10.16 & 10.23 New Release Book

adrianne lenker

SONGS AND INSTRUMENTALS

RELEASE DATES: 10.16.20/10.23.20 | ORDERS DUE BY 9.25.20/10.02.20

4AD

Rede Welc ye ome s

RAMA LAM RECOR A DS

AUTECHRE | STEEP CANYON RANGERS | DRIVE-BY TRUCKERS | ACTRESS

% D LP /31 20 F C FF H 10 F G O % O OU R 10 TH

W NO

Turn-on to the way-out sounds! Subliminal Sounds presents the best in contemporary and vintage Psychedelia Exotica Hard Rock Electronica Occult Erotica.. Now available from Redeye!

MATTIAS UNEBACK Voyage Beneath the Sea

BABY GRANDMOTHERS Merkurius

DEBAUCHED Witchery & Devilry Vol 1

PAUL PAGE Pacific Paradise

DUNGEN Ta Det lugnt

SOGMUSOBIL Telefon

ÌXTAHUELE Call of the Islands

K.S. RATLIFF Fear of the Night

TRÄDEN Träden

MATS GLENNGÅRD Kosterläge

SKOGEN BRINNER 1st

JOAKIM SKOGSBERG Jola Rota

KANO Runes

TOM ZACHARIAS Belinda

BABY GRANDMOTHERS Baby Grandmothers

BO ANDERS PERSSON Love Is Here to Stay

LP UPC: 7393210134775 CD UPC: 7393210134782

2LP UPC: 7393210134591 CD UPC: 739210134102

2LP UPC: 7393210134737 CD UPC: 7393210134744

LP UPC: 7393210134720

LP UPC: 7393210134669 CD UPC: 7393210134768

LP UPC: 7320470176306

LP UPC: 7320470176283

2LP UPC: 7320470141588

BK UPC: 7393210134812

LP UPC: 7393210134553 CD UPC: 7393210134560

LP UPC: 7320470162767 CD UPC: 7320470162774

2LP UPC: 7393210134249

2LP UPC: 7393210134706 CD UPC: 7393210134713

LP UPC: 7393210134683

LP UPC: 7320470176214

2LP UPC: 7320470176269 CD UPC: 7320470176252

World Music Network

Discover a world of music ROUGH GUIDE SALE 25% off all CDs 20% off all LPs Sept 1 - Nov 1

The Rough Guide To Latin Disco VARIOUS ARTISTS

The Rough Guide To South African Jazz VARIOUS ARTISTS

The Rough Guide To Brazilian Jazz VARIOUS ARTISTS

The Rough Guide To Mali Blues VARIOUS ARTISTS

The Rough Guide To A World Of Psychedelia VARIOUS ARTISTS

The Rough Guide To Calypso Gold VARIOUS ARTISTS

The Rough Guide To A World Of Guitar VARIOUS ARTISTS

The Rough Guide To Hillbilly Blues VARIOUS ARTISTS

The Rough Guide To Holy Blues VARIOUS ARTISTS

The Rough Guide To Ravi Shankar RAVI SHANKAR

The Rough Guide To The Roots Of The Blues VARIOUS ARTISTS

The Rough Guide To Country Blues VARIOUS ARTISTS

The Rough Guide To Barrelhouse Blues VARIOUS ARTISTS

The Rough Guide To Blues Divas VARIOUS ARTISTS

The Rough Guide To Gospel Blues VARIOUS ARTISTS

LP-RGNET-1338 UPC 605633633825 / SRP $19.99 CD-RGNET-1338 UPC 605633133820 / $14.99

LP-RGNET-1336 UPC 605633633627 / SRP $19.99 CD-RGNET-1336 UPC 605633133622 / $14.99

LP-RGNET-1397 UPC 605633139747 / SRP $19.99 CD-RGNET-1397 UPC 605633139723 / $14.99

LP-RGNET-1341 UPC 605633134148 / SRP $19.99 CD-RGNET-1341 UPC 605633134124 / $14.99

LP-RGNET-1379 UPC 605633137941 / SRP $19.99 CD-RGNET-1379 UPC 605633137934 / $14.99

LP-RGNET-1388 UPC 605633138849 / SRP $19.99 CD-RGNET-1388 UPC 605633138825 / $14.99

LP-RGNET-1345 UPC 605633134544 / SRP $19.99 CD-RGNET-1345 UPC 605633134520 / $14.99

LP-RGNET-1357 UPC 605633135749 / SRP $19.99 CD-RGNET-1357 UPC 605633135725 / $14.99

LP-RGNET-1375 UPC 605633137545 / SRP $19.99 CD-RGNET-1375 UPC 605633137521 / $14.99

LP-RGNET-1384 UPC 605633138443 / SRP $19.99 CD-RGNET-1384 UPC 605633138429 / $14.99

LP-RGNET-1360 UPC 605633136043 / SRP $19.99 CD-RGNET-1360 UPC 605633136029 / $14.99

LP-RGNET-1392 UPC 605633139242 / SRP $19.99 CD-RGNET-1392 UPC 605633139228 / $14.99

LP-RGNET-910 UPC 605633091045 / SRP $14.99 CD-RGNET-1341 UPC 605633134124 / $12.99

LP-RGNET-1371 UPC 605633137149 / SRP $19.99 CD-RGNET-1371 UPC 605633137125 / $14.99

LP-RGNET-1349 UPC 605633134940 / SRP $19.99 CD-RGNET-1349 UPC 605633134926 / $14.99

ORDER FORM Street Date: 10.16.20 | Order Date: 9.25.20 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

801061032920

CD-WRP-329

Autechre

SIGN

CD

$10.00

$14.99

801061032913

LP-WRP-329

Autechre

SIGN

Vinyl

$16.65

$24.99

634457269859

CD-YEP-2698

Steep Canyon Rangers

Arm in Arm

CD

$10.65

$15.99

634457269811

LP-YEP-2698X

Steep Canyon Rangers

Arm in Arm (FIRST EDITION PAINT SPLATTER VINYL)

Vinyl

$13.30

$19.99

708535798323

CD-SBR-7983

Knight, Gladys & The Pips

Essential 1961-1965

CD

$14.65

$21.99

191400012943

CS-4AD-0129

Big Thief

U.F.O.F.

Cassette

$7.30

$10.99

191400018044

CS-4AD-0180

Big Thief

Two Hands

Cassette

$7.30

$10.99

5034202207320

CD-REWIG-73

Wyatt, Robert

His Greatest Misses

CD

$9.30

$13.99

887830007313

LP-REWIG-73

Wyatt, Robert

His Greatest Misses

Vinyl

$18.00

$26.99

195269024123

CD-MAHA-008

Parker, Christopher & Kelley Hurt

No Tears Suite

CD

$8.00

$11.99

677517012842

LP-CAK-128X

Beths, The

Future Me Hates Me

Vinyl

$10.00

$14.99

5056340101674

CD-MI-0637

Phoenix Foundation, The

Friend Ship

CD

$8.00

$11.99

5056340101551

LP-MI-0637

Phoenix Foundation, The

Friend Ship (PINK VINYL)

Vinyl

$14.65

$21.99

5056340101599

LP-MI-0637X

Phoenix Foundation, The

Friend Ship (INDIE EXCLUSIVE, PINK VINYL)

Vinyl

$18.00

$26.99

809236159441

CD-FIRE-594X

Sprout, Tobin

Empty Horses

CD

$13.30

$19.99

809236159410

LP-FIRE-594

Sprout, Tobin

Empty Horses

Vinyl

$16.65

$24.99

702397403227

CD-TZA-4032

I.P.Y.

IPY

CD

$10.65

$15.99

850014131043

CD-CURED-002

Pacific Range

High Upon the Mountain

CD

$10.00

$14.99

850014131012

LP-CURED-002

Pacific Range

High Upon the Mountain

Vinyl

$16.65

$24.99

843563126622

LP-JBR-0109X

Fruit Bats

Mouthfuls (INDIE EXCLUSIVE)

Vinyl

$13.30

$19.99

634457030800

CD-TSR-223

Gulfer

Gulfer

CD

$7.30

$10.99

634457030824

LP-TSR-223

Gulfer

Gulfer

Vinyl

$13.30

$19.99

634457030817

CS-TSR-223

Gulfer

Gulfer

Cassette

$6.00

$8.99

634457032583

LP-FTK-163

Pure X

Rare Ecstasy 2009 - 2019

Vinyl

$14.65

$21.99

634457032576

LP-FTK-163LE

Pure X

Rare Ecstasy 2009 - 2019 (INDIE EXCLUSIVE CLEAR VINYL)

Vinyl

$14.65

$21.99

5055869593717

SI-HDB-130

James, Loraine

Nothing EP

Vinyl

$8.00

$11.99

620953613722

CD-FFD-011

Danger Grove

Want, For Nothing

CD

$9.30

$13.99

844667041149

LP-FFD-011

Danger Grove

Want, For Nothing

Vinyl

$14.65

$21.99

736952026293

LP-577R-5829-1

Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene, Federico Ughi

Telepathic Mysteries Vol. 1

Vinyl

$12.65

$18.99

680585384360

CD-THR-014

Higgins. Patrick

TOCSIN

CD

$9.30

$13.99

680585384377

LP-THR-014

Higgins. Patrick

TOCSIN

Vinyl

$16.65

$24.99

634457027855

CD-VTDM-01

Miraglia, Danielle

Bright Shining Stars

CD

$10.00

$14.99

844667051018

LP-WABB-059

Dawson, Michael Scott

Nowhere, Middle of

Vinyl

$16.65

$24.99

844667051216

LP-WABB-065

Nocturnal Effigy

The Moonlit Branches of Powder

Vinyl

$16.65

$24.99

4250506836719

LP-HDYA-03

Various Artists

Too Slow to Disco NEO presents: Kraak & Smaak / Turbotito (Split 12�)

Vinyl

$8.65

$12.99

5057805567189

LP-WIA-090

European Sun

European Sun

Vinyl

$18.00

$26.99

823134999091

SI-DAPT-1134

Demps, Napoleon

Norma Jean b/w Norma Jean (Instrumental)

Vinyl

$5.30

$7.99

702224128712

LP-MD-287LE

Near The Parenthesis

Intervals

Vinyl

$16.00

$23.99

195269027148

CD-POW-136

Principato, Tom

House On Fire Live In Europe

CD

$10.00

$14.99

5052442017813

CD-EVER-110

Sherwood, Denise, Adrian Sherwood & On-U Sound

This Road

CD

$10.00

$14.99

5052442017820

LP-EVER-110

Sherwood, Denise, Adrian Sherwood & On-U Sound

This Road

Vinyl

$16.65

$24.99

634457033221

CD-HAUSMO-106

BBsitters Club

BBsitters Club & Party

CD

$6.65

$9.99

634457033368

CS-HAUSMO-106

BBsitters Club

BBsitters Club & Party

Cassette

$6.65

$9.99

DEAL

ORDER FORM Street Date: 10.16.20 | Order Date: 9.25.20 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

634457025158

LP-CR-102

Lawn

Johnny

Vinyl

$12.65

$18.99

634457033641

LP-ALIVE-0211LE

Paul Collin’s Beat

Another World - The Best Of The Archives

Vinyl

$14.00

$20.99

798154874492

LP-BTV-120X

Ester Drang

Goldenwest (GREEN/SMOKE SWIRL VINYL)

Vinyl

$22.00

$32.99

798154874461

LP-BTV-120LE

Ester Drang

Goldenwest (YELLOW AND GREEN SWIRL VINYL)

Vinyl

$22.00

$32.99

5060514964736

CD-NHSS-399

Voltage

Balance Over Symmetry

CD

$6.65

$9.99

5060514964743

LP-NHSS-399

Voltage

Balance Over Symmetry

Vinyl

$19.30

$28.99

DEAL

Street Date: 10.23.20 | Order Date: 10.02.20 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

191400030220

CD-4AD-0302

Lenker, Adrianne

songs and instrumentals

CD

$12.65

$18.99

191400030213

LP-4AD-0302

Lenker, Adrianne

songs and instrumentals

Vinyl

$18.65

$27.99

191400030244

CS-4AD-0302

Lenker, Adrianne

songs and instrumentals

Cassette

$16.65

$24.99

634457030718

CD-RMB-16

Veirs, Laura

My Echo

CD

$8.65

$12.99

634457030725

LP-RMB-016

Veirs, Laura

My Echo

Vinyl

$13.30

$19.99

634457030848

LP-RMB-016X

Veirs, Laura

My Echo (Indie Only Neon Pink LP)

Vinyl

$13.30

$19.99

607396534715

LP-NW-5437

Drive-By Truckers

Live From Austin, TX

Vinyl

$17.30

$25.99

607396543519

LP-NW-5435LE

Drive-By Truckers

Live From Austin, TX (INDIE EXCLUSIVE TURQUOISE WITH MULTI SPLATTER VINYL)

Vinyl

$17.30

$25.99

5054429143393

CD-ZEN-271

Actress

Karma & Desire

CD

$9.30

$13.99

5054429143386

LP-ZEN-271

Actress

Karma & Desire

Vinyl

$18.65

$27.99

5054429143461

LP-ZEN-271XX

Actress

Karma & Desire (DELUXE WITH CLEAR VINYL)

Vinyl

$22.65

$33.99

191402014822

CD-RT-0148

This Is the Kit

Off Off On

CD

$10.65

$15.99

191402014815

LP-RT-0148

This Is the Kit

Off Off On

Vinyl

$15.30

$22.99

191402014808

LP-RT-0148LE

This Is the Kit

Off Off On

Vinyl

$15.30

$22.99

5055300399830

CD-TIMESIG-011

Frusciante, John

Maya

CD

$9.30

$13.99

5055300399823

LP-TIMESIG-011

Frusciante, John

Maya

Vinyl

$19.30

$28.99

848064011118

CD-RGM-1111

Haynes, Roland

Second Wave (Remastered Edition)

CD

$9.30

$13.99

848064011088

LP-RGM-1108

Haynes, Roland

Second Wave (Remastered Vinyl Edition)

Vinyl

$16.00

$23.99

848064009016

CD-RGM-0901

Wynn, Steve

Decade (11-CD Box Set)

CD

$56.66

$84.99

848064010890

CD-RGM-1089

Lacksman, Dan

Dan Lacksman

CD

$9.30

$13.99

848064010906

LP-RGM-1090LE

Lacksman, Dan

Dan Lacksman (Limited Neon Green Vinyl Edition)

Vinyl

$16.00

$23.99

848064010913

CD-RGM-1091

Electronic System

Tchip Tchip (Vol. 3)

CD

$9.30

$13.99

848064010920

LP-RGM-1092LE

Electronic System

Tchip Tchip (Vol. 3) (Limited Orange Vinyl Edition)

Vinyl

$16.00

$23.99

848064010937

CD-RGM-1093

Electronic System

Vol. II

CD

$9.30

$13.99

848064010944

LP-RGM-1094LE

Electronic System

Vol. II (Limited Yellow Vinyl Edition)

Vinyl

$16.00

$23.99

848064011248

LP-RGM-1124LE

Clayton, Merry

Gimme Shelter (Limited Black & White “Gray Eye” Vinyl Edition)

Vinyl

$16.65

$24.99

191401162012

LP-OLE-1620

Chavez

Gone Glimmering (Expanded)

Vinyl

$18.65

$27.99

607618217129

CD-BBQ-2171

Fall, The

The Frenz Experiment (Expanded Edition)

CD

$12.65

$18.99

607618217112

LP-BBQ-2171

Fall, The

The Frenz Experiment (Expanded Edition)

Vinyl

$21.30

$31.99

680341016023

CD-SCRT-101

Plants and Animals

The Jungle

CD

$10.00

$14.99

680341016016

LP-SCRT-101

Plants and Animals

The Jungle

Vinyl

$15.30

$22.99

887828047024

CD-WIG-470

Minus, Ela

acts of rebellion

CD

$9.30

$13.99

887828047017

LP-WIG-470

Minus, Ela

acts of rebellion

Vinyl

$14.65

$21.99

887828047031

LP-WIG-470LE

Minus, Ela

acts of rebellion

Vinyl

$15.30

$22.99

634457033870

CD-RIDE-009

Azar, Steve

My Mississippi Reunion

CD

$9.30

$13.99

5054429138511

CD-COUNT-190

Kasbo

The Making of a Paracosm

CD

$9.30

$13.99

5054429138535

LP-COUNT-190

Kasbo

The Making of a Paracosm (2 LP)

Vinyl

$20.65

$30.99

DEAL

ORDER FORM Street Date: 10.23.20 | Order Date: 10.02.20 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

677517014822

CD-CAK-148

Fat Tony

Exotica

CD

$9.30

$13.99

677517014815

LP-CAK-148

Fat Tony

Exotica

Vinyl

$10.65

$15.99

634457030749

CD-SWMAF-15

Riley, Dave & Bob Corritore

Travelin’ The Dirt Road

CD

$10.00

$14.99

809236149251

CD-FIRE-492X

Lemonheads, The

Lovey – 30th Anniversary Edition

CD

$13.30

$19.99

634457031609

CD-KEZ-005X

El’Zabar, Kahil

Kahil El’Zabar’s America The Beautiful

CD

$8.65

$12.99

634457031593

LP-KEZ-005X

El’Zabar, Kahil

Kahil El’Zabar’s America The Beautiful

Vinyl

$23.30

$34.99

603784912424

CD-IARC-0035

Navarro, Aquiles & Tcheser Holmes

Heritage Of The Invisible II

CD

$8.65

$12.99

603784912356

LP-IARC-0035

Navarro, Aquiles & Tcheser Holmes

Heritage Of The Invisible II

Vinyl

$14.65

$21.99

603784912240

LP-IARC-0035LE

Navarro, Aquiles & Tcheser Holmes

Heritage Of The Invisible II (INDIE EXCLUSIVE FRIED PLANTAIN COLOR VINYL)

Vinyl

$18.00

$26.99

680341800080

LP-SCRT-080

Streliski, Alexandra

Inscape

Vinyl

$16.65

$24.99

5060180324582

CD-BWOOD-0239

Contreras, Tino

La Noche De Los Dioses

CD

$10.00

$14.99

5060180324575

LP-BWOOD-0239

Contreras, Tino

La Noche De Los Dioses

Vinyl

$13.30

$19.99

634457033832

CD-VTSRR-05

Margolin, Bob

Star of Stage and Screens

CD

$6.65

$9.99

5052442013501

LP-LMC-219

Penn, Dan

Living On Mercy

Vinyl

$16.65

$24.99

634457259386

LP-YEP-2593B

White, Tony Joe

Bad Mouthin’ (BLUE VINYL)

Vinyl

$15.30

$22.99

638126751027

CD-HMR-12

Martin, Ryan

Wandercease

CD

$8.65

$12.99

659457242411

LP-STH-2424

Reyes, Frankie

Originalitos

Vinyl

$12.00

$17.99

781484068723

CD-DC-687

Magik Markers

2020

CD

$11.30

$16.99

781484068716

LP-DC-687

Magik Markers

2020

Vinyl

$19.30

$28.99

809236160614

LP-FIRE-606

Reynolds, Graham

The Lodger

Vinyl

$16.65

$24.99

634457027114

LP-PNKSLM-084

Cherry Pickles

The Juice That’s Worth The Squeeze

Vinyl

$14.00

$20.99

634457029651

LP-FTK-170

Flood, Corey

Hanging Garden

Vinyl

$12.65

$18.99

634457029644

LP-FTK-170LE

Flood, Corey

Hanging Garden (INDIE EXCLUSIVE LIGHT PINK VINYL)

Vinyl

$12.65

$18.99

4062548015621

SI-FOF-187

Shlohmo

Heaven Inc.

Vinyl

$7.30

$10.99

630808828942

CD-WWR-4765

Simpson, Rick

Everything All Of The Time: Kid A Revisited

CD

$10.00

$14.99

630808828959

LP-WWR-4765

Simpson, Rick

Everything All Of The Time: Kid A Revisited

Vinyl

$19.30

$28.99

5036265001082

CD-IRR-114

Johnson, Robb & the Irregulars

Pandemic Songs

CD

$10.00

$14.99

5051083161107

SI-ROCKACT-136S

Arab Strap

The Turning Of Our Bones

Vinyl

$7.30

$10.99

5055869547246

LP-TRAPPED-025

Tuplin, Jeremy

Violet Waves

Vinyl

$16.65

$24.99

634457029231

LP-SH-241

Brutus

Live in Ghent

Vinyl

$16.65

$24.99

DEAL

NEW RELEASES Street Date: 10.16.20 | Order Date: 9.25.20

ARTIST • AUTECHRE RELEASE • SIGN INFO

FORMATS WARPLP329

WARPCD329

SPEC • 2LP in printed inners in wide spine printed outer + DL card

SPEC • CD in card wallet packed in outer wallet

BOXLOT • 12

BOXLOT • 30

UPC • 801061032913

UPC • 801061032920

OVERVIEW

Autechre return with their 14th studio album, SIGN. SIGN is comprised of 11 songs with a runtime of 65 minutes & 32 seconds.

RELEASE DATE • 10.16.2020 FILE UNDER • A / ELECTRONIC WEBSITE • https://autechre.ws

NO EXPORTS • NO EXPLICIT CONTENT

TRACKLISTING

ALSO AVAILABLE

01. M4 Lema 02. F7 03. si00 04. esc desc 05. au14 06. Metaz form8 07. sch.mefd 2 08. gr4 09. th red a 10. psin AM 11. r cazt

derek@warprecords.com http://warp.net

Autechre • NTS Sessions 1-4 (WARP365)

harrellp@redeyeworldwide.com http://redeyeworldwide.com

1. One Drop of Rain 2. Sunny Days 3. Everything You Know 4. Every River 5. Honey on My Tongue 6. In the Next Life 7. Bullet in the Fire 8. Take My Mind (feat. Oliver Wood & Michael Bearden) 9. A Body Like Yours 10. Afterglow 11. Crystal Ship

FIRST EDITION LP:

ARTIST: Steep Canyon Rangers ALBUM: Arm in Arm CAT #: LP-YEP-2698X UPC: 634457269828 PACKAGING: LP Jacket w/ paint splatter vinyl BOX LOT: 25 TERRITORY: Worldwide SLP: $19.99

STEEP CANYON RANGERS ARM IN ARM

CD:

ARTIST: Steep Canyon Rangers ALBUM: Arm in Arm CAT #: CD-YEP-2698 634457269859 6 34457UPC: 26981 1 PACKAGING: Digipak BOX LOT: 25 TERRITORY: Worldwide SLP: $15.99

CD / LP STREET DATE: 10/16/2020 Steep Canyon Rangers are Asheville, North Carolina’s GRAMMY® winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. Since coming onto the bluegrass scene at the dawn of the millennium, Steep Canyon Rangers have been on a journey and continue to push the boundaries of the genre. Their newest work, Arm in Arm, finds the band in a unique position where their sound is much more Americana than their bluegrass origins. Produced by Brandon Bell (Zac Brown, John Prine) and featuring Oliver Wood of the Wood Brothers and Michael Bearden (music director for Michael Jackson), the Rangers continue to hone their craft with unlikely collaborators while developing a sound that is uniquely their own.

STEEP6 CANYON RANGERS 34457 26985 9 CATALOG SALE

20% OFF VINYL / 25% OFF CDs Sale running now until 10/31/2020 Ask your sales rep for details!

HIGHLIGHTS: ☛ Thirteenth album from the GRAMMY®-award winning group. ☛ Steep Canyon Rangers’ third album in the past year, following North Carolina ☛ ☛ ☛ ☛ ☛ ☛ ☛ ☛ ☛

Songbook and Be Still Moses, which both debuted at #1 on the Billboard Bluegrass Chart.

First Edition LP pressed on paint splatter vinyl (limited to 1,000 copies worldwide).

Brad Paul Media is radio promoter for AAA and Americana radio.

Lellie Capwell is US publicist.

Paddy Forwood is UK publicist.

Steep Canyon Rangers are hosting one-of-a-kind drive-in events around North Carolina where they’ll be performing for fans who are seated in their own cars. These events are sponsored by the North Carolina Arts Council and Can’d Aid. Arm in Arm is produced by Brandon Bell (Zac Brown, John Prine).

Album features Oliver Wood of the Wood Brothers and Michael Bearden (music director for Michael Jackson).

Official music videos directed by Patrick Sheehan to be released for “Every River” and “Take My Mind”.

Download included with LP.

DRIVE-IN CONCERT DATES: 8/27 - BREVARD, NC 8/28 - ASHEVILLE, NC 8/29 - BURNSVILLE, NC

BE STILL MOSES YEP-2694

LP: CD:

6

34457 26943 9

6

34457 26942 2

NORTH CAROLINA SONGBOOK YEP-2667 LP: CD: 6

34457 26671 1

6

34457 26672 8

DISTRIBUTED EXCLUSIVELY BY REDEYE 505 ENO ST, HILLSBOROUGH NC, 27278 | INFO@YEPROC.COM | YEPROC.COM 336-578-7300

Remastered From The Original Source Tapes • 36 Tracks Including The Complete Fury & Maxx Singles • The Most Complete Set Of Gladys Knight & The Pips’ Early Years •

Disc 1 EVERY BEAT OF MY HEART • ROOM IN YOUR HEART GUESS WHO • STOP RUNNING AROUND • LETTER FULL OF TEARS YOU BROKE YOUR PROMISE • OPERATOR • I’LL TRUST IN YOU COME SEE ABOUT ME • I WANT THAT KIND OF LOVE WHAT SHALL I DO • MORNING, NOON AND NIGHT I REALLY DIDN’T MEAN IT • QUEEN OF TEARS • A LOVE LIKE MINE I CAN’T STAND BY • ONE MORE LONELY NIGHT WAITING FOR MY PHONE TO RING (demo) Disc 2

IT HURTS ME SO BAD • HOW DO YOU SAY GOODBYE WHAT WILL BECOME OF ME • STAY AWAY • THE DEVIL IN ME BEFORE NOW AND AFTER THEN • DAYBREAK • GIVING UP MAYBE MAYBE BABY • LOVERS ALWAYS FORGIVE ANOTHER LOVE • EITHER WAY I LOSE • GO AWAY, STAY AWAY STOP AND GET A HOLD OF MYSELF • WHO KNOWS TELL HER YOU’RE MINE • IF I SHOULD EVER BE IN LOVE WHY DON’T YOU LOVE ME

In 1961 Gladys Knight and the Pips recorded their version of Johnny Otis’ “Every Beat of My Heart”.

Because the group was without a record label, a local Atlanta label, Huntom Records, pushed the single and got a distribution deal with Vee-Jay Records to release the single. During this time, the group moved to New York where they auditioned for Bobby Robinson’s Fury Records. Upon learning that “Every Beat of My Heart” was already becoming a hit and cutting the group off of profits, Robinson had the group re-record the song and re-release it on Fury Records. Both versions made the Billboard charts, with the Huntom/Vee-Jay version reaching number six on the Billboard Hot 100. Prior to the re-release on Fury Records, the group changed their name to Gladys Knight & the Pips. Later in 1961, the newly christened quartet released the single, “Letter Full of Tears”, which became another top 40 hit in early 1962.

Grammy and American Music Award Winners • Rock And Roll Hall Of Fame Inductees (1996) A Portion Of The Proceeds From This CD Will Be Donated To Black Lives Matter RELEASE DATE: 10/16/2020 ARTIST: GLADYS KNIGHT & THE PIPS TITLE: ESSENTIAL 1961 - 1965 CATALOG: CD-SBR-7983 CD CONFIGURATION: 2 CD FOLDER UPC: 708535798323 BOXLOT: 40 UNITS GENRE: R&B

REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com

BIG THIEF

U.F.O.F.

U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief, released by 4AD on May 3rd. The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms.

U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.

505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931

CS 4AD-0129-MC

Tracklist

CS 1 2 3 4 5 6 7 8 9 10 11 12

Contact UFOF Cattails From Open Desert Orange Century Strange Betsy Terminal Paradise Jenni Magic Dealer

Also Available

LP 4AD-0129-1

CD 4AD-0129-2

Available from: October 16th, 2020 4AD 134 Grand Street, New York, New York 10013

BIG THIEF

TWO HANDS CS 4AD-0180-MC

Two Hands, a completely new, fully-realized, 10-song album

by Big Thief, arrived just five months after their breakthrough U.F.O.F., one of the most acclaimed albums of 2019.

In sharp contrast to the wet environment of the U.F.O.F. session, Two Hands had to be completely different— an album about the earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt.

Tracklist

CS 1 2 3 4 5 6 7 8 9 10

Rock And Sing Forgotten Eyes The Toy Two Hands Those Girls Shoulders Not Wolf Replaced Cut My Hair

Also Available

LP 4AD-0180-LP

CD 4AD-0180-CD

Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer/songwriter Adrianne Lenker.

With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief ’s impressive discography. This body of work grows deeper and more inspiring with each new album.

Available from: October 16th, 2020 505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931

4AD 134 Grand Street, New York, New York 10013

ROBERT WYATT

HIS GREATEST MISSES

TRACKLISTING 1. P.L.A. 2. Worship 3. Heaps Of Sheeps 4. Free Will And Testament 5. I’m A Believer 6. Sea Song 7. Little Red Robin Hood Hit The Road 8. Solar Flares 9. At Last I Am Free 10. Arauco 11. The Age Of Self 12. Alien 13. Shipbuilding 14. Memories Of You 15. Muddy Mouse (b) 16. Mister E 17. Foreign Accents

CATALOG NUMBER: REWIG73 RELEASE DATE: October 16, 2020 FILE UNDER: Alternative “W” CD Boxlot: 30 UPC: 5034202207320

OVERVIEW Previously released exclusively in Japan as a limited edition CD in 2004, this 17-track compilation is the perfect introduction to the music of Robert Wyatt. Reissued on CD in 2010

by Domino and now being made available for the first time on vinyl LP. Its vinyl release is timed in conjunction with the publication of Side by Side (Faber) which presents the lyrics, poems, writings and drawings of Wyatt and his creative partner, English painter and songwriter Alfie Benge.

Robert Wyatt was a founding member of influential English rock bands Soft Machine and Matching Mole. With a solo career that has lasted for over forty years, during which time he has guest-edited the Today Programme, curated Meltdown Festival and collaborated with a diverse range of artists including Björk, Brian Eno, John Cage, Carla Bley, Scritti Politti, David Gilmour and Hot Chip, his own music remains unclassifiably personal.

SELLING POINTS • The first vinyl pressing for this release, only ever available previously on CD.

DOUBLE LP w/ DOWNLOAD Boxlot: 20 UPC: 887830007313

Vinyl is non-returnable

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com

• Domino’s vinyl reissues of his entire catalog in the past decade have scanned 7k+ copies.

• Standard double LP comes with a four page booklet and download card.

Christopher Parker & Kelley Hurt feat.

Brian Blade

No Tears Suite Mahakala Music (mahakalamusic.com) - MAHA008 // DL 9/25/20; CD 10/16/20

UPC: 195269024123

In September 1957, 61 years after the “separate but equal” ruling of Plessy vs. Ferguson, in Little Rock, Arkansas, nine Black high school students finally broke through the threshold of Little Rock Central High School after a month of facing protestors and blockades by the Arkansas National Guard. No Tears Suite, composed by Arkansas-native and music teacher Christopher Parker and his wife, jazz vocalist Kelley Hurt was initially written to commemorate and celebrate the 60th anniversary of the Little Rock Nine’s historic enrollment and their continued courage and fortitude, which has inspired every generation thereafter.

When the piece premiered in September 2017, the group of Grammy award-winning drummer Brian Blade, bassist Bill Huntington, trumpeter Marc Franklin , and saxophonists Bobby LaVell (tenor) and Chad Fowler (alto) was so successful in communicating Hurt and Parker’s vision, that the composers began to explore how they could continue to expand the No Tears Suite.

Their solution manifested itself in a new collaboration with the Arkansas Symphony Orchestra, with the incomparable, Grammy-nominated arranger, composer, and bassist Rufus Reid penning the orchestral arrangements, flawlessly infusing the sweeping grandeur of the ASO’s 16-piece ensemble into the No Tears Suite. The live orchestral version of the suite that premiered in March 2019 in Little Rock will be simultaneously released as a digital companion to the album that is receiving a CD and digital release from the Arkansas based label, Mahakala Music.

Written by members of the Little Rock community, for the Little Rock-based literary magazine, Oxford American, about a pivotal moment in Little Rock and civil rights history, No Tears Suite is the result of and a testament to a community that believes in celebration, perseverance, and growth, and serves as an enduring reminder of the progress made and the progress still required.

RIYL: Kamasi Washington, Brian Blade, Charles Mingus, Art Blakey, Archie Sheep, Abbey Lincoln

Christopher Parker – Piano Kelley Hurt– Voice Brian Blade – Drums Bill Huntington – Bass Bobby LaVell – Tenor Saxophone Chad Fowler – Alto Saxophone Marc Franklin – Trumpet Track Listing: 1.

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Overture To Be a Kid Roll Call Don’t Cry (Warrior’s Song) Crisis Jubilate

will@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

THE BETHS FUTURE ME HATES ME

CARPARK RECORDS www.carparkrecords.com The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or “Cannonball.”

Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Stokes has previously worked in other genres within Auckland’s rich and varied music scene, recently playing in a folk outfit, but it was in exploring the angst-ridden sounds of her youth that she found her place. “Fronting this kind of band was a new experience for me,” says Stokes. “I never thought I had the right voice for it.”

TRACKLISTING 1. Great No One 2. Future Me Hates Me 3. Uptown Girl 4. You Wouldn’t Like Me 5. Not Running

6.

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Little Death Happy Unhappy River Run: Lvl 1 Whatever Less Than Thou

CATALOG NUMBER: CAK128 STREET DATE: August 10th, 2018 FILE UNDER: Alternative/Indie Rock DISCOUNT: 7% until August 17th, 2018 FUTURE ME HATES ME LP (YELLOW SPLATTER VINYL) UPC 677517012811 FUTURE ME HATES ME CD UPC 677517012828 ALSO AVAILABLE Jump Rope Gazers LP 677517014310 Jump Rope Gazers CD 677517014327 Warm Blood EP 677517012712

From the irresistible title track to future singles “Happy Unhappy” and “You Wouldn’t Like Me,” Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis. Further honeying Future Me Hates Me’s dark lyrics that explore complex topics like being newly alone and the self-defeating anticipation of impending regret, ecstatic vocal harmonies bubble up like in the greatest pop and R+B of the ‘60s, while inverting the trope of the “sad dude singer accompanied by a homogenous girl-sound.”

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop.

Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. “There’s a lot of sad sincerity in the lyrics,” she continues, “that relies on the music having a light heart and sense of humor to keep it from being too earnest.” Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form.

“That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.” The result is nothing less than one of the standout records of 2018.

FUTURE ME HATES BULLET POINTS • North American publicity by Pitch Perfect • College/Non-Commercial/Commercial Specialty radio by Terrorbird • Limited neon yellow splatter colored vinyl • “Future Me Hates Me,” “Happy Unhappy,” “You Wouldn’t Like Me” music videos • Vinyl includes free digital download

505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931

THE PHOENIX FOUNDATION

FRIEND SHIP

RELEASE DATE: 16 OCTOBER 2020 MEMPHIS INDUSTRIES "New Zealand's finest purveyors of psychedelic Pop" ★★★★ The Times Track listing 1.

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Guru Miserable Meal (with the NZSO) Hounds Of Hell (with Nadia Reid) Decision Dollars (with Hollie Fullbrook) Transit Of Venus (with the NZSO) Tranquility (with Hollie Fullbrook) Landline Former Glory (with Anita Clark) My Kitchen Rules Trem Sketch

CD

CAT NO: MI0637CD UPC: 5056340101674

PINK VINYL LP (+ MP3): CAT NO: MI0637LP UPC: 5056340101551

[INDIE EXCLUSIVE] PINK VINYL LP + 7” BUNDLE (+ MP3) CAT NO: MI0637LPX UPC: 5056340101599

The Phoenix Foundation have lived many lives. From high school distortion addicts to indie folk trippers to masters of motorik dream pop. It’s been five years since their last album, Give Up Your Dreams, but that downtime has been well spent. The New Zealand outfit have been writing, recording, touring with a Symphony Orchestra, creating the acclaimed soundtrack for Taika Waititi's Hunt For The Wilderpeople, building shrines to light, creating scores for VR, producing other bands and, that most lockdown-friendly activity, baking sourdough.

Slowly, when they could, the six old friends found time to work together in studios, garages, forests, and sheds to put together the concise ten song set of that is Friend Ship. “We took such a long break after Give Up Your Dreams that when we did decide to make a new record we all felt it needed to be in some esoteric sense different,” says co-lead singer Samuel Flynn Scott. “To me that meant returning to something more focused. Honing in on the songs before we went deep into the arrangements and freaky sounds.” And the results reflect this approach too. Whilst Friend Ship, as you would expect, weaves seamlessly between dreamy introspective pop, stretched out grooves and psychedelic rock, it also exists as a collection of masterfully crafted songs.

Friend Ship features vocals from Nadia Reid, Tiny Ruins’ Hollie Fullbrook and Anita Clark aka Motte plus sumptuous string arrangements performed by the New Zealand Symphony Orchestra.

www.memphis-industries.com • info@memphis-industries.com

OUT 16TH OCTOBER

I.P.Y. IPY TZA CD 4032 Spectrum (P)($15.99) Ikue Mori, Phew, YoshimiO. UFO Indigo/Yellow gold * UFO Yellowish green/Purple * UFO Powder blue/Ivory * Isolated Resonance Trio * Watercolor * IPY! PYI! YIP! Ikue Mori, Phew and YoshimiO are three legends of the Japanese Avant Garde music scene: Ikue was an original member of DNA and is a vital member of the NYC Downtown Scene, Phew founded Aunt Sally in 1978 and has performed in countless folk/rock solo projects and collaborations and YoshimiO is a core member of the Boredoms, Saicobab and OOIOO. Here they come together for their first ever trio project. Recorded at Club U.F.O. in Tokyo, the music was edited and mixed during the shelter-in-place months of early 2020. Surprising and powerful, this is a fabulous and essential meeting of three new music superstars.

7

02397-4032 - 2

7

File Under: Avant Garde/Rock

Street Date: October 16, 2020 Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

PACIFIC RANGE High Upon The Mountain-

CURATION RECORDS, Inc.

2XLP-CD-DIGI

CAT# CD-CURED-002 & LP-CURED-002

INTERNATIONAL RELEASE10/16/20 9/4/2020 INTERNATIONAL RELEASE 1.

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High Upon The Mountain Heartbeat Of Change Studio Walk Rainbow Song Santa Monica (Through The Canyon) Comin’ After You Guiding The Mast Need A Little Rain Swap Meet Boulevard Indigo* Nothing Else More

Vinyl 2XLP Black Vinyl w/ Rainbow Foil Gatefold CAT# CD-CURED-002 UPC 850014131012 CD Four Panel Wallet CAT# LP-CURED-002 UPC 850014131043 Distributed exclusively by BORDER/REDEYE WORLDWIDE

CREDITS

PACIFIC RANGE Seamus Turner - Guitar, Acoustic Guitar, Vocals Stewart Forgey - Piano, Organ, Rhodes, Wurlitzer, Clav, Guitar, Slide Guitar Cameron Wehrle - Bass Nate Ward - Drums With Nikki Segal - (back-up vocals) Comin’ After You, Studio Walk, Santa Monica & Boulevard Indigo Duane Betts - (guitar) Comin After You Sam Blasucci - (guitar/back-up vocals) Heartbeat Of Change Dan Horne - (pedal steel Guiding the Mast Clay Finch - (guitar) Swap Meet Bek Stanley - (back- up vocals) Need A Little Rain Jade Castrinos - (back up vocals) Nothing Else More

Mixed by Dan Horne Produced by Dan Horne & Pacific Range Recorded at Liberty Hair Farm Echo Park, CA Engineered by Dan Horne except Need a Little Rain Need a Little Rain - Recorded at New Monkey Studio Van Nuys, CA

LP-JBR-0109X

8

43563

12662

2

FRUIT BATS // MOUTHFULS SIDE A Rainbow Sign / A Bit Of Wind / Magic Hour / The Little Acorn / Track Rabbits SIDE B Union Blanket / Lazy Eye / Slipping Through The Sensors / Seaweed / When U Love Somebody

• Limited edition INDIE RETAIL pressing on straw colored vinyl • Alternate album cover • Contains the HIT “When U Love Somebody” “Around the making of the album, Fruit Bats had coalesced into a duo with Gillian Lisée and myself. It was sort of like our own mini cocaine-free version of Rumors. She wrote the bridge to ‘Magic Hour,’ which is totally about her. We also co-wrote ‘Track Rabbits’ together which is still one of my favorite things I've ever done and probably my favorite song on Mouthfuls.”

“I wrote ‘When U Love Somebody’ at the very last minute right before we started to record. It was kind of the throwaway track, which of course became by far the most popular song on the album and still probably the most popular Fruit Bats song, I was just trying to make something that sounded like Ray Davies, or even more specifically The Beatles’ ‘Two of Us.’ Also, I spelled ‘you’ with a ‘U’ to reference Prince. People still like dancing to this one at our shows and I’m still cool with playing it.”

“Brian Deck was the wizard on this one, plain and simple. I really just wanted to make something that sounded like Nilsson or Ray Davies or psychy-folky, but Brian had the concept for folding in electronics and weirdness. There’s a lot of headphone ear candy on this record, which at times sounds really small-sounding at first listen but is really pretty orchestrated.”

M WARD // TRANSFIGURATION OF VINCENT SIDE A Transfiguration, No. 1 / Vincent O'Brien / Sad, Sad Song / Undertaker / Duet For Guitars, No. 3 / Outta My Head / Involuntary SIDE B Helicopter / Poor Boy, Minor Key / Fool Says / Get To The Table On Time / A Voice At The End Of The Line / Dead Man / Let's Dance / Transfiguration, No. 2 This, M. Ward's third album, places him in the forefront of a modern movement that is clearly progressive while simultaneously sounding regressive, feeling dusty with age, and manifesting a genius that is pure and untempered. His music defies description except to say it is coming from somewhere seeped in the early blues with a Neil Young overlay and the feel of country, blues, pop, and folk. I am beginning to believe, the more I listen to this album, that if Neil Young heard it he would say: "That's it...that is what I was trying to sound like...listen to those chord progressions and chord changes...that's it".

“Some time in 2035, I'm going to pull this album out, and it's going to sound just as good as it does now. There's something running through it that broadcasts timelessness and defies genre constraints.” -- Joe Tangari, Pitchfork Media

LP-JBR-0070

7 51937

33371 5

M. Ward makes beautiful music--sounds like you have never encountered--and he sings along with the melodies as if he can't help himself. Who could if they had this much soul? It is all coming from a very deep place inside him and you owe it to yourself before you pass--the main issue he is addressing on this album--to hear these songs because they are the most soulful and melodic tunes you will have heard in quite some time.

This man lives in his own songful world and I can't thank him enough for sharing it with us on Transfiguration. If you put this album on your turntable it will be a long time before you take it off. The more you listen the deeper it gets--just like M. Ward, I suspect. This is genius, pure genius, and you need to hear it.

S/T

p: katie krulock

TSR223 LP / CS / CD ^ ^ ^ transparent “beer” + black smoke vinyl w/ DL

Gulfer • For fans of TTNG, Maps and Atlases, Glocca Morra, Joyce Manor, Cap’n Jazz, Oso Oso, Algernon Cadwallader.

• US college radio campaign through Pirate Promotions (steve@piratepirate.com).

• Press campaign handled by Will Osiecki (will@topshelfrecords.com).

• Music video planned for “Forget”.

• Audiotree International Session confirmed.

• Music video planned for “Nature Kids”.

“One of the last revival-style emo bands standing sings about boredom and getting older on their frankly audacious second album.” -Pitchfork, on Dog Bless “[A] new chapter for Gulfer, that sense of recklessness they manage so well curtailed with just the right amount of restraint, just the right balance between the dark and light. “Baseball” is indicative of that—but it also slams; those twinkling guitars, those guttural vocals, as interesting and invigorating as ever before.”

-GoldFlakePaint, on Dog Bless Wavering between self-doubt and having it figured out, Gulfer return with their fourth full-length record. Thirteen tracks of intricate, dexterous and, incredibly fun punk-inspired emo tunes, the self-titled album sees the Montreal quartet settling into themselves, realizing the path they’ve been searching for and writing the best music of their career as a result.

Anthemic emo serves as the backdrop to guitarist and vocalists Vincent Dufour and Joseph Therriault’s honest and vulnerable lyricism, the two sharing the lyric writing process on a record that tackles human nature; exploring self-doubt, resentment, complex relationships, climate change, the waning of youth and more, yet the band never lose the sense of playfulness and fun that is omnipresent in their live show, an undeniably electric energy that stems from being a group of close friends before anything else.

A record made to represent where the band are, rather than worry about how they will be perceived, Gulfertrusted their gut and wrote what came naturally. The result is their best work to date, a record that focuses less on ultra-technical musicianship and more on structure, space and feel—all while remaining as technically proficient and intricate as their previous work.

redeye distribution 505 Eno Street Hillsborough, NC 27278 harrelp@redeyeworldwide.com

STREET DATE October 16, 2020 LABEL Topshelf Records CATALOG # TSR223 TRACKS 13 FILE UNDER Rock / Punk BOX LOT 30 LP / 15 CS / 30 CD DOWNLOAD CODE Yes EXPORT no Canada LP UPC 6 34457 03082 4

34457 03082 4

CD 6 UPC 6 34457 03080 0

CS 6

6

34457 03080 0

UPC 6 34457 03081 7

34457 03081 7

Over the last thirteen years, Topshelf has released 200+ albums by 80+ artists from all around the world. Our roster’s catalog spans a wide and eclectic array of musical styles and genres.

To check out hand-picked suggestions for other artists on our roster we think you might also enjoy, visit the below URL and select any artist you like: topshelfrecords.com/like

topshelf records 540 Tillamook Street Portland, OR 97212 info@topshelfrecords.com

www.redeyeworldwide.com

stephen@redeyeworldwide.com

LORAINE JAMES ~ NOTHING EP ~ Catalogue Number Street Date Format U PC Box Lot

: : : : :

SI-HDB-130 10.02.2020 10.16.20 12” 5055869593717 25

Loraine James follows up 2019’s acclaimed 'For You And I’ album with a new four track EP, ‘Nothing’.

Her chosen collaborators empathetically extend the feeling in her music with their own unique energies; Uruguayan singer and producer Lila Tirdo a Violeta, Farsi language rapper Tardast, and HTRK front-woman Jonnine Standish.

The arc of the EP starts with Lila Tirdo’s numb, repeated vocal on the title track. On ‘Marg’, meaning “death” in Farsi, the tense drama of Tardast's despairing poetry describes the hopelessness of refugee experience, cold chords rolling sympathetically around his words.

Jonnine shifts the mood with ‘Don’t You See It?’, recounting a moment of clarity which allowed her to leave a destructive relationship, Final track ‘The Starting Point‘ finds Loraine solo, with punched in bass and chaotic drums pushed through fxs that settle into a plaintive piano melody, the first and only instrument she says she's able to play “properly”.

A1. Nothing ft Lila Tirando a Violeta A2. Marg ft Tardast B1. Don’t You See It? ft Jonnine B2. The Starting Point

www.hyperdub.net

DANGER GROVE / Want, For Nothing Web: dangerously.ca

FB: @DangerGrove

T: @DangerGrove

It began with one simple remix. Colorado-based beatmaker/producer Lizard “Liz” Grove stumbled upon a track by Ottawa-via-Halifax alt-rap legend Jesse Dangerously she liked, applied her magical treatment and sent it back to him, much to his approval. Sounds innocent enough, huh?

Well, that spontaneous gesture soon exploded into the full-fledged collaboration known as Danger Grove, and a 10-track debut album called Want, For Nothing that is sure to alter the perception of Canadian hip-hop. With Liz providing the sonic foundation for Jesseʼs often brutally confessional rhymes, the pair build on their mutual love of groundbreaking artists such as Aesop Rock and spin it off into strange, new worlds where it wouldnʼt be out of the ordinary to hear Drake rapping with Neutral Milk Hotel.

Just to back up a bit, Danger Grove really coalesced through the Nerdcore Hip-Hop Facebook group, which holds an annual competition that challenges a producer/vocalist team to create five original tracks in three-week intervals to be judged by their panel of experts. Despite facing stiff competition each round, Danger Grove was voted the overall winner for 2017, with the next logical step seemingly to release those five songs as an EP. However, with their creative juices now flowing, the pair put together additional tracks—several graciously featuring their Nerdcore Hip-Hop contemporaries—to flesh out a full album.

What makes Danger Grove truly work is how these two artists who met online complement each otherʼs strengths so well.

Danger Groveʼs Want, For Nothing is indeed the beginning of a beautiful friendship destined to produce more exciting, powerful and unclassifiable work with the potential to shape the future of Canadian hip-hop for years to come. All are welcome.

CD-FFD-011 Jewel Case CD Boxlot 30

LP-FFD-011 12” Vinyl LP Boxlot 30

Insta: @dangergrove

Release Date: October 16, 2020 Label: Four Finger Distro CD (FFD011) / Vinyl (FFD011) Genre: Experimental Hip-Hop 1. Die Zauberkugel (feat. Adae B) 2. Salversan Pick-Me-Up 3. neverhome (feat. Tara Holloway) 4. Thatʼs Numberwang (feat. Kadesh Flow, LEX the Lexicon Artist, Adam Selene, and Shubzilla) 5. Boogie Champ Superstar [Vinyl/Cassette] 6. Against Dreaming 7. Getafix the Druid (feat. ginzuintriplicate) 8. gottagonnagottagonna 9. obelix et idefix (feat. Nicolas Carrier) 10. Welcome to Spooky Humour Podcast (feat.

The Penetrating Gaze) Produced by Danger Grove Lyrics / vocals by Jesse Dangerously Music by Lizard Grove DISTRIBUTION (WORLDWIDE MINUS CANADA): Jeep Ward Redeye Distribution jeep@redeyeworldwide.com 877-733-3931x225 Label Inquiries Four Finger Distro www.facebook.com/fourfingerdistro

Artist:

Patrick Higgins

featuring the Wet Ink Ensemble, Vicky Chow, and Mivos Quartet Album Title: TOCSIN Catalog #: TH-014 Release Date: 10/17/20 2XLP: 680585384377 Compact Disc: 680585384360 RIYL: Nicolas Jaar, Bryce Dessner’s Triptych (Eyes of One on Another), John Luther Adams, Philip Glass

P atrick

Higgins’ new album TOCSIN is full of thrilling opposites: A modern classical record with a punk/noise ethos, from a composer who has lived and breathed both identities.

A masterclass of visceral genre-bending sounds, that are physical and delicate at the same time.

Over the course of three large compositions, the listener is brought on a journey of constant surprise: as when the sound of violins dissolves into a halo of pure noise, more at home in an underground electronics show than anything that appears on a concert stage. And yet the music is written and performed with expertise, precision, and vibrancy. A new virtuosity inspired and created by the collaboration of these excellent musicians.

Patrick Higgins is known in a few different worlds: as guitarist for the post-everything band Zs, as a solo performer of hypnotic/pyrotechnic electric guitar music, and also as record producer at his Future-Past analog studio.

These chamber pieces are years in the making, masterful works of a high order.

These compositions exist in a deep working relationship with their performers: the Wet Ink Ensemble, hailed as the “Best Classical Ensemble of 2018” (The New York Times ); acclaimed pianist Vicky Chow, “one of our era’s most brilliant pianists” (Pitchfork), and the Mivos Quartet, “one of America’s most daring and ferocious new-music ensembles.” (The Chicago Reader).

Label Contact: Adam Downey adam@clandestinelabelservices

Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287

DANIELLE MIRAGLIA BRIGHT SHINING STARS

Explosively gifted Boston-based singer, songwriter and guitarist Danielle Miraglia (Murr-AH-lee-a) has been smashing pigeonholes and blowing away audiences and critics for some time now. Known for her performances as an acoustic solo artist and with her band the Glory Junkies, Danielle straddles the worlds of Folk/Blues and Roots/Americana with style, STREET DATE: 10/16/20 intelligence, and impact. She has been compared to Bonnie Raitt, Rory Block, and a Lucinda Williams with a sense of humor. Danielle and her band were nominated for a 2018 Boston Music Award for “Blues Artist of the Year” and Danielle was nominated for a 2015 Boston Music Award for “Singer-Songwriter of the Year.”

BRIGHT SHINING STARS, Danielle’s new solo acoustic album on the VizzTone label, highlights her bluesy one-woman band sound, including some originals and covers paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more. She is joined on selected tracks by guitarist Peter Parcek, viola player Laurence Scudder and harmonica player Richard Rosenblatt.

“Miraglia has a voice that can go from a raspy come-hither purr to an Etta James-esque powerhouse belt, although she may be best known for her lead thumb — a heavy, thumping strike on her Gibson that’s backdrop percussion in itself.”

— Lauren Daley, The Boston Globe

DANIIELLE MIRAGLIA Title: Bright Shining Stars Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - EcoWallet Cat. # VT-DM-01 Street Date: 10/16/2020 UPC: 634457027855

TRACKS: 1. Sounds Like Home 2. C.C. Rider 3. You’re Gonna Make Me Lonesome When You Go 4. Pick Up The Gun 5. Turtle Blues 6. Famous For Nothin 7. Love Yourself 8. Meet Me In The Morning 9. Whe Things Go Wrong (It Hurts Me Too)

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10. Walkin Blues 11. Bright Shining Stars

DANIELLEM.COM

Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com

RELEASE DATE OCTOBER 16, 2020

Too Slow to Disco NEO presents: Kraak & Smaak / Turbotito (Split 12”) Release Date: 16th October 2020 Label: How Do You Are?

Limited 12” Cat#: HDYA-NEO-03 UPC: 4250506836719 Very limited to 300 units worldwide + limited to 80 units in the North America Tracklisting & Listening Link: Side A: Kraak & Smaak – Hotel Sorisso Side B: Turbotito – Heart and Soul File under: Daytime Disco, Yacht-Disco, Electro, Soul, AOR-Disco, Nu-Disco, IndieDance This 12“ release is a first sign and start of another chapter in our ongoing series of unearthing sounds full of Bottled Sunshine for you. This time we reenter the world of Too Slow To Disco NEO (for the second time after 2018s NEO - En France excursion), the outlet DJ Supermarkt is using to present modern laidback, smooth disco pop with a west coast feel/vibe. „Hotel Sorriso“ is Kraak & Smaak's first new track since releasing their latest album. It takes the listener on a trip into a weird Spaghetti Disco Country.

The name Turbotito might not sound familiar to some listeners, but you definitely heard his music under the name Poolside, the daytime disco L.A. duo he was part of until early this year, when he decided to concentrate on his solo career.

We are very proud that Filip wrote an exclusive new track just for TSTD. www.tooslowtodisco.com

www.facebook.com/tooslowtodisco

European Sun - European Sun Where It’s At Is Where You Are LP WIALP090 5057805567189

European Sun are simply thrilled to announce their self-titled debut long player, an essential release for fans of Jonathan Richman, the Television Personalities, BMX Bandits, Felt, the June Brides, the Velvet Underground, C86, early Creation, Subway, Postcard and Sarah Records. Pressed on beautiful white vinyl, inside a gorgeous sleeve that marries Warhol and Saville to sumptuous effect, the album brings you 12 songs about birds, belonging and Brexit, growing up, growing old and going to the seaside, looking back, looking forward and looking bewildered, dreaming, driving and despairing, and many more moments of frivolous profundity, all packaged inside conveniently-sized pop songs for your enjoyment and consumption. Bristol-born Steve Miles writes, sings and plays the songs of European Sun. Rob Pursey and Amelia Fletcher play, sing and produce.Rob and Amelia have an unrivalled indie heritage with Talulah Gosh, Heavenly, Marine Research and Tender Trap. These days they perform and record as The Catenary Wires. Ian Button plays the drums. Steve also plays in The Short Stories with bassist Chris Wilson (Lloyd Cole, Love Spit Love).

01 A Song For Sistes 02 My Friend Robin 03 Never Too Old To Be Young 04 The Robin 05 So Small 06 Now I'm Ready To Be A Princess 07 She'll Fly Away 08 Favourite Day 09 Bohemian Blasphemy 10 You Belong Somewhere 11 Small Steps 12 Sleep Cottage

NAPOLEON DEMPS

NORMA JEAN

b/w

N O R M A J E A N ( I N S T RU M E N TA L )

I t b r i n g s u s g r e a t p l e a s u r e t o i n t r o d u c e t h e b a d d e s t n ew vo i c e i n t h e l a n d , N a p o l e o n D e m p s . A F l i n t M i c h i g a n n a t i ve , h e g r ew u p l i s t e n i n g t o S o u l l u m i n a r i e s OV Wr i g h t , W i l l i e H u t c h a n d S a m C o o ke , w h o s e i n f l u e n c e l e d D e m p s d ow n a p a t h t o b e c o m i n g a n a c c o m p l i s h e d S o u l s i n g e r h i m s e l f - s c o r i n g h i s f i r s t h i t a t t h e a g e o f 2 4 i n the still thriving Southern Chitlin Circuit of the early aughts. Demps, having been a long time Daptone fan, c o n n e c t e d w i t h t h e D a p - K i n g s a t a s o u n d c h e c k a t a D e t r o i t n i g h t c l u b f o r a n i m p r o m p t u r e n d i t i o n o f “A C h a n g e i s G o n n a C o m e .” B o s c o M a n n wa s f l o o r e d by h i s vo i c e a n d s wo r e t h ey wo u l d m e e t a g a i n . L a s t ye a r, w i t h t h a t s we e t s o u l f u l vo i c e s t i l l r i n g i n g i n h i s e a r s , M a n n wo u l d r e c o n n e c t w i t h D e m p s a n d b r i n g h i m o u t t o Pe n r o s e Re c o r d e r s i n R i ve r s i d e , C a l i f o r n i a t o f i n a l l y c u t h i s f i r s t D a p t o n e s i d e . " N o r m a J e a n " i s a f u n k y s o u l g r o ove r t h a t l a n d s s o m ew h e r e b e t we e n t h e n u a n c e d b i g c i t y s o u n d s C h i c a g o a n d D e t r o i t we r e p u m p i n g o u t i n t h e l a t e ' 6 0 s : t h i n k t h e g r i t o f Tw i n i g h t ' s h o u s e b a n d P i e c e s o f Pe a c e , k i s s e d by t h e s o p h i s t i c a t e d M o t o r C i t y p r o d u c t i o n o f D a ve H a m i l t o n o r T h e B r o t h e r s o f S o u l a n d yo u ' r e g e t t i n g wa r m . N a p o l e o n ' s s m o o t h , c o m m a n d i n g vo i c e i n j e c t s a j e n e s a i s q u o i t h a t ' s w h o l l y f r e s h , by p a s s i n g t h e a f f e c t e d t r a p p i n g s t h a t p l a g u e m a ny o f t o d a y ' s s i n g e r s . I n s h o r t . . .

N a p o l e o n D e m p s i s a S o u l s i n g e r ' s S o u l s i n g e r. Ta ke a l i s t e n a n d h e a r f o r yo u r s e l f !

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . N A P O L E O N D E M P S N O E X P O R T T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . N O R M A J E A N b / w I N S T R U M E N TA L LABEL...........................................................DAPTONE C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P - 1 1 3 4 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . O C T 1 6 , 2 0 2 0 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 5 R P M 7 ” V I N Y L O N LY B O X L O T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5

DAPTONE RECORDS 115 Troutman S t., Brookl yn, NY 11206 • phone 718 366 3849 • dap t onerecords.com

Near the Parnethesis

Intervals

Street Date: 10/16/2020 Catalog #: MD287 Label: n5MD Format: White LP Box lot: LP - 20 File under: ambient, modern composition, modern classical

LP • 702224128712

TRACKLISTING A1 Center A2 Second A3 There are no Waves A4 Only the Ocean B1 Muse B2 Intervals B3 Oslo B4 Silhouette

Intervals is the eighth album from Tim Arndt's Near the Parenthesis. For Intervals, Arndt's chose the family piano to begin the creative process. By placing less importance on the skittering rhythms, which propelled previous Near the Parenthesis collections, Arndt was able to focus more on the instant gratification of sitting down and just playing. These ideas became the backbone in which he then composed eight tidal tracks, mostly in the early morning hours in his East San Franciso Bay creekside home. In these sessions, Arndt utilized various synths, and percussion to provide additional depth and atmosphere to the tracks' original skeletal structures. Arndt says of Intervals, "The title has a dual meaning as there has been a decent period of time between my previous album Helical and the release of Intervals, Four years to be exact. This concept of time and the spaces between gives the title its other connotation, which is a nod to musical intervals and the spaces between notes. I think this becomes evident in my use of arpeggiation, which I feel is a grounding motif across the album." As with many Arndt's Near The Parenthesis works, there is a gentile hopefulness sewn through Intervals forty-minute runtime that provides much-needed solace in such unsettling times. Intervals will be out on October 16th on white vinyl, which is limited to 200 units worldwide.

HIGHLIGHTS 8th album for Near The Parenthesis.

Limited edition white vinyl with DL card

505 Eno St Hillsborough, NC 27278

4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com

Tom Principato House On Fire: Live in Europe Track Listing: 1. Til I Get What I Came Here For 2. They Took My Money 3. Voodoo Thing 4. Never Make Your Move Too Soon 5. Fish Fry 6. House On Fire 7. Hey Now Baby 8. Call The Law

Artist: Tom Principato

In 2003 to promote the latest release of the day for Tom

Title: House On Fire: Live In Europe

Principato “House On Fire”, The Tom Principato band with

Street Date: 10/16/2020

special guest keyboardist Tommy Lepson headed out for a Euro-

UPC: CD: 195269027148 Item #: CD POW-136 Export: WW Packaging: Digipak Box Lot: 34 Label: Powerhouse Records Distribution: Redeye Distribution Project Manager: Lori Miller

pean tour to promote that CD in Europe. What resulted was a great concert captured from Trosj Sessions radio in Hilversum, Netherlands. Included in the set are songs from the “House On Fire” CD as well as songs from the “Guitar Gumbo” CD, and Principato live repetoire standbys such as “Fish Fry”; a Smokin’ re-working of Louis Jordan’s Sat. Night Fish Fry” done at a blazing tempo, and classics like Principato’s own rocking “Call The Law” and a great cover of B.B. King’s “Never Make Your Move Too Soon”. A great companion to the recently re-released “House On Fire - Deluxe edition”.

HAUSU MOUNTAIN

Doug & Max HausuMountain @gmail.com 847-220-1755

BBsitters Club is a rock band based in Chicago that features Doug Kaplan and Charlie Olvera on guitars and vocals, Max Allison on bass, and Paul Birhanu on drums. The band orbits a network of HausMo co-founders Kaplan and Allison’s shared projects, including their duo Pepper Mill Rondo and the free-music trio Good Willsmith.

BBsitters Club came into being in a basement practice space in 2015, but didn’t emerge from their rehearsals until years later, opting to woodshed and sculpt their songs to the point that they could perform live as a fully realized project — loose around the edges and improvminded by design, but dialed into their tight instrumental interplay and on-a-dime transitions between styles and genres. Adopting an equally combinatory and confounding approach to rock composition and live performance, the band makes progressive music that channels the goofy energy of a crew of close friends feeding off of each other and developing a shared language. BBsitters Club & Party, their first studio album, walks the line between earnest rock sincerity and tongue-in-cheek parody. With all instrumental tracks recorded live as a full band at Jamdek Recording Studio in Chicago, the album captures the excitement of BBsitters Club’s live shows and demonstrates the level of telepathic collaboration they’ve achieved over years of playing together out of the public eye.

In their songwriting, lyrics, and vocal arrangements, the band embraces and ridicules tropes that have sunk into the rock lexicon over Artist: BBsitters Club the decades, all while loading their tracks with finely wrought deAlbum: BBsitters Club & Party tails and technical flourishes. Veering between the realms of countryLabel: Hausu Mountain fried rock, angular post-punk, time signature-juggling math rock, unabashed Guitar Center shred, and some mutated form of the blues Cat#: HAUSMO106 — to name just a few of the styles they try on — BBsitters Club make Formats: CD, Cassette (C55) a case for the modern dissolution of genre as we know it, while guarRelease Date: 10/16/20 (click album art to stream) anteeing that some vestige of the “rock band,” in all its absurd glory, remains intact. Regardless of the genres they’re inhabiting at any given moment, the band maintains an abiding focus on irregular meters and tricky arrangements, while always preserving a constant sense of groove and forward motion. BBsitters Club & Party flows through CD Cassette a tracklist that begins with more tightly regimented songs and evolves into longer, looser pieces with unfolding, suite-like structures that highlight passages of anything-goes improvisation. The band designed the album to imitate the energy and format of their raucous live performances, replete with abrupt shifts in mood and seamless segues between songs, all meant to ensure that the audience can never predict the next tangent that the band might choose to streak off into.

While the idea of the auteur rock songwriter has saturated 20th century music history, often embodied in one bandleader and a crew of players who perform their compositions, BBsitters Club operates as a purely democratic entity. The twisting structures of their songs and the juxtapositions between styles originate in writing sessions where every member contributes ideas to the conversation.

The band builds their songs on frameworks that combine instances of closely interlocked instrumental riffs with passages of jamband improvisation, to the point that these vocabularies become nearly indistinguishable. The band’s shared love of jam culture manifests in the arcane lore and inside jokes they share with their show-going friends, the unique setlists they plot for each performance, and the streamable online archive of live shows that they’ve compiled since the project’s inception. As time has ironed out the distinction between high and low brow music, and styles previously considered to be on the fringe have reached more ears than ever through the connective tissue of the internet, BBsitters Club channels the “everything is everything” mentality of modern music fandom. As they churn through disparate rock vocabularies with reckless glee, a holistic oneness permeates their music — embodied in the sense of fun and camaraderie that has animated bands of all styles across the decades.

OUT EVERYWHERE OCTOBER 16/2020

PAUL COLLINS’ BEAT another world – THE BEST OF THE ARCHIVES Culled from Paul Collins’ personal archives “Another World - The Best Of The Archives” compiles previously unreleased material going back to 1978 and the early days of the Paul Collins’ Beat. None of the songs have been released before in any form and all have been carefully remastered.

Complete with extensive liner notes by the man himself, this is an album for rock & roll lovers everywhere.

The VINYL comes with an insert, while the CD version includes a 6 page booklet and 4 bonus tracks not on the vinyl.

ALIVE 0211-1 VINYL LP

UPC : 095081021112 ROCK

ALIVE 0211-2 VINYL CD w/ BONUS TRACKS UPC : 095081021129 ROCK

COLOR

VINYL

ALIVE 0044LE-1 VINYL LP COLOR 6

34457 79491 7

UPC : 634457794917 ROCK

PRESSINGS!

ALIVE 0090LE-1 VINYL LP COLOR 6

34457 00457 3

UPC : 634457004573 ROCK

NEW RELEASES Street Date: 10.23.20 | Order Date: 10.02.20

ADRIANNE LENKER

songs and instrumentals

Big Thief ’s singer/guitarist/songwriter returns with an album of songs and an album of instrumentals

2xLP 4AD-0302-LP

Tracklist

CD | LP/CS 1 | A1 2 | A2 3 | A3 4 | A4 5 | A5 6 | A6 7 | B1 8 | B2 9 | B3 10 | B4 11 | B5 12 | C1 13 | D1

*vinyl non-returnable

two reverse ingydar anything forwards beckon rebound heavy focus half return come zombie girl not a lot, just forever dragon eyes my angel music for indigo mostly chimes

2xCD 4AD-0302-CD

2xCS 4AD-0302-MC

Selling Points

• • • • •

Headline touring and festivals 2021/2022 Big Thief catalog 200,000+ U.S. albums scanned Aggressive outdoor and online advertising campaign New Yorker feature confirmed Late night TV and press in all major outlets

Also Available: Big Thief

U.F.O.F. LP + CD

Two Hands LP + CD

It was early March 2020 and the Big Thief tour had just been cut short, so I flew from Europe to NYC. It just so happened that there was a little cabin available for rent right next door to Zoe and Brian in the mountains in Western MA. So I grabbed my truck and drove out to the country. As I settled into the cabin over the course of a month, I grew really connected to the space itself. The one room cabin felt like the inside of an acoustic guitar -- it was such a joy to hear the notes reverberate in the space . I got a hankering to capture it, so I called my friend Phil and asked “How’d you like to get outta the city and make a record that sounds like the inside of an acoustic guitar?” Phil said “100%” and by the grace of some of our dear friends, we were able to gather the materials needed. Brendan lent us about 45 tape machines. Eli lent us a binaural head (which looked remarkably like Phil), and Shahzad lent us a pile of XLR cables. I drove into the city at 5am on the 20th of April, scooped up Phil and then we filled my truck to the brim as we stopped and gathered the gear along the way back to Massachusetts.

We unloaded all of the equipment into the small cabin and began setting up. Unfortunately, one of the first things that happened was the unstable electricity fried four of our tape machines, including the Otari 8 track. Bill tried to fix it at his shop in Sturbridge, but it was beyond repair.

After almost three weeks of setup and troubleshooting, the studio finally was operating -- although the only functioning tape recorder we had was Phil’s battery powered Sony Walkman. We felt at peace with the idea that we might just be recording the whole record on cassette tape, but that would have meant no overdubs, so I’m grateful for the rescue Otari 8 Track that Brendan was able to dig out of storage and deliver to us right before we had lost all hope.

I had a handful of songs that I was planning on recording, but by the time Phil arrived I was on a whole new level of heartsick and the songs were flying through my ears. I was basically lying in the dirt half the time. We went with the flow.

A lot of the focus was on getting nourishment from our meals.

We cooked directly on the woodstove, and we went on walks to the creek every day to bathe.

Nine of these songs were written freshly during the recording session. We began and closed each day with an improvised acoustic guitar instrumental, and we made a collage of our favorite pieces, which became the first side of the instrumentals album.

I’m grateful that this music has come into existence. These songs have helped me heal. I hope that at least in some small way this music can be a friend to you. - Adrianne Lenker

Available from: October 23rd, 2020 505 Eno Street Hillsborough NC 27278 redeyeworldwide.com 877.733.3931

4AD 134 Grand Street, New York, New York 10013

LAURA VEIRS – MY ECHO

It’s my “my songs knew I was getting divorced before I did" album Includes appearances from Jim James, Bill Frisell, Karl Blau, Matt Ward and others

OUT ON RAVEN MARCHING BAND - OCTOBER 23 2020 SALES NOTES & UPC

LP-RMB-016X – Indie Only Neon Pink Vinyl – 634457030848 LP-RMB-016 – Black Vinyl - 634457030725 CD-RMB-16 – CD – 634457030718 Digital – 634457030244

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Indie only Neon Pink limited to 500 pressings Indie only color will be promoted on Laura’s socials.

Spotify (226k Monthly listeners Bandsintown: (42.6k trackers worldwide – 26.5k trackers in the US) Instagram: @lauraveirs (7k followers) Twitter: @lauraviers (17k followers) Facebook: @lauraveirs (22k followers) album 11 following her collaboration album Case Lang Veirs with Nico Case, K.D Lang My Echo Press

“Laura Veirs was our first-ever Artist To Watch way back in 2004, and, well, we’re still watching” Stereogum “The track itself is a gorgeous blend” – Under The Radar Covered by P4K, NYT, NPR, NME, Glide, Line Of Best Fit, Brooklyn Vegan, and more

Laura Veirs’ releases her 11th album on her label, Raven Marching Band. themes of “advancing age, the confines of domesticity, our oppressive government and the threat of the apocalypse.” Also stating, “In these songs my heart craves certainty and permanence but none is to be found. It’s an album about disintegration.”

Laura Veirs’ on My Echo: “Although these songs were written before quarantine they are strangely relevant to times in which we find ourselves currently.

You will find me staring at the walls ("Turquoise Walls"). You will find me feeling grateful to be alive ("Memaloose Island").

You will find me accepting the ephemeral nature of life ("Vapor Trails" and "All the Things"). You will find me searching for personal freedom while feeling trapped ("Freedom Feeling"). You will find me trying to accept that sometimes the best thing to do is to sit still and do nothing at all ("Another Space and Time").”

PLANNED PROMOTIONAL ACTIVITY In-depth interview with The Guardian, Uncut, and more to come Marketing spends with direction towards purchase of indie exclusive vinyl Up-ing spends with streaming platforms to grow Laura’s already developed audience

DRIVE-BY TRUCKERS

e v i L TX n i t s u A

1st

Time On W ax

!

from

Street Date: October 23, 2020 TRACKLIST:

LP Sel. #: NW5347 Config: Gatefold, 2xLP, 180g, Black Vinyl UPC: 607396534725 Box Lot: 20 Count Genre: Southern Rock, Alternative

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SIDE A 1. Perfect Timing (3:06) 2. Heathens (5:10) 3. A Ghost to Most (4:46) 4. The Righteous Path (4:31) 5. I’m Sorry Huston (3:29)

SIDE B 1. 3 Dimes Down (2:55) 2. Puttin’ People On The Moon (7:08) 3. Space City (4:55) 4. The Living Bubba (6:21)

SIDE C 1. Zip City (5:19) 2. 18 Wheels Of Love (11:34)

SIDE D 1. Let There Be Rock (5:29) 2. Marry Me (5:52)

The Drive-By Truckers Austin City Limits performance was recorded on September 23, 2008 during their Brighter Than Creation’s Dark tour. The band lineup featured Patterson Hood, Mike Cooley, Shonna Tucker, John Neff, Brad Morgan and Jay Gonzalez. Lauded by fans as an instant classic and hailed

by Patterson Hood as the band’s best filmed performance to date, this acclaimed recording is now on vinyl for the first time ever. Pressed on 180g vinyl, this 2xLP package features a new alternate cover printed on a high quality gatefold jacket.

MARKETING POINTS: • Released on Vinyl for the first time ever • 180g Vinyl • Nearly 40K CD/DVDs sold across the world • No digital release. Vinyl only.

INDIE EXCLUSIVE LP Sel. #: NW5435 Config: Gatefold, 2xLP, 180g, Green Splatter Vinyl UPC: 607396543519 Box Lot: 20 Count Genre: Southern Rock, Alternative

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L i v e Fr o m A u s t i n T X . c o m N e w W e s t R e c o r d s . c o m D r i v e B y Tr u c k e r s . c o m

h t t p s : / / w w w. f a c e b o o k . c o m / d r i v e b y t r u c ke r s h t t p s : / / t w i t t e r. c o m / d r i v e b y t r u c k e r s h t t p s : / / w w w. i n s t a g r a m . c o m / d b t r o c k s h o w

ACTRESS KARMA & DESIRE Release Date: October 23, 2020 Actress is due to release his forthcoming album Karma & Desire on Ninja Tune. The album is available on Deluxe clear 2LP, Standard black 2LP, and CD. Karma & Desire — a follow up to critically acclaimed records AZD, Ghettoville and more — includes collaborations with Sampha, Zsela, Aura T-09 (co-runs Evar Records with John Frusciante), Vanessa Benelli Mosell and Rebekah Christel.

The album will be accompanied by ‘a broken romance espionage ethereal short film’ by Lee Nachum. The campaign for Karma & Desire was kicked off with a surprise 49min audio file from Actress entitled “88”.

“88” was revealed by Actress in July and made available for a limited time on Bandcamp before retreating into the ether. The release marked the first release Actress (outside of his Young Paint alias) since 2018's team-up with the London Contemporary Orchestra for the release of LAGEOS. “brings a deeply twisted nostalgia to the techno and house of decades past” - The New York Times “clarity of vision” - Pitchfork (AZD) CAT NO: ZEN271 UPC: 5054429143386 Box Lot: 15

￫ Double 140g black vinyl ￫ Printed inners ￫ Includes download code

CAT NO: ZEN271X UPC: 5054429143461 Box Lot: 15

￫ Deluxe Version ￫ Double 140g clear vinyl in Foil bag ￫ Printed inners ￫ Includes download code

CAT NO: ZENCD271 UPC: 5054429143393 Box Lot: 35

￫ CD in cardboard gatefold sleeve with printed wallet

A1. Fire and Light A2. Angels Pharmacy (feat. Zsela) A3. Remembrance (feat. Zsela) A4. Reverend B1. Leaves Against The Sky B2. Save B3. VVY (feat. Sampha) B4. XRAY B5. Gliding Squares C1. Many Seas, Many Rivers (feat. Sampha) C2. Loveless (feat. Aura T-09) C3. Public Life (feat. Vanessa Benelli Mosell) C4. Fret D1. Loose (feat. Rebekah Christel) D2. Turin (feat. Aura T-09) D3. Diamond X D4. Walking Flames (feat. Sampha)

Genre: Electronic Key Markets: Los Angeles, Brooklyn, Chicago, New York City, Seattle Recommended if you like… Burial, Joy Orbison, Dean Blunt, Oneohtrix Point Never, Autechre

naretail@ninjatune.net ninjatune.net

THIS IS THE KIT Off Off On

October 23, 2020 TRACKLISTING A1. Found Out A2. Started Again A3. This Is What You Did A4. No Such Thing A5. Slider A6. Coming to Get You Nowhere

B1. Carry Us Please B2. Off Off On B3. Shinbone Soap B4. Was Magician B5. Keep Going

PRESS: • Previous album landed on Best of the Year lists from NPR, Paste, and Uproxx and received positive reviews from Pitchfork, Rolling Stone, Paste, and more.

• Previously featured on NPR Tiny Desk + Weekend Morning Edition + All Songs Considered HIGHLIGHTS / SELLING POINTS: Highlights / Selling Points • In 2019, Kate contributed to The National’s I Am Easy To Find with recorded vocals, multiple tours, and TV appearances • Non-comm radio campaign behind “This is What You Did” - including a multi-station track premiere

Kate Stables’ group This Is The Kit have created a name for themselves with songs that untangle emotional knots and weave remarkable stories. Their second album for Rough Trade Records, Off Off On, (October 23, 2020) is a beautifully clear distillation of Stables’ songwriting gifts. The songs are exquisitely astute, the album title suggesting life’s glitchy rhythms – “two steps backwards, one step forwards… Swinging between good places and bad places inside and out.”

As the songs coalesced, she decided to work on the new record with producer Josh Kaufman, a New York-based musician, Hold Steady collaborator and member of Bonny Light Horseman and Muzz. Stables first met him when working with Anais Mitchell, their paths crossing again at Bon Iver and Aaron Dessner’s PEOPLE residencies in Berlin and Brooklyn.

The result of their work together is Off Off On. Richly illuminating and acutely sensitive to the pulses and currents of life, the album shows This Is The Kit overflowing with ideas, energy and power.

Red Indie LP: RT-0148-LPE LP: RT-0148-LP CD: RT-0148-CD File Under: Alternative File Under: Alternative File Under: Alternative Vinyl Non-Returnable

134 GRAND ST, NYC 10013

Vinyl Non-Returnable

ROUGHTRADERECORDS.COM

JOHN FRUSCIANTE MAYA LABEL:

TIMESIG STREET DATE:

23rd OCTOBER 2020

FORMAT DETAILS: 2xLP: TIMESIG011. EAN: 5055300399823.

BOX COUNT 25. 3MM SPINE

CD: TIMESIG010CD. EAN: 5055300399830.

BOX COUNT 25. JEWEL CASE.

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label.

The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. He says "Maya was with me as I made music for 15 years, so I wanted to name it after her.

She loved music, and with such a personal title, it didn't seem right to call myself Trickfinger, somehow, so it's

by John Frusciante."

A: Brand E Usbrup Pensul B:

Flying Pleasure Explanation Blind Aim C:

Reach Out Amethblowl D: Zillion Anja Motherless

REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

'Maya' is inspired by his favourite music: '91 to'96 UK breakbeat hardcore and jungle. It’s a varied and personal take with sophisticated, authentic production balanced against John’s acute sense of melody, an inspired blending of machines and samples infused with a joyful energy.

After discovering early UK rave music, John started dancing at drum & bass club nights in Los Angeles. He then got into Venetian Snares' music at the Autechre curated ATP in 2003, eventually becoming friends with Aaron resulting in the Speed Dealer Moms collaboration which boosted his confidence in making electronic music.

The process of making his tracks changed over time as John explains; “For a full year before I started this record, I worked within self-imposed limitations and rules that made the music-making process as difficult as possible, programming for programming's sake. After a full year of that, I decided to make things easier, to the degree that I could regularly finish tracks I enjoyed listening to, while continuing many of the practices I‘d developed. Throughout the recording of Maya, I would prepare to make each track very slowly, but would finish tracks very quickly. I'd spend weeks making breakbeats, souping up a drum machine, making DX7 patches, and so on. By the time an idea came up that seemed like the beginning of a tune, I had a lot of fresh elements ready to go."

John says his solo music has changed; "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he’s having on 'Maya' is infectious.

TIMESIG / PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / WILL SAVERY will@redeyeworldwide.com

RECORDS

• The Oakland-Based Black Jazz Label Emerged from the Late-‘60s/Early-‘70s Movement That Led to a Number of Black-Run Artist Collectives Such as the AACM (Artists Association for the Advancement of Creative Musicians) • Founded by Ovation Records Owner Dick Schory and Pianist Gene Russell, Who Produced All the Black Jazz Releases • Reputed to Be the First Jazz Label Started by an African- American Since 1921, Black Jazz’s Mission Statement Was “to Promote the Talents of Young African American Jazz Musicians and Singers” • The Label Released About 20 Albums During Its Brief (1971-1975) Existence, and Then Faded into Obscurity • But a New Generation of Crate Diggers and DJ’s Discovered the Label’s Amazing Array of Modal, Soul, Funk, and Free Jazz, Much of It Imbued with the Political and Spiritual Concerns of the Day • The Result Was That Black Jazz Is Among the Most Collectible Labels in Existence, with Original LPs Selling for Hundreds of Dollars • The Label Was Reissued on CD in Japan During the ‘90s and Early 2000s, but Virtually None of the Black Jazz Titles Have Been Reissued on LP • Now, Real Gone Music Has Obtained the Rights to Reissue the Entire Black Jazz Catalog on LP and CD • Remastered by Mike Milchner at Sonic Vision • Lacquer Cutting by Clint Holley and Dave Polster at Well Made Music • LPs Pressed at Gotta Groove Records in Black Vinyl • Original Album Art • Produced for Reissue by Real Gone’s Own Gordon Anderson and Decorated Jazz Archivist Zev Feldman • Roland Haynes’ 1975 Album Second Wave Is One of a Kind and Not Just Because It’s His Only Album • Has a Sound and a Line-Up Unlike Almost Any Other Jazz Fusion Record to Come Out Before or Since • Features Haynes and Kirk Lightsey (Chet Baker, Pharoah Sanders, Sonny Stitt) on Dueling Fender Rhodes Electric Pianos • Anchored by a Rock-Solid Rhythm Section of Drummer Carl Burnett (Cal Tjader, Vince Guaraldi, Gene Harris and The Three Sounds) and Bassist Henry “The Skipper” Franklin (Ornette Coleman, Don Cherry, Hugh Masekela, and Several Black Jazz Titles to Come) • The Cascading Sound of the Electric Pianos Brings to Mind Miles Davis’ Early ‘70s Electric Bands and Herbie Hancock’s Head Hunters Album, Plus Later Fusion Players Like Jan Hammer and Bill Bruford • But with No Horns or Guitars in the Mix, Second Wave Has a Sound All Its Own • Pat Thomas’ Liner Notes Include Quotes from Drummer Burnett and Bassist Franklin • Available on CD or in Its First Ever Vinyl Reissue

ROLAND HAYNES: Second Wave (Remastered Vinyl Edition) iBarcoder Trial "

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UPC: 848064011088 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 60

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UPC: 848064011118 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30

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In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America. In Chicago, there was the AACM (Association for the Advancement of Creative Musicians), which spawned among many other artists the Art Ensemble of Chicago. In Watts, Horace Tapscott founded UGMAA (Union of God’s Musicians and Artists Ascension). In Brooklyn, the CBA (Collective Black Artists) included Reggie Workman, Donald Byrd, and Stanley Cowell (co-founder of the Strata East Record label) among its members. In Detroit, Wendell Harrison, Phil Ranelin, and others formed a collective called The Tribe.

And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory. Reputed to be the first jazz record label started by an African-American since 1921, its mission statement was “to promote the talents of young African American jazz musicians and singers.”

Under Russell’s artistic direction, the label only put out about 20 albums during its short, 4-year (19711975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact…but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere.

We at Real Gone Music first began tracking down the rights to the Black Jazz label back in 2017.

Finally, after a couple of leads went cold, we were able to connect with the rights-holders in early 2020… right before quarantine and the subsequent events that triggered worldwide protests for racial equality.

Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. Produced

by Real Gone Music’s own Gordon Anderson and decorated jazz archivist Zev Feldman. With each Black Jazz album release, Real Gone Music will donate $500 to the Equal Justice Initiative.

ROLAND HAYNES: SECOND WAVE (Remastered CD & Vinyl Edition)

STREET DATE: OCTOBER 23, 2020 This 1975 album is one of a kind in lots of ways. First, it’s keyboardist Roland Haynes’ only album. But more importantly, Second Wave has a sound—and line-up—unlike pretty much any other jazz fusion album to come out before or since. Anchored by a fantastic rhythm section of Carl Burnett (Cal Tjader, Vince Guaraldi and most notably Gene Harris and The Three Sounds) and Henry “The Skipper” Franklin (leader on a couple of Black Jazz titles still to come, plus Ornette Coleman, Don Cherry, Hugh Masekela, and many others), the album features dueling Fender Rhodes tickled by Haynes and Kirk Lightsey, who played with everyone from Chet Baker to Pharoah Sanders to Sonny Stitt, not to mention a bunch of Black Jazz dates. The cascading sound of the two electric pianos, one (Lightsey’s) often driven through a wah-wah pedal, gives Second Wave a special vibe all its own; there are not horns or guitars getting in the way of these mindblowing keyboard jams. Some folks might hear a little ‘70s-era Miles Davis when Joe Zawinul, Chick Corea, Keith Jarrett and/ or Herbie Hancock were in the band, and Hancock’s own Head Hunters album comes to mind (as well later fusion dudes like Jan Hammer and Bill Bruford), but Second Wave is sui generis. Our Real Gone reissue is remastered for CD and vinyl by Mike Milchner at Sonic Vision, with LP lacquer cutting by Clint Holley and Dave Polster at Well Made Music, and features new liner notes by Pat Thomas, author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975, that include a couple of quotes from drummer Burnett and bassist Franklin. First ever time reissued on vinyl!

LP TRACKS: Side One 1. Eglise 2. Second Wave 3. Kirstn’s Play Side Two 1. Aicelis 2. Descent 3. Funky Mama Moose

CD TRACKS: 1. Eglise 2. Second Wave 3. Kirstn’s Play 4. Aicelis 5. Descent 6. Funky Mama Moose

STEVE WYNN: DECADE • Steve Wynn First Gained Fame as the Lead Singer and Songwriter for the Renowned Paisley Underground Band The Dream Syndicate • But His Post-Dream Syndicate Solo Career Rivals That of Any Indie-Rock Singer-Songwriter • Now, Steve Wynn and Real Gone Music Have Joined Forces to Release the 11-CD Set Decade • Chronicles with Lavish Deluxe Editions the Guitar-Driven Albums Wynn Released from 1995-2005, Most of Which Have Long Been Out of Print • Includes the U.S. releases Melting In The Dark, Sweetness and Light, My Midnight, Here Come The Miracles, Static Transmission, and …Tick…Tick…Tick, and the GermanOnly Compilation Entitled The Emusic Singles Collection • Also Features Tracks from the European-Only Rarities Comp Pick of the Litter • Some Albums Expanded to Two CDs with Bonus Material • All Remastered by Mike Milchner at SonicVision • 166 Tracks • 57 Unreleased Tracks Plus 31 Other Rarities • Compiled from Marathon Listening Sessions by Wynn and Steve Wynn (and Dream Syndicate) Archivist Pat Thomas • Some Albums Feature Wynn’s Core Band of Linda Pitmon on Drums, Dream Syndicate Guitarist Jason Victor, and Long-Time Miracle 3 Bass Player Dave DeCastro • Also Making an Appearance Are Green On Red Keyboardist Chris Cacavas, Giant Sand’s Howe Gelb, Indie Chanteuse Barbara Manning, Chris Brokaw & Thalia Zedek of Come, Tony Maimone of Pere Ubu, John Convertino of Calexico, Rich Gilbert, and Many Others • Full-Color 48-Page Book Highlighted by Wynn’s Notes on All 57 Unreleased Songs • Also Includes an Essay from Archivist Pat Thomas and Several of Wynn’s Musical Comrades • Tons of Unreleased Photos • The Ultimate (and We Do Mean Ultimate) Steve Wynn Collection

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UPC: 848064009016 FORMAT: 11-CD Set PACKAGING: 3 Single-CD Wallets & 4 Double-CD Wallets Inside Hinged Box with 48-Page Perfect-Bound Book BOX LOT: 10

(11-CD Set) STREET DATE: OCTOBER 23, 2020 Steve Wynn first gained fame as lead singer and songwriter for the legendary Paisley Underground outfit The Dream Syndicate. But his post-Dream Syndicate solo career is the equal of any indie-rock singer-songwriter you’d care to name. Now, Real Gone Music and Steve Wynn have joined forces to release Decade (yup, the Neil Young reference is deliberate), an 11-CD set that chronicles, with lavish deluxe editions, the guitar-driven albums Wynn recorded between 1995 and 2005, most of which have been long out-of-print.

The statistics on this box set are mind-blowing: 166 tracks, 57 of them totally unreleased, plus 31 other rarities! That’s right…over half of this 11-CD set consists of either hitherto unknown recordings or tracks that have been almost impossible to find! As for the other tracks, they hail from the following albums: the American releases Melting In The Dark, Sweetness and Light, My Midnight, Here Come The Miracles, Static Transmission, and …Tick…Tick…Tick, and the German-only compilation entitled The Emusic Singles Collection (rare tracks from another European-only release, a collection of rarities entitled Pick of the Litter, appear here as well).

So where do all the unreleased tracks come from? Well, during this 10-year period, Steve Wynn recorded dozens of songs – sometimes at home and occasionally in a proper studio. Many of those songs got re-recorded and revamped and became key memorable parts of his catalog.

Other songs got tossed away and forgotten.

For Decade, long-time Steve Wynn (and Dream Syndicate) archivist Pat Thomas in cooperation with Steve Wynn listened to about a hundred hours of unreleased tapes and compiled this amazing box set that not only includes remastered (by Mike Milchner of SonicVision) versions of some of Steve Wynn’s best albums but also the first American release of the two rare European only titles. And – it bears saying again – 57 previously unreleased recordings that not even hardcore tape traders have heard! And 31 other rarities that only the most devoted fan could possibly have.

Several of these albums were recorded with Steve Wynn’s core band of Linda Pitmon on drums, Dream Syndicate guitarist Jason Victor, and long-time Miracle 3 bass player Dave DeCastro.

Along the way, there are appearances from Green On Red keyboardist Chris Cacavas, Giant Sand’s Howe Gelb, indie chanteuse Barbara Manning, Chris Brokaw & Thalia Zedek of Come, Tony Maimone of Pere Ubu, John Convertino of Calexico, Rich Gilbert and many others.

With so much material, you need a program…and so Steve Wynn himself has penned very detailed notes that tell the stories behind the origins of all 57 previously unreleased songs!

Plus essays from box set producer Pat Thomas and several of Wynn’s long time bandmates.

And a pile of previously unseen photos from Linda Pitmon’s archives – most of them taken by Linda herself. All inside a mammoth, full-color, 48-page book!

A Decade of Steve Wynn. You need this. It won’t stay in print forever. Maybe not even a decade.

SELLING POINTS • In the Early 1970s, Belgian Recording Engineer and Synthesist Daniel Lacksman née Lanckmans Recorded a Series of Pop Music Records That Employed Early Analog Synthesizers as a Central Sonic Element • Released Under His Own Name as Well as a Confusing Array of Pseudonyms (e.g. Electronic System), These Albums Were Released with Little More Than Commercial Considerations in Mind • But They Were So Innovative in Their Use of the Synthesizer That They Ended Up Influencing an Entire Generation of European Electronic Music Artists, Including Portishead, Massive Attack, and Especially Air • Today, These Releases Are Among the Most Collectible of Their Kind, with Original Copies Commanding Hundreds of Dollars • Now, Real Gone Music Has Teamed with Lacksman to Reissue Three of the Most Sought-After Items in His Catalog • All Releases Newly Mastered for CD and LP by Dan Lacksman Himself • Both LP and CD Releases Include Liner Notes by Bill Kopp Featuring Exclusive Quotes from Lacksman • Unseen Photos from Lacksman’s Private Archive • LPs Pressed at Gotta Groove Records

SELLING POINTS • Lacksman’s 1973 Self-Titled Release Was a True Outlier in His Catalog, as It Featured Him on Guitar and Vocals as Well as Synths • Features an Early Version of “Skylab” • Most Accessible Album for Those Coming from a Rock Background, Calling to Mind Steely Dan, Eno, Robert Wyatt & Kevin Ayers

In

the early 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars.

Now, Real Gone Music is finally reissuing and restoring three pioneering Euro Synth-Pop classics from Lacksman’s 1970s catalog: Dan Lacksman and Electronic System: Vol. II (both from 1973), and 1974’s Electronic System: Tchip Tchip (Vol. 3) (also released Germany as Skylab). Though Moog-based electronic sounds would fall out of musical fashion in the 1980s, with the dawn of MIDI and digital technology, modern-day listeners and musicians alike have been rediscovering the music of Lanckmans and his peers; all three albums – as well as Lanckmans’ other records of that era and beyond – have been widely sampled by 21st century artists. Our Real Gone Music reissues have been mastered for LP and CD from the original tapes by the composer himself, and feature liner notes by Bill Kopp that include exclusive quotes from Lanckmans and photos from his private archive. Brilliant moog music!

dan hacksman (CD & Limited Neon Green Vinyl Edition) STREET DATE: OCTOBER 23, 2020

• LP Pressed in Neon Green Vinyl Limited to 900 Copies DAN LACKSMAN: Dan Lacksman CD

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UPC: 848064010906 FORMAT: Regular Weight Neon Green Vinyl PACKAGING: LP Jacket LIMITED EDITION: 900 Copies BOX LOT: 60

Lacksman already had an album (Flamenco Moog) and a minor European hit (“Coconut”) under his belt when he recorded 1973’s Dan Lacksman, which is a true outlier in his catalog in that it features him on guitar (!) and voice (!!) along with his usual keyboard wizardry. As such, it’s probably his most accessible record for those approaching his music from a strictly rock background. An early version of “Skylab” hints at the grand version to come on Tchip Tchip; some of the album sounds like a Belgian version of Steely Dan, and at times you might even hear a little early Eno/Robert Wyatt/Kevin Ayers prog punctuated by a couple of drinking songs. Overall, it’s a progressive pop singersongwriter album and a bit of a trailblazer at that…which explains why original copies go for a mint. Out on CD and a neon green vinyl pressing limited to 900 copies!

CD SONGS: 1. Love You Every Day 2. Sunshine Is Gone 3. Jet Set Woman 4. Happiness Is a Cold Beer 5. Monday Morning 6. I Start a Dream Today 7. Skylab 8. Sad Way 9. In the Middle of the Road 10. Give It Up 11. When We’re Looking at the Barmaid 12. For Mary LP SONGS: Side One 1.

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Love You Every Day Sunshine Is Gone Jet Set Woman Happiness Is a Cold Beer Monday Morning I Start a Dream Today

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Skylab Sad Way In the Middle of the Road Give It Up When We’re Looking at the Barmaid 6. For Mary

SELLING POINTS • Recorded the Same Year (1973) as Dan Lacksman, Electronic System: Vol. II Represented the Full Flowering of Lacksman’s Synth Wizardry • Proceeds from an Early European Hit (“Coconut”) Allowed Him to Buy a Modular Synthesizer, Which Afforded a Vastly Expanded Tonal Palette • The Result Was an Album Full of Sonic Surprises Even on Nakedly Commercial Tracks Like His Cover of Ritchie Valens’ “La Bamba”

ELECTRONIC SYSTEM: Vol. II (CD & Limited Yellow Vinyl Edition) STREET DATE: OCTOBER 23, 2020

• An Analog Synth Tour De Force • LP Pressed in Yellow Vinyl Limited to 900 Copies ELECTRONIC SYSTEM: Vol. II CD

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UPC: 848064010937 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30 ELECTRONIC SYSTEM: Vol. II (Limited Yellow Vinyl Edition)

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UPC: 848064010944 FORMAT: Regular Weight Yellow Vinyl PACKAGING: LP Jacket LIMITED EDITION: 900 Copies BOX LOT: 60

SELLING POINTS • The Most Collectible Album in Lacksman’s Catalog, Electronic System: Tchip Tchip (Vol. 3) Offers More of the Composer’s Signature Blend of Synthesizer Kitsch and Keyboard Creativity • But Tchip Tchip Also Features the 14-Minute “Sky Lab,” Which Sounds Like It Came Right off an Air Record Released 25 Years Later, with a Little Pink Floyd Thrown In

While the first album Dan Lacksman recorded in 1973 was an atypical singer-songwriter foray, the second album from that year—credited to his pseudonym Electronic System— featured the full flowering of his synthesizer mastery. His hit recording “Coconut” had enabled him to buy a modular synthesizer, which offered a vastly expanded tonal palette— if you had the patience to re-wire for each sound you wanted to achieve. Which was the perfect set-up for a studio engineer like Lacksman…the result is an album full of sonic surprises, with each track presenting multiple, unique synthesizer tones and attacks, even on such nakedly commercial moves as his cover of Ritchie Valens’ “La Bamba.” An analog synth tour de force!

Presented on CD and a yellow vinyl pressing limited to 900 copies.

Pretty much all of Lacksman’s ‘70s releases command a devout collector following, but none of them can measure up to the one he recorded in 1974 under the name Electronic System, Tchip Tchip (Vol. 3). While much of side one Tchip Tchip presents the composer’s signature blend of synthesizer kitsch and boundary-breaking creativity, ranging from the oom-pah sound of the title track to the wacky “Spider,” almost all of side two is devoted to the 14-minute “Sky Lab,” which sounds like it came right off an Air record recorded 25 years later, with maybe a little Dark Side-era Pink Floyd thrown in. A true marvel, this track is why original copies of Tchip Tchip are downright unaffordable…it’s not to be missed.

Released on CD and an orange vinyl pressing limited to 900 copies!

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UPC: 848064010913 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30 ELECTRONIC SYSTEM: Tchip Tchip (Vol. 3) (Limited Orange Vinyl Edition)

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UPC: 848064010920 FORMAT: Regular Weight Orange Vinyl PACKAGING: LP Jacket LIMITED EDITION: 900 Copies BOX LOT: 60

Side One 1.

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Top Jerk Dedicated to Gerard Fats I Start a Dream Today La Bamba No. 2

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Plic-Ploc Electronic Flair Moog Jealousy Going Back to Moog City It’s Raining Today Top Tang

(CD & Limited Orange Vinyl Edition)

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TCHIP•TCHIP (VOL. 3) STREET DATE: OCTOBER 23, 2020

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1. Top Jerk 2. Dedicated to Gerard 3. Fats 4. I Start a Dream Today 5. La Bamba No. 2 6. Plic-Ploc 7. Electronic Flair 8. Moog Jealousy 9. Going Back to Moog City 10. It’s Raining Today 11. Top Tang

ELECTRONIC SYSTEM:

• One of the Most Astounding Tracks to Come Out of ‘70s European Pop…Not to Be Missed

ELECTRONIC SYSTEM: Tchip iBarcoder TrialTchip (Vol. 3) CD

CD SONGS:

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Tchip Tchip Hey – Hey Stay with Me In the Woods Spider Funny Kouly Lullaby Sky Lab

LP SONGS: Side One 1.

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Tchip Tchip Hey – Hey Stay with Me In the Woods Spider Funny Kouly

Side Two 1. Lullaby 2. Sky Lab

MERRY CLAYTON GIMME SHELTER SELLING POINTS

(Limited Black & White “Gray Eye” Vinyl Edition)

• Merry Clayton Is One of the Greatest Back-Up Vocalists of All Time • Featured in the Academy Award-Winning Documentary 20 Feet from Stardom • Sang for Everybody from Bobby Darin to Ray Charles to Joe Cocker to Linda Ronstadt to Neil Young to Lynyrd Skynyrd (on “Sweet Home Alabama”) • But Her Most Famous Back-Up Gig Will Forever Be Her Stunning Duet with Mick Jagger on the Rolling Stones’ “Gimme Shelter” (“It’s Just a Shot Away!”)

• That Song Led Lou Adler to Sign Her to Ode Records • Her 1970 Debut Solo Album for Ode Featured Her Hit Recording of “Gimme Shelter” • Also Included Passionate, Powerful Renditions of Such Songs as James Cleveland’s “Here Come Those Heartaches Again,” The Doors’ “Tell All the People,” James Taylor’s “Country Road,” and Paul Simon’s “Bridge over Troubled Water” • Produced by Lou Adler and Arranged by the Great Gene Page • Features Billy Preston on Keyboards • Real Gone Music’s Reissue of This Classic Soul Record Comes in Black & White “Gray Eye” Vinyl • Limited to 700 Copies

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UPC: 848064011248 FORMAT: Regular Weight Black & White “Gray Eye” Vinyl PACKAGING: LP Jacket LIMITED EDITION: 700 Copies BOX LOT: 30

STREET DATE: OCTOBER 23, 2020 As the Academy Award-winning documentary 20 Feet from Stardom made abundantly clear, Merry Clayton is one of the greatest and most distinguished female backup singers in rock and soul history, having sung with everybody from Bobby Darin to Ray Charles to Joe Cocker to Linda Ronstadt to Neil Young to Lynyrd Skynyrd (on “Sweet Home Alabama”).

But her most famous vocal turn, of course, was her 1969 duet (“It’s just a shot away!”) with Mick Jagger on “Gimme Shelter.”

The notoriety she gained from that led to a recording contract with Lou Adler’s Ode label, and to this 1970 debut solo record, which took its title from the Stones track and featured Merry’s own hit solo version of the song. But don’t stop there—produced by Adler, arranged by the great Gene Page, and featuring Billy Preston on keyboards, this album is an overlooked soul classic, with Merry’s indomitable voice taking songs like James Cleveland’s “Here Come Those Heartaches Again,” The Doors’ “Tell All the People,” and James Taylor’s “Country Roads” to dizzying heights (she also turns “Bridge over Troubled Water” into the sanctified gospel hymn it truly is). For this reissue, we’ve pressed up 700 copies in totally cool, black & white “gray eye” vinyl!

SONGS

SIDE ONE 1.

2.

3.

4.

5.

Country Road Tell All the People Bridge over Troubled Water I’ve Got Life Gimme Shelter

SIDE TWO 1. Here Come Those Heartaches Again 2. Forget It I Got It 3. You’ve Been Acting Strange 4. I Ain’t Gonna Worry My Life Away 5. Good Girls 6. Glad Tidings

CHAVEZ GONE GLIMMERING (EXPANDED) SELLING POINTS

TRACKLIST

01 NAILED TO THE BLANK SPOT 02 BREAK UP YOUR BAND 03 LAUGH TRACK 04 THE GHOST BY THE SEA 05 PENTAGRAM RING 06 PEELED OUT TOO LATE 07 THE FLAMING GONG 08 WAKEMAN’S AIR 09 RELAXED FIT 10 THE NERVE 11 YOU FADED 12 HACK THE SIDES AWAY 13 REPEAT THE ENDING

• REISSUED FOR THE DEBUT ALBUM’S 25TH ANNIVERSARY • DOUBLE LP IN A GATEFOLD SLEEVE WITH NEW ARTWORK • INCLUDES TRACKS FROM PENTAGRAM RING EP ON VINYL FOR FIRST TIME • PROMOTED ONLINE WITH ARCHIVAL VIDEOS, UNSEEN FOOTAGE AND NEW INTERVIEWS • PART OF MATADOR’S REVISIONIST HISTORY 2020 SERIES, INCLUDING RELEASES FROM GUIDED BY VOICES, PAVEMENT AND YO LA TENGO

PRAISE FOR CHAVEZ “Probably weren’t the first mid-90s band to have their knotty guitar textures and algebraic time signatures called ‘math rock,’ but they might have been the best.”

— Entertainment Weekly “Chavez’s two Matador full-lengths stand as some of the best indie rock ever released.”

- Pitchfork

Double LP OLE-1620-LP

191401162012

134 Grand St New York, NY 10013 United States (212) 995-5882

RELEASE DATE: OCTOBER 23, 2020 NON EXPORTABLE

505 Eno Street Hillsborough NC 27278 United States (877) 733-3931

THE FALL

October 23rd, 2020 ▶ 2CD / 2XLP ▶ Original album + singles and B-Sides ▶ Extensive sleeve notes w/ brand new interviews conducted by Daryl Easlea in May 2020

The Frenz Experiment Expanded Edition

▶ Beggars Arkive is excited to announce the upcoming reissue of The Fall’s 10th studio album, 1988’s THE FRENZ EXPERIMENT. Available as an expanded edition on CD and LP, the releases both contain the original album, plus singles and B-Sides. The CD version also includes a previously unreleased 4-track BBC session and “A Day In The Life” Beatles cover rarity, plus a 24-page booklet with new interviews. The LP version contains extensive sleeve notes with new interviews. The notes included with both formats contain brand new interviews conducted by Daryl Easlea in May 2020.

In 1987, The Fall scored their first UK Top 30 singles chart position with their cover of the Northern Soul standard, “There’s A Ghost In My House”, and supported it with a series of career-best shows. “Hit The North”, one of their much-loved anthems, followed in October and then, finally, The Frenz Experiment – which contained these songs, was released at the end of February 1988. ▶ 2XCD

CD1 1 Frenz 2 Carry Bag Man 3 Get a Hotel 4 Victoria 5 Athlete Cured 6 In These Times 7 The Steak Place 8 Bremen Nacht (Vinyl version) 9 Guest Informant (Excerpt) 10 Oswald Defence Lawyer 11 Bremen Nacht Run Out (from the Bremen Nacht Run Out single, included w.initial pressing of the album) 12 Mark’ll Sink Us (2) (from the Bremen Nacht Run Out single, included w. initial pressing of the album) CD2 1 There’s a Ghost in My House (from There’s A Ghost In My House single) 2 Sleep Debt Snatches (from There’s A Ghost In My House single) 3 Mark’ll Sink Us (from There’s A Ghost In My House single) 4 Haf Found Bormann (from There’s A Ghost In My House single) 5 Hit the North Part 1 (from the Hit The North single) 6 Australians in Europe (from the Hit The North single) 7 Northerns in Europ (from the Hit The North single) 8 Guest Informant (B-side from the Victoria single) 9 Tuff Life Booogie (B-side from the Victoria single) 10 Twister (B-side from the Victoria single) 11 Bremen Nacht (Alternative) 12 A Day In The Life % 13 Frenz (Janice Long BBC session) * 14 There’s A Ghost In My House (Janice Long BBC session) * 15 Get A Hotel (Janice Long BBC session) * 16 Haf Found Boorman (Janice Long BBC session) * *previously unreleased % rarity

▶ 2XLP

A1 Frenz A2 Carry Bag Man A3 Get a Hotel A4 Victoria A5 Athlete Cured B1 In These Times B2 The Steak Place B3 Bremen Nacht (Vinyl version) B4 Guest Informant (Excerpt) B5 Oswald Defence Lawyer C1 There’s a Ghost in My House (from There’s A Ghost In My House single) C2 Sleep Debt Snatches (from There’s A Ghost In My House single) C3 Mark’ll Sink Us (from There’s A Ghost In My House single) C4 Haf Found Bormann (from There’s A Ghost In My House single) C5 Bremen Nacht Run Out (from the Bremen Nacht Run Out single, included w.initial pressing of the album) C6 Northerns in Europ (from the Hit The North single) D1 Hit the North Part 1 (from the Hit The North single) D2 Australians in Europe (from the Hit The North single) D3 Guest Informant (B-side from the Victoria single) D4 Tuff Life Booogie (B-side from the Victoria single) D5 Twister (B-side from the Victoria single)

BBQ-2171LP non-returnable Format: 2XLP Label: Beggars Banquet

BBQ-2171CD Format: 2XCD Label: Beggars Banquet

134 Grand Street, New York, NY 10013

505 Eno Street, Hillsborough NC 27278 redeyeworldwide.com 877.733.3931

PLANTS AND THE ANIMALS JUNGLE PLANTS AND ANIMALS is an iconic Montreal-based trio that began playing together as kids and emerged on the international scene in 2008 with Parc Avenue. The band has developed a varied cult following ever since, built on the shoulders of their self-produced records and their intense live shows. Parc Avenue was a critically acclaimed record (Pitchfork 8/10) released during the famous Montreal-is-the-new-Seattle music moment. This release set Plants and Animals as an incredible live force, a powerful songwriting trio and opened doors for them to tour the world many times over with people like Portugal. The Man, Gnarls Barkley and more.

Three other releases followed and kept the band’s status up high: La La Land (2010) “they’re complicated and gorgeous [songs] and feel as innate as desire itself.” (Paste Magazine), The End of That (2012) “vibrant, constantly rewarding” (Spin) and Waltzed in From the Rumbling (2016) “... the strike rate is remarkably high” ★★★★ (Q Magazine). The band was shortlisted (2008) and longlisted (2010) for the Polaris Music Prize and received multiple JUNO Awards and ADISQ Awards nominations over the years.

THE JUNGLE, their fifth studio album, is set to be released October 23rd via Secret City Records. Their shortest album yet and certainly their boldest, The Jungle is eight acts in a world full of noise. The album is self-produced and was recorded at Mixart, their own studio in Montreal.

Every song is a landscape. The first one grinds to a halt and you become a kid looking out a car window at the moon, wondering how it’s still on your tail as you speed past a steady blur of trees.

You watch a house go up in a yellow strobe that echoes the disco weirdness of Giorgio Moroder, Donna Summer and David Bowie.

You get pummeled by a rhythm then set free by a sudden change of scenery — the wind stops, clarity returns. You’re under a streetlight in Queens, soft-focus, slow motion, falling in love. You speak French now too, in case you didn’t already. Bienvenue.

These are personal experiences made in a volatile world, and they reflect that world right back at us, even by accident. “House on Fire,” came from Warren Spicer’s haunting feeling that a friend who was taking too many sleeping pills might forget to turn his stove off. It was written before Greta Thunberg made the expression a rallying cry. Making music is their collective way of processing it.

CAREER HIGHLIGHTS & SELLING POINTS

• The first singles “Sacrifice” and “House on Fire” got media pick-up

by Consequence of Sound, Under the Radar, Broadway World, Exclaim!, Glide Magazine, CBC Music and more.

• Premiere feature confirmed with Consequence of Sound with “Origins” feature for the next single “Le Queens” out September 2nd.

• Under the Radar Quarantine interview out now.

• “House on Fire” added to KJAC, KRCL and WOCM, featured spins on WFUV, Indie102.3, KACV, KRXP, WCYY, WLKK, WNRN, XTRA & more!

• Previous media supporters include Pitchfork, Stereogum, Paste Magazine, The Fader, Brooklyn Vegan, Spin Magazine, CBC ‘q’, The Line of Best Fit, Q Magazine, Mojo, CBC Music & much more.

• Media partnership confirmed with Rolling Stone France.

• Plants and Animals received multiple award nominations at the JUNO, l’ADISQ, the Polaris Music Prize, GAMIQ and The Independent Music Awards.

• Previously toured North-America and Europe numerous times, shared the stage with Gnarls Barkley, Portugal. The Man, Bombay Bicycle Club and many more. Played many festivals including Osheaga, Primavera, Pitchfork Fest, Folk on the Canal, International Montreal Jazz Festival, Halifax Pop Explosion, Field Trip & many more.

• Press & radio campaign led by Missing Piece and Co-Sign in the US.

STREET DATE October 23, 2020

6

80341

01601

LP-SCRT-101X

6

Black 12" vinyl w/ printed inner sleeve with lyrics Digital download included

TRACKLIST

CD-SCRT101

4-panel digipak Lyrics poster included

01 The Jungle 02 Love That Boy 03 House on Fire 04 Sacrifice

05 Get My Mind 06 Le Queens 07 In Your Eyes 08 Bold

LABEL Secret City Records FILE UNDER Alternative

EXPORT No Export BOX LOT 50 CD / 25 LP

US TOUR DATES

New postponed tour dates will be announced soon.

Secret City Records 7665 Boul. Saint-Laurent, Suite 200, Montreal, QC H2R 1W9

Contact: Léa Trévidic lea@secretcityrecords.com FB: @secretcityrecords Twitter: @secretcityrecords Instagram: @secretcityrecords

Redeye Distribution 505 Eno St, Hillsborough, NC 27278 USA Contact: Jeep Ward jeep@redeyeworldwide.com

ELA MINUS acts of rebellion

TRACKLISTING 1. N19 5NF 2. they told us it was hard, but they were wrong.

3. el cielo no es de nadie 4. megapunk 5. pocket piano 6. dominique 7. let them have the internet 8. tony 9. do whatever you want, all the time.

10. close (ft. helado negro) CATALOG NUMBER: WIG470 RELEASE DATE: October 23, 2020 FILE UNDER: Electronic “M”

CD Boxlot: 30 UPC: 887828047024

OVERVIEW acts of rebellion is the debut album from Ela Minus. acts of rebellion is a call to fight, to live, to be present. An optimistic, uplifting album, it’s a record of small details and grand gestures, a manifesto of simplicity, a record brimming with life.

A collection of songs about the personal as political and an embracing of the beauty of tiny acts of revolution in our everyday lives. Throughout, a sense of urgency and a call to arms is mixed with this love and appreciation for reality—because even revolutionaries need to leave space for simple human interaction.

Colombia-born and raised musician Ela Minus, wrote, performed, and produced the collection entirely alone. Self-made and punk in spirit—Ela puts her own spin on traditional electronic music.

She designs and builds hardware synthesizers and as a self-imposed rule, no sound in her work is generated inside a computer. Creating complex, technical electronic music that exudes a vibrant warmth, and a stark, celebratory affirmation that our breaths aren’t infinite.

“an artist I’m definitely going to keep my ear out for” NPR All Songs Considered LP w/ DOWNLOAD Boxlot: 20 UPC: 887828047017

Vinyl is non-returnable

"[megapunk's] energetic pulse and thrumming synthesizers melt together seamlessly under Minus’ vocals, coaxing the listener into a hypnotic state.”

PASTE

DELUXE LP (ltd) w/ DOWNLOAD INDIE RETAIL EXCLUSIVE Boxlot: 20 UPC: 887828047031

“The Colombian hardware punk harks back to her teenage hardcore days and love of Fugazi with this swarming, staticky mini-epic about standing up for your rights.”

THE GUARDIAN

Vinyl is non-returnable

SELLING POINTS

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com

•

acts of rebellion is Ela Minus’ debut album. Artist to watch or introductory features to run at Pitchfork, Remezcla, Stereogum, and more.

•

The two pre-album announcement singles, “they told us it was hard…” and “megapunk” received coverage at NPR Music, Pitchfork, Stereogum, Paste, GorillaVsBear, and more.

•

Major festivals in 2021 include Coachella, Primavera Sound & more. Recent festivals she’s performed at include Hudson Basilica, Moogfest, RuidoFest, Pitchfork Paris, & more.

North American touring in spring / summer 2021.

•

College and non commercial radio campaigns to impact upon album release.

•

Standard LP comes with 24"x24" foldout poster and download card.

•

Deluxe LP comes on silver vinyl with 24"x24" foldout poster and download card.

Steve Azar’s MY MISSISSIPPI REUNION is a collection of songs he’s written and recorded over the years that were inspired by his native state of Mississippi. Features four newly recorded tracks including “Coldwater,” a collaboration with friend and fellow Mississippian Cedric Burnside.

TRACK LISTING: 1. Rosedale 2. Midnight 3. Coldwater (featuring Cedric Burnside) 4. One Mississippi 5. Flatlands (Remastered) 6. Rena Lara (Remastered) 7. Greenville (Remastered) 8. Sweet Delta Chains (Remastered) 9. Indianola (Remastered) 10. Mississippi Minute (Remastered) 11. Highway 61 (Remastered)

Artist: Steve Azar Title: My Mississippi Reunion Street Date: Oct 23 2020 UPC: 634457033870 CD: DigiPak Item # CD-RIDE-009 Export: WW Box Lot: 45 Publicity Team: Bob Merlis Label: Ride Records Distribution: Redeye Project Manager: Lori Miller

KASBO THE MAKING OF A PARACOSM Release Date: October 23, 2020 Kasbo releases his second album with Counter Records, The Making of a Paracosm. Available on 2LP and CD.

Gothenburg-based electronic producer and songwriter Carl Garsbo aka Kasbo is the 24-year-old Swede with a hugely impressive 332M+ combined streams. The Making of a Paracosm features collaborations with artists like Frida Sundemo, Freja The Dragon, Nea and NOOMI, as well as a notable appearance from Vancouver Sleep Clinic.

The Making of a Paracosm follows Kasbo’s hit single, “I Get You feat. Lizzy Land,” a stunning reflection of his sonic evolution and personal growth last year.

Prior to that, his first full-length album, Places We Don’t Know, earned over 200 million streams, received praise from FADER, COMPLEX, Dancing Astronaut, This Song is Sick and more. The forthcoming record seems particularly relevant to our modern times, with Kasbo stating the album was inspired by him taking a break from the grind of touring to take some time to focus on himself.

Kasbo has performed at globally recognized music festivals such as Coachella, Firefly, Life is Beautiful and more, while selling out major North American venues on his first-ever headline tour, including NYC’s Bowery Ballroom and LA’s Fonda. Last year he toured with dance music behemoths ODESZA on their run and capped 2019 with an epic set at Red Rocks Amphitheater. He was featured in Billboard Dance's Ones To Watch: April 2018 and garnered radio support from SiriusXM, KCRW, WXRT & KXCO among others.

CAT NO: COUNT190 UPC: 5054429138535 Box Lot: 15

￫ 2LP 140g white vinyl ￫ 6mm spine ￫ Gatefold sleeve

CAT NO: COUNTCD190 UPC: 5054429138511 Box Lot: 35

￫ Card digipack ￫ Booklet insert

SIDE A A1 The Making of a Paracosm A2 Play Pretend (feat. Ourchives) A3 Shut The World Out (feat. Frida Sundemo) A4 Blur SIDE B B1 För Evigt (feat. Florian Rosetti) B2 Talk Slow (feat. Noomi) B3 Augusti, 05:19 (Interlude) B4 Vittra SIDE C C1 Lune C2 Skogsrå C3 Hemma SIDE D D1 Staying In Love (feat. Nea) D2 Show You D3 Snö (feat. Freja The Dragon) RIYL: Shallou, Jai Wolf, Petit Biscuit, ODESZA Top Markets: Los Angeles, Chicago, Dallas, San Francisco, Denver, Seattle Genre: Electronic

naretail@ninjatune.net ninjatune.net

FAT TONY EXOTICA

CARPARK RECORDS www.carparkrecords.com Storytelling isn’t merely a vehicle for self-expression, it’s a mode of transportation. A two-way mirror in which we process gilded dreams and grotesque nightmares, the transgression of cultural taboos and the upholding of ancient tradition. It’s also the animating idea behind much of the greatest popular music ever made. Consider Exotica, the new album from Houston iconoclast, Fat Tony, the latest brilliant entry in that fabled tradition, what Outkast once described as “shooting game in the form of story rapping.”

While hip-hop supplies the foundation of the Third Ward native’s assault on genre, his futuristic soundclash encompasses seductive velour soul, lecherous French chansons, fluorescent new wave, and even splashes of African pop and reggae; the latter two being the residual effect of Tony’s Nigerian heritage and a sojourn to Jamaica to record the Carpark Records-released album with engineer, Abijah Livingston, son of Bunny Wailer.

“This album is an ode to the art of storytelling through music,” the polymath born Anthony Lawson Jude Ifeanyichukwu Obiawunaotu says, distilling Exotica’s essence. “Picture records like The Great Adventures of Slick Rick. Artists like Neil Young, Bob Dylan, or Bob Marley. Every lyric was carefully considered to make sure we properly conveyed each character’s narrative and motivations. I wanted to create a world of unique stories with room for each to be interpreted in distinct ways.”

TRACKLISTING 1. What Wake You Up (feat. Bun B) 2. Special Girl 3. Gambling Man 4. Feeling Groovy

5.

6.

7.

8.

9.

Je Ne Sais Quoi New Beginnings Jeremy Bixby Intimate Back In The Saddle

CATALOG NUMBER: CAK148 STREET DATE: October 23, 2020 FILE UNDER: Rap/Hip-Hop DISCOUNT: 5% on LP, 10% on CD until 11-20-20 EXOTICA LP (TRI-COLOR VINYL) UPC 677517014815 EXOTICA CD UPC 677517014822 ALSO AVAILABLE WAKE UP LP — UPC 677517014112 WAKE UP CD — UPC 677517014129

Assembling a Manhattan Project-style team of experts, the atomsplitting production came via Tony and his longtime collaborator, GLDNEYE (aka Tom Cruz), and engineering via Livingston and Brooklyn’s Steel Tipped Dove. To make the Third Coast cypher complete, Bun B pops up on “What Wake You Up,” courtesy of a cross-island dash where Tony paid visit to the legendary underground king, then vacationing in Montego Bay. Each song is a rich and compact iteration of rap short fiction: Biggie’s “I Got a Story to Tell” channeled through John Cheever.

Take lead single “Feelin’ Groovy,” a frantic meditation on lust, desire, and the notion of throwing it all away while puffing on a Black & Mild. Picture something like if Fat Pat fronted Scritti Politti. Or “Gambling Man,” where Tony one-ups the late great Kenny Rogers to tell the story of a ne’er-do-well schemer named Johnny, obsessed with the thrill of the roller coaster emotions before he discovers whether he’ll win or lose. If the Tom Tom Club knew every word to DJ Screw’s Wineberry Over Gold, it would probably sound like this.

Bob Dylan once famously said that an artist should “always be in the state of becoming.” And in the case of Fat Tony, Exotica is the latest stage in an evolution that has included everything from a bravura turn on the first A$AP Rocky mixtape to co-hosting a TV show on Viceland, founding a DIY Houston culture magazine to subversively expanding the parameters of experimentally-minded rap.

Here is Exotica, nine new stories, more untrodden ground on the left hand path, a novel strain ready to be unpacked.

EXOTICA BULLET POINTS • North American publicity by Orienteer • College/Non-Commercial radio by Terrorbird • Digital playlisting & positioning by Terrorbird • Sync licensing by Terrorbird • Facebook boosted posts and targeted Instagram dark posts throughout campaign • “Feeling Groovy” and “Gambling Man” music videos in the works • “What Wake You Up” features Bun B of UGK • Pressed on Tri-Colored Vinyl, includes free digital download

505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931

BOB CORRITORE’S “FROM THE VAULT” SERIES

Dave Riley & Bob Corritore Travelin’ the Dirt Road

The Mississippi-meets-Chicago team of blues singer/guitarist Dave Riley and harmonica ace/ blues music producer Bob Corritore has become a fifteen year blues institution. Travelin’ the Dirt Road demonstrates a natural musical chemistry and friendship, and is pure down-home blues.

The album is an expanded reissue their long out of print Blues Music Award-nominated debut album of 2007, originally on Blue Witch Records. This deluxe re-release STREET DATE: 10/23/20 comprises the original album plus two unissued originals from those initial sessions, and the first of Corritore’s upcoming “From the Vaults” series of recordings from his own vast archives. Upcoming “From the Vaults” releases will feature Kid Ramos and Henry Gray.

Dave and Bob met in 2004 at the King Biscuit Blues Festival in Helena, Arkansas, when Dave was a featured singer and guitarist of Sam Carr’s Delta Jukes and had previously worked with Frank Frost and John Weston.

Dave moved to Phoenix in 2007 and he and Bob have been frequent musical partners ever since.

01. I’m Not Your Junkman 02. Travelin’ the Dirt Road 03. Overalls 04. Come Here Woman 05. Let’s Have Some Fun Tonight 06. My Baby’s Gone

Dave Riley & Bob Corritore Travelin Down the Dirt Road Label: Southwest Musical Arts Foundation / VizzTone Genre: Blues Territory: Worldwide compact disc - ecowallet Cat # VT-SWMAF-15

07. Voodoo Woman, Voodoo Man

UPC: 634457030749

08. Way Back Home 09. Doggone Blues 10. Country Tough 11. Friends

6

34457 03074 9

12. Safe at Last

BOBCORRITORE.COM

Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.

Kahil El’Zabar’s

America The Beautiful RD: 23 OCTOBER 2020

Kahil El’Zabar – composition /arrangements /conduction /multi-percussion /flute Corey Wilkes – trumpet (1,2,3,4,5,6,7,9) Hamiet Bluiett - baritone sax (1,3,4,6,9) Tomeka Reid – cello (1,3,4,6,9) Dennis Winslett – alto sax (1,3,4,6,9) Samuel Williams – violin (1,3,4,6,9) James Sanders String Quartet (2,5,7,8) Joshua Ramos - acoustic bass (2,5,7,8) Miguel de la Cerna – keyboard (2,5,7,8) Babu Atiba - African percussion (2,8) Ernie Adams – percussion (2,8) Robert Irving III - piano (9)

RELEASE DATE 10/23/2020 LABEL SPIRITMUSE RECORDS CATALOG SPM-KEZ005 FORMAT LP 180g. vinyl .................

CD 4panel digipak .................

Digital GENRE Jazz, Spiritual Jazz, .................

Afrocentric Jazz, Groove FOR FANS OF: Kahil El’Zabar, Hamiet Bluiett, Art Ensemble of Chicago, Chicago Jazz TRACKLISTING

1. AMERICA THE BEAUTIFUL (INSTRUMENTAL) 2. JUMP AND SHOUT (FOR THOSE NOW GONE) 3. EXPRESS YOURSELF 4. FREEDOM MARCH 5. SKETCHES OF AN AFRO BLUE 6. HOW CAN WE MEND A BROKEN HEART 7. THAT WE ASK OF OUR CREATOR 8. PRAYERS FOR THE UNWARRANTED SUFFERINGS 9. AMERICA THE BEAUTIFUL * (CD EXCL.)

CD

LP

Deluxe 4panel digipak CAT NO: CD-KEZ005 UPC: 634457031609

Deluxe 180g vinyl CAT NO: LP-KEZ005 UPC: 634457031593

6

2:23 6:35 3:55 8:13 8:14 4:07 4:28 4:13 2:03

34457 03004 6

6

Kahil El’Zabar - Producer, Composer, Arranger, Conductor Spiritmuse Records - Executive Producers Nep Sidhu – Art and Art Direction Carvery Studio, London - Mastering

SELLING POINTS • Incredible new album by the legendary multipercussionist addressing the state of America today while calling for a better tomorrow • Renowned for his spiritual jazz recordings, ‘America The Beautiful’ sees El’Zabar conducting, arranging and writing for a large ensemble.

• Kahil El’Zabar ‘s pioneering ‘spiritual groove’ runs throughout the album: spiritual jazz with African rhythms, that compel the body & soul to flow • The album features Chicago’s rising stars, trumpeter Corey Wilkes and cellist Tomeka Reid • Last recording of legendary World Saxophone Quartet co-founder, Hamiet Bluiett – this album is in his honor.

• Artwork (inc. sculpture) & Art direction by Nep Sidhu (rising multi-disciplinary artist, Erykah Badu / Shabazz Palaces collaborator) PRODUCT BLURB Innovative multi-percussionist Kahil El’Zabar composes, arranges and conducts an incredible new album. It features masterful performances by the (late, great) Hamiet Bluiett, Corey Wilkes, Tomeka Reid & the James Sanders String Qt. America the Beautiful is Kahil El’Zabar’s musical testament to the state of affairs, expressed with love, urgency, hope & spirit.

34457 03134 0

Redeyeworldwide.com • 505 Eno Street Hillsborough NC 27278 877.733.3931 • PM: Jeep Ward jeep@redeyeworldwide.com

MUSIC FOR THE SPIRIT

Aquiles Navarro & Tcheser Holmes Heritage of the Invisible II Telepathic Afro-Caribbean improvisational trumpet-and-percussion duo Aquiles Navarro & Tcheser Holmes are longtime friends, collaborators, and tireless hustlers on the creative music scenes of New York City. Heritage of the Invisible II follows Navarro and Holmes’s rise to prominence as members of free jazz collective Irreversible Entanglements. In March 2020 in The Nation writer Marcus J. Moore said "Irreversible Entanglements’ fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmes’s duo work, though their duo finds them much more wholeheartedly and jubilantly embracing their Latin and Afro-Caribbean foundations.

Aquiles Navarro was born in Toronto during a time of great, political upheaval in his family’s native home of Panama. Dangers surrounding the reign of Manuel Noriega and the subsequent U.S. invasion of 1989 prompted the Navarro family’s exit, returning years later to Panama City in 1997.

Latin folkloric music was fastened deeply to the family paradigm. After studying with Panamanian trumpeter Victor “Vitin” Paz (Fania All-Stars) and Panamanian-American composer/saxophonist Carlos Garnett (Miles Davis, Pharoah Sanders), Navarro moved to Boston to study at the New England Conservatory (NEC). Before the semester had even begun, a friendship had kindled between him and another incoming new student, Tcheser Holmes. Since a young age, Tcheser Holmes naturally wove into the fabric of a tight-knit Pan-African community in Brooklyn centered around the spiritual organization, Ausar Auset Society, and his family’s dance company, The Bennu Ausar Dancers. From early on, Holmes remembers “playing and viewing music purely as a source of celebration and achievement.” As a teenager he enrolled in the Manhattan School of Music’s Precollege for pre-conservatory training, and eventually made his way toward NEC. After their tenure at NEC, both musicians relocated to New York City. “In New York, I've been a working musician since day 1,” recalls Navarro. “Tcheser and I played all over the city, from Uptown to all over Brooklyn, often booking our own gigs.” Dance clubs and subway platforms, The Bowery Poetry Club, the Latin Jazz Big Band at the Nuyorican Poet’s Cafe, and Roberto Roena y Su Apollo Sound in the Bronx – the two musicians developed a wide creative range. “We got familiar with a system where the rhythm is quantified,” says Holmes. “But I feel like we always remained ‘children’ in terms of viewing music. Kobe said ‘Be a Kid.’ We never needed to validate the process.”

In Brooklyn in 2015, Navarro and Holmes performed as a duo at a Musicians Against Police Brutality event, where they shared the stage with the trio of Camae Ayewa (aka Moor Mother), Keir Neuringer and Luke Stewart. The two groups made fast friends, and shortly after, came together to form the collective quintet Irreversible Entanglements.

After two years of growth and international touring with Irreversible Entanglements, Navarro and Holmes coalesced around the idea of composing new, expanded duo music; and in Fall 2019 they booked two after-hours sessions at Brooklyn’s S1 Studios. “Each tune has a compositional background to it, but improvisation and the telepathy between us remains the main catalyst,” notes Navarro. From this open map, the duo layered samples and electronic elements from Juno 106 and Moog Grandmother synths over their acoustic improvisations, overdubbed contributions from poets, vocalist and instrumentalist friends, and added field recordings of themselves in conversation.

To sculpt the mass of sounds they commissioned ada adhiyatma (aka Madam Data, a Philadelphiabased composer/electronicist who they’d met through a joint collaboration with Moor Mother) for a final mix. The resulting album – Heritage of the Invisible II – reveals Navarro and Holmes stepping firmly into the limelight of progressive music-making.

International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com

IARC0035 Aquiles Navarro & Tcheser Holmes Heritage of the Invisible II F o r ma t / Re l e a s e Da t e : LP/CD/Digital – October 23rd, 2020 RI YL: Don Cherry, Miles Davis, Billy Cobham, Jaimie Branch, Binker & Moses, Yussef Kamaal, La Mecanica Popular, Ruben Blades, Moacir Santos

Vinyl LP – 603784912356

CD – 603784912424

North & South American Distribution: Will Savery – will@redeyeworldwide.com Label Contact:

Scottie McNiece – scottie@intlanthem.com

Street Date: October 23, 2020

As heard on HBO’s Sharp Objects

“It’s a contrast of depth and fragility that uncannily resembles the human condition itself and stands as a wicked testament to the range of emotion that Stréliski can grasp.” – NOISEY “one of the foremost new stars in modern classical” – BILLBOARD “That Stréliski is so capable of evoking such emotional complexity out of a single instrument heralds much to come as she continues to approach the height of her compositional powers. 8/10” – EXCLAIM!

Label: Secret City Records File Under: Neo-Classical Export: No Export Box Lot: 45 CD/50 LP

One of the rare women in the neoclassical world, Alexandra Stréliski creates music that enthralls listeners, filling their minds with rich, cinematic images.

INSCAPE was on the classical sales charts in 20 countries worldwide, including peaks at #1 in Canada, #2 in UK, and #5 in the USA. INSCAPE charted on Billboard during week of release: #5 on Classical, #8 on Canadian Album.

INSCAPE was certified Platinum in Canada in March 2020 for over 96,000 units sold. The album peaked over the first weekend at #1 overall in Canada and has been #1 in sales in the Quebec province for numerous weeks since its release.

Alexandra Stréliski has accumulated 110 million streams across platforms and peaked at 1.3 million monthly listeners on Spotify.

INSCAPE won the Instrumental Album of the Year at the 2020 JUNO Awards. Alexandra Stréliski was nominated in three categories including Album of the Year and Breakthrough Artist of the Year.

INSCAPE won the Album of the Year at the 2019 Independent Music Awards and was long listed for the 2019 Polaris Music Prize.

Alexandra Stréliski won the Breakthrough Artist of the Year, Composer of the Year and Album of the Year – Instrumental for INSCAPE at the 2019 ADISQ Gala. She was nominated in seven categories.

Artistic collaboration with Jean-Marc Vallée for the new HBO miniseries Sharp Objects starring Amy Adams: Alexandra composed the theme of the third episode, recorded a Bach concerto and has many songs featured throughout the series including “Plus tôt” and “Changing Winds” from INSCAPE and “Berceuse” et “Le Départ” from Pianoscope.

Her music was featured in an IBM ad at this year’s US Open Tennis tournament, in Sharp Objects and the Big Little Lies Season 2 round-table (both on HBO), and at the Hugo Boss Fashion Show during New York Fashion Week.

Interviews with Billboard Magazine, Noisey, In Style, CBC’s “q”, CBC Music, The Globe and Mail, The Canadian Press and many more, including a live session for The Line of Best Fit in the UK. Alexandra played the Great Escape festival in Brighton, UK and Iceland Airwaves in 2019.

Alexandra has played concerts in New York (at Le Poisson Rouge) and Los Angeles (at Hotel Café) and performed at the 2020 Canada Day TV broadcasted concert and at the 2020 Fête de la St-Jean Baptiste TV broadcasted concert.

ALSO AVAILABLE:

PIANOSCOPE (2010)

CD-SCRT-081 / UPC 680341810027 LP-SCRT-081 / UPC 680341810010 Secret City Records 7665 Boul. Saint-Laurent, Suite 200, Montreal, QC H2R 1W9 Contact: Magali Ould, magali@secretcityrecords.com Facebook/Instagram: secrecityrecords Twitter: secrecityrcrds

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Standard black 12" Vinyl in Single Pocket Jacket with matte finish. Exclusive Poster printed both sides included. Black dust sleeve hosting vinyl. MP3 download coupon included. 45 RPM audiophile quality.

Tracklisting: 01. Plus tôt 02. The Quiet Voice 03. Par la fenêtre de Théo 04. Ellipse 05. Changing Winds 06. Interlude 07. Blind Vision 08. Burnout Fugue 09. Overturn 10. Revient le jour 11. Le Nouveau Départ

US TOUR New postponed tour dates will be announced soon.

Redeye Distribution 505 Eno St, Hillsborough, NC 27278 USA Contact: Will Savery will@redeyeworldwide.com

Felix Read Sales & Distribution felix@brownswoodrecordings.com

TRACKLIST:

SIDE ONE LA NOCHE DE LOS DIOSES MÁSCARAS BLUES NABORÓ MALINCHE

ARTIST: TITLE: LABEL: FORMAT:

Tino Contreras La Noche De Los Dioses Brownswood Recordings 12” / CD / DD

DD CAT NO: CD CAT NO: 12” CAT NO:

BWOOD0229DD BWOOD0229CD BWOOD0239LP

DD BARCODE: CD BARCODE: 12” BARCODE:

5060180324599 5060180324582 5060180324575

RELEASE DATE: ANNOUNCE DATE: RELEASE DATE: ANNOUNCE DATE:

16th September 2020 24th October 2020

SIDE TWO EL SACRIFICIO AL AMANECER NIÑA YAHEL

From Mexico’s most established and prolific jazz musician, Brownswood Recordings is proud to present the new album from Tino Contreras, ‘La Noche de los Dioses’. Here, Tino Contreras presents a sonic gift; a kaleidoscope of evolving and shifting spiritual rumination about life and humanity. His new work features seven new recordings, contemporary jazz themes liquiscing with 3/4 rhythms, written and recorded in Mexico City, 2020.

This album is fresh - reinforcing the need to recognise, research and acknowledge the voices of the past as they still electrify us out of the numbing routine of the present, elegantly propelling us forward.

Born in 1924 in Chihuahua, in Northwest Mexico, to a family of musicians, Contreras kicked off his fascination with the drum kit as a very young child. He was surrounded by music, raised by his father who led the OK Jazz Band orchestra, which inspired Tino to move to Ciudad Juárez where he formed his own orchestra. You could find Tino sharing stages with the likes of Dave Brubeck, Art Blakey, Louis Armonstrong and many more greats, experiences that have led Contreras to conjure up many a hypnotic track fuelled by an erudite, flawless rhythm section and unyielding brass and bass.

‘La Noche de los Dioses’ is released on released on LP, CD and digital on Brownswood Recordings on 24th October 2020 Musicians: Tino Contreras: Drums Valentino Contreras: Electric Bass Jaime Reyes: Piano and Keyboards Emmanuel Laboriel: Electric Guitar Luis Calatayud: Soprano and Tenor Sax - Conch Shell and Ocarina Flutes Eduardo Flores: Bongos Carlos Icaza: Harmonic Arps and pre-Hispanic Percussion Marco Gallegos: Acoustic Guitar Recorded at La Nueva Fresa Studios, Mexico City Mixed and Produced by Carlos Icaza

www.brownswoodrecordings.com

BOB MARGOLIN

STAR OF STAGE AND SCREENS This six-song EP builds on Bob Margolin’s current success with all acoustic music — 2019’s “This Guitar and Tonight” won a Blues Music Award for Best Acoustic Album. These new all-original songs take on the Coronavirus, isolation, and the halt of live music. He shares missing shows and friends, fear for the world, outrage, grief, new coping skills and new ways to present his music. He plays slide guitar on a 1930s Gibson and one on a National steel guitar. He embraces both traditional styles and new explorations, home recorded direct and again, no sugar added.

STREET DATE: 10/23/20

“I’d like to distract us from the largest world tragedy of my lifetime, but I must confront it musically.

I thought it was ironic that musicians always wrote, performed or recorded songs about death, illness, natural and unnatural disasters — as entertainment. I tried to avoid it until my last album had two political songs on it. At its brightest, one song on this EP looks forward to an ‘after party’ someday. At its saddest, it mourns those we lost.

A few years ago, I wrote ‘I Shall Prevail’ about the challenges of modern life and the will to overcome. Though today’s challenges were unimaginable when I wrote that song, there’s nothing to do now but what I said in the song ‘Love and Thanks’ here: I’ll stand and walk toward what I only hope is there.’ Let’s stand together with love and respect and cope, survive, and make new opportunities out of the ruins of ‘the old days.’ “ — Bob Margolin BOB MARGOLIN Star of Stage and Screens Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - EcoWallet Cat. # VT-SRR-05 Street Date: 10/23/2020 UPC: 634457033832

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TRACKS 1. Star Of Stage And Screens 2. Love and Thanks 3. After Party 4. For My Teachers 5. Let It Go 6. March 2020 In Stop Time

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Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.

1. Bad Mouthin’ 2. Baby Please Don’t Go 3. Cool Town Woman 4. Boom Boom 5. Big Boss Man 6. Sundown Blues 7. Rich Woman Blues 8. Bad Dreams 9. Awful Dreams 10. Down the Dirt Road Blues 11. Stockholm Blues 11. Heartbreak Hotel

LP

ARTIST: Tony Joe White TITLE: Bad Mouthin’ CATALOG #: LP-YEP-2593B UPC: 634457259317 PACKAGING: Gatefold LP jacket x2LP on Blue vinyl BOX LOT: 20 TERRITORY: Worldwide SLP: $22.99

CD

ARTIST: Tony Joe White TITLE: Bad Mouthin’ CATALOG #: CD-YEP-2593 UPC: 634457259324 PACKAGING: Digipack BOX LOT: 40 TERRITORY: Worldwide SLP: $15.99

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TONY JOE WHITE BAD MOUTHIN’ BACK IN STOCK ON BLUE VINYL!

Tony Joe White’s music is as primal as a lizard’s backbone. It echoes from the magnolia groves and bayous of his Louisiana childhood, and looms into the present every time he unleashes the molasses and tanned-leather combination of his guitar and voice.

The legendary songwriter’s new blues-based album, Bad Mouthin’, comes straight from the swamps with its blend of classic covers (Lightnin’ Hopkins, Muddy Waters, John Lee Hooker, and more) and five White originals, including two of the first songs he wrote—just before penning his breakthrough hits “Polk Salad Annie” and “A Rainy Night in Georgia” in 1967.

Tony Joe White is a national treasure, too often overlooked and taken ❝ for granted. He has plenty more to say as evidenced by this effort.”

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ALSO AVAILABLE CD: ARTIST: Tony Joe White TITLE: Rain Crow CATALOG #: CD-YEP-2450 UPC: 634457245020 PACKAGING: Digipack BOX LOT: 40 TERRITORY: Worldwide SLP: $15.99

LP: ARTIST: Tony Joe White TITLE: Rain Crow CATALOG #: LP-YEP-2450 UPC: 634457245013 PACKAGING: Single LP jacket BOX LOT: 35 TERRITORY: Worldwide SLP: $22.99

CD: ARTIST: Tony Joe White TITLE: Hoodoo CATALOG #: CD-YEP-2348 UPC: 634457234826 PACKAGING: Digipack BOX LOT: 40 TERRITORY: Worldwide SLP: $15.99

– Elmore Magazine

HIGHLIGHTS: ☛ Limited edition blue vinyl pressing ☛ Features covers of blues classics by Lightnin’ Hopkins, John Lee

LP: ARTIST: Tony Joe White TITLE: Hoodoo CATALOG #: LP-YEP-2348 UPC: 634457234819 PACKAGING: Single LP jacket BOX LOT: 35 TERRITORY: Worldwide SLP: $22.99

Hooker, Muddy Waters, and more ☛ Digital download included ☛ “[Bad Mouthin’] invokes the spoken-word boogies of John Lee Hooker.” - Rolling Stone “☛ If you’re looking for a swamp thing, Tony Joe White is your go-to man” - No Depression INFO@YEPROC.COM | YEPROC.COM | 336-578-7300 | FAX 336-578-7388 | Distributed exclusively by Redeye | 505 Eno St, Hillsborough NC, 27278

“Ryan Martin hits that rare pocket in time and captures perfection.”

–American Songwriter Artist: Ryan Martin Title: Wandercease

CD & Digital: 10/25/20

TRACKLIST

Ryan Martin’s new album Wandercease is his most emotionally authentic and sonically adventurous record yet; balancing vulnerability and pain with a real sense of joy and optimism. The album’s genesis was Martin’s relocation from New York City to the more pastoral setting of the Hudson Valley, where he connected with producer Kenny Siegal (Langhorne Slim, Joseph Arthur, Chuck Prophet) at Old Soul Studios in Catskill, NY.

1. At Dusk 2. Coma Kiss 3. Orphan Song 4.Wandercease 5. Shame 6. Fathers To Daughters 7. I Just Wanna Die 8. The Vulture 9. Blue Rose 10. Silver Chariot 11. The Waking 12. I Want You To Dance 13.Warm Lakes CD CAT#: HMRCD•12

Siegal went deep with Martin’s new material, finding the heart of the songs and recruiting key players from the local musical community to bring the music to life. Songs like “Coma Kiss” and “At Dusk” are buoyed by the presence of singer-songwriter and classically-trained harpist Mikaela Davis whose vocals and harp are everywhere on Wandercease—merging perfectly with the intriguing blend of homespun Americana and modern-pop textures and rhythms. The album was mixed by acclaimed engineer Paul Kolderie (Pixies, Radiohead).

High Moon Records info@highmoonrecords.com www.highmoonrecords.com

Redeye Worldwide jeep@redeyeworldwide.com

Frankie Reyes – Originalitos KEY SELLING POINTS - Follow-up to the 2016 album Boleros Valses y Mas, which featured a minimal and emotional take on Latin American standards, Originalitos uses the same technological limitations but features all original compositions.

- “Boleros Valses Y Mas is a forwardly Latin release that mines the producer’s technoindigenous studies concept, in which he embraces ancestral sounds and influences through contemporary technologies.”

– Pitchfork - “The magic and mystery of Frankie Reyes’s sound always feels just outside the realm of description, but well within that of imagination.”

– NPR

ARTIST TITLE CATALOG # LABEL GENRE FORMAT Vinyl UPC RELEASE DATE

Frankie Reyes Originalitos STH2424LP Stones Throw Records Instrumental / Latin Vinyl 659457242411 October 23rd, 2020

TRACKLIST 01 En Mi Barrio 02 Mis Abuelos 03 Tiempos Pasados 04 Ven Mamacita 05 Dulzura Puertorriqueña 06 Dolores Son Flores 07 Alma De La Palma 08 Tirando Piedras

- For Fans Of: Emahoyé-Maryam Guèbrou, Dorothy Ashby, Raymond Scott, Hailu Maergia, naran ratan

DESCRIPTION After asking himself “how might I use the synthesizer to explore my own roots?”, Frankie Reyes restricted himself to the same set of tools as his debut album Boleros Valses y Mas, using just one Oberheim synthesizer, a MIDI sequencer and an effects unit: “I was inspired to create another album in a similar vein as the last one but consisting exclusively of my own short original compositions.”

Inspired by the traditional music of Puerto Rico, the music of Sylvia Rexach as well as other Latin American composers, and contemporary composers of synth-based music including Mort Garson, Reyes’ compositions expand the boundaries of the imagination and the parameters of genre by bringing together traditional and modern styles. Each work on Originalitos is filled with symbolism referring to Reyes’ lineage and implied within the track titles, which reference his family, passing time and “Puerto Rican sweetness”.

2020 //// MAGIK MARKERS ------------------------DC687 LP/CD

Street Date: October 23, 2020

NO EXPORT TO: * EUROPE * * AUSTRALIA/NZ * MAKE 2020 HAPPEN EVERYWHERE ELSE

CD

LP

Track Listing Surf’s Up Find You Ride That Dream (Shitty Beach) Born Dead You Can Find Me Hymn for 2020 Swole Sad Tic CDROM Quarry (If You Dive) DRAG CITY INC. POB 476867 CHICAGO IL 60647 312.455.1015 sales@dragcity.com

2020! Now it can be told: the charade of a world without new MAGIK MARKERS records (six-plus years!) has finally ended. In these times of contagion fables and hacky blockbuster N95 disaster imagery IRL, MARKERS emerge again like three Lazarus from their three individual firmaments, just in the nick of the end of time. Never doctrinaire, on 2020, MARKERS capture a humid kind of chlorinated heat, playing like children of divorce at the condominium pool: strangers feeling out games to play, contests to have underwater, blowing by minutes without noticing at all. There is no more contemporary, they say, only emergency. So, here we are with results, the murky and public airing of songs, improvised and planned. Like damp concrete made up of the collected wet footprints of every single night since last we heard these MAGIK MARKERS. The results are amazing, sometimes, dare it be said: magical.

“Surf’s Up” opens 2020 and is the redshift of this record, the reason we know light bends is because time changes it. We’ve flipped the event horizon; MARKERS are now freaked out in space on a spaced out bomb. It’s got a found-it-on-atape-in-the-attic vibe, echoes of CARPENTER’s Dark Star, CALE’s “Buffalo Ballet” and CASSINI’s namesake satellite taking cold old pictures alone in the airspace of Saturn’s sexiest moon. Here the MARKERS have found a reason -- a soft ballad that breaks into a piano/guitar improvisation that is somehow, in spite of itself, a revel.

Beneath the shifting, roiling surface of 2020, there is even more serious business going on. What MAGIK MARKERS do best is listening, and as SHAW, PETE and ELISA worked with the tunes, they heard something taking shape. Less a style than a spirit -- a spirit that had to do with a delight in friendship and invention.

Because man, in this economy? Friends, am I right? Making music. It’s all we’ve got.

What matters now is JOHN SHAW’s monolithic bass; PETE NOLAN’s omnipotent drums and the magnificent immediacy of ELISA AMBROGIO’s lyrics and guitar.

These songs are too contemporary -too emergency -- to be subject to notices of timeliness, but “Hymn for 2020” feels SO timely, the clean comfort and hot/coldness of this 2016 composition predicting the aseptic now. Maybe we’re biased, but we wish it went on longer. We could listen to it forever.

Like when WINSTON and JULIA fuck in 1984, this 2020, recorded and slowly mixed in the first humming tinnitus years after TRUMP was elected, feels like an animal response to the intellectual luxury of despair. It explodes like a dream. We can all be forced into wage slavery, the dreary fears of our own mortality and the tender traps of love, compassion and family; this record, in eternal Markers fashion, stands as proof that work born out of the unconscious can transcend the individual concerns of meatsackery, and commute purity and relief in the untethered ether that we all contain.

It’s been argued that mushrooms are the aliens among us; the space invaders we wait for pant quietly beneath our feet and in our dinners. These MARKERS, MAGIK by nature, have built 2020 in this same unassuming way, slowly, their imagination persisting, fighting like fungii through the cracks in the sidewalk of late capitalism. That work, from all of us, can thrive and survive until there are more mushrooms than sidewalks. It only takes a few years. “There will be no other end of the world,” poet CZESLAW MILOSZ said; and here we are at 2020.

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OUT 23RD OCTOBER

CHERRY PICKLES - THE JUICE THAT’S WORTH THE SQUEEZE LP PNKSLM084 Street date: October 23, 2020 Formats: 12” black vinyl & digital File under: Alternative / Indie UPC (vinyl): 634457027114

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Tracklist: 1. They Call Us Cherry Pickles 2. BlackHole 3. Little Black Book 4. My UFO 5. Mopkins 6. Don’t Waste My Time 7. Laura 8. Out Of This World 9. Things In The Sky 10. Good Girl Bad Seeds 11. Oh Well 12. Subway Jane “Cherry Pickles have delivered the damaged goods “ –The Line of Best Fit “cheeky fun for fans of The Cramps, Beat Happening and The Gories” – BrooklynVegan “a whirlwind of chaos” – Raven Sings The Blues “a riotous debut that is fed by a multitude of influences” – Louder Than War The British-Brazilian duo Cherry Pickles return with their second full-length The Juice That’s Worth The Squeeze, out October 23 on the Swedish indie label PNKSLM Recordings (ShitKid, Hollow Ship, Chemtrails etc). Following on from last year’s break-through debut album, the Birmingham based duo quickly set to work on the follow-up, offering up another set of disjointed and delicious tracks that ranges from noisy garage rock in the vein of the Oblivians to something more akin to the much-missed surfy indie rock of Girls.

Priscila B (guitar, vocals, songwriting) brings from Brazil her love of early Tropicalia and the kind of ‘let’s be bad’ attitude that can only come from a land chock full of Catholic guilt. Mimi B (drums) brings her love of stripped down, bare essential rhythm. If two drums are good enough for Peggy O’Neill then they should definitely be good enough for you. Together they bonded over a mutual love of 50s malt-shop-pop, 60s minimalist garage, no wave, fuzz and all forms of outsider art. ‘Art damaged’ isn’t a slur, it’s a compliment.

Anything lost in translation with this transatlantic duo only doubles the charm. All rolled together with gum, glitter and stickytape the result is slightly wrong-sounding but infectious one-minute-garage-pop with gusto. One guitar, 2 drums, the basement band you always wanted to start! Technique and skill be damned, the message comes through strong and that message is “Don’t think about it, just cross the line and enjoy PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide excluding UK.

© 2020 PNKSLM Recordings

STREET: OCTOBER 23RD 2020

Shlohmo Heaven Inc.

Catalog Number: FOF187LP Format: 7”, red in black “blob” color vinyl Release Date: October 23, 2020 Release Date: September 25, 2020

"Latest entry on the human condition, angst and dread, and trying to find truth in this weird world. Fear of the future, hopeful delusion, distrust in power, futility, moments of escape, moments of warmth, floating above and passing through." Shlohmo

Side A:

Heaven Inc.

Side B: Looking At Plants

“Heaven Inc.” was featured on Shlohmo’s 2019 BBC Essential Mix and seeing first official release after being heavily requested by fans Distribution contact: Adam Calman adam@k7.com

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Robb Johnson & the Irregulars - Pandemic Songs Irregular Records CD

IRR114CD

5036265001082

Includes 16 page lyric booklet. Pandemic Songs is songwriter Robb Johnson’s chronicle in song of the unprecedented events of the first half of 2020. Pandemic Songs uses songs to provide a media-free perspective of contemporary history, with thirteen tracks written between March & June of this year, that record & comment on the global pandemic, from Robb’s local UK perspective. The songs are angry, sad, affectionate, elegiac, satirical, anxious, & compassionate. They celebrate our lives in lockdown & the endurance of our keyworkers, & catalogue the vanities, incompetence, hypocrisy & failures of those in power. Pandemic Songs was recorded with a socially-distanced pared-down version of The Irregulars; John Forrester on bass & vocals, Arvin Johnson on drums, percussion & Spanish guitar, & Fae Simon on vocals. The result is a powerful, visceral album, a significant creative response to these very significant times. Robb Johnson is now widely recognised as one of the UK’s finest songwriters: “An English original”, - The Guardian...

Saint Mary (a fable about the origin of a virus), Monday Afternoon in the Paris House (March 16th, & a last gig before lockdown), 422 (lockdown has begun), One More Lockdown Day (lockdown continues), 5373 (the number of deaths from COVID 19 continues to rise), 89p (the government responds by promoting a Care badge), Disinfectant (President Trump promotes a cure), The Highlight of My Week (the weekly lockdown shopping), All the Bells Were Ringing (the nightly lockdown dreaming), Lockdown Jokes & Stories (three sad stories- Belly Mujinga, railworker, Mervyn Kennedy, bus driver, Louisa Rajakumari, teacher, & one bad joke – Dominic Cummings drives to Durham), Victory in Europe (May, & the UK achieves the highest rate of COVID 19 deaths in Europe), The Days We Don’t Forget (a proper remembrance), In Palmeira Square (June 17th, & lockdown is ending).

Jeremy Tuplin ~ Violet Waves

Trapped Animal LP

TAR025V

5055869547246

Jeremy Tuplin's TV-inspired third album comes with stunning 60's themed photography and typography with lyrics have been included on the record insert. Previous record ‘The Pink Mirror’, a satirical look at our failure to remove the rose-tinted spectacles when observing the world around us, might have been an entirely solo affair, yet ‘Violet Waves’ finds Tuplin entwining his band, the Ultimate Power Assembly, in his cosmic spiral. Exclusively recorded with the band who joined Tuplin on sojourns through Germany, Italy and two UK headline tours last year, their unfailing presence results in a more brash, bombastic output, espousing the electrifying drama of Scott Walker. Tuplin has always existed within touching distance of a wink of the eye, a tongue in the cheek, and even with the cataclysmic nature of the subjects on display here, Tuplin still manages to not take life too seriously. ‘Killer Killer’ is a feel-good depiction of a love story featuring a porcupine and a chinchilla, the porcupine being the femme fatale and the chinchilla, the ladykiller. Whilst, ‘The Idiot’ finds Tuplin remarking, “The rebels have continued to try to make sense of it / A treason denounced as some kind of astro-physics bullshit” in a nonchalant tone perfectly suited to those who choose to eschew science when contemplating the planet’s future. Fittingly, Tuplin closes with a death wish. “I’ve been thinking and when I die, I would like my heart cut out and projected into outer space / And maybe it’ll catch on and others will do the same / The entirety of the human race / With their hearts cut out and floating in outer space”.

Jeremy, we have lift off.

Back From The Dead, Break Your Heart Again, Space Magic, Killer Killer, The Inuit, Swimming, Cool Design, The Idiot, Sally’s In A Coma, She Speaks To Me, Violets Are Blue, When I Die etc.

“Watching Stefanie Mannaerts — watching her play drums and sing — kicks things up a whole ‘nother level. It is absolutely mesmerizing. It is mind-blowing. It is astonishing.”

– STEREOGUM (Best Albums of 2019)

“The Belgian trio’s second LP may be the best heavy album of 2019” – PASTE (Best Albums of 2019)

"Potent and haunting, the dueling beauty of singer-drummer Stefanie Mannaerts' evocative voice with the layered distortion of her stringed counterparts makes for not only a gorgeous album, but also a unique one - perhaps no one else so far this year has achieved such a refreshing sound." REVOLVER (Best Albums of 2019)

"urgent and abrasive" CONSEQUENCE OF SOUND

“Mannaerts' impassioned, borderline histrionic range recalls Björk at her most acrobatic, and her shifting rhythms behind the kit are just as athletic” - POPMATTERS

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To describe the last few years as a whirlwind for Belgian trio, Brutus, would be an understatement. Their monolithic sophomore release, Nest, which was released to overwhelming high acclaim in March of last year, has cemented the band as one of rock's most visceral and promising acts. Additionally, Brutus have quickly become a ‘Must See’ live band, led by drummer/vocalist Stefanie Mannaerts, whose massive and emotive vocals are mirrored only by her intense and dynamic drumming. Guitarist Stijn Vanhoegaerden and bassist Peter Mulders complete the magic circle with pervasive riffs, dynamic bass lines, and a ne balance between uneasy restraint and unrepentant aggression. With all tours cancelled in 2020, Brutus wanted to share their favorite live performance set with highlights from their rst two albums. Live in Ghent was recorded and lmed at their’ hometown show at Handelsbeurs Ghent, Belgium in May 2019. The performance highlights the young trio's incredible chemistry, explosive energy, and sonic precision across the entire 13 track set, further demonstrating why Brutus are considered one of the best live rock bands around.

With an album cover depicting bassist Peter Mulders step-son, who wrote out their set-list on the night of the recorded show, Live In Ghent goes some way to giving fans a taste of what they have missed in 2020 thanks to the ceasing of actual live shows.

TIM JONES REDEYE WORLDWIDE tim@redeyeworldwide.com (336) 578 - 7300 x 2300

MARC JETTON SARGENT HOUSE marc@sargenthouse.com (310) 808 - 8083

wearebrutus.com instagram.com/wearebrutus sargenthouse.com/wearebrutus t w i t t e r. c o m / w e a r e b r u t u s Instagram.com/wearebrutus

laura veirs M Y ECHO

RELEASE DATES: 10.16.20/10.23.20 | ORDERS DUE BY 9.25.20/10.02.20

R AV E N M A R C H I N G B A N D

T H I S I S T H E K I T | J O H N F R U S C I A N T E | R O L A N D H AY N E S