10.29 & 11.05 New Release Book

Rede Welc ye ome s

RELEASE DATES: 10.29.21/11.05.21 | ORDERS DUE BY 10.08.21/10.15.21

CHEMI UNDER KAL GROUN D

RADIOHEAD KID A MNESIA XL RECORDINGS

Redeye Label of the Month:

DAPTONE RECORDS! TY SEGALL | BREMER/MCCOY | SUSTO

Available now in North America via Redeye Stock Up Now: CD 15%/LP 5% off. Sale Ends 11/5.

Mogwai Come On Die Young CD:5024545691726

Mogwai Kicking A Dead Pig CD:002028611822

Mogwai EP+6 CD:5050294100523

The Phantom Band Checkmate Savage CD:5024545541823 LP:5024545838411

The Phantom Band The Wants CD:5024545602722 LP:5024545602814

The Phantom Band Strange Friend CD:5024545687729

The Phantom Band Fears Trending CD:5024545706420 LP:5024545706314

Various Ballads Of The Book CD:5024545450026

RM Hubbert Thirteen Lost & Found CD:5024545629521

RM Hubbert Breaks & Bone LP:5024545667912

RM Hubbert Telling The Trees CD:5024545743920 LP:5024545743814

Citizen Bravo…

The World Of Ivor Cutler CD:5024545871722

Malcolm Middleton 5:14 Fluoxytine Seagull…

CD:5050294128428

Available now in North America via Redeye Stock Up Now: CD 15%/LP 5% off. Sale Ends 11/5.

The Delgados Universal Audio CD:5024545298727

Adrian Crowley Dark Eyed Messenger CD:5024545792126 LP:5024545792010

Aidan Moffat & Bill Wells The Most Important Place In The World CD:5024545707823

Emma Pollock The Law Of Large Numbers CD:5024545585926

Found Factorycraft LP:5024545608915

Holy Mountain Ancient Astronauts CD:5024545685220 LP:5024545685114

Rick Redbeard No Selfish Heart CD:5024545653328

Rick Redbeard Awake Unto CD:5024545744125

Aidan Moffat & The Best-Ofs How To Get To Heaven From Scotland CD:5024545542028

Kingʼs Daughters & Sons If Then Not When CD:5024545626728

The Unwinding Hours Afterlives CD:5024545643824 LP:5024545643718

Emma Pollock In Search Of Harperfield CD:5024545735024 LP:5024545734911

Miaoux Miaoux Light Of The North CD:5024545640120 LP:5024545640212

Sound Of Yell Leapling LP:5024545877717

CELEBRATING 20 YEARS OF DAPTONE RECORDS 20% OFF CD CATALOG (SALE ENDS 10/31)

TH E DAPTON E S U PE R SO U L R E VU E L I V E AT TH E A POLLO

O RQ U E S TA AK O K AN 16 R AYOS

C OC HE M E A

VOL . I I : BAC A S E WA

BACK CATALOG

C o n t a c t y ou r Re d e ye Re p for a full cat alog and sale list + order on t he B2B

Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight

This Issue: Neal Sugarman at Daptone Records Honestly not much, We want to make cool records that we love.

We always say “make records like the records we love.” There is not much else actually.

How did you personally get started in the music industry?

I started as a Sax Player, then when I started my own band I was suddenly Sax Player-Manager, and from there we started our own label; sax player, manager, label guy. . .

When and where did the label begin?

We started in 2001 in Brooklyn NYC. What is the meaning behind the name for the label?

We thought it sounded cool. We also had a house band called the Dap-Kings How has the label changed since it started?

Not much actually, we are still super DIY and to this day keep our own recording studio and a small staff of mostly the same people as when we first started.

Describe the general makeup of your team at the label.

There is myself and my partner and Co-Founder Gabe Roth who is doing mostly record production. We now have two marketing/project managers, Nydia and Nick . . . Mikey who does all the manufacturing and all things relating to vinyl and merch manufacturing, and Andy who manages the online sales, shipping & receiving.

What has been the biggest challenge for you and the label during the Pandemic?

Making sure the staff were able to stay employed and healthy.

Especially dealing with NYC infrastructure and trying to keep all the records moving from point A to B. Is the label tied to a specific geographical area? How is this reflected in your releases?

I would say no, we are pretty world-wide. Regarding the artists we sign, we do tend to stay local, whether they come from Brooklyn, or now with a studio in Southern CA we started a label called Penrose, and that is pretty much the sound of SoCal. Is there a genre that you would consider to be the label’s “signature style,” or is it a mix?

Yes absolutely, we love soul music and that drives the base of everything we do.

How would you describe your overall ambitions and goals as a label from when you first started compared to now?

We know you can’t choose, but what’s been your favorite label release, and why?

That is a tough one, and yes, very hard to choose, and it might change day to day depending on my mood, but I might say “The Frightnrs - Nothing More To Say.” I actually played sax on a lot of the records which sometimes gets in the way of my pure enjoyment, so for that reason I can enjoy the Frightnrs record on a different level, having only been involved in the production.

What’s the wildest marketing promotion you’ve ever worked on for any release?

Probably having an artist hand paint Charles Bradley murals in major cities all over the country. It was just so amazing to see those go up.

If you had the budget, what would be your dream “outsidethe-box” or “crossover” marketing campaign?

Daptone Super Soul Review concerts all over the country on the back of a flatbed. Seems obvious, but I always felt our best assets were the live shows. We always used to struggle with logistics as the bands got more popular and the concert tickets got more expensive. I somehow always felt certain that folks that could have loved the music might have become alienated, so to get the live music in front of people would be my call.

What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released?

We have done it all and personally I don’t like it. I like old school black.

Forget about the vinyl boom - how are you and your label responding to the ever-increasing popularity of cassette tapes? CDs??

Wait what?

How would you describe the average fan of the label?

Smart and one who has discerning taste.

In your opinion, how important is it to be environmentally sustainable within the music industry these days?

Every industry needs to take a stance and do what they can to not only set an example but think about the next generation.

If you had to start a new sub-label, what would it be called and what kind of music would it be geared towards?

We recently started Wick Records for rock music, then Penrose for Low Rider type slow soul music. We always talked about a comedy label called either Har-D-Har Records or Punch Line.

They say our sun will explode in about 5 billion years or sohow would you like the label to be remembered?

Great Records All The Time!

East Village “Hotrod Hotel”

Long-awaited vinyl repress available now!

Label: Slumberland Records Catalog Number: SLR 241 1. Her Father’s Son 2. Precious Diamond Tears 3. Cubans In The Bluefields 4. Strawberry Window 5. Break Your Neck 6. Kathleen 7. Back Between Places 8. Vibrato 9. Here It Comes (original version) 10. Freeze Out (original version) 11. Violin 12. Go And See Him Territory: World File Under: Alternative - E RIYL: The Byrds, The Rain Parade, The Chills, McCarthy, The Weather Prophets

East Village are one of the great lost bands, a group whose music has only grown in stature since their premature demise in the spring of 1991. Along with other legendary bands like Big Star and The Action, who also failed to fully stamp their mark whilst active, East Village made pop music that was timeless, but out of step with the musical environment around them.

Originally named Episode Four, the band was formed in the mid-1980s by brothers Martin and Paul Kelly in the sleepy Buckinghamshire market town of Princes Risborough just forty miles to the west of London.

They were soon joined by Johnny Wood (guitar/vocals) and Spencer Smith (drums) and by 1986 they had forged their brilliant, classic pop sound and recorded their first release, the "Strike Up Matches" EP, which has gone on to become one of the most sought after releases of the C86 era.

By 1987 they had renamed themselves East Village and relocated to London where they recorded two EPs for Jeff Barrett's Sub Aqua label. The band gigged extensively through 1988 and 1989, including tours with The House Of Love and McCarthy. The 1989 collapse of Sub Aqua left the band without a label, but they recorded their debut album using money loaned by Bob Stanley, and were soon re-united with Jeff Barrett on his new Heavenly label, releasing their classic single "Circles." Just as interest in the band was building East Village played a sold out show at the New Cross Venue in South London only to end the set by splitting up on stage.

The album that followed, "Drop Out" (1993), was mixed and released posthumously on Heavenly and has gone on to be hailed as a classic of its genre. The years that followed saw East Village gain a cult status amongst fans of indie music and prices of original pressings rose rapidly as demand outweighed supply.

A singles compilation, "Hotrod Hotel," was released to great acclaim by Summershine in 1994, and now we're very happy to facilitate its first, long overdue, vinyl release.

Contact: Stephen Svacina

email: stephen@redeyeworldwide.com

tel: 1.877.733.3931

LP UPC: 749846024114 Packaging: Limited edition LP with heavy, 60s-style tip-on jacket and gatefold insert with liner notes

by Jon Dale and rare photos.

Box Lot: 25/50

7

49846 02411

4

Celebrating the one year anniversary of the universally loved spiritual jazz opus, ‘Pathways & Passages’, by legendary vocalist Dwight Trible, and LA jazz supergroup, Cosmic Vibrations. To mark the occasion, we’re proud to release a special remix of album highlight “OLBAP”, reworked with true love and care into a broken beat masterpiece by the electronic jazz pioneer and pianist, Mark De Clive Lowe!

Cosmic Vibrations ft. Dwight Trible ‘OLBAP’ reimagined by Mark de Clive-Lowe RELEASE DATE: LABEL: CATALOG: FORMAT: GENRE:

09/24/2021 SPIRITMUSE RECORDS SPM008 DIGITAL Jazz, Broken Beat, Cosmic Jazz, Electronica FOR FANS OF: Mark de Clive-Lowe, Dwight Trible, Cosmic Vibrations, LA Music Scene

COSMIC VIBRATIONS ARE: Dwight Trible voice /kalimba John B Williams acoustic bass Derf Reklaw congas / percussion / flute Pablo Calogero tenor sax / bass clarinet /

woowinds / flutes

Christopher Garcia - indigenous percussion Breeze Smith - drums / percussion / loops Jazz, Spiritual Jazz, Vocal Jazz, World Jazz, Cosmic Jazz

TRACKLIST 1.

2.

OLBAP (reimagined by Mark de Clive-Lowe) OLBAP (original)

IGINAL

15% OFF THE OR YL BUM - CD + VIN AL

CD 6panel digipak

LP 180g vinyl w/ insert

CAT NO: CD-SPM004 UPC: 634457031340

CAT NO: LP-SPM004 UPC: 634457030046

6

34457 03004 6

6

34457 03134 0

Redeyeworldwide.com • 505 Eno Street Hillsborough NC 27278 877.733.3931 • PM: Jeep Ward jeep@redeyeworldwide.com

Music for the Sprit

LIMITED PRESSING ON

STREET DATE 10/15/21

CLEAR RED VINYL!!

LP-ALIVE-0112LE COLOR VINYL

UPC : 634457825413

6

34457 82541 3 ROCK

The1977 proto-punk classic pressed on CLEAR RED VINYL and featuring an INNER SLEEVE with rare vintage photos of Iggy and James in Los Angeles!

WADADA LEO SMITH LUMINOUS AXIS TZA CD 7083 Composer Series John Bischoff, Chris Brown, Ikue Mori, Tim Perkis, Wadada Leo Smith, Mark Trayle, William Winant.

Garden of the Heart * Perfect Essence * Radiant Light Gushing From the Sun * Night Splendor, A Certain Moon Flow * Tango * Beauty * Fountain (Immortality) * Garden of the Soul * Apples, Dates and Pomegranates * Light, Ginger, Olives and Musk * Harp: A Gleaming Sama * Fountain (Lore) * Caravans of Winter and Summer * Camphor * The Traveler FOCUS ON A TZADIK CLASSIC A relentless musical innovator since his early days in the Chicago AACM, Wadada Leo Smith is one of the most consistently creative composer/performers in new music. In his sixth Tzadik release he once again explores new territory, bringing six absolute masters of live electronics together to perform some of Wadada's most adventurous and colorful compositions. Including a large, sprawling work for four laptops and trumpet, and two dynamic duets with legendary laptop pioneer Ikue Mori, Luminous Axis is one of Wadada's most exciting and dynamic recordings.

7

02397-7083 - 2

2

File Under: Avant Garde/Jazz

Street Date: November 12, 2021 Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

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ORDER FORM Street Date: 10.29.21 | Order Date: 10.08.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

781484079521

CD-DC-795

Segall, Ty

Harmonizer

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LP-DC-795

Segall, Ty

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680899009829

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Bremer/McCoy

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680899009812

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607396652228

CD-NW-6522

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Time in the Sun

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607396558711

LP-NW-5587

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Time in the Sun

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730003739828

CD-K7-398

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CD-WRP-321

Nightmares On Wax

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CD-DG-244

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Luv’d Ones, The

Truth Gotta Stand

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CD-SBR-7009

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CD-IARC-0046

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But Only After You Have Suffered

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But Only After You Have Suffered

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But Only After You Have Suffered (INDIE EXCLUSIVE, SILVER COLOR VINYL)

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CD-FTK-180

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Everything

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CD-DDW-081

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Highs in the Minuses

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Somewhere They Cant Find Us b/w Call Our Own (GOLD VINYL)

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605633140941

LP-RGNET-1409

Various Artists

Rough Guide To The Roots Of Jazz

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CD-TUG-1131

Monoswezi

Shanu

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Reticence / Resistance

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DEAL

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UPC

ITEM#

ARTIST

TITLE

FORMAT

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SLP

790377499216

LP-THRILL-499C

Lightning Bolt

Ride The Skies (INDIE EXCLUSIVE, “PUKE F” GREEN VINYL)

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5060845320720

CD-HOUND-155

Lotic

Water

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195269114275

CD-MAHA-016

Parker, Christopher & The Band of Guardian Angels

Soul Food

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647697334621

LP-OCR-001

Goldstein, Ross

Chutes & Ladders

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SI-WCK-1015

Billy Swivs

Time is Not on My Side b/w Baby, I’m Your Clown

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LP-FOF-201C

Afternoon Bike Ride

Afternoon Bike Ride (TRANSLUCENT VINYL)

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706189896785

CS-IS-1035

Bruckmann, Kyle

Mesmerics/Hindsight

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5055869547802

LP-TLV-133C

Reds, Pinks and Purples, The

You Might Be Happy Someday (Blue Vinyl)

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688130668538

CD-FMG-094

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Da VInci’s Inquest

CD

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688130668545

LP-FMG-094

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Da Vinci’s Inquest

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688130668552

LP-FMG-094LE

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Da Vinci’s Inquest (GREEN VINYL)

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5056340103494

SI-PCR-041LE

VLURE

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DEAL

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UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

191404116623

CD-XL-1166

Radiohead

KID A MNESIA

CD

$15.30

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191404116616

LP-XL-1166

Radiohead

KID A MNESIA

Vinyl

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191404116609

LP-XL-1166LE

Radiohead

KID A MNESIA (INDIE EXCLUSIVE, 3LP, RED VINYL)

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191401178525

CD-OLE-1785

Snail Mail

Valentine

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191401178518

LP-OLE-1785

Snail Mail

Valentine

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LP-OLE-1785LE

Snail Mail

Valentine (INDIE EXCLUSIVE, GOLD VINYL)

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607396555017

LP-NW-5550LE

Earle, Steve

Washington Square Serenade (Metallic Gold Color Vinyl)

Vinyl

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607396555116

LP-NW-5551LE

Earle, Steve

Townes (2LP; Clear Color Vinyl)

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607396555215

LP-NW-5552LE

Earle, Steve

I’ll Never Get Out Of This World Alive (Cherry Red Color Vinyl)

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607396555314

LP-NW-5553LE

Earle, Steve & The Dukes (& Duchesses)

The Low Highway (Butter Cream Color Vinyl)

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LP-NW-5554LE

Earle, Steve

Townes: The Basics (Gold Color Vinyl)

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LP-NW-5555LE

Earle, Steve And The Dukes

Terraplane (Transparent Gold Vinyl)

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LP-NW-5556LE

Earle, Steve And The Dukes

GUY (2LP, Orange and Red Swirl Color Vinyl)

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LP-NW-5544LE

Earle, Steve And The Dukes

Ghosts of West Virginia (Blue and Black Swirl Color Vinyl)

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634457055421

CD-SH-254

Rundle, Emma Ruth

Engine of Hell

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LP-SH-255

Rundle, Emma Ruth

Engine of Hell

Vinyl

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634457063372

LP-SH-255C

Rundle, Emma Ruth

Engine of Hell (INDIE EXCLUSIVE, WHITE VINYL)

Vinyl

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823134993716

LP-DAPT-037C

Jones, Sharon & The Dap-Kings

It’s A Holiday Soul Party (Candy Cane Color Vinyl)

Vinyl

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848064013020

LP-RGM-1302LE

Various Artists

DR. SEUSS’ THE GRINCH-Original Motion Picture Soundtrack (Clear with Red & White “Santa Suit” Swirl Vinyl)

Vinyl

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848064013785

CD-RGM-1378

Various Artists

Merry Christmas, Baby

CD

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848064013037

LP-RGM-1303C

Lauper, Cyndi

Merry Christmas…Have a Nice Life! (Clear with Red & White “Candy Cane” Swirl Vinyl)

Vinyl

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848064013259

LP-RGM-1325LE

Various Artists

Music from Vanilla Sky (20th Anniversary, 2-LP, White with Orange Swirl Vinyl)

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848064013143

LP-RGM-1314C

Brief Encounter, The

Introducing The Brief Encounter (“Smoky Mountain” Vinyl)

Vinyl

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634457055599

LP-DG-246

Model Home

both feet en th infinite

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9781737524526

BK-DG-208

Kerr, Tim

Self Taught

Book

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634457063051

LP-WABB-099

New Age Doom & Lee “Scratch” Perry

Lee “Scratch” Perry’s Guide to the Universe

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634457068193

CD-WABB-107

Macaroni Birthday

Macaroni Birthday Time

CD

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801061034122

CD-WRP-341

mira calix

absent origin

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801061034115

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mira calix

absent origin (2LP)

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$20.00

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5054429148312

CD-BF-113

Ross From Friends

Tread

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$9.30

$13.99

5054429148305

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Ross From Friends

Tread (2LP)

Vinyl

$20.00

$29.99

5054429152807

LP-BF-113C

Ross From Friends

Tread (INDIE EXCLUSIVE, 2LP, CLEAR VINYL)

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$21.30

$31.99

727431747716

LP-ADR-036

Shiroishi, Patrick

Hidemi

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4062548026627

CD-STRUT-297

Nashenas

Life Is A Heavy Burden

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$10.00

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Nashenas

Life Is A Heavy Burden

Vinyl

$17.30

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CD-POW-138

Principato, Tom

Down The Road-The Studio Recordings (2CD)

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$14.65

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Chime School

Chime School

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$6.65

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Chime School

Chime School (BLUE VINYL)

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$12.65

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Admiral Fallow

The Idea Of You

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$10.00

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DEAL

ORDER FORM Street Date: 11.05.21 | Order Date: 10.15.21 QTY

UPC

ITEM#

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TITLE

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COST

SLP

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Admiral Fallow

The Idea Of You

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Hard Feelings

HARD FEELINGS

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Hard Feelings

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CD-KRS-706

Foxx Bodies

Vixen

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Foxx Bodies

Vixen (Translucent Blue Vinyl)

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CD-DC-810

Chasny, Ben

The Intimate Landscape

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Chasny, Ben

The Intimate Landscape

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Del Grandi, Marta

Until We Fossilize

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Until We Fossilize

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SI-ZEN-12588

Anz

All Hours

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Gamble, Lee

A Million Pieces Of You EP (CLEAR VINYL)

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850014131210

SI-CURED-011LE

Beachwood Sparks

Sandbox Sessions

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Triptides

So Many Days EP

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$16.65

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850014131227

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Uni Boys

Long Time No See b/w Rock “N” Roll Dream

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LP-SUB-139LE

Golden Dragon

Golden Dragon (DELUXE)

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LP-SUB-138X

Great Ad...

Deep Down Death (DELUXE)

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Various Artists

Death in Gothenburg

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Veik

Surrounding Structures (Second Pressing) (INDIE EXCLUSIVE, CLEAR VINYL)

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CD-DEN-366

Birds Of Passage

The Last Garden

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Birds Of Passage

The Last Garden

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Birds Of Passage

The Last Garden [INDIE EXCLUSIVE CLEAR VINYL]

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634457065727

CD-DEN-362

Donoso, Ricardo

Progress Trap

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Donoso, Ricardo

Progress Trap

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Donoso, Ricardo

Progress Trap [INDIE EXCLUSIVE YELLOW/GREEN VINYL]

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634457016910

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Queen Of Jeans

If you’re not afraid, I’m not afraid (Beige w/ Navy Blue Splatter Vinyl)

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648401026580

LP-LBJ-265LE

Evian, Sam

You, Forever (INDIE EXCLUSIVE, “SUNSET” VINYL)

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309272738834

CD-NS-141

Jones, Darius

Raw Demoon Alchemy (A Lone Operation)

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JJJJJerome Ellis

The Clearing (INDIE EXCLUSIVE, 2LP)

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3700551784196

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Various Artists

Erased Tapes 20･･－－－0

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5055869548052

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Reds, Pinks and Purples, The

Anxiety Art (INDIE EXCLUSIVE, BLUE VINYL)

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5052442020110

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Piano Magic

Writers Without Homes

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634457071261

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Steel Wheels, The

Everyone A Song, Vol. 2

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$8.65

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DEAL

NEW RELEASES Street Date: 10.29.21 | Order Date: 10.08.21

Track Listing Learning Whisper Erased Harmonizer Pictures Ride Waxman Play Feel Good Changing Contours

DC795 LP/CD/CS Digital Street Date: August 3, 2021 Physical Street Date: October 29, 2021 NO EXPORT TO EUROPE, JAPAN, AUSTRALIA; SELL TO ALL OTHER COUNTRIES IN HARMONY

LP CD CS DRAG CITY INCORPORATED P. O. B. 476867 CHICAGO, IL 60647 312.455.1015 / sales@dragcity.com

Rolling out of the mist and dust and silence of time, Ty Segall is behind the wheel of a sleek new ride, a confetti of pages torn from his ongoing saga blizzarding into the air behind him.

With Harmonizer, his first album in two years, Ty glides smoothly into unexpected territory, right where he likes to find himself! Responding to the challenge his new songs gave him: a synthtastic production redesign, Ty kicks back with bottom-heavy creativity, dialing up a wealth of guitar and keyboard settings to do the deed. Harmonizer is a glossy, barely-precedented sound for him, and truth, it enraptures the ear — but in Ty’s hands, the sound is also a tool that allows him to cut through dense undergrowth, making for some of his cleanest songs and starkest ideas to date. Harmonizer’s production model couches tightly-controlled beats in thick keyboard textures, with direct-input guitar signal whining and buzzing purposefully from left to right. The Freedom Band appear all over the record, but often one at a time, their contributions leaving a distinctive footprint on the proceedings wherever they appear. Operating in this airtight environment with an eye towards precision, feel, and explosive mass, Ty’s crafted a formidable listening encounter — and once you get between the lines, the need to know more grows more compelling with every song.

The thing about closed doors is they need opening again, no matter what happens. You open them and then you can pass through them. And there’s light on the other side. That’s what this album is about.

The first recording to be released from Ty’s just-completed Harmonizer Studios, Harmonizer benefits from a collaboration with Cooper Crain, who co-produced the album with Ty. The Venn diagram of these guys unites them in DIY/punk dyed-in-the-wooldom; Ty’s propers you know, but Cooper’s own unique journey in rhythm, minimalism and DIY (as heard on his productions with CAVE, Bitchin Bajas and Jackie Lynn) mines the depths around Ty’s peerless vocal attack and aid in the latest chapter of his never-ending search for unfathomably corrosive guitar sounds. Spoiler alert: they found some more!

Bursting with transcendent energy, Harmonizer is an extension of the classic style of Emotional Mugger and Sleeper, revisiting the lonely days and loathsome nights of the alienated, grown-up-wrong soul, to make it all right in the end.

BREMER McCOY NATTEN

“Stunning” - Gilles Peterson, BBC Radio 6 “It’s certainly our most cosmic album, but in order to space out, you have to know where you’re coming from.” - Morten McCoy Release Date: October 29, 2021 Catalog Number: LBOP098 Format: CD/LP TRACKLIST: A1. Natten A2. Mit Hjerte A3. Gratitude A4. Hjertebarn A5. Nu og Altid A6. April

B1. Aurora B2. Nova B3. Måneskin B4. Natten (part 2) B5. Lalibela

LP Barcode: 680899009812

6

80899 00981 2

Color LP Barcode: 680899109819

6

80899 10981 9

CD Barcode: 680899009829

6

80899 00982 9

What were they up to? They couldn’t explain it. But not explaining it was part of the point. The Danish duo Bremer/McCoy— with Jonathan Bremer on acoustic bass and Morten McCoy on keys and tape delay—recorded straight to tape so that they had as little time as possible to think about it. They just laid it down.

The duo has been making music that defies categorization since 2012. They started as a dub group, bringing their own sound system to shows. Now their sound lilts between jazz, ambient, and neoclassical, with contemplative, propulsive melodies that capture the Nordic woods they walk in. Their last full-length release, 2019’s clear-eyed Utopia, gained them a cult following in the U.S. and a roster of notable fans, including Nils Frahm and Gilles Peterson.

The duo’s latest release Natten, which means “The Night” in Danish, strives for even more transcendence, more freedom, more of everything in whatever sound they’re making. It’s still hard to explain. It’s not meant to be explained. These 11 tracks are tinged with the sublime: watching the setting sun, feeling the planet tilt on its axis. If you listen closely, you can hear the constellations. Let Bremer/McCoy bring the night mood to you, whatever you’re up to.

Also available: Bremer/McCoy - Utopia

LP Barcode: 680899009515

CD Barcode: 680899009522

Release Date: October 18, 2019 Catalog Number: LBOP095 Format: CD/LP

6

80899 00951 5

6

80899 00952 2

SUSTO TIME IN THE SUN STREET DATE: Oct. 29, 2021 TRACK LISTING 1. Time, Love & Fun 2. Get Down 3. Summertime 4. God of Death 5. Be Gone from Me 6. Good Right Now 7. Life Is Suffering 8. Resolve It 9. Mother of the World 10. Double Rainbow 11. All Around the World

VINYL Sel. #: NW5587LP CONFIG: Jacket, 1x LP, Black Vinyl UPC: 607396558711 Box Lot: 20 Count Genre: Alternative, Rock, Americana

6

07396

55871

1

INDIE EXCLUSIVE VINYL

Time In The Sun is the 4th full length album from Charleston, SC band Susto. The album was written and recorded in the midst of a lot of life changing events for lead writer/singer Justin Osborne. Like everyone around the world, Osborne was navigating the global issues felt from the pandemic while normal life continued with its own blessings and challenges.. “We were navigating the global and national issues that everyone else was dealing with, but also I became a father and also lost my father. There was a lot of contemplation going on in my brain, a lot of personal evolution going on in my life, and songwriting was my way of working through it all. The title Time in the Sun is meant to be a monument to my own human existence and also a tribute to the human experience in general. I wouldn’t claim to understand what it means to be a human, from the countless different perspectives of the world, but I do have my own experience to reflect on and I want to be able to express and explain that in some way. I guess this album is an attempt at that. At the core though, it’s just a collection of songs about my life and my feelings.” Time In The Sun is set for release on October 29, 2021 via New West Records.

www.newwestrecords.com

Sel. #: NW5588LP CONFIG: Jacket, 1xLP, Translucent Orange Vinyl UPC: 607396558810 Box Lot: 20 Count Genre: Alternative, Rock, Americana AUTOGRAPHED 22x22 POSTER INCLUDED and EXCLUSIVE TO THIS SKU

6

07396

55881

0

CD

Sel. #: NW6522CD CONFIG: Digiwallet, sticker UPC: 607396652228 Box Lot: 30 Count Genre: Alternative, Rock, Americana

6

07396

65222

8

www.sustoisreal.com

THE MIDNIGHT MONSTERS Release Date: October 29, 2021 The Midnight restock their first album with Counter Records, Monsters. Available on purple splatter 2LP and CD. The Midnight are duo Tyler Lyle and Tim McEwan. They restocking their 2020 album Monsters in a new purple splatter. Monsters has already sold and streamed over 45k units since it’s July 2020 release.

“I wanted the wonder of coming of age to shine through but be combined with the inherent darkness and complexity of being a teenager,” Tim says. The songs reflect both uplifting and the downbeat tones throughout.

The 15-track album offers moments of quiet ambience to consider the big ideas and worries of being a teen, but it also makes room for people to just dance. Combining elements of synthwave and 80s inspired pop, Monsters is the band’s most complete work to date.

Coming off a big 2019, the band sold out their entire upcoming 2021 fall tour including LA’s Wiltern in 3 days addition to festivals Outside Lands and Crssd among others. Their recent orchestral EP (July 23, 2021) debuted top 5 on Billboard’s Classical Crossover chart. The band also hosted a livestream that raised a considerable amount for charity, Plus 1, which was featured on the Twitch homepage. Recent syncs include music featured in Season 3 of Netflix series ‘13 Reasons Why’, advertisements for Sonos Speakers, and Apple ‘Memories’ feature on the photos app in IOS. In the bands words: “‘Monsters’ is the story of being a teenager. Adolescence is messy, tragic, brutal, wistful and beautiful. ‘Monsters’ is all of that…”

CAT NO: COUNT198 UPC:5054429152067 Box Lot: 15

￫ 2LP 140g purple splatter vinyl ￫ 6mm spine ￫ Gatefold sleeve

SIDE A A1 1991 (intro) A2 America Online A3 Dance With Somebody A4 Seventeen SIDE B B1 Dream Away B2 The Search for Ecco B3 Prom Night B4 Fire In The Sky SIDE C C1 Monsters (feat. Jupiter Winter) C2 Helvetica C3 Brooklyn C4 Deep Blue SIDE D D1 Night Skies D2 City Dreams (interlude) D3 Last Train RIYL: Drive Soundtrack, Chromatics, M83, Empire of the Sun, Junior Boys, Stranger Things Soundtrack Top Markets: Los Angeles, Mexico City, Chicago, Dallas, Seattle Genre: Electronic

naretail@ninjatune.net ninjatune.net

THE MIDNIGHT MONSTERS + INSTRUMENTALS LIMITED DOUBLE CASSETTE Release Date: October 29, 2021 The Midnight release their first album with Counter Records, Monsters, on limited edition double cassette with instrumentals The Midnight are duo Tyler Lyle and Tim McEwan. They restocking their 2020 album Monsters on double cassette including the album instrumentals. Monsters has already sold and streamed over 45k units since it’s July 2020 release.

“I wanted the wonder of coming of age to shine through but be combined with the inherent darkness and complexity of being a teenager,” Tim says. The songs reflect both uplifting and the downbeat tones throughout.

The 15-track album offers moments of quiet ambience to consider the big ideas and worries of being a teen, but it also makes room for people to just dance. Combining elements of synthwave and 80s inspired pop, Monsters is the band’s most complete work to date.

Coming off a big 2019, the band sold out their entire upcoming 2021 fall tour including LA’s Wiltern in 3 days addition to festivals Outside Lands and Crssd among others. Their recent orchestral EP (July 23, 2021) debuted top 5 on Billboard’s Classical Crossover chart. The band also hosted a livestream that raised a considerable amount for charity, Plus 1, which was featured on the Twitch homepage. Recent syncs include music featured in Season 3 of Netflix series ‘13 Reasons Why’, advertisements for Sonos Speakers, and Apple ‘Memories’ feature on the photos app in IOS. In the bands words: “‘Monsters’ is the story of being a teenager. Adolescence is messy, tragic, brutal, wistful and beautiful. ‘Monsters’ is all of that…”

CATNO:COUNTCAS198X UPC:5054429153170

RIYL: Drive Soundtrack, Chromatics, M83, Empire of the Sun, Junior Boys, Stranger Things Soundtrack Top Markets: Los Angeles, Mexico City, Chicago, Dallas,

￫ 2 Purple Cassette ￫ Butterfly Case

SIDE A A1 A2 A3 A4 A5 A6 A7 A8 SIDE B B1 B2 B3 B4 B5 B6 B7 SIDE C C1 C2 C3 C4 C5 C6 SIDE D D1 D2 D3 D4 D5

naretail@ninjatune.net ninjatune.net

1991 (intro) America Online Dance With Somebody Seventeen Dream Away The Search for Ecco Prom Night Fire In The Sky Monsters (feat. Jupiter Winter) Helvetica Brooklyn Deep Blue Night Skies City Dreams (interlude) Last Train America Online (Instrumental) Dance With Somebody (Instrumental) Seventeen (Instrumental) Dream Away (Instrumental) Prom Night (Instrumental) Fire In The Sky (Instrumental) Monsters (Instrumental) Brooklyn (Instrumental) Deep Blue (Instrumental) Night Skies (Instrumental) Last Train (Instrumental)

NIGHTMARES ON WAX • SHOUTOUT! TO FREEDOM... • INFO

FORMATS WARPLP321B

WARPLP321

WARPCD321

SPEC • 2LP blue vinyl in poly lined inners in gatefold outer. DL Card.

SPEC • 2LP black vinyl in poly lined inners in gatefold outer. DL Card.

SPEC • CD in 6 panel digipak

BOXLOT • 12

BOXLOT • 12

BOXLOT • 20

UPC • 801061832117

UPC • 801061032111

UPC • 801061032128

OVERVIEW Nightmares On Wax returns with new album Shout Out! To Freedom..., a deeply personal project built from life-affirming realisations brought on by a period of profound change in his life. The result is a exploration of musical and personal freedom, and N.O.W’s deepest record to date.

Shout Out! To Freedom... is a highly collaborastive affair which sees Evelyn combine with a varierty of artists, includning Shabaka Hutchings, Greentea Peng, Haile Supreme, Pip Millett and more. At the start of each conversation Evelyn asked the simple question, “What’s going on inside? What’s the inner voice saying”’, and as a result, he formed creative bonds with new and upcoming talent that slotted in nicely with both the history and evolution of N.O.W.

RELEASE DATE • 10.29.2021 FILE UNDER • N / ELECTRONIC & SOUL WEBSITE • nightmaresonwax.com

SELLING POINTS • Indie Exclusive Blue LP • Featuring: - Beautiful People - Haile Supreme - Wolfgang Haffner - Greentea Peng - OSHUN - Shabaka Hutchings - Pip Millett - Sabrina Mahfouz - Mara TK

derek@warprecords.com http://warp.net

TRACKLISTING 01. Shout Out! (Intro) (ft. Beautiful People) 02. Imagineering 03. Creator SOS (ft. Haile Supreme & Wolfgang Haffner) 04. 3D Warrior (ft. Shabaka Hutchings, Haile Supreme & Wolfgang Haffner) 05. Miami 80 06. GTP Call 07. Wikid Satellites (ft. Greentea Peng) 08. Breathe In (ft. OSHUN) 09. To Freedom (Interlude) (feat. Beautiful People) 10. Wonder (ft. Haile Supreme & Shabaka Hutchings) 11. Own Me (ft. Haile Supreme) 12. Widyabad 13. Isolated (ft. Pip Millett & Sabrina Mahfouz) 14. Trillion (ft. Mara TK) 15. Up To Us (ft. Haile Supreme)

“I feel like I’ve been set free of something and I am now becoming who I really am[...]

So it was all about this journey of going back to myself, and realising being at home with my wife and my daughter that I’ve not really been here properly. It’s like I’ve just woken back up to what I actually have - and it’s already here.” – George Evelyn

NO EXPORTS • NO EXPLICIT CONTENT ALSO AVAILABLE

Smokers Delight (WARP36R)

Shape The Future (WARP275)

harrellp@redeyeworldwide.com http://redeyeworldwide.com

ONEOHTRIX POINT NEVER • MAGIC ONEOHTRIX POINT NEVER (BLU-RAY EDITION) •

INFO

FORMATS WARPBR318 SPEC • Blu Ray In Casebound Sleeve BOXLOT • 30 UPC • 801061113216

OVERVIEW Celebrating the one year anniversary of Magic Oneohtrix Point Never.

Single pressing Blu Ray, featuring: - Original mOPN album and four bonus songs presented in Stereo audio and Dolby Atmos spacial audio for an immersive listening experience on compatible devices

RELEASE DATE • 10.29.2021

- Sixteen official OPN music videos, including Josh & Benny Safdie’s “Lost But Never Alone” and “The Pure And The Damned (featuring Iggy Pop)”, Rick Alverson’s “Animals” starring Val Kilmer, “Long Road Home”

by Charlie Fox & Emily Schubert, “Boring Angel” by John Michael Boling, and many more

FILE UNDER • O / ELECTRONIC

- Artwork and animated menus by Robert Beatty

WEBSITE • POINTNEVER.COM

NO EXPORTS • NO EXPLICIT CONTENT

AUDIO TRACKLISTING

VIDEO TRACKLISTING

01. Cross Talk I 02. Auto & Allo 03. Long Road Home 04. Cross Talk II 05. I Don’t Love Me Anymore 06. Bow Ecco 07. The Whether Channel 08. No Nightmares 09. Cross Talk III 10. Tales From The Trash Stratum 11. Answering Machine 12. Imago 13. Cross Talk IV / Radio Lonelys 14. Lost But Never Alone 15. Shifting 16. Wave Idea 17. Nothing’s Special

derek@warprecords.com http://warp.net

18. Lost But Never Alone (A. G. Cook Remix) 19. Tales From The Trash Stratum (Oneohtrix Point Never & Elizabeth Fraser) 20. Nothing’s Special (Oneohtrix Point Never & ROSALÍA) 21. Lost But Never Alone (Forced Smile Edit)

01. Boring Angel 02. Still Life (Excerpt) 03. Problem Areas 04. Still Life (BETAMALE) 05. Sticky Drama 06. Repossession Sequence 07. Animals (Directors’ Cut) 08. The Pure and The Damned (featuring Iggy Pop) 09. Black Snow 10. We’ll Take It 11. The Station 12. Long Road Home 13. Lost But Never Alone 14. No Nightmares 15. I Don’t Love Me Anymore (Karaoke Version) 16. Sticky Drama (Four Tet Extended Version w/ Boiler Room & The Barbican)

harrellp@redeyeworldwide.com http://redeyeworldwide.com

BAT FANGS

QUEEN OF MY WORLD

Born of a shared love of hair metal, partying, and the reckless spirit of rock and roll, Washington D.C. / Carborro, NC duo Bat Fangs brings a fiery combination of shredderistic guitars and heavily harmonized hooks. Guitarist/vocalist Betsy Wright (Ex Hex) and drummer Laura King (Mac McCaughan, Speed Stick) united after playing a show together in their respective projects, with the goal of pushing Wright’s pop focused songwriting in a bolder, brasher direction.

Taking up the primary songwriting role and shifting to guitar, Wright steps outside of the typical Ex Hex sound with Bat Fangs’ rowdy rock.

Their sophomore LP, Queen of My World is a reeling, rocking mass of guitar and vocals that serves as both a reclamation and a reevaluation of a sound that was once a breeding ground for a particularly egregious brand of cock rock dude-bro. Paying tribute to the glam rock and metal sounds of their youth while offering a modernized alternative to an era of music that deified toxic masculinity as a core value, Wright and King represent a new model of Rock Star dom that’s less about the Stars and more about the Rock.

On “Talk Tough”, the first song written for this LP, Wright sings of music carrying her into a near supernatural state, describing herself as being “in the cosmic sea”, and inviting others “crawl out the window on to a higher plain”. This otherworldliness permeates throughout the record, applying magical perspectives to real lived experiences.

Queen of My World looks into life’s little moments and sees the mystical within the ordinary. Though many of the songs are autobiographical, at its core the record is a lens into other worlds, gazing into timelines that could have been and childhood memories so distant they may as well be past lives.

One such reminiscion takes place on the title track, which reflects on a wild adolescence of drugs and destruction, with an aggressive guitar attack to match. Underneath the high octane teenage antics is a genuine tribute to the unique friendships that can only form in the pseudo-invincibility of youth.

As the record examines deeper into these alternate dimensions, it becomes increasingly psychedelic. The culmination of this is closing track “Into the Weave”, an instrumental jam that builds over a repeated tom groove into a full throttle barrage of guitar and drums.

As it trails off, one last vocal harmony shines through, a sign that we’ve exited the mythical realm Queen of My World occupies, and moved on to the next.

LP

0

90771

41441

0

01652

2

CD

0

90771

ARTIST: THE LUV’D ONES TITLE: TRUTH GOTTA STAND YELLOW VINYL LP / CD BOX LOT QUANTITY: 30 LP / 60 CD FILE UNDER: GARAGE BR 165 UPC: 090771414410 BRCD 165 UPC: 090771016522

A Y CHROMOSOME FREE, FUZZED-OUT GARAGE UPDATE OF THE SHANGRI-LAS Led by no-nonsense, all-purpose, guitar-totin' Char Vinnedge, the Luv'd Ones - a Y chromosome free, fuzzed-out garage update of the Shangri-Las - were light years ahead of their time. Here's everything these butt-kicking Michigan trailblazers cut in the '60s for the legendary Dunwich label, rare single sides, demos and more!

The Luv’d Ones began life as the Tremolons in 1964 and were truly the thin end of the wedge for the ever-growing legion of rock and roll women who would soon follow in their footsteps. From the Airplane’s Grace Slick, Big Brother’s Janis Joplin, the Runaways, Fanny, the Slits, the Raincoats, Patti Smith and the Bush Tetras – to the groundbreaking rock and roll women of today – the entire conga line should kneel and give silent thanks every now and then to Char Vinnedge, her sister Chris on bass, rhythm guitarist Mary Gallagher and drummer Faith Orem.

The Luv’d Ones – four rock and rolling young women from Niles, Michigan – were not only in a league of their own in 1966, they were the league.

BACK IN PRINT WITH FANCY NEW PACKAGING! TRACKLISTING:

• AVAILABLE ON YELLOW VINYL CUT & PRESSED AT THIRD MAN PRESSING OR CD! • Y CHROMOSOME FREE GUITAR HEROICS & FUZZED OUT GARAGE! • INCLUDES LINER NOTES AND AN INTERVIEW WITH THE LATE GREAT CHAR VINNEDGE!

DANCE KID DANCE UP DOWN SUE STAND TALL YEAH, IʼM FEELINʼ FINE SCRATCHY THE MEMORY OF IT ALL PLEASE GET UP IʼM LEAVING YOU WALKINʼ THE DOG COME BACK HE CRIED TRUTH GOTTA STAND WALK ME TO THE DOOR YOUR MIND IS ITʼS QUIET* COME ON IN* AND WHEN IʼM SAD* YOUʼLL NEVER KNOW* ONE DAYʼS MOOD* PORTRAIT* *CD ONLY

WWW.SUNDAZED.COM

Lonely Guest If it wasn’t for the global lockdown, we might

Yet incredibly none of this was planned.

never have had the chance to hear one of this

Tricky had been expecting to be on the road

year’s most intriguing and inventive albums.

throughout 2020, promoting the stark-yetbeautiful songs from his mesmerising last

Lonely Guest was conceived and put

solo record Fall To Pieces. Instead, to keep

together over the last 18 months by one

his relentlessly creative mind busy during the

of British music’s true innovators: Tricky.

pandemic, he began working through various

But as he’s keen to make clear: this ain’t no

collaborations with other artists …and realised

Tricky album. Rather it’s a thrilling meeting

they could work together.

of musical mavericks, with the likes of Lee “Scratch” Perry and Idles’ Joe Talbot all pitting their unique approaches to songwriting against Tricky’s otherworldly production.

From an unsettling tale of isolation courtesy of Maxïmo Park’s Paul Smith ‘Christmas Trees’ to the grunge stylings of Marta’s ‘Move Me’, via the tense storytelling of London rapper Kway’s ‘On A Move’, these diverse

Tracklisting:

statements come together as a bold artistic statement of their own.

F o r m o r e i n f orm at io n ple ase c o n t act Ad a m C a l m a n adam @k7.c o m

01 / A1 Lonely Guest ft. Marta 02 / A2 Pre War Tension ft. Joe Talbot, Marta, Tricky 03 / A3 Under ft. Oh Land 04 / A4 Pay My Taxes ft. Murkage Dave 05 / A5 Atmosphere ft. Lee Scratch Perry, Tricky, Marta 06 / B1 Move Me ft. Marta 07 / B2 Pipe Dreamz ft. Rina Mushonga 08 / B3 On A Move ft. Kway, Marta 09 / B4 Christmas Trees ft. Paul Smith 10 / B5 Big Bang Blues ft. Breanna Barbara

R ELEAS E DAT E: 10. 2 9. 2 02 1 ART I ST: LO NELY GU EST T I T LE: LO NELY GU EST CAT / B AR C O DE: K7 S 408 C D / 7 3 0003 7 408 2 4 K7 S 408 LP / 7 3 0003 7 408 17 K7 S 408 LP I / 7 3 0003 7 408 3 1

PAC KAGI NG: 4P C D DI GI PAK 1LP B LAC K VI NYL + P RI N T E R I NNER S LEEVE + DL CA RD 1LP W H I T E VI NYL + P RI N T E R I NNER S LEEVE + DL CA RD

FUJIYA & MIYAGI

Album Re-issue ‘Lightbulbs’ Street Date: 29th 15th October October2021 2021 Album re-issue

‘Lightbulbs’ Vinyl Album – OBJ008 • First time on vinyl since 2008 • Die-cut sleeve with new artwork.

• This is a limited run of 1000 on yellow vinyl.

• LP includes two extra tracks, one of which has never been on vinyl before.

• Includes download code

UPC: 634457054240

Label: Impossible Objects of Desire File Under : Indie/Electronica Export: WW

‘Lightbulbs’ still remains unquestionably Fujiya & Miyagi sounding, tweaking their past aesthetic whilst creating a bridge to where they would travel next. With a plush new re-master, the album sounds crisper and punchier than it did before.

It’s a fascinating snapshot of a group in transition as they start to shed their formative influences and travel onward.

TRACKLISTING Side A 1. Knickerbocker 2. Uh 3. Pickpocket 4. Goosebumps 5. Rook to Queen’s Pawn Six 6. Sore Thumb 7. Dishwasher Side B 8. Pterodactyls 9. Pussyfooting 10. Lightbulbs 11. Hundreds & Thousands 12. Je Ne Comprends Pas (Bonus Track) 13. One Trick Pony (Bonus Track)

Redeye Distribution, 5A Trollingwood Rd Haw River, NC 27258. USA www.redeyeworldwide.com - Lori Miller: Lori@redeyeworldwide.com www.fujiya-miyagi.co.uk • band@fujiya-miyagi.co.uk • Booking agent: eleanor@pitchandsmith.com

Jamire Williams But Only After You Have Suffered Composer, producer, percussionist Jamire Williams applies sound collage practice to modern jazz composition, beat production, MC/vocalist features, and his uniquely impressionistic drumming style to make the deeply spiritual But Only After You Have Suffered – an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape.

"Williams shows himself to be an inspired crafter of sound." – Pitchfork A creative collaborator of Solange Knowles and a first-call drummer for the likes of Jeff Parker, Blood Orange & Moses Sumney, on his new album Williams brings together artists from his hometown of Houston (vocalists Corey King, Lisa E. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long journey in sound (Chassol, Svet, Kenneth Whalum).

IARC0046 Jamire Williams – But Only After You Have Suffered Format/Release Date:

LP/CD/Digital – October 29th, 2021

“Thi s i s the al bum I’ ve al ways wa nt e d t o ma k e . ”

Classic Black LP – 789993991693

CD – 789993991723

Indie Retail Exclusive Metallic Silver color vinyl LP – 789993991709

In addition to our Classic Black vinyl & CD, a limited-edition Metallic Silver color vinyl version of But Only After You Have Suffered will be available to indie retailers only, for the first pressing only.

International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com

North & South American Distribution:

Tim Jones – tim@redeyeworldwide.com Label Contact:

Scottie McNiece – scottie@intlanthem.com

Double Double Whammy

“never darksided since 2011...”

Charlotte Cornfield Highs in the Minuses

STREET DATES

October 29, 2021 (CD) January 28, 2022 (LP)

1. Skateboarding by the Lake 2. Headlines 3. Pac-Man 4. 21 5. Black Tattoo 6. Blame Myself 7. Out of the Country 8. Drunk For You 9. Partner in Crime 10. Modern Medicine 11. Destroy Me

FOR FANS OF

The Weather Station, Yo La Tengo, Ada Lea, Julia Jacklin, Andy Shauf

CD

Box Lot: 30

Box Lot: 30 Vinyl Color: Blue Jay

DDW-081 / PRC-443

When the world shut down in March 2020, Charlotte Cornfield was in the middle of an artist residency in the Rocky Mountains, hunkered down in a hut with a baby grand piano, sketching ideas for a followup album to her Polaris-Longlisted 2019 LP The Shape of Your Name. In a matter of hours, she found herself back home in Toronto with months of touring cancelled and a wide swath of time ahead of her. he She began to write feverishly, mining her memories and dreams and recounting them with vivid detail. When the songs were finished, she headed to Montreal to record with producer and engineer Howard Bilerman (Arcade Fire, Leonard Cohen), drummer Liam OʼNeill (Suuns), bassist Alexandra Levy (Ada Lea), and guitarist Sam Gleason (Tim Baker). The group tracked the album in 5 days, mostly live off the floor, seeking to capture the raw emotion of the songs. em The result is Highs in the Minuses, a memoir in fragments. Here Cornfield fully embraces the role of narrator, moving from one vignette to another in a colourful collage. We see her at 21, heartbroken and lost, carrying a friendʼs 3-legged cat back to her apartment in a box; then as a teenager, playing a new song for a group of friends on a trampoline. She sings of a magical first date, an ex with a mean streak, two skateboarders gliding in a lakeside parking lot. The brutal honesty in her lyrics brings to mind writers like David Berman and Adrianne Lenker, while musically she conjures a Zuma-era Neil Young, leaping from crunchy guitar rock to piano ballads with effortless grace. Highs in the Minuses is Charlotte Cornfieldʼs strongest offering to date, each song a gem in and of itself.

SELLING POINTS

LP

CATALOG #

- Headlining Midwest/North East tour planned to coincide with album release - Tour history includes festival appearences at Tropicalia, Night of the Living Fest, POP Montreal, Megaphono + previous shows with Julia Jacklin, Little Wings, Broken Social Scene, Tim Baker, Sam Amidon, and Sa Sarah Harmer - Past press highlights include a feature in ourculture, reviews in Exclaim (9/10), Pitchfork (7.2), and a spot on the 2019 Polaris Prize Long List - Over 1 million streams catalog wide - Official music videos planned for “Headlines,” “Partner in Crime,” and “Pac-Man”

NAOMI ALLIGATOR CONCESSION STAND GIRL

CARPARK RECORDS www.carparkrecords.com

“I think my music provides space for me to say the things I can’t always say in real life.” says Virginia native songwriter and multi-media artist Corrinne James. “That’s what I love about songwriting—There’s room in music for all of the conversations that can’t exist in reality.” While studying New Media and Cinematography at the University of Virginia, James created a secret Bandcamp under the alias Naomi Alligator, and began uploading her intimate home recordings online. Inspired by the sparse and confessional qualities of Liz Phair’s early portastudio recordings, James decided to create her own musical journal to share and process personal anecdotes. Her modern folk production and poetic songwriting links the sounds of artists like Joan Baez and Steeleye Span to a 21st century context. James wrestles with guilt, purpose, and jealousy through vivid narratives in the songs that make up her vast self-releases. This fall, five years since her first upload and over a dozen releases later, James will share her new four-track EP, Concession Stand Girl, while making her debut on Carpark.

TRACKLISTING 1. Concession Stand Girl 2. Momma 3. Anywhere Else 4. Big Blue World CATALOG NUMBER: CAK153 STREET DATE: October 29, 2021 FILE UNDER: Alternative/Indie Rock DISCOUNT: 5% on LP until November 26, 2021 CONCESSION STAND GIRL LP (RED VINYL) UPC 677517015317

On the title track for Concession Stand Girl that opens the EP, James sings the inner monologue of an unappreciated tickettaker at a high school football game. James plucks a sparkly banjo and sings details of the concession stand girl’s relationship to each of the spectators who must go through her to enter the game. “Although seemingly insignificant, the concession stand girl must interact with each spectator as they enter the football game. Despite being unable to physically see the game, inside of her head she narrates her relationship to the people at the game.” The track “Anywhere Else” sits in contrast to the rest of the EP, being the only song where James plays guitar instead of banjo. The last song written for the EP, “Anywhere Else” describes the tense emotions that come from comparing yourself to others in the eyes of your partner. “The protagonist is convincing herself, as well as her partner, that she could leave at any moment. She doesn’t want to be taken for granted anymore.” “Big Blue World” is a touching closer to the EP, where James sings about finding her way back to the place that feels most like home. James examines the fleeting nature of ambition and asks what really creates the feeling of contentment. Describing the song’s lyrics James says, “You can achieve everything you want, but sometimes it doesn’t feel like anything compared to just feeling at home and feeling who you are deep down.”

BULLET POINTS • North American publicity by Grandstand • College/Non-Commercial radio by Terrorbird • Sync licensing by Terrorbird • Debut for Carpark Records following years of prolific selfreleased output • Music video in the works for “Concession Stand Girl” and “Anywhere Else” • Facebook boosted posts and targeted Instagram dark posts throughout campaign

505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931

TEENAGE HALLOWEEN TEENAGE HALLOWEEN

Often pinned as a band that has a lot going on,” Teenage Halloween has crafted a sound rooted in abundance.

Luke Henderik’s rare and universal lyrics, and the precise ear of engineer Evan Bernard, this newest collection of songs is full of surprises that humbly aims to redefine the modern DIY punk scene.

Predominantly a queer identifying band, the songs reflect this experience holistically with lyrics that grapple with vulnerability, community, extreme existentialism, mental illness, and gender euphoria. Accompanied by the band’s explosive energy, each song functions as a politically charged anthem.The album maintains constant energy, and that energy also celebrates the brav ery of being a queer band. Further, the songs speak in narratives, making sure people are held accountable for their actions and in the same vein, given the opportunity to communicate that self-reflection.

CHOKED UP

DICHOSO CORAZON

LP-ALIVE-0216 BLACK VINYL

UPC : 095081021617 ROCK

CD-ALIVE-0216 LTD CD DIGIPAK

UPC : 095081021624 ROCK

STREET DATE 10/29/2021

With “Get Humble” Handsome Jack digs again into the classic American musical lexicon (blues, soul, country, rock n’roll) to craft a timeless rock album ideal for house and block parties. “Get Humble” is packed with soulful vocals, swampy guitars, countrified rock, and west coast vocal harmonies. Their most accomplished album to date.

“Yield of slow-burning, swampy blues and warm, soulful boogie rock.” –– ELMORE MAGAZINE “A great call back to those who were there the first time around or who carry the fire even if they weren’t.”

–– AMERICANA UK “With their tight harmonies and willingness to experiment with tone and beat, Handsome Jack transcend the limitations of the power trio.” –– NO DEPRESSION “There’s more than a hint of CCR in the twangy, bluesy guitar at work here, and that’s just fine by us.” –– CLASSIC ROCK

HABIBI

Somewhere They Cant Find Us b/w Call Our Own

STREET DATE: OCT 29, 2021 SIDE A Somewhere They Cant Find Us SIDE B Call Our Own

• All woman post-punk dance from Brooklyn via Detroit.

• Kill Rock Stars Debut • Limited Edition Gold Vinyl 7” w/ download card.

As the world starts to re-emerge and awaken, the summer of 2021 is boding to be a hot one and Habibi is ready to dance. The two-track EP 'Somewhere' moves the unique four-piece’s sound into the escapism of disco nightclub era New York City, an expansion upon their Detroit-bred garage roots.

SI-KRS-694

After being coined by The New Yorker as having “the Colgate white glisten of sixties girl group pop combined with an uncensored edge” for their acclaimed debut album, Habibi broke boundaries by introducing Farsi-sung tunes on their EP 'Cardamom Garden' that “shed rigid definitions of what constitutes American music” (Pitchfork). In 2020, a month before the world drastically changed, 'Anywhere But Here', the group’s prophetic sophomore album was released, prompting NPR’s Robin Hilton to call them a “noir girl-group.”

For the first release with legendary Kill Rock Stars, Habibi knows it’s time to cut loose and take you to the dance floor, enlisting producer Mike Stroud from Ratatat and Heba Kadry as mastering engineer. Fans of the Tom Tom Club and ESG will find here plenty to love.

MUSICROUGHGUIDES

The Rough Guide to

The Roots Of Jazz Reborn and Remastered

Rough Guide Vinyl Release The Rough Guide To The Roots Of Jazz Cat No: RGNET1409LP Label: World Music Network 29, 2021 Street date: October September 10, 2021 File Under: Jazz Format: 1 x Vinyl LP Box lot: 20LP/ct Note: Item is not returnable

Marketing points: • An album which traces the development of jazz during its early recorded history • Featuring the greatest names in early jazz including Louis Armstrong, Jelly Roll Morton and Duke Ellington

From humble origins in New Orleans to its journey upriver to Chicago, this Rough Guide charts the 1920s “golden age” of jazz with classic tracks by legends such as Louis Armstrong, Duke Ellington & Jelly Roll Morton as well as many other pioneering artists.

Side A 01 02 03 04 05 06 07

King Oliver’s Creole Jazz Band Dippermouth Blues (1923) 02:29 Eddie Lang Eddie’s Twister (1927) 02:51 Jelly Roll Morton’s Red Hot Peppers Doctor Jazz (1926) 03:24 Earl Hines I Ain’t Got Nobody And Nobody Cares For Me (1928) 03:05 Freddie Keppard’s Jazz Cardinals Salty Dog (1926) 02:36 Frankie Trumbauer and his Orchestra Way Down Yonder In New Orleans (1927) 02:51 Duke Ellington and his Orchestra Black And Tan Fantasy (1927) 03:23

Side B 01 02 03 04 05 06 07

Louis Armstrong Orchestra Muggles (1928) 02:50 Original Dixieland Jazz Band Tiger Rag (1918) 03:11 James P. Johnson Carolina Shout (1921) 02:44 Bix Beiderbecke and his Gang Ol’ Man River (1928) 03:04 New Orleans Rhythm Kings Bugle Call Blues (1922) 02:18 Fats Waller Muscle Shoals Blues (1922) 03:14 Fletcher Henderson and his Orchestra The Stampede (1926) 03:09

• Seminal recordings by trailblazing jazz artists who paved the way for what has become a global phenomenon • Includes the instrumental brilliance of soloists including Eddie Lang, Bix Beiderbecke and Earl Hines • Following on from the success of other American roots titles in the Rough Guide range • The perfect overview of the emerging styles and key performers of early jazz on one album • A unique insight into the first great wave of recorded jazz artists who remain an inspiration to this day • Highlighting how jazz has always remained linked by the common bonds of African-American and EuropeanAmerican musical parentage • Lovingly remastered using pioneering restoration techniques

LP 6

05633

14094

1

Available for instore co-op campaigns, listening posts and racking / Servicing all jazz magazines, radio programmes and websites

Redeye

505 Eno St, Hillsborough, NC 27278 Contact: Jeep Ward jeep@redeyeworldwide.com www. redeyeworldwide.com

World Music Network (UK) Ltd US Label enquiries, contact: Neil Record neil@worldmusic.net www.worldmusic.net

M O N O S W E Z I

S H A N U

EVA QUARTET MINKA

“A remarkable balance between two different cultures.”

SONGLINES

“A unique sound blending traditional songs from Zimbabwe with Scandinavian Jazz.”

CNN

By its very nature Monoswezi is a musical collective in a perpetual state of evolution, and Shanu charts the incorporation of new electronic elements into the band’s trademark Afro-Nordic soundscape.

Marketing Points: •

Monoswezi’s fouth album on Riverboat

•

Records, following the critically

ĉ ¤ £ËÚ £ à ½ à ¬Ú ȅæ©êà ׬ ÄËȆ

acclaimed The Village (TUGCD1063),

Monoswezi Yanga (TUGCD1090) & A Je •

•

Respect for tradition combines with ¬ą Ú Äæ Ú £ Ú Ä Þ Ä û× Ú¬ Ä Þ

Scandinavian minimalism & jazz

from jazz and modern western music

Artist: Monoswezi

Monoswezi’s minimalist groove is as

Title: Shanu

rhythms from Zimbabwe and

chic as ever and well ahead of the

Mozambique

curve

Catalogue No: TUGCD1131

•

Undoubtedly Monoswezi’s most

•

The band was born out of a cultural

CD UPC: 605633013122

adventurous and progressive album to

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Digital UPC: 605633013139

date

and Norway back in 2008

Box lot: 55 CD/ct

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•

A musical pairing that sounds as

few letters of the member’s respective

though it should never have been

nationalities: Mozambique, Norway,

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Sweden and Zimbabwe •

players worldwide •

(TUGCD1103) seamlessly merge with traditional

•

Lead vocalist Hope Masike raises the

•

Label: Riverboat Records Street date: 29th 8th October October2021 2021

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Monoswezi’s strength lies in their

musical territory by including the use

endless curiosity for new sounds, and a

of the Mellotron

strong improvisational approach

Available for instore co-op campaigns, listening posts & racking / Servicing all specialist music magazines, radio programmes & websites

Redeye

World Music Network (UK) Ltd

505 Eno St, Hillsborough, NC 27278

US Label enquiries, contact:

Contact: Jeep Ward jeep@redeyeworldwide.com

Neil Record neil@worldmusic.net

www. redeyeworldwide.com

www.worldmusic.net

Pelt

Reticence Resistance November 19,2021 2021 October 29, LP-TLR-137

Format: LP (with download) UPC: 711574920617

For almost thirty years and over the course of countless releases, the American band Pelt has traversed non-idiomatic improv, Easterntinged psychoacoustic drones, and—in its earliest incarnation— noisy post rock. The group once counted among its ranks the late guitarist Jack Rose, whose spirit continues to imbue Pelt’s music with a sound that is as forward-thinking as it is refreshingly unpretentious.

Like fellow travelers Daniel Bachman, Paul Metzger, Bill Orcutt, and R. Keenan Lawler, the members of Pelt clearly possess a firm grasp of the American folk vernacular, and similarly honor this history without resorting to pastiche or cliché. It is this fundamental understanding of the art of the recent past that informs Pelt’s music, which one might call “Primitive-Futurist”; a Fourth World approach suggesting a Cumberland Gap Pandit Pran Nath.

Reticence Resistance was recorded live at London’s Café Oto over two nights in February of 2017. The album features the core Pelt lineup of Patrick Best on Grand Piano and harmonium, Mike Gangloff on fiddle, Nathan Bowles on percussion and banjo, and Mikel Dimmick on harmonium, bowls, and bells. The capacious, inviting sound of the performances was captured without effects, using only microphones on the acoustic instruments.

“Diglossia,” which makes up the entirety of Side A, begins with an insistent hammering of piano keys and Gangloff’s swooping fiddle.

Soon, Best begins teasing out a scale as Dimmick’s harmonium envelops everything in a luminous sound bath. The way the piece harmoniously advances and recedes, at first almost imperceptibly, recalls Coltrane’s improvisations circa “India” as much as it does ocean currents and lapping waves.

Where “Diglossia” suggests elemental forces, Side B—comprised of the “Sundogs-Chiming-The Door Hill” suite—sounds carnal, like the sustained exhale of a giant beast. Jack Rose’s evergreen composition “Sundogs” opens the side with reverberating bells and gongs. At first the effect is like standing in a hallways listening to four equidistant rooms: Best provides ominous piano clusters thick with overtones; Gangloff’s keening fiddle conjures a kind of microtonal Eck Robertson; Dimmick’s immersive drones swaddle Bowles’ various pecks, probes, and brushes at the banjo. Suddenly, the seemingly disparate pieces appear to gather at the ceiling and locate each other; everything appears to snap into place suggesting the slow transformation of a raga as it develops from the alap section to the gat. The effect is mesmerizing.

Reticence Resistance is a crucial document of Ever Weird America, and quite possibly the band’s finest work to date.

1. Diglossia (21:44) 2. Sundogs->Chiming->The Door In The Hill (20:46)

SALES POINTS - First album since 2012 from these long-running stalwart acoustic drone explorers. Cosmicinfluenced elements of Appalachia meet raga stylings at the intersection of minimalist textural drone and we all win. Current members are Mike Gangloff (Black Twig Pickers, Eight Point Star), Nathan Bowles (solo, Black Twig Pickers, Steve Gunn, etc.), Patrick Best (Spiral Joy Band) and Mikel Dimmick (Spiral Joy Band). Prior titles on VHF, MIE and Eclipse.

- Limited edition (approximately 750 copies) 140g black vinyl LP housed within a gatefold jacket (with multi-format Bandcamp-enabled download). As a part of the Three Lobed 20th Anniversary series it has an OBI strip featuring an essay by Tyler Wilcox (Aquarium Drunkard).

- “…an absorbing merger of Indian and Appalachian folk interests, like a raga delivered on the back porch…” Grayson Haver Currin, Pitchfork - “tension released into quietude… the secret behind’s Pelt’s uniqueness… each track a demonstration of the members' ability to listen to each other as they layer up their varied sounds.” Joseph Burnett, The Quietus - RIYL: Jack Rose, Nathan Bowles, Black Twig Pickers, Pandit Pran Nath, Sonic Youth, Tony Conrad, Henry Flynt, John Cage, John Cale, No Neck Blues Band, psychedelic folk, out of body experiences.

Three Lobed Recordings PO Box 2345 Jamestown, NC 27282 www.threelobed.com

-James Toth

Distributed by Redeye / 505 Eno Street / Hillsborough, NC 27277 / stephen@redeyeworldwide.com / (877) 733-3931 ext 249

Lightning Bolt Ride The Skies Thrill - 499 LP BOX LOT LP

79037H-AE9916 790377-499216

25

Puke F Green Color LP BOX LOT LP 25 All Vinyl is non-returnable GENRE : Metal FILE UNDER : “L” for Lightning Bolt RELEASE DATE : Available Now

LISTEN HERE Ride the Skies is the 2nd album by Lightning Bolt, and this re-release makes it available to fans for the first time since it’s original release.

Compared to their first album it’s cleaner, tighter, recorded in studio rather than live. Which is not to say this is boring or sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above it all. Lightning Bolt are known for the sound that truly comes into it’s own in this album.

Outside of their 7 acclaimed albums, they’re known for frequent & exhilirating live shows, and this reputation has created a market for their older titles. Ride the Skies is rereleased with deluxe packaging featuring jacket art that was designed by Brian Chippendale for the original release but has never been realized until now. Recent Thrill Jockey Lightning Bolt re-releases seem to move as quickly as the Brians playing live, as old and new fans jump at the rare opportunity to finally get an old favorite in a shiny new jacket. “on Ride the Skies, Gibson makes his bass do things ... resulting in some of the most distinctive tones ever to be produced from the instrument. Brian Chippendale... rounds off the dynamic duo of Brians that is Lightning Bolt. With a style that’s similarly frantic, though decidedly more conventional than his fellow Brian, Chippendale completes the musical package nicely, intensifying the furious energy that makes Ride the Skies so fucking awesome.“ -Pitchfork ALSO AVAILABLE : Lightning Bolt 2xLP (Thrill 498) Sonic Citadel CD/2xLP (Thrill 505) Wonderful Rainbow LP (Thrill 501) Fantasy Empire CD/2xLP (Thrill 380)

Follow Lightning Bolt

Chicago / London Ph : 312.492.9634 sales@thrilljockey.com

TRACK LISTING: 1. Forcefield 2. St. Jacques 3. 13 Monsters 4. Ride The Sky

5. The Faire Folk 6. Into The Mist 2 7. Wee Ones Parade 8. Rotator

SALES POINTS Fully color jacket art, wrapped in a 3-panel 2-sided printed wrap with full art as initially conceived by Lightning Bolt and created by Brian Chippendale.

Available on black or Puke F Green (yellow with green) vinyl, all vinyl includes download card.

All 2019 Lightning Bolt releases sold out of mail-order limited-edition color vinyl before their release date.

Lightning Bolt’s most recent music video, “Blow To The Head” was illustrated by Caleb Wood and garnered over 75k views across Vimeo and YouTube in the month after premiered nationally on Adult Swim.

Lightning Bolt will be touring the US throughout the rest of 2021, and will be playing at Primavera Sound in 2022.

Lightning Bolt’s most recent release Sonic Citadel charted in Billboard (#22 hard rock & #23 Heat seakers) in 2019 “Listening is akin to the scene in The Wizard Of Oz where a sepia tone gives way to Technicolor; it opens up new vistas to the sound, while giving the band an opportunity to exhibit more involved musicianship.

It’s less a blur and more a detailed map of planned aggression.” - NPR

@thrilljockey

A1 Wet A2 Emergency A3 Come Unto Me A4 Changes (feat. Julius Errol Flynn) A6 Always You B1 Apart B2 A Plea B3 Oblivious B4 Diamond

Artist: Title:

Format: Catalog No. UPC/EAN

1xLP (Blue Marbled) HTH155SE 5060845320782

Format: Catalog No. UPC/EAN

1xLP (Classic Black) HTH155 5060845320676

Format: Catalog No. UPC/EAN

CD HTH155CD 5060845320720

Lotic Water

Release date: 29th October 2021 (CD + Digital) 14th January 2022 (Both Marbled + Classic Black Vinyl)

J’Kerian Morgan, the artist known as Lotic will release her new album 'Water' on October 29th “This is the record I always wanted to write. This feels like my arrival as an artist.”

Water, for Houndstooth, is a stunning revelation; a tender meditation on love’s losses and lifeforce, timelines, bloodlines, and resilience. Arriving at the end of a period Morgan recalls as, “having to be adaptable, while being dragged through the trenches,” Water adds the haunting quality of siren song to a career already marked by its engaging emotionality.

To arrive at Water meant to become like water. Lotic dedicated two years to a deep, intentional process of surrendering to softness, welcoming impermanence, embracing intimate relationships with her environment and self. Yet, to embrace vulnerability is to welcome its totality.

Water is the complete embodiment of Lotic’s dedicated praxis; one which unpicks a certain narrative about corrosive angst and outlier musicality. Compositions curve around the sub bass of an 808, with vibrations and hums superseding clarity and separation.

Drums are softened to a powdery warmth, and each chapter unfolds as a symphonic sound poem. Heartful depictions of love relationships to others and the self, to ancestry and identity, are marked by stunning new expressions of ecstatic voices.

Water heals, and it harms. It can sharpen, scald or silently consume. Water is a conduit for human corruption, such as the wrenching cruelty of forced Middle Passage crossings, yet water remains a site of ritual and absolution, a source of constant renewal.

Mastered and cut by Matt Colton at Metropolis.

Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com

Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com

Christopher Parker & The Band of Guardian Angels

Soul Food

Mahakala Music (mahakalamusic.com) - MAHA-016 // CD&DL available 10/22/2021UPC: 10/29/2021

Pianist Christopher Parker brings southern soul to the New York free jazz scene.

Parker and his wife Kelley Hurt, frequent collaborators with the likes of Frank Lowe, Alvin Fielder and Kidd Jordan are joined by legends in the avant-garde world including Daniel Carter, William Parker, Gerald Cleaver, and Jaimie Branch. From Memphis soul and blues to Albert Ayler to Bartok, Soul Food takes the listener on a vast journey of musical styles from a band of master improvisers.

195269114275

Christopher Parker – piano Daniel Carter– winds Jaimie Branch – trumpet Kelley Hurt - voice William Parker – Bass Gerald Cleaver – Drums Track Listing:

Parker’s other recent work includes No Tears Suite, a commissioned piece for the 60th anniversary of the integration of Little Rock Central High School, and a celebration of the Little Rock Nine, featuring drummer Brian Blade and a symphonic arrangement and performance with the legendary bassist Rufus Reid.

1.

2.

3.

4.

5.

Morning Ritual Guardian Angels Over Your Own Two Feet Truth & Fiction Soul Food

lori@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

ROSS GOLDSTEIN CHUTES & LADDERS The Mellotron has graced songs by some of rock’s most important and popular artists: David Bowie’s “Space Oddity,” King Crimson’s “The Court Of The Crimson King,” and the Rolling Stones’ “2000 Light Years From Home,” to name but a few. Yet it’s always seemed more like a side dish than a main course in these contexts. Ross Goldstein—a rock musician with psychedelic inclinations (see his recordings with Devin Gary & Ross, Fog Window, etc.)—decided to thrust the Mellotron to the forefront with a trilogy of albums that culminates in the riveting new collection Chutes And Ladders, which follows 2018’s The Eighth House and 2020’s Timoka.

Chutes reveals Goldstein’s mastery of subtle mood shifts and tonal shading. On “Diabolo,” what sounds like the long sustain from a vibraphone creates a feeling of fraught suspense and conflicted wonder. “2020” stands as one of Goldstein’s strangest pieces (apt, given what went down that year), its ill drones, abrupt pivots in mood, and quick cuts from contentment to contentiousness leaving the listener thrillingly disoriented. Similar sorcery animates “The Blue Desert,” a tour de force in which unsettling, faux-operatic male vocals and ominous, low-end drones are crosshatched with enigmatic smears of xylophone-like timbres and a string resonance that’s the aural equivalent of a UFO. Goldstein’s love of classical music surfaces on “Allegretto (Beethoven)” and “Largo (Shostakovich).” The former evokes a stately procession through a 17th-century cathedral, its elegant melody bearing

Label: Odd Cat Records Release Date: 10/29/2021 Cat#: OCR 001 Format: LP Barcode: 647697334621

a rich chiaroscuro of tones, while the latter bestows an ancient chamber-music beauty that wears its ominousness lightly.

Part of what makes Chutes And Ladders so deeply rewarding are the Mellotron’s imperfections, which result in what Goldstein calls the “microtonal shifts” that lend a continuity to the trilogy. “The

Label Contact: Tom Abbs info@clandestinelabelservices.com

more you layer a thing, the more those harmonic worlds open up, because of the clashes going on in the chords. So not only have you created a voicing, with a certain arrangement of instruments, but the way they are now going together has this... it can’t be perfect. There’s no way it would be as perfect as a real orchestra.”

Distribution Contact: Lori Miller will@redeyeworldwide.com 877-733-3931 x216

B I L LY S W I V S

T I M E I S N OT O N M Y S I D E

b/w

BA BY, I ʼ M YO U R C LOW N

W i c k Re c o r d s i s p l e a s e d t o p r e s e n t t h e d e b u t 2 - s i d e r f r o m B r o o k l y n - b o r n , D e t r o i t - b a s e d a r t i s t , W i l l i a m S c h a l d a J r. a ka B I L LY S W I VS !

A f t e r h e l p i n g l a y t h e g r o u n d wo r k f o r w h a t wo u l d b e c o m e T H E B U D O S BA N D , B i l l y f o r m e d t h e h i g h l y i n f l u e n t i a l ye t o f t - ove r l o o ke d p owe r p o p g r o u p T H E R E A L I S T I C S , w h o a l o n g s i d e c o m r a d e s T H E M O O N E Y S U Z U K I , h e l p e d c r e a t e t h e e a r l y - 0 0 s N YC s c e n e a n d s o u n d t h a t wo u l d b e c o m e b e s t k n ow n f o r p o p u l a r a c t s l i ke T H E S T RO K E S . F o l l ow i n g a s h o r t s t i n t p l a y i n g key s w i t h B R E N DA N B E N S O N o f T H E R AC O N T E U R S , a n d a f ew t o u r s w i t h h i s b r o t h e r ʼ s b a n d PAU L & T H E TA L L T R E E S , S w i v s l a n d e d a g i g p l a y i n g H a m m o n d o r g a n w i t h C H A R L E S B R A D L E Y ʼ s E x t r a o r d i n a i r e s ; w h i c h l e d t o r e c o r d i n g a g a m e - c h a n g i n g L P w i t h h i s p s yc h e d e l i c d o o - wo p , f a m i l y a f f a i r T H E S H A L A DA S .

F i ve s e l f - r e l e a s e d , l o - f i a l b u m s l a t e r,

S w i v s d e c i d e d i t wa s t i m e t o g e t b a c k i n a s t u d i o w i t h h i s l o n g t i m e

f r i e n d s / c o l l a b o r a t o r s TO M M Y ʻ T N T ʼ B R E N N E C K a n d T H E B U D O S BA N D t o h a m m e r o u t t h e s e t wo b o n a f i d e g e m s !

W i t h t h e s w i n g o f e a r l y p u n k a n d a d a s h o f p a n a c h e , “ T I M E I S N OT O N M Y S I D E ” i s a n a u t o b i o g r a p h i c a l r a l l y c r y w i t h a h o o k t h a t g r a b s yo u by t h e l a p e l s a n d d o e s n ʼ t l e t g o ! T h e f l i p “ BA BY, I ʼ M YO U R C LOW N ” r a t c h e t s u p t h e m o d - p r owe s s t o d e l i ve r a h o o k - l a d e n m a s t e r p i e c e a l a T h e S m a l l F a c e s a n d t h e l i ke . B u t d o n ʼ t g e t ye r a s c o t s i n a b u n c h – B i l l y S w i v s a i n ʼ t n o r ev i va l a c t . . . H e ʼ s t h e r e a l d e a l w i t h t h e n ow s o u n d s . D I G I T !

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . B I L LY S W I V S T I T L E . . . . . . . . . . . . . . . . . . . . T I M E I S N O T O N M Y S I D E b / w B A B Y, I ’ M Y O U R C L O W N LABEL....................................................................................WICK C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W C K - 1 0 1 5 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . O C T 2 9 , 2 0 2 1 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 5 R P M P I C T U R E S L E E V E 7 ” V I N Y L O N LY B O X L O T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5 NO EXPORT

DAPTONE RECORDS 115 Troutman S t., Brookl yn, NY 11206 • phone 718 366 3849 • dap t onerecords.com

AFTERNOON BIKE RIDE AFTERNOON BIKE RIDE Montreal based trio Afternoon Bike Ride blend alluring dream-pop vocals, lo-fi beat music, sensitive acoustic instrumentation and leftfield production to create an irresistible post-genre signature sound. Set for release on 09/24/21, their self titled debut album is a sonic hug that collects 15 tracks conveying messages of self-love, kindness, community and hope. These songs lyrically flurry over instrumentals meant to incline the listener to pause their inner monologue and take a moment to breathe.

Musician-producers David Tanton (aka Rhoda/Tender Spring), Éloi Le BlancRinguette (aka Thomas White), and Lia Kurihara (aka LIA) who also writes and sings for the group; met in Montreal and formed Afternoon Bike Ride in 2018. Originally intended as a creative, collaborative aside to their own solo projects (collectively they’ve amassed 100’s of millions of streams), they found the music progressing. They say “We each felt like it was a space to experiment with different sounds than we were typically used to making. As we crafted our songs, we realized that our sound progressed into a more refined and intricate version of our beginnings, letting vocals take center stage on some tracks, involving different instrumentalists, spending more time on sound design, incorporating facets of unexpected genres wherever we can.”

Following EP releases with College Music and Dust Collectors, the project steadily developed throughout 2019 before signing with LA based label Friends of Friends Music in 2020. ‘Skipping Stones’ EP was released in March, which picked up support on BBC Radio 1 and 6 Music.

The creative process towards the album began with the three friends on the rooftop of David’s apartment in Montreal. The warmth of life in Québec nestled in the purity of it’s winter proves to be a necessary tool in the uniqueness of this album. The engulfing warmth of their music is inspired by the lack thereof; this album is meant to kiss the coldest of hearts.

Key Points translucent vinyl, limited to 300 copies debut album of the Canadian trio blending alluring dream-pop vocals, lo-fi beat music, sensitive acoustic instrumentation and leftfield production previous EPs on College Music, Dust Collectors and Friends of Friends Previous support on BBC1 and 6 Music

RELEASE DATE: 29TH OCTOBER 2021 Artist: Title: Cat. No.: Format: Barcode: Territory:

FOF201LP A1 DOG YEARS FEAT. MIDDLE SCHOOL A2 BEFORE THE FALL FEAT. RYAN HEMSWORTH A3 IT'S ALRIGHT FEAT. IMAGIRO A4 SUNDAY SKETCH A5 I CAN ONLY IMAGINE A6 TERRACE RAIN A7 GRID SEARCH FEAT. SLEEPY FISH A8 IF I WAS A BIRD FEAT. KOGANE B1 C'ÉTAIT FEAT. NAJI B2 IT'S OK, I'M HERE FEAT. ELI BISHOP B3 SUMMER PLUMS B4 SPRINKLER OASIS FEAT. SANTPOORT B5 TOMORROW FEAT. ASO B6 I'M GLAD YOU'RE HAPPY FEAT. PARK BIRD B7 RISE AGAIN

FOR FANS OF BIBIO, KYSON, QUICKLY, QUICKLY, ARLO PARKS, TENDER SPRING

SOCIALS AFTERNOON BIKE RIDE

FRIENDS OF FRIENDS

The Reds, Pinks and Purples You Might Be Happy Someday Tough Love LP

TLV133LPB

5055869547802

Limited repress on BLUE VINYL. RIYL: Sarah Records, Even As We Speak, The Field Mice, Blue Boy, The Clientele, early Belle & Sebastian. Deep amidst San Francisco’s Richmond neighborhood misty air and washed-out pastel blocks, Glenn Donaldson has been diligently creating minor masterpieces with rudimentary home technology for some time now. With The Reds, Pinks & Purples, Donaldson has finally created a vivid reflection of this dreary scene. You Might be Happy Someday is an oblique strand of SF outer-avenue cloud cover that stretches across the Atlantic to the grey docks of Bristol as captured in Sarah Records’ fetishized insert photos. Despite the deceptively congenial presentation, Happy is often a heavy record. After a litany of Donaldson’s past iterations (from experimental abstraction to post-punk and pop), The Reds, Pinks & Purples is Glenn D’s most personal project. Balanced awkwardly atop almost ironically upbeat jangles and rhythms Mitch Easter might have captured on his reel-to-reel are prime cuts of bummer pop. Almost every track is written in second person, creating a feeling of overheard private inner conversations-on-repeat: soft-lob criticisms, supportive friend advice and embarrassing confessions. A smeared window into the (kindly) cynical thoughts of a romantic misanthrope. Like the work of other U.S. depresso-pop purveyors East River Pipe, The Reds, Pinks & Purples’ mini-album is the kind of record that is both unsettling and comforting.

1 Last Summer In A Rented Room 2 Forgotten Names 3 Worst Side Of Town 4 Your Parents Were Wrong About You 5 Desperate Parties 6 Half-a-Shadow 7 Sex, Lies & Therapy 8 You Might Be Happy Someday

VLURE SHATTERED FAITH / DESIRE (LIVE) STREET DATE: 29 15 OCTOBER 2021 2021 LABEL: PERMANENT CREEPS RECORDS Buzzing new Glasgow five-piece VLURE will release their hotly anticipated debut 7” ‘Shattered Faith / Desire (Live)’ via London-based label Permanent Creeps Records.

Track listing A. Shattered Faith B. Desire (Live)

LIMITED EDITION TRANSPARENT YELLOW 7”

CAT NO: PCR041S2 UPC: 5056340103494

“There is nothing comparable - this is a new era of musically skeletal human showmanship” - So Young Magazine “Urgent, destructive and completely absorbing. Brutalist in form - unyielding, massive-sounding, distinctive - their atmospheric, yearning mood is overflowing with inclination and exposed tenderness vulnerable and exasperated. They pound the door down with every inch of blood, sweat and tears in their vessels” - Wax Music “This is post-punk, but not as you might familiarly expect” - Little Indie Blogs “One of Scotland’s most exciting new bands” Tenement TV

Bursting onto the scene at the dawn of 2020, VLURE introduced themselves to the world with a live audio/visual performance of their phenomenal track ‘Desire’, captured in beautiful cinematography from the loading bay of their Glasgow studio space. Blurring the lines between live electronics, jarring guitars and the performance sensibilities of their post-punk contemporaries, the video offered a keyhole view into their captivating live shows. Combining synth laden hooks, heavy club influenced rhythms and emotionally confronting lyrics, VLURE have already seen support from the likes of So Young and Wax Music praising their life affirming, intense and enigmatic live performances.

Recorded between the halls of a deconsecrated church in the heart of the Scottish Borders, the self-produced ‘Shattered Faith’ is an indulgent, genre bending coming of age anthem influenced by the rhythms, repetitions and euphoric hooks of Glasgow’s thriving afterparty and club scene with an angular post-punk foundation.

Speaking on the track the band explain: “We wanted to create something that felt at home on the dancefloors that we all found ourselves on growing up, yet still equally at home in the sweat-filled venues that the band was conceived in. At its crux, “Shattered Faith’ is about self-empowerment. It’s the disillusionment with where you are and what you’ve been given. It’s lying on your kitchen floor at 3am realising who you truly are and finding power in that - it’s a new lease of life. We believe that, if they want to find it, there is something for everyone in this song.”

Upcoming Live Dates 10 Sep – Glasgow, TRNSMT Festival 2021 26 Nov – London, Moth Club

NEW RELEASES Street Date: 11.05.21 | Order Date: 10.15.21

Radiohead

KID A MNESIA STREET DATE: 11/5/2021 21 years since the release of Radiohead’s seminal albums, Kid A and Amnesiac comes a combined and expanded reissue, KID A MNESIA

3xLP: XL-1166-LP File Under: Alternative Vinyl non-returnable

3xCD: XL-1166-CD File Under: Alternative

Here put back together as originally intended, with an additional disc of bonus material - including 2 original unreleased recordings from the era: ‘If You Say the Word’ + ‘Follow Me Around’ PRESS “A new, uniquely fearless kind of rock record for a new, increasingly fearful century, Radiohead’s fourth album, released in October 2000, remains one of the more stunning sonic makeovers in music history” – Rolling Stone [500 Greatest Albums of All Time: #20 Kid A]

Red Indie Retail 3xLP: XL-1166-LPE File Under: Alternative Vinyl non-returnable

Tracklisting LP Kid A A Everything In Its Right Place Kid A The National Anthem How To Disappear Completely Treefingers B Optimistic In Limbo Idioteque Morning Bell Motion Picture Soundtrack Amnesiac C Packt Like Sardines in a Crushd Tin Box Pyramid Song Pulk/Pull Revolving Doors You And Whose Army?

I Might Be Wrong

Tracklisting CD

D Knives Out Morning Bell/Amnesiac Dollars and Cents Hunting Bears Like Spinning Plates Life In A Glasshouse Kid Amnesiae E Like Spinning Plates (‘Why Us?’ Version) Untitled v1 Fog (Again Again Version) If You Say The Word Follow Me Around F Pulk/Pull (True Love Waits Version) Untitled v2 The Morning Bell (In the Dark Version) Pyramid Strings Alt. Fast Track Untitled v3 How to Disappear into Strings

134 GRAND STREET, NEW YORK, NY 10013

CD1: Kid A 1. Everything In Its Right Place 2. Kid A 3. The National Anthem 4. How To Disappear Completely 5. Treefingers 6. Optimistic 7. In Limbo 8. Idioteque 9. Morning Bell 10. Motion Picture Soundtrack CD2: Amnesiac 1. Packt Like Sardines in a Crushd Tin Box 2. Pyramid Song 3. Pulk/Pull Revolving Doors 4. You And Whose Army?

5. I Might Be Wrong 6. Knives Out 7. Morning Bell/Amnesiac 8. Dollars and Cents 9. Hunting Bears 10. Like Spinning Plates 11. Life In A Glasshouse

WWW.XLRECORDINGS.COM

CD3: Kid Amnesiae 1. Like Spinning Plates (‘Why Us?’ Version) 2. Untitled v1 3. Fog (Again Again Version) 4. If You Say The Word 5. Follow Me Around 6. Pulk/Pull (True Love Waits Version) 7. Untitled v2 8. The Morning Bell (In the Dark Version) 9. Pyramid Strings 10. Alt. Fast Track 11. Untitled v3 12. How to Disappear into Strings

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

SNAIL MAIL Valentine

SELLING POINTS • THE FIRST NEW MUSIC SINCE THE 2018 DEBUT LUSH • INDIE EXCLUSIVE GOLD VINYL EDITION LIMITED TO 7,000.

• 200k EQUIV. UNITS SOLD WW • OVER 138m STREAMS WORLD WIDE TO DATE • NORTH AMERICAN / EUROPEAN TOURING PLANNED 2022 • YEAR-END / DECADE-END LISTS: PITCHFORK, ROLLING STONE, STEREOGUM, ESQUIRE, NME, NOISEY, SPIN, BILLBOARD, NPR THE GUARDIAN, HYPEBEAST, USA TODAY, PASTE, E.W., MORE • INCLUDED IN YOUTUBE FOUNDRY’S CLASS OF 2021

TRACKLIST 01. VALENTINE 02. BEN FRANKLIN 03. HEADLOCK 04. LIGHT BLUE 05. FOREVER (SAILING) 06. MADONNA 07. C. ET AL 08. GLORY 09. AUTOMATE 10. MIA RELEASE DATE: NOVEMBER 5, 2021 505 Eno Street Hillsborough NC 27278 United States (877) 733-3931

“Truly perfect.”

— The FADER

“Wildly talented.”

— Stereogum

“Jordan writes with a fierce and ambitious cleverness.”

— The New Yorker

“Bittersweet, incisive, yearning: a prodigious talent.”

— NPR

NON EXPORTABLE Limited gold vinyl OLE-1785 -LPE 191401178532 Standard black vinyl OLE-1785-LP 191401178518

CD OLE-1785-CD 191401178525 134 Grand St New York, NY 10013 United States (212) 995-5882

STEVE EARLE Limited Edition Color Pressings - Street date: November 5, 2021 CATALOG SALE - 20% off of CDs and 20% off of LPs NOW - November 26, 2021 In celebration of the critically acclaimed 2021 release from Steve Earle & The Dukes, J.T., New West Records is putting Steve Earle’s catalog on sale. Take 20% off all CDs and 10% off all vinyl catalog releases. Along with this sale, New West will be releasing limited edition color variants of Steve Earle’s catalog. See the details below.

Washington Square Serenade

townes

***PRESSED ON COLOR VINYL FOR THE FIRST TIME*** Sel. #: NW5550LP CONFIG: 1xLP, Jacket, Metallic Gold Vinyl, Limited to 3500 Copies Worldwide UPC: 607396555017 Box Lot: 35 Count Genre: Folk, Americana, Country 607396612826 - 20% off

***PRESSED ON COLOR VINYL FOR THE FIRST TIME*** Sel. #: NW5551LP CONFIG: 2xLP, Gatefold, Clear Vinyl, Limited to 3500 Copies Worldwide UPC: 607396555116 Box Lot: 20 Count Genre: Covers, Folk, Americana, Country 607396616428 - 20% off • 607396502226 - 20% off

I’LL NEVER GET OUT OF THIS WORLD ALIVE

THE LOW HIGHWAY

***PRESSED ON COLOR VINYL FOR THE FIRST TIME*** Sel. #: NW5552LP CONFIG: 1xLP, Jacket, Cherry Red Vinyl, Limited to 3,000 Copies Worldwide UPC: 607396555215 Box Lot: 35 Count Genre: Folk, Americana, Country 607396619528 - 20% off • 607396503025 - 20% off

***PRESSED ON COLOR VINYL FOR THE FIRST TIME*** Sel. #: NW5553LP CONFIG: 1x LP, Jacket, Full Color Sleeve, Butter Cream Vinyl, Limited to 3,000 Copies Worldwide UPC: 607396555314 Box Lot: 35 Count Genre: Folk, Americana, Country 607396626229 - 20% off • 607396627226 - 20% off • 607396507313 - 20% off

Terraplane

Townes: the basics

***PRESSED ON COLOR VINYL FOR THE FIRST TIME*** Sel. #: NW5555LP CONFIG: 1xLP, Gatefold, Transparent Gold Vinyl, Limited to 3,000 Copies Worldwide UPC :607396555512 Box Lot: 35 Count Genre: Blues, Folk, Americana, Country 607396632824 - 20% off • 607396510412 - 20% off

***PRESSED ON COLOR VINYL FOR THE FIRST TIME*** Sel. #: NW5554LP CONFIG: 1xLP, Kraft Jacket, Gold Vinyl, Limited to 3,500 Copies Worldwide UPC:607396555413 Box Lot: 35 Count Genre: Folk, Americana, Country 607396508716 - 20% off

GUY

GHOSTS OF WEST VIRGINIA

Sel. #: NW5556LP CONFIG: 2xLP, Gatefold, Insert, Red and Orange Swirl Vinyl, Limited to 3,000 Copies Worldwide UPC:607396555611 Box Lot: 20 Count Genre: Covers, Folk, Americana, Country 607396645527 - 20% off • 607396529612 - 20% off

Sel. #: NW5544LP CONFIG: 1xLP, Jacket, Blue and Black Swirl Vinyl, Limited to 2,500 Copies Worldwide UPC :607396554416 Box Lot: 20 Count Genre: Folk, Americana, Country 607396648627 - 20% off • 607396539710 - 20% off

J.T.

607396651122 - 20% off • 607396549214 - 20% off

steveearle.com

newwestrecords.com

DAP-037

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S H A R O N J O N E S & T H E D A P - K I N G S T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I T ’ S A H O L I D AY S O U L P A R T Y LABEL................................................................DAPTONE C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P - 0 3 7 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . N O V. 5 , 2 0 2 1 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L P ( w / D O W N L O A D C O D E ) NO EXPORT Sharon Jones & The Dap-Kings are back to help fans get into the holiday spirit with the critically acclaimed, It's A Holiday Soul Par ty. Finally back in print and in its third and final incarnation, this modern classic is now sporting a new, shiny red "old style" jacket and candy cane striped vinyl.

Kicking off with "8 Days of Hanukkah" - the band's ode to the festival of light - and rounding out the 11 song set with a festive mix of jubilant originals and reimagined standards, this is the only record you need for your upcoming holiday soirees. Be the envy of

•

the neighborhood by giving the gift of SOUL! this holiday

TRACKLISTING

season. Available November 5th at an independent record shop near you.

1. 8 DAYS (OF HANNUKAH)

MARKETING HIGHLIGHTS

2. AIN’T NO CHIMNEYS IN THE PROJECTS 3. WHITE CHRISTMAS

• New Candy Cane color vinyl & re-worked red album art • Over 14,000 LPs sold since the albumʼs initial release in 2015

4. JUST ANOTHER CHRISTMAS SONG

• It's A Holiday Soul Party was the group's first and only

5. SILENT NIGHT

holiday album and covers of classics such as "Silent Night" as

6. BIG BULBS

well as original compositions including "8 Days (of

7. PLEASE COME HOME

Hanukkah)"

FOR CHRISTMAS 8. FUNKY LITTLE DRUMMER BOY

LP

9. SILVER BELLS 10. WORLD OF LOVE 11. GOD REST YE MERRY GENTS

DAPTONE

RECORDING

Co.,

115

TROUTMAN

S T. ,

BROOKLYN,

NY

11206

SELLING POINTS • 2018’s Animated Film The Grinch Was the Highest-Grossing Holiday Movie of All Time • Its Soundtrack Played a Huge Role in Its Success, Featuring Two New Tracks from Tyler the Creator • Also Included Songs by The Supremes, Run D.M.C., Pentatonix, The Brian Setzer Orchestra, Score Composer Danny Elman, and More • But in True Grinch-Like Fashion, There Was No Vinyl Release of the Soundtrack • Now, Real Gone Music Is Bringing The Grinch to Record Stores for the First Time • Pressed in a Clear with Red & White “Santy Suit” Swirl Vinyl Edition • Beautiful Jacket with Inner Sleeve • Bound to Be a Holiday Favorite for Years to Come

iBarcoder Trial

UPC: 848064013020 FORMAT: Regular Weight Clear with Red & White “Santy Suit” Swirl Vinyl PACKAGING: LP Jacket with Printed Inner Sleeve BOX LOT: 50

DR. SEUSS’ THE GRINCH: Original Motion Picture Soundtrack (CLEAR WITH RED & WHITE “SANTY SUIT” SWIRL VINYL EDITION) STREET DATE: NOVEMBER 5, 2021 It’s the highest-grossing holiday film of all time, and it’s got an incredible soundtrack featuring Tyler the Creator, Danny Elfman, Jackie Wilson, Pentatonix, and more…yet it wasn’t released on vinyl when the movie came out? Why, that’s positively Grinch-y!

But we at Real Gone Music are ready to put presents under the tree with a clear with red and white “Santy Suit” swirl vinyl pressing of the soundtrack to Dr. Seuss’ The Grinch, available in record stores for the first time! Tyler the Creator’s new track, “I Am the Grinch,” and his collaboration with Elfman on a new version of “You’re a Mean One, Mr. Grinch” are clear highlights, but with chestnuts auld and new(er) like “My Favorite Things” by The Supremes and “Christmas in Hollis” by Run D.M.C, you can’t go wrong. Presented in a beautiful jacket with inner sleeve. A guaranteed holiday favorite forever!

SONGS SIDE ONE 1. You’re a Mean One, Mr. Grinch—Tyler the Creator 2. I Am the Grinch—Tyler the Creator 3. Christmas Is—Run D.M.C. 4. Deck the Halls—Jackie Wilson 5. Run Rudolph Run—The Brian Setzer Orchestra 6. My Favorite Things—The Supremes 7. Zat You Santa Claus?— Buster Poindexter and His Banshees of Blue

SIDE TWO 1. Christmas in Hollis—Run D.M.C. 2. Jingle Bells—The Brian Setzer Orchestra 3. The Christmas Song (Merry Christmas to You)—Nat King Cole 4. God Rest Ye Merry Gentlemen—Pentatonix 5. A Wonderful Awful Idea—Danny Elfman 6. Stealing Christmas— Danny Elfman

SELLING POINTS • 1956’s Merry Christmas, Baby Was Among the First LPs to Collect Christmas Music Singles

Merry Christmas, Baby STREET DATE: NOVEMBER 5, 2021

• Originally Released on the Hollywood Records Label • Features the Original Versions of Two of the Biggest R&B Christmas Hits of All Time, Charles Brown’s “Merry Christmas, Baby” and Lowell Fulson’s “Lonesome Christmas (Parts I & 2)”

There is some debate as to whether this

• Also Includes Another Chart Hit, Mabel Scott’s “Boogie Woogie Santa Claus”

music singles. But there is no debate that

• Further Contributions by Jimmy Witherspoon, the Lloyd Glenn Trio, Johnny Moore’s Blazers, and the Jackson Trio Ensure That Merry Christmas, Baby Is the Best Collection of Its Kind

SIDE ONE

1956 release from Hollywood Records

1. Merry Christmas, Baby Charles Brown

was the first LP to compile Christmas

2. Sleighride Lloyd Glenn Trio 3. Christmas Everyday Johnny Moore’s Blazers

it’s one of the best. Subtitled “Intimate Christmas Music for Young Lovers,” its

4. Boogie Woogie Santa Claus Mabel Scott

headliners were the original versions

5. Lonesome Christmas (Part 1) Lowell Fulson

• First-Ever CD Reissue

of two of the biggest R&B holiday hits

6. Christmas Dreams Johnny Moore’s Blazers

• Includes Detailed Liner Notes by Bill Dahl

of all time, Charles Brown’s “Merry

• Remastered by Mike Milchner at Sonic Vision

Christmas, Baby” and Lowell Fulson’s “Lonesome Christmas (Parts 1 & 2),”

• The Christmas Blues Have Never Sounded So Good

but with other standouts like Mabel Scott’s “Boogie Woogie Santa Claus”

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UPC: 848064013785

9. Love for Christmas Jackson Trio

entitled “How I Hate to See Xmas Come Around”), and a quartet of tunes

10. Lonesome Christmas (Part 2) Lowell Fulson

from Johnny Moore’s Blazers, there is not a weak track on the album. Bill

11. Christmas Blues Jimmy Witherspoon

Dahl’s detailed notes round out this first-ever CD reissue. And with a new remastering by Mike Milchner at Sonic Vision, never have the Christmas

SELLING POINTS

CYNDI LAUPER:

• Recorded Largely at Home While Her Infant Declyn Slept • A Mixture of Traditional and New Yuletide Songs, the Record Displays Lauper’s Trademark Bubbly Personality but Also Radiates the Warm Christmas Spirit That Animates the Best and Most Beloved Christmas Albums • Among the Highlights Are Sassy Songs Like “Christmas Conga” and the Bawdy “Minnie and Santa” • The Traditional Tunes “Three Ships” and “Silent Night” Offer a Reverent, Gather-‘Round-the-Fireplace Vibe • Gatefold Album Jacket Featuring Lyrics • Pressed in Clear with Red & White “Candy Cane” Swirl Vinyl iBarcoder Trial

UPC: 848064013037 FORMAT: Regular Weight Clear with Red & White “Candy Cane” Swirl Vinyl PACKAGING: Gatefold Jacket BOX LOT: 30

8. Christmas Letter Johnny Moore’s Blazers

(also a chartmaker), Jimmy Witherspoon’s “Christmas Blues” (formerly

FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30

• With Over 50 Million Albums Sold, Cyndi Lauper Is One of the Most Popular Singers to Emerge in the Last 40 Years • Her Creative Efforts Extend Beyond Pop Music to Broadway (Kinky Boots), Acting, LGBTQ Activism, and Beyond • But One of Her Least-Publicized Roles—That of Motherhood—Inspired Her 1998 Holiday Album, Merry Christmas…Have a Nice Life!

7. Christmas Eve Baby Johnny Moore’s Blazers

12. Jingle Bell Hop Jackson Trio

blues sounded so good!

Merry Christmas...Have a Nice Life (Clear with Red & White “Candy Cane” Swirl Vinyl Edition) STREET DATE: NOVEMBER 5, 2021 Leave it to Cyndi Lauper to record a Christmas album that’s upbeat without being sappy! Honestly, the stories that surround the making of this 1998 record are enough to put you in the Christmas spirit. Like the fact that she recorded it at her home while her infant son Declyn slept (he can be heard giggling and burbling on “New Year’s Baby [First Lullaby]”). And that she taped her vocals inside her cedar closet because she liked the reverb sound.

In short: no spoiled superstar or commercial cash-in here! Just a fresh, homespun take on a time-honored tradition, brought to you by a performer whose work in music, theater, and advocacy continues to inspire. Cyndi brings her trademark sass to songs like “Christmas Conga” and the bawdy “Minnie and Santa” among the eight original tunes on the record. But the traditional tunes “Three Ships” and “Silent Night” radiate a reverent, gather-‘round-the-fireplace vibe that’ll warm the cockles of even the most hidebound holiday music devotee. For this holiday season, we’ve pressed up Merry Christmas…Have a Nice Life in a clear with red and white “candy cane” swirl vinyl edition inside a beautiful gatefold cover featuring lyrics!

SIDE ONE 1. Home on Christmas Day 2. Early Christmas Morning 3. Rockin’ Around the Christmas Tree 4. Christmas Conga 5. Minnie and Santa SIDE TWO 1.

2.

3.

4.

5.

6.

Feels Like Christmas Three Ships New Year’s Baby (First Lullaby) December Child In the Bleak Midwinter Silent Night

VARIOUS ARTISTS

Executive Album Producers: Cruise/Wagner Score by Nancy Wilson Special Assistance: Scott Martin and Andy Fischer Music Editor: Carlton Kaller Soundtrack Coordination for Reprise Records: Jason Cienkus Photos by Neal Preston Original Album Design: Mick Haggerty (with a special nod to Andy Fischer @ Vinyl) Vinyl Album Design: Tom D. Kline Mastered by Pat Kraus at Warner Bros. In-House Studio Lacquer Cutting by John Golden at Golden Mastering

• One of the Greatest “Mix-Tapes” Ever Created by a Film Director

3. R.E.M. Sweetness Follows 4:19 (Bill Berry/Peter Buck/Mike Mills/Michael Stipe) Produced by Scott Litt and R.E.M. p 1992 R.E.M./Athens, Ltd.

• Limited to 1500 Copies

4. THE CHEMICAL BROTHERS Where Do I Begin 6:29 (Thomas Rowlands/Edmund Simons) Vocals by Beth Orton Produced by The Chemical Brothers Licensed courtesy of Astralwerks Records p 1997 Virgin Records Limited

• 20th Anniversary Edition Pressed in White with Orange Swirl Vinyl

SIDE FOUR

• Custom Gatefold Cover Featuring Production Stills

1. BOB DYLAN Fourth Time Around 4:35 (Bob Dylan) Produced by Bob Johnston Taken from the Columbia Records Release “Bob Dylan Live 1966” Courtesy of Columbia Records Originally released 1966 Sony Music Entertainment Inc.

• 2-LP Set

SIDE TWO

• Labeled “A Music Masterpiece” by the New York Times

2. NANCY WILSON Elevator Beat 2:44 (Nancy Wilson) Produced by Nancy Wilson p 2001 Paramount Pictures Special thanks to Daniel Mendes, Carl Kaller, Jeff Greenberg, and everyone at The Village

• Grammy-Nominated

4. JOSH ROUSE Directions 3:24 (Josh Rouse) Produced by Brad Jones, Josh Rouse and David Henry Courtesy of Slow River Records, a Rykodisc label p 2000 Rykodisc

• Star-Studded Soundtrack Featured Tracks

by R.E.M., Radiohead, Paul McCartney, Peter Gabriel, Jeff Buckley, Bob Dylan, and More

As a former music journalist (for Creem and Rolling Stone among other periodicals), director Cameron Crowe has always put his heart and soul into the soundtracks of his films. So, it’s no wonder that the most ambitious of all his films, Vanilla Sky, sported the most far-ranging and masterful of all of his scores.

The film itself was a waking dream, subject to various interpretations; the soundtrack, too, explored shifting moods and shades, but always maintaining the surreal tone and aesthetic of the film, with a glittering line-up (R.E.M., Radiohead, Paul McCartney, Jeff Buckley, Bob Dylan) of artists. The result was breathless praise for the soundtrack (the New York Times called it “a music masterpiece”) and an Academy Award nomination. It is, quite simply, one of the greatest “mix-tapes” a film director has ever created (with some help from soundtrack Co-Producer Danny Bramson and Crowe’s then-wife, Nancy Wilson of Heart); and, for its 20th anniversary, we have created a custom gatefold cover for the 2-LP release and pressed up 1500 copies in white with orange swirl vinyl. A sublime listening and visual experience awaits.

5. LEFTFIELD/AFRIKA BAMBAATAA Afrika Shox 3:44 (Neil Barnes/Paul Daley/Nicholas Rapaccioli/Afrika Bambaataa) Produced by Leftfield and Nick Rapaccioli Courtesy of Hard Hands/Columbia Records p 1999 Hard Hands Ltd.

• Vanilla Sky Was a Waking Dream, Subject to Various Interpretations, So Its Score Explored Shifting Moods and Shades in Unflaggingly Surreal Fashion

STREET DATE: NOVEMBER 5, 2021

1. THE MONKEES Porpoise Song (Theme from “Head”) 2:52 (Gerry Goffin/Carole King) Produced by The Monkees and Gerry Goffin Produced under license from Rhino Entertainment Company/Warner Music International by arrangement with Warner Special Products

• For His Most Ambitious Film, Vanilla Sky, Crowe (Along with His Wife, Heart’s Nancy Wilson, and Soundtrack Co-Producer Danny Bramson) Created His Masterwork

(LIMITED 2-LP 20TH ANNIVERSARY WHITE WITH ORANGE SWIRL VINYL EDITION)

2. LOOPER FEATURING FRANCIS MACDONALD Mondo ’77 4:53 (Stuart David/Scott Twynholm/Ronnie Black/Karn David) p 2000 Sub Pop Records and Jeepster Recordings Ltd. Francis Macdonald performs courtesy of Shoeshine Records

• As a Former Music Journalist for Creem and Rolling Stone, Cameron Crowe Has Always Put a Lot of Thought and Care into the Soundtracks of His Films

VANILLA SKY

music from

3. RED HOUSE PAINTERS Have You Forgotten 5:28 (Mark Kozelek) Produced by Mark Kozelek p 2001 Sub Pop Records

SELLING POINTS

SONGS RECORD ONE Side One 1. R.E.M.—All the Right Friends 2. Radiohead—Everything in Its Right Place 3. Paul McCartney—Vanilla Sky 4. Peter Gabriel—Solsbury Hill 5. Julianna Gianni—I Fall Apart RECORD ONE Side Two 1. The Monkees—Porpoise Song (Theme from “Head”) 2. Looper Featuring Francis Macdonald— Mondo ‘77 3. Red House Painters—Have You Forgotten 4. Josh Rouse—Directions 5. Leftfield/Afrika Bambaataa—Afrika Shox RECORD TWO Side One 1. Sigur Rós—Svefn-G-Englar 2. Jeff Buckley—Last Goodbye 3. Todd Rundgren—Can We Still Be Friends RECORD TWO Side Two

2. JEFF BUCKLEY Last Goodbye 4:33 (Jeff Buckley) Produced by Michael Tighe and Mary Guibert Courtesy of Columbia Records p 2000 Sony Music Entertainment Inc. 1. SIGUR RÓS Svefn-G-Englar 9:15 (Orri P. Dyrason/Kjartan Svenisson/Jon Thor Birgisson/Georg Holm/Agust Aevar Gunnarsson) Produced by Ken Thomas and Sigur Rós Licensed by Fat Cat Recordings/PIAS Recordings p 1999 Fatcat Records Ltd.

5. JULIANNA GIANNI I Fall Apart 3:52 (Nancy Wilson/Cameron Crowe) p 2001 Paramount Pictures Julianna Gianni’s demo vocal performance by Cameron Diaz

3. TODD RUNDGREN Can We Still Be Friends 3:34 (Todd Rundgren) Produced by Todd Rundgren Produced under license from Bearsville Records by arrangement with Rhino Entertainment Company and Warner Special Products and Sanctuary Records Group p 1978 Bearsville Records

SIDE THREE

HOUSE PAINTERS HAVE YOU FORGOTTEN ROUSE DIRECTIONS BAMBAATAA AFRIKA SHOX

4 JOSH

5 LEFTFIELD/AFRIKA

SIDE THREE 1 SIGUR RÓS SVEFN-G-ENGLAR 2 JEFF BUCKLEY LAST GOODBYE

3 TODD

RUNDGREN CAN WE STILL BE FRIENDS

3 R.E.M. SWEETNESS FOLLOWS 4 THE

CHEMICAL BROTHERS WHERE DO I BEGIN

SOUNDTRACK ALBUM PRODUCED BY DANNY BRAMSON AND CAMERON CROWE

music from VANILLA SKY

SIDE FOUR 1 BOB DYLAN FOURTH TIME AROUND 2 NANCY WILSON ELEVATOR BEAT

RGM-0810

p 2001 & 2018 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc. Manufactured by Rhino Entertainment Company, a Warner Music Group Company.

All Rights Reserved. Marketed by Real Gone Music LLC. Motion Picture Artwork, Photos, TM & Copyright c 2001, 2018 by Paramount Pictures. All Rights Reserved

3. PAUL MCCARTNEY Vanilla Sky 2:46 (Paul McCartney) Produced by Paul McCartney and David Kahne Courtesy of Capitol Records p 2001 MPL Communications, Inc./Ltd.

SIDE TWO 1 THE MONKEES PORPOISE SONG (THEME FROM “HEAD”) 2 LOOPER FEATURING FRANCIS MACDONALD MONDO ‘77

3 RED

4. PETER GABRIEL Solsbury Hill 4:23 (Peter Gabriel) Produced by Bob Ezrin for My Own Production Company Ltd. Re-Mastered by Tony Cousins at Metropolis Courtesy of Real World Records Ltd. and Virgin Records Ltd. p 2001 Peter Gabriel Ltd.

SIDE ONE

MCCARTNEY VANILLA SKY GABRIEL SOLSBURY HILL GIANNI I FALL APART

4 PETER

5 JULIANNA

UPC: 848064013259 FORMAT: 2-LP Set Regular Weight White with Orange Swirl Vinyl PACKAGING: Gatefold Jacket LIMITED EDITION: 1500 Copies BOX LOT: 30

1. R.E.M. All the Right Friends 2:46 (Bill Berry/Peter Buck/Mike Mills/Michael Stipe) Produced by Pat McCarthy Engineered by Jamie Candilord p 2001 R.E.M./Athens Ltd.

SIDE ONE 1 R.E.M. ALL THE RIGHT FRIENDS 2 RADIOHEAD EVERYTHING IN ITS RIGHT PLACE

3 PAUL

2. RADIOHEAD Everything in Its Right Place 4:09 (Thomas Yorke/Edward O’Brien/Colin Greenwood/Jonathan Greenwood/Philip Selway) Recording directed by Nigel Godrich with Radiohead p 2000 EMI Records Ltd.

iBarcoder Trial

1.

2.

3.

4.

Bob Dylan—Fourth Time Around Nancy Wilson—Elevator Beat R.E.M.—Sweetness Follows The Chemical Brothers—Where Do I Begin

SELLING POINTS • Original Copies of Introducing The Brief Encounter Are Among the Rarest and Priciest Albums in ‘70s R&B • Originally Released in 1977 on Legendary Nashville Deejay John Richbourg’s SeventySeven Records Label • But It’s Not Just the Scarcity of the First Pressing That Makes Introducing the Brief Encounter an Uber-Collectible Gem • Booty-Shaking Bass and Drums, Deft Wah-Wah Guitar Licks, and Angelic Group Harmonies Bring to Such ‘70s Soul/Funk Superstars as Funkadelic, The Isley Brothers, The O’Jays, and Kool & the Gang • Everything from Steamy Funk Workouts (“Time Is Moving”) to Sublime Soul Ballads (“Loving and Caring”) • All Original Material • All from a Band Out of Rural North Carolina • First-Ever U.S. Reissue • Pressed in North Carolina to Honor The Brief Encounter’s Roots on “Smoky Mountain” Vinyl • One of the Most Elusive Soul Classics of the ‘70s, Finally Available and Affordable

iBarcoder Trial

UPC: 848064013143

FORMAT: Regular Weight “Smoky Mountain” Vinyl PACKAGING: LP Jacket BOX LOT: 30

The Brief Encounter

INTRODUCING THE BRIEF ENCOUNTER (“SMOKY MOUNTAIN” VINYL EDITION) STREET DATE: NOVEMBER 5, 2021

If you own a copy of this 1977 release on legendary Nashville deejay John Richbourg’s SeventySeven Records label, then you are on your way to amassing generational wealth! But it’s not just the scarcity of the original pressing that has driven prices to sky-high levels…the opening track proclaims “We’re the baddest group of people you’ve ever seen,” and it’s not wrong. Funkadelic, Isley Bros., O’Jays, Kool & the Gang…pick your favorite ‘70s R&B act and this rural North Carolina (!) band measures up with bootyshaking bass and drums, deft wah-wah guitar, beautifully arranged horn charts, and angelic group harmonies employed with equal aplomb to steamy funk workouts (“Time Is Moving”) and sublime soul balladry (“Loving and Caring”), all written by the band itself. To honor the roots of The Brief Encounter, this first-ever U.S. reissue is being pressed in North Carolina on smoky (mountain) vinyl…don’t miss this chance to grab one of most elusive soul classics of the ‘70s!

Side One 1. The Brief Encounter (Introduction) 2. Visions 3. Smile 4. Just One Moment 5. Loving and Caring

Side Two 1. In a Special Kind of Way 2. Good Thing, Bad Thing 3. Time Is Moving 4. Get a Good Feeling 5. We’re Gonna Have a Good Time

model home

both feet en th infinite

TIM KERR SELF TAUGHT STREET DATE: November 5, 2021

BELA KOE-KROMPECHER Love, Death & Photosynthesis

Self Taught (DG-208)

LARRY LIVERMORE Spy Rock Memories Love, Death & Photosynthesis (DG-201)

LARRY LIVERMORE How To Ru(i)n A Record Label

Spy Rock Memories (DG-61)

How To Ru(i)n A Record Label (DG-96)

NOVEMBER 05, 2021

MIRA CALIX • ABSENT ORIGIN • INFO

FORMATS WARPLP341

WARPCD341

SPEC • 2LP in printed inners in printed 5mm spine outer, DL card

SPEC • CD in digipak

BOXLOT • 12

BOXLOT • 30

UPC • 801061034115

UPC • 801061034122

OVERVIEW absent origin is the latest album to be announced today by multi-disciplinary artist Mira Calix via Warp Records on 5 November 2021.

“Like Duchamp, I had started out wanting to, “make an album, or box, of approximately all the things I produced”. In the end, I realised - as much as a collage is the coupling of two or more realities, it also offers the means to examine the materials and culture of an era, questioning and expanding its borders.” Mira Calix

RELEASE DATE • 11.05.2021 FILE UNDER • M / ELECTRONIC

Every song on the album was created by applying a different collage process relating to a different visual artist, spanning the history of collage to contemporaries of the practice. The sonic materials are subjected to a myriad of processes; layered, synthesised, constructed and assembled into electronic melodies, textures and complex, frisky dance rhythms that are constantly shifting in surprising ways. absent origin employs collage to make sense of the current moment of displaced voices, disjunction and political unrest.

WEBSITE • miracalix.com

NO EXPORTS • NO EXPLICIT CONTENT

TRACKLISTING

ALSO AVAILABLE

01. a mark of resistance 02. there is always a girl with a secret 03. silence is silver 04. bower of bliss 05. wooddrifts 06. nkosezane -for my daddy 07. like Jenga (only it reaches all the way to the sky and it’s made of knives) 08. doggerland (between the acts) 09. fundamental things 10. fractions fractured factions 11. i’m in love with the end 12 surrender 13. GARGLE (command V) 14. dishàng shuãng (edit) 15. transport me 16. an infinite thrum (archipelago) 17. the abandoned colony collapsed my world

Utopia (WAP431)

derek@warprecords.com http://warp.net

harrellp@redeyeworldwide.com http://redeyeworldwide.com

ROSS FROM FRIENDS TREAD Release Date: 5th November 2021 Ross From Friends levels up with “Tread”, his keenly anticipated new album on Brainfeeder Records. Melodic, touching, nostalgic but brilliantly modern and original, it runs the full gamut from melancholy to euphoria. It’s also sleeker and arguably more dancefloor-focused than his acclaimed debut album “Family Portrait” (2018), but his signature personality is ever present.

Ross From Friends made his debut on Breaker Breaker in 2015, 12” outings soon followed on labels Lobster Theremin and sister imprint Distant Hawaii, Lone’s Magicwire and Molten Jets before he signed to Brainfeeder. His first release on Brainfeeder was 2018’s “Aphelion EP” and his debut album “Family Portrait” followed quickly afterwards.

Ross From Friends’ ever-evolving 3-man live show featuring a blend of guitar, keyboards and saxophone (last seen at Coachella 2019) is set to return to the US in Spring 2022.

CAT NO: BF113 UPC: 5054429148305 Box Lot: 15

￫ Double 140g black vinyl in gatefold sleeve ￫ Includes download code

CAT NO: BF113C UPC: 5054429152807 Box Lot: 15

￫ Double 140g clear vinyl in gatefold sleeve ￫ Includes download code

CAT NO: BFCD113 UPC: 5054429148312 Box Lot: 35

￫ CD in cardboard gatefold sleeve with printed wallet

SIDE A A1. The Daisy A2. Love Divide SIDE B B1. Revellers B2. A Brand New Start

SIDE C C1. XXX Olympiad C2. Grub C3. Spatter/Splatter C4. Morning Sun In A Dusty Room SIDE D D1. Run D2. Life In A Mind D3. Thresho_1.0 D4. Thresho_1.1

Genre: Electronic Key Markets: Los Angeles, New York City, Chicago, San Francisco, Seattle, Denver Recommended if you like… Four Tet, Bicep, Leon Vynehall

naretail@ninjatune.net ninjatune.net

American Dreams Records PATRICK SHIROISHI HIDEMI

“The concentration camps that Japanese Americans had to go through has been a major part of my work for the last couple of years,” says Los Angeles-based composer and saxophonist Patrick Shiroishi. His last album, Descension, focused heavily on the experience inside Japanese-American concentration camps, but his new album Hidemi, a solo multilayered woodwind journey, considers the personal experience of his grandfather after getting out. “His name is Hidemi Pat,” Shiroishi explains, “so I was named after him, but I never got to meet him, as he passed away before I was born.” As Patrick’s name is in memory to his grandfather, Hidemi is too, and across the album’s nine tracks, Shiroishi brings the listener through tension and ZMTMI[M [PW_KI[QVO [WUM\PQVO ]VÅT\MZML beautiful, and ultimately hopeful, a testament to perseverance and grace.

layers of harmonies often each recorded in one take. The album’s opening blasts on “Beachside Lonelyhearts” blow the doors open, but are quickly replaced by loping, interplaying melodies that swell, ZMKMLM \PMV [TW_Ta UM\PWLQKITTa [P]‫ټ‬M W‫ ٺ‬7\PMZ [WVO[ TQSM ¹<W 3QTT ) ?QVL =X *QZLº [\IZ\ _Q\P _WWL_QVL Æ]ZZQM[ IVL NZMM jazz that metamorphosize into something serene before Shiroishi’s baritone sax breaks open the piece, bringing back the beginning’s composed but frenetic energy.

Shiroishi wanted to allow for community expression, too, to be a part of Hidemi regarding the Asian-American experience, so he curated and edited a chapbook featuring writings and art by fellow Asian-American artists - Tangled.

The book was made to provide a platform for thoughts considering the recent rise of violence against Asian-Americans due to racism spurred by misinformation on Covid-19, and features artists such as Dylan Fujioka, Mai Sugimoto, Tashi Dorji, Susie Ibarra.

If you’ve ever wondered what trios, quartets, and quintets of Patrick Shiroishi’s sounded like, Hidemi was made for you. All of the album was written and performed by Shiroishi who sang and played alto, baritone, tenor, C melody, In an evocative, personal essay from and soprano saxophones, stacking up Tangled, Shiroishi explains the Japanese

concept of gaman, which means “to endure the seemingly unbearable with patience and dignity, or simply put, to bite your tongue.” It’s a chilling, profound passage in which the history of JapaneseAmericans have had to gaman, with ;PQZWQ[PQ ]T\QUI\MTa [\I\QVO \PI\ ¹?M KIV VW TWVOMZ »OIUIV ¼ ?M U][\ JM TW]L and speak up, so what our grandparents and ancestors went through will not be forgotten or taken for granted.”

Hidemi functions as a warning, but there is ecstasy and hope in it, too. In the last song “The Long Bright Dark,” a short, blossoming tear-jerker that crescendos with Shiroishi’s vocals, the artist cries out in Japanese: “Is this the end of the storm?” It’s the sole sung passage in Hidemi J]\ Q\[ M‫ٺ‬MK\Q^MVM[[ Q[ KPQTT inducing - it contextualizes everything, pushing forward while acknowledging historical evil. It’s moving and impactful, moving towards a society where - in his essay, he writes - “our children and future generations may live without fear. So that they won’t have to ‘gaman.’”

RIYL: Colin Stetson, Battle Trance, Upsilon Acrux

American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

Label Contact: Jordan Reyes jordan@american-dreams.zone

Label: American Dreams Records Release Date: 10/29/2021 11/05/2021 Cat#: 36 ADR Format: LP Barcodes: LP: 727431747716

LP

Nashenas Life is a Heavy Burden - Ghazals and poetry from Afghanistan Strut present the first compilation of legendary Afghan Ghazal singer Dr. Mohammad Sadiq Fitrat a.k.a. Nashenas, recorded at the Radio Afghanistan Studios and later released on singles by the Royal label in Iran.

Nashenas first made his move towards music aged 16 in 1951 when he approached Afghanistan’s national radio station, Radio Kabul, with an idea for a broadcast and, impressed with his language skills, they offered him a permanent job. “I was in close contact with some of the big names in Afghan music like Jalil Zaland,” Nashenas explains. “My father had a gramophone and we listened to other singers like Ustad Qasim Khan and Kundan Lal Saigal.” After unsuccessful initial forays into singing sessions for the station, he honed his skills as a writer, singer and musician, playing the harmonium. Inspired by a movie he had seen at the cinema, Nashenas wrote a new poem and sang on air again after the evening news, using the name ‘Nashenas’ (meaning ‘unknown’) for the first time. Following a wave of positive feedback from the public, he was given a new weekend slot and built his reputation through film song interpretations, famous poems set to music and his own compositions sung in Dari and Pashto.

Nashenas would witness turbulent times as Afghanistan found itself caught up in the Cold War and the early ‘90s civil war until it became too dangerous to stay in the country. Through a friend in the U.N., he was able to seek asylum for himself and his family and take up residence in London, continuing to work as a musician and giving concerts globally.

Most of Nashenas’ recordings during this period were only made for broadcast, later surfacing on singles through the Royal label in Iran. Life Is A Heavy Burden is compiled from these singles by Chris Menist and Mads Jensen. All tracks are remastered by The Carvery and both formats feature new liner notes including an interview with Nashenas. The album is part of the new United Sounds of Asia series curated by Chris Menist and Maft Sai of Paradise Bangkok.

KEY POINTS First ever international compilation of Nashenas’ recordings for Radio Afghanistan, compiled by Chris Menist and Mads Jensen.

Features rare photos and full liner notes including interview with Nashenas Supported by full worldwide PR campaign involving Nashenas himself (now based in UK) First release in the new United Sounds Of Asia compilation and album series set up by Chris Menist and Maft Sai

Release Date : 05 November 2021 Artist: Title:

LP TRACKLIST A1 The Way I Love My Beloved A2 Your Sorrow Is Killing Me A3 Flower Had A Thorn

B1 I Am Happy Alone B2 Life Is A Heavy Burden B3 O Beloved, The Sorrow Of Your Love Destroyed Me B4 The Author Of Destiny

CD TRACKLIST 1. The Way I Love My Beloved 2. Your Sorrow Is Killing Me 3. Flower Had A Thorn 4. I Am Happy Alone 5. Life Is A Heavy Burden 6. O Beloved, The Sorrow Of Your Love Destroyed Me 7. The Author Of Destiny

FOR FANS OF: Mahwash, Jagjit Singh, Rahim Bakhsh, Ahmad Wali, Zahir Howaida, Mohammad Hussain Sarahang, Nusrat Fateh Ali Khan, Ustad Amir, Faiz Karizi, Shamali Afghan, Ensemble Kaboul,

Powerhouse Records continues the Tom Principato Anniversary celebration by releasing “Down The Road-The Studio Recordings” a 2 CD compilation set of vocals and guitar instrumentals that is the companion to the “50 Years Live” CD set. Celebrating 50 Years of Roots Music and Guitar Playing with guest artists Chuck Leavell, Willie Weeks, Sonny Landreth, Kim Wilson, Brian Auger, Jim Brock, Wayne Jackson of The Memphis Horns, Steve Wolf, Tommy Lepson, Robbie Magruder, Joe Wells, and many others...

ARTIST: Tom Principato TITLE: Down The Road-The Studio Recordings PACKAING: 2-CD Eco Wallet STREET DATE: 11/5/2021 UPC: CD: 195269116576 ITEM #: CD-POW-138 EXPORT RESTRICTIONS: None BOX LOT: 30 LABEL: Powerhouse Records DISTRIBUTION: Redeye Distribution PROJECT MANAGER: Lori Miller

Disc One Vocals & Songwriting 1. Knockin’ On The Door 2. Livin’ Here Too 3. Helping Hand 4. Stranger’s Eyes 5. Part Of Me 6. Call The Law 7. Don’t Wanna Do It 8. The Rain Came Pourin’ Down 9. Never Make Your Move Too Soon 10. In The Middle Of The Night 11. They Called For “Stormy Monday” (But «Mustang Sally» Is Just As Bad!) alt. version 12. My Baby Worships Me- alt. version 13. Robert Johnson Told Me So

Disc Two Guitar Instrumentals 1. Back Again & Gone 2. In Another Dream 3. (Willie) Bo Bo’s Groove 4. In Orbit 5. Down The Road 6. In The Clouds 7. Shuffle 50 8. Dark Is The Night- alt. version 9. Blue Lights 10. For the Last Time- unrelease version 11. Baptised In Muddy Water- alt version 12. Goodbye For Now

Chime School

Label: Slumberland Records

Catalog Number: SLR 260

Street Date: November 5, 2021

“Chime School”

1. Wait Your Turn

2. Taking Time To Tell You

3. Dead Saturdays

4. Fixing Motorcycles

5. Anywhere But Here

6. Radical Leisure

7. Get A Bike

8. Gone Too Fast

9. It's True

10.Calling In Sick File Under: Alternative - C

TL; DR: Terrific jangle-pop from SF’s bumping DIY pop scene, sitting comfortably next to scenemates Seablite, Flowertown and The Umbrellas.

RIYL: the Creation and Sarah labels LP UPC: 749846926012

Packaging: Vinyl LP with DL code.

First pressing on blue vinyl.

Box Lot: 20/40

7

49846 92601

CD UPC: 749846026026

Packaging: Gatefold wallet

Box Lot: 50/200 master 2

7

49846 02602

6

Chime School is the project of San Francisco musician Andy Pastalaniec. Endlessly charmed by 80s indie and its 60s forbearers (and any record with a 12-string guitar), Andy cut his teeth as a drummer with SLR labelmate Odd Hope in their early group Pink Films; later with shoegazers Cruel Summer, and currently with indiepop outfit Seablite. But it wasn't until he was gifted a cassette 4-track portastudio "almost as a dare," that he came out from behind the kit to write and record his own material.

Aptly named for its autodidact roots, Chime School pays homage to the formative jangle of The Byrds by way of early Primal Scream and The Springfields; the production and pop sensibility of the Biff Bang Pow and The Razorcuts; and the spirit of great singles labels like Creation, Postcard and Sarah. From the dreamy album opener "Wait Your Turn" to the driving jangle of "Dead Saturdays" and the lush, epic "Gone Too Fast" we can see that we're in the presence of a very talented writer indeed, someone with a lifetime's worth of pop fandom just waiting to burst out in song.

It's challenging to take familiar musical forms and make them feel fresh and new, but Andy has tackled the task with aplomb on this assured debut. Featuring future classic singles like "It's True" and "Taking Time To Tell You" it's certain to catch the ears of indiepop fans, for sure, but will also be a balm for anyone in love with melodic, classic guitar pop.

Contact: Stephen Svacina

email: stephen@redeyeworldwide.com

tel: 1.877.733.3931

Territory: The World

Posters and stickers available, ask your rep.

HARD FEELINGS HARD FEELINGS OVERVIEW HARD FEELINGS, the brand-new collaborative project between New York City’s singer/ songwriting powerhouse Amy Douglas and Hot Chip’s Joe Goddard, announce their selftitled debut album.

For all intents and purposes, the self-titled debut album, HARD FEELINGS, is "an opera of sad bangers." Loosely conceptual without being a full concept album, the material is the ultimate immersive cinematic experience for your feet and ears, seated fluidly at the intersections of new wave and synthpop inspired pop music and full-on dance majesty. Song by song, it focuses on the unravelling of relationships and their nuanced mystery, replete with ecstatic highs, painful mournful lows, and pure drama throughout. Here is a full LP that will make you dance, make you cry, and make you feel.

TRACKLISTING 1. Love Scenes 2. Dangerous 3. Running Out Of Time 4. You Always Know 5. Take You Down 6. About Us 7. Holding On Too Long 8. Sister Infinity CATALOG NUMBER: WIG491 RELEASE DATE: Nov 5, 2021 FILE UNDER: Electronic “H” CD Boxlot: 30 / UPC: 887828049127

2xLP w/ DOWNLOAD Boxlot: 15 / UPC: 887828049110 Vinyl is non-returnable

SELLING POINTS • Hard Feelings features Amy Douglass & Hot Chip's Joe Goddard.

Amy Douglas has made her reputation across the worlds of house and disco with her distinctive voice and stellar songwriting, whose recent credits include writing Róisín Murphy’s 2020 single "Something More." The go-to for powerhouse vocal features and killer hooks, Amy has worked with Juan MacLean, Horse Meat Disco, Treasure Fingers, Luke Solomon, and The Crooked Man, while her champions include Bill Brewster, Andrew Weatherall and Sean Johnston.

Joe Goddard, synonymous with the electronic music world and widely-known in the front ranks of British producers, creates sounds from across his panoramic musical life—house, techno, and disco, to UK garage, R&B and electro-pop. Joe forms one fifth of the UK electropop powerhouse, Hot Chip; alongside Raf Rundell, he is one half of The 2 Bears.

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com

• Radio campaign to impact non-commercial/specialty formats on album release.

• Standard 2xLP vinyl included printed inner sleeves and a download card.

FOXX BODIES VIXEN STREET DATE: NOV 5, 2021 SIDE A 1. Bad Kid 2. Victim One 3. Wind 4. BPD 5. Car Talk 6. Room

SIDE B 7. Runaway 8. Breakfast 9. Monsoon Surf Club 10. Anamia 11. Hospital 12. Vixen 13. Anthem

• Debut album via Kill Rock Stars • Limited edtion light blue vinyl

• Recorded and mixed by John Goodmanson (Bikini Kill, Sleater-Kinney, Los Capesinos) Vixen, the second album from Foxx Bodies, is the sound of joyful catharsis. It’s the artistic manifestation of four friends—vocalist Bella Vanek, guitarist Bailey Moses, bassist Matt Vanek, and drummer Adam Bucholz—locking arms and eyes, in full support of each other’s efforts to dig through layer after layer of compacted grief, trauma, pain, and fury. The feeling that remains after the 13th and final song on this triumphal album fades away is exhausted exhilaration.

Recorded and produced by John Goodmanson (Sleater-Kinney, Bikini Kill) and mixed by Erik Blood months before the pandemic was in full swing, Vixen is a bold evolutionary step for this young quartet. Gone is much of the surf rock-influenced swing of previous efforts, replaced by massive guitar riffs and a newfound pulverizing attack from the rhythm section. Opening track “Bad Kid”—the first single to be released from the album—sets the tone immediately, with the music stomping forth authoritatively while Bella Vanek unpacks years of parental guilt and disappointment. Later the singer takes on the voice of a pleading victim while the rest of the band swaggers and steams behind her like Unwound at its most playful. And Foxx Bodies unveils their most post-punk-inspired effort to date with the sensual and defiant “Room,” all roiling beats and Killing Joke guitar tone.

What cuts through every moment of Vixen is the voice of Bella Vanek. It’s a dynamic instrument that snaps from a demure purr to a full-throated scream in seconds. It’s the anchor for Foxx Bodies’ entire discography, giving it strength and weight. And Bella uses it here to shattering effect on songs like the title track, where she unabashedly recounts years of grooming and sexual abuse and asks some devastating questions in an aching croon: “Why did you do that? Why do I feel guilty? How could you do that? Why did you pick me?”

She keeps her voice measured and steady, lest these legitimate queries come off as hysterical, saving her righteous anger for the rest of the album. And there’s plenty of it to go around. It’s what runs through this album like a river of molten lava, giving Vixen, and all the music of Foxx Bodies, its heat and its menacing edge.

“Vanek’s voice in particular swings from the depths to the heavens on “Bad Kid,” wailing with an unhinged fury at the track’s most climactic moments.” – Stereogum

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Ben Chasny THE INTIMATE LANDSCAPE

TRACKS

The Many Faces of Stone Last Night to Use the Telescope Waterfall Path Cross-Winged Formation Water Dragon Star Cascade Where Have All the Summers Gone?

Circular Road Six Diamonds Dust In the Ravine Fading Blue Second Moon On the Way to the Coast

LP

CD

DC810 LP/CD Street Date: November 5, 2021 NO EXPORT TO EUROPE, JAPAN, OR AUS./NZ; ALL OTHER SALES OKAY

A new instrumental album of acoustic guitar playing from Six Organs of Admittance’s Ben Chasny! Everybody knows it’s been far too long since 2004’s much-beloved For Octavio Paz; even as the landscape has crowded with acoustic players, we’ve all been dying to hear Ben’s distinctive virtuosity again in this format. But The Intimate Landscape is so much more . . .

KPM Music, the legendary British library music company, extended an offer to Ben to make some songs for their library. Well aware of their history, he immediately agreed. The field of library music (music made for hire, for use in placement in films and advertising) is one that’s come to public consciousness only relatively recently in the long century of record-making, but the influence of such records has been felt for years in the aesthetics of many diverse artists, including several who’ve recorded for Drag City. So it’s a special thing for Drag City, whose appreciation for Ben’s unique artistry has been borne out over a countless variety of releases, to issue this really amazing entry in both the KPM Music tradition and the ever-expanding Ben Chasny/Six Organs of Admittance ouvre.

Ben chose the acoustic guitar for these recordings after considering the width and breadth of possible music he could make for the occasion.

His approach while playing it was simple — deceptively so: to make music as present and immediate and beautiful as possible. This type of playing requires a deep breath before beginning, as it has to generate from within, as well as at the fingertips.

The resulting music is inventive and engaging, both in and out of the astral style of Ben’s music and the utilitarian genre of music to which he’s contributing. The album’s title — The Intimate Landscape — is a clue to these dual intentions, as is Ben’s use of his given name rather than the 6OOA alias he has preferred in his career. These songs manifest lovely themes played on acoustic guitar, recorded with spacious, almost pastoral ambiance; richly evocative pieces that can fill the multiple purposes of any sound library around the world. When paired with their titles, however — such as, “Last Night to Use the Telescope,” “Circular Road,” and “On the Way to the Coast” — these pieces are profoundly re-contextualized as potent personal expressions. So too are the songs with titles like “Water Dragon.”

“Star Cascade,” and “Dust In the Ravine.” Two decades-plus into his life in music, Ben’s got the craft and ability to make music that can be encompassingly heard as intimate AND universal.

Going for melody, Ben employs a relaxed technical facility, supported by a few guitar overdubs, plus several well-placed synths and a passage of wordless vocalizing, accessing the murky depths of his reservoir of spirituality while hand-spinning irresistible sonic candy at the same time. This is a greatly engrossing listening experience, regardless of what the listener’s intentions are.

Given the rarity of such lovely acoustic essays from the fingers of Ben Chasny, and thanks to EMI and KPM Music, we’ll find ourselves returning to gaze over The Intimate Landscape often, for many years to come.

Drag City Post Office Box 476867 Chicago, IL 60647 / 312.455.1015 / sales @ dragcity.com

ANZ ALL HOURS Release Date: 5 November 2021 New Ninja Tune signing, Manchester-based DJ and producer Anz is set to release her first EP for Ninja Tune.

All Hours was built to be a soundtrack for 24 hours, from sunrise to the next. It is a non-stop journey throughout the history of dance music and culture, from 90’s electro inspired by Detroit television series The New Dance Show, through to club focused techno, breakbeat and classic UK garage.

The release follows on from a hugely successful few years for Anz that, despite a global pandemic, has seen her cement her position as an exciting selector.

Launching her own label OTMI, heading up a momentous BBC Radio 1 residency and a lauded monthly NTS show plus releasing a critically acclaimed 12” with UK stalwarts Hessle Audio, which featured 2020 anthem ‘Loos In Twos (NRG)’, are just a few of Anz’s recent successes.

Over the years she’s gained endless praise from the likes of DJ Mag (having been awarded the 2020 ‘Breakthrough DJ’ award), The Guardian, Resident Advisor, Mixmag, Pitchfork and Crack who featured Anz as their cover star earlier this year in June. She has played huge nights alongside the likes of Four Tet, Peggy Gou, Floating Points, Ben UFO and DJ Harvey.

CAT NO: ZEN12588 UPC: 5054429152142 Box Lot: 20

￫ 12” 140g black vinyl ￫ Includes an artwork insert ￫ Includes artwork double sided inner sleeve ￫ Animation by Jordan Moss & layout + design

by Jay Vaz

SIDE A

1.

2.

3.

Decisions (AM Intro) You Could Be (ft. George Riley) Real Enough To Feel Good

SIDE B 1. Inna Circle 2. Last Before Lights 3. Quest Select (AM Outro)

Genre: Dance/Electronic Key Markets: Brooklyn/NYC, Los Angeles, Detroit, Chicago, Miami Recommended if you like… Floating Points, Peggy Gou, Hessle Audio, Kelly Lee Owens, Octo Octa, Four Tet, Joy Orbison

naretail@ninjatune.net ninjatune.net

www.redeyeworldwide.com

stephen@redeyeworldwide.com

LEE GAMBLE A MILLION PIECES OF YOU EP Catalogue Number Street Date Format UPC Box Lot

: : : : :

SI-HDB-136 11.05.2021 12” 5056321637543 20

Lee Gamble completes his ‘Flush Real Pharynx 2019-2021’ album cycle with ‘A Million Pieces Of You’, the third EP of a triptych written in a time when the subjective experience of overload came to a halt, giving way to an overbearing sense of loss, burnout and a desperate need for hope.

These seven tracks feel more reflective, more human than the two preceeding EPs; the serpentine dopplers and seductive supercar engines of ‘In A Paraventral Scale’, and imploding motion sculptures of ‘Exhaust’.

A deepfake of Lee’s voice appears from the chaotic slow-mo crash of ‘Balloon Lossy’, timidly telling of “[garbled]… good news”. The uncanny spectre of deep fakes, AI and deep learning models give way to the melancholic loneliness of the solo piano in ‘Empty Middle Seat’. Then glimmering, golden pads on ‘Hyperpassive’ slowly crawl into the hopeful, bright arpeggiations of ‘Balloon Copy’.

‘A Million Pieces Of You’ is a ride through a part-synthetic, part-modelled, part-imitation, part-taught, part-human, parthopeful, part-reflective and paradoxically affirmative space – an involuntarily fitting finale to an album originally conceived in a world different to the one we now inhabit.

A1. Balloon Lossy A2. Newtown Got Folded A3. Obsession Model A4. Empty Middle Seat B1. You Left A Space B2. Hyperpassive B3. Balloon Copy

www.hyperdub.net

Label website: www.curationrecords.com

Beachwood Sparks Sandbox Sessions 12” Vinyl EP + Digital EP Catalog#: CURED011 Vinyl UPC: 00850014131210 Digital UPC 00850014131258

This 3-song 12” of recently discovered studio recordings from the classic 6 piece Beachwood Sparks line-up just had to be pressed onto vinyl. Recorded by Rick Parker at his Sandbox Studios near the beginning of the new millennium, the band had previously worked with Rick for their debut single on Bomp! These recordings capture what was going on in Los Angeles in the late 90s long before the Cosmic American Music revival. More than a collectible record, we wanted to release something for the DJs in clubs and on the radio to play...It’s Limited to 500.

Said about Beachwood Sparks 20th Anniversary Deluxe Edition “If ever a band sounded like the sunbaked children of a partnership between the trippy psychedelic dreamers of the paisley underground and the lonesome cowboys of the late-'60s Laurel Canyon cosmic country, Beachwood Sparks are it. - Allmusic Editor’s Choice 5/5 “Good Vibes galore on this 20th anniversary reissue - the debut of an LA country-rock band as scholled in Felt and Flying Nun as the Flying Burritos and 5D-era Byrds.” - Mojo Marketing & Selling Points ● Three song EP of previously unreleased songs and versions ● The live favorite “Time” is the featured leading digital track/single ● Limited vinyl release to celebrate the 20th anniversary of Beachwood Sparks eponymous debut album. ● Vinyl 12” comes in classic discobag sleeve with newly designed Beachwood Sparks Tambourine logo Tracks SIDE 1 One Two Three, One Two Three

SIDE 2 Time Canyon Ride

LISTEN TO - SANDBOX SESSIONS https://soundcloud.com/user-182728278/sets/beachwood-sparks-3-song-12-sandbox-sessions/s-L2r7F EThPY3

Label website: www.curationrecords.com

Triptides So Many Days EP 12” Vinyl + Digital Catalog#: CURED014 UPC 12" VINYL:850014131272 UPC DIGITAL: 850014131265

Among the newest generation of bands in the tradition of West Coast psychedelia, Triptides have blossomed into the role of elegant adventurers. Led by guitarist, keyboardist and singer Glenn Brigman, with drummer Brendan Peleo-Lazar and bassist/guitarist Stephen Burns, the trio is continually discovering their sound through a complex map of familiar influences and bold choices in tonality, structure and texture.

On their new long-playing record “So Many Days”, Triptides rolls and flows into some new territory in a way that feels natural. The group has exchanged fuzz guitars for chiming acoustics, phaser pedals for pedal steels and Farfisa for harmonica. This new 4-song 12"

(containing 3 non-LP studio recordings) gives us a taste of those new Los Angeles canyon vibes. Their first for Curation Records.

This is a transformation long in the making. Starting in 2010 in the college town of Bloomington, Indiana, Brigman was making albums as Triptides with roommates and friends in a raw, Beach Boys-meet-Cleaners-From-Venus cassette-induced haze. As the band moved West, so did their influences, and Los Angeles brought out a more sophisticated element in Triptides.

Doors-inspired organ flourishes and driving, Stereolab-esque movements melded with the spirit of The Byrds in the Fifth Dimension, as the trio both on stage and in the studio opened up a new sonic world.

After the otherworldly “Alter Echoes”, released to highly critical acclaim earlier this year, the group has joined up with LA’s Curation Records to release their forthcoming love letter to the Laurel Canyon Sound, “So Many Days”. Written and recorded in the San Bernardino mountains, these songs show a more grounded and pensive side of their ever-evolving sonic landscape. A whole new palette of sounds is gained, but nothing is lost. Even amidst acoustic and pedal steel guitars, the songs are unmistakably Triptides.

Marketing & Selling Points ● 4-song EP containing first single and title track “So Many days” from upcoming album together with 3 non-LP studio recordings ● Exclusive Bob Dylan-cover of the obscure classic “Walkin’ Down The Line” ● Full PR Campaign with Pavement PR ● Triptides Fall EU 2021 Tour in september & West Coast USA Tour in november 2021 Tracks

SIDE 1 So Many Days Walkin’ Down The Line

SIDE 2 Going Home Free Fall

LISTEN TO - So Many Days 4-song EP (3 non-LP studio recordings) https://soundcloud.com/user-182728278/sets/triptides-so-many-days-4-song-12-single/s-vTzNkOipEn1

Label website: www.curationrecords.com

Uni Boys Long Time No See b/w Rock “N” Roll Dream 7” 45rpm Vinyl + Digital Single Catalog#: CURED012 UPC 7" Vinyl: 850014131227 UPC DIGITAL SINGLE: 850014311241 Sprouting from the middle-class suburban wasteland of Aliso Viejo, CA, the boys confused by the futility of their daily lives began to envelop their day-to-day routine with the study and discovery of new music — primarily Rock ‘n’ Roll. Forming at the age of 15, they battled with establishing a sound. When faced with this challenge, they decided to combine all their favorite aspects of Rock ‘n’ Roll.

Now in their early 20’s, and teamed up with Curation Records, Uni Boys are set to follow up their two brilliant self-released digital LPs "Rock and Roll Music" & "Heavy Hearted" w/ UNIVERSITY BOYS a third full-length. Kicking off with the single "Long Time No See" b/w "Rock N Roll Dream" (non-LP B-side) Continuing to celebrate the simplicity of a three-minute pop song, yet intrigued by the avant-garde side of rock ‘n’ roll, the boys blend their visions to the best of their ability. - UNI BOYS 2021 Uni Boys consists of Reza Matin, Noah Nash, Arthur Fitch and Michael Cippoletti.

"What they've done is deliver a self-produced slice of a record that could resemble a classic record by The Nerves and all that came after. The "Power Pop" label has been synonymous lately with older folks with Rickenbakers so it's rad to see and hear a young band with such a strong identity and understanding of the genre" - Brent Rademaker "Rock N Roll's easy despite what they say, I've got news for you baby ANYONE CAN PLAY" Marketing & Selling Points ● Pavement PR campaign for the upcoming LP ● Killer West Coast Power-Pop from UNI BOYS making their vinyl debut on Curation Records ● So California live shows through the fall of 2021 ● Full length LP/CD/DIGI coming in 2022 Tracks SIDE 1 Long Time No See

SIDE 2 Rock N Roll Dream

LISTEN TO - “Long Time No See” b/w “Rock N Roll Dream”

https://soundcloud.com/user-182728278/sets/uni-boys/s-VIjUqLFNFNE

GOLDEN DRAGON Limited deluxe edition of 499 copies. Includes an insert with line notes and photos.

November 5, 2021 Street Date: October 1, 2021 Media: LP Catalog #: SUB-139-LP UPC: 7393210134973

First-time limited-edition reissue of this mega super-crazy rare US hard rock/metal heavy psych private press LP from 1981. Golden Dragon were a wild Filipino-American quartet from the Bay Area lead by Freddy Mabuhay. The album is filled with heavy blazing psyched out metallic rock, blistering guitar solos loaded with fuzz and wah, heavy riffs and stoned vocals.

Freddy was the bass player in the legendary band Dakila who had a fantastic album out on Epic in 1972. Later in 1978, after playing the Diamond Head Crater Festival in Hawaii, Freddy formed his own group; Golden Dragon.

In 1981 he and his band; consisting of his brother and two musicians from the legendary Bay Area punk band VKTMS, recorded the amazing Golden Dragon album. The album was only pressed in a few copies to be sent out as a demo to secure a record deal. Unfortunately, the deal never happened, and the album stayed unreleased and pretty much unobtainable for all these years.

Track listing: A1. Highway Child A2. Higher and Higher A3. Need A Friend A4. Take Off B1. Too Late B2. Version B3. Highway Child II

The short lived, but lethal, Golden Dragon band performed live at the legendary venue Mabuhay Gardens, aka The Fab Mab, in San Francisco.

Sadly, Freddy passed away shortly thereafter, and the mighty Golden Dragon’s music stayed obscure growing to mythical status among hard rock and psych rock aficionados.

Subliminal Sounds has now put together this release in cooperation with the surviving musicians. It’s finally time for the world to experience the mighty sound of Golden Dragon!

Subliminal Sounds, Kryssargatan 7, 12063 Stockholm, Sweden www.subliminalsounds.se

GREAT AD… Deep Down Death

Limited deluxe edition of 499 copies. Comes with a gatefold sleeve cram packed with pictures and a magazine booklet with in-depth liner-notes of the wild tales from back in the day.

Street Date: November October 1, 5, 2021 2021 Media: LP Catalog #: SUB-138-LP UPC: 7393210134966

A mind-bending musical discovery! The long-lost, rare/unreleased music and history of these loud and hairy hard rock champions out of mid1970s Sweden. The 2nd tasty release in our series “The Swedish Hard Rock Underground - A Smorgasbord of Heavy Sounds!” with the best, but previously unknown and undocumented jaw dropping Swedish hard rock/heavy psych bands from the totally stoned 1970s.

Let us introduce you to the tale of this unique heavy band from southern Sweden. The fierce dudes that earned the moniker: “Northern Europe’s most violent band!” from their wild live shows.

The band recorded and released two private press singles in 1975 and 1976 respectively. Both were done in micro pressings of 100 copies each making them very rare and sought after. We follow the band from their first incarnation as a killer heavy power trio and then expanding in to a massive 5-piece powerhouse and until the military draft put an end to their teenage hard rock dreams…

This stuff will blow your mind and ears to bits! Watch out!

Track listing: A1. She’s Got the Fire A2. Great Ad… A3. Borne, Andy, Mountain A4. You’ll Never Believe A5. Fast Love A6. Slow Love B1. Deep Blue B2. Waffle B3. Time to Go Home B4. Deep Down Death B5. Sigh

Subliminal Sounds, Kryssargatan 7, 12063 Stockholm, Sweden www.subliminalsounds.se

DEATH IN GOTHENBURG LP # LPBBP0105 EAN 7320470222805

Death in Gothenburg

If you’re into harder music you know about The Gothenburg Sound. Bands like At The Gates, Dark Tranquillity and In Flames have spread that brand of melodic death metal all over the world, but what did that sound grow out of?

This compila�on of thrash/death-bands from the early 90s metal scene in Gothenburg features early a�empts from Dark Tranquillity and In Flames as well as soon-to-be members of bands like Hammerfall, Tiamat, Evergrey and Engel.

Tracklist A1. Pagandom - Protectors of Penetra�on A2. Sarcazm - Snaildeath A3. Exempt - Labratory Sickness A4. Dark Tranquillity - Void of Tranquillity B1. Ceremonial Oath - Lost Name of God B2. Braindead - Summon for the Praise B3. Caedes - Beyond Salva�on B4. Intoxicate - Tango of Nietsche B5. In Flames - In Flames

Veik - Surrounding Structures Fuzz Club LP

FC142V12R

5060467887656

On 180g ultra-clear vinyl w/ standard sleeve. French three-piece Veik release their highly-praised debut album, ‘Surrounding Structures’. Supported by BBC 6 Music, KEXP, France24, France Inter, Loud & Quiet, Line of Best Fit, Louder Than War and more, the album is now getting a second vinyl pressing on 180g ultra-clear vinyl. Centred around vintage analogue synths and abrasive instrumentation, the Caen-based band’s experimental post-punk is rooted in the 70s avant-garde, most notably Krautrock and No Wave. They reel off groups like Implog, Suicide or Indoor Life as inspirations, whilst existing in a similar world to contemporaries like Beak>, Suuns and Girl Band. The album arrived off the back of a handful of EPs and singles, tours around Europe and shows with the likes of The Soft Moon, Tomaga and Vanishing Twin. Talking about ‘Surrounding Structures’, they say that “The writing of the album was heavily influenced by architectural environments. We made a lot of detours when touring in 2017 and 2018 to visit modernist and brutalist buildings in France, Germany and Belgium (which caused us many delays for soundchecks.)” Listening to the album, it’s quickly clear how the disjointed shapes and abrasive textures of brutalist architecture are manifested in their music. However, they claim that the ‘Surrounding Structures’ of the album’s title are also a reference to both the “physical and social structures that surround us and how they shape us as individuals and collectives.” Quotes - "Veik have made a remarkable debut album. ★ ★ ★ ★" Loud & Quiet // "Veik plunder the kosmische musik of the past while sounding invariably modern." The Line of Best Fit // "A record that wholly sounds like the future... truly magnificent." New Noise Magazine // "Veik combine accessibility with alienation throughout the album, opening a door to expose reality. ★★★★" Louder Than War // "A syncopated reinterpretation of post-punk based on analogue synths" France Inter // "1970s avant-garde rock with a French twist" FRANCE 24 (Encore!)

1) Difficult Machinery 2) Singularism 3) Political Apathy 4) Honesty (I Don’t Wanna Know) 5) Life Is a Time Consuming Experience 6) Château Guitar 7) Same Old Argument 8) Surrounding Structures 9) Downside (I Wanna Know) 10) Chullachaqui

Artist: Album: Release:

BIRDS OF PASSAGE THE LAST GARDEN 5th November 2021

Formats: CD LP (clear) LP (black)

UPC · Box Lot 634457065697 · 30 634457065680 · 10 634457065673 · 10

150 colored vinyl reserved for Redeye Tracklist: 1. It's Too Late Now 8:46 2. The Light Became 3:09 3. The Creed 3:45 4. Worship My Flaws 4:05 5. Find Me Another 1:37 6. A Tale of Two Cities 4:19 7. We Fell For the Devil to Rise 7:56 8. Petite Mort 6:31 9. On Our Hands 2:23 Highlights: - Birds of Passage breaks her silence after 3 years with her 5th album.

- Lose yourself in a universe of minimalist soundscapes, reinvented shoegaze, and the words of a poet who can find the breathless beauty in the cold loneliness of the dark.

- "Her dove-like vocals soar, but her introverted lyrics blossom with the fondness of love." (Fluid Radio) After 3 years, New Zealand based Alicia Merz breaks her silence with her 5th Birds of Passage album ‘The Last Garden’.

Alicia doesn’t share much with the public, except through her music, and so this album offers a rare glimpse into her secret world. Lose yourself in a universe of minimalist soundscapes, reinvented shoegaze, and the words of a poet who all too well knows the cold loneliness of the dark, but can find the breathless beauty in it also.

"Birds of Passage is humble and heartbroken. Her warm words are crimson berries that bear fruit in the cold depths of winter, hanging over crooked, bare branches where nothing else survives. Her dove-like vocals soar, but her introverted lyrics blossom with the fondness of love." (Fluid Radio) Also available: Birds of Passage - The Death Of Our Invention Birds of Passage - Winter Lady Birds of Passage and Leonardo Rosado - Dear and Unfamiliar Birds of Passage - Without the World

4059251227588 (CD) · 4059251227595 (LP) 4024572520182 (CD) · 4024572520175 (LP) 4024572510602 (CD) · 4024572510596 (LP) 4024572470494 (CD) · 4024572470487 (LP)

Label:

Distribution:

denovali.com · timo@denovali.com

505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com

Artist: Album: Release:

RICARDO DONOSO PROGRESS TRAP 5th November 2021

Formats: UPC · Box Lot CD 634457065727 · 30 LP (yellow/green) 634457065710 · 10 LP (black) 634457065703 · 10 150 colored vinyl reserved for Redeye Tracklist: 1. They Saw it Coming 3:20 2. Hostile Environments 2:27 3. Great Acceleration 3:03 4. Master and Emissary 2:45 5. Essential Asymmetry 1:15 6. Forward and Backward 3:00 7. A Two-Sided Story 2:39 8. Separated From Living Things 4:13 9. Reconcilable Differences 3:21 10. Accelerating Into a Wall 2:57 Highlights: - Ten years after the transcendent syncopated debut ‘Progress Chance’, Ricardo Donoso returns with a pulsing retrospect of rhythmic determination and wide-eyed wonder with ‘Progress Trap’.

- "compulsive listening" MOJO / “stunning” RESIDENT ADVISOR / “daring and bold” POP MATTERS Ten years after the transcendent syncopated debut ‘Progress Chance’, Ricardo Donoso returns with a pulsing retrospect of rhythmic determination and wide-eyed wonder with ‘Progress Trap’. The moods on these electronic miniatures vary from piece to piece; some somber, brooding, and laden with mystery, others starry-eyed, tinged with sci-fi, and hungry for adventure. Connections are finally forged between Donoso’s early hardware synthesizer arpeggiation experiments, his darker and more abstract work with an emphasis on synthetic textures, pulsation, and sound design and the more recent extreme full throttle electronic mayhem and prog inspired technical opuses. Progress Trap is as harmonious as its predecessor allowing dissonance to subtly seep in, providing mere hints at the undercurrent of threat hidden beneath the music's smooth surface.

There's a lot to digest on Progress Trap, as with Donoso’s entire canon, but as always, the effort is repaid.

Also available: Ricardo Donoso - Content Ricardo Donoso - Re-Calibrate Ricardo Donoso - Calibrate RDTK (Ricardo Donoso & Thiago Kochenborger) - Human Resources Ricardo Donoso - Quintesence Ricardo Donoso - Sarava Exu Remixes Ricardo Donoso - Symmetry Ricardo Donoso - Machine To Machine

4059251395836 (CD) · 4059251395829 (LP) 4059251353218 (CD) · 4059251353201 (LP) 4059251290100 (CD) · 4059251290070 (LP) 4059251239796 (CD) · 4059251239802 (LP) 4024572987503 (CD) · 4024572987497 (LP) 4024572894832 (LP) 4024572894863 (3xCD) 4024572848132 (CD) · 4024572848125 (LP)

Label:

Distribution:

denovali.com · timo@denovali.com

505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com

If you’re not afraid, I’m not afraid • For fans of Grouper, Warpaint, Weyes Blood, Mitski, Gia Margaret, Lala Lala, Indigo De Souza, Boygenius, Kississippi, Soccer Mommy, Hand Habits, Shortly, Miya Folick, Mothers, Rosie Tucker.

• #93 position on NACC charts.

• Press campaign handled by Jamie Coletta (jamie@noearbuds.com).

• Half a million streams on single “Get Lost” since release.

• Substantial US touring before COVID, with full US touring in support of Oso Oso, From Indian Lakes, and The Menzingers. “[A] modern take on the doo-wop sounds of the mid-twentieth century, with gorgeous ethereal harmonic vocal melodies drifting atop clean guitars and a simple drum beat.

Although clearly taking inspiration from the rock and roll sounds of yesteryear, Queen Of Jeans have made the style completely their own, crafting sound that is both welcoming and challenging.” -UPROXX “Philadelphia four-piece Queen of Jeans are the band you didn’t know you were missing, shimmying around your ears with vibrant three-part harmonies and ‘60s girl group and doo-wop hooks you don’t hear on your typical punk rock bill.” -Billboard Crockpot Pop. It’s not a term you’ll be instantly familiar with, but it is a somewhat perfect descriptor of Philadelphia quartet Queen of Jeans. Intentionally tongue-in-cheek, the self-ascribed term was coined by the band to chronicle the haphazard nature of their core ingredients.

They are a slew of sounds and influences in a juxtaposition that somehow strikes balance, sculpted over time into the refined and tenacious outfit they are today.

On new album if you're not afraid, i'm not afraid, Queen of Jeans have teamed up with prominent producer Will Yip to help usher the band into a new sonic era. While their signature sound still pervades the overall work, the album marks a decided turn toward more tightly knit songwriting that emphasizes their most alluring strengths. A continued staple of their sound, layered vocal harmonies shine throughout, drenching the twangy, americana-reminiscent guitar lines in beautiful, evocative light, and illuminating the album's vast yet serene soundscapes.

p: jessica lim

TSR202 LP / CS / CD ^ ^ ^ beige with navy blue splatter vinyl w/ DL code

Queen of Jeans

STREET DATE November 5, 2021 LABEL Topshelf Records CATALOG # TSR202 TRACKS 11 FILE UNDER Rock / Pop BOX LOT 30 LP / 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT yes LP UPC 6 34457 01691 0

CD 6

34457 01691 0

UPC 6 34457 82592 5

CS UPC 6 34457 82594 9 5 6 34457 82592

6

34457 82594 9

Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres.

To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like

redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com

topshelf records 540 NE Tillamook Street Portland, OR 97212 info@topshelfrecords.com

P.O. BOX 8554 • OMAHA, NE 68108-0554 • P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM

SAM EVIAN You, Forever November 5th, 2021

• New pressing on limited edition “Translucent Sunset” yellow-orange vinyl • LP includes digital download • 2018 follow up album to 2016’s Premium As it has been said: no matter where you go, there you are. With his new album You, Forever, Sam Evian, the project of New York-based musician, songwriter, and producer Sam Owens, is here to add some eternity to that sentiment.

“This is you, forever,” he says. “It’s about accepting that you are responsible for you, that you’re in charge of your actions. Everything you do affects others and yourself, so, no matter what you choose to do, be there and learn from it.” It’s a mantra that powers self-starter Owens, who debuted his first Sam Evian full-length, Premium, in the fall of 2016. The notion takes on a dual meaning that is echoed across You, Forever.

You, Forever is Owens’s foray into a more soul-baring sensibility and places the artist directly in the sightlines and heartlines of his listeners. The album (as well as 2017’s “Need You,” a collaboration with the multi-hyphenate musician Chris Cohen) was written on the heels of his experience touring Premium with his band and was recorded across the latter half of last year. The tours—which included opening shows for bands like Whitney, Big Thief, Teenage Fanclub, Luna, Nick Hakim and Lucius—taught him much about feel and interaction. Further fueled by a desire to escape from the glow of screens and to embrace a sense of limitation, he quickly developed a new set of songs for his band and recorded them on a Tascam four-track cassette recorder at his parents’ house in North Carolina.

Owens then borrowed an eight-track reel-to-reel tape recorder from a friend, rented a house in upstate New York, and took the band – Brian Betancourt (bass), Austin Vaughn (drums), Adam Brisbin (guitar), and Hannah Cohen (backup vocals) – there to record the new album in July of 2017. The limitations of the method - Sam even banned tuning pedals - focused the recording process on the vibe he had achieved on the original four-track recordings.

Whether driving across America, navigating the bustle of his adopted NYC home, playing festival stages with rock legends, or getting back to basics in his parents’ garage, no matter where Sam Evian goes, there he is…forever.

LP yellow-orange vinyl printed inner sleeve

TRACK LISTING 01. IDGAF 02. Where Did You Go? 03. Health Machine 04. Anybody 05. Apple 06. Country 07. Next to You 08. Summer Day 09. Now I Feel It 10. You, Forever 11. Katie's Rhodes

3:17 3:19 3:59 4:43 1:43 2:48 4:21 3:37 3:06 3:32 4:16

Artist: Sam Evian Title: You, Forever Catalog #: LBJ-265 Formats: CD / LP Street Date: November 5th, 2021 List Price: $13.98 CD / $19.98 LP Box Lot Quantity: 30 CD / 50 LP Genre: Alternative CD: 648401026528 LP: 648401026580 PRESS PROMOTION Jessica Linker - Pitch Perfect jessica@pitchperfectpr.com (773) 271-6844 RADIO PROMOTION College, Commercial & Specialty Radio radio@saddle-creek.com MASTER USE LICENSING US - syncteam@terrorbird.com UK/Europe - dave@republicofmusic.net INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com

CD 4 panel walet 8 panel folded lyric insert

NOT EXPORTABLE OUTSIDE THE US / LP NOT RETURNABLE

505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com

Artist:

Darius Jones Album Title:

Raw Demoon Alchemy (A Lone Operation) Catalog #: NS 141 Release Date: 11/05/2021 Vinyl LP: 309272738810 Limited Edition Vinyl LP: 309272738827 CD: 309272738834 RIYL: Sun Ra Arkestra, Ornette Coleman, Kamasi Washington, William Parker, John Zorn, Georgia Anne Muldrow

SELLING POINTS Foil-dipped features on LP jacket.

A

fter separating from his partner of 10 years, saxophonist Darius Jones set out on tour “to capture a moment in time, to crystallize the beginning of something at the end of something else.” Born from a live performance—his last night on tour—Raw Demoon Alchemy (A Lone Operation) unearths a deep and profound vulnerability that isn’t just personal but also delves into the macro-level divisiveness of our current political climate, evoking sadness, rage, and confusion while still holding for glimmers of hope for the future.

Raw Demoon Alchemy (A Lone Operation) is meant to be heard in full, from front to back. Only 2 tracks will be streaming on DSPs. Features an unreleased composition by Georgia Anne Muldrow.

“…The most visceral and distinctive alto saxophonist of this era.”

– Giovanni Russonello, New York Times

With four of its five tracks, Jones selects compositions from artists who are not just unapologetically Black but also notably ones that he regards as “world builders.” From Sun Ra, Ornette Coleman, and Roscoe Mitchell right up through the present with Georgia Anne Muldrow, Alchemy draws immeasurable strength from each of these artists who dared to envision and create an entire universe unto themselves, on their terms.

With “Figure No. 2,” Jones offers us a modern-day version of the blues. Courtesy of Muldrow, her refrain encapsulates the vast breadth of the Black experience in America, transforming our deep-seated pain into our beauty and armor of resilience.

Jones also proudly rests on the shoulders of Coleman and Mitchell, two of this music’s known improvisers who often stood alone in this music’s ever-changing landscape. He pays homage to Mitchell with “Noonah,” which in the late 1970s was initially met with jeers from an audience, that is, until his 21+ minute long version overtook them.

On Alchemy, Jones balances the emotional heft of closure with the simple act of standing alone as he taps into an unknown power of his lone voice, finding a newfound strength and enthusiasm that will carry him — and its listeners — beyond the uncertainty and doubt of not knowing.

Label Contact: Adam Downey adam@northern-spy.com

Distribution Contact: Distribution Contact: Lori Miller lori@redeyeworldwide.com 877-733-3931 x216

JJJJJerome Ellis ‘The Clearing’ A conceptual and musical tour de force that explores how stuttering, blackness, and music can be practices of refusal against hegemonic governance of time, speech, and encounter.

With The Clearing, composer, producer, multi-instrumentalist, and writer JJJJJerome Ellis establishes a new metaphor that frames speech dysfluency—stuttering in particular—as a space for possibility rather than a pathology. First introduced in his 2020 essay “The clearing: Music, dysfluency, Blackness and time” in The Journal of Interdisciplinary Voice Studies, Ellis presents “The Clearing” as a concept that challenges us to reimagine dysfluency in speech and question how speech and articulation impact how we exist in the social realm. Ellis speaks with a block stutter, which manifests as intervals of silence in his speech. He calls these intervals “clearings.” In the opening section of the essay, Ellis argues that stuttering—much like music—challenges and “breaks up” time as we know it: “My thesis is that Blackness, dysfluency and music are forces that open time. Opening brings possibilities: temporal refusal, temporal escape, temporal dissent.” Ellis goes on to suggest that disabled speakers and certain types of people, especially Black folks, are subjected to related forms of temporal regulation and oppression that seek to pathologize and criminalize: “Temporal subjection enacted against Black people occurs in many spheres. Brittney Cooper examines several in her work: Black women’s reproductive health; legal and extralegal murders of Black people; racially skewed correlations between zip code and life expectancy; and the conceptualization of history itself.”

Release Date: November 5th, 2021 1. Loops of Retreat 2. Jede Krankheit ist ein musikalisches Problem 3. Small Baptism 4. The Bookseller, Part 1 5. Dysfluent Waters 6. Stepney (feat. Milta Vega-Cardona)

7. The Bookseller, Part 2 8. Bend Back the Bow and Let the Hymn Fly 9. Brush Fire Smoke (feat. Kelvin Ellis) 10. Sketch for Reconstruction 11. Milta 12. Punch Line

File Under: Electronic, Spoken Word, Experimental, Jazz Label: NNA Tapes Catalog #: NNA140 UPC: Standard Black 2xLP: 309272738780 Format: 2xLP (WW) | Digital (WW) RIYL: Matana Roberts, Moor Mother, Amir Sulaiman, Cucina Povera, Alabaster dePlume, Gil Scott-Heron, Speaker Music, KMRU, Saul Williams, Joseph Shabason, Brian Eno, Reggie Watts, Amiri Baraka, Jenny Hval, Alvin Lucier Selling Points: • Design by Rissa Hochberger • The Clearing is commissioned by The Poetry Project, co-produced

by NNA Tapes and The Poetry Project, and released in tandem with a book published by Wendy’s Subway.

What do speech and articulation say about us and our humanity?

Who has the power to shape the rules of speech and decide what forms of articulation are considered “standard,” “traditional,” and “acceptable”? Why do these same rulemakers have the power to regulate us?

Recorded in various bedrooms over the course of several months and setting the text of Ellis’s essay to music, The Clearing is a haunting and expansive series of reflections on the questions of speech, articulation, and the power behind both. The album opens with “Loops of Retreat,” a stunning piece that utilizes atmospheric tones with Hip Hop drums and deep bass, connecting those sounds with references ranging from Bernie Mac to W.E.B. Du Bois’s The Souls of Black Folk. Expanding on Harriet Jacobs’s idea of the “loophole of retreat,” Ellis positions Black music and speech as disruptors of “conventional” time and as tools to map out new means of communication and activity.

Harriet Jacobs reminds us that Black loops in Black music (including but not limited to rap and house) are always Black loop(hole)s of retreat; that Black music, like Black escape, is a never-ending activity and never an achievement. And when the Black stutterer loops a syllable (m-m-m-m-m-mother), this too is a Black loop, Black music, Black activity.

The Clearing is a conceptual and musical tour de force that combines Jazz with the narratives of enslaved Africans, and experimental electronics with historical accounts of Black rebellion.

The album centers speech but uses it as a starting point to not only depathologize dysfluent speech but to build new tools to critique anti-Blackness, linear time, culture, and power in our society.

Ellis says of the project: “I hope this album offers the listener some of what my stutter offers me: an opportunity to imagine new ways of being in time.”

The Clearing is co-produced by NNA Tapes and The Poetry Project.

The album will be released in tandem with a book published by Wendy’s Subway, the eighth title in the Document Series, an interdisciplinary publishing initiative that highlights work by time-based artists in printed form.

NNA Tapes, LLC 122 Washington Avenue | Brooklyn, NY 11205 | USA Contact: Caitlin Pasko | caitlin@nnatapes.com Web: nnatapes.com

Distributed by Redeye 449-FA Trollingwood Road | Haw River, NC 27258 | USA Contact: Lori Miller | lori@redeyeworldwide.com 877-733-3931 x216

Various Artists Erased Tapes 20･･－－－0 Format: Double LP (Black Vinyl) Extras: Download Code File under: Ambient · Box Lot: 20 LP Release Date: 05.11.21

Label:

Erased Tapes

Catalogue No.:

ERATP130LE

Barcode (EAN):

3700551784196

Distributor:

Redeye

Territory:

North America

Back in stock － Erased Tapes’ 20･･－－－0 project on black vinyl.

"Especially in this time of isolation we need to remind ourselves of the importance of art, just how magical a medium sound is to express, to raise and answer question marks, to open and mend the soul… it’s the most universally speaking of all languages as it knows no borders."

At a time of global separation, Erased Tapes founder and sonic explorer Robert Raths stitched together a project putting what is most important at the forefront — connection. This collection of works by undisclosed artists from the roster gives space and time to appreciate art at its most honest. By shedding the information noise usually attached to release cycles and by bringing music back to the magic of sound, we're presented with an opportunity for exploration when we need it most.

Tracklist 1 −･ −−− ･･･ − ･ ･−−･ −−− −･ ･−− ･･ −･ −−･

2 −− ･ −･･ ･ ･−･･ ･−

3 −･−･ −−− ･−･･ −−− ･･− ･−･ ･･−･ ･･ ･ ･−･･ −･･ ･･･

4 ･･･ − ･･ ･−･･ ･−･･ ････ ･ ･−･ ･ 5 −− ･− − ･･ −･−･

6 ･−･･ ･ − ･･ − −−･ −−−

7 −･･ ･− −･ −･−･ ･ −− ･ − −−− − ････ ･ ･ −･ −･･ −−− ･･−･ ･−･･ −−− ･･･− ･ 8 −−･ ･− ･･ ･−

9 ･･ −･ −−− ･−･ ･･ ･･−･ ･･−− ･−･ −−･ ･ −･ ･− −−･･

10 ･−−･ −−− ･ − − ･−･ ･ ･

Official Websites: www.erasedtapes.com PR Agent: pr@erasedtapes.com

Robert spoke to Mary Anne Hobbs of BBC 6Music about how releasing music without revealing its origin through the 20･･－－0 morse code series enabled him to share what him and the artists have been working on in real-time as opposed to the usual delays that come with releasing music.

"All the information, all that noise… As much as it can help give context, it also takes something away.

It tends to cloud your senses and take away from the magic of when you first hear something that’s completely unknown to your ears. How wonderful a sensation it is to just listen and let the music speak for itself without prejudice or the need for any references." — Robert Raths

The Reds, Pinks and Purples - Anxiety Art

Tough Love LP TLV144LP

5055869548052

Limited LP on pastel blue vinyl. 200 copies of Anxiety Art were pressed on Spanish label Pretty Olivia in 2019 and disappeared in a flash. This is the debut where The Reds, Pinks & Purples solidified the cathartic kitchen pop of later more widely distributed titles on Tough Love and Slumberland. As The Reds, Pinks & Purples Glenn Donaldson - the man with the lengthy Discogs page - decided to find his way out of the wilderness following some big and small personal tragedies and the demise of his former bands. He landed on a way to weave his influences from Athens, Georgia to Bristol, England into something unique to his life in the Inner Richmond district of San Francisco. The Tough Love repress features an alternate cover with more of Donaldson's neighborhood photographs. Edition of 1000.

A1 Dead End Days A2 Ahead Of Their Time A3 Bike Race A4 I'm Worried About The New Wave A5 Anxiety Art A6 Human Life A7 Bad Habits B1 How Long You Been Gone B2 What's In Your DNA B3 Citygardens B4 Boys In The Gang B5 New Car B6 Living On Sunday B7 Citybuses

INDIE | RELEASE DATE: 11/5/2021

PIANO MAGIC

WRITERS WITHOUT HOMES First time on vinyl, originally released on 4AD in 2001 Features special guests John Grant, Vashti Bunyan, Simon Raymonde (Cocteau Twins), Tarwater, Robert Johnston (Life Without Buildings) and more.

180gm, black vinyl with full colour printed inner sleeve.

Label: Second Language Music Cat. no: SL043P Format: LP (180gm Black Vinyl) Barcode: 5052442020110

Originally released on CD only by 4AD Records in 2002, Second Language Music present this first vinyl issue of 'Writers Without Homes.' The 6th album by the Anglo-French band, Piano Magic, is notable not only for featuring the first recording in 30 years by long-lost "freak folk" doyenne, Vashti Bunyan but also an early appearance by John Grant who, of course, went on to much bigger things. There are further guest appearances by the German electronic duo, Tarwater, Robert Johnston from arch-rock band, Life Without Buildings, Charlotte Marionneau of Le Volume Courbe, Paul Anderson of Tram and Suzy Mangion. The late Spanish film director, Bigas Luna (for whom the band provided the soundtrack to his 'Son De Mar' movie) introduces the track, 'Already Ghosts.'

The original album artwork has been completely redesigned for this release by Martin Andersen/Andersen M Studio (formerly of 4AD in-house design studio, v23).

•

•

'Postal' from the album was recently covered by the Danish indie rock group, Efterklang, on the 4AD 40th anniversary album, 'Bills & Aches & Blues' (out now on 4AD).

Listening Link: https://open.spotify.com/album/6HkbfplR56p6XMtgJOKP3V?si=WbWM70B QTlCXoYGgQ4YCZQ&dl_branch=1 “Brave intentions justly rewarded. Fanatical culthood beckons.” – The Guardian “Exquisite” – The Independent “A richly textured, often dark album which certainly rewards repeated listening” – The Observer Some people have friends in high places – Piano Magic have friends in sad places and they serve them equally as well" – NME “Startling beautiful and haunting melodies” – Careless Talk Costs Lives TRACKLIST (Music Won’t Save You From Anything But) Silence / Postal / Modern Jupiter / 1.30 / The Season Is Long / Certainty / Crown Of The Lost / It’s The Same Dream That Lasts All Night / Dutch Housing / Already Ghosts / Shot Through The Fog

TRACK LISTING 1. Where I’m From (4:29) 2. Time Is All I Need (4:18) 3. Mark On Me (4:15) 4. Memories In Mind (3:16) 5. Adventures Of Grace And Henry (4:43) 6. Lifeline (5:06) 7. Where Our Future Begins (4:21) 8. It’s Your Fault (4:54) 9. Lullaby (4:55)

RELEASE DATE: 11.05 2021 Storytelling is power. Unable to perform their rootsy

brand of Americana for crowds of people in live settings for more than a year, The Steel Wheels turned their creative powers to crafting songs for individuals. The result is an ongoing project, represented here in Everyone A Song, Vol. 2 and an accompanying podcast, We Made You a Song, in which songwriter Trent Wagler collects the personal experiences of fans and forges them into that most enduring yet ephemeral format we call “song.”

Inevitably, these songs celebrate connection. Each was commissioned for a specific relationship or event, a birth, a wedding, a memory of home, yet the emotions evoked are universal. Building on the work begun with Vol. 1, the nine songs of Vol. 2 also have an identity of their own, with themes that reflect the zeitgeist of a country dealing with tragedy and unsettling change.

Lead off track Where I’m From introduces the tension between nostalgia and progress while showcasing the band’s deft balance of traditional instrumentation and driving rhythm. In Time Is All I Need, a folksy new-soul anthem, Wagler sings, “It Takes Time, Sometimes so much time, To welcome a reason not to stay the same.” The Steel Wheels, never content to stay still, continue to move forward with intention and authenticity.

To write another’s story is to truly see them and recognize our shared humanity. In doing so, The Steel Wheels are attempting to subvert the divisions of the attention economy and create connections of beauty through the power of song.

CD Packaging 4 Panel Digipak

6

34457 07126

1

The Steel Wheels (l to r) are Kevin Garcia, Eric Brubaker, Brian Dickel, Trent Wagler and Jay Lapp.

PRAISE FOR EVERYONE A SONG

“With Everyone A Song, the Steel Wheels have risen to the occasion, offering poignant moving stories of their fans (and friends).” —Lyric Magazine UK “With strong compositions, stellar musicianship and harmony vocals that are particularly impressive when considering the remote process employed to record and mix them, Everyone A Song, Vol. 1 succeeds with anticipation for a second volume.” —Country Standard Time “Wagler and the rest of the Steel Wheels have found a way to make the most out of what’s been dealt to all of us in a difficult year. In doing so, they’ve found a way to not only bring their music closer to their fans, but to bring their fans closer to each other.” —No Depression

Big Ring Records ©2021 Distributed exclusively by Redeye 505 Eno St., Hillsborogh, NC 27278 REDEYEWORLDWIDE.COM Stephen Svacina • stephen@redeyeworldwide.com

FEATURED ON CBS SATURDAY MORNING LIVE THREE SONG PERFORMANCE 9/11/21 DISCOUNT PROGRAM: 20% OFF CREATION MYTHS CD & LP THROUGH OCT 31ST.

505 Eno St. Hillsborough, NC 27278 {toll free} 877.733.3931 REDEYEWORLDWIDE.COM

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RELEASE DATES: 10.29.21/11.05.21 | ORDERS DUE BY 10.08.21/10.15.21

SNAIL MAIL VALENTINE M ATA D O R

THE MIDNIGHT | EMMA RUTH RUNDLE | DISCLOSURE