10.01 & 10.08 New Release Book

THE DAPTONE SUPER SOUL REVUE LIVE! AT THE APOLLO RELEASE DATES: 10.01.21/10.08.21 | ORDERS DUE BY 9.10.21/9.17.21

DAPTONE RECORDS

T H E W I L D F E AT H E R S | T I R Z A H | A D R I A N Y O U N G E A N D A L I S H A H E E D M U H A M M A D

Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight

This Issue: Trevor Peterson at Fire Talk Records How would you describe your overall ambitions and goals as a label from when you first started compared to now?

When the label first started I was playing in bands, signing artists I met on tours and really looking at it as a community building project. It’s still very much that, we’re trying to build a community of like minded artists and releases that share a common spirit. I’ve always wanted the label to be as big as possible so the music can reach the widest audience possible, the difference now is that we’ve built the relationships and have the knowledge to do that.

How did you personally get started in the music industry?

I started as a musician, playing in bands, touring and releasing records on other record labels.

When and where did the label begin?

Fire Talk started in the mid to late aughts (we count 2009 as the founding year although in ‘07 & ‘08 the idea was brewing) in Denver Colorado where I was living and going to school at the time and by 2011 moved with me to New York City where the label was fully incubated.

We know you can’t choose, but what’s been your favorite label release, and why?

There are definitely no favorites! I think the one that sticks out most in my mind is the first Tennis 7 inch we did in 2010, that was the first time we really moved a bunch of records and saw something have a real moment and it was exciting to be a part of that. It was pre streaming and we weren’t releasing anything digitally at all at the time so the response had a completely different feel, something that couldn’t be replicated now for us.

What’s the wildest marketing promotion you’ve ever worked on for any release?

Nothing too extreme, we just had Dehd play some shows from the back of a box truck in Chicago and a few random locations to promote an album they weren’t able to tour which was a fun promo op!

What is the meaning behind the name for the label?

The label’s name in classic fashion is something I wish a little more thought went into, or maybe not I don’t know! But the short of it is while living in Denver there was a particular bar that musicians, filmmakers, poets, degenerates and general bohemian types would hang out at that happened to have a fire pit in the back, and a lot of ideas came out of conversations around that place. And so when trying to think of a label name the phrase “Fire Talk” came out of one of those conversations and it stuck.

What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released?

I’m pro color, give the people what they want, you know! Feel like we’ve seen everything done at this point; my favorite thing we’ve done recently is a deluxe repackage of a 2020 release that we blew out the packaging, added a bunch of bonus material. 2xLP, raised spot gloss gatefold jacket full printed inner sleeves so basically 8 places for artwork and then a really fun galaxy swirl color vinyl. I think for non Fire Talk, the most inspiring packaging for me and the first time I saw anything like it was the first GOAT record “World Music” with the crazy die cut jacket.

How has the label changed since it started?

The biggest change is that the scale at which we’re able to reach folks has elevated exponentially. From selling 7 inches on consignment locally and on merch tables to multiple territory worldwide campaigns. Of course the landscape has shifted as well which has driven a lot of growth and change for the label.

Forget about the vinyl boom - how are you and your label responding to the ever-increasing popularity of cassette tapes? CDs??

Is it ever increasing?! We’ve always made these two formats so I guess we’ll just keep on making them. No plans to do anything too crazy in the near term, let’s see what those year on year numbers say at the end of 2021 & we can re-evaluate!

Describe the general makeup of your team at the label.

We’re a growing small team, myself a project manager and A&R and a marketing person. Outside of our team we then hire out for other services depending on a campaign’s needs whether it be radio, PR or digital marketing.

How would you describe the average fan of the label?

I have no idea! “Likes good music” lol.

What has been the biggest challenge for you and the label during the Pandemic?

I think the challenges shift on a monthly basis! Early on it was figuring out the best way to navigate cancelling tons of stuff; we had quite a few artists on the road in March 2020 that all of course had to make fast decisions in that period. After that it was how to maintain our DTC business while offices were closed and our city ground to a halt and now it’s navigating the ongoing production issues.

Is the label tied to a specific geographical area? How is this reflected in your releases?

We try to think globally so the answer is no in terms of the artists we work with and the music we release but we do try to keep the spirit of New York City and the Indie community here in what we do. If anything our city constantly inspires us: there’s an immense amount of creative energy here that I think we have no choice but to tap into.

Where do you go to search for new music? Who or what has been a new find you’d like to rave about?

So many places! The internet of course is ground zero a lot of the time but as shows are coming back we’re looking forward to that aspect of discovery again. Show up for the opener always! An artist I’d like to rave about who has yet to play their first show and is a pandemic signing for us is Mandy, Indiana based in Manchester UK. Pummeling electronic post-punk and I have no doubt the live show will be massive.

Top of the list!

Is there a genre that you would consider to be the label’s “signature style,” or is it a mix?

It’s definitely a mix, I love to describe it as the best new music sections from your favorite local indie store. That said, we like to work with outsiders, free spirits, artists that might make indie rock, post punk, noise, whatever it is but do it in their own way.

In your opinion, how important is it to be environmentally sustainable within the music industry these days?

I think this is of utmost importance and should be discussed at the highest levels in our industry. While labels can make certain decisions to improve sustainability in our own small businesses I think the industry as a whole needs to come together on this sooner rather than later to drive any real impactful lasting change.

How important are issues like mental health and social justice to you and the label?

Both are very important to me both personally and as the founder of this label.

What in your opinion has been the biggest change in the music industry from when you first started compared to now?

Streaming and the sheer volume of music released. It’s easier than ever to make and distribute music and it’s harder than ever to reach listeners.

If you had to start a new sub-label, what would it be called and what kind of music would it be geared towards?

We just did this! It’s called Open Tab and it’s not genre specific but does lean into new music, and part of the imprint is discovery where each release is paired with an interview and mix curated by the artist. We felt like creating more context around a release, and in the era of no liner notes it could be a valuable use of our resources for emerging artists.

Want to shout out a personal favorite record store or retail establishment?

Now’s your chance: I have to shout out my local, which is Rough Trade here in NYC at which friends old and new work or have worked at over the years, and they’ve been big supporters of the label.

They say our sun will explode in about 5 billion years or so- how would you like the label to be remembered?

“Fire who?”

Peel Dream Magazine

On tour with Holy Wave - first shows since 2019!

9/16 - Hotel Vegas - Austin, TX

9/24 - The Sultan Room - Brooklyn, NY

9/17 - Opolis - Norman, OK

9/25 - PhilaMOCA - Philadelphia, PA

9/20 - Cactus Club - Milwaukee, WI

9/26 - DC9 - Washington, DC

9/21 - Empty Bottle - Chicago, IL

9/27 - Fuzzy Cactus - Richmond, VA

9/22 - UFO Factory - Detroit, MI

9/28 - Snug Harbor - Charlotte, NC

9/23 - Beachland Tavern - Cleveland, OH

9/30 - 529 - Atlanta, GA

“If you're a dream-pop fiend shaking from an endless craving for fuzz bliss, Joe Stevens pours the coffee pot topping you off.” - NPR

"a patchwork of brainy indie-pop influences with its own absurdist charm.” - Pitchfork

"The hooks, history, and philosophy all become detritus swirling together into a kaleidoscopic reinterpretation you can’t look away from” - Stereogum

“Peel Dream Magazine have cemented themselves as reliably strong pop purveyors. They’re reminiscent of classic shoegaze, but still keen on stretching sonic boundaries and perplexing listeners." - Paste

Check stock and contact your rep for play copies and potential ticket giveaways.

LP UPC: 749846925114

7

7

49846 02342

1

Contact: Stephen Svacina

email: stephen@redeyeworldwide.com

tel: 1.877.733.3931

4

CD UPC: 749846025128

7

“Modern Meta Physic” CD

49846 92511

49846 02512

8

“Moral Panics”

12” EP

7

49846 02561

6

“Agitprop Alterna”

And Don't The Kids Just Love It - (40th Anniversary Edition) Fire Records

LP FIRELP289R

809236128942

Limited edition, red vinyl edition repress. 500 only. Single sleeve, download card included.

Ahead of its time, ‘And Don’t The Kids Just Love It’ was Television Personalities’ influential debut album released in 1981 and features ‘I Know Where Syd Barrett Lives’. The legendary lo-fi release sees them produce British inspired 60s pop and post-punk that captured the period and ‘sounds remarkably prescient’ (Pitchfork’s Best 100 albums of the 1980s). With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave’s longest serving and seminal artists with a career spanning over three decades. The indie visionaries directly influenced virtually every major pop uprising of the period including artists as diverse as The Jesus and Mary Chain, Pavement and Creation’s Alan McGee. “They provided the inspiration and motivation for me to start the label.” Alan McGee, Creation Records. // “A remarkably influential album that holds up extremely well.” Allmusic.

A1 This Angry Silence A2 The Glittering Prizes A3 World Of Pauline Lewis A4 A Family Affair A5 Silly Girl A6 Diary Of A Young Man A7 Geoffrey Ingram B1 I Know Where Syd Barrett Lives B2 Jackanory Stories B3 Parties In Chelsea B4 La Grande Illusion B5 A Picture Of Dorian Gray B6 The Crying Room B7 Look Back In Anger

Qasim Naqvi Chronology Format: LP clear vinyl (incl. Download Code) File under: Electronic · Box Lot: 20 LP Street Date: 17.07.2021 – Record Store Day UK 2021

Label:

Erased Tapes

Catalogue No.:

ERATP144LE

Distributor:

Redeye

Barcode (EAN):

3700551783571

Track listing: A1. Kindly Static A2. Aftertouched A3. Head Within a Head A4. Turtle on Fire B1. Chronology B2. Mt. Erased

Official Websites: http://www.qasim-naqvi.com/ www.erasedtapes.com PR Agent: duncan@9pr.co.uk and james@9pr.co.uk

July 17 will see the much-treasured analog synthesizer suite Chronology by PakistaniAmerican composer and drummer of the cult trio Dawn of Midi, Qasim Naqvi, finally receiving a worldwide vinyl release on Record Store Day UK 2021.

Originally conceived only digitally in 2016, Chronology was Qasim’s first release of electronic music. Having been in the world of improvised and classical music up to this point, it seemed only fitting for Naqvi’s inaugural electronic music album to be made exclusively on a malfunctioning synthesizer — an old Moog Model D. Leaving the abundant options of a computer behind.

“Taken individually, the six pieces on Chronology dispense small-scale hits of gorgeousness. In tandem, the tracks cohere to form a compelling suite of pieces that can subtly undermine expectations for ambientinfluenced composition.” — Pitchfork According to Naqvi: "On the level of functionality, the synthesizer was kind of janky. It produced a low level din of white electrical noise and some of the knobs were erratic. Sometimes it would just shut off and the idea would end there. It was like bringing some ancient thing back from the dead and having it adapt. But with sound that always leads to interesting results."

He used these anomalies to his advantage and the overall piece has a unique sonic signature that would perhaps be impossible to recreate on another Model D. “When we think of a computer, we think of limitless options and an abundance of memory for recalling ideas. The Moog holds a reverse approach. It's a tactile piece of machinery with discrete circuits, 3 voltage-controlled oscillators and knobs for controlling the contour of the oscillator. It's monophonic, so chords or polyphonic playing is out of the question.

The absence of this function required a layering of ideas in stages. Also, there's no way of saving anything or recalling presets. Once you make a sound, that's it. It exists in that moment unless you chronicle the settings by writing them down. It's kind of like making a gesture with a brush. Once it strikes the canvas, you can either freeze it in time or erase it forever”, Qasim recalls.

TERRY RILEY AUTODREAMOGRAPHICAL TALES TZA CD 8070 Composer Series Terry Riley.

Autodreamographical Tales: i dwarf * ii long bus ride * iii see them out there * iv the miracle * v zuchinni * vi black woman * vii the faquir * viii the war on the poor * The Hook Lecture * ix the hook 1 * x the royal 88 * xi a dervesh in the nursery * xii the hook 2 * xiii the ecstacy * xiv turning * xv the hook 3 * xvi ebony horns * xvii we will meet again FOCUS ON A TZADIK CLASSIC One of the most influential musicians on the planet, Terry Riley is the father of both minimalism and the downtown scene, having incorporated improvisation into his work from as far back as the early 1960s. This project, a musical dream diary, was created in 1996 and features Terry playing and telling stories from his unconscious.

Coupled with his legendary Hook Lecture from Sydney, Australia, Autodreamographical Tales is unique in the Riley discography—a CD of spoken word with music.

Incredibly evocative musical backgrounds highlight these strange stories read with eloquence and panache by one of most important musical figures of the late 20th century. At 75, still writing and performing with incredible power, magic and love, Terry Riley remains THE MAN—the hippest, coolest cat around

7

02397-8070 - 2

5

File Under: Avant Garde/Classical

Street Date: October 15, 2021 Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

AF ROB EAT AI RWAYS  An Immaculate Colle ction of Gems F rom a Fine Label  Nothing Shor t of a Masterpie ce , a Fe ast , Enticingly Vibrant… a Non- Stop Party

ANGOLA SOU N DTRAC K 2  Br illiant, Irresistable , Be autifully Seductive

SI RIÁ  Sir iasly F unky, Vital , Enchanting

ORDER FORM Street Date: 10.01.21 | Order Date: 9.10.21 QTY

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Mod Prog Sic

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The Complete R&B Hit Singles (Yellow “Fever” Vinyl)

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Live at the Whisky 1969--The Unreleased Masters (2-CD Set)

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TALES FROM THE CRYPT PRESENTS: Demon Knight— Original Motion Picture Soundtrack (Clear with Green & Purple Swirl Vinyl)

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Zacherle

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Grateful Dead

Dick’s Picks Vol. 19-10/19/73 Oklahoma City Fairgrounds Arena, Oklahoma City, OK (3-CD Set)

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Dick’s Picks Vol. 30-Academy of Music, New York City, NY 3/25 & 3/28/72 (4-CD Set)

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The Complete Warner Bros. Recordings (2-CD Set)

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The Complete Atlantic Singles (2-CD Set)

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The Atlantic Years (2-CD Set)

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Texas Tornados

A Little Bit Is Better Than Nada--Prime Cuts 1990-1996 (2-CD Set)

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TAO

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Dead Horse

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Year of the Orc

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Ducks Ltd.

Modern Fiction

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DEAL

ORDER FORM Street Date: 10.01.21 | Order Date: 9.10.21 QTY

UPC

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Voices From the Empty Moor (Songs of Anne Briggs)

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Skirts

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Meditations on the Tarot

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Aquarius

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Aquarius (2LP)

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The Stars Are God’s Bullet Holes

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Obviously 5 Believe

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Obviously 5 Believe

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Ghosts Of Rock N Roll

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Garbage Man 7” (INDIE EXCLUSIVE)

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DEAL

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BADBADNOTGOOD

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Alvarado

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New Star Shining

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090771559913

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Owens, Buck and His Buckaroos

(It’s A) Monsters’ Holiday (GREEN VINYL)

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843563128121

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Motrik

MOON: The Cosmic Electrics of MOTRIK

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Hopkins, Jon

Insides (INDIE EXCLUSIVE, TRANSPARENT GREEN VINYL)

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Del Water Gap

Del Water Gap (INDIE EXCLUSIVE, BLACK CASSETTE)

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Efterklang

WINDFLOWERS

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WINDFLOWERS

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Between Days

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Kudu (INDIE EXCLUSIVE, BLUE VINYL)

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CD-BYREC-26

JOHN

Nocturnal Manouevres

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ESP Summer

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Doxas, Chet

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DEAL

NEW RELEASES Street Date: 10.01.21 | Order Date: 9.10.21

TIRZAH

COLOURGRADE

TRACKLISTING

OVERVIEW

1. Colourgrade 2. Tectonic 3. Hive Mind (feat. Coby Sey) 4. Recipe 5. Beating 6. Sleeping 7. Crepuscular Rays 8. Send Me 9. Sink In 10. Hips

Domino presents Colourgrade, the much anticipated new album from Tirzah.

CATALOG NUMBER: WIG476 RELEASE DATE: October 1, 2021 FILE UNDER: Alternative “T” CD Boxlot: 50 UPC: 887828047628

Colourgrade follows on from 2018’s immediate cult classic LP, Devotion. It forms a subconscious snapshot from across a year when Tirzah was playing live regularly for the first time, in the depths of promoting Devotion and recorded soon after the birth of her first child and shortly before her second child was born.

The album explores recovery, gratitude and new beginnings, presenting a singer having discovered the type of love that is shared between a mother and a child for the first time, whilst simultaneously working as an artist. Capturing both the great and the scary, the exhaustion and the recovery, Colourgrade is a listless amble through the innermost feelings, an intoxicating presentation of a full time mother and artist.

As always, a Tirzah record is a family affair. That doesn’t just mean grandmum and granddad, but the extended CURL crew that includes long term collaborators, Mica Levi and Coby Sey. It’s this natural, collaborative energy that keeps Tirzah’s music fresh and progressive.

Praise for 2018's Devotion

LP w/ DOWNLOAD Boxlot: 20 UPC: 887828047611

Vinyl is non-returnable

LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828047635

"Devotion truly is like a prayer, a hushed offering from Tirzah’s private world."

Pitchfork [Best Albums of 2018] “Devotion feels like a diamond in the rough, a minimalist exterior giving way to hidden depths.”

Stereogum [Best Albums of 2018] ""one of the most thrilling experimental R&B albums of the year.”

AV Club

Vinyl is non-returnable

SELLING POINTS • Single LP comes with download card. Single LP (ltd) comes on sunshine yellow vinyl with download card.

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com

• College, noncomm, and AAA radio campaign to impact upon release.

• Major market 2022 US dates + festivals to be announced.

• Tirzah's 2018 debut album Devotion placed on best album year end lists from Pitchfork, NOISEY, NPR Music, SPIN, Stereogum, Variety, and more.

Artist: Title: Street: UPC: Label: Cat #: Product:

Black Dice Mod Prog Sic October 1, 2021 860006078409 FourFour Records FFR-441 Vinyl LP (Black)

Black Dice Sales Points: •25th anniversary as a band •Their first new album in almost 10 years •North American Tour Oct-Nov 2021 •Debut LP on FourFour Records, a new label from DFA Records Co-Founder Jonathan Galkin Genre: Electronic, Experimental, Indie RIYL: Animal Collective, Birthday Party, Boredoms, Oneohtrix Point Never, Giant Swan Bio: Mod Prog Sic is the new album from Black Dice, their first LP in almost a decade. The album is the band at their peak, combining twisted rhythms and sharp, beamed-in guitar melodies and vocals . The album packs twists and turns all along the way, morphing and changing shape, creating a truly alien form of classic rock and some of the most timeless and unique leftfield electronic music being made today. This is Black Dice's 25th year as a band and they sound as unto themselves as they did in 1997, even while sounding nothing like the screamo punk of their Providence day.

For all 25 years of their existence, Black Dice have loomed as an unrivaled, unforgettable, and influential force. Their performances are forceful, full-body experiences, with listeners afterward describing the singular kink of feeling their skeletons vibrate. This understanding of the physical force of sound has endeared Black Dice to both the damaged youth of DIY warehouse shows and the erudite spectators of vaulted galleries.

10/26: San Diego, CA

10/27: L.A., CA

10/28: SF, CA

10/30: Portland, OR

10/31: Vancouver, BC

11/1: Seattle, WA

11/2: Boise, ID

11/4: Denver, CO

11/5: Kansas City, MO

11/6: St. Paul, MN

11/7: Chicago, IL

11/8: Toronto, ON

11/9: Montreal, QC

11/10: Providence, RI

11/12: BK, NY - Record Release Party w/ Xiu Xiu & Hairbone

SELLING POINTS • The Home Alone Franchise Is One of Hollywood’s Most Successful Series of Comedy Films Ever

HOME ALONE CHRISTMAS (CLEAR WITH RED & GREEN “CHRISTMAS PARTY” SWIRL VINYL EDITION)

• Helmed by Producer John Hughes and Director Chris Columbus, the First Two Home Alone Movies Rank as Among the Most Beloved Holiday Films in Screen History

STREET DATE: OCTOBER 1, 2021

• Both Featured a Star-Making Performance by Macaulay Culkin

With the dream team of producer John

• The Soundtracks to Both Films Boasted a Score by the Great John Williams, Plus Christmas Songs “Auld” and New from Artists Classic and Contemporary

behind them, and boosted by Macaulay

• Real Gone Music’s Release of Home Alone Christmas Takes the Best Songs from Each Soundtrack and Collects Them on One

SIDE ONE

Hughes and director Chris Columbus

1. All Alone on Christmas Performer: Darlene Love

Culkin’s star-making turns, the first two Home Alone films rank among the

2. A Holly Jolly Christmas) Performer: Alan Jackson

most beloved Christmas movies of the last 30 years if not of all time. And their soundtracks, featuring a pair of

3. My Christmas Tree Vocal: The Fox Albert Choir

scores by the great John Williams

• Contemporary Tracks Include Steve Van Zandt’s Tune “All Alone on Christmas” Sung by the Legendary Darlene Love and the Late, Great Tom Petty Performing His Own “Christmas All Over Again” with the Heartbreakers

and a host of Christmas songs and

• Also Features Such Artists as Alan Jackson, Southside Johnny, and 20 Feet from Stardom Standout Lisa Fischer Interpreting Various Christmas Favorites

album…and then put it out on festively colored vinyl? Well, that’s what exactly

• On the Classic Side, the Velvet Fog, Mel Torme, Does His Great Take on “Have Yourself a Merry Little Christmas” • John Williams Contributes Three Tracks, Including “Somewhere in My Memory,” the Song He Wrote with Leslie Bricusse That Has Become a Christmas Standard

among holiday-themed movie music collections. But what if you took the best songs from both soundtracks and put them together into one killer Christmas what we have done here with our release of Home Alone Christmas, a 12-track collection that provides the perfect blend of new and “auld” along with no Zandt’s tune “All Alone on Christmas” sung by the legendary Darlene Love, the late, great Tom Petty performing his own “Christmas All Over Again” with

favorites. On the classic side, there’s the Velvet Fog, Mel Torme, doing his great take on “Have Yourself a Merry Little Christmas.” And overseeing it all Williams, with three by “Somewhere in My Memory,” the song he wrote with Leslie Bricusse that has become

Green “Christmas Party” Swirl Vinyl PACKAGING: LP Jacket

(Steven Van Zandt) Produced and Arranged by Steven Van Zandt p 1992 Fox Records, Inc.

2. ALAN JACKSON A HOLLY JOLLY CHRISTMAS 2:14 (Johnny Marks) Produced by Keith Stegall p 1992 20th Century Fox Film Corp.

(Jack Feldman / Alan Menken) Produced by Alan Menken p 1993 Arista Records LLC

4. JOHN WILLIAMS SOMEWHERE IN MY MEMORY 3:49 (John Williams / Leslie Bricusse) Music Composed and Conducted by John Williams p 1992 Arista Records LLC

5. ATLANTIC STARR SILVER BELLS 4:15 (Ray Evans / Jay Livingston) Produced by David and Wayne Lewis Associate Producer: Jonathan Lewis p 1992 Arista Records LLC

6. TLC SLEIGH RIDE 3:43

(Leroy Anderson / Mitchell Parish) Produced by Organized Noize Co-Produced by Pebbles Executive Producers: Antonio “LA” Reid and Kenny “Babyface” Edmonds TLC appears courtesy of LaFace Records p 1993 Fox Records, Inc. in association with RCA Records, a division of Sony Music Entertainment

This essential holiday

1. TOM PETTY & THE HEARTBREAKERS CHRISTMAS ALL OVER AGAIN 4:15

release comes to you

2. SOUTHSIDE JOHNNY LYON PLEASE COME HOME FOR CHRISTMAS 2:41

in a clear with red and green “Christmas Party” swirl vinyl edition…

Merry Christmas, ya filthy

SIDE TWO

(Charles Brown / Gene Redd) Produced by Southside Johnny Lyon p 1992 Arista Records LLC

3. JOHN WILLIAMS MERRY CHRISTMAS, MERRY CHRISTMAS 2:45 (John Williams / Leslie Bricusse) Music Composed and Conducted by John Williams p 1992 Arista Records LLC

4. JOHN WILLIAMS CAROL OF THE BELLS 1:25

(Frederick Oakeley / John Francis Wade) Produced by Lisa Fischer Lisa Fischer appears courtesy of Elektra Entertainment p 1992 Arista Records LLC

Home Alone & Home Alone 2: Lost In New York written and produced by John Hughes directed by Chris Columbus

Cover artwork by AWest

animals!

6. O Come All Ye Faithful Vocal: Lisa Fischer

(Peter J. Wilhousky) p 1992 Arista Records LLC

5. MEL TORMÉ HAVE YOURSELF A MERRY LITTLE CHRISTMAS 3:05 (Hugh Martin / Ralph Blane) p 1992 Arista Records LLC

4. Carol of the Bells Vocal: John Williams 5. Have Yourself a Merry Little Christmas Performer: Mel Tormé

(Tom Petty) Produced by Tom Petty, Mike Campbell, Jimmy Iovine and Jeff Lynne Tom Petty & The Heartbreakers appear courtesy of MCA Records, Inc. p 1992 A&M Records

6. LISA FISCHER O COME ALL YE FAITHFUL 3:27

2. Please Come Home for Christmas Performer: Southside Johnny Lyon 3. Merry Christmas, Merry Christmas Conducted by John Williams

3. THE FOX ALBERT CHOIR MY CHRISTMAS TREE 2:35

P 1993 Fox Records, Inc. c 1993, 2019 Fox Records, Inc. / Manufactured for Real Gone Music by Sony Music Entertainment / 25 Madison Avenue, New York, NY 10010-6801 / WARNING: All rights reserved. Unauthorized duplication is a violation of applicable laws / 19075983831

RGM-0931

BOX LOT: 30

SIDE ONE

1. DARLENE LOVE ALL ALONE ON CHRISTMAS 4:16

HOME ALONe CHRISTMAS

a Christmas standard.

REAL GONE MUSiC

selections highlighted

FORMAT: Regular Weight Clear with Red &

1. Christmas All Over Again Performer: Tom Petty & The Heartbreakers

20 Feet from Stardom standout Lisa Fischer interpreting various Christmas

• As Culkin Says in Home Alone 2, “Merry Christmas, Ya Filthy Animals!”

UPC: 848064013006

SIDE TWO

the Heartbreakers, and such artists as Alan Jackson, Southside Johnny and

is the magisterial John

5. Silver Bells Performer: Atlantic Starr 6. Sleigh Ride Performer: TLC

shortage of burglar repellent! On the contemporary side you get Steve Van

• Clear with Red & Green “Christmas Party” Swirl Vinyl Pressing

iBarcoder Trial

4. Somewhere in My Memory Conducted by John Williams

artists both classic and contemporary, occupy an equally lofty position

ARTILLERY SELLING POINTS • Danish Thrash Metal Band Artillery Are Pioneers of the Genre • Their Third Record, By Inheritance, Is Considered a Classic • Released in 1990, Their Last Record Before an Eight-Year Hiatus • Inspired in Part by a Trip to Tashkent in What Was Then the U.S.S.R. (Now Uzbekistan) • Features a Great Cover of Nazareth’s “Razamanaz” • Line-Up Includes the Brothers Stützer, Michael and the Late Morten, on Guitars, with Flemming Rønsdorf on Vocals, Peter Thorslund on Bass, and Carsten Nielsen on Drums • Our Real Gone Reissue Includes an Inner Sleeve with Lyrics • First U.S. Release on Vinyl • Blue with Red Splatter Pressing

iBarcoder Trial

UPC: 848064012771 FORMAT: Regular Weight Blue with Red Splatter Vinyl PACKAGING: LP Jacket with Printed Inner Sleeve BOX LOT: 40

By Inheritance (Blue with Red Splatter Vinyl Edition) STREET DATE: OCTOBER 1, 2021 Danish thrash metal? Hell, yes! In fact, Artillery was one of the pioneers in the genre. And this 1990 album, their third and last before an eightyear hiatus, is considered a classic, inspired in part by a trip to Tashkent in what was then the U.S.S.R. (now Uzbekistan). Features the brothers Stützer, Michael and the late Morten, on guitars, with Flemming Rønsdorf on vocals, Peter Thorslund on bass, and Carsten Nielsen on drums.

Don’t miss their cover of Nazareth’s “Razamanaz!” U.S. vinyl debut featuring jacket and inner sleeve with lyrics.

Blue with red splatter vinyl pressing!

SIDE ONE 1. 7:00 from Tashkent 2. Khomaniac 3. Beneath the Clay (R.I.P.) 4. By Inheritance 5. Bombfood SIDE TWO 1.

2.

3.

4.

5.

Don’t Believe Life in Bondage Equal at First Razamanaz Back in the Trash

RECORDS

• The Oakland-Based Black Jazz Label Emerged from the Late-‘60s/ Early-‘70s Movement That Led to a Number of Black-Run Artist Collectives Such as the AACM (Artists Association for the Advancement of Creative Musicians) • Founded by Ovation Records Owner Dick Schory and Pianist Gene Russell, Who Produced All the Black Jazz Releases • Reputed to Be the First Jazz Label Started by an African- American Since 1921, Black Jazz’s Mission Statement Was “to Promote the Talents of Young African American Jazz Musicians and Singers” • The Label Released 20 Albums During Its Brief (1971-1975) Existence, and Then Faded into Obscurity • But a New Generation of Crate Diggers and DJ’s Discovered the Label’s Amazing Array of Modal, Soul, Funk, and Free Jazz, Much of It Imbued with the Political and Spiritual Concerns of the Day • The Result Was That Black Jazz Is Among the Most Collectible Labels in Existence, with Original LPs Selling for Hundreds of Dollars • The Label Was Reissued on CD in Japan During the ‘90s and Early 2000s, but Virtually None of the Black Jazz Titles Have Been Reissued on LP • Now, Real Gone Music Has Obtained the Rights to Reissue the Entire Black Jazz Catalog on LP and CD • Remastered by Mike Milchner at Sonic Vision • Lacquer Cutting by Clint Holley and Dave Polster at Well Made Music • LPs Pressed at Gotta Groove Records in Black Vinyl • Original Album Art • Added Liner Notes by Pat Thomas, Author of Listen Whitey! The Sounds of Black Power • Produced for Reissue by Real Gone’s Own Gordon Anderson • Real Gone Music Will Donate $500 to the Equal Justice Initiative with Each Black Jazz Release • Keyboardist Walter Bishop, Jr.’s Second Album for Black Jazz, 1973’s Keeper of My Soul, Featured a Brand-New Line-Up Anchored by Flautist/ Saxophonist Ronnie Laws • More Electric, Ambitious, and Free Than Its Fine Predecessor, Coral Keys • Ranges from Keith Jarrett-Like Free-Form to Bossa Nova to Funky Fusion • First Vinyl Reissue • Saxman Rudolph Johnson’s Second Album for the Black Jazz Was Aptly Entitled The Second Coming • Johnson Stakes His Claim as the Rightful Heir to John Coltrane’s Improvisational Prowess • Features Keyboardist Kirk Lightsey • Improvisational, Free Jazz of the Highest Order • First Vinyl Reissue • Both Albums Released on Black and Orange with Black Streaks Vinyl Limited to 750 Copies and Exclusive to Independent Record Stores iBarcoder Trial

WALTER BISHOP, JR.’S 4th CYCLE: Keeper of My Soul (Remastered Black Vinyl Edition)

UPC: 848064012832 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 50 WALTER BISHOP, JR.’S 4th CYCLE: Keeper of My Soul (Remastered & Limited Orange iBarcoder Trial with Black Swirl Vinyl Edition) (Independent Record Store Exclusive)

UPC: 848064013594 FORMAT: Regular Weight Orange with Black Streaks Vinyl PACKAGING: LP Jacket with Insert LIMITED EDITION: 750 Copies BOX LOT: 50 iBarcoder Trial

WALTER BISHOP, JR.’S 4th CYCLE: Keeper of My Soul (Remastered CD Edition)

UPC: 848064012856 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30 iBarcoder Trial

RUDOLPH JOHNSON: The Second Coming (Remastered Black Vinyl Edition)

UPC: 848064012863 FORMAT: Regular Weight Black Vinyl PACKAGING: LP Jacket with Insert BOX LOT: 50 RUDOLPHiBarcoder JOHNSON: TheTrial Second Coming (Remastered & Limited Orange with Black Swirl Vinyl Edition) (Independent Record Store Exclusive)

UPC: 848064013600 FORMAT: Regular Weight Orange with Black Swirl Vinyl PACKAGING: LP Jacket with Insert LIMITED EDITION: 750 Copies BOX LOT: 50 iBarcoder Trial

RUDOLPH JOHNSON: The Second Coming (Remastered CD Edition)

UPC: 848064012887 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30

In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, including Watts-based UGMAA (Union of God’s Musicians and Artists Ascension), Chicago’s AACM (Association for the Advancement of Creative Musicians), Brooklyn’s CBA (Collective Black Artists), and Detroit’s The Tribe.

And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory, with a mission statement “to promote the talents of young African American jazz musicians and singers.”

Under Russell’s artistic direction, the label only put out 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact… but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere.

After years of trying, we at Real Gone Music finally were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality.

Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original black-and-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey!

The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album.

WALTER BISHOP, JR.’S 4TH CYCLE: KEEPER OF MY SOUL (Remastered CD & Vinyl Edition) LP Side One STREET DATE: OCTOBER 1, 2021 Keyboardist Walter Bishop, Jr. recorded the second album released by the Black Jazz label, Coral Keys, a masterpiece of Blue Note-style atmospherics infused with ‘70s soul-jazz. But a mere two years later, Bishop, Jr. brought a whole new sound and a whole new band into the studio for 1973’s Keeper of My Soul. Contrary to the album title, the name of the band was not The 4th Cycle; instead, as the liner notes put it, the name reflected “Bishop’s composition and improvisational techniques based on the Cycle of 4ths and his various personal musical cycles as performer, student and teacher.” The album also was imbued with a spirituality owed in part to his studies with yogi Parmahansa Yogananda; little wonder, then, that Keeper of My Soul was a more ambitious, electric, and “out” record than its predecessor. With the estimable support of flautist/sax man Ronnie Laws, bassist Gerald Brown, and vibraphonist Woody Murray, Bishop explores Keith Jarrett-like free-form passages (“Those Who Chant”), Latin stylings (Kenny Dorham’s “Blue Bossa”), and offers one of the most unusual and funky interpretations of “Summertime” you’ll ever hear. All in remastered sound with liner notes by Pat Thomas. First-ever vinyl reissue of a long-lost classic (also available in orange with black swirl vinyl, limited to 750 copies and exclusive to indie record stores)!

1. SOUL VILLAGE 2. N’DUGU’S PRAYER 3. SUMMERTIME LP Side Two 1. THOSE WHO CHANT 2. KEEPER OF MY SOUL 3. BLUE BOSSA 4. SWEET ROSA CD 1. SOUL VILLAGE 2. N’DUGU’S PRAYER 3. SUMMERTIME 4. THOSE WHO CHANT 5. KEEPER OF MY SOUL 6. BLUE BOSSA 7. SWEET ROSA

RUDOLPH JOHNSON: THE SECOND COMING (Remastered CD & Vinyl Edition)

STREET DATE: OCTOBER 1, 2021 The album title is apt, as this was saxman Rudolph Johnson’s second album for the Black Jazz label (and this reissue marks only the second time this 1973 album has been released on vinyl)! But more importantly, the quality of the music it contains renders the more common, Messianic meaning of the phrase “the second coming” equally applicable. Saxman and bandleader Rudolph Johnson never attained the commercial success of some of his contemporaries, but his fans consider him the rightful heir to John Coltrane’s improvisational genius. And with keyboardist Kirk Lightsey in the band for this go-round (we already reissued Johnson’s very fine 1971 Black Jazz album Spring Rain), sparks are gonna fly, starting right off with the cookin’ album opener “The Traveler,” which if you close your eyes will definitely bring to mind Coltrane’s classic quartet circa the early ‘60s. Indeed, unlike most of the other releases on the Black Jazz label, The Second Coming barely nods to the fusion and soul jazz trends that were sweeping jazz at the time. Instead, this is expressive, free improvisation at its best, beautifully recorded by producer Gene Russell and deserving of a much wider audience than it found the first time. Newly remastered and annotated, and, like we said, reissued on vinyl for the first time (also available in a orange with black streaks vinyl edition limited to 750 copies and exclusive to independent record stores)!

LP Side One 1. THE TRAVELER 2. TIME AND SPACE 3. THE HIGHEST PLEASURE LP Side Two 1. THE WATER BEARER 2. THE SECOND COMING CD 1. THE TRAVELER 2. TIME AND SPACE 3. THE HIGHEST PLEASURE 4. THE WATER BEARER 5. THE SECOND COMING

SELLING POINTS • Though He Was Small of Stature, Little Willie John Stood Toe-to-Toe with Sam Cooke, Ray Charles, Clyde McPhatter, and All Other Comers When It Came to ‘50s R&B Singers • His Agile, Melismatic Voice Was Equally at Home with After-Hours Blues Ballads or R&B Footstompers • His Tragic Death at Age 30 in Walla Walla Prison Prevented Him from Reaching the Superstardom That Was Sure to Come • Little Willie John’s Seminal Sides for Cincinnati’s King Records Label Are Among the Best ‘50s R&B Has to Offer • The Complete R&B Hits Offers All 17 of His Chart-Making Singles • Features Such Classics as “Fever,” “All Around the World,” “Need Your Love So Bad,” “Home at Last,” and “Leave My Kitten Alone” • Accompanying Insert Features Notes by Bill Dahl and Photos • An Essential R&B Platter, Pressed in Yellow “Fever” Vinyl iBarcoder Trial

UPC: 848064013082

FORMAT: Regular Weight Yellow “Fever” Vinyl PACKAGING: Album Jacket with Insert BOX LOT: 50

SELLING POINTS • While Jazz Flautist Herbie Mann Is Remembered as a Pop-Jazz Player, in the Late ‘60s He Was Fronting One of the Most Progressive and Electrifying Bands in the World: Guitarist Sonny Sharrock, Bassist Miroslav Vitous, Saxophonist Steve Marcus, Drummer Bruno Carr, and Vibraphonist Roy Ayers • This Same Band Is Featured in the New Summer of Soul Documentary • The Sextet Cut the Dynamic Live at the Whisky A Go Go Album in 1969, Drawn from a Four-Night Run at the Legendary Sunset Strip Nightclub • But the Album Only Featured Two Side-Long Tracks • Producer Pat Thomas Unearthed the Multi-Track Tapes for All Four Dates, and Assembled a Two-CD Set Consisting Solely of Unreleased Material • Features the Appearance of Vocalist Linda Sharrock on Songs That First Appeared on Sonny Sharrock’s Landmark Black Woman Album • Also Includes Blazing Interpretations of Songs by Donovan, Tim Hardin, Aretha Franklin, Miles Davis, and Simon & Garfunkel • Liner Notes by Pat Thomas Include Unpublished Photos of the Band iBarcoder Trial

UPC: 848064004394

FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30

LITTLE WILLIE JOHN: THE COMPLETE R&B HIT SINGLES (YELLOW “FEVER” VINYL EDITION) STREET DATE: OCTOBER 1, 2021 Diminutive in size but gigantic in stature, Little Willie John was a genuine architect of soul. Along with Clyde McPhatter, Ray Charles, and Sam Cooke, the visionary singer stood at the forefront of fusing gospel intensity to rhythm and blues tradition. And had he not died inside a Walla Walla prison at the age of 30, his name would likely be etched in the same soul Pantheon as his peers.

Despite his abbreviated career, Willie cut a string of seminal sides for Cincinnati-based King Records from 1955 to 1961 that rank among the finest R&B waxed by any singer for any label of the period. It didn’t matter whether the song was an after-hours blues ballad or an uptempo footstomper: Willie’s agile, melismatic voice made the number soar. As Motown legend Lamont Dozier says in Bill Dahl’s notes to this collection, “Willie John was just an extraordinary talent. He knew how to touch you with a song, and he knew how to raise the hairs on the back of your neck.”

Now, from Real Gone Music comes the definitive vinyl anthology for this overlooked soul superstar: 17 tracks that include every R&B chart hit! That means such landmark tunes as “Fever,” “All Around the World,” “Need Your Love So Bad,” “Home at Last,” and “Leave My Kitten Alone,” all documented by liner note writer Bill Dahl on the accompanying insert. An essential addition to any soul library!

SIDE ONE 1. All Around the World 2. Need Your Love So Bad 3. Home at Last 4. Fever 5. Letter from My Darling 6. Do Something for Me 7. Talk to Me, Talk to Me 8. You’re a Sweetheart 9. Tell It Like It Is SIDE TWO 1. Leave My Kitten Alone 2. Let Them Talk 3. Heartbreak (It’s Hurtin’ Me) 4. Sleep 5. Walk Slow 6. (I’ve Got) Spring Fever 7. Flamingo 8. Take My Love (I Want to Give It All to You)

HERBIE MANN:

LIVE AT THE WHISKY 1969—THE UNRELEASED MASTERS (2-CD SET)

STREET DATE: OCTOBER 1, 2021 While jazz flautist Herbie Mann is often remembered as a pop-jazz player, in the late ‘60s he was fronting one of the most progressive and electrifying bands in the world: guitarist Sonny Sharrock, Miroslav Vitous on electric & upright bass, saxophonist Steve Marcus, drummer Bruno Carr, and vibraphonist Roy Ayers (the same band shown in the new Summer of Soul documentary). Together, the sextet cut the dynamic Live at the Whisky A Go Go album in 1969, drawn from a four night run at the legendary nightclub on Los Angeles’ Sunset Strip. Though the band’s repertoire was quite varied on these dates, just two side-long tracks, “Ooh Baby” and “Philly Dog,” surfaced on the Atlantic Records release.

Now, reissue producer Pat Thomas has unearthed the multi-track tapes for these shows (never before mixed), and has programmed a double-CD set that shows this high-energy jazz-rock outfit stretching out – sometimes, on Sharrock’s solos, way out – with, as an added bonus, the appearance of Linda Sharrock on songs that appeared (in studio versions) on the seminal Sonny Sharrock album Black Woman released around the time of these live shows.

All performances are previously unreleased, including a 23-minute jam of Donovan’s “Tangier” blending into Tim Hardin’s “If I Were A Carpenter” and a newly discovered take of “Ooh Baby” that clocks in at 21 minutes!

Sonny Sharrock’s searing lead guitar work is featured on songs first recorded by Aretha Franklin, Miles Davis, and Simon & Garfunkel – plus “Black Woman” and Portrait of Linda in Three Colors” with Linda on vocals. Live at the Whisky—The Unreleased Masters puts fans of Bitches Brew, The Inner Mounting Flame, early Weather Report, and similar-era titles on notice that Herbie Mann was not just a pop-jazzbo – but a force to taken more seriously than history has accorded him. Packaging includes several previously unpublished live photos of this band in action, with notes by Thomas. A huge jazz find!

DISC ONE 1. The Ringer 2. Tangier/If I Were a Carpenter 3. Memphis Underground 4. Ooh Baby 5. Scarborough Fair DISC TWO 1.

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Black Woman All Blues If I Were a Carpenter Philly Dog Portrait of Linda Come Home Baby/Battle Hymn of the Republic/Come Home Baby 7. Chain of Fools

TALES FROM THE CRYPT PRESENTS: De mon Knight SELLING POINTS • Tales from the Crypt: Demon Knight Was a 1995 Horror Film Starring William Sadler, Billy Zane, and Jada Pinkett Smith • While the Film Did Not Do Well at the Box Office, the Soundtrack Ranks as One of the Best of Its Era and of Its Kind • Features an All-Star Line-Up of Metal and Thrash Bands Including Pantera, Megadeth, Melvins, Ministry, Biohazard, Machine Head, Sepultura, Rollins Band, and Filter • Also Features a Classic “Horrorcore” Rap Song from Gravediggaz • Only the Pantera Song Was Released Prior to the Soundtrack, and Most of the Tracks Are Otherwise Unavailable • The Filter Song “Hey Man Nice Shot” Was the Band’s First-Ever Release, and Went On to Become a Hit • Clear with Green and Purple Swirl Vinyl Pressing • The Soundtrack to the Apocalypse, Perfect for Halloween iBarcoder Trial

UPC: 848064013051 FORMAT: Regular Weight Clear with Green and Purple Swirl Vinyl PACKAGING: LP Jacket BOX LOT: 30

SELLING POINTS • Throughout the Late ‘60s and ‘60s, John Zacherle Was the “Cool Ghoul” of East Coast TV, Presenting Late-Night Horror Movies to Delighted Teenagers in New York and Philadelphia • Zacherle Parlayed His TV Success into a Successful Recording, Acting, and Radio Career • His Rarest and Most Sought-After Album Is 1963’s Zacherle’s Monster Gallery • Released on Elektra’s Budget Imprint Crestview, the Record Was a Copy of the 1960 Release Spook Along with Zacherley, Except That It Featured Cover Art by Legendary Mad Magazine Artist Jack Davis • Real Gone Music’s Release of Zacherle’s Monster Gallery Comes in Clear with Green Swirl Vinyl and Features the Jack Davis Cover Art • Limited to 500 Copies, Out in Time for Halloween iBarcoder Trial

UPC: 848064013044 FORMAT: Regular Weight Clear with Green Swirl Vinyl PACKAGING: LP Jacket LIMITED EDITION: 500 Copies BOX LOT: 30

ORIGINAL MOTION PICTURE SOUNDTRACK (Clear with Green & Purple Swirl Vinyl Edition) STREET DATE: OCTOBER 1, 2021

Wanna hear the soundtrack to Armageddon? This 1995 film starred William Sadler as the Demon Knight, who, along with his new recruit, Jada Pinkett Smith, is charged with fending off The Collector (Billy Zane) and his army of demons from acquiring an ancient relic that is the only thing preventing the complete destruction of the human race. While the flick did meh box office and was panned critically, the soundtrack was easily one of the best of its era and of its kind, an all-star line-up of thrash and heavy metal acts mostly doing otherwise unavailable material (only the track by Pantera appears to have been released prior to the movie). The Pantera, Megadeth, Melvins, and Biohazard entries are particulary good, and the one hip hop tune on the collection, Gravediggaz’ “1-800-Murder,” is an archetypal “horrorcore” rap song. But perhaps the best tune is “Hey Man Nice Shot”

by Filter, an outfit that hadn’t released anything prior to this soundtrack.

Since this movie came out in 1995, it only came out on LP in Europe at the time; our Real Gone reissue brings it back on clear with green and purple swirl vinyl!

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Cemetery Gates (Demon Knight Edit)—Pantera Hey Man Nice Shot—Filter My Misery (Demon Knight)— Machine Head Diadems—Megadeth Instant Larry—Melvins

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Fall Guy—Rollins Band Beaten—Biohazard Policia—Sepultura Tonight We Murder—Ministry 1-800-Suicide—Gravediggaz

ZACHERLE:

ZACHERLE’S MONSTER GALLERY (LIMITED CLEAR WITH GREEN SWIRL VINYL EDITION) STREET DATE: OCTOBER 1, 2021 Fittingly enough, The Cool Ghoul himself, John Zacherle, passed away right around Halloween in 2016, and now we here at Real Gone Music are celebrating his “deathday” by releasing his incredibly rare album Zacherle’s Monster Gallery, originally issued on the budget Elektra imprint Crestview, on clear with green swirl vinyl limited to 500 copies!

This record was originally released in 1963, and was actually a copy of the 1960 Elektra album Spook Along with Zacherley, except for one very important detail: the cover art to the Crestview release was inked by legendary Mad Magazine artist Jack Davis, who actually passed away in 2016 as well.

Which probably explains why original copies of this record are selling for about $150 if you can find them…So consider this release a twin tribute to two guys who brought a big smile to millions of kids, especially those on the East Coast that used to see Zach present all those cheesy horror movies on TV. R.I.P., Zach and Jack!

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Come with Me to Transylvania Spider Man Lullaby Ring-A-Ding Orangoutang Baying at the Moon Zacherle for President

SELLING POINTS • The Dick’s Picks Series of Live Concerts Chronicled Every Step of the Grateful Dead’s Long Strange Trip from Venue to Venue • Superior Fidelity and Curation Ensure a Quintessential Live Dead Experience • Dick’s Picks Vol. 19 Was the First Full Concert from the Fabled Year of 1973 to Be Released • Took Place Just Days After the Release of Wake of the Flood, and Showcased Album Tracks Like “Stella Blue” and “Eyes of the World” • Disc Three’s “Dark Star”/“Mind Left Body Jam”/“Morning Dew” Sequence Is One of the Highlights of the Entire Dick’s Picks Series • Dick’s Picks Vol. 30 Leads Off with Five Tracks Featuring Bo Diddley • The Rest of the Pick Presents a Complete March 28, 1972 Show That Is Very Europe ’72 in Its Set List But with That Extra Edge That Playing in New York Always Inspired in the Band • Features the Dead’s Lone Renditions of “How Sweet It is (to Be Loved by You)” and “Are You Lonely for Me” • Recorded by Betty Cantor-Jackson • Both Volumes in HDCD Sound and Out of Print for Years

“Dick” was Dick Latvala, the official tape archivist for the Grateful Dead until 1999, whose inspiration and encyclopedic knowledge of the band’s vaults spawned the fabled Dick’s Picks series of live Dead concert recordings. Comprised of 36 volumes, Dick’s Picks follows the band on its long, strange trip through a multitude of eras, tours and venues, featuring handpicked shows that display the band at its visionary, improvisational height.

GRATEFUL DEAD:

Dick’s Picks Vol. 19—10/19/73 Oklahoma City Fairgrounds Arena, Oklahoma City, OK (3-CD Set) STREET DATE: OCTOBER 1, 2021 The first full 1973 concert to be released, and the first concert of their uniformly excellent Fall ’73 Midwest tour, Dick’s Picks Vol. 19 captures the Dead a matter of days after the release of Wake of the Flood, the first release on their own Grateful Dead Records label, and over half the tracks from the album appear here, highlighted by stellar (no pun intended) renditions of “Stella Blue” and “Eyes of the World.” Both of those songs appear as the first encore on Disc Three, which may well be one of the finest single discs in the entire Dick’s Picks canon; the disc leads off with a 15-minute “Dark Star” which segues effortlessly to “Mind Left Body Jam” leading into a truly transcendent reading of “Morning Dew.” Add “Sugar Magnolia” and a show-ending “Johnny B. Goode” to the set and you know everybody went home happy. A superb sound mix on this one, too, and as always it’s presented in HDCD sound. Out of print for years!

GRATEFUL DEAD:

Dick’s Picks Vol. 30—Academy of Music, New York City, NY 3/25 & 3/28/72 (4-CD Set)

GRATEFUL DEAD: Dick’s Picks Vol. 19—10/19/73 Oklahoma City Fairgrounds Arena, Oklahoma City, OK iBarcoder Trial

STREET DATE: OCTOBER 1, 2021 That this 4-CD set kicks off with five tracks featuring blues legend Bo Diddley

UPC: 848064002383 FORMAT: 3-CD Set PACKAGING: Clamshell “Fat Boy” Jewel Case BOX LOT: 10 GRATEFUL DEAD: Dick’s Picks Vol. 30—Academy of Music, New York City, NY iBarcoder 3/25 & 3/28/72 Trial

(taken from a 3/25/72 benefit for the Hell’s Angels) ought to be enough to get those Dead collector synapses firing. That the last three discs present a complete show from March 28, 1972 that’s very Europe ’72 in its set list (with lots of early appearances of songs that ended up on that album) but with that extra edge that playing in New York always seemed to inspire in the band, all recorded by Dead

UPC: 848064000518 FORMAT: 4-CD Set PACKAGING: Clamshell “Fat Boy” Jewel Case BOX LOT: 10

sound whiz Betty Cantor-Jackson, explains why this Dick’s Picks volume met with almost universal acclaim upon its original release. Brought to you in HDCD sound.

Double bonus: the Dead’s lone renditions of How Sweet It Is (to Be Loved by You) and Are You Lonely for Me!

CD One Set One 1. Promised Land 2. Sugaree 3. Mexicali Blues 4. Tennessee Jed 5. Looks Like Rain 6. Don’t Ease Me In 7. Jack Straw 8. They Love Each Other 9. El Paso 10. Row Jimmy CD Two Set One (cont.)

1. Playing in the Band

Set Two 2. China Cat Sunflower 3. I Know You Rider 4. Me and My Uncle 5. Mississippi Half-Step Uptown Toodeloo 6. Big River CD Three 1. Dark Star 2. Mind Left Body Jam 3. Morning Dew 4. Sugar Magnolia 5. Eyes of the World 6. Stella Blue 7. Johnny B. Goode

CD One March 25, 1972 1. Hey Bo Diddley (with Bo Diddley) 2. I’m a Man (with Bo Diddley) 3. I’ve Seen Them All (with Bo Diddley) 4. Jam (with Bo Diddley) 5. Mona (with Bo Diddley) 6. How Sweet It Is (to Be Loved by You) 7. Are You Lonely for Me 8. Smokestack Lightnin’ March 27, 1972 9. Playing in the Band CD Two March 28, 1972 1. Truckin’ 2. Tennessee Jed 3. Chinatown Shuffle 4. Black-Throated Wind 5. You Win Again 6. Mr. Charlie 7. Mexicali Blues 8. Brokedown Palace 9. Next Time You See Me 10. Cumberland Blues CD Three March 28, 1972 1. Looks Like Rain 2. Big Railroad Blues 3. El Paso 4. China Cat Sunflower/ 5. I Know You Rider 6. Casey Jones 7. Playing in the Band 8. Sugaree 9. The Stranger (Two Souls in Communion) CD Four 1. Sugar Magnolia 2. The Other One 3. Hurts Me Too 4. Not Fade Away 5. Goin’ Down the Road Feeling Bad 6. Not Fade Away 7. Sidewalks of New York 8. One More Saturday Night

SELLING POINTS • Louisiana-Born Tony Joe White Was One of the Most Distinctive Talents in American Music • “Polk Salad Annie” Was White’s Biggest Hit, But He Penned Hits for Dusty Springfield (“Willie and Laura Mae Jones”), Brook Benton (Rainy Night in Georgia”) and Elvis Presley (“For Ol’ Times Sake”; “I’ve Got a Thing About You”) • Real Gone’s 2-CD Set The Complete Warner Bros. Recordings Includes the Three Classic Albums White Recorded for Warner Bros. in the early ‘70s: Tony Joe White, The Train I’m On and Homemade Ice Cream • Also Includes Six Non-LP Singles • Tony Joe White Paired White with Producer Peter Asher and Included Such Rockers as “They Caught the Devil and Put Him in Jail in Eudora, Arkansas” and “My Kind of Woman” • The Train I’m On Was Produced by the Great Team of Jerry Wexler and Tom Dowd and Featured the Great Muscle Shoals Session Musicians • Homemade Ice Cream Was Produced by Dowd and Was Highlighted by the Original Version of “For Ol’ Times Sake” • 40 Tracks in All • Set Includes Liner Notes by Ben Edmonds Featuring Exclusive Quotes from Tony Joe White Himself

TONY JOE WHITE: THE COMPLETE WARNER BROS. RECORDINGS STREET DATE: OCTOBER 1, 2021

The late, great, Louisiana-born Tony Joe White first gained fame mainly through his songwriting; 1969’s “Polk Salad Annie” was his only Top Ten hit, but artists such as Dusty Springfield (“Willie and Laura Mae Jones”), Brook Benton (“Rainy Night in Georgia”) and Elvis Presley (“For Ol’ Times Sake”; “I’ve Got a Thing About You Baby”) took his songs to the charts. But White was always been a singular performer in his own right; the honeyed burr of his baritone, his alternately tough and tender vocal delivery and liberal use of his “whomper stomper” wah-wah pedal lend him a completely distinctive sound. Simply put, nobody, but nobody, sounds like Tony Joe White, and on this 2-CD collection, we’ve rounded up all three of the classic albums he recorded for Warner Bros. in the early ‘70s—all of which are out of print and costing a mint online—plus non-LP singles to create The Complete Warner Bros. Recordings. Recorded in Memphis (partly at Ardent Studios of Big Star fame), 1971’s Tony Joe White paired him with producer Peter Asher (James Taylor, Linda Ronstadt) and shifted the focus slightly from the fuzz-drenched swamp rock of White’s Monument recordings to a more introspective style, though “They Caught the Devil and Put Him in Jail in Eudora, Arkansas” and “My Kind of Woman” could blow the doors off any roadhouse south of the Mason-Dixon line. White’s next album, 1972’s The Train I’m On, continued this gentler, more vulnerable style to great effect; produced by the legendary team of Jerry Wexler and Tom Dowd, with the mighty Muscle Shoals sessioneers in support, Train’s set of songs tackled complex themes of dislocation, alienation and loss with a blend of blues, soul and folk highlighted by some beautiful acoustic guitar work by White and Tippy Armstrong.

It’s a masterpiece. And 1973’s Homemade Ice Cream might be even better; White’s original version of “For Ol’ Times Sake” is just devastating, and “I Want Love (‘Tween You and Me),” “Taking the Midnight Train” and the title track are every bit as good. Co-producer Tom Dowd and a crack band of guitarist Reggie Young, bassist Norbert Putnam, drummer Kenny Malone and keyboardist David Briggs catch every nuance of these deceptively simple songs. Real Gone’s presentation of this essential material features liner notes by Ben Edmonds with quotes from Tony Joe White himself. Not to be missed.

TRACKS CD One Tony Joe White

iBarcoder Trial

UPC: 848064003298 FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30

(2-CD Set)

1. They Caught the Devil and Put Him in Jail in Eudora, Arkansas 2. The Change 3. My Kind of Woman 4. The Daddy 5. Black Panther Swamps 6. Five Summers for Jimmy 7. A Night in the Life of a Swamp Fox 8. Traveling Bone 9. I Just Walked Away 10. Copper Kettle 11. Voodoo Village Singles 12. Lustful Earl and the Married Woman 13. Delta Love 14. That on the Road Look

The Train I’m On

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I’ve Got a Thing About You Baby The Family If I Ever Saw a Good Thing Beouf River Road The Train I’m On Even Trolls Love Rock and Roll

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As the Crow Flies Take Time to Love 300 Pounds of Hongry The Migrant Sidewalk Hobo The Gospel Singer

Saturday Night in Oak Grove Louisiana For Ol’ Times Sake I Want Love (‘Tween You and Me) Homemade Ice Cream Ol’ Mother Earth Lazy California on My Mind Backwoods Preacher Man Takin’ the Midnight Train No News Is Good News Did Somebody Make a Fool Out of You

Singles 18. Sign of the Lion 19. Don’t Let the Door (Hit You in the Butt) 20. Wishful Thinking

SELLING POINTS

barbara lewis:

• Barbara Lewis Is One of the Great Pop-Soul Singers of the ‘60s

(2-CD SET)

• The Complete Atlantic Singles Is the Most Comprehensive Barbara Lewis Collection Ever Released • Includes the A and B-Sides of All 17 Singles She Recorded for the Atlantic Label, Many Making Their CD Debut • 34 Tracks in All • Features Such ‘60s Pop-Soul Essentials as “Hello Stranger,” “Baby I’m Yours,” and “Make Me Your Baby” • This Material Is Particularly Beloved by Northern Soul and Beach Music Fans • Richie Unterberger’s Notes Include Quotes from Barbara Lewis iBarcoder Trial

UPC: 848064000938

FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30

SELLING POINTS • Composed of Cissy Houston, Sylvia Shemwell, Estelle Brown and Myrna Smith, The Sweet Inspirations Were the Go-To Backup Vocal Group at Atlantic Records and Beyond, Backing Everybody from Aretha Franklin to Wilson Pickett to Elvis Presley • The Atlantic Years Features 37 Tracks They Made Under Their Own Name for Atlantic from 1967 to 1971 • Includes the A and B Sides of All 18 Singles the Group Cut for Atlantic • Also Features Three Unreleased Tracks • Notes by SoulMusic Records’ David Nathan • Added Photos • Remastered by Mike Milchner at SonicVision • Perhaps the Greatest Back-Up Vocal Group of All Time, Finally in the Spotlight! iBarcoder Trial

UPC: 848064002635

FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30

THE COMPLETE ATLANTIC SINGLES STREET DATE: OCTOBER 1, 2021 With her purring passionate voice and arrangements both spare and sumptuous, Barbara Lewis recorded some of the best soul-pop of the 1960s. Though best remembered for her hits “Hello Stranger” (which Barbara wrote along with a number of her early singles),”Baby I’m Yours,” and “Make Me Your Baby,” she recorded a wealth of fine material for Atlantic Records throughout the 1960s that remains beloved among devotees of both the Beach Music and Northern Soul scenes, with such esteemed producers as Bert Berns, Arif Mardin, and Artie Butler behind the board. This two-CD collection is the most comprehensive anthology of her Atlantic recordings ever assembled, featuring the A-sides and B-sides of all 17 singles she issued for the label, many of which have never appeared on CD. Richie Unterberger’s notes feature exclusive quotes from Barbara Lewis herself; a soul essential!

THE SWEET INSPIRATIONS: THE ATLANTIC YEARS (2-CD SET)

STREET DATE: OCTOBER 1, 2021 Initially created from the ranks of a group of ‘60s female background session singers that at one time included Dionne Warwick, her sister Dee Dee, adopted sister Judy Clay and “Just One Look” singer Doris Troy, The Sweet Inspirations became an official Atlantic recording artist after being the label’s go-to studio backup vocal group for many of the label’s primary artists including Aretha Franklin (with whom they toured in 1967 and 1968), Wilson Pickett, Solomon Burke, The Drifters, and Esther Phillips among others.

Consisting of Emily “Cissy” Houston (who took Dee Dee Warwick’s place when she launched her own solo career in 1965), Sylvia Shemwell (sister of Judy Clay), and gospel singers Estelle Brown and Myrna Smith (who knew Dionne and Dee Dee during their teen years at New Hope Baptist Church), The Sweet Inspirations enjoyed their first hit single in 1967 with their interpretation of The Staples Singers’ “Why (Am I Treated So Bad).” The song was written for them by Dan Penn and Spooner Oldham, who played on a number of the group’s Memphis sessions.

In 1969, the group was hired by Elvis Presley as his vocal backup group and spent a number of years on the road with him. Cissy Houston left the group in 1970 to pursue a solo career; Estelle, Sylvia, and Myrna continued recording as a trio with Stax Records and RSO Records.

The Atlantic Years presents 37 tracks, including the A and B sides of the group’s 18 singles (with the 1970 hit, “Gotta Find Me A Brand New Lover,” originally released as Pt. 1 & 2, combined into one track), one cut unearthed from the Atlantic vaults in 2004 and previously only available on an out-of-print US compilation, and three previously unreleased sides (including a six-minute-plus medley of “Little Green Apples,” Aretha Franklin’s “Think,” and The Beatles’ “Something”). The 2-CD set includes photos and notes by SoulMusic Records’ David Nathan, with remastering by Mike Milchner of SonicVision. Quite possibly the greatest backup vocal group of them all, finally in the spotlight!

DISC ONE 1. My Heart Went Do Dat Da 2. The Longest Night of the Year 3. My Mama Told Me 4. Gonna Love You Till the End of Time 5. Hello Stranger 6. Think a Little Sugar 7. Straighten Up Your Heart 8. If You Love Her 9. Puppy Love 10. Snap Your Fingers 11. Someday We’re Gonna Love Again 12. Spend a Little Time 13. Pushing a Good Thing Too Far 14. Come Home 15. Baby I’m Yours 16. I Say Love 17. Make Me Your Baby 18. Love to Be Loved DISC TWO 1. Don’t Forget About Me 2. It’s Magic 3. Make Me Belong to You 4. Girls Need Lovin’ Care 5. Baby What Do You Want Me to Do 6. I Remember the Feeling 7. I’ll Make Him Love Me 8. Love Makes the World Go Round 9. Fool, Fool, Fool (Look in the Mirror) 10. Only All the Time 11. Sho-Nuff (It’s Got to Be Your Love) 12. Thankful for What I Got 13. I’ll Keep Believin’ 14. On Bended Knees 15. You’re a Dream Maker 16. I’m All You’ve Got

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WHY (AM I TREATED SO BAD)?

I DON’T WANT TO GO ON WITHOUT YOU LET IT BE ME WHEN SOMETHING IS WRONG WITH MY BABY THAT’S HOW STRONG MY LOVE IS I’VE BEEN LOVING YOU TOO LONG OH! WHAT A FOOL I’VE BEEN DON’T FIGHT IT DO RIGHT WOMAN, DO RIGHT MAN REACH OUT FOR ME SWEET INSPIRATION I’M BLUE TO LOVE SOMEBODY WHERE DID IT GO? UNCHAINED MELODY AM I EVER GONNA SEE MY BABY AGAIN WHAT THE WORLD NEEDS NOW IS LOVE YOU REALLY DIDN’T MEAN IT

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CRYING IN THE RAIN EVERYDAY WILL BE LIKE A HOLIDAY SWEETS FOR MY SWEET GET A LITTLE ORDER DON’T GO CHAINED GOTTA FIND ME A BRAND NEW LOVER, PTS. 1 & 2 AT LAST I’VE FOUND A LOVE THAT’S THE WAY MY BABY IS THEM BOYS FLASH IN THE PAN THIS WORLD LIGHT SINGS EVIDENCE CHANGE ME NOT AIN’T NOTHING GONNA CHANGE ME I’VE BEEN INSPIRED TO LOVE YOU LITTLE GREEN APPLES/THINK/ SOMETHING MAKE IT EASY ON YOURSELF

(2-CD Set)

SELLING POINTS • Blending Country, Rock, Blues and Tejano Influences, The Texas Tornados Were and Are the Roots Rock Supergroup to End All Supergroups • Led by the Legendary Doug Sahm, the Group Also Included Tejano Crooner Extraordinaire Freddy Fender, Vox Organ Champion Augie Meyers, Who Played with Sahm in the Sir Douglas Quintet, and The King of Conjunto Himself, Accordionist Flaco Jiménez • Together, the Group Cut Four Albums for the Reprise Label during the ‘90s: Their Self-Titled Debut (Which Came Out in English and Spanish-Language Versions), Zone of Our Own, Hangin’ On by a Thread, and 4 Aces • Real Gone Music’s 2-CD Compilation, A Little Bit Is Better Than Nada—Prime Cuts 1990-1996, Includes 39 Tracks Taken from All of Their Album Releases • Also Features Rarities from Their Greatest Hits Album and Six Unreleased Tracks Highlighted

by Four Instrumentals • Among the “Prime Cuts” Are Such Band Favorites as “Una Mas Cerveza,” the Freddy Fender favorite “Wasted Days and Wasted Nights,” “(Hey Baby) Que Paso,” “Little Bit Is Better Than Nada,” “Who Were You Thinkin’ Of,” and the Doug Sahm anthem “Is Anybody Goin’ to San Antone” • Randy Poe’s Liner Notes Includes Quotes from Doug Sahm’s Son and Tornados Bandleader Shawn Sahm • Includes Photos from the Reprise Label Archive • Remastered by Mike Milchner at SonicVision

iBarcoder Trial

UPC: 848064003885 FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30

STREET DATE: OCTOBER 1, 2021 Pop music has seen its share of supergroups, but none of them were (and are) as infectious, buoyant and plain ol’ fun as the Texas Tornados.

And make no mistake—the Tornados were a supergroup; in fact, when it comes to roots and ethnic music, the pedigree of the band was unmatched. Accordionist Flaco Jiménez is The King of Conjunto Music, and has played with everybody from the Rolling Stones to Buck Owens, while keyboardist Augie Meyers basically is the Vox organ, having played it with the Sir Douglas Quintet and on countless other releases by Bob Dylan, Tom Waits, John Hammond…the list goes on. Freddy Fender was the rare Chicano artist to achieve crossover pop success with a style that blended swamp pop, rockabilly, country, and Tejano influences together with a beautiful, crooning vocal style, and Doug Sahm—well, Doug Sahm was Doug Sahm, an American original if there ever was one, a one-man melting pot of country, soul, Tejano and rock and roll. Together, these four legends cut four albums (or five, if you count the Spanish-language version of their debut) for the Reprise label during the ‘90s that were among the greatest roots-rock records ever made, a rollicking, utterly irresistible body of music made for dancing, drinking, laughing, loving and living.

Now, Real Gone Music goes deep into the vaults to present the ultimate Texas Tornados collection, a 2-CD, 39-track set that includes prime cuts from all of their albums—the Spanish and English versions of their self-titled debut, plus Zone of Our Own, Hangin’ On by a Thread and 4 Aces—together with rarities and six otherwise unavailable sides including four instrumentals and a Miller Lite beer spot! Among the non-album tracks are such Tornados touchstones as “Una Mas Cerveza” and the Fender favorite “Wasted Days and Wasted Nights,” while the album sides are highlighted by “(Hey Baby) Que Paso,” “Little Bit Is Better Than Nada,” “Who Were You Thinking Of,” the Doug Sahm anthem “Is Anybody Goin’ to San Antone,” and many more. Friend of the band Randy Poe has penned the notes based on a fresh interview with Doug Sahm’s son Shawn, latter-day leader of the Tornados and authority on all things to do with his dad, while the photos come from the dim recesses of the Reprise label archives. Remastered by Mike Milchner at SonicVision and assembled with love by compiler Mike Johnson, A Little Bit Is Better Than Nada—Prime Cuts 1990-1996 is a longoverdue look at a band that never stopped going strong.

DISC ONE 1. (HEY BABY) QUE PASO 2. SOY DE SAN LUIS 3. BONITO ES EL ESPAÑOL 4. WHO WERE YOU THINKIN’ OF 5. LAREDO ROSE 6. ADIOS MEXICO 7. IF THAT’S WHAT YOU’RE THINKING 8. DINERO 9. BABY! HEAVEN SENT ME YOU 10. SOY DE SAN LUIS (Previously Unissued Instrumental) 11. IS ANYBODY GOIN’ TO SAN ANTONE 12. LA MUCURA 13. BAILANDO 14. I’M NOT THAT KAT ANYMORE 15. HE IS A TEJANO 16. EL PANTALON BLUE JEAN 17. DID I TELL YOU 18. CUATRO VIDAS (Previously Unissued Instrumental) 19. IS ANYBODY GOIN’ TO SAN ANTONE (Previously Unissued Instrumental)

DISC TWO 1. HANGIN’ ON BY A THREAD 2. TUS MENTIRAS 3. GUACAMOLE 4. TO RAMONA 5. ONE AND ONLY 6. ADIOS MI CORAZON 7. ANDO MUY BORRACHO 8. GUACAMOLE (Previously Unissued Instrumental) 9. THE RICHEST MAN (Previously Unissued) 10. UNA MAS CERVEZA 11. WASTED DAYS AND WASTED NIGHTS 12. LITTLE BIT IS BETTER THAN NADA 13. IN MY MIND 14. 4 ACES 15. TELL ME 16. ROSALITA 17. CLINGING TO YOU 18. MI MORENITA 19. THE ONE I LOVE THE MOST 20. MILLER LITE SPOT (Previously Unissued)

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Kiefer – Kickinit Alone Description

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Kiefer’s is an acclaimed GRAMMY Award-winning pianist and producer

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Kiefer is one of LA jazz’s most exciting new artists, with a broad international fanbase

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Previous press & radio highlights: Pitchfork, Paste, Bandcamp, Mojo, FACT, Mixmag, Drowned in Sound, etc.

- Kiefer has over 60 million global track

Artist

Kiefer

Title

Kickinit Alone

Cat #

STH2455LP (Green LP)

Label

Stones Throw Records

Genre

Beats, Electronic

UPC Format

659457245573 (Color) Color LP

Retail Date

streams, Kickinit Alone has over 15M global streams - Exclusive green indie color vinyl

Key Selling Points

- Kickinit Alone is GRAMMY Awardwinning artist Kiefer’s first album for

Tracklisting

Leaving Records 1. Tubesocks 2. Evil Eye (feat. Hether) 3. 5000 Dollar Check 4. Butterfly Inside My House 5. Ghosted 6. IDK 7. U R What U Repeatedly Do 8. Happysad Sunday 9. Most Beautiful Grl 10. In Pursuit of U 11. Reinvent Yo Self 12. Kickinit Alone

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Active, engaged online community.

Social stats: YouTube - 2.4m views; Instagram - 115k followers; Twitch - 10k subscribers; Twitter - 8k followers; Discord - 2.5k members - For fans of Kamaal Williams, Kamasi Washington, Blue Lab Beats, Sam Wilkes, Moses Boyd, Yussef Dayes

The Body and BIG|BRAVE

Leaving None But Small Birds Thrill - 546

LISTEN HERE

CD BOX LOT CD 65

*9037H-A5462-0

LP BOX LOT LP 50 Vinyl is non-returnable

*90377-A5461-3

LEVON LP BOX LOT LP 50 Vinyl is non-returnable

*90377-54611-8

The Body and BIG|BRAVE are both bands possessed with an unequaled ability to convey overwhelming weight with simplicity, repetition, and detailed sonic H[TVZWOLYLZ" HY[PZ[Z ^OV JVU[PU\L [V HS[LY [OL KLÄUP[PVU VM ^OH[ P[ TLHUZ [V IL H OLH]` IHUK ;OL )VK` HYL JVUZPZ[LU[S` WYVSPÄJ ^OPSL PUJYLHZPUNS` HTIP[PV\Z HZ untethered producers and collaborators. BIG|BRAVE shape sound with dense waves VM N\P[HY HUK MLLKIHJR TPUPTHSPZ[ HUK O`WUV[PJ JYHZOLZ HUK LTV[PVUHSS` L_HJ[PUN ]VJHS TLSVKPLZ 0U JVSSHIVYH[PVU ;OL )VK` HUK )0.c)9(=, ZOPM[ [OL NYH]P[` VM [OLPY JVTWVZP[PVUZ [V ^V]LU SH`LYZ VM WLYJ\ZZPVU HUK \UZWVVSPUN N\P[HYZ [OH[ ZWYH^S [OYV\NO Z[HYR MYHTL^VYRZ VM LHY[O` MVSR ;OLPY KLI\[ JVSSHIVYH[P]L HSI\T Leaving None But Small Birds distills the two ensembles’ pioneering approach to heavy T\ZPJ PU[V WZHSTZ MVY [OL MVYNV[[LU [OYLUVKPLZ VM SVZ[ SV]L HUK VKLZ [V ]LUNLHUJL

GENRE : Alternative FILE UNDER : “B” Body, The “B” BIG|BRAVE RELEASE DATE : Oct. Sept. 24, 01,2021 2021 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)

Typical to The Body’s creative process, Leaving None But Small Birds was composed almost entirely in the studio at Machine With Magnets with engineer/producer Seth Manchester. The Body and BIG|BRAVE aimed to challenge themselves to JYHM[ H M\SS` YLHSPaLK HUK JVOLZP]L ^VYR [OH[ Z[YH`LK V\[ZPKL [OL IV\UKHYPLZ VM [OL T\ZPJ [OL` THRL PUKP]PK\HSS` ;OL )VK`»Z Lee Buford set up the initial challenge: JVSSHIVYH[PUN [V THRL HU HSI\T [OH[ L]VRLK [OL JV\U[Y` HUK MVSR YVV[Z VM The Band. BIG|BRAVE’s Robin Wattie JVTWPSLK S`YPJZ HUK TLSVKPJ SPULZ MYVT HJYVZZ (WWHSHJOPHU *HUHKPHU HUK ,UNSPZO O`TUZ HUK MVSR ZVUNZ :LSLJ[ WOYHZLZ ^LYL [OLU YL^VYRLK HUK WYLJPZLS` HYYHUNLK [V JLU[LY [OL L_WLYPLUJLZ VM THYNPUHSPaLK JOHYHJ[LYZ ]PJ[PTZ VM OHYKZOPW HUK [OVZL `LHYUPUN MVY SV]L ^P[OPU LHJO Z[VY` ;OL KLZWHPY HUK LTWV^LYTLU[ VM [OLZL [YHKP[PVUHS [\ULZ KYH^ YLTHYRHISL WHYHSSLSZ ^P[O LHJO NYV\W»Z MVJ\Z VU JOHTWPVUPUN WLVWSL VM[LU JHZ[ HZPKL PU OPZ[VY` ;OL )VK` HUK )0.c)9(=, MVSSV^PUN H MVSR [YHKP[PVU THRL LHJO ZVUN [OLPY V^U [OYV\NO ZOPM[Z PU WLYZWLJ[P]L HUK H Z`U[OLZPZ VM WHZZHNLZ MYVT RPUKYLK [HSLZ

The Body has been an iconic force in heavy music for over 2 decades with a long history of collaborations. Recent collaborators include BUMMER, Full of Hell, Thou, Uniform.

)0.c)9(=,»Z YVV[Z HZ H TPUPTHSPZ[ MVSR IHUK HUK ;OL )VK`»Z SV]L VM VSK [PTL JV\U[Y` IS\LZ HUK MVSR T\ZPJ LUHISL [OL X\PU[L[ [V Z[YPRL H MVYTPKHISL IHSHUJL IL[^LLU ZVYYV^M\S SHTLU[H[PVU HUK \WSPM[PUN YLZVS]L [V ^LPNO[` LMMLJ[ Leaving None But Small Birds [OH[JOLZ [VNL[OLY [^V TVU\TLU[HS PUUV]H[P]L MVYJLZ [OH[ YLUKLY [OL LTV[PVUHSS` WYVMV\UK ^P[O S\JPK KL]HZ[H[PUN ]P[HSP[`

(3:6 (=(03()3,:

The Body - Christs, Redeemers *+ _37 ;OYPSS The Body - No One Deserves Happiness *+ _37 ;OYPSS The Body - I Have Fought Against it, But ... *+ _37 ;OYPSS The Body - Remixed _37 ;OYPSS The Body & Thou - Released From Love/You, Whom I Have Always Hated _37 *+ ;OYPSS ;OYPSS The Body & Full of Hell - Ascending A Mountain ... *+ 37 ;OYPSS The Body & Full of Hell - One Day You Will Ache Like I Ache 37 ,7-

Follow The Body

Follow BIG|BRAVE

Chicago / Berlin Ph : 312.492.9634 sales@thrilljockey.com

;9(*2 30:;05.! )SHJRLZ[ *YV^ 6O :PUULY 3. Hard Times

6UJL 0 /HK H :^LL[OLHY[ )SHJR PZ [OL *VSV\Y 7VSS` .VZMVYK 7. Babes in the Woods

SALES POINTS

Lee Buford from The Body is also in Manslaughter 777 and Sightless Pit. BIG| BRAVE have a singular voice in heavy music, honed over 5 albums, 4 on Southern Lord. Their most recent VITAL was in April of 2021.

BIG| BRAVE have toured with Godspeed You! Black Emperor, SUNN O))), Lingua Ignota, Papa M The Body and BIG | BRAVE will play select dates together as part of a larger Body tour in 2022.

Leaving None But Small Birds is available on black or limitededition LEVON (greenish clear) vinyl, packaged with download card and inner sleeve with lyrics. Jacket features artwork by Bo Orr (also created art for Full of Hell & The Body as well as videos ) Recorded, mixed & produced by Seth Manchester at Machines With Magnets (Liturgy, Battles, Mdou Moctar) and mastered by Heba Kadry (Björk, David Bowie).

“There’s really no one else combining all this stuff the way BIG | BRAVE do -- or at least not as seamlessly -- and the compelling music is matched by a strong, timely message that deeply examines race and gender.” - BrooklynVegan “Emotionally coherent but tricky to categorize. BIG|BRAVE are the sound of the raw unconscious, turned up loud.” - Pitchfork ³7KH %RG\ KDYH EHFRPH RQH RI WKH PRVW LQWHUHVWLQJ DQG GLI¿FXOW WR pin down groups in extreme music.” - Rolling Stone “It’s no exaggeration to say this US duo [The Body] are one of the greatest bands working anywhere today, making metal at its most corroded.” - Guardian

@thrilljockey

BUMMER Dead Horse Thrill - 548

CD BOX LOT CD 50

LISTEN HERE

*9037H-A5482-8

LP BOX LOT LP 50 Vinyl is non-returnable

*90377-A5481-1

Grey with blue LP BOX LOT LP 50 Vinyl is non-returnable

*90377-54811-2

GENRE : Metal / Alternative FILE UNDER :”B” BUMMER RELEASE DATE : Sept.

Oct. 24, 01,2021 2021 NO EXPORT (JAPAN, S. AMERICA EXPORT OK) TRACK LISTING:

Kansas City trio BUMMER mirror the absurdity of modern life with a balance of dark humor, dejected nihilism and righteous fury. Their music spills out in torrents of skull-crushing riffs, gargantuan bass and caustic howls delivered at breakneck speed with gleeful abandon.

Following their split 7” with longtime friends The Body which teased a more focused, lean sound for the group, Dead Horse hones BUMMER’s auditory desolation and scathing gaze to laser-point precision. In eleven short vignettes the quartet lay waste to everything in their path, penning a vitriolic overview of life in the American Midwest, a surprising blend of one-star Trip Advisor review and insightful cultural critique.

BUMMER’s searing music and self-deprecating sense of humor are steeped in their surroundings. Vocalist/guitarist Matt Perrin elaborates: “;OLZL ZVUNZ HYL PUÅ\LUJLK I` OV^ LTW[` HUK TPUPZJ\SL SPML PU 2HUZHZ JHU IL HUK [OL Z[VYPLZ [OH[ JVTL MYVT P[ ¹ From the opioid epidemic to the dust bowl and extraterrestrial encounters, themes recur of entrapment and failed escapes. Finding little respite even in the usual LZJHWL VM ZWHJL HUK ZJPLUJL ÄJ[PVU +LHK /VYZL»Z relentless bludgeon brings into focus the harsh realities of the American dream and the places left behind by the ravages of capitalism.

In spite of its often weighty subject material and darker textures, +LHK /VYZL is unapologetically fun. Written during lockdown in the quartet’s practice space and recorded with Justin Mantooth at Westend Recording Studio, +LHK /VYZL was written as a more collective endeavour than the band’s previous outings. It captures the sheer ecstasy and blunt force of the group’s live shows in greater clarity than ever before. +LHK /VYZL is a decisive statement from a band at the height of their powers, a masterclass in eviscerating hooks and incisive takedowns. >P[O [OLPY ;OYPSS 1VJRL` KLI\[ HSI\T )<44,9»Z \UÅPUJOPUN YLTPUKLY of just how gruelling life can be is coupled with a cathartic riff driven explosion of energy. BUMMER offers an escape and a solution: headbang through the bad times.

Follow BUMMER Chicago / Berlin Ph : 312.492.9634 sales@thrilljockey.com

1. JFK Speedwagon 2. Barn Burner (You Boys Quit Whippin’ Those Whips) 3. I Want to Punch Bruce Springsteen in the Dick 4. E1M1

5. Donkey Punch 6. Juice Pig 7. Kid Spock 8. Quadruple ZZ Top 9. False Floor 10. Magic Cruel Bus 11. Rareware

SALES POINTS Debut LP by Kansas City’s BUMMER on Thrill Jockey BUMMER is Matt Perrin vocals Guitar, Mike Gustafson bass, Sam Hutchinson drums, additional vocals by Sean Ingram (Coalesce) & Matt King (Portrayal of Guilt) Dead Horse is available on black or limited edition grey/ blue vinyl, packaged with download code. Jacket and innersleeve features artwork by painter Joan Lalucat Vehil.

BUMMER has been touring since 2012 playing with Unsane, The Body, and Big Business among others.

Released limited edition split 7” with The Body October 2020.

Dead Horse was produced & engineered by Justin Mantooth ( Radkey, Hyborian, and Godmaker.)

“BUMMER, [is] arguably one of the best damn noise rock bands in existence right now,” - Metal Injection “[BUMMER] puts the “power” in power trio as they play a raw and primal form of aggressive music that splits the difference between Bleach-era Nirvana and the early, primitive thrash of Slayer. It’s aggressive and in-yourface, but doesn’t skimp on melody, making their songs memorable. So, there is power and a bit of precision to what they do. A whole lot of volume, too.” - New Noise Magazine

@thrilljockey

Artist: Body Meat Title: Year of the Orc Street Date: 10/1/2021 Hometown: Philadelphia “Sifting through the wreckage of genre touchstones, Body Meat uses the musical language of right now to point toward possible futures.”

“No two pummeling blips of Christopher Taylor’s sound alike”

“mind-bending” Resident Advisor

“Body Meat serves up one of the year’s most refreshing and singular projects”

TRACKLIST OV E R V I E W

Side A 1) Twigs 2) This is Something 3) 4700 4) My Brother Orchestral

Philadelphia-based multi-instrumentalist and producer Body Meat – aka Christopher Taylor – has repressed his new EP Year of the Orc, which is a celebration of himself and other outsiders breaking the mould. “The EP title is about having acceptance in myself” Taylor explains. “I’m an orc, I’ve never been very popular, Side B I don’t have a specific aesthetic or genre or anything. I’m cool with 1) ULTIMA laying low and creating and I surround myself with people who 2) Stand By believe the same thing. It’s me and my orcs taking over!”

3) Ghost (Feat. Laraaji) Written and recorded in his apartment in Philadelphia, Year of the Orc will, for many, be an introduction to an artist who stretches, D E TA I L S re-configures and defies genre in a way that plays with atypical Cat#- SI-PTKF-1318 rhythmic structure with a breathless fluidity. Taylor cites everything UPC- 720841131816 from “getting back into Boyz II Men” to the dense, glottal production of Jlin as touchstones while writing, and that deft balance of thick percussive undergrowth with hyperpop smarts is immediately apparent.

281 North 7th Street Brooklyn NY 11211 Partisanrecords.com

505 Eno Street Hillsborough NC 27278 877.733.3931 — Redeyeworldwide.com Perry Harrell — harrellp@redeyeworldwide.com

DUCKS LTD. MODERN FICTION

CARPARK RECORDS www.carparkrecords.com Toronto’s Ducks Ltd. (formerly Ducks Unlimited), the bright jangle-pop duo of Tom McGreevy (lead vocal, guitar, bass, keyboards) and Evan Lewis (guitar, bass, drum programming), accomplish the impossible. The pair craft songs that play to very specific inspirations without drowning underneath them—immediately evidenced on their critically acclaimed EP, Get Bleak, and sharpened on Modern Fiction, their debut LP. “The Servants, The Clean, The Chills, The Bats, Television Personalities, Felt,” Evan rattles off. “Look Blue Go Purple is one I reference a lot with our production.” Echoes of ‘80s indiepop abound, but they never overwhelm. This is not a nostalgic record, after all, nor is it a derivative one. Instead, across 10 cheery-sounding songs, Ducks Ltd. explore contemporary society in decline, examining large scale human disaster through personal turmoil (hence the title, taken from a university course called Gnosticism and Nihilism in Modern Fiction, influenced by Graham Greene novels. Bookish indie fans, look no further.)

Writing the album was intimate. Tom drafted the nucleus of a song on an unplugged electric guitar and brought it over to Evan’s apartment, where the pair sat in his bedroom, placing percussive beats from a drum machine under nascent melodies, passing a bass back and forth, adding organs and bridges where necessary. “It’s computer music trying extremely hard not to sound like computer music,” Tom jokes. Fearful that limited and expensive studio time would kneecap the project creatively, eroding their charming naivete, the pair re-recorded the album in a storage space owned by Evan’s boss. Ornamentation through collaboration followed: there’s Aaron Goldstein on Pedal Steel in the Go-Betweens’ “Cattle and Cane”-channeling interlude “Patience Wearing Thin,” Eliza Niemi on cello (“18 Cigarettes,” a song loosely inspired by a 1997 Oasis performance of “Don’t Go Away”), and backing harmonies from Carpark labelmates The Beths (on an ode to friendship at a distance, “How Lonely Are You?,” “Always There,” and on the sped-up Syd Barrett stylings of “Under The Rolling Moon.”) While in his native Australia due to covid-19, Evan worked closely with producer James Cecil (The Goon Sax, Architecture in Helsinki) on Modern Fiction’s finishing touches—at one point, in the mountains of the Macedon Ranges in Victoria, recorded a string quartet (featured on “Fit to Burst,” “Always There,” “Sullen Leering Hope,” “Twere Ever Thus,” “Grand Final Day.”)

TRACKLISTING 1. How Lonely Are You? 2. Old Times 3. 18 Cigarettes 4. Under the Rolling Moon 5. Fit to Burst 6. Patience Wearing Thin 7. Always There 8. Sullen Leering Hope 9. Twere Ever Thus 10. Grand Final Day CATALOG NUMBER: CAK158 STREET DATE: October 1, 2021 FILE UNDER: Alternative Rock DISCOUNT: 5% on LP, 10% on CD until Oct. 29, 2021 MODERN FICTION LP UPC 677517015812 MODERN FICTION CD UPC 677517015829 ALSO AVAILABLE Get Bleak EP - UPC 677517015218

It’s danceable, depressive fun, with some relief: in “Always There” and “Sullen Leering Hope,” Modern Fiction’s faithful heart. “There’s a tendency in my writing, because of my world view, to be very bleak.” Tom explains. “A quality I don’t always see in myself and really appreciate in others is the courage to go on.” And yet, the record manages resiliency—enough for pop fans to fall in love with.

BULLET POINTS • North American publicity by Pitch Perfect PR • College/Non-Commercial/AAA/Comm Spec radio by Terrorbird • Sync licensing by Terrorbird • Videos for “18 Cigarettes,” “How Lonely Are You?” and “Under the Rolling Moon” in the works • Facebook boosted posts and targeted Instagram dark posts throughout campaign • Pressed on milky clear vinyl, includes digital download

505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931

DEVIN HOFF

VOICES FROM THE EMPTY MOOR STREET DATE: OCT 1, 2021 SIDE A 1. She Moved Through the Fair 2. Go Your Way 3. Let No Man Steal Your Thyme 4. Maa Bonny Lad

SIDE B 5. Living By the Water 6. The Snow It Melts the Soonest/ My Bonny Boy 7. Black Waterside (focus track) 8. Willie O’ Winsbury 9. The Lowlands

• Covers and interpretations of songs played by British folk artist Anne Briggs • Vocal contributions from Julia Holter, Shannon Lay, Sharon Van Etten and Emmett Kelly • 1st pressing on color vinyl

Bassist, composer and arranger Devin Hoff has been intensively studying the music of Anne Briggs for over a decade, transcribing, practicing, arranging and performing songs from her limited recorded output. Briggs was a leading light of the 1960’s English folk scene, a gifted songwriter and improvisor, as well as an amateur musicologist who revived traditional English, Scottish, and Irish Traveler songs with an unpretentious approach that perhaps presaged the rebellion of punk as much as it honored tradition. This record is an appreciation of Briggs' extraordinarily transcendent music, more than a tribute to a persona.

Hoff has been active in international creative music circles for decades, performing and recording Solo Bass music as well with a wide range of artists. In addition to the talent assembled here, Hoff has collaborated with legendary iconoclasts such as Yoko Ono and Amiri Baraka, virtuoso instrumentalists Nels Cline, Vijay Iyer, Ben Goldberg and Ava Mendoza, underground heroes Cibo Matto, Jewlia Eisenberg, and Carla Bozulich, and punk rock legends such as Mike Watt, Kira Roessler, and Bill Stevenson among many others.

The arrangements here include collaborations with musician friends that share a fascination with mining specific folk forms for universal and timeless truths set against multi-tracked bass choirs solo upright bass retellings of Briggs’ a capella songs that transcend the limitations of instrument and genre. The collaborations came about very organically through casually inviting musician friends to participate. Hoff has recorded and performed previously with most of the musicians: he befriended Julia Holter, Shannon Lay, and Sharon Van Etten through playing bass for their own projects, oud player Alejandro Farha and saxophonist Howard Wiley are old close friends and long term cohorts, whereas Emmett Kelly and Jim White are more recent collaborators.

Voices From the Empty Moor seeks to honor the mystery and beauty of Anne Briggs’ music while maintaining its own unique perspective, foregrounding powerful emotion and, hopefully, magical transformation.

LP-KRS-711LE

CD-KRS-711

JOHN ZORN MEDITATIONS ON THE TAROT TZA CD 8383 Archival Series Brian Marsella, Trevor Dunn, Kenny Wollesen The Wheel * Justice * Temperance (Alchemy) * Judgment * The Star * The Moon * The Sun * The World * The Fool * The Empress * The Emperor * The Chariot * Strength Brian Marsella’s dynamic trio steps out for another exciting outing performing a new collection of Zorn compositions inspired by the mysterious and occult cards of the Tarot. This beautiful and varied followup to the popular and critically acclaimed 2019 CD The Hierophant features the remaining thirteen Tarot cards in tight arrangements, highlighting the incredible versatility and virtuosity of this powerhouse allstar jazz trio. A classic reading of occult jazz from our favorite Downtown alchemist!

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File Under: Jazz

2021 Street Date: September October 01,17, 2021 Export: Do not export to France, Italy, Spain and Japan.

Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278

1ST OCTOBER 2021

1ST OCTOBER 2021

John’s Children - There’s An Eye In The Sky Easy Action White Vinyl LP EARS167LP 5060446073087

This pop art combo were known for their outrageous live concert performances and were ‘removed’ from a tour with The Who in Germany in 1967 when they ‘out-Who’d The Who’.

John's Children were out and about being a nuisance for less than two years but in that time, they released six singles and one album, but predictably none troubled the charts. It wasn’t until decades later that they were acknowledged for the impact they had on the music scene by some of the more ‘hip’ and ‘cool’ types and those failed to chart singles are now worth a considerable number English pounds to serious collectors. Limited Pressing 750 copies on White Vinyl with flip back sleeve • All tracks remastered in 2020 for vinyl. • Features many tracks with a young Marc Bolan on Guitar & Vocals • Lead Singer Andy Ellison will be issuing his autobiography in 2021 and this release is part of a series of records to tie in with this book.

Side A 1.The Love I Thought I'd Found (Hewlett / Napier Bell) 3:01 2.Strange Affair (Fingers Groin) 2:06 3.Just What You Want - Just What You'll Get (Townson/ Ellison / Hewlett/ McClelland) 3:01 4.But She's Mine (Townson/ Ellison / Hewlett) 1:59 5.Desdemona (Bolan) 2:24 6.Remember Thomas À Becket (Ellison / Hewlett) 2:20 7.Midsummer Night's Scene (Bolan) 2:35 8.Sara, Crazy Child (Bolan) 2:04 SIDE B 9.Come And Play With Me In The Garden (Ellison / Hewlett) 2:17 10.Go-Go Girl (Bolan) 2:09 11.Jagged Time Lapse (McClelland / Hewlett) 2:47 2.Mustang Ford (Bolan) 2:24 13.Not The Sort Of Girl You Take To Bed (Ellison / Hewlett) 2:27 14.Sally Was An Angel (Vocal) (Bolan) 3:11 15.Hippy Gumbo (Bolan) 2:36 16.Midsummer Night's Scene (Bolan) 2:37

Seventeen LP

SEVLP004

5060446073162

CD

SEVCD004

5060446073179

When TV Eye, the Second City’s Stooges-inspired garage punk band split, Daves Twist (drums)

and Kusworth (guitar) and Paul Adams (guitar) approached Duffy (vocals) and Simon Colley (bass) from the first Duran Duran line-up to join their new project. So began Obviously Five Believers, who in turn became The Subterranean Hawks, before settling on The Hawks. Adored by most who saw them, they recorded constantly, spawning one highly collectable single, ‘Words Of Hope’. They lasted from ’79 until Christmas ’81 “falling apart in a myriad of acrimony,” as Duffy wrote in 1984..Years passed with the various members each finding degrees of success: Duffy solo, and with the Lilac Time; Kusworth with Nikki Sudden and numerous other bands, often alongside current Black Bomber Twist. In 2019, when Duffy and Kusworth last met, Duffy, as custodian of The Hawks’ ‘tape archive’, promised that the recordings would one day be released. Sadly this was not soon enough for Kusworth who tragically passed away last year.

Duffy has remained as good as his word, however, in bringing these ten songs to release, in honour of his friend. Having languished on cassette for 40 years, they’re now set free, sounding the best they’ve done since the day they were recorded, thanks to the judicious mastering of Grammy-winning engineer John Paterno. ‘Twas ever thus.They were the perfect group. They had everything save for a parcel of good luck. If there were any justice the Hawks would be one of the most revered groups on planet earth. But this world is corrupt and the accolades and laurels they deserved never fell their way. They were such a great band. Possibly the best unknown band the world has ever seen.Nikki Sudden, The Last Bandit.

A: 1/all the sad young men (S. Duffy) 2/aztec moon (S. Duffy) 3big store (S. Duffy) 4/what can I give? (S. Duffy D Kusworth) 5/a sense of ending (S. Duffy D Kusworth) B:1/bullfighter (S. Duffy) 2/jazz club (S. Duffy) 3/serenade (S. Duffy D Kusworth) 4/something soon (S. Duffy D Kusworth) 5/what it is! (S. Duffy D Kusworth)

Okyerema Asante - Drum Message Strut return to the rich archives of Black Fire Records for the Drum Message album by Ghanaian master percussionist Okyerema Asante from 1977.

After playing a short spell early in his career with Ebo Taylor’s Blue Monks band at Tip Toe’s in Accra, Asante joined the fledgling Hedzoleh Soundz during the early ‘70s at their Napoleon Club residency in the city. After playing Fela’s Shrine, Fela recommended them to Hugh Masekela as an ideal backing band and Hedzoleh joined Masekela on a US tour in December 1973. Sharing the same management company, Charisma, Asante first met Plunky and Oneness Of Juju during an East coast tour with Masekela, starting a relationship with the band that has endured until today.

Recorded at Arrest Studios in Washington D.C. in October 1977 and featuring musicians from Oneness alongside Gil Scott Heron cohort Brian Jackson on piano, Drum Message represents an important milestone for Asante: “This album really came from my heart. I wanted to project the African spirit in the music and come out with some unique African jazz. To be able to record it on Black Fire was extra special.” The album also involved some serious physical graft: “The studio was up on the 14th Floor and the elevator was often broken down. I showed up with a van full of African drums and Jimmy Gray from Black Fire and myself had to carry them all the way up there, each day!”

The resultant album was well worth the sweat. ‘Adowa’ adds jazz arrangements to a traditional Asante rhythm and Oneness classic ‘Follow Me’ is skilfully re-worked (“I used the bass drum in place of the bass guitar so it was all based on rhythms.”). New versions of Asante dancefloor favourite ‘Sabi’ sit alongside the mellow groove of ‘Asante Sana’ (“I wanted something cool like reggae or highlife on that track, a similar vibe. So, I went inbetween.”).

Drum Message only previously surfaced on a Black Fire CD in 1993. Now receiving its first full international release and its first ever vinyl issue, the album has been fully remastered by The Carvery. Package features unseen photos and a brand new interview with Okyerema Asante tracing the ups and downs of his career in music. Released on CD, 2LP, digital and streaming.

Key Points

1977 album recorded by Ghanaian master percussionist Okyerema Asante for Black Fire Features members of Oneness Of Juju and Brian Jackson on piano Package features unseen photos and new interview with Asante. Remastered from original tapes by The Carvery Part of Strut’s ongoing work reissuing the complete Black Fire independent jazz and R&B catalogue

Release Date : 1st October 2021 Artist: Okyerema Asante feat.

Plunky Title: Drum Message Cat. No. STRUT247CD / STRUT247LP For more information, contact Adam Calman: adam@k7.com

TRACKLIST STRUT247LP A1 DRUM MESSAGE 3.25 A2 ASANTE SANA 6.39 A3 FOLLOW ME 5.36 B1 SABI 6.32 B2 MOTHER AFRICA 5.02 B3 NEVER FLY AWAY FROM THE FUNK 5.07

C1 PLAY A SWEET RHYTHM ON THEM DRUMS 6.36 C2 ADOWA 3.20 C3 SABI (BLACK FIRE MIX) 6.27 D1 KAZI’S AWAKENING 6.07 D2 TO THE ANCESTORS 12.15

STRUT247CD

1. DRUM MESSAGE 3.25 2. ASANTE SANA 6.39 3. FOLLOW ME 5.36 4. SABI 6.32 5. MOTHER AFRICA 5.02 6. NEVER FLY AWAY FROM THE FUNK 5.07 7. PLAY A SWEET RHYTHM ON THEM DRUMS 6.36 8. ADOWA 3.20 9. SABI (BLACK FIRE MIX) 6.27 10. KAZI’S AWAKENING 6.07 11. TO THE ANCESTORS 12.15

FOR FANS OF:

Ebo Taylor, Oneness of Juju, Brian Jackson, Gil Scott Heron, Hedzoleh Soundz, Hugh Masekela, New Rotary Connection, Roy Ayers, Idris Ackamoor & The Pyramids, Fela Kuti, Orlando Julius, Osibisa, Kabbala, Lonnie Liston Smith

CONFIGURATION: 1CD / 2LP PACKAGING: 1CD DIGIPAK WITH 20PP BOOKLET / 2LP IN SINGLE LP SLEEVE W/ 4PP 12”-SIZED BOOKLET BAR CODES: CD - 4062548027297 LP - 4062548029857 Weblink: black-fire-records.com

Chris BadNews Barnes BadNews Rising

Chris BADNEWS Barnes teamed up with Grammy award-winning producer Tom Hambridge for Barnes’ first original blues album. Barnes’ third VizzTone release, BADNEWS RISING delivers the same stock and trade ironic, salacious Hokum Blues songs that Barnes is known for.

Barnes, a former Seinfeld, Curb Your Enthusiasm, 30 Rock & Carol Burnett television show performer and writer, has made his mark in the blues community, being hailed by Elmore Magazine as “The King of Hokum Blues.”

STREET DATE: 10/1/21

Barnes’ satiric muses are punctuated with honest biographical blues-driven gems like When Koko Came to Town, which tells of his early Hokum days performing alongside blues legends at Tramps in New York , and the moving I Slow Danced With Joni Mitchell. BADNEWS RISING is exactly what we all need to bring us out of the crazy times. The deep driving rhythm combined with Barnes’ witty, bawdy lyrics will have you singing along!

Chris BadNews Barnes TRACKS: 1. You Wanna Rock? You Gotta Learn the Blues 2. When Koko Came To Town 3. Quid Pro Quo 4. My Baby Be Cray Cray Cray 5. I Slow Danced With Joni Mitchell

BadNews Rising Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - Eco Wallet Cat. # VT--CB19 Street Date: 10/1/21 UPC: 634457068292

6. Chicks Dig Me 7. The Creamy Caramel Cafe 8. Kettle Black 9. Texas Weiner 10. I LIke Cleavage

CHRISBARNESNYC.COM

Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com

Haiku Salut - The Hill, The Light, The Ghost

LABEL _ SECRET NAME LP

SCRTN002LP 5055300300584

CD

SCRTN002CD

5055300300577

Haiku Salut, the acclaimed electronica trio from the Derbyshire dales release their fifth album. A beautiful study of ghosts and memory, the gestation of the record began when Haiku Salut’s Sophie Barkerwood was given a Tascam field recorder. “I carried it around with me in case anything interesting happened. I guess I wanted to capture little pieces of the world in the same way we all take photographs,” explains Sophie. “It wasn’t immediately apparent that we would begin to use these sounds as the architecture for an album but as our writing process evolved the textures of these memories became a bank of inspiration.”

Musically, the album marries the expansive vision of their third album, ‘There Is No Elsewhere’, which celebrated identity and community, with the darker, more contemplative feel of their fourth album, the trio’s original soundtrack for Buster Keaton’s ‘The General’. Building on the lessons learned working on ‘The General’, ‘The Hill, The Light, The Ghost’ is a cohesive suite, nine songs that combine to tell a larger story – that of experience and memory, of precious moments and echoes of past lives. Reviews confirmed to run in Uncut, Mojo, Electronic Sound, Wire and more.

(1) Wide Awake (2) Entering (3) We Need These Beams (4) I Dreamed I Was Awake For A Very Long Time (5) How The Day Starts (6) All Watched Over By Machines Of Loving Grace (7) Try Again And Again And Again (8) Trespass (9) All Clear

Caroline Marie Brooks Everything at the Same Time There’s a wall, in your family home. It’s next to an old stairway that leads to an attic you never go into, but the wall is alive and lined with photos. Each one a cherished memory locked in time, waiting to be brought down, dusted off and held in the hand of a storyteller intimately connected with the finer points of every detail. Caroline Marie Brooks is just such a storyteller. On Everything at the Same Time, the first solo outing from ⅓ of Canadian harmony trio Good Lovelies, Brooks walks you through a wall of stories, taking moments from her life down and carefully recounting the feeling of the sun and the wind in the trees from days past and present.

Over 11 tracks, Brooks leads a vivid journey through feelings familiar to our hearts. Gentle guitar work laying a backdrop for Brooks’ sweetly divine vocals, densely layered with wurlitzers and mandolins and steel guitars to evoke feelings of memories both lost and found. Lead single “Vitamin” evokes a sundrenched nostalgia, albeit a nostalgia happening right in front of you, one that you can live in and hold onto. Even at the end of the record, with a cover of Roger Miller’s classic “Oo-De-Lally” (from Disney’s Robin Hood), Caroline Marie Brooks has crafted an album that feels wholly familiar and distinctly her own - an instant classic waiting to be discovered and have its stories told.

Songs like “Night Drive'' draw up the feeling of a night's journey alone, just your headlights and the sky illuminating your endless path. “I can’t always be there” is a love letter to a child growing up before your very eyes and wanting to hold on to the memories of every perfect day. Even the instrumental “Song for Fred” is evocative of a feeling, a memory. It’s a place that we draw from in the moments when the future feels insurmountable.

Everything at the Same Time is a pandemic record only in time, recorded in the midst of an age when sometimes living through our memories of easier days may be all that we have. It asks only that we live and be present in the moment and to remember that though the days are long, the years are all too short. The inevitability of change looms in the distant, and Caroline Marie Brooks challenges you to hold on to the gift of the times we are in.

Recorded and co-produced with Jim Bryson at his Fixed Hinge studio (Stittsville Ontario), Dream Date studio (Toronto ON) and across southern Ontario at many of the featured musicians’ homes. Everything at the Same Time will be released on September 24, 2021 on CD, with vinyl to follow later in the fall.

A lifelong musician and creator, Caroline Marie Brooks is perhaps bestknown as a member of JUNO Award-winning folk/country harmony trio Good Lovelies, though she has also lent her singing and six-string talents to friends like Kathleen Edwards, Jim Bryson, Lily Frost, and Peter Katz.

Artist: Caroline Marie Brooks Title: Everything at the Same Time Release Date: October September 2021 01,24, 2021 Genres: Singer-Songwriter, Folk, Roots, Americana RIYL: Good Lovelies, Fortunate Ones, Caroline Spence, Sarah Harmer, Jenn Grant, Laura Viers, Peter Katz CD: CMB01 CD UPC: 623339265225 Digipak

TRACK LISTING 1. Vitamin 2. Night Drive 3. Birdsong 4. I can’t always be there 5. Blue as the Moon 6. Song For Fred (Instrumental) 7. To The Waves 8. Lights Go Down 9. Garden Song 10. Tomorrow 11. Oo-De-Lally www.carolinemariebrooks.com www.facebook.com/carobrooksmusic www.twitter.com/carobrooksmusic www.instagram.com/carobrooksmusic

PR Contact: Beth Cavanagh What’s The Story? PR beth@whatsthestory.ca

Cult of Dom Keller

They Carried The Dead In A U.F.O

Fuzz Club Records CD

FC145CD

5060467887250

Indies only release. CD release of the new album. Since 2007 the British band have been leaving a trail of sonic fever dreams, dark psychedelia and experimentalism that beats with a heavy industrial heart and the forthcoming album sees them conjuring their heaviest and most adventurous work to date. Channelling recent limitations and turning them to their advantage, Cult of Dom Keller found themselves radically altering their creative approach and morphing their sound into a whole new beast.

1) Run From The Gullskinna 2) Lyssa 3) Cage The Masters 4) She Turned Into A Serpent 5) Infernal Heads 6) Psychic Surgery 7) Amazing Enemy 8) Last King of Hell

The Third Sound - First Light Fuzz Club LP FC147V12 5060467887502

Orange vinyl LP For Indies Only. The Third Sound release their fifth album ‘First Light’. Dealing in a hypnotic blend of neopsychedelia, post-punk and new wave, The Third Sound is a Berlin-based band led by the Icelandic musician Hákon Aðalsteinsson, who is the guitarist in Brian Jonestown Massacre and formerly played in the cult rock’n’roll outfit Singapore Sling. A mainstay of the European psych underground in his own right, not just through his collaborations with the likes of Anton Newcombe and Tess Parks, The Third Sound has been Hakon’s primary solo endeavour since the release of his self-titled debut on Newcombe’s A Recordings a decade ago. Hakon said: “This album is definitely less gloomy than the previous one, although some ghosts from the past are lurking in the background. We always try to make something new on each album and never make the same album over again, but this feels like an even bigger change than usual, especially regarding the mood. Something new is beginning although the past is not forgotten..”

1) Tidal Wave 2) Your Love Is Evol 3) This Is The Only Way I Know 4) Ghosts of Memphis 5) Dissociation 6) Hex 7) Stay For Another 8) Not Even Jesus 9) I Don't Need Anything Anymore

Phil Odgers - Ghosts Of Rock N Roll Vinyl Star CD

VSRCD012

5024545940329

Fifth solo album from Men They Couldn’t Hang frontman Phil Odgers. Originally launched as a Pledge Music crowdfunded campaign, the album was nearly strangled at birth by the collapse of Pledge Music in 2018 and the loss of the majority of fan investment. Despite this setback, all fan pledges were still fulfilled and the project relocated to Bandcamp just in time for the pandemic lockdown to prevent any further recording sessions with producer Jim Knight. Finally, the album inched forward over the summer of 2020 only to crash into the second lockdown and then the tragic loss of fellow TMTCH frontman Stefan Cush in February 2021. With such checkered history, ‘GHOSTS OF ROCK N ROLL’ seems an appropriate title and its combination of folky pop and melancholic twang, combined with an ethos of survival, memory and experience create a testament to a life spent sailing the sometimes treacherous waters of Rock and Roll. The album features guest appearances by Sid Griffin and Bobby Valentino.

1. The Serpent, the Maiden and the Bear 2. Flower Lady 3. Brooklyn Bridge 4. The Last Thing on My Mind (Is Regret) 5. Ghost of Rock 'n' Roll 6. Early Morning Rain 7.The Desert Has a Thousand Eyes 8. Empty Streets and Lovers in the Rain 9.

Black Spiders Black Spiders (Silver Vinyl)

Dark Riders LP

DRLP21006C 5055869548083

Repress of the sold out RSD release this time on a different colour, Silver vinyl.

1. Fly In The Soup 2. Stabbed In The Back 3. Wizard Shall Not Kill Wizard 4. Back In The Convent 5. Give Em What They Want 6. Good Times 7. Death Comes Creepin 8. Nothing Better 9. Rock And Roll 10. Free Ride 11. No Luck No Bones 12. Down To The River 13. Crooked Black Wings

10/01/21

Release Date: October 1st, 2021

Sweet Crisis - Tricks On My Mind

Headline Records

LP SWEETCRISIS001LP

5060900130004

CD SWEETCRISIS001CD 5060900130011

Limited edition 180g red vinyl LP. “The missing link between Free and The Black Keys” Paul Elliott, Q Magazine.

This is the sound of Sweet Crisis. Formed in Cambridge in 2015, they have drawn from years of shared experience and a well of hundreds of songs to create the debut album Tricks On My Mind. Sweet Crisis seek to balance all their inclinations and influences - like Free or Lenny Kravtiz, nothing is off the table if music sounds right. The key influences for Sweet Crisis are wide -ranging, from the classic rock and soul music of the ’70s – The Rolling Stones, Peter Green’s Fleetwood Mac, Donny Hathaway, Humble Pie – to The Verve and Massive Attack, The Black Keys and Jack White. The iconic 70s sound combined with modern pioneers shape and inform this modern rock band’s sound. And with this wide-ranging DNA incorporating just the right amount of funk, soul and pop along the way, their album celebrates both modern and classic vibes. The ten tracks on Tricks On My Mind were recorded and mixed at Headline Music Studios.

01 Loosen Up 02 One Way Traffic 03 Ain't Got Soul 04 This Guitar 05 Karma Will Come 06 Tricks On My Mind 07 Misty Haze 08 Black Magic 09 Love Me Like Sugar 10 Living Life On The Edge

Loess

Totems

Street Date: 10/01/2021 Catalog #: MD299 Label: n5MD Format: Clear w/smoke LP Box lot: LP - 20 File under: experimental, electronic, IDM

LP • 702224129917

TRACKLISTING A1 blaen A2 faks A3 torden B1 bentalls B2 slake B3 wellen B4 felsic

Totems is the fourth full-length album from New Jersey Pine Barrens experimental electronic duo Loess. The album encompasses some of Loess' most expressive and melodic yet otherworldly works to date. The opening cut blaen pulsates in odd forms yet is propelled by a micro garage beat that sounds as if alien AI might have constructed it. On the flip side, Totems is not about experimentation for experimentation's sake. For instance, the album's midpoint track, bentalls, might be Loess' most melodious work to date, warmly catchy but firmly set in the world of Loess. The duo has been quietly creating their style of electronic music for two decades in placing ambient, dub, garage, and IDM into their aural blender. Totems is an excellent example of Loess' adeptness at genre contorting.Totems is out on October 1st on limited edition clear with smoke vinyl.

HIGHLIGHTS • 4th full-length from elusive Pine Barren duo Loess • Limited edition clear LP plus download card

505 Eno St Hillsborough, NC 27278

4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com

SANTPOORT OCEAN TALES You can’t go home again, but Julien Mier attempts to whenever he records as Santpoort. The Sydney-based producer/vocalist, composer, and visual artist mentally and musically revisits his Netherlands hometown of Santpoort, a small coastal village of lush, green forests bordered by sloping sand dunes, with each project. “I draw inspiration from a place that I haven’t been for so long,” Julien says. “That creates this feeling of nostalgia and melancholy in my music.”

Since 2018’s picturebook, Julien has crafted a wistful, poignant blend of softly knocking beat music and lo-fi, psychedelic pop under the Santpoort alias. Each self-illustrated album cover is an invitation to join him in a sonic world of sepia-hued memories, some vivid and others rapidly fading away. They are the scores to reflective sojourns into the wilderness, the hikes that find you navigating nature as much as the fragmented past and uncertain future.

Ocean Tales, Julien’s second Santpoort album on Friends of Friends, takes another step into his past while artistically leaping forward.

Steel-toned kalimba melodies that glint like sunlight on crystalline waves, poignant piano, resonant bass lines, soulful blues guitar — Julien plays them all to create richer, more layered lo-fi compositions of hip-hop, electronic, ambient, and blissful psych-pop, accenting many with chirping birds and recorded sounds from nature. He also collaborates with musicians like Canadian electronic duo Tennyson and Sydney songstress Little Green, the dewy-eyed lyrics of everyone involved conveying the inherent longing at the center of Julien’s Santpoort project more powerfully than ever before.

Key Points Comes on blue vinyl, 300 units Illustrator who makes all his own artwork/animations + Friends of Friends top performer at both Spotify and Apple Music Influential radio support from BBC6 Music (UK), Double + Triple J + FBI radio rotation (AUS), KCRW + KEXP + Sirius/XM Chill/XMU (US), Flux FM (DE) #5 on the Tik Tok Chill charts in New Zealand

RELEASE DATE: 1ST OCTOBER 2021 ARTIST: TITLE: CAT NO: FORMAT: BARCODE: TERRITORY:

FOF198LP A1 EONS AWAY (FEAT. TENNYSON) A2 I FORGOT A3 GRASS AMULET (FEAT. NINGEN) A4 TIME TRAVELS (FEAT. LITTLE GREEN) A5 SUNSET RIVER A6 ADVENTURE SONG A7 LIKE LIGHTNING B1 FEATHER LIGHT (FEAT. LITTLE GREEN) B2 DÉJÀ VU B3 BIG DREAMS B4 WORLD BUILDING B5 BEEN SURFING (FEAT. RICHARD HENRY GYE) B6 ENDLESSLY DANCING (FEAT. LIA) B7 SUN BLISTERS

FOR FANS OF TORO Y MOI, QUICKLY, QUICKLY, KYSON, WASHED OUT, BIBIO

SOCIALS SANTPOORT

FRIENDS OF FRIENDS

!

INFINITY CAT RECORDINGS

JEFF The Brotherhood “Garbage Man” b/w “Mountains” ICR-125

JEFF The Brotherhood is back with their hardest 7” ever. These two songs explode with classic oldschool JTB and don’t let up for a second.

“An extremely heavy and scuzzy garage-rock crusher” Stereogum “Among the more lo-fi, noisy recordings they’ve ever released. Both songs are loaded with whooshing white noise, alongside the big riffs and bashing drums you’d expect.” Brooklyn Vegan Hand numbered and Limited to 500 copies.

Release date 10/1/21 CONTACT: infinitycatrecordings@gmail.com 615-423-5498 www.infinitycat.com P.O. Box 40992 NASHVILLE TN 37204

6

34457 06990 9

NEW RELEASES Street Date: 10.08.21 | Order Date: 9.17.21

BADBADNOTGOOD Talk Memory STREET DATE: 10/8/2021 Canadian ensemble BADBADNOTGOOD made their name by crossing genres. Instead of working within traditional jazz standards, the classically-trained group sidestepped them and drew from hip hop and other contemporary genres to create a unique sound rooted in Black American music. Yet, their latest album and first for XL Recordings, Talk Memory, sees the band take a different tact: paying homage to the musicians, composers, innovators and influences that first informed their work.

2xLP: XL-1176-LP File Under: Jazz Vinyl non-returnable

CD: XL-1176-CD File Under: Jazz

Indie White Vinyl 2xLP: XL-1176-LPE File Under: Jazz Vinyl non-returnable

TRACK LISTING CD | LP 1 | A1 2 | A2 3 | B1 4 | B2 5 | C1 6 | C2 7 | D1 8 | D2 9 | D3

Signal from the Noise Unfolding (Momentum 73) feat. Laraaji City of Mirrors feat. Arthur Verocai Beside April feat. Arthur Verocai Love Proceeding feat. Arthur Verocai Open Channels* Timid, Intimidating Beside April (Reprise) feat. Arthur Verocai Talk Meaning feat. Terrace Martin, Brandee Younger & Arthur Verocai *physical-only

With Talk Memory, the trio of Alexander Sowinski (drums), Chester Hansen (bass) and Leland Whitty (guitar/woodwinds), return to their instrumental beginnings. Following years of touring, the band paused to refresh and look at their history and experiences. Rather than improvising and developing tracks on the road, this time around that gestation process happened in the studio with a bevy of musicians walking through the doors on equal footing. As a result, the album is an aural odyssey about collective balance and harmony, with all the sense of psychedelic narrative that entails. Drawing on the energy of collaboration as it happens, the band demonstrates a sense of emotional and poetic progress, not just technique and virtuosity, all of which they have in spades.

As a whole, Talk Memory emphasizes how music as a conversation is innately collaborative and improvisational and, in a way, their album is a giant take on a classic moment from live jazz or soul, where a band’s ‘leader’ would introduce each member of an ensemble and invite applause. With guests that include the iconic Brazilian producer and musician Arthur Verocai alongside Laraaji, Terrace Martin, Karriem Riggins, Brandee Younger, plus the legendary Russell Elevado (D’Angelo’s Voodoo) at the mixing helm, BADBADNOTGOOD have created an album that is a heartfelt expression of joy for the music and community they feel lucky to inhabit.

PRESS “BADBADNOTGOOD affirm their position as one of the finest young jazz acts in the world” - Consequence of Sound “The band’s meticulous technical skill is untouchable” - Exclaim!

“BBNG move between instruments and sounds effortlessly” - Pitchfork

134 GRAND STREET, NEW YORK, NY 10013

WWW.XLRECORDINGS.COM

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

THE WILD FEATHERS ALVARADO STREET DATE: OCTOBER 8, 2021 TRACKLISTING

1. Alvarado 2. Ain’t Lookin’ 3. Over the Edge 4. Side Street Shakedown 5. Out on the Road 6. Get Out of My Own Way 7. Off Your Shoulders 8. Long Shot 9. Top of the World 10. Flashback 11. Midway Motel 12. Another Sunny Day

VINYL

Sel. #: NW5580LP CONFIG: Jacket, 1x LP, Black Vinyl UPC: 607396558018 Box Lot: 35 Count Genre: Rock, Americana 6 07396

55801

8

INDIE EXCLUSIVE VINYL

Sel. #: NW5595LP CONFIG: Jacket, 1xLP, Orange and Black Blob Color Vinyl UPC: 607396559510 Box Lot: 35 Count Genre: Rock, Americana 6 07396 55951 0

In December of 2020, The Wild Feathers hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from Alvarado met for the very first time. In the past, the band typically liked to collect all the tunes they’ve written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, Alvarado is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics they could find.

TheWildFeathers.com

CD

Sel. #: NW6521CD CONFIG: Digiwallet, sticker UPC: 607396652129 Box Lot: 30 Count Genre: Rock, Americana 6

07396

MARKETING POINTS

65212

9

- First non-major label release (Formerly of Warner Brothers) - Available for in-stores and contesting - Domestic and International PR, Radio and Ad Campaigns - For Fans Of: Blackberry Smoke, Jamestown Revival, Langhorne Slim

NewWestRecords.com

PYLON BA CK IN ST O CK!

P Y L O N B O X Street Date: October 8, 2021 Pylon was born in 1979 in Athens, Georgia. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Their 1979 single “Cool” b/w “Dub” has reached legendary status with Rolling Stone calling it one of the “100 Greatest Debut Singles of All Time,” and was followed by their albums Gyrate (1980) and Chomp (1983). The band would break up upon Chomp’s arrival, but their music would continue to influence genres, musicians and fans for years to come.

New West Records is proud to present Pylon Box — A comprehensive look at the band that features their studio LPs Gyrate and Chomp, both of which have been remastered from their original tapes, the 11-song collection Extra which includes rarities and 5 previously unreleased studio & live recordings, as well as Razz Tape, Pylon’s first-ever recording: a 13-song unreleased session that pre-dates the band’s seminal “Cool” b/w “Dub” debut.

Pylon Box also Includes a hardbound, 208 page full color book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker & Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening & K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Includes an extensive essay chronicling the band’s history with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors, and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia as well as the Georgia Museum of Art, UGA.

VINYL

Sel. #: NW5408LP CONFIG: 4 x140g LP, Box Set, 200-pg hardbound book, marketing sticker UPC: 607396540815 Box Lot: 1 Count Genre: Alternative, Post-Punk, New Wave 6

07396

54081

5

CD

Sel. #: NW6503 CONFIG: CD Box, 4 CDs (2 unreleased albums), 208 Page Book (Same size as an LP) UPC: 607396650323 Box Lot: 2 Count Genre: Alternative, Post-Punk, New Wave 6

07396

65032

3

Pylon.band NewWestRecords.com

Lilly Hia

Lately

Street Date: Oct. 8th, 2021 Track Listing

Side A 1. Simple 2. Been 3. Lately 4. Stop 5. Peach

Side B 1. Ride 2. Face 3. Better 4. Gem 5. The Last Tear

Ca e e

Sel. #: NW9020CS CONFIG: Color Cassette, J-card, download UPC: 607396902095 Box Lot: 50 Count Genre: Alternative, Singer-Songwriter

6

07396

90209

5

Marketing Points

•Limited Edition Cassette Release •Limited to 500 Copies

Lately is a record I wrote to share some of where I’ve been with you. Whenever songs happen for me, they are like photographs of time.

Last year was tough. That’s an understatement for certain. Tears were shed, lives were lost, and lonely was a way of life. I have always felt lonely, but never gone to the depths of solitude that I had in 2020. The irony of that is, I was not alone at all in that space. Everyone had lost something, and we all were trying to rebuild our lives as we knew them.

As a means of keeping sane, I started to write songs. Some of them sucked. I kept doing it though, because I had nothing else to fill my cup. “The Last Tear” came and I thought, I’d like to share this. That opened the door for more. “Been” happened not too long after, reminiscing about this and that, and so on. The inspiration was occurring from simple moments, such as gathering with my family after months of not doing so. Or walking around looking at my neighbors on their porches and waving a hello.

I also was finally catching up with myself, and understanding I was reeling from some of my missteps. Forgiveness can occur through written words for me, so it was quite soothing to have my guitars and a melody. Depression was a big part of fall and winter. I forgot how down I could feel. But I also felt hope in that light came from a memory of a past adventure or a stranger’s smile while walking down the street. Little things lifted my spirits.

I missed my friends. I missed my family. I was devastated by the grief our country was facing, as well as the world. I felt unified in knowing that I was not on my own in that mentality. Many were questioning a lot of what was happening and though ideologies and understandings were fractured and opposing, most people I know craved to be together again.

I realized that my heart was full of everything I loved and that would carry me forward for the time being. Eventually we would all get back to one another.

Now that we are beginning to, I will be thrilled to share and play these songs for you.

Much Love, Lilly Hiatt

NewWestRecords.com

LillyHiatt.com

LILLY HIAT T Street Date: October 8, 2021

Lilly Hiatt is back with her latest release, Lately. Walking Proof (March 2020) was released right at the beginning of the pandemic. In celebration of both releases, New West would like to offer a 25% discount across all Lilly Hiatt skus.

Color Vinyl 607396538515

WALKING PROOF

TRINITY LANE

Color Vinyl 607396538911

Standard Vinyl 607396536917

Standard Vinyl 607396518418

CD 607396647323

CD 607396639526

Color Vinyl 607396538812

LET DOWN

ROYAL BLUE

Color Vinyl 607396538713

Standard Vinyl 607396200917 CD 607396101221

Pandemic willing, Lilly is available for in-stores, signings and ticket giveaways while on the road.

ON TOUR

October 20 - Houston - The Heights Theatre October 21 - San Antonio - Paper Tiger October 22 - Austin - The Continental Club October 23 - Austin - The Continental Club October 24 - Dallas - The Kessler Theatre October 26 - Tucson - Club Congress October 27 - Solana Beach - The Belly Up Tavern October 28 - Los Angeles - Lodge Room October 29 - San Francisco - The Chapel October 30 - Sacramento - Goldfield Trading Post

NewWestRecords.com

November 3 - Bend - Tower Theatre November 4 - Portland - The Doug Fir November 5 - Seattle - Tractor Tavern November 6 - Seattle - Tractor Tavern November 8 - Boise - The Olympic November 10 - Denver - Globe Hall November 11 - Denver - Globe Hall November 13 - St. Louis - Off Broadway November 14 - Nashville - 3rd & Lindsley

LillyHiatt.com

October 8th, 2021

THECHARLATANSUK Self-Titled

▶ Pressed on marbled yellow vinyl ▶ Double vinyl with gatefold sleeve

▶ Beggars Arkive is happy to announce the reissue of The Charlatans self-titled fourth album. Set for release on October 8th, the pressing is on marbled double yellow vinyl with a gatefold sleeve and it hasn’t been pressed on vinyl in over twenty years.

The audio is via transfer to 96khz/24 bit, with vinyl mastering by Frank Arkwright at Abbey Road.

▶ LP

A1. Nine Acre Court A2. Feeling Holy A3. Just Lookin’ B1. Crashin’ In B2. Bullet Comes B3. Chemical Risk - Toothache Remix C1. Here Comes A Soul Saver C2. Just When You’re Thinkin’ Things Over C3. Tell Everyone D1. Toothache D2. No Fiction D3. See It Through D4. Thank You BBLUS-174-LP2 non-returnable Format: 2XLP, Marbled Yellow Vinyl Label: Beggars Banquet

When the Charlatans started out, there were countless bands “similar” to them, but they immediately catapulted to the forefront of the Madchester scene, standing alongside such icons as The Stone Roses and the Happy Mondays.

The band was/is successful because in addition to being able to ride the groove, they could also write amazing songs. These were the gifts that made them among the greatest British survivors of our time, rolling through tragedy and stylistic changes to amass a terrific body of work - one that was modern enough to play in clubs but classicist enough to stand the test of time, and one that continues to grow to this day. They have notched up thirteen Top 40 studio albums – three of them number ones – alongside twenty two hit singles, four of them Top 10.

Their fourth album, a self-titled release, came out in 1995.

It was their most ambitious, focused and successful, and returned them right back to the number one slot in the charts. There were several successful singles on the album including it’s most successful “Just When You’re Thinkin’ Things Over”.

“A ring of self-titled confidence, marvelous swirls of multi-layered guitar and organ, this is a blur of positive vibes that will send your heart through the ceiling.”

– SELECT MAGAZINE

134 Grand Street, New York, NY 10013

505 Eno Street, Hillsborough NC 27278 redeyeworldwide.com 877.733.3931

BARDO POND

AMANITA (25th Anniversary Purple Vinyl) SELLING POINTS

On October 8th, Matador Records will celebrate the 25th anniversary of Bardo Pond’s long out-of-print second album and label debut, Amanita, with a newly remastered 2xLP reissue.

Formed in 1991, the Philadelphia-based quintet have spent some thirty years mapping guitar music’s outer limits – dialing into extremes of noise, chaos, and harmony in free-form compositions that now unfurl across 12 full-length records and a nearlimitless body of EPs, cassettes, and CD-Rs Recorded by the lineup of John Gibbons (guitar), Michael Gibbons (guitar), Isobel Sollenberger (voice, flute), Clint Takeda (bass), and Joe Culver (drums), Amanita is the place where the band’s spontaneous collective creativity blazed into maturity.

“Amanita was a manifesto of everything we were trying to do,” says Michael Gibbons. It was really a template for everything we did later. We were a real unit – just so creative, just making up riffs. There were songs, but they were still rooted in our freeimprov base. We had a beauty, but we also had a really strong impulse to be dissonant.”

Even within the heady subcultural micro-verse of ’90s underground zoner-music, the Fishtown-basement-dwelling quintet’s vision of “psychedelia” was singular in its heaviness. “We weren’t interested in the cliched idea of what that term meant,” says Gibbons. “We were very interested in the psychedelic experience as it being a bridge to rebirth.”

“What’s the chemical your brain releases when you’re overwhelmed? Endorphins. That’s what we were trying to get to when we played these parts.”

134 Grand St New York, NY 10013 United States (212) 995-5882

• BACK IN PRINT FOR THE 25 YEAR ANNIVERSARY • THE FIRST 2021 RELEASE OF MATADOR’S ONGOING ‘REVISIONIST HISTORY’ CATALOG SERIES • FEATURING NEW ARTWORK AND PRESSED ONTO DEEP PURPLE VINYL, LIMITED TO AN EDITION OF 1,500 • INCLUDES TWO BONUS TRACKS “CLEAN SWEEP” AND “BRAMBLES,” PREVIOUSLY UNRELEASED ON STREAMING SERVICES. • RARITIES LP AND REPRESSES OF THE REMAINDER OF THE BAND’S MATADOR CATALOG TO BE ANNOUNCED LATER IN 2021

TRACKLIST 01. LIMERICK 02. SENTENCE 03. TANTRIC PORNO 04. WANK 05. THE HIGH FREQUENCY 06. SOMETIMES WORDS 07. CLEAN SWEEP 08. YELLOW TURBAN 09. RUMINATION 10. BE A FISH 11. TAPIR SONG 12. BRAMBLES 13. RM

191401176415

RELEASE DATE: OCT 8, 2021 NON EXPORTABLE

Purple 2xLP OLE-1764-LP

505 Eno Street Hillsborough NC 27278 United States (877) 733-3931

A CHRISTMAS CELEBRATION FEATURING JOHN HALL & THE HOPPEN BROTHERS

Guests include BILL PAYNE (LITTLE FEAT), JOHN JORGENSON (DESERT ROSE BAND), & ANDREA ZONN (JAMES TAYLOR BAND) This Christmas collection, our first and only, comes from a various sources, most written internally but not all. Some had previously-recorded lives elsewhere and made the cut unaltered.

Some had previous starts but underwent major revisions and upgrades. Some were cut from scratch. Some are purely secular, while others center around the Christmas Story. The title cut, “New Star Shining” was recorded in 1994 for a “Woodstock Holidays” CD released only in Japan. Our only Christmas song until now, it was cut as a duet by Ricky Scaggs and James Taylor.

Our version features shared lead vocals by John, Larry, Lance and Bob. The remainder of album features tracks we wrote during our recording hiatus of 15 years, tracks covered by other artists, now recovered by us.

featuring NEW STAR SHINING QUIET PLACE JINGLIN’ IN NEW ENGLAND MARY’S CHRISTMAS I WISH I COULD’VE BEEN THERE SOUND OF CHRISTMAS MARY HAD A BABY SNOWED IN WITH YOU I’M COMIN’ HOME FOR CHRISTMAS I WISH I COULD FLY WINTER WONDERLAND BALLAD OF THE CHRISTMAS DAY COWBOY

$1. 0 0 F R O M E A C H C D S O L D W I L L B E D O N AT E D S T. J U D E C H I L D R E N ’ S R E S E A R C H H O S P I TA L

RELEASE DATE: OCTOBER, 08, 2021 ARTIST: ORLEANS TITLE: NEW STAR SHINING CATALOG #: CD-SBR-7008 UPC: 708535700821 CONFIGURATION: 1 CD FOLDER BOX LOT: 60 UNITS GENRE: ROCK

REDEYE: 505 Eno Street, Hillsbourough, NC 27278 • CONTACT: Lori Miller: lori@redeyeworldwide.com

LP

0

90771

55991

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ARTIST: BUCK OWENS AND HIS BUCKAROOS TITLE: (IT’S A) MONSTERS’ HOLIDAY GREEN VINYL LP BOX LOT QUANTITY: 30 LP FILE UNDER: COUNTRY LP 5599 UPC: 090771559913 RELEASE DATE: 10/8/21

ON THE COVER OF THE MUSIC CITY NEWS! While the title track of this 1974 album might mislead you, it’s the only Halloween related song here, the rest is prime Buck! Aside from the hit title cut, it includes a clever twist on Shel Silverstein’s “The Cover Of Rolling Stone” and plenty of exemplary bites of the Bakersfield Sound! Speaking of sound, this first ever reissue of this Buck gem was cut directly from the master reels at Cohearent Audio, it’s never sounded better!

The common mark of truly great artists is the apparent ease with which they perform their craft. In the field of country music, nobody ever made it look easier than Buck Owens and His Buckaroos. With nary a wasted note or superfluous phrase, the boys from Bakersfield produced album after album full of disarmingly honest, down-home pop.

• ALL ANALOG, CUT BY KEVIN GRAY!

Frankenstein was the first in line, And the Wolfman came up next. Dracula was a doing his stuff- Breathing down my neck. Jump back, make tracks, here comes the Hunchback- Better get out of his way. Fee fee fi fi fo fo fum, It was a Monster's Holiday.

• FIRST REISSUE OF THIS ‘74 BUCK LP!

Indeed it was... and is again.

• PRESSED ON GHASTLY GREEN VINYL AT THIRD MAN PRESSING!

ODDLY, NOT REALLY A HALLOWEEN RECORD, JUST PRIME BUCK!

TRACKLISTING: • (IT’S A) MONSTERS’ HOLIDAY • AMAZING LOVE • ON THE COVER OF THE MUSIC CITY NEWS • I LOVE • STONY MOUNTAIN WEST VIRGINIA • MEANWHILE BACK AT THE RANCH • YOU’RE GONNA LOVE YOURSELF IN THE MORNING • KISS AN ANGEL GOOD MORNIN’ • GREAT EXPECTATIONS • PASS ME BY (IF YOU’RE ONLY PASSING THROUGH)

WWW.SUNDAZED.COM

RELEASES OCTOBER 8 2021 MOTRIK MOON: The Cosmic Electrics of MOTRIK SIDE C Stabilize (13:18)

SIDE A Silver Twin (6:01) Particle Maze (6:18) Streamline (4:34) SIDE B Space Elevator (14:36)

SIDE D Red Eye (6:43) Yellow Moon (6:39) Sonik Rug (5:15)

• DOUBLE LP IN DELUXE GATEFOLD JACKET • 1ST PRESSING RED & BLUE COLOR VINYL • 3RD FULL LENGTH FROM PDX KRAUTROCK WUNERKINDS Portland-based krautrock band Møtrik formed in 2013, its four members united by a pledge to modernize their beloved genre. Sharing a passion for pioneers like Can, Kraftwerk, and Träd, Gräs och Stenar, the group has demonstrated its ability to deliver over a series of EPs and albums, most recently 2020’s acclaimed Artificial Head. As they continue to experiment by incorporating additional influences—ranging from funk and jazz to psych and prog—Møtrik’s third full-length, a double LP titled MØØN: The Cosmic Electrics of MØTRIK, is a further continuation in the story of an historic genre befitting of the album’s cosmic artwork.

Møtrik boldly takes full advantage of the space that four sides of vinyl allow on this latest offering. The middle of the album features two long suites that feel typical of the group’s dynamic live performances, which frequently feature fog cannons, lasers, and other prop homages to Kraftwerk and company. The 13-minute “Stabilize” emerges from a haze of synth pulses and guitar tones, settling into a steady NEU!-like chug that swells and recedes like an ecstatic wave. On “Space Elevator”, the motorik drive from which the band take their name evolves into an insinuating and sensual disco-like throb before the perfect proggy comedown in the final minute.

MØØN: The Cosmic Electrics of MØTRIK will be released on 2x color vinyl & CD by Jealous Butcher Records in October 2021.

CD-JBR-208

LP-JBR-208LE

8

43563

12813

8

8

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12812

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Kiefer – Between Days Description

Kiefer’s Between Days is the third of a trilogy made in collaboration with visual artist Mason London, following Superbloom and Bridges EPs. Kiefer considers the trilogy as a single cohesive project, with his new songs building upon the sound of the previous ones.

The three animated album singles “Superhero”, “Friends” and “Everybody Loves the Sunshine” were brought to life by Mason London along with the album artwork.

Contributing features include The Kount, 10.4 ROG, Lakey Inspired and Theo Croker.

Artist

Kiefer

Title

Between Days

Cat #

STH2456LP (Standard LP)

Label

Stones Throw Records

Genre

Jazz, Hip-Hop

Between Days soundtracks the isolation of the pandemic in a warm and comforting way, featuring classic Kiefer beats as well as covers including The Cure track that inspired the EP title.

UPC Format

659457245610 LP

Key Selling Points

Date

October 8, 2021

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Tracklisting Side A 01. Between Days 02. Superhero

-

-

03. Friends 04. Labored Breathing

Side B 01. Running Out the Clock (ft. The Kount) 02. Work and Purpose (ft. 10.4 ROG)

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03. His Heart Grew Three Sizes (ft. Lakey Inspired) 04. Everybody Loves The Sunshine (ft. Theo Croker)

-

Between Days is a bridge from Kiefer’s beat material and his new live jazz album “When There’s Love Around” – out August 27, 2021.

North American Tour in Fall 2021, more touring to come in 2022.

Kiefer has toured the world and collaborated with Kaytranada, SiR, Terrace Martin, Lalah Hathaway, Moses Sumney, Abraham Laboriel, and is a mainstay in the LA jazz scene.

In 2020, he won a GRAMMY for Best R&B Album for his production work on Anderson Paak’s Ventura.

Kiefer socials: Instagram - 115k followers; Twitch - 10k followers; Spotify - 41m streams; Apple - 10.3 streams; Twitter - 8k followers; YouTube - 2.4m views Press & radio highlights: Bandcamp, Okay Player, KCRW, KEXP, WKDU, WBQT, WXPN, and many more.

Cat no.: REDISC3 UPC: 5060263723271 Formats: LP Release date: 8 October 2021

_____________________________________________

ESP SUMMER Kingdom Of Heaven Former 4AD labelmates Ian Masters (Pale Saints) and Warren Defever (His Name Is Alive) use a classic song by the 13th Floor Elevators as a starting point and over the course of a record see it disintegrate as they beam into the heart of the sun.

RIYL: Flying Saucer Attack, Texas psych, Matsuo Ono, A.R. Kane, Toru Takemitsu, Hawkwind, Taj Mahal Travellers, astral projection etc.

Originally released as a very limited lathe cut in Japan and now being made more widely available as part of Disciples R.A.T.S. series. Clear vinyl. Includes two-sided full colour newsprint poster designed by Alexander Tucker (Thrill Jockey) and download card.

Tracklist:

A1. Tengoku No Ōkoku A2. Kumamushi A3. Taishōgoto No Ōkoku B1. Uchu Spec: Silver foil embossed die-cut sleeve with 2-sided fold-out A2 poster. Clear vinyl, each side plays continuously with no banding between tracks. Includes download card for the digital edition of the album which is 4 separate tracks

NO EXPORTS ALLOWED For more info please contact Matthew matthew@warprecords.com (Disciples)

STICE STICE'S SATYRICON Release Date: 10/08/2021 Catalog #: RL57 Format: Cassette UPC: 68820106056 RIYL: Death Grips, Machine Girl, Guerilla Toss, 100gecs, Deli Girls, Dreamcrusher,

Stice -- comprised of vocalist Caroline Bennett, aka Crab (formerly of Kiddy Pool, which would later become Machine Girl), and producer Jake Lichter, aka Jark (of Mainer

Cassette limited to 150 copies!

experimental rock trio Lunch Cult) -- make digital hardcore music for the 21st century, and their new album, Stice’s Satyricon, might be the pair’s most unabashedly foul affair yet.

Tracks like “I Piss Myself” channel the raw vigor of ‘00s Myspace forumcore and the attendant .jpeg-compressed filth of the unmoderated web. “Screaming like Shittt” sounds like if Atari Teenage Riot had helmed the The Rugrats Movie (1999) soundtrack, while “Ollygoshawda” packs all the desperation and angst of a mutant high school talent show gone off the rails. These songs run a mile a minute, cycling

Label contact: Jake Saunders Jake@ramplocal.com

Distribution Contact: Lori Miller Lori@redeyeworldwide.c om

through a torrent of emotions and genres, ranging from the shambolic breakcore of Nero’s Day at Disneyland to the gonzo zolo of Cardiacs to the ADHD mash-ups of 100gecs.

Lunice — Stacker Upper (Reissue) / One Hunned (Reissue) / 180 (Reissue) Release Date: 10th October 2021

1 • Stacker Upper EP (Ltd. Blue Vinyl Reissue) LM006EPR 5060263724179

2 • One Hunned EP (Ltd. White Vinyl Reissue) LM009EPR 5060263724186

3 • 180 EP (Ltd. Red Vinyl Reissue) LM039EPR 5060263724193

A decade since he first appeared on LUCKYME®. Lunice brings special editions of his first 3 EPs - with raided archives and unreleased tracks available for the first time.

We’ve also added significant remixes from the likes of Rustie and Girl Unit to these new expanded deluxe versions.

Celebrating these influential EPs which first introduced the world to this Québécois beatmaker. Recorded prior to his breakthrough as half of TNGHT with Hudson Mohawke. These are the tracks which first launched Lunice from his Montreal bedroom to travelling the globe with his incendiary live performances. From producing Kanye West’s ‘Blood On The Leaves’ to touring with Madonna these tracks are the blueprint for everything that came after. Flitting between minimalist electronic workouts to heavyweight rap beats and merging those worlds in a way few had before him.

FFO TNGHT, Baauer, Cashmere Cat, Kaytranada, Clams Casino. Don’t sleep.

Stacker Upper EP Vinyl Tracklist: A 1. Hitmanes Anthem 2. Hip Pop 3. The Name Dunnit B 1. Fancy Forty 2. Purp Walk 3. Fancy Forty (Rustie Remix) 4. Geoid

One Hunned EP Vinyl Tracklist: A 1. Glow 2. I See U 3. Juice 4. Bricks B 1. Guardian 2. And She Said 3. I See U (The Blessings Remix) 4. I See U (Girl Unit Remix)

180 EP Vinyl Tracklist: A 1. Burnt 2. All Clear 3. Nite Bells 4. Dial B 1. Gasp 2. Weather Man Beats 3. Toolman 4. Ripple 5. All Clear ft CJ Flemings

Barcode:

Barcode:

Barcode:

Description: 10 Year Anniversary.

Limited Edition Blue 12” Vinyl Reissue Includes Unreleased Bonus Track.

Limited to 500 Copies Worldwide

Description: 10 Year Anniversary.

Limited Edition White 12” Vinyl Reissue Includes Remixes previously unavailable on Vinyl.

Limited to 500 Copies Worldwide

Description: EP First time on Vinyl Limited Edition Red 12” Vinyl Includes 5 Unreleased Bonus Tracks.

Limited to 500 Copies Worldwide

THE MIDNIGHT MONSTERS Release Date: October 8, 2021 The Midnight releases their Monsters for Cassette Week 2021 The Midnight are duo Tyler Lyle and Tim McEwan.

Following up their widely successful independent release KIDS (2018), which reached #1 on Billboard Electronic chart, the group are set to release their next album titled Monsters.

“I wanted the wonder of coming of age to shine through but be combined with the inherent darkness and complexity of being a teenager,” Tim says. The songs reflect both uplifting and the downbeat tones throughout.

The 15-track album offers moments of quiet ambience to consider the big ideas and worries of being a teen, but it also makes room for people to just dance. Combining elements of synthwave and 80s inspired pop, Monsters is the band’s most complete work to date.

Coming off a big 2019, the band sold out their entire 2018/2019 tour including concerts at The Novo (LA) and The Roundhouse (UK) in addition to festivals Electric Forest and Firefly among others. They have done increasingly well in their D2C business, selling over 25k items worldwide in 2019. The band recently hosted a livestream that raised a considerable amount for charity, Plus 1, which was featured on the Twitch homepage.

Recent syncs include music featured in Season 3 of Netflix series ‘13 Reasons Why’, advertisements for Sonos Speakers, and Apple ‘Memories’ feature on the photos app in IOS. In the bands words: “‘Monsters’ is the story of being a teenager. Adolescence is messy, tragic, brutal, wistful and beautiful. ‘Monsters’ is all of that…”

CAT NO:COUNTCAS198 UPC: 5054429142310 Box Lot: ￫ Clear purple cassette

SIDE A A1 A2 A3 A4 A5 A6 A7 A8 SIDE B B1 B2 B3 B4 B5 B6 B7

1991 (intro) America Online Dance With Somebody Seventeen Dream Away The Search for Ecco Prom Night Fire In The Sky Monsters (feat. Jupiter Winter) Helvetica Brooklyn Deep Blue Night Skies City Dreams (interlude) Last Train

RIYL: Drive Soundtrack, Chromatics, M83, Empire of the Sun, Junior Boys, Stranger Things Soundtrack Top Markets: Los Angeles, Mexico City, Chicago, Dallas, Seattle Genre: Electronic

naretail@ninjatune.net ninjatune.net

www.redeyeworldwide.com

stephen@redeyeworldwide.com

PROC FISKAL ~ SIREN SPINE SYSEX ~ Catalogue Numbers : Release Dates : Formats : UPCs : Box Lots :

LP-HDB-059 // CD-HDB-059 09.24.2021 [ CD ] // 10.08.2021 [ LP ] 2LP // CD 5056321637628 [ 2LP ] // 5056321637635 [ CD ] 15 [ 2LP ] // 35 [ CD ]

Proc Fiskal's second album sees a reorientation of the source elements of his music. Where ‘Insula’ fed off samples of the ramblings of his friends and sounds of his hometown, ‘Siren Spine Sysex’ is laden with an inner voice of sampled Gaelic, Irish and English folk music, contorted and imbued into the futurist body of modern pop; the ghostly anima image of the female folk voice and the lamenting wheeze of the accordion rub against the rush of icey 808s and angles of Grime.

Joe Powers’ family history is in folk music, with several of his forebears active in the Scottish Folk revival of the 1960s. It's this cultural baggage - the Caledonian Antisyzygy of the earnest folk tradition he was raised in – alongside the modernist dance music he makes, that brings a personal element to the album. The music of ‘Siren Spine Sysex’ examines dance music as folk music, re-routing them both comparatively, with the wordless emoting of chopped and screwed Gaelic vocals leading to joyous pop songs like ‘8 Mgapixel See Thru Phone’ and 'Leith Tornn Carnal’.

Though fast and detailed, ‘Siren Spine Sysex’ feels relaxed and pastoral at times, its edits and drums sensual, swelling, and reactive to the music, its textures influenced by the tinny 16 bit flutes, strings, and wacky scores of gaming soundtracks.

A1. Anti Chessst A2. Convaerge Iana A3. Humancargoe Estt A4. Recall (Throate Achres) B1. Met Path Thoth B2. 8 Mgapixel See Thru Phone B3. Thurs Jung Youtz C1. Her In C2. The Most Beautiful Irish Song C3. Leith Tornn Carnal D1. Auld Peop D2. Iaosiphsean Powers D3. God Aed D4. Roman Fatigue

www.hyperdub.net

GO FEVER VELVET FIST GO FEVER is an Austin rock band fronted by Australian singer Acey Monaro.

Since 2017, the band has racked up nearly every local accolade they can: Austin American-Statesman "Artist of the Month," regular airplay and dozens of features on tastemaker station KUTX, and rave reviews from The Austin Chronicle.

During the pandemic lockdown of 2020, the band had the fortune of going into Radio Milk Studios (home of Austin band White Denim) and recording a new full-length record with in-house producer Jim Vollentine.

The result - Velvet Fist - is a blistering affair, channeling the band's penchant for concise, witty pop songs into some new sonic textures.

The lead off track "NYE15" finds the band rocking more than ever, while the single "Amargosa" (co-written and featuring James Petralli on guitar) shares more than a hint of Petralli's White Denim melodic jam sensibilities.

Monaro's songwriting and singing are also in top form as witnessed on her forceful, pliable performance on second single "Long Run": Please don’t idolise these friends who live fast and die old Romanticising sad dead men and if I may be so bold They won’t contribute a great thing to the canon of rock and roll That they’re so devoted to Don’t give up the ghost, Hank, if there’s one thing you can bank on It’s that the albatross eventually rots and falls away from Your neck that’s still so young And I’m not tellin’ you not to have fun, but you’ve been sprintin’ for a while And it’s a long run

ARTIST: Go Fever TITLE: Velvet Fist RELEASE DATE: Oct. 8, 2021 CATALOG: NMR 0520, NMR 0521 FORMATS: CD in digi-wallet swirled color vinyl CONTACT: Jeep Ward, jeep@redeyeworldwide.com

(CD)

(VINYL)

Stray Theories

This Light

Street Date: 10/08/2021 Catalog #: MD301 Label: n5MD Format: Clear copper LP Box lot: LP - 20 File under: Modern Classical, Ambient, Post-rock

LP • 702224130111

TRACKLISTING A1 A Moment in Time A2 These Mountains A3 In the Shadow of You A4 Be the Light B1 Empath B2 Distancing B3 Atlas Dreams B4 Into the Fire

New Zealand based, Australian Composer Micah Templeton-Wolfe has been creating music as Stray Theories for over 15 years now. Crafting cinematic ambient for personal listening and film. n5MD is proud to announce his 4th full-length and second with the label: This Light. This Light takes Templeton-Wolfe's amalgam of modern classical, ambient, and post-rock and sheds ample focus on each aqueous element. It's cinematic yet tranquil, with loads of melancholia—each work cascading to emotive heights.

This Light is equal parts majesty, confidence, sincerity, and sympathy. So aptly named, the album can be seen as Templeton-Wolfe's shining light in the Stray Theories catalog. This Light is out on October 8th on transparent copper vinyl.

HIGHLIGHTS • 4th full-length from New Zealand composer Stray Theories • Limited edition clear copper LP plus download card

505 Eno St Hillsborough, NC 27278

4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com

Robert Ellis Orrall

“467 Surf And Gun Club”

FIX-003

“Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.” John Hiatt “Melodic, colorful, emotional. A fun and bubbly trip through our dad’s cosmic mind”. - JEFF The Brotherhood 467 Surf and Gun Club (www.467surfandgunclub.com) shared an address with REO's record label Infinity Cat (www.infinitycat.com). The legendary bar at 467 Humphreys St, Nashville TN lives on in this, the 10th album from Robert Ellis Orrall.

“It’s all gone now - there’s an apartment building going up there - but when the pandemic started I just couldn’t stop thinking about the place. 467 was like nowhere on earth.”

It was a neighborly dive with TVs that showed nothing but old surfing films. With a BB gun tin can target range in the backyard and Red Ryder’s for all. Where the smell of weed - and steaks sizzling on the grill was mixed with the sounds of laughter, beer bottles and of some of Nashville’s best rock bands.

The Surf and Gun Club was home to young thinkers and old drinkers, more than a few regulars and curious visitors. And even though the sign above the door said “You can’t come in unless you’ve been here before”, everyone was greeted like an old friend. Anybody who ever walked in the place has a story to tell - and this one belongs to the man who watched it all from behind the bar.

“I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.” - Michael McDonald

“If there’s been a better record to come out of Nashville in the past few years let us know, cause we haven’t heard it” - Diarrhea Planet

Release date 10/01/21 8/27/21 CONTACT: infinitycatrecordings@gmail.com 615-423-5498 www.infinitycat.com P.O. Box 40992 Nashville, TN 37204

505 Eno St. Hillsborough, NC 27278 {toll free} 877.733.3931 REDEYEWORLDWIDE.COM

DIRECTOR OF SALES & LABEL RELATIONS Jason Taylor jason@redeyeworldwide.com § ext. 245 SALES MANAGER Alex Ashkenes alex@redeyeworldwide.com § ext. 295 MARKETING DIRECTOR Laura Campbell Pittard laura@redeyeworldwide.com § ext. 299 MARKETING MANAGER Will Savery will@redeyeworldwide.com § ext. 287 SENIOR ACCOUNT REPS Steve Dixon steve@redeyeworldwide.com § ext. 229 Christie Coyle christie@redeyeworldwide.com § ext. 294 ACCOUNT REPS Ben Wilson ben@redeyeworldwide.com § ext. 238 Kathryn Berry kathryn@redeyeworldwide.com § ext. 297 Jack Patton-Smith jack@redeyeworldwide.com § ext. 248 Sarah Schmader sarah@redeyeworldwide.com § ext. 335 SENIOR LABEL MANAGERS Perry Harrell perry@redeyeworldwide.com § ext. 207 Lori Miller lori@redeyeworldwide.com § ext. 216 LABEL MANAGERS Jeep Ward jeep@redeyeworldwide.com § ext. 225 Stephen Svacina stephen@redeyeworldwide.com § ext. 249 Tim Jones tim@redeyeworldwide.com § ext. 230 Jill Wheeler jillw@redeyeworldwide.com § 901-409-5186 SALES ADMINISTRATOR Justin Bowers justin@redeyeworldwide.com § ext. 209 PHYSICAL MARKETING COORDINATOR Kali Benjamin kali@redeyeworldwide.com § ext. 263

RELEASE DATES: 10.01.21/10.08.21 | ORDERS DUE BY 9.10.21/9.17.21

BADBADNOTGOOD TALK MEMORY

XL RECORDINGS

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