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RELEASEDATES:11. 20. 26/11. 27. 26 |ORDERS DUEBY 10. 23. 26/10. 30. 26

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Redeye Label of the Month Q&A Learn more about our partners in our Monthly Label Spotlight!

This Issue: Rob Collins and Martin Goldschmidt at Cooking Vinyl

How did you personally get started in the music industry? Rob - I wrote letters to anyone I could think of and miraculously Island Records invited me to interview for a job in the post room, that I got. This was 1979! MG - As a political activist I was inspired by rock against racism and decided to set up the equivalent for the anti nuclear (CND and environmental) movement called No Nukes Music. When and where did the label begin? MG - My first label started in 1982 when I couldn’t get anyone to release a single of a band I was working with (Akimbo) and so I set up my own label (Forward Sounds International) and released it. Pete Lawrence joined in 1986 and this morphed into Cooking Vinyl. What is the meaning behind the name for the label? MG - After a bottle of finest scotch malt whisky the name made complete sense to us??? How has the label changed since it started? Rob - Small when I started in 1999 and not accustomed to success. Now we aim high on everything we do, and with Exceleration involved, there isn’t a limit. MG - When we started we got lucky with our 2nd release with Michelle Shocked, Texas Campfire Tapes. We made every mistake in the book. 40 years later we have learnt how to run a label successfully. How would you describe your overall ambitions and goals as a label from when you first started compared to now? MG - Started off to support artists, and make great music available. We still do this but have added making a profit to this list… How would you describe the average fan of the label? Rob - Someone who loves great music I suppose, although that’s very subjective MG - We are too diverse to have an “average fan.” Not sure if we have any fans? Where do you go to search for new music? Who or what has been a new find (on the label or otherwise) you’d like to rave about? Rob - I get sent a lot of music and I love discovering music, usually on Spotify as that is my preferred DSP. I was blown away by Katherine Priddy’s voice when her manager sent that to. We’ve made 2 albums with her that I’m very proud of. We know you can’t choose, but what’s been your favorite label release, and why? Rob - The Prodigy - Invaders Must Die. Changed the trajectory of the label. MG - Agreed What’s the wildest marketing promotion you’ve ever worked on for any release? Rob - Brass d****s for Psychic TV. MG - Magic mushroom tea for the Poisongirls.

If you had the budget, what would be your dream “outsidethe-box” or “crossover” marketing campaign? Rob - Burn a million pounds! MG - Put a £20 note in every CD sold. What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released? Rob - I embrace it. My favourite packaging that we done recently is an Orb box set in a wrap around hexagonal sleeve that opens up like a flower. MG: All of our Alan Parsons Project Box Sets are pretty special. How do you feel about the rising costs of vinyl records? And what about the continued popularity of the CD format? Rob - We just follow the economics but try to keep vinyl prices competitive with other indies. MG - We sell tons of CDs so long live the CD! What in your opinion has been the biggest change in the music industry from when you first started compared to now? Rob - First streaming and now AI. MG - Now anyone can get their music distributed - gatekeepers are gone. How do you view the issue of being environmentally sustainable within the music industry? Rob - It’s a difficult one but we work with suppliers that help us do that. We support Music Declares Emergency. MG - We 100% support these campaigns. Just 36 fossil fuel companies produce over half the world’s CO2. Saudi Aramco alone accounts for around 4.3% of global emissions — more than any single entity on the planet, more than most countries. Scientists have now directly linked Aramco, with Gazprom, Exxon, Shell, BP and Chevron, to specific deadly heatwaves that would otherwise have been “virtually impossible.” So when we talk about the heat dome, we can name names. My point isn’t that personal choices don’t matter. It’s that “we all need to do our bit” can’t be the headline when a dozen corporations and an unaccountable, unreported military sector — including the wars our own governments fund and arm — are driving so much of this. That’s where the campaigning needs to be. How important are issues like mental health and social justice to you and the label? Rob - They are are important to me personally so I hope that’s reflected in the label as well. MG - Ethics are more important than profit. Want to shout out a personal favorite record store or retail establishment? Now’s your chance: Rob - Rough Trade in London. I’ve been buying records from them since 1976. I bought “Anarchy in the UK” from them when it came out on EMI. They say our sun will explode in about 5 billion years or sohow would you like the label to be remembered? Rob - I hope we’re not forgotten and are able to leave some kind of legacy or cultural footprint. MG - Fondly remembered.

jackCelebrating garratt . cowboy junkies. billy bragg. the 40 Years of Cooking Vinyl prodigy. the alan parsons project. the proclaimers. suzanne vega. cracker. gipsy king the orb. katherine priddy. calum beattie. blue. the darkness. 47SOUL. the rifles. shed seven. sophie ellis bextor. alison moyet. del amitri. ub40. elles bailey. Fratellis. gun. isobel campbell. the jesus and mary chain. larkin poe the pretty reckless. razorlight. skerryvore. royksopp. the subways. tanita tikaram. the view camper van beethoven. rOSIE fRATER-tAYLOR. SAM LEE. WILLY MASON. FANTASTIC NEGRITO. THE WATERBOYS. RON SEXSMITH. PUNK ROCK FACTORY. A. NEWTON FAULKNER. THE MISSION. JAMES MORRISON. DEACON BLUE. MARTHA WAINWRIGHT. tHE zombies.

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Singin’ to an Empty Chair

Thank you for your support of the new Ratboys record, Singin’ to an Empty Chair. The reaction to this record has been phenomenal and the praise keeps coming in. If you missed it, the band’s Tiny Desk performance is out now alongside a digital deluxe of the album featuring covers by PUP, Ducks Ltd., Wild Pink, Free Range, and Bad Bad Hats, plus Ratboys’ own cover of the Marked Men’s “Fix My Brain” from a SiriusXM session. The hardest working band in the business is always on tour, so if you’d like to see a show just let us know! -Caroline Barfield, Director of Physical Sales

Restock coming in September...

Praise for Singin’ to an Empty Chair ROLLING STONE’S BEST ALBUMS OF 2026 SO FAR PITCHFORK’S BEST MUSIC OF 2026 SO FAR #2 CONSEQUENCE’S BEST 33 ALBUMS OF THE YEAR SO FAR BILLBOARD’S 50 BEST ALBUMS OF THE YEAR SO FAR “The Chicago band has never sounded better, or more true to itself than on Singin’ to an Empty Chair.” - Pitchfork “Singin’ To An Empty Chair is about as good as American indie rock gets.” - Stereogum “Ratboys at their best.” - NPR Music “Ratboys are experts in making the simplest rock songs sound vast and atmospheric.” Variety

100 Acre Wood Indie Exclusive LP

“A remarkably moving experience.” - MOJO “Their best yet.” - Brooklyn Vegan

Sel. #: NW7066LP CONFIG: 2xLP, 3 sides, 4th side etching, gatefold + 2 printed sleeves + sticker, Brown and Green Marbled Vinyl UPC: 607396706617 • Box Lot: 20 Count Genre: Alternative, Indie

“Ratboys’ sixth album is a rare, bracing look at that no-mans-land—an album that lets emotional maturity be the thing with teeth.” - Paste

Also Available...

8/10 - Line of Best Fit

Vinyl

Sel. #: NW5959LP CONFIG: 2xLP, 3 sides, 4th side etching, gatefold + 2 printed sleeves + sticker, black vinyl UPC: 607396595914 • Box Lot: 20 Count Genre: Alternative, Indie

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Sel. #: NW6619SCD CONFIG: wallet, insert, sticker, AUTOGRAPHED UPC: 607396661909 • Box Lot: 30 Genre: Alternative, Indie **Shared with New West D2C

ratboysband.com

“Ratboys have earned their seat at the top table.” - 4.5 stars - DIY 4 stars - Far Out UK

Tiny Desk

Ratboys’ NPR Tiny Desk concert is out now! “Not many bands can pull off an eight-minute rocker at the Tiny Desk, “ said NPR, “For more than 15 years, the members of Ratboys have honed their craft and earned the space to stretch out.” It features performances of the epic “Black Earth, WI,” from 2023’s alsostunning The Window plus Singin’ To An Empty Chair’s “Penny In The Lake” and “What’s Right?”

Singin’ to an Empty Chair (Digital Deluxe)

Singin’ to an Empty Chair (Digital Deluxe) out September 18th featuring Ratboys’ cover of Fix My Brain (SiriusXM Session) by The Marked Men, and Empty Chair covers by the following artists: •Strange Love (Wild Pink) •Know You Then (PUP) •Light Night Mountains All That (Ducks Ltd.) •What’s Right? (Free Range) •Anywhere (Bad Bad Hats)

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NEW RELEASES Street Date: 11.20.26 | Order Date: 10.23.26

Long before streaming services, podcasts, or even the compact disc, there was Tellus—a radically ambitious publication that imagined recorded sound as an exhibition space. Founded in 1983 in downtown New York, Tellus transformed the humble audio cassette into a magazine, commissioning and publishing new works by musicians, composers, visual artists, poets, writers, choreographers, and performers who were reshaping the boundaries of contemporary art. Each issue invited listeners into a world where no wave, industrial music, spoken word, Fluxus performance, electroacoustic composition, downtown pop, conceptual art, and avant-garde experimentation could coexist on equal footing. For Earth Libraries, restoring Tellus represents a continuation of the label's commitment to preserving overlooked musical histories. Working from the original cassette masters, every recording on TELLUS: The Audio Cassette Magazine Anthology Vol. 1 has been carefully restored and newly mastered, preserving the warmth, immediacy, and character of the original releases while making them accessible to contemporary audiences for the first time.

30 newly mastered recordings across two metallic silver vinyl LPs, tracing the publication's remarkable journey through experimental music, sound art, spoken word, and downtown New York culture. Housed in deluxe packaging, the release includes a booklet featuring new liner notes by Thurston Moore, original artist biographies, and an 11" × 17" reproduction of an original Tellus promotional poster UPC: 7012209170784

Artist: VARIOUS ARTISTS Album: TELLUS, The Audio Cassette Magazine Anthology Vol. 1 Label: Earth Libraries Genre: EXPERIMENTAL ROCK Release Date: 11/20/2026

TRACKLIST 1. Cargo Cult — Plaid City 2. The Scene Is Now — Bugged, Wigged Out 3. Y Pants — Magnetic Attraction 4. Liquid Liquid — Groove To Go 5. John Fekner City Squad — 2-4-5-7-9-11 6. Carol Parkinson — Heavybeat 7. Sonic Youth — Scream 8. Patrick McGrath — Spike Rising 9. Bond Bergland — Moonlight Ride 10. Remko Scha — Katadeedo Daynatadoh 11. Paul Dresher — Pygmy Vocal Music 12. George Brecht — Comb Music (Comb Event) 13. Live Skull — Pulverized By Gratitude 14. Bruce Tovsky — Field 15. Brenda Hutchinson — Wordplay 16. Gregory Whitehead — Eva Can I Stab Bats In A Cave 17. David Linton — Ringo 18. David Rosenbloom — Flowers 19. Saurekeller — Hiroshima 20. Jim Farmer — You Look Lovely In The Moonlight 21. Chain Gang — Night Plantation 22. Angela Babin and Joe Dizney — Work Song 23. Lenny Pickett — Dance Music For 4 Saxophones #3 24. Anita Feldman And Michael Kowalski — Riffle 25. Tron Von Hollywood (with Raina Jane Sherry) — After Shakespe 26. Bite Like A Kitty — Excerpt from "Same Way" 27. Ron Kuivala — Tl Intends (to enforce its intellectual property righ the fullest extent permitted by law) 28. James Tenney — Septet For Electric Guitars 29. Shelley Hirsch — #39 30. Takehisa Kosugi — Paraphrases (Excerpt)

505 ENO ST. HILLSBOROUGH, NC, 27278 REDEYEWORLDWIDE.COM JEANETTE WALL jeanettew@redeyeworldwide.com

BOARDS OF CANADA | HI SCORES

OVERVIEW To celebrate 30 years since its original release, Boards of Canada’s Hi Scores returns in a new edition on Warp Records. Originally released on Skam Records in 1996, Hi Scores was Boards of Canada’s first widely available release. The six-track release features some of the duo’s most enduring pieces, including “Turquoise Hexagon Sun” and “Every thing You Do Is A Balloon”. For its 30th anniversary, Hi Scores is being reissued by Warp, marking the first time their whole catalogue has been widely available on vinyl at the same time. Hi Scores has not been available on vinyl since 2014 and is newly packaged in a gatefold 12” sleeve, with four 12” × 12” prints. It is released on black vinyl and CD. FILE UNDER • B/ELECTRONIC RELEASE DATE • 2026-11-20 SITE • WARP.NET

The reissue follows the release of Inferno in May 2026, Boards of Canada’s first new album in 14 years.

TRACKLIST

FORMATS

WARPLP367

1. Hi Scores 2. Turquoise Hexagon Sun 3. Nlogax 4. June 9th 5. Seeya Later 6. Everything You Do Is A Balloon

SPEC • Black 12” Vinyl in polylined inner sleeve in gatefold outer sleeve with 4 x 12” poster insert

VINYL A1. Hi Scores A2. Turquoise Hexagon Sun A3. Nlogax B1. June 9th B2. Seeya Later B3. Everything You Do Is A Balloon

UPC • 5056818809651 WARPCD367

SALES POINTS •

Running alongside the duo’s critically acclaimed latest album Inferno’s end-of-year campaign and the label’s wider Boards of Canada catalogue campaign.

•

UK music magazine Disco Pogo will publish a dedicated book on Boards of Canada.

•

All Boards of Canada EPs/albums are now available on vinyl.

SPEC • CD in 4 panel gatefold wallet with 4pp insert UPC • 5056818810657 http://warp.net

LORENZO SENNI | ALL AGES

OVERVIEW Italian multidisciplinary artist and electronic musician Lorenzo Senni will release his sixth studio album, All Ages, through Warp Records on November 20th 2026. The album, his first since 2020’s Scacco Matto, explores the electronic genres he’s best known for (experimental trance, rave) through the lens of hardcore punk; across music, skateboarding and straightedge culture.

FILE UNDER • S/ELECTRONIC RELEASE DATE • 2026-11-20 SITE • LORENZOSENNI.WARP.NET

All Ages presents itself as an, in Senni’s own words, “internal revolt.” In making use of vocals for the first time and breaking from his previously self-imposed limitations, Senni uses the spirit of hardcore to fuel his enthusiasm for the future, and to re-engage more tacitly in the music-making process. The album includes guest appearances from iconic American skateboarders Chad Muska and Jamie Thomas, and Jamie Stewart of experimental indie rock band Xiu Xiu.

TRACKLIST

FORMATS

A1. Art Life & Skateboarding Ft. Chad Muska and Jamie Thomas A2. Smile Through Tears A3. Jealous Of Michelangelo A4. Your Favourite DJ A5. La Persuasione e La Rettorica Ft. Jamie Stewart B1. Orpheus In The Underground (Who Are The Brutes!?) B2. Self eXamined Endurance B3. Purely Coincidental B4. Spoken Into The Void B5. XGood Clean FunX B6. KILL LIES ALL

WARPLP423 SPEC • Black 12” Vinyl in paper inner sleeve in 3mm spine sleeve with stencil insert UPC • 5056818809859

Stencil insert included with vinyl.

http://warp.net

HAWK ISOBEL CAMPBELL & MARK LANEGAN Released 11/06/2026 Released 11/20/2026

Isobel Campbell (ex-Belle & Sebastian) and Mark Lanegan (ex-Screaming Trees, Queens of the Stone Age) third album Hawk, will be reissued on November 6th on LP and CD. Hawk builds on the critical acclaim of 2006’s Mercury Prize-nominated Ballad of the Broken Seas and 2008’s Sunday at Devil Dirt, solidifying the duo's signature dynamic—Campbell’s ethereal, whispery arrangements juxtaposed against Lanegan’s deep, gravelly baritone. Written, arranged, and produced entirely by Campbell, Hawk was recorded across studios in Scotland, England, and the United States. The 13-track record expands their sonic palette far beyond classic countryfolk, venturing into dusty Southern soul, garage-rock stomps, and soaring gospel arrangements. "With this record, I wanted to stretch the canvas further," says Isobel Campbell. "Mark and I have built a true shorthand together over the years, which gave us the freedom to push into heavier grooves, raw blues, and sweeping orchestral textures while keeping the core intimacy intact. Album Highlights & Key Collaborations "You Won't Let Me Down Again" — The album’s lead single, driven by a hypnotic rhythm and featuring a searing guitar solo from former Smashing Pumpkins guitarist James Iha. "Come Undone" — A moody, slow-burning Southern soul ballad showcasing Lanegan at his most vulnerable. Townes Van Zandt Covers — Faithfully rendered versions of "Snake Song" and "No Place To Fall," the latter featuring guest vocals from American singer-songwriter Willy Mason. "Lately" — A cinematic album closer that swaps the pair's vocal interplay for a rousing, brass-tinged gospel choir.

LP-COOK-777 LP, 180g, Black Poly-lined Inner, Single Sleeve

CD-COOK-777 CD, Digipack

Tracklist: A 1. We Die And See Beauty Reign 2. You Won't Let Me Down Again 3. Snake Song 4. Come Undone 5. No Place To Fall 6. Get Behind Me B 1. Time Of The Season 2. Hawk 3. Sunrise 4. To Hell & Back Again 5. Cool Water 6. Eyes Of Green 7. Lately

Camden Gateway, 349 Royal College St, London NW1 9QS Info@cookingvinyl.com

Sunday At Devil Dirt Isobel Campbell & Mark Lanegan Street Street date: date: 10/02/2026 11/20/2026 Tracklist: Side A: 1 Seafaring Song 2 The Raven 3 Salvation 4 Who Built The Road 5 Come On Over (Turn Me On) 6 Back Burner 7 Piano Tango Side B: 1 The Flame That Burns 2 Shotgun Blues 3 Keep Me In Mind, Sweetheart 4 Something To Believe 5 Trouble 6 Sally, Don't You Cry

The long-awaited vinyl and CD re-issue of ‘Sunday At Devil Dirt’ from Isobel Campbell and Mark Lanegan. Sunday At Devil Dirt is the second full-length collaboration between the former Belle & Sebastian member (Campbell) and Lanegan, the Screaming Trees frontman and parttime QOTSA vocalist. Recorded between studios in the Catskills and Isobel's native Glasgow, Sunday At Devil Dirt is an album of dust bitten ballads and troubled wanderings, easily the equal of its predecessor. Again, Campbell and Lanegan complement each other beautifully, like silk on cracked leather. While continuing to mine the same rich seam of Alt-Country, Folk and Blues of their debut, the new record also embraces a dusty southern gothic, while a sultry, jazzy feel is evident on a number of tracks. As with their debut, the album has been written, produced and arranged by Isobel Campbell, with Lanegan providing lead vocal duties.

LP-COOK-778

Camden Gateway, 349 Royal College St, London NW1 9QS Info@cookingvinyl.com

CD-COOK-778

David Benoit David Benoit Conducts A Vince Guaraldi Holiday Symphony LP / CD STREET DATE: Nov 20

Celebrated jazz pianist and composer David Benoit delivers a grand holiday celebration with David Benoit Conducts A Vince Guaraldi Holiday Symphony. Originally commissioned by the family of Peanuts producer Lee Mendelson, this heartfelt project brings Guaraldi’s iconic, timeless melodies to life on a grand scale with full orchestral arrangements conducted by Benoit and performed by the Czech National Symphony Orchestra. Blending Guaraldi’s classic charm and innocence with rich symphonic power, it is a definitive holiday tribute to 75 years of Vince Guaraldi’s musical legacy. Highlights:

• The Torchbearer of the Peanuts Musical Legacy: Multiple GRAMMY®-nominated pianist and contemporary jazz icon David Benoit has served as the official musical heir to Vince Guaraldi for nearly four decades—scoring official Peanuts television specials, feature films, and original Guaraldi retrospectives. • Direct Heritage & Commission: Commissioned directly by the family of original Peanuts TV special producer Lee Mendelson, this project carries the highest level of authenticity and trust from the architects of the Peanuts holiday franchise.

CD TRACKLIST: 1. Christmas is Coming 2. Skating 3. What Child Is This 4. O Tannenbaum 5. Christmas Time Is Here 6. My Little Drum 7. Just Like Me 8. The Christmas Song 9. Red Baron 10. Good Grief Medley 11. Pumpkin Medley 12. Linus and Lucy 13. Air Music 14. Grace and Happiness Medley

LP SIDE A 1. Christmas Medley Christmas is Coming • Skating • What Child Is This O Tannenbaum • Christmas Time Is Here 2. My Little Drum 3. Just Like Me 4. Christmas Song SIDE B 1. Red Baron 2. Good Grief Medley Oh, Good Grief! Frieda (With the Naturally Curly Hair) Charlie Brown Theme • Oh, Good Grief! (Reprise) 3. Pumpkin Medley Graveyard Theme • The Great Pumpkin Waltz 4. Linus and Lucy 5. Air Music 6. Grace and Happiness Medley Theme to Grace • Happiness Theme

LP: Artist: David Benoit Title: David Benoit Conducts A Vince Guaraldi Holiday Symphony Cat #: CAN34051 UPC: 708857340514 Packaging: Clear Red Vinyl Box Lot: 25 Territory: Worldwide

• `Vince Guaraldi Reimagined on a Grand Scale: Transcribed directly from Guaraldi’s original piano voicings by David Benoit, these timeless arrangements are expanded into sweeping, full-scale symphonic masterworks. • World-Class Orchestral Performance: Recorded in Europe with the world-renowned Czech National Symphony Orchestra, blending the intimacy and swing of Guaraldi’s classic jazz trio with the majestic depth of a world-class orchestra • Double Anniversary Milestone: Released in celebration of 75 years of Vince Guaraldi’s musical legacy, positioning the album as a major cultural event and a definitive addition to annual holiday catalog listings. • Essential Holiday Repertoire: Features symphonic renditions of the most recognizable, multi-platinum seasonal standards in history, including “Linus & Lucy,” “Christmas Time Is Here,” “O Tannenbaum,” and “Red Baron”. • Proven Holiday Retail Driver: Vince Guaraldi’s Peanuts soundtrack remains one of the top-selling holiday albums of all time; this release offers retail, DSPs, and sync partners a fresh, high-end symphonic upgrade for peak holiday programming.

CD: Artist: David Benoit Title: David Benoit Conducts A Vince Guaraldi Holiday Symphony Cat #: CAN34052 UPC: 708857340521 Packaging: CD Wallet Box Lot: 25 Territory: Worldwide

CARLITA TELEPATHY Release Date: November November 20th, 6th, 2026 2026 Carlita returns with her sophomore album, Telepathy, arriving November 6 via Ninja Tune. The Turkish-Italian producer, DJ and instrumentalist has emerged as one of dance music’s most exciting new voices, combining her classical training on cello and piano with forward thinking electronic production. Telepathy expands Carlita’s club rooted sound through emotionally driven songwriting, live instrumentation and psychedelic textures. The album features an ambitious cast of collaborators including SOFI TUKKER, Justine Skye, Malive, Stevie Appleton, Paige Cavell and Cleo Simone, moving naturally between electronic music, contemporary pop and alternative sounds. Its themes of telepathy, magical realism and human connection extend into a visual world developed alongside creative director Pedro Damasceno and acclaimed photographer Rafael Pavarotti, whose recent work includes Charli XCX and Madonna.

CAREER HIGHLIGHTS - 230K new followers across platforms since her debut album, including Spotify +81%, Instagram +60%, TikTok +354%, YouTube subscribers +257% and Facebook +216% - Spotify monthly listeners up 1.4M since the debut album, plus 3.1M additional YouTube channel views - “Manhattan” has surpassed 5.5M streams across platforms and 42K Shazams, becoming her first BBC Radio 1 B-List record and receiving 300+ UK radio plays - 2026 live highlights include Coachella, Outside Lands, CRSSD alongside international festival and headline dates

CAT NO: ZEN326 UPC: 5054429210712 Box Lot: 15 CAT NO: ZENCD326 UPC: 888072838604 Box Lot: 35

￫ 2LP 140g tulip red vinyl in 12” printed sleeve with 5mm spine, matte varnish ￫ 12” black inner sleeves ￫ Poster insert ￫ CD in CD gatefold sleeve with 4PP fold out booklet

A1. Intro (Bri Baby Mix) A2. WYWD (with Justine Skye) A3. Pablo B1. Waking Up On A Sunny Morning (with Edd) B2. Manhattan (with SOFI TUKKER) B3. Helado C1. Rising Up (feat. Cleo Simone) C2. Disco Lady C3. Solar Skin (with Malive, feat. jasper.wav) D1. One More Dance (with Stevie Appleton) D2. Patchwork (with Paige Cavell) D3. Another Fantasy D4. Tame My Love (feat. Kosmo Kint)

Genre: Electronic Key Markets: New York City, Los Angeles, Mexico City, Miami, Chicago, Toronto Recommended if you like… DJ Tennis, TSHA, Chloé Caillet, Daphni, Romy

naretail@ninjatune.net ninjatune.net

The Kilans - Could You Keep It Dark? out 11/20/26

BIO The Kilans are an indie rock band from Salt Lake City known for their raw sound, kinetic guitars, and electrifying live shows. Formed in 2023, the lineup — Jack Ongman (vocals, rhythm guitar), Jacob Shultz (lead guitar), Cooper Brezoff (bass), and David Wiseman (drums) — came together after Jack and Jacob met while skateboarding in college and started jamming in basement sessions that quickly turned into something bigger. Just five months later, they released their debut single "Curly," a burst of unfiltered energy that made waves across the local scene. Their follow-up, "Why Is It Light Out?," sharpened their songwriting and expanded their reach, pairing introspective lyrics with dynamic, guitar-driven production. The track landed them on multiple editorial playlists and marked The Kilans as one of the most promising new voices in indie rock. Now, the band takes their next major step. On October 30, 2026, The Kilans will release their debut album Could You Keep It Dark via Mom and Pop Music. Anchored by key singles "Cherry, Please" and "Oliver," the record marks a bold leap forward — channeling the raw energy of their basement origins into a fully realized body of work. In support of the release, the band will embark on a North American tour, bringing their signature live intensity to stages across the continent. With Could You Keep It Dark, The Kilans aren't just delivering on their early promise — they're announcing themselves on a national stage, authentically on their own terms.

TRACKLIST 1. Biome 2. Nightmare 3. 9-5 4. Umbrella 5. KILANS 6. Kitchen 7. Oliver 8. Could you keep it dark 9. Cherry 10. Coraline 11. Lucy ARTIST TITLE LABEL CONFIGURATION DESCRIPTION UPC CAT #

The Kilans Could You Keep It Dark? Mom+Pop Music LP Single 140G LP, standard jacket with trading cards 823375324911 MP1001

TOUR 11/5/2026 - Austin, TX - 29th St Ballroom 11/6/2026 - Dallas, TX - Trees 11/7/26 - Houston, TX - White Oak Music Hall (Upstairs) 11/9/26 - Atlanta, GA - Aisle 5 11/10/26 - Asheville, NC - Revival 11/12/26 - Washington, D.C. - DC9 11/13/26 - New York, NY - Mercury Lounge 11/14/26 - Philadelphia, PA - PhilaMOCA 11/15/26 - Boston, MA - Middle East Upstairs 11/17/26 - Montreal, QC - Toscadura 11/18/26 - Toronto, ON - Hard Luck Bar 11/20/26 - Chicago, IL - Subterranean 11/21/26 - Iowa City, IA - Gabe’s 11/22/26 - Minneapolis, MN - 7th Street Entry 11/29/26 - Seattle, WA - Barboza 11/30/26 - Portland, OR - Polaris Hall 12/2/26 - San Francisco, CA - Brick and Mortar Music Hall 12/3/26 - Los Angeles, CA - The Roxy 12/5/26 - Phoenix, AZ - Valley Bar 12/8/26 - Denver, CO - Marquis Theater 12/10/26 - Salt Lake City, UT - Metro Music Hall

WWW.MOMANDPOPMUSIC.COM

1140 BROADWAY SUITE 1203 NEW YORK NY 10001

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Lily Fitts - Calling It Quits out 11/20/26

TRACKLIST

BIO Raised on the North Shore of Massachusetts, Lily Fitts is an artist who draws listeners into the nuanced experiences of navigating early adulthood. Through thoughtful lyricism and an effortless melodic sensibility, she captures the changes, contradictions, and inbetween moments that shape who we become. Her songs find beauty in the ordinary and feel both deeply personal and widely understood. She began sharing covers on YouTube at 10 years old and later turned to TikTok at 18, where her honest performances and distinct voice built a following of more than 460K people before she released her debut record. After her cover of “Oklahoma City” reached Zach Bryan, he invited her to join him onstage at his Los Angeles Crypto.com Arena show in front of tens of thousands of fans. Since then, Lily’s audience has only grown more distinct, diverse and dedicated. Her 2025 debut album, Getting By, produced in part by David Baron, introduced Lily as a writer with a clear perspective and a tenacity to her music. Delivered with a rawness and wit that she has neither downplayed or polished away, Getting By surpassed fifteen million streams, connecting with listeners through its honesty and emotional precision. In 2026, Lily steps into her biggest chapter yet. Following successful North American headline runs, she performed at Newport Folk Festival before joining Charles Wesley Godwin on the West Coast, including stops at the Regency Ballroom in San Francisco and the Wiltern in Los Angeles. She will also appear at Montreal’s Lasso Festival alongside Mumford & Sons and Turnpike Troubadours, followed by a sold out European headline run with stops in Manchester, London, Paris, Hamburg, Berlin, Dublin, and Amsterdam. Currently writing and recording across Nashville, New York, and Los Angeles, Lily continues to evolve alongside collaborators including Madi Diaz, Sasha Sloan, Beau Bedford, Josiah Leming, Sam Barber, Morgan Nagler, Cheat Codes, and the Felice Brothers. Signed to Mom + Pop, Lily Fitts is building a lasting catalog of songs grounded in thoughtful storytelling, emotional nuance, and a perspective that continues to deepen with every release.

1.Mess Of Me 2.Tolerance 3.Take Me Down (feat. Michael Marcagi) 4.Calling It Quits 5.Notice ARTIST TITLE LABEL CONFIGURATION DESCRIPTION

CATALOGUE UPC

Lily Fitts Calling It Quits Mom+Pop Music EP CD MP100 823375324942

TOUR Aug 30 - Leicestershire, UK - The Long Road Festival Aug 31 - Bristol, UK - Exchange Sep 1 - Dublin, IE - Whelan’s (Upstairs) Sep 3 - Manchester, UK Sep 4 - London UK, The Garage Sep 6 - Paris, FR - Supersonic Records Sep 7 - Amsterdam, NL - Paradiso Tolhuistuin WWW.MOMANDPOPMUSIC.COM 1140 BROADWAY SUITE 1203 NEW YORK NY 10001

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Mother Soki - Act 2 out 11/20/26

TRACKLIST

BIO

Mother Soki is among a generation of new artists forging their paths and creating 1.Much Cry, Little Wool music that attracts fans seeking a soul connection. That creativity led her to sign with independent label Mom+Pop early in 2025. A bit farther back in her trajectory, 2.Thicken Mother Soki wasn't even clear about how to pursue music. Carving her way 3.Mussel through adolescence with a fierce artistic drive, though, the Minneapolis-based musician discovered her passion for making music while attending college in 4.Easy Chicago. Attempting to pursue other forms of art and avoiding what was her true 5.The Rot calling, Mother Soki says, “I realized it was far more fulfilling than any art medium I had tried (and I’ve tried a lot), from beginning to end, and even after. Something about the process of music felt so natural to me, even when I did not know how I was doing it, I was just doing it.” Now immersed in her passion for music, Mother Mother Soki ARTIST Soki gravitates toward the dreamy textures of Dream Pop and the sonic nostalgia of Act 2 TITLE the ’90s. Drawing daily inspiration from her surroundings, she channels her LABEL Mom+Pop Music creativity through classic influences: The Sundays, Imogen Heap, and Cocteau CONFIGURATION EP Twins. Her sound blends modern interpretations of vintage synths with heavy DESCRIPTION 12" vinyl guitars and airy, spacious vocals—creating contrasts that shouldn't work, but somehow do. Mother Soki makes the unexpected feel seamless. The lyrics to her CATALOGUE songs create a dreamscape that defies explanation. She adds, “I find music MP1013 UPC intriguing if there is a certain level of vagueness incorporated with lyrics, having 823375325000 layers of metaphors within one big metaphor. I also believe in my own subconscious. If I come up with a metaphor that doesn’t make sense at first, most times, it fits perfectly once it all comes together.” As Mother Soki continues her creative arc, her new EP “Act 2” will be released on November 20, 2026.

TOUR Sep 10 - Minneapolis, MN - Cloudland Theater Sep 13 - San Francisco, CA - The Independent Sep 16 - Los Angeles, CA - El Rey Theatre Sep 19 - Denver, CO - Marquis Theater Sep 20 - Minneapolis, MN - Green Room Sep 22 - Chicago, IL - Lincoln Hall Sep 25 - Montreal, QC - Bar Le Ritz PDB Sep 28 - New York, NY - Irving Plaza

Sep 30 - Cambridge, MA - The Sinclair Oct 1 - Washington, DC - The Atlantis Oct 3 - Philadelphia, PA - The Foundry

WWW.MOMANDPOPMUSIC.COM 1140 BROADWAY SUITE 1203 NEW YORK NY 10001

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LITTLE BEAVER: WHEN WAS THE LAST TIME (50th Anniversary Remastered Emerald Vinyl Edition) SELLING POINTS

• Guitarist, Singer & Songwriter Willie Hale a.k.a. Little Beaver Was a Fixture at Henry Stone’s Hialeah, FL Based T.K. Records Label and Its Assorted Imprints • Backed Label Stars Like K.C. & the Sunshine Band, Timmy Thomas, Gwen McCrae, Betty Wright, and Benny Latimore with Jazz-Influenced Licks from His Hollow-Body Gibson • On His Own He Made Four Acclaimed Labels for the Cat Imprint That Are Catnip for ‘70s Soul and Funk Collectors • 1976’s When Was the Last Time Was, Appropriately Enough, His Last Record for Cat • Takes a Smoother and More Mellow Approach Than Its Predecessors • “Concrete Jungle” Is the Pick to Click, but the Whole Album Exudes that Warm, Sultry Miami Soul Sound • That’s Timmy Thomas on Keyboards • 50th Anniversary Release and First Reissue in Over 25 Years • Remastered for Vinyl • Emerald Green Pressing

iBarcoder Trial

UPC: 848064022206 FORMAT: Regular Weight Emerald Vinyl PACKAGING: Album Jacket BOX LOT: 25

SELLING POINTS

• Appalachian Folk Harmony Singing Strikes a Chord in One’s Soul • Notes of Joy, Regret, Longing, Loss, and Faith All in One High, Lonesome Sound • Bowling Green and Other Folk Songs from the Southern Mountains, the 1956 Debut Album by The Kossoy Sisters, Is a Key Album in the Genre’s Canon • Recorded by Famed Folkways Engineer Mel Kaiser for the Tradition Label Run by Paddy Clancy of Clancy Brothers fame • Featured Identical Twins Irene and Ellen Singing in Close Harmony to Instrumental Accompaniment by Legendary Folkie Erik Darling (Weavers, Rooftop Singers) • The Devastatingly Beautiful and Heart-Wrenching Sound of This Record Had a Lasting Legacy Despite the Sisters’ Splitting Up to Raise Their Own Families • Led to Various Reunions and Albums Recorded Separate and Apart • Culminating in the Coen Brothers Prominently Placing Their Recording of “I’ll Fly Away” in the Grammy Award-Winning Soundtrack to Their 2000 film O Brother, Where Art Thou • First Reissue on LP • 70th (!) Anniversary Release • Remastered for Vinyl • Pressed in Pink to Match the Album Cover • Guaranteed to Make the Hairs on the Back of Your Neck Stand at Attention iBarcoder Trial

UPC: 848064021551 FORMAT: Regular Weight Pink Vinyl PACKAGING: Album Jacket BOX LOT: 30

STREET DATE: NOVEMBER 20, 2026 When Was the Last Time was the last time for Willie Hale a.k.a. Little Beaver, ending the string of excellent albums he cut for the Cat label that have served as catnip for ‘70s soul-funk collectors. Hale was one of the extraordinarily talented musicians Henry Stone assembled at his Hialeah, FL-based T.K. Records label and its assorted imprints; among the artists who recorded for Stone were K.C. & the Sunshine Band, Timmy Thomas, Gwen McCrae, Betty Wright, and Benny Latimore…and backing them on a lot of those records was Hale, laying down mellow ‘n’ funky, jazz-influenced licks on his hollowbody Gibson. You’ll hear plenty of that Gibson on this 1976 record, which takes a smoother and more mellow approach than its predecessors, with keyboard assistance from Timmy Thomas. “Concrete Jungle” is the pick to click, but the whole album exudes that warm, sultry Miami soul sound. We’ve remastered When Was the Last Time for its first reissue in over 25 years, and pressed it in emerald green vinyl for its 50th anniversary!

SIDE ONE 1. Listen to My Heartbeat 2. We Three 3. I Like the Way You Do Your Thing 4. I Really Love You Babe

SIDE TWO 1. Concrete Jungle 2. Pretty Little Girl 3. When Was the Last Time

THE KOSSOY SISTERS: BOWLING GREEN AND OTHER FOLK SONGS FROM THE SOUTHERN MOUNTAINS (70TH ANNIVERSARY REMASTERED PINK VINYL EDITION) STREET DATE: NOVEMBER 20, 2026 Appalachian folk harmony singing strikes a chord in one’s soul, sounding notes of joy, regret, longing, loss, and faith all in one high, lonesome sound. And the 1956 debut album by The Kossoy Sisters (identical twins Irene and Ellen) is a foundational album in the genre’s canon. Recorded in 1956 by famed Folkways engineer Mel Kaiser for the Tradition label run by Paddy Clancy of Clancy Brothers fame, Bowling Green and Other Folk Songs from the Southern Mountains set the close harmony singing of the sisters to instrumental accompaniment by legendary folkie Erik Darling (Weavers, Rooftop Singers). The effect was devastating and the album’s legacy lasting; despite the Sisters’ splitting up to raise their own families, demand for their music remained constant through the decades, resulting in various reunions, additional recordings both together and separate, and culminating in the Coen Brothers’ prominently placing their recording of “I’ll Fly Away” in the Grammy Award-winning soundtrack to their 2000 film O Brother, Where Art Thou? But this is the first reissue of the record on LP, and it comes on the 70th anniversary of its release; we’ve remastered it for vinyl and pressed it in pink to match the album cover. Guaranteed to make the hairs on your neck stand at attention!

SIDE ONE 1. Bowling Green 2. I Never Will Marry 3. I’ll Fly Away 4. The Darby Ram 5. In the Pines 6. The Banks of the Ohio 7. The Wagoner’s Lad SIDE TWO 1. Poor Ellen Smith 2. Single Girl 3. What Will We Do with the Baby O 4. Down in a Willow Garden 5. Little Bride 6. Willie Moore 7. Engine 143

SELLING P OINTS

• Mose Allison Was the Coolest, Hippest, and Most Existentially Enlightened Jazz Artist of His or Any Other Time • Played with an Offhand, Nonchalant Swagger No One Has Ever Matched • Influenced Rock and Roll with Such Songs as “Young Man Blues” (Later Gloriously Destroyed by The Who) and “Parchman Farm” (Notoriously Covered by John Mayall’s Bluesbreakers with Eric Clapton) • Mose Recorded a Number of Studio Albums but He Was at His Best Live • Now, Real Gone Music Presents the Definitive Live Mose Allison Document • Live at the Lion’s Share July 12, 1970 Is a Newly Discovered Concert Recording Offering 17 Tracks and 70 Minutes of Vintage Mose • Brought to Us by the Allison Estate • Features Mose’s Preferred West Coast Outfit of Clyde Flowers on Bass and Lee Charlton on Drums, the Same Team that Appeared on 1972’s Live Classic Mose in Your Ear • Except This Time, Mose Didn’t Know He Was Recording a Live Album • As a Result, He Is at His Freest, Spryest, and Slyest • Wildly Inventive Piano Riffing and Brilliantly Sophisticated Songwriting Featuring Such Favorites as “Wild Man on the Loose” and “You Can Count on Me to Do My Part” • Also Includes the Willie Dixon Favorite “Seventh Son” • All Delivered with That Deft, Ironic, Almost Zen-Like Allison Touch • Remastered by Mike Milchner at Sonic Vision • Art Taken from a Period Concert Poster • Three Sets of Liner Notes Including a Fond Remembrance from Mose’s Daughter Amy Allison, Who Contributes Family Photos • Also Pat Thomas Pens Notes from a Rocker’s Perspective, and Skip Heller Offers a Mose Fanatic’s Take on This Concert • Available on Double-LP or CD • As Heller Puts It, “This Is Mose Allison, Exactly the Way Most of Us Remember” MOSE ALLISON: Live at The Lion’s Share July 12, 1970 iBarcoder (Remastered 2-LP Black VinylTrial Edition)

UPC: 848064021759 FORMAT: Regular Weight 2-LP Black Vinyl PACKAGING: Gatefold Album Jacket BOX LOT: 30 MOSE ALLISON: Live at The Lion’s Share July 12, 1970 iBarcoder Trial (Remastered Compact Disc Edition)

UPC: 848064021780 FORMAT: Compact Disc PACKAGING: Jewel Case with Booklet and Tray Card BOX LOT: 30

: LIVE AT THE LION’S SHARE JULY 12, 1970 (REMASTERED 2-LP BLACK VINYL EDITION & COMPACT DISC EDITION)

STREET DATE: NOVEMBER 20, 2026 True story: about ten years ago we contacted the Mose Allison estate because we had stumbled on a very good recording of a 1966 gig at Club 47 in Boston, and we wanted to release it with the estate’s blessing. But, as these things often do, the discussions never came to fruition, and we moved on, but we remained convinced that Mose was definitely an artist best experienced live (as his widow Audre quipped to us at the time, “He always thought that going to a recording studio to record was like having a business card printed”). Well, earlier this year we were contacted by Mose’s daughter Amy and the co-producer of this set, Pat Thomas, with a new tape that had surfaced, a 17-track, 70-minute recording of a July 12, 1970 show at the Marin County club The Lion’s Share that absolutely BLEW AWAY our earlier, 1966 candidate for release, both with respect to fidelity and performance. In fact, this just might be the definite live Mose Allison document. First of all, the set captures Mose with his preferred Bay Area rhythm section of Clyde Flowers on bass and Lee Charlton (who recorded the show) on drums, the same team that appeared on 1972’s live classic Mose in Your Ear. But what sets this record apart is that Mose never thought this date would be released as a live recording. As a result, you’re getting Mose at his freest, spryest, and slyest, displaying that impossibly effortless combination of wildly inventive piano riffing, brilliantly sophisticated songwriting (featuring such favorites as “Wild Man on the Loose” and “You Can Count on Me to Do My Part”), and offhand, nonchalant swagger that only he could pull off. As Skip Heller (who saw Mose play about 75 times) puts it in his liner notes, “This is Mose Allison, exactly the way most of us remember.” For this very special release, we’ve commissioned three sets of liner notes, one a fond remembrance from Amy Allison (complete with pictures from the family archives), and one by Pat Thomas offering a rock and roller’s perspective on the Allison legacy to go along with Skip’s notes. The entire set’s been remastered by Mike Milchner at Sonic Vision, and the album art is drawn from a period concert poster. Available on a double-LP inside a gatefold jacket, or on CD. Don’t miss this Real Gone release!

LP T RACKS Side One 1. You Won’t Let Me Go 2. War Horse Side Two 1. Lost Mind 2. Wild Man on the Loose 3. Now You See It 4. Fool’s Paradise 5. Seventh Son Side Three 1. Do Nothin’ Til You Hear from Me 2. You Can Count on Me to Do My Part 3. I Love the Life I Live 4. Powerhouse 5. Don’t Get Around Much Anymore Side Four 1. City Home 2. If You’re Going to the City 3. Ain’t Got Nothin’ but the Blues 4. Swingin’ Machine 5. Everybody’s Cryin’ Mercy

CD T RACKS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17.

You Won’t Let Me Go War Horse Lost Mind Wild Man on the Loose Now You See It Fool’s Paradise Seventh Son Do Nothin’ Til You Hear from Me You Can Count on Me to Do My Part I Love the Life I Live Powerhouse Don’t Get Around Much Anymore City Home If You’re Going to the City Ain’t Got Nothin’ but the Blues Swingin’ Machine Everybody’s Cryin’ Mercy

SELLING POINTS • The Grass Roots Were One of the Great Singles Bands of the Late ‘60s and Early ‘70s • But There Has Never Been a Vinyl Collection of Their Original Mono Hit Singles

THE COMPLETE ORIGINAL DUNHILL/ABC HIT SINGLES

• And the CD Collection We Created Back in 2014 Has Long Been Out of Print

(2-LP GREEN GRASS VINYL EDITION/COMPACT DISC EDITION)

• Now, by Popular Demand, We at Real Gone Are Bringing The Grass Roots: The Complete Original Dunhill/ABC Hit Singles to Vinyl for the First Time

STREET DATE: NOVEMBER 20, 2026

• And We’re Bringing Back the CD • 24 Hook-Filled Singles in That Glorious, Original Mono Sound Mixed and Mastered to Punch Through ‘60s and ‘70s AM Radio • Featuring “Temptation Eyes,” “Midnight Confessions,” “Sooner or Later,” “Where Were You When I Needed You,” and More Faves • Plus Both the Censored and Uncensored Versions of “Let’s Live for Today” • All of Their Hit Singles for Dunhill/ABC, Compiled After a Worldwide Search for Sources • Ed Osborne’s Detailed Liner Notes Take You Through the Group’s Many Incarnations and Tangled History • Compact Disc Includes a 24-Page Booklet • Double-LP Housed in a Gatefold Jacket • Pressed in Green Grass Vinyl • Most of These Singles Haven’t Been on Vinyl Since Their Original 45 RPM Release • The Definitive Grass Roots Collection THE GRASS ROOTS: The Complete Original Dunhill/ABC Hit Singles (2-LP Green Grass VinylTrial Edition) iBarcoder

UPC: 848064022374 FORMAT: Regular Weight 2-LP Green Grass Vinyl PACKAGING: Gatefold Album Jacket BOX LOT: 12 THE GRASS ROOTS: The Complete Original Dunhill/ABC Hit Singles (Compact Disc Edition) Trial iBarcoder

UPC: 848064022398 FORMAT: Compact Disc PACKAGING: Jewel Case with Booklet & Tray Card BOX LOT: 25

The Grass Roots were, without a doubt, one of the great singles bands of the ‘60s and early ‘70s. So, why did it take so long to put together a collection of their complete, original Dunhill/ABC hit singles? Well, there’s the little matter of the original mono master tapes. There are various stories about what happened, including one with Dunhill head Jay Lasker pitching all the label’s multi-track recordings and mono masters after having deemed them obsolete. And so the classic hit singles by the Grass Roots for the most part only surfaced in their stereo album versions on the various anthologies of the band. But when the going gets tough for a reissue label, Real Gone Music gets going. After a worldwide search for the best sources available, we rounded up all two dozen Dunhill/ABC hit singles (including the censored and uncensored versions of “Let’s Live for Today” and their biggest smash, “Midnight Confessions”) and put them together into one AMAZINGsounding package that we released back in 2014! Indeed, this collection offers the truest essence of the band—those hook-filled singles in that glorious, original mono sound mixed and mastered to punch through ‘60s and ‘70s AM radio. And, by covering the years 1965 to 1973, The Grass Roots: The Complete Original Dunhill/ABC Hit Singles also provides a fantastic overview of the group’s tangled history and many line-ups—all meticulously explained by Ed Osborne’s liner notes—with late lead singer Rob Grill the closest to a career-long member (their first two singles featured Bill Fulton on vocals). Now, we’re thrilled to announce that not only have we resurrected this highly-prized and long out-of-print retrospective on CD, but we are also releasing it on vinyl for the first time, in a blockbuster double-LP set pressed on green grass vinyl and housed inside a gatefold jacket! This’ll be the first time almost all of these mono singles have appeared on vinyl since their original 45 release!

LP TRACKS Side One 1. 2. 3. 4. 5. 6.

Mr. Jones (Ballad of a Thin Man) Where Were You When I Needed You Only When You’re Lonely Let’s Live for Today (Uncensored Version) Things I Should Have Said Wake Up, Wake Up

Side Two 1. 2. 3. 4. 5. 6.

A Melody for You Midnight Confessions Bella Linda Lovin’ Things The River Is Wide I’d Wait a Million Years

Side Three 1. 2. 3. 4. 5. 6.

Heaven Knows Walking Through the Country Baby Hold On Come On and Say It Temptation Eyes Sooner or Later

Side Four 1. 2. 3. 4. 5. 6.

Two Divided by Love Glory Bound The Runway Anyway the Wind Blows Love Is What You Make It Let’s Live for Today (Censored Version)

CD TRACKS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24.

Mr. Jones (Ballad of a Thin Man) Where Were You When I Needed You Only When You’re Lonely Let’s Live for Today (Uncensored Version) Things I Should Have Said Wake Up, Wake Up A Melody for You Midnight Confessions Bella Linda Lovin’ Things The River Is Wide I’d Wait a Million Years Heaven Knows Walking Through the Country Baby Hold On Come On and Say It Temptation Eyes Sooner or Later Two Divided by Love Glory Bound The Runway Anyway the Wind Blows Love Is What You Make It Let’s Live for Today (Censored Version)

THE WOMACK SISTERS I F I L E T YO U b / w I N S T RU M E N TA L Fresh off the heels of the Womack Sisters' critically acclaimed self-titled debut album, Daptone Records presents the highly anticipated 45rpm release of "If I Let You". A fan favorite and breakout summer smash, this Latin-kissed soul mover delivers a percolating guiro and an unwavering organ line that gets its hooks into you. The percussive rhythm track sets the scene for the sisters' ice-cold call and response vocals, bringing a toughness that fortifies the groove and beckons you to the dancefloor.

A R T I S T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T H E W O M A C K S I S T E R S T I T L E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I F I L E T Y O U b / w I N S T R U M E N TA L LABEL....................................................................................DAPTONE C ATA L O G N O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D A P - 1 1 7 1 R E L E A S E D AT E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . N O V 2 0 , 2 0 2 6 F O R M AT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 5 R P M 7 ” V I N Y L O N LY B O X L O T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5 NO EXPORT

DAPTONE RECORDS 115 Troutman S t., Brookl yn, NY 11206 • phone 718 366 3849 • dap t onerecords.com

PEACHES

Remix 12”s STREET DATE: NOVEMBER 20, 2026 • WHITE LABEL DJ REMIX 12”’s • LIMITED TO 500 COPIES WORLD WIDE • REMIXES FROM BOYS NOIZE, FEVER RAY, ONLY FIRE & PIXEL GRIP feautring JOE TALBOT of IDLES

KRS866 - Pixel Grip b/w Boys Noize SIDE A: You’re Alright (Pixel Grip Remix featuring Joe Talbot) SIDE B: Not In Your Mouth None Of Your Business (Boys Noize Remix)

Pixel Grip and IDLES frontman Joe Talbot put their stamp on Peaches' "You're Alright," balancing moody electronics with an anthemic sense of release. Their blend of industrial electronics and dark synth-pop gives the song a heavier emotional weight while amplifying its message of resilience and self-belief. LP-KRS-866

KRS867 - Fever Ray b/w Only Fire SIDE A: Panna Cotta Delight (Fever Ray Remix) SIDE B: Fuck Your Face (Only Fire Remix)

Only Fire, famed for AI-voiced, raunchy club cuts, detonates Peaches’ “Fuck Your Face” into a filthy, pulsating banger. Peaches’ razor-edged provocation meets his hyper-modern beats, twisting the track into a bouncy, in-your-face dance-floor rush built for playlists fueled by hedonistic energy, untamed confidence, and raw, sweaty fun. LP-KRS-867

THE COMET IS COMING Exploding In Slow Motion: The Complete Channel The Spirits Recordings 2013-2017CE street date: file under: territory:

2026 marks ten years since the planets aligned for the release of Channel The Spirits – the debut album by The Comet Is Coming. The trio of Shabaka, Danalogue and Betamax, powerful in their own right, transcended to another plane when united. Exploding In Slow Motion: The Complete Channel The Spirits Recordings 2013-2017CE celebrates that legacy by bringing together the original album, the Prophecy and Death To The Planet EPs and various rarities from the era, including four previously unreleased tracks. Released on coloured triple vinyl in a maximalist package, as well as a new double CD, the reissue sees Death To The Planet on CD for the first time, and seven tracks new to vinyl, including one completely new track unearthed from the band’s first ever recorded session. The Comet was first sighted in 2013, their reputation enhanced by tranformative live shows at the Total Refreshment Centre in east London and beyond. Their debut EP Prophecy arrived in a blaze of light and sound and word spread. Channel The Spirits followed and the wider world sat up and took notice, notably when the album was named a Mercury Music Prize album of the year in 2016. It was followed closely by the Death To The Planet EP – although death in this case was rebirth. And dancing. In 2019 the band signed for Impulse! and recorded two further albums – Trust In The Lifeforce Of The Deep Mystery and Hyper-Dimensional Expansion Beam, plus The Afterlife EP. It took The Comet Is Coming global, with tours across five continents. The Comet Is Coming burned bright for a relatively short time but touched everyone who witnessed them in action - a spiritual union of exceptional musicianship, utter conviction and a rare ability to channel the energy of the

Friday November 20 2026 Jazz World ex. UK & Ireland

Limited edition coloured vinyl 3LP BAY 104XVX UPC 843190040438

43190 04043

Double CD BAY 104XCD UPC 843190040421

43190 04042

• 2026 marks the 10th anniversary of Channel The Spirits – the debut album by The Comet Is Coming • This maximalist reissue includes original album, the Prophecy and Death To The Planet EPs and various rarities from the era including four previously unreleased tracks • ‘Late Night Party Jam 2’ has been added to the fabled Ancient Tapes – the earliest known Comet recordings from The Total Refreshment Centre in 2013, where Comet were the unofficial house band • There are also searing live renditions of ‘Final Eclipse’ and ‘Space Carnival’ and a session version of ‘Neon Baby’ recorded for John Kennedy’s Xfm show • The triple vinyl version available to retail will be limited to just 1500 units for the universe on translucent violet, blue and orange discs in printed inner and die-cut outer sleeves, plus a die-cut O-card slipcase and a 60 x 60cm double-sided fold-out poster • For full sensory overload, each of the sleeves is printed on both outer and inner surfaces • The double CD supersedes the 2017 2CD special edition, adding Death To The Planet and all the bonus material, packaged in a gatefold card wallet with printed inners and a fold-out poster booklet • Channel The Spirits was a 2016 Mercury Music Prize shortlisted Album Of The Year • MOJO, Uncut, the Quietus, and The Line Of Best Fit all selected the record as one of their Albums Of The Year, as well as influential retailers Resident, Jumbo and Drift

“Powered by Arkestral cosmic forces, The Comet Is Coming. Brace for impact” The Guardian

RÓIS

MO LÉAN OVERVIEW

TRACKLISTING 1. WHAT DO YOU SAY 2. ANGELUS 1 3. CITÍ 4. ANGELUS 2 5. CAOINE 6. ANGELUS 3 7. OH LOVELY APPEARANCE OF DEATH 8. THE DEATH NOTICES 9. FEEL LOVE

Domino is thrilled to announce that they’ve welcomed RÓIS, Dublin-based composer, vocalist and multi-instrumentalist to the label. Domino will be re-releasing a remastered version of her critically acclaimed album, MO LÉAN, an affecting resuscitation of the ardent rituals surrounding death in Ireland until the 1950s. MO LÉAN – RÓIS’ second album - is a remarkable testament to Connolly’s affecting artistry. Anchoring the album is a desire to recontextualize the celebration of death. Drawing from elements synonymous with the country’s DNA: traditional sean-nós tunes, the Irish language and the omnipresent toll of the Angelus – RÓIS carries them into the modern day with her unique approach to melody and production as well as her electrifying vocal performances. The album explores the Irish pagan tradition of caoineadh, or keening which was an integral part of the mourning process, during which veiled women gathered around the body to sing and howl. Taking place over several days, these wakes became joyously unruly sessions during which music, dance and storytelling emboldened the essence of the deceased as they began a new chapter in their life cycle. However, in the middle of the Twentieth Century, these traditions were suppressed as the Catholic Church decreed a total termination on all public lamentation. Later, the impact of colonization sealed its fate through the decimation of the Irish language, and wiping out the rural communities that kept the tradition alive. Across MO LÉAN, RÓIS performs a resuscitation of the ardent rituals surrounding death and throws open the doors that tried to hide away such inherent and important ways of Irish life. MO LÉAN was awarded the Album of the Year title at the NI Music Prize and was shortlisted for the Choice Music Prize. Praise for RÓIS’s idiosyncratic style continued throughout 2025 with ‘Caoine’ being named Best Original Folk Track at the RTÉ Radio 1 Folk Awards, where she also took home the Best Emerging Artist award.

CATALOG NUMBER: WIG585 RELEASE DATE: November 20, 2026 FILE UNDER: Folk “R” CD Boxlot: 30 UPC: 887828058525

LP Boxlot: 20 UPC: 887828058518

Vinyl is non-returnable

SELLING POINTS • • •

MO LÉAN was awarded the Album of the Year title at the NI Music Prize and was shortlisted for the Choice Music Prize. ‘Caoine’ was named Best Original Folk Track at the RTÉ Radio 1 Folk Awards, where she also took home the Best Emerging Artist award. LP format is a clear vinyl pressing and comes with a download card.

After over 20 years as a professional musician, acclaimed singer-songwriter Matthew Barber embraced a new role when he became a father. In 2026, being a stay at home dad isn’t an oddity, but leaving a life of touring to raise his two young sons was a dramatic shift. But how does one decide to put touring on the shelf and focus on family? We get a hint on lead single “These Days”. “It’s a celebration of domestic bliss” says Barber. “It’s a snapshot of the day to day flow of work and family, acknowledging the long and winding journey from initial lustful attraction to diapers and daycare. It’s about partnership and a deep appreciation for good fortune against all odds.” Becoming a parent forces one to look in the mirror and ask, “how can I be a better person?” and “how can we make the world a better place?” and these themes weave their way throughout Find The Time, a record that explores the transformational nature of parenthood. Of the title track Barber says, “It’s about getting older and becoming more aware of the fact that our time on earth is finite. It is a melancholic reflection on the struggle to live up to ideals, but also a rallying cry to never give up doing what you do, for your own sake and for those who depend on you.” Find The Time is about finding joy in the place you’re at in life. From indie darling to major label radio star to acclaimed folk troubadour and in his latest role as Dad, Matthew Barber is eternally grateful for the opportunity to make music. There will be more tour dates to come, but this time next to the cables and guitars, he’ll be strapping in some car seats.

release date: November 20, 2026 genre: Folk, Singer-Songwriter formats: Digipack CD + "Vintage Burgundy" LP

LP-OUTS-9522C

CD-OUTS-9522

LIVE 1982 ‘83 LP BACK IN PRINT ON RED VINYL! VOID - LIVE 1982 ‘83 – roaring out of the vault after 40+ years, this live recording from Dischord’s most volatile and energetic band sounds just as fresh and urgent as the day it was captured. Originally released earlier this year, we sold out of the clear vinyl so quickly that we knew we had to get this back in print. We also discovered that we didn’t properly label the tapes when it was originally pressed, and that both sides of this LP are from a show at the Wilson Center in July of 1983! We’ve made some small changes to the artwork, but we’d like everyone to know that this is the exact same recording as the clear vinyl pressing. The A-side boasts classic tracks from the legendary Faith/Void record, such as “Ask Them Why”, “Ignorant People” and a particularly incendiary version of “Who Are You?” with Bubba Dupree’s riffs and John Weiffenbach’s vocals scraping right up to the edge of madness. The B-side mixes hardcore classics like “Time To Die”, “My Rules” and “Organized Sports” alongside newer, metal-tinged tracks like “Bloodlust” that would go on to influence a whole new genre of music. The show was recorded by Tom Lyle from Government Issue, with photos from titan of the scene Jim Saah and art from longtime Dischord designer Jason Farrell. Void – Live 1982 ‘83 is an incredible collection from one of DC’s most influential bands. Back in print on red vinyl, this LP pairs perfectly with the Faith – Live at CBGB’s LP, also back in print on red vinyl! Tracklisting: Shades of Grey – Ask Them Why – Ignorant People – Spiral Staircase – Who Are You? - Think Time To Die – Bloodlust – Explode – Let’s Party – My Rules – Slow Burn – Self Defense – Organized Sports ALSO AVAILABLE! Faith – Live At CBGB’s LP OBR 023 - 634457276185

Artist: Void Title: Live 1982 Label: Outer Battery Records Street Date: 11/20/26 UPC: 634457276192 Cat #: OBR 037

Faith Live at CBGB’s BACK IN PRINT ON RED VINYL! Blistering live set from DC Hardcore legends Faith! Recorded

live in December of 1981 at CBGB’s opening for the Bad Brains. Comes with detailed liner notes from the band. All photos by Glen E Friedman, who has done album covers for the Beastie

Boys, Public Enemy and many more. Guy Piciotto from Fugazi traveled with the band to NY for the show and had this to say…

The Faith were one of the best live bands DC ever produced. Having been there, I can confidently say that their show with the Bad Brains at CBGB’s was the best concert happening anywhere on planet earth that night, nothing else could have come close. Artist: Faith Title: Live at CBGB’s Label: Outer Battery Records Street Date: 11/20/26 Cat # LP: OBR 00023-1 UPC: 634457276185

ALSO AVAILABLE! Void – Live 1982 ‘83 UPC: 634457276192

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Sheherazaad Khudgarzi Erased Tapes Formats Extras File under For fans of Box lot Release date

Cat No. Format EAN / UPC

ERATP181LP LP (Black Bio Vinyl) 3700551787067

Track List 1. Qatil 2. Pakeezah 3. Registaan 4. Gulukara 5. Mard 6. Haqeeqat 7. Andhera 8. Zeher 9. Kohinoor 10. Haqeeqat II

Artist Socials IG WWW

@sheherazaadofficial www.sheherazaad.com

Label Socials IG: Bsky: WWW:

@erasedtapesrecords @erasedtapes.com erasedtapes.com

Black bio vinyl LP 20pg booklet, download code Alternative / Folk / Singer Songwriter / World Arooj Aftab, Ganavya, Alabaster DePlume 15 LP 20 November 2026

Khudgarzi (Selfishness) is a woman’s forensic deep dive into the space between duty and autonomy; sacrifice and survival. While at work on her anticipated debut full-length album, Sheherazaad found herself obsessed with the plight of the so-called Khudgarz Aurat — The Selfish Woman. It was a charge she’d heard since childhood, levelled at eccentric women whose desire for agency was often met with an awful end. “Selfishness became a kind of silent prayer,” Sheherazaad reflects. “A portal into a haunted universe of anxieties and desires. I was made to fear a ‘selfish’ kind of woman — embracing her felt like stepping into a forbidden forest I'd been running away from.” The emotional undertow of Khudgarzi was shaped by personal rupture. Written in the wake of a broken engagement, the album carries the debris of rage and guilt — fear of an inner monster, and the sense of not having been enough, or having given too much, to a partner, to a family, to an inherited moral economy. Sheherazaad invokes the “Selfish Women”, seeking their felt presence through fantastical allegory and invented cosmology. The resulting 10-track debut album serves as an oral archive for women who shapeshift between storytellers, courtesans, historians, survivors, and crucially, witnesses. In this living anthology, Sheherazaad does not equate feminine survival with purity, but rather, depicts it as a complex exercise in strategy, performance, and adaptation. Her characters are in one moment goddesses, and in the next, serial killers; Sheherazaad’s vocality steers this absurd caravan ahead steadily as its eccentric ringleader. Musically, Khudgarzi deepens the wilderness of Sheherazaad’s signature folk noir, dark pop soundscape while decisively thrusting forward into unchartered terrain. Along the way, instruments from Hindustani, Turkish, Arabic, and Carnatic traditions — tanbur, santoor, veena, rabab, ghatam, gungaroo — are interwoven with weather noise, and sounds from the human or animal body: gushing water, hot winds and exhales, cavernous echoes, moans and grunts. Mostly sung in Urdu, with passages in English and Tamil, the album’s linguistic choices reflect layered engagements with personal and colonial legacies: split identities, and unbelonging. Sheherazaad assumes the infantile innocence of a nonnative speaker and teases at their semantic weight and depths of possibility. A lush ecosystem of 30+ genre-chaotic musicians — including Ria Modak, Sarathy Korwar, Jay Chakravorty, Shunya, and Qasim Naqvi — merge together on the record. Longingly, Sheherazaad invites other emerging South Asian femme voices like Irfana and Daatri Dadhich to rise alongside her own as sympathetic co-narrators. “We were taught there could be only one of us at the table,” says Sheherazaad, on her keenness to shed the ‘self’ during production, where contrary to the album genesis around ‘selfishness’ there were “ample milestones of togetherness and generosity to be shared.” In Khudgarzi, selfishness is neither villain nor virtue. It is a condition — an instinct, a reclamation. By refusing resolution, the album leaves space for the listener’s own negotiations with selfhood versus sacrifice. What emerges is not a manifesto, but a playground of contradictions — a warm abyss coaxing us into our own solitude.

Marcel Dettmann - My Own Shadow: Album For over three decades, Berlin-based DJ, producer, and curator Marcel Dettmann has remained a central force in electronic music, continuously pushing the boundaries of the craft. Deeply rooted in early influences ranging from post-punk and industrial to synth-pop, his dynamic DJ sets and expansive discography, including seminal releases on Ostgut Ton and Dekmantel, effortlessly weave together raw techno, Chicago house, electro, and avant-garde soundscapes. Far beyond club booths and releases on his own imprints, MDR and Bad Manners, Dettmann’s multidisciplinary ethos has led him into artistic territories spanning gallery soundscapes, ballet compositions, and cinematic film scores. This relentless creative curiosity defines a career built at the intersection of dancefloor functionality, collaborative experimentation, and perpetual sonic evolution. Dettmann introduced My Own Shadow last year, a project where music, visual art, and photography converged in two EPs, Approaching (2025) and Faultline (2026) prior to the release of the full album this coming Autumn. More than just a name, this project lets sound, image, and vision blend organically, reflecting his intuitive process of deconstruction, resonance, and emotional discovery. Speaking about the project Marcel says “My Own Shadow wasn’t born from a big concept. I simply liked the idea of working under another name and started following it. Different things I was doing music, photography, visual work - slowly began to connect. It happened quite naturally. My Own Shadow is me - just seen from another perspective.” Neither an alter ego nor a departure, My Own Shadow: Album is an intimate reflection of the artist; a transient, ever-shifting form that dances with the light and subtly reshapes its contours to reveal new depths. My Own Shadow: Album is built with textural minimalism through rhythm, tension and release, embarking on a path through the recollections and experience of the dancefloor. This space remains the ultimate proving ground where history, instinct, and transcendence collide, guiding Dettmann through his musical interests. My Own Shadow - Album is driven by rhythm, texture, space and tension. Across tracks such as ‘Gravitational Scar’ and ‘Resolution Vector’, these elements are constantly reshaped, connecting Dettmann’s past with a sound that remains firmly in motion.

Release Date: th 20th November 2026 13 November Artist: Marcel Dettmann Title: My Own Shadow: Album Cat/Barcode: K7461LP / 4062548140033 Packaging: 2LP (EcoRecord) For more information please contact Adam Calman adam@k7.com

VINYL TRACKLIST

A1 Resolution Vector A2 Reconstruct Memory A3 Midnight Structure A4 Silhouettes In Dust B1 Linear Depth B2 Temporal Junction B3 Anatomical Void B4 Obscured Presence C1 City Remains C2 Divergent Orbit C3 Threshold D1 Gravitational Scar D2 Mirrors D3 Dark Surveillance D4 Afterimage

KEY POINTS My Own Shadow: Album follows Approaching (2025) and Faultline (2026) EPs from the same project. New album rooted in textural minimalism and rhythm, bridging dancefloor history with fresh sonic exploration. Singles Resolution Vector and Gravitational Scar showcase Marcel at the peak of his production game Pressed on 2LP Ecovinyl

POST-PUNK, SYNTH-POP · FOR FANS OF DÉCIMA VÍCTIMA, MISSING PERSONS, THE GO-GOS

La Isla Electronica 3:17 Bone white 12" — Limited to 150 copies

ARTIST

TITLE

CAT#

FORMAT

RELEASE

SLP

La Isla Electroni…

3:17

ALC-169

Nov 20th, 13th,2026 2026 Nov

$24.99

La Isla Electronica are the Portland synth-punk

the danceable propulsion of The Go-Go's and

taut basslines, and guitar work that knows when

quartet of Susana Sainz, Ian Howe, Amy Kay, and

Missing Persons in the songwriting; you can

to step back. Guest appearances expand the pal-

AJ McClary, and "3:17" — their debut full-

hear the post-punk patience of Chin-Chin in how

ette — Adam Rader threads synth soundscapes

length for à La Carte Records, out November 13

the

Isla

through "Accion," "La Esquina De Casa," and

— is what happens when a band built between two

Electronica work all of those lineages as if

"Ahorra Tu"; Madison Younger adds guest guitar

continents stops trying to pick a side. Nine

they were one continuous scene that just hap-

and Eric Stipe trumpet to "El Destino" — with-

songs, twenty-four minutes, sung in Spanish,

pened to be separated by an ocean.

out ever crowding out the core quartet. The

the record drifts through Mediterranean heat and Pacific rain in the same breath, splitting the difference between the cold romanticism of early-80s Spanish underground electronic music and the bright-edged urgency of femme-fronted American new wave.

band

uses

silence

hook.

"3:17" is a migration record without sounding like

one.

Sainz

writes

through

the

surreal

beauty of feeling permanently in transit — the songs slip between memories of Spain and the strange glow of an American dream that won't quite finish loading, and the lyrics circle

record was engineered and mixed by Evan Mersky at Red Lantern Studios in Portland and mastered by Sasha Stroud, with front and back cover paintings

Matt

Cosby,

photography

McClary and Samia Bradley, and layout by Studio AYC.

The reference points cut across geographies.

questions of identity without trying to resolve

First single "Volver a Empezar" arrives August

You

them.

but

21, "Siempre Igual" follows September 18, and

minimal-wave underground — Aviador Dro, Décima

there's a sensibility: a band that treats the

"El Destino" lands October 16 ahead of the al-

Víctima, Esplendor Geométrico — in the locked-

in-between as the actual address.

bum. "3:17" arrives November 13 on à La Carte

can

hear

the

chrome

chill

Madrid's

pulse synths and the band's willingness to let a chorus arrive without warning; you can hear

There's

Sonically,

the

single

album

anthem

balances

here,

acoustic

and

electronic drums under churning analog synths,

DISTRIBUTION CONTACT

LABEL CONTACT

LABEL

Will Savery

Adam Downey

alacarterecords.com

will@redeyeworldwide.com

adam@clandestinelabelservices.com

info@alacarterecords.com

877-733-3931 x287

@alacarterecords

Records, pressed on two limited 12" vinyl variants and across all digital platforms.

52805

57368

Singin’ to an Empty Chair

Back in Stock!

Limited Edition Pink Cassette

Street Date: November 20th, 2026

Due to a manufacturing error, the formerly green Singin’ to an Empty Chair cassette turned out pink. Instead of tossing them, we decided to offer them to you! Very limited quantity, get ‘em while you can! Sel. #: NW9031C CONFIG: Hardshell, J-card inlay, pink cassette UPC: 607396903115 • Box Lot: 50 Count Genre: Alternative, Indie

Praise for Singin’ to an Empty Chair 100 Acre Wood Indie Exclusive LP

Sel. #: NW7066LP CONFIG: 2xLP, 3 sides, 4th side etching, gatefold + 2 printed sleeves + sticker, Brown and Green Marbled Vinyl UPC: 607396706617 • Box Lot: 20 Count Genre: Alternative, Indie

Also Available... Vinyl

Sel. #: NW5959LP CONFIG: 2xLP, 3 sides, 4th side etching, gatefold + 2 printed sleeves + sticker, black vinyl UPC: 607396595914 • Box Lot: 20 Count Genre: Alternative, Indie

ROLLING STONE’S BEST ALBUMS OF 2026 SO FAR PITCHFORK’S BEST MUSIC OF 2026 SO FAR

#2 CONSEQUENCE’S BEST 33 ALBUMS OF THE YEAR SO FAR BILLBOARD’S 50 BEST ALBUMS OF THE YEAR SO FAR

“The Chicago band has never sounded better, or more true to itself than on Singin’ to an Empty Chair.” - Pitchfork “Singin’ To An Empty Chair is about as good as American indie rock gets.” - Stereogum “Ratboys at their best.” - NPR Music

“Ratboys are experts in making the simplest rock songs sound vast and atmospheric.” - Variety “A remarkably moving experience.” - MOJO “Their best yet.” - Brooklyn Vegan

“Ratboys’ sixth album is a rare, bracing look at that no-mans-land—an album that lets emotional maturity be the thing with teeth.” - Paste “Ratboys have earned their seat at the top table.” - 4.5 stars - DIY 4 stars - Far Out UK

Sel. #: NW6619CD CONFIG: wallet, insert, sticker UPC: 607396661923 • Box Lot: 30 Genre: Alternative, Indie

Indie Edition CD

Sel. #: NW6619SCD CONFIG: wallet, insert, sticker, AUTOGRAPHED UPC: 607396661909 • Box Lot: 30 Genre: Alternative, Indie **Shared with New West D2C

ratboysband.com

8/10 - Line of Best Fit

Tiny Desk

newwestrecords.com

NEW RELEASE INFORMATION BLOOD AND SUN Title:

Aion’s Light

Release Date:

2026-11-20

Label:

NORDVIS

Genre:

DARK FOLK

Country:

USA

Cat No:

Format:

Barcode:

NVP240CD

7350142983628

NVP240LP

LP (Multi-Colour)

7350142983635

OVERVIEW: With “Aion’s Light”, Blood and Sun’s third full-length album, Luke Tromiczak brings his vision of American neofolk back to its rawest foundations while pushing further into the borderlands between song, spell, and memory. The album was recorded entirely on the same Tascam 414 four-track cassette portastudio used for Blood and Sun’s earliest demo. Songs were written and tracked in the order they appear, effects were committed to tape, and each bounced-down instrument narrowed the path ahead. Every decision carried weight; raw instinct became part of the final form. Musically, “Aion’s Light” stands somewhere between 70s folk songcraft, underground black metal spirit, and the eerie atmospheres of B-movie horror soundtracks. Echoes of Scott Walker, Of the Wand and the Moon, Woven Hand, Swans, Dave Bixby, Exuma, Leonard Cohen, and Storm can be felt throughout. Guitar chords are hammered into place as a foundation for bass, keyboards, percussion, and voice; sparse arrangements gather weight through repetition, atmosphere, and the grain of the recording itself.

TRACKLIST:

MARKETING & PROMOTION / SELLING POINTS:

1 - Aion’s Light 2 - Life Lessons 3 - Jacob’s Ladder 4 - Kiss the Wilds 5 - Horrid Host 6 - Gifts of Oneiroi 7 - Axe and Mistletoe 8 - A Nation Falling 9 - All is Bloom All is Ruin

• Third full-length album from acclaimed American neofolk artist Blood and Sun. • European headline tour across 20+ cities scheduled for October–November 2026 in support of the album release. • Recorded entirely on the original Tascam 414 four-track cassette recorder used for the project's earliest demo. • A compelling blend of traditional folk, ritualistic atmospheres, and an uncompromising DIY ethos. • Features Luke Tromiczak's most intimate and stripped-back songwriting to date. • For fans of Of the Wand and the Moon, Woven Hand, Death in June, Current 93, and Leonard Cohen. • Premium physical editions featuring Spot UV, metallic silver Pantone print, and silver foil finishes. • Released by Nordvis, the Swedish label renowned for its carefully curated catalogue of folk, metal, and atmospheric music.

Nordvis Produktion • Garvaregatan 6 • 93332 Arvidsjaur • Sweden • www.nordvis.com • info@nordvis.com

TRACKS

ABOUT THE ALBUM This is the Dahmers third album “Creature Feature” and the band continues to dig deeper in to a world of dark things, the things that don't belong, provokes, gives you the creeps or just makes you want to look away. “Our vision has been to explore and develop the bands sound but also to maintain the bands profound and colorful essence. We want people to feel good when they hear the album, take them with us to another planet and make 'em forget about all the trouble in the world for a while” - Christoffer Karlsson (Vocal/guitar) The album was recorded and co-produced by Johan Gustafsson aka “The Johan and only” from the Hives in studio Ingrid in Stockholm. There's a new level and feel to the production with guest musicians on some tracks. With instruments like brass, cello, flute and piano the songs reaches their full true potential, along with added synth elements this gives the band a fresh feel. There's a wide variety of songs on the album where every track has it's very own theme, sound and characteristics. Where deep subjects like darkness, sorrow and alienation being explored along with the bands continuing homage to the classic slasher and giallo flicks of the 70's and 80's, but also songs about a Swedish fakir, cults, rats and creatures from outer space. This album is a celebration to trash culture and to the underdogs, all delivered with that catchy uplifting chorus The Dahmers do best. Creature Feature is out on the bands own label Eerie sounds and was first released on Friday the 13th in February 2026.

1. Creature Feature 2. Nightmare of '78 3. Creeps From Outer Space 4. River City Skyline 5. L.O.V.E 6. Underdog 7. El Salama 8. In the Dark 9. Teenage Caveman 10. Braindead 11. Isolation 12. The Raven 13. Wake Up the Dead

Artist: THE DAHMERS Album: CREATURE FEATURE Label: Eerie Sounds Cat.nr: EERS001 Street date EU: 2026-10-30 Street date US: 2026-11-20 Genre: Rock / Garage rock / Punk Country: Sweden For fans of: The Hellacopters, The Hives, The Misfits and Roky Erickson. Media: Vinyl LP (2nd ed. Limited to 500) Color: Transparent green EAN: 7393210308428

ABOUT THE BAND The Dahmers is a Frankenstein's monster of deadly catchy songs! In a spinning turmoil of punk attitude, brain melting riffs and striking pop melodies The Dahmers stays in your head like a leech, a band that stands out in their own way. By mixing a range of various musical influences with old school horror aesthetics the group has achieved a very characteristic touch and sound with a lot of personality. Catchy tunes blended with dark themes such as horror, alienation and frustration inspired both from fiction and everyday life makes the bands style very colorful and captivating. They are known for their qualitative songs as much as being a sensational live band with a highly visual show. The Dahmers do what they do with a ton of devotion which has given them an increasingly dedicated fan base around the world.

CD (limited to 500) EAN: 7393210308435 CREDITS All songs written, performed and produced by The Dahmers. “Nightmare of ‘78” and “In the Dark” was co-produced by Johan Gustafsson and Christian Grahn. (The Hives)

STREAMING LINK

LINKS Facebook Instagram Youtube Shop CONTACT Contact@Dahmers.com

Recorded by Johan Gustafsson and Christoffer Karlsson. Mixed by Joakim Lindberg Mastered by Magnus Lindberg Artwork by Robert Sammelin Press photo by Martin Sventorp

BOOKING: Walk on agency baragort@outlook.com PR Tobias Isaksson tobias@aloaded.com

Guest musicians: Viktor Brobacke - Trombone Christoffer Roth - Trumpet Gustav Bendt - Saxophone Caroline Poulsen - Backup vocal Cecilia Linné - Cello Joakim Lindberg – Synthesizer Dan Sigurdsson - Piano

DISTRIBUTION Border music info@bordermusic.eu

www.Dahmers.com

MORABEZA TOBACCO It’s Only Heaven US street date: November 20, 2026 | Format: 180g 12″ LP / Digital | Lead single: “Famine” | Cat. No: DREAM27 | Label: Dream On

Morabeza Tobacco’s career has existed in a state of perfected separation: like a mirage, they operate in the global cloud while remaining all but invisible on the sidewalks of Mariatorget. Their third album, It’s Only Heaven, is a détournement of their own success; a homecoming to Stockholm. This is music formulated with the kind of cool that only arrives once you’ve stopped asking for permission. Vanilla Stillefors and Gustav Jennefors channel the ethereal distance of A.R. Kane and mornings on the white shores of Formentera. The local emerges in the details: in the light of a worn tobacco shop and in the decision to — finally — take their place. The mirage has found an address. MORABEZA TOBACCO is a Swedish duo based in Stockholm. They have previously released the albums Morabeza Tobacco (2019) and Shadow of the Cherry (2022). It’s Only Heaven is their first album on Dream On. Product details Vinyl: 180g heavyweight 12″ LP Artwork: Hand-drawn cover art by Johannes Brander Street date: November 20, 2026 (US) Digital: Available on all platforms Words & music: Vanilla Stillefors & Gustav Jennefors · Production: Gustav Jennefors · Artwork: Johannes Brander Mastering: Johan Åkerström · Record man: Andersson/Maglio

Press: sofia@dream-on.se | info@dream-on.se

Label website: www.curationrecords.com

Wayne Faler Foreword Vinyl/CD/Digital Catalog#: CURED055 UPC Vinyl LP Black: UPC Vinyl LP Silver: UPC DIGITAL:

850070373265 850070373289 634457277663

On his sophomore solo release, Foreword, Wayne Faler (formerly of L.A.’s paisley-pop band Dream Boys) continues to expand the moody landscape of his self-titled debut. Featuring atmospheric pedal steel and 12-string acoustics, the album blends brooding ’80s new wave with dreamy vocal harmonies—a combination Faler describes as “Echo and the Bunnymen meets the Everly Brothers.” He has played and recorded with numerous groups in L.A, including Nic Hessler (Captured Tracks), Devon Williams (Slumberland Records), and Bart Davenport (Bart and the Bedazzled) and was a founding member of Dream Boys. The band gained attention for its jangly, C86-style guitar riffs and three-part harmonies, and went on to release two albums and open for bands like Real Estate and Allah-Las. For Foreword, his first release on Curation Records, Faler combines the melancholy textures of New Wave with Americana and Dream Pop. The album, which features a handful of songs written soon after moving to California as well as more recent tracks, was recorded with the help of friends and former bandmates. For fans of Creation Records, 4AD/Beggars Banquet, Domino Records, and Curation Records. Marketing & Selling Points ●

Longtime LA Paisley Underground revivalist and jangle pop songsmith Wayne Faler is back with his sophomore solo release Foreword, his first for Curation Records.

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Featuring atmospheric pedal steel and 12-string acoustics, the album blends brooding ’80s new wave with dreamy vocal harmonies—a combination Faler describes as “Echo and the Bunnymen meets the Everly Brothers. Faler was a founding member of Dream Boys with Will Ivy (Flat Worms), Wallace Meek (Neverever), and Mike La Franchi (Traps PS). The band gained attention both locally and abroad for its jangly, C86-style guitar riffs and three-part harmonies, and went on to release two albums and open for bands like Real Estate and Allah-Las. For fans of Creation Records, 4AD/Beggars Banquet, Domino Records, and Curation Records. The album comes in three colours Black, Silver (US), and Sea Blue (EU/UK) Press/Radio Campaign for UK/US will be done by Ken Lower (UK) & Pirate! (US, radio)

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LISTEN TO - Foreword:Stream It LISTEN TO - Foreword:Download

The Lemonheads x The Bevis Frond – Roky/ The Great Big No/ My Drug Buddy

The Lemonheads release a strictly limited edition 12” single on 21st September featuring three classic tracks on white vinyl. Lead cut is ‘Roky’, Evan Dando’s homage to the late, great outsider genius Roky Erickson (of garage psyche legends 13th Floor Elevator and much solo strangeness). "If Roky Erickson had vanished from the face of the earth after The 13th Floor Elevators released their epochal debut single, ‘You're Gonna Miss Me’, in early 1966, in all likelihood he'd still be regarded as a legend among garage rock fanatics for his primal vocal wailing and feral harmonica work." AllMusic

Artist: The Lemonheads x The Bevis Frond

‘Roky’ is Evan's incisive take on the songwriter’s struggles and features a searing guitar break from the song's co-writer Nick Saloman (The Bevis Frond)

Title: Roky/ The Great Big No/ My Drug Buddy Release date: 2026-11-20 Label: Fire Records

The Bevis Frond toured with The Lemonheads in support of the latter’s much-praised ‘Love Chant’ album of 2025 from where ‘Roky’ originally comes. And, to complete this unique package, the Frond cover two Lemonheads’ songs, ‘The Great Big No’ and ‘My Drug Buddy’; both sounding like the kind of UK-based left field power pop that inspired Kurt Cobain in the formative days of grunge – indeed, they could have snook out on the original Rough Trade or 53rd & 3rd labels at any time.

Track List

Fact fans looking for Roky-styled curveball ley line between events, might note that The Lemonheads covered The Bevis Frond’s ‘Old Man Blank’ on 2019’s ‘Varshons II’, the same year that Roky sadly passed.

A1: The Lemonheads – Roky feat. Nick Saloman B1: The Bevis Frond - The Great Big No (The Lemonheads Cover) B2: The Bevis Frond - My Drug Buddy (The Lemonheads Cover)

CAT# FIRELP811

FORMAT LP

DESCRIPTION Limited WHITE VINYL

BARCODE 809236006479

NEW RELEASES Street Date: 11.27.26 | Order Date: 10.30.26

ARCA XXXXX

STREET DATE: November 27th, 2026

LP: XL-1662-LP

File Under: Dance/Electronic Vinyl non-returnable

TRACKLISTING No End Willow Eidolon Heart Syncope Raver Cinch Fxck Finisher Taconeando Futurality Grip Enraptured Throb Everything Sueño

134 GRAND STREET, NEW YORK, NY 10013

The album’s striking artwork depicts Arca as a biomechanical entity, accompanied by two owls—symbols of protection and the underworld in Greek mythology. Like the music itself, the imagery inhabits a space between worlds where transformation is both terrifying and liberatory. Suspended between posthuman augmentation and raw emotion, XXXXX exposes the mainframe. It is a record born from uncertainty, contradiction, instinct, and surrender—a becoming-machine that continues Arca’s lifelong project of redefining what it means to be human both in, and against, the machine. For Arca, rebirth has never been a metaphor, but a practice. She continues to exist in multiple states simultaneously, collapsing boundaries between human and machine, high and low culture, and experimental noise and pop music. Following her first-ever painting exhibition at London’s ICA earlier this year, XXXXX arrives as the latest transmission from a continuously evolving creative process. Over the last year, Arca has remained prolific: unveiling the double-sided single “Puta” / “Sola”; remixing tracks for Addison Rae, Robyn, and Hikaru Utada; collaborating with Tokischa on “Chama”; and contributing production to Madonna’s CONFESSIONS II. She walked the runways and made appearances at major international fashion weeks, while also composing the original motion picture soundtrack for Stillz’s film, Barrio Triste.

WWW.XLRECORDINGS.COM

505 ENO STREET HILLSBOROUGH NC 27278 REDEYEWORLDWIDE.COM 877.733.3931

SIDE A 1. THINK TWICE 2. IT'S AN ACTION 3. THIS THING CALLED 4. PROGRESS 5. IN MY HEADACHE 6. UNDERAGE 7. SELF ABUSE

SIDE B 1. CULT BAND 2. LAST ONE 3. PURE HATE 4. CASTRATION 5. REGGAE (I HATE) 6. GIVE IT UP 7. THINK FAST

• INAUGURAL RELEASE IN OUR POISON IDEA PICTURE DISC SERIES, COLLECT THEM ALL! • APPROVED FOR RSD BLACK FRIDAY IN THE UK! WE’RE OFFERING UP A LIMITED NUMBER OF COPIES TO INDIE RETAIL IN THE US!

Poison Idea’s punishing debut was released in 1983, a few years after the band formed in Portland, Oregon. At this juncture, the band consisted of founder and enormous frontman Jerry A., guitarist Tom Roberts – later to be rechristened Pig Champion, due to his porcine build, bassist Chris Tense, and drummer Dean Johnson. Already, Jerry A. sang like a man in the middle of a heartattack, bellowing furiously, frighteningly. In other words, the template was being created for albums to follow. With Pick Your King – a reference to Elvis and Jesus, Poison Idea helped establish the paradigm for aggressive American hardcore punk.

POISON IDEA: PICK YOUR KING (PICTURE DISC) LP-AMLE-004IE UPC: 840526503865 ALSO AVAILABLE: CD-AMLE-0004 UPC: 614511878425

X Founded in 1970 by Charles Tolliver and Stanley Cowell, Strata-East Records has embodied and pioneered artistic freedom in its highest form, supporting the visions of the most influential musicians of its time. Strata-East’s commitment to artist-produced records and high production standards has earned it a revered place in jazz hisotry. This mission continues through a partnership with Mack Avenue Music Group, ensuring the highest quality releases from its historic catalog.

Cecil Payne Zodiac NOVEMBER 27, 2026

For collectors, Strata-East Records’ Dolphy Series is the gold standard of 1970s jazz curated and produced by the incomparable Clifford Jordan. That includes saxophonist Cecil Payne’s (Dizzy Gillespie, John Coltrane, J.J. Johnson & more) Zodiac, the third installment of the Dolphy Series features performances by Kenny Dorham, Wynton Kelly, Wilbur Ware and Albert “Tootie” Heath. Audio remastered from the original tapes at 192khz/24 bit plus newly commissioned liner notes by Syd Schwartz and never-before-seen photos. 1. Martin Luther King, Jr. 7:00 a. I Know Love 2. Girl, You Got a Home 10:51 3. Slide Hampton 4:25 4. Follow Me 7:08 5. Flying Fish 12:21 Artist: Cecil Payne Title: Zodiac Suite Genre: Jazz/Post-Bop CD Catalog #: SES-19734-262 CD UPC: 708857973422 Box Lot Qty: 30

Produced by: Clifford Jordan Cecil Payne: Baritone Saxophone Kenny Dorham: Trumpet Wynton Kelly: Piano, Organ (2) Wilbur Ware: Bass Albert Kuumba Heath: Drums

serecs.com • mackavenue.com

Charles Brackeen Rhythm X

WORLDWIDE STREET DATE: NOVEMBER 27, 2026 In the late 1960s, saxophonist and producer Clifford Jordan produced and recorded 4 albums that would later be known as The Dolphy Series, released by Charles Tolliver & Stanley Cowell’s famed Strata-East Records. That includes saxophonist Charles Brackeen’s Rhythm X, a stunning debut album featuring the backing band of another modern giant, Ornette Coleman. With Don Cherry, Charlie Haden and Ed Blackwell, Rhythm X stands as a nod to the birth of free jazz, post-bop and spiritual jazz. Vinyl: Audio cut directly from the original analog tapes, mastered by Kevin Gray and pressed on 180-gram vinyl RTI, housed in a deluxe gatefold tip-on package with never-before-seen photos and new liner notes by David Yorkin. This edition features a limited edition StrataEast Dolphy Series postcard set with exclusive artwork. CD: Audio remastered from the original tapes at 192khz/24 bit plus newly commissioned liner notes by David Yorkin and never-before-seen photos. Artist: Charles Brackeen Title: Rhythm X Genre: Jazz CD Redeye Item #: CD-SES-19736IE CD UPC: 708857197323 CD Config: 6-Panel Digipak w/ plastic tray

LP Redeye Item #: LP-SES-19736IE LP UPC: 708857362615 LP Config: Deluxe Gatefold

1. Rhythm X 8:03 2. Hour Glass 11:31 3. Charles Concept 7:50 4. C.B. Blues 7:00 Producer: Clifford Jordan, Jr. LP supervision by Ched Tolliver and David Yorkin, Strata East West LP mastering by Kevin Gray, Cohearent Audio Musicians listed alphabetically: Ed Blackwell, drums Charles Brackeen, tenor saxophone Don Cherry, trumpet Charlie Hayden, bass

serecs.com • mackavenue.com

Shamek Farrah

First Impressions (Deluxe Edition) WORLDWIDE STREET DATE: NOVEMBER 27, 2026 Shamek Farrah’s First Impressions has become the holy grail of spiritual jazz recordings for vinyl collectors, with mint condition original pressings fetching over $2,000, underscoring the significant impact it has had on generations of fans. Reemerging into the public eye with a New York Times feature in 2025, Farrah’s legacy continues with this deluxe edition of his debut album featuring 3 previously unreleased songs and new liner notes recounting the recording sessions and journey First Impressions has been on since it’s original release by Strata-East in 1974. Vinyl: Audio cut directly from the original analog tapes, mastered by Kevin Gray and pressed on 180-gram vinyl RTI, housed in a deluxe gatefold tip-on package with never-beforeseen photos, new liner notes by Shamek Farrah and a limited edition album cover art print. CD: Audio remastered from the original tapes at 192khz/24 bit plus newly commissioned liner notes by Shamek Farrah and never-before-seen photos.

Artist: Shamek Farrah Title: First Impressions (Deluxe Edition) Genre: Jazz/Spiritual Jazz

1. Meterologicly Tuned 11:00 2. Watch What Happens Now 5:35 3. Umoja Suite 7:21 4. First Impressions 11:29 5. Bantu Blues 12:25 6. Two For Three 8:06 7. Aisha 10:53

CD Redeye Item #: CD-SES-741226 CD UPC: 708857122622 CD Config: 6-Panel Digipak w/ plastic tray

Producer: Shamek Farrah/Janfar Productions LP supervision by Ched Tolliver and David Yorkin, Strata East West LP mastering by Kevin Gray, Cohearent Audio

LP Redeye Item #: LP-SES-741226IE LP UPC: 708857122615 LP Config: Deluxe Gatefold

Shamek Farrah: Alto Saxophone Norman Person: Trumpet Kasa Mu-Barak Allah: Piano (tracks 1-2) Sonelius Smith: Piano (tracks 3-7) Milton Suggs: Bass Clay Herndon: Drums (tracks 1, 2) Ron Warwell: Drums (tracks 3-7) Calvert “Bo” Satter-White: Conga (tracks 3-6) Kenny Harper: Percussion (tracks 3-6)

serecs.com • mackavenue.com

OLD 97’S • COLOR VINYL RE-ISSUES OLD 97’s VINYL BACK IN PRINT FOR THE FIRST TIME IN 10 YEARS. PRESSED ON COLOR VINYL. STREET DATE: NOVEMBER 27, 2026 Four out-of-print Old 97’s albums are finally back — and for the first time ever, pressed on color vinyl. Each title returns as a limitededition marble pressing: Sunflower Marble (Blame It On Gravity), Moonlight Blue Marble (Drag It Up Deluxe Edition), Whiskey Marble (Grand Theatre Volume One), and Smoke Marble (Grand Theatre Vol. 2).

Drag It Up (2004) was the Dallas band’s first album after a three-year break, recorded partly inside a converted 19th-century church at Dreamland Studios in Hurley, NY. It reached #120 on the Billboard 200 and was hailed as “joyous alt-country” by Cleveland Scene. Blame It On Gravity (2008) marked a return to form, tightening the band’s sound and channeling the pop energy of Too Far to Care. It hit #85 on the Billboard 200, earned an A- from Robert Christgau, and NPR called it “their best album in seven years.” The Grand Theatre Volume One and Vol. 2 grew from the same sessions — the band road-tested new songs during a residency at Dallas’s Sons of Hermann Hall, then cut over two dozen tracks at Treefort Studios in Austin. The best became Volume One (2010), which includes “Champaign, Illinois,” a rewrite of Bob Dylan’s “Desolation Row” that Dylan approved and let the band credit as a cowrite. The rest became Vol. 2 (2011), a rare two-part song cycle in the band’s catalog. Out of print for over a decade, all four albums return November 27, 2026, as limited-edition color vinyl — a milestone reissue campaign for one of alt-country’s most enduring bands, in their original packaging, marking each title’s first-ever color pressing.

Drag It Up (Deluxe Edition)

Blame It On Gravity

LP Sel #: NW7081LP CONFIG: 2xLP, Jacket, Marketing Sticker, Moonlight Blue Marble Vinyl UPC: 607396708116 Box Lot: 10 Count Genre: Country, Americana ***First Time Color Pressing ***Available on CD - 607396625826

LP Sel #: NW7080LP CONFIG: 1xLP, Jacket, Marketing Sticker, Sunflower Marble Color Vinyl UPC: 607396708017 Box Lot: 20 Count Genre: Country, Americana ***First Time Color Pressing ***Available on CD - 607396614721

The Grand Theater Volume One

The Grand Theater Vol. 2

LP Sel #: NW7082LP CONFIG: 1xLP, Jacket, Marketing Sticker, Whiskey Marble Color Vinyl UPC: 607396708215 Box Lot: 20 Count Genre: Country, Americana ***First Time Color Pressing ***Available on CD - 607396619023

LP Sel #: NW7083LP CONFIG: 1xLP, Jacket, Marketing Sticker, Smoke Marble Color Vinyl UPC: 607396708314 Box Lot: 20 Count Genre: Country, Americana ***First Time Color Pressing ***Available on CD - 607396620425

old97s.com

newwestrecords.com

BUDDY MILLER

Nothing But a Child / On The Road to Bethlehem Street Date: November 27, 2026 Track Listing SIDE A 1. Nothing But a Child (feat. Julie Miller) SIDE B 2. On The Road to Bethlehem (feat. Sarah Buxton)

7” Vinyl Sel. #: NW6631LP CONFIG: Red 7” Vinyl, Jacket, Marketing Sticker UPC: 607396663118 Box Lot: 50 Count Genre:Christmas, Americana, Country, Singer-Songwriter

Don’t forget to stock up and re-order the latest self-titled release from Buddy Miller. CD Buddy Miller has spent three decades as one of Americana’s most trusted voices — a GRAMMY-winning guitarist, producer, and songwriter whose fingerprints are all over records by Emmylou Harris, Robert Plant, Alison Krauss, and Steve Earle. Now he brings that same lived-in warmth to the holidays, pairing a devotional original from Julie Miller with a beloved Steve Earle classic on a strictly limited red 7” vinyl pressing — the kind of collectible that turns up under the tree and stays in rotation every December after. Side A, “Nothing But a Child,” is Steve Earle’s enduring nativity ballad, and Miller treats it like a hymn — spare, hushed, and aching with reverence. It’s a wise-men’s journey that lands on the oldest Christmas truth there is: sometimes it takes nothing but a child to lead a weary world back into the light. Side B, “On the Road to Bethlehem,” is a Julie Miller original built on a gently rolling gospel pulse — an open-armed invitation to the needy, the sick, and the sinful alike. It’s mercy set to melody, and it plays beautifully against Earle’s classic. Two songs, one gorgeous red disc, and a whole lot of Christmas spirit from an artist revered across Americana, country, and roots music. This is a must-stock for holiday endcaps, gift shoppers, and the collectors who chase every limited Buddy Miller pressing. BUDDYMILLER.COM NEWWESTRECORDS.COM

Sel. #: NW6623CD CONFIG: Digiwallet UPC: 607396662326 Box Lot: 30 Count Genre: Americana, Country, Singer-Songwriter

INDIE CD Sel. #: NW6623SCD CONFIG: Digiwallet, Autographed UPC: 607396662302 Box Lot: 30 Count Genre: Americana, Country, Singer-Songwriter

VINYL Sel. #: NW7078LP CONFIG: 1xLP, Single Jacket, Black Vinyl, marketing sticker UPC: 607396707812, Box Lot: 20 Count Genre: Americana, Country, Singer-Songwriter

INDIE ONLY VINYL Sel. #: NW7085LP CONFIG: Single Jacket, Autographed, Clear Color Vinyl, marketing sticker UPC: 607396708512 Box Lot: 20 Count Genre: Americana, Country, Singer-Songwriter

Title:

Arabs In Aspic Sorgens Kapittel

21.10.2026 Release date: 27.11.2026 Label:

Karisma Records

Cat No: Formats:

KAR329CDD Digipak CD

Dlr Price:

115,00 kr

/ KAR329LP

/ KAR329LPC

/ KAR329LPC2

/ LP

/ Ltd LP (Cloudy) / Ltd LP (Marble)

File Under:

/ 240,00 kr / Progressive Rock / Heavy Retro Rock

250,00 kr /

Barcode:

7073317004774 / 7073317004781 / 7073317004798 / 7073317004804

OVERVIEW:

Trondheim’s progressive flagship Arabs in Aspic delivers yet another long-awaited release on the renowned label Karisma Records, marking their strong partnership with the brand-new studio album «Sorgens kapittel» on Wednesday, October 21st 2026. This will be a highly special and emotional release for the band. The album is being releasedon what would have been the 50th birthday of the band’s longtime organist and vocalist, StigArve Kvam-Jørgensen, who passed away suddenly in 2025. The album title «Sorgens kapittel» sets a deep and personal frame around the band’s newest work, serving both as a processing of the loss and a tribute to his musical legacy. Musically, this is a dark and heavy album, but in classic Arabs fashion it is all balanced with a generous dose of humor and a glint in the eye. The songs on «Sorgens kapittel» are written entirely in Norwegian, making the lyrics colorful and vivid for those who understand the language, and exotic for those who do not. After more than 20 years at the forefront of Norwegian prog rock, the band continues its unique retro-progressive sound. The listener is taken on an uncompromising journey marked by heavy riffs, intricate vocal harmonies, and classic 70s nostalgia — led by the massive wall of screaming Hammond organ, Fender Rhodes, vintage synths, heavy guitars, and funky bass lines that Stig Arve helped shape over decades. For new listeners, it should also be mentioned that the band has two drummers, so rhythmically there is a lot to follow both live and on record with Arabs in Aspic. With a focus on their native language, the lyrics reflect on human destinies, grief, the absurdities of everyday life, and the challenges of modern society, delivering MARKETING & PROMOTION / SELLING POINTSa raw, organic, and dynamic listening experience. The album will be available on CD, a limited number of colored vinyl in three editions, and on all digital streaming King Crimson, Black Sabbath, Høst, Uriah Heep and Ruphus • For fans of: services from October 21st. • Digipak CD and Gatefold LP with stunning art by longtime Arabs collaborator Julia Proszowska • Limited LP versions on Cloudy and Marble vinyl (300 copies each) • A heartfelt and touching tribute to the late Stig Arve Kvam-Jørgensen • Recorded at Børse Studio by Jostein Smedby and mastered at Cuttingroom in Stockholm. • Digital single: Siste Dans (single edit) (30. September) TRACKLIST: 1. Avgrunnen Kaller 2. Lokale Sagn og Mytteri 3. Satanisten 4. Kompisen 5. Nudisten 6. Syndenes Magi Del 2 7. King Size Brynje 8. Pentagram 9. God på Dårlig Stemning 10. Det er Deg! 11. Lyset 12. Siste Dans Label website: www.karismarecords.no Band website: https://www.arabsinaspic.org Listening link: https://promo.theorchard.com/ya4PhSXnI32Y7SN1MpNd

250,00 kr

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T aki ngal lt hi ngss i x t i esasas t ar t i ngpoi nt ,f r om l us hs uns hi nepopal aCur tBoet t chert ot heKi nks ' cl ev erhook f uel l ednumber st ot hegoof i nes sofJ er r yKas enet zandJ ef fKat z ' sv ar i ousbubbl egum pr oj ect s ,TheGood,TheBad and t heCuddl yi sacur i ouscol l ect i onofhuggabl e,ki s s abl e,ev en danceabl epop.Andaswi t hal lt hi ngsnos t al gi c,i thel pst hatt her ecor di sgi r dedbyBeck et tand Smi t h' scapabl es ongwr i t i ng. Thegr oov y" dot hemonk ey "beat sont heopener' BBBi cy cl es 's eem t o s ett hi ngsup f oracampyt hemepar t y ,butaf t ert hati ni t i albur s toff r at boyf un,TheGood. . .f l i t s bet weens wooni ngchamberr ockandt hemor ej angl y , t wees oundsofl at es i x t i esAM r adi o. Songsl i k e t hel az y' Ghos tT own'andt hemor ebuoy ant' Got t aGetOut 'us el i mi t edar r angement st omax i mum ef f ect , es peci al l yt hef or mer ' snov i cepi ano/ hor ns / s t r i ngsmi x . Andt hought het onguess omet i mesget pl ant edal i t t l et oof i r ml yi ncheek-t hecl os i ng' 2Gi r l sf r om Mont r eal 'cul l st hewor s toft heOhi o Ex pr es s / Ar chi ess cht i ck-t heband' si r r ev er encei sawel comes t epawayf r om t heov er wor s hi pped al t arofBr i anWi l s on. -Mi chaelPanont i n TheBi cy cl esar eaf i v epi ecegr oup f r om T or ont oandTheGood t heBad and t heCuddl yi st hei r br i l l i antdebutal bum.T aki ng t hebes tofpop ( wi t hacapi t alP)mus i cf r om t hel as t40y ear s ,l i k e chamber / bar oque pop hor ns and s t r i ngs , bubbl egum mel odi es ,i ndi e pop char m, Br i l l Bui l di ngwor t hys ongcr af t ,t he ener gyofgar age r ock,and new wav e doi t y our s el fat t i t ude,t he band' ss oundi sagl or i oust es t amentt ot hebeaut yandwonderofpopmus i cl ar geors mal l . Us i ngt he cl as s i cpopl i neupofgui t ar s , v ocal har moni es , v ar i ousk ey s , ands mal l dos esofhor ns , t heBi cy cl esand t hei rf r i endsf r om s i mi l arbandsl i k et heHi ddenCamer as ,t heGol denDogs ,andt heMel i gr ov eBand hav e cr eat ed s omet hi ng v er y coolher e.The Good t he Bad and t he Cuddl yi s made up of har dchar gi ngr ock er s( " BBBi cy cl es , "" Pl eas eDon' tGo" ) , r ams hackl er ock er s( " Got t aGetOut , "" L uck ofL ov e" ) ,r ol l i cki ng Ki nks ypop ( " Par i sBeMi ne, "" Sur eWasGr eat " ) ,good ol d br eez yi ndi epop ( " Homewor k, "" L ongj ohnsandT oques " )ands ur pr i s i ngl ypoi gnantbal l ads( " IWi l lAppearf orYou, " " Aus t r al i a, "" Ghos tT own" ) ,eachs ongar r angeds i mpl yanddef t l y ,ands ungwi t hi nnocentf er v oror hear t s t oppi ngs weet nes sast heoccas i ondi ct at es . Theonl yt hi ngt hats l owsdownt her ecor dabi ti s t hecov eroft heHar r yNi l s s onpennedMonk eess ong" Cuddl yT oy " ;i ts omehowbr eakst hes pel lt hat tov ert hepr ev i oust ens ongs .May bei t ' sbecaus ei tmak ess peci f i cr ef er encet ot he hasbeencas gr oup' si nf l uences ;may bei t ' sduet ot heband' sor i gi nal bei ngs os t r ong. Ei t herwayt heal bum woul d hav ebeenbet t erof fomi t t i ngi t .St i l l ,we' r et al ki ngmagi cher e,ar ecor dt hatknockst hecompet i t i on outwi t heas e.Forex ampl e,f ansoft heAppl esi nSt er eoort heEl ephant6s ceneandal umniwho t houghtt heyhadt hemar k etcor ner edont hi ski ndofs t uf fwi l l bef l oor edbyt hi sl i t t l ebandt hatwear s mat chi ngs hor t sembl az onedwi t ht hel et t erB.Li k et hatal bum, TheGoodt heBadandt heCuddl yi s at i nymomentofgeni usdes t i nedt obeov er l ook edbyal lex ceptf oranv er yl uck yf ew. -Ti m Sendr a

Recor dRecor dLabel r ec or dr ec or dl abel . c om

505EnoSt .Hi l l sbor ough,NC,27278 r edeyewor l dwi de. com

SAYNAVE Did you See the Flowers

ABOUT THE ALBUM Did You See the Flowers? is about the strange relationship between ambition and gratitude. Saynave has spent years grinding and working towards whatever is next (the next song, the next opportunity, the next level). This album is an expression of gratitude. We spend all of our lives on a journey but never stop to appreciate the beauty that is around us. Family, children, successes: these are the flowers. Did you see them? Coming from New Jersey and now rooted in Philadelphia, Saynave is not just a hip-hop artist & producer; he's a storyteller of the modern Black experience in America. Infusing East Coast boom bap era with today's sound, he seamlessly bridges generations. Beyond catchy hooks and beats, Saynave crafts anthems that resonate deeply — capturing the energy, challenges, and triumphs of navigating life as a father, husband and a black man. Saynave doesn't just make music; he sparks conversations. Drawing from his experiences in corporate America, the intricacies of marriage, and the joys and challenges of fatherhood, he crafts narratives that are both personal and universally relatable. As a champion of the #BlackExcellence movement, Saynave proudly wears his culture on his sleeve, addressing poignant issues like colorism, gun violence, and the societal implications of figures like Bill Cosby.

Raleigh, NC established 2020 fogwoodrecords.com David Wood david@fogwoodrecords.com

SOUND & INFLUENCES Genre: Hip-Hop / Rap / Boom Bap For Fans Of: Jay-Z, J Cole, Kendrick Lamar, Earl Sweatshirt, Adé Hakim, Black Thought and Danger Mouse Cheat Codes VINYL DETAILS Format: Vinyl LP Color: Bone Ivory Packaging: Standard Limited Pressing: Yes

ARTISTS Saynave

Label: Fogwood Records Release 2026 ReleaseDate: Date:November October 27, 9, 2026 Format: Vinyl LP Catalog #: FOG097 Barcode: 5057998896844 Contact: daivd@fogwoodrecords.com

POST-PUNK, DEATHROCK, C86 · FOR FANS OF XMAL DEUTSCHLAND, BLACK TAMBORINE

Mirror of Venus Never Say Forever Red 12"

ARTIST

TITLE

CAT#

FORMAT

RELEASE

SLP

Mirror of Venus

Never Say Forever

ALC-163

11/27/2026

24.99

Mirror of Venus announce their debut LP "Never

Damert and Rhodes trading and doubling lines

record works over that territory: identity as

Say Forever," out November 27, 2026 on à La

throughout. The lineage also runs into a heav-

performance, presence as commodity, the spe-

Carte Records. First single "Unlock The Door"

ier register the band's own project histories

cific loneliness of watching yourself perform

arrives

map cleanly onto: Xmal Deutschland's dense per-

online in real time.

September

"Surrender"

follows

October 2; "Cold Eyes" arrives October 30.

cussive drive, Siouxsie and the Banshees' vocal

Mirror of Venus are the LA post-punk quartet of Joy Damert (vocals, synth), Margot Rhodes (vocals, guitar), Jose Espinoza (bass), and Heidi Weber (drums) — four musicians who first played together

decade

ago

San

Francisco's

Mission scene and, after separate lives brought

command, and (for the C86-adjacent moments) the shimmering

indie-guitar

Tambourine.

Espinoza's

patience parallel

of work

Black in

darkwave project Shock Doctrine informs the low end without pulling the band away from its melodic center.

Sonically, "Never Say Forever" builds a coherent world across its runtime. Punchier tracks like lead single "Unlock The Door" (a taut twoand-three-quarter minutes) and "Take It" trade the album's longer meditations for something more direct, while "Cold Eyes" and the title track — both over five minutes — stretch into

them all to Los Angeles, reformed as a project

"Never Say Forever" as an album takes its name

the kind of slow-build architecture the band's

that had time to fully figure out what it

from a song Rhodes wrote in the first months of

UK influences perfected. The album closes with

wanted to be. "Never Say Forever," their debut

the pandemic — a track that caught the atten-

a reprise of "Cold Eyes," a gesture that treats

full-length for à La Carte Records, is that

tion

the record as a single continuous piece rather

project fully arrived: nine tracks and forty

"hypnotic, melodic … gorgeous vocal interplays

than a collection of tracks. It's a debut that

minutes of post-punk that treats atmosphere and

spanning the sublime to the feral … culminating

behaves like the band has been sitting with

urgency as the same problem.

in a glorious hook." The song's central preoc-

these ideas for years, because they have.

The

reference

points

sit

across

specific

stretch of the late-'70s and early-'80s UK underground — The Durutti Column's patient guitar architecture, Sad Lovers & Giants' willingness to let a mood extend past the point where a chorus would normally arrive, Wire's economy — with

rangier

vocal

presence

courtesy

post-punk.com,

who

described

cupation, as Espinoza put it in that piece, is about "a person who feels isolated from the modern world and begins to battle with an internal monologue that is trying to convince them that the only way to fit in is to completely lose their true identity and succumb to a new digital version of themselves." The whole

DISTRIBUTION CONTACT

LABEL CONTACT

LABEL

Will Savery

Adam Downey

alacarterecords.com

will@redeyeworldwide.com

adam@clandestinelabelservices.com

info@alacarterecords.com

877-733-3931 x287

@alacarterecords

"Unlock

The

"Surrender"

Door" follows

arrives October

September 2;

"Cold

Eyes"

lands October 30. "Never Say Forever" arrives November 27 on à La Carte Records, pressed on two limited 12" vinyl variants and across all digital platforms.

52805

57379

Julian Cope – Trip Advizer

WEIRD WALK and Lord Yatesbury present Trip Advizer: The Very Best of Julian Cope 1999-2018, available on vinyl for the first time and newly expanded to 28 tracks across three LPs.

Originally released as Cope’s own idiosyncratic survey of his post-major-label years, Trip Advizer returns in monumental form as TRIPLE ADVIZER: three records spanning three decades of the Archdrude’s musical quest. Housed in a deluxe triple gatefold sleeve, this definitive edition features new liner notes written by Julian, providing an ‘A-Z of The Trip’.

The release forms part of the WEIRD WALK RECORD CULT, an occasional series of limited editions celebrating records the Weird Walk team love. Artist: Julian Cope In the Drude’s own words: “My job down the years has become increasingly clear: to reveal anything I can that might be culturally useful, and to do it always in a catchy-bastard manner. Or, more simply, to be your Trip Advizer.”

Title: Trip Advizer Release date: 2026-11-27 Label: Weird Walk Record Cult

Track List Disc One

Disc Two

Disc Three

These Things I Know

A Child Is Born in Cerrig-y-Druidion

Conspiracist Blues

Psychedelic Odin

Times Change

Pushed Me To One Side

On The Road To Goris

Zennor Quoit

Holy Mother of God

I Will Be Absorbed

All The Blowing-Themselves Up Motherfuckers

Julian In The Underworld

Revolutionary Suicide

Psychedelic Revolution

Woden

Well Hung at Dawn

Hell Is Wicked

Under the Table

They Were On Hard Drugs

Dance by the Light of the Bridges you Burn

My Heathen Revolution

Cromwell In Ireland

Zoroaster

Shrine of The Black Youth

Raving On The Moor

White Bitch Comes Good

Hymn to the Odin

I’m Living In The Room They Found Saddam In

CAT#

FORMAT

DESCRIPTION

BARCODE

LY10LP

3XLP

Ltd Classic Black Vinyl, Triple Gatefold Sleeve

809236006752

Goat – Goat (2026 Yellow Smoke Vinyl Re-Press) Rocket Recordings

LAUNCH363SR

2026-11-27

5056688856960

Repress of 2024’s self titled masterpiece. The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the evermysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality. This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at igniting dancefloors and expanding minds.

Steve Kilbey –

Strays (Life Inside The Orphanarium) CD

EARS209CD

2026-11-27

5060446074459

Very rare and unreleased songs from The Church's Steve Kilbey. "Whilst compiling and sorting through the Steve Kilbey solo catalogue I came across a great many songs that had no particular home. They were good songs, strong and passionate but with scant information about them and mostly hidden away in a darkened room or wandering empty streets in hope of being played. I pulled out some of these tracks and saved them in a ‘to do’ file. Later on, I found that I had also acquired some wonderful radio sessions thanks to fans and collectors for pointing me in the right direction. These also hadn’t been heard by most fans either. Over a year I messed about with these tracks and felt close to them so much so that I thought I must create an album to home them." - Easy Action

The Idyllist CD

EARS215CD

2026-11-27

5061067610156

Re issue of the album only issued to the Bandcamp followers in 2012 and has been OOP since then. Has extra bonus tracks to the original. Brand new artwork and design. Completely re mastered for a hugely improved sound. Limited to 500 copies worldwide.

Flowers Must Die – Tystnad Rocket Recordings

LAUNCH448

2026-11-27

5056688856731

The word ‘Tystnad’ – literally translated – means silence. In this case, the Silence is less that of zen buddhism or that of John Cage, rather the name of the studio where Flowers Must Die – carriers of the torch of Swedish psychedelia for now nearly 20 years – retreated to make their most head-expanding album to date. Located near the Norwegian border in the verdant rural Värmland region, Silence Studios has been a countercultural hub for decades, attaining a legendary status as a residential outpost where bands can retreat to stretch out creatively and focus their psychic powers. From just such origins, Flowers Must Die have crafted a collection of expansive and incandescent jams that maps out a lysergic trajectory between the idealistic, anything-goes mania of early ‘70s psychedelia and the 21st century. Tystnad is the sound of a band buoyed by the afterglow of their last Rocket release, 2017’s Kompost and its attendant touring, and expanding into extrapolations that marry the wildest free improv with haunting melody. If Tystnad, as the band claim, is to be their last recording made in one room at the same time, then it displays a formidable escape velocity. Who’s to say whether Flowers Must Die have tapped into a Swedish continuum, one including the like of Pärson Sound, Dungen or Goat. What’s clear is that Tystnad is a timeless treatise, and a potent channeling of spirits –transcending genre in search of enlightenment anew.

The Leaf Library – Library Music: Volume 2 Where It’s At Is Where You Are

2LP

WIA130LP

2026-11-27

5063720382226

Following the much-loved Library Music: Volume One (2022), and hot on the heels of this year’s critically acclaimed ‘After The Rain, Strange Seeds’ (9/10 - Uncut) , London group The Leaf Library return with a second journey through the margins of their catalogue. Gathering together rare recordings, compilation tracks, limited edition releases, collaborations and hidden gems from their ever-expanding musical world, Library Music: Volume Two is another vibrant and varied collection of electronic indie pop, in all its guises. Far from a conventional odds and ends collection, the double LP compilation reveals another side of a band who have always treated the spaces between albums as places to explore. These are the moments where ideas stretch out; there are hypnotic drones, motorik rhythms, glowing analogue textures, pastoral electronics and the warm, melodic melancholy that has become unmistakably The Leaf Library. There is the electro-pop of Flowers At The Border, the psych rock-adjacent Building Better Worlds, and the gentle chamber shuffle of Kendrick Road. Tracks range from the 22 minute folk kosmiche epic Versatile Clouds to the 59 seconds, record skip punctuation mark of Harmonic Runout, with a whole array of trips, ideas and experiments in between. Since forming in a pre-Ghost Box, Castles in Space and Clay Pipe world, The Leaf Library have carved out a unique place somewhere between dream pop, kosmische repetition and experimental songcraft — drawing comparisons to Stereolab, Broadcast, Yo La Tengo and the outer edges of library music, while creating a sound entirely their own. Where their studio albums have shown the group carefully building immersive worlds, the Library Music series maps the pathways between them — the sketches, diversions and unexpected discoveries that often reveal the most about a band.

Ye Gods – Los Rocket Recordings

LAUNCH446

2026-11-27

5056688856694

In William Blake’s Jerusalem, he argues that imagination itself is “The real and eternal world of which this vegetable universe is but a faint shadow” – it seems Antoni Maiovvi, would agree. Especially given that Ye Gods, his latest and most monolithic project to date, arrived directly from a dream. In this dream, Jaz Coleman of Killing Joke took him to task for easing off on his longtime study of hermetic ritual magick, and instructed him to atone by making a record under the name Ye Gods. Convinced this path was the correct one, he was duty bound to comply.And sure enough, the Ye Gods project began to evolve and metamorphosise, until this vehicle for ‘Occult Devotional Electronics’, became a beast capable of delivering ‘Los’ the towering and transformative new album for Rocket Recordings. Rich with texture, emotive songcraft and cinematic atmosphere across three expansive tracks, it’s a work that breaks new ground for this intrepid polymath.

505 Eno St. Hillsborough, NC 27278 {toll free} 877.733.3931 REDEYEWORLDWIDE.COM CONNECT WITH US: @RedeyeWorldwide

HEAD OF DISTRIBUTION Jason Taylor jason@redeyeworldwide.com § ext. 245 HEAD OF ACCOUNTS Alex Ashkenes alex@redeyeworldwide.com § ext. 295 HEAD OF LABEL RELATIONS Will Savery will@redeyeworldwide.com § ext. 287 SENIOR ACCOUNT MANAGER Christie Coyle christie@redeyeworldwide.com § ext. 294 WHOLESALE ACCOUNT MANAGER Jack Patton-Smith jack@redeyeworldwide.com § ext. 248 ACCOUNT MANAGERS Kathryn Berry kathryn@redeyeworldwide.com § ext. 297 Chris DeBono chrisd@redeyeworldwide.com § ext. 335 Juran Ratchford juran.ratchford@redeyeworldwide.com § ext. 215 SALES ADMINISTRATOR Justin Bowers justin@redeyeworldwide.com § ext. 209 SENIOR LABEL MANAGERS Lori Miller lori@redeyeworldwide.com § ext. 216 Perry Harrell perry@redeyeworldwide.com § ext. 207 Stephen Svacina stephen@redeyeworldwide.com § ext. 249 Jill Wheeler jillw@redeyeworldwide.com § 901-409-5186 LABEL MANAGERS Jeanette Wall jeanette@redeyeworldwide.com § ext 232 Nina Nwofia nina@redeyeworldwide.com § ext 277

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