORK (Instrumental) YELLOW ROSE OF TEXAS COLUMBUS STOCKADE BLUES (Version 1) PARADISE ISLE (Instrumental) I WONDER IF YOU FEEL THE WAY I DO A YEAR AGO TONIGHT BROWN SKIN GAL (Instrumental) RIDE ON! (MY PRAIRIE PINTO) TRAVELIN’ BLUES DEAR OLD SOUTHERN HOME LIBERTY (Instrumental) WE MIGHT AS WELL FORGET IT GOODNIGHT LITTLE SWEETHEART ON THE ALAMO (Instrumental) TOO LATE SIXTEEN DAYS IN GEORGIA (Instrumental) EL RANCHO GRANDE UNDER THE DOUBLE EAGLE (Instrumental) IT MAKES NO DIFFERENCE NOW RAGTIME ANNIE (Instrumental)
Disc 2 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25.
SALLY JOHNSON (Instrumental) SILVER DEW ON THE BLUE GRASS TONIGHT NO WONDER (THAT I LOVE YOU) I KNEW THE MOMENT I LOST YOU I’M THINKING TONIGHT OF MY BLUE EYES LOVE LETTERS IN THE SAND RIVER STAY ’WAY FROM MY DOOR SOLDIER’S JOY (Instrumental) (Version 2) HAVE I STAYED AWAY TOO LONG MARGIE MY WILD IRISH ROSE TAKE ME BACK TO MY BOOTS AND SADDLE YOU ARE MY SUNSHINE SHE’S KILLING ME DETOUR BUBBLES IN MY BEER DON’T BE ASHAMED OF YOUR AGE BE HONEST WITH ME DON’T FENCE ME IN (Take 2) I’M AN OLD COWHAND (Take 2) DON’T YOU HEAR JERUSALM MOAN (Take 2) MY LITTLE BUCKAROO (Take 3) EACH MINUTE SEEMS LIKE A MILLION YEARS SHE’S GONE STILL WATER RUNS THE DEEPEST
HAUSU MOUNTAIN
Artist: Fire-Toolz Album: Rainbow Bridge
Label: Hausu Mountain Cat#: HAUSMO99 Formats: LP / CD Release Date: 05/08/20 (click album art to stream) LP (blue):
6
34457 01490 9 6
LP (black):
34457 01460 2 6
CD:
34457 01491 6
LP manufactured at Gotta Groove and packaged with an insert. Breakfast Blue vinyl limited to 150 and only available from artist, Redeye, and HausMo. CD packaged in a 6-panel wallet. Artwork by Jeremy Coubrough and Fire-Toolz. Previous Fire-Toolz albums were featured in Best Of lists from Pitchfork (best of experimental ‘18 & ‘19), Bandcamp (best albums ‘18), Tiny Mix Tapes (best albums of ‘10s), & Chicago Reader (best of Chicago ‘10s). Fire-Toolz appeared at the inaugural vaporwave festival 100% Electronicon in both NY and LA, performed at Red Bull events in Chicago, and was featured in the Adult Swim online singles series. “Slapping MIDI basslines, screamed metal vocals, video-game synths, riffing guitars, and proggy drum fills might all collide in any given song, but Marcloid’s instrumentally and mathematically virtuosic constructions never feel simply thrown together. The highwire balancing act of all these wildly moving parts has always been Fire-Toolz’s calling card.” - Pitchfork “Over the course of a Fire-Toolz track, calming New Age vistas suddenly descend into cathartic black metal screeching, and brain-melting electronic distortions give way to up-close recordings of her cats meowing.” - Bandcamp “... from speed-demon techno to dewy laptop ambient, icy jazz samples, the colorful clicks and pings of online messenger services, mathy nu-nu-metal riffing, and well, just about anything else, swirled together in a loopy collage.” - Vice
Doug & Max HausuMountain @gmail.com 847-220-1755
Angel Marcloid’s music under the name Fire-Toolz presents a consciousness striving for radical self-expression. While each moniker that Marcloid inhabits offers one entry point into a hydra-headed catalog characterized by hyper-progressive songwriting and structural fragmentation, Fire-Toolz serves as a home for the most dense and combinatory experiments, all of which approach the domain of collage-like electronic production. This body of work stands as a complement to the instrumental jazz fusion of Nonlocal Forecast, and the sample-transmuting hypnosis of MindSpring Memories, along with an untold number of Marcloid’s smaller and one-off projects. Rainbow Bridge, the third Fire-Toolz full-length to appear on Hausu Mountain, follows Skinless X-1 (HAUSMO73, 2018) and Drip Mental (HAUSMO55, 2017), along with 2019’s Field Whispers (Into The Crystal Palace) and 2017’s Interbeing. The album continues Marcloid’s exploration of ever more high-definition production techniques and rapidly shifting compositional architectures in order to give life to one of her most personal and pointedly emotional thematic programs to date. More than any previous Fire-Toolz work, Rainbow Bridge hones in on the power of novel juxtaposition. If passages of prog synth intricacy, scream-soaked deathcore, and free-form textural sculpture might seem to be signifiers that land far from each other on a vast 3D plane, Marcloid weaves them into some coherent language that carries its own sinuous pace and unlikely logic. Against fantasy-like visions of mutating electronic production, weighted thick with ballistic drum programming and ornate keyboard harmonies, FireToolz maintains a consistent vocal palette of high-pitched, distorted shrieks. Though firmly rooted in this harsh style, Marcloid’s role as a vocalist shifts between the realms of the caterwauling metal band front-person, the purveyor of raw syllabic grit in a field of amorphous electronics, or the wailing intruder in an otherwise glistening sea of elegant melody and smooth post-muzak groove. Further smashing the notion of the one-person “band” to even tinier shards, the manifold musical tutelages that Marcloid has worked through pop into the spotlight whenever necessary. The synth tone scientist, the prog drummer, the noise collage miscreant, the soaring guitar solo shredder — instead of all of these personas “becoming one,” Rainbow Bridge places them in a state of constant flux and recombination, of one becoming many at any given moment. While Rainbow Bridge’s title hearkens back to the name of Marcloid’s now defunct omni-noise tape label, its presence here returns to its semantic origin as a symbol for the staircase that our beloved pets take to the afterlife. Fire-Toolz draws on the death of companions, specifically the dearly departed cat Breakfast, to center on concepts of mortality, compassion, grief, and the capacity that the human being has for love and meaningful connection within its own infinite depth. The album draws power from an awareness of death, and acknowledges the insights and transformative challenges that bloom from its proximity. Rainbow Bridge’s continually morphing compositions embody a practice charged with the spectre of death and planted within the primordial ground into which the seeds of being itself are sown. No force other than pure adoration could animate the creation of such wide-branching music saturated with sophisticated details and surprising narrative upheavals. Fire-Toolz’s mosaic outpouring of ideas and emotions blossoms into existence in musical forms that infuse a gnarled sense of grandeur into baroque manifestations of beauty and chaos. In tribute to a loved one, Marcloid seeks to match the complexity of their shared experience, while gesturing toward the inscrutability of what waits beyond this life.
The title of this record was inspired by our circumstance. Please Advise is a liminal work. A document of a time of uncertainty and fragmentation. I'm proud of this record, but it's not perfect. I will go one step further: I'm proud of this record because it's not perfect. All I wanna do is keep moving. Please Advise meets this criterion. For me, at least. I hope people find it valuable.
We named our record PLEASE ADVISE after producer Teo Macero’s famous 1969 memo to Columbia Records about Miles Davis (“Miles just called and said he wants this album to be titled BITCHES BREW. Please advise.”) It’s darkly funny to us now, but I bet it wasn’t funny to Teo then. I find that memo to be encouraging. Even in working with an artist as brilliant and masterful as Miles Davis, there were moments of uncertainty and maybe even panic. Like “What is this motherfucker doing?” panic. There’s probably no aesthetic connection between Miles Davis and Beauty Pill, but that memo makes me feel better about my own path. It’s okay if sometimes I don’t know what I’m doing. It’s okay if sometimes you don’t know what I’m doing either. The paradox of any artist’s life is you need to cultivate confidence AND humility to survive.
Artist:
Beauty Pill Album Title:
Please Advise Catalog #: NS128 Release Date: 5/08/20 **Each physical format (CD, LP, cassette) features unique artwork and 1 unique bonus track which is exclusive to each format** LP packaging: Includes 12 pg booklet Heavy “discobag” printed sleeve albaplex reverse board jacket Designed by a grammy award winning artist Brian Grunert Black Vinyl LP 309272740240 Indie Exclusive “Dark Green” Vinyl LP 309272738216 CD gatefold wallet 309272740219 Cassette 309272738254 RIYL: Lungfish, Dismemberment Plan, Beck, Stereolab, Destroyer, TV On The Radio
But you know what? That’s the paradox of your life too. Thanks for listening. Chad Clark Washington, DC
Label Contact: Adam Downey adam@northern-spy.com
Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287
‘GNAWA ELECTRIC LAUNE’ is the magical collaboration between Moroccan Gnawa-master (maâlem) Rabii Harnoune and Frankfurt electronic producer V.B.Kühl. Recorded at Achim Sauer’s 7V-Studio, collectively Rabii Harnoune & V.B. Kühl have produced an LP which represents entirely new territory, building a bridge from old to new, from Africa to Europe, and from to person to person. This melange of traditional North African Gnawa music and modern club sounds results in a fascinating debut, cross-cultural friction which is electric and otherworldly. “Gnawa music was exclusively played by families whose parents came from Sub-Saharan or Central African tribes to Morocco in colonial times” Rabii explains, “it was rare to be able to listen to Gnawa music on radio, so I started to collect rare live recordings”. Rabii’s mastery at the Guembri, a three-string lute and Gnawa singing (a central aspect to the cul ture), would lead him to play world-class festivals in Essaouira, Fes, Marrakesh, and Casablanca – all spiritual centres for the genre. V.B.Kühl realised his own musical vision and ambition when he inherited his first ghettoblaster (boombox) and bought a four-track recorder: “rhythm is deep in me, and although music is not my profession, the passion never stopped”.
ARTIST: Rabii Harnoune & V.B.Kuhl TITLE: Gnawa Electric Laune RELEASE DATE: 8th May 2020 CAT NO: TRULP391 / TRUCD391 LABEL: TRU THOUGHTS CONTACT: DIST@TRU-THOUGHTS.CO.UK FILE UNDER: GNAWA / ELECTRONIC - R FOR FANS OF: FLOATING POINTS, MAHMOUD, BONOBO, INNOV GNAWA
BARCODE: LP - 5060609662325
CD - 5060609662264
www.tru-thoughts.co.uk
Supported by the likes of Pedo Knopp (Analog Africa), Tom Ravenscroft (BBC 6Music), Dom Servini (Soho Radio) and Moroccan stations such as Medi1 Radio, ChadaFM and Radio Aswat, Rabii Harnoune & V.B.Kühl continue the legacy of Jimi Hendrix, Robert Plant, Randy Weston and more recently Bonobo, Floating Points and James Holden – in bridging together two different worlds, of Gnawa and Western musicians. V.B.Kühl caught the attention of DJ Shadow with two stellar remixes, which would later lead to commissioned remixes by Tru Thoughts for acts such as Anchorsong and Lakuta. V.B.Kühl and album co-producer Achim Sauer founded t&TT together, a DIY label that was used as a vehicle to release both artist solo projects. A1 Forest A2 Yomali A3 Light Out Night On
CD
B1 Traveller B2 Soyo B3 Invitation To Dance
LP
C1 Arabian Echo C2 Sowiyi C3 Baniya D1 Negsha D2 Zid l`Mal D3 Jalaba
DC757 LP
Masaki Batoh
Smile Jesus Loves YOU
Tracklisting: In the Hour of Serpent Pobrecito Mi Cigarro Speculum Banjo Suite * Shrine Coke * Uzumaki No Momento Sarabanda Smile Jesus Loves YOU Are You Experienced? ** * Digital-only ** Non-LP/CD
CD
LP/CD Street Date: May 8, 2020 NO EXPORT TO EUROPE/JAPAN/AUSTRALIA — JESUS LOVES ALL OTHER EXPORTS!
M
asaki Batoh’s solo career continues to rise up with his 5th solo album, and second in the last two years, Smile Jesus Loves YOU. As long time listeners of Ghost and The Silence are well aware, Batoh’s music is of the world and for the world . . . it exists as part of the conundrum of the world, for us to hear and form thought or feeling. We have no way of knowing it, other than to listen. The defiance of a fixed notion in Batoh’s world and music is made clear, as with the ambiguities of last year’s mortality meditation Nowhere, by the title of his new album. This shouldn’t be taken at face value. It might be a politically bitter statement. It might not be political at all, in this time of insane corrupt leaders who clearly believe in nothing except what they can use. It is a question for anyone who believes, or doesn’t believe. Listeners must come up with their own understanding, based on their own sentiment and where they find themselves in their evolving form. Following the mostly solitary activity of making Nowhere, Batoh has invited several guests to play with him for parts of Smile Jesus Loves YOU. Like family members, collaborators from The Silence and Ghost make guest appearances, including, for two songs, ex-Ghost and legendary percussionist Hiroyuki Usui (Fushitsusha). For the journey of this new album, Batoh takes us a great distance, singing in Japanese, English, Spanish and Latin, including an amazing cover of one of his heroes, Atahualpa Yupanqui, with lyrics translated from Spanish to Japanese, giving them a haiku-like feeling. Batoh plays a variety of stringed instruments throughout, as well as mellotron and shanai, supported at times by the playing of others on flute, piano, lap steel, saxophone, contra bass and drums. The songs expand amoebically, with music styles of the world shifting and merging to form their whole. Through phases of dark and light, including some new musical discoveries in Batoh’s world, we travel through the multipart epic title track to salvation. This world is a difficult place, whether or not the gods will come to save us, but there is a happy ending for us if we accept and make it so. As with all of Batoh’s recent releases, Smile Jesus Loves YOU is a 100% analogue recording of absolutely human playing, with no digital copying and pasting. This allows us to hear and feel the air around the recording as if it is our own. And we do! DRAG CITY P. O. BOX 476867 CHICAGO, IL 60647 • (312) 455-1015 sales@dragcity.com
Also by Masaki Batoh Collected Works
DC180 LP/CD
Brain Pulse Music
DC471 CD
Nowhere
DC722 LP/CD
SHEPPARTON AIRPLANE SHARKS TRACKLISTING A1 Citrus A2 Say What Again A3 Fear A4 No Stars B1 What It’s Worth B2 Congratulations B3 So Cool B4 Right Out of This World B5 Shame Spirals B6 Fleeting WING SING RECORDS AR010
ARTIST TITLE LABEL CATALOGUE RELEASE DATE FILE UNDER FORMAT PACKAGING EXPORT
Shepparton Airplane Sharks Wing Sing Records LP-WSAR-010 May 8, 2020 Rock, Post-Punk LP with digital download Single LP with printed jacket/sleeve Worldwide BOX LOT 20 UPC 634457014725
Other Titles Almurta Joy Tales The Peep Tempel
Artist Shepparton Airplane The Peep Tempel The Peep Tempel The Peep Tempel
Redeye Item LP-WSAR-009 LP-WSAR-008 LP-WSAR-007 LP-WSAR-005
Shepparton Airplane is a four-piece post-punk rock band from Melbourne, Australia comprising members of Australian folk heroes The Peep Tempel and Graveyard Train. Sharks their third album, was recorded and mixed at Sing Sing Recording Studios by Anna Laverty (Nick Cave & The Bad Seeds, Courtney Barnett, Florence + The Machine & The Peep Tempel) and mastered by Mikey Young. In its 38-odd minutes, the album sees the band diving deeper into shoegaze/noise/psych/punk territory, but manages to find more breathing space than their first two albums. Whilst the Spiritualized/Husker Du/Sonic Youth influences jump out more, there are Television-esque jams and Stooges/MC5-style wig outs, all the while maintaining an undeniable Australian aesthetic.
Released by Wing Sing Records PO Box 81, Carlton North, VIC, 3054 Australia wingsing.co
Distributed by Redeye Worldwide 505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com
Contact Adam Gorton adam@wingsingrecords.com +61 415 227 848
Contact Antonio Foxlee antonio@redeyeworldwide.com +61 403 8080 696
TOM PRINCIPATO They Tell Me I Had A Good Time
They Tell Me I had A Good Time! follows guitarist and Indie Record Co. owner Tom Principato on his travels and encounters throughout touring and the “Music Business”; and seeing and being inspired by Blues guitar legends B.B.King & Albert King at the legendary Cellar Door night club in Washington, D.C. in the late 1960’s, his early days in Boston with the band Powerhouse. and includes some great road stories from touring in the USA; encounters with Freddie King, Dr. John, NRBQ, Frank Zappa, Joe Pass and Big Mama Thornton, as well as stories of European concerts where he shares the bill with guitar icon Jeff Beck, Blues Piano legend Champion Jack Dupree, a flight with soul singer legend Wilson Picket, and a career high appearance at the Montreux Jazz festival. Included are photos and anecdotes about his days playing with Washington, DC guitar legend Danny Gatton and “Blazing Telecasters”, Roy Buchanan, and jamming with Stevie Ray Vaughan, Paul Butterfield, Wayne Jackson, the Memphis Horns, Chuck Leavell, and Lonnie Mack. It’s a “who’s who” and a “what’s what” of guitar anecdotes, jokes, stories and schtick, from the eyes of the player as well as a music fan, all told in a conversational style that feels like you might be sitting at a bar having a beer with Tom while he’s telling his stories. Tom’s mixture of humor, honesty and humility make for a great read told by an independent niche artist who managed to “survive” over 50 years in the “Music Business” and live his dream. Artist: Tom Principato Title: They Tell Me I Had A Good Time UPC: 9780123465788 ISBN: 9781098304126 Street date: 5/8/2020 Export: US only Packaging – Paperback Book Label: Powerhouse Distribution: Redeye Distribution Project Manager: Lori Miller
worriedaboutsatan
Time Lapse
Street Date: 05/08/2020 Catalog #: MD283 Label: n5MD Format: Green LP / Digipak CD Box lot: LP - 20 / CD - 30 File under: post-rock, techno, ambient
LP • 702224128316 CD • 702224128323
TRACKLISTING Dawn Point of Departure A Lost History Twin Mingels
HIGHLIGHTS 7th album for worriedaboutsatan
Time Lapse is the 7th proper album from Bradford UK based worriedaboutsatan and third since the project has returned into a solo effort by Gavin Miller. Time Lapse is also the project's first album for North American emotional electronics stable n5MD. For well over a decade, worriedaboutsatan has effortlessly nurtured a muzzled amalgamation of ambient, techno, and post-rock. The project is a go-to for its adaptation of dark, slow-churning, humanistic techno. Labyrinthine guitars, swelling 303s, and deep pulsing 808s all are utilized in the satan arsenal to realize some of the murkiest forward-moving soundscapes of the last decade. Time Lapse is quintessential worriedaboutsatan, filled with sprawling slow-burn arrangements bathed in velvety reverb tails. A must for fans of artists such as GAS, Explosions in the Sky, or Bioshpere's earlier deep works. Time Lapse is out May 1st on 180 gram transparent forest green vinyl and compact disc.
worriedaboutsatan have shared the stage with the likes of 65daysofstatic, Dalek and Olafur Arnalds Limited edition 180gram transparent green vinyl with download card
505 Eno St Hillsborough, NC 27278
4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com
alina baraz
I T WA S D I V I N E
MOM+POP
RELEASE DATES: 5.01.20/5.08.20 | ORDERS DUE BY 4.10.20/4.17.20