1.07 & 1.14 New Release Book

CAT POWER COVERS

DOMINO RECORD CO.

RELEASE DATES: 1.07.22/1.14.22 | ORDERS DUE BY 12.17.21/12.24.21

Redeye Label of the Month:

INTERNATIONAL ANTHEM RECORDING CO.!

2021 R E D E Y E S TA F F PICKS

KURT VILE AND STEVE GUNN | THE UMBRELLAS | μ-ZIQ & MRS JYNX

Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight This Issue: David Allen and Scottie McNiece, Co-Founders of International Anthem Recording Co.

Philadelphia (mostly, but also New York and DC), that they are constantly being called a “Chicago band.”

Is there a genre that you would consider to be the label’s “signature style,” or is it a mix?

David: People usually call us a jazz label. We work really hard to push beyond that.

Being “boundary-defying” is our goal, and I feel the Artists we work with truly achieve that.

How would you describe your overall ambitions and goals as a label from when you first started compared to now?

How did you personally get started in the music industry?

David: The Midwest DIY/punk scene of the mid 2000s; playing in bands, organizing shows, making recordings and self-releasing them in whatever ways we had the means to.

When and where did the label begin?

Chicago, 2012

What is the meaning behind the name for the label?

Scottie: “The International Anthem” was the name of a song I wrote with my friend Becky Levi in 2010. . The name stuck with me and I knew I wanted to use it for something bigger someday, maybe an album or a band or something. . Couple years later, when David and I started talking about starting a label, my mind immediately went to “International Anthem.” David liked the sound of it too. I liked that it had 7 syllables. We both liked that the words had an explicit meaning: diversity, across boundaries, being unified by music.

How has the label changed since it started?

David: When we started it was mostly just Scottie & myself, doing everything from producing the recordings and marketing materials, to assembling the LPs and shipping orders, and everything in between. We used to hand fold and glue every OBI strip on our LPs, even until 2019 we were doing this! All from a corner in our apartment or basement at the time… It has been beautiful to grow to where we are now, with a lot of help from friends and family along the way. We now have a dedicated studio and warehouse space in Chicago, and the opportunity to work with a bigger community of people in Chicago and beyond.

Describe the general makeup of your team at the label.

Scottie: David and I are kind of co-principals of the label. . We both wear many hats. David does more on the production management, and operations/financial management. He also does a lot of mixing/mastering of albums we put out. I handle much of the A&R work, and artist relations in general. And have also been handling most of the “lawyering” myself for a few years lol. We also have Dave Vettraino, who does the bulk of the engineering these days - whether tracking at our studio in Chicago, or mixing/post on things tracked elsewhere. Vettraino also manages our warehouse and inventory. Alejandro Ayala helps us with marketing and digital distribution. He’s also become sort of our in-house photographer, really defining our label’s visual aesthetic. Lindsey Stepney-Wright helps us manage press and media inquiries. Jocelyn Brown runs our publishing co, and helps us with synch/licensing on the master side as well. Chet Zenor and Brian Seyler do all the shipping from our Chicago warehouse. Lisa Giordano works as an in-house booking agent for several of our artists. We have a handful of close collaborator / outside contractors who feel pretty critical to all our label’s operations as well. . Including graphic designer Craig Hansen who does finishing touches on all our releases, and Nicole McKenzie who manages UK press/radio, and Daniela Siemon, who does German press/radio.

Our old friend David Brown has recently gotten involved too, helping us with indie retail marketing aka calling up record stores and trying to help us spread the good word on our releases. There’s honestly so many people who pitch in to help make this possible. . And most of the people mentioned above are part time employees, or outside contractors. . The functioning of our label requires the love and care and commitment of so many talented folks. .

Is the label tied to a specific geographical area? How is this reflected in your releases?

Scottie: A lot of people assume that every artist we work with is a Chicago artist.

Chicago is very much the core, the heart, where we started and where our roots are. .

But going back to 2016 we started working with artists outside of the city… I feel bad for bands like Irreversible Entanglements, a group that has always been based out of

Scottie: Haha well. . When we first started, we thought this would be a passion project that we could run on the side of our other business… We never thought we’d be spending more than 8-10 hours/week on it, and definitely never dreamed that we’d be pulling a salary from it. We just wanted to support artists that we loved and put quality pieces of art into the world, with no tangible expectations beyond that. .

Things have certainly evolved since then lol. . Since then everything has become so multidimensionally more complex. . The core values and mission honestly haven’t changed, but now that sustenance is on the line for ourselves and many of our coworkers (coworkers including artists on the label), the short and mid term goals/ benchmarks/etc have become much more variegated.

We know you can’t choose, but what’s been your favorite label release, and why?

Scottie: You’re right, we love them all. . It’s hard not to say. IARC0001 and/or IARC0003 right now, the OGs, Rob Mazurek’s Alternate Moon Cycles and Makaya McCraven’s In The Moment. Because. . Before we recorded that music, we didn’t even have a label, nor did we have any plans to start the label. . We owe Rob and Makaya and those recordings for inspiring us to do this work.

What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released?

David: We originally didn’t intend to release color vinyl, but for jaimie branch’s ‘Fly or Die’ album she wanted to release a Pigeon Shit color vinyl, and how could we say no to that? It surprised us how much people responded to it, so we’ve kept doing limited color vinyl runs on the first pressing. Life’s short - we try to have fun with them.

How would you describe the average fan of the label?

Scottie: Vinyl collector, weed smoker, jazz liker. Post-backpack hip hop fan and/or bored Indie Rock ex-pat.

Before working at the label did you have any experience playing in bands or making music of your own?

Scottie: Yes. David and I in fact met each other by playing in bands who did house shows together, and we organized some tours together, and hence bonded over a shared work ethic. I played drums and he played bass (he also played drums). Mostly in the DIY/punk scene of the Myspace era. We both still have instruments at home and play recreationally in bands. . Personally,with all the label work, it’s hard to find time to play anymore, especially since I feel like this work exercises the same part of my brain as the drums do. When people ask me if I still play, I often say “yes, and the label is my instrument.”

In your opinion, how important is it to be environmentally sustainable within the music industry these days?

Scottie: Very important. It’s also very important to remember how critical of a role that music, in general, plays in the existential / spiritual war we’re fighting against climate change aka evil/darkness aka human/earth exploitation. There are things done towards the proliferation of music that may seem to be wasteful in the short term, but in the grand scheme of things, the proliferation of that music may work to inspire a larger group of humans to make more responsible / less wasteful decisions towards the betterment of our planet.

What in your opinion has been the biggest change in the music industry from when you first started compared to now?

Scottie: Streaming. It was just barely getting going when we started out. Now it seems like the main format that most artists are focusing on… I never would have believed then if you told me what it would be like now. .

Want to shout out a personal favorite record store or retail establishment?

Now’s your chance: Scottie: Man… so many favorites. . It’s been so long since I’ve been to New Orleans. .

I hope to get back some day. If/when I do, I’ll go into Domino Sound Shack, and buy whatever he’s got in his recommendations bin.

NO OTHER LOVE

CHUCK PROPHET

STREET DATE: DECEMBER 10, 2021

SIDE A 1. What Can You Tell Me 2. After The Rain 3. I Bow Down And Pray To Every Woman I See 4. Run Primo Run 5. Storm Across The Sea 6. No Other Love SIDE B 1. Elouise 2. That’s How Much I Need Your Love 3. Summertime Thing 4. What Makes The Monkey Dance 5. Old Friends No other Love is now on vinyl for the first time outside of a limited German release in 2002. No other Love was the sixth album in a solo career that began when California native ChuCk ProPhet split from GreeN oN red in 1990. GreeN oN red helped lead the way for the insurgent country of the 1990s, but on his own Prophet has grown far beyond the category. No other Love is maverick genre-bending in the manner of Beck and Jim White, and the stylistic variety suits Prophet’s compositions, peopled by crazed desperados and beautiful losers. The songs run the gamut from the raunchy horn-driven swagger of “That’s How Much I Need Your Love” to the stinging, pleading “Elouise,” where his ever-inventive guitar vies with Farfisa organ. Prophet enjoys spicing songs with pop culture references, but his wry humor is counterbalanced by a strong moral undertow in “I Bow Down and Pray to Every Woman I See” and the beautiful “Summertime Thing.” This is a Prophet with plenty of honor. This limited edition release will be pressed on red splatter vinyl. This release is being manufactured at MPO in France. Mastered for vinyl by Jason NeSmith - Chase Park. This release is limited to 4,000 copies worldwide VINYL SEL #: NW5579 CONFIG: Jacket, 1xLP, red SPLatter UPC: 607396557912 BOX LOT: 20 CouNt GENRE: aLterNative, SiNGer-SoNGwriter 6

07396 55791 2

ChuckProphet.com

NewWestRecords.com

H HOT OT W A AX X BESTSELLERS & MORE COURTNEY BARNETT THINGS TAKE TIME, TAKE TIME

GRANT-LEE PHILLIPS YULETIDE

MOM+POP *“ALL EYES ON THE PAVEMENT” BLUE VINYL

YEP ROC RECORDS *TRANSPARENT GREEN VINYL

IDLES CRAWLER

SNAIL MAIL VALENTINE

PARTISAN RECORDS

MATADOR

RADIOHEAD KID A MNESIA

THE NEW PORNOGRAPHERS MASS ROMANTIC

XL RECORDINGS

MATADOR *RED VINYL

CALVIN KEYS PROCEED WITH CAUTION (REMASTERED)

ADELE 19

REAL GONE MUSIC *INDIE EXCLUSIVE ORANGE & BLACK STREAKS VINYL

XL RECORDINGS

FLOATING POINTS, PHAROAH SANDERS & THE LONDON SYMPHONY ORCHESTRA PROMISES

JOHN ZORN NEW MASADA QUARTET TZADIK

LUAKA BOP

Check Out These Other Redeye Distributed Releases:

STEVE EARLE WASHINGTON SQUARE SERENADE

TOM TOM CLUB TOM TOM CLUB

NEW WEST RECORDS

REAL GONE MUSIC

ORDER FORM Street Date: 1.07.22 | Order Date: 12.17.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

749846825810

LP-SLR-258C2

Umbrellas, The

The Umbrellas (WHITE VINYL)

Vinyl

$12.00

$17.99

634457081130

CD-HCR-09

Rosenwinkel, Kurt

Kurt Rosenwinkel Plays Piano

CD

$10.65

$15.99

4250506840679

LP-NUDE-001C

Boy Harsher

Lesser Man (Extended Version) (LIGHT ROSE VINYL)

Vinyl

$14.00

$20.99

659457244217

LP-STH-2442

Dean, Jamael

Primordial Waters

Vinyl

$20.00

$29.99

659457246013

LP-STH-2460

Short, Silas

Drawing

Vinyl

$12.65

$18.99

5051083169103

CD-INV-258

Batkovic, Mario

INTROSPECTIO

CD

$8.65

$12.99

5056321640628

CD-LAUNCH-239

Gnod

La Mort Du Sens (INDIE EXCLUSIVE)

CD

$10.00

$14.99

5056321640611

LP-LAUNCH-239

Gnod

La Mort Du Sens (INDIE EXCLUSIVE)

Vinyl

$24.00

$35.99

727431747419

LP-ADR-037

Wyche, Daniel

Earthwork

Vinyl

$13.30

$19.99

5051083169943

CD-DFG-8827

Barr, Joe

Soul For The Heart

CD

$12.00

$17.99

5051083169967

LP-DFG-027

Barr, Joe

Soul For The Heart

Vinyl

$22.00

$32.99

5051083168618

CD-DFG-8825

King, Natalia M.

Woman Mind Of My Own

CD

$12.00

$17.99

5051083168632

LP-DFG-025

King, Natalia M.

Woman Mind Of My Own

Vinyl

$22.00

$32.99

5051083168175

CD-DFG-8824

Scales, Phillip-Michael

Sinner - Songwriter

CD

$12.00

$17.99

5051083168182

LP-DFG-024

Scales, Phillip-Michael

Sinner - Songwriter

Vinyl

$22.00

$32.99

5051083170529

CD-DFG-8828

Circle Of Mud

Circle Of Mud

CD

$12.00

$17.99

5051083170536

LP-DFG-028

Circle Of Mud

Circle Of Mud

Vinyl

$22.00

$32.99

798576035891

CD-RELIC-130

Silver, The

Ward of Roses

CD

$8.65

$12.99

634457068322

LP-GBR-131

Listless / Amygdala

Split (INDIE EXCLUSIVE)

Vinyl

$13.30

$19.99

5060918150148

SI-PRAH-043LE

Falle Nioke & Ghost Culture

Badiare EP (INDIE EXCLUSIVE, TRANSPARENT GREEN VINYL)

Vinyl

$10.65

$15.99

5060164959779

SI-PRAH-039LE

Pozi

Typing EP (TRANSPARENT SEA GREEN VINYL)

Vinyl

$10.65

$15.99

732003186398

SI-PTV-111LE

Marr, Nile

How We Drift

Vinyl

$6.65

$9.99

DEAL

ORDER FORM Street Date: 1.14.22 | Order Date: 12.24.21 QTY

UPC

ITEM#

ARTIST

TITLE

FORMAT

COST

SLP

887828046928

CD-WIG-469

Cat Power

Covers

CD

$9.30

$13.99

887828046911

LP-WIG-469

Cat Power

Covers

Vinyl

$16.00

$23.99

887828046935

LP-WIG-469LE

Cat Power

Covers (Indie Exclusive Gold Vinyl)

Vinyl

$18.00

$26.99

5054429152975

CD-ZEN-279

Bonobo

Fragments

CD

$9.30

$13.99

5054429152937

LP-ZEN-279

Bonobo

Fragments

Vinyl

$20.00

$29.99

5054429152944

LP-ZEN-279LE

Bonobo

Fragments (INDIE EXCLUSIVE RED MARBLED)

Vinyl

$21.30

$31.99

5054429152951

LP-ZEN-279X

Bonobo

Fragments (DELUXE, CRYSTAL CLEAR VINYL)

Vinyl

$30.00

$44.99

711574922314

LP-TLR-111C

Vile, Kurt and Steve Gunn

Gunn Vile (PURPLE VINYL)

Vinyl

$13.30

$19.99

5055869566070

CD-ZIQ-438

µ-Ziq & Mrs Jynx

Secret Garden

CD

$9.30

$13.99

5055869566063

LP-ZIQ-438LE

µ-Ziq & Mrs Jynx

Secret Garden (Ltd Green Vinyl)

Vinyl

$17.30

$25.99

677517015249

LP-CAK-152C

Ducks Ltd.

Get Bleak (FOREST GREEN VINYL)

Vinyl

$10.65

$15.99

191401174213

LP-OLE-1742

Gang of Four

Entertainment

Vinyl

$15.30

$22.99

809236161222

CD-FIRE-612LE

Dream Syndicate, The

What Can I Say? no regrets... Out of the Grey + live, demos & outtakes

CD

$26.65

$39.99

5053760073642

LP-RME-18LEC

White Denim

Crystal Bullets / King Tears (ORANGE & BLACK VINYL)

Vinyl

$16.65

$24.99

191404119112

LP-XL-1191IE

dvr

dirty tapes EP (INDIE EXCLUSIVE)

Vinyl

$12.00

$17.99

659457245917

LP-STH-2459

Kirby, John Carroll

Cryptozoo (Original Motion Picture Soundtrack)

Vinyl

$14.65

$21.99

5060845320676

LP-HOUND-155

Lotic

Water

Vinyl

$16.65

$24.99

5060845320782

LP-HOUND-155LE

Lotic

Water (INDIE EXCLUSIVE, MULTI-COLOR MARBLED VINYL)

Vinyl

$20.00

$29.99

812208014037

LP-EVE-063

Various Artists

Everloving vs. Evil

Vinyl

$17.30

$25.99

5053760080756

CD-JLR-50

Blood Red Shoes

Ghosts on Tape

CD

$10.00

$14.99

5053760080732

LP-JLR-50

Blood Red Shoes

Ghosts on Tape

Vinyl

$20.00

$29.99

5055869565998

LP-ZIQ-436

Relaxer

Concealer

Vinyl

$20.65

$30.99

5060180325169

CD-BWOOD-0261

Secret Night Gang

Secret Night Gang

CD

$8.65

$12.99

5060180325077

LP-BWOOD-0261

Secret Night Gang

Secret Night Gang

Vinyl

$13.30

$19.99

5060180325114

LP-BWOOD-0261LE

Secret Night Gang

Secret Night Gang (INDIE EXCLUSIVE)

Vinyl

$13.30

$19.99

5060180325107

SI-BWOOD-0260

Secret Night Gang

The Sun / Journey

Vinyl

$8.65

$12.99

9781916359826

BK-SOJR-506

Bramly, Sophie

Yo! The Early Days of Hip Hop 1982-84

Book

$33.30

$49.99

5026328703046

SI-SOJR-304

Carbo, Chuck & The Soul Finders

Can I Be Your Squeeze / Take Care Your Homework Friend

Vinyl

$14.65

$21.99

5026328702841

SI-SOJR-284

Explosions, The

Hip Drop

Vinyl

$14.65

$21.99

5026328703039

SI-SOJR-303

Barbarin, Marilyn & The Soul Finders

Reborn / Believe Me

Vinyl

$14.65

$21.99

7090008317142

CD-KAR-046

Airbag

Identity (remaster)

CD

$10.00

$14.99

7090008317135

CD-KAR-046X

Airbag

Identity (remaster) (DELUXE)

CD

$10.65

$15.99

7090008317159

LP-KAR-046X

Airbag

Identity (remaster) (2LP)

Vinyl

$20.00

$29.99

4250506838454

CD-SLANG-50358

Fazer

Plex

CD

$8.00

$11.99

4250506840815

LP-SLANG-50385

Fazer

Plex

Vinyl

$13.30

$19.99

4250506841522

LP-SLANG-50358LE

Fazer

Plex (INDIE EXCLUSIVE, CRYSTAL CLEAR VINYL)

Vinyl

$15.30

$22.99

195269123277

CD-MAHA-017

Sewelson, Dave

Smooth Free Jazz

CD

$9.30

$13.99

195269094157

CD-MAHA-013

Fowler, Chad & Christopher Parker

Park Hill Saudade

CD

$9.30

$13.99

634457081895

LP-EHSE-042

Feather, Neil

Instrumentory

Vinyl

$20.00

$29.99

SI-TIMR-738

Baby Cuffs, The

You’re My Reason b/w You’re My Reason (Instrumental)

Vinyl

$5.30

$7.99

5070000170534

LP-TUL-0002

Mhaol

Gender Studies

Vinyl

$8.65

$12.99

5060609664602

SI-TRU-419

Anushka

Bad Weather / STR4TA remix

Vinyl

$10.00

$14.99

634457062962

LP-WABB-100LE

Various Artists

WABB-100

Vinyl

$14.00

$20.99

630808829116

LP-WWR-4687

Palmer, Jason & Cedric Hanriot

City Of Poets

Vinyl

$24.65

$36.99

644110408242

CS-DDW-082LE

Goodbye Party, The

Stray Sparks

Cassette

$6.65

$9.99

DEAL

NEW RELEASES Street Date: 1.07.22 | Order Date: 12.17.21

The Umbrellas

Label: Slumberland Records

Catalog Number: SLR 258

Street Date: August 6, 2021

“The Umbrellas”

1. Lonely

2. Near You

3. Autumn

4. Happy

5. It's True

6. She Buys Herself Flowers

7. Pictures

8. Galine

9. Never Available

10. Summer

11. City Song

12. A.M. Territory: Worldwide

File Under: Alternative - U

RIYL: Heavenly, Comet Gain, Belle & Sebastian,

The Aislers Set, The Pastels, Orange Juice

The first pressing sold out almost immediately - now back in stock

January 7th! on white vinyl and CD. In stores December 10th!

LP UPC: 749846825810

Packaging: Vinyl LP with DL code.

New pressing on white vinyl.

Box Lot: 25

CD UPC: 749846025821

Packaging: Gatefold wallet

Box Lot: 30 7

49846 82581

0

7

49846 02582

1

The San Francisco bay area has long been an important outpost of the International Pop Underground, from the 90s heyday of The Aislers Set, #Poundsign# and The Fairways to the string of legendary popfests in the early 00s and more recently to a DIY pop resurgence with bands like The Mantles, Flowertown and The Reds, Pinks & Purples. Now we're very happy to welcome into this rich pop tradition The Umbrellas, who, after one well-received tape/single, are sure to dazzle with their new self-titled debut album.

Classic indiepop influences abound, from The Byrds to Orange Juice, The Pastels, Comet Gain and Belle & Sebastian, along with a noticeable garage-pop/Paisley Underground flavor that is a hallmark of San Francisco's best bands. Lead-off single "She Buys Herself Flowers" introduces us to a band that's both intimately conversant with indiepop history but also unburdened by it, a group with the song-crafting chops and spirit to take familiar elements and create for themselves a fresh new sound. The album goes from strength to strength, studded with pop gems like "Near You," "Lonely" and "Pictures" -- tunes that sound like classics from the first listen, as timeless and elemental as all great pop.

Contact: Stephen Svacina

email: stephen@redeyeworldwide.com

tel: 1.877.733.3931

KURT ROSENWINKEL PLAYS PIANO TRACKLISTING 1. Love Signs – 4:44 2. Music – 4:46 3. Lost Song – 4:38 4. Whispers of Love – 5:09 5. The Cross – 4:13 6. For Dad – 4:33 7. Cycle Five – 4:34 8. Hommage à Mitch – 5:00 9. Reassurement – 4:49 10. Heavenly Bodies – 6:00

The influence of Kurt Rosenwinkel's music can be readily observed on a global scale.

Whether in concert halls, basement jazz club wee-hours jam sessions, conservatory practice rooms, or radio station airwaves, Rosenwinkel's distinctive voice as a composer and guitarist has had an undeniable impact on music in the 21st century.

Here we have the composer playing his original songs on the instrument they were written on- the Piano. Many people will discover that Kurt Rosenwinkel is just as much a pianist as he is a guitarist and is able to conjure deep and beautiful realms of music on this instrument as well.

Heartcore Records heartcore-records.com info@heartcore-records.com

Street Date: Label: Genre: Format: Catalog No: UPC:

6

January 7 1 2022 Heartcore Records Jazz/Instrumental CD in Digipack CD-HCR-09 634457081130

34457 08113 0

877.733.3931 redeyeworldwide.com jeep@redeyeworldwide.com

Boy Harsher – Lesser Man Light Rosé Vinyl Limited Indie Retail Edition OUT: 07th January 2022

Artist: Boy Harsher Album: Lesser Man Release Date: 07th January 2022 Label: Nude Club Genre: Electronic, Goth, Alternative Indie Retail Vinyl Cat #: Nude001LR UPC: 4250506840679 PPD: EUR 15.00,Configuration: limited 140g light rosé vinyl, comes with insert sheet

4 250506 840679

Lesser Man (Extended Version) is the first release of Boy Harsher`s imprint, Nude Club Records, originally released on cassette by Soft Science in (2014), and Night People (2015). The album was reissued by the infamous Berlin goth label aufnahme + wiedergabe in Nov 2017 on 500 copies, and sold out in less than two weeks. Remastered by Thomas P. Heckmann at Trope Mastering, Lesser Man (Extended Version) includes the dark wave hit, “Pain” and the unreleased track “Run” which was recorded during the Lesser Man session. LP version includes digital download code + 2 bonus tracks: “Pain (radio edit)” and “Pain (The Soft Moon Remix.”

Pre Order Start: 19h October 2021 Selling Points: - Limited coloured vinyl edition / Indie Retail Only - Limited to 2000 copies worldwide - Includes two bonus tracks - Die-hard Fanbase - Extensive EU/US headline tour in 2022 Mock Up:

Tracklist 1. Lust 2. Modulations 3. Pain 4. Run 5. Crimea 6. Love 7. Spell Bonus1. Pain (The Soft Moon remix)** Bonus 2. Pain (Radio Edit)**

Socials & Stats:

FB: 23k / https://www.facebook.com/boyharsher/ IG: 12,8k / https://www.instagram.com/boyharsher/ Links: http://www.nudeclubrecords.com/ https://boyharsher.bandcamp.com/ http://boyharsher.com

STH2442 – Jamael Dean – Primordial Waters Key Selling Points

- Primordial Waters is Jamael Dean’s debut album on Stones Throw, following Black Space Tapes (2019) and Oblivion (2020) - The album brings together deep spiritual jazz & contemporary LA beats/hip-hop with stories from Jamael’s Yoruba heritage - Gatefold double LP. Cover photo by renowned photographer B+ (Brian Cross)

Description

Artist Title Cat # Label Genre UPC Formats Release Date

Jamael Dean Primordial Waters STH2442 Stones Throw Records Jazz, World 659457244217 Gatefold 2LP January 7th 2022

Tracklisting Side A 1. Èṣù 2. Odù Tó Dá Ìwà 3. Orí Apẹrẹ Side B 1. Ifá 2. Akoda Side C 1. Overstood 2. Ṣàngó Side D 1. Ọranmiyan 2. Galaxy In Leimert 3. Ọṣun

Primordial Waters sees the prodigiously talented young musician take his explorations in jazz and hiphop to new heights. Inspired by Orisha stories and Jamael’s Los Angeles roots, the album is heavily infused with Yoruba spirituality and celestial themes.

Several of the tracks interpolate traditional Yoruba songs and feature vocals from frequent collaborator Sharada Shashidhar. The album was mixed by Leaving Records’ Zeroh and mastered by Grammy Award-winning audio engineer and Low End Theory founder Daddy Kev. Jamael performed on Kamasi Washington’s 2018 album Heaven and Earth and has toured with Thundercat, Miguel Atwood-Ferguson and Carlos Niño. Extensive touring is planned for 2021 and 2022, including a residency at LA’s Gold Diggers, a double headline bill with Mndsgn at the Jazz Cafe, and several European jazz festivals and club shows in November 2021.

PR in key territories: UK, Germany, France, US Lead jazz review in MOJO, interview with Musikexpress and a session with Gilles Peterson Previous press and radio support: Loud and Quiet, Pitchfork, Clash, Uncut, Jazzwise, XLR8R, JAZZIZ, BBC 6 Music, BBC Radio 3, Jazz FM, KCRW + For fans of Sun Ra, The Comet is Coming, Kamasi Washington, Moses Boyd, Joe Armon-Jones, Nubya Garcia, Sons of Kemet, Alice Coltrane +

STH2460 Silas Short – Drawing EP

Key Selling Points - Singer and multi-instrumentalist Silas Short is the latest addition to the Stones Throw family - Drawing is Silas’ debut EP on the label - Artwork designed by Jeff Jank - Silas’ music is where soul and classic R&B meet. Reminiscent of D’Angelo and Erykah Badu, his musical compositions also channel a range of artists from Mos Def and Stevie Wonder to Radiohead and Björk

Description

Artist Title Cat # Label Genre UPC Formats Release Date

Silas Short Drawing STH2460 Stones Throw Records R&B / Soul 659457246013 LP January 7th, 2021

Tracklisting Side A 1. Cloudy June 2. TwO 3. ROOMS Side B 1. Drawing 2. Joint Identity 3. Queen of Paisley 4. BOGUS

Chicago-based Silas Short had a rough time growing up as a mixed-race child in the suburbs of Milwaukee, but he found solace and inspiration in music through his older brother who played drums for the church’s gospel band. After Silas shattered a bone in his left hand while delivering pizzas and was told by a doctor that he'd never play guitar again, he stuck through the pain and went on to develop a method of guitar playing he describes as "Liquid Style".

The seven pieces that make up Drawing are the product of Silas using the lockdowns of 2020 as an opportunity to discover his true sound. With his honest and vulnerable yet uplifting sound, Silas hopes to honour his biracial heritage and create a safe space for others like him.

PR and radio in the US, UK and key territories.

Press and radio support: Bandcamp, NPR, Clash, Okayplayer, KCRW, KEXP, BBC 1Xtra, BBC 6 Music, Jazz FM, FIP, Double J For fans of D’Angelo, Erykah Badu, Bilal, Jordan Rakei, Phoelix, Raphael Saadiq

Tracklisting

1. SANATIO (w/ Cantus Domus Choir) 2. REPERTIO (w/ Clive Deamer & MXLX) 3. CHOREA DUPLEX (w/ James Holden) 4. QUIS EST QUIS (w/ Colin Stetson) 5. SURROGATUM 6. PRIMORDIUM FINALE

Mario Batkovic INTROSPECTIO

INV258CD – CD – 5051083169103 – Box Lot: 25 INV258D – Digital Album– 5051083169110 INV258LP – LP + DL – 5051083169134 – Box Lot: 20

rd December 2021 7th January 2022 Release Date: 3 Mixing classical and contemporary sound, Mario Batkovic seeks to explore the sonic possibilities of the accordion, without effects or loops, rather through a mutualist symbiotic relationship between man and instrument. Challenging, hypnotic and grandiose; Batkovic’s symphonic vision is unique and he has received widespread critical acclaim, including Rolling Stone magazine who voted his self-titled debut album in the Top 10 ‘Best Avant Albums of 2017’ ‘INTROSPECTIO’ is a self-questioning, self-examination of society and the meaning of sound. Featuring collaborations with electronic sorcerer James Holden and former BEAK> member Matthew Williams aka MXLX, in addition to drummer Clive Deamer (Radiohead/Portishead/Robert Plant/Roni Size), saxophonist Colin Stetson and concert choir Cantus Domus, Batkovic questions the place of sound, clichés and prejudices, taking the listener on a journey through infinite universes of sound.

Musical contrasts run throughout the album. Sound aesthetics versus compositional ethics play out, it all about creation and destruction as our sound researcher creates his very own macrocosm of music and sound. Whether solo or in collaboration, ‘INTROSPECTIO’ invites us on a rhythmically pulsating trip somewhere .

Full UK Press / Online /Radio campaign by 9PR Further Marketing - Online / Socials marketing campaign . 3 x promo videos for singles.

Tourdates - 10/10/21 - Kesselhaus in der Kulturebraueri, 21/10/21 - Echolot Festival, Lucerne (CH)

Invada Records UK

Redg@invada.co.uk | Craig@invada.co.uk | Jamest@invada.co.uk www.invada.co.uk

Redeye Worldwide 505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com Label manager: Jeep Ward jeep@redeyeworldwide.com

GNOD - La Mort Du Sens Rocket Recordings LP

LAUNCH239LP 5056321640611

CD LAUNCH239CD 5056321640628 Wielding the taut, stripped-down and bludgeoning sound that had evolved on 2017’s ‘Just Say No The Psycho Right-Wing Capitalist Fascist Industrial Death Machine’ and 2018’s ‘Chapel Perilous’, Gnod initially recorded the tracks for ‘La Mort Du Sens’ around the Christmas period of 2019. Nonetheless, the arrival of the pandemic took the record on another course, adding to a turbulent and cathartic vitality that electrifies the likes of the caustic Melvins-in-hell assault of ‘Pink Champagne Blues’ and the post-punk angularity of ‘The Whip And The Tongue’ with a fearsome elemental charge Masters of an approach which manages to be both unmistakeable and unpredictable. Gnod are now well established as prophets of the dispossessed. ‘La Mort Du Sens’ is no less than another relentlessly invigorating stop off on their wild ride to who knows where. “Got No Obvious Destination, innit” 01. Regimental 02. Pink Champagne Blues 03. The Whip and the Tongue 04. Town 05. Giro Day

American Dreams Records DANIEL WYCHE EARTHWORK

“A lot of this record is about memory and long stretches of time - not just making, but remaking, constantly tinkering.” That’s Daniel Wyche - a Chicago-based guitarist, composer, improviser, and professor - whose new LP Earthwork has been a long time in the UISQVO LMXMVLQVO WV \PM R]UX W‫ ٺ‬XWQV\ Consisting of three pieces, one of which is a side-long composition, the LP synthesizes guitar music and instrumental soundscapes.

The result is a nuanced, cohesive collection inspired by family, loss, and legacy that falls in between Japanese environmental music, free jazz, and modern classical.

Was Home’ was very hands-on,” Wyche explains. “I gave controllers the audience to manipulate what we did in real-time. It was an attempt to have everyone involved in the music making.”

When he’s not involving others in musical collaboration, Wyche is considering them - on Earthwork, this crystallizes in meditations on family and childhood in working class New Jersey. “A lot of my family members are blue collar people,” he explains, “My dad and a lot of my uncles were builders, using their hands NWZ _WZS º ?aKPM PQU[MTN [XMV\ I [QOVQÅKIV\ portion of his youth at construction sites, shadowing his father, getting his hands dirty with the red clay and soil, or watching from afar as his uncles took on massive projects such as building a reservoir or a bridge. The title “Earthwork” comes from this lineage of shaping and transforming the ground.

“It becomes profound, visceral, earthy work - not just as creation, but in some sense as caregiving - in the example of the reservoir, you dig this big hole so that all these people can have water.” That image of a wellspring is central to the feelings Wyche sought to impart in his album.

Wyche is as community-oriented as they come, being part of organizations such as Chicago’s Elastic Arts and co-founding COVID relief initiatives like Experimental Sound Studio’s The Quarantine Concerts, but that ethos KIZZQM[ QV\W PQ[ U][QK \WW <PM ÅZ[\ [WVO WV Earthwork is titled “This Was Home,” and is a seventeen-minute testament to the meaning of place and the beauty of collaboration.

Recorded live at Experimental Sound Studio, the texturally-rich, atmospheric composition was performed with Wyche, Andrew Clinkman, and Michael Nicosia on guitar, Lia Kohl on cello, Ryan Packard on vibraphone, and featured the crowd on The Earthwork sessions began in earnest in MTMK\ZWVQK[ IVL ÅT\MZ UIVQX]TI\QWV ¹»<PQ[ J]\ \PM UIQV O]Q\IZ ZQ‫ ٺ‬NWZ \PM ITJ]U¼[

RIYL: Midori Takada, Godspeed You! Black Emperor, Terry Riley, Tom Carter, Dirty Three

American Dreams Records is a Chicago-based experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

Label Contact: Jordan Reyes jordan@american-dreams.zone

third song “The Elephant Whale-II,” the album’s shortest and catchiest number, was something Wyche came up with in high [KPWWT <PI\ TIX[M WN [QOVQÅKIV\ \QUM Q[ important to the album’s narrative - a lot can happen over the course of six years, let alone twenty. For Wyche, grappling with loss is at the forefront of the music. Over the recording of Earthwork, Wyche lost his grandfather and uncle, among other upheavals, events that became entwined in his music making. “I was editing audio as a spiritual exercise in the hotel room at my grandfather’s funeral,” he explains. “I was recreating, rebuilding from this standpoint of being drenched in memory and loss.” Family and memory are embedded in the music - sometimes literally, and at other times as compositional guides or muses. ¹1 KWV[QLMZ Ua[MTN IV QUXZW^Q[MZ ÅZ[\ IVL foremost,” Wyche explains, “so for a lot of this material, I found out what I was LWQVO _PQTM LWQVO Q\ º ?PI\ JMOIV I[ I ZQ‫ ٺ‬ in high school or a performance suddenly involved more people - engineers, labels, family members, the memories of family and NZQMVL[ <PM ]VM`XMK\ML ÆW]ZQ[PM[ QV M^MZa pocket, which - in many ways - mirrors the ITJ]U¼[ \PMUM[ ÅVLQVO []ZXZQ[M[ OZMI\ IVL terrible - as life progresses in its determined, undeterred path.

Label: American Dreams Records Release Date: 1/07/2022 11/12/2021 Cat#: 37 ADR Format: LP Barcodes: LP: 727431747419

LP

January 7th, 2022

FALLE NIOKE & GHOST CULTURE

BADIARE EP STREET DATE: 07 JANUARY 2022 LABEL: PRAH Recordings

Track listing 1.

2.

3.

4.

Leywole Jaarama Spiritually Ayekouma

LIMITED EDITION TRANSPARENT GREEN 12” VINYL:

CAT NO: PRAH043 UPC: 5060918150148

Following the release of his Marasi EP with sir Was last year, FALLE NIOKE returns with his second collaboration with Ghost Culture in the form of Badiare EP. FALLE NIOKE is a singer and percussionist from Guinea Conakry, West Africa. He sings in Coniagui, French, English, Susu, Fulani and Malinke, and plays a range of cultural African instruments to accompany his voice (gongoma, Bolon, Cassi).

Since arriving in the UK three years ago, after a period travelling around West Africa, singing with a troupe of musicians and learning different cultural rhythms, the 34 year old has been making music with a number of producers, including Johan Hugo, Congo Natty, Sir Was and Ghost Culture.

Collaborator GHOST CULTURE (James Greenwood)’s masterful use of electronics portray a beguiling musical landscape, one inspired equally by Arthur Russell and Elliot Smith as much as LFO or Aphex Twin. Nearly five years since its release via Errol Alkan’s Phantasy Sound label, his debut LP still proves to be a hugely satisfying and charismatic trip. Celebrated as Critic’s Choice in The Guardian Guide, it earned similar plaudits from outlets including The Observer, The Times, Mixmag and The Quietus, who hailed it as “one of the best and most confident debuts in years.” He continues to have a wide impact on the culture of UK electronic music, owing to his ongoing production work with artists such as Daniel Avery and Kelly Lee Owens.

POZI TYPING EP STREET DATE: 7 26JANUARY NOVEMBER 2021 2022 LABEL: PRAH Recordings

Track listing 1.

2.

3.

4.

5.

Detainer Man Free Day Typing Sea Song Cover It Up 6. First Thing

LIMITED EDITION TRANSPARENT SEA GREEN 12” VINYL: CAT NO: PRAH039 UPC: 5060164959779

The nightmare continues. Last summer, Pozi’s 176 EP came out just as the coronavirus pandemic was offering us its first false dawn. Fast forward twelve months and another devastating wave later, we’re still a disorientated, shellshocked mess; moving once again towards normality, but with the energy-sapping tension of continued restrictions. A grimly perfect time then for the south London three-piece to return with new EP ‘Typing’ on PRAH Recordings.

The five tracks here reflect another stage in Pozi’s evolution.

Since coming out of the gate they’ve been a bristling, frenetic presence, toeing the line between dissonance and pop sensibility. As the 176 EP was a refinement of what they did on PZ1, Typing sees the trio becoming yet more comfortable in their relationship as a band and increasingly confident in how far they can push their sound.

Typing isn’t a lockdown record, but it has been informed by it.

More importantly, though, it’s yet another significant step forward from a band who’ve so far felt like something of an underground secret, despite being championed by BBC Radio 6 Music and in various places by contemporaries such as Sleaford Mods, Squid and Sports Team. Once restrictions do finally lift, that may no longer be the case.

Live Dates 29 Oct - Newcastle, Bobiks 30 Oct - Leeds, Dark Arts 10 Nov - Nottingham, Bodega 13 Nov - Glasgow, Stag & Dagger 14 Nov - Sheffield, Yellow Arch 17 Nov - Tunbridge Wells, Forum 18 Nov - Cambridge, Portland Arms 19 Nov - Cardiff, The Moon 20 Nov - Birmingham, Hare & Hounds 21 Nov - Oxford, Fusion Arts Centre 24 Nov - London, The Lexington 25 Nov - Margate, Elsewhere 26 Nov - Southampton, Joiners 01 Dec - Brighton, Hope & Ruin 02 Dec - Reading, Face Bar 03 Dec - Leicester, Cookie 04 Dec - Manchester, Yes

NILE MARR How We Drift 7” Tracklist 01. How We Drift 02. Only Time Can Break Your Heart

UPC PTV-7S111 VINYL 7” EP Standard Jacket

7

Nile Marr is the son of Smiths guitarist and solo artist Johnny Marr. He was named for one of his father’s musical heroes, Chic’s Nile Rodgers.

Nile started out in the early stages of his craft a solo artist, then forming a duo and touring with American singer-songwriter Meredith Sheldon. He later went on to found the British Indie 3 piece Man Made. Though their constituent songs were written over a period of 6 years, They released their debut album TV Broke My Brain in 2016, alongside a formidable live reputation born out of a relentless DIY touring circuit. The album and shows developed a cult following among early fans.

32003 18639

Artist Release Title Release Date Label Catalog # Formats UPC Hometown Recorded In Similar To Box Lot No. Territory No. Tracks Duration

8

Nile Marr How We Drift 7” 01/07/2022 Park The Van PTV-7S111 Vinyl, Digital 0732003186398 (7”) Manchester, UK Manchester, UK REM, Johnny Marr, Ride 20 ct inners / 120 ct outers Worldwide 2 Tracks 5:54

In 2019 Marr created his own label, 'Oldham Street Records’ and released his debut solo album in 2020, titled Are You Happy Now? after returning to his hometown Manchester.

The album received acclaim from fans of the UK DIY indie scene and showcased Marr’s growth as an artist and guitar player. The vinyl pressing sold out on Bandcamp and at retail selling 1000 copies overall;. He has toured and worked extensively with German film score composer and record producer Hans Zimmer, Most notably performing alongside Pharrell Williams and Beyonce on the Lion King soundtrack. His influences include Broken Social Scene, Fugazi and Elliott Smith.

211 E Ocean Blvd. Suite 550 Long Beach, CA 90802 www.parkthevan.com parkthevan

505 Eno Street Hillsborough, NC 27278 877.733.3931 - redeyeworldwide.com Jeep Ward - jeep@redeyeworldwide.com

NEW RELEASES Street Date: 1.14.22 | Order Date: 12.24.21

CAT POWER COVERS

TRACKLISTING 1. Bad Religion 2. Unhate 3. Pa Pa Power 4. White Mustang 5. A Pair of Brown Eyes 6. Against the Wind 7. Endless Sea 8. These Days 9. It Wasn’t God Who Made Honky Tonk Angels 10. I Had A Dream Joe 11. Here Comes A Regular 12. I’ll Be Seeing You CATALOG NUMBER: WIG469 RELEASE DATE: January 14, 2022 FILE UNDER: Alternative “C” CD Boxlot: 30 UPC: 887828046928

180g heavyweight LP w/ DOWNLOAD Boxlot: 20 UPC: 887828046911

Vinyl is non-returnable

180g heavyweight LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828046942

Vinyl is non-returnable

DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com

OVERVIEW Cat Power returns with Covers, Chan Marshall’s third album of her celebrated reinterpretations of songs by classic and contemporary artists.

On Covers, Marshall reaches back to songs that have affected her from childhood to the present, connecting each with a deeply personal memory. She recalls her grandmother’s love for Billie Holiday’s “I’ll Be Seeing You” and finding a box of cassettes as a teenager that led her to discovering Kitty Wells’ “It Wasn’t God Who Made Honky Tonk Angels.” She remembers getting chills hearing Iggy Pop’s “Endless Sea” in the 1986 Michael Hutchence film Dogs in Space and being a broke artist in her twenties in New York City spending her last dollar to play the Replacements’ “Here Comes a Regular” on the jukebox at Mona’s. She recorded the Pogues’ “Pair of Brown Eyes,” which she calls one of her favorite songs of all time, after it reminded her of one friend who passed from cancer and turned to Bob Seger’s “Against the Wind” to help her heal from the loss of another.

Alongside covers of rock-and-roll icons from Nico to Nick Cave, Marshall brings her inimitable vocal power and elegant arrangements to songs by contemporary artists, capturing the defiance of Dead Man’s Bones’ “Pa Pa Power” and the dreaminess of Lana Del Rey’s “A White Mustang.”

And the album opens with a dazzling cover of Frank Ocean’s “Bad Religion,” of which she says, “I believe in whatever God is called… But I think that the wretched men that have come in history to implement horror on humanity in the name of these religions is something that should be looked at universally.”

Finally, Covers finds Marshall, an artist of constant evolution, reworking “Hate,” a song from her 2006 LP The Greatest on which she sang “I hate myself and I want to die.” Marshall says she has always felt “antsy” about the track and reimagined it as “Unhate,” a new version that looks back on the raw devastation of the original track in the rearview. “We all have bad days,” she says. “We all have shit, trauma, something. There are times when you feel like that. But I needed to make it right.”

Marshall self-produced all of Covers; it was recorded in Los Angeles at Mant Studios with Rob Schnapf, who mixed and engineered.

SELLING POINTS •

Cat Power’s catalog boasts 1M physical sales to-date in the US, 500k sold via Indies.

•

Early promo confirmations include Late-Night TV and a number of high profile press features to launch ahead of release.

•

All LP formats include a download card. Standard LP is pressed on 180g heavyweight vinyl.

LP (ltd) is a 180g heavyweight gold vinyl pressing.

BONOBO FRAGMENTS

Release Date: January 14th, 2022 Bonobo announces his seventh studio album "Fragments”. Available on standard 2LP, limited edition red marbled indie exclusive 2LP, crystal clear deluxe 2LP with lenticular sleeve and four prints, and CD. Bonobo will release new album Fragments, due on January 14, 2022 via Ninja Tune. Fragments is the most emotionally intense record that he - aka Simon Green has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fueled by both collaboration and Green’s escape into the wild.

One of the biggest names in dance music, Bonobo now boasts now boasts a global fan base of over 3.3M followers online, an incredible 1.3 billion+ streams and over 800,000 album sales. He has had 3 GRAMMY nominations and sold 2 million tickets for the tour supporting previous album Migration which also reached #1 on Billboard’s Dance album chart. A favorite mainstage performer at the world’s greatest music festivals and continually receives outstanding press coverage from the likes of Pitchfork, The Guardian, Stereogum,, THE FADER, Mixmag, Q, Wired, I-D, Clash and more.

Side A A1. Polyghost (feat. Miguel Atwood-Ferguson) A2. Shadows (feat. Jordan Rakei) A3. Rosewood Side B B1. Otomo (feat. O’Flynn) B2. Tides (feat. Jamila Woods) B3. From You (feat. Joji)

Side C C1. Closer C2. Age of Phase C3. Elysian Side D D1. Counterpart D2. Sapien D3. Day by Day (feat. Kadhja Bonet)

CAT NO: ZEN279 UPC: 5054429152937 Box Lot: 15

CAT NO: ZEN279D UPC: 5054429152944 Box Lot: 15

CAT NO: ZEN279X UPC: 5054429152951 Box Lot: 15

CAT NO: ZENCD279 UPC: 5054429152975 Box Lot: 15

￫ Standard edition double black 140g vinyl ￫ Featuring collaborations with Jamila Woods, Jordan Rakei, Kadhja Bonet & Joji ￫ Includes MP3 download code ￫ Limited edition double red marbled 140g vinyl ￫ Includes MP3 download code

￫ Deluxe edition double crystal clear 140g vinyl with lenticular sleeve & four art prints ￫ Includes MP3 download code ￫ CD with fold out poster booklet

Genre: Electronic Key Markets: Los Angeles, Chicago, New York City, Denver, Seattle, San Francisco, Dallas Recommended if you like… Caribou, Bicep, Floating Points, Four Tet, Tycho, Boards of Canada

naretail@ninjatune.net ninjatune.net

Kurt Vile / Steve Gunn (collaborative split LP)

OPAQUE PURPLE VINYL LP-TLR-111C Street Date: January 14, 2022 Format: LP (with Bandcamp download) UPC: 711574922314

KURT VILE SIDE: 1. Pretty Boy 2. Way Back Then 3. Red Apples for Tom Scharpling 4. NPR Reject STEVE GUNN SIDE: 1. 60/40 2. Spring Garden

SALES POINTS

Kurt Vile and Steve Gunn collaborated on record in 2015 for their contributions to Three Lobed Recording’s Parallelogram series. That previously ornate and limited title is now released in a non-limited format standing along and outside of that prior collection. The two artists, originally connected by mutual friends and geographic proximity, have long pushed the other’s continued artistic development.

Despite sharing many live stages over the years, this collaborative album represents the first time that the two have worked together in the studio. Vile’s side sees him recast tracks by John Prine (“Way Back When”) and Randy Newman (“Pretty Boys,” featuring some truly *electric* guitar flourishes from Gunn) as if they were KV originals. The theme of reinvention continues with Vile tearing through a solo banjo rendition of his “Red Apples” (originally from his God Is Saying This To You… LP), retitled here as “Red Apples For Tom Scharpling.” Gunn takes on a late period Nico track, “60/40,” and pulls a lysergic rocker out of the track’s goth-ish roots. The bulk of Gunn’s contribution is the epically winding “Spring Garden,” a track in the vein of some of his other long-form guitar excursions. Featuring signature contributions from Vile and Mary Lattimore, this hypnotizing cut is unmistakably a classic in Gunn’s catalog.

- This truly collaborative LP features both Vile and Gunn supporting the other and creates for an inspired, unique entry to both artist’s catalogs. Also features Mary Lattimore (piano, harp).

- A unique and popular title within the catalog of these two popular artists.

- 140g opaque purple vinyl LP housed within a traditionally styled matte jacket (including Bandcamp-enabled download coupon).

- 8.4 Pitchfork score upon original release.

- “…Kurt Vile pounds the piano keys through Randy Newman’s “Pretty Boy”, a song that’s a bar fight waiting to happen... (His) cover of John Prine’s gleefully apologetic “Way Back Then”, sounds carefree, temporarily leaving behind his cool for a moment as an earnest balladeer.” Grayson Haver Currin, Pitchfork - “…(Gunn’s) “Spring Garden” is a 10 minute fantasy… (that) reconciles both (his) past and present with… extended beauty. The trio delights in seemingly infinite refractions of a riff without distracting from Gunn’s soft-focus hook.” Grayson Haver Currin, Pitchfork

Three Lobed Recordings PO Box 2345 Jamestown, NC 27282 www.threelobed.com

Distributed by Redeye / 050 Eno Street / Hillsborough, NC 27277 / stephen@redeyeworldwide.com / (877) 733-3931 ext 249

µ-Ziq & Mrs Jynx Secret Garden PLANET MU RECORDS 14th January 2022

LTD. GREEN VINYL LP: ZIQ438.

BARCODE: 5055869566063.

BOX COUNT 25. 3MM SPINE CD. ZIQ438CD. BARCODE: 5055869566070.

BOX COUNT: 25.

In Spring 2021, Mike Paradinas (µ-Ziq and the owner of Planet Mu) spoke to long time friend and past label signing Hannah Davidson (Mrs Jynx) about the therapeutic power of writing music when times are tough. Both had recently been dealing with the loss of a parent due to cancer, and fresh from writing Scurlage, Paradinas suggested a collaboration.

“I’ve always thought Hannah’s melodic sensibilities chime well with my own," says Paradinas, "and I've wanted to collaborate with her for a long time, since [her 2010 album] 'Shark Carousel' in fact, because she'd written some melodies that I wish I had.”

In a matter of weeks the two collaborated online, sending stems back and forth, each encouraging the other and fitting perfectly together.

“After about ten days we had ten tracks we were happy with." adds Davidson, "It was exciting to hear what Mike would do with the stems I sent, and equally exciting to see what he thought of my additions to his stems.”

01 02 03 04 05 06 07 08 09 10

Jynxiq Unheard Melodies Hi Jynx Loss The Ballad Of Darth Vader Afternoon Sunshine Cocker Boo Philip Steak Hulo The Secret Garden

REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

Overall the result is an opus of deeply personal moments of grief, depicted in a feeling of serene, misty tranquility that makes it easy to get lost in. Davidson and Paradinas settled on the title 'Secret Garden' due to the melodic vista which unexpectedly opened up before them on the final track.

The album truly is a melodic exploration that is so often missed in this genre.

There are twists and turns in mood, from the pastoral loveliness of 'Jynxiq' and 'Unheard Melodies' which fall away to the dubby beats of 'Hi Jynx'; the sadness of 'Loss' leading into the beatless forlorn 'The Ballad of Darth Vader. The album ups the pace with the muffled kicks and warm atmosphere of 'Afternoon Sunshine', which sets the tone for the happier mood of the second half. This all leads up to the album's denoeument in final track 'Secret Garden' whose naïve meandering synth melodies, orchestral accompaniment and glockenspiel end the album in happy resolution.

PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / JILL WHEELER jillw@redeyeworldwide.com

CARPARK / JANUARY 14, 2022

DUCKS LTD. GET BLEAK

Toronto’s Ducks Ltd. will release an expanded re-issue of their debut EP, Get Bleak on May 21, 2021 via Carpark Records. Composed of friends Evan Lewis, on lead guitar, and Tom Mcgreevy, on vocals and rhythm guitar, the band built a reputation in their hometown for their bright, sinewy, guitar sound while sharing bills with artists like Rolling Blackouts Coastal Fever, Weyes Blood, The Goon Sax and Juan Wauters. The band initially released their debut EP under the name Ducks Unlimited, earning accolades from Pitchfork who praised the band’s “lilting, throwback jangle pop,” and acclaim from outlets like NPR, Paste, NME, Apple Music 1, and more. After signing to Carpark, the updated version of Get Bleak will be released with three additional bonus tracks, “Oblivion,” “As Big As All Outside,” and “It’s Easy.”

The opening track, “Get Bleak” sets a thematic tone for the EP, one of cultural self-awareness and satiric critiques of society’s pressures and the often ridiculous demands – and prices we pay – to exist. Chiming with breezy indie guitar sounds akin to those of Flying Nun and Sarah Records acts, the track, that features a contribution from Laura Hermiston of Twist, pokes fun at the idea that moving from city to city will fix the problems in your life. Following suit is “Gleaming Spires”, a track that zeroes in on the cities we live in and the push-pull relationships that we so often share with them. “Anhedonia”, via it’s tightly-wound rhythm and nostalgia-inked guitars, shifts focus to the times when one is unable to wring any joy out of the things that they find important in life.

Whereas the original tracks on the EP demonstrate the debut stylings of Ducks Ltd., the bonus tracks on the album serve as indications of their music to come later on Carpark Records. Bringing the band’s characteristic restless bounce, thoughtful lyricism and penchant for orchestration, the tracks explore topics like troubled friendships (“It’s Easy”), self-destructive desires (“Oblivion”), and living with decline (“As Big As All Outside”) while maintaining the balance of earnest selfreflection and humor that endeared audiences to the original release.

Full of the unbridled radiance of jangle-pop, the expanded re-issue of Ducks Ltd.’s Get Bleak celebrates the strength of their debut release while expanding their thematic and compositional horizons, and providing an intriguing glimpse of what’s to come.

HIGHLIGHTS • • • •

North American publicity by Pitch Perfect College/Non-Commercial radio by Terrorbird Digital playlisting & positioning by Terrorbird Sync licensing by Terrorbird

• • •

Reissued EP with three bonus tracks Music video available for “As Big As All Outside” Facebook boosted posts and targeted Instagram dark posts throughout campaign

REDEYE 505 Eno Street Hillsborough, NC 877-733-3931

DUCKS LTD. GET BLEAK CAK152 Street Date: January 14, 2022 File Under: Alternative/ Indie Rock LP (forest green vinyl) UPC 677517015249 Box lot: 25 DISTRIBUTION CONTACT jillw@redeyeworldwide.com

TRACKLISTING 1.

2.

3.

4.

5.

6.

7.

Get Bleak Gleaming Spires Annie Forever Anhedonia Oblivion As Big As All Outside It’s Easy

RIYL Alvvays Real Estate The Go-Betweens Rolling Blackouts Coastal Fever

ALSO AVAILABLE Modern UPC Modern UPC

Fiction LP 677517015812 Fiction CD 677517015829

carparkrecords.com

GANG OF FOUR

ENTERTAINMENT!

Gang of Four was formed in Leeds in 1976 by bassist Dave Allen, drummer Hugo Burnham, guitarist Andy Gill, and singer Jon King.

The band pioneered a style of music that inverted punk’s blunt and explosive energies — favoring tense rhythms, percussive guitars, and lyrics that traded in Marxist theory and situationism. They put every element of the traditional “rock band” format to question, from notions of harmony and rhythm to presentation and performance.

This original lineup of the band released two monumental albums, Entertainment! (1979) and Solid Gold (1981). A third, Songs of the Free (1982), was recorded with bassist Sara Lee replacing Dave Allen. After Songs Of The Free, Burnham departed the band and Andy Gill and Jon King continued on to release Hard in 1983. After this release, the band broke up. In 2004, the original quartet reformed for tour dates and released Return The Gift (2005).

Gill’s untimely death in February 2020 was cause for many to once again re-examine the group’s catalog and the legacy of these early releases was widely cited. Not only did Gang of Four’s music speak to the generation of musicians, activists, writers, and visual artists that emerged in the group’s immediate wake, but the generation after that. And the generation after that, even.

In the last few years, their songs have continued to resonate with and been sampled by artists far afield from “post-punk,” including Run the Jewels (“The Ground Below”) and Frank Ocean (“Futura Free”). Gang of Four’s legacy cannot be overstated.

Entertainment! has been remastered from the original tapes by Frank Arkwright at Abbey Road, with supervision by Jon King.

A1. Ether A2. Natural’s Not In It A3. Not Great Men A4. Damaged Goods A5. Return The Gift A6. Guns Before Butter

“As a kid, I stumbled upon a copy of Gang of Four’s Entertainment! accidentally and it went on to become one of the most influential records of my life as a producer, lyricist and fan of music in general. Their sparse, unorthodox, riff heavy guitars and nasty, funky, in-thepocket rhythm section drew me in, but it was their questioning of the world that kept me listening as I grew. I consider them a seminal band, whose influence and effect permeates the music world in a deeper way than many realize.

Thank you, Gang of Four, for existing.”

- EL-P (RUN THE JEWELS)

134 Grand St New York, NY 10013 United States (212) 995-5882

OLE 1742 - LP *non-returnable

B1. I Found That Essence Rare B2. Glass B3. Contract B4. At Home He’s A Tourist B5. 5.45 B6. Love Like Anthrax

191401174213

“For many, the music Gang of Four made during those years IS the sound of post-punk” – THE WASHINGTON POST “When I was 14, no album gave me more excitement than Entertainment! It was the first album that I wore out the vinyl grooves on. I learned the words and could “sing” along with it. Songs Of The Free and Solid Gold followed suit. Gill and King, along with Boon, McCulloch and Stipe, were rock gods for me.”

-BOB NASTANOVICH, PAVEMENT

RELEASE DATE: JANUARY 14TH, 2022 NON EXPORTABLE

505 Eno Street Hillsborough NC 27278 United States (877) 733-3931

dvr

dirty tapes ep STREET DATE: January 14th, 2022

12”LP: XL-1191-T File Under: Pop Vinyl non-returnable

TRACK LISTING LP A1 A2

dirty tapes stupid

B1 B2 B3

lowlife (with Kenny Beats) drugs tunnel vision

In less than a year, dvr has gone from a 16-year-old Scottish kid on the hunt for a cracked copy of Ableton, to an XL-signed artist collaborating with Kenny Beats at 17. As though A-Levels during a global pandemic weren’t enough to contend with, the prodigious singer, songwriter and producer has already self-released two EPs – tape_01 and u can call me dillon – both lo-fi gems full of frank lyrics and endless promise. “Lockdown was a creative renaissance,” he says. “It gave me all the time and resources to do exactly what I wanted: wake up every day and work on music.”

In September 2021, with high school out of the way, Dillon released “lowlife”, a downtrodden and relatable number made in collaboration Kenny Beats (Vince Staples, Dominic Fike). The track sits at the heart of the artist’s altogether grungier EP, dirty tapes. While the angsty sound is a natural progression from his demos, he admits that he was influenced by the post-Nirvana energy of his dad’s old band. He found some of their music during lockdown. “I thought it was incredible,” he recalls. The result documents the past year and a half of Dillon’s life – the ups and downs (but if he’s honest, mostly downs) of an unrelenting battle with both his physical and mental health. He’s feeling a lot better now and the future – with live music in the pipeline, probably his own – excites him. “I just want to make other people want to make music.” And when the world hears dirty tapes, in all its raw vulnerability, it’s certain to have the desired effect.

PRESS “The singer-songwriter’s tender balladry calls to mind Randy Newman or perhaps a more modern compatriot like Rex Orange County.” – FADER Mixing scruffy guitars with cavernous drums, “lowlife” is a slacker anthem for those of us cursed with self-doubt and a tendency towards introspection. – FADER

134 GRAND STREET, NEW YORK, NY 10013

WWW.XLRECORDINGS.COM

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

John Carroll Kirby – Cryptozoo: Original Motion Picture Soundtrack (STH2459) DESCRIPTION John Carroll Kirby brings his talents as a composer and producer to film scoring. His vivid imagination, dreamy compositions, and knack for storytelling with instrumental music make for a perfect match with comic book writer, artist and filmmaker Dash Shaw’s vibrant, fantastical animated feature.

Kirby’s score is at once deeply evocative and mysterious, evoking nostalgia, wide-eyed innocence, and ethereal otherworldliness. As with all of Kirby’s music, the score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music.

ARTIST TITLE CATALOG # LABEL GENRE FORMAT VINYL UPC RELEASE DATE

John Carroll Kirby Cryptozoo: Original Motion Picture Soundtrack STH2459 Stones Throw Records Soundtrack LP 659457245917 January 14, 2022

TRACKLIST 1. Luz Mala 2. Savage Cryptids 3. Gustav the Faun 4. Phoebe's Theme 5. Tenderfoot Pegasus 6. Joan 7. Mystic Brine 8. The Tower 9. Cryptozoo End Credits Theme

KEY SELLING POINTS - Cryptozoo: Original Motion Picture Soundtrack released digitally August 13, 2021. The film Cryptozoo is out August 20 in theaters and on demand.

- Featuring the voice talents of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause, Cryptozoo won the NEXT Innovator Award at Sundance.

- John Carroll Kirby debuted on Stones Throw with My Garden in April 2020. He has since released solo piano record Conflict and, most recently, Septet, which saw the LA visionary come together with a full ensemble for the first time, all to great acclaim.

- Press highlights for Septet and My Garden include acclaim from Pitchfork, Vice, LA Times, AllMusic, Tape Op, Hypebeast, The Fader, Flood, Flaunt, Office Magazine, BBC 6 Music, Nowness and many more - Kirby has collaborated with high-profile artists including Solange, Frank Ocean, Harry Styles, and Sebastien Tellier

A1 Wet A2 Emergency A3 Come Unto Me A4 Changes (feat. Julius Errol Flynn) A6 Always You B1 Apart B2 A Plea B3 Oblivious B4 Diamond

Artist: Title:

Format: Catalog No. UPC/EAN

1xLP (Blue Marbled) HTH155SE 5060845320782

Format: Catalog No. UPC/EAN

1xLP (Classic Black) HTH155 5060845320676

Format: Catalog No. UPC/EAN

CD HTH155CD 5060845320720

Lotic Water

Release date: 29th October 2021 (CD + Digital) 14th January 2022 (Both Marbled + Classic Black Vinyl)

J’Kerian Morgan, the artist known as Lotic will release her new album 'Water' on October 29th “This is the record I always wanted to write. This feels like my arrival as an artist.”

Water, for Houndstooth, is a stunning revelation; a tender meditation on love’s losses and lifeforce, timelines, bloodlines, and resilience. Arriving at the end of a period Morgan recalls as, “having to be adaptable, while being dragged through the trenches,” Water adds the haunting quality of siren song to a career already marked by its engaging emotionality.

To arrive at Water meant to become like water. Lotic dedicated two years to a deep, intentional process of surrendering to softness, welcoming impermanence, embracing intimate relationships with her environment and self. Yet, to embrace vulnerability is to welcome its totality.

Water is the complete embodiment of Lotic’s dedicated praxis; one which unpicks a certain narrative about corrosive angst and outlier musicality. Compositions curve around the sub bass of an 808, with vibrations and hums superseding clarity and separation.

Drums are softened to a powdery warmth, and each chapter unfolds as a symphonic sound poem. Heartful depictions of love relationships to others and the self, to ancestry and identity, are marked by stunning new expressions of ecstatic voices.

Water heals, and it harms. It can sharpen, scald or silently consume. Water is a conduit for human corruption, such as the wrenching cruelty of forced Middle Passage crossings, yet water remains a site of ritual and absolution, a source of constant renewal.

Mastered and cut by Matt Colton at Metropolis.

Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com

Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com

Michael Andrews Calculation Theme

originally by Metric from Old World Underground Where Are You Now?

Adam Topol Too Early originally by Dana Buoy from Ice Glitter Gold

Don Cavalli Dancing to the Radio originally by Adanowsky from ADA

Adan Jodorowsky & Xavier Polycarpe You’re Gonna Miss Me originally by The Jack Moves from Free Money

Jupiter & Okwess Sexy Plexi

originally by Jack Johnson from Brushfire Fairytales

Guy Blakeslee Mad World

originally by Michael Andrews ft. Gary Jules from Donnie Darko

Everloving vs. Evil is a collection of songs spanning our 20 year history, covered by artists who got their start or continue to record for the label.

Performers include France’s Don Cavalli, The Congo’s Jupiter & Okwess, Newark’s The Jack Moves, LA’s own Inara George and San Diego legend Michael Andrews playing the hidden hits of Metric, Jack Johnson, Adanowsky, Chris Darrow and others.

Everloving is not a punk label, a soul label, a dance label, a world label or even an indie label. We are an independent, fuck labels, champion.

Whether you’re from Honolulu, Kinshasa, Baltimore or San Diego. Paris, Stockholm or Tokyo or Chicago.

The Jack Moves Vitamin A

originally by Don Cavalli from Cryland

Piers Faccini Smile On

originally by Guy Blakeslee from Ophelia Slowly

Soft Palms Each Wave That Breaks

Yes, Everloving, Independent Champions.

The record you are about to hear is a testament to our belief in songs.

To the trust we have in artists. But also to the trust they have in us. And each other.

Because Everloving vs Evil.

Everloving Records: Courtney Knopf courtney@everloving.com

originally by Piers Faccini from Tearing Sky

Four AM Take Good Care of Yourself

Redeye Worldwide: Lori Miller Lori@redeyeworldwide.com

originally by Chris Darrow from Chris Darrow

Dana Buoy Amor Sin Fin

originally by Adanowsky from Amador

Inara George See Me Plain

Andy and JP on tour with Jack Johnson supporting Ben Harper. 2001

originally by Michael Andrews from Hand on String (elgonix*)

8

12208 01403

LP-eve063

7

Download Card!

Obi Wrap!

File Under: Pop/Rock Export: Worldwide Box Lots: 25 LP

Relaxer Concealer LABEL:

PLANET MU RECORDS LTD. STREET DATE:

14th January 2022

VINYL 2xLP: ZIQ436.

BARCODE: 5055869565998.

BOX COUNT 25. 3MM SPINE

Daniel Martin-McCormick, formerly known as Ital, now known as Relaxer returns to Planet Mu.

Side A:

Let The Walls Drip (ft. Kahee Jeong) Mello Side B:

Narcissus By The Pool The Dusk Singers Traps And Lures Side C:

Excision In Androgyne Island Life (ft. Emilie Weibel) Helical Phase Secreting Side D:

Twins Concealer

REDEYE WORLDWIDE 505 ENO STREET, HILLSBOROUGH NC 27278, USA redeyeworldwide.com 877.733.3931

His new album ’Concealer’ “was made in a very private way.” McCormick describes the process as being akin to “peering into materials - the materials defined the record.

Rather than making a record that's about an emotion, or a political scenario, or the dance floor, or the empty dance floor, or any narrative, this record was about communing with the materials and letting them speak to me. When I say the materials, I mean synth sounds, the space of aggressive digital processing inside the computer, and the formal structures of dance music.”

Daniel is well aware of how he’s been viewed as “both inside and outside of dance music” but notes that people are missing the full picture – “there's this third dimension, which is not necessarily tethered to dance music at all. That's maybe my way of hearing.

Or the co-resonance with raw materials.” Informed by formal composition studies with electronic pioneer Morton Subotnick and Ben Vida, Concealer began to take shape. “I had this strong feeling that the tracks were these floating sound objects, and I was peering into an empty center point which they orbited around. The center point of empty/radiating emotional resonance... the materials took on a resonance that I responded to while I was working. It's only after the fact that the emotional contour of the album became apparent.”

The cover featuring a work by visual artist and Black Dice member Bjorn Copeland is a big clue to the sound of the record. Relaxer notes that it reflects “this open, airy material squeezed and wrestled into a contorted shape, suspended in air with an empty center.

That's exactly how the album felt. In this sense I wanted to take myself out of it, to let the materials bloom into their own shape, guided by my hand but not defined by my intellect or any market concerns.”

Martin-McCormick thinks of the sounds on the album as “primarily just… resonant. I mostly hear resonant transience. Sounds disappearing into a field, or being obscured, or crumbling, or being subsumed. Loss.” Daniel continues “emotional resonance... that feeling that art echoes your emotional reality without narrowing it to a single mood. The mood is more like... the reality of one's personhood, reflected in the abstraction of sound.”

The album drifts towards some hyper digital sounds and marks Daniel’s return to using a computer in collaboration with hardware. Combining the ultra-artifice of the digital and its glossy, pure surface qualities, Daniel comments that it “gives the sounds this sickly, shiny dimensionality which is a little (a lot?) un-human. This decoupling from the human-ness of sound means the sounds can speak in their own special way. Of course, all sounds can speak in their way, but a vivid, digital, melty synth speaks in a way that feels more autonomous, or less tied to historical/encultured musical gestures. It hovers in the air and melts and glides. It's a little gross.”

His return to Planet Mu has been long overdue. It's been almost ten years since his album ‘Hive Mind’ (under the alias Ital) dropped on Mu, and this new record should be seen as an expansion and deep development of some of the ultra-artificial, hybrid digital contortions of dance music that McCormick started with on ‘Hive Mind.’ Welcome back.

PLANET MU RECORDS WWW. PLANET.MU TWITTER.COM/PLANETMURECORDS DISTRIBUTION: REDEYE / JILL WHEELER jillw@redeyeworldwide.com

Artist: Release: Cat No: Announce: Release Digital: Release Physical: 3D LP Cat No: 3D LP Barcode: LP Cat No: LP Barcode: CD Cat No: CD Barcode:

SECRET NIGHT GANG SECRET NIGHT GANG BWOOD0261 1st OCTOBER 2021 22nd OCTOBER 3rd DEC 2021 / 14th JAN 2022 (USA) BWOOD0261LP 5060180325114 BWOOD0261LPN 3D Vinyl: 5060180325114 5060180325077 BWOOD0261CD 5060180325169

CD: 5060180325169

Vinyl: 5060180325077

Brownswood Recordings are proud to present the newest addition to the family, Manchester natives, Secret Night Gang, releasing their stellar, eponymous debut album digitally on October 22nd 2021. The physical will follow early 2022 with a limited run of 500 3D Artwork LPs available worldwide.

Handpicked by Gilles Peterson from Manchester’s vibrant live music community, and newly signed to Brownswood, 2021 is set to be the main stage for them to breeze on to the scene. Founded by singer/song-writer Kemani Anderson, multi-instrumentalist and songwriter Callum Connell and Manchester music scene stalwart, Stuart Whitehead they were

Jeep Ward Label Manager T. 877-733-3931 x225 redeyeworldwide.com

“ Incredibly complete music, tight arrangements and with far reaching musical ambition” Gilles Peterson “ Secret Night Gang’s burst of positive musical and life energy is a cathartic antidote to the troubles of the last year.” Colleen ‘Cosmo’ Murphy

encouraged by their music teacher, Tom Burford, (aka Rhythm Section’s Contours) to start attending jam nights like ‘Jam Street’ and ‘Matt and Phreds’. Later, the band expanded to include veteran drummer and guitarist Myke Wilson and Jack Duckham; coming together to carve out their own lane, a real celebration of exceptional songwriting and musicianship. A multi-generational band breathing new life into the classic British street-soul sound.

Brownswood Recordings 29A Brownswood Road London N4 2HP

JOSEF CLARK LABEL & SYNC COORDINATOR E: JOSEF@BROWNSWOODRECORDINGS.COM WWW.BROWNSWOODRECORDINGS.COM

Artist: Release: Catalogue No: Announce: Release: 12” Barcode:

SECRET NIGHT GANG THE SUN / JOURNEY BWOOD0260N 14 DECEMBER 2021 14 JANUARY 2022 5060180325107 Vinyl: 5060180325107

Brownswood Recordings present this Double A Side 12” vinyl by Secret Night Gang, featuring outstanding tracks ‘The Sun’ and ‘Journey’, available in stores on 14th January 2022.

‘The Sun’ was inspired by a poem written by Callum Connell at the top of Greenwich Park viewpoint looking over the infamous London cityscape as the sun set. Inspired by four bass chords flowing like a stream of consciousness, Callum’s poem sprung to life, with the melody being polished and refined by Kemani on keys and vocals. ‘Journey’ captures the essence of new wave Jazz Funk with its infectious joyful bassline, dynamic melodies and striking brass accents prominent throughout. Spreading that

Jeep Ward Label Manager T. 877-733-3931 x225 redeyeworldwide.com

“A gorgeous piece of crepuscular street soul.”

CLASH on ‘The Sun’ “Incredibly complete music, tight arrangements and with far reaching musical ambition” Gilles Peterson

uplifting vital soul sound, transcending space and time, inviting you into the effervescent world of Secret Night Gang.

Secret Night Gang were handpicked

by Gilles Peterson from Manchester’s vibrant live music scene. Newly signed to Brownswood, 2021 is set to be the main stage for them to breeze on to the scene, as a multi-generational band breathing new life into the classic British street-soul sound, founded by singer/song-writer Kemani Anderson, multi-instrumentalist and songwriter Callum Connell.

Brownswood Recordings 29A Brownswood Road London N4 2HP

JOSEF CLARK LABEL & SYNC COORDINATOR E: JOSEF@BROWNSWOODRECORDINGS.COM WWW.BROWNSWOODRECORDINGS.COM

Soul Jazz Books presents

YO! The Early Days of Hip Hop 1982-84 Photography by Sophie Bramly th

14 January 2022 Yo! The Early Days of Hip-Hop 1982-84 is a new book published

by Soul Jazz Books/Records that features 300+ pages of stunning photographs documenting the rise of hip hop in the early 1980s, taken by French photographer Sophie Bramly.

Featuring: Fab Five Freddy Futura Afrika Bambaataa Grand Mixer D.ST Beastie Boys Kool Herc Run DMC Cold Crush Brothers Rocksteady Crew Grandmaster Flash and many more!

INTRODUCTION BY: Bill Adler

Sophie Bramly lived in New York during this period and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip hop figures, all of whom were only just getting known or in their ascendency.

These include Kool Herc, Afrika Bambaataa, Grandmixer DST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, RunDMC, Beastie Boys and many more.

Bramly knew that hip hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: the emcees, the deejays, the graffiti artists and the break dancers.

Here you will see legendary graffiti artists captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and break dancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew.

Sophie Bramly is a French photographer born in 1959. In 1982, she moved from France to New York at age 22 and for two years documented the burgeoning hip-hop scene, taking pictures of everyone from graffiti artists and breakdancers to rappers such as the Beastie Boys and Run-DMC. She returned to France in 1984, bringing a number of US hip-hop artists to Europe and then in 1987 moved to London to host and produce MTV’s first ever hip-hop show, Yo! MTV Raps.

She currently lives in Paris and her work is featured extensively at Hip-Hop 360, a six month long exhibition showing at the prestigious Philarmonie de Paris, France (Dec 21–Aug 22).

Redeye contact: Jeep Ward 877-733-3931 x225 jeep@redeyeworldwide.com

“All these photos speak for a time that is so special, is never coming back and changed the world. It’s pretty much this experience that changed everything forever. What makes it amazing, is that you hear stories about superheroes that changed the world, and that was us.” Grand Mixer D. St WITH ADDITIONAL TEXT BY: Fab Fab Freddy, Grand Mixer D. St, Rahiem of The Furious Five, Arthur Baker, Zephyr, Muhamad of The Magnificent Force, Lady Pink, Mister Freeze of The Rock Steady Crew, Patti Astor & Slick Rick

“One of the curious facts about hip-hop’s history is how little photographic documentation exists of the culture’s early years.

Come the dawn of the Eighties, a handful of talented photographers finally began to pay attention, most notably Henry Chalfant, Martha Cooper, and Joe Conzo. In retrospect, it’s clear that each of them focused on a particular element or two of the multiform explosion of creativity that came to be called hip-hop. Henry zeroed in on graffiti. Martha devoted herself to graffiti and breakdancing. And the heart of Joe’s work documents the career of the Cold Crush Brothers. Uniquely Sophie Bramly, unlike the others, managed between 1982 and 1984 to put her arms around all four of the hip-hop elements: the emcees, deejays, graffiti artists, and breakdancers.”

Bill Adler from the introduction Title: Yo! The Early Days of Hip Hop 1982-84 Author: Photography by Sophie Bramly Publisher: Soul Jazz Books / Cat. No. SJR506 ISBN: 978-1-9163598-2-6 Format: Flexibound, 224x284mm, 304pp, 1.75kg

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SOUL JAZZ RECORDS PRESENTS

CHUCK CARBO & THE SOUL FINDERS Can I Be Your Squeeze Take Care Your Homework Friend 7” Single

3rd December 2021 14th January 2022 One of three MONSTER New Orleans Funk 45s released by Soul Jazz Records only ever exclusive available on their site on LONG out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag!

Chuck Carbo’s Can I Be Your Squeeze, backed with Take Care Your Homework Friend are two of the most infectious break-heavy funk party tunes you will ever hear, written and produced by the legendary Eddie Bo and featuring the awesome syncopated drums of the phenomenal New Orleans drummer James Black.

Release Date:

3rd December 2021

Artist:

Chuck Carbo & The Soul Finders

Title:

Can I Be Your Squeeze / Take Care Your Homework Friend

Tracks:

A: Can I Be Your Squeeze B: Take Care Your Homework Friend Soul Jazz Records

Label:

Format:

7” Single, Cat. No: SJR304-7 UPC: 5026328703046

!

Also available on Soul Jazz Records: Marylin Barbarin & The Soul Finders - Reborn / Believe Me SJR303-7 UPC: 5026328703039 The Explosions – Hip Drop SJR284-7 UPC: 5026328702841

Jeep Ward 877-733-3931 x225 jeep@redeyeworldwide.com 5 026328 703046

No shipments outside of North America.

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! ! !

SOUL JAZZ RECORDS PRESENTS

THE EXPLOSIONS Hip Drop 7” Single

3rd December 2021 14th January 2022 One of three MONSTER New Orleans Funk 45s released by Soul Jazz Records only ever exclusive available on their site on LONG out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag!

Seminal New Orleans party funk classic tune of all time! Featuring the phenomenal vocals of Juanita Brooks, the writing and production skills of Eddie Bo and the drums of James Black, the tightest funk drummer in the world! An absolutely stone-cold BOMB TUNE! Release Date:

3rd December 2021

Artist:

The Explosions

Title:

Hip Drop

Tracks:

A: Hip Drop (Part 1) B: Hip Drop (Part 2) Soul Jazz Records

Label:

Format 1:

7” Single, Cat. No: SJR284-7 UPC: 5026328702841

! !

Also available on Soul Jazz Records: Chuck Carbo & The Soul Finders – Can I Be Your Squeeze / Take Care Your Homework Friend SJR304-7 UPC: 5026328703046 Marylin Barbarin & The Soul Finders - Reborn / Believe Me SJR303-7 UPC: 5026328703039

Jeep Ward 877-733-3931 x225 jeep@redeyeworldwide.com

5 026328 702841

No shipments outside of North America.

!

! !

SOUL JAZZ RECORDS PRESENTS

MARILYN BARBARIN & THE SOUL FINDERS Reborn / Believe Me 7” Single

3rd December 2021 14th January 2022

One of three MONSTER New Orleans Funk 45s released by Soul Jazz Records only ever exclusive available on their site on LONG out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag!

Surely one of the TUFFEST New Orleans Funk tunes ever made! The intensity of Marilyn Barbarin’s vocals are only matched by the super-tightness of Eddie Bo’s Soul Finders that accompany her – superb New Orleans wah-wah funk, locked in and in the pocket! A SUPERB Eddie Bo production, with original copies starting at £500!

Release Date:

3rd December 2021

Artist:

Marilyn Barbarin & The Soul Finders

Title:

Reborn / Believe Me

Tracks:

A: Reborn B: Believe Me Soul Jazz Records

Label:

Format 1:

7” Single, Cat. No: SJR303-7 UPC: 5026328703039

! !

Also available on Soul Jazz Records: Chuck Carbo & The Soul Finders – Can I Be Your Squeeze / Take Care Your Homework Friend SJR304-7 UPC: 5026328703046 The Explosions – Hip Drop SJR284-7 UPC: 5026328702841

Jeep Ward 877-733-3931 x225 jeep@redeyeworldwide.com 5 026328 703039

No shipments outside of North America.

Karisma Records Nygårdsgaten 2 5015 Bergen Norway www.karismarecords.no post@karismarecords.no

Band: Airbag Title: ”Identity (remaster)” Label: Karisma Records Catalogue no: KAR046CD2 / KAR046CDD Barcode: 7090008317142 / 7090008317135 Format: CD / Ltd Digisleeve CD Release: Tracklist: 1. Prelude 2. No Escape 3. Safe Lime you 4. Steal My Soul 5. Feeling Less 6. Colours 7. How I Wanna Be 8. Sounds That I Hear

Following in the series of remastered, top end re-issues of Norwegian prog act Airbag’s catalogue, we are thrilled to present you Identity – their acclaimed 2009 debut album.

Identity was the debut album from Oslos biggest prog band – Airbag.

Airbag has created their own, unique sound with elements of classic and progressive rock, chill and jazz, influenced by artist from a wide range of genres, from Pink Floyd and Porcupine Tree to Talk Talk, Radiohead and Marillion (Steve Hogarth era).

The album comprises eight songs with Airbag’s unique sound of classic progressive rock blended with scenic soundscapes, epic guitars and soulful vocals – as legendary Classic Rock Magazine said: “prog at its most chilled, honeyed and soothing”.

“Identity” has been remastered by Jacob Holm-Lupo (White Willow, The Opium Cartel, + + +), and is finally made available on vinyl again – in a special limited deluxe version with a 12 page booklet and die-cut sleeve.

Airbag has managed to create a loyal fan base from all over the world, and their latest studio album “A Day at the Beach” has already been pressed in more than 13.000 copies.

Identity Line-up: Asle Tostrup - vocals Bjørn Riis - guitars & vocals Jørgen Hagen - keyboards Anders Hovdan - bass Joachim Slikker - drums

DISCOGRAPHY

“Identity” (CD / Vinyl, Karisma Records, 2009) “All rights removed” (CD / Vinyl, Karisma Records, 2011) “The greatest show on Earth” (CD / Vinyl, Karisma Records, 2013) “Disconnected” (CD / Vinyl, Karisma Records, 2016)

SELLING POINTS:    

Debut album from Norway’s progressive masters Airbag All versions are remastered For fans of Pink Floyd, Porcupine Tree, Talk Talk and Anathema Ads in all relevant press

Band websites: www.airbagsound.com Label website: www.karismarecords.no Promo player: https://promo.theorchard.com/rwuPgKzdkTLBjKvTBoMR For interviews, info & promo material, contact Karisma Records and Martin Kvam: e-mail: post@karismarecords.no / tel: +47 95 74 92 19

FAZER PLEX RD: 14

th

January 2022

Munich quintet Fazer are set to release their third album ‘Plex’ on City Slang in 2022. Moving freely between composition and improvisation, the band’s spacious, organic sound pitches lyrical melodies from guitar and trumpet over double-drummer polyrhythmic grooves and dub-like basslines.

Coming from different musical backgrounds ranging from bebop to electronic, Fazer met while studying jazz at the Academy for Music and Theatre in Munich. The German city has a rich history of improvised music; home to labels ECM (Keith Jarrett, Chick Corea, the Art Ensemble of Chicago, Steve Reich) and Enja (Archie Shepp, Eric Dolphy, Freddie Hubbard, Elvin Jones) and Krautrock icons Embryo.

Today much of the scene in Munich revolves around Radio 80000, an online community radio station located in the east of the city. There, dedicated diggers like Karl Hector (Now-Again) or Marvin & Valentino of Public Possession are doing regular shows and it’s this diversity that drives the band’s DNA.

Band: FAZER Album: Plex Release Date: 14th January 2022 Label: City Slang Genre: Jazz

Selling Points:

CD Digipak Cat #: Slang50358 UPC: 4250506838454 Configuration: CD Digi Sleeve

Timeline:

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LP Vinyl Cat #: Slang50358LP UPC: 4250506840815 Configuration: black vinyl, download code

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LP LIMITED EDITION – Indie Retail only Cat #: Slang50358X UPC: 4250506841522 Configuration: Limited crystal clear vinyl edition, download code, Sticker Sheet

4 250506 841522

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Third album release, first album on City Slang Jazz music inspired by Experimental Pop music a la Talk Talk, Afrobeat a la Fela Kuti or Krautrock a la Can and Dub-Techno from Rhythm & Sound Limited Indie Retail Edition (crystal clear vinyl), comes with Sticker Sheet Download code

08.09. Single 1 „Grenadier" – video preview: https://www.youtube.com/watch?v=W1H1c9LEmA4 Two more digital singles pre album release

Social Media: Spotify followers 20,287 Instagram 1,899 https://www.instagram.com/fazer_fazer_fazer/ Facebook 1,624 https://www.facebook.com/fazerbookofficial/ Spotify Monthly Listeners - 88,500 Top 5 Countries - USA, Germany, Australia, Netherlands, Canada

Playlist Highlights: Late Night Jazz / Spotify - 1,874,761 Butter / Spotify - 663,992 State of Jazz / Spotify - 490,068 OFF POP / Spotify - 420,954 Good Morning Jazz / Spotify - 285,566 Tracklist:

A1. Ghazal (00:02:15) A2. Thea (00:04:52) A3. Dezember (00:04:41) A4. Grenadier (00:05:15) A5. Morning (00:03:33) B6. Prague (00:03:49) B7. Cuentro (00:06:14) B8. Jaculysses (00:04:00) B9. Fannie's Theme (00:01:50) B10. Cycle (00:04:13) B11. Nago (00:03:57)

Dave Sewelson Smooth FreeJazz

Mahakala Music (mahakalamusic.com) - MAHA-017 // CD&DL available 12/31/2021

UPC: 195269123277

Smooth jazz has always seemed like a contradiction in terms. The idea that jazz, a musical gift to America from black people that includes revolutionary concepts of cooperative improvisation and trust, could have its edges beveled and the thrill of spontaneity muted and made “safe”, would be like taking the revolution out or revolutionary and just leaving the airy. Smooth FreeJazz is a creative display of this dichotomy by contrasting a smooth center with a fiery edge. Who better to lead the way than Dave Sewelson, one of the oldest members of New York’s Downtown Scene. Instead of music being a shag rug on the floor with the scent of air freshener, we see that it's a dirt floor with a strong wind through the window. This release has the best of Smooth and the best of Free combined to make us tap our toes on the ground and nod our heads in the clouds.

Dave Sewelson – Baritone Saxophone, Voice Mike Neer – Lap Steel Guitar Dave Hofstra – Bass Bernice “Boom Boom” Brooks – Drums Track Listing: 1.

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Nature Boy Song Moth Moment Bill Nature Boy Reprise

lori@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

Chad Fowler & Christopher Parker

Park Hill Saudade

Mahakala Music (mahakalamusic.com) - MAHA-013 // CD&DL available 1/14/2022 1/7/2022 UPC: 195269094157

Growing up in North Little Rock, Arkansas, pianist Christopher Parker and Saxophonist Chad Fowler lived one block away from each other. As teenagers they each immersed themselves in improvised music, only to meet and realize their geographic and creative proximity just before graduating high school and heading off to college. As fate would have it, the two both ended up at the University of Memphis where they continued what would become a multi-decade musical collaboration.

Their combined musical collaborations include the likes of Rufus Reid, Brian Blade, Frank Lowe, Alvin Fielder, Kidd Jordan, Willam Parker, Ivo Perelman, Matthew Shipp, Daniel Carter, Jaimie Branch and many others.

Recently, the two have appeared on a number of records in larger formats including Parker’s commissioned No Tears Suite, Nothing But Love, a celebration of the works of Frank Lowe, and their group Dopolarians’ Garden Party (featuring Kidd Jordan and Alvin Fielder) and The Bond (featuring grammy winning percussionist Brian Blade)

Chad Fowler - saxophone Christopher Parker – piano Track Listing: 1.

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Longing Forgetting Dreaming Mourning Remembering Honoring Processing Celebrating

lori@redeyeworldwide.com redeyeworldwide.com 505 Eno Street Hillsborough, NC 27278

NEIL FEATHER

Release Date: 1-14-2022

Instrumentory

Neil Feather has invented more than ten families of experimental musical instruments since 1970.

Made from flywheels, springs, strings, magnets, motors, flywheels, pendulums and bowling balls, the instruments are mechanical physics experiments for the purpose of creating new music.

Two LPs and a color booklet illuminate the breadth of these Instruments and the diversity of musicians around Baltimore's Improvised music scene. All of the pieces here are improvised duets with Neil Feather and one of eleven other musicians.

Sides A and B were recorded in 3 days in October 2018 at The Red Room in Baltimore MD. Neil was a founding member of the Red Room and most of the musicians have a close relationship with the collective. The musicians are Kristen Toedtman - vocals, Susan Alcorn - pedal steel guitar, Eric Franklin - theremin, Stewart Mostofsky - electronics, Rupert Wondolowski - vocals, Rose Hammer Burt baritone sax, Sam Burt - Daxophone, and Nicole Mazarakis - contraption

Side C is duets with Neil and Rosie Langabeer as Popular Organ Fun Party.

Rosie plays a 1974 Baldwin electric organ with a rhythm machine and a Mighty Wurlitzer theater organ.

Side D features THUS, a long standing project with John Berndt that used the invented instruments of Neil Feather, John Berndt and others 1993-2010. Track 5 is a duet with Jason Willet electronics.

Neil Feather works at the slippery point of being at once creator and archaeologistspectator; producing a vast accomplishment that the world did not ask for, does not know what to do with, and cannot swallow. And this, of course, relates directly to the mystery of being.

—John Berndt, pandemic, 2020

SIDE A 1. Wup Wup Brlrlrlrlrlrlg Watsaboyatu (1:30)

2. Sure! (1:15)

3. Babadubow (0:53)

4. Flap Jack Salamander (4:39)

5. Friction Sled (4:46)

6. Tomo (2:42)

7. Shelter? (3:59)

SIDE C 1. Trippin in the Chapel (6:33)

2. Twirling Hepcats (3:03) 3. Two To Tutu Too (2:46)

4. Old Yeller (1:30)

5. Ghost Psychiatrist (4:47)

SIDE B 1. Exactly Too Much and Not Enough (2:05)

2. Q and A (1:15)

3. People Are a Living Structure Like a Coral Reef (1:57)

4. That Spot on the Floor Insists (2:37)

5. Waxed Crinoline (2:49)

6. Ideas Come From The Ocean

(1:57) 7. Gaping Maw (3:12) 8. New Job (3:23) SIDE D

1. THUS Ordinate (1:50)

2. Vibrokicks. vibrowheels (3:18)

3. THUS Potrzebie (4:28)

4. THUS ordinate (5:08)

5.

Popcorn. (3:41)

www.neilfeather.com

...whirling oscillators, party organs, shimmering metal curves, and wiggling, the unspoken question “what the fuck is that?”

Catalogue Number: LP EHSE 042 Format: Double LP Box Set UPC:634457081895

M(h)aol Gender Studies Released 14 Jan 2022 Catalogue #: TULLE0002LP Format: Single Vinyl LP UPC: 5070000170540 PR: amy@prescriptionpr.co.uk

Tracklist

1. Gender Studies 2. Desperation 3. Kinder Bueno (Vinyl Only) 4. Laudries 5. No One Ever Talks To Us 6. Óró Sé do Bheatha Bhaile Gender Studies it the debut EP from Irish Post-Punk band M(h)aol, for release on 29th October digitally, and then a 12” vinyl on 14th January via indie label TULLE which champions underrepresented voices in music.

Gender Studies was recorded in just 3 days, and covers topics such as violence against women, the misogynistic music scene in Ireland and the UK, and trying to navigate life when you're not a cis straight white man.

On the EP, lead vocalist Róisín says, “Gender studies weaves past & present in an exploration of how the construct of gender shapes our lives. From feeling like you're not performing your gender right to the way it shapes how we move through the physical, sexual & romantic sphere it marries urgent lyrics with a threatening yet (blank) sound.” “it transforms the knowable notes of post-punk into politically charged rhythms and sounds that resist the status quo” - Louder Than War “The Dublin post-punk outfit are pushing forward in this fight for justice and deserve to be heard, their message ringing out loud and clear” - So Young

Distributed exclusively by Redeye

505 Eno Street Hillsborough NC 27278

info@tullecollective.com

Jill Wheeler

tullecollective.com

jillw@redeyeworldwide.com

TRACK LISTING WABB 100 -Track Listing: A1: Peace Flag Ensemble - Hilma af Klint in Ab A2: New Age Doom & Lee "Scratch" Perry -Step in Space A3: BLK JKS - Mme Kelapile A4: Lammping -Lammping B1: Beach Body - Walking Holiday B2: Electric Looking Glass - Don't Miss The Ride B3: Limblifter - Up For Walkin' B4: The Lemons - How Do You Do B5: Dany Laj and the Looks - Heartbreak Town

CATALOGUE ID: WABB-100 FORMATS: Vinyl (Black)

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We Are Busy Bodies eric@wearebusybodies.com I wearebusybodies.com

505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com

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JOSH ROUSE The Holiday Sounds of Josh Rouse (First Edition) CD Catalog #: CD-YEP-2673x UPC: 634457267329 Packaging: Gatefold 2xCD Wallet | Box Lot: 40 Territory: Worldwide | SRP: $15.99

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HIGHLIGHTS: ☛ First Josh Rouse Holiday album ever

☛ All Original Songs ☛ “First Edition” CD and LP come with bonus disk with three holiday classics, including a cover of Mariah Carey’s “All I Want For Christmas,” + three demo versions of album tracks.

☛ “First Edition” LP on red vinyl

TRACKLISTING

JOSH ROUSE

THE HOLIDAY SOUNDS OF JOSH ROUSE AVAILABLE NOW!

10% OFF CD - 10% OFF LP First Edition CD and LP feature bonus disk with three holiday classics, including a cover of Mariah Carey’s “All I Want For Christmas,” + three demo versions of album tracks

LIMITED EDITION RED VINYL Josh Rouse never planned on making a holiday record.

“I was never a holiday record kind of guy,” he laughs. “Growing up, I remember hearing Vince Guaraldi and Bing Crosby and all the staples everybody listens to each winter, but I never collected Christmas music or anything like that.”

It makes sense, then, that ‘The Holiday Sounds of Josh Rouse’ isn’t your typical yuletide collection. Written off-and-on over the course of the last ten years, the record is joyful and festive of course, but, much like the holiday season itself, it’s also laced with an undercurrent of longing and melancholy. For every playful portrait of giddy lovers on New Year’s Eve, there’s a stranded traveler spending Christmas alone; for every slick St. Nick in a suit and sunglasses there’s a lonely ex-pat waiting by the mailbox for cards that never seem to come. The arrangements are eclectic and intoxicating, drawing equal influence from Rouse’s Midwestern childhood and his decade-and-a-half spent living in Spain, and the performances here are sparkling and fizzy to match, blending jazz sophistication with rootsy sincerity and sly crooner charm. The result is a holiday record built for the long haul, a wholesome, whip smart collection that’s guaranteed to stay with you well after the snow has melted and all the decorations have come down.

“I decided that if I was going to make a holiday record, I didn’t want to load it up with sleigh bells and choirs and sing the same old standards that everybody else has already sung,” says Rouse. “I wanted to write something that folks hadn’t heard before, something they could listen to year-round.”

1. Mediterranean X-Mas 2. Red Suit 3. New York Holiday 4. Easy Man 5. Sleigh Brother Bill 6. Lights of Town 7. Letters in the Mailbox 8. Heartbreak Holiday 9. Christmas Songs Bonus Tracks: 1. All I Want For Christmas (Mariah Carey Cover) 2. Up On The Housetop 3. Let It Snow 4. Red Suit (Demo) 5. Easy Man (Demo) 6. Heartache Holiday (Demo)

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“It was Nick (Lowe) that opened my eyes to how great holiday records could actually be,” says Rouse. “He showed me that you don’t have to be sappy or sentimental with it, that you can be yourself and put your own stamp on the tradition.”

Rouse had already begun experimenting with his own holiday songs, writing a Christmas-themed tune or two every December just for the fun of it, but he’d never really considered recording or releasing them. Sometimes he’d perform the tracks live around the holidays; sometimes he’d sing them to get a laugh from his kids; sometimes he’d save them as voice memos on his phone and forget that they even existed. By the fall of 2018, though, Rouse realized he’d written more than enough material for a record, and, inspired by Lowe, he headed into Nashville’s Alex The Great studio for a four-day whirlwind of a session produced by longtime friend and collaborator Joe Pisapia (Guster, Ben Folds Five).

“We recorded everything, even my vocals, live in just a couple takes,” says Rouse, who cut the album with the same group of musicians that backed him on ‘1972.’ “I’d give the guys some hints and direction here and there, but we work so well together that very little needed to be said. I was smiling after every performance.”

“I approached writing these songs like I was soundtracking a film,” Rouse explains. “I was trying to bring all these little holiday scenes around the world to life with humor and heart.”

Distributed exclusively by Redeye 505 Eno St, Hillsborough NC, 27278

In that sense, the album fits seamlessly into Rouse’s catalog, just the latest chapter in an extraordinary career built on transportive, empathetic storytelling and rich, cinematic production. “This season brings the best of me,” he sings on “Easy Man.” ‘The Holiday Sounds of Josh Rouse’ is proof of that.

INFO@YEPROC.COM | YEPROC.COM 336-578-7300

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Perry Harrell Senior Label Manager AMYL AND THE SNIFFERS COMFORT TO ME ATO BIRDS OF MAYA VALDEZ Drag City BREMER/MCCOY NATTAN Luaka Bop DRY CLEANING NEW LONG LEG 4AD ENDLESS BOOGIE ADMONITIONS No Quarter HOWLIN RAIN THE DHARMA WHEEL Silver Current SILVER SYNTHETIC SILVER SYNTHETIC Third Man SKEE MASK POOL Ilian Tapes CONNIE SMITH THE CRY OF THE HEART Fat Possum ALAN VEGA AFTER DARK In The Red

Staff PICKS 2021 Christie Coyle Senior Account Representative DRY CLEANING NEW LONG LEG 4AD KUČKA WRESTLING LuckyMe ANDY STOTT NEVER THE RIGHT TIME Modern Love GROUPER SHADE Kranky SKEE MASK POOL Ilian Tape JULIE DOIRON I THOUGHT OF YOU You’ve Changed MDOU MOCTAR AFRIQUE VICTIME Matador AMYL AND THE SNIFFERS COMFORT TO ME ATO CLAUD SUPER MONSTER Saddest Factory

Alex Riggs Warehouse Associate LOW HEY WHAT Sub Pop RICHARD DAWSON/CIRCLE HENKI Weird World DANIEL ROMANO’S OUTFIT COBRA POEMS You’ve Changed MOOR MOTHER BLACK ENCYCLOPEDIA OF THE AIR ANTIKENDALL :3 DIRT self released BACKXWASH I LIE HERE BURIED WITH MY RINGS AND MY DRESSES Ugly Hag DANIEL BACHMAN AXACAN Three Lobed THE BODY I’VE SEEN ALL I NEED TO SEE Thrill Jockey THEY MIGHT BE GIANTS BOOK Idlewild LAMBCHOP SHOWTUNES Merge

Charlie Painter Business Affairs Manager ENDLESS BOOGIE ADMONITIONS No Quarter WEDNESDAY TWIN PLAGUES Orindal Records CORY HANSON PALE HORSE RIDER Drag City MAXINE FUNKE SEANCE A Colourful Storm MDOU MOCTAR AFRIQUE VICTIME Matador MIND MAINTENANCE MIND MAINTENANCE Drag City TONSTARTSSBANDHT PETUNIA Mexican Summer DUMMY MANDATORY ENJOYMENT Trouble in Mind NALA SINEPHRO SPACE 1.8 Warp DIALECT UNDER ~ BETWEEN RVNG Intl

Staff PICKS 2021 Mark Oates Bulk Shipping Supervisor KOWLOON WALLED CITY PIECEWORK Gilead Media CONVERGE & CHELSEA WOLFE BLOODMOON: I Epitaph GOAT GIRL ON ALL FOURS 4AD TOMAHAWK TONIC IMMOBILITY Ipecac Recordings CLOUD NOTHINGS THE SHADOW I REMEMBER Carpark Records QUICKSAND DISTANT POPULATIONS Epitaph EMMA RUTH RUNDLE ENGINE OF HELL Sargent House DRY CLEANING NEW LONG LEG 4AD FAILURE WILD TYPE DROID Failure Music FIDDLEHEAD BETWEEN THE RICHNESS Run For Cover Records

Tim Jones Label Manager MEGA BOG LIFE, AND ANOTHER Paradise of Bachelors TOPDOWN DIALECTIC III Peak Oil LOVESHADOW S/T Music For Memory BLACK DICE MOD PRO SIC FourFour NITE JEWEL NO SUN Gloriette MADTEO HEAD GONE WRONG BY NOISE Honest Jon’s CHRIS SCHLARB & CHAD TAYLOR TIME NO CHANGES Big Ego THE ARMED ULTRAPOP Sargent House ULLA LIMITLESS FRAME Motion Ward HTRK RHINESTONES Blueberries

Sarah Schmader Account Representative BLACK COUNTRY, NEW ROAD FOR THE FIRST TIME Ninja Tune THIRDFACE DO IT WITH A SMILE Exploding In Sound FEMI AND MADE KUTI LEGACY+ Partisan VIAGRA BOYS WELFARE JAZZ YEAR0001 ORQUESTA AKOKÁN 16 RAYOS Daptone SHARON VAN ETTEN EPIC TEN Ba Da Bing!

DRAKE CERTIFIED LOVER BOY OVO LINGUA IGNOTA SINNER GET READY Sargent House SQUID BRIGHT GREEN FIELD Warp MDOU MOCTAR AFRIQUE VICTIME Matador

Staff PICKS 2021 TJ Mundy Warehouse Associate HAYLEY WILLIAMS FLOWERS FOR VASES/DESCANSOS Atlantic IDK USEE4YOURSELF Clue/Warner Records HIPPO CAMPUS GOOD DOG, BAD DREAM Grand Jury Music DOJA CAT PLANET HER Kemosabe/RCA Records SILK SONIC AN EVENING WITH SILK SONIC Aftermath Entertainment/Atlantic Records

Chris DeBono Warehouse Associate AESOP ROCK & BLOCKHEAD GARBOLOGY Rhymesayers Entertainment AMYL AND THE SNIFFERS COMFORT TO ME ATO BAT FANGS QUEEN OF MY WORLD Don Giovanni THE BRONX BRONX VI ATO CHUBBY AND THE GANG THE MUTT’S NUTS Partisan DJ ABILITIES PHONOGRAPH PHEONIX Rhymesayers Entertainment HOMEBOY SANDMAN ANJELITU Mello Music Group FOO FIGHTERS MEDICINE AT MIDNIGHT RCA / Roswell Records NAS KING’S DISEASE II Mass Appeal Records SURFBORT KEEP ON TRUCKIN’ Inner Freak Records

Fergus Denham International Sales & Marketing FEARS OICHE Tulle NICK CAVE & WARREN ELLIS CARNAGE Goliath LOW HEY WHAT Sub Pop PJ HARVEY WHITE CHALK DEMOS Island PJ HARVEY IS THIS DESIRE DEMOS Island PJ HARVEY STORIES FROM THE CITY, STORIES FROM THE SEA DEMOS Island PJ HARVEY IS THIS DESIRE DEMOS Island DRY CLEANING NEW LONG LEG 4AD SONS OF KEMET BLACK TO THE FUTURE Impulse SUNBURNED HAND OF THE MAN PICK A DAY TO DIE Three Lobed

Staff PICKS 2021 Lukas Dicker Warehouse Associate JONNY GREENWOOD SPENCER Mercury KX GODSPEED YOU! BLACK EMPEROR G_D’S PEE AT STATE’S END! Constellation SQUID BRIGHT GREEN FIELD Warp SNAPPED ANKLES FOREST OF YOUR PROBLEMS The Leaf Label KOEOSAEME ANNALUS Orange Milk MADLIB SOUND ANCESTORS Madlib Invazion GALLUS MAG GALLUS MAG General Manager CLOUD NOTHINGS THE SHADOW I REMEMBER Carpark DARKSIDE SPIRAL Matador PROLAPS ULTRA CYCLE Hausu Mountain

Antonio Velarde Replenishment Coordinator SQUID BRIGHT GREEN FIELD Warp Records BLACK MIDI CAVALCADE Rough Trade Records RACHIKA NAYAR OUR HANDS AGAINST THE DUSK NNA Tapes DEAFHEAVEN INFINITE GRANITE Sargent House THE BEACH BOYS FEEL FLOWS: THE SUNFLOWER & SURF’S UP SESSIONS 1969-1971 Capitol Records AFRIQUE VICTIME MDOU MOCTAR Matador Records SOUND ANCESTORS MADLIB Madlib Invazion SIERRA FERRELL LONG TIME COMING Rounder Records JOHN HOPKINS MUSIC FOR PSYCHEDELIC THERAPY Domino Recording KAREN BLACK DREAMING OF YOU (1971-76) Anthology Recordings

Sam Thorn Inventory & Replenishment Supervisor JET JONESZ DRIFT self released JET JONESZ VAPORIZER self released MEN I TRUST UNTOURABLE ALBUM self released SUFJAN STEVENS & ANGELO DE AUGUSTINE A BEGINNER’S MIND Asthmatic Kitty LITTLE SIMZ SOMETIMES I MIGHT BE INTROVERT AGE 101 FLOATING POINTS / PHAROAH SANDERS PROMISES Luaka Bop AROOJ AFTAB VULTURE PRINCE New Amsterdam EL MICHELS AFFAIR MEETS LIAM BAILEY EKUNDAYO INVERSIONS Big Crown JOGGING HOUSE HOLDS self released DAVID CORDERO QUIET MUSIC FOR INSOMNIACS self released

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