2.19 & 2.26 New Release Book

Julien Baker

LITTLE OBLIVIONS

RELEASE DATES:2.19.21/2.26.21 | ORDERS DUE BY 1.29.21/2.05.21

M ATA D O R

CLOUD NOTHINGS | MENAHAN STREET BAND | PINEGROVE

CATALOG-WIDE SALE

25% OFF CDS ● 20% OFF LPS

CONTACT YOUR REDEYE REP FOR FULL LIST OF TITLES CD

CD

LP

LP

Tindersticks No Treasure But Hope CD-SLANG-50236 LP-SLANG-50236

King Hannah Tell Me Your Mind And I’ll Tell You Mine CD-SLANG-50372 LP-SLANG-50372 CD

CD

4 250506 837174

LP

LP

4 250506 837181

Casper Clausen Better Way CD-SLANG-50317 LP-SLANG-50317

Ian Chang 属 Belonging CD-SLANG-50272 LP-SLANG-50272

CD

CD

LP

LP

WIVES So Removed CD-SLANG-50210 LP-SLANG-50210

COMA Voyage Voyage LP-SLANG-50235 CD-SLANG-50235

CD

CD

LP

LP

Noga Erez Off The Radar LP-SLANG-50116 CD-SLANG-50116

White Denim Side Effects LP-SLANG-50208 CD-SLANG-50208

Jakuzi Hata Payı CD-SLANG-50194 LP-SLANG-50194

CD

CD

LP

LP

Sinkane Dépaysé CD-SLANG-50212 LP-SLANG-50212

ORDER FORM Street Date: 2.19.21 | Order Date: 1.29.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

858275061581

CD-MP-510

Sultana, Tash

Terra Firma

CD

$9.30

$13.99

858275061598

LP-MP-510

Sultana, Tash

Terra Firma

Vinyl

$20.00

$29.99

858275061505

LP-MP-510C

Sultana, Tash

Terra Firma (INDIE EXCLUSIVE OPAQUE YELLOW VINYL)

Vinyl

$20.00

$29.99

858275059502

SI-MP-4604

Robinson, Porter

Look at the Sky

Vinyl

$8.00

$11.99

4250506838409

CD-SLANG-50349

Tindersticks

Distractions

CD

$8.00

$11.99

4250506838416

LP-SLANG-50349

Tindersticks

Distractions

Vinyl

$14.65

$21.99

4250506838485

LP-SLANG-50349LE

Tindersticks

Distractions (BLUE VINYL)

Vinyl

$14.65

$21.99

708535799320

CD-SBR-7993

Hopkins, Lightnin’

King Of Dowling Street

CD

$19.30

$28.99

701237212722

CD-SIG-2127

Price, Philip B.

Oceans Hiding In Oceans

CD

$10.00

$14.99

702397837824

CD-TZA-8378

Zorn, John

Heaven and Earth Magick

CD

$12.65

$18.99

648401032376

SI-LBJ-323

Hand Habits

dirt

Vinyl

$5.30

$7.99

7393210134874

LP-HOR-666LE2

Ball

Som du är…Var jag en gång…Som jag är – Kommer du aldrig att bli (INDIE EXCLUSIVE PICTURE DISC)

Vinyl

$19.30

$28.99

309272738445

LP-NS-129

Psymon Spine

Charismatic Megafauna

Vinyl

$12.65

$18.99

309272738469

LP-NS-129LE

Psymon Spine

Charismatic Megafauna (ORANGE VINYL, INDIE EXCLUSIVE)

Vinyl

$14.00

$20.99

634457043152

CD-CBS-010

Full Power Happy Hour

Full Power Happy Hour

CD

$8.65

$12.99

634457043169

LP-CBS-010

Full Power Happy Hour

Full Power Happy Hour (EMERALD GREEN VINYL)

Vinyl

$14.65

$21.99

5060845320034

LP-HOUND-131LE

Hodge

Remixes In Blue (BLUE VINYL)

Vinyl

$10.00

$14.99

623339241519

LP-HDD-083

Olsen, Michael Peter

Yearning Flow

Vinyl

$16.65

$24.99

826863347126

CD-PIRA-3471

Chiweshe, Stella

Ambuya!

CD

$10.00

$14.99

826863347119

LP-PIRA-3471

Chiweshe, Stella

Ambuya!

Vinyl

$16.65

$24.99

850014131036

LP-CURED-003

Farmer Dave & the Wizards Of The West

FDWOW

Vinyl

$18.00

$26.99

5060514965146

CD-NHSS-409

Keeno

I Live, I Learn

CD

$7.30

$10.99

LP-NHSS-409

Keeno

I Live, I Learn

Vinyl

$18.00

$26.99

SI-WCK-1011

Steady Sun

Truth is a Needle b/w Lash Around

Vinyl

$5.30

$7.99

5060514965153

DEAL

ORDER FORM Street Date: 2.26.21 | Order Date: 2.05.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

191401163224

CD-OLE-1632

Baker, Julien

Little Oblivions

CD

$10.65

$15.99

191401163217

LP-OLE-1632

Baker, Julien

Little Oblivions

Vinyl

$15.30

$22.99

191401163286

LP-OLE-1632LE

Baker, Julien

Little Oblivions (INDIE EXCLUSIVE GOLDEN YELLOW VINYL)

Vinyl

$15.30

$22.99

634457042766

LP-6131-084C

Baker, Julien

Sprained Ankle (INDIE EXCLUSIVE BABY BLUE VINYL)

Vinyl

$16.65

$24.99

677517014921

CD-CAK-149

Cloud Nothings

The Shadow I Remember

CD

$9.30

$13.99

677517014914

LP-CAK-149

Cloud Nothings

The Shadow I Remember

Vinyl

$11.30

$16.99

677517014938

CS-CAK-149

Cloud Nothings

The Shadow I Remember

Cassette

$6.65

$9.99

823134006324

CD-DAPT-063

Menahan Street Band

The Exciting Sounds Of Menahan Street Band

CD

$9.30

$13.99

823134006317

LP-DAPT-063

Menahan Street Band

The Exciting Sounds Of Menahan Street Band

Vinyl

$13.30

$19.99

191402018929

CD-RT-0189

Pinegrove

Amperland, NY

CD

$10.65

$15.99

191402018912

LP-RT-0189

Pinegrove

Amperland, NY

Vinyl

$18.65

$27.99

5050159834013

LP-RT-340

Cocker, Jarvis

Jarvis

Vinyl

$15.30

$22.99

191402017014

LP-RT-0170

Cocker, Jarvis

Further Complications (2020 Remaster)

Vinyl

$18.65

$27.99

191404107621

CD-XL-1076

Smerz

Believer

CD

$10.65

$15.99

191404107614

LP-XL-1076

Smerz

Believer

Vinyl

$17.30

$25.99

623339914529

CD-NDR-9145

TiKA

Anywhere But Here

CD

$8.00

$11.99

623339914512

LP-NDR-9145

TiKA

Anywhere But Here (TRANSLUCENT PINK)

Vinyl

$16.65

$24.99

5060384618241

CD-DUHF-42

Stereolab

Electrically Possessed [Switched On Volume 4]

CD

$11.30

$16.99

5060384618234

CD-DUHF-42LE

Stereolab

Electrically Possessed [Switched On Volume 4]

CD

$11.30

$16.99

5060384618227

LP-DUHF-42

Stereolab

Electrically Possessed [Switched On Volume 4]

Vinyl

$20.00

$29.99

5060384618210

LP-DUHF-42LE

Stereolab

Electrically Possessed [Switched On Volume 4]

Vinyl

$20.00

$29.99

4250506835705

CD-SLANG-50318

Roosevelt

Polydans

CD

$8.00

$11.99

4250506837129

LP-SLANG-50318

Roosevelt

Polydans

Vinyl

$13.30

$19.99

4250506837136

LP-SLANG-50318LE

Roosevelt

Polydans (INDIE EXCLUSIVE RED VINYL)

Vinyl

$14.00

$20.99

191400031227

CD-4AD-0312

National, The

The National (2021 Remaster)

CD

$10.65

$15.99

191400031210

LP-4AD-0312

National, The

The National (2021 Remaster)

Vinyl

$15.30

$22.99

191400031326

CD-4AD-0313

National, The

Sad Songs for Dirty Lovers (2021 Remaster)

CD

$10.65

$15.99

191400031319

LP-4AD-0313

National, The

Sad Songs for Dirty Lovers (2021 Remaster)

Vinyl

$15.30

$22.99

191400031425

CD-4AD-0314

National, The

Cherry Tree (2021 Remaster)

CD

$8.65

$12.99

191400031418

LP-4AD-0314

National, The

Cherry Tree (2021 Remaster)

Vinyl

$12.00

$17.99

4062548021950

CD-JID-1X

Younge, Adrian

The American Negro

CD

$12.65

$18.99

3760300311875

CD-APM-4

A Winged Victory For The Sullen

Invisible Cities

CD

$10.00

$14.99

3760300312636

LP-APM-4

A Winged Victory For The Sullen

Invisible Cities

Vinyl

$18.65

$27.99

3760300312926

LP-APM-4LE

A Winged Victory For The Sullen

Invisible Cities (INDIE EXCLUSIVE TRANSPARENT BEER COLORED VINYL)

Vinyl

$18.65

$27.99

848064011910

CD-RGM-1191

Franklin, Henry

The Skipper (Remastered Edition)

CD

$9.30

$13.99

848064011897

LP-RGM-1189

Franklin, Henry

The Skipper (Remastered Vinyl Edition)

Vinyl

$16.00

$23.99

848064011880

CD-RGM-1188

Russell, Gene

Talk to My Lady (Remastered Edition)

CD

$9.30

$13.99

848064011866

LP-RGM-1186

Russell, Gene

Talk to My Lady (Remastered Vinyl Edition)

Vinyl

$16.00

$23.99

848064011798

LP-RGM-1179LE

Sivuca

Sivuca (Limited Purple Vinyl Edition)

Vinyl

$18.00

$26.99

090771558411

LP-SUND-5584

Lilys

The 3 Way

Vinyl

$16.65

$24.99

858275049237

LP-MP-370DLX

Sultana, Tash

Flow State (DELUXE ORANGE/YELLOW VINYL)

Vinyl

$22.00

$32.99

DEAL

ORDER FORM Street Date: 2.26.21 | Order Date: 2.05.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

5055036282017

LP-WEBB-201LE

First Aid Kit

The Drunken Trees (LIMITED EDITION YELLOW VINYL)

Vinyl

$12.65

$18.99

5055036292221

LP-WEBB-222LE

First Aid Kit

The Big Black and The Blue (LIMITED EDITION BLUE VINYL)

Vinyl

$13.30

$19.99

4062548011586

CD-STRUT-244

Davis, Wayne

Wayne Davis

CD

$9.30

$13.99

4062548013283

LP-STRUT-244

Davis, Wayne

Wayne Davis

Vinyl

$15.30

$22.99

4062548011050

CD-STRUT-240

Lancaster, Byard

My Pure Joy

CD

$9.30

$13.99

4062548011067

LP-STRUT-240

Lancaster, Byard

My Pure Joy

Vinyl

$16.65

$24.99

634457902626

CD-SOR-026

Various Artists

This Is Jamaica Ska

CD

$10.65

$15.99

634457902619

LP-SOR-026

Various Artists

This Is Jamaica Ska

Vinyl

$14.65

$21.99

850020209590

CD-COMU-007

Roberts, Clint

Rose Songs

CD

$9.30

$13.99

810874023971

CD-IL-2074

Edgar, Jimmy

Cheetah Bend

CD

$8.65

$12.99

810874023988

LP-IL-2074

Edgar, Jimmy

Cheetah Bend

Vinyl

$17.30

$25.99

5055869565844

SI-ZIQ-427

Treanor, Rian

Obstacle Scattering

Vinyl

$9.30

$13.99

790377053722

CD-THRILL-537

Mouse On Mars

AAI

CD

$10.65

$15.99

790377537116

LP-THRILL-537

Mouse On Mars

AAI

Vinyl

$18.00

$26.99

790377053715

LP-THRILL-537A

Mouse On Mars

AAI (INDIE EXCLUSIVE, GRAY VINYL)

Vinyl

$18.00

$26.99

790377053821

CD-THRILL-538

Plankton Wat

Future Times

CD

$10.65

$15.99

790377053814

LP-THRILL-538

Plankton Wat

Future Times

Vinyl

$15.30

$22.99

790377538113

LP-THRILL-538C

Plankton Wat

Future Times (INDIE EXCLUSIVE, TRANSLUCENT RED VINYL)

Vinyl

$16.65

$24.99

887828047826

CD-WIG-478

Francois & The Atlas Mountains

Banane Bleue

CD

$9.30

$13.99

887828047819

LP-WIG-478

Francois & The Atlas Mountains

Banane Bleue

Vinyl

$14.65

$21.99

648401032178

SI-LBJ-321

Ohtis

Schatze b/w Failure

Vinyl

$5.30

$7.99

605633139327

CD-RGNET-1393

Various Artists

Rough Guide To African Beats

CD

$10.00

$14.99

605633012927

CD-TUG-1129

Cissé, Anansy

Anoura

CD

$8.65

$12.99

634457037823

LP-TSR-210CV

Boyscott

Goose Bumps (GREEN & YELLOW VINYL)

Vinyl

$13.30

$19.99

659457529819

LP-LR-181

Galdre Visions

Galdre Visions

Vinyl

$11.30

$16.99

618119854539

LP-ADR-15

Pale Spring

Cygnus

Vinyl

$13.30

$19.99

618119854546

LP-ADR-16

Pale Spring

DUSK

Vinyl

$13.30

$19.99

634457023406

LP-PNKSLM-083

Attar, Sibille

A History of Silence

Vinyl

$14.00

$20.99

634457043848

LP-PNKSLM-083LE

Attar, Sibille

A History of Silence (INDIE EXCLUSIVE WHITE VINYL)

Vinyl

$14.00

$20.99

809236160775

LP-FIRE-607X

Vapour Theories

Celestial Scuzz (GOLD VINYL)

Vinyl

$18.00

$26.99

706189896617

CD-IS-1030

Cannon, Colin

McGolrick

CD

$9.30

$13.99

309272738612

CS-RL-52LE

Black Nash

Black Nash

Cassette

$5.30

$7.99

5051083164627

CD-DFG-8815

Haua, Grant

Awa Blues

CD

$11.30

$16.99

5051083165945

LP-DFG-8815

Haua, Grant

Awa Blues

Vinyl

$19.30

$28.99

630808829048

LP-WWR-4771LE

Tixier, Tony

I Am Human (SILVER MARBLE VINYL)

Vinyl

$19.30

$28.99

5060514965351

CD-NHSS-414

Nu:Tone

Little Spaces

CD

$6.00

$8.99

5060514965368

LP-NHSS-414

Nu:Tone

Little Spaces

Vinyl

$19.30

$28.99

689492202811

LP-22A-010

Cook, Will Joseph

Something To Feel Good About

Vinyl

$16.65

$24.99

DEAL

NEW RELEASES Street Date: 2.19.21 | Order Date: 1.29.21

TINDERSTICKS “Distractions” Release Date: 19.02.2021

Just before the end of the year 2020, a mere 12 months, after the release of their celebrated record “No Treasure But Hope”, Tindersticks surprised everyone by mentioning a new album to be released in 2021.

Artist: Tindersticks Album: Distractions Release Date: 19th February 2021 Label: City Slang Genre: Indie rock, Alternative, Chamber pop CD Digipak Cat #: Slang50349 UPC: 4250506838409 Configuration: CD Digi Sleeve Box Lot: 36 tbc

4 250506 838409

LP Vinyl Cat #: Slang50349LP UPC: 4250506838416 Configuration: LP, comes with download code Download code Box Lot: 20

4 250506 838416

Limited Vinyl – Indie Retali only Cat #: Slang50349X UPC: 4250506838485 Configuration: limited dark blue vinyl LP, comes with download code Box Lot: 20

4 250506 838485

Tracklist Side A 1. Man alone (can’t stop the fadin’) (11:07) 2. I imagine you (05:36) 3. A man needs a maid (04:42) Side B 4. Lady with the braid (06:59) 5. You’ll have to scream louder (05:13) 6. Tue-moi (03:33)

Stuart Staples was already nurturing seeds for a different kind of Tindersticks album before lockdown halted their tour in early 2020. If 2019’s “No Treasure but Hope” saw the band rediscovering themselves as a unit, the follow-up reconfigures that unit so that everything familiar about Tindersticks sounds fresh again. “Distractions” is an album of subtle realignments and connections from a restless, intuitive band: rich in texture and atmosphere, it lives between its open spaces and details, always finding new ways to connect with a song.

If it’s an album that resists easy summation, at least one thing is clear: though it isn’t untouched by the lockdown, “Distractions” is not ‘a lockdown album’.

As Staples says, “I think the confinement provided an opportunity for something that was already happening. It is definitely a part of the album, but not a reaction to it.”

SELLING POINTS • • •

It’s a brand new, full-length Tindersticks album Limited edition colored vinyl available!

The album includes cover songs by Television Personalities, Neil Young and Dory Previn

TIMELINE / Singles: December 7th 2020: “You'll Have to Scream Louder” (Digital Single) January 18th 2021: “Man Alone (can’t stop the fadin’)” (Single + Album Announcement) February 19th 2021: Distractions (Album Release) Focus Track “A man needs a maid” DIGITAL MARKETING Big worldwide advertising campaign on YouTube, Instagram, Twitter, Facebook & Google Ads Announcements and promotion via City Slang. PR teams worldwide SOCIAL MEDIA REACH Facebook: 95,000 Instagram: 7,638 Twitter: 6,879 Youtube: 8,610 Spotify: 123,611 followers 302,000 monthly listeners LINKS https://www.facebook.com/tindersticksofficial https://www.instagram.com/tindersticks_uk/ https://twitter.com/tindersticksUK Artwork etc: https://www.dropbox.com/s/kfu9ji9blzxne75/tindersticks-albumcover.jpg?dl=0

57 TRACKS 20 NEVER BEFORE ON CD 12 PREVIOUSLY UNRELEASED TRACKS

“I had the one thing you need to be a blues singer, I was born with the blues.”—Lightnin’ Hopkins

DISC 1 FAVORITES

MOANIN’ BLUES • LEAVIN’ BLUES • LATE IN THE EVENING LIGHTNIN’ JUMP • MET THE BLUES AT THE CORNER • LONG GONE LIKE A TURKEY THROUGH CORN • HOW LONG HAVE IT BEEN SINCE YOU BEEN HOME • MOJO HAND • GLORY BE HOW LONG HAS THAT TRAIN BEEN GONE • HAVE YOU EVER LOVED A WOMAN? • SANTA • BLACK MARE TROT • COFFEE FOR MAMA • AWFUL DREAM • SOMETIMES SHE WILL • SHINE ON, MOON • HOUSTON BOUND • SHOTGUN • BABY I DON’T CARE • GIVE ME TIME TO THINK • NO EDUCATION

DISC 2 RARITIES

THIS TIME WE’RE GOING TO TRY • CHRISTMAS TIME IS COMING LET’S WORK AWHILE • THE JET • I DON’T NEED YOU WOMAN I WISH I WAS A BABY • THE CRAZY SONG • LIGHTNIN’S LOVE TAKE IT IF YOU WANT IT • HOW HAVE YOU BEEN • MY BABY WAS CRYING FOR BREAD • I WONDER WHERE SHE CAN BE TONIGHT • FEEL LIKE BALLIN’ THE JACK • RAINY DAY IN HOUSTON • HOW DOES IT (INSTRUMENTAL) • A MAN LIKE ME IS HARD TO FIND • MOVIN’ OUT • YOU JUST GOTTA MISS ME WORLD’S IN A TANGLE • SHININ’ MOON

DISC 3 LIVE

ROCK ME ALL NIGHT LONG • MIGHTY CRAZY • NOTHING I CAN DO • HOW MANY MORE YEARS I GOT TO LET YOU DOG ME AROUND • LAST NIGHT BLUES • GOING DOWN SLOW HOUSTON ROCK • I GOT MY HOOK IN YOUR WATER LAST NIGHT I LOST THE BEST FRIEND I EVER HAD • MY BABE THERE’S GOOD ROCKIN’ TONIGHT • YOU TREAT PO’ LIGHTNIN’ WRONG • ONE ROOM COUNTRY SHACK MOJO HAND • SHINING MOON

exas bluesman Lightnin’ Hopkins career was both long and fruitful. He performed live for six decades and recorded for over 30 years amassing a catalogue that was larger than almost any of his contemporaries. Not only was he prolific but he was also a great raconteur and a very good live performer with an ‘act’ honed to perfection at pre-war dances and parties. His guitar playing was unconventional, some have even called it ragged, but it is not as a guitarist that he will be remembered. Somehow the way he set his songs seemed totally apposite and it gave everything he did an authenticity that few others were ever able to match.

RELEASE DATE: FEB 19 2021 ARTIST: LIGHTNIN’ HOPKINS TITLE: KING OF DOWLING STREET CATALOG #: CD-SBR-7993 UPC: 70853579932 CONFIGURATION: 3 CD FOLDER BOX LOT: 35 UNITS GENRE: R&B / ROCK & ROLL

REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com

N E W

F R O M

S I G N A T U R E

S O U N D S

PHILIP B. PRICE

OCEANS HIDING IN OCEANS On February 19, 2021, Philip B. Price (frontman and songwriter for acclaimed chamber-pop band Winterpills) will release a new solo album, Oceans Hiding In Oceans. Price’s 2019 solo album Bone Almanac was described by PopMatters as “another masterclass in songwriting and performance.” and “enveloping and poetic” by Paste Magazine. Written and recorded at home during the pandemic, Oceans Hiding In Oceans is a kaleidoscope of moods, shapes and sounds from Price’s own personal bunker. “I won’t lie, it was a rough time.” Price writes from within the labyrinth of a mind in near pandemic midbreakdown, and yet the music veers dizzily from optimistic and meticulously crafted Magnetic Fields-like electro-pop (“This is the Last Time”), to the Dolly Parton-esque (“Loneliness”), to the Lennon-like (“Little Bell”), to swirling angry Slowdive-style shoegaze (“Forever Vines”). He played every instrument. “I don’t think I’ve ever made a more ‘indoorsy’ album, so to speak.

It was freeing, in a way, to just live inside my computer inside my little studio inside my little house inside my little head and find my way to whatever musical ocean crashes around inside me, which is of course inside yet another ocean - I guess this is a quantum physics album, without knowing much about quantum physics.”

TRACK LISTING 1. This Is The Last Thing 2. Loneliness 3. All Lies 4. Little Bell 5. Me and the Stars 6. Scarred For Life 7. First Hail 8. On The Edge Of Finding Out 9. Paleflower 10. Intention Is Everything 11. Forever Vines

ARTIST: Philip B. Price TITLE: Oceans Hiding In Oceans LABEL: Signature Sounds Recordings GENRE: Indie/Folk/Rock KEY US MARKETS: Boston, New York, San Francisco, LA, Denver KEY WORLD MARKETS: Dublin, London, Canada, Spain, Netherlands WILL APPEAL TO FANS OF: Elliott Smith, Damien Jurado, Iron & Wine, Jeff Tweedy

ALSO AVAILABLE: BONE ALMANAC CD CAT NUMBER: SIG-CD-2116 CD UPC: 701237211626 LP CAT NUMBER: SIG-LP-7034 LP UPC: 701237703428 WITHOUT YOUR LOVE I’D BE NOWHERE AT ALL: BEST OF THE SOLO ARCHIVES 1988-2004 CD CAT NUMBER: CD-SIG-2098 CD UPC: 701237209821

FORMATS AVAILABLE: CD STREET DATE: 2/19/2021 CD UPC: 701237212722 CD BOX LOT: 50 CD CAT NUMBER: SIG-CD-2127

Signature Sounds Recordings

32 Masonic St. Northampton, MA 01060 USA Contact: Jared Libby - jared@signaturesounds.com

Redeye Worldwide

505 Eno St. Hillsbourough, NC 27278 USA Contact: Lori Miller - lori@redeyeworldwide.com

JOHN ZORN HEAVEN AND EARTH MAGICK TZA CD 8378 Archival Series Stephen Gosling, Sae Hashimoto, Jorge Roeder, Ches Smith.

Auto-da-Fé * Acéphale * Asclemandres * Descent into the Maelstrom * Konx Om Pax * Casting the Runes Heaven and Earth Magick showcases Zorn’s fabulous and compelling blending of Classical virtuosic instrumental writing with the improvisational world of Jazz.

Completely notated works for piano and vibraphone brilliantly performed by Steve Gosling and Sae Hashimoto are set against a dynamic improvisational rhythm section of Jorge Roeder and Ches Smith. An exciting new musical world filled with an exhilarating sense of drama and a mischievous wit. Zorn’s unique mastery of instrumental writing and wild improvisational conducting skills are here in all their thorny complexity. Essential!

7

02397-8378 - 2

4

File Under: Jazz/Classical

Street Date: February 19, 2021 Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM

FEBRUARY 19th, 2021

Includes digital download with 2 bonus tracks: what's the use (Katie Dey Remix) and flower glass (M. Geddes Gengras Remix)

TRACK LISTING 1. 4th of july 2. i believe in you

dirt is the latest EP from Hand Habits, the songwriting project of Meg Duffy.

Artist: Hand Habits Title: dirt Catalog #: LBJ-323 Formats: 7” Street Date: February 19, 2021 Box Lot Quantity: 84 Genre: Alternative

Comprised of two songs, “4th of july,” a simmering swell of chaos and beauty and “i believe in you,” a favorite of Duffy’s from the Neil Young cannon, the EP finds the songwriter exploring themes of growth and finding ways to let go of the parts of their past that no longer serve them.

After cutting their teeth in the upstate New York d.i.y. music scene and several years of session and touring guitar work for Kevin Morby, and a long list of other artists, Duffy released their debut album Wildly Idle (Humble Before the Void), a home-recorded, self-produced work that announced the project as a full-time affair.

While their follow-up album placeholder saw them working with producer Brad Cook at Justin Vernon’s April Base Studios and garnering praise from such outlets as NPR which called the work “their most fully realized statement” and the Los Angeles Times which praised the work as a “virtually seamless country rock album, with verses moving fluidly into choruses that travel unimpeded across sparkling, architecturally sophisticated bridges.” dirt showcases an artist returning to the fertile creative ground of their home.

However, this time around home-recording didn’t necessarily mean working in isolation. Duffy had relocated to a shared living situation in Los Angeles with musicians Sasami Ashworh and Kyle Thomas (King Tuff), which also housed Thomas’ studio. The resulting songs showcase this creatively collaborative environment, with Ashworh co-producing the title track and Thomas co-producing “i believe in you.” Such is the strength of this relationship, in fact, that this new single just may serve as a bridge toward a greater body of work the three will ultimately create together.

The resulting EP illuminates the songwriter’s attempts to evolve beyond the confines of their past. As they put it, “ ‘4th of july’ feels like trying again, rolling around in the wreckage of the past and finding new ways out of the maze of memory.”

The sonic texture of the song complements this lyrical journey, with a simple and sparse introduction marked by a slow burn crescendo hinting at the rupture to come, followed by an ecstatic wail of transcendent emotion. Fittingly, it concludes with a reprise of the beginning but this time altered by new sounds, suggesting a new perspective.

Similarly, Duffy breathes new life into the Young staple, adding a foreboding weight and impact to the long-familiar words.

2:56 4:10

PRESS PROMOTION Eloy Lugo - Grandstand Media eloyl@grandstandhq.com RADIO PROMOTION College, Commercial & Specialty Radio radio@saddle-creek.com MASTER USE LICENSING jeff@saddle-creek.com INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com 7” (black vinyl, spineless jacket)

NOT EXPORTABLE OUTSIDE THE US / 7” NOT RETURNABLE

For Duffy, the process of recording and the song’s themes of growth through trust dovetailed perfectly.

As they note, “There's a foundation, and when there's a foundation there's opportunity to reimagine structures; physical and otherwise.”

505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com

Street Date: 19 February 2021 Media: Picture disc LP Ltd edit 600 copies.

Catalog #: HOR-666-LP2-2 UPC:7393210134874

BALL

Som du är…Var jag en gång…Som jag är – Kommer du aldrig att bli

A new tasty aznd sizzling Swedish meat-BALL. By special request we now present an unexpected all Swedish language special version of the latest Ball album. Also including a previously unreleased track + a completely new cover and packing.

The band is joined here by the infamous madman Allan Belsebub who handles the vocals duties. His participation in this project sets the album in a new seedy light as the songs receive a distinctly different character. We experience the album from a uniquely Swedish perspective. Maybe kicking back from a rad skate session and now zonking out on glue vapors in a back alley.

Released as an eye-popping picture disc in only 500 copies worldwide so get with it fast. – Wasted slimy Swedish heavy psych speed freak power trio. Drugged and toxic. This is hard rock from hell. “…this is what black metal would sound like if it was from Detroit ’68.” --Jus Oborn (Electric Wizard) Parental advisory. X-rated content. Buy at your own risk!

minalsounds.se

Track listing: A1. Solens barn A2. Svart magi A3. Det brinner en eld A4. Insnöad B1. Haru nånsin varit död?

B2. Döden har given B3. Ikväll är det dags B4. Smack

Artist:

Psymon Spine Album Title:

Charismatic Megafauna Catalog #: NS 129 Release Date: 02/19/21 Standard Black Vinyl LP 309272738445 Indie Exclusive “Transparent Orange” Vinyl LP 309272738469 Compact Disc 309272738452 RIYL: MGMT, Tame Impala, Pond, Art of Noise, New Order, Toro y Moi, Tom Tom Club

F

using psychedelic pop and the deep grooves of dance music, Psymon Spine’s music oozes with melodic hugeness—but the places this Brooklyn electronic pop outfit takes their songs is truly out there, exploring complicated feelings through a singular approach to left-of-center dance sounds. Only a year ago, band members Noah and Sabine were playing in the dream-pop group Barrie, who broke out following a string of buzz-making singles, but Charismatic Megafauna proves that Psymon Spine are on a different journey, exploring sounds ranging from disco to early techno and motorik’s incessant pulse. Psymon Spine put their own addictive stamp on the sounds of the past, with surprises at every turn and the type of lush synth work that could only come from brilliant students of dance music. Reflecting optimism and catharsis, Charismatic Megafauna is a heady trip through left-field pop that packs its own emotional wallop.

Label Contact: Adam Downey adam@northern-spy.com

Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287

FULL POWER HAPPY HOUR Debut LP Out Feb 19, 2021

Meanjin/Brisbane alt-country/indie-folk-five-piece Full Power Happy Hour deliver an enchanting collection of great depth and beauty based around the beguiling songs and bewitching vocals of singer-songwriter Alex Campbell. The band’s unique aesthetic mixes the intimacy and fragility of ‘60s folk singers like Joni Mitchell and Joan Baez with the ramshackle bonhomie of The Pogues, tempered by a more modern indie-rock sensibility akin to The Clean, with results that are purely and defiantly Full Power Happy Hour.

Featuring the singles ‘Old Mind of Mine’ & ‘Steely Fences’

CATALOGUE # CBS-010 Limited Edition: 150 Worldwide.

- Hand Numbered – 150g Emerald Green 12" Vinyl with Lyric Sheet Insert AVAILABLE VIA REDEYE LP UPC: 634457043169 CD UPC: 634457043152

COOLIN’ BY SOUND RECORDS BRISBANE | AUSTRALIA www.coolinbysound.com.au Facebook: fullpowerhappyhour Instagram: fullpowerhappyhour

A1 Lanes (Anz's Hooover Remix) A2 Sense Inversion (Facta & K-Lone Remix) A3 Lanacut (Shanti Celeste Remix) AA1 Shadows In Blue (Surgeon Remix) AA2 Ghost of Akina (AYA 2010 All At Once Remix) AA3 The World Is New Again (Kush Jones Remix) 12” EP – February 2021 Remixes In Blue Format: Catalog No. UPC/EAN

Artist: Title:

1x12” (Blue) HTH131 5060845320034

Hodge Remixes In Blue

Release date: 02/19/2021 Anz, Surgeon, Shanti Celeste, AYA, Kush Jones, and Facta & K-Lone remix Hodge’s ’Shadows In Blue’ album in rolling and swanging UK rave styles.

Surgeon follows the mode of his superb ‘Europa Code’ 12” with plush harmonic developments in his supple but bristling take on the title track, and Anz supplies another highlight with her Shed-like brickbat twist on ‘Lanes.’ AYA also impresses with a stringently minimalist but playful tweak of ‘Ghost Of Akina’ recalling Autonomic D&B explorations, and the only non-UK artist on board, Kush Jones flips ‘The World Is New Again’ into a needlepoint footwork joint with breathless ambient pads. Shanti Celeste plays it straightest with a percolated take on ‘Lanacut’, and KLone & Facta screw ‘Sense Inversion’ with proper UK swing beats.

Highlights: • This is Hodge’s first release since his critically acclaimed debut album ‘Shadows In Blue’ from April of 2020.

• Features six remixes from cutting edge producers ranging from Surgeon, Anz, Facta & K-Lone, Shanti Celeste, AYA and Kush Jones.

• Hodge (Jacob Martin) helped shape Bristol's post-dubstep scene • His track ‘About Sunlight On A Broken Column’ for IDDK was a commercial sync success • 75 of 800 limited BLUE vinyl exclusive to Redeye.

ALBUM – April 2020 Shadows In Blue Format: Catalog No. UPC/EAN

2xLP (Green) HTH122 5065000444341

Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com

Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com

Written, performed and produced by Michael Peter Olsen, Yearning Flow marks the arrival of a new musical space for Olsen’s compositions, production and perspective on the cello as a vibrant modern instrument.

Evocative and visual, Yearning Flow is a sonically deep album that layers ambient textures with tension and release. The six compositions are bound by a swirl of sounds, heavily altered worlds that are connected with Olsen’s subtle playing and sound design. An interpretive platform for listeners and collaborators alike, it speaks of a career built upon diverse musical contributions and a deep emotional bond to a life in art.

Michael Peter Olsen is a classically trained cellist, an experienced international touring musician, film composer, record producer and GRAMMY NOMINATED songwriter. He has collaborated on classic albums from Drake, Arcade Fire, Haim, The Hidden Cameras, Jim Guthrie, and K-OS to name a few, appearing on over 100 recordings. He applied his studio expertise on many levels, producing and engineering albums for Ohbijou and Spiral Beach (Moonking & Doldrums) along the way. As a composer Michael has also scored music for network TV, short films and fronts the band Our Founders.

With Yearning Flow, Olsen welcomed award winning film composer Todor Kobakov, experimental dance music artist Strange Robotix, bassist Brandon Lim (HSY,Yamataka Sonic Titan), and singer-songwriter Merival to collaborate on the project. Their contributions come together to form a unified whole sound under Olsen’s production.

Artist: Michael Peter Olsen Cat #: HDD083 Title: Yearning Flow UPC Vinyl: 623339241519 Release Date: Feb 19, 2021 Format: LP Genre: Modern Composer Tracklist • • • • • •

Goals Ihniwywmts Moonmist 7 Days Ours Cloud Parade (feat. Merival)

For Fans of: Nils Frahm, Jóhann Jóhannsson, Ólafur Arnalds, Owen Pallett

Yearning Flow will be released February 2021 via leading-edge independent label Hand Drawn Dracula.

‘YEARNING FLOW’ ALBUM FEBRUARY 19TH 2021 Debut single ‘Mayday’ which has received key plays at BBC Radio 3 on Nigh t Tracks with presenter Hannah Peel, as well as playlist features via Spotify, accumulating some 150+K streams and 7K monthly listeners (11/2020).

_____________________________________________________________________________________________ LABEL: Hand Drawn Dracula.com

CONTACT: lori@outside-music.com

(photo: Jay Lolli)

ARTIST Stella Chiweshe AlBUM TITlE Ambuya!

AlBUM RElEASE DATE 19 February 2021 SInGlE RElEASE DATE njuzu - 22 Dec 2020 FORMAT Vinyl incl. High Quality Download / CD / Online COnFIGURATIOn Full Color Vinyl, 180g / Digisleeve 4 pp, no tray lABEl Piranha Records PUBlISHInG Piranha Publishing CAT. nO PIR3471lP / PIR3471CD BARCODE lP: 826863347119 / CD: 826863347126

WEBLINKS ARTIST InFO lnk.piranha.de/stellachiweshe RElEASE InFO lnk.piranha.de/ambuya SOUnDClOUD lnk.piranha.de/ambuya_music VIDEO lnk.piranha.de/ambuya_video WEBSITE www.stellachiweshe.com

TRACKLISTING On VInyl

SIDE A 01 CHACHIMURENGA 02 NEHONDO 03 NJUZU 04 MUGOMBA 05 CHAMAKUWENDE SIDE B 01 KASSAHWA 02 CHIPINDURA 03 NDINOGAROCHEMA 04 SARURA WAKO

33 1/3 years after its first release Piranha Records reissues the groundbreaking Stella Chiweshe international debut Ambuya! („Grandmother“) on quality 180g vinyl, 102% remastered from analog tapes, together with a bonus John Peel session from 1988.

From the beginning Stella had to stand up against white suprematists, missionaries and male hegomany in her motherland Zimbabwe to play the Mbira. When she went on to spread the message of the Mbira internationally, she crossed even more borders. With her album Ambuya? the Mbira finally went electric and combined the spiritual with the popular in a creative exchange with British world indie legend 3 Mustaphas 3.

3 Mustaphas 3 mastermind Hijaz Mustapha, who produced the album, remembers: 1987. The call came from Berlin: Mustaphas, meet your Ambuya. At that time the young 3 Mustaphas 3 were playing many stages and many songs, mixing, matching, mutating. We had the protection of the innocent, and the confidence of everything that we didn’t know. Stella was gracious enough to invite us to her cosmos. This was her international recording debut, the premier production of Piranha Records and perhaps my first production job where I had actually dared to take a named production credit. They seemed to trust me. I tried to approach it in a serious way.

In retrospect, this was a bold request, and a first for all of us. I don’t know how many voice-mbira-dzavadzimu-marimba-hosho-electric-bass-and-drums albums had been recorded up to that point, but it was certainly the first one that any of us had tried. The good thing about doing these first leaps into new air is that no-one can say ‘that’s not how you do it’. OK, so let’s get ready.

For many, now, there is digital access to collaborative global episodes; on-line, sure sure, and bravo to the new creative frontiers and side ears. For us - trying to meet in those days - this was a real-time, analogue sonic sensory adventure, all parties willing to see what kind of soundwork would come out, if we went in with the right attitude.

No YouTube references, no digital access to recorded time in all directions; just the classic ‘Rolling!’ and off we roll, and the recording tape catches the excited electrical particles onto its welcoming matrix. The classic voice of the producer in the headphones ‘Fantastic! Do it again!’

Most regular recording sessions love the clean, and focus on the enemy: buzzing.

What’s that buzz? Where’s that buzz? Great take, damn, there’s a buzz. Oh man.

Can we find that buzz? Enter Stella, queen buzz-bringer. Buzzes of mbiras, marimbas, ancestral voices singing and responding through the resonators and bottle-cap zzzzzzz-harmonic enhancers. Ancestor amplifiers.

We need the buzz-aesthetic.

Audacious to try, lovely to be asked, honoured to participate, proud that it is with you again in a new millenium. Buzzes straight to your hearts. Much respect now - as then - to Stella, Virginia, Leonard, Samson, Sabah Habas and Houzam. Time spins like an album, our mbira-meetstapha kick-off of 1987 still lives and rotates with Piranha Records in 2021. Ambuya? Ambuya!

Distribution Partners !K7

IndIgo [d]

BIg WAX [F]

Publishing Partners sMV schAcht MusIKVeRlAge [d] MeDia ContaCt dIMItRA ZInA

JOHN PEEl SHOW BROADCAStED fIRSt ON 14tH MARCH 1988 10 KACHEMBERE an olD SkinnY FEMalE Frog 11 CHAPfUDZAPASI ThE FaMouS Song 12 NDIKAfA WhEn i DiE 13 VANA VAKO VOPERA Your ChilDrEn arE PEriShing

INfo All SOnGS In Shona MUSIC & WORDS By Stella nekati RECORDED

By Gary Gordon at Music Factory, Berlin (1-9) AnD By Mike Engles at BBC Maida Vale Studio 5, london (10-13) PRODUCED By Hijaz Mustapha (1-9), Dale Griffin (10-13) REMASTERED FROM AnAlOG TAPES AT Calyx, Berlin PHOTOS By Camille Bokhobza @ African Acid Is The Future (front cover), Harry Metcalfe ARTWORK By yusa EXECUTIVE PRODUCERS Peter Reich, Dimitra Zina, luca Jacob All RIGHTS RESERVED By & © 2020 Piranha Records & Publishing, Berlin / GEMA FIlE UnDER Zimbabwe / Mbira / 80s Re-Issue

RepuBlIc oF MusIc [uK] MétIsse MusIc [F]

eMail DIMITRA.ZINA@pIRANhA-ARTs.coM

More info at WWW.pIRAnhA.de

On CD

01 CHACHIMURENGA During War 02 NEHONDO CauSED BY War 03 NJUZU MErMaiDS 04 MUGOMBA in ThE VallEY 05 CHAMAKUWENDE MYSTEriouS Man 06 KASSAHWA TinY FiSh BonE 07 CHIPINDURA anSWEr noW 08 NDINOGAROCHEMA Will ForEVEr BE Mourning 09 SARURA WAKO ChooSE YourS

lnK.pIRAnhA.de/FAceBooK

Red eye [usA]

& MoRe

BucKs MusIc gRoup [uK]

the RoyAlty netWoRK [usA]

& MoRe

tel +49 30 318 614 -40

lnK.pIRAnhA.de/InstAgRAM

lnK.pIRAnhA.de/youtuBe

lnK.pIRAnhA.de/soundcloud

Label website: www.curationrecords.com

Farmer Dave & the Wizards Of The West FDWOW LP Catalog#: CURED003 UPC: 0850014131036

Farmer Dave Scher of Beachwood Sparks, All Night Radio, Kurt Vile, & Skiffle Players releases his first LP for 10 years & with a new band. Some musicians leave elusive, magical trails you can only see from space. Some musicians have a ghostly eminence on too many of your favourite records to call it coincidence. Some musicians play pedal steel like Weldon Myrick in a psychedelic church at the bottom of the ocean. Some musicians can write a song to heal the sick, give succour to the lost and the lonely…Only Farmer Dave does them all.

His magical, song-craft, multi-instrumental trail has crossed paths with Beechwood Sparks, Will Oldham, Kurt Vile, The Skiffle Players, Chris Robinson, Elvis Costello, Interpol, Jenny Lewis, Animal Collective and as one half of All Night Radio some would say one of the greatest albums of all time.He also makes Farmer Dave’s Roasted Hot Nuts.To us, from afar, he sits like a gentle, industrious Buddha, floating above a West Coast scene where music and love still rise from the soil and surf. If we sound biased, it’s because we adore him. And it is our joy to present his latest collection as Farmer Dave & The Wizards Of The West.In parts raw, psychedelic, UK sonic guitar meets the spiritual jazz of Sun Ra. Pharoah Sanders by way of MBV. In other parts, a minty fresh LA Noir from the fertile bones of classic LA rock - The Doors, Janes Addiction.

Farmer Dave’s music is the actual song of the Siren. Tie yourself to the mast and drift west with he.

Marketing & Selling Points ● Features & Reviews in UNCUT & SHINDIG! ● Live Streams from Folk Yeah and Social Media marketing ● Digital singles Right Vibration & Cave Walls

Tracks

01 02 03 04 05 06 07

EXEGESIS Cave Walls Right Vibration Ocean Eyes Stand & Deliver Mutant Pill Babe Got (Plans For Me)

LISTEN TO FDWOW

08 Bohannon 09 Wipe Out

https://soundcloud.com/user-182728278/sets/farmer-dave-and-the-wizards-of-the-west/s-khmhG​

STEADY SUN

T RU T H I S A N E E D L E

b/w

L A S H A RO U N D

M a k i n g t h e i r d e b u t o n W i c k Re c o r d s , N ew Yo r k ' s ow n S t e a d y S u n d e l i ve r t wo s u b l i m e s i d e s o f e t h e r e a l p s yc h . We ' r e n o t t a l k i n g a b o u t yo u r r u n - o f - t h e - m i l l f u z z f o d d e r h e r e , f o l k s S t e a d y S u n d e l i ve r s s o m e o f t h e m o s t r e f r e s h i n g l y s a t i s f y i n g p s yc h e d e l i a i n d e c a d e s ! “ Tr u t h i s a N e e d l e ” f l o a t s o u t o f t h e s p e a ke r s l i ke l y s e r g i c va p o r, e n g u l f i n g t h e l i s t e n e r i n l a ye r s o f d e l i c a t e g u i t a r, s p a c e d - o u t vo c a l s , a n d p u l s a t i n g b a s s t h a t s w i r l a r o u n d t h e h e a v y, g r o u n d e d g r o ove - g e n e r a t i n g a n i n t ox i c a t i n g j u x t a p o s i t i o n . O n t h e f l i p i s “ L a s h A r o u n d ” , w h o s e i n s i s t e n t b e a t a n d h o o k - h e a v y m e l o d y w i l l s e n d yo u t h r o u g h a s o n i c wo r m h o l e t h a t m a r r i e s t h e ex p e r i m e n t a t i o n o f B a r r e t t e r a F l oy d w i t h t h e hy p n o t i c b o u n c e o f ' 9 0 s M a n c h e s t e r.

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S T E A D Y S U N T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T R U T H I S A N E E D L E b/w L A S H A R O U N D LABEL....................................................................................WICK C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W C K - 1 0 1 1 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F E B R U A RY 1 9 , 2 0 2 1 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 5 R P M 7 ” V I N Y L O N LY B O X L O T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5 NO EXPORT

DAPTONE RECORDS 115 Troutman S t., Brookl yn, NY 11206 • phone 718 366 3849 • dap t onerecords.com

NEW RELEASES Street Date: 2.26.21 | Order Date: 2.05.21

JULIEN BAKER LITTLE OBLIVIONS SELLING POINTS • THE FIRST FULL LENGTH STUDIO ALBUM SINCE 2017’S TURN OUT THE LIGHTS • LIMITED GOLDEN YELLOW VINYL EDITION AVAILABLE EXCLUSIVELY TO INDIE STORES • 108k EQUIVALENT ALBUMS OF TURN OUT THE LIGHTS SOLD TO DATE • 800k MO. SPOTIFY LISTENERS, 200k FOLLOWERS • RECENT SYNCS IN FILMS: ATHLETE A, SPONTANEOUS, LOOKS THAT KILL, MS WHITE LIGHT, AND MTV SHOW CATFISH

Coming February 26th: Little Oblivions is the third studio album

by Julien Baker. Recorded in Memphis, TN, the record weaves together unflinching autobiography with assimilated experience and hardwon observations from the past few years, taking Baker’s capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter’s intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed

by Baker.

“Turn Out The Lights has a luminous intimacy...” - The New York Times “She can make small ideas feel oceanic, and shockingly raw thoughts seem almost low-key.” - The New Yorker “Defiant... riveting.” - Pitchfork, Best New Music review of Turn Out the Lights (8.6)

134 Grand St New York, NY 10013 United States (212) 995-5882

TRACKLIST

01. HARDLINE 02. HEATWAVE 03. FAITH HEALER 04. RELATIVE FICTION 05. CRYING WOLF 06. BLOODSHOT 07. RINGSIDE 08. FAVOR 09. SONG IN E 10. REPEAT 11. HIGHLIGHT REEL 12. ZIPTIE Golden Yellow Limited LP OLE-1632-LPE 191401163286 *Non-returnable Black Vinyl LP OLE-1632-LP 191401163217 *Non-returnable CD

OLE-1632-CD 191401163224

RELEASE DATE: FEBRUARY 26, 2021 NON EXPORTABLE

505 Eno Street Hillsborough NC 27278 United States (877) 733-3931

JULIEN BAKER SPRAINED ANKLE 6131084

LIMITED LP

STREET DATE: 02/26/2021

FILE UNDER: ALTERNATIVE / INDIE

Sometimes, things just seem to happen for a reason. This rings strikingly true for the solo career of Julien Baker. For years, Baker performed in bands, but when college took her four hours away, her need to continue creating found an outlet through solo work. The intent was never to make these songs her main focus, yet the process proved to be startlingly cathartic. As each song came into shape, it TRACKLIST: 1. Blacktop 2. Sprained Ankle 3. Brittle Boned 4. Everybody Does 5. Good News 6. Something 7. Rejoice 8. Vessels 9. Go Home

became

more

apparent

that

Baker

had

genuinely deep, surprisingly dark stories to tell from her thus far short life. Tales of her experiences are staggering, and when set to her haunting guitar playing, the results are gut wrenching and heartfelt, relatable yet very personal.

There's

something

wonderfully

hypnotizing about Baker gently confessing her soul with such tremendous honesty. To call VINYL LP BOX LOT: 20 LIMITED BABY BLUE VINYL

this

album

a

happy

accident

would

be

misleading as to the nature of these poignant, emotive songs. Thankfully, now the world will be able to share in her passion and sorrow.

DISTRIBUTION Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Stephen Svacina stephen@redeyeworldwide.com redeyeworldwide.com / 877.733.3931 LABEL 6131 Records 6131records.com

• INDIE EXCLUSIVE LIMITED EDITION BABY BLUE VINYL • INCLUDES DOWNLOAD CODE • HIGHLY ACCLAIMED DEBUT ALBUM THAT MADE MANY BEST ALBUMS OF 2015 LISTS WORLDWIDE

CLOUD NOTHINGS THE SHADOW I REMEMBER

CARPARK RECORDS www.carparkrecords.com

For a band that resists repeating itself, picking up lessons from a decade prior is the strange route Cloud Nothings took to create their most fully-realized album. Their new record, The Shadow I Remember, marks eleven years of touring, a return to early songwriting practices, and revisiting the studio where they first recorded together. In a way not previously captured, this album expertly combines the group’s pummeling, aggressive approach with singersongwriter Dylan Baldi’s extraordinary talent for perfect pop. To document this newly realized maturity, the group returned to producer Steve Albini and his Electrical Audio studios in Chicago, where the band famously destroyed its initial reputation as a bedroom solo project with the release of 2012 album Attack on Memory.

Another throwback was Baldi’s return to constant songwriting à la the early solo days, which led to the nearly 30 demos that became the 11 songs on The Shadow I Remember. Instead of sticking to a tried-but-true formula, his songwriting stretched out while digging deeper into his melodic talents. “I felt like I was locked in a character,” Baldi says of becoming a reliable supplier of heavy, hook-filled rock songs. “I felt like I was playing a role and not myself. I really didn’t like that role.” More frequent writing led to the freedom in form heard on The Shadow I Remember. What he can’t do alone is get loud and play noisily, which is exactly what happened when the entire band — bassist TJ Duke, guitarist Chris Brown, and drummer Jayson Gerycz—convened.

TRACKLISTING 1. Oslo 2. Nothing Without You 3. The Spirit Of 4. Only Light 5. Nara 6. Open Rain

7.

8.

9.

10.

11.

Sound Of Alarm Am I Something It’s Love A Longer Moon The Room It Was

LP (SPECTRAL LIGHT WHIRL VINYL) — UPC 677517014914 CD — UPC 677517014921 CASSETTE — UPC 677517014938 CATALOG NUMBER: CAK149 STREET DATE: February 26, 2021 FILE UNDER: Alternative/Indie Rock DISCOUNT: 5% on LP, 10% on CD until 3-26-21 ALSO AVAILABLE TURNING ON (10TH ANNIVERSARY) LP - 677517005516 LAST BUILDING BURNING LP - 677517013016 LAST BUILDING BURNING CD - 677517013023 LIFE WITHOUT SOUND LP - 677517011517 LIFE WITHOUT SOUND (GREEN VINYL) LP - 677517011548 LIFE WITHOUT SOUND CD - 677517011524 HERE AND NOWHERE ELSE LP - 677517009231 HERE AND NOWHERE ELSE CD - 677517009224 ATTACK ON MEMORY LP - 677517007015 ATTACK ON MEMORY CD - 677517007022 SELF-TITLED LP - 677517005714 SELF-TITLED CD - 677517005721

The band had more fun in the studio than they’ve had in years, playing in their signature, pulverizing way, while also trying new things. The absurdly catchy “Nothing Without You” includes a first for the band: Macie Stewart of Ohmme contributes guest vocals.

Elsewhere, celebrated electronic composer Brett Naucke adds subtle synthesizer parts.

The songs are kept trim, mostly around the three-minute mark, while being gleefully overstuffed. Almost every musical part turns into at least two parts, with guitar and drums opening up and the bass switching gears. “That’s the goal — I want the three-minute song to be an epic,” Baldi says. “That’s the short version of the longass jam.”

Lyrically, Baldi delivers an aching exploration of tortured existence, punishing self-doubt, and the familiar pangs of oppressive mystery.

“Am I Something” Baldi screams on the song of the same name.

“Does anybody living out there really need me?” It’s a heartbreaking admission of existential confusion, delivered hoarsely, with an instantly relatable melody.

“Is this the end/ of the life I’ve known?” he asks on lead single and album opener “Oslo.” “Am I older now/ or am I just another age?”

Despite the questioning lyrics, the band plays with more assurance and joy than ever before. The Shadow I Remember announces Cloud Nothings’ second decade and it sounds like a new beginning.

THE BULLET POINTS I REMEMBER • North American publicity by Orienteer • Recorded with Steve Albini at Electrical Audio • College/Non-Commercial, AAA, Commercial Specialty radio by Terrorbird • Digital playlisting & positioning by Terrorbird • Digital Marketing by Your Army • “Am I Something” and “Nothing Without You” music videos in the works • Pressed on Spectral Light Whirl vinyl, includes free digital download

505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931

DAP-063

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M E N A H A N S T R E E T B A N D T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T H E E X C I T I N G S O U N D S O F. . .

LABEL............................... ...........DAPTONE/DUNHAM C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P - 0 6 3 / D U N - 1 0 0 8 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F E B . 2 6 , 2 0 2 1 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C D , L P ( w / D O W N L O A D C O D E ) NO EXPORT Menahan Street Band, a veritable supergroup of some of today's most prolific songwriters, arrangers, and producers return with this beat-for ward, cinematic masterpiece. If you have spent any time hanging out in bars, cafes, or casually tuning into NPR in the last 10 years you should be well versed in MSB's catalog.

•

Their unique brand of instrumental soul has not only been the foundation for some of modern hip-hop's most successful beats (Eminem, Jay-Z, Kendrick Lamar, Ludacris, 50 Cent, Curren$y),

it has also become the perennial

TRACKLISTING

soundtrack and veritable vibe-generator for countless parties, art shows, and

M ID N IG H T M O R N I N G

restaurants throughout NYC and abroad. While this album carries the aesthetic

R AIN Y D AY L AD Y

torch that MSB has skillfully woven into the tapestr y of their DNA , it also delves

T H E STAR C H ASE R •

deeper into the experimental, exotic sounds that fill many of the coveted Sound

SIL KW O R M

Librar y and Soundtrack LPs of the late sixties and early seventies - an amalgamation of moog synths, electric pianos, drum machines, and a bevy of

C AB IN F EVER

analog instrumentation, that ebb and flow in lush swells of Morriconian

R ISIN G D AW N

grandeur.

G L O VEB O X PIST O L Q U EEN S H IG H WAY

MARKETING HIGHLIGHTS

SN O W D AY

• First studio album since 2012

PARLOR TRICK

• The studio band behind Charles Bradley & Lee Fields

THE DUKE

• PR campaign by TCB PR. Previous highlights include; NPR, Rolling Stone, Consequence Of Sound and many others

STEPPING THROUGH SHADOW

• Radio campaign by Co-Sign Promotions (Jessica Weber).

DEVIL’S RESPITE

• LP includes MP3 download card

THERE WAS A MAN

• Gatefold LP

LP

DAPTONE

CD

RECORDING

Co.,

115

TROUTMAN

S T. ,

BROOKLYN,

NY

11206

PINEGROVE

Amperland, NY

February 26th, 2021 TRACKLISTING C1. The Metronome C2. Skylight C3. Spiral C4. Overthrown C5. Hairpin C6. Need

A1. Moment A2. Dotted Line A3. No Drugs A4. The Alarmist A5. Morningtime B1. Sunday B2. Alcove B3. Thanksgiving B4. Peeling Off the Bark B5. On Jet Lag

D1. Endless D2. Amulets/Light On D3. Paterson & Leo D4. Phase D5. Intrepid

SELLING POINTS •

• Pinegrove have sold over 150k equivalent albums There will be an interactive film screening preceding physical release

PRESS QUOTES / PRAISE FOR MARIGOLD This is undoubtedly Pinegrove’s best record yet… The band, and Hall, manage to retain their contemplative and overtly confessional style, and deliver something intensely moving and beautifully constructed.

– Line of Best Fit What is clear is that the album adds to Pinegrove’s growing status as one of the most talented recording and touring bands in the land.

– Under The Radar

2xLP: RT-0189-LP File Under: Alternative Vinyl Non-Returnable

134 GRAND ST, NYC 10013

CD: RT-0189-CD File Under: Alternative

Founded by childhood friends Evan Stephens Hall and Zack Levine, Pinegrove have already crafted three fantastic albums - Everything So Far (2015), Cardinal (2016), and Skylight (2018) – and have achieved massive critical acclaim, and a widespread and devoted listenership.

The band’s latest album (and first for Rough Trade) Marigold, arrived in January of 2020, and its themes of reflection and resilience have resonated through an especially tumultuous year. Now with tours canceled and time on their hands, the band have decided to put together something special for their fans.

Amperland, NY is yet another full album, this time accompanying a feature film of the same name. The collection features 21 brand new studio recordings spanning Pinegrove’s career & catalog, captured upstate in the house where the band lived and recorded for 4 years – a place they lovingly referred to as “Amperland”. But all good things (and leases) come to an end, and before they bid adieu to the space permanently, they gathered together for one last performance with friends and family.

Featuring original member and keyboardist/vocalist Nandi Rose (Half Waif) on many tracks – this collection will thrill old and new listeners alike – with the band breathing new life into fan favorites and deep cuts. From acoustic versions to unique arrangements featuring piano, pedal steel and organ, Amperland, NY touches on notes of folk and progressive rock previously unheard on their studio albums. This will be an essential addition to the Pinegrove catalog and encompasses all of the earnest and ecstatic live energy the band is known for.

The beautiful double album will be housed in a heavyweight matte gatefold package and comes with a fully annotated script and behind the scenes photos from the film.

ROUGHTRADERECORDS.COM

JARVIS COCKER Februaru 26th, 2021

Jarvis Cocker’s first two solo records THE JARVIS COCKER RECORD and FURTHER COMPLICATIONS will be made available on standard black vinyl on February 26th.

This is the first standard release of The Jarvis Cocker Record on vinyl in the US, and Further Complications has been out of print for some time and has been remastered.

THE JARVIS COCKER RECORD This was Jarvis Cocker’s debut solo album, and was originally released in 2006. It was three years in the gestation and 13 days in the making.

Along the way he roped in Richard Hawley and Steve Mackey (ex-Pulp) to be in his band.

Jarvis is a both a thoughtful and thought-provoking record, shot through with lavish beauty, dark humour, satire - both subtle and savage - and a genuine and much-missed sense of Northern conviction.

The songs seem to exist on a sometimes-delicately-balanced-sometimes- swinging scale between sentiment and cold-eyed analysis, each distinguished by the unmistakeable (and never better) voice of our lanky protagonist.

Track listing: A1. The Loss Adjuster Excerpt Pt.1 A2. Don’t Let Him Waste Your Time A3. Black Magic A4. Heavy Weather A5. I Will Kill Again A6. Baby’s Coming Back To Me

B1. Fat Children B2. From Auschwitz to Ipswich B3. Disney Time B4. Tonite B5. Big Julie B6. The Loss Adjustor Excerpt Pt. 2 B7. Quantum Theory

*Includes 7” of “Cunts Are Still Running The World”

LP: RT-340-LP LP - black + 7” File Under: Alternative non-returnable

FURTHER COMPLICATIONS Further Complications is Jarvis’ second solo album and was produced by Steve Albini after the pair met at Pitchfork music festival. Albini’s touch is noticeable on some of the rockier numbers and has delivered some brilliant fuzz and driving beats. Jarvis himself has given a performance to make us all proud, running the vocal gamut from roaring garage rock, to sleazy funk all spiced with his trademark story telling theatrics.

This is an album built to last and certainly withstands repeat listening.

You’ll slowly find the memorable wisdom of this national treasure emerging amongst his ‘profoundly shallow’ lyrics about carrier bags and Hondas running out of petrol, making it an essential listen for anyone who likes their music witty and intelligent. Remastered.

Track listing: A1. Further Complications A2. Angela A3. Pilchard A4. Leftovers A5. I Never Said I Was Deep

134 GRAND ST, NYC 10013

B1. Homewrecker!

B2. Hold Still B3. Fuckingsong B4. Caucasian Blues B5. Slush B6. You’re In My Eyes (Discosong)

LP: RT-0170-LP 2XLP File Under: Alternative non-returnable

ROUGHTRADERECORDS.COM

SMERZ Believer

STREET DATE: 2/26/21

LP: XL-1076-LP File Under: Electronic Vinyl non-returnable

CD: XL-1076-CD File Under: Electronic

TRACK LISTING CD | LP 1 | A1 2 | A2 3 | A3 4 | A4 5 | A5 6 | A6 7 | A7 7 | B1 8 | B2 9 | B3 10 | B4 11 | B5 12 | B6 13 | B7 14 | B8 15 | B9 16 | B10 17 | B11

Gitarriff Max Believer Versace Strings Rain 4 temaer Hester (Side A) Hester (Side B) Flashing The favourite Rap interlude Sonette Glassbord Grand Piano Missy I don’t talk about that much Hva hvis Remember

134 GRAND STREET, NEW YORK, NY 10013

Smerz are the Nowegian duo of Henriette Motzfeldt and Catharina Stoltenberg. Known for the “carefully shaped, deconstructed pop” (Boomkat) of their debut EP’s Okey (2017) and Have Fun (2018), Smerz seamlessly weave together techniques and sounds pulled from chamber and classical music, hip hop, R&B, and hard electronics, with the end product always resulting in something altogether uncanny. The duo, who produce, write, direct and conceptualize all their own work, carve out a space where it’s not so impossible for dreams, both big and small, to grow in the midst of the systemic societal weeds that tangle up people’s self-worth and confidence. Taking their audio-visual experience across the globe, Smerz have curated performances at the Tate Modern, MOCA Geffen, MIRA Festival with Weirdcore.TV, the Norwegian National Company of Contemporary Dance and Club To Club. With Believer, their 2021 debut full-length album on XL Recordings, they formalize the boundless sonic world that started to emerge within each of their debut EP’s and in their running NTS monthly residency. Are you a Believer?

PRESS “Everybody’s favorite experimental Norwegian synth-pop duo, Smerz, is back….(returning) to the familiar effortlessly cool territory we’ve come to know them by.”

– Paper Magazine “Smerz is the electronic duo of Henriette Motzfeldt and Catharina Stoltenberg, Norwegians now based in Denmark, whose music leaps amid pop, dance music and classical impulses.”

– New York Times “There’s just something mesmerizing about how the two operate that takes you over..The beats and synths create a world that contradicts what the vocals are doing and leaves you with a stunning sound” – Closed Caption

WWW.XLRECORDINGS.COM

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

​Cat No.:​ ​D-UHF-D42MR​ (Mirriboard Vinyl) / ​D-UHF-D42​ (Black Vinyl) / D-UHF-CD42MR​ (Mirriboard CD) / ​D-UHF-CD42 (Standard CD) D-UHF-DL42​ (Digital) UPC: ​5060384618210​ (Mirriboard Vinyl) / ​5060384618227 ​(Black Vinyl) / ​5060384618234 ​(Mirriboard CD) / ​5060384618241 (Standard CD) / 5060384618289 ​(Digital) Release Date:​ 26 February 2021

_______________________________________

STEREOLAB

ELECTRICALLY POSSESSED [Switched On Volume 4] ● ● ● ●

Remastered from original tapes.

Co-released by band’s own label Duophonic UHF Disks and Warp Records.

Initial copies of both vinyl and CD on mirriboard stock Vinyl comes in bespoke gatefold sleeve with download card, housed inside a polythene wallet

The fourth in the ​Switched On​ series that compiles non-album tracks and sought after deep cuts by the groop. Following on from the first volume released in 1992, 1995's ​Refried Ectoplasm​, and 1998's ​Aluminum Tunes​, the long-awaited fourth installment spans 1999 2008 in the Stereolab story and collates 3 LPs worth of material, all remastered from the original tapes and overseen by the band. It features all the tracks from out-of-print and sought after mini-album ​The First Of The Microbe Hunters​, one-off and impossible to find tour 7"s, compilation tracks, art installation work and a couple of unreleased outtakes from the ​Mars Audiac Quintet​ and ​Dots and Loops​ recording sessions.

Vinyl Tracklist

CD/Digital Tracklist

A1 - Outer Bongolia* A2 - Intervals*

DISK 1 01 - Outer Bongolia* 02 - Intervals* 03 - Barock-Plastic* 04 - Nomus Et Phusis* 05 - I Feel The Air {Of Another Planet}* 06 - Household Names* 07 - Retrograde Mirror Form* 08 - Solar Throw-Away [Original version] + 09 - Pandora's Box Of Worms = 10 - L'exotisme Interieur ^

B1 - Barock-Plastic* B2 - Nomus Et Phusis* B3 - I Feel The Air {Of Another Planet}* C1 - Household Names* C2 - Retrograde Mirror Form* C3 - Solar Throw-Away [Original version] + C4 - Pandora's Box Of Worms = C5 - L'exotisme Interieur ^ D1 - The Super-It @ D2 - Jump Drive Shut-Out + D3 - Explosante Fixe ^ D4 - Fried Monkey Eggs [Instrumental version]@ D5 - Monkey Jelly @ D6 - B.U.A ** E1 - Free Witch and No Bra Queen ^^ E2 - Heavy Denim Loop Pt 2 = E3 - Variation One % E4 - Monkey Jelly [Beats]@ E5 - Dimension M2 *** F1 - Solar Throw-Away + F2 - Calimero ++ F3 - Fried Monkey Eggs [Vocal] @ F4 - Speck Voice ^

DISK 2 01 - The Super-It @ 02 - Jump Drive Shut-Out + 03 - Explosante Fixe ^ 04 - Fried Monkey Eggs [Instrumental version]@ 05 - Monkey Jelly @ 06 - B.U.A ** 07 - Free Witch and No Bra Queen ^^ 08 - Heavy Denim Loop Pt 2 = 09 - Variation One % 10 - Monkey Jelly [Beats]@ 11 - Dimension M2 *** 12 - Solar Throw-Away + 13 - Calimero ++ 14 - Fried Monkey Eggs [Vocal] @ 15 - Speck Voice ^^

Track source guide: * tracks Originally released as The First Of The Microbe Hunters 29th May 2000 on Duophonic Ultra High Frequency Disks, catalogue number D-UHF-D25 as double vinyl [6500 copies pressed] and CD [12,000 copies pressed] editions. + tracks Jump Drive Shut-Out and Solar Throwaway were originally released 10th April 2006 as a 7" tour single via Duophonic Super 45s.

Catalogue number DS-4538. 3600 copies were pressed.

Solar Throw-Away (Original Version) was unreleased at the time. ^ tracks Explosante Fixe and L'exotisme Interieur were originally released September 2008 as a 7" tour single via Duophonic Super 45s.

Catalogue number DS45-43. 2000 copies were pressed. @ tracks The Underground Is Coming 7" EP included The Super -It, Fried Monkey Eggs [Instrumental], Fried Monkey Eggs [Vocal] and Monkey Jelly, it was originally released as a 7" tour single via Duophonic UHF Disks and cut at 33rpm. Catalogue number D-UHF-D24.

Monkey Jelly [Beats] was unreleased at the time. ** track B.U.A was written for a further collaboration with Charles Long [Stereolab had previously worked with him on Music For The Amorphous Body Study Center in 1995].

The artwork is called B.U.A [Burnt Umber Assembly] : An Entanglement of Wholes [1998].

B.U.A is previously unreleased. ^^ tracks Free Witch And No-Bra Queen and Speck-Voice were originally released 31st August 2001 as a 7" tour single via Duophonic Super 45s. Catalogue number DS45-30. 2000 copies were pressed. % track Variation One was written for a film soundtrack and compilation CD for "Moog", a documentary about Robert Moog. Originally released 14th September 2004 via Hollywood Records. *** track Dimension M2 was written for the Disko Cabine CD compilation, released in June 2005. ++ track Calimero was originally released July 1999 via Duophonic Super 45s. Catalogue number DS45-25. A collaborative 7" release between Brigitte Fontaine and Stereolab. The B side was Cache Cache by Monade.

A total of 4100 vinyl copies were pressed [1800 on white vinyl and 2300 on black vinyl], there was also a CD edition of 7076 copies. = track Pandora's Box of Worms - an unreleased outtake from the Dots and Loops album sessions.

Heavy Denim Loop Pt. 2 - any unreleased outtake from the Mars Audiac Quintet album sessions.

ROOSEVELT “Polydans”

Release Date: February 26th 2021 “Balances '80s-inspired synth, disco, driving beats and cinematic textures into a musical amalgamation that simultaneously manages effervescence and heft.” Billboard on “Sign” “Strobe-lit and expansive cut that locks into an insistent groove and periodically explodes into bright colors.” - Stereogum on “Echoes”

Artist: Roosevelt Album: Polydans Release Date: February 26th 2021 Label: City Slang Genre: Electronic, Alternative, Indie-Dance CD Digipak Cat #: Slang50318 UPC: 4250506835705 Configuration: CD Digipac Booklet w/ lyrics Box Lot: 36 tbc

LP Vinyl - Black Cat #: Slang50318LP UPC: 4250506837129 Configuration: 140g black vinyl, 30x30cm Booklet with lyrics Box Lot: 20

LTD Vinyl – Coloured/Indies Only Cat #: Slang50318X UPC: 4250506837136 Configuration: 140g red (transparent) vinyl, 30x30cm Booklet with lyrics Box Lot: 20

“Polydans” is Marius Lauber’s (known internationally as celebrated producer, DJ, songwriter, and electronic musician Roosevelt) hotly-anticipated 3rd album (out Feb 26, 2021 via City Slang / Greco-Roman). The album serves as a kind of love letter to dance music, with Roosevelt embracing his own musical history and his love of the multi-faceted nature of the genre, and reconnecting with the intimate nuances that can make dance music feel truly alive.

After taking a 4-piece live band around the world playing over 100 live shows and performing at numerous festivals tied to the success of his second album ‘Young Romance’, Marius decided to take some time to sit in his studio, reflect on his meteoric success in the pop music world (including becoming an in-demand producer, collaborating with Classixx and Washed Out and remixing artists like Rhye, Glass Animals, Chvrches and Charlotte Gainsbourg) and refocus himself on his musical roots. Hearkening back to the intimate clubs he’d DJ in, he sought to unearth the beating heart of dance music, where passion and excitement is woven into the intimate nuances of the genre, and the physical relationship between the DJ and those on the dancefloor. Playing almost every instrument on the record, Roosevelt created ‘Polydans’ by swirling together the spirits of 80s synth, disco, analogue, Yacht rock, and delirious dancefloor euphoria with amazing results.

SELLING POINTS Roosevelt captures the beating heart and soul of dance music on forthcoming album “Roosevelt’s highly anticipated third studio album POLYDANS Featuring the singles Sign, Feels Right, Strangers and See You Again" Album comes as limited indie retail edition and with deluxe booklet TIMELINE / SINGLES Oct 7th, Single/Video Release “Feels Right” + world wide album announcement/pre order start Nov 9th, Remix Release “Feels Right (Gerd Janson Remix)” Dec 9th, Single/Video Release “Strangers” Feb 12th, Single/Video Release “Lovers” Feb 26th, Album Release “Polydans” DIGITAL MARKETING Big world wide advertising campaign on YouTube, Instagram, Twitter, Facebook & Google Ads RADIO / STREAMING Radio playlists in DE, AT, NL for “Sign” and “Echoes”

Tracklisting CD: 01. Easy Way Out. 06. Forget 02. Strangers 07. See You Again 03. Feels Right 08. Lovers 04. Closer to My Heart 09. Echoes 05. Montjuic 10. Sign Tracklist Vinyl: A1 Easy Way Out B1 Montjuic A2 Strangers B2 Forget A3 Feels Right B3 See You Again A4 Lovers B4 Echoes A5 Closer to My Heart B5 Sign

Loads of streaming playlists for the first two singles “Sign” & “Echoes” ECHOES (more than 600k+ streams on Spotify already, released mid August): SIGN (more than 2m+ streams on Spotify already): SOCIAL MEDIA REACH INSTAGRAM : 35 682 FACEBOOK : 70 930 YOUTUBE : 74 500 SPOTIFY : 141 290 SPOTIFY - COMPLETE ROOSEVELT Playlist: 4 068

THE NATIONAL

The National | Sad Songs For Dirty Lovers | Cherry Tree EP The National’s Early Catalogue Remastered & Reissued, Out February 26th 2021 Twenty years on from the release of their self-titled debut album, The National are reissuing it along with 2003’s follow-up Sad Songs For Dirty Lovers and 2004’s Cherry Tree EP on February 26th 2021.

With all three records having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the finest and most beloved alternative bands of their generation.

The National Originally Released July 2 2001

Sad Songs For Dirty Lovers Originally Released September 1 2003

Cherry Tree EP Originally Released July 19 2004

Celebrating its 20th anniversary in 2021, The National’s self-titled debut album of sozzled Americana is a thing of beauty, laden with heavy hints that this was a special band in the making.

The National’s second album, Sad Songs For Dirty Lovers (2003) proved a leap forward from 2001’s eponymous debut, showing a band adept at delivering warm embraces and gut punches in equal measure.

Released a year before The National broke through with their third album Alligator, 2004’s Cherry Tree EP is a thrilling record which - thanks to its collection of delicate ballads and anthemic crowd-pleasers - sums up what they do best in under 30 minutes.

With word of mouth now spreading on the band, critics proved equally enthusiastic...

Pitchfork in their glowing review called it a “Gorgeous train wreck” that “Lives up to its blunt title (with) Matt Berninger’s self-effacing barbs matched by the band’s equally potent hooks,” while Uncut also became early champions saying the album was “A genuine treasure... Livid as a bruise, this is brave, desperate, beautiful music.”

Now a firm fan-favourite, among Cherry Tree’s seven tracks are now National classics ‘About Today’ and ‘All The Wine’, plus a thrilling live version of ‘Murder Me Rachael’ that reminds of the band’s fearsome early live performances.

Their first release, The National arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs.

And while nods to the alt.rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own – Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks.

The National marks the start point for one of the best bands of their generation with its new master helping elevate it to new levels.

A great primer to a great band.

No longer a secret among those that know, Sad Songs For Dirty Lovers is an important record in The National’s discography with this new remaster showing that it’s more than standing the test of time.

CD / LP (Black Vinyl) 4AD-0312-CD / 4AD-0312-LP

CD / LP (Black Vinyl) 4AD-0313-CD / 4AD-0313-LP

1. / A1. Beautiful Head 2. / A2. Cold Girl Fever 3. / A3. The Perfect Song 4. / A4. American Mary 5. / A5. Son 6. / A6. Pay For Me 7. / B1. Bitters & Absolut 8. / B2. John’s Star 9. / B3. Watching You Well 10. / B4. Theory Of The Crows 11. / B5. 29 Years 12. / B6. Anna Freud

1. / A1. Cardinal Song 2. / A2. Slipping Husband 3. / A3. 90-Mile Water Wall 4. / A4. It Never Happened 5. / A5. Murder Me Rachael 6. / B1. Thirsty 7. / B2. Available 8. / B3. Sugar Wife 9. / B4. Trophy Wife 10. / B5. Fashion Coat 11. / B6. Patterns Of Fairytales 12. / B7. Lucky You

Cherry Tree can be seen as the record that marks the moment when The National had truly found themselves, a bridge from what went before to a band ready to conquer the World. And with this new master, it’s never sounded better too.

CD / 12” (Black Vinyl) 4AD-0314-CD / 4AD-0314-T 1. / A1. Wasp Nest 2. / A2. All The Wine 3. / A3. All Dolled-Up In Straps 4. / A4. Cherry Tree 5. / B1. About Today 6. / B2. Murder Me Rachael (Live) 7. / B3. Reasonable Man (I Don’t Mind)

4ad.com | americanmary.com

• The Oakland-Based Black Jazz Label Emerged from the Late-‘60s/Early-‘70s Movement That Led to a Number of Black-Run Artist Collectives Such as the AACM (Artists Association for the Advancement of Creative Musicians) • Founded by Ovation Records Owner Dick Schory and Pianist Gene Russell, Who Produced All the Black Jazz Releases • Reputed to Be the First Jazz Label Started by an AfricanAmerican Since 1921, Black Jazz’s Mission Statement Was “to Promote the Talents of Young African American Jazz Musicians and Singers” • The Label Released About 20 Albums During Its Brief (1971-1975) Existence, and Then Faded into Obscurity • But a New Generation of Crate Diggers and DJ’s Discovered the Label’s Amazing Array of Modal, Soul, Funk, and Free Jazz, Much of It Imbued with the Political and Spiritual Concerns of the Day • The Result Was That Black Jazz Is Among the Most Collectible Labels in Existence, with Original LPs Selling for Hundreds of Dollars • The Label Was Reissued on CD in Japan During the ‘90s and Early 2000s, but Virtually None of the Black Jazz Titles Have Been Reissued on LP • Now, Real Gone Music Has Obtained the Rights to Reissue the Entire Black Jazz Catalog on LP and CD • Remastered by Mike Milchner at Sonic Vision • Lacquer Cutting by Clint Holley and Dave Polster at Well Made Music • LPs Pressed at Gotta Groove Records in Black Vinyl • Original Album Art • Added Liner Notes by Pat Thomas, Author of Listen Whitey!

The Sights and Sounds of Black Power 1965-1975 • Produced for Reissue by Real Gone’s Own Gordon Anderson • Real Gone Music Will Donate $500 to the Equal Justice Initiative with the Release of Each Black Jazz Album

RECORDS

Real Gone Music Celebrates Black History Month with Two More Releases from the Black Jazz Records Label!

In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, dedicated, in the words of Watts-based UGMAA (Union of God’s Musicians and Artists Ascension) founder Horace Tapscott, “[to play music} about depicting the lives of black people in their communities all over this country, where it has been turned around and people have been made to feel unworthy.” In Chicago, there was the AACM (Association for the Advancement of Creative Musicians), which spawned among many other artists the Art Ensemble of Chicago. In Brooklyn, the CBA (Collective Black Artists) included Reggie Workman, Donald Byrd, and Stanley Cowell (co-founder of the Strata East Record label) among its members. In Detroit, Wendell Harrison, Phil Ranelin, and others formed a collective called The Tribe.

And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory. Reputed to be the first jazz record label started by an AfricanAmerican since 1921, its mission statement was “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out about 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact…but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online).

Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere.

We at Real Gone Music first began tracking down the rights to the Black Jazz label back in 2017. Finally, after a couple of leads went cold, we were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original blackand-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album.

SELLING POINTS

• Bassist Henry Franklin First Gained Notice Playing with Willie Bobo and Later with The Three Sounds • Appeared at the Monterey Pop Festival with Hugh Masekela • 1972’s The Skipper Was Franklin’s First Album as a Bandleader • Featured Trumpeter/Flugelhornist Oscar Brashear (Bobby Hutcherson, Ry Cooder, Donny Hathaway) and Tenor & Soprano Sax Man Charles Owens (Buddy Rich, Horace Tapscott, John Mayall) • The Band Also Included Masekela Bandmate Electric Pianist Bill Henderson and Ace Drummer Michael Carvin (Pharoah Sanders, Lonnie Liston Smith, Freddie Hubbard) • Organic, Seamlessly Programmed, and Flawlessly Recorded by Black Jazz Producer Gene Russell, The Skipper Is One of the Highlights in the Black Jazz Catalog • Nods to Fusion, Mid-’60 Blue Note Sound, Soul Jazz, and Funk Make for a Unique, Very Of-the-Moment Recording • Some Excellent Compositions by Franklin Himself • First LP Reissue • A Timely Release for Black History Month iBarcoderThe Trial HENRY FRANKLIN: Skipper (Remastered Vinyl Edition) "

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UPC: 848064011897 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60 HENRY iBarcoder FRANKLIN: The Skipper (Remastered CD Edition) Trial "

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UPC: 848064011910 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30

SELLING POINTS • Keyboardist Gene Russell Was the In-House Producer of the Black Jazz Label and Its Creative Helm • In Between His Producing Duties, He Recorded Two Fine Albums for the Label • Talk to My Lady Was the Second, Released in 1973 • Featured an Electric Band as Opposed to the Piano Trio Setting of His First Record, New Direction • Black Jazz Recording Artists Calvin Keys on Guitar and Henry Franklin on Bass Lend This Recording Extra Panache • Features Excellent Gene Russell Originals like “Get Down” and the Title Tune • Infectious, Soul Jazz Renditions of “Me and Mrs. Jones” and “You Are the Sunshine of My Life” • A Far-Out Rendition of “My Favorite Things” Is the Album’s Centerpiece • First-Ever LP Reissue • A Timely Release for Black History Month iBarcoder Trial GENE RUSSEL: Talk to My Lady (Remastered Vinyl Edition) "

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UPC: 848064011866 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60 GENE RUSSELL: TalkTrial to My Lady (Remastered CD Edition) iBarcoder "

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UPC: 848064011880 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30

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HENRY FRANKLIN: The Skipper (Remastered CD & Vinyl Edition) STREET DATE: FEBRUARY 26, 2021 Though it’s hard to pick a winner among the estimable Black Jazz catalog, this 1972 release from bassist Henry “The Skipper” Franklin would have to be near the top of the list. Franklin got his start woodshedding with Latin maverick Willie Bobo in the mid-‘60s and went on to play with The Three Sounds, but probably his most notable gig prior to this debut album was his stint in Hugh Masekela’s band (that’s Franklin playing bass with Masekela at the 1967 Monterey Pop Festival). For The Skipper, Franklin assembled a crack outfit that included a horn section of trumpeter/flugelhornist Oscar Brashear (Bobby Hutcherson, Ry Cooder, Donny Hathaway) and tenor & soprano sax man Charles Owens (Buddy Rich, Horace Tapscott, John Mayall) along with a Masekela bandmate in electric pianist Bill Henderson and ace drummer Michael Carvin (Pharoah Sanders, Lonnie Liston Smith, Freddie Hubbard). This is such a unique, organic recording that it’s hard to make comparisons; definitely a little fusion, a little ‘60s Blue Note feel, and the usual Black Jazz journey to the more lyrical, pop-inspired (“Little Miss Laurie”) and funk-infused (“Plastic Creek Stomp”) sides of jazz, but perhaps the best comparison is late-‘60s Miles before he went electric. In any case, The Skipper is just a joy to listen to from start to finish, beautifully recorded by Black Jazz producer Gene Russell and blessed with some really fine writing, most of it by Franklin himself. First-time LP reissue and a must-have!

LP Side One 1. Outbreak 2. Plastic Creek Stomp 3. Theme for JoJo LP Side Two 1. Beauty and the Electric Tub 2. Little Miss Laurie 3. The Skipper

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Outbreak Plastic Creek Stomp Theme for JoJo Beauty and the Electric Tub 5. Little Miss Laurie 6. The Skipper

GENE RUSSELL: Talk to My Lady (Remastered CD & Vinyl Edition)

STREET DATE: FEBRUARY 26, 2021 In between acting as Producer on all of the Black Jazz label releases, keyboardist Gene Russell also cut two fine albums for the imprint, of which this is the second, released in 1973. Judging by the quality of their respective solo outings for the label, the fact that Russell’s band includes bassist Henry Franklin and guitarist Calvin Keys bodes very, very well for the quality of this record.

And indeed, Talk to My Lady represents a sterling stylistic leap for Russell from his New Direction album, which was the first release issued on Black Jazz; here, he’s leading an electric band instead of the basic piano trio format found on the former record, and playing a number of original, soul jazz compositions like “Get Down” and the title tune. As for the covers, both “Me and Mrs. Jones” and “You Are the Sunshine of My Life” are heartfelt renditions given a little extra bounce by Russell’s ivory tickling and Franklin’s expressive bass playing in particular, while the version of “My Favorite Things” goes way out beyond what John Coltrane played on his original Atlantic studio version. It’s hard to go wrong with a Black Jazz album and you won’t on this one from the label’s creative helm. First-ever LP reissue!

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Talk to My Lady Get Down Me and Mrs. Jones For Heaven’s Sake

LP SIDE TWO 1. You Are the Sunshine of My Life 2. Blues Suite 3. My Favorite Things 4. If You Could See Me Now CD 1.

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Talk to My Lady Get Down Me and Mrs. Jones For Heaven’s Sake You Are the Sunshine of My Life 6. Blues Suite 7. My Favorite Things 8. If You Could See Me Now

SELLING POINTS • Severino Dias de Oliveira A.K.A. Sivuca Is a Legend in Brazil, but Not as Well-Known in the States • A Virtuoso on Accordion, Guitar, and Keyboards, and Blessed with a Powerful Singing Voice That Belied His Small Stature • Stole the Show While Touring with Harry Belafonte and Miriam Makeba • First Started Making Records in the Mid‘50s, and Recorded for Reprise and RCA in the States • Appeared on Two Early ‘70s Airto Records Reissued by Real Gone, Natural Feelings and Seeds on the Ground • Two Years Later Sivuca Made His Self-Titled Album for Vanguard • Like the Airto Records, Sivuca Serves Up a Savory, Bubbling Stew of Brazilian Folk, Fusion Jazz, and Bossa Nova Spiced with a Hint of Tropicalia • But Sivuca Has an Emotional Shading All Its Own, Joyfulness Infused with Melancholy • Best Example of This Unique Feel Is Sivuca’s Fantastic Cover of Bill Withers’ “Ain’t No Sunshine” • First-Ever Vinyl Reissue of This Highly Collectible Album • Purple Vinyl Pressing • Limited to 750 Copies • Essential Listening!

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UPC: 848064011798 FORMAT: Regular Weight Purple Vinyl PACKAGING: LP Jacket LIMITED EDITION: 750 Copies BOX LOT: 60

SIVUCA: Sivuca (Limited Purple Vinyl Edition)

STREET DATE: FEBRUARY 26, 2021 Two of our favorite records that we here at Real Gone Music have reissued in the last few years were the debut pair of records (both originally released in the early ‘70s) by legendary Brazilian percussionist Airto; each album serves up a savory, bubbling stew of Brazilian folk, fusion jazz and bossa nova spiced with a hint of tropicalia.

While Airto’s contributions on each record were, of course, front and center, there was another player on those records that almost stole the show: one Severino Dias de Oliveira a.k.a. Sivuca, a small, wizened man (often somewhat uncharitably described as “gnomish”) whose dazzling virtuosity on accordion, guitar, and keyboards—coupled with a powerful singing voice that belied his small stature—made one instantly sit up and take notice. Further investigation revealed that stealing the show was nothing new to Sivuca; championed by Oscar Brown, Jr., he was the instant star of tours by both Harry Belafonte and Miriam Makeba among others. Sivuca started making records back in the mid ‘50s, and recorded for a number of labels in the States, including Reprise and RCA, but it is this record, made in 1973 for the Vanguard label, that is the one that collectors worldwide have zeroed in upon. And with good reason; it offers the same beautiful blend of styles found on those Airto records, but with an emotional shading all its own, a joyfulness paradoxically infused with melancholy, best expressed on Sivuca’s mesmerizing take on Bill Withers’ oft-covered “Ain’t No Sunshine,” which is likely to become your favorite version. For its first-ever vinyl reissue, we’re pressing up 750 copies in purple vinyl. You will spin this one repeatedly, we promise!

SIDE ONE 1. ADEUS MARIA FULO 2. TUNNEL 3. AMOR VERDADEIRO 4. PONTEIO 5. ARRASTA PE SIDE TWO 1. VOCE ABUSOU 2. INQUIETAÇAO 3. AIN’T NO SUNSHINE 4. LAMENT OF BERIMBAU 5. ROSA NA FAVELA

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ARTIST: LILYS TITLE: THE 3 WAY BLACK VINYL LP BOX LOT QTY: 30 LP FILE UNDER: INDIE ROCK LP 5584 / 090771558411 RELEASE DATE: 2/26/21 FUZZED-OUT GUITARS & HARPSICHORD A dapper departure from Lilys’ noise and shoegaze beginnings, The 3 Way is a panoply of musical influences that renders vintage 1960s mod rock and buttoned-up orchestral pop through the abstract expressionism of Kurt Heasley and company. On LP for the first time!

“Although some critics accuse him of stealing Ray Davies' identity outright, Heasley has forged his own multifaceted re-tailoring of '60s mod- rock. And sure, Davies' influence looms large over songs like the harpsichordlaced ‘And One (on One)’ and ‘The Spirits Merchant.’

And on ‘The Generator,’ there's some nice piano work worthy of Charlie Brown's ivory- tickling pal Schroeder, and some cheeky ‘Oye Como Va,’ guitar quotes. To round things out, there's a nod to Mitch Ryder's revved-up Motor City car-rock on ‘Dimes Make Dollars,’ and the bubbly Lawrence Welk jazz of ‘Solar is Here.’” Michael Sandlin (from his 8.6 review on Pitchfork)

• FIRST EVER LP RELEASE OF THIS ‘99 MOD ROCKISH MASTERPIECE!

“As sharp and instantly likable as the Lilys' new The 3 Way is, it doesn't really start to make sense until you think of it as the '60s-pop-influenced equivalent of a funk record.” - Keith Phipps (AV Club)

• MATTE BLACK POLY-LINED SLEEVES IN A HIGH GLOSS JACKET FEATURING THE ORIGINAL ART.

At the end of the rock ‘n’ roll century, The 3 Way quietly streaked across the night sky in stylistic retrograde. Lilys’ bittersweet mod-rock symphony would burn out band members and get buried by its record label, leaving trace memories of Kurt Heasley’s brilliant and complicated vision. Until now. Based in our own selfish desires this treasure gets its first ever vinyl release!

• MASTERED FOR VINYL BY JOE LIZZI AND CUT AND PRESSED AT THIRD MAN IN DETROIT.

FIRST TIME ON VINYL! TRACKLISTING: • DIMES MAKE DOLLARS • SOCS HIP • ACCEPTING APPLICATIONS AT UNIVERSITY • AND ONE (ON ONE) • LEO RYAN (OUR PHAROAH’S SLAVE) • SOLAR IS HERE • THE SPIRITS MERCHANT • THE LOST VICTORY • GENERATOR • A TAB FOR THE HOLIDAY

WWW.SUNDAZED.COM

Catalog reissues – limited color vinyl formats Street date : February 26th 2021 The band’s debut EP and first full-length album available again on vinyl, now both in new limited editions colour pressings.

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The Swedish sister duo’s debut release from 2008, back on vinyl and now on limited yellow vinyl pressing for the first time.

Features the singles “You’re Not Coming Home Tonight” and “Tangerine”.

Also includes their much-loved cover of Fleet Foxes’ “Tiger Mountain Peasant Song”. A cover whose self-recorded video of the sisters singing in the Swedish mountains was a catapult to their original online presence.

The Big Black and The Blue Limited edition blue vinyl LP LP-WEBB-222LE 5055036292221 20 5 055036 292221 Alternative Pop

The sisters’ debut album from 2010, back in print and now available as a limited blue vinyl pressing for the first time.

Includes the singles “Hard Believer”, “I Met Up With The King” and “Ghost Town”.

Includes download.

Includes download.

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Label contact : MA R K B OW E N mark@wichita-recordings.com

The Lion’s Roar Compact Disc CD-WEBB-320

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Drunken Trees EP Compact Disc CD-WEBB-201

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The Big Black and The Blue Compact Disc CD-WEBB-222

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Distributor contact : P E R RY H AR R E L L harrellp@redeyeworldwide.com

WAYNE DAVIS - WAYNE DAVIS Strut present the first ever reissue of an essential lost classic from the Black Fire catalogue, Wayne Davis’ powerful selftitled gospel-soul album from 1976.

An accomplished vocalist and keyboard player, Davis had studied in Washington D.C. and had worked with Roberta Flack and she subsequently secured him a recording deal with Atlantic Records; he released the 'A View From Another Place' album in 1973 and Roberta contributed electric piano to one of the tracks. Davis was the dropped from the label and his subsequent album was released by Jimmy Gray on Black Fire. Produced by Jimmy Watkins and Bias Studios manager, Bob Dawson, the album line-up featured the celebrated poet and flautist Wanda Robinson and the horn section from legendary D.C. go-go pioneers Experience Unlimited. Wayne later returned the favour, appearing as a vocalist on Experience Unlimited’s seminal 'Free Yourself' album.

This first international reissue of the album features new sleeve notes including band member interviews and original illustrated artwork by Muzi Branch. Audio was transferred from the original tapes by the album’s engineer, Bob Dawson, and was remastered by The Carvery.

KEY POINTS First international reissue of Wayne Davis’ album from 1976 Includes new sleeve notes and band interviews + original album artwork Tapes transferred by original album engineer Bob Dawson. Remastered by The Carvery Reissue is part of Strut’s ongoing work with the Black Fire catalogue SPlace album in 1973 and Roberta contributed electric piano to one of the tracks. Davis was the dropped from the label and his subsequent album was released by Jimmy Gray on Black Fire. Produced by Jimmy Watkins and Bias Studios manager, Bob Dawson, the album line-up featured the celebrated poet and flautist Wanda Robinson and the horn section from legendary D.C. g

Release Date : 26th Feb 2021 Artist: Wayne Davis Title: Wayne Davis

For more information, contact Adam Calman: adam@k7.com

Cat. No. STRUT244LP / STRUT244CD Configuration: 1LP / 1LP Packaging: 1LP with 12” insert sheet / 1CD Digipak with 8pp booklet Bar Code: LP - 4062548013283 / CD 4062548011586 Weblink: strut-records.com/black-fire

LP TRACKLIST

CD TRACKLIST

SIDE ONE 1. STRIVE ON AND BE STRONG 2. MORNING 3. LOVE IS 4. THE GARDEN THERE IS A GARDEN, FAR AWAY!)

1. STRIVE ON AND BE STRONG 2. MORNING 3. LOVE IS 4. THE GARDEN THERE IS A GARDEN, FAR AWAY!) 5. LOOK AT THE PEOPLE! 6. DAWN OF A NEW DAY 7. THINGS SEEM JUST RIGHT, NOW! 8. INTERMEZZO/ BAHJIA HABIBA 9. “… ONE LAST THING!”

SIDE TWO 1. LOOK AT THE PEOPLE! 2. DAWN OF A NEW DAY 3. THINGS SEEM JUST RIGHT, NOW! 4. INTERMEZZO/ BAHJIA HABIBA 5. “… ONE LAST THING!”

FOR FANS OF: Tribe, Black Jazz, Strata-East, Gilles Peterson, Roy Ayers, The Last Poets, Lonnie Liston Smith, Gil Scott Heron, Pharoah Sanders, Esther Phillips, Roberta Flack, Weldon Irvine, Donny Hathaway, Otis Redding

BYARD LANCASTER - MY PURE JOY "From A Love Supreme to The Sex Machine!" The personal musical mantra of the late Philadelphia reedman Byard Lancaster informed an open-minded and varied lifetime in jazz. Strut presents one of Lancaster’s lesser known classics, ‘My Pure Joy’, recorded in 1992 for Black Fire.

Lancaster had initially cut his musical teeth with the avant-garde on New York’s Lower East Side in the 1960s (famously on sessions with pianist Dave Burrell and drummer Sunny Murray) and in Paris during the ‘70s after an appearance at the Actuel festival but, throughout his career, his path was built around community engagement, positivity and “the Philly jazz sound, Germantown style.” He became an ambassador for the music of the City Of Brotherly Love, starting his own Dogtown label, helping launch the Philly Jazz imprint and campaigning tirelessly to improve the circumstances of the city’s street musicians.

Lancaster’s sessions for Black Fire were planned following a gig at Caverns Jazz Club in Washington DC. “Jimmy Gray of Black Fire and I originally met during the ‘riotous blisters’ of the late Sixties there,” explained Lancaster. “We became the best of friends.” Backed by a band of Philly musicians including percussionist Keno Speller and Baba Robert Crowder (drummer for Olatunji and Art Blakey), the album also featured the Drummers From Ibadan led by Tunde Kuboye, another influential figure dedicated to community jazz with whom Lancaster had bonded while teaching in Lagos. The result was a free-flowing set of spirituality and positivity, built around full band groove workouts, solo pieces and heavy African roots. “We had big fun documenting this music,” remembered Lancaster. The message of the album remains as relevant today as ever, “I dedicate this album to all African Americans in the USA. To the youth, I ask ‘What does it profit a man to gain the whole world and lose his soul?’”

Originally delayed by three years because of cashflow issues within Black Fire, ‘My Pure Joy’ eventually surfaced as one of the label’s final CD releases in 1995.

Key Points

First ever reissue of lesser known Byard Lancaster album from 1995, first time on vinyl.

Backed by Philly band Sounds Of Newest Africa featuring Drummers From Ibadan led by Nigerian bassist Tunde Kuboye Package features original artwork and sleeve notes

by Byard Lancaster and Clifford Allen Part of Strut’s ongoing work reissuing the complete Black Fire independent jazz and R&B catalogue

Release Date : 26th Feb 2021 Artist: Byard Lancaster Title: My Pure Joy Cat. No. STRUT240LP / STRUT240LP

For more information, contact Adam Calman: adam@k7.com

TRACKLIST STRUT240LP

SIDE ONE 1. DRUMMERS FROM IBADAN 2. PHILADEPHIA SAVAGE 3. SWEET EVIL 4. LANCASTER BRAND NOTES SIDE TWO 1. JAZZ LADY 2. NEWEST AFRICAN CITIES 3. MY PURE JOY 4. AFRO SPACE

1. DRUMMERS FROM IBADAN 2. PHILADELPHIA SAVAGE 3. SWEET EVIL 4. LANCASTER BRAND NOTES 5. NEWEST AFRICAN CITIES 6. JAZZ LADY 7. MY PURE JOY 8. SAX-O-PHONICS SCIENCE 9. WHAT IS THAT I SMELL 10. AFRO SPACE 11. DRUMMERS FROM IBADAN REPRISE

FOR FANS OF: Tribe, Black Jazz, Strata-East, John Coltrane, Weather Report, Sun Ra, Idris Ackamoor & The Pyramids, Sunny Murray, Oneness Of Juju, Donald Byrd, McCoy Tyner, Keith Jarrett, Benny Golson, Bobby Timmons

Configuration: 1LP / 1CD PACKAGING: 1LP IN SINGLE SLEEVE W/ INNER 2PP 12” SHEET 1CD DIGIPAK W/ 8PP BOOKLET Bar Codes: LP - 4062548011067 / CD - 4062548011050

Weblink: strut-records.com/black-fire

STRUT240CD

VARIOUS ARTISTS

THIS IS JAMAICA SKA CD / LP STREET DATE: FEBRUARY 26, 2021 When first released, This Is Jamaica Ska followed in the footsteps of the successful Ska Authentic releases and also marked the first time that Clement Dodd began to showcase on LP his new discovery, The Wailers, who had begun tearing up the dances in Kingston with “Simmer Down.” This song had been held for exclusive use in the dances before it was finally put out on 45, now it gained album status marking the increased visibility of the group in the marketplace. In addition to “Simmer Down,” two other songs by The Wailers are also found on the album: “How Many Times”, and the blazing cover of Jimmy Clanton’s “Go, Jimmy, Go” which Clement Dodd had proposed for the group to incorporate into their repertoire.

Also found on This Is Jamaica Ska are songs by Bajan Jackie Opel, a prolific hit maker for the label in this period, with the ribald “Push Wood” and the popular duet “The Vow” with Doreen Shaffer. Anchored by the instrumentals of Roland Alphonso (Clement Dodd’s good friend), Don Drummond’s “Roll On Sweet Don” (here in its correct form), The Skatalites mentoinspired “Salt Lane Gal,” and mighty vocal outings by the cream of the label’s stars, this became a monumental release. Special mention to “Bongo Tango” which features what is basically a drum solo by Lloyd Knibbs throughout the entire song! The cover for This Is Jamaica Ska alone is iconic in Ska circles and here taken from the original WIRL release. Transferred in 2020 from the original master tapes, This Is Jamaica Ska is a welcome addition to the Studio One Original Masters Series Archive.

HIGHLIGHTS:

• First official LP reissue of this Jamaican classic since the 1960s and first-ever official release on CD. • Includes four bonus tracks not included on the original or digital release.

• Transferred from the original tapes, making this release part of Studio One’s Original Masters Series • Mastered by GRAMMY-winning engineer Toby Mountain.

• Produced by Studio One founder and “Father of Jamaican Music” Coxsone Dodd.

• Includes songs by Studio One legends like Bob Marley & The Wailers, The Skatalites, Jackie Opel and more.

TRACKLISTING:

1. Bob Marley & The Wailers - Simmer Down 2. The Skatalites - Salt Lane Girl 3. Jackie Opel - Push Wood 4. Andy & Joey - Wonder No More 5. Roland Alphonso - Bongo Tango 6. Roland Alphonso - Sucu-Sucu 7. Roland Alphonso - Dr. Ring Ding 8. The Blue Beats - Change Your Fear 9. Roland Alphonso - 20-75 10. Jackie Opel & Doreen Shaffer - The Vow 11. Bob Marley & The Wailers - How Many Time 12. Don Drummond & Roland Alphonso - Roll on Sweet Don 13. Jackie Opel - Sit Down Servant 14. Bob Marley & The Wailers - Go, Jimmy, Go 15. The Blue Beats - Finger Mash 16. The Gaylads - Gal & Boy DISTRIBUTED EXCLUSIVELY BY REDEYE 505 ENO ST HILLSBOROUGH NC 27278 336-578-7300 | FAX 336-578-7388

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Artist: Various Artists Title: This Is Jamaica Ska Cat #: CD-SOR-026 UPC: 634457902626 Packaging: Digipak Box Lot: 30 Territory: North America only Artist: Various Artists Title: This Is Jamaica Ska Cat #: LP-SOR-026 UPC: 634457902619 Packaging: Single LP Jacket Box Lot: 30 Territory: North America only

www.StudioOneRecords.com

CLINT ROBERTS ROSE SONGS OVERVIEW

Hailing from Western North Carolina, singer-songwriter and musician Clint Roberts combines the authenticity of Americana music with the boldness of roots-rock. Rolling Stone Country describes Clint’s sound as “…a piano-driven roots-rock sound that should appeal to fans of Bruce Hornsby and Bob Dylan alike…”.

Characterized by Grammy Award winning producer Ben Fowler (Clapton, Lynyrd Skynyrd) as having a “big voice,” Roberts has the innate ability to capture genuine emotions in his songwriting while expressing a passionate awareness of the world around him.

TRACKLISTING 1. Nero's Waltz 2. The Drifter 3. Nothing Left To Say 4. Just Like Heaven 5. Medicine 6. Annabelle 7. Amarillo 8. Broken Horns 9. Chyrsalis 10. Carolina Moon BONUS TRACKS:

Rose Songs was recorded at Ocean Way Nashville studios, the creative team collaborating with Clint included Fowler and Gordan Mote (Keys), Dan Dugmore (guitar, pedal steel, lap steel), Fred Eltringham (drums), Brian Sutton (acoustic guitar, mandolin) and Mark Hill (bass).

MARKETING

Title: Rose Songs

• "Nero's Waltz," the first single and performance video released Sept. 25, 2020, was premiered by American Songwriter and was a Rolling Stone Country “Music Pick of the Week."

The single was featured on the Spotify playlist Indigo. Acoustic performance video premiered at Cowboys & Indians Oct. 9.

• Second single and video, “The Drifter,” released November 18. Glide Magazine premiered the acoustic performance video and said “…soft vocal power and his ability to craft heartfelt, lyrically potent folk songs.”

• Americana and AAA Radio by Al Moss Promotion and Brad Paul Promotion beginning January 2021 for both album and TBD single. Americana Radio Album & Singles Chart headline banner ad runs January, February, March 2021.

• Major national press campaign targeting all music outlets in print, online, and industry press.

• Major media music video premieres planned for both radio release and commercial release.

• Social Media advertising and boosting campaigns.

Label: Carry On Music

• Targeted playlisting campaign to Country, Americana, Roots Rock and Folk formats.

11. Nero's Waltz (Acoustic) 12. The Drifter (Acoustic) Artist: Clint Roberts

Release Date: February 26, 2021 Configuration: CD - 4 panel wallet Box lot: 30 Catalog # COMU-009 CD UPC: 850020209590 Digital album UPC: 850020209606 Territory: Worldwide

TOUR DATES

• Live Stream events to commence starting the week of release.

• Aggressive touring once restrictions are lifted.

FOR FANS OF: Americana, Roots Rock, Folk, Folk Rock, Jason Isbell, Brandi Carlile, Tyler Childers, Margo Price, Bob Dylan, Bruce Hornsby, Chris Stapleton, Anderson East, Brent Cobb, Amanda Shires.

505 Eno St. Hillsborough, NC 27278

info@carryonmusic.com carryonmusic.com

REDEYEWORLDWIDE.com LORI MILLER 877.773.3931 216 / lori@redeyeworldwide.com

JIMMY EDGAR

CHEETAH BEND different universes of sound coming together to create an entirely new domain of knowing.”

From the opening whirr of “Crown” onwards, ‘Cheetah Bend’ does precisely that, unspooling fresh perspectives and glistening sound design that flaunts genre rules while respecting genre spirit. “Have A Great Now!” evokes classic West Coast boogie without dropping a beat, while “Zig Zag” gorgeously reconciles deconstructed club with the glitch work of his past. “Curves” seems to capture Berlin and L.A. in one fell swoop, creeping and bleeping towards its close with cinematic gravity.

Building upon his prior collaborative endeavors, not the least of which being the various EPs released on his own Ultramajic imprint throughout the 2010s, ‘Cheetah Bend’ finds Jimmy working in tandem with a veritable vanguard of forward-thinking artists towards his unique vision. “SOPHIE and I spent time together trading files, sounds and techniques, developing a new kind of version of modal synthesis,” Jimmy says, having used resonators and delays to emulate sonic environs akin to pipes, tunnels, and vibrating sheets. SOPHIE and TNGHT’s Hudson Mohawke respectively assist on the tenuous bass rattle of “Metal” and “Bent,” adding their inflections to Jimmy’s signatures.

Beyond these production partners, ‘Cheetah Bend’ achieves its ethos with the aid of some well- placed vocal guests. Rapper Danny Brown does irreparable microphone damage to “Get Up,” a tough love motivational set to springy synth flourishes and bass rattling. Toronto singer Rochelle Jordan, a recent J-E-T-S collaborator, imbues the lithe R&B suite “Crank” with her breathy delivery, while Atlanta trapper B La B spits streetwise singsong over a rugged and snappy beat. “I bring an energy to the room whatever I do I wanna be the best at it - ideas, direction and technique refined,” Jimmy explains.

Looking back, Jimmy Edgar has a lot to be proud of. Over the course of the last decade-and-a- half, the Detroit native has proven both a celebrated favorite and consistent fixture of dance music in its multitudinous forms.

Looking over the arc of his lengthy and diverse discography, both under his own name as well as pseudonymously, it’s hard not to see him as one of the most innovative producers and skilled sound designers to emerge this millennium, an artist whose legacy has touched untold numbers of home listeners and dance floor revelers alike.

Since first emerging onto the scene as a prodigious teen via early pseudonymous offerings for respected electronic labels like Merck, he broke out properly under his own name in 2004 as a Warp Records act. Jimmy swiftly proved a savvy figure in the IDM world by employing the homegrown sounds of electro and ghetto-tech as part of his glitchy compositions. A restless innovator, he honed his skills in the ensuing years, eventually moving to the storied German city and developing a newfound affinity for techno there.

By the time ‘Cheetah Bend’ wraps, it’s hard not to see how far Jimmy has come from his early days. The culmination of a catalog brimming with high points, the album rewards fans who’ve gladly stuck with him over the years, and invites a new batch of listeners to dive into his world. Above all, it remains true to his artistry. “I'm not willing to sacrifice integrity,” he asserts, reflecting on the path that got him here. “Now we create a new reality.”

“a genre-bending, boundary-pushing producer in the world of underground electronica and hip-hop.” - HYPEBEAST

Not Available for Export CD Box Lot: 50 Packaging: Printed Gold Disc in a Clear Jewelcase

Location often sparks inspiration. Sometimes, all it takes is a change of scenery to introduce something new in one’s creative process. For Jimmy, the move from the dance music mecca of Berlin to the sunnier climes of Los Angeles proved a turning point in an already formidable career of artistic exploration. “Berlin was a self aware bubble where I was able to be immersed into music and rhythms simplicity,” he says. Relocating stateside in LaLa Land altered his perspective once again, exposing him to a wider musical universe, including modern mainstream hip-hop and R&B that had been shadowed out while living overseas. “The more you open the doors to sounds and ideas, the more exploration you find fresh. Moving around and opening myself up to other sounds allowed me to find my sound.” He refers to the period as one of research and development. Before long, he was producing for everyone from former Danity Kane singer DAWN to erstwhile Odd Future associate Vince Staples.

Continuing on his spirited journey through the multifaceted realm of electronic music, Jimmy makes a grand return to the solo album fat with ‘Cheetah Bend’ for Innovative Leisure, the same label behind his most recent J-E-T-S output with Machinedrum. Recorded over the past few years in multiple cities including Atlanta, Detroit, and, of course, L.A., it draws upon his vibrant discography as much as it does the contemporary ubiquity of rap music.

Coming some eight years after ‘Majenta’, his oft-explicit set of pop-wise booty anthems, the album improbably synthesizes what might seem like disparate styles together, resulting in something as cohesive as it is engrossing. “The value I bring is hybridization,” Jimmy explains of his approach. “I think about

LP Box Lot: 50 Packaging: Gold Laminated Jacket Board w/ Custom Inner Sleeve & Download Card Vinyl is non-returnable

Catalog: IL2074 Release Date: 2/26/21 For Fans Of: Machinedrum, Actress, Aphex Twin, Hudson Mohawke, Flying Lotus, Oneohtrix Point Never, SOPHIE, Arca, Yves Tumor Genre: Electronic

Rian Treanor Obstacle Scattering LABEL:

PLANET MU RECORDS LTD. STREET DATE:

26th February 2021

BLACK VINYL 12”: ZIQ427.

BARCODE: 5055869565844.

BOX COUNT 30. BLACK DISCO BAG.

Rian Treanor's "Obstacle Scattering EP" arrives in a flurry of disorienting rhythmic bursts and de-purposed rave hallmarks. The four-track EP follows the Yorkshire producer's acclaimed "File Under UK Metaplasm", an album that welded elements from the UK's sprawling dance music history with genre-breaking sounds from further afield. Here, Rian goes straight for the jugular with four tracks assembled specifically for the dancefloor.

Side A: Obstacle 1 Obstacle 2 Side B: Obstacle 3 Obstacle 4

REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

Playing with "the idea of sound being an obstacle that you have to get your body around," each track on the EP presents a suite of complications for adventurous ravers.

'Obstacle 1' folds the influence of SND into a hi-nrg singeli framework, simmering lush FM synths in a broth of tangled kicks; 'Obstacle 2' was written for Rian's set at 2019's Aphex Twin-curated Warehouse Project and distills his early obsession with Planet Mu in hyperactive squelches that deftly flit between brutalist glitches and ear-pummeling bass. Meanwhile irradiant chords continuously refract a bouncing 4x4 groove on 'Obstacle 3', subtly shifting the focus as they alternate and interlock. Closer 'Obstacle 4' switches things up once again, deploying the idea of pause and effect with staccato stabs that follow whirls of modulated synth.

These four obstacles are DJ tools with spikes - selected grooves that don't fit anywhere except together, mapping out Rian's constantly-shifting relationship with both the club and the legacy of boundary-pushing dance music.

They feverishly demonstrate the outer limits of a streamlined sonic palette, devastating speakers and dancefloors in equal measure.

PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / WILL SAVERY will@redeyeworldwide.com

Mouse on Mars AAI

Thrill - 537 CD BOX LOT CD 50

*90377-05372-2

2xLP BOX LOT LP 26 Vinyl is non-returnable

*9037H-53711-6

Gray 2xLP BOX LOT LP 26 Vinyl is non-returnable

GENRE : Electronic FILE UNDER : “M” Mouse on Mars RELEASE DATE : February 26, 2021 NO EXPORT (S. AMERICA EXPORT OK)

LISTEN HERE Mouse on Mars, the Berlin-based duo of Jan St. Werner and Andi Toma, approach electronic music with an inexhaustible curiosity and unparalleled ingenuity. AAI (Anarchic Artificial Intelligence) takes their fascination with technology and undogmatic exploration a quantum leap further. Emerging from a primordial ooze of rolling bass and skittering electronics, hypnotic polyrhythms and pulsing synthesizers propel the listener across the record’s expanse. Hidden in the duo’s hyper-detailed productions is a kind of meta-narrative. Working with AI tech collective Birds on Mars and former Soundcloud programmers Ranny Keddo and Derrek Kindle, the duo collaborated on the creation of bespoke software capable of modeling speech; text and voice from writer and scholar of African Studies Louis Chude-Sokei, and DJ/producer Yağmur Uçkunkaya were fed into the software as a model, allowing Toma and Werner to control parameters like speed or mood, thereby creating a kind of speech instrument they could control and play as they would a synthesizer. The album’s narrative is quite literally mirrored in the music - the sound of an artificial intelligence growing, learning and speaking. This exploration of artificial intelligence as both a narrative framework and compositional tool, allowing the duo to summon their most explicitly science-fiction work to date.

*90377-05371-5

TRACK LISTING: 1. Engineering Systems 2. The Latent Space 3. Speech And Ambulation 4. Thousand To One 5. Walking And Talking 6. Youmachine 7. Doublekeyrock 8. Machine Rights 9. Go Tick 10. The Fear Of Machines

A genre-less embrace of cutting-edge technologies have ensured that each Mouse on Mars release sounds strikingly modern, a fact made more remarkable when one reflects on the duo’s 25 years of making music. AAI compiles some the most immediate and gripping music in Mouse on Mars’ extensive catalogue.

In Chude-Sokei’s text, as machine learning advances, robots begin to develop language, conscience, empathy - “anarchic” and unpredictable qualities. Drawing parallels between the evolution of human and machine, AAI uses technology as a lens to examine deep philosophical questions. The question of how we use technology and world resources feels particularly poignant and timely as we head into 2021. AAI posits that we must embrace AI and technology as a collaborator to break out of our current cultural and moral stagnation, and to ensure our survival as a species. As Werner explains: “We have to let AI develop qualities that we attach to humans, like empathy, imperfection and distraction.

Not to avoid machines becoming competitors who will do things faster or better, but because we’ll stay stuck in our selfishness, fear and xenophobia if we do not open up to those new concepts of life machines are able represent.”

ALSO AVAILABLE : Dimensional People CD/LP (Thrill 461) • Glam CD (Thrill 127) Radical Connector CD/LP (Thrill 134) • Instrumentals CD (Thrill 095) Niun Niggung CD (Thrill 076) • Actionist Respoke CD (Thrill 12.21) Agit Itter It It CD (Thrill 12.24)

Follow Mouse on Mars Chicago / London Ph : 312.492.9634 sales@thrilljockey.com

11. Artificial Authentic 12. Machine Perspective 13. Cut That Fishernet 14. Tools Use Tools 15. Loose Tools 16. Seven Months 17. Paymig 18. Borrow Signs 19. New Definitions 20. New Life Always Announces Itself Through Sound

SALES POINTS Mouse on Mars is Andi Toma and Jan St. Werner (Lithops), a duo working together for over 25 years.

AAI includes collaborations with writer and scholar Louis Chude-Sokei, percussionist Dodo NKishi (whose worked with Mouse on Mars for 20+ years), AI tech collective Birds on Mars, and former Soundcloud programmers Ranny Keddo and Derrek Kindle.

Mouse on Mars has over 28,000 followers & 37,000 monthly listeners on Spotify.

Original artwork by Casey Reas, inventor of the computer graphics language Processing.

Mouse on Mars received the 2020 Holger Czukay Prize for Pop Music.

Mouse on Mars has been regularly streaming performances through out 2020 partering with organizations like Goethe-Institut, Haus der Kulturen der Welt, Conditions of a Necessity and others and will continue these thruout 2021 AAI is available in black or green double LP packaged in a single sleeve with full color insert/lyrics. CD comes with 8-panel poster booklet.

“Andi Toma and Jan St. Werner continue to create soundscapes that blur the line between programming and live musicianship, and sometimes between Earth and outer space.” - AV Club “Enthralling and impossible to categorize.” - Pitchfork “Sustained and ephemeral electronic sounds conjure unearthly open spaces… It’s not a song; it’s sound as a temporal phenomenon, a few minutes of sculpted attention.” - The New York Times

@thrilljockey

Plankton Wat Future Times Thrill - 538 CD BOX LOT CD

50

*9037H-05382-1

LP BOX LOT LP 50 Vinyl is non-returnable

*9037H-05381-4

Translucent Red LP BOX LOT LP 50 Vinyl is non-returnable

*90377-53811-3

GENRE : Alternative FILE UNDER : “P” Plankton Wat LISTEN HERE RELEASE DATE : Feb 26, 2021 As Plankton Wat, Dewey Mahood uses his considerable guitar prowess to deliver NO EXPORT (JAPAN, S. AMERICA EXPORT OK) an album that encompasses both the wild, seeking energy of free-improvisation and the deliberate arrangements of more traditional composition. With his deft and stylistically varied playing, Plankton Wat’s Future Times escapes psychedelic tropes and chemical fueled alterations and instead celebrates an escape into the natural world. Future Times taps into psychedelia’s counter-cultural heritage as music for protest, liberation and imagining new ways of being in this world.

With his deft and stylistically varied playing Mahood escapes psychedelic tropes and chemical fueled alterations and instead celebrates an escape into the natural world. Future Times taps into psychedelia’s counter-cultural heritage as music for protest, liberation and imagining new ways of being in this world.

From acclaimed albums with heavy-psych mainstays Eternal Tapestry to his prolific solo excursions, Mahood’s work has always been defined by his restless exploratory spirit and reverence for the environment. As Plankton Wat, Dewey Mahood creates expressionist compositions that exude a supernatural grace and patience, reflecting the resplendent beauty and mythical energy of the West Coast’s wild places. Piece blossoms from low-lit, porchside ambience into powerful head-trips, ushering the listener through ravines of feedback and along warm currents of synthesizer drift to peaks of lysergic bliss. Mahood’s masterful and distinct guitarwork consistently blurs the confines of the instrument, at once texturally and melodically rich. Future Times elevates Mahood’s psychedelic instrumentals to new planes. Written to the backdrop of social unrest and climate change fueled fires, Mahood lays out a sprawling cinematic and psychedelic survey of a planet in crisis that weaves a path of hope through the darkness.

Recorded in the spring of 2020, with most of the United States sheltering in place, Future Times began as a meditation on the times. With the optimism of spring and the promise of summer replaced by anxiety about the future, music became an important means of processing difficult emotions and connecting with the outside world. Mahood developed pieces created with musical partner Dustin Dybvig and engineer/producer Victor Nash, transmuting the expansive energy of the live improvisations into lean guitar, bass and keyboards compositions.

ALSO AVAILABLE FROM PLANKTON WAT: Drifter’s Temple CD/LP (Thrill 344) • Spirits CD/LP (Thrill 294) ALSO AVAILABLE FROM ETERNAL TAPESTRY: Wild Strawberries CD (Thrill 388) • A World Out Of Time CD (Thrill 319) Beyond The 4th Door CD (Thrill 252)

TRACK LISTING: 1. The Burning World 2. Nightfall 3. Modern Ruins 4. Dark Cities

5. Teenage Daydream 6. Sanctuary 7. Future Times 8. Defund The Police 9. Wind Mountain

SALES POINTS “pastoral drones and swirling psychedelia” - Pitchfork Plankton Wat is Dewey Mahood, known for his guitar prowess in modern psychadelic music, specifically with Eternal Tapestry, as well as with Edibles, Elephant Factory Galaxy Research, Gärden Söund among others.

Future Times was recorded at Mahood’s home studio Solar Commune, with additions from Dustin Dybvig (Horse Feathers & Edibles) and Victor Nash (Flash Hawk Parlor Ensemble). Features Ash Dybvig on flute.

Artwork by Dylan Marcus McConnell (TIny Little Hammers).

LP comes on limited edition red or black vinyl packaged with download code and insert “[Mahood’s] lonesome universe is definitely a psych-folk monster on the sly…… Mahood’s gone far into the burrow of psychedelia for an album that’s caustic and tender, bittersweet and effervescent.“ - Raven Sings the Blues

Follow Plankton Wat Chicago / London Ph : 312.492.9634 sales@thrilljockey.com

@thrilljockey

FRÀNÇOIS & THE ATLAS MOUNTAINS BANANE BLEUE

TRACKLISTING 1. The Foreigner 2. Coucou 3. Julie 4. Par Le Passé 5. Holly Go Lightly 6. Lee-Ann & Lucy 7. Tourne Autour 8. Revu 9. Gold & Lips 10. Dans Un Taxi

OVERVIEW Banane Bleue is the new album from Frànçois & The Atlas Mountains.

CATALOG NUMBER: WIG478 RELEASE DATE: February 26, 2021 FILE UNDER: Alternative “F” CD Boxlot: 30 UPC: 887828047826

LP w/ DOWNLOAD Boxlot: 20 UPC: 887828047819

Vinyl is non-returnable

Banane Bleu (French for “Blue Banana”) is a nomadic and truly European record, hailing from rented workspaces in some of the continent’s key cities - Berlin, Athens, Paris - and recorded with instruments that were often borrowed from likeminded musicians. Written solely by Frànçois Marry himself, close collaborator and Weird World artist Jaakko Eino Kalevi was enlisted for production duties whilst Renaud Letang (Feist, Gonzales, Connan Mockasin) mixed the album.

The title of the album is taken from the blue banana concept, a geographical theory that groups together a corridor of Europe’s biggest cities, originally conceived in the 1980s. The theory states that the blurring of these cities’ boundaries has resulted in the formation of one massive, interconnected megalopolis. Expanding on the theory, Frànçois poetized it, picturing a luminescent blue banana shape that you can see from space with vibrant, ethereal currents that surround and bind us. It explores common cultural and romantic ground, creating an album full of missed meetings and misunderstandings.

“I have often asked myself what my relationship history would be like if I had been born on another continent. Our idea of love, which comes from the 18th and 19th centuries, is ingrained in the walls and aromas of cities, cafes, nights out in bars, romantic getaways and city breaks; as if European electricity emitted some kind of romantic scent.” This electric grid of romance is personified in the blue banana concept.

Songs, such as “Julie,” “Holly Go Lightly” or “Golden Lips,” date from the time Frànçois spent living in Bristol in his early 20s. They twinkle with a lingering nostalgia synonymous with British pop music: catchy yet deceptively carefree. Others are much more recent, like the hypnotic “Par le passé,” whose glistening keys were recorded at MABA, an artist residence that adjoins an art gallery and a retirement home in the Paris suburbs.

SELLING POINTS • Banana Bleue is the follow up to 2017's Solid Mirage.

• North American press is being administered by SIX media marketing in Canada.

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com

• Standard LP comes with a download card.

• College radio campaign to impact upon release.

SADDLE CREEK DOCUMENT SERIES DOCUMENT 015: Ohtis - Schatze b/w Failure

TRACKLIST 1. Schatze (feat. Stef Chura) 2. Failure

3:18 3:44

Artist: Ohtis Title: Schatze b/w Failure Catalog #: LBJ-321 Formats: 7" Street Date: February 26, 2021 Box Lot Quantity: 84 Genre: Alternative PRESS PROMOTION Lisa Gottheil lisag@grandstandhq.com

Featuring duet with STEF CHURA on A-side “Schatze” The Schatze b/w Failure 7” features two new tracks from Ohtis, including a duet with Stef Chura, and was mixed by Collin Dupuis (Lana Del Rey, Angel Olsen, St. Vincent). It follows the release of Ohtis' critically acclaimed 2019 debut album Curve of Earth.

The release is led by “Schatze,” a new song that features Saddle Creek’s Stef Chura. A character study of the Selfish Antisocial Male, it is told primarily through the lens of his long put-upon girlfriend - which Chura acts the part of - in a series of complaints about his objectionable behavior. “I’ve always loved Ohtis and Curve of Earth is one of my favorite recent releases to come out,” Chura says of her involvement. “Sam is a rare songwriter. He speaks from an honest and dark place with a sincerity that I think is refreshing and deeply relatable. Adam is an old friend who was living down the street from me in Detroit at the time this collaboration came to be tossed around. I think someone on my Instagram kept asking me about doing a song with them... So I made a poll as a joke which led to the inevitable. When they showed me the song and the call and response format I was instantly in love with it.”

Though light-hearted and fun in its tone, “Schatze” offers no illusions about the state of affairs: he is wrong, selfish, and unrepentant about it all. “I got the idea for the song on an oceanfront balcony up in Cambria when my wife got annoyed by my neurotic vape addiction crampin’ the vibes,” Sam says. “Most of the rest was written and recorded last year, late at night in a hotel room in Amsterdam.”

The track actually takes its name from a cat belonging to Sam’s friend Gerald, which Sam says is extremely violent and possessive. “He has put Gerald's wife Teri in the hospital, and fucked me up badly more than once because I had refused to admit there was a cat alive whose heart I could not win,” Sam says. “Turns out Schatze is such a cat.”

RADIO PROMOTION College, Commercial & Specialty radio@saddle-creek.com MASTER USE LICENSING jeff@saddle-creek.com INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com

7” spineless jacket, download card, insert “zine”

NOT EXPORTABLE OUTSIDE THE US 7” NOT RETURNABLE

B-side “Failure” can be seen as the Selfish Antisocial Male in a moment of introspective crisis. He is struck by fear and panic about the consequences of his behaviors and what it means for his future. Whereas in “Schatze” he breezily appeals to his freedom to do as he pleases, in “Failure” his fears indicate that perhaps these behavior patterns do not represent personal freedom but in fact quite the opposite. “‘Failure’ was written many moons ago after visiting a walk-in clinic for an STD test attended by a ‘Dr. John’ and psyching myself out waiting for the results” Swinson says. “They eventually came back negative, but not before spawning this insane fucked up stream of consciousness song. I had always stood by the song living up to its title until Adam and Nate dug it back up and added this Bonnaroo-worthy outro to it.”

Offering even further insight into a brutally honest mind, the two new songs are dark, raw, but always tinged with a compelling sense of sardonic wit.

Taking inspiration from the original concept behind the founding of Saddle Creek, as an attempt to highlight our home city through music and art, we began the Document Series in 2017. Each release featured in the Document Series is comprised of an exclusive record featuring unreleased music from artists outside of the label's roster, along with a specially curated zine created by the artist.

S A DDLE C R E E K

S C

P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM

505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com

MUSICROUGHGUIDES

The Rough Guide to

African Beats The Rough Guide To African Beats Cat No: RGNET1393CD Label: World Music Network Street date: February 26, 2021 File Under: World Format: CD digipak Box lot: 60 ct/CD CD UPC: 605633139327

Marketing points: • An album which highlights how rhythm is the defining trait of African music • Featuring guardians and masters of ancient but living musical traditions • A seamless collection of tracks from diverse countries including Lesotho, South Sudan and Niger

Nowhere is the beat of a drum more symbolic of a culture than in Africa, where it’s forever been the heartbeat of daily life. From the trance percussion of South Sudan to the gnawa groove of Morocco, this is an exploration into a continent’s rhythmic life source.

Track-List 01 Wayo Kpaningbo (Xylophone) 04:18 02 Kenge Kenge Obare Yinda 07:39 03 Simo Lagnawi Bolami 04:41 04 Sotho Sounds Ha Kele Monateng 03:26 05 Mamane Barka Doro Lelewa 05:37 06 Hope Masike Zunde 03:31 07 Mamoutou Dembele Taro Maro 04:40 08 Seprewa Kasa Nkasoo 05:41 09 Mory Kanté Biriya (Rythmes Du Mandingue) 06:47 10 Mama Andela To Le Bèpe 03:55 11 Krar Collective Wello 05:58 12 Nuru Kane Mariama 03:29 13 Vakoka Maromaso 05:00 14 Amadou Diagne Suma Dom 02:01 15 Tartit Yahoye 03:21

• Featuring an array of percussive instruments, from the well-known djembe to obscure log drums and xylophones • An album which reflects the true spirit and pulse of African music • From the ever popular benga beat of Kenge Kenge to the junk-funk of Sotho Sounds, this is a cutting-edge collection • Trance-inducing grooves which create an unstoppable expression of freedom and liberation • Undoubtedly some of the best African music you’ve never heard • Includes unique recordings by masters of endangered instruments • A hand-picked collection which brings together many infectious and hypnotic traditional rhythms of Africa

Total Playing Time: 70:38

CD 6

0 5 6 3 3

1 3 9 3 2

7

Available for instore co-op campaigns, listening posts and racking / Servicing all world music magazines, radio programmes and websites

Redeye

505 Eno St, Hillsborough, NC 27278 Contact: Jeep Ward jeep@redeyeworldwide.com www. redeyeworldwide.com

World Music Network (UK) Ltd US Label enquiries, contact: Neil Record neil@worldmusic.net www.worldmusic.net

ANANSY CISSÉ ANOURA

Four years in the making, Anoura / The Light sees the return of Malian guitar axeman Anansy Cissé providing another eagerly awaited dose of his trademark desert blues. Drawing inspiration from the tumultuous upheaval in his homeland, Anansy offers a positive message in these songs of love, respect and hope for better times ahead.

Marketing Points: •

Anansy Cissé’s powerful and distinctive guitar riffs give the album a drive and attitude like no other

•

A pioneering guitarist who champions ancient tradition and uncharted modernity at once

•

The long-awaited follow-up to the critically acclaimed debut album Mali Overdrive (TUGCD1079) released in 2014

•

Electric guitar and bass blend beautifully with traditional instruments including ngoni, calabash and soku

Songs which serve as a poignant reminder of the delicate political and social issues being faced by the people of Mali

•

•

•

Anansy Cissé’s souped-up guitar distortions re-work the West African desert blues genre with a new, agitated

•

•

attitude •

An album guaranteed to appeal to guitar enthusiasts and world music fans alike Traditional Fulani and Songhai rhythms combine with Cissé’s myriad rock influences A harmonious blend of African blues, traditional themes, and Western influences

Artist: Anansy Cissé Title: Anoura Catalogue No: TUGCD1129 CD UPC: 605633012927 Digital UPC: 605633012934 Box lot: 55 CD/ct Label: Riverboat Records Format: 1CD digipak & digital download Street date: 26th February 2021 File under: World

Featuring the late great soku (singlestring fiddle) master Zoumana Tereta

‘Malian guitar music with rock-and-roll

‘A fresh take on West African blues’

energy and attack’

ROOTSWORLD

FINANCIAL TIMES

Available for instore co-op campaigns, listening posts & racking / Servicing all specialist music magazines, radio programmes & websites

Redeye

World Music network (UK) ltd

505 Eno St, Hillsborough, NC 27278

US Label enquiries, contact:

Contact: Jeep Ward jeep@redeyeworldwide.com

neil Record neil@worldmusic.net

www. redeyeworldwide.com

www.worldmusic.net

Goose Bumps • For fans of Beach Fossils, Beulah, Real Estate, Triathalon, Chastity Belt, Boy Pablo, The Drums, Frankie Cosmos, Vansire.

• US college radio campaign through Pirate Promotions (steve@piratepirate.com).

• Press campaign handled by Will Osiecki (will@topshelfrecords.com) and Jon Weiss.

• 10 million+ streams to date on Spotify.

• Music video planned.

• Substantial touring around initial album release, including sold out dates supporting Pinegrove and Vundabar.

On Goose Bumps, Connecticut's Boyscott present ten upbeat tracks that forge together elements of surf rock and bedroom pop. Weaving these supple sounds of yore into the techniques of today, Boyscott's distinct bedroom-recorded bops betray the limitations of their modest studio situation with a sonic depth not commonly associated with lo-fi projects.

p: Sam Rice

TSR210 LP / CS / CD ^ ^ ^ yellow + green “galaxy” vinyl w/ DL code

Boyscott

STREET DATE February 26, 2021 LABEL Babe City/Topshelf Records CATALOG # TSR210 TRACKS 10 FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT yes LP UPC 6 34457 03782 3

Originally released in 2015, Goose Bumps is getting its first vinyl reissue with a co-release by Topshelf Records and Babe City Records. Although it took a few years of rotating casts, various makeshift studio experiences, and over a hundred shows, Boyscott have clearly carved out their own place in the world, garnering millions of streams and selling out many DIY physical pressings in the process.

CD UPC 6 34457 83302 9 3 6 34457 03782

CS UPC 6 34457 83304 3

6

34457 83302 9

6

34457 83304 3

Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres.

To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like

babe city records 421 11th Street SE Washington, DC 20003 jon@babecityrecords.com

redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com

topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com

American Dreams Records

PALE SPRING CYGNUS

The Veil Nebula, a huge cloud of plasma and dust, is notorious among astronomers for being difficult to see through a telescope.

Long-exposure astrophotographs show gossamer electric blues and reds, like bridges of woven ice and rubies frozen in the sky. Listening to CYGNUS, the debut from Pale Spring, composed of married couple Emily Harper Scott and Drew Scott, is like noticing collapsed stars return as sound. Drawing from nightmares real and dreamed, CYGNUS makes loops and rifts manifest, threading pop melodies through rings of samples and drum programming.

Pale Spring wrote and recorded CYGNUS in Baltimore, whose fertile music scene has seen acts like Lower Dens, Ami Dang and Beach House build rich, selfcontained worlds of sound, both sonically inquisitive and mood-setting. CYGNUS expands on the foundation these groups have developed, with stately, smooth pop songs incorporating layered harmonies, glitches, and, on “Old Sounds” -- before Fiona Apple, no less! -- dog barks. Music runs in Harper Scott’s family: a classically trained musician herself, her grandfather

Critics noticed CYGNUS when it first came out last year, with glowing reviews in Bandcamp, Tiny Mix Tapes and DAZED. American Dreams Records’ vinyl reissues of CYGNUS and DUSK mark the first time they’ve been made widely available as physical media. “I’m excited for this music to be reborn in a new context,” says Harper Scott. “I feel like we’re getting a second Much of the album renders anxieties, chance.” There’s no need for equipment to depressions and nightmares within surreal hear how far they’ve come. settings. Harper Scott’s words seem to float, belying her vocal control; Scott’s production crackles, stutters and thrums, as if reflecting the characters inhabiting the songs. On album opener “Silence,” beats clatter like a pitch-shifted trashcan lid. “Belongings,” written by Chris Taylor of DC screamo pioneers pageninetynine, begins with a beat like a knock at the door.

“When you come home,” Harper Scott sings, “The cats won’t speak. It’s as if you were never here.” “Old Sounds” describes the exhaustion of unrelenting depression: “this feeling beating me ‘til there ain’t much...but a few notes kept in a box you have left.” studied at Juilliard under his uncle, who played for the New York Philharmonic.

Scott’s grandfather sang doo wop, and his influence paved the way for Scott to explore music; eventually, he taught himself how to sample. His accompaniment provides an underpinning for Harper Scott’s vocals and instrumentals.

RIYL: Portishead, FKA Twigs, Fielded, Talsounds Label: American Dreams Records Release Date:2/26/2021 Cat#: 15 ADR Format:LP Barcodes: LP: 618119854539

American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

Label Contact: Jordan Reyes jordan@american-dreams.zone vinyl

American Dreams Records

PALE SPRING DUSK

The cover to Pale Spring’s second album, DUSK, depicts frontwoman and multiinstrumentalist Emily Harper Scott flanked by massive desert rocks, standing tall, as if she’d just landed on an alien planet. It’s an apt metaphor for the reissue of Pale Spring’s first albums, which grapple with dreams, tension and assertion, on American Dreams Records. DUSK is the product of the group’s move from Baltimore to Los Angeles, juxtaposing challenging subject matter with ethereal arrangements that incorporate samples, synthesizers and analog instruments.

producing are interconnected processes for me,” Harper Scott says. She passes musical ideas back and forth with Scott, whose production responds to or builds from her instrumentals and melodies. Often songs incorporate bits of old ones, as on album closer “Dark,” which revolves around an outtake from their sessions for CYGNUS. Here and throughout the record, Harper Scott elasticizes syllables: “Give me a space that I can call sacred,” she sings, and just as her harmonies suggest the song’s chord progressions, the song suggests such a space.

Conceptually, Pale Spring attempts to reconcile apparent contradictions in the human condition: healing from, and feeling comforted by, depression and generational trauma. Harper Scott writes songs that relate “intensely personal accounts” and “the images that haunt my dreams.” DUSK abounds with wounds, breaks and bodies; characters yearn, make love, bare themselves. These songs have a dreamlike quality, as if existing outside of time; their simultaneous spareness, richness and languor belies the pair’s intricate collaboration. “Songwriting and

On “Safe,” Harper Scott’s oblique vocal melodies snake around her rhythmic drum programming, at times evoking British landscape music band Hood. Elsewhere, the record features instrumentals from Baltimore-via-Africa polymath Infinity Knives (whose own record, Dear, Sudan, was just reissued by Phantom Limb). “Slow Motion” is emblematic: Harper Scott casually glides between susurrations in the fourth and fifth octaves while dawbs of guitar and samples suggesting saxophone and piano float around her vocals. The song features a music video directed by

Priscilla Mars, with lush visuals paralleling the song’s allusions to physicality. “It really captures that creepy, ethereal, Lynchian element that LA has,” says Scott. “There’s a whole different gloom here.”

Now, with DUSK widely available on LP, Pale Spring has the chance to share their music with listeners old and new. For the band -- who originally released DUSK last summer, in the midst of the COVID-19 pandemic, and cancelled tours in support of its release -- the rerelease is rejuvenating.

“We made these records while coping with transitional periods of our lives as individuals and as a couple,” says Scott. “It will be an intense experience to listen to them again when I can put the record on the turntable.”

RIYL: Portishead, FKA Twigs, Fielded, Talsounds Label: American Dreams Records Release Date:2/26/2021 Cat#: 16 ADR Format:LP Barcodes: LP: 618119854546

American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

Label Contact: Jordan Reyes jordan@american-dreams.zone vinyl

SIBILLE ATTAR - A HISTORY OF SILENCE Street date: February 26, 2021 File under: Indie / Pop PNKSLM083-LP Format: Standard black 12” vinyl UPC: 634457023406 PNKSLM083-LE Format: Indie exclusive white 12” vinyl, edition of 100 units worldwide UPC: 634457043848 Tracklist: 01. Hurt Me 02. Somebody’s Watching 03. 1997 04. Hard 2 Love 05 .Dream State 06 .Why u Lookin’ 07. Go Hard or Go Home 08. Oh Father 09. The World Is On Fire 10. Life is Happening Now Eight years after her debut album Sleepyhead the Swedish artist Sibille Attar returns with her second full-length album A History of Silence, after making her comeback with the acclaimed Paloma’s Hand EP in 2018. Opting to produce and record the record herself, A History of Silence ranges from eighties inflicted electropop to experimental pop, anchored by the key through-lines of sharp melodies and atmospheric soundscapes. A History of Silence is showing just why her early got her the attention of the likes of Pitchfork, Stereogum and Noisey, and nominations for pop album of the year in her native Sweden.

Press for Sibille Attar “Her astounding production work throughout the EP in particular puts her in league with legends” – Stereogum “a masterpiece in artistic misery” – The Line of Best Fit “it’s mournful and absolutely gorgeous” – BrooklynVegan “madly wide-eyed, swooning songs” – Pitchfork “a vivid collection of alt-pop pieces that built into something refined” – CLASH ALSO AVAILABLE: PNKSLM042-LP Paloma’s Hand 12” EP, black vinyl UPC: 634457862616

PNKSLM042-LE Paloma’s Hand 12” EP, pink vinyl (alt artwork) UPC: 634457862685 PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com

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WE OUT HERE VARIOUS ARTISTS

SUNNY SIDE UP VARIOUS ARTISTS

KASSA OVERALL I THINK I’M GOOD

TINO CONTRERAS LA NOCHE DE LOS DIOSES

JOE ARMON-JONES TURN TO CLEAR VIEW

DAYMÉ AROCENA CUBAFONIA

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Brownswood Recordings is the independent record label founded by DJ, record collector and broadcaster Gilles Peterson. Founded in 2006, it’s a platform for new artists to grow, and a space for established acts to break with tradition. Over a decade later, that inclusive attitude continues. Its output spans the new jazz messengers of the UK underground, fresh tangents in hip-hop-tipped-beatmaking, from snapshots of Havana’s burgeoning club culture to the indefinable sound of Melbourne’s rising underground.

We are pleased to offer a wonderfully eclectic selection of our essential bestsellers and unique 2020 releases including the London Jazz future classic ‘We Out Here’ compilation alongside its Melbourne contemporary ‘Sunny Side Up’ both showcasing incredible music movements stemming from underground culture. Also the self-acclaimed ‘backpack jazz producer’ Kassa Overall mesmerises us with his Hip Hop infused experimental sounds in ‘I THINK I’M GOOD’. Listed in Time Magazine’s ‘Best Albums of 2019,’ Joe Armon-Jones’ ‘Turn To Clear View’ is an album that blurs the lines between bass-heavy dub, contemporary club culture and his background as a pioneering force in the modern jazz scene.

Our passion for showcasing global sounds continues with a brand new project by 96-year-old Mexican drummer Tino Contreras. His new work features seven new recordings, contemporary jazz themes interlaced with 3/4 rhythms, written and recorded in Mexico City last year. Also included in this offer is the critically acclaimed album by Daymé Arocena, ‘Cubafonia,’ rooting her compositions in Cuba’s classic rhythms adding her unique contemporary flair.

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