10-20 New Release Book

NEW RELEASES Street Date: 10.20.17 | Order Date: 09.29.17 REDEYEWORLDWIDE.COM

IGGY & THE STOOGES Raw Power (Indie Only LTD Red Vinyl)

WHAT’S INSIDE: Vanilla Fudge | And So I Watch You From Afar | Giraffage | The Frightnrs

Daniel Norgren’s entire back catalog.

Available worldwide for the first time.

AVAILABLE 10/20/17 Limited Edition Colored Vinyl Pressings of 2015’s Alabursy and The Green Stone Available Worldwide

Full Catalog:

SPR003 Outskirt Year: 2008

SPR008 Buck Year: 2013 Format: CD($19.99) LP ($24.99)

Format: CD ($16.99) EAN: 7 320 470 093 504

DVD size book CD EAN: 7 320 470 161 272 2X12” Vinyl EAN: 7 320 470 161 289

SPR006 Horrifying Deatheating Bloodspider

Year: 2010 Format: CD ($16.99) EAN: 7 320 470 130 230

SPR007 Black Vultures Year: 2011

SPR009 SPRCD009 Alabursy Year: 2015 Format: CD ($16.99) LP ($18.99)

Standard Black Vinyl EAN: 7 320 470 194 164 Sky Blue Ltd Ed EAN: 7 320 470 225 493 CD UPC: 7320470194171

SPR010 SPRCD010 The Green Stone Year: 2015 Format: CD ($16.99) LP ($18.99)

Format: 10” Vinyl ($14.99) EAN: 7 319 200 000 721

Standard Black Vinyl EAN: 7 320 470 194 195 Deep Red Ltd Ed EAN: 7 320 470 194 157 CD UPC: 7320470161296

The idea and creation of this record label was led out by a demo recording of Daniel Norgren. It was recorded in the woodlands of Sweden by Pelle Nyhage in his home studio in 2002 who later founded Superpuma Records.

Since​teaming​up​with​Redeye​Worldwide,​and​f​ ​ or​the​first​time​in​its​ten-year​history,​ Superpuma and Norgren will be making his entire catalog available, including 2015’s The Green Stone & Alabursy, 2013’s Buck, 2011’s Black Vultures EP, 2010’s Horrifying Deatheating Bloodspider, and 2008’s Outskirt.

Available on Superpuma Records October 20, 2017. ​​This​​ September​through​Octobe​ r,​Daniel​will​embark​on​his​first​US​tou​ r,​w​ ith​specialguests​William​Tyler​and​My​Bubba,​Joan​Shelley​and​supporting​Drive-By​Truckers,​these​ dates​will​offer​a​rare,​first​opportunity​to​see​Europe’s​best​kept​secret​and​ undoubtedly​most​captivating​live​performer​-​an​acclaimed​Swedish​songwriter​and​ multi-instrumentalist​with​a​deep​catalog​and​a​live​show​that cuts to the core.

9/22​-​Tractor​Tavern​|​Seattle,​WA​* 9/23​-​Revolution​Hall​|​Portland,​OR​* 9/26​-​The​Independent​|​San​Francisco,​CA​* 9/29​-​Troubadour​|​Los​Angeles,​CA​*​ 9/30​-​Globe​Hall​|​Denver,​CO 10/1​-​Turf​Club​|​St.​Paul,​MN 10/3​-​Schubas​|​Chicago,​IL 10/4​-​The​Ark​|​Ann​Arbor,​MI​+ 10/7​-​The​Great​Hall​|​Toronto,​ON 10/8​-​Mountain​Stage​|​Charleston,​WV​^ 10/10​-​World​Cafe​Live​|​Philadelphia,​PA​~ 10/11​-​Brighton​Music​Hall​|​Allston,​MA​~ 10/13​-​Bowery​Ballroom​|​New​York,​NY​|​co-headline​w/​William​Tyler​Band 10/14​-​Rough​Trade​|​Brooklyn,​NY​~ *​=​w/s/g​William​Tyler​​|​​+​=​w/s/g​Joan​Shelly​​ |​​~​=​w/s/g​My​Bubba​​|​​^​=​w/​Drive-By​Truckers

info@superpumarecords.com www.superpumarecords.com

lori@redeyeworldwide.com www.redeyeworldwide.com

Order Due Date: Friday, 9/22/17 DUE TO THE LIMITED NATURE OF THESE RELEASES, ORDERS RECEIVED AFTER 9/22 WILL NOT BE ELIGIBLE FOR ANY OVERSOLD TITLES.

CS-BARK-094

PHANTOGRAM

CS-HMR-01

LOVE

CS-BRGR-1202

BRENTON WOOD BURGER RECORDS

Eyelid Movies

Black Beauty

Oogum Boogum

BARSUK RECORDS

HIGH MOON RECORDS

BURGER RECORDS

CS-PNKSLM-031

CS-TE-163

CS-TE-164

MISS WORLD

WILD PINK

ADULT MOM

PNKSLM RECORDINGS

TINY ENGINES

TINY ENGINES

Waist Management EP

Wild Pink

CS-BRGR-1203

BRENTON WOOD

Soft Spots

Baby You Got It

CS-TE-166

THE SPIRIT OF THE BEEHIVE Pleasure Suck TINY ENGINES

CS-TE-169

CS-TE-174

CS-TE-154

PEAER

FLORAL PRINT

TINY ENGINES

TINY ENGINES

Peaer

CS-TE-176

SEE THROUGH DRESSES

mirror stages

CLUB NIGHT

Horse of the Other World

Hell Ya

TINY ENGINES

TINY ENGINES

CS-TE-170

CS-TE-173

CS-KTR-009

CS-TE-171

STRANGE RELATIONS

STRANGE RANGER Daymoon

Bridge Music

TINY ENGINES

TINY ENGINES

TINY ENGINES

Editorial You

EERIE GAITS

MARTIN SEXTON Mixtape Of The Open Road

KITCHEN TABLE RECORDS

CS-IR-005

CS-SUSMIX-02

CS-FOAM-002

Citizen Gorgeous

Early Morning / Late Afternoon

STYLES UPON STYLES

CLAWMAN

IMAGINATOR/CLANDESTINE

SPACE JAM

WAXWOOD Sahasrara

STYLES UPON STYLES

REDEYEWORLDWIDE.COM

EMA

Exile In the Outer Ring

NORTH AMERICAN TOUR WITH The Blow 10/26/17 – Seattle, WA @ Neumo’s 10/27/17 – Vancouver, BC @ The Fox 10/28/17 – Portland, OR @ Mississippi Studios 10/30/17 – San Francisco, CA @ Rickshaw Shop 10/31/17 – Los Angeles, CA @ The Echo 11/1/17 – Phoenix, AZ @ The Rebel Lounge 11/3/17 – Austin, TX @ Barracuda 11/4/17 – Dallas, TX @ Club Dada 11/6/17 – Atlanta, GA @ The Masquerade-Purgatory 11/7/17 – Durham, NC @ The Pinhook 11/8/17 – Washington, DC @ DC9 11/10/17 – Brooklyn, NY @ Brooklyn Night Bazar 11/11/17 – Philadelphia, PA @ PhilaMOCA 11/12/17 – Somerville, MA @ Once Lounge & Ballroom 11/13/17 – Portsmouth, NH @ 3s Artspace 11/14/17 – Montreal, QC @ Le Belmont 11/15/17 – Toronto, ON @ The Garrison 11/17/17 – Detroit, MI @ UFO Factory 11/18/17 – Chicago, IL @ The Empty Bottle 11/19/17 – St. Paul, MN @ Turf Club

Artist: EMA Title: Exile In The Outer Ring RD: 08/25/2017 Genre: Alternative CD Catalog#: Slang50121 Barcode: 4250506822248 List Price: USD $12.99 Configuration: Digi-Sleeve, 12p booklet

----------------

LP Catalog#: Slang50121LP Barcode: 4250506822255 List Price: USD $19.99 Configuration: lp w/ download

LTD color LP (exclusive for indie-retail) Catalog#: Slang50121LTD Barcode: 4250506822637 List Price: USD $19.99 Configuration: red vinyl w/ download

Social Media:

https://www.facebook.com/cameouttanowhere/ https://twitter.com/the_EMA_ http://www.iwannadestroy.com/

Contact: Label - City Slang: Kevin Duneman kevin@cityslang.com Distribution - Redeye: Perry Harrell harrellp@redeyeworldwide.com Publicity - Chromatic: Amanda Pitts – ap@chromaticpublicity.com Radio – The Planetary Group: Ben Zalman – ben@planetarygroup.com

“Anderson’s ideas and lyrics tend to be so compelling, they drown out any discussion of her songwriting. But it’s a mistake to consider her words or sounds in isolation, especially on Exile. The album is a bridge from EMA’s past to the present, fusing Red State’s drones and fuzz and political-made-personal portraiture with the dystopian sci-fi of The Future’s Void. What’s unique to Exile is the unreal world of the Outer Ring, which is as well developed in the music as it is in the lyrics and videos. To a base of noise, folk, and pop, Anderson adds industrial coldness. These sounds will force many of us who are 33, nihilistic and female (especially if we’re white and grew up outside of any major urban center) to recall blasting Nine Inch Nails in grimy, ’90s bedrooms with disaffected white boys who might have grown up to be neo-Nazis.” – Pitchfork, 8.0 “One of current indie music's great world builders, versed in heavy metal's sense of myth, industrial music's lessons in texture, and feminist punk's mandate to tell stories still mostly hidden in the shadows” - NPR, First Listen “Anderson has one of our great rock voices, a sweet-but-ragged howl-coo that can turn a song from dirge to anthem in the space of the time it takes her to switch keys. For all the ominous buzzing of the album’s production, and for all the soul-sucking severity of its subject matter, Outer Ring is a gorgeous album. “I Wanna Destroy” is a mantra and a lullaby. “33 Nihilistic And Female” hits like something PJ Harvey and Ministry might’ve made together in 1995. “Always Bleed” is like a spartan Joy Division hymn that actually knows how sad it is. This is heavy music, but it’s beautiful, too, and you can get lost in it.”

– Stereogum, Album of the Week "For some this will feel like resistance; for others, existence. In truth, it is a bit of both."

- Rolling Stone, 4/5 stars “She has a knack for making even the simplest phrases sound dramatic and towering, and she continues to sound like no one other than herself." – Bandcamp, Album of the Day “Exile could stand as one of the artistic triumphs of this dark time." – Brooklyn Vegan “Superb.” – AV Club

--------------------------------

After the success of 2011’s Past Life Martyred Saints and 2014’s prophetic The Future’s Void, EMA returns with a portrait of The Outer Ring: A pitch-black world of highways at night, American flags hung over basement windows, jails and revival meetings, casinos and rage. In a year dominated by white working-class alienation and anger, EMA – a Midwesterner who never lost her thousand-yard stare - has delivered an album that renders Middle American poverty and resentment with frightening realism and empathy.

Co-produced with Jacob Portrait (Unknown Mortal Orchestra), this is a return to EMA’s roots in the noise-folk outfit Gowns, whose 2007 album Red State prefigured many of Exile’s core themes, along with its mix of stripped-back folk and EMA’s signature noise epics.

The album is unique in its mingling of gender politics with American working-class anxiety. The voices we hear in these songs — druggy, surly societal outcasts; Byronic nihilists bringing down fire — speak to a kind of rebellion that’s typically reserved for men, and the archetype of the “dirtbag teenage boy” dominates the album. Yet EMA claims some of that same dirtbag alienation for women — “a woman who swallowed a scumbag teen boy whole,” as EMA puts it – and uses it to interrogate both her own vulnerability and how male violence shapes the world, as on the anthemic “Aryan Nation.”

The result is a deeply personal, confrontational, but ultimately redemptive album from a quintessentially American artist at the peak of her form.

----------------

BEST S E L L E R S 01

ODESZA A MOMENT APART

02

WILLIE WATSON FOLKSINGER VOL. 2

03

DAVID RAWLINGS POOR DAVID’S ALMANACK

04

FILTHY FRIENDS INVITATION

05

NICK LOWE THE ROSE OF ENGLAND

COUNTER RECORDS

ACONY RECORDS

ACONY RECORDS

KILL ROCK STARS

YEP ROC RECORDS

06

ANTIBALAS WHERE THE GODS ARE IN PEACE

07

MOUNT KIMBIE LOVE WHAT SURVIVES

08

NICK LOWE NICK LOWE AND HIS COWBOY OUTFIT

09

CHELSEA WOLFE HISS SPUN

10

EMA EXILE IN THE OUTER RING

DAPTONE RECORDS

WARP RECORDS

YEP ROC RECORDS

SARGENT HOUSE

CITY SLANG

VINYL S P O T L I G H T DAVID RAWLINGS POOR DAVID’S ALMANACK

ANTIBALAS WHERE THE GODS ARE IN PEACE

ACONY RECORDS

DAPTONE RECORDS

ODESZA A MOMENT APART (Indie Only Blue Vinyl)

EMA EXILE IN THE OUTER RING

COUNTER RECORDS

(Indie Only Red Vinyl) CITY SLANG

TY SEGALL FRIED SHALLOTS

RIDE WEATHER DIARIES

DRAG CITY

WICHITA RECORDINGS

CHELSEA WOLFE HISS SPUN

LUNA A SENTIMENTAL EDUCATION

SARGENT HOUSE

DOUBLE FEATURE RECORDS

THUNDERCAT DRUNK

NICK LOWE NICK LOWE AND HIS COWBOY OUTFIT

BRAINFEEDER

COMING S O O N SHAMIR REVELATIONS FATHER/DAUGHTER RECORDS THE APPLES IN STEREO TONE SOUL EVOLUTION YEP ROC RECORDS TOMAS BARFOD PALOMA FRIENDS OF FRIENDS

YEP ROC RECORDS

ORDER FORM Street Date: 10.20.17 | Order Date: 09.29.17 QTY

UPC

ITEM#

ARTIST

655173109441

CS-BARK-094

Phantogram

TITLE

FORMAT

COST

SLP

Cassette Store Day Titles: Eyelid Movies

Cassette

$5.30

$7.99

636225563787

CS-HMR-01

Love

Black Beauty

Cassette

$6.65

$9.99

634457796041

CS-BRGR-1202

Wood, Brenton

Oogum Boogum

Cassette

$4.00

$5.99

634457796140

CS-BRGR-1203

Wood, Brenton

Baby You Got It

Cassette

$4.00

$5.99

634457795341

CS-PNKSLM-031

Miss World

Waist Management EP

Cassette

$5.30

$7.99

634457794849

CS-TE-163

Wild Pink

Wild Pink

Cassette

$6.00

$8.99

634457752443

CS-TE-164

Adult Mom

Soft Spots

Cassette

$6.00

$8.99

634457753440

CS-TE-166

Spirit of the Beehive, The

Pleasure Suck

Cassette

$6.00

$8.99

634457726048

CS-TE-154

Peaer

Peaer

Cassette

$6.00

$8.99

634457786141

CS-TE-174

Floral Print

mirror stages

Cassette

$6.00

$8.99 $8.99

634457761445

CS-TE-169

See Through Dresses

Horse of the Other World

Cassette

$6.00

634457791640

CS-TE-176

Club Night

Hell Ya

Cassette

$6.00

$8.99

634457774346

CS-TE-170

Strange Relations

Editorial You

Cassette

$6.00

$8.99

634457778740

CS-TE-173

Strange Ranger

Daymoon

Cassette

$6.00

$8.99

634457786042

CS-TE-171

Eerie Gaits

Bridge Music

Cassette

$6.00

$8.99

754697444080

CS-KTR-009

Sexton, Martin

Mixtape Of The Open Road

Cassette

$5.30

$7.99

CS-IR-005

Clawman

Citizen Gorgeous

Cassette

$5.30

$7.99

CS-SUSMIX-02

Space Jam

Early Morning / Late Afternoon

Cassette

$6.00

$8.99

CS-FOAM-002

Waxwood

Sahasrara

Cassette

$4.00

$5.99

All 10/20 Titles: 90771401212

LP-SUND-5269X

Iggy & The Stooges

Raw Power (Indie Only Ltd Red Vinyl)

Vinyl

$19.30

$28.99

634457239920

CD-YEP-2399

Lowe, Nick

Pinker and Prouder Than Previous

CD

$10.65

$15.99

634457239913

LP-YEP-2399

Lowe, Nick

Pinker and Prouder Than Previous

Vinyl

$13.30

$19.99

634457239722

CD-YEP-2397

Lowe, Nick

Party of One

CD

$10.65

$15.99

634457239715

LP-YEP-2397

Lowe, Nick

Party of One

Vinyl

$16.00

$23.99

95081019423

CD-ALIVE-0194

Buffalo Killers

Alive And Well In Ohio

CD

$10.65

$15.99

95081019416

LP-ALIVE-0194

Buffalo Killers

Alive And Well In Ohio

Vinyl

$13.30

$19.99

90771806116

LP-MH-8061

Atkins, Chet

Hi Fi Focus

Vinyl

$19.30

$28.99

90771806413

LP-MH-8064

Atkins, Chet

Workshop

Vinyl

$19.30

$28.99 $14.99

90771804723

CD-MH-047

Gundella

The Hour Of The Witch

CD

$10.00

90771804716

LP-MH-8047

Gundella

The Hour Of The Witch

Vinyl

$16.65

$24.99

90771804327

CD-MH-043

Sinclair, Ranny

Another Autumn

CD

$10.00

$14.99

90771804310

LP-MH-8043

Sinclair, Ranny

Another Autumn

Vinyl

$19.30

$28.99

708535791720

CD-SBR-7917

Vanilla Fudge

Then and Now (Expanded Edition)

CD

$12.00

$17.99

634457788428

CD-SH-190

And So I Watch You From Afar

The Endless Shimmering

CD

$9.30

$13.99

634457788411

LP-SH-191

And So I Watch You From Afar

The Endless Shimmering

Vinyl

$13.30

$19.99

5054429120509

CD-COUNT-122

Giraffage

Too Real

CD

$9.30

$13.99

5054429120493

LP-COUNT-122

Giraffage

Too Real

Vinyl

$15.30

$22.99

5054429121070

LP-COUNT-122O

Giraffage

Too Real (INDIE ONLY ORANGE VINYL)

Vinyl

$13.30

$19.99

823134004818

LP-DAPT-048

Frightnrs, The

More to Say Versions

Vinyl

$12.65

$18.99

702397835622

CD-TZA-8356

Mary Halvorson Quartet

Paimon: The Book of Angels Volume 32

CD

$10.65

$15.99

661185009020

CD-MJ-030

Marshall, Susan

639 Madison

CD

$6.65

$9.99

186980000589

CD-GRE-1058

Douglas, Dave & The Westerlies

Little Giant Still Life

CD

$9.30

$13.99

708744972828

CD-SDMR-0017

Bonham, Tracy

Modern Burdens

CD

$10.00

$14.99

708744972842

LP-SDMR-0017

Bonham, Tracy

Modern Burdens

Vinyl

$14.65

$21.99

DEAL

ORDER FORM Street Date: 10.20.17 | Order Date: 09.29.17 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

790377044928

CD-THRILL-449

Colleen

A flame my love, a frequency

CD

$10.65

$15.99

790377044911

LP-THRILL-449

Colleen

A Flame My Love, A Frequency

Vinyl

$12.65

$18.99

634457787124

CD-BRGR-1114

Bryant, Tracy

A Place for Nothing and Everything In Its Place

CD

$9.30

$13.99

634457787117

LP-BRGR-1114

Bryant, Tracy

A Place for Nothing and Everything In Its Place

Vinyl

$14.00

$20.99

634457787148

CS-BRGR-1114

Bryant, Tracy

A Place for Nothing and Everything In Its Place

Cassette

$4.00

$5.99

781484069126

CD-DC-691

Circuit des Yeux

Reaching For Indigo

CD

$11.30

$16.99

781484069119

LP-DC-691

Circuit des Yeux

Reaching For Indigo

Vinyl

$15.30

$22.99

781484069140

CS-DC-691

Circuit des Yeux

Reaching For Indigo

Cassette

$7.30

$10.99

781484068822

CD-DC-688

MacKay, Bill and Ryley Walker

SpiderBeetleBee

CD

$11.30

$16.99

781484068815

LP-DC-688

MacKay, Bill and Ryley Walker

SpiderBeetleBee

Vinyl

$14.65

$21.99

781484068846

CS-DC-688

MacKay, Bill and Ryley Walker

SpiderBeetleBee

Cassette

$6.00

$8.99

781484065920

CD-DC-659

Pearls Before Swine

One Nation Underground

CD

$11.30

$16.99 $23.99

781484065913

LP-DC-659

Pearls Before Swine

One Nation Underground

Vinyl

$16.00

857387005421

CD-BBIB-040

Heaters

Matterhorn

CD

$9.30

$13.99

857387005414

LP-BBIB-040

Heaters

Matterhorn

Vinyl

$12.65

$18.99

4055388386365

CD-WWR-713

Abbasi, Rez

Unfiltered Universe

CD

$8.65

$12.99

634457786417

LP-RIDE-008

Azar, Steve & The Kings Men

Down At The Liquor Store

Vinyl

$20.00

$29.99

730003735417

LP-K7-354

Reto A Ichi

The Lapse Of The Exchange

Vinyl

$15.30

$22.99

730003735820

CD-K7-358

Chandler, Kerri

Kerri Chandler DJ-Kicks

CD

$10.00

$14.99

730003735813

LP-K7-358

Chandler, Kerri

Kerri Chandler DJ-Kicks

Vinyl

$20.00

$29.99

730003143625

CD-BBE-436

DJ Vadim & Blackstone

Double Sided

CD

$10.00

$14.99

730003143618

LP-BBE-436

DJ Vadim & Blackstone

Double Sided

Vinyl

$19.30

$28.99

634457797413

LP-SIGE-037

SUMAC

The Deal

Vinyl

$24.00

$35.99

634457761520

CD-D13-005

Flat Duo Jets

Wild Wild Love

CD

$8.00

$11.99

4050486113608

CD-ERATP-103

Hogni

Two Trains

CD

$10.65

$15.99

4050486113585

LP-ERATP-103

Hogni

Two Trains

Vinyl

$15.30

$22.99

4050486113592

LP-ERATP-103LE

Hogni

Two Trains (RED VINYL)

Vinyl

$17.30

$25.99

629048011924

CD-SDMR-119

Lloyd, Richard

The Cover Doesn’t Matter

CD

$8.00

$11.99

634457795525

CD-SUFI-1107

Lloyd, Richard

Radiant Monkey

CD

$8.00

$11.99

5055300386908

CD-HDB-037

Gamble, Lee

Mnestic Pressure

CD

$10.65

$15.99

5055300386892

LP-HDB-037

Gamble, Lee

Mnestic Pressure

Vinyl

$13.30

$19.99

634457788213

LP-SAL-084

Radiator Hospital

Play The Songs You Like

Vinyl

$10.00

$14.99

5060155722771

CD-GDMP-008

Miles & Erica

We Came Here To Work

CD

$8.65

$12.99

715854699019

CD-VTCH-01

Hensley, Casey

Live Featuring Laura Chavez

CD

$10.00

$14.99

634457798427

CD-VTJJ-002

Harpe, Erin & the Delta Swingers

Big Road

CD

$10.00

$14.99

805520621021

CD-NAVI-102

Kelly, Sam & The Lost Boys

Pretty Peggy

CD

$8.65

$12.99

5054429119817

CD-DADA-284

Visionist

Value

CD

$9.30

$13.99

5054429119794

LP-DADA-284

Visionist

Value

Vinyl

$13.30

$19.99

5054429119800

LP-DADA-284XLE

Visionist

Value - Colored Edition

Vinyl

$15.30

$22.99

4055388386327

CD-WWR-710

Gareth Lockrane Big Band, The

Fist Fight at the Barn Dance

CD

$8.65

$12.99

4055388386358

CD-WWR-712

Pukl, Jure & Matija Dedic

Hybrid

CD

$8.65

$12.99

634457779778

LP-FD-061

SPORTS / Plush

SPORTS / Plush Split

Vinyl

$6.00

$8.99

DEAL

ORDER FORM Street Date: 10.20.17 | Order Date: 09.29.17 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

5052442011415

CD-ATH-017

Orphan Brigade, The

Heart Of The Cave

CD

COST

$8.65

SLP

$12.99

634457774315

LP-TE-170

Strange Relations

Editorial You (COLORED VINYL)

Vinyl

$12.00

$17.99

634457786110

LP-TE-174

Floral Print

mirror stages

Vinyl

$12.00

$17.99

655173117170

ZN-BARK-171

Charly Bliss

Guppy Issue One + Flexi

Book

$7.30

$10.99

634457788527

CD-FTK-121

Nassau

Heron

CD

$8.00

$11.99

634457788541

CS-FTK-121

Nassau

Heron

Cassette

$4.65

$6.99

5065001717604

CD-GBR-1017

Sawhney, Nitin

Live At Ronnie Scott’s

CD

$9.30

$13.99

5065001717581

LP-GBR-1017

Sawhney, Nitin

Live At Ronnie Scott’s

Vinyl

$16.65

$24.99

730003315923

CD-STRUT-159

Orchestre Les Mangelepa

last band standing

CD

$10.00

$14.99

730003315916

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Orchestre Les Mangelepa

last band standing

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CD-TIGM-006

Various Artists

ANDINA: Huayno, Carnaval and Cumbia - The Sound Of The Peruvian Andes 1968-1978

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Various Artists

ANDINA: Huayno, Carnaval and Cumbia - The Sound Of The Peruvian Andes 1968-1978

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Saicobab

Sab Se Purani Bab

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Sab Se Purani Bab

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Palmbomen II

Memories of Cindy

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To Destroy A City

Go Mirage

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To Destroy A City

Go Mirage

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D33J

Death Valley Oasis

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Death Valley Oasis

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Antibalas

Che Che Cole (Makosa) b/w Che Che Cole

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Zenizen

Australia (BLUE VINYL)

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Bag, Alice & The Sissybears

Reign of Fear b/w XX (YELLOW VINYL)

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Carroll, Liane

The Right To Love

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En Mouvement

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En Mouvement

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Acid Baby Jesus

Lilac Days

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Lilac Days

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JuJu

Our Mother Was A Plant

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OUR MOTHER WAS A PLANT

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Power, Ryan

They Sell Doomsday

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Power, Ryan

They Sell Doomsday

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Country Florist

Waveland

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Grandbrothers

Open

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Grandbrothers

Open

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The Collection

Ars Moriendi

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Rabbits / Rest Yr Skull

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Project Pablo

Hope You’re Well

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Coldcut

Kajra

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Skin

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Cavernlight

As We Cup Our Hands and Drink From the Stream of Our Ache

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Cars & Trains

Fictions

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Vassafor

Malediction

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Plus Une Main A Mordre

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Plus Une Main A Mordre

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DEAL

ORDER FORM Street Date: 10.20.17 | Order Date: 09.29.17 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

3663663002308

CD-DMP-0154

Blut Aus Nord

Deus Salutis Meae

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The Architect

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Jazz Butcher, The

The Wasted Years

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Strawberry Runners

In The Garden, In The Night

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Sultan, Mark

Let Me Out b/w Be The Blood

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Little Coyote

The Trouble With Teeth

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$12.65

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Jackson, Mars

Good Days Never Last Forever

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$6.65

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Jackson, Mars

Good Days Never Last Forever

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$16.65

$24.99

DEAL

NICK LOWE PINKER AND PROUDER THAN PREVIOUS & PARTY OF ONE RELEASE DATE: 10/20/17

Perhaps Nick Lowe’s most varied release, Pinker and Prouder Than Previous was recorded in Austin, TX, the famed Rockfield Studios in Wales, and in London. Tapping everyone from his current associates Bobby Irwin, Paul Carrack and Martin Belmont to the Fabulous Thunderbirds and The Men They Couldn’t Hang to back him up, this mix of originals and covers actually predicts the stripped down style that revived his career a few years later.

For Party of One, the personnel were drawn from Nick’s bandmates on 1987’s John Hiatt masterpiece, Bring the Family (Lowe on bass, Jim Keltner on drums and Ry Cooder on guitar) combined with the twin heads of the band The Moonlighters (Austin DeLone-- ex of Eggs Over Easy and Bill Kirchen-- Original Lost Planet Airman and twang kingpin). Nick brought in Dave Edmunds to produce and play even more guitar. They rip through a fantastic batch of original songs highlighted by “All Men Are Liars” and “What’s Shakin’ on the Hill” which are still staples of Nick’s live show. This strong effort led into the Little Village project and can be considered the final chapter in the first half of Nick’s career.

Pinker and Prouder Than Previous and Party of One are the final pair of Nick Lowe catalogue reissues being released by Yep Roc in 2017. The previous reissues, Nick the Knife, The Abominable Showman, Nick Lowe and His Cowboy Outfit, and Rose Of England are all available now. These releases have been out of print for decades and show the period between Nick’s persona as an ironic rock ‘n’ roller and the worldly balladeer we see him as today. With tracks ranging from roots rock and reggae to the pub rock he helped popularize, these releases are worthy of a second listen.

HIGHLIGHTS: • Shore Fire Media handling press • Brad Paul Media servicing Nick Lowe sampler of tracks to AAA • Party of One LP comes with bonus EP of rare tracks and demos + download code • CD version of Party of One has the bonus EP tracks included as bonus tracks • Remastered for this release • Nick Lowe Awarded A2IM Indie Icon Award in June 2017

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34457 23991 3

CD: Artist: Nick Lowe Title: Pinker and Prouder Than Previous Catalog #: CD-YEP-2399 UPC: 634457239920 Packaging: 4-panel digipak with clear tray Box Lot: 40 Territory: Worldwide SLP: $15.99

CD: Artist: Nick Lowe Title: Party of One Catalog #: CD-YEP-2397 UPC: 634457239722 Packaging: 4-panel digipak with clear tray Box Lot: 40 Territory: Worldwide SLP: $15.99

LP: Artist: Nick Lowe Title: Pinker and Prouder Than Previous Catalog #: LP-YEP-2399 UPC: 634457239913 Packaging: Single LP jacket Box Lot: 50 Territory: Worldwide SLP: $19.99

LP: Artist: Nick Lowe Title: Party of One Catalog #: LP-YEP-2397 UPC: 634457239715 Packaging: Single LP jacket with bonus 10” EP in sleeve Box Lot: 50 Territory: Worldwide SLP: $23.99

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34457 23971 5

DISTRIBUTED EXCLUSIVELY BY REDEYE 505 Eno St, Hillsborough NC, 27278 | info@yeproc.com | yeproc.com | 336-578-7300 | FAX 336-578-7388

Pinker and Prouder Than Previous

Party of One

1. (You’re My) Wildest Dream 2. Crying in My Sleep 3. Big Hair 4. Love Gets Strange 5. I Got the Love 6. Black Lincoln Continental 7. Cry It Out 8. Lovers Jamboree 9. Geisha Girl 10. Wishing Well 11. Big Big Love

1. You Got the Look I Like 2. (I Want to Build a) Jumbo Ark 3. Gai-Gin Man 4. Who Was That Man? 5. What’s Shakin’ on the Hill 6. Shting-Shtang 7. All Men Are Liars 8. Rocky Road 9. Refrigerator White 10. I Don’t Know Why You Keep Me On 11. Honeygun 12. You Stabbed Me in the Front (Bonus Track) 13. Rocket Coast (Bonus Track) 14. Rocky Road (Demo) (Bonus Track) 15. Don’t Think About Her (Demo) (Bonus Track)

Also Available from Nick Lowe: Nick the Knife

Catalog #: CD: CD-YEP-2401 LP: LP-YEP-2401 UPC: CD: 634457240124 LP: 634457240117 Box Lot: CD: 40 LP: 50 Export: Worldwide

The Abominable Showman Catalog #: CD: CD-YEP-2398 LP: LP-YEP-2398 UPC: CD: 634457239821 LP: 634457240117 Box Lot: CD: 40 LP: 50 Export: Worldwide

Labour of Lust

Catalog #: CD: CD-YEP-2621 LP: LP-YEP-2621 UPC: CD: 634457221925 LP: 634457262119 Box Lot: CD: 40 LP: 25 Export: North America only

The Impossible Bird

Catalog #: LP-YEP-2634 UPC: 634457263413 Box Lot: 50 Export: North America only

Dig My Mood

Catalog #: LP-YEP-2635 UPC: 634457263512 Box Lot: 50 Export: North America only

Nick Lowe and His Cowboy Outfit Catalog #: CD: CD-YEP-2400 LP: LP-YEP-2400 UPC: CD: 634457240025 LP: 634457240018 Box Lot: CD: 40 LP: 50 Export: Worldwide

The Rose of England Catalog #: CD: CD-YEP-2396 LP: LP-YEP-2396 UPC: CD: 634457239623 LP: 634457239616 Box Lot: CD: 40 LP: 50 Export: Worldwide

Catalog #: CD-YEP-2102 UPC: 634457210226 Box Lot: 40 Export: North America only

Quiet Please: The New Best of Nick Lowe Catalog #: CD-YEP-2618 UPC: 634457261822 Box Lot: 30 Export: North America only

The Old Magic

Jesus of Cool

Catalog #: CD: CD-YEP-2620 LP: LP-YEP-2620 UPC: CD: 634457262027 LP: 634457262010 Box Lot: CD: 40 LP: 25 Export: North America only

At My Age

The Convincer

Catalog #: CD-YEP-2027 UPC: 634457202726 Box Lot: 40 Export: North America only

Catalog #: CD: CD-YEP-2248 LP: LP-YEP-2248 UPC: CD: 634457224827 LP: 634457224810 Box Lot: CD: 40, LP: 50 Export: North America only

Quality Street: A Seasonal Selection for All the Family

Catalog #: CD: CD-YEP-2330 LP: LP-YEP-2330 UPC: CD: 634457233027 LP: 634457233010 Box Lot: CD: 40, LP: 50 Export: North America only

BUFFALO KILLERS “Alive And Well in Ohio” out 10/20/17

LP VINYL ALIVE0194-1 BOX : 30 LPS UPC : 095081019416 SRLP : $19.99 ROCK

CD DIGIPAK

w/ One Bonus Track ALIVE0194-2 BOX : 30 CDS UPC : 095081019423 SRLP : $16.99 ROCK

The eighth album from Buffalo Killers, ‘Alive and Well in Ohio,’ was recorded at their Howler Hills Farm analog studio on their own terms. Equipped with only the knowledge they had gained over the years, the band crafted this album without rules or pressure.

Created and produced by songwriting brothers Zachary and Andrew Gabbard, the warm, consciously imperfect, and raw sound finds its inspiration in seasons of change, life, longing, love, and family. The universal truth that the only constant is change is woven throughout the 12 songs.

The album, conceptually, is inspired by the desire to create something homegrown and real. Pull up the faders and you can hear the guys singing, stomping, clapping and bleeding into each other’s mics... on their own time, in their own space. They captured the melodies as they emerged.

The songs on ‘Alive and Well in Ohio’ are Buffalo Killers most truthful yet.

VANILLA FUDGE THEN & NOW (EXPANDED EDITION - 2 DISCS)

They are on the short list of the heaviest bands ever to hit the charts, which they did eight times. They are also quite possibly the greatest cover band of all time, with their version of the Supremes You Keep Me Hangin On easily among the most inventive covers ever recorded. And they are the missing link between psychedelia and heavy metal. They are Vanilla Fudge, and this 22-track collection is the first dedicated to their classic singles Composed of organist Mark Stein, guitarist Vince Martell, and the superstar rhythm section of bassist Tim Bogert and drummer Carmine Appice (who went on to form Cactus and play with Jeff Beck, Rod Stewart, etc.), Vanilla Fudge teamed with legendary producer Shadow Morton (Shangri-Las, New York Dolls) to record their first three albums including You Keep Me Hangin On, Season of the Witch Parts 1 & 2, Take Me for a Little While and She’s Not There.

KEY SELLING POINTS:

• 2 CD Set - disc 1 features their greatest hits.

Disc 2 features orchestral versions of their greatest hits and deep album cuts.

• New Lower Price Point • 22 - Tracks in glorious Stereo • Includes liner notes by acclaimed music journalist Bill Dahl

TrAcK LISTING DISc 1: YOu KeeP Me HaNgiN’ ON TeariN’ uP MY HearT SHOTguN PEOPlE gET READY TAKE ME FOR A lITTlE WHIlE gOOD gOOD LiViN’ I WANT IT THAT WAY NEED lOVE ElEANOR RIgBY SHe’T NOT THere SEASON OF THE WITCH Da Ya THiNK i’M SexY

TrAcK LISTING DISc 2: gOOD gOOD LiViN’ TAKE ME FOR A lITTlE WHIlE aiN’T THaT PeCuLiar PEOPlE gET READY SHOTguN TeariN’ uP MY HearT SHe’S NOT THere KeeP Me HaNgiN’ ON SEASON OF THE WITCH DO Ya THiNK i’M SexY Artist: Vanilla Fudge Title: Then & Now (Expanded Edition) Catalog #: SBR-7917 MSLP: $17.98 CD Config: 2 cds in a Slimline Case UPC: 7 08535 79172 0 Box Lot: 30 Genre: Rock Release Date: 10/20/17

GIRAFFAGE “Too Real”

Street Date: 10/20/2017 COUNT122 | COUNT122O | COUNTCD122 San Francisco-based producer Giraffage (Charlie Yin), whose dreamy synth-pop productions have appointed him as one of electronic music’s most refreshing and innovative producers among the landscape, takes a sonic leap forward with his forthcoming record Too Real, out this October on Counter Records.

“I didn’t have any high hopes for the Giraffage project,” he recalls of his early days diving into music full time. Like many American kids born to immigrants, his parents disapproved of a career in music and hoped he would pursue a more auspicious path in law or medicine.

“They told me I could give it a year after graduation and if nothing came of it then I needed to reassess my plans.” Lucky for Yin, his success raced ahead at lightspeed following his 2013 Needs mixtape, a release that showcased his versatility as a producer and “omnivorous music lover,” as noted by Pitchfork. It wasn’t until his world tour supporting Porter Robinson-- an experience he considers one of the most pivotal points in his career-- that he was able to see the panorama of his rapidly growing fan base. He continued touring with names like Phantogram, Flume, XXYYXX, and dropped his No Reason EP with Fool’s Gold in 2014-- his first release that featured all sample-free productions.

For the last year and a half, Giraffage has continued to tour and play major international festivals while writing his forthcoming LP Too Real. The album, which takes sonic and stylistic cues from such groundbreaking acts as Yellow Magic Orchestra, Haruomi Hosono, Soichi Terada, Interpol, and Radiohead, “is a return to my musical interests and roots,” he explains. Indeed, Too Real, sounds like just that-- an authentic return to the music he’s believed in from the start.

HIGHLIGHTS • CD -­‐ So( pack with booklet included in one sleeve • LP -­‐ Single 12” LP, slipsleeve with embossed cover • LPX -­‐ Single 12” LP slip sleeve with embossed cover -­‐ orange vinyl, limited run

TRACKLISTING SIDE A

SIDE B

1. Do U Want Me

6. Falling Softly

2. Maybes (feat.

7. Earth

Japanese Breakfast) 3. Slowly (feat. Matosic) 4. Edge 5. Green Tea (feat.

Angelica Bess)

Label: Counter File Under: Electronic Export: No Export Box Lot: LP - 20 LP: COUNT122 - $19.99 UPC: 5054429120493

8. 19 Hours (feat.

Harrison Lipton) 9. Just Over The Horizon 10. First Breath

Box Lot: LPX - 20 LPX: COUNT122O $19.99 UPC: 5054429121070 Box Lot: CD - 35 CD: COUNTCD122 $11.99 UPC: 5054429120509

Parks Vincent - parks@ninjatune.net - Ninja Tune, 1030 N. Alvarado St #102, Los Angeles, CA, 90026 - www.ninjatune.net

Lori Miller - Lori@redeyeworldwide.com - Redeye Distribution, 505 Eno St. Hillsborough, NC 27278 USA - www.redeyeworldwide.com

ARTIST: .............................. THE FRIGHTNRS TITLE: ....................... MORE TO SAY VERSIONS CAT #: ............................................. DAP-048 RELEASE DATE: ................. OCTOBER 20 2017 FORMAT: ................................................... LP GENRE ........................... ROCKSTEADY/REGGAE PRICE ......................................... LP - $18.99 NO EXPORT

I t ’s r a r e f o r a d e b u t a l b u m , e s p e c i a l l y o n e i n s u c h a p o l a r i z i n g g e n r e l i k e R e g g a e , t o g a r n e r t h e k i n d o f u n i v e r s a l f a n f a r e T h e F r i g h n t r s ’ 2 0 1 6 l o n g p l a y e r N o t h i n g M o r e To S a y r e c e i v e d . M a i n l y b e c a u s e i t ’s a r e c o r d t h a t t r a n s c e n d s g e n r e s p e c i f i c q u a l i f i e r s a n d r h e t o r i c t h a t p i g e o n h o l e m a n y albums. It is in the truest sense of the phrase, a great record. Shortly after its release a single for Dispute (a featured track) was pressed, and like many classic reggae singles, it included a D u b ( v e r s i o n ) o n t h e B - S i d e ( c o u r t e s y o f f a m e d r e g g a e p r o d u c e r V i c t o r “ Ti c k l a h ” A x e l r o d ) . T h e single was a smash success which in return inspired Axelrod to produce Dub versions for all the s o n g s o n N o t h i n g M o r e To S a y. T h e r e s u l t ? ! “ M o r e To S a y ” Ve r s i o n s : A f r e s h t a k e o n a m o d e r n classic that needs to be heard. This isn’t a repackaging of some remixed material. Each song has been lovingly deconstructed and reimagined by Victor Axelrod - resulting in a wholly original piece of art that is a must for fans of the Frightnrs and Soulful music in general. Limited to 3000 copies and sporting psychedelic 3-D cover art (custom Frightnrs 3-D glasses included) - these puppies will not stay in stock long. Grab ‘em while you can! Don’t make us say “I TOLD YOU SO!” KEY SELLING POINTS: • The Frightnrs’ modern classic, Nothing More To Say, masterfully reimagined by producer extraordinaire, Victor Axelrod aka Ticklah. These are the dub versions.

• LIMITED to 3,000 LPs worldwide. No CD release.

• LP features a 3D cover with custom printed 3D glasses included featuring The Frightnrs logo.

• The Frightnrs Nothing More To Say, released September of 2016, has scanned over 6,500 in the US alone.

• Previous press highlights include: A New York Times Sunday Arts & Leisure feature, NPR’s The Record and Heavy Rotation, The Wire, Wax Poetics, FADER, and more.

D A P T O N E

R E C O R D I N G

C o. 1 1 5

A l l M y Te a r s Dispute M o r e To S a y Gotta Find A Way Purple Tr o u b l e Ti l l T h e n Lookin’ What Have I Done Do Onto Others G o n n a M a k e Ti m e

T R O U T M A N S T. B R O O K L Y N

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MARY HALVORSON QUARTET PAIMON: THE BOOK OF ANGELS VOLUME 32 TZA CD 8356 Archival Series (P)($15.99) Mary Halvorson, Miles Okazaki, Drew Gress, Tomas Fujiwara.

Chaskiel * Beniel * Ruhiel * Dahariel * Yeqon * Uzza * Verchiel * Jesodoth * Phul * Rachmiah After thirteen years and thirty-two CDs Zorn’s expansive Book of Angels project is now complete! This final installment presents the last ten unrecorded compositions from Masada Book Two and the variety, drama and lyricism is just as strong as the very first volume. Mary Halvorson, a long time Masada fan and one of the most acclaimed guitarists of her generation leads a dynamic quartet featuring Miles Okazaki, Drew Gress and Tomas Fujiwara. The music is intense, wild and incredibly varied—a beautiful and fitting conclusion to this historic Masada series—hailed as one of Zorn’s best!

7

02397-8356 - 2

2

File Under: Jewish/Jazz

Street Date: October 20, 2017 SELLING POINTS: The LAST volume of the Book of Angels series performed by one of the most acclaimed guitarists working today. Beautiful die-cut package on special paper!

Export: No Export Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

Dave Douglas

The Westerlies & Anwar Marshall

Little Giant Still Life is an exhilarating new album from trumpeter and composer Dave Douglas (Horace Silver, John Zorn, Joe Lovano) featuring five brass players and drums. Much of this music was inspired by the American painter Stuart Davis and the music explodes with the same bright colors and excitement of Davis’ works.

“His body of work reflects an inveterate engagement with the world, taking inspiration from literature, politics, dance and film, as well as jazz and newmusic traditions.”

Nate Chinen, New York Times on Dave Douglas

Combining the acclaimed talents of brass ensemble The Westerlies – known for their work with Fleet Foxes, their repertoire of original compositions, and interpretations of the music of Wayne Horvitz – and the soulful young drummer Anwar Marshall (Fresh Cut Orchestra, Kurt Rosenwinkel), with Douglas’ inspired compositional vision, the album is full of grooving, swinging, lyrical new jazz.

“Folk-like and composerly, lovely and intellectually rigorous.”

What makes Little Giant Still Life special is the communal music making that the six musicians are able to generate.

The sextet unfurls a new view of jazz brass band music with sophistication and heart.

tour Dates 10/12 Boston, MA - The Red Room 10/20 Brooklyn, NY - BRIC Jazz Festival 10/28 Portland, OR - The Jack London

LabeL Mark Micklethwaite Greenleaf Music markmick@greenleafmusic.com PubLicity Matt Merewitz Fully Altered Media matt@fullyaltered.com greenleafmusic.com davedouglas.com

track Listing 1. Champion 2. Arcade 3. Men and Machine 4. Little Giant Still Life 5. Percolator 6. Your Special Day 7. Bunting 8. Swing Landscape 9. The Front Page 10. Colonial Cubism 11. Codetta 12. Worlds Beyond the Sky

NPR Music on the Westerlies

Artist: Dave Douglas Title: Little Giant Still Life Label: Greenleaf Music Catalogue #: GRE-CD-1058 Format: CD Genre: Jazz UPC: 1 86980 00058 9 SLP: $13.99 Street Date: 10/20

1

505 Eno Street Hillsborough, NC 27278 laura@redeyeworldwide.com

86980 00058

9

TRACY BONHAM MODERN BURDENS STREET DATE

10/20/2017 LP ITEM NUMBER: TB-MBLP17 UPC: 708744972842 SLP: $21.99 GENRE: Rock PACKAGING: LP Jacket

BOX LOT: 50 EXPORT: World LABEL: A Woody Hollow (Under Second Motion Entertainment, Inc.)

CD ITEM NUMBER: TB-MBCD17 UPC: 708744972828 SLP: $14.99 GENRE: Rock PACKAGING: Digipack

BOX LOT: 40 EXPORT: World LABEL: A Woody Hollow (Under Second Motion Entertainment, Inc.)

TRACK LISTING

Tracy Bonham’s major label debut, The Burdens of Being Upright (Island), achieved gold record status in 1996, spawning the chart topping hit single Mother Mother on Alternative Rock Radio. This lead to a pair of Grammy™ nominations, and an MTV Video Award nomination. Soon after her world tour had ended promising this album, the music business shifted and changed, and Bonham was told to retreat to write and rewrite her subsequent album. By the time her second album was released in 2000, her record label, Island Records (turned Island-Def Jam) was mostly unrecognizable. She released the arty and angry Down Here to critical acclaim but it did not enjoy commercial success.

In 2003, after moving to Los Angeles, Bonham became the featured vocalist / violinist on Blue Man Group’s The Complex Tour and How To Be A Megastar 2.0 (2006). In 2005 Bonham released her third album Blink The Brightest (Rounder/ Zoé). This was her most commercial sounding album and several of the songs were featured in TV shows and movies such as The L Word, Weeds, and Sexting In Suburbia. In 2010, after moving back to Brooklyn and marrying Rollingstone editor Jason Fine, Bonham released Masts of Manhatta. This album won accolades from major publications and landed her second appearance on The Tonight Show With Jay Leno and The Late Late Show With Craig Furgussen. In 2015, Bonham released her fifth album entitled Wax & Gold with the help of Pledge Music and her fans. Wax & Gold was very well received by the public and the press. The album showed a maturity in song writing, as well as an evolved vocal style, that makes Bonham stand out as a serious artist with a unique talent. Bonham is an artist who continues to create and grow no matter what obstacles are in her path.

(feat. Nicole Atkins) 4. Kisses (Feat. Rachel Yamagata) 5. Brain Crack (feat. Kathryn Calder)

Tracy’s vocals and violin are featured on artist’s albums such as Latin Playboys “Dose”, Wayfaring Strangers’ “Wayfaring Stranger” & “This Train”, Ron Sexmith’s “Whereabouts”, and Aerosmith’s “Honkin On Bobo”. Tracy has just finished recording her sixth album, Modern Burdens, partnering up with Pledge Music, once again, to completely reimagine her over twenty year old debut album. She is joined by other strong female artists (Tanya Donelly, Rachael Yamagata, Kay Hanley, Sadie DuPuis, Kathryn Calder, Angie Hart, Nicole Atkins) on lead vocals - an intentional message of solidarity and strength for women everywhere during the Trump era. Modern Burdens will be released on October 11, 2017 which is, by no coincidence, the International Day Of The Girl.

6. The One 7. One Hit Wonder 8. Sharks Can’t Sleep

Learn more at www.tracybonham.com.

N @tracy_bonham M /TracyBonhamMusic

1. Mother Mother 2. Navy Bean 3. Tell It to the Sky

(feat. Tayna Donelly)

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Bulldog Every Breath (feat. Kay Hanley) 30 Seconds (feat. Angie Hart) The Real (feat. Sadie Dupuis) Free

PRESS

…“a gorgeous celebration of adult love” –Rollingstone Magazine

…“Bonham’s collection brings a sophisticated quirkiness to the femme altpop table unseen for quite some time” - Billboard Magazine.

FOR FANS OF: BELLY, SHERYL CROW, RACHEL YAMAGATA, NEW PORNOGRAPHERS, ANGIE HART, SPEEDY ORTIZ, LETTERS TO CLEO SCHOOLKIDSRECORDS.COM/LABEL schoolkidsrecordsnc@gmail.com

MANAGEMENT

tracybfine@gmail.com

505 ENO STREET HILLSBOROUGH, NC 27278 REDEYEWORLDWIDE.COM | 877-733-3931

LABEL CONTACT

STEPHEN H. JUDGE SCHOOLKIDS RECORDS schoolkidsrecordsnc@gmail.com

PUBLICITY

JERRY GRAHAM PUBLICITY jerrygrahampublicity@gmail.com (845) 659-5918

DISTRIBUTION

LORI MILLER REDEYE WORLDWIDE lori@redeyeworldwide.com www.redeyeworldwide.com/

Colleen

A flame my love, a frequency Thrill - 449

CD List $15.99 BOX LOT CD 50

*9037H-AEEJCi

LP List $18.99 BOX LOT LP 25 Vinyl is non-returnable

*90377-AEEJBb

GENRE : POP / ELECTRONIC FILE UNDER : “C” Colleen RELEASE DATE : October 20, 2017 NO EXPORT (S. AMERICA EXPORT OK) TRACK LISTING: French multi-instrumentalist Colleen (Cécile Schott) is fearless in her willingness to explore new sounds and new ways of creating music as a solo performer. On her new album A flame my love, a frequency, she introduces the most drastic change to her music since she began singing on her fourth album, setting aside the viola da gamba she is known for in exchange for all electronic instrumentation - Moog pedals and Critter and Guitari synthesizers.

Words used to describe her muse Arthur Russell are equally applicable to Colleen.

Schott’s compositions can be in turn pop or experimental, vocal or instrumental, and acoustic or electronic. She has drawn on the baroque sounds of a classical instrument using the most modern pedals and looping techniques. Shape shifting as she does, the pieces are always distinctly her strong and utterly unique musical voice. A constant across Colleen’s albums are delicate extended melodies, minutely detailed soundscapes, and explorative unbounded compositions. Colleen’s work is a direct result of her core belief that in order to keep growing as an artist, you need to continue to be willing to experiment and to embrace drastic changes.

The music of A flame my love, a frequency is the closest Colleen has come to a concept album, a reflection upon one year in her life that began in the Autumn of 2015. The album‘s central theme is the inescapable fact that life and death always walk hand in hand. Schott is an avid bird watcher and her home and studio on the coast of Spain allow for frequent trips out into the wilds. As any naturalist knows, extreme beauty and vitality go hand in hand with brutality. This symbiosis was made more personal when, on the way back from visiting a very ill relative in France, she decided to spend the night in her former home of Paris in order to take her viola bow for repair at a luthier in the Republique area. It was late afternoon and she remembers the beauty of Paris and people sitting and enjoying the cafés. That was November 13th and a mere 4 hours later these very same cafés were the scene of utter terror and death.

A few weeks after the events, Colleen started composing the songs that make up the album. She recorded each song live with minimal edits and vocals were recorded without overdubs, creating a symbiosis between the machine and the performer that mirrors the album’s core concept. The personal narrative of the year in question yields a more vulnerable sound than any previous recordings by Colleen.

“Separating” is an emotional response to being overwhelmed by the inevitability of death. Feelings of fear are never far from feelings of joy as they are in “Winter dawn” with its propulsive thump and ominous lyrics “I came home with a fistful of fear,” that manage to shift towards hope with “Love alone is your home.” Joy and hope are strongly present throughout the album, the catalyst that lifts us out of the darkness as inevitably as night to day. We are shown the wonderment of “Another world,” and through the metaphors of light, shown joy as in the title track. A flame my love, a frequency is an album that finds optimism in the face of tribulation, a meditation on humanity’s ability to prevail. It is a beautiful, complex album by a singular and remarkable musician.

ALSO AVAILABLE : Captain of None CD/LP (Thrill 387)

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November Separating Another world Winter dawn

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Summer night (Bat Song) The stars vs creatures One warm spark A flame my love, a frequency

SALES POINTS Colleen has been praised by Pitchfork, Uncut, Mojo, The Wire, Magnet, FACT, Stereogum, The New York Times, Exclaim, Relix, Resident Advisor, Paste, The Quietus, and more Colleen will tour extensively with her completely reconfigured synthesizer setup, including sets at Chicago’s Museum of Contemporary Art and PhilaMOCA in Philadelphia Colleen performed earlier this year at Moogfest where she also held a workshop explaining her pedal techniques.

Moog has partnered with Thrill Jockey to help promote the album and host Colleen at their factory Features for the new album already confirmed with Magnet, Resident Advisor, and XLR8R in addition to a Dublab studio session LP pressed on virgin vinyl with artworked inner sleeve and free download coupon. A very limited supply pressed on white vinyl. CD version in mini-LP style gatefold Colleen has performed high profile in-studio sessions for both Seattle’s KEXP and New York’s WNYC Colleen’s 2015 album Captain of None was featured on countless end of year lists including NPR Music, BBC 6 Music, The Quietus, Uncut, Bleep, and Vinyl Factory “Exquisite, precise music made of unlikely inputs…The result is like a heart that pumps blood and also data.” - New York Times “It is a wondrous concoction, simultaneously ancient and modern, brought together by technology and the ear of a woman who unites epochs.” - NPR Music “carves out and inhabits a persuasively exotic world of echo that invites total immersion.” - Mojo (4/5)

PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com

CIRCUIT des YEUX “REACHING FOR INDIGO” DC691 LP/CD/CS - LIST: $20.98/$14.98/$8.98 STREET: OCT. 20, 2017 / NO EXPORT TO EUROPE UPC: LP 781484069119 / CD 781484069126 / CS 781484069140 Tracks: Brainshift - Black Fly - Philo - Paper Bag - A Story of This World Part II - Call Sign E8 - Geyser - Falling Blonde

“Reaching for Indigo” is the 5th album from Circuit des Yeux. It references a moment that fell down in the life of Haley Fohr on Jan. 22, 2016.

“Reaching for Indigo” adds to the definition of Circuit des Yeux, as she realizes her goal of becoming one of the most distinctive voices of this time.

DRAG CITY INC. P. O. BOX 476867 CHICAGO, IL 60647 312-455-1015 - sales@dragcity.com

LP

CD

CS

DC688 Track Listing The Grand Old Trout Pretty Weeds Revisited Lower Chestnut Naturita I Heard Them Singing Stretching My Dollar in Plano Lonesome Traveler Dragonfly

LP/CS/CD List prices: $19.98 / $8.98 / $14.98 Street Date: October 20, 2017 NO EXPORT TO EUROPE, ELSEWHERE OKAY

Drag City presents the second volume of Bill MacKay and Ryley Walker’s inspired collaboration. It’s been nearly two years since their much-admired 2015 debut, Land of Plenty (Whistler Records), and SpiderBeetleBee more than makes up for lost time with rich, resonant performances that elevate the sound of the guitar duo as they work with an ever-widening panorama of styles.

Their first album was developed over a month-long live residency at Chicago bar The Whistler, and reflected MacKay and Walker’s shared joy in a new relationship with a kindred spirit, in playing that might wordlessly finish a phrase or suggest a direction, as they spoke through their guitars.

SpiderBeetleBee continues fluidly down the path of their initial psych-folkblues-raga tandem, brewing further explorations in mixed-and-matched

idioms, turning composed melodies inside-out via improvisation, and finding in the blend a shared Walker/MacKay pasture, serendipitously found somewhere between Appalachia and the Highlands.

SpiderBeetleBee radiates forth with equal parts austerity and whimsy, opening with an almost-baroque dance before giving way to a Celtic theme, both featuring MacKay and Walker’s acoustics in rambling conversation, picking through intricate passages as though they were exchanges, thoughts and afterthoughts.

The second of these, “Pretty Weeds Revisited” is enhanced by sonorous statements from Dutch cellist Katinka Kleijn (a veteran of the CSO), showing a deep, instinctive feel for the Walker/MacKay sound. The album then takes an unexpected turn at midpoint, slowly melting down and

Bill MacKay on Drag City

drifting soulfully through the expansive space of “Naturita.” Side two picks up the tempo on “I Heard Them Singing,” with the aid of MacKay’s requinto (a kind of 5-string Mexican guitar), Walker’s rolling chords and the percolating tabla of Ryan Jewell, suggesting a hitherto unknown short-cut from Brazil to India. Drafts of slide guitar and bittersweet blues evocation illumine further fruitful travels before “Dragonfly”, also featuring Ms. Kleijn’s haunting cello, closes the cycle with a flourish.

Adorned with Bill MacKay’s colorful and wilfully primitive cover-art, SpiderBeetleBee wanders through styles, landmasses and hemispheres, capturing the further adventures of MacKay and Walker with spellbinding snapshots that only bloom larger the longer you take them in.

Esker on LP & CD

DRAG CITY INCORPORATED P. O. Box 476867 Chicago, Illinois 60647 / ph 312.455.1015 / sales@dragcity.com

FIFTIETH ANNIVERSARY MONO RESTORATION AND REMASTERING

DC659 LP/CD List Price: $21.98/$14.98

Track Listing ANOTHER TIME

Street Date: October 20, 2017

PLAYMATE BALLAD TO AN AMBER LADY

NO EXPORT TO EUROPE

(OH DEAR) MISS MORSE DROP OUT! MORNING SONG

LP

REGIONS OF MAY UNCLE JOHN

CD

I SHALL NOT CARE THE SURREALIST WALTZ

Another time, indeed! It’s been fifty years since Pearls Before Swine first appeared.

A genteel, oft-hushed missive from a far corner of the psychedelic hive mind, One Nation Underground was released on an independent outlier of a record label, removed from the mainstream — and still its spirit came to be widely appreciated by a generation and more. Today, this music has been reissued by labels around the world dozens of times. Tragic, then, that it hasn’t been heard properly in decades! The stereo record that made it to compact disc in the 90s (and to subsequent vinyl pressings) was a botched job, with reverbs added to evoke a fake stereo image, and an overdub track from the original master lost in the transfer — providing a perfect analog for a release destined not to make the original artists any money at all. The 50th Anniversary edition, however, has been returned to the hands of its creators, restoring the original mono mix that made such an impact in 1967, freed from the muffling veils that time eventually wrapped around it.

Cast into a moment of incredible tumult and great discovery, Pearls Before Swine contributed a uniquely earthy strain to the arc of sound that defined the time and place

of the later 1960s. A group of young men in Florida were inspired to send their demo tape to the label that released The Fugs, whose appearance and lawless attitude seemed at once a dare and an invitation. The label was ESP-Disk, whose catalog was largely comprised of records from some of the farthest-out jazz players in New York City — but Pearls Before Swine were welcome to make a record there, too. Relocating to New York in the spring of 1967, they were installed at Impact Sound with provisional ESP-house man Richard Alderson (engineer of many of those jazz sessions, as well as sound-man on Dylan’s ’66 world tour) and, in three days, laid down the album. When it was released in October of that year, it immediately began to catch on with young people around the world with its blend of gentle and innocent, erudite and outraged. Each song was from a different genre and each track had something strange/mysterious in it, via exotic instruments, electronic oscillation or pure, simple intent. There was proto-punk in the mix, rife with humor, aloft with the pastoral acoustics of the banjo; music of the people of the world, all in the service of Tom Rapp’s visceral, unblinking lyrics.

For music like this, radio play wasn’t dic-

tated by pluggers pushing a single up the charts — the jockeys at free-form stations played it because it spoke to them, and they loved it. One Nation Underground indeed!

This was THE cult album of its time, loved by artists as divergent as Leonard Cohen and Iggy Pop. Fassbinder’s 1969 film Rio Das Mortes used two songs in its soundtrack and featured the album cover on one of its character’s walls. Two hundred thousand copies were pressed over the next couple years, and by 1969, Pearls Before Swine were an underground legend, recording their third album for a major label. The mysterious glow around their first two ESP-Disk releases has never faded, even in the past several decades, when the albums’ sound was undermined by technology.

Original producer Richard Alderson oversaw the restoration and remastering of the tapes, allowing us to hear with jolting clarity the original monophonic intent of Pearls Before Swine. Notes from Richard and PBS leader Tom Rapp lend historical perspective, and Tom adds his reflections on each of the songs as well. Listen again — and hear for the first time, perhaps — the sound of One Nation Underground.

DRAG CITY INC. P.O. BOX 476867 CHICAGO, IL 60647 / 312.455.1015 / sales@dragcity.com

Description:

“Plus ça change, plus c'est la même chose,” sayeth the French. Just more than a year ago, Heaters shepherded the release of “Baptistina” into the world, which itself followed their debut album, “Holy Water Pool,” by less than a year. Now, the Michigan-made music machine is set to lay claim to a new parcel of mountainous terrain, in the form of their latest release on Beyond Beyond Is Beyond, entitled “Matterhorn.”

It’s a relentless pace, made all the more impressive not by the infrequency with which its met

by Heaters peers, but rather by the lasting quality of each release. In this way, “Matterhorn” is more of the same—thirty-eight minutes of propulsive, precisely sculpted sonic signatures. In other crucial ways, however, “Matterhorn” represents massive change for Heaters: first, in the form of a largely revamped line-up, and second, in the form of an album whose wave crests above even the band’s previous high-water marks of consistency.

Heaters Matterhorn

Short of attending group therapy together, it’s difficult to ascertain exactly what contributions these new sparks have contributed to Heaters overall sound, just as it’s impossible to dismiss how utterly ignited by change “Matterhorn” sounds as a result. If “Baptistina” showed a picture of a band attaining greater control over their quite-rideable waves of reverb and rhythm, “Matterhorn” is the master-class in its execution. It’s a full-screen image of dawn, dusk and darkness, never scanned-and-panned, and never less than mesmerizing. At the risk of putting too fine a point on it, the landlocked levitation previously made possible via Heaters psychosurf majesty is luminously leavened on “Matterhorn,” with the bright light of the jingle-jangle morning (which may or may not come following you—but will likely lead to repeat listens).

LP / $18.99 / 857387005414

“Black Bolt” and “Bronze Behavior” offer a one-two punch, revealing that these changes may have been hiding in plain sight the entire time. It sounds like Heaters – the pace is pushed, the ride-cymbal is ridden, and the guitar lines shimmer and sway with a kind of effortless bliss and ease. Still, there’s something instantly different in the tone and tenor, as if some sand and seafoam has been dislodged from the band’s collective ears. By the hypnotic, ending coda of “Bronze Behavior,” it’s clear Heaters are going for the gold, the guitars ringing ruefully like an unearthed, semi-water-logged Wedding Present deep cut, or perhaps an answer to the unasked musical question, “Does Johnny Marr surf?”

CD Digipak / $13.99 / 857387005421

The album’s eight songs pair together almost congenitally, “Kingsday” and “Hochelaga” going hand-in-hand, followed by “Pearls” and “Séance,” two duos with almost symmetrical sheen.

But the album highlight may be its majestic album-opening power-pairing of “Thanksgiving I” and Thanksgiving II.” It’s the sound of Heaters fully illuminated, with broad and bold slashes of echo effectively energizing the proceedings to provide a panoramic view that confirms “Matterhorn” sees the band reaching previously unclimbed heights.

Label: Beyond Beyond is Beyond Catalog Number: BBIBR040

Nothing stays the same – everything changes. Let’s be thankful for that, and let’s be thankful for Heaters. - Ryan Muldoon

Release Date: 10/20/17 Territory: Worldwide

File Under – H – Rock / Psychedelic

Highlights: • • •

Extensive PR/radio campaign via Terrorbird rd 3 LP via BBiB Records Just toured EU in May/June 2017. Touring US this fall

Tracklisting: 01.

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Thanksgiving I Thanksgiving II Black Bolt Bronze Behavior Kingsday Hochelaga Pearls Séance

Beyond Beyond is Beyond Records 570 Westminster Road, Suite F12 Brooklyn, NY 11230 www.beyondbeyondisbeyond.com

Press contact: amanda@terrorbird.com Label contact: info@beyondbeyondisbeyond.com Redeye Distribution, 505 Eno St. Hillsborough, NC 27278 Contact: laura@redeyeworldwide.com

UNFILTERED UNIVERSE Completing a trilogy of albums whose compositions are infused with the various, colorful strands of traditional music from his Pakistani/Indian homeland, New York guitarist Rez Abbasi’s Unfiltered Universe presents the line-up of pianist Vijay Iyer, alto saxophonist Rudresh Mahanthappa, bassist Johannes Weidenmueller and drummer Dan Weiss, plus guest appearances from renowned classical cellist Elizabeth Mikhael.

Previous releases Things to Come and Suno Suno focused, respectively, on Hindustani and Qawwali music, whereas this collection of seven new numbers explores and embraces the more rhythmically exuberant, South Asian elements of Carnatic instrumental music.

Originally hailing from Karachi – and creating fresh, contemporary sounds here with players who themselves are all well-versed in north and south Indian music – Abbasi sees his subconscious responses as an equally important source of inspiration alongside the imprint of his treasured, cultural heritage. “I have an intuitive way of approaching composition – an idea of searching but not searching, being conscious but not conscious.

So with all of the influences I’ve absorbed (including Indian music, Charlie Parker, John Coltrane, Jim Hall, Keith Jarrett, Led Zeppelin), why would I want a tunnel-vision thing happening when I can have this ‘unfiltered universe’? I’ve had the good fortune to play alongside some great Carnatic musicians – a lot of jazz players don’t get to do that. But instead of interjecting specific Carnatic ideas, I use their energy as a foundation.

Rez Abbasi guitars, composition Vijay Iyer piano Rudresh Mahanthappa alto saxophone Johannes Weidenmüeller double bass Dan Weiss drums Guest Elizabeth Mikhael cello

CATALOGUE NUMBER: WR4713 BARCODE: 4055388386365

“Earlier albums featured the distinctive sounds of, for example, tabla and sitar – but on this recording, there’s no Indian instrument at all, so it’s an experiment in camouflaging that exoticism. There’s certainly a rhythmic and improvisational empathy between Indian music and jazz; but here, what you’re hearing is what you’re not used to hearing” – something which Abbasi defines more acutely as ‘creative music with a jazz weighting’ rather than the quite different concepts of ‘Indian jazz’ or ‘Indojazz’.

Abbasi’s complex meters are often based on underlying, architectural structures of expansion and compression which, in propulsive, shifting ‘Thin-king’, give rise to its beautifully searching melody; and enigmatic, tumbling ‘Turn of Events’ finds an exciting, flowing synergy between cello, guitar and sax. Carefully-crafted ‘Propensity’ features a bassline which moves by an eighth note, almost undetected, through multi-timesignatured sections: “There are five-and-a-half beats there, six beats here, like the idea of someone breathing or walking irregularly”. Rock-grooving ‘Disagree to Agree’ is an angular, stoic reflection on prevalent political turmoil; and the contrasting joyousness of ‘Dance Number’ has its roots in Abbasi’s and Mahanthappa’s intense sessions working with a Carnatic dance company, the guitarist’s writing echoing the vitality of their steps and rhythms.

Rez Abbasi concludes: “With Unfiltered Universe, I’d like to trigger an emotional response which, perhaps, could change something subconsciously. If my music can impact listeners on that level, I feel I’ve succeeded. But my essential musical message is that jazz can also be this – it can be creative without being totally improvised and moving without being stylized. I hope listeners will live this record”.

Steve Azar & The Kings Men "Down At The Liquor Store"

Street Date: 08.11.2017

Features Down At The Liquor Store (CD and 2LP) Double vinyl album to be released on: 10.20.2017 Hand-painted cover art

In April of 2016, Steve Azar became the first artist to record a full-length studio album at the legendary Mississippi landmark, Club Ebony. 40 years in the making, and his first record in 5 years, Steve cut 13 new original tracks. The club, now belonging to the B.B. King Museum, was turned into a recording studio capturing the rich history and vibe of the room and in turn creating inspirational performances on the record.

Inside artwork features lyrics as well as information and photographs from the making of the record at legendary Club Ebony, MS Official tour slated for 2018 Trailers for documentary: www.steveazarandthekingsmen.com

The album, "Down At The Liquor Store", was made with the participation of The Kings Men, a group of musicians who backed B.B. King, Elvis Presley and other musical Kings. The combination of Steve's Delta songwriting approach and the band's musical background has created a unique and soulful sound that audiences will be hearing in the later part of 2017. "Down At The Liquor Store" is an authentic Delta Soul record.

Steve Azar & The Kings Men made their live debut headlining 2016’s B.B. King Homecoming Festival. The band headlined Mississippi Night At The GRAMMY’s in Los Angeles February 2017, and are the headliner of Mississippi’s 2017 Bicentennial Celebration in Jackson, MS The new record is accompanied by a full-length feature documentary (Something In The Water) combining the making of the record with the musical trajectory of The Kings Men and the historical musical influence of the Mississippi Delta on the world music scene.

Label: Ride Records Item Number: LP-RIDE-008 / CD-RIDE-008 Box Lots: LP 25 / CD 40 File Under: Blues/Americana

CD: $14.99

2LP: $29.99

Management: Aaron Bethune | 1.250.754.4051 | aaron@playitloudmusic.com Publicist: Bob Merlis/M.F.H | 1.323.962.6887 | bobmerlis@bobmerlis.com Radio Promotion: Al Moss | 1.615.297.0258 | almosspromo@gmail.com Ride Records | info@riderecords.com | P.O BOX 4613 Greenville, MS 38704

Track Listing 1. Rena Lara 2. Start to Wanderin’ My Way 3. Tender and Tough 4. Wake Me From the Dead 5. Down at the Liquor Store 6. She Just Rolls With Me 7. I Don’t Mind (Most of the Time) 8. Chance I’ll Take 9.Over it All 10. Road Isn’t There Anymore 11. These Crossroads 12. Ode to Sonny Boy 13. Greenville

www.steveazarandthekingsmen.com

RETO A ICHI THE LAPSE OF THE EXCHANGE The Lapse of Exchange, is the sound of life as heard from a small

Ultimately it all becomes too much for our unwitting hero: the car

Chinatown window in downtown Manhattan, the thunder of popu-

horns outside the window, the 24 hour news cycle, the early

lism on the horizon. The album opens with music that reflects the

stages of an election that tears down any remaining semblance of

inherent tension between the life of the artist — the self-doubt, the

normality. Reto A’ichi can no longer grasp his humanity or connect

late nights, the aspirations — and the world outside — the hustle

to that of people around him. With the walls closing in, he packs

and bustle of a city that never sleeps, the wars abroad, the

his small life and escapes. This change in situation is reflected in

politicians at home.

the second half of the album, with tension giving way to a rush of

It's a tension felt in the repeating, circling keys of "Let The Pianos

emotions: modulated elation on "All Regrets", sweeping melan-

Freeze", the pulsating rhythms of "No Juntos", or the call and

choly on "Tuesdays Always Awful", and soaring hope on "Broad

response of pitched vocal samples in "A Sword In The Rain".

Plant Pt.2".

A7 Zato Lullaby Pt.2

TRACKLISTING LP

B1 All Regrets A1 These Times Are Closing (Intro)

B2 The Leaning Tower Of Our Leaders

A2 Gambling In The Snow

B3 Tuesday Always Awful

A3 Let The Pianos Freeze

B4 Percussions, Hearts And Airs

A4 No Juntos

B5 Broad Plant Pt.2

A5 It's Her Birthday

B6 These Times Are Closing (Outro)

A6 A Sword In The Rain

B7 Not Enough Gravity (Reprise)

KEY POINTS

PRODUCT INFO

• Part one of a two part series from Reto A Ichi

Release Date 20.10.2017

• Second album Alone Moving Often coming

Artist Reto A Ichi

late November • New alias of Guillermo Scott Herren, also known as Prefuse 73 • LP includes download card

LP

Title The Lapse Of The Exchange Cat. K7354LP Barcode LP 730003735417 Packaging 1LP + DL card Price LP $ 22,99

For more information please contact Adam Calman: adam@k7.com (P) 718-722-9935 x 12

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PRESENTS

About Recording and touring together on and off for several years now, sonic journeyman DJ Vadim and Californian songwriter Katrina Blackstone unveil their long awaited full-length album ‘Double Sided’, released on BBE Music. After providing a pair of stellar guest appearances on Vadim's 2014 'Dubcatcher' album, Katrina Blackstone joined Vad on tour and the duo have been steadily laying down tracks ever since.

Eschewing samples in favour of drum machines, guitars and a dizzying array of synths, Vadim's compositions on ‘Double Sided’ range from dubby downtempo grooves to upbeat afro-boogie business. Katrina's crystal clear vocals, catchy melodies and highly relatable lyrics provide the perfect foil for Vadim's raw productions.

Katrina Blackstone has previously worked with cult downtempo artists Bluetech & Dr Israel, as well as appearing alongside Killah Priest on the sadly unreleased "Legba's Light" project created by Ron Carter, Brian Jackson and Mike Clark. Born in Tennessee, she studied vocal performance and jazz at the prestigious New School University in New York before moving the San Francisco, where she continues to record and perform tirelessly.

Russian born, London bred and now residing in Barcelona, DJ Vadim has built a formidable reputation as one of the world's hardest working DJs and producers. During his long and fruitful career he's worked with artists as varied as Stevie Wonder, The Roots, Prince, Kraftwerk and Paul Weller. Constantly touring and creating, Vadim has been working with BBE since 2007's 'Soundcatcher'. Ten years later, ’Double Sided’ will be his 7th album on the label.

Key Selling Points: • Full press & radio campaign UK, France, Germany • Vadim performed over 3000 times in 77 countries during a career that has spanned more than 20 years • Vadim has a massive online presence with over 150,000 dedicated followers

Track listing: 1. Burning Love 2. Double Sided 3. Luv 2 Luv 4. Choose feat. Aima the Dreamer 5. No No No feat. Tiggy Tafari 6. Re Run 7. Been Waiting All Night 8. Stand Up feat. Parly B 9. Ride Slow 10. That's Not Me feat. Aima the Dreamer 11. Magnetic feat. Dakini Star* 12. How Long 13. Shoop Shoop feat. Pugs Atomz 14. Rewind* *CD only

For more information please contact: Adam Calman Adam@k7.com (P) 718-722-9935 X 12

CD:

serviced by !k7 distribution

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RELEASE DATE: 20th Oct 2017 ARTIST: DJ Vadim & Blackstone TITLE: Double Sided FORMAT: 2LP / CD / Territory: US Genre: Soul / Type: Artist Album LABEL: Barely Breaking Even / BBE CAT. NO.: BBE436ALP/ BBE436ACD UPC: LP - BBE436ALP: 730003143618 / BBE436ACD: 730003143625 BOX LOT QTY: LP - 12 / CD - 35 PRICE: LP - $28.99 / CD - $14.99

SUMAC “THE DEAL”

CATALOG NUMBER: SIGE 037 RELEASE DATE: OCTOBER MAY 19, 201520, 2017 FORMAT: 2xLP LIST PRICE : $35.99 PRICE: THIS ITEM IS NON-RETURNABLE GENRE: METAL, ROCK FILE UNDER: SUMAC, ISIS, RUSSIAN CIRCLES, BOTCH, BAPTISTS

)DEEFH-HJHEBd

TRACK LISTING: 1. SPECTRAL GOLD / 2. THORN IN THE LION’S PAW / 3. HOLLOW KING 4. BLIGHT’S END ANGEL / 5. THE DEAL / 6. THE RADIANCE OF BEING

SALES POINTS: • 2xLP in custom letterpress printed LP jacket and O-card with • LP edition 800 copies, in custom by letterpress printed LP jacket and O-card, design

by A.of Turner and artwork Faith Coloccia.

with design by A. Turner and artwork by Faith Coloccia.

• SUMAC are the powerhouse trio of Aaron Turner (Isis, Mamiffer, Old Man Gloom), Nick Yacyshyn (Baptists) and Brian Cook (Russian • SUMAC is a new band comprised of Aaron Turner (ISIS, Mamiffer, Old Circles, Botch)

Man Gloom), Nick Yacyshyn (Baptists), and Brian Cook (Russian

ABOUT “THE DEAL”: The seed of SUMAC was planted somewhere around the end of 2010 or the beginning of 2011, sown upon the smoldering ashes of guitarist/vocalist Aaron Turner’s former band ISIS. Turner had seen his prior project reach full fruition over the span of thirteen years, and it had reached the end of its lifecycle. ISIS had come to define an entire genre of architecturally meticulous and sonically nuanced metal, but at some point all the corners had been mapped, all the fortifications constructed. There was nothing left to build. Turner continued his musical path contributing to the deconstructed panoramic soundscapes of Mamiffer, the misanthropic crowd-baiting sludge of Old Man Gloom, the exploratory electrical whirr of House Of Low Culture, and a slew of studio projects running the gamut from slow-crawling minimalist pop (Jodis), to fiery d-beat punk (Split Cranium). In the midst of all these endeavors however, Turner tended to another venture, one that germinated slowly, its DNA already charted but its flesh still to develop.

SUMAC finally began to bloom in 2012 when Turner caught a set by Vancouver’s raging crust band Baptists. Drummer Nick Yacyshyn stormed through the songs, supplementing the band’s blitzkrieg energy with dexterous idiosyncratic fills and modulating drum patterns. Turner realized the rhythmic underpinning had been found, and shortly thereafter made contact with Yacyshyn. With this duo now comprising the core of SUMAC, the band developed quickly. Their debut album sprouted from a set of carefully composed guitar demos, a string of intensive days holed up in the forests of Vashon Island for writing and rehearsals, and a quick recording session booked while the songs were still growing. Turner recruited Brian Cook (Russian Circles, These Arms Are Snakes, Botch) to fill in on bass duties, hammering out the low-end lurch and cementing the foundation to the songs. The Deal was born.

With SUMAC, noting the members’ prior accomplishments isn’t an indirect excuse for The Deal’s existence; it’s a road map through the briar of their jagged labyrinthine compositions. Across the span of the album’s six songs, SUMAC takes multiple turns through unexpected territories: textural hums, math-metal, harsh noise, Caspar Brötzmann-inspired free-jazz. But all roads lead to a destination that epitomizes the members’ passionate dedication to heavy multi-deminsional music—bludgeoning riffs, tension-building structures, disorienting seismic shifts in tone, timbre, and tempo. If there was a simple way to summarize The Deal, it’s that it’s an incredibly smart and emotionally sophisticated record, which may initially appear as a single minded brutish assault. SUMAC is not suited for cursory listening.

SIGE RECORDS VASHON, WA WWW.SIGERECORDS.BLOGSPOT.COM

•Circles, Following The Deal, SUMAC released What One Becomes (Thrill Botch).

417) on Thrill Jockey to critical acclaim

SUMAC have have already extensivelythroughout thoughout theirthe native Northwest ••SUMAC touredplayed extensively world over the region in 2014/2015, and have national and international tours scheduled for later past two years 2015.

• This is SUMAC’s debut album, the CD/digital version of which was released by Profound Lore.

• “The Deal” was recorded by Mell Dettmer (Boris/Sunno))), Eyvind Kang, Wolves In The Throne Room, etc) and mixed by Kurt Ballou (Converge, High On Fire, Old Man Gloom, etc).

SELECTED QUOTES: “The Deal capitalizes on an energy of unease, building from moments of fractured disquiet into a tumult of guitar tones and the disjointed rhythmic patterns of drummer Nick Yacyshyn. ....Sumac takes its strengths from a powerful fragmentation.”

- Pitchfork “Jumping into the inky blacks of The Deal is the kind of experience that proves the classic dictum: with risk comes reward.” - Pop Matters “....the songwriting is cantankerous in its refusal to give the listener immediate gratification, shunning traditional song structures for a non-linear, more organic exploration of tonality, pressure and release, and devastating density.”

- The Quietus “The term “supergroup” usually has a negative stigma attached to it, but in Sumac’s case, there’s no better way to describe them. ...Sumac is a band that truly embodies artistic brilliance. Simply put, The Deal is an album that absolutely should not be missed.” - Heavy Blog is Heavy

Distributed by Thrill Jockey / PO Box 08038 / Chicago, IL 60608 / 312-492-9634 / erik@thrilljockey.com

FLAT DUO JETS – WILD WILD LOVE Release Date: October 20, 2017 For more than three decades, Flat Duo Jets have been the American rock underground’s secret, as hugely influential among musicians as they are obscure to the broader mainstream. And much of the Jets’ reputation is based on their first fulllength album, the roots-rock landmark Flat Duo Jets, originally released on Dog Gone Records in 1990 — and coming back into circulation on a two-CD set, Wild Wild Love, to be released by Daniel 13 on October 20, 2017.

TRACKLISTING: CD1 Flat Duo Jets 1. My Life, My Love 2. Please, Please Baby 3. When My Baby Passes By 4. Madagascar 5. Mill Stream 6. Baby 7. Chiquita 8. Sing, Sing Blues 9. Wild, Wild Lover 10. Tribute To Gene 11. Pink Gardenia 12. Man With The Golden Arm 13. Dreams Don't Cost A Thing 14. Strut My Stuff In Stereo EP 15. Riot In Cell Block #9 16. I'm Sorry 17. Love Me 18. Theme For Dick Fontaine 19. Think It Over 20. Raining In My Heart

Singer/guitarist Dexter Romweber and drummer Chris “Crow” Smith were still teenagers when they formed Flat Duo Jets in Chapel Hill in 1984. Inspired in equal measure by the Cramps’ haunted rockabilly and vintage drive-in horror movies, they cooked up a metallic version of rockabilly that sounded as if it had been launched into the deepest quadrants of the astral plane.

“I had this place behind my mother’s house, The Mausoleum, and that’s where we formed the Jets,” says Romweber. “It was this campy ’40s horror kind of place. Gothic, but not English neo-gothic – more like the ‘Addams Family’ – and that’s what we tried to make Flat Duo Jets.”

CD2 - The Outtakes 1. Bring It On Home 2. Minor Swing 3. You Made Me Cry - 01 4. Love Has Its Jokes 5. Penetration 1 6. Rock Me Baby 7. Wild, Wild Lover (outtake) 8. Apple Blossom (Time Mix) 9. Bumble Bee Boogie 10. Look Down 2 11. Sleepwalk (Take 7) 12. Harlem Nocturne 13. Justine 1

The combination of Romweber’s wild-eyed rockabilly howl, madman surf guitar and Crow’s pulverizing runaway-train drums made for a stage show that blew minds all over the college-radio circuit. The Jets spent just enough time in R.E.M.’s hometown to appear in and steal the 1987 documentary Athens, GA: Inside/Out before they expanded to a trio lineup and connected with producer Mark Bingham to record Flat Duo Jets, an album that still sounds just as powerful today. “No overdubs, no nothin’, just straight to tape like it was 1957,” Bingham says of the recording sessions. “So we had to do it right the first time. It was very seat-of-the-pants, which seemed fine with what the Jets were doing.”

CD One of Wild Wild Love has all 14 Flat Duo Jets tracks, including “Wild Wild Love,” which they played in a career-making 1990 performance on Late Night With David Letterman; plus all six tracks from the 1984 cassette-only mini-album (In Stereo). “About 1,500 of the cassettes were spun up at a manufacturing facility in Burlington, one whose usual output was gospel recordings and self-help narratives,” says (In Stereo) producer Josh Grier. “This really was the definitive home-grown product.” CD Two adds a baker’s-dozen outtakes from the sessions.

As an added bonus, the Wild Wild Love box-set package also includes a link to download a 40-page digital booklet with vintage show flyers and photographs, plus liner-note essays by Bingham, Grier and critic David Menconi.

Artist: Flat Duo Jets Title: Wild Wild Love Hometown: Carrboro, NC Genre: Alternative Street Date: October 20, 2017 Config: 6-panel CD Wallet (2xCDs) SRP: $11.99 Selection #: D13-008 UPC: 634457761520 Label: Daniel 13

Högni Two Trains Format: CD, LP, Ltd LP (incl. Download Code) File under: Electronic · Box Lot: 50 CD / 20 LP Street Date: 10/20/17

Label:

Erased Tapes

Catalogue No.:

ERATP103CD ERATP103LP

Barcode (EAN):

4050486113608 (CD) 4050486113585 (LP)

Distributor: Territory:

Redeye N.A. (exclusively)

Retail Price:

CD $15.99 LP $22.99

Ltd. Edition on Transparent Red Vinyl (indie only): Catalogue No.: Barcode (EAN):

ERATP103LE 4050486113592

Retail Price:

Ltd. LP $25.99

Tracklisting: 1. Andaðu 2. Shed Your Skin 3. Komdu Með 4. Crash 5. Dragðu Mig 6. Óveðursský 7. Break Up 8. Moon Pitcher 9. Parallel 10. Enn Næða Orð Official Websites: www.hogni.net www.erasedtapes.com PR Agent: julian@erasedtapes.com Booking Agent: Elisa Caivano UK/EU: info@folkwisdom.net +49 17665799949

Introducing Icelandic composer and singer Högni, better known as the front man of indie rock band Hjaltalín and previous member of electronic group GusGus, as the newest addition to Erased Tapes with his solo debut album Two Trains – available worldwide on October 20th 2017.

Amidst destruction on the mainland, the two locomotives Minør and Pionér transported wagons full of rock and gravel to the Icelandic seaside during the construction of the Reykjavík harbour in 1913-1917. The two metallic giants ushered in a new age in Iceland. However, soon after construction ceased the two trains were parked and have never driven since. Now they only serve to remind us of the grandeur of a bygone future. They are the only trains ever to have graced the Icelandic landscape.

The music in Two Trains embraces the spirit of the original European avant-garde and invokes these concepts in its chugging rhythms, metallic clangs and brooding choral arrangements (men's choruses are a distinctly Icelandic phenomena related to the national/romantic politics of the 19th and 20th century) while the lyrics speak of ominous clouds on the war-ridden eastern horizon and freight cars filled with gravel and dreams.

Words from Högni, July 2017: “The music on Two Trains is a blue-print of a period in my life where I collided with my own self, and at that point I felt the indifference between the personal and the universal, the absolute consciousness of life’s unconsciousness. Perhaps it’s a feeling that cannot be conveyed, like watercolours that just seem to wash off into the sea. But also a flashing mirage that you can enjoy before you arrive at your last destination."

As time went on, the two trains also began to bear a psychological implication to Högni and came to represent the different incarnations of his persona during a difficult period in his life. As a society we are also quite often faced with a fork in the road and a decision to make, and most importantly the acceptance of one’s self.

Today, the real Minør and Pionér are unemployed, mere relics.

Minør is on display near the Reykjavík waterfront and Pionér is parked in an outdoor museum on a hill. But for Högni, with this release, the two trains have ushered in a new chapter in his own life.

The cover art incorporates a distorted portrait photograph taken by Anna Maggy with the help of Sigurður Oddsson’s art direction, using projected features to reflect the idea of duality.

STREET DATE

RICHARD LLOYD

10/20/2017

Richard Lloyd is an American guitarist, singer and songwriter, best known as a founding member of the rock band Television. After Television first disbanded in 1978, Lloyd released one album for Elektra Records called Alchemy. During his solo career, as a guitarist and session musician he has worked with various artists in the music industry, including Matthew Sweet, John Doe (of X), and Stephan Eicher. He acted as producer and recording engineer as well as a member of the band Rocket From The Tombs, entitled Rocket Redux, which was released on Smog Veil Records.

He has now released six solo albums. Alchemy in 1979, Field of Fire in 1986 (re-released in 2007 with an additional disc of music), his live disc Real Time in 1987 (recorded at CBGB) and The Cover Doesn't Matter in 2001. The Radiant Monkey was originally released on Parasol Records in late 2007. The CD features Lloyd playing everything but the drums (manned by session drummer Chris Purdy and, on one track, Television's Billy Ficca). Here both titles are being reissued on Richard's own Sufimonkey Records along with the rest of his solo catalog coming out in late 2017 and early 2018. In addition, Richard has published his first memoir entitled "Everything Is Combustible" (Beech Hill Publishing) which will be released on conjunction with the catalog reissues and his 66th birthday in October 2017.

RADIANT MONKEY TRACK LISTING

FORMAT: CD, Digital ITEM NUMBER: SUFI 1107 UPC: 634457795525 SLP: $11.99 GENRE: Rock PACKAGING: Jewel Case BOX LOT: 30 EXPORT: World LABEL: Sufimonkey Records

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Monkey Glurp There She Goes Again Swipe it Only Friend Kalpa Tree Amnesia Carousel Big Hole Wicked Son One for the Road

THE COVER DOESN'T MATTER TRACK LISTING

FORMAT: CD, Digital ITEM NUMBER: SUFI 119 UPC: 629048011924 SLP: $11.99 GENRE: Rock PACKAGING: Jewel Case BOX LOT: 30 EXPORT: World LABEL: Sufimonkey Records

EXCLUSIVELY DISTRIBUTED BY

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The knockdown Ain't it time She loves to Fly I Thought Strangestrange Torn Shirt Downline Raising the Serpent Submarine Courtege

FOR FANS OF:Television, Matthew sweet, rocket from the tombs, dream syndicate

SCHOOLKIDSRECORDS.COM/LABEL schoolkidsrecordsnc@gmail.com

LABEL CONTACT

505 ENO STREET HILLSBOROUGH, NC 27278 REDEYEWORLDWIDE.COM | 877-733-3931

STEPHEN H. JUDGE SCHOOLKIDS RECORDS schoolkidsrecordsnc@gmail.com

DISTRIBUTION

REDEYE WORLDWIDE redeyeworldwide.com

BOOKING/MANAGEMENT HEAD ON MANAGEMENT headonmb@gmail.com

www.redeyeworldwide.com

laura@redeyeworldwide.com

LEE GAMBLE ~ MNESTIC PRESSURE Catalogue Numbers Street Date Formats UPCs List Prices Box Lots

: : : : : :

LP-HDB-037 / CD-HDB-037 09/15/2017 LP / CD 5055300386892 [LP] / 5055300386908 [CD] $19.99 [LP] / $15.99 [CD] 20 [LP] / 35 [CD]

“Mnestic Pressure” is Lee Gamble’s first album since 2014 and his first with Hyperdub, a reset that sees a noticeable change in his sound and the concepts that feed into his music.

Lee says ‘From “Diversions 1994-1996” (2012) through to “Koch” (2014) - my music felt like I was dealing with signals from elsewhere signals from the unconscious, sub-aqua, hallucinated, dreamt. “Mnestic Pressure” feels like their decoded offspring, a terra interpretation.’

The title “Mnestic Pressure” comes from Lee’s thinking about how our contemporary memory is pressured, individually, but also collectively.

‘We live in these strobing, visual times, like a constant subliminal advertisement but, also over the last few years the world seems to have become more and more dreamlike, alien, and parodic itself and there was this part of me that wanted to drag my music back from this Shangri-La, but fully drenched and infected by its ghosts.’

“Mnestic Pressure” as a whole is a simulation of this experience; a flow of targeted information, through contrasting and quickly changing terrain, from one track to another you’re dragged into a new space. The pressure to move is intrinsic to the flow of the album, one thing morphologically transforms into another, zooming in and out from wide angle to detail, reshaping into new forms at a speed Lee’s music hasn’t before.

The music on “Mnestic Pressure” has a hardness, with a structure and melody that was sublimated in Lee’s previous LPs. It builds on his more recent experiments with more functional dancefloor forms. Here his hypermodern production and crunchy, dissembled beats feel like they could be malfunctioning holograms projected onto the hallucinated memories of his early work.

A1. Inta Centre A2. Istian A3. East Sedducke A4. 23 Bay Flips A5. Swerva A6. Quadripoints A7. You Hedonic B1. UE8 B2. Locked In B3. Ignition Lockoff B4. A tergo Real B5. Ghost B6. Déjà Mode

www.hyperdub.net

Radiator Hospital Play The Songs You Like

Label: Salinas Records Format: Vinyl LP Catalog Number: SAL-084 Release Date: October 20th, 2017 Contact Information: eloy@grandstandhq.com

List Price $14.99 After a small mountain of tape releases, EPs and a couple more official albums, Philly punk romantics Radiator Hospital offer their most fully formed statement to date with new album Play The Songs You Like .Titles like "Pastoral Radio Hit", "Long Distance Dedication" and "Dance Number" hint at a through-line of thought for the album, a collection of songs not only about how songs themselves affect our lives, but how the same song can mean wildly different things to different people and how that meaning can change over time.

It's fitting that this album observes how songs track major shifts and growth, as it marks a huge upward move for Radiator Hospital in terms of both production and collaboration. The band started as the solo vehicle for Sam Cook-Parrott's lovelorn hissy bedroom recordings, and evolved slowly over the years into a hybrid of those lo-fi beginnings and an increasingly more stable full-band line up. Recorded by studio magician Jeff Zeigler (War On Drugs, Mary Lattimore, Kurt Vile) PTSYL features a completely locked-in Radiator Hospital projecting in high definition. Singer/guitarist Cook-Parrott, along with guitarist/singer Cynthia Schemmer, drummer Jeff Bolt and bassist Jon Rybicki rip through 16 melodic blasts of devotion, yearning, and reflection on the songs in the background that shape our worlds.

Track Listing: 1. Long Distance Dedication 2. Out of Mind 3. Pastoral Radio Hit 4. Old Refrain 5. The Songs You Like 6. Nothing Nice 7. Cheap Day 8. Also Ran

9. Lonely Road 10. People at The Show 11. Dance Number 12. Half Empty 13. Love Story 14. Heart of Darkness 15. Sycamore 16. Absolutely Positive

Eloy Lugo : Grandstand Media 39 W. 32nd St., New York, NY 10001

Contact: Will Savery will@redeyeworldwide.com

VISIONIST “Value”

Street Date: 10/20/2017 BD284 | BD284X | BDCD284 in these fields I shout the quietest may stable arms strangle my thoughts vulnerable to brave truths a window swathed by mirrors eyes continue to smile at forgiveness it’s ok… it’s ok… it’s ok… indulge more, feel restrictions V Visionist returns with his second album “Value”, a precise body of work which across it’s 10 tracks, builds on his conceptual, thematic process, finding assertion in the values of self-discipline and self-education through meticulous composition.

His debut album “Safe” detailed visceral soundscaped to encapsulate the experimental onslaught of an anxiety attack, and the artist’s desire to simultaneously construct and defear notions of safety. “Value” follows this trajectory of strength and vulnerability by examining broader themes of machismo and effeminacy, selfdepreciation and self-love, and self-preservation and validation. Focussing on his qualitative process allows him to evade this increasingly demanding climate, maintaining consistency by finding solace in the routine and ethos of his own practice, “I’m pretty reserved” he explains “but, within my art, it is important for me to give a part of myself.”

“Aesthetic can be achieved by everyone, but approach separates the individual” Visionist

TRACKLISTING SIDE A

SIDE B

1. Self-

6. No Idols

2. New Obsession

7. Made In Hope

3. Homme

8. High Life

4. Value

9. Exi(s)t

5. Your Approval ft.

10. Invanity

Rollyne

HIGHLIGHTS • CD$ • 4PP$CD$Digi$pack$ • STANDARD$VINYL$ • 180g$12”$black$vinyl$$ • Printed$card$inner$sleeve$ • Printed$spined$card$outer$sleeve$featuring$artwork$by$Peter$De$PoIer$ • COLORED$EDITION$VINYL$(Indies$Only)$ • 180g$12”$gold$vinyl$$ • Printed$card$inner$sleeve$ • Printed$spined$card$outer$sleeve$featuring$artwork$by$Peter$De$PoIer$ • Includes$exclusive$10$image$zine$by$Peter$De$PoIer

Parks Vincent - parks@ninjatune.net

Label: Big Dada File Under: Electronic Export: No Export Box Lot: LP - 20 LP: BD284 - $19.99 UPC: 5054429119794

Box Lot: LPX - 20 LPX: BD284X - $22.99 UPC: 5054429119800 Box Lot: CD - 35 CD: BDCD284 - $13.99 UPC: 5054429119817

- Ninja Tune, 1030 N. Alvarado St #102, Los Angeles, CA, 90026 - www.ninjatune.net

Lori Miller - Lori@redeyeworldwide.com - Redeye Distribution, 505 Eno St. Hillsborough, NC 27278 USA - www.redeyeworldwide.com

FISTFIGHT AT THE BARNDANCE In his most ambitious artistic undertaking yet, respected British flautist, composer and educator Gareth Lockrane brings his debut big band project to Whirlwind to interpret eleven original works on an exciting, cinematic scale in Fistfight at the Barndance. Known for his considerable work with smaller ensembles such as Grooveyard (with saxophonist Alex Garnett), as well as being a familiar sideman on the UK scene, here Lockrane distils all of his experience into leading a 20-piece which sparkles with ebullient expression..

Ellington, Basie and Mingus, as well as saxophone/flute doublers such as Frank Wess and Eric Dolphy, formed the basis of Gareth Lockrane’s early-career interest in this larger format, leading to arrangements for the Royal Academy of Music and the National Youth Jazz Orchestra; and it was his degree in film composition, working with varied, expansive movie narratives, which heightened the ambition to paint on a broader canvas. He describes the rich diversity of the assembled musicians: “There are contemporaries of mine from college, including Steve Fishwick, Henry Collins, Sammy Mayne and Mike Outram; some of the players, such as Ian Thomas and Mark Nightingale, were pillars of the scene when I originally moved down to London; and then there are the younger musicians I taught at the RAM – for example, Tom Walsh, James Gardiner-Bateman and Nadim Teimoori. So I feel a great connection with this extraordinary bunch of guys from across the generations; and with so many fine soloists amongst them, it’s satisfying to provide each with the opportunity to shine”.

Gareth Lockrane flutes, compositions Steve Fishwick, Henry Collins Andy Green, Tom Walsh trumpets Sam Mayne, James Gardiner-Bateman Graeme Blevins, Nadim Teimoori Richard Shepherd saxes/woodwinds Mark Nightingale Barnaby Dickinson Trevor Mires, Barry Clements trombones Mike Outram guitar Ross Stanley piano/rhodes/organ Ryan Trebilcock acoustic/electric bass Ian Thomas drums Hugh Wilkinson percussion CATALOGUE NUMBER: WR4710 BARCODE: 4055388386327

The album title is a tribute to Lockrane’s late father, whose 6/8 blues harp riff of the same name (in which he jocularly envisaged the implosion of a convivial barndance) is the basis for the call-and-response between flute and brass at the centre of the title track’s bustling maelstrom. Pianist and organist Ross Stanley’s commanding soul-jazz Hammond grooves are often at the heart of the leader’s creations (influenced by the likes of John Scofield, Eddie Harrris and Behki Mseleku), including high-energy ‘Stutterfunk’ with Ryan Trebilcock’s pulsating electric bass inspiring sassy horn licks and effervescent flute and sax improv, and country-blues rock-out ‘Roots’.

Each tune on the album has its own history, the big attraction for Lockrane being the weaving together of all kinds of influences – gospel, funk, straight-ahead jazz, soundtrack – as well as the challenge of harnessing and pacing the potential power of a big band: “It’s about sustaining a mood and arranging the sounds so that every moment counts, while also allowing each section the opportunity to enjoy the freedom. And my own role is intentionally quite loose, playing off the band or ducking around inside the arrangements as a middle-man between the rhythm section and the horns”.

As an instrumentalist, Gareth Lockrane is a proven master, here adding an orchestral sheen which evokes classic movie scores of the 1960s and ‘70s, especially when using contrabass and subcontrabass flutes – so ballads such as ‘We’ll Never Meet Again’ and ‘Forever Now’ might easily conjure the evocative sound worlds of Bernard Herrmann or Henry Mancini as his deep, breathy sonorities blend imaginatively with the band’s lush, textural harmonies.

Sizzling reinterpretations of earlier compositions are juxtaposed with a clutch of new tunes. ‘Do It’ possesses an edgy, nightlife swagger; blithe, streetwalking ‘On the Fly’ and ‘Mel’s Spell’ (after Mel Lewis, a distinct inspiration after seeing him in the Village Vanguard band, NYC) superbly showcase Lockrane’s flighty, higher register against his sumptuous arrangements; and exhilarating boogie ‘One for Junia’ increasingly ramps up the fervor.

Recorded in London across a single day – and mastered in New York by the esteemed Tyler McDiarmid – it’s a strong, confident statement by an amazing collective, also recounted by Gareth Lockrane as a warm, rewarding experience: “We’ve done so many great gigs, it’s great to now definitively document our achievements. I always wanted to do a strong studio big band album that was loose enough for the solos to be fresh while doing justice to the tunes (and with the right people playing them). It’s been hugely enjoyable to put together”.

JURE PUKL & MARIUS DEDIĆ

HYBRID An energized and impassioned studio session from New York-based Slovenian saxophonist Jure Pukl, Croatian pianist Matija Dedić and their quartet with bassist Matt Brewer and drummer Johnathan Blake brings new release, Hybrid, to the Whirlwind label.

Pukl’s prolific ascendancy of the international jazz scene has resulted in numerous solo and sideman recordings recognised in 2015 by the attainment of Slovenia’s highest national arts award.His collaborations include names such as Branford Marsalis, Jeff “Tain” Watts, Dave Liebman and Vijay Iyer; and like-minded colleague Matija Dedić’s varied career has seen him perform with artists including Larry Grenadier, John Hollenbeck, Jeff Ballard and Kendrick Scott.

Across a venturesome sixty-seven minutes of mostly original numbers, the individual compositions of both Pukl and Dedić stimulate a fiery, improvisational spirit throughout the quartet, their respect for tradition translating into a spontaneous, contemporary context which also embraces elements of free jazz.

Pukl relates the story that, as a funk-loving youth in Slovenia, he asked his father to return from a business trip in Munich with Maceo Parker records, only to be mistakenly brought vinyls by (to him, at the time) the unknown and perplexing Charlie Parker. But after a week, the saxophonist fell in love with them, closely followed by the sounds of John Coltrane and Stan Getz/João Gilberto: “These are artists and recordings I still recognize as my inspiration”.

Jure Pukl soprano, tenor saxophone bass clarinet

The immediacy of these live studio takes is palpable, from the sprawling fast swing of title track ‘Hybrid’ to journeying ‘Where Are You Coming From And Where Are You Going?’ (the latter being Pukl’s focus-pull on his development as a musician, ranging from its classically-suggested opening structure, through unconfined bass cadenza, to a spiky, irregularly-metred vamp). The repeated harmonic and Recorded at Samurai Hotel Recording Studios rhythmic figures of ‘Sequence II’ (dual tenors introducing guest saxophonist Melissa Aldana) and ‘Sequence III’ offer freedom of expression through distinctly NYC (May 2016) different atmospheres; and four-bar vamp ‘Spinning Thoughts’ entwines boisterous ideas from a single, elegant tenor motif.

Matija Dedić piano

Engineered by David Stoller

Matt Brewer bass

Mixed by Jure Pukl & David Stoller (Jan - May 2017)

Johnathan Blake drums Special Guest Melissa Aldana tenor saxophone (tracks 2 & 7)

CATALOGUE NUMBER: WR4712 BARCODE: 4055388386358

Mastered by David Stoller (June 2017) Produced by Jure Pukl Executive Producer Michael Janisch

Dedić’s ‘Hempburger’ and ‘Plan B’ highlight this quartet’s traditional influences with vigor, his own chordal piano foundation and rolling solos prominent throughout whilst featuring scintillating percussion from Johnathan Blake; and in a beautiful tune dedicated to Dedić’s late father, ‘Family’s obvious warmth is enhanced by Matt Brewer’s bass searching combined with ravishing tenor imaginings from Aldana. Initially quizzical ‘False Accusations’ eventually sparkles with boisterous positivity, Pukl’s tenor gliding across its choppy waters; and the late-hours first-take flow of Ornette Coleman’s ‘Lonely Woman’ simmers to misterioso piano and bass clarinet.

“There’s a really good vibe and energy between the four of us, so we got into some special moments on this record”, recalls Pukl. “We all know each other well and feel connected; and also it’s challenging and fun to play alongside Melissa. I’ve always loved performing and, for me, this album reflects both my musical and personal worlds. I always imagine and see music as pictures, so perhaps others might also get into some deeper thoughts – about themselves, about the world they live in – as they listen.”

Artist: SPORTS and Plush Title: SPORTS/Plush Split Street Date: October 20, 2017

/fatherdaughterrecords @father_daughter

• Hometown: San Francisco, California

• Hometown: Philadelphia, Pennsylvania

• Performed with King Woman, Palm, Sales, All Dogs

• Toured with Pinegrove, Half Waif, and Turnover

• Past press: The Fader, Stereogum, The Bay Bridged

• Press coverage from Pitchfork, NPR, and Noisey

FOR FANS OF: Tacocat, Girlpool, Swearin’

FOR FANS OF : Slowdive, Galaxie 500 Returning to the spotlight after their Father/Daughter release, Please, San Francisco’s Plush displays their songwriting growth in full force. Sonically, they embrace twinkling guitar tones that are blitzed with spurts of grainy fuzz, flaringly precise and graceful drums, as well as complimentary bass riffs that swirl and swoon, working in unison to pin-point heart-wrenching emotions with clarity and catharsis. After sharing the stage with bands such as King Woman, All Dogs, Palm, Sales and Creative Adult, they have proven their ability to blend seamlessly into wherever they land.

“Intricate layers of shoegaze-y guitar that express confident craving.” - The Fader “If dreary ballads and reverb soaked guitar pop give you chills, Plush will satisfy all your needs.”

- The Bay Bridged

SPORTS is a 4-5 piece basement rock band, started in 2012 at Kenyon College. Their most recent release, All of Something (2015), unfurls like a flag outside a midwestern bedroom window, lifted with the air of uncertainty of those first, confusing steps of adulthood. Perry’s freckled voice, equal parts longing and hopeful, carries through with damning drums and tickling guitar solos. Each song jangles on, sometimes releasing declarative, fighting words and other times as careful as notes left on the fridge.

“An endearing collection of earnest and honest evocations of a misremembered past.” - Spin “Perry writes in emotionally direct phrases, which capture the confusion and vulnerability that often comes with being young and in love.”

- NPR FILE UNDER: ALTERNATIVE/ INDIE

6

TRACKLISTING 1. SPORTS - Making It Right 2. SPORTS - Calling Out 3. Plush - 50/50 20/20

34457 77977 8

Label Contact: Jessi Frick - daughter@fatherdaughterrecords.com Redeye: Wendy Higgs wendy@redeyeworldwide.com 1.877.733.3931 ext. 232

Catalog #: SI-FD-061 Format: White 7” Vinyl w/ MP3 UPC: 634457779778 Suggested List Price: $8.99 Box Lot: 15

Strange Relations Editorial You TE170 12” LP on Opaque Teal Vinyl w/ Insert, DL Code * Limited Quantities of Clear Smoky Swirl Vinyl Available

RELEASE DATE :

V

ulnerable yet strong, glossy to grainy, bold or subdued, Strange Relations demonstrate what can blossom when you refuse to follow the rules. On their sophomore full-length, Editorial You, the unabashedly feminist and queer two-piece delve into the ups and downs of living as women in a world where one’s body is a central force in shaping one’s experience. Throughout the album’s ten intoxicating, intimate pop songs, women’s sexualities are centered as the focus shifts from external to internal and back again. Editorial You thrives by refusing to turn away from the darkness, instead addressing it head-on, offering up a sense of sisterhood and defiance as weapons to fight through and pull light back into the darkest spaces.

Honest and powerful, Editorial You is made for the real you.

T

he self-described “Minneapolis diary rock” band, which features Casey Sowa (drums/vocals) and her girlfriend Maro Helgeson (bass/synth), doesn’t fit the typical mold of a pop group. Building tracks around a propulsive rhythm section, Strange Relations feed off their long term relationship to capture an energy and intimacy that cannot be forced or faked, weaving through each track like a burst of fresh air through the haze.

F O R FA N S O F :

The Cure, Japanese Breakfast Now Now, Priests, Warpaint Sleater-Kinney, Alvvays Blonde Redhead, Autolux

T O U R D AT E S : T I N Y E N G I N E S . N E T / T O U R S

TRACK LISTING

01. Evidence 02. Say You 03. LIN 04. Orbit 05. NBE 06. Flight Instinct 07. Sure 08. Ignore Me 09. Spit 10. Long Haul 11. Win (Vinyl-Exclusive Track)

U.S. Tour this Fall in support of new album PUBLICITY BY BEARTRAP PR

/

WILL MILLER

will@beartrappr.com RADIO BY TERRORBIRD

/

LP $17.99

DAN MANNING

dan@terrorbird.com

“Strange Relations don’t sound like your classic Twin Cities indie idols, eschewing the shredded-heart urgency of Hüsker Dü and the Replacements to make the kind of rock you’d normally take sub-zero solace in: intricate, intimate, and strangely comforting.” — SPIN “Strange Relations evoke the atmosphere of a dimly-lit club with minimal instrumentation, leaving the listener to fill in the blanks with their own hushed experiences” — S TEREOGUM “Pulsing synth pop with a dark underbelly, a message of empowerment, dreaming, desire.” — T HE G REY E STATES “A brilliant slice of dusty indie-pop that simmers with brooding intensity.” — G OLD F LAKE P AINT

Tiny Engines • info@tinyengines.net • 704.649.7128

tinyengines.net

9/08

@tinyengines

6

34457 77431 5

C ATA L O G N U M B E R :

TE170 L P U P C : 634457774315 F I L E U N D E R : Indie / Art Pop E X P O R T R E S T R I C T I O N S : None

Redeye Distribution / Lori Miller • lori@redeyeworldwide.com • 877.733.3931 x216

facebook.com/tinyengines

tinyengines.bandcamp.com

floral print m i r ro r st a g es TE174 12” LP on Translucent Candy Grape Purple Vinyl w/ Insert, MP3 DL Code

10/20

RELEASE DATE :

F

or Atlanta outfit floral print, what began as a chance meeting on Facebook between drummer Paul DeMerritt and singer / guitarist Nathan Springer has evolved into an exciting, challenging and perpetually unpredictable collaboration. The pair begin performing in late 2014 and quickly honed their ingenuity for dizzying song structures and erratic rhythms rooted in pop sensibilities. The debut EP woo, recorded with bassist George Pettis (100 Watt Horse) and producer Graham Tavel, showcased floral print’s vibrant pastiche of psych-pop, early emo, ambient and deconstructionist rock.

TRACK LISTING

ollowing woo, the duo (rounded out by a rotating cast of bassists) embarked on numerous tours throughout the East Coast and Midwest, making friends and tightening their uncanny sonic communication skills.

In summer 2016, floral print once again linked up with Tavel to record its debut full-length, mirror stages, at Broad Street Visitor’s Center in Downtown Atlanta. These new songs display a marked change in tone from woo, as glimmers of noise, distorted melancholy, and manic energy imbued the band’s sound with more nuance and stylistic aberrations. floral print’s ability to defy genre convention sidesteps any feelings of forced technical showmanship as its mercurial sense of melody and rhythm is always couched in sincerity.

04. kevin

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01. sweepstakes life 02. egg rites 03. choke me

05. dog 06. mirror stages 07. yesterday’s grammar 08. morning with ophelia 09. broad street visitor’s center

F O R FA N S O F :

Palm, Fugazi, Warehouse Deerhoof, Joan of Arc, Krill Don Caballero, Hoops, Pile

T O U R D AT E S : T I N Y E N G I N E S . N E T / T O U R S

U.S. Tour this Fall in support of mirror stages

“floral print race from one great idea to the next, knowingly colliding into every jagged twist and turn along the way. Their songs are built withloose frameworks, adapting chaotic structures with soft melodies and a skittish disposition. Rooted in delicate songwriting and quirky charm, every technical flash and unpredictable rhythmic shift is matched with elegant hooks and attention to detail.”

— P OST -T RASH ( EXCLUSIVE TRACK PREMIERE )

“From jazzy interludes to jangly indie pop in a single track ... pointing to near-post rock levels of buildup and ambiance, without losing the frantic catchiness the band has perfected in its brief lifetime” — Creative Loafing

@tinyengines

C ATA L O G N U M B E R :

TE174

Indie / Psych-Pop / Emo

EXPORT RESTRICTIONS:

“The kind of emo-rock/post-pop hybrid that rumbles away in the shadow before suddenly appearing in the forefront of everything; A delightful, agitated display from start-to-finish.” — G OLD F LAKE P AINT

tinyengines.net

34457 78611 0

6

FILE UNDER:

PA S T Q U O T E S

Tiny Engines • info@tinyengines.net • 704.649.7128

LP $17.99

PUBLICITY:

None

Beartrap PR / Will Miller

will@beartrappr.com RADIO:

Terrorbird / Dan Manning dan@terrorbird.com

Redeye Distribution / Lori Miller • lori@redeyeworldwide.com • 877.733.3931 x216

facebook.com/tinyengines

tinyengines.bandcamp.com

Nitin Sawhney

Live At Ronnie Scott’s Street date: 10. 20.17

Label:

Gearbox Records

Format:

180 grm 33 rpm Vinyl Compact Disc

Vinyl: Cat No: RSGB1017 Barcode: 5065001717581 Box Lot: 20 units Suggested List Price: $24.99 CD: Cat No: RSGB1017CD Barcode: 5065001717604 Box Lot: 50 units Suggested List Price: $13.99

Territories: North, Central and South America File Under: World

Nitin Sawhney is a busy man. Across many outstanding studio works, scores of soundtracks, dance, theatre and djing,

his consistently rich and varied musical output, spanning more than 2 decades, has now been recognised with The Ivor Novello Lifetime Achievement Award.

This, his first live album, features highlights from many of his 10 studio albums, including 1999’s Mercury Music Prize

nominated Gold awarded ‘Beyond Skin’, the millennial epic ‘Prophesy’ (20011) and his latest work ‘Dystopian Dream’.

Recorded across a 3 night residency at the legendary Ronnie Scott’s in Soho, London, during March 2016, these live

re-imaginings of old and new favourites buzz with life and joy. Expertly melding flamenco, funk and Indian ragas while

branching into primeval blues, tabla breakbeats, beatboxing and much more, Sawhney and his band weave a textural tapestry of treats to the sheer delight of the audience.

As is the hallmark of the ‘Live At Ronnie Scott’s’ series, the supreme quality of Gearbox Records’ mastering and cutting process ensures the intimacy and energy of the live setting is brought back to life in the comfort of your own listening space.

Track Listing: A1 Sunset, A2 Dark Day, A3 Redshift, A4 Homelands, A5 Henrecia Latina B1 Tere Khyal, B2 The Conference, B3 Breathing Light, B4 Nadia, B5 Riverpulse Musicians: Nitin Sawhney - Keys and Guitar Aref Durvesh - Tabla and Vocals Ashwin Srinivasan - Bansuri Flute and Vocals Eric Appapoulay - Guitar and Vocals Ian Burdge - Cello Tina Grace - Vocals Eva Stone - Vocals Nicki Wells - Vocals Recording Engineer - David McEwan Mix Engineers - James Turner & Harry Timson Mastered by Darrel Sheinman and Caspar Sutton-Jones at Gearbox Records Cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head and Telefunken U73B tube limiter; Decca valve equalisation; monitored on Audio Note equipment Gearbox Records Unit 8, Tileyard Road, London, N7 9AH Contact: Justin James justin@gearboxrecords.com

Redeye 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com

Title: ANDINA: Huayno, Carnaval and Cumbia The Sound Of The Peruvian Andes 1968-1978 Artist: Various Artists Label: Tiger’s Milk & Strut Cat no: TIGM006CD/TIGM006LP Release Date: October 20, 2017 A window into the full-blooded, captivating spirit of music from the Andes, ANDINA shines a fresh perspective on Peru’s Andean heritage.

A co-release with Strut Records, the album is selected from records released between ‘68 and ‘78, upending clichéd ideas of Andean music and bringing to light the divergent, exciting traditions to have emerged from Peru’s strip of the iconic mountain range.

Encompassing steady-grooving, Peruvian cumbia rhythms, transcendent folkloric harp recordings and Lima big band groups taking influence from their highland neighbours, it boasts a diversity that will appeal to fans of jazz and Latin as well as tropical-minded DJs and deepdigging collectors.

It was dubstep producer and DJ Mala (Digital Mystikz) who most recently shone a light on the region with his 2016 album Mirrors on Brownswood - Tiger’s Milk founder Martin Morales had accompanied him to Peru two years earlier, acting as his guide and mentor in discovering the breadth of Peru’s musical history.

Peruvian chef, restaurateur and music producer Martin was born in Peru and lived there until he was a teenager before settling in the UK. In recent years he has travelled frequently to the Andes in search of recipes, records, sounds and inspiration for a variety of projects which he and his London based team have presented. An avid DJ and record collector, Martin has teamed up with Tiger’s Milk co-founder Duncan Ballantyne (former Soundway label manager) and Peruvian crate digger Andres Tapia del Rio to create a series which starts with ANDINA and will then move to the Amazon and coast of Peru.

Tiger’s Milk is dedicated to uncovering Peruvian music past and present and it has garnered support from the likes of Mr Scruff, Basement Jaxx, Mala, Gilles Peterson, Mr Jukes (Bombay Bicycle Club) and Osunlade. The launch of this compilation coincides with a cookbook release, also titled ANDINA. The album is compiled by Lima-based record collector Andres Tapia Del Rio, Martin Morales and label co-founder Duncan Ballantyne.

KEY POINTS • For fans of jazz, Latin and cumbia as well as tropical-minded DJs and deep-digging collectors • The first in a three part regional series of albums exploring Peru’s diverse musical heritage • Almost all tracks see their first ever release since their original pressing in Peru • Martin Morales is the chef, restaurateur and founder of Peruvian restaurants, Ceviche and Andina in London. Martin is a pioneer of Peruvian food in Britain and is the GQ Food & Drinks 2017 Innovator of the Year award winner • ANDINA is also the cookbook from the award winning restaurant based in London published early October • Tiger’s Milk specialises in uncovering Peruvian music past and present. Previous compilations include Peru Maravilloso, Peru Bravo and Peru Boom

TRACK LIST 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17

Los De m onios del Mantaro La Chichera Los Compadres del Ande La Mecedora Los Walker’s de Huánuco Todos Vuelven La Peruanita Recuerda Corazón Los Bárbaros del Centro Loca Loquita Los Compadres del Ande El Lorcho Los Bilbao Zelenita del Año 2000 Manolo Avalos Río de Paria Lucho Neves y su Orquesta Caymeñita Los Jelwees Descarga Huanuqueña Los Sabios del Ritmo Cholita Alicia Maguiña con Mario Cavagnaro y su Sonora Sensación Perla Andina Conjunto Los Luceritos d e Casacanchan Mi Casacancha Huiro y su Conjunto Cumbia en los Andes Los Turistas del Mantaro Agua Dulce Los Bárbaros del Centro La Celosa Conjunto Kori Cinta de Huancavelica Toyascha

PRICE: CD List price - $14.99 LP List price - $29.99

For more information please contact Adam Calman adam@k7.com (P) 718-722-9935 x12.

CD

LP

7

30003 47062

2

7

30003 47061

5

SAICOBAB SAB SE PURANI BAB Thrill - 445

CD List $15.99 BOX LOT CD 50

*9037H-AEEFCc

2xLP List $26.99 BOX LOT LP 13 Vinyl is non-returnable

*90377-AEEFBf

GENRE : ROCK / WORLD / EXPERIMENTAL FILE UNDER : “S” SAICOBAB, “O” OOIOO “B” Boredoms RELEASE DATE : October 20, 2017 NO EXPORT (S. AMERICA EXPORT OK) TRACK LISTING:

SAICOBAB is the Japanese quartet comprised of acclaimed vocalist YoshimiO (Boredoms, OOIOO), Yoshida Daikiti (sitar), Akita Goldman (bass), and acclaimed in Japan Motoyuki “Hama” Hamamoto (percussion, gamelan). SAICOBAB masterfully blend traditional Indian music with melodies and unexpected rhythms using unorthodox instrumentation to create utterly distinct modern ragas.

On their debut album SAB SE PURANI BAB, YoshimiO’s leaping, animated, effected vocal melodies dance fluidly through Daikiti’s intricate sitar patterns. The entrancing synergy of Goldman and Hama’s rhythmic pulse drives and shapes the aptly named SAICOBAB’s sound to one that is at once rooted in ancient tradition, and wholly new.

SAICO means “the most ancient”, and “BAB” stands for “baby” in Japanese.

SAB SE PURANI means “the most ancient baby girl” in Hindi. The connections made are a reflection of the deep connections made musically between traditional Indian and Japanese music and spiritual practices.

1.

2.

3.

4.

naa Ra naa aMn nMn AWAWAW Naam Chuulo

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One Bx Ax Bx Siiidaa A/A/Av (AWAWAW Remix by Cevdet Erek) *Vinyl Bonus Track

SALES POINTS In new quartet SAICOBAB, OOIOO and Boredoms’ YoshimiO joins with Yoshida Daikiti on sitar to create inventive modern ragas of unparalleled energy SAICOBAB masterfully blend traditional Indian music with melodies and unexpected rhythms using unorthodox instrumentation to create a sound at once rooted in ancient tradition, and wholly new SAICOBAB perform regularly in Japan and plan to tour internationally in support of SAB SE PURANI BAB Deluxe vinyl edition features 2xLPs in a gatefold jacket with metallic foiling, free download card, and an exclusive remix of album track “AWAWAW” on Side D from Turkish artist Cevdet Erek. A limited amount is pressed on color vinyl (LP1 on translucent purple, LP2 on translucent brown!). CD in mini-LP style gatefold package.

YoshimiO has been a trendsetter as a member of OOIOO and Boredoms for over three decades. She has collaborated with Kim Gordon and Sean Lennon, has been featured on the covers of The Wire and The Fader, and The Flaming Lips named an album after her “In the seemingly impenetrable, fantastic murkiness of Japanese experimental psych pop, more often than not,Yoshimi has been a beacon.” - FADER (cover story)

Also available from OOIOO :

Gamel CD/2xLP (Thrill 371) Armonico Hewa CD (Thrill 222) EYE Remix CDEP (Thrill 171) Gold & Green CD/2xLP (Thrill 160) TAIGA CD (Thrill 161) KILA KILA KILA CD (Thrill117)

Also available from Boredoms :

Praise for OOIOO : “’Challenging’ music doesn’t get more fun than this.”

- NPR Music “An extraordinary band.” - New York Times

77 Boa Drum DVD (Thrill 250) Super Roots 9 CD (Thrill 197)

PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com

Palmbomen II Memories of Cindy Cindy is the eulogized muse behind Palmbomen II’s newest collection of limitless dance music. Appearing anecdotally in a cable access talk show and a four part 12” EP series episodically scored by Palmbomen II’s patent melodic house and remote, otherworldly fidelity, her story takes stage once more in Memories of Cindy.

Kai Hugo, the artist behind Palmbomen II (and its sister project, the traditionally “live” band Palmbomen), is an idiosyncratic producer that relies on spontaneity as much as structure. Almost identical to the process that prompted Palmbomen II’s self-titled debut (Beats In Space, 2015), Hugo worked through several iterations of each MOC track in a single day before using a comprehensive end edit to create a piece with an immediate, impossible feel.

On said self-titled album, Hugo applied vocals only to the video realizations of Palmbomen II’s songs. On MOC vocals appear as a primary component of and conduit to a stranger, haunted space. Whether contributing to the narrative as spoken word or morose melodies, it’s as disquieting as the echoed vaults from which they come that some other voice is now guiding Kai’s vessel.

This voice and world is Cindy’s, the paradigm depicted in Hugo’s self-scripted and directed videos and films. Hugo’s visual practice provides a separate view of the Palmbomen II venture: a surreal, neo noir-ish California dislocated by the no-frills aesthetic of its music, and the tragicomedy of its imagined characters. The word “palmbomen” is in fact Dutch for palm trees. Hugo’s background fuels the expatriate’s fascination with California as an alternate universe of curious, convoluted culture and mutant music habitats.

The airwaves of the world envisioned for Palmbomen II’s unfolding narrative are familiar, yet discordant, set apart from the gloss of the contemporary with an inquisitive view toward excavating a past that seems contrarily to have long been post-human, or perhaps not only human. The scenes and characters Kai creates in his musical and visual landscapes seem to transmit from another planet, though his own world is the more indistinguishable, alien impetus.

Creating in isolation while contemplating these irregularly scheduled programs, it’s unsurprising that Kai would find solace and stability in Cindy. After her final respects are paid and very existence questioned, a new album of Palmbomen II music—pulsing with odd particularity and evoking a somber, surreal sound of a fifth-dimensional West Coast panorama—appears in her place.

Palmbomen II’s Memories of Cindy is available October 20, 2017 on Beats In Space and collects the three EPs released on vinyl as a complete digital and CD release expanded to feature the fourth EP originally exclusive to the limited box set.

Points of Interest • Kai Hugo is the artist behind Palmbomen II (and its sister project, the traditionally “live” band Palmbomen). Hugo was born in Breda, Netherlands and currently splits his time between Los Angeles, California and his home country.

• Palmbomen II took form after Hugo spent a summer watching X-Files in his mother’s attic in the Netherlands • His newest album, Memories of Cindy, follows his debut self-titled LP as Palmbomen II on NYC-based label Beats In Space. Hugo recorded MOC out of his garage in Silverlake, Los Angeles throughout the years 2014 and ’15.

• Hugo records his Palmbomen II music live in one take using an array of drum sequencers, synthesizers and FX units, which he then edits and runs through tape.

• Cindy is the eulogized muse behind MOC. Cindy reveals herself over a series of four 12” EPs bearing her name (Memories of Cindy Pt. 1 – 4), each one constructed by Hugo as an autonomous episode of melodic house laced with remote, otherworld fidelity.

• Hugo turns each of the four Memories of Cindy parts into late-night TV transmissions hosted in the fictional, sunny and slightly warped world of Carmel Vista, California. The show takes form as Real Talk (scripted and directed by Hugo, “starring” Hugo as himself alongside Damon Palermo of Magic Touch as show host Samantha), providing a separate view of the Palmbomen II venture.

• MOC was influenced by Hugo’s interest in the Dutch Bunker and Belgium New Beat scene of late 80s early 90s, as well as his love for Chicago House and Acid.

• Hugo’s music has appeared in the notorious video game Grand Theft Auto V, leading him to be commissioned by Sony to soundtrack their 2014 video game Metrico.

Track Listing CD 1 01. I Feel Everything 02. Pure Tibet 03. ALOHAnet 04. Seventeen 05. RTL Unifeeder 06. Peter Accepts Death 07. pyrotechnomarco 08. Forever Afsluitdijk 09. IAO Industries 10. Transportzone Meer 11. Dancing & Crying

CD 2 01. Ultimate Lovestory Fantasy 02. Wilco’s Funeral 03. Teleac 04. Disappointment Island 05. Fat Director 06. Cyber Tears 07. Are You Friends With Amber?

08. Can It Be 09. 145 10. Dreams Always Come Thru 11. Messed It Up

Cat# BIS031 Artist Palmbomen II Title Memories of Cindy Release date October 20, 2017

RVNG Intl. c/o COMMEND 172 Forsyth Ground Floor New York, NY 10002 matt@igetrvng.com 718 812 8443

Formats 2x CD SRP 2x CD— $16.99

UPC 2x CD — 700064952917

7

00064

95291

7

For more info contact: Adam Calman Adam@k7.com 718 722 9935 x12

n5MD (“No Fives, Minidiscs!”) is a record label based in Oakland, CA and is most known as a berth for more emotive styles of contemporary music.

Founded in late 2000, its aim was to release music solely on the MiniDisc format. After a small string of releases on MiniDiscs, SONY deemed the format antiquated so n5MD forged ahead with more consumer friendly formats, including vinyl. The label is often name-checked for its international roster and broad catalogue encompassing such genres as post-rock, IDM, shoegaze and modern composition.

Just shy of celebrating its 17th year n5MD is proud to announce it’s exclusive distribution partnership with Redeye Worldwide.

MD25 MD254

MD252

MD251

LAST L LA AST DA AST DAYS D AYS \ SEA AYS SEAFARING SE F ING FAR

MIWON \ JIGSA JIGSAWTOOTH IGSAW IGSA AWT WTOOT TOOTH

“Seafaring is an immersive, moving listen” - THE SKINNY

“Balancing complex patterns with an immediacy of harmony, Jigsawtooth“ provides an instantaneous hit.”

- REMY

LP \ UPC:702224125414 \ $17.99 CD \ UPC:702224125421 \ $11.99

LP \ UPC:702224125216 \ $17.99

LOESS S \ POCOSIN

LP \ UPC:702224125117 \ $17.99 CD \ UPC:702224125124 \ $11.99 “Synthetic sweeps and noise-walls ebb and flow, a repetitive pulse, like the recession and ascension of the tides.”

- CYCLIC DEFROST

15% OFF CDs \ 10% OFF LPs \ ON ALL BACK CATALOG FOR A LIMITED TIME

MD255

OKADA \

MD259 FLOATING AWAY FROM THE WORLD

CD \ UPC:702224125520 \ $11.99

10/20

TO DESTROY A CITY GO MIRAGE LP \ UPC:702224125919 \ $17.99 CD \ UPC:702224125926 \ $11.99

c o m

MD256

(GHOST) \

EVERYTHING WE TOUCH TURNS TO DUST

CD \ UPC:702224125629 \ $11.99

TO DESTROY A CITY GO MIRAGE Street Date: 10/20/2017

Catalog #: MD259 Label: n5MD Format: LP 180gm Oxblood \ Gatefold CD Box lot: LP - 10 \ CD - 30 List price: LP - $17.99 \ CD - $11.99 File under: Post-Rock, Indie Rock, NO EXPORT LP • 702224125919 CD • 702224125926

TRACKLISTING 01. Final Kiss 02. Never To Return 03. Beholder 04. Glance 05. Wavelength

06. She Knows 07. Go Mirage 08. Don’t Be Afraid 09. Vanishing Point

HIGHLIGHTS • TDAC’s 3rd full length album • Limited Edition 180gm Oxblood LP w/DL. • Various Fall/Winter live dates In Chicago / Miwaukee area • Previous support from Pop Matters, Igloo Magazine and The Sirens Sound.

Go Mirage is the 3rd full-length album from Chicago cinematic-rock trio To Destroy A City. This follow-up to 2014's post-rock paragon SUNLESS has an added immediacy due to the soaring nature of guitarist Michael Marshall's step toward the mic. Yes... There are vocals! Post-rock for the most part, has mainly utilized vocals as a texture or afterthought. Yet, To Destroy A City have adeptly included vocals into their cinematic tapestries with ease, and in the process added another layer of melody, modesty, and a surprising sense of hope to their already affecting guitar-driven compositions. There is an air of instant gratification with Go Mirage. It seems to push you forward to the next horizon, much as its title might suggest. Idealists might bark that To Destroy A City can't continue to fly the post-rock flag with such a vocalic album. The enlightened will find that the addition of vocals places the band as contemporaries to artists such as Caspian, Mogwai, and Album Leaf which have effectively used vocals as key components in their music.

ALSO AVAILABLE FROM To Destroy A City SUNLESS 2XLP \ CD \ MD233 To Destroy A City CD \ MD192 Rebuild CD \ MD204

505 Eno St Hillsborough, NC 27278

4096 Piedmont ave #551 Oakland CA 94611 \ mikec@n5md.com emotional experiments in music \ n5md.com

ANTIBALAS AFROBEAT ORCHESTRA CHE CHE COLÉ MAKOSSA b/w CHE CHE COLÉ DAP - 1 1 0 5 A/B Originally released as a 12”, out-of-print for a decade, ANTIBALAS’ “Che Che Colé” has an impressive number of stamps on its passpor t. The song's origins are in Ghana, where "Kye Kye Kule" is a children's song that has since migrated all over the world--a version called "J.J. Koolaid" was collected in the late '80s. Eventually, it set up shop in the Bronx, where in 1972, Willie Colón rewrote it as "Che Che Colé" for his Boriquen salsa album Cosa Nuestra (with vocals by Héctor Lavoe). The Daptone-affiliated Brooklyn ensemble Antibalas covered Colón's version in 2004, in a style inspired

by Fela’s Nigerian Afrobeat, and featuring a blazing vocal by MAYRA VEGA. The original B-side, now turned A-side, features the remix by Bosco Mann and Antibalas' keyboardist Victor "Ticklah" Axelrod that removes most of the band's par ts and recasts the arrangement in the Makossa style of early-'70s Cameroon, by way of a little bit of Jamaican dub.

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Acid Baby Jesus – Lilac Days Fuzz Club LP

$23.99

FC71V12 5060467883535

CD

$14.99

FC71CD

5060467883566

Soundcloud: https://soundcloud.com/fuzz-club/sets/ acid-baby-jesus-lilac-days/s-ejtmq 180g vinyl. It’s easy to guess Acid Baby Jesus’ shtick just going on their name but to those who aren’t already in the know: don’t be fooled into thinking these are just another quasi-religious, LSD-loving psych-rock band there’s a reason these Greek garage-rockers have been championed so highly in the European scene.

Acid Baby Jesus are less concerned with the spiritual and tripped-out realms that their name foreshadows than they are with pure hip-shaking, rock’n’roll hedonism. After a long three-year wait the Athens four-piece are back with their third album ‘Lilac Days’ – their first on Fuzz Club Records. The LP sees ABJ at their best; their frenetic garage-rock distilling a hazy mix of 60s Western psychedelic pop, traditional Eastern folk and the scuzzy R'n'R sounds of The Stooges or Brian Jonestown Massacre.

Lilac Days 2) Faces of Janus 3) No Such Thing As Twice 4) Down The Ley Lines 5) Me & Panormita 6) Birth 7) Guide Us In 8) Vile Man 9) Love Has Left My House Today

JuJu – Our Mother Was A Plant Fuzz Club LP

$28.99 FC70V12LP

5060467883511

CD

$14.99 FC70CD

5060467883559

Listen - https://soundcloud.com/fuzz-club/sets/jujuour-mother-was-a-plant-1/s-fwMZ7 Available on 180gm vinyl. JuJu is the brainchild of Sicilian multiinstrumentalist Gioele Valenti (Lay Llamas, Herself).

This is the the follow-up to 2016s S/T debut that was widely hailed as one of the most innovative psych albums of the year. Carrying on in its predecessor’s footsteps, the new LP is a continuation of JuJu’s ritualistic sonic exploration into the cultural implications of the current refugee crisis, humanities increasingly strained relationship with Mother Earth and neo-pagan mythology. Even more adventurous than the last, JuJu has changed the game for modern psychedelia once again. Calling it just a ‘psych’ record would be an injustice though, JuJu’s shamanic, lysergic mantras are influenced just as much by afrobeat, krautrock, glam, post-punk, art rock, drone and just about everything in between.

1) Death By Beautiful Things 2) In A Ghetto (Feat Tobias Ekberg) 3) And Play A Game 4) James Dean 5) I Got Your Soul 6) Patrick 7) What A Bad Day 8) Sunny After Moon (Feat Tobias Ekberg)

Ryan Power ‘They Sell Doomsday’ Vinyl/CD/Digital The long-awaited third NNA full-length from Vermont’s master of pop songwriting It is with much excitement that NNA presents ‘They Sell Doomsday,’ the latest full-length album from songwriter & producer Ryan Power. As evidenced by his previous work with NNA and beyond, Ryan Power has spent most of his life immersed in the many realms of music creation. ‘They Sell Doomsday’ is his seventh full-length album, and with dedication to one’s craft comes refinement and mastery. In many ways, this is Power’s most ambitious recorded statement yet, combining the musical palettes of his previous work with explorations into uncharted territories, plus his quintessential attention to sonic detail and innovative lyricism.

In addition to the uniquely colorful electronic environments developed on his previous two albums, Power more prominently integrates his natural talent and foundations in jazz guitar into the mix - smooth solos and tender acoustic pluckings find their homes comfortably in the beds of lush synthesizer chords and metronomic drum machines. While ’They Sell Doomsday’ provides plenty of the perfect, silky pop hits that Power is known for on tracks like “The Cavalry” and “Lazy About Love,” it also contains some of his most complex, challenging work to date. Ryan is fearless in mining the weirder, more demented corners of pop songwriting as the modern world around us follows suit. Songs like “In a Tizzy” or “Issues” at moments sound like looking into a funhouse mirror through a kaleidoscope, with complex lyrical patterns bisecting a Rubik’s cube of melodic shifts, all while somehow being tethered to reality by a steady pulse. Power’s deep exploration of melody and chord changes are pushed to the brink of chaos, creating musically Cubist puzzles that splinter off in unpredictable directions, only to effortlessly land back where they started. Amidst all the hysteria, however, is a foundation of the gorgeous, jazz-influenced chord progressions that define Power’s sound. The common thread across all of the album’s songs which makes the bizarreness so palatable is his ingenious use of melody, even in the most unexpected places, taking the listener on a chromatic merry-go-round of pop songs.

Release Date: October 20th, 2017 Tracklist:

1. Editor in Chief 2. The Cavalry* 3. They Sell Doomsday* 4. In a Tizzy 5. Pilot to Moth 6. Don’t Mention it 7. Give It a Rest 8. Issues 9. Empty the Jewels* 10. Yer Not Doin’ What You Should 11. Via Media 12. Lovely, Lovely, Lovely 13. Lone Wolf Cry 14. Lazy About Love* 15. Wooly Minded (*Singles & Suggested tracks) File Under: Pop / Rock / Electronic Label: NNA Tapes Catalog #: NNA104 SRP: Double Vinyl - $29.99 USD | Compact Disc - $8.99 USD UPC: Double Vinyl - 634457791817 | Compact Disc - 634457791824 Formats: Double Vinyl LP, Compact Disc, Digital

The lyrical themes of ‘They Sell Doomsday’ touch on the building blocks of our contemporary human existence - the future, the past, romance, purpose, human nature, technological mayhem, cerebral disarray - all sifted through the sardonic mind of Ryan Power, and delivered in lyrically beautiful, often cryptic poetics.

While perhaps more conceptual than previous albums, the lyrics on 'They Sell Doomsday' also show maturity through self-awareness - of fears and faults, both personally and societally. Power continues to muse on the joys and pains of love, desire, and the inherent duality of their conflicting biological and mystical tendencies. He also touches on the paradoxes found in life’s current social climates, and the struggle to maintain a peaceful isolation from the technological and media frenzies while simultaneously not being categorized as unaware or apathetic. These themes are conducted fluidly through Ryan’s often tongue-in-cheek writing, using abstraction and wordplay in a way that feels less journalistic and more stream-of-consciousness than his previous work.

The highly personal nature of Ryan’s music is reinforced by the fact that the final product is entirely self-built, and his presence in all aspects of it's creation can not only be heard, but felt as well. This record is the definitive statement of a practice and craft refined by it’s creator through passion and time. It is not an album that someone would make for their first, or even their fourth, full-length; this is the work of a highly developed musician in full control of their vision. The perfect storm of high-quality, inventive writing and production make ‘They Sell Doomsday’ a milestone in Power’s discography.

Power's biggest strengths are in his voice, which can shift from sullen to sparkling in a heartbeat without sounding remotely like a stretch for him; and the dexterous way he can manipulate song structure to suit his whims, often managing to squash jazz-funk, pop, and rock impulses into a tiny space where they all bounce off one another... Power is keen to explore the tension that occurs when you throw a brilliant sheen over angular rock.”

–Nick Neyland, Pitchfork “Ryan specializes in sticky melodies with an air of theater and drama, with the pristine, malleable voice to match suit. He can be dourly existential, he can be flip... [he]dips into Prefab Sprout-informed R&B, jazz-informed guitar runs, Scritt Politti-informed synth, and just generally outre experimental-pop. The songs modulate terrifically and syncopate strangely; the vocals harmonize and arpeggiate around catchy melodies. There’s a lot happening!”

–Amrit Singh, Stereogum “Power has managed to create that rare kind of intellectual pop music that manages to call to mind a number of references without ever really fitting into any one style or genre...

Attention to the actual craft of “the song” is what calls to mind so many other great songwriters/bands when listening to Power’s music. It can often be easy to make something interesting through sonic gimmicks, but it takes something like Power’s structural ingenuity to create truly memorable work that places him among the many rad dudes that his works initially call to mind.“ –M Rubz, Tiny Mix Tapes

NNA Tapes, LLC 199 N. Winooski Ave #1 • Burlington, VT 05401 • USA Contact: Toby Aronson / Matt Mayer | info@nnatapes.com Web: nnatapes.com

Distributed by Redeye 449-A Trollingwood Road • Haw River, NC 27258 • USA Project Manager: Will Savery | will@redeyeworldwide.com Web: redeyeworldwide.com

Country Florist Waveland LP-DR-00027

Street Date: October 27, 2017 Format: LP (with download) List Price: $19.99 Waveland – The Glove Is Master Of The Hand | Waveland | (Ten Miles of Debris) | Devil You Know | Beaux D’Arc | The Prayer Tower Is On | When Will I Learn | Gatur | Blood On My Pro-Wings | Voiceover In Hex | So Good To Me | Did I Jump Or Was I Pushed

SALES POINTS Waveland: With limbs loose, and fingers ready, push the button… Don’t flight it, light it… On Waveland, as Country Florist, Andrew Morgan presents the world with contorted takes on bedroom-housed produced disco without disco, if you catch the lingo. These tunes are heartbeat focused for on/off dance floor fulfillment that one’s whole body requires.

With Waveland’s deep tones, melancholic moods, and playful grooves, the air in this house travels both sweet and smoky.

- “Official” Debut album from Country Florist

Taking cues from previously released projects, his EP as Ettiem on Cosmo Vitelli’s I’m a Cliché label and his CF-3 cassette on Drawing Room, Andrew Morgan moves his night-beat rhythms forward and well past midnight on Waveland. Headphone and dance floor pleasures are abundant with multiple plays providing maximum everything.

- Mastered by Amy Dragon, each LP is pressed on 180grm vinyl and housed in a full color wide-span matte jacket (with download) and includes a 22x22” foldout poster.

In mid-south US vernacular, Waveland is where the Pine Belt meets the beach. It’s fine though. They have nice casinos. The rhythmic wilderness is doing just fine here my friend.

Country Florist: Though Little Rock’s mythological artists and musicians tend to stay off radar, the region has always been a flourishing community of constant creativity, and La Petite Roche’s Andrew Morgan is no exception. In this supposed dancing wasteland, Mr. Morgan, has a quite a long list of creative based music projects.

Best known for being one half of experimental rock duo CHINESE GIRLS and his other dance /dj moniker ETTIEM, with releases on Drawing Room and I’m a Cliché (France), respectively, Andrew’s love for twisted takes on house, disco, and anything rhythmic has been his most focused musical headspace for well over a decade now.

Born in Mississippi for the bargain low cost of four silver dollars at a US Air Force base hospital, Mr. Morgan eventually relocated to the Natural State in search of tennis courts for higher learning and the region’s famed diamond mines, finally settling in North Little Rock where he resides with his wife and trouble-makin’ felines.

- On Waveland, as Country Florist, Andrew Morgan presents the world with contorted takes on bedroomhoused produced disco without disco. These tunes are heartbeat focused for on/off dance floor fulfillment.

- As Country Florist, Andrew Morgan “evokes a sultry dance floor... The one thing you can predict about Morgan is that he’ll make quality music. He builds rhythms that never waver, adding variety in little modulations and growing accents that surround his driving beats. It’s a dual-level hypnosis – you might get entranced by the repetition, or you might drown in the ocean that swirls around it, but either way these songs are recipes for transfixion.” – Marc Masters, 200 Words - Country Florist makes “strange homemade” dance music that highlights “that key eighties crossover point between disco and house.” – Tristan Bath, Spools Out, The Quietus Drawing Room Records 371 6th Avenue, #1 Brooklyn NY 11215 drawingroomrecords.com

Distributed by Redeye / 449 A Trollingwood Rd / Haw River, NC 27258 / laura@redeyeworldwide.com / (877) 733-3931 ext 299

PUNK SLIME RECORDINGS PRESENT:

BOYS / MAGIC POTION Double A-Side split 7”

A very special release that we're super psyched about - a double A-side split 7" from two of Stockholm's most exciting bands... one side features the first studio recording from Nora Karlsson's project BOYS, and the flip-side is the new single from MAGIC POTION, the first taste of new material since last years critically acclaimed LP "Pink Gum". Limited to 500 copies.

Street Date: 20th October 2017 PNKSLM033 - Limited Edition vinyl & digital UPC: 634457777415 (vinyl) File Under: Rock / Alternative Retail Price: $9.99

HOLY

“Premonition” 7” PNKSLM are incredibly proud to finally unveil the “Premonition” 7” single - the long awaited first taste of new material taken from HOLY’s second LP, coming early 2018. What started as a bedroom DIY project of Hannes Ferm has undergone a dramatic change since his debut album “Stabs” (2015) - and we can’t wait to finally get this out into the world.

Street Date: 3rd November 2017 PNKSLM032 - Limited Edition vinyl & digital UPC: 634457795174 (vinyl) File Under: Rock / Alternative Retail Price: $9.99

Distributed exclusively across USA & Rest of World (exc. UK) via Redeye Distribution.

Contact: Lori@redeyeusa.com

PROJECT PABLO “Hope You’re Well”

Label: Technicolour Release Date: October 20, 2017 • Montreal, Quebec, Canada. "Hope You're Well" is the artists first release on Ninja Tune imprint Technicolour and the 4 track EP is a synth driven House journey with playful titles such as "Is It Driy?", "No Sweat" and "Oh Fer Sure".

• • • • • •

145g black vinyl 12” 350gsm uncoated sleeve (no holes) w/ 3mm Black Spine (no text) Black paper inner sleeve w/ no holes ‘Stamp’ style sticker on shrinkwrap.

For Fans of: DJ Seinfeld, Peggy Gou, Mall Grab, Palms Trax File Under: Dance, Electronic

TCLR025 - 5054429119503 | EP - 20 - $12.99

COLDCUT x ON-U SOUND “Kajra”

Label: Ahead Of Our Time Release Date: AVAILABLE NOW • Ninja Tune founders Coldcut link up with legendary dub pioneer Adrian Sherwood once again for a 10” featuring Indian singer Hamsika Iyer. Released on their latest Ninja Tune imprint Ahead Of Our Time, the 10” includes a Maximum Dub, Cosmic Dub and the Acapella of the track.

• • • •

140g black vinyl Red paper inner housed in a 3mm spinned Technicolour house sleeve For Fans of: Adrian Sherwood, Lee “Scratch” Perry, Hamsika Iyer File Under: Reggae / Dub

AHED10020 - 5054429119336 | 10” - 20 - $11.99

Parks Vincent - parks@ninjatune.net - Ninja Tune, 1030 N. Alvarado St #102, Los Angeles, CA, 90026 - www.ninjatune.net Lori Miller - Lori@redeyeworldwide.com - Redeye Distribution, 505 Eno St. Hillsborough, NC 27278 USA - www.redeyeworldwide.com

Emptyset Skin

Thrill - 451 12”EP List BOX LOT LP

$14.99 25

vinyl is non-returnable

*9037H-AEFBBg

GENRE : ELECTRONIC / TECHNO FILE UNDER: “E” Emptyset RELEASE DATE : October 20, 2017

NO EXPORT (JAPAN, S. AMERICA EXPORT OK)

TRACK LISTING: Emptyset stand at the vanguard of electronic music. With each release, they stretch boundaries and explore new methods of creating sounds with scientific precision. On their new EP Skin, Emptyset (the duo of James Ginzburg and Paul Purgas) bring together techniques they developed through their 2017 LP Borders, exploring structural aspects of ritual music and nonWestern composition and combine them with recent performance work examining microtonal vocalization and acoustic qualities of materials. This is the first time Emptyset has presented a body of work using entirely acoustic production methods.

The compositions of Skin are all focused around structure, texture, and rhythm captured through recordings of a custom string instrument, drums, and physical granular materials modulated in real-time, alongside tonal vocal elements. Through the continued exploration of utilizing organic sources, Emptyset deploys minute timbral shifts, and cyclic structures to monolithic effect.

“Emptyset are in a class by themselves when it comes to excavating brutality out of silence.” - Pitchfork “One of electronic music’s most consistently innovative duos.”

- Resident Advisor “Elliptical and visceral.” - The Wire “The music is never less than tense and bracing, but it retains a hypnotic power.” - AllMusic “Should surely be hailed as the benchmark for noisy new music in 2017.” - Boomkat

Also available from Emptyset : Borders CD/LP (Thrill 429)

01. Skin I 02. Skin II

03. Eye I 04. Eye II

SALES POINTS Emptyset follow their acclaimed album Borders (Jan 2017, Thrill 429) with a brand new 12”EP featuring four new tracks that showcase the duo’s first work using entirely acoustic production methods Skin was mastered and cut to vinyl by Rashad Becker at Dubplates & Mastering in Berlin and is pressed on virgin vinyl with free download card Emptyset have performed throughout Europe in 2017 and will tour the US this Fall in support of Skin Empytset have performed at many high profile festivals including Berlin Atonal, Unsound, MUTEK, CTM, Sonic Acts, Berghain, Luminato, Adelaide, and Bozar.

Borders was praised by Pitchfork, Resident Advisor, The Wire, Uncut, FACT Magazine, The Quietus, Exclaim, and AllMusic Emptyset’s James Ginzburg contributed a remix to SUMAC’s Before You I Appear EP (Thrill 434) under his Bleed Turquoise moniker Borders track “Ascent” was recently remixed

by Turkish artist Cevdet Erek. Erek represented Turkey at the 2017 Venice Biennale and recently contributed a remix to SAICOBAB’s SAB SE PURANI BAB (led by YoshimiO of OOIOO and Boredoms)

PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com

CAVERNLIGHT -

AS WE CUP OUR HANDS AND DRINK FROM THE STREAM OF OUR ACHE LP

RELIC91

BLURB INFO There lies a dark secret deep inside some of the people you meet throughout your life. An illness, a prevailing shadow, or a past of regretful choices. Despite the facade constructed to hide these truths, there is a malaise that takes hold and controls the underlying intent for that person's actions. This is the Stream of Ache. This is the energy that drives ones actions although its source is a place where nothing nourishes.

Cavernlight was born from this stream, covered in the mire that lies at its bed.

ARTIST: TITLE:

After the release of their demo tape, Corporeal (Anti-Matter Records, 2015), Cavernlight buckled down to write the material for As We Cup Our Hands..., finally deciding to share their introspection with others.

That period of writing would evolve into 5 movements detailing a life that is lived suffering through severe, crippling anxiety and the burden of mental illness. They discuss the arduous task of attempting to find truth in the natural world and work through psychological roadblocks, and the realizations one has as they begin to come out the other side and attempt to heal. The Stream of Ache is the source for these songs.

CAVERNLIGHT AS WE CUP OUR HANDS AND DRINK FROM THE STREAM OF OUR ACHE

The influences of Cavernlight are numerous and run deeply into different genres, but ultimately all of them have one thing in common… pain and suffering prevail. Whether they be doom, black metal, noise, dark post-rock or even inspiration from beloved singer-songwriters that have since been put to rest and whose sadness lives on eternally, each source of inspiration deals with a fundamental hurt. On this debut full length Cavernlight have finally found a comfortable, mature balance between their influences, inspiration, and intended narrative. Using these elements they have crafted an album of miserable doom laced with harsh tones and heart-piercing melodies.

RELIC91 CAT#: FORMAT: LP METAL, DOOM GENRE: LIST PRICE : $21.99 PRICE: 798577011528 UPC: RELEASE EXPORTDATE : October 20, 2017 NONE RESTRICTION: vinyl is non-returnable RELEASE DATE: No Export Restriction 35:38 RUN TIME:

TRACKLIST: 1. Lay Your Woes Upon the Ground and Know That the End Will Soon Swallow You 2. Constructing a Spire to Pierce and Poison the Infinite 3. Wander, Part II 4. To Wallow in the Filth That Dwells Where Despair is Born 5. A Shell of One’s Former Self

As We Cup Our Hands... also features guest appearances specifically chosen to help achieve the dynamic intent of the album, these guests include Rachel N. (vocals, from False), Sarah Green (vocals and cello), and Michael Paparo (vocals, from Inter Arma). The album was meticulously tracked, mixed, and mastered by Adam Tucker at Signaturetone Recording in Minneapolis, MN. Except Wander, Part II, which was recorded by Dean Hoffman at his studio in Oshkosh, WI. The album was recorded live in the studio with minimal over-dubs.

Photography by Scott Zuwadzhi and Samuel Thomas Claeys.

POINTS OF INTEREST: + FULL PAGE ‘UP FRONT’ FEATURE IN DECIBEL MAGAZINE + FEATURE + INTERVIEW IN TERRORIZER MAGAZINE + FULL ALBUM STREAM PREMIERE + INTERVIEW AT NOISEY + “MASTERCLASSES IN HOW TO PLAY WITH TEXTURE AND SPACE TO CREATE SOMETHING AT TIMES ETHEREAL AND STAGGERINGLY HEAVY.” - NINE CIRCLES + “THE BLACKNESS OF CAVERNLIGHT’S DEBUT IS A PASSIONATE, SOUL-RENDING, DIFFICULT LISTEN.” - INVISIBLE ORANGES

GILEAD MEDIA, 605 S. MAIN ST., OSHKOSH, WI 54902 USA HTTP://WWW.GILEADMEDIA.NET DISTRIBUTED BY THRILL JOCKEY, CHICAGO, IL / 312-492-9634 / ERIK@THRILLJOCKEY.COM

VASSAFOR – Malediction VASSAFOR should need no introduction. For the past decade and a half, since the band's reactivation with their Demo II in 2005, this New Zealand cult have patiently plied their idiosyncratic craft, pushing the boundaries of black and death metal ever further whilst driving deep into each's collective core. Although some will argue that they reached their apotheosis with 2012's debut album, Obsidian Complex - a true, two-disc double album - VASSAFOR played their most daring hand with respective split LPs with comrades Sinistrous Diabolus and Temple Nightside. In miniature, these works amplified the simultaneously world-eating/ethereal textures that lay at the heart of the VASSAFOR aesthetic.

Now, after an intense two years in the shadows, the band's grandest work is about to be revealed: Malediction.

ARTIST : VASSAFOR TITLE : Malediction ORIGIN : New Zealand CAT# DMP0152 FORMAT : Digifile CD GENRE : Black Metal LIST PRICE : $16.99 UPC : 3663663002285 RELEASE DATE: October 20, 2017 TRACKLIST: 01- Devourer of a Thousand Worlds 16:26 02- Emergence (of an Unconquerable One) 05:04 03- Elegy of the Accurser 07:26 04- Black Winds Victoryant 14:16 05- Illumination of the Sinister 10:44

Simply put, Malediction is a statement of intent.

A purely Satanic album, in the band's eyes, and one which draws a line firmly in the sand, this is pure Southern Vassaforian Hell driven to the outer reaches of primitivism and transcendence. Here, VASSAFOR strip bare their most barbaric tendencies, down to their most unapologetic form, and build anew a temple of unimaginable might. The maw of chaos opens ever wide, beckoning the listener to submit and be devoured; meanwhile, tendrils of tension untether in a manner most ambient. If any of VASSAFOR's earlier work achieved a sense of vertigo - and it surely has - then Malediction is the band's most potent distillation/distortion of such yet. Across a time-evaporating/halting 50 minutes, each of the five tracks comprising Malediction work as mantra and spell simultaneously. Doom(ier) elements are largely traded for utter violence and virulence, which somehow makes the end result all the more stultifying and psychedelic in equal measure.

Black Metal of Death: Southern Vassaforian HELL. Armed with dreadnought decibels, Vassafor do the indoctrination - not the other way around. This is the Malediction you deserve. Begin the reckoning HERE!

Recommended if you like: BLASPHEMY, BEHERIT, IRKALLIAN ORACLE …

POINTS OF INTEREST: > New Zealand’s finest and filthiest black/death metal bands (Cvlt Nation)

> Amazing artwork by famous Artist David Herrerías (NIGHTBRINGER, AKHLYS) > Vassafor pummels your eardrums with some of the best underground black/death metal out there at the moment. (The Lair Of Filth) > Fans of Blasphemy, Antediluvian, Mitochondrian and Teitanblood should not be without! (Metal Observer)

www.debemur-morti.com

Distributed by Thrill Jockey / PO Box 08038 / Chicago, IL 60608 / 312-492-9634 / erik@thrilljockey.com

THROANE – Plus Une Main A Mordre The second full length from THROANE is the most fully realised vision of enigmatic photographer/illustrator/designer Dehn Sora (BLUT AUS NORD, ULVER, DEATHSPELL OMEGA).

One of the most stunning trips of the year, Plus une Main à Mordre (“No Hand Left to Bite”) seeks balance between the struggle and the letting go, passing from chaos to quiet in revelatory circular motions.

Like Sora’s visual art, his music possesses a hypnotic, almost hyperreal singularity: ultramodern meditations crisply rendering the esoteric as familiar and the everyday as phantasmagoria.

This is a record of cities as tombs, of failing industry, corroding capitalism, fractured lives, divided peoples, isolationism and lack.

The album is marked by greater confidence in its ferocity and frightening clarity of purpose in its harrowed ambience; finding kinship with greats such as SWANS, BLUT AUS NORD, BREACH and GODFLESH in hues of grey Doom, Post-Black Metal, Post-Hardcore and darkest Industrial.

ARTIST : THROANE TITLE : Plus Une Main A Mordre ORIGIN : France CAT# DMP0153 GENRE : Black Metal FORMAT : Digipack CD LIST PRICE : $16.99 UPC : 3663663002292 FORMAT : Gatefold LP (180gram w/printed innersleeve) LIST PRICE : $26.99 UPC : 634457797512 Vinyl is non-returnable

Produced - as 2016’s lauded debut DerrièreNous, La Lumière - by Samuel Vaney (CORTEZ, MUHD), the mix is haunted by primal screams, submerged intimations of speech and disembodied voices lost in a magma of filth, effluvia and strange beauty. Drums are performed with brutalist precision by Gregoire Quartier (CORTEZ).

The concluding title track opens up to feature guest vocals from Sora’s close friend Colin Van Eeckhout (AMENRA), Sylvain (INCIVIL TRAGEDIA) and fellow graphic designer Valnoir who join in unison as if a sect, hidden in graffiti tunnels communing misremembered echoes of love, looking beyond the human for commonality as towers erupt in conflagrations of psychic disillusion.

RELEASE DATE: October 20, 2017 TRACKLIST: Recommended if you like: BLUT AUS NORD, 01 - Aux Tirs Et Aux Traits - 09:37 GODFLESH, SWANS, BREACH… 02 - Et Ceux En lesquels Ils Croyaient - 04:27 03 - À Trop Réclamer Les Vers - 05:46 04 - Et Tout Finira Par Chuter - 09:45 05 - Mille Autres - 04:51 06 - Plus Une Main À Mordre - 11:41 POINTS OF INTEREST: > Throane is taking extreme metal to a compulsive edge, where sludge, post-metal and depressive black metal are merged into one sculptural monstrous effigy (Santa Sangre) > Throane is an immersive experience which clearly comes from the gut (Ave Noctum) > If you are interested in the more painful side of extreme sound, if you enjoy bands with a depraved sound, the ones that provoke true discomfort, this is for you !(Metal Invader)

www.debemur-morti.com

Distributed by Thrill Jockey / PO Box 08038 / Chicago, IL 60608 / 312-492-9634 / erik@thrilljockey.com

BLUT AUS NORD – Deus Salutis Meæ Deus Salutis Meæ (“God of my Salvation”) is the truly mesmeric new emission from BLUT AUS NORD, the great Black Metal innovator renowned for disdain toward convention and a murderous relationship with boundaries.

Using frightening alchemy and predatory cruelty, BLUT AUS NORD fuses each distinct era of its 23 year existence with innovative readings of cavernous, arcane Death Metal, the occult excesses of outsider Industrial and the abject hauntings of psychotropic Doom.

Ouroboros riffing loops in the incessant lurch and roil of renewal; astonishing microtonal harmonies ripple with the void-cadence of analogue synth; demented Hanneman/Belew leads slur in tangled abstraction; heads are remoulded in a percussive vice of beatdriven ecstasies; chanted incantations invoke the serrated mania of holy knives; tortured bodies speak in tongues of tether-end lunacy.

ARTIST : BLUT AUS NORD TITLE : Deus Salutis Meæ ORIGIN : France CAT# DMP0154 GENRE : Black Metal FORMAT : Digipack CD LIST PRICE : $16.99 UPC : 3663663002308

Held rapt, the unmistakable vestige of melodic grandeur lurks within each distressingly addictive phrase. This is a work of singular class from an artist who continues to remain vital.

Deus Salutis Meæ: the crepuscular entombment, the nocturnal ascension, the extraordinary apotheosis?

FORMAT : Gatefold LP (180gram w/double-sided insert + A2 poster) Recommended if you like: LEVIATHAN, LIST PRICE : $26.99 IMMOLATION… UPC : 634457797611 Vinyl is non-returnable RELEASE DATE: October 20, 2017 TRACKLIST: 01 δηµιουργός 01:20 02 Chorea Macchabeorum 04:12 03 Impius 04:07 04 γνῶσις 01:27 05 Apostasis 05:28 06 Abisme 02:44 07 Revelatio 04:19 08 ἡσυχασµός 01:05 09 Ex tenebrae lucis 05:09 10 Métanoïa 03:52 POINTS OF INTEREST: > Follow-up of the critically acclaimed “Memoria Vetusta III: Saturnian Poetry” (2014) > Blut Aus Nord as leaders of their field. Essential! (Angry Metal Guy) > Blut Aus Nord remain unrivaled in this realm! (Pitchfork) > Blut Aus Nord brightens black metal from the inside out while never once forsaking its savage origins.

(Rolling Stones)

Distributed by Thrill Jockey / PO Box 08038 / Chicago, IL 60608 / 312-492-9634 / erik@thrilljockey.com

ARTIST: JANE WEAVER RELEASE: THE ARCHITECT EP RELEASE DATE: FRIDAY, OCTOBER 27, 2017 TERRITORY: WORLDWIDE CAT# FIRE485EP

FORMAT EP

DESCRIPTION 12” 45RPM vinyl EP, download card included

BARCODE 809236148513

Track Listing 1. The Architect £ PRICE £7.99

$ PRICE £$19.99

2. Andy Votel's Brutaliszt 250KG Readymix 3. Code 4. Element

“A perfect example of her motorik psychedelia” NPR “Otherworldy synth-pop” Rolling Stone “A fascinating career with an album that melds cult cornerstones into a lean and thrillingly addictive slice of unearthly pop” Guardian “Using motorik rhythms and ancient technology to create music that brims with urgency and originality, there is a real creative bravery at work here” Mojo ‘With one eye on the dancefloor and another on those sprawling existential questions’ (The Quietus), ‘The Architect’ sees Jane Weaver evolving with an aero-lite melodicism, the drum heavy vivacious pop song evokes vivid images of early Modernist art, Archigram blue-prints with a rigid back-bone of Eames worthy construction.

Directly inspired by Hilma af Klint’s séances, spiritualism and the science of anthroposophy that formed the artist’s abstract paintings, Weaver finds herself in a transformative state channelling her inner spirituality, it’s place within her music and the cosmos. Shifting perspectives with her meditative vocal explorations and oneiric flow on ‘Code’. Eight-minute psych-pop opus ‘Element’ is richly melodic replete with pulsating analogue synths, unrelenting motorik rhythms and incessant beats.

The perfect antidote to those longing for more music since the release of the critically acclaimed ‘Modern Kosmology’, the release features title track alongside unreleased new tracks and a special remix by Finders Keepers’ Andy Votel.

ARTIST: RELEASE: RELEASE DATE: TERRITORY:

THE JAZZ BUTCHER THE WASTED YEARS OCTOBER 20TH 2017 WORLDWIDE

CAT#

FORMAT

DESCRIPTION

BARCODE

FIRECD460

4 x CD book

4CD, 20 page, hard back book.

809236146021

£ PRICE £19.99

$ PRICE $49.99

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Featuring ‘Bath Of Bacon’, ‘A Scandal In Bohemia’, ‘Sex And Travel’ and ‘Distressed Gentlefolk’.

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Remastered by Brian Pyle.

"The Jazz Butcher was always something of a unique vehicle, a sort of musical dune buggy - it interweaves the influence of The Velvet Underground and Syd Barrett with the new wave energies of the day and leaves us all richer for looking in" Pete Kember - Spacemen 3 The ‘Butcher’ delivered a gaggle of albums and many 45s for Glass from 1983 to 1986, the jacket notes on the dusty tome that recalls this period mentions Randall And Hopkirk (Deceased), Thatcher, DIY post-punk, LSD, surrealist cabaret, The Velvet Underground, a bottle of Cointreau or two, the Amstrad 7090 and Ronco’s ‘Black Magic’ compilation. All that led to the ‘The Wasted Years’: Four albums, many visions…

‘Bath Of Bacon’ was an experiment in sound, conjoining that Ronco platter to Todd Rundgren, a guitar from Wes Montgomery’s cupboard and mentions of imaginary monsters set to some funky chops. “The sound of a few mates failing to take note that they’ve an LP to make!” claims the JB site. It’s pop meets bluesy scat with plenty of deadpan irony – a theme that will recur.

‘A Scandal In Bohemia’ took a “competent little rock band” with a bassist who’d served time in Bauhaus into a world chorused by multi-track vocals and bathroom ambience. “A top-shelf diamond of a record that is filled with excellent, memorable songs.” (All Music).

‘Sex And Travel’ offered a broadening perspective. Competence and European travel beget a narrative akin to an impressionistic cold war spy movie, a “mess of styles” that became coherent. “A great album,” muses All Music before comparing JB mainman Pat Fish to Ray Davies circa 1969. It’s an “accidental” concept album prone to fleeting melancholy.

Disc 1 – Bath Of Bacon 1. Gloop Jiving 2. Jazz Butcher Theme 3. Partytime 4. Bigfoot Motel 5. Sex Engine Thing 6. Chinatown 7. Zombie Love 8. Grey Flanellette 9. La Mer 10. Poisoned By Food 11. Love Kittens 12. Bath Of Bacon 13. Girls Who Keep Goldfish Disc 2 – A Scandal In Bohemia 1. Southern Mark Smith (Big Return) 2. Real Men 3. Soul Happy Hour 4. I Need Meat 5. Just Like Betty Page 6. Marnie (Muscovite Mix) 7. Caroline Wheeler's Birthday Present 8. Mind Like A Playgroup 9. Girlfriend 10. My Desert Disc 3 – Sex And Travel 1. Big Saturday 2. Holiday 3. Red Pets 4. Only A Rumour 5. President Reagan's Birthday Present 6. What's The Matter, Boy? 7. Walk With The Devil 8. Down The Drain Disc 4 – Distressed Gentlefolk 1. Falling In Love 2. Big Bad Thing 3. Still In The Kitchen 4. Hungarian Love Song 5. The New World 6. Who Loves You Now 7. Domestic Animal 8. Buffalo 9. Nothing Special 10. Angels

‘Distressed Gentlefolk’, ahead of the original band’s demise through “fatigue and liquor” was the Butcher’s stab at making their “greatest album ever”. “A beautifully romantic record of soft rock ballads and jazzy torch songs,” enthused Trouser Press. There’s a folky edge scratching away beside the inevitable romp through pop music’s historical lineage.

Four albums, then. The ‘80s recast at an ironic party of malcontents. Indie pop as a soundtrack. Songs that shouldn’t fit together – but do. ‘Wasted Years’? Yeah, really.

Strawberry Runners In The Garden, In The Night

Label: Salinas Records Format: Vinyl 12” – With Screen Printed B-Side Catalog Number: SAL-081 Release Date: October 20th, 2017 Contact Information: nathan@riotactmedia.com

List Price $14.99 Strawberry Runners is the project of songwriter, Emi Night. Emi took up the guitar when she was 7 and teacher, Judy Collins, (not the one you’re thinking of) taught her to strum along to Bob Dylan and church hymns in Madison, Indiana.

Music took Emi from teenage years on the midwestern DIY circuit to Bloomington, IN where she formed the bands Princess City and Summer Salt; out to Denver, CO, becoming a member of the orchestral pop-punk band, Mega Gem, and where Strawberry Runners came to life in 2013; and most recently, back across to the Northeast, and Brooklyn, NY. Two years in the making, In the Garden, In the Night is Strawberry Runner’s first EP. Recorded on a snowy mountain in Evergreen, CO, mixed by Doug Boehm in LA, and available from Salinas Records in October 2017, the album presents five of the band’s core songs. The tracks are so catchy, so energetic and relaxed in turn, that on first listen you might almost miss the narrative being told, where love and pain bloom side by side: one story begins with a carefree dip in the river, parts with the sudden news of the death of a friend’s grown children, and fiercely, softly, and sincerely affirms that “search your whole life long, there ain’t nothing strong as a Kentucky woman.” All of the EP's material is drawn from Emi’s childhood and adolescence and has been well-tested live. While we await its release, Emi and her band are laying the groundwork for a full length album of her more contemporaneous reflections incorporating the formal and tonal influences of Appalachian icon Jean Ritchie and German folk singer Sibylle Baier.

The richness of her music is in Emi’s tender and easy integration of the varied styles she’s called home: most of the songs are short enough, with a humble faith in brevity; melody compels every word with the mystery and familiarity of a hymn, stays in your ear like pop, and flares up with punk-rock verve; poignant scenes are conjured with the respect, compassion, sensitivity, and generosity of great singer-songwriters like Lucinda Williams, Emmylou Harris, Stuart Murdoch, or Jenny Lewis. These are the kind of songs that ring true no matter how close or far they hew to the incidents that inspired them; they are pictures painted from a life too often troubled by violence and fear but also graced with an inheritance of compassion, determination, and — best of all for us — music.

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Garden Hose Brother Dog Days Trouble Your Bed Was Tall

Nathan Walker : Riot Act Media Portland, Oregon

Contact: Will Savery will@redeyeworldwide.com

MARK S U LTA N

LE T ME OUT b/ w B E THE B L OO D M a rk Sult an, a gar age w underkind w ho is a l so so me ti me s k n o w n a n B B Q , h a s to u re d a nd r e l e a s e d co u n tl e ss r ecor ds for h is legion of fans th e w o rl d o ve r. Wi c k R e c o rd s a re d e l i g h te d t o h a v e t h e op p o rtu nit y t o m ake a cou p le of Mark’s n e w tu n e s a va i l a b l e fo r yo u r fru g g i n g p l e a su r e a n d f o r h i s d e b ut Wick platter Sultan takes his n o u s fo r p o p h o o k s a n d g a ra g e ro c k i n g to n ew l e v e l s !

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We h e re at Wick, t h at most rockin’ little d i sk e ry o n th e p l a n e t, a re T HR IL L E D to b e a bl e t o s h a r e t h e s e s t r ange, yet d eligh tfu l, eman ation s fro m Mr S u l ta n o n a b ra n d n e w 4 5 rp m re c o r d !

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Strange Ranger

On Tour Now in Support of Daymoon LP 10/18 Portland, OR @ Blackwater

10/28 Toronto, ON

10/19 Seattle, WA @ Chop Suey 10/20 Missoula, MT @ The ZACC

10/29 Montreal, QC

10/22 Salt Lake City, UT @ The Underground

@ Pine Street Studios

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10/31 Albany, NY @ TV Land

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@ MAC650 Gallery 11/05 Philadelphia, PA

@ Bar Le Ritz PDB 10/30 Burlington, VT

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@ Blips and Chitz

11/04 Middletown, CT

@ Weekend At Bernie’s

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11/24 Oakland, CA @ The Hole

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11/12 Atlanta, GA @ Murmur

11/28 Portland, OR

11/03 Bronx, NY @ Fordham Univ

11/14 Nashville, TN @ DRKMTTR

Strange Ranger Daymoon

VINYL 12” LP w/ insert, MP3 Download SRP: $17.99 Catalog: LP-TE-173

AVAILABLE NOW FROM TINY ENGINES

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“Sprawling and ambitious, Strange Ranger channels the gear-like mechanisms of We Have The Facts era Death Cab and the lineage of other Pacific NW bands that the band can now count itself among.” —Stereogum “Strange Ranger’s (fka Sioux Falls) Rot Forever, was 2016’s most ambitious debut of classicist indie” —SPIN

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“They have the energy and gravity to support this kind of cinematic ambition; the band plays as if they are trying very hard to pull something up through the earth.” —Pitchfork

@ Mississippi Studios

CD Digipack SRP: $12.99 Catalog: CD-TE-173

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34457 77872 6

“Reminiscent of the brooding claustrophobia that made Hovvdy’s Taster such a stand-out ... instantly addictive.” —Gold Flake Paint

“Swinging for the fences with its grand scope, with droning guitar breakdowns, anthemic hooks and crashing drum fills.” —Post Trash

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