AF Files 2019/2020

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AF AF FILES FILES || 19-20 18-19

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Naslov publikacije | Title of the publication | AF Files Izdavač | Publisher | Univeritet u Beogradu Arhitektonski fakultet University of Belgrade Faculty of Architecture Glavni i odgovorni urednik | Editor in chief | Vladan Djokić, dekan Vladan Djokić, dean Koncept i prelom | Concept and layout | Aleksandra Milovanović Tamara Popović Miloš Kostić Dizajn naslovne strane | Design of the cover page | Miloš Kostić Tiraž | Number of copies | 300 Štampa | Print | Birograf Comp, Zemun Mesto i godina izdavanja | Place and year of issue | Beograd, 2021 Belgrade, 2021 Broj 2_2021 Issue 2_2021 ISSN 2683-6386

Sav materijal priređen u publikaciji štampan je u izvornom obliku dostavljenom od autora projekata. Opisi studio projekata štampani su u skladu sa sadržajem koji je naveden u kurikulumima predmeta.

All material prepared in the publication is printed in the original form submitted by the authors of the projects. Descriptions of studio projects are printed in accordance with the content specified in the subject curricula.

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AF FILES | 19-20

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IZAZOVI COVID 19:

Znanje, inovacije i kreativnost su osnovni resursi na kojima se zasniva održivi razvoj gradova i njihova transformacija. Postojeći globalni standardi zahtevaju stalnu inovaciju i re-kreaciju zbog čega se prepoznaje neophodnost kontinuiranog razvoja efikasnog i kompetentnog istraživačko-razvojnog i inovacionog sistema uz primenu novih znanja i tehnologija. Polje edukacije i unapređenja obrazovnog sistema, kao i inoviranje studijskih programa i kurikuluma, imaju centralnu ulogu u dostizaciju pomenutih standarda. Tim redom, Univerzitet u Beogradu – Arhitektonski fakultet (UB-AF) svoju misiju gradi u skladu sa tendencijama globalnih i evropskih strategija u nameri da odgovori na savremene izazove edukacije arhitekata i uspostavi visok standard u obrazovnom procesu, te znanjima i kompetencijama budućih profesionalaca.

EDUKACIJA ARHITEKATA U DOBA PANDEMIJE

U godini kada se globalno društvo suočava sa izazovima pandemije COVID 19, proces edukacije na UB-AF se takođe suočava sa brojnim izazovima – da stvori efektivan okvir nastave na daljinu i iskoristi izazove pandemije kao problemski okvir za istraživanje i kreiranje inovativnih kurikuluma u domenu zdravih i humanih gradova, kao i arhitekture u vanrednim situacijama.

Edukacija na UB-AF u središtu strukture studijskih programa ima nastavu zasnovanu na studio projektu koja u svom tradicionalnom okviru afirmiše visok stepen interakcije između svih učesnika (nastavnika, saradnika, studenata, gostujućih nastavnika, spoljnih eksperata) i neguje tradicionalne metode u projektantskom procesu poput fizičkog modelovanja i slobodoručnih crteža. Akademska 2019/2020. godina stavila je ozbiljan zadatak pred sve članove naše institucionalne zajednice - stvaranje efektivnog okvira edukacije arhitekata na daljinu, u digitalnom okruženju, uz težnju da se tradicionalni pristupi i metodi podjednako afirmišu i ostvari kontinuitet u njihovoj primeni.

Drugo izdanje serijske publikacije AF Files, iako po svoj strukturi prati inicijalno postavljeni koncept pregleda najuspešnijih projekata sa studio nastave na osnovnim, integrisanim i master akademskm studijama, uključujući i pregled vannastavnih aktivnosti, u ovogodišnjem sadržaju krije jednu skrivenu notu – generaciju diplomaca koja je svoje projekte razvijala u digitalnom okruženju i uspešno ih odbranila u specifičnim epidemioloških uslovima. Zajednički rad i inicijativa, kako nastavnika i saradnika, tako i studenata, osnovna su merila uspešnog odgovora na specifične izazove u ovoj akademskoj godini.

Potvrdu stvorenog efektivnog okvira nastave na daljinu i prevođenja izazova pandemije u istraživački i projektantski zadatak pronalazimo u inicijativi u formi online studentske radionice ‘’Izazovi COVID 19: Arhitektura pandemije’’ koja je sa preko 100 učesnika organizovana u aprilu 2020. godine na UB-AF, a kasnije dobila svoju naučnu i stručnu verifikaciju.

Upućujemo zahvalnost i čestitamo svim diplomiranim inženjerima osnovnih i master akademskih studija i želimo im uspešno delovanje u profesionalnim izazovima u budućnosti. Nastavnicima i saradnicima se zahvaljujemo na inicijativi, prilagodljivosti i pozitivnom profesionalnom doprinosu u izazovnoj akademskoj godini u kojoj smo zajedničkim radom i razmenom uspešno odgovorili na izmenjene okolnosti rada.

Dr Vladan Djokić, redovni profesor Dekan Dr Ana Nikezić, vanredni profesor Prodekan za nauku i nastavu

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CHALLENGES COVID 19: EDUCATION OF ARCHITECTS IN THE PANDEMIC AGE

Knowledge, innovation and creativity are the basic resources on which the sustainable development of cities and their transformation is based. Existing global standards require constant innovation and re-creation, which is why the necessity of continuous development of an efficient and competent research and development and innovation system with the application of new knowledge and technologies is recognized. The field of education and improvement of the educational system, as well as the innovation of study programs and curricula, have a central role in achieving the mentioned standards. In this sense, University of Belgrade - Faculty of Architecture (UB-FA) builds its mission in accordance with the tendencies of global and European strategies in order to respond to contemporary challenges of educating architects and establish a high standard in the educational process and knowledge and competencies of future professionals.

In a year when global society is facing the COVID 19 pandemic, the UB-FA education process also faces a number of challenges - to create an effective distance learning framework and use the pandemic challenges as a problembased framework for researching and creating innovative curricula in the field of healthy and humane cities, as well as architecture in emergencies. Education at UB-FA at the core of the structure of study programs has teaching based on a studio project that in its traditional framework affirms a high degree of interaction between all participants (teachers, associates, students, visiting teachers, external experts) and nurtures traditional methods in the design process such as physical modeling and freehand drawings. Academic 2019/2020 year has set a serious task for all members of our institutional community - creating an effective framework for educating architects at a distance, in a digital environment, with the aim of equally affirming traditional approaches and methods and achieving continuity in their application.

The second edition of the serial publication AF Files - although its structure follows the initially set concept of reviewing the most successful projects from studio teaching in basic, 5-cycle years and master’s academic studies including review of extracurricular activities - in this year’s content has a hidden note - a generation of graduates developed in the digital environment and successfully defended master thesis in specific epidemiological conditions. Joint work and initiative, both of teachers and associates, as well as students, are the basic premises for a successful response to specific challenges in this academic year. Confirmation of the created effective framework for distance learning and translating the challenges of the pandemic into a research and design assignment can be found in the initiative in the form of an online student workshop “Challenges COVID 19: Pandemic Architecture” organized with over 100 participants in April 2020 at UBFA, and later received its scientific and professional verification.

We express our gratitude and congratulations to all graduate engineers of bachelor and master’s academic studies and wish them successful action in professional challenges in the future. We thank the teachers and associates for their initiative, adaptability and positive professional contribution in a challenging academic year in which we successfully responded to the changed working circumstances through joint work and exchange.

Dr. Vladan Djokić, full professor Dean Dr. Ana Nikezić, associate professor Vice-dean for Research and Education

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AF FILES

SADRŽAJ CONTENT

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Master akademske studije Arhitektura / Modul Arhitektura Master Academic Studies in Architecture / Module Architecture

Master akademske studije Arhitektura / Modul Urbanizam Master Academic Studies in Architecture / Module Urbanism

Master akademske studije Arhitektura / Modul Arhitektonske Tehnologije Master Academic Studies in Architecture / Module Architectural Technology

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Master akademske studije Arhitektura / Modul Arhitektonsko Konstrukterstvo Master Academic Studies in Architecture / Module Structural Engineering

Master akademske studije Unutrašnja Arhitektura Master Academic Studies in Interior Architecture

Master akademske studije Integralni urbanizam Master Academic Studies in Integral Urbanism

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Osnovne akademske studije Arhitektura Undergraduate studies in Architecture

Integrisane osnovne i master akademske studije Arhitektura Single-cycle 5-year study programme in Architecture

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Pregled vannastavnih aktivnosti Overview of Extracurricular activities

Pregled studentskih konkurs Overview of Student Competitions

Nominacije Nominations

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MASA-A MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL ARHITEKTURA / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE ARCHITECTURE / RIBA Part 2

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S01-A TRG REPUBLIKE SREDIŠTE KULTURE THE REPUBLIC SQUARE CENTER OF CULTURE

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Nastavnik: arh. Branislav Mitrović profesor emeritus | professor emeritus Mentorska komisija: dr Zoran Đukanović vanredni profesor | associate professor

Cilj master teze je kritičko sagledavanje kompleksne prostornoprogramske, istorijske, kulturološke i društvene situacije najuže centralne zone grada Beograda – Trga Republike, a sa aspekta ispitivanja mogućih arhitektonskih intervencija na ovom mestu, u odnosu na potrebe kulturnog života u gradu u savremenom trenutku. Tematski okvir master projekta adresira pitanje savremenih prostora i institucija kulture, kao generatora kulturnog života grada i razvoja grada uopšte. Istraživanje je usmereno ka pronalaženju novih prostornih obrazaca koji će moći da podrže i iniciraju proizvodnju, izlaganje i razvoj savremenih umetničkih praksi u Beogradu u budućnosti.

dr Nataša Ćuković Ignjatović vanredni profesor | associate professor The aim of the master thesis is to critically examine the complex spatial-programmatic, historical, cultural and social situation of the central zone of the Belgrade city - Republic Square, from the aspect of examining possible architectural interventions in this place, in relation to the needs of cultural life in the contemporary city. The thematic framework of the master project addresses the issue of contemporary spaces and cultural institutions, as generators of the cultural life of the city and the development of the city in general. The research is aimed at finding new spatial patterns that will be able to support and initiate the production, exhibition and development of contemporary art practices in Belgrade in the future.

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MISLITI BALKON: RITUAL GRADSKOG ŽIVOTA NA TRGU THINKING BALCONY: RITUAL OF URBAN LIFE ON PUBLIC SQUARE

Isidora Ekmeščić Studio | Trg Republike Središte kulture Republic Square Center of Culture Nominacija | Nomination | The Young Talent Architecture Award (YTAA)

Kuća kulture je interpretacija balkona, uvećanog elementa koji je u funkciji urbanog generatora na glavnom gradskom trgu i koji neprestano oživljava aktivan odnos aktera i posmatrača.

Balkon otvara pitanja odnosa aktera i publike, ko jeste i ko može da bude jedno ili drugo što se nalazi u težištu preispitivanja savremenog pozorišta. Novi objekat kulture na trgu preispituje međuprostor od dolaska na trg do početka scenskog dela, nastaje i razvija se iz onoga što prethodi dramskom činu, što scenu prati i omogućava da scena funkcioniše. Prema Mamfordu, trg i kuća se posmatraju kap jedna celina – trg kao bina sa objektima na njemu koji su scenografija. Na gradskoj bini se odvija pozorišni čin potekao od prvobitnih ritualnih obreda koji je kroz istorijski razvoj grada dobio dramski oblik.

Konkurs za godišnju nagradu “Aleksej Brkić” – Nagrada Udruženja Arhitekata Srbije Competition for the annual award “Aleksej Brkić” –Award of the Association of Architects of Serbia

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The House of Culture is an interpretation of a balcony - an enlarged element that serves as an urban generator on the main city square and that constantly revives the active relationship between performers and observers. The balcony opens up the question of the relationship between the actors and the audience, who is and who can be one or the other, which is the focus of the re-examination of contemporary theatre. The new cultural object on the square re-examines the interspace from the arrival on the square to the beginning of the stage piece, it arises and develops from what precedes the dramatic act, what accompanies the stage and enables the stage to function. According to Mumford, the square and the house are viewed as a whole - the square as a stage with objects on it that become scenography. A theatrical act takes place on the city stage, originating from the primal ritual rites, which later on took a dramatic form through the historical development of the city.

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BIOPHILIC SQUARE BIOPHILIC SQUARE

Dušan Međedović Studio | Trg Republike Središte kulture Republic Square Center of Culture Nominacija | Nomination | The Young Talent Architecture Award (YTAA)

Ovaj rad ističe osnovne teorije dizajna javnog prostora i govori o pretpostavci da je jedan od razloga okupljanja ljudi u javnom gradskom prostoru jeste pojavnost prirode, I pripisuje se biofilnim kvalitetama tih prostora. Crpeći inspiraciju iz arhitekture, i koristeći kvalitativnu analitičku metodologiju koja tada unosi tipične karakteristike arhitektonskih prostora u kontekst biofilije Dolazimo do jedinstvenih inputa kako možemo redefinisati javne gradske prostore. Ovaj rad donosi zaključak o specifičnim biofilnim strategijama i postavkama koje bi mogle pomoći unošenju života u “betonske trgove“, odnosno u prostore koji su nedovoljno aktirvirani.

This project highlights the basic theories of public space design and speaks to the assumption that one of the reasons for gathering people in public urban space is the appearance of nature, and is attributed to the biophilic qualities of those spaces. Drawing inspiration from architecture, and using a qualitative analytical methodology that then introduces the typical characteristics of architectural spaces into the context of biophilia We arrive at unique inputs on how we can redefine public urban spaces. This paper concludes on specific biophilic strategies and settings that could help bring life to “concrete squares”, ie to spaces that are insufficiently activated.

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TRG REPUBLIKE – EKSPERIMENTPOLIVALENTNOG PROSTORA REPUBLIC SQUARE – EXPERIMENT OF POLYVALENT SPACE

Uroš Majstorović Studio | Trg Republike Središte kulture Republic Square Center of Culture Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

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U radu su istražene različite definicije promenljivog prostora u arhitekturi, kako bi se istaklo da fleksibilna veza između prostora i funkcija, ima za posledicu održivu arhitekturu koja posebno odgovara javnim gradskim prostorima. Raščlanjavanjem pojmova kao što su fleksibilnost, prilagodljivost i polivalentnost može se zaključiti da je polivalentni dizajn kritičan u odgovoru na makro i mikro planovima. Stanovište da polivalentnost zavisi od koegzistencije funkcionalnog učvršćivanja i promenljivosti, može dovesti do teorijskog procesa projektovanja koji testira ulogu stalnog objekta u polivalentnom dizajnu kroz proučavanje funkcionalno određenog i neodređenog prostora. Kroz analizu polivalentnosti na mikro planu na primeru jedne porodične kuće, postavlja pitanje kako se uočeni princip moze primeniti na makro planu, na nivou trga- javnog prostora. Zatim, analiza funkcije jezgra, kao arhitektonskog elementa koji označava fiksan centralni element prostora sa jasnim sadržajem, dovodi do niza iteracija dizajna koji koriste centralnu strukturalnu i funkcionalnu zonu za generisanje okolnog prostora koji istražuje suživot u polivalentnom prostoru.

In this research different definitions of adjustable space in architecture have been explored, in order to point out that flexible connections between space and functions, results in sustainable architecture that is especially suitable for public urban spaces. Analysing concepts such as flexibility, adaptability and polyvalence, it can be concluded that polyvalent design is critical in response to macro and micro plans. Attitude that polyvalence depends on the coexistence of functional fixation and variability, can lead to a theoretical design process that tests the role of a permanent object in polyvalent design through the study of functionally defined and indeterminate space. Through the analysis of polyvalence at the micro level on the example of a family house, it raises the question of how the same observed principle can be applied at the macro level, at the level of the square, relatively public space. Then, the analysis of core functions, as an architectural element denoting a fixed central element of space with clear content, leads to a series of iterations of designs that use a central structural and functional zone to generate surrounding space exploring coexistence in polyvalent space.

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TEATAR KAO AKTIVATOR JAVNOG PROSTORA GRADA THEATRE AS AN ACTIVATOR OF PUBLIC SPACE

Simona Štulović Studio | Trg Republike Središte kulture Republic Square Center of Culture

Nova kuća kulture uspostavlja novi vid ambijentalnosti i komunikativnosti sa svojim kontekstom. Povezuje se sa javnim prostorom grada, svojom igrom promenljive scene i dinamikom odnosa gledalište-scena. Nedovršenost polujavnog poda, upravo predstavlja tu fascinaciju koju savremeno pozorište treba da pruži. Odabirom jednog od najsavremenijih tipova teatara danas, multiform teatra, uspostavlja se drugačiji dijalog korisnika prostora. Pomeranjem linije gledalacperformer, ruše se barijere klasičnih postavki scenskih izvedbi.

Kuća sada uspostavlja različite prostorne situacije koje mogu generisati različite tipove događaja. Ona se menja u cilju transformacije doživljaja i time razotkriva pozorišni akt, koji ruši barijere tradicionalnog i generiše novu savremenost.

Projekat otvara nova pitanja granice, kontakta ekteriornog i interiornog. U jednom trenutku, otvoreno gledalište postaje tok ulaska u podzemlje i time otkriva život teatra. Kuća svojom tehnološkom inovativnošću i arhitektonskom postavkom pruža novo polje dijaloga kulture, korisnika i okolnog javnog prostora. Transformacijom interiornog, izvlačimo sadržaj na javnu scenu, gde trg postaje središte kulturnih dešavanja.

A new house of culture establishes a unique ambiance and communication with its surroundings. It is connected to public areas with its playful, ever-changing scene and the auditoriumstage dynamic. The discontinuity of the semi-public space represents the experience it should provide. By choosing one of the most contemporary types of theatre today, the multiform theatre, theatre-goers witness a different kind of dialogue.

Redrawing the boundaries between the audience and the performer challenges the traditional theatre set-up. Theatre presently creates different spatial organizations which can hold different events. The aim is to transform the experience by introducing an act which opposes tradition and redefines new contemporaneity. This project raises the question of boundaries and where interior meets exterior design. The design’s technological innovation and architectural form opens a new dialogue between culture-user-public space. With interior transformation, the cultural content is exposed on the main square which becomes the center of culture.

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S02-A OBALE UMETNOSTI OSTRVA KULTURE COASTS OF ART ISLANDS OF CULTURE

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Nastavnik: arh. Zoran Lazović redovni profesor | full professor Mentorska komisija: dr Vladan Djokić redovni profesor | full professor dr Radojko Obradović vanredni profesor | associate professor

Stvoriti predlog novog pejzaža umetnosti, pejzaža (beo) gradskih obala u standardu savremenih evropskih prestonica.

Istraživanje međuodnosa svrhe, funkcije, sadržaja, forme i konteksta predstavlja pripremu za projektovanje arhitektonskih artefakata umetnosti razvijanjem teme u fenomenu savremenih urbanih hibrida, koji danas čine osnovu kulture i srž urbanosti evropskih gradova: primarno sa sadržajima umetnosti, sekundarno - sa komplementarnim sadržajima ugostiteljstva, zabave i trgovine: muzeji/galerije, teatri/scene, biblioteke/medijateke, filharmonije/opere/koncertne sale (likovne umetnosti, performans art, film, dizajn, moda, muzika, arhitektura, strip...).

Create a proposal for a new landscape of art, landscapes of (white) city riversides in the standard of contemporary European capitals. Exploring the relationship between purpose, function, content, form and context is a preparation for designing architectural artefacts of art by developing a theme in the phenomenon of contemporary urban hybrids, which today form the basis of culture and urbanity of European cities: primarily with art, secondary - with complementary contents: museums / galleries, theaters / stages, libraries / media libraries, philharmonics / operas / concert halls (fine arts, performance art, film, design, fashion, music, architecture, comics ...).

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UMETNOST ZONE KONTAKTA ART OF THE CONTACT ZONE

Aleksa Gajić Studio | Obale umetnosti Ostrva kulture Coasts of Art Islands of Culture Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

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Rad se bavi pitanjem mešanja kultura: razlikama u shvatanju kulture kroz teoriju transkulturalnosti za razliku od teorije koje kulturu tumače kao nezavisni entitet (multikulturalnost, interkulturalnost...). Arhitektnoskim stvaranjem fizičke zone kontakta kultura (zona između homogenizacije i izolacije) i postavljanjem takve instalacije u realan kontekst ispituju se mogućnosti i posledice postojanja dijaloškog prostora u Beogradu, dovodeći ga u vezu sa principima pronađenim u Novom Vavilonu, Konstanta Nivenhusa.Cilj istraživanja je stvaranje hibridnog pejzaža koji se ponaša kao stalnopromenljivi kolaž programa, sadržaja, pojavnosti i značenja u kome neko može biti i gost i domaćin (okupator ili okupiran) istovremeno (Derida 1997). Epicentar takvog hibridnog pejzaža, smeštenog na mesto koje je proživelo bezbrojne promene, pokreće se objektom koji predstavlja alternativni centar transkulturalnosti grada, koji komunicira, predstavljajući mesto ulaza/prolaza ljudi i uticaja, dakle različitih kultura-mišljenja. Time bi se ostvarila razmena kroz sučeljavanje kultura bilo „domaćina“ bilo „gosta“.

The paper deals with the issue of mixing cultures: differences in the understanding of culture through the theory of transculturalism, as opposed to the theory that interprets culture as an independent whole (multiculturalism, interculturalism ...).

By architecturally creating a physical zone of contact between cultures (the zone between homogenization and isolation) and placing such an installation in a real context, the possibilities and consequences of the existence of a space for dialogue in Belgrade are examined, bringing it into connection with the principles found in New Babylon, Constant Nivenhus. a landscape that acts as a constantly changing collage of programs, content, phenomena and meanings in which one can be both a guest and a host (occupier or occupied) (Derrida 1997). The epicenter of such a hybrid landscape, located in a place that has undergone countless changes, is driven by an object that represents an alternative center of urban transculturalism, which communicates, representing the place of entry / passage of people and influences, ie different cultures-opinions. This would create an exchange through the confrontation of cultures, either “host” or “guest”.

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KAPIJA KULTURE: PROSTOR IDENTITETA GRADA CULTURE GATE: SPACE OF THE CITY IDENTITY

Olga Dukić Studio | Obale umetnosti Ostrva kulture Coasts of Art Islands of Culture

U cilju prekida cikličnih nizova zaborava, gubitaka kolektivnog sećanja i fokusa, insistira se na značaju povratnog uticaja koji arhitektura ima na grad i društvo. Na osnovu njihove uzajamne veze, predlaže se uspostavljanje prostornog aksioma identiteta kulture u formi novog simbola grada. Gradska celina Kosančićev venac, kao čuvar starih vrednosti i identiteta, ima potencijal da unapredi grad nadovezivanjem novog javnog prostora sa kojim bi se istakla u policentričnoj matrici Beograda kao jedno od ključnih središta, pri čemu se specifična atmosfera unapredjuje dovodjenjem u vezu sa savremenom prostornom celinom.

Simbioza ambijenata različitih epoha kulture zastupala bi savremeno društvo sa dubokom istorijom. Javni potez sa vertikalnim impulsom nudi okruženju novi reper – centralnu kapiju grada, kapiju kulture. Nastali objekat je hibrid različitih funkcija: galerija, amfiteatra, vidikovca, spomenika... Promena u sagledavanju i tretiranju prostora nastoji da podstakne promene u kolektivnom poimanju sopstvenog identiteta.

Obeležavanje prestonice savremenim objektom kulture inicira njeno implementiranje u krvotok društvenog tkiva.

In order to break the cyclical series of oblivion, loss of collective memory and focus, it is insisted on the importance of the reciprocal influence that architecture has on the city and society. Based on their mutual connections, it is proposed to establish a spatial axiom of cultural identity in the form of a new symbol of the city. The specific authentic atmosphere is enhanced by bringing it into contact with the contemporary spatial entirety. The symbiosis of different cultural epochs would represent a modern society with a deep history. A public sequence with a vertical impulse offers a new landmark - the central gate of the city, the gate of culture, wich would stand out in the polycentric matrix of Belgrade as one of its key centers.

Marking the capital with a contemporary object dedicated to culture amplifies the presence of culture in its community.

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S03-A IZMEĐU SLOBODE I RESTRIKCIJE: ZATVORSKA USTANOVA BETWEEN FREEDOM AND RESTRICTION: PRISON INSTITUTION

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Nastavnik: arh. Vladimir Lojanica redovni profesor | full professor Mentorska komisija: dr Dušan Ignjatović vanredni profesor | associate professor dr Milica Milojević docent | assistant professor

Dubljim istraživanjem i analizom pojma slobode, primarno kroz njenu restrikciju, zadatkom se preispituju savremene ideje o projektovanju zatvorskih ustanova i pronalaze prostorna rešenja koja sugerišu i psihološki podstiču osećaj njenog gubitka. Prostorni okvir zadatka se odnosi na područje u neposrednoj blizini mosta Mihajla Pupina uz levu obalu Dunava, na granici između prigradskih naselja Kovilovo i Borča.

Uslovljeno slojevitim kontekstualnim uticajima i kreativnim pristupom, tematski okvir zadatka se odnosi na preispitivanje potencijala arhitektonskog delovanja u razumevanju i tumačenju društvenih mehanizama moći.

Through critical research and analysis of the concept of freedom, primarily through its restriction, the studio assignment is to re-examine contemporary ideas about the design of prison institutions and find spatial solutions that suggest and psychologically encourage the feeling of its loss. The spatial framework within studio refers to the area in the immediate framework of the Mihajlo Pupin Bridge along the left bank of the Danube, on the border between the suburban settlements of Kovilovo and Borča. Conditioned by layered contextual influences and a creative approach, the thematic framework of the assignment refers to re-examining the potential of architectural action in understanding and interpreting social mechanisms of power.

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AF FILES | 19-20

NEVIDLJIVA BARIJERA INVISIBLE BARRIER

Marko Lukić Studio | Između slobode i restrikcije_ Zatvorska ustanova Between freedom and restriction_Prison institution Nominacija | Nomination | Inspireli Awards 2020

S03-A

Projekat zatvorsko korekcione ustanove je baziran na inverziji tradicionalnih zatvorskih normi i oblikovanja, on kao takav za funkciju ima kreiranje humanog zatvora koji ne ostavlja emotivne i socijalne posledice, i pružaža mogućnost za rehabilitaciju zatvorenika. Kroz rehabilitacione programe unutar zatvora, zatvorenici imaju mogućnost poboljšanja svojih životnih ulova, i napredovanja unutar ustanove. Premeštanjem iz zajedničkih ka privatnim ćelijama podstičemo zatvorenike da učestvuju u programima rehabilitacije. Kroz izdizanje zatvora i upuštanja prirode u sam gabarit zatvorske ustanove kreiramo neprekinutu vezu sa prirodom i okolinom. Ova veza za funkciju ima da motiviše zatvorenike i podstakne rad unutar zatvorskog programa kao i da kreira konekciju između spoljašnjeg sveta i zatvora. Transparentnosti unutar zatvora pored toga što olakšava nadgledanje i kontrolu zatvorenika kroz neinvazivne metode nadzora, pruža mogućnost zatvorenicima da u svakom momentu znaju ko se gde nalazi i šta se dešava unutar ustanove, kreirajući osećaj zajednice iliti komšiluka.

The project of the prison correctional facility is based on the inversion of traditional prison norms and design, as such it has the function of creating a humane prison that leaves no emotional and social consequences, and provides an opportunity for the rehabilitation of prisoners. Through rehabilitation programs within the prison, inmates have the opportunity to improve their life conditions, and progress within the institution. By moving from shared to private cells, we encourage prisoners to participate in rehabilitation programs. Through elevation of the prison and the introduction of nature into the very dimensions of the prison, we create an uninterrupted connection with nature and the surounding environment. This functions to motivate prisoners and encourage work within the prison program as well as to create a connection between the outside world and the prison.

Transparency within the prison, in addition to facilitating the monitoring and control of prisoners through non-invasive surveillance methods, provides an opportunity for prisoners to know at all times who is where and what is happening within the institution, creating a sense of community or neighborhood.

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ZADRUGA_PROSTORNO-PROGRAMSKI MODEL KOREKCIONOG RADA ZADRUGA_ SPATIAL AND PROGRAMMATIC MODEL OF CORRECTION WORK

Dušan Grujović Studio | Između slobode i restrikcije_ Zatvorska ustanova Between freedom and restriction_Prison institution

Tematski okvir zadatka odnosi se na preispitivanje potencijala korekcionih aktivnosti te podsticanje maloletnih prestupnika na preuzimanje odgovornosti unutar zajednice u cilju rehabilitacije i stvaranja nove šanse za socijaizacijom.

Kada se maloletni prestupnici pošalju u vaspitno-popravnu ustanovu u kojoj primenom adekvatnih modela korekcionog rada steknu stepen odgovornosti neophodan za uspešan boravak u ustanovi, velike su šanse da će nakon izlaska voditi srećniji i produktivniji život. Uporednom analizom prostornoprogramske organizacije tradicionalnih slovenskih zadruga i savremenih koncepata popravno-kaznenih ustanova, težilo se uspostavljanju hibridnog rešenja sa jasnim regionalnim karakterom. Restrikcija slobode određena je ne samo fizičkim okvirima već i programskom organizacijom. Održavanjem harmoničnog kontinuiteta funkcionisanja sistema, koji podrazumeva preraspodelu odgovornosti unutar zajednice, smanjuje se stepen ograničavanja slobode sa težnjom ka potpunoj slobodi.

The thematic framework of the task refers to reviewing the potential of correctional activities and encouraging juvenile offenders to take responsibility within the community in order to create a new chance for socialization. When juvenile delinquents are sent to an educational and correctional institution where, by applying adequate models of correctional work, they acquire the degree of responsibility necessary for a successful stay in the institution, there are great chances that they will lead a more productive life after leaving. By comparative analysis of the spatial-program organization of traditional Slavic cooperatives and modern concepts of correctional facilities, the aim was to establish a hybrid solution with a clear regional character. The restriction of freedom is determined not only by the physical framework but also by the program organization. By maintaining the harmonious continuity of the system functioning, which implies the redistribution of responsibilities within the community, the degree of restriction of freedom with the pursuit of complete freedom is reduced.

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INTERSTITICON - NA GRANICAMA SLOBODE MODERNOG ČOVEKA INTERSTITICON - ON THE BORDERS OF MODERN HUMAN FREEDOM

Stefan Lakić Studio | Između slobode i restrikcije_ Zatvorska ustanova Between freedom and restriction_Prison institution

Transformacija obrazaca ponašanja i kolektivne svesti, nastala usled novih okolnosti koje su prouzrokovane sve prisutnijom tehnološkom infrastrukturom u čovekovom okruženju, konstantno pomera granice i zahteve u definisanju arhitekture i dizajna savremenih objekata. Kroz istraživanje i preispitivanje metafore Panoptikona, kojom Mišel Fuko (Michel Foucault) opisuje moderne principe discipline, postavlja se pitanje na koji način je moguće implementirati savremenu elektronsku infrastrukturu kao i njen uticaj na modernog čoveka u zatvorsku ustanovu. Istraživanje je usmereno ka potrazi za konceptom, idejom i rešenjem u poboljšanju arhitekture budućeg zatvora.

Istraživački postupak rezultira formiranjem nove tipologije objekta koji ima za cilj poboljšanje nivoa disciplinskih institucija u društvu na početku trećeg milenijuma.

Transformation of patterns of behavior and collective consciousness, caused by new circumstances which are caused by the increasingly present technological infrastructure in human environment, constantly pushing boundaries and requirements in defining architecture and design modern buildings. Through research and re-examination of the metaphor of Panopticon, by which Michel Foucault describes the modern principles of discipline, he sets himself the question of how it is possible to implement a modern electronic infrastructure as well as its influence on modern man in the prison. The research is focused on the search for a concept, idea and solution in improving the architecture of the future prison. The research process results in the formation of a new typology of the object it aims at improving the level of disciplinary institutions in society at the beginning of the third millennium.

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S04-A NOVI GRADSKI EPICENTAR: VIŠENAMENSKI GRADSKI KOMPLEKS KULTURE NEW CITY EPICENTER: MULTI-PURPOSE CITY COMPLEX OF CULTURE

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Nastavnik: arh. Dejan Miljković redovni profesor | full professor Mentorska komisija: dr Zoran Đukanović vanredni profesor | associate professor

Tematski okvir studija je savremena ekonomija kulture kao novi pokretač gradskog razvoja, pa je program projekta višenamenski kompleks koji će sadržajima kulture, uslužnim kapacitetima, smeštajnim jedinicama, rekreativnim površinama i ostalim komplementarnim programima činiti sadržaj NOVOG GRADSKOG EPICENTRA. Obavezni sadržaj kompleksa je prostor namenjen spektaklu i glavna kritička analiza treba da se zasnuje na stavu o tome šta predstavlja definiciju i koja je uloga spektakla u savremenoj kulturi.

dr Dejan Vasović docent | assistant professor

The thematic framework of the studio is contemporary economics of culture as a new driver of urban development, so the project program is a multi-purpose complex that will make the content of the NEW CITY EPICENTER with cultural contents, service capacities, accommodation units, recreation and other complementary programs. The obligatory content of the complex is the space intended for the spectacle and the main critical analysis should be based on the attitude of what the definition is and what is the role of the spectacle in contemporary culture.

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„OBALA PERFORMANSA“ : NOVI, POJAVNI, KULTURNI PEJZAŽ U GRADU „COAST OF PERFORMANCE“ : A NEW, EMERGING, CULTURAL LANDSCAPE IN THE CITY Jelena Vlaović Studio | NOVI GRADSKI EPICENTAR: Višenamenski gradski kompleks kulture NEW CITY EPICENTER: Multipurpose city complex of culture Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020 Nagrada Fondacije sestre Bulajić

Rijeka konstantnim mijenjanjem toka kroz vrijeme i prostor kreira seriju pokreta, stvarajući tako dinamičke prostore koji postaju jedna od glavnih obilježja grada. Imajući u vidu periodične promjene nivoa dveju rijeka, Save i Dunava, njihovo izlivanje iz korita i plavljenje beogradskog priobalja, vodene površine predstavljaju neiscrpne izvore inspiracije za različite mogućnosti integracije vode u pejzaž grada. Periodično plavljenje izabrane lokacije, zapuštenog dijela između bastiona Sv. Jakova i kule Nebojša u tezi je postavljeno kao problem na koji treba dati odgovor, ali i kao prirodni fenomen koji u potpunosti ne može biti ukroćen. Cilj rada je stvoriti kulturni pejzaž koji će novim prostorima, sadržajima i programom izvršiti (re)kontekstualizaciju zaboravljenog dijela priobalja a kao rješenje predlaže se uređivanje obale, kao „pozornice“ za stvaranje spektakla, sa centrom performativnih umjetnosti kao novi gradski epicentar kulture.

By constantly changing its flow through time and space, the river creates a series of movements, thus creating dynamic spaces that become one of the main features of the city.

Having in mind the periodic changes in the levels of two rivers, the Sava and the Danube, their overflow from the riverbed and the flooding of the Belgrade coast, water surfaces represent inexhaustible sources of inspiration for various possibilities of water integration into the city landscape. The periodic flooding of the chosen location, the neglected part between the bastion of St. Jakov and the Nebojša tower, is set in the thesis as a problem to be answered, but also as a natural phenomenon that cannot be completely tamed. The aim of the paper is to create a cultural landscape that will (re)contextualize the forgotten part of the coast and as a solution to the problem, it is proposed to arrange the coast, as a “stage” for creating a spectacle, with the center of the performing arts as the new city epicenter of culture.

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ARHITEKTURA GRANICE: VIZ|TER; VIŠENAMENSKI GRADSKI KOMPLEKS KULTURE NA ZEMUNSKOM KEJU BORDER ARCHITECTURE: VIZ|TER; MULTIPURPOSE CITY CULTURAL COMPLEX ON THE ZEMUN QUAY Jelena Milinković Studio | NOVI GRADSKI EPICENTAR: Višenamenski gradski kompleks kulture NEW CITY EPICENTER: Multipurpose city complex of culture

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Tema istraživanja ovog rada je stvaranje arhitekture na granici, koja korespondira između dva prostora puna kontradiktornosti. Dokle god prvobitni prostori opstaju, novi prostor nastaje. Arhitektura je tesno povezana sa pojmom identiteta. Identitet jednog mesta čini niz društvenih i kulturnih specifičnosti koji se vezuju za pojedince, kolektiv, tradiciju i kulturu tog mesta. Кultura današnjice vodi distanciranju, hlađenju, de-senzualizaciji relacije čoveka i realnosti zbog odsustva komunikacije. Problem otuđenja čoveka sa svojim unutrašnjim bićem rezultira sve manjoj upotrebi pet ljudskih čula. Pomoću njih čovek mnogo jasnije i dublje percipira svet oko sebe i svoj odnos prema njemu. Кako bi se rešio problem čovekove otuđenosti potrebno je povezati ljudsko postojanje sa okolinom. Čoveku je potrebno da izgradi dublji odnos prema svom okruženju i da se okrene prirodi. Samo je ljudskom rodu dopušteno da povezuje i razdvaja. Most koji je tvorevina čoveka predstavlja širenje granice čovekove volje nad prostorom.

The research topic of this paper is the creation of a transitional space that corresponds between two spaces full of contradictions. As long as the original spaces survive, a new space is created. Architecture is closely related to the notion of identity. The identity of a place is made up of social and cultural specifics that are related to the individuals, the collective, the tradition and the culture of that place. Today’s culture leads to distancing, cooling, de-sensualization of human relations and reality due to the lack of communication. The problem of the alienation of man with his inner being results in the diminishing use of the five human senses. With their help, a person perceives the world around him and his attitude towards it much more clearly and deeply. In order to solve the problem of human alienation, it is necessary to connect human existence with the environment. Man needs to build a deeper relationship with his environment and turn to nature.? Only the human race is allowed to connect and separate. The bridge that is a creation of man represents the expansion of the boundary of man’s will over space.

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POLITEATAR: NOVI GRADSKI EPICENTAR VIŠENAMENSKI GRADSKI KOMPLEKS KULTURE POLYTHEATRE: NEW CITY EPICENTER MULTI-PURPOSE CITY COMPLEX OF CULTURE Jovana Janković Studio | NOVI GRADSKI EPICENTAR: Višenamenski gradski kompleks kulture NEW CITY EPICENTER: Multipurpose city complex of culture

Identifikacija potrebe za postojanjem politeatra kao novog gradskog epicentra može se objasniti stalnim procesom težnje ka usklađivanju širokog spektra ljudskog ponašanja sa promenljivim karakterom kulturoloških putanja, u tom kontekstu politeatar predstavlja poligon za manifestaciju ovih procesa. Politeatar povezivanjem Beton hale, Beogradske tvrđave, reke Save i ambijentalne celine grada, predstavlja bitnu sponu između prošlosti, sadašnjosti i budućnosti. Imajući u vidu da ne možemo uvek da znamo šta nam dolazi, politeatar je koncipiran tako da ostavlja prostora da se u njemu dogodi sve što potrebe ovog a i nekog novog društva budu zahtevale, tj. da artikuliše sve sociološke i kulturološke promene kroz vreme.

Politeatar se tumači kao višenamenski gradski kompleks kulture koji nudi raznolike i promenljive prostore slobodnog i kontrolisanog sadržaja koji mogu da deluju istovremeno u jedinstvenom vreme-prostor okviru. Politeatar je medijator između kulture i čoveka, on meša i integriše jedno sa drugim dovodeći ih u neposrednu vezu.

The identification of the need for the existence of the Polytheatre as a new city epicenter can be explained by the constant process of striving to harmonize a wide range of human behavior with the changing character of cultural paths.

The polytheatre, by connecting the Concrete Hall, the Belgrade Fortress, the Sava River and the city, represents an important link between the past, present and future. Bearing in mind that we cannot always know what is coming to us, the polytheatre is conceived in such a way as to leave space for everything that the needs of this and some new society will demand to happen in it. Polytheater is interpreted as a multi-purpose city cultural complex that offers diverse and changeable spaces of free and controlled content that can operate simultaneously.

Polytheater is a mediator between culture and people, it mixes and integrates with each other, bringing them into direct contact.

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S05-A PUSTINJA U GRADU: ACCESS DENIED DESERT IN THE CITY: ACCESS DENIED

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Nastavnik: mr Milan Vujović redovni profesor | full professor Mentorska komisija: dr Vladan Djokić redovni profesor | full professor dr Budimir Sudimac vanredni profesor | associate professor

Tematski okvir: napuštena i zaboravljena mesta u gradu, nezavršeni objekti, gradilišta; Prostorni okvir: studenti sami kroz istraživanje dolaze do izbora lokacije; Pojmovi: estetika ruine, nestajanje, nevidljivost, nedovršenost, post-human; U odabranom prostornom okviru uraditi projekat koji ispituje i unapređuje potencijale napuštenog objekta, mesta.

Savremenim arhitektonskim sredstvima istražiti uzroke postojećeg stanja, i u skladu sa tim predložiti program koji bi doprineo razvoju zaboravljenog prostora.

Thematic framework: abandoned and forgotten places in the city, unfinished buildings, construction sites; Spatial framework: students choice of location through research; Key terms: ruin aesthetics, disappearance, invisibility, incompleteness, post-human; In the selected spatial framework, students challenge designs that examine and improves the potential of the abandoned buildings or places. The aim of the studio is to investigate the causes of the existing situation of abandoned and forgotten places with contemporary architectural means, and in accordance with that to propose a program that would contribute to the development of the forgotten space.

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E 75 2100 : HRONOTOP E 75 2100 : CHRONOTOPE

Nikola Mitrović Studio | Pustinja u gradu: Access denied Desert in the City: Access Denied Nominacija | Nomination | Architecture MasterPrize (AMP)

Istraživanje u projektu polazi od hipoteze da se napušteni prostori javljaju u blizini infrastrukturnih sistema, poput autoputa, petlje ili intermodalnih čvorišta. Shodno tome, predmet istraživanja je autoput E75 u starom delu grada, od Mostarske petlje do Autokomande, gde se uz linijsku infrastrukturu javlja nekoliko napuštenih prostora - BIP, logor Topovske šupe, napuštena gradilišta, kao i potpuno odsustvo pešaka.

Projekat se zasniva na sagledavanju prostora kroz odnos prošlost - sadašnjost - budućnost i formiranju hronotopa u vidu spekulativnog narativa, koji prikazuje prostor auto-puta E75 2100. godine. Analizom postojećeg stanja prostora formirane su njegove prostorne alternative (spekulacije), stvara se magnet koji privlači različite prirodne i arhitektonske elemente sa predmetnog područja, stvarajući prostorno-vremenski hab, tj. hronotop - određeni prostor evocira određeno vreme, i obrnuto. Analogno privlačenju koje autoput ima, on je „magnet“ za drumski saobraćaj, zašto ne bi mogao postati „magnet“ za razne arhitektonske i prirodne elemente i redefinisati sebe kao infrastrukturni sistem?

Research in project starts from hypothesis that abandoned spaces occur near infrastructure systems, such as highways, loops or intermodal hubs. Accordingly, subject of research is E75 highway in old part of city, from Mostar loop to Autokomanda, where along line infrastructure there are several abandoned spaces, as well as complete absence of pedestrians. Project is based on perception of space through relationship past - present - future and formation of chronotope in form of speculative narrative, which shows space of highway E75 2100s. By analyzing existing state of space, its spatial alternatives are formed, magnet is created that attracts various natural and architectural elements from subject area, creating space-time hub, ie. chronotope - certain space evokes certain time, and vice versa. Analogous to attraction that highway has, it is “magnet” for road traffic, why couldn’t it become “magnet” for various architectural and natural elements and redefine itself as infrastructure system?

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ARHITEKTURA MUTACIJE : RESTRUKTURIRANJE POSTOJEĆEG MUTATION ARCHITECTURE : RESTRUCTURING THE EXISTING

Sandra Ojdanić Studio | Pustinja u gradu: Access denied Desert in the City: Access Denied Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

Nalazimo se u vremenu kada se u svakodnevnom životu dešavaju drastične promene. Eksponencijalni napredak tehnologije i medija pružio nam je uvid u ono što nam budućnost može pružiti. Razvojem tehnologije stvaramo novu generaciju dinamičnih i interaktivnih prostora koji različitim ljudima pružaju drugačija iskustva. Kako je tehnologija postala pristupačnija, tako je rastao osećaj da arhitektura može fizički da bude podjednako performativna i živahna.

Savremena kultura radikalno je izmenjena internetom. Digitalni alati omogućili su arhitekturi da uobliči fluidnost, kretanje i promene - što je zauzvrat takođe transformisalo način na koji ljudi ostvaraju interakciju sa okruženjem. Sve ovo postalo je mehanizam za sticanje novog razumevanja prostora.

Fizički, kulturni i društveni pejzaž će se radikalno razlikovati u neposrednoj budućnosti. Iz tog razloga arhitektura bi trebalo da reaguje na trenutak u evoluciji dinamičnih odnosa između grupa ljudi i različitih vizija kakva zapravo budućnost treba da bude.

We are in a time when drastic changes are taking place in everyday life. The exponential advances in technology and media have given us an insight into what the future can offer us. With the development of technology, we are creating a new generation of dynamic and interactive spaces that provide different people with different experiences. As technology became more accessible, so did the feeling that architecture could be physically equally performative and vibrant. Internet has changed contemporary culture radically. Digital tools have enabled architecture to shape fluidity, movement, and change - which in turn has also transformed the way people interact with the environment. All this has become a mechanism for gaining a new understanding of space. The physical, cultural and social landscape will be radically different in the near future. For that reason, architecture should react for a moment in the evolution of dynamic relations between groups of people and different visions of what the future should actually be like.

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DEPONIJA PODATAKA DATA WASTE CENTAR

Andrea Stanković Studio | Pustinja u gradu: Access denied Desert in the City: Access Denied Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

Utopijski san čoceka o potpunoj automatizaciji transformisao je prirodu planete Zemlje. Novonastali pejzaži zahtevaju preformulaciju koncepata kojima trenutno dajemo vrednost.

Projekat se odnosi ka data pejzažima kao poligonima logističkih operacija koje podrazumevaju koegzistiranje digitalnog i materijalnog, sa minimalnim, ali neophodnim ljudskim prisustvom. Pridaje se veliki značaj i simboličkom i funkcionalnom aspektu, kao neodvojivim delovima projekta.

Zone ljudske isključenosti posmatraju se kao strogo funkiconalne, crne kutije, dok su zone ljudske uključenosti veoma kontrolisane sistemom komunikacija. Korisnici se posmatraju kao posetioci ovog automatizovanog pejzaža koji istražuju prostore. Prostore ljudske uključenoste čine arhivi kao jedna vrsta kritike društva konzumerizma i beskonačnoj količini podataka koje ono kreira korišćenjem svojih uređaja i socijalnih mreža. Oni čuvaju bezbroj digitalnih avatara društva konzumerizma i različitih vrsta zapisa.

Utopian dream of complete automation has transformed the nature of planet Earth. Newly created landscapes require a reformulation of the concepts we are currently giving value to.

The project refers to data landscapes as polygones of logistics operations that imply the coexistence of digital and material, with a minimal, but necessery human presence. Importance is given to both the symbolic and functional aspect, as inseparable parts of the project. Human exclusion zones are strictly functional, black boxes, while human inclusion zones are highly controlled by the communications. Users are seen as visitors exploring the spaces of this automated landscape.

Spaces of inclusion are represented by archives as a kind of critique of the society of consumerism and the infinite amount of data that it creates using its devices and social networks.

They keep countless digital avatars and records of the consumerist society.

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PREISPITIVANJE STAROG SAJMIŠTA: ARHITEKTURA „NIČIJE ZEMLJE” RE_THINKING STARO SAJMIŠTE: ARCHITECTURE FOR NO MAN’S LAND

Tamara Vukotić Studio | Pustinja u gradu: Access denied Desert in the City: Access Denied

Projekat se zasniva na umetničkim teorijama i filozofiji Leonida Šejke, odnosno konceptu urbanog Đubrišta i njegovim odnosom prema Gradu. Po svojoj funkciji objekat je muzej, sa izložbenim, ali i edukativnim sadržajima. Sastoji se od elemenata koji najčešće nisu prisutni zajedno u jednom arhitektonskom delu: memorijalni park, element vode i kula kao muzej. Smešten je uz samu obalu reke Save, na novobeogradskoj strani, u Bloku 17, gde se nekada nalazio koncentracioni logor Staro sajmište.

Koncept se zasniva na uočavanju i poštovanju tragova nekadašnjih objekata sajma, a zatim i logora, sa jasnim stavom - materijalni ostaci objekata u sebi nose neizbrisiv DNK prošlih vremena i funkcija. Čitav kompleks pretvoren je u memorijalni park, gde se u pomenutim tragovima sada nalaze skulpture, a na mestu nekadašnje padobranske kule prvog beogradskoj sajma - muzej, koji određuje koncept vertikalne cirkulacije.

The project is based on the theories and philosophy of Leonid Šejka-the concept of “Urban Dump” and its relationship to the City. According to its function, the building is a museum with exibition and educational contents. It consists of elements that are usually not present together in one architecture work: a memorial park, an element of water and a tower as a museum. It is located along the bank of the Sava River, in Block 17 where the Staro sajmište concentration camp used to be. The concept is based on noticing and respecting the traces of the former objects of the fair with a clear attitudethe material remains of the object carry the indelible DNA of the past. The entire complex has been turned into a memorial park, where sculptures are now in the mentioned traces, and on the site of the former parachute tower of the fisrt Belgrade fair-a museum.

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TERMINUS+: ŽELEZNIČKI MUZEJSKI PARK TERMINUS+: RAILWAY MUSEUM PARK

Slađana Aničić Studio | Pustinja u gradu: Access denied Desert in the City: Access Denied

Razvoj ideje Muzeja železnice predstavlja odgovor na na ono što je postojalo, detektovanjem i prilagođavanjem „tragova“ železničkih šina i elemenata, posmatrajući ih kao snop koji treba da usmeri korisnika, i postavi zgradu Okretnice vagona kao konačno ishodište. Rešenje treba da istakne značaj komunikacije, obzirom na snagu iskustva, određenu putem energije na samog posmatrača. Formiranje podzemnog i nadzemnog dela, koji sadržе iste prodiruće elemente ili njihove delove, pojačava (postojeće) tokove na samoj lokaciji i doprinosi utisku da se objekat sastoji iz delova, tragova, i ostataka.

Projekat se razvija u specifičnom okruženju Beograda na vodi, i teži da svojom niskom spratnošću formira “prazninu” u novom kontekstu, i na taj način naglasi postojeći objekat Ložionice i podseti na njen značaj u razvoju Beograda. Cilj projekta je da omogući alternativnost prostora, postavljanjem strukture koja će obezbediti različito sagledavanje; da omogući spontanost i cirkulaciju, ali i da zadovolji neophodnu komunikaciju.

The idea of the Railway Museum is a response to existed, by detecting and adapting “traces” of railway tracks and elements, viewing them as a beam to guide the user, and setting the Wagon Station building as the final destination. The formation of the underground and aboveground part, which contains the same penetrating elements or their parts, amplifies flows on location and contributes to impression that building consists of parts, traces, and remains. The project is developing in specific environment of Belgrade Waterfront, and strives to form a “gap” in a new context by low number of floors, emphasize the existing facility of building and remind of its importance in development of Belgrade. The aim of the project is to enable alternativity of space, by setting up a structure that will provide different view; to enable spontaneity and circulation, but also to satisfy the necessary communication.

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ARHITEKTURA NOSTALGIJE: HIPERPRODUKCIJA MEMORIJE ARCHITECTURE OF NOSTALGIA: HYPERPRODUCTION OF MEMORY

Mladen Ostojić Studio | Pustinja u gradu: Access denied Desert in the City: Access Denied

S05-A

Nostalgija je čežnja za sadašnjicom; čežnja za uporednim, posredovanim i iznova doživljenim; koegzistencijalnim, vidljivim i nevidljivim. Nevidljivi gradovi su, prema Italu Kalvinu, nepostojeća mesta beskonačnih mogućnosti, kojim se odbacuju konvencije forme i narativa kako bi se ukazalo na ideje sećanja i mesta. Materijalizovani su u negaciji definicije vremena kao nepovratnog, shvaćeni kao upotrebljiv sadržaj, sredstvo identifikacije, oporavka, budućeg, moralnog obećanja.

Tehnologija, u funkciji univerzalnog jezika, sposobna je da poništi premise nostalgije i stvori hipertekstualno ustrojstvo vremena i prostora. Stoga, arhitektura nostalgije je prostorna karika u procesu sajber arheologije, koja prikupljenu prošlost kodira, lokalizuje u arhiv- ponor- i vertikalnim sistemom prenosi i materijalizuje. Stvara se prostor zavisan od unosa podataka, njihove fizičke i digitalne forme, nestalan prostor koji evocira i neprekidno se nadgrađuje/ razgrađuje. Ostaci spaljene Narodne biblioteke na Kosančićevom vencu posmatraju se kao kontekst čežnje i amnezije, kao tačka međuvremenske i međumaterijalne akumulacije i supostojanja.

Nostalgia is longing for the present; longing for the correlative, the mediated, the re- experienced, the visible and the invisible.

Invisible cities are, according to Italo Calvino, non-existent places of infinite possibilities, which reject the conventions of form and narrative in order to point out the ideas of memory and place. They are materialized by negating the definition of time as irreversible and are understood as utilizable content, a medium of identification, recovery, future and moral promise.

Technology, functioning as universal language, is capable of nullifying the premises of nostalgia and creating a hypertextual constellation of time and space. Therefore, the architecture of nostalgia is a spatial link in the process of cyber- archeology, which localizes and encodes the collected past in the archiveabyss- and transmits and materializes it through a vertical system. A space is created that depends on data entry, their physical and digital forms, a transient space that evokes and is constantly upgraded/ decomposed. The remains of the burned National Library of Serbia are percieved as a context of longing and a point of intertemporal and intermaterial accumulation and coexistence.

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S06-A ODJECI REALNOSTI ARHITEKTURA ALTERNATIVNE ISTORIJE ECHOES OF REALITY ARCHITECTURE OF ALTERNATIVE HISTORY

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Nastavnik: arh. Borislav Petrović redovni profesor | full professor Mentorska komisija: dr Danijela Milovanović Rodić docent | associate professor dr Milan Radojević docent | associate professor

Osnovni okvir teme vezan je za tezu o preispitivanju obrazaca gradograđenja, trenutno prisutnih u planerskoj i graditeljskoj praksi. Njihova neosporivost često otvara pitanja stvarnog utemeljenja i zasnovanosti “zvaničnog stava”, u ambijentu koji ne prepoznaje dijalog, odnosno konkursnu razmenu mišljenja, kada se radi o investicijama javnog karaktera. U tom smislu, naš studio će se u narednim zadacima, baviti “subverzijom”, kao načinom formiranja i izražavanja drugačijeg stava o pojedinim karakterističnim slučajevima. Oslonac zadatka jeste ideja o izgradnji Linijskog parka sa pratećim sadržajima u Beogradu, kao i razumevanja njegove idejne osnove, karaktera i identiteta.

The basic framework of the studio topic is related to the thesis on the re-examination of urban planning patterns, currently present in practice. Their indisputability often raises questions of the real foundation and grounding of the “official position”, in an environment that does not recognize dialogue - competitive exchange of opinions, when it comes to public investments.

In that sense, our studio deal with “subversion”, as a way of forming and expressing a different attitude about certain characteristic cases. The mainstay of the task is the idea of building a Line Park with accompanying facilities in Belgrade, as well as an understanding of its conceptual basis, character and identity.

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FIKTIVNA REALNOST: KINEMATOGRAFSKI ARHIV LOKALNE (ALTERNATIVNE) ISTORIJE FICTITIOUS REALITY: CINEMATIC ARCHIVE OF LOCAL (ALTERNATIVE) HISTORY

Teodora Spasić Studio | ODJECI REALNOSTI Arhitektura alternativne istorije ECHOES OF REALITY Architecture of Alternative History Nominacija | Nomination | ARCHIPRIX INTERNATIONAL 2021 UnIADA ’21 Unfuse International Architectural Dissertation Awards

Pretpostavka rada je da je kulturološki kontekst grada oblikovan sadejstvom fragmentarne metodologije građena urbane sredine i zatečenog pejzaža, i to kroz različite istorijske procese, ritam i montažu. Lokalno flimsko stvaralaštvo posmatra se kao arhiv alternativnih istorija grada i svaki film predstavlja dokument alternativne istorije. Ideja je upotrebiti ga kao alat za razumevanje grada i omogućiti identifikovanje društvene realnosti reflektovane u kinematografiji lokalnog filma. Pretvaranje prostora u svojevrsnu živu izložbu arhitekture gde se određene vrste percepcije prostora mogu preneti u izgradjenu arhitektonsku formu. U odnosu na uobičajenu tipologiju prostora arhiva ili muzeja, težnja se izmešta na kreiranje prostora koji omogućava ulazak i iščitavanje kroz istoriju. Svaki segment prostora, mora kao i svaki kadar filma da sadrži fragment informacije, fragment istorije.

Hypothesis of project is that the cultural context of city is shaped by conjunction of fragmentary methodology of constructing the urban surroundings and existing landscape through different historical processes, rhythm and montage.

Local filmmaking is observed as an archive of alternative histories of city and every film represents a document of alternative history. The idea is to use it as a tool for appreciation of the city and enable identification of reality of society reflected in cinematography of local film. Turning space into a living exhibition of architecture where certain types of space perception could be carried over into a developed architectural structure. In contrast to the usual spatial typology of archive or museum, the emphasis is moved onto creating a space that enables the admission and reading through history. Every segment of space, as well as every frame of film, must contain a fragment of information, a fragment of history.

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LINIJSKI PARK ILI EPIZODIČNA ARHITEKTURA: SERIJA OSTRVA LINEAR PARK OR EPISODIC ARCHITECTURE: SERIES OF ISLANDS Danica Vićanović Studio | ODJECI REALNOSTI Arhitektura alternativne istorije ECHOES OF REALITY Architecture of Alternative History

Projekat je postavljen kao eksperiment koji ima za cilj da ispita mogućnosti koje nudi Beograd kao ostrvski grad.

Potpuno odvajanje dela grada i ‘silazak na reku’ daje odgovor na dugogodišnji problem Beograda kao grada na vodi.

Polazište projekta čini vreme kao glavni parametar koji se prevodi u promenljivost. U pogledu vremena koristi se pojam ‘epizodična arhitektura’ koji daje naznaku kako se prostori mogu programirati a da se ne promene jednovremeno i trajno, već postepeno i privremeno. Shodno tome, novoprojektovani dio grada, novo ostrvo je prostor stalnih promena, spreman da prihvati sve nove i buduće aktivnosti koje su gradu potrebne i dovoljno fleksibilan da se iznova menja. Implementirajući logiku novog ostrva na postojećih 16 (polu)ostrva, sva ostrva postaju ekstenzije grada u programskom smislu dok u fizičkom i dalje zadržavaju svoju izolovanost. Povezivanjem novog ostrva sa postojećim, formirao bi se sistem ostrva kao novi prostorni obrazac koji uvodi promene u identitetu grada.

The project represents an experiment that aims to examine the possibilities offered by Belgrade as an island city. The complete separation of one part of the city and the “descent to the river” gives an answer to the long-standing problem of Belgrade as a city on the water. The starting point of the project is time as the main parameter that translates into variability. In terms of time, the term ‘episodic architecture’ is used, which indicates how spaces can be programmed without changing them simultaneously and permanently, but gradually and temporarily. Accordingly, the new island is a space of constant changes, ready to accept all the new and future activities that the city needs and flexible enough to change again.

Implementing the logic of the new island on the existing 16 (semi) islands, all the islands are becoming extensions of the city in the program sense while in the physical they still retain their isolation. By connecting the new island with the existing one, an island system would be formed as a new spatial pattern that introduces changes in the identity of the city.

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S07-A

NEPOKORENI GRAD UNCONQUERED CITY

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Nastavnik: arh. Ivan Rašković redovni profesor | full professor Mentorska komisija: dr Nenad Šekularac redovni profesor | full professor dr Ratka Čolić docent | assistant professor

Kroz individualno definisane pristupe zadatku studenti razvijaju kritički stav prema planiranom razvoju grada, oslanjajući se na nerealizovane ili delimično realizovane konkursne arhitektonske projekte i planove na teritoriji opština Herceg Novi i Igalo. Cilj studija je da se kroz analizu pojma i preispitivanje značenja grada u nastanku, kao utemeljenja budućeg života zajednice, pronađe model razvoja nerealizovanih arhitektonskih ideja na makro i mikro planu u odnosu na uočene potencijale konteksta.

Na nivou projekta, studenti predlažu prostorno-programsko rešenje u morfološkom, tipološkom i ambijentalnom smislu, za transformaciju analizirane lokacije i razvoj analiziranog projekta u savremenom trenutku.

Through individually defined approaches to the studio topic, students develop a critical attitude towards the planned development of the city, relying on unrealized or partially realized competitive architectural projects and plans in the municipalities of Herceg Novi and Igalo. The aim of the study is to find a development model of unrealized architectural ideas at the macro and micro level in relation to the observed potentials of the context, through the analysis of the concept and re-examination of the meaning of emerging city, as the foundation of the future life of the community. At the project level, students propose a spatial-program solution in morphological, typological and ambient sense, for the transformation of the analyzed location and the development of the analyzed project in the contemporary moment.

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ARTIFICIJELNA EKOLOGIJA PREDELA ARTIFICIAL ECOLOGY OF LANDSCAPE

Jovan Matović Studio | Nepokoreni grad Unconquered City Nominacija | Nomination | The Young Talent Architecture Award (YTAA) UnIADA ’21 Unfuse International Architectural Dissertation Awards

Prepoznati prirodni resursi na teritoriji Herceg Novog zahtevaju nove sisteme prečišćavanja otpadnih voda, ali i plantaže endemskih vrsta Mediterana. Njihovim uvezivanjem u jedan otvoren sistem, produktivno se doprinosi obnavljanju oštećenih ekosistema. Kao sredstvo uspostavljanja takvih relacija između ljudi i životne sredine, javlja se infrastruktura kao ključni element u oblikovanju ovih hibridnih odnosa. Glavna ideja projekta je da se kroz ceo tehnološki proces prečišćavanja vode iskustveno uključe i posetioci, pri čemu infrastruktura dobija karakter javnog hidrološkog parka. Prolaskom kroz različite faze procesa, korisnik doživljava i različite prostorne ambijente specifične za tu fazu. Uz ušće se formira platforma koja omogućava novu razmeru sagledavanja predela i iskustva za posetioce, sa potrebnom infrastrukturom za obavljanje poslednje faze procesa obrade vode. Uzimajući u obzir međuzavisnost ljudskih i prirodnih sistema, infrastruktura je od presudne važnosti za prečišćavanje, posredovanje i protok vode, energije i otpada, ističući značaj ekologije ovog predela za razvoj grada u prvi plan.

Recognized natural resources on the territory of Herceg Novi require new wastewater treatment systems, but also plantations of endemic species of the Mediterranean. By binding them in one open system, they productively contribute to the restoration of damaged ecosystems. As a medium of establishing such relationships between humans and the environment, infrastructure emerges as a key element in shaping these hybrid relationships. The main idea of the project is to experientially involve visitors through the technological process of water purification, whereby the infrastructure acquires the character of a public hydrological park. By going through different phases of the process, the user experiences different spatial environments specific to that phase. Considering the interdependence of human and natural systems, infrastructure is crucial for the purification, mediation and flow of water, energy and waste, emphasizing the importance of the ecology of this area for the development of the city in the foreground.

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PELOID: PARK ZDRAVLJA PELOID: HEALTH RESORT

Aleksandra Živković Studio | Nepokoreni grad Unconquered City

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Odnos prema kulturnim i prirodnim dobrima se može menjati tokom vremena u zavisnosti od razvoja potreba zajednice koja ih koristi ili čije potencijale ta dobra predstavljaju. U velikom broju situacija, dešava se zanemarivanje potencijala pomenutih dobara i uviđanja propuštenih šansi tek nakon njihove devastacije. Ali šta se dešava ako dođe do nestanka ovakve vrste simbola grada? Kako sprečiti zanemarivanje značaja elementa koji sadržajno i simbilički formiraju identitet grada? Na koji način se konstantno podseća i čuva značaj identiteta? Današnji karakter razvoja turizma u Crnoj Gori kao njene osnovne privredne grane utiče na zanemarivanje značaja prirodnog resursa poput lekovitog blata - Peloida.

Neodgovarajuća izgradnja objekata i infrastrukture u uskom priobalnom pojasu, na grebenima i rtovima može da uslovi gubitak identiteta predela kao i nestanak vrsta i njihovih prirodnih staništa. Projekat parka svojom pozicijom i sadržajem završava i upotpunjuje postojeću strukturu Igala i pokušava da prikaže značaj prirodnih resursa. Nalazi se na mestu nalazišta morskih livada i Peloida, ali i izvora mineralne vode – Igaljke.

Certain natural goods become important parts of the identity of a city or country over time. Citizens identify with and are proud of their city and that is how these goods become known around the world. But what happens if this symbol of the city disappears? Can we forget even in the location of memory?

How do we prevent the neglect of the significance of the elements that form the identity of a city? In which way is the importance of identity constantly reminded of and guarded?

In light of current global tendencies, the growth of tourism as the basic economic branch of Montenegro affects the neglect of the significance of this natural resource. The main reasons of the disappearance of seagrass are marine pollution, creating beaches, sandblasting, civil engineering work, the construction of marinas, disposing of waste in the sea. With its position and content, the project of health resort completes and compliments the existing structure of Igalo and shows the importance of natural goods. It is located on the site of sea meadows and Peloid, but also a source of mineral water - Igaljka.

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ALL INCLUSIVE: KORPORATIVNA DISTOPIJA ALL INCLUSIVE: CORPORATE DYSTOPIA

Nikolina Lalić Studio | Nepokoreni grad Unconquered City

S07-A

Možemo pretpostaviti da se trend slobodnog vremena povećao usljed robotizacije radnog procesa, unapređenja radnih uslova i stavljanja efikasnosti u prvi plan, pa se otvaraju pitanja za dalja istraživanja vezana za budućnost: Kako bi izgledao život izgrađen u potpunosti u slobodnom vremenu? Sa težišta antropološkog aspekta, postavlja se tema korporativne distopije, kao post-kapitalističkog odmora, ispitujući domene buduće socijalne nejednakosti, kao polje djelovanja u razvijanju koncepta All inclusive. Studije slučaja jugoslovenskih odmarališta, proučavanih kroz istraživanje, ukazuju na problem ruiniranosti objekata modernističkog nasljeđa u Herceg Novom, kao rezultat tranzicije i ideoloških promjena, koje su se odrazile na prostor. Današnji turista je u potrazi za novim iskustvima, gdje se novo definiše iz jedinstvene ponude mjesta, genius loci .Programska postavka se odnosi na selfcare paradigmu, odnoseći se na ideju odmora projektujući joi de vivre. Koncept morskog bazena je izabran kao veza između pejzaža, kulture i arhitekture posmatrane u okviru obale, kao javnog dobra, dostupnog svima- All inclusive.

We can assume that the trend of free time has increased due to robotization of the work process, improvement of working conditions and putting efficiency in the foreground, so questions arise for further research related to the future: What would a life built entirely in free time look like? From the focus of the anthropological aspect, the topic of corporate dystopia, as a post-capitalist holiday, is raised, examining the domains of future social inequality, as a field of action in developing the concept of All Inclusive. The case studies of Yugoslav resorts, studied through research, point to the problem of the ruin of modernist heritage buildings in Herceg Novi, as a result of the transition and ideological changes that have affected the area.

Today’s tourist is looking for new experiences, where the new is defined from the unique offer of the place, genius loci. The program setting refers to the self-care paradigm, referring to the idea of ​​vacation by designing joi de vivre. The concept of the sea basin was chosen as a link between landscape, culture and architecture viewed within the coast, as a public good, accessible to all - All inclusive.

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TREĆI VAVILON THIRD BABYLON

Sara Stanković Studio | Nepokoreni grad Unconquered City

Analiziranjem javnih prostora različitih tipologija uočavamo identične prostorne elemente koji su zastupljeni u svakom od njih. Pored toga, posmatranjem istorijskog konteksta javnih prostora, uočavamo njihovu prenamenu tokom vremena.

Posmatranjem različitih primera sa svim svojim ideološkim pozadinama osvetljavaju se opšte karakteristike kolektivnih prostora. Odnos pojedinac – zajednica – grad se konstantno provlači kroz građenje prostora, a postavlja se pitanje kako se međusobno određuju i u kojoj meri su povezani. Cilj istraživanje jeste konstatovanje prisustva i značaja kolektivnih prostora kao mesta reprezentacije društvenih jednakosti i razlika kroz istorijski, politički i religiozni kontekst. Čovek je deo zajednice, njegov identitet se ogleda kroz zajednicu, a zajednica se posmatra kao unutrašnja, vitalna i nepokorena snaga jednog grada. Zajednica jača kroz građenje zajedničkih prostora, ali i događaje vezane za njih. Kolektivne memorije se grade kroz kolektivne prostore.

By analyzing public spaces of different typologies, we notice identical spatial elements that are represented in each of them.

In addition, by observing the historical context of public spaces, we notice their conversion over time. By observing different examples with all their ideological backgrounds, the general characteristics of collective spaces are illuminated. The relationship between the individual - the community - the city is constantly going through the construction of space, and the question arises as to how they are determined by each other and to what extent they are connected. The aim of the research is to ascertain the presence and significance of collective spaces as places of representation of social equations and differences through historical, political and religious context.

Man is a part of the community, his identity is reflected through the community, and the community is seen as the inner, vital and unconquered force of a city.

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S08-A BEOGRADSKI TOKOVI: IZGUBLJENI U PREVODU BELGRADE FLOWS: LOST IN TRANSLATION

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Nastavnik: arh. Goran Vojvodić redovni profesor | full professor Mentorska komisija: dr Dušan Ignjatović vanredni profesor | associate professor dr Uroš Radosavljević vanredni profesor | associate professor

Rad u okviru studija podrazumeva istraživački pristup pri formiranju odgovora na temu sveukupnog razvoja Beograda, uključujući i dugo planirani „silazak na reke“. Cilj rada u studiju predstavlja iniciranje analitičkog razmišljanja, razvijanja sposobnosti sagledavanja karaktera, osobenosti i mogućnosti unapređenja urbanističkih tokova grada. Težište rada je na iznalaženju odgovora na aktuelni društveni i kulturološki trenutak sa ciljem zadovoljenja potreba korisnika prostora i uspostavljanja novog epicentra aktivnosti u okviru grada.

Iniciranjem individualnih tema u okviru zadatog okvira, teži se koncipiranju novog (ovovremenog) identiteta prostora definisanog snažnim nasleđem, ali i savremenim tendencijama razvoja gradova.

The work within the studio implies a research approach in forming answers to the topic of the overall development of Belgrade, including the long-planned “descent to the rivers”.

The aim of the study is to initiate analytical thinking, develop the ability to perceive the character, features and possibilities of improving the urban flows of the city. The focus of the work is on finding answers to the current social and cultural moment with the aim of meeting the needs of space users and establishing a new epicenter of activities within the city.

By initiating individual themes within the given framework, the aim is to conceive a new (contemporary) identity of the space defined by a strong heritage, but also by modern tendencies of urban development.

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TRKE BUDUĆNOSTI RACES OF THE FUTURE

Bojana Mijatov Studio | Beogradski tokovi: Izgubljeni u prevodu Belgrade flows: Lost in translation Nominacija | Nomination | Tamayouz International Award 2020 for graduation projects

Osnovna ideja u Master završnog radu na temu BEOGRADSKI TOKOVI: IZGUBLjENI U PREVODU, je podizanje arhitektonskog značaja na poluostrvu Ada Huja. Inspiracija za odabir lokacije proistekla je iz interesovanja za neaktivne prostore u urbanim sredinama. Na samom poluostrvu zatičem već uspostavljeni tok destrukcije nekadašnjih prirodnih dobara u različitim nivoima. Preplitanjem toka reke Dunava i toka nastalog na poluostrvu Ada Huja, isprojektovan je atraktivni sadržaj, koji je kao takav unapredio postojeće stanje. Projekat predstavlja oblikovanje arhitektonskog pejzaža kojim se diferencijalna praznina pretvara u jedinstven prostor. Formula E predstavlja jedno funkcionalno rešenje. Zašto? Zato što se priroda i njeni resursi ne remete, jer je ovde u pitanju formula bez izduvnih gasova, koja je kao ovakva rezervisana za blisku budućnost.

S druge strane gledano, to bi bio prostor gde bi ljudi dolazili sa zadovoljstvom i gde bi mogli da ispune svoje slobodno vreme na različite načine.

The basic idea of the Master final paper on the topic : BELGRADE FLOWS: LOST IN TRANSLATION is to raise the architectural significance on the Ada Huja peninsula. The inspiration for choosing the location came from interest in inactive spaces in urban areas. On the peninsula itself, I found the already established course of destruction of former natural resources at different levels. By intertwining the flow of the Danube and the flow created on the Ada Huja peninsula, an attractive content was projected, which has improved the existing situation. The project represents the shaping of an architectural landscape by which a differential void is transformed into a unique space. Formula E represents one functional solution for the near future, where nature and its resources are not disturbed, a formula without exhaust gases.

It would be a space where people would gladly come to spend their free time in different ways.

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DISTRIKT KULTURE CULTURAL DISTRICT

Ana Jovanović Studio | Beogradski tokovi: Izgubljeni u prevodu Belgrade flows: Lost in translation Nominacija | Nomination | Nagrada grada Beograda za stvaralaštvo mladih City of Belgrade Award for Youth Creativity

Prateći tokove istorijskog razvoja na mikro i makro nivou mogu se utvrditi prostorni potencijali Beograda kao i njegova povezanost sa mnogim kulturnim i istorijskim rutama.

Istorijskom analizom i mapiranjem bitnih tačaka razvoja dobija se grupa podataka o optimizaciji arhitektonskih funkcija koje nedostaju ovom delu grada. Kroz posmatranje transformacije određenih podcelina moguće je ispitati interaktivnost prostora sa korisnikom. Preispituje se njihova veza i da li mogu zajedno da funkcionišu za opštu dobrobit lokalne zajednice. Sintezom dobijenih informacija projekat se nadovezuje na postojeći razvoj grada, generiše i objedinjuje nove funkcije koje nedostaju ovoj podcelini grada u jedan kulturni distrikt. Program kulturnog distrikta je formiran usitnjavanjem okolne urbane strukture kako bi se stimulisao dalji razvoj grada.

Following the course of historical development at the micro and macro level, the spatial potentials of Belgrade can be determined, as well as its connection with many cultural and historical routes. Historical analysis through mapping of important points of development obtained a group of data on the optimization of architectural functions that are missing in this part of the city. By observing the transformation of certain subunits, it is possible to examine the interactivity of space with the user. Their connection is being questioned and whether they can work together for the common good of the local community. By synthesizing the obtained information, the project builds on the existing development of the city, generates and combines new functions that this subunit of the city lacks into one cultural district. The program of the cultural district was formed by fragmenting the surrounding urban structure in order to stimulate further development of the city.

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HIBRIDNE INFRASTRUKTURE: GENERATORI URBANOG KONTINUITETA HYBRID INFRASTRUCTURES: GENERATORS OF URBAN CONTINUITY

Aleksandra Jovičić Studio | Beogradski tokovi: Izgubljeni u prevodu Belgrade flows: Lost in translation Nominacija | Nomination | UnIADA ’21 Unfuse International Architectural Dissertation Awards

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Tematski okvir istraživanja su komunikacijski tokovi.

Istraživanjem se ispituje urbana dimenzija transportnih čvorišta, odnosno njihova sposobnost da,sa programskim ekstenzijama , ostvare urbani kontinuitet. Prostor protoka povezuje razdvojene lokacije u interaktivnu mrežu, dok prostor mesta predstavlja iskustvo lokalnog. Gradovi su komunikacijski sistemi koji spajaju ove polove. Primetna je rastuća tenzija izmedju ova dva prostora. Sinteza izmedju prostora i protoka se odvija na javnom prostoru, koje je mesto društvene kohezije i razmene. Infrastrukture organizuju i upravljaju kompleksnim sistemom tokova, kretanja i razmene. Ključno pitanje istraživanja je definisanje međuprostora na bipolarnoj osi koja povezuje mesto i tok. Istražuje se liminalno, granično, mesto susreta i prelaska jednog prostora u drugi. Postavlja se pitanje mogućnosti prevazilaženja granica kroz zonu prelaza – fluidnu, dinamičnu, interaktivnu, ili čak dematerijalizovanu.

Ispituje se bazična uloga infrastrukture u nastojanju da se integriše fragmentisani poredak. U kontekstu kompleksnosti i hibridnosti savremenog grada, otvara se i pitanje tipološke determinisanosti arhitekture, odnosno mogućnost da ona bude dovršena tek korišćenjem.

Thematic framework of research are communication flows.

The study examines urban dimension of transport hubs, their ability to, with program extensions, achieve urban continuity.

The space of flows connects the separated locations into an interactive network, while the space of places represents the experience of the local. Cities are communication systems that connect these poles. There is a growing tension between these two spaces. The synthesis between space and flow takes place in public space, which is a place of social cohesion and exchange. Infrastructures organize and manage a complex system of flows, movements and exchanges. The key question of the research is to define the interspaces on the bipolar axis that connects the place and the flow. The study explores liminal, borderline, place of meeting and crossing of one space into another. The question arises of the possibility of crossing borders through the transition zone - fluid, dynamic, interactive, or even dematerialized.

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MEMORIJALNI KOMPLEKS NA STAROM SAJMIŠTU MEMORIAL COMPLEX ON STARO SAJMIŠTE

Aleksandra Vujić Studio | Beogradski tokovi: Izgubljeni u prevodu Belgrade flows: Lost in translation Nominacija | Nomination | Tamayouz International Award 2020 for graduation projects

Tokovi grada se mogu tumačiti kroz različite prostorne, istorijske, simboličke i infrastrukturne aspekte. Novi Beograd je specifični prostor otelotvorenja socijalističke ideologije i stvaranja nove zajednice, što se prepoznaje kroz njegov vizuelni identitet lišen bilo kakvih istoricizama i ideja o nacionalnim podelama za koje su postojale tendencije u periodu njegovog nastanka do danas. Staro Sajmište je svakako tačka na kojoj je sve počelo i oko koje se sve dešavalo; novoizgrađeno Sajmište kao znak osvajanja susedne obale i naznaka ideje Novog Beograda, Stratište u toku Drugog svetskog rata i umetnička kolonija u periodu nakon rata. Prostor Sajmišta je u svakom smislu povezan sa istorijom i tokovima Novog Beograda, ali skrajnutost njegovog značaja na mapi Beograda, navodi na činjenicu o nedefinisanom stavu društva o identitetu koje ono nosi. U tom smislu, lokacija Sajmišta je prepoznata kao ključno mesto na kome je prekinut tok razvoja identitea i prostora Novog Beograda.

The courses of the city can be interpreted through different spatial, historical, symbolic and infrastructural aspects.

New Belgrade is a specific space for the embodiment of socialist ideology and the creation of a new community, which is recognized through its visual identity devoid of any historicism and ideas of national differences for which there were tendencies in the period of its creation until today. Staro Sajmište is certainly the point where everything started and around which everything happened; erection of Sajmište was a sign of the conquest of the neighboring coast and prelude of ​​New Belgrade, Stratište during the Second World War and an art colony in the period after the war. The area of ​​Sajmište is in every sense connected with the history and currents of New Belgrade, but irrelevance on the map of Belgrade leads to the fact of the society’s undefined perception on identity it carries. In that sense, the location of Sajmište is recognized as a key place where the course of development of the identity and space of New Belgrade was interrupted.

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NOVA GALERIJA STAROG GRADA NEW GALLERY OF OLD TOWN

Ana Dabić Studio | Beogradski tokovi: Izgubljeni u prevodu Belgrade flows: Lost in translation

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Jedan od tema kojima se rad bavi jeste postojanje problema silaska Beograda na reke i otkrivanje metoda kojima se on može rešiti. Istovremeno se bavi pitanjima arhitekture i urbanizma kao ’’scene’’ gradskog prostora, kao i načinima aktiviranja priobalnih prostora kroz kulturu. Kako bi se odgovorilo na potrebe koje sa sobom nosi savremeni trenutak, oblikovanje prostora, odnosno arhitektonsko delovanje neophodno je bazirati na evociranju memorije i tradicije. Polazišta za formiranje arhitekture koja odgovara na prostorni i društveni kontekst savremenog doba, jesu namera ostvarivanja doživljaja slojevitosti kao posledice vremena. Isticanjem brojnih vrednosti lokacije kroz evociranje tradicije i kulture bi dovelo do formiranja novog centra, kako za posetioce, tako i za građane. Sama intervencija bi trebalo da odaje utisak da je u pitanju „work in progress“, odnosno da struktura nije konačna i gotova, već da se može nadograđivati i menjati, i da se kao takva utapa u svoje fizičko okruženje.

One of the topics that the project deals with is the existence of the problem of Belgrade’s descent into the rivers and the discovery of methods by which it can be solved. At the same time, it deals with issues of architecture and urbanism as “scenes” of urban space, as well as ways of activating coastal areas through culture. In order to respond to the needs that come with the modern moment, the design of space, or architectural action, it is necessary to be based on evoking memory and tradition. The starting points for the formation of architecture that responds to the spatial and social context of the modern age, are the intention to realize the experience of stratification as a consequence of time. Emphasizing the numerous values of the location through evoking tradition and culture would lead to the formation of a new center, both for visitors and citizens. The intervention itself should give the impression that it is a matter of “work in progress”, ie that the structure is not final and ready, but that it can be upgraded and changed, and as such it is immersed in its physical environment.

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INFRA.HOUSE – MUZEJ INFRASTRUKTURE NA MOSTARSKOJ PETLJI INFRA.HOUSE – MUSEUM OF INFRASTRUCTURE ON MOSTAR INTERCHANGE Olja Popović Studio | Beogradski tokovi: Izgubljeni u prevodu Belgrade flows: Lost in translation

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U kontekstu Beograda, paralelno sa tokom reka, razvija se niz drugih vrsta tokova visoke frekvencije. Velika saobraćajna čvorišta mogu poslužiti kao okidač za razvoj mesta, posebno ukoliko se nalaze u blizini atraktivnih lokacija, pa je razvoj okolnih površina neminovno omogućen. Sa druge strane, usled njihove složenosti, mogu stvoriti haotičnu situaciju koja degradira njihov potencijal stvarajući neprivlačne prostore koji stagniraju. Mostar, najveće saobraćajno čvorište u Beogradu, prepoznat je kao tačka u prostoru koja ima veliki potencijal.

Namera nije da se petlji da druga namena od one koju ona po definiciji već ima, već da se aktivira fragmentisan prostor koji je ispresecan saobraćajnom infrastrukturom. Važnost odabira date lokacije ogleda se u prilagođavanju modernističkog infrastrukturnog nasleđa savremenim estetskim i formalnim potrebama korisnika. Projekat objašnjava važnost integrisanja infrastrukture visoko-frekventnih prostora sa okolnim funkcijama. U formalnom smislu, projekat ispituje ideju nove dinamične topografije poteza duž trase autoputa.

In the context of Belgrade, simultaneously with the flow of rivers, a sequence of other types of high-frequency flows is developed. Large traffic intersections can serve as a trigger for the development of a place, especially if they are located near attractive locations, so the development of the surrounding areas is inevitably possible. On the other hand, due to their complexity, they can create a chaotic situation that degrades their potential by creating unattractive stangnated spaces. Mostar, the largest traffic intersection in Belgrade, is recognized as a point in space that has great potential. The intention is not to interfere with the purpose it already has by definition, but to activate the fragmented space intersected by the traffic infrastructure. The importance of choosing a given location is reflected in the adaptation of the modernist infrastructural heritage to modern aesthetic and formal needs of users. The project explains the importance of integrating the infrastructure of high-frequency spaces with the surrounding functions. Formally, the project examines the idea of ​​a new dynamic topography along the highway.

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S09-A ARHITEКTURA: ISTRAŽIVANJE NA PROSTORNIM GRANICAMA - COSMOS ARCHITECTURE: RESEARCH ON SPATIAL BOUNDARIES - COSMOS

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Nastavnik: dr Dragana Vasiljević Tomić vanredni profesor | associate professor Mentorska komisija: dr Eva Vaništa Lazarević redovni profesor | full professor dr Branislav Žegarac redovni profesor | full professor

Naše promenljivo razumevanje stvarnosti inspirisalo je pronalazak novih koncepata prostora i strategija prostornog istraživanja i prakse u svim disciplinama. Došlo je do nekoliko radikalnih promena u kosmologiji, nauci, umetnosti, dizajnu i filozofiji, u pogledu načina na koji se može razumeti stvarnost i naše iskustvo. Кao što se može videti u nedavnim studijama naučnika, umetnika, dizajnera i mislilaca, ovakve promene podstakle su razvoj novih filozofija i teorija o prostoru, novih tipova prostorne percepcije, interakcije Povezivanjem različitih naučnih i umetničkih oblasti, interdisciplinarnim pristupom, studenti stiču sposobnost definisanja teme u okviru ekspandiranog (proširenog) medija arhitekture. Drugim rečima, cilj nastave je sticanje sposobnosti arhitektonskog istraživanja kroz projektovanje, gde se arhitektura definiše kao materijalni, tekstualni višemedijski događaj.

Our changing understanding of reality has inspired the discovery of new concepts of space and strategies of spatial research and practice in all disciplines. There have been several radical changes in cosmology, science, art, design and philosophy, in terms of how reality and our experience can be understood. As can be seen in recent studies by scientists, artists, designers and thinkers, such changes have encouraged the development of new philosophies and theories about space, new types of spatial perception, interactions within the expanded medium of architecture. In other words, the goal of teaching is to acquire the ability of architectural research through design, where architecture is defined as a material, textual multimedia event.

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MUZEJ SVEMIRA SPACE MUSEUM

Dragana Ranđelović Studio | VOLLMOND: vidljiv i nevidljiv prostor_arhitektura pokreta/ akademija pokreta VOLLMOND: visible and invisible space_movement architecture / movement academy

Muzej svemira interpretira našu percepciju kao sled doživljaja.

Povezuje naše osećaje stvarajući simulacije. Čovek u muzeju živi kroz simulacije, kroz trajanje. Služi se kvantnom tehnologijom, onom koja će zavladati u bliskoj budućnosti, i gradi arhitekturu 2050 veštačkom inteligencijom koja je daleko naprednija u odnosu na čovekovu. Realni kontekst muzeja je mesto koje traje, Avala. Kvanta teorija (u domenu nauke) i sumatraizam (u domenu umetnosti) imaju zajedničko polazište: sve na svetu je povezano kroz trajanje. Crnjanski u pesmi Lament nad Beogradom prikazuje Beograd kao večni, živi organizam i povezuje ga sećanjem na određeno mesto.

Upravo je kvanta tehnogija ona koja prevodi pesmu, povezuje sećanja, i simulira u realnost kroz čulne doživljaje. U Muzeju svemira naša sećanja i emocije grade simulaciju i prikazuju nas same. Mi smo povezani. Živimo u preklopljenim prostorima naših doživljaja. Mi smo interakcija!

Space Museum interprets our perception in the sequence of experiences. It connects our feelings by creating simulations.

The man in the museum lives through simulations, through duration. It uses quantum technology, the one that will prevail in the near future, and builds architecture in 2050 with artificial intelligence that is far more advanced than human intelligence.

The real context of the museum is the place that lasts, Avala.

Quantum theory (in the domain of science) and Sumatraism (in the domain of art) have a common starting point: everything in the world is connected through duration. In the poem Lament nad Beogradom, Crnjanski portrays Belgrade as an eternal, living organism and connects it by remembering a certain place. It is quantum technology that translates a song, connects memories, and simulates into reality through sensory experiences. In the Space Museum, our memories and emotions build a simulation and show ourselves. We are connected. We live in overlapping spaces of our experiences.

We are an interaction!

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POSTOJI STVARNOST KOJA SE GRADI KROZ STVARNOST, KOJA SE RAZGRAĐUJE THERE IS A REALITY THAT IS BEING BUILT THROUGH A REALITY, THAT IS DECOMPOSING

Nikola Živadinović Studio | VOLLMOND: vidljiv i nevidljiv prostor_arhitektura pokreta/ akademija pokreta VOLLMOND: visible and invisible space_movement architecture / movement academy

Visoka tehnologija uskratila je vrednost opipljive dimenzionalnosti nastale na brisanom prostoru značenja.

Osećaj slobode, nesputanosti i pripadnost prirodi izgubljen je kroz odbacivanje i sporenje budućeg vremenskog okvira.

Stvaranjem nove paralelne stvarnosti razgradiće se početni matriks kako bi se anulirao osećaj otuđenja i pomirilo materijalno bivstvovanje čoveka i njegova potreba za virtuelnim.

Nastale promene trebaju pronaći događaj zarobljen između gubitka identiteta i neostvarene želje za kreiranjem novog, a naučeni zahtevi čovekove svesti biće prevareni, kako u zaborav ne bi potisnuo glavni pokretač ljudskih ambicija. Dakle, ovo je prostor pokreta, razvoja i nastajanja kroz proces oslobađanja čoveka od postojećih fikcija i njegovog vraćanja po priču o sebi.

High technology has denied the value of tangible dimensionality created in the erased space of meaning. The feeling of freedom, unfetteredness and belonging to nature is lost through the rejection and dispute of the future time frame.

The creation of new parallel reality will break down the initial matrix in order to annul the feeling of alienation and reconcile the material existence of man and his need for virtual. The resulting changes should find an event trapped between the loss of identity and the unfulfilled desire to create something new, and the learned demands of human consciousness will be decieved, so as not to be forgotten by the main driver of human ambitions. This is a space of movement, development and emergence through the process of freeing a person from existing fictions and returning him to the story of himself.

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S10-A ARHITEKTURA I/ILI UTOPIJA: POST-INFORMACIONO DOBA ARCHITECTURE AND/OR UTOPIA: POST-INFORMATION AGE

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Nastavnik: arh. Dejan Miletić vanredni profesor | associate professor Mentorska komisija: dr Vladimir Mihajlov vanredni profesor | associate professor dr Žikica Tekić vanredni profesor | associate professor

Cilj studija je ispitivanje mogućnosti stvaranja arhitekture i/ ili utopije formiranjem novih, nezavisnih prostornih struktura ili kompleksnih struktura integrisanih sa bogatim i slojevitim arhitektonskim nasleđem grada. Istraživanje treba da omogući različita polja delovanja i strategije u kojima je potrebno preispitati pojam utopije i njenih mogućih scenarija u kontekstu savremenog arhitektonskog projektovanja.

Ispitivanjem odnosa između novih koncepata poslovanja i njihovog kombinovanja sa (ne)komplementarnim funkcijama anticipirati proizvodne procese u budućnosti i odgovoriti na pitanje da li arhitektura u post-informacionom dobu ostaje realnost ili postaje utopija.

The aim of the studio is to examine the possibility of creating architecture and / or utopia by forming new, independent spatial structures or complex structures integrated with the rich and layered architectural heritage of the city. The research should enable different fields of action and strategies in which it is necessary to re-examine the notion of utopia and its possible scenarios in the context of modern architectural design. By examining the relationship between new business concepts and combining them with (non) complementary functions, anticipate future production processes and answer the question of whether architecture in the post-information age remains a reality or becomes a utopia.

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UTICAJ RASTUĆEG TRENDA RADA OD KUĆE NA PROJEKTOVANJE STANOVANJA THE IMPACT OF INCREASED WORK FROM HOME TRENDS ON HOUSING PLANNING

Milena Vasić Studio | ARHITEKTURA I/ILI UTOPIJA: Post-informaciono doba ARCHITECTURE AND/OR UTOPIA: Post-information age

Transformacija socio-kulturoloških identiteta, razvoj tehnologija, brz protok informacija, kao i radikalne društvene reorganizacije, utiču na promenu profila korisnika stambenih prostora, kao i njihovih potreba i očekivanja. Fokus istraživanja su karakteristike savremenog životnog prostora i mogućnosti za njegovo oblikovanje tako da odgovara redefinisanom konceptu rada i stanovanja. Težnja teze i projekta je usmerena i na uspostavljanje savremenog arhitektonskog koncepta koji se reflektuje na viziju o projektovanju stanova budućnosti.

Potrebno je osmišljavanje nove urbane tipologije stanovanja koja može da prihvati raznovrsne funkcionalne sadržaje i izbori se sa programskim i prostornim promenama u okviru stambenih objekata. Prožimanje radnih i stambenih funkcija utiče na razvoj grada - efikasnijim korišćenjem prostora, redukovanjem saobraćaja, povećanjem bezbednosti, ulice postaju živopisnije. Cilj ovog rada jeste i preispitivanje mogućih alternativnih stambenih tipologija koje nastaju kao posledica uočenog fenomena, COVID-19 pandemija i ubrzano masovno usvajanje rada od kuće sa punim radnim vremenom.

The transformation of social and cultural identity, advances in technology, fast flow of information and radical societal reorganisation heavily impacts living as well as people’s needs and expectations. The study focuses on the characteristics of contemporary housing and the merger of spaces for work and living to meet today’s rapidly evolving needs. The creation of an architectural concept which cultivates the visions of futuristic housing designs. Answering the need to develop a new urban living typology, adopting existing functions and confronting its evolution. The permeation of work environments into living ones greatly affects urban development by intensifying efficient space usage, decreasing traffic, increasing safety - all consequently adding to a more picturesque urban landscape.

I re-examine the feasibility of alternate typological housing concepts as a result of the observed current phenomenon, the current state of things, the COVID-19 pandemic and the accelerating trend of full time work from home.

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PRIMENA ENERGETKO-EFIKASNIH TEHNOLOGIJA U ARHITEKTURI POSLOVNIH OBJEKATA THE APPLICATION OF ENERGY-EFFICIENCY TECHNOLOGIES TO ARCHITECTURE OF THE OFFICE BUILDINGS Luka Simić Studio | ARHITEKTURA I/ILI UTOPIJA: Post-informaciono doba ARCHITECTURE AND/OR UTOPIA: Post-information age

Arhitektura kroz svoju praksu i u svom procesu ima ogroman uticaj na životnu sredinu. Ubrzani razvoj i tehnološki napredak u 2. veku izazvali su veliki stepen zagađenosti vazduha, zemlje i vode. U potrazi za zdravijim životom i zdravijim okruženjem pojavila se potreba za zaštitom životne sredine kroz primenu inovativnih tehnologija iz obnovljivih izvora, kao i upotrebom materijala proizvedenih sa minimalnom energetskom potrošnjom. Cilj ovog projekta je pronalaženje optimalnih rešenja u primeni energetsko-efikasnih tehnologija i njihov uticaj na arhitekturu, odnosno oblikovanje objekta.

Architecture through its practice and in its process has a huge impact on the environment. Accelerated development and technological progress in the 21st century have caused a high degree of air, land and water pollution. In the search for a healthier life and a healthier environment, there is a need to protect the environment through the application of innovative technologies from renewable sources, as well as the use of materials produced with minimal energy consumption.

The goal of this project is to find optimal solutions in the application of energy-efficient technologies and their impact on architecture and form of the buildings.

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Nastavnik: arh. Milan Đurić vanredni profesor | associate professor Mentorska komisija: dr Aleksandra Đukić vanredni profesor | associate professor dr Jelena Ivanović Šekularac redovni profesor | full professor

Arhitektonska geneologija bolnica prati čovečanstvo već više od dva milenijuma, da bi se u poslednja tri veka kodifikovala na način, manje-više, onako kako je stanje stvari danas. U dugoj istoriji situacije arhitekture bolnica one su iz religijskog i vojnog režima prešle u režim nauke i biznisa, dakle eksperimenta i striktne normativne paradigme imanentne dominantnoj ideologiji kapitalizma Zapada. Ova tranzicija učinila je da se bolnice, nekada sa periferije gradova od industrijske revolucije umeću u gradske ansamble, pri čemu su gradovi igrali bitnu ulogu u razvoju tipologija i oblikovanja modernih bolnica.

Konačno, savremena praksa nam ukazuje na izraženu kauzalnost između konfiguracije prostora bolnice i medicinske tehnologije.

The architectural genealogy of hospitals has been following humanity for more than two millennia, only to be codified in the last three centuries in a way, more or less, the way things are today. In the long history of the hospital architecture situation, they have moved from a religious and military regime to a regime of science and business, that is, experiment and a strict normative paradigm immanent to the dominant ideology of Western capitalism. This transition has made hospitals, once from the outskirts of cities since the Industrial Revolution, inserted into urban ensembles, with cities playing an important role in the development of typologies and the design of modern hospitals. Finally, contemporary practice shows us a pronounced causality between the configuration of the hospital space and medical technology.

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KODIRANI PROSTOR – ARHITEKTURA REKONSTITUIŠUĆEM SUBJEKTU CODED SPACE - ARCHITECTURE TO THE RECONSTITUTING SUBJECT

Ivana Lakić Studio | H H

S11-A

Središte bolnice je „necjelovit“ subjekt, umirući ali i rekonstruisuci, napredujući, relativan. Radikalno transformiše sebe kako bi se unaprijedio i granično – opstao. Zahtjeva prostor koji imunizuje, novo unutra koje podržava njegove modifikacije i raskida veze sa spolja. Kako se konstituiše prostor da bi dozvolio (re)konstituisanje? Spoznajom tijela subjekta i arhitekture kao konfiguracije, napredujućeg sistema elementarnih nizova (genotip) brojnih svojih manifestacija (fenotip). Decentralizovano mnoštvo potčinjeno varijaciji svojom izloženošću mutacijama, (re)kombinacijama, upadima, translokacijama, delecijama. Prostor i subjekt rade zajedno – kodiranje prostora je kodiranje subjekta i obrnuto. Subjekt sebe crpi i obnavlja iz prostora koji zauzima. Plitkošću i promjenljivošću reljefa, disperznom postavkom, autonomnošću naspram instituta, strukturalnom i materijalnom razgradnjom te, finalno, separacijom od tla – bolnica aktualizuje uvijek nova estetska čitanja, druge subjekte i prostore. Svaka promjena – invazija u postojećoj konfiguraciji, odražava se razlikom zatečenog i upadača u tragovima. Trag (arhitektonski blisko: arheologija) je novo, manifestovano prvi put. Prostor bolnice je suštinski u uvijek-obnavljajućim-tragovima-sebe.

A hospital to an “incomplete” subject, dying but reconstructing, progressive, relative, radically transforming to improve himself.

He requires a space that immunizes, a new inside supporting its modifications and breaking ties with outside. How is the space constituted to allow (re)constitution? When discerning the (body of) subject and architecture as a configuration, a progressive system of sequences (genotype) of its numerous manifestations (phenotype). The decentralized multitude is subject to variation by its exposure to mutations, (re) combinations, intrusions, translocations, deletions. Space and subject work together - space coding is subject coding and vice versa. With the relief shallowness and variability, dispersed setting, structural and material decomposition and separation from the ground - the hospital actualizes new aesthetic readings, spaces and subjects. Every invasion in the existing configuration is reflected in the difference between the found and the intruders in the traces. The space of the hospital is essentially in the ever-renewing-traces-of-itself.

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ARHITEKTURA KORPOREALNOSTI: KONSTRUKCIJA ŽELJE ARCHITECTURE OF CORPOREALITY: CONSTRUCTION OF DESIRE

Katarina Ognjenović Studio | H H

Stvaranje sebe Sobom počinje i završava se telom, dok Ja prevazilazi telo u prostoru i u vremenu. Ono što vezuje Subjekat i Telo jeste njihova neprekidna dijalektika. Jaz koji Ja pokušava da premosti jureći svoj telesni referencijal proizvodi želju za samoodređenjem koja podstiče životni elan. To što subjekta lišava motivišuće težnje ka celosti jeste nedostatak žudnje.

Suočiti se sa problemom subjekta putem tela znači omogućiti krajnju vidljivost ljudskog tela. Arhitektura ne postoji radi sebe same, već radi konstituisanja želje. Ona se ponovo rađa u snu, gde postaje osnov za konstruisanje budućih želja. Telo je želja koja izmiče subjektu, jedina trajna. Ono živi u svim stvarnostima, a jedina Nadstvarnost je u kretanju. Kreirana celina je isprojektovana varka koja, poput sna, daje osnov za konstruisanje želje – koja pak omogućava kontinuitet života.

Nepomično koje uvek stvara pokretno i živo. Želja prevazilazi objekat, formu, prostor. Ključ za njeno neostvarenje jeste transgresija.

The creation of Oneself begins and ends within the body, while the Self transcends the body in space and time. What connects the Subject and the Body is their constant dialectic. Chasm that the Self tries to bridge by chasing its bodily reference produces a desire for self-determination that stimulates élan vital. What deprives the subject of a motivating aspiration for wholeness is a lack of eagerness. To face the problem of the subject through the body means enabling the ultimate visibility of the human body. Architecture does not exist for its own sake, but for the sake of constituting desire. It is reborn in a dream, where it becomes the basis for constructing future desires. The body is a desire that eludes the subject, the only lasting one. It lives in all realities, and the only Great reality lies in motion. The created whole is a designed deception which, like a dream, provides the starting point for the construction of desire - which enables the continuity of life. Immovable that always creates moving and alive. Desire transcends object, form, space. The key to its non-realization is transgression.

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S12-A KONCEPTI ARHITEKTONSKIH TRANZICIJA: MEMORIJA, IDEOLOGIJA I OSTALO CONCEPTS OF ARCHITECTURAL TRANSITIONS: MEMORY, IDEOLOGY AND THE OTHER

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Nastavnik: arh. Aleksandru Vuja vanredni profesor | associate professor Mentorska komisija: dr Milica Milojević docent | assistant professor

Кurs se bavi preseljenjem arhitekture u druge oblasti i okolnostima uticaja drugih polja i pojava na promenu standardnih odnosa u postavci arhitektonskog koncepta.

Pri tome, koncept se prilagođava izabranom polazištu i kroz njegovo istraživanje otvara za nova iskustva koja unosi u arhitekturu. Izbor fenomena koji se obrađuje, bilo da se radi o memoriji, ideologiji ili topografiji, upućuje na poremećaj stabilnih tipoloških odnosa i preispitivanje savremenih arhitektonskih paradigmi.

dr Jelena Milošević docent | assistant professor

The studio deals with the relocation of architecture to other fields and the circumstances of the influence of other fields and phenomena on the change of standard relations in the setting of the architectural concept. In this sense, the concept adapts to the chosen starting point and through its research opens up new experiences that it brings to the architecture. The choice of the phenomenon to be adressed - memory, ideology or topography - points to the disruption of stable typological relations and the re-examination of modern architectural paradigms.

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IMAGINARNI PEJZAŽ.

GENERISANJE MNOGOSTRUKIH REALNOSTI TERAZIJSKE TERASE IMAGINARY LANDSCAPE. GENERATING MULTIPLE REALITIES OF TERAZIJE TERRACE Sandra Draganić Studio | Koncepti arhitektonskih tranzicija: memorija, ideologija i ostalo Concepts of architectural transitions: memory, ideology and the rest Nominacija | Nomination | RIBA president’s medals 2020 (Silver Award)

Prostor Terazijske terase sadrži niz složenih i kontrastnih odnosa: prošlosti i sadašnjosti, privatnog i javnog, neostvarenog i planiranog, nadzemnog i podzemnog, stabilnog i nestabilnog, otvorenog i zatvorenog... U datim oprečnostima, označenim kao stanje „haosa“, prepoznaje se potencijal za formiranje polja aktivnih odnosa koji propituju postojeće i generišu nove veze. Projektom se prostor Terazijske terase tumači kao pejzaž, čijom se imaginacijom rekonstruiše slika stvarnosti i otvaraju pitanja i mogućnosti ovog prostora. Imaginarni pejzaž Terazijske terase je agregacija fragmenata njegovih mnogostrukih realnosti, sfera mogućnosti mnoštva; svaka od realnosti, upletena unutar celine, ima svoju prostornost, temporalnost, upitnost, neočekivanost.

UnIATA ’20 World’s best graduation projects ever created

The space of Terazije terrace contains complex and contrasting relations: between past and present, private and public, unrealized and imaginary, aboveground and underground, stable and unstable, open and closed... In the given contradictions, marked as a state of “chaos”, the potential is recognized to form fields of active relationships that question existing and generate new connections. The project interprets the space as a landscape, whose imagination reconstructs the image of reality and opens up questions and possibilities of the space. The imaginary landscape of the Terazije terrace is an aggregation of fragments of its multiple realities, the sphere of possibilities of the multitude; each of these realities, involved in the whole, has its own spaciousness, temporality, questionability, unexpectedness.

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MAPIRANJE TRANSGENIČNOG PEJZAŽA STRAŽEVICE –TOPOGRAFIJA HIDROLOGIKE MAPPING TRANSGENIC LANDSCAPE OF STRAŽEVICA – HYDROLOGICAL TOPOGRAPHY

Milša Nikolovski Studio | Koncepti arhitektonskih tranzicija: memorija, ideologija i ostalo Concepts of architectural transitions: memory, ideology and the rest

Na makro i mikro planu, razvijajući metodologiju mapiranja, polazište projekta je formirano iščitavanjem i interpretiranjem skrivenih dinamika i specifičnosti pejzaža Straževice i šireg rakovičkog okruženja. Novoprojektovana arhitektura usvaja i reinterpretira geokarakteristike predela i ponaša se kao aktivna komponenta pejzaža, instrument njegovog ponovnog iščitavanja. Osovina projekta je uvođenje višeslojnog vodoprivrednog sistema – novog produktivnog mehanizma pejzaža koji ujedno vrši sanaciju preekslpoatisanog predela uvezujući njegove zasebne elemente i strukture. U odnosu na specifičnosti različitih tipologija kretanja i sakupljanja vode i njihovim relacijama sa topografijom terena (kamenolom Kijevo), prostorno su formulisani i program istraživačkog centra koji kontroliše artikulaciju celog sistema i javni program velikog gradskog kupališta.

At the macro and micro level, developing the methodology of mapping, the starting point of the project was formed by reading and interpreting the hidden dynamics and specifics of the landscape of Straževica and the wider Rakovica environment. The newly designed architecture adopts and reinterprets the geo-characteristics of the landscape and acts as an active component of the landscape, an instrument for re-reading it. The axis of the project is the introduction of a multi-layered water management system - a new productive mechanism of the landscape that also rehabilitates the overly exploited landscape by connecting its separate elements and structures into new system. In relation to the specifics of different typologies of water movement and collection and their relations with the topography of the terrain (Kijevo quarry), the program of the research center that controls the articulation of the entire system and the public program of the large city bathing area are spatially formulated.

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S13-A NOVO U STAROM – TRANSFORMACIJA AMBIJENTA NEW IN OLD – AMBIENT TRANSFORMATION

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Nastavnik: arh. Vesna Cagić Milošević redovni profesor | full professor Mentorska komisija: dr Ksenija Lalović vanredni profesor | associate professor dr Dušan Ignjatović vanredni profesor | associate professor

Tematski okvir Master rada je istraživanje mogućnosti (re) kontekstualizacije i afirmacije potencijala lokacije bivših industrijskih / servisnih / skladišnih / saobraćajnih komleksa, danas neaktivnih ili privremenim sadržajima aktiviranih prostora u (urbanom) gradskom tkivu. Tema rada je i preispitivanje arhitekture kao discipline uzročno-posledično vezane za socio-ekonomsko-kulturolške karateristike ambijenta u kome se odvija, a u kontekstu savremenog društva. Кompleksnost prostorne situacije proističe iz hijerahijske pozicije lokacije u tkivu grada i situacije u kojoj je njena prvobitna namena deplasirana u odnosu na savremeni kontekst, što implicira mogućnosti transformacije u novi gradski sadržaj, programski definisan kroz istraživanje karakteristika odnosa mesta, društvenih i partikularnih potreba i svakodnevnih aktivnosti.

The thematic framework of the Master’s thesis is the research on (re)contextualization and affirmation of the location of former industrial / service / storage / traffic complexes, today inactive or temporarily activated spaces in the urban fabric.

The topic of the research is the re-examination of architecture as a discipline causally-consequentially related to the socioeconomic-cultural characteristics of the environment in which it takes place, and in the context of modern society.

The complexity of the spatial situation stems from the hierarchical position of the location in the urban fabric and the situation in which its original purpose is misplaced in relation to the contemporary context, which implies the possibility of transformation into new urban content, programmatically defined through research .

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REVITALIZACIJA BEOGRADSKOG PAMUČNOG KOMBINATA REVITALIZATION OF THE BELGRADE COTTON PLANT

Sara Čoti Studio | Novo u starom – transformacija ambijenta New in old – ambient transformation Nominacija | Nomination |

Osnovni cilj projekta usmeren je ka očuvanju istorije nekadašnjeg kompleksa Beogradskog pamučnog kombinata i njegovom stapanju sa novoizgrađenom strukturom, tako da čine nerazdvojnu celinu. Reupotrebom se stvara nova zelena zona grada koja potencijalno utiče na samu industrijsku zonu koja je većinom napuštena, davajući prostora za širenje novih sadržaja i na susedne objekte, takođe se stvara i nova atraktivna lokacija u ovom delu grada. Ideja je bila da se najznačajniji i najstariji objekat ovog kompleksa sačuva u celosti i pretvori u novi Muzej tekstilne industrije.

Inspireli Awards 2020

The main goal of the project is aimed at preseving the history of the former complex of the Belgrade Cotton Plant and its merging with the newly built structure, so that they form an inseperable whole. Reuse creates a new green zone of the city that potentially affects the industrial zone itself, which is mostly abandoned, giving space for the spread of new content to neighboring facilities, and also creates a new attractive location in this part of the city. The idea was to preserve the most important and oldest building of this complex in its entirety and turn it into a new Museum of the textile industry.

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VAJFERT GALERIJA PIVA WEIFERT BEER GALLERY

Eva Malinić Studio | Novo u starom – transformacija ambijenta New in old – ambient transformation

Prostor napuštene stare Vajferove pivare jeste mesto puno potencijala, koji nažalost tokom godina nije iskorišćen. Ideja je bila da ovom objektu koji je nekada bio od velikog značaja, vratiti stari sjaj. Oživeti prostor formiranjem sadržaja i namene koja će biti drugačija i inovativna i probuditi ovaj deo grada, i tako privući stanovništvo da u tom oživljavanju učestvuje.

Novoformirani prostor treba da vrati vrednosti i tradiciju ove zajednice, kao i da pobudi svest društva. Cilj ovog projekta bio je da vrati duh ovog mesta,a u isto vreme stvoriti atraktor u prostoru koji će omogućiti da ovaj prostor oživi na neki novi način.

The space of the abandoned old Weifer brewery is a place full of potential, which unfortunately has not been used over the years.

The idea was to restore the old shine to this building, which was once of great importance. Revive the space by forming content and purpose that will be different and innovative and awaken this part of the city, and thus attract the population to participate in that revival. The newly formed space should restore the values ​​and traditions of this community, as well as raise the awareness of society. The goal of this project was to restore the spirit of this place, and at the same time create an attractor in the space that will enable this space to come to life in a new way.

S13-A

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S14-A ŽIVOT JE SAN. POZORIŠTE. PRIRODNO JEZGRO BEOGRADA. LIFE IS A DREAM. THEATER. NATURAL NUCLEUS OF BELGRADE.

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Nastavnik: dr Vladimir Milenković vanredni profesor | associate professor Mentorska komisija: dr Nataša Ćuković Ignjatović vanredni profesor | associate professor

Cilj ovog Master projekta sadržan je u nameri da se interaktivnost arhitekture i pejzaža koncepcijski istraži. U pitanju je načelna otvorenost arhitektonske strukture ka formalnoj promenljivosti i programskoj mobilnosti u korist vidljivosti njene prirodnosti. Život arhitektonskog koncepta ispituje se u odnosu na estetiku nove generičnosti sa jedne i kinetičnosti strukture sa druge strane. Program pozorišta se tako javlja u direktnom temtskom i fizičkom kontaktu sa nebom, vodom, tlom i zelenilom Velikog ratnog ostrva, Ušća i Kalemegdana, dok se snoviđenje imenuje projektovanim metodom.

dr Milica Milojević docent | assistant professor

The goal of this Master project is contained in the intention to conceptually explore the interactivity of architecture and landscape. It is a question of the principled openness of the architectural structure towards formal variability and program mobility in favor of the visibility of its naturalness. The life of the architectural concept is examined in relation to the aesthetics of the new genericity on the one hand and the kinetics of the structure on the other. The program of the theater thus appears in direct thematic and physical contact with the sky, water, soil and greenery of the Great War Island, Ušće and Kalemegdan, while dreaming is called the projected method.

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PAD U SAN: POTONUĆE U ŽIVOT FALLING ASLEEP: SINKING INTO LIFE

Andrija Vujović Studio | Život je san. Pozorište.

Prirodno jezgro Beograda.

Life is a dream. Theater.

Natural nucleus of Belgrade.

Nagrada | Award |

Ovim radom sam želeo da pobegnem od stvarnosti, ovim radom sam hteo da padnem u san. Analizom dela Život je san nametnulo se istraživanje o snu kao svakodnevnoj pojavi.

Faze pada u san iskorišćene su kao kostur, odnosno stuktura rada. Padom u san dolazi se do usanjenog projekta(njegove prostorne naznake), a buđenjem dolazi se do teze. On pokušava da stvori sliku o istraživačkom pristupu pisanju teze. Pad u san kao metafora promena stanja korisnika prostora kao i autora same teze.

Godišnja nagrada „Milorad Macura“ za najbolji master rad iz oblasti arhitekture i urbanizma Annual award “Milorad Macura” for the best master’s thesis in the field of architecture and urbanism With this work I wanted to escape from reality, with this work I wanted to fall asleep. The analysis of the work Life is a Dream imposed research on the dream as an everyday phenomenon.

The phases of falling asleep were used as a skeleton, ie the structure of work. Falling asleep leads to a dreamy project (its spatial indications), and waking up leads to a thesis. It tries to create an image of a research approach to thesis writing.

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TROMPE L’OEIL TROMPE L’OEIL

Luka Grgić Studio | Život je san. Pozorište.

Prirodno jezgro Beograda.

Life is a dream. Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination |

Pitanje fenomena i uloge teatralnosti, reproblematizuje se ispitivanjem i analizom savremenih i istorijski udaljenih društvenih tokova. Polazište projekta čini preporod baroka i njegova rekonceptualizacija u savremenoj kulturi, obuhvaćena parolom teatrum mundi, odnosno svet kao scena. Po takvom modelu stvarnosti, granica realnosti i fikcije, iluzije i istine biva blurovana. Ako je scena fiktivna refleksija života, u Platonskom rečniku, svaka bleda imitacija stvarnosti je scena. Tada san i scena, dve najjasnije manifestacije imaginarnog postaju sinonimi jedno za drugo. Život je san, stvarnost je scena.

UnIATA ’20 World’s best graduation projects ever created Tamayouz International Award 2020 for graduation projects

The question of the phenomenon and the role of theatricality is problematized by examining and analyzing contemporary and historically distant social paradigms. The starting point of the project is the revival of the Baroque and its reconceptualization in contemporary culture, encompassed by the slogan teatrum mundi, that is, the world as a stage. According to such a model of reality, the border between reality and fiction, illusion and truth is blurred. If a scene is a fictitious reflection of life, in Plato’s dictionary, any pale imitation of reality is a scene. Then the dream and the scene, the two clearest manifestations of the imaginary, become synonymous with each other. Life is a dream, reality is a scene.

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THEATRUM MUNDI (POZORIŠTE SVETA) THEATRUM MUNDI (THE GREAT THEATER OF THE WORLD)

Jegor Aleksić Studio | Život je san. Pozorište.

Prirodno jezgro Beograda.

Life is a dream. Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination | Nagrada Fondacije sestre Bulajić

Istraživanje i preispitivanje prirode naše stvarnosti, unutrašnje i spoljašnje, sveta snova i imaginacije i tranzitornih procesa između njih. Između budnosti i sna, postoji kratak vremenski period kada stvarnost počinje da se deformiše. Kruta, svesna misao počinje da se raspada u talasima rane faze sanjanja i svet postaje halucinogen, a naše misli nepovezane. Postoji pretpostavka da kad utonemo u san, mozak neprestano rastavlja modele i koncepte koje koristimo za tumačenje sveta, što dovodi do iskustava koja su nesputana našim uobičajenim mentalnim filterima. Liminalnost je usko povezana sa efemernošću i tranzicijskim prolazom između alternativnih stanja. Stvarnost se ovde čini izmenjenom, jer su to prostori koji nisu predviđeni za zadržavanje ili da mislimo o njima kao autonomnim entitetima, a kada to učinimo oni izgledaju čudno i neuobičajeno. Ti međuprostori deluju strano, jer su nam umovi programirani za kontekst. Predstava u kojoj smo mi akteri i pozornica na kojoj se granice između realnosti zamućuju.

Exploring and re-examining the nature of our reality, internal and external, the world of dreams and imagination and the transitional processes between them. Between waking and sleeping, there is a short period of time when reality begins to deform. A rigid, conscious thought begins to disintegrate in the waves of the early phase of dreaming and the world becomes hallucinogenic, and our thoughts unrelated. There is an assumption that when we fall asleep, the brain constantly disassembles the models and concepts we use to interpret the world, leading to experiences that are unfettered by our usual mental filters. Liminality is closely related to ephemerality and the transition between alternative states. The reality seems changed here, because these are spaces in which we are not intended to dwell or to be thought of as autonomous entities, and when we do, they look strange and unusual. These interspaces seem foreign, because our minds are programmed for context. A play in which we are actors and a stage on which the boundaries between realities are blurred.

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DVOJNIK DOPPELGÄNGER

Jelena Pavlica Studio | Život je san. Pozorište.

Prirodno jezgro Beograda.

Life is a dream. Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination | Inspireli Awards 2020 Tamayouz International Award 2020 For Graduation Projects

Projekat je nastao usled kopiranja zidina Kalemegdana kreirajući strukturu tako da njegov dvojnik oponaša odraz u ogledalu, čiji segmenti tokom kopiranja nestaju I menjaju se. Struktura je zamišljena kao zelena poveznica izmedju Velikog ratnog ostrva I Kalemegdana, ponašajući se kao velika bioklimatska mašina koja pored primarnih ekoloških karakteristika nudi I kulturne karakteristike. Inspiracija za projekat leži u ideji o postojanju dva sveta: sveta stvarnosti I njegovog dvojnika – sveta snova. Dvojnika posmatramo kao senku ili sliku u ogledalu u kojoj se čovek može videti tamo gde ne postoji - u nestvarnom prostoru koji se otvara iza ravne površine ogledala.

Slično poput kompjuterskog gliča, on nastaje usled dešavanja greške u kopiranju, gde svaka kopija gubi stari identitet I kreira novi.

The project was created by copying the walls of Kalemegdan, creating a structure so that its doppelganger imitates the reflection in a mirror, whose segments has been disappearing and changing during the copying. The structure is conceived as a green link between the Great War Island and Kalemegdan, acting as a large bioclimatic machine that in addition to its primary ecological characteristics, also offers cultural characteristics. The inspiration for the project lies in the idea of the existence of two worlds: the world of reality and the world of dreams. The doppelganger is considered as a shadow or image in a mirror in which person can be seen where it doesn´t exist - in unreal space that opens behind the flat surface of a mirror. Similar to a computer glitch, it is caused by a copying error, where each copy loses its old identity and creates a new one.

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PLAVA DUBINA ETRA BLUE DEPTH OF ETHER

Jelena Pilipović Studio | Život je san. Pozorište.

Prirodno jezgro Beograda.

Life is a dream. Theater.

Natural nucleus of Belgrade.

Kada je reč o umetnosti u prostoru, ona više ne predstavlja cilj za sebe, već dobija i ulogu definisanja konkretnog prostora efektima urbanog dizajna, gde za posledicu dobijamo događaj u prostoru i potpuno nov način sagledavanja tog mesta u gradu. Ideja projekta zasniva se na promeni percepcije i samog značenja gradskog prostora u trenutku kada se događaj doživi, odnosno formiranju scenskog karaktera predmetne lokacije .

Nominacija | Nomination | Tamayouz International Award 2020 For Graduation Projects

Spatial art it is no longer a goal in itself, but also gets the role of defining a specific space with the effects of urban design, where we get an event in space and a completely new way of perceiving that place in the city. The idea of ​​the project is based on the change of perception and the meaning of the urban space at the moment when the event is experienced, i.e. the formation of the stage character of the subject location.

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NEBO U SVIM PROPORCIJAMA THE SKY IN ALL PROPORTIONS

Anđela Lazarević Studio | Život je san. Pozorište.

Prirodno jezgro Beograda.

Life is a dream. Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination | Tamayouz International Award 2020 for graduation projects

Antičko pozorište, amfiteatar je reinterpretiran tako da predstavlja baroknu antitezu antičkoj tezi. Naslov aludira na mit o apsolutnom broju i savršenoj proporciji, skladu dela i celine, svega pa tako i neba. Delo “Život je san” je barokno delo prožeto antičkim nitima, mitom koji se transformiše i dobija novo tumačenje. To se direktno prenosi na projekat u kome se prepliću stvarnost i mašta, arhetip amfiteatra i manifest grandioznosti. Amfiteatar je savršeno dimenzionisana pukotina koju je antika stvorila, koja se zatim beskonačno širi. Integriše se u pejzaž, negde ga ujeda, negde ga pejzaž uslovljava i skreće.

Gubeći svoju savršenu proporciju, postaje element celine, ali i obrnuto, pri tome ne gubeći na svojoj monumentalnosti. Time je stvoren tematizovani silazak u antiku, uplivavanje u nju. Rad predstavlja eksperiment koji za cilj ima stvaranje savremenog pozorišta na otvorenom, metamorfozom njegovog arhetipa pri čemu njegovo tumačenje ostaje nepromenjeno.

The Ancient theater, the amphitheater was reinterpreted to represent the Baroque antithesis to ancient thesis. The title alludes to the myth of absolute number and perfect proportion, the harmony of the part and the entirety, of everything, including the sky. The work “Life is a dream” is a baroque work imbued with ancient threads, a myth that is being transformed and given a new interpretation. This is directly transferred to the project in which reality and imagination, the archetype of the amphitheater and the manifesto of grandiosity intertwine.

The amphitheater is a perfectly dimensioned fissure created by antiquity, which then expands infinitely. It integrates into the landscape, it bites it somewhere, elsewhere constrained and turned by the landscape. Losing its perfect proportion, it becomes an element of the totality, but also vice versa, without losing its monumentality. This created a thematic descent into antiquity, a confluence. The work is an experiment that aims to create a contemporary open-air theater, a metamorphosis of its archetype while its interpretation remains unchanged.

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S15-A SAVREMENE ‘‘OAZE’’ CONTEMPORARY “OASIS”

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Nastavnik: dr Aleksandar Videnović vanredni profesor | associate professor Mentorska komisija: dr Uroš Radosavljević vanredni profesor | associate professor Dragan Marčetić vanredni profesor | associate professor

Nastava u studiju je koncipirana u smeru razvoja svesti budućih projektanata, da se u Srbiji strategija razvoja turizma sve više zasniva na posebnostima prirodnih i stvorenih dobara, odnosno onim vrednostima i resursima koje može da predstavi u kvalitetnoj turističkoj ponudi. Sve je veće interesovanje za kratke, osmišljene i sadržajne ture i tematska putovanja, u odnosu na statična, sezonska i sadržajno monotona višednevna letovanja i zimovanja. Prvi pomenuti oblik turizma kao dinamičan, zahteva kvalitetnu organizaciju novih sadržaja primerenu promenljivosti u smenjivanju događaja, mesta boravka, predaha i noćenja. Osim navedenog, kroz nastavu će se preispitivati korelacija sa saobraćajnim tokovima, dostupnost lokacija,u kontekstu tumačenja pojmova: mreža, koordinate, cikličnost, repeticija, satelitska staništa, nukleus...

The teaching in the studio is conceived in the direction of developing the awareness of future designers, so that in Serbia the tourism development strategy is increasingly based on the specifics of natural and created goods, ie those values and resources that it can present in a quality tourist offer. There is a growing interest in short, designed and meaningful tours and themed trips, in relation to static, seasonal and contentmonotonous multi-day summers and winters. The first mentioned form of tourism, as dynamic, requires a quality organization of new contents appropriate to the variability in changing events, places of residence, breaks and overnight stays. In addition to the above, the teaching will examine the correlation with traffic flows, the availability of locations, in the context of the interpretation of the terms: network, coordinates, cyclicity, repetition, satellite habitats, nucleus ...

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EDUKATIVNO - REKREATIVNI PAVILJONI NA VLASINSKOM JEZERU PAVILIONS FOR THE EDUCATION AND RECREATION ON THE VLASINA LAKE

Anastasija Anđelković Studio | Savremene ‘‘Oaze’’ Contemporary ‘‘Oasis’’

S15-A

Vraćajući se na osnovne principe i kvalitete arhitekture nomadskih naroda, privremenosti i prostorne delokacije, uspostavljaju se relacije sa konstantnim promenama koje su uslovljene funkcionalnim, tehnološkim, klimatskim i ostalim promenama usled prirodnog ciklusa. Konceptom prostornog povezivanja stavlja se naglasak na urbanističkoarhitektonskom aspektu fenomena plutajuće arhitekture na Vlasinskom jezeru. Omogućava se iskorišćenje potencijala lepote i bogatstva kako kontaktnih zona, tako i vodene površine, kao i stvaranje održivog turizma. Aktivacijom dveju obala višeznačnim strukturama sa multifunkcionalnim programom omogućava se da one funkcionišu samostalno kada to diktiraju vremenski uslovi. Time se omogućava da svaka svojim specifičnostima učestvuje u afirmaciji obale, ali isto tako i u njihovom povezivanju preko jezera. Čitavu strukturu kao efemernu definiše dekompozicija na prefabrikovane elemente koja kroz kontinualni prostor pruža različite ambijente za istraživače i izletnike. Buduće urbano i prolazno (efemerno) spaja se i sinhronizuje sa postojećim i stalnim prirodnim okruženjem predela izuzetnih odlika i Vlasinskog jezera.

Returning to the basic principles and qualities of the nomadic people’s architecture, temporality and spatial displacement, the relations are established with constant changes, conditioned by functional, technological, climatic and other changes due to the natural cycle. The concept of spatial connection puts emphasis on the urban- architectural aspect, of the Vlasina lake’s floating architecture phenomenon. It enables the use of the potential, beauty and richness, of both contact zones and water surfaces, as well as the creation of sustainable tourism.

Activation of two shores by multi-valued structures with multifunctional program, allows them to function independently, when weather conditions dictate. This allows each of them to participate in the affirmation of shores with its specifics, but also in their connection across the lake. The whole structure is defined as ephemeral, by the decomposition into prefabricated elements, which provides different ambiences for researchers and excursionists, through a continuous space. The future urban and transient (ephemeral) merges and synchronizes with the existing and permanent natural environment of the landscape’s exceptional features and the Vlasina lake.

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SPORTSKO REKREATIVNI CENTAR MATARUŠKA BANJA SPORTS AND RECREATION CENTER MATARUSKA BANJA

Isidora Cvetković Studio | Savremene ‘‘Oaze’’ Contemporary ‘‘Oasis’’

Ovo istraživanje usmereno je na prigradsku „uspavanu zajednicu“, Matarušku banju, koja je izgubila svoju multifunkcionalnost zbog razvojnih okolnosti i slabo razvijene centralne funkcije. U radu se posebna pažnja posvećuje reafirmaciji ove banje, kao velikog potencijala “aktivnog odmora”, koja je vremenom izgubila status banje, samim tim i atraktivnost. Dopunom sportsko-rekreativnog i avanturističkog sadržaja, ova banja bi predstavljala pulsirajuću tačku razvoja jednog regiona. Ideja prostora je takva da briše fizičke granice između arhitekture i pejzaža, kao i disciplinske granice između sportskih i rekreativnih aktivnosti. Prostor bi usvojio urbani ritam i zahvatao bi rečno okruženje Ibra, tako da se stvori kontinualan prostor koji bi vodio korisnike kroz razne ambijente. Scenario istraživanja i interakcije smešten u prostor koji komunicira i koji se konstantno menja. Prostor gde pejzaž i arhitektura postaju pokretač novih otkrića.

This research is focused on the suburban “sleeping community”, Mataruska Banja, which has lost its multifunctionality to development circumstances and poorly developed central function. Special attention is paid to the paper to the reaffirmation of this spa, as a great potential of “active vacation”, which over time has lost the status of the spa, and attractiveness too. Complementing sports-recreational and adventurous content, this spa would represent a pulsating point of development of a region. The idea of the space is to erase the physical boundaries between architecture and landscape, as well as the disciplinary boundaries between sports and recreational activities. The space would adopt an urban rhythm and embrace the river environment of the Ibar, thus creating a continuous space that would guide users through various ambiences. The scenario of research and interaction is placed in a space that communicates and is constantly changing. A space where landscape and architecture become the initiator of new discoveries.

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S16-A PROIZVODNJA GRADA: POST-INDUSTRIJSKA FAZA DUNAVSKE ULICE CITY PRODUCTION: POST-INDUSTRIAL PHASE OF DUNAVSKA STREET

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Nastavnik: arh. Nebojša Fotirić vanredni profesor | associate professor Mentorska komisija: dr Uroš Radosavljević vanredni profesor | associate professor

Devastirana, post-industrijska gradska matrica koja prati koridor železničke infrastrukture kojim je određena nevidljiva nametnuta granica razdvajanja teritorije grada u odnosu na vodeni tok Dunava postavljena je kao prostorni okvir zadatka, i to uz tok Dunavske ulice. Anticipirajući razrešenje saobraćajnih tokova železnice i tranzitnog teretnog i drugog saobraćaja u odnosu na gradsku matricu Beograda koja inklinira ka obali Dunava, praznina koja ostaje otvara prostor za promišljanje novih programskih i prostornih mogućnosti ove linije beogradskog priobalja. Ovakav prostorni kontekst visokog urbaniteta i gustine, podrazumeva programsku hibridnost.

dr Jelena Milošević docent | assistant professor

The devastated, post-industrial city matrix that follows the railway infrastructure corridor, which determined the invisible imposed border of the city’s territory in relation to the Danube watercourse, was set as the spatial framework of the task, along the Dunavska Street. Anticipating the resolution of railway traffic flows and transit freight and other traffic in relation to the city matrix of Belgrade, which inclines towards the bank of the Danube, the gap that remains opens space for thinking about new program and spatial possibilities of this line of the Belgrade riverside. This spatial context of high urbanity and density implies programmatic hybridity.

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GRAD U GRADU – POLIS NA IVICI KAPITALIZMA THE CITY IN THE CITY – POLIS ON THE EDGE OF CAPITALISM

Marina Marković Studio | PROIZVODNJA GRADA: Postindustrijska faza Dunavske ulice PRODUCTION OF THE CITY: Post-industrial phase of Dunavska Street Nominacija | Nomination | The Young Talent Architecture Award (YTAA)

Naselje – grad (između „satelita” i ekonomske zone), formira se kao zatvoreni prostorni tip sa kontrolom pristupa. Primarna funkcija razvija se u vidu „sivih aktivnosti“, stvarajući prostor za manipulaciju bazama podataka zarad globalnog benefita. Zona je van kontrole lokalnih samouprava i funkcioniše po principu međunarodnih zakona. Zona je parazit - koristeći postojeću infrastrukturu urbanog tkiva, smešta se na pogodnom mestu koje omogućava međunarodnu razmenu ljudi i dobara.

Međutim, preko „komunikacionih kanala“ Zona omogućava formiranje novog urbanog javnog okruženja komercijalnih sadržaja. Prostori unutar zone su dovoljno univerzalni da se njeni korisnici mogu vremenom menjati, istovremeno im pružajući komfor za rad i život.

The Settlement - the city (somewhere between satelite city and economic zone) is formed as a closed spatial type with access control. The primary function is developed in the form of ’gray activities’, creating the space for manipulation of databases for the sake of global benefit. The zone is beyond the control of local governments and operates on the principle of international laws. The zone is a parasite, it uses the existing infrastructure of the urban fabric, located on a convenient location that allows the international exchange of goods and people as well as the full usage of urban / infrastructural resources. However, through ’communication channels’, the Zone enables the formation of a new urban public environment of commercial contents. The spaces inside a Zone are universal enough so that users can change over time, alowing inhabitants a comfort to work and live.

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ANTI_MEMORIJAL RAZARANJA BEOGRADA ANTI_MEMORIAL OF BELGRADE DESTRUCTION

Andrea Zobec Studio | PROIZVODNJA GRADA: Postindustrijska faza Dunavske ulice PRODUCTION OF THE CITY: Post-industrial phase of Dunavska Street Nominacija | Nomination | Godišnja nagrada ‚‚Milorad Macura” za najbolji master rad u oblasti arhiteture i urbanizma

Projekat simboličnog naziva “Antimemorijal”, baziran je na ideji arhitekture kao opomene i kritike, ali i čuvara sećanja naroda. Problematizacija teme se zasniva na analizi ideološkog konstrukta vremena i prostora, i odnosa jednog društva ka kolektivnom sećanju i kulturnom identitetu danas.

U programskom smislu, radi se o muzejsko-edukativnom centru u kojem se pored izložbenih prostora nalazi i biblioteka, medijateka, i sale za predavanja. Muzej preuzima funkciju fabrike doživljaja u kojoj se posetilac kroz interakciju sa prostorom izmešta u “drugi svet”. Glavnu osu projekta čini perforirani kosi zid zariven u tlo koji objekat funkcionalno deli na dve celine - introvertni izložbeni prostor i prostor za edukaciju koji je okrenut ka Marini Dorćol. Forma objekta proizašla je iz koncepta premošćavanja razorenog tla koje preuzima ulogu otvorenog javnog prostora za kulturne manifestacije.

Njega čine tri platoa, na različitim visinama, koja se tokom godine potapaju, i učestvuju u formiranju različitih prostornih ambijenata.

The project with the symbolic name “Antimemorial” is based on the idea of architecture as a warning and criticism, but also as a guardian of the people’s memory. The problematization of the topic is based on the analysis of the ideological construct of time and space, and the attitude of the society towards ideas of collective memory and cultural identity today. In addition to the exhibition spaces, in this museum-educational center, there is also a library, a media library, and multiple lecture halls. The main axis of the building consists of a perforated sloping wall buried in the ground, which functionally divides the building into two parts - an introverted exhibition space, and an educational space facing nearby marina. The shape of the building comes from the concept of bridging the ruined ground, taking on the role of an open space for exhibitions and cultural events.

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(O)KUP(LJ)ALIŠTE – METAMORFOZA OD FORMALIZMA DO ISKUSTVA BATHE/GATHERING PLACE – METAMORPHOSE OF EXPERIENCE TROUGH THE FORMALISM

Đurđa Đukić Studio | PROIZVODNJA GRADA: Postindustrijska faza Dunavske ulice PRODUCTION OF THE CITY: Post-industrial phase of Dunavska Street Nominacija | Nomination | Inspireli Awards 2020

Cilj projekta usredsređen je na obnavljanje vizije silaska na reku u potrazi za slobodnom zonom kupanja. Istorija lokacije ukazuje na povezanost pojedinca i njegove potrebe da boravi u vodenoj sredini, onemogućenu razvojem industrije. Pretpostavka je da voda može biti korišćena u svrhu istraživanja alata, sposobnog da stvori sinergiju između industrije i prirode, stvarajući nove prostore i aktivnosti koje “okupljaju” ljude. Kao sveprisutan element, voda pronalazi svoju ulogu u povezivanju ljudi, upućuje na podizanje svesti i podsticanje interakcije i razmene.

Različiti načini manifestacije vode kreiraju iskustvo, dok je iskustvo koje stičemo o prostoru u kom boravimo posledica stimulacije eksternog okruženja. Okupljalište predstavlja mešavinu nasleđene tipologije kupališta i iskustva stečenog kroz istoriju njegove upotrebe.

The aim of this project focuses on a decent to the river in a form of renewing vision, in pursuit of free water zone. The history of location points out the coherence between an individual and its requisite to tarry in an aquatic environment, disenabled by industrial development. There is an assumption claiming that water can be used as a tool, capable of creating a certain synergy among Industry and Nature, thus creating new spaces and activities in order to gather individuals. As an ubiquitous element, water has a role in connecting people, refers to raising awareness and encourages interaction and interchange. Divers ways of water manifestation creates experience, whilst the experience that we acquire about temporary residence space, is a consequence of external surroundings. ’Bathe/gathering place’ represents a mixture of inherited bath typology, and experience gained trough the history of utilisation.

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HYPERLIMINOID: SANATORIJUM DRUŠTVENE LETARGIJE HYPERLIMINOID: SOCIAL LETHARGY SANATIORUM

Branko Gulan Studio | PROIZVODNJA GRADA: Postindustrijska faza Dunavske ulice PRODUCTION OF THE CITY: Post-industrial phase of Dunavska Street

Cilj rada je definisanje prostornih manifestacija ekstrema na predmetnoj lokaciji kroz analizu značenja koje ima arhitektura u kreiranju iskustva. Razmišljanje o temi društvene letargije je podstaknuto činjenicom da u Beogradu postoji nedostatak prostora za aktivnim vidom rekreacije u svojstvu reaktivacije organizma, odnosno motivacije čovekove aktivnosti. Rad za cilj postavlja promišljanje načina na koji arhitektura ima potencijale da promeni rezigniranost građana. Polazište rada je analiza pojma o liminalnosti iskustva i javljanje pojma liminoidnih iskustava u postindustrijskom društvu. Zatim se vrši analiza termina limit experience (na granici iskustva) u diskursu promene subjekta i ultimativno se postavlja pitanje mogućnosti arhitekture da učini isto. Shodno interpretaciji akademskih okvira rada, postepeno se definiše egzaktna lokacija, kao i programska konfiguracija projektnog zadatka.

Finalna intervencija podrazumeva obnovu i nadogradnju silosa u okviruz preduzeća “Žitomlin”. Prostorni obuhvat se sastoji iz tri celine koje funkcionisu i odvojeno, a to su hotel, spa centar i krovna bašta.

The idea behind this project is to define the spatial manifestations of extremes at the location in question through the analysis of the meaning that architecture has in creating experience. Thinking about the topic of social lethargy is stimulated by the fact that in Belgrade there is a lack of space for an active type of recreation. The starting point of the project is the analysis of the notion of liminality of experience and the emergence of the notion of liminoid experiences in post-industrial society. According to the interpretation of the academic framework of the work, the exact location is gradually defined, as well as the program configuration of the project task. The final intervention includes the reconstruction and upgrade of the silos within the company “Žitomlin”. The spatial scope consists of three units that function separately, namely the hotel, spa and the roof garden.

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MASA-U MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL URBANIZAM / RIBA Part 2

MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE URBANISM / RIBA Part 2

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S01-U RT NADE – INTERPRETATIVNI CENTAR JADRANA CAPE OF HOPE – INTERPRETIV CENTER OF THE ADRIATC SEA

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Nastavnik: dr Vladan Djokić redovni profesor | full professor

Teza ispituje interpretativne mogućnosti geomorfološkog fenomena rta kroz arhitektonsku i urbanističku postavku interpretativnog centra. Кroz različite modele i medije, ispituje se odnos kopna i mora i mogućnosti celovitog kreiranja nove teritorije na rubu obale.

Konsultant: dr Milica Milojević docent | assistant professor Mentorska komisija: arh. Zoran Lazović redovni profesor | full professor dr Budimir Sudimac vanredni profesor | associate professor

The thesis examines the interpretive possibilities of the geomorphological phenomenon of the cape through the architectural and urban setting of the interpretive center.

Through various models and media, the relationship between land and sea and the possibility of a complete creation of a new territory on the edge of the coast are examined.

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PORTKALIS - UTOČIŠTE BEZDOMNIH PORTCULLIS - DRIFTER’S ANCHOR

Marko Jovičić Studio | Rt nade – Interpretativni centar Jadrana Cape of hope – Interpretiv center of the Adriatc Sea Nominacija | Nomination | RIBA president’s medals 2020 (Silver Award) UnIATA ’20 World’s best graduation projects ever created

Projekat se konkretno bazira na revitalizaciji kamenoloma i priključne drobilice koji se nalaze u neposrednoj blizini Golubačke tvrđave. To se postiže kroz različite načine, gde jeste najvažniji princip povratka prirodi koji se kroz arhitektonski i urbanistički poduhvat postiže. Kako je položaj kamenoloma takav da je on na trenutno najatraktivnijoj tački u Golupcu, ogroman potencijal jeste uočen u samom povezivanju podnožja sa vrhom. Pristup iz podnožja bio bi rešen preko drobilice, gde bi se podzemnim povezivanjem došlo do početne tačke kamenoloma. Sadržaji koji se implementiraju u prostor jesu takvi da oni predstavljaju bazu ekološki podsticajnih elemenata. U prevodu, svi oni pokušavaju da prethodno devastirani prostor unaprede dajući mu novi smisao i ekološku notu povratka prirodi. Pritom, ovaj prostor je nadzemno u potpunosti lišen kolskog saobraćaja i u celosti je pristupačan pešacima.

The project is specifically based on the revitalization of the quarry and the connecting crusher located in the immediate vicinity of the Golubac Fortress. This has been achieved through various ways, where the most important principle is the return to nature, achieved through an architectural and urban endeavor. As the position of the quarry is currently the most attractive point in Golubac, a huge potential has been noticed in the connection of the foothills with the top. Access from the foothills would be solved via the crusher, where the starting point of the quarry would be reached by underground connection. The contents that are implemented represent the base of ecologically stimulating elements. In translation, they all try to improve the previously devastated space by giving it a new meaning and an ecological note. Also, this area is completely devoid of car traffic above ground and is fully accessible by pedestrians.

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(S)UDAR ENERGIJE – INTERPRETATIVNI CENTAR JADRANA NA RIJEČKOM LUKOBRANU ENERGY CLASH – INTERPRETIV CENTER OFTHE ADRIATIC SEA ON THE RIJEKA’S BREAKWATER Tijana Lovrić Studio | Rt nade – Interpretativni centar Jadrana Cape of hope – Interpretiv center of the Adriatc Sea Nominacija | Nomination | Inspireli Awards 2020

Veza između izgrađene strukture i prirode oduvek je bila tema istraživanja i težnje za pronalaskom načina na koji se elementi i energija prirode mogu doživeti u izgrađenoj sredini. Projekat interpretativnog centra pokušava vizuelno da objasni ideju o prostoru koji je na pragu toga da doprinese mogućnosti doživljaja”sudara” dve različite energije. Jedne koju izgrađena sredina i ljudi sa sobom nose, i druge, prirodne energije, energije mora. Preispituje se delovanje u javnom prostoru Riječkog lukobrana, koji ima dva lica i dve funkcije. Jednu na samoj površini, okrenutu prema luci i gradu, zamišljenu kao utilitarnu zonu koja energiju koristi u cilju poboljšanja života stanovnika.

I drugu zonu, okrenutu prema pučini i uronjenu ispod vode, koja prihvata energiju talasa, sunca i vetra, kako bi doprinela stvaranju doživljaja i ušla u atmosferu kao zvuk, svetlost, boja.

The connection between the built structure and nature has always been the subject of research and the aspiration to find ways in which the elements and energy of nature can be experienced in the built environment. This project tries to visually explain the idea of ​​a space that is on the verge of contributing to the possibility of experiencing the “collision” of two different energies. One, that the built environment and people carry with them, and the other, energy of the sea. Two faces of Rijeka’s breakwater are being reconsidered. One on the surface, facing the port and the city, conceived as a utilitarian zone that uses energy to improve the lives of residents. And the other, facing the open sea and immersed under water, which accepts the energy of waves, sun and wind, in order to contribute to the experiences and enter the atmosphere as sound, light, color.

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JEDNA ZABORAVLJENA UTOPIJA A FORGOTTEN UTOPIA

Tamara Koneska Studio | Rt nade – Interpretativni centar Jadrana Cape of hope – Interpretiv center of the Adriatc Sea

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Arhitektonska i svetska budućnost tokom zadnjih decenija promenili su svoji znak iz pozitivnog u negativni – tako da ako je funkcija nekadašnjih modernističkih utopija predviđala obećavajuću budućnost, onda uloga spasonosne utopijske arhitekture našeg doba je da nas oslobodi efekata apokaliptičnih scenarija. Postavlja se pitanje da li pojam utopijskog ne može samo da deluje kao način za promenom i izazov statusa quo trenutne stvarnosti, već i da postane fizička manifestacija unutar sfere arhitekture? Da li je moguće da sinturbanistička utopija Vjenceslava Rihtera postane fizička manifestacija koja će konačno pomeriti današnje granice arhitekonskih okvira i prostora delovanja? Rad na zaboravljenoj sinturbanističkoj utopiji i stvaranje arhitektonskog distrikta vizije i utopije, pokreće se kroz aktivnosti kako bi se napušteno jadransko ostrvo Sv. Marko osvojilo novim događajima. Jedno od polja rada u ovom centru bi bilo istraživanje, koje treba da omogući različita polja delovanja i strategija u kojima je potrebno preispitati pojam sinturbanističke utopije i njenih scenarija u kontekstu savremene arhitekture.

The architectural and world future has changed its sign from positive to negative in recent decades -so if the function of former modernist utopias foresaw a promising future, then the role of saving utopian architecture of our time is to free us from the effects of apocalyptic scenarios. The question is whether the notion of the utopian can not only act as a way to change and challenge the status quo of current reality but also to become a physical manifestation within the sphere of architecture? Is it possible for the synthurbanist utopia of Vjenceslav Richter to become a physical manifestation that will finally move today’s boundaries of architectural frameworks and spaces of action? The work on the forgotten synthurbanist utopias and the creation of the architectural district of vision and utopia is initiated through activities in order to leave the Adriatic island of Sv. Marko won with new events. One of the fields of work in this centre would be research that should enable different fields of action and strategies in which it is necessary to reconsider the concept of synthaurban utopia and its scenarios in the context of modern architecture.

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S02-U AGRARIA 2021: UMETNIČKI CENTAR NOVOG SADA AGRARIA 2021: ART CENTER OF NOVI SAD

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Nastavnik: dr Aleksandra Stupar redovni profesor | full professor Mentorska komisija: dr Lidija Đokić redovni profesor | full professor arh. Ivan Rašković redovni profesor | full professor

Težište zadatka predstavlja aktivacija svih objekata na parceli nekadašnjeg centra za poljoprivredu “Agraria” (posleratni Elektorluks) i njihova prenamena u objedinjeni prostor u kome bi se nalazila kulturna institucija bazirana na konceptu udruživanja stručnih građanskih udruženja. Кompleks je nastao u periodu 1939 – 1940. godine, na lokaciji vrednog nasleđa modernističke arhitekture, u širem centru grada.

Ideja je da “Agraria” postane mesto kulture otvoreno i prema građanima, u delu grada koji se ubrzano transformiše u još jedno stambeno naselje bez kulturne ponude. Poseban cilj je stvaranje novog vida saradnje akademskih udruženja u čijem su središtu aktivnosti unapređenja i promovisanja savremenog stvaralaštva u domenu vizuelnih umetnosti, dizajna i arhitekture.

The focus of the task is based on the activation of all facilities on the site of the former agricultural center “Agraria” (post-war Elektorluks) and their transformation into a unified space that would contain a cultural institution based on the concept of joint professional associations. This complex was built in the wider city center, on the site of a valuable modernist heritage between 1939 and 1940. The idea is to make Agraria a place of culture open to all citizens, situated in a part of the city that is rapidly transforming into residential area without any cultural offer. The specific aim is to create a new form of cooperation between academic associations, focusing on the activities of improving and promoting contemporary creativity in the field of visual arts, design and architecture.

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SIMBIOZA KULTURE-PRIRODE-ČOVEKA KROZ BIOFILNI DIZAJN SYMBIOSIS OF CULTURE-NATURE-HUMAN THROUGH BIOPHILIC DESIGN

Marija Milijašević Studio | Agraria 2021: Umetnički centar Novog Sada Agraria 2021: Art Center of Novi Sad Nagrada | Awards | Priznanje 29. Međunarodnog Salona urbanizma u Kragujevcu u kategoriji studentski radovi Recognition of the 29th International Salon of Urbanism in Kragujevac in the category of student projects

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Cilj projekta je aktivacija objekta u Novom Sadu u objekat od kulturnog značaja koji će predstavljati povratak prirode i kulture, naglašavajući svoju istorijsku i kulturnu vrednost nekadašnjeg objekta Agrarie, služeći se principima biofilnog dizajna.

Mapiranjem punktova u Novom Sadu na kojima je moguća aktivacija kulture i prirodnih prostora (objekti od istorijskog I kulturnog značaja) stvaraju se uslovi za nove veze između čoveka-kulture-prirode i na taj način se unapređuje odnos čoveka prema prirodi/čoveka prema kulturi.Agraria kao nova kulturna stanica Novog Sada predstavljaće prostore povezanih aktivnosti kulture, edukacije i prirode sa čovekom koji taj prostor koristi. Novo kulturno mesto aktiviraće celokupnu Grbavicu novim zelenim i kulturnim prostorima, navodeći ljude da više vremena provode u prirodi, edukuju se, informišu i upoznaju nove kulturne sadržaje i aktivnosti. Prostori Agrarie predstavljaće kulturno-edukativni centar sa prostorima za manifestacije otvorenim za posetioce, prostorima za radionice i edukaciju posetilaca i prostorima za rad i boravak arhitekata i umetnika.

The goal of the project is to activate the facility in Novi Sad into a facility of cultural significance that will represent the return of nature and culture, emphasizing historical and cultural value of the former Agraria facility, using the principles of biophilic design. Mapping points in Novi Sad where it is possible to activate culture and natural spaces (objects of historical and cultural significance) creates conditions for new connections between human-culture-nature and thus improves the relationship between human and nature, human towards culture. As a new cultural station in Novi Sad, it will represent spaces of connected activities of culture, education and nature with the person who uses that space. The new cultural place will activate the entire Grbavica with new green and cultural spaces, leading people to spend more time in nature, get educated, inform and get to know new cultural contents and activities. The premises of Agraria will be a cultural and educational center with spaces for events open to visitors, spaces for workshops and education of visitors and spaces for the work and stay of architects and artists.

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AGRARIA 2021 KA ENERGETSKOJ TRANZICIJI AGRARIA 2021 TOWARDS ENERGY TRANSITION

Ana Simić Studio | Agraria 2021: Umetnički centar Novog Sada Agraria 2021: Art Center of Novi Sad

Da bi čovečanstvo dostiglo trenuti stepen razvoja moralo je da nauči da koristi i unapređuje načine korišćenja energije.

Prethodni prelazi sa primitivnih oblika energije (životinje, voda, vetar i drvo za ogrev) na ugalj i sa uglja na tečne i gasovite ugljovodonike bili su postepeni procesi koji su se dešavali decenijama ili vekovima. Bogata istorija pored razvoja beleži i za sobom ostavlja napuštene prostore čija primarna funkcija nije ispratila tranzicije koje su se dešavale pa ovakvi prostori sada čekaju nove ideje i nove ljude kako bi ponovo oživeli. Agraria 2021 je projekat rekonstrukcije, prenamene i unapređenja objekta i njegove uže i šire okoline, pokrenut povodom kulturne transformacije grada Novog Sada. Kako bi ovog puta namena, a i sam objekat odoleo tranzicijama koje dolaze teži se da on usvoji savremene principe ODRŽIVOSTI jer se energija smatra jednim od glavnih izazova budućnosti.

ENERGETSKA TRANZICIJA je ona koja objektu Agrarie može doneti novi život.

In order to reach the current stage of development, humanity had to learn to use and improve the ways of using energy.

Previous transitions from primitive forms of energy to coal and from coal to liquid and hydrocarbons were gradual processes that took place over decades. The rich history records not only development and progress, but also abandoned spaces whose primary function did not follow the transitions that took place, so such spaces are now waiting for new ideas and new people to come to life again. Agraria 2021 is a project of reconstruction, conversion and improvement of the building and its immediate and wider surroundings, launched on the occasion of the cultural transformation of the city of Novi Sad. In order to withstand the transitions that are coming, the purpose and the building itself strives to adopt principles of SUSTAINABILITY because energy is considered as one of the main challenges of the future. ENERGY TRANSITION is the one that can bring new life to the Agraria.

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S03-U FLAGSHIP PROJEKTI – KREATIVNA URBANA REGENERACIJA GOLUPCA FLAGSHIP PROJECTS – CREATIVE URBAN REGENERATION OF GOLUBAC

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Nastavnik: dr Aleksandra Đukić vanredni profesor | associate professor Mentorska komisija: dr Aleksandra Krstić Furundžić redovni profesor | full professor arh. Dejan Miletić vanredni profesor | associate professor

Tema master rada je razvoj projekta od strateškog značaja za lokalnu gradsku sredinu kroz urbanu regeneraciju - projekta perjanice (Flagship project). Ovim se obuhvata postupak uočavanja teorijskog okvira urbanističke intervencije u prostoru, njegovog prilagođavanja poligonu kroz terensko istraživanje i istraživanje uzornih primera, potom postavljanje urbanističkog koncepta i programa, koji se dalje razvija u urbanistički ili urbanističko-arhitektonski projekat. Poligon za istraživanje je gradić Golubac, a posebno njegov podunavski deo sa Golubačkom tvrđavom, kao važnim spomenikom kulture u Srbiji. Master projekat koji se ovde radi uključen je u okviru tekućeg međunarodnog projekta “CREATIVE DANUBE” u okviru evropskog Erasmus+ projekta, čija je tema obnova malih i srednje velikih podunavskih gradova.

The topic of the master’s thesis is the development of a project of strategic importance for the local urban environment through urban regeneration - the flagship project. This includes the procedure of observing the theoretical framework of urban intervention in space, its adaptation to the polygon through field research and research of examples from practice, then setting the urban concept and program, which is further developed into an urban-architectural project. The testing ground is the town of Golubac, and especially its Danube part with the Golubac Fortress, as an important cultural monument in Serbia. The master project that is being done here is included in the current international project “CREATIVE DANUBE” within the European Erasmus + project, whose theme is the reconstruction of small and medium-sized Danube cities.

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REVITALIZACIJA PRIOBALJA / KAMENOLOM KAO “BROWNFIELD” PROJEKAT COASTAL REVITALIZATION / QUARRY AS A “BROWNFIELD” PROJECT

Marko Jovanović Studio | FLAGSHIP projekti Kreativna urbana regeneracija Golupca FLAGSHIP projects Creative urban regeneration of Golubac Nominacija | Nomination | Inspireli Awards 2020

Projekat se konkretno bazira na revitalizaciji kamenoloma i priključne drobilice koji se nalaze u neposrednoj blizini Golubačke tvrđave. To se postiže kroz različite načine, gde jeste najvažniji princip povratka prirodi koji se kroz arhitektonski i urbanistički poduhvat postiže. Kako je položaj kamenoloma takav da je on na trenutno najatraktivnijoj tački u Golupcu, ogroman potencijal jeste uočen u samom povezivanju podnožja sa vrhom. Pristup iz podnožja bio bi rešen preko drobilice, gde bi se podzemnim povezivanjem došlo do početne tačke kamenoloma. Sadržaji koji se implementiraju u prostor jesu takvi da oni predstavljaju bazu ekološki podsticajnih elemenata. U prevodu, svi oni pokušavaju da prethodno devastirani prostor unaprede dajući mu novi smisao i ekološku notu povratka prirodi. Pritom, ovaj prostor je nadzemno u potpunosti lišen kolskog saobraćaja i u celosti je pristupačan pešacima.

The project is specifically based on the revitalization of the quarry and the connecting crusher located in the immediate vicinity of the Golubac Fortress. This has been achieved through various ways, where the most important principle is the return to nature, achieved through an architectural and urban endeavor. As the position of the quarry is currently the most attractive point in Golubac, a huge potential has been noticed in the connection of the foothills with the top. Access from the foothills would be solved via the crusher, where the starting point of the quarry would be reached by underground connection. The contents that are implemented represent the base of ecologically stimulating elements. In translation, they all try to improve the previously devastated space by giving it a new meaning and an ecological note. Also, this area is completely devoid of car traffic above ground and is fully accessible by pedestrians.

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GRADSKA MARINA – NOVA KAPIJA GRADA MARINA – THE NEW TOWN GATE

Zlata Stanojević Studio | FLAGSHIP projekti Kreativna urbana regeneracija Golupca FLAGSHIP projects Creative urban regeneration of Golubac Nagrada | Award | Godišnja nagrada „Milorad Macura“ za najbolji master rad iz oblasti arhitekture i urbanizma Annual award “Milorad Macura” for the best master’s thesis in the field of architecture and urbanism

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Identitet grada Golupca snažno je označen prisustvom dva upečatljiva motiva – Golubačke tvrđave i reke Dunav, koji se mogu izdvojiti i kao njegovi najveći kvaliteti. Inspiracija za bavljenje temom priobalja javila se na prizoru ribara koji su svoju nedelju provodili na doku. Slika njih: samih, okupljenih ili sa porodicom, ostavljala je jasan utisak jednog grada na vodi i nepretencioznog i mirnog života u njemu. Tema rada jeste umrežavanje 2 zajednice koje postoje – jedriličarske i ribarske, kroz projekat koji bi obnovom dela priobalja i marine oživeo ovaj pojas uvođenjem dodatnih sadržaja ali i stvorio tlo za nastanak novih manifestacija i aktivnosti kraj vode uvažavajući ambijentalni, istorijski i kulturni kontekst Golupca kao i način života njegovih stanovnika. Akcenat projekta je na kompleksu marine sa pratećim programom kao važnom instancom za dalji razvoj grada Golupca kao turističkog odredišta i jedriličarskog centra na Dunavu.

Golubac’s identity is strongly marked by the presence of Golubac Fortress and the Danube River, which can be recognized as its greatest qualities. The inspiration for examining the coast came from the scene of fishermen spending their weekend at the dock. The image of them: alone, gathered or with their family, left a clear impression of a city on water and an unpretentious and peaceful life in it. Topic of the project is connection of two existing communities - sailing and fishing, through project that would revive the coast by regenerating the area through additional facilities and laying ground for future new events near the water, respecting the ambiental, historical and cultural context of Golubac and the lifestyle of its inhabitants. The emphasis is on the marina complex as an important instance for further development of the town of Golubac as a tourist destination and sailing center on the Danube.

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MASA-AT MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL ARHITEKTONSKE TEHNOLOGIJE / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE ARCHITECTURAL TECHNOLOGIES / RIBA Part 2

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SPA CENTAR SPA CENTER

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Nastavnik: dr Lidija Đokić redovni profesor | full professor Mentorska komisija: dr Jelena Živković vanredni profesor | associate professor arh. Nebojša Fotirić vanredni profesor | associate professor

Prostor za predah od urbanog životnog tempa, prostor za fizičku i mentalnu revitalizaciju treba da bude promišljen i postavljen u određeni kontekst. Rezultati analize potreba i mogućnosti u domenu prostornog i funkcionalnog konteksta, kao i tehnoloških mogućnosti treba da predstavljaju ulazne parametre za dalju izradu projekta.

A space for a break from the urban pace of life, a space for physical and mental revitalization should be thought out and placed in a certain context. The results of the analysis of needs and possibilities in the domain of spatial and functional context, as well as technological possibilities should represent the input parameters for further project development.

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VERTIKALNI SPA CENTAR KAO REPER U GRADSKOM TKIVU VERTICAL SPA AS A LANDMARK IN THE URBAN CORE

Ana Vojinović Studio | SPA Centar SPA Center Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

Dispozicija i visina, kule kao posebnog repera u gradskom tkivu, uslovljeni su konkretnom lokacijom, analizom šireg i užeg okruženja, potrebom poštovanja utvrđenih vizura, silueta i ukupnom slikom grada. Svi navedeni aspekti su tema istraživanja u okviru studije Vertikalnog spa centra, potencijalnog repera i gradskog simbola budućeg javnog prostora, Linijskog parka.Vremenom, praksa je formirala određenu sliku o spa centru, čiji se program razvija po horizontalnoj osnovi ili se nalazi u sklopu već postojećih objekata. Pitanje koje prati čitav proces projektovanja: Šta bi proisteklo kada bi sve sadržaje i programe koje nudi jedan horizontalni spa centar smestili u vertikalni. Naglašavanje fizičke distance od urbanog okruženja je jedinstveno iskustvo Vertikalnog spa centra. Da li se sva iskustva korisnika svode na jedinstveno empirijsko saznanje?

Kakvo emocinalno i duhovno stanje bi ovakvi prostori razvili i probudili kod korisnika, na većoj nadmorskoj visini?

The disposition and height of a building, which is to become a landmark in the urban core, are conditioned by the location, the wide and detailed analysis of the environment, the respect for existing views, silhouettes and the overall image of the city.

All these aspects are the subject of research within the study of the Vertical spa, the potential landmark and the symbol of the city, located within the future public area, the Line Park.

Through time, a general image of a spa center has been created, the one that extends the programe on a horizontal plane, or already is a part of existing facilities. But that idea has left the following question, that has governed the entire design process: What would become if all the facilities and the content offered by one horizontal spa center were to be placed in a vertical one. Emphasizing the physical distance from the urban environment is a unique experience of the Vertical spa.

Are all user experiences reduced to a single empirical finding?

What kind of emotional and spiritual state, would such spaces develop and awaken in the user, at higher altitude?

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ZELENA OAZA U SRCU GRADA GREEN OASIS IN THE HEART OF THE CITY

Jovana Miladinović Studio | SPA Centar SPA Center

Zelena oaza u srcu grada, smeštena na raskršću važnih saobraćajnica, predstavlja početak i kraj jednog putovanja.

Poslednja ili početna stanica u jednom danu, gde poslovni ljudi imaju mogućnost da svrate i relaksiraju se pre ili posle svog radnog vremena. Postaje mesto koje odiše mirom i tišinom, gde će svako naći ono što želi. U sklopu objekta se nalaze brojni sadržaji, koji su su sami po sebi različiti, ali zajedništvom čine jedinstvenost i veličaju taj prostor. Iako se u objektu nalaze sadržaji od kafe bara i restorana, teretane, prostora za ples, jogu, bazeni sa spa centrom čine srce tog prsotora, i predstavljaju nešto novo i nesvkidašnje na ovom prsotoru.

The green oasis in the heart of the city, located at the crossroads of important roads, is the beginning and end of a journey. The last or starting station in one day, where business people have the opportunity to stop by and relax before or after their working hours. It becomes a place that exudes peace and quiet, where everyone will find what they want. Within the building there are numerous facilities, which are different in themselves, but together they make it unique and glorify the space. Although the facility contains facilities from a cafe bar and restaurant, gym, dance area, yoga, swimming pools with a spa center are the heart of the prosciutto, and represent something new and unusual on this prosciutto.

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S02-AT POSLOVNI OBJEKAT 2049. GODINE OFFICE BUILDING 2049

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Nastavnik: dr Branislav Žegarac redovni profesor | full professor Mentorska komisija: dr Eva Vaništa Lazarević redovni profesor | full professor

Cilj rada na mester tezi je da studenti, u skladu sa danas vidljivim trendovima, ponude arhitektonski odgovor na pitanje kako će izgledati poslovni objekat 2049. godine i koje će funkcije, pored poslovanja integrisati. U tezi treba da analiziraju trendove u programskom i tehnološkom smislu (tehnologije, materijali...) i da na bazi uočenih trendova stvore koncept objekta u skladu sa potrebama savremenog dinamičkog društva koje se permanentno menja i koje je razvilo drugačije shavatanje radnog i stambenoh okruženja.

dr Dragana Vasiljević Tomić vanredni profesor | associate professor

The goal of the master’s thesis is for students, in accordance with the trends visible today, to offer an architectural answer to the question of what a business facility will look like in 2049 and which functions, in addition to business, will be integrated.

In the thesis, they should analyze trends in the program and technological sense (technologies, materials ...) and on the basis of observed trends create the concept of an object in accordance with the needs of a modern dynamic society that is constantly changing and has developed a different understanding of work and housing environments.

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ZAGAĐENJE VAZDUHA I ARHITEKTURA AIR POLLUTION AND ARCHITECTURE

Nevena Milisavljević Studio | Poslovni objekat 2049. godina Office Buildings 2049

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Shodno stepenu tehnološkog napretka, u gradovima su zabeležene promene prirodnih uslova - degradacija životne sredine predstavlja značajan problem čovečanstva koji poprima široke razmere. Intenzivno zagađenje vazduha započelo je u XIX veku; to se manifestuje kroz brojne negativne uticaje na čovekovu okolinu i samog čoveka. Kada sagledamo odabranu lokaciju, zaključujemo da kvalitet vazduha i uopšte stanje životne sredine u Obrenovcu nisu na zavidnom nivou.

U novije vreme, sve je veća potreba za inovativnim i ekološki orijentisanim tehnologijama za rešenje ovog problema. U tom kontekstu, značajan je razvoj fotokatalitičkih materijala koji mogu znatno da doprinesu obezbeđenju čistog vazduha i poboljšanju održivosti. Kada je reč o projektnom zadatku, ideja je da se primenom prepoznatih rešenja proba smanjiti koncentracija zagađenja. S obzirom na široku primenu fotokatalizatora u praksi, namera je bila da se oni integrišu u projekat na više načina. Osim toga, deo projekta za zaštitu od aerozagađenja predstavlja i primena filtera za prečišćavanje vazduha, kao i velike pošumljene i zelene površine.

According to the degree of technological progress, changes in natural conditions have been recorded in cities - environmental degradation is a significant problem of humanity that is taking on a wide scale. Intense air pollution began in the 19th century; this is manifested through numerous negative influences on the human environment and man himself. When we look at the selected location, we conclude that the air quality and the general condition of the environment in Obrenovac are not at an enviable level. In recent times, there is a growing need for innovative and environmentally friendly technologies to solve this problem. In this context, the development of photocatalytic materials that can significantly contribute to providing clean air and improving sustainability is significant. When it comes to the project task, the idea is to reduce the concentration of pollution by applying the recognized solutions. Given the wide application of photocatalysts in practice, the intention was to integrate them into the project in several ways. In addition, part of the project for protection against air pollution is the application of filters for air purification, as well as large forested and green areas.

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GOOGLE CENTAR GOOGLE CENTER

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Nastavnik: dr Aleksandar Rajčić vanredni profesor | associate professor Mentorska komisija: dr Jelena Živković vanredni profesor | associate professor mr Milan Vujović redovni profesor | full professor

“Četvrta industrijska revolucija” i ekspanzija informatičkih tehnologija rezultuje potrebama za ljudskim i prostornim resursima za poslovanje i obuku u ovoj oblasti. Za potrebe razvoja GOOGLE regionalnog centra, studenti će analizirati adekvatne lokacije, uz analize koncepcijskih, funkcionalnih i oblikovnih karakteristika primera iz aktuelne arhitektonske prakse, konkursnih i realizovanih rešenja, upoznati se sa mogućim rešenjima i valorizovti ih. Akcenat u procesu projektovanja će se staviti na afirmaciji kreacije studenata, prevazilaženju potencijalnih projektantskih ograničenja na relaciji oblik-materijal-dimenzije, ističući unikatnost rešenja, od koncepta do materijalizacije, respektujući sve funkcionalne aspekte.

The “Fourth Industrial Revolution” and the expansion of information technology result in the need for human and spatial resources for business and training in this field. For the needs of the development of the GOOGLE regional center, students will analyze adequate locations, with analyzes of conceptual, functional and design characteristics of examples from current architectural practice, competitive and realized solutions, get acquainted with possible solutions and valorize them. Emphasis in the design process will be placed on the affirmation of student creation, overcoming potential design limitations on the relation shape-material-dimensions, emphasizing the uniqueness of the solution, from concept to materialization, respecting all functional aspects.

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NOVI GOOGLE CENTAR, BEOGRAD NEW GOOGLE CENTRE, BELGRADE

Ilija Rogač Studio | GOOGLE Centar GOOGLE Center

Kroz detaljno istraživanje istorijskog razvoja poslovnih objekata, analizu relevantnih primjera dobre prakse i pregled savremenih rješenja tehnoloških poslovnih centara formirao se konceptualni okvir projekta Novog Google centra u Beogradu koji je artikulisan kroz projektni zadatak. Kroz istraživačke napore iskristalisali su se i kvalitetni principi projektovanja koji su implementirani na svim konceptualnim nivoima objekta.

Kroz integraciju gore pomenutih saznanja rješenje ,,Novog Google centra u Beogradu,, teži da odgovori na sve zahtjeve savremenog poslovanja i tržišta ideja, svojom funkcijom obezbijedi kvalitetno radno okruženje, svojom pojavnošću oplemeni prostorni kontekst a svojim duhom Beograd afirmiše kao grad okrenut budućnosti i tehnološkom progresu.

Through a detailed research of the historical developments of business facilities, analysis of relevant examples of good practice and review of modern solutions for technology business centers, the conceptual framework (of the project of the New Google Center in Belgrade) was formed. The project task was the articulation of that framework. Through research efforts, quality principles of design crystalized. These principles got implemented on all conceptual levels of the project. By systemically implementing all the aforementioned insights, the solution for the ,,New Google Center in Belgrade,, strives to meet all the requirements of modern -business and the idea market-, provide a quality working environment, ennoble its spatial context and affirm Belgrade as a city oriented towards future and the innevitable technological progress it intales.

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GOOGLE CENTAR GOOGLE CENTRE

Jovan Radojević Studio | GOOGLE Centar GOOGLE Center

Projekat je proistekao iz niza istraživanja srodnih objekata, preko njihovih funkcija, dizajna i sadržaja ali je takođe prošao kroz procesa istraživanja forme samog objekata. Cilj je bio da ovaj objekat pre svega dominira svojim izgledom u odnosu na okolne objekte, jer reč o jednoj od najprestižnijih firmi u svetu, a pritom ispuniti sve funkcionalne norme koje ovakav objekat zahteva. Forma je postignuta postavljanjem i zasecanjem više pravih ploča pod nepravilnim uglovima. Kako bi se dodatno naglasile te površine i njihov neobičan oblik, presvučene su manjim bakarnim pločama, koje kada se postave izgledaju poput krljušti. Objekat autentičan svojim dizajnom ali i funkcijom što je projekat i imao za cilj.

The project arose from a comprehensive research of related objects. Form, function and programme of such objects were all considered equally. The final form of my object arose from this comparative research. My goal for this building was primarily to dominate the surrounding facilities in its appearance because one of the most prestigious companies in the world deserves an equally prestigious headquarters.

Much care was given so that the new building meets all the functional standards required by such a facility.The form of the building was made by first placing straight plates and then cutting them at irregular angles. To further emphasize these surfaces and their unusual shape, small copper plates were used as roofing, which look like scales. The building is authentic by both design and function.

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ABIOGENEZA ABIOGENESIS

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Nastavnik: dr Budimir Sudimac vanredni profesor | associate professor Mentorska komisija: mr Milan Vujović redovni profesor | full professor

Abiogeneza je teorija po kojoj živa materija može nastati iz nežive. Istraživanje održivih sistema i uspostavljanje novih urbanih i arhitektonsih hibridnih modela za rešavanje ekonomskih, socijalnih, kulturnih i tehnoloških problema savremenih gradova, uključujući nedostatak hrane, prirodnih resursa, infrastrukture, zagađenje kao i razvijanje strategija budućeg razvoja osnovni su ciljevi predloženog zadatka.

Studijom se teži da studenti kritički sagledavaju adaptibilnost i uticaj novih tehnologija na arhitektonske projekte na osnovu dinamične ravnoteže između korisnika i tehnologije.

dr Danilo Furundžić docent | assistant professor

Abiogenesis is the theory that living matter can arise from inanimate matter. Exploring sustainable systems and establishing new urban and architectural hybrid models to solve the economic, social, cultural and technological problems of modern cities, including food shortages, natural resources, infrastructure, pollution and developing future development strategies are the main objectives of the proposed task. The study strives for students to critically consider the adaptability and impact of new technologies on architectural projects based on the dynamic balance between users and technology.

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ADAPTIBILNO KLIMATSKO OBLIKOVANJE ARHITEKTONSKIH FORMI ADAPTABLE CLIMATE SHAPING OF ARCHITECTURE FORMS

Katarina Pejić Studio | Abiogeneza Abiogenesis Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

Rad je posvećen istraživanju oblikovanja i geometrije arhitektonskih formi u funkciji adaptiranja različitim klimatskim uslovima. U radu je primenjena uporedna analiza životinjskih staništa kroz pet tipova klimata i studija slučaja arhitektonskih objekata koji su projektovani u skladu sa klimatskim uslovima.

Cilj je bio da se iskoriste prirodne zakonitosti koje životinje, odnosno ptice primenjuju prilikom izgradnje svog staništa u različitim klimatskim područjima. Koncept nebodera nastao je na temelju eksperimenta i primenom metode uporedne analize životinjskih staništa i studije slučaja arhitektonskih objekata. Klimatski uslovi kao principi projektovanja mogu da postanu sastavni deo savremene arhitekture i modernog dizajna. Principi primenjeni na analiziranim prmerima za adaptibilno klimatsko oblikovanje arhitektonski formi poslužili su kao osnov za oblikovanje nebodera. Na temelju oblikovne forme proizašla je i funkcionalna namena nebodera. Koncept nebodera je potvrdio da oblikovanje može da prati klimatske uslove, odnosno da oni mogu uspešno da koegzistiraju.

The following work is dedicated towards researching architectural forms, their shapes and geometry, and how they can be adapted in various climate conditions. The research examines and analyses animal habitats in five different climate conditions in form of case studies which are represented through architectural objects that have been designed in line with the climate conditions. The goal of the research was to show that natural laws that govern animal behavior in their efforts to build suitable habitats are also relevant for human design and architecture. Skyscraper concept after all, is founded on experiments and comparative analysis of various animal habitats and case studies that are focused on designing such architectural objects. Principles analyzed in this research could serve as a basis for future skyscraper design. The skyscraper design presented in this research has confirmed that such architectural form can be made in accordance with climate conditions that are harmonious to natural laws.

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ARHITEKTURA VETRA ARCHITECTURE OF WIND

Bojan Stojiljković Studio | Abiogeneza Abiogenesis

Ovo istraživanje posvećeno je upotrebi vetra kao enegrenta u arhitekturi. Vazduh, tj. vetar, jedan je od nekoliko obnovljivih izvora energije u svetu.Iako se danas puno zna o energiji vetra, do danas nije viđeno mnogo objekata u svetu koji energiju vetra koriste kao glavni energent za napajanje svojih sistema.

Iako možemo videti veliki broj vetrenjača u svetu, postavlja se pitanje da li je moguće inkorporirati ovaj vid energije u objekte na višem nivou.Sam objekat, radi po principu vertikalne vazdušne turbine. Četiri propelera pokreće vetar, a oni svojim okretanjem kinetičkim putem prenose energiju u objekat. Ceo sistem se sastoji od čeličnih elemenata, a u centru objekta nalaze se generatori koji električnu energiju kablovima prenose dalje ka gradu.

This research is dedicated to the use of wind as an energy source in architecture. Air, ie. wind, is one of the few renewable energy sources in the world. Although much is known about wind energy today, to date there have not been many facilities in the world that use wind energy as the main energy source to power their systems. Although we can see a large number of windmills in the world, the question is whether it is possible to incorporate this type of energy into buildings at a higher level.

The building itself works on the principle of a vertical air turbine.

Four propellers drive the wind, and they transfer energy to the object by turning it kinetically. The entire system consists of steel elements, and there are generators in the center of the building that transmit electricity with cables to the city.

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IZMEĐU GRAVITACIJE I BESTEŽINSKOG PROSTORA – SVEMIRSKI LIFT BETWEEN GRAVITY AND WEIGHTLESS SPACE – SPACE ELEVATOR

Marko Stevanović Studio | Abiogeneza Abiogenesis

Vekovima čovek razmišlja o napuštanju planete Zemlje, kao i načinima kako to da izvede. Takvim razmišljanjem nastala su konceptualna rešenja svemirski gradova, koja svojom promišljenošću i tehnologijom, dozvoljava da se ceo zemljani život premesti u bestežinski prostor. Najznačajnija ideja koja se bavi lakšem dostizanju svemira i u svojoj srži ima povezivanje inovativne tehnologije sa arhitekturom zove se SVEMIRSKI LIFT. Svemirski lift, kao takav, povezuje prostor Zemljinog tla, sa prostorom u kojem vlada bestežinsko stanje. Sastoji se iz četiri glavna dela: bazna stanica, sajla, lift i kontra težina/ svemirska stanica. Kako bi se efikasnost ovakvog objekta kao i njegova laka izgradnja povećala na maksimum, ovakav poduhvat zahteva proučavanje kroz biomimikriju. Kao jedan od mogućih rešenja pokazao se paukov postupak pravljenja mreže. Taj postupak, osim što je doprineo konstrukciji ovakve mega-strukture, pomogao je i u delu dobijanja forme.

For centuries, man has been thinking about leaving the planet Earth, as well as ways to do it. With such thinking, the conceptual solutions of space cities were created, which, with their thoughtfulness and technology, allow the entire earthly life to be moved into weightless space. The most significant idea that deals with easier access to space and at its core has the connection of innovative technology and architecture is called SPACE ELEVATOR. It consists of four main parts: base station, cable, elevator and counter weight / space station. In order to maximize the efficiency of such a facility as well as its easy construction, such an endeavor requires study through biomimicry. One of the possible solutions is spider’s webmaking process. This procedure, in addition to contributing to the construction of such a mega-structure, also helped in obtaining the form.

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MASA-AK MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL ARHITEKTONSKO KONSTRUKTERSTVO / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE STRUCTURAL ENGINEERING / RIBA Part 2

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S01-AK ČUVAJMO PROŠLOST ZA BUDUĆNOST PERSERVING PAST FOR THE FUTURE

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Nastavnik: dr Nenad Šekularac redovni profesor | full professor Mentorska komisija: dr Jelena Živković vanredni profesor | associate professor

Istraživanje mogućnosti i uspostavljanje metodologije za rekonstrukciju zaštićenog graditeljskog nasleđa projektovanjem konstrukcija velikih raspona u okviru postojećih objekata, kao smernica za planiranje, projektovanje i njihovu realizaciju.

Istraživanjem pristupa projektovanju konstrukcija u objektima graditeljskog nasleđa, njihovom analizom i vrednovanjem ostvarenih rezultata na primerima izvedenih konstrukcija moguće je doneti zaključke na osnovu kojih će se pristupiti rešenju zadatka projektovanja konstrukcije velikog raspona u okviru objekata postojećeg graditeljskog nasleđa.

arh. Dejan Miletić vanredni profesor | associate professor

Exploring the possibilities and establishing a methodology for the reconstruction of protected architectural heritage by designing large-scale structures within existing facilities, as a guideline for planning, design and implementation.

By researching the approach to the design of structures in buildings of architectural heritage, their analysis and evaluation of the results on the examples of constructed structures, it is possible to draw conclusions on the basis of which to solve the problem of designing large span structures within existing architectural heritage.

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REVITALIZACIJA INDUSTRIJSKOG NASLEĐA REVITALIZATION OF INDUSTRIAL HERITAGE

Marko Madžarević Studio | Čuvajmo prošlost za budućnost Perserving past for the future

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Prilikom revitalizacije industrijskog nasleđa neophodano je brižljivo negovanje postojećih ambijentalnih vrednosti, autentičnosti gradnje, materijala, konstruktivne logike.

Interpolacija kao savremeni odgovor na pitanje oživljavanja, mora svojim karakterom, svojom volumetrijom, materijalom i završnom obradom da uvažava, prati i unapređuje staro, težeći da se sa njime organski sjedini. Prezentovanim projektom predviđena je prenamena objekta nekadašnje Mašinske radionice Vojno-tehničkog zavoda u Kragujevcu u Kulturni centar.

Zatečeni objekat sastoji se iz dve međusobno spojene hale, zasvedene testerastim krovom, pridržanim klasičnom drvenom konsturkcijom sa gusto raspoređenim stubovima. Potreba za nešto slobodnijom osnovom rešena je projektovanjem novog konstruktivnog sistema za premoštavanje većeg raspona, a oblikovno reinterpretirane završne linije testerastog krova. Nova konstrukcija postavljena je na nešto većoj visini od postojeće, čime je,osim uslova za komforniju organizacijom auditorijuma, istovremeno zaokružena postepena visinska gradacija masa od reke ka obližnjem muzeju Stara livnica.

During the revitalization of the industrial heritage, it is necessary to carefully nurture the existing ambient values, the authenticity of the construction, materials, and constructive logic. Interpolation, as a modern answer to the question of revival, should, with its character, its volumetry, material and finishing, respect, follow and improve the old, striving to unite organically with it.

The presented project envisages the conversion of the building of the former Mechanical Workshop of the Military Technical Institute in Kragujevac into the Cultural Center. The existing building consists of two interconnected halls, vaulted with a serrated roof, supported by a classic wooden construction with densely arranged pillars. The need for a freer base was solved by designing a new structural system for bridging a larger span, and the shape of the reinterpreted finish line of the saw roof.

The new construction was placed at a slightly higher height than the existing one, which, in addition to the conditions for a more comfortable organization of the auditorium, at the same time completed the gradual height gradation of masses from the river to the nearby museum Stara livnica.

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ADAPTACIJA OBJEKTA INDUSTRIJSKOG GRADITELJSKOG NASLEĐA ADAPTATION OF INDUSTRIAL ARCHITECTURAL HERITAGE

Bogdan Cvetković Studio | Čuvajmo prošlost za budućnost Perserving past for the future

Ovo projektno rešenje razmatra mogućnosti odnosa postojeće i nove konstrukcije do kojeg dolazi prilikom adaptacije i/ ili revitalizacije objekata graditeljskog nasleđa. Posebna pažnja je posvećena aspektima koji utiču na uspostavljanje međuodnosa postojećeg i novoprojektovanog konstruktivnog sistema, poput aspekta zaštićenosti objekta, funkcije i prenamene, stanja u kojem se postojeći konstruktivni sistem nalazi. Nakon definisanja intervencija do kojih će doći prilikom adaptacije, uspostavljaju se međuodnosi postojećeg i novog konstruktivnog sistema. Cilj ove projektantske studije je da prikaže važnost adaptacije i oživljavanja objekata kroz prenamenu kao rešenja za napuštene zaštićene objekte, kao i da se istakne značaj upotrebe savremenih materijala pri adaptaciji objekata graditeljskog nasleđa radi jasne distinkcije između starih i novih elemenata.

This project solution considers the possibilities of the relation between existing and new structure that occurs during the adaptation and / or revitalization of architectural heritage buildings. Special attention is paid to the aspects that affect the establishment of the relationship between the existing and newly designed structural system, such as the aspect of object preservation, function and conversion and the state in which the existing structural system is located. After defining the interventions that will occur during the adaptation, the interrelationships between the existing and the new constructive system are established. This design study aims at showing the importance of adaptation and revitalization of buildings by converting abandoned protected buildings, as well as to emphasize the importance of using modern materials in the adaptation of architectural heritage in order to make clear distinction between old and new elements.

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PROJEKAT REVITALIZACIJE INDUSTRIJSKOG KOMPLEKSA U KRAGUJEVCU REVITALIZATION PROJECT OF THE INDUSTRIAL COMPLEX IN KRAGUJEVAC Katarina Petrović Studio | Čuvajmo prošlost za budućnost Perserving past for the future Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

Projekat obnove kompleksa industrijskih hala u Kragujevcu, Srbija, s kraja 19. veka, podrazumeva kreiranje inovativnih sadržaja umetničkog karaktera i prostorno proširenje hala. Kompleks dobija novu namenu - galerijski prostor, multifunkcionalnu dvoranu, atelje i komercijalne sadržaje u vidu restorana i poslovnog prostora. U cilju što prilagodljivijeg funkcionisanja, dvorana je dvonamenskog karaktera - u prvom scenariju korišćenja služi kao montažno-demontažno gledalište, dok je u drugom scenariju gledalište uklonjeno, a slobodan prostor se koristi kao nastavak galerije. Forma nadograđenog objekta je amorfna, konstruisana u stilu gridshell struktura od lepljenog lameliranog drveta. Prostor ispod kupole je prazan, oslobođen nosećih stubova u enterijeru, stvarajući time pogodan ambijent za nastupe ili izložbe.

The renovation project of the industrial complex in Kragujevac, Serbia, from the end of the 19th century, implies the creation of innovative contents of an artistic character and the spatial expansion of the halls. The complex got a new purpose - a gallery space, a multifunctional hall, a studio and commercial facilities in the form of a restaurant and business space.

In order to function as adaptively as possible, the hall has a dual purpose - in the first scenario it is used as an assemblydisassembly auditorium, while in the second scenario the auditorium is removed, and the free space is used as a continuation of the gallery. The shape of the upgraded building is amorphous, constructed in the style of a gridshell structure made of glued laminated wood. The space under the dome is empty, free of supporting pillars in the interior, thus creating a suitable ambience for performances or exhibitions.

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S02-AK SIMBIOZA ARHITEKTURE I KONSTRUKCIJE SYMBIOSIS OF ARCHITECTURE AND CONSTRUCTION

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Nastavnik: dr Jefto Terzović docent | assistant professor Mentorska komisija: dr Jelena Ristić Trajković docent | assistant professor

Istraživanje procesa projektovanja konstrukcija velikih raspona na primerima sportskih objekata, kod kojih je skulptoralnost konstruktivnog sistema prepoznatljiv motiv. Analiza savremenih tehnologija projektovanja i izvođenja čeličnih konstrukcija, sa ciljem dobijanja relevantnih i upotrebljivih podataka za rad na projektu. Sprovedenim studijama se postavljaju teze, čija se utemeljenost, valjanost i upotrebljivost analiziraju, da bi se kao rezultat dobile smrenice za projektovanje sportskog objekta sa velikim rasponom.

arh. Ivica Nikolić docent | assistant professor

Research of the process of designing structures of large spans on the examples of sports facilities, where the sculptural nature of the constructive system is a recognizable motif. Analysis of modern technologies of design and construction of steel structures, with the aim of obtaining relevant and usable data for project work. The conducted studies set theses, the validity, and usability of which are analyzed, in order to obtain guidelines for the design of a sports facility with a large range.

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SPORTSKI KOMPLEKS ‘‘NOVI KOLOSEUM’’ SPORTS COMPLEX “NEW COLOSSEUM”

Sofija Ranković Studio | Simbioza arhitekture i konstrukcije Symbiosis of architecture and construction

Sportski centar Novi Koloseum nalazi se na prostoru započetog akva parka u bloku 44 na Novom Beogradu. Sam kompleks leži na parceli koja se oslanja na savski nasip što mu omogućuje lak pristup reci. Projekat čine dva nezavisna objekta, javni zeleni prostor i sportski tereni napolju. S obzirom na prethodno planiranu izgradnju akva parka, projekat je koncipiran kao deo potencijalno većeg multifunkcijonalnog kompleksa. Glavni objekat predviđen je za različita sportska dešavanja, kao i za kulturna dešavanja poput koncerata i predstava(3300 mesta za sedenje).Objekat ima tri nivoa i jedan podzemni nivo preko čitave parcele(Po+P+2). Kroz ta tri nivoa objekat sadrži borilište iliti glavnu halu sa tribinama, tehničke prostorije, magacin, kancelarije, svlačionice, toalete, teretanu na dva nioa, medijski prostor, restoran i kafić na oba sprata i poslovni prostor.

Oblikovnost objekta je inspirisana životinjskim pokretima i formama, pri čemu sama igra dvostruke fasade i efekta punoprazno daje objektu i prostoru oko njega dinamičnost.

The sports center New Coloseum is located in the area of ​​the started aqua park in block 44 in New Belgrade. The complex itself lies on a plot that rests on the Sava embankment, which allows easy access to the river. The project consists of two independent facilities, a public green space and sports fields outside. Given the previously planned construction of an aqua park, the project was conceived as part of a potentially larger multifunctional complex. The main building is planned for various sports events, as well as for cultural events such as concerts and performances (3300 seats). The building has three levels and one underground level over the entire plot (Po + P + 2). Through these three levels, the building contains a arena or main hall with grandstands, technical rooms, warehouse, offices, locker rooms, toilets, gym on two levels, media space, restaurant and cafe on both floors and business space. The shape of the building is inspired by animal movements and forms, while the play of the double facade and the full-empty effect gives the building and the space around it dynamism.

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MAS-UA MASTER AKADEMSKE STUDIJE UNUTRAŠNJA ARHITEKTURA MASTER ACADEMIC STUDIES IN INTERIOR ARCHITECTURE

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S01-UA DIFUZIJA FORME: CENTAR ZA UPRAVLJANJE KONTROLOM VAZDUHA FORM DIFFUSION: AIR QUALITY CONTROL CENTER

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Nastavnik: dr Milena Kordić docent | assistant professor Mentorska komisija: mr Dragan Jelenković redovni profesor | full professor

U okviru predmeta Master teza student proširuje fundus znanja u odnosu na koji može da formira ideje o projektovanju enterijera. Čitanjem tekstova iz oblasti teorije arhitekture, enterijera, literature i teorije kulture obogaćuje se misaona osnova koja otvara nove mogućnosti kreativnog ponašanja u odnosu na aktuelne teme projektovanja enterijera i dizajna u arhitektonskom kontekstu. Student na ovaj način formuliše polazišta za svoje projektantske odluke.

dr Radojko Obradović vanredni profesor | associate professor

Within the Master’s Thesis, the student expands the fund of knowledge in relation to which they can form ideas about interior design. Reading texts in the field of architecture theory, interior design, literature and cultural theory enriches the mental basis that opens new possibilities for creative behavior in relation to current topics of interior design and design in the architectural context. In this way, the student formulates the starting points for his design decisions.

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SOFTSCAPE I HARDCAPE: SKRIVENI VRT ART AND SCIENCE CENTRA KAO GENERATORA HIBRIDNIH OPAŽAJA SOFTSCAPE AND HARDSCAPE: SECRET GARDEN OF AN ART AND SCIENCE CENTRE AS A HYBRID RECEPTION GENERATOR Senka Radović Studio | DIFUZIJA FORME: Centar za upravljanje kontrolom vazduha FORM DIFFUSION: Air Quality Control Center Nominacija | Nomination | Inspireli awards 2020 UnIADA ’21 Unfuse International Architectural Dissertation Awards

Shodno aktuelnim uslovima života u urbanim sredinama velike gustine izgrađenosti u periodu drastičnih ekoloških promena, posebna pažnja se posvećuje boravku u prirodi i njenom uticaju na psihološko stanje savremenog čoveka. Intuitivnim istraživanjem organizacionih modela vrta, pejzaža i predela, formira se utisak o vrtu kao tajnovitom, melanholičnom ambijentu, što vodi težnji ka oblikovanju prostora koji deluje potpuno autonomno i izolovano, pružajući korisniku osećaj zaštićenosti kroz jedinstven doživljaj, impuls ’estetske emocije’. Uvođenjem pejzaža kao neobuzdanog sistema u opnu koja formalno i funkcionalno predstavlja matematički sistem koji funkcioniše po strogo određenim pravilima, ispituje se uticaj na korisnika. Softscape je termin koji opisuje prirodne elemente uređenja u pejzažnoj arhitekturi, a hardscape one koji nastaju artificijelnim, nasilnijim putem. Ispituju se načini koji omogućuju reorganizaciju modela, tako da svi njegovi slojevi ostanu očuvani i neugroženi, gradeći skladnu simbiozu sa grubim, zadatim elementima opne, koja se u ovom slučaju ne tretira kao subjekt, već datost, svojstvo celine.

In accordance with the current conditions in urban areas during drastic ecological changes, special attention is paid to staying in nature. Intuitive research of organizational models of the garden, landscape and region leads to the impression of the garden as a mysterious, melancholic ambience, which completely autonomous and isolated, provides the user a sense of protection through unique sense of ‘aesthetic emotion’.

The effect on the user is being examined as the landscape is introduced into the existing membrane that formally and functionally represents a system that functions according to strictly defined rules. Softscape is a term that defines natural elements in landscape architecture, while hardscape describes those that are created in an artificial way. The possibilities of model reorganization are examined, so that all its layers remain preserved through a harmonious symbiosis with the rough elements of the membrane.

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KONTINUUM KULTURE I PRIRODE: PRIRODNOST ARHITEKTURE NATURE-CULTURE CONTINUUM: NATURALNESS OF ARCHITECTURE

Ana Jovanović Studio | DIFUZIJA FORME: Centar za upravljanje kontrolom vazduha FORM DIFFUSION: Air Quality Control Center

U arhetipskom dorćolskom bloku, među divljim nadogradnjama neoklasicističkih zgrada, u pukotini između Neogena i Antropocena, tlo se penje na krov oronule zgrade meteorološkog zavoda Beograda. Novi dorćolski amfiteatar, isečak unutrašnje konkavne površine satelitskog tanjira, neočekivani je lend-art. Objekat je zakopan u zemlji poput velike telesine. Arhitektonski program se kroz mali gradski trg i laboratorije naučnog centra raspada ka horizontu, ka praznini.

Njegovi fragmenti na površini, rane su u pejzažu, koje događaje sukobljavaju u utrobi zemlje. Fragmenti programa, punoća su u Milanskoj katedrali i talože se u pukotinama Zemljinih tektonskih ploča. Putuju ka Geostacionarnoj orbiti, ka svemiru, razbijaju se o kupolu rimskog Panteona, i nestaju u kodovima digitalnog. Arhitektura novog objekta napor je da se ostaci njegovog hibridnog i metamorfoznog identiteta, sagledivog sa velike, nekada neočekivane udaljenosti, skupe u jednu celinu, gde je sav Životni elan, sveg trajanja i svih daljina sklopljen u svoje maksimalno stanje, koje zrači novom, jedinstvenom lepotom.

In the crack between Neogene and Anthropocene, ground climbs to the roof of the dilapidated building of the Belgrade Meteorological Institute. The new amphitheater, a fragment of inner concave surface of a satellite dish, is an unexpected land art. The object is buried in the ground like a large body.

Through the small town square and laboratories of science center, architectural program is disintegrating towards horizon, towards emptiness. Its fragments on the surface are wounds in the landscape, which clash events in the bowels of the Earth.

Program fragments are plenitude of Milan Cathedral, deposited in the cracks of the Earth's tectonic plates. Traveling to Geostationary orbit, crashing on the dome of Pantheon, they disappear in the digital. The architecture of new object is an effort to gather remnants of its identity into one whole, where all Elan of Life is assembled in its maximum state, radiating new, unique beauty.

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SALON PRIRODNJAČKOG MUZEJA SALON OF THE NATURAL MUSEUM

Katarina Radojević Studio | DIFUZIJA FORME: Centar za upravljanje kontrolom vazduha FORM DIFFUSION: Air Quality Control Center

Pčele u odnosu na ostale insekte, igraju najveću ulogu u održavanju biodiverziteta. Iz tog razloga su ravnopravni korisnik prostora. Mapirane zone njihovog kretanja, pa samim tim i potreba, propuštene kroz čitav objekat omogućavaju nesmetani tok njihove spontane prostorne manipulacije.

Neophodna fizička izolovanost dva suprotstavljena bioma, poništava se njihovom sintezom na nivou subjektivnog doživljaja, kreirajući celinu. Projektantski metod održava kontinuitet pravca i vezu između dva žarista njihovih prirodnih sredina: okolnih zelenih površina sa povoljnim životnim faktorima i unutrašnjeg dvorišta uređenim po sličnom principu, pri čemu komfor čoveka ostaje nenarušen. Cilj istraživanja je mogućnost primene metodološkog postupka na širi plan gradske structure.

Among other insects, bees have the most significant role in maintaining biodiversity.The mapped zones of their movement and needs spread across entire object, enabling uninterrupted flow of their spontaneous spatial manipulation. Certain physical isolation of two opposite biomes is annulled by their synthesis at the level of subjective experience. Design method reflects continuity of direction and correlation between surrounding green areas with favorable living conditions and inner courtyard similary designed whereby human comfort remains unimpaired.The aim of the research is to identify the possibility of applying the same methodological procedure in creating the overall plan of a city structure.

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S02-UA UTOPIJSKE VIZIJE PROSTORA UTOPIAN VISIONS OF SPACE

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Nastavnik: dr Milan Maksimović docent | assistant professor Mentorska komisija: dr Grozdana Šišović docent | assistant professor dr Jelena Ristić Trajković docent | assistant professor

Zadatak kandidata u okviru studija je da na osnovu izbora individualne istraživačke teme, kroz teorijska razmatranja i tumačenja modernih utopijskih projekata i koncepcija, uspostave sopstvene stavove i kriterijume za artikulaciju enterijera nove muzejske postavke zamišljenog Muzeja modernih utopija.

“Utopija znači: san, akciju, život, nadu, nevinost, novost, energiju, hrabrost, viziju, budućnost.” Tomas Hiršhorn (Thomas Hirschhorn), 2017.

The aim within studio is to establish own attitudes of candidates and criteria for articulating the interior of the new museum setting of the imaginary Museum of Modern Utopias, based on the choice of individual research topic, through theoretical considerations and interpretations of modern utopian projects and concepts.

“Utopia means: dream, action, life, hope, innocence, novelty, energy, courage, vision, future.” Thomas Hirschhorn, 2017

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UTOPIJSKE VIZIJE PROSTORA UTOPIAN VISIONS OF SPACE

Marija Živulović Studio | Utopijske vizije prostora Utopian visions of space

Predmet istraživanja ove teze je primena principa modernizma u konceptu izložbenog paviljona. Proučavanjem literature, Korbizijeove principe arhitekture i kretanja u objektu, konkretnih primera iz prakse, analizom postulata modernizma primenjenih u muzejskim primerima, proistekao je cilj primene ispitanih postulata modernizma u savremenoj galeriji. Osnovna hipoteza je da se primenom određenih principa modernizma, poput „tekućeg prostora“ ili koncepta „arhitekture šetališta“ može na autentičan način koncipirati savremena postavka izložbenog paviljona u kome se prezentuje arhitektura modernizma.

Kao konceptualni osnov za ovaj paviljon izabran je princip tekućeg prostora, koji je podređen čovekovom neposrednom doživljaju ambijenta i nesmetanom kretanju kroz prostor. U radu se istražuju različte mogućnosti dinamičnosti prostora koji se može postići jednostavnom osnovom, poštovanjem pet principa arhitekture moderne arhitekture i principom nadoknađivanja zelenih površina na kojima leži objekat.

The subject of this research is utilization of modernism in the concept of exhibition pavilion. The research of the literature, Le Corbusier’s points of Architecture and movement in object, real-life examples, and the analysis of postulates of modernism, resulted in utilization of examined postulates of modernism in contemporary gallery. The basic hypothesis is that by using specific principles of modernism, such as “linear space” or concept of the “promenade architecture”, contemporary setting of the exhibition pavilion can be authentically conceptualized, which will then be used for presenting modernistic architecture.

The principle of “linear space” was chosen as the base for this pavilion, and it is subordinate to the human impression of the ambient and free movement through the space. The paper examines the space dynamic which can be achieved by simply respecting the five principles of architecture and by compensating the green fields on which the objects are built.

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UTOPIJSKE VIZIJE PROSTORA UTOPIAN VISIONS OF SPACE

Irina Petković Studio | Utopijske vizije prostora Utopian visions of space

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Predmet rada ove master teze bazira se na diskursu utopijskog koncepta života kroz istraživanje socijalnih grupa.

Uporednom analizom teksta Tomasa Mora (Thomas More) Utopija i društvene zajednice Amiša, teza se bavi pitanjem šta predstavlja društvo bazirano na utopijskom modelu i kako se ono može prezentovati kroz izložbenu postavku. Rad je koncipiran kroz dva ugla posmatranja jedne tematike: kroz konkretan primer savremene društvene utopije i kroz utopijske postulate koje je Tomas Mor formulisao. S tim u vezi, cilj teze je da se bliže odredi teorijski okvir koji se vezuje za master projekat, konkretno izložbeni prostor. Sa druge strane, ono što predstavlja ishodište i rezultat rada je bliže određenje opštih utopijskih odlika u okvirima svakodnevnog života jedne socijalne grupe. Jedan takav primer grupe koja živi svoju utopiju jesu svakako Amiši, pa je studija njihovog načina života i istraživanje mogućnosti da se on prezentuje kroz arhitektonsku koncepciju izložbenog prostora, izabrana kao osnova zadatka za rad na master projektu.

The subject of this master’s thesis is based on the discourse of the utopian concept of life through research of social groups.

Comparative analysis of the text by Thomas More Utopia and Amish Social Communities, the thesis deals with the question of what constitutes a society based on the utopian model and how it can be presented through an exhibition setting. Thesis is based through two angles of observation of one topic: through a concrete example of contemporary social utopias and through the utopian postulates formulated by Thomas More. In this regard, the goal of the thesis is to determine more closely the theoretical framework related to the master project, specifically the exhibition space. On the other hand, what represents the starting point and result of the work is a closer definition of the general utopian features within the framework of everyday life of a social group. One such example of a group living its utopia is certainly the Amish, so it is a study of their way of life and exploring the possibility of presenting it through the architectural concept of exhibition space, chosen as the basis of the task for work on the master project.

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S03-UA SAVREMENI SPEKTAKL KULTURA I ZANATSTVO THE CONTEMPORARY SPECTACLE CULTURE AND CRAFTS

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Nastavnik: dr Ivana Rakonjac docent | assistant professor Mentorska komisija: dr um. Ivan Šuletić docent | assistant professor

Cilj rada na Master tezi predstavlja razvijanje sposobnosti prepoznavanja programskih sadržaja konteksta. Istraživanjem savremenih arhitektonskih principa u odnosu na društvene pojave i novoformirane potrebe, kroz analizu i sintezu, studenti prepoznaju složenost procesa projektovanja. Koncipiranjem odgovora na temu rekonstrukcije i adaptacije prostora nekadašnje livnice „Skulptura“ na uglu ulica Carigradske i Knez Miletine u Beogradu, studenti formulišu polazišta za projektantske odluke koje će definisati tok rada na Master projektu.

dr Jelena Milošević docent | assistant professor

The aim of the Master’s thesis is to develop the ability to recognize the program content of the context. By researching modern architectural principles in relation to social phenomena and newly formed needs, through analysis and synthesis, students recognize the complexity of the design process. By conceptualizing the answers on the topic of reconstruction and adaptation of the space of the former foundry “Sculpture” on the corner of Carigradska and Knez Miletina streets in Belgrade, students formulate starting points for design decisions that will define the course of work on the Master project.

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BAMBUS CENTAR BAMBOO CENTER

Kristina Ranković Studio | Savremeni spektakl Kultura i zanatstvo The Contemporary Spectacle Culture and Crafts Nominacija | Nomination | Architecture Masterprize (AMP)

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Pojavom parne mašine uticalo je da se izrada predmeta i obrada sirovina obavlja brže. Zanati bivaju gurnuti po strani zbog nemogućnosti konkurentnosti sa serijskom proizvodnjom. Konzumerizam preovladava što za posledicu ima hiperprodukciju artefakata. Kako bi se ispratili globalni trendovi, manufaktura odlazi u zaborav. Beograd, a naročito Dorćol u 17. i 18. veku je bilo mesto gde su se okupljali trgovci kako srpski, tako i turski. Možemo reći da je ovaj deo grada mesto koje spaja kulturu istoka i zapada. Ako bismo tradicionalnim zanatima ponudili mogućnost rada koristeći sirovinu koja potiče sa istoka, dobili bi novu genezu delatnosti. Odabirom bambusa-,,super sirovine” koja u proseku dnevno može narasti 20cm i vrlo je lak za obradu, otvara se mogućnost dobijanja artefakata od vrlo pristupačne sirovine.

Finalni proizvod treba da zadovolji potrebe lokalne zajednice i doprinese očuvanju kulture i zanatstva, kao i da edukuje korisnike u cilju daljeg razvoja potencijala koje nosi projekat.

With the advent of the steam engine, it influenced the production of objects and the processing of raw materials to be done faster. Crafts are pushed aside due to the impossibility of competition with serial production. Consumerism prevails, resulting in an overproduction of artifacts. In order to keep up with global trends, the manufactory is being forgotten.

Belgrade, and especially Dorcol in the 17th and 18th centuries, was a place where merchants from both Serbia and Turkey gathered. We can say that this part of the city is a place that connects the culture of East and West. If we offered traditional crafts the possibility of working using raw materials originating from the east, we would get a new genesis of activity. By choosing bamboo - “super raw material”, which can grow 20 cm per day on average and is very easy to process, the possibility of obtaining artifacts from very affordable raw materials opens up. The final product should meet the needs of the local community and contribute to the preservation of culture and crafts, as well as educate users in order to further develop the potential of the project.

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DRUGA STVARNOST: SABIRNO MESTO IDEJA IZ PROŠLOSTI THE OTHER REALITY: THE COLLECTION POINT OF THE PAST IDEAS

Ilija Pantelić Studio | Savremeni spektakl Kultura i zanatstvo The Contemporary Spectacle Culture and Crafts

Koncept adaptacije livnice ‘Skulptura’ je objekat koji je osavremenjen i adaptiran novom sadržaju. Ideja projekta je napraviti centar kulture sadržaja naučne fantastike i futurizma tj ‘Arhiv ideja’. Ideje o prošlim predikcijama budućnosti bile su izložene u vidu konstantno menjajuće postavke koja bi korisniku približila nekadašnja mišljenja o tome kako će svet izgledati za pola veka. Objekat bi sadržao galerijski prostor, bar, multifunkcionalan prostor (projekcije, muzički nastupi, predavanja, radionice) biblioteku i klub čitalaca. Arhitektura uređenja prostora bi inspiraciju cprela iz grafika Cyberpunk-a, futurizma i retro futurizma. Vizuelni citati ovih estetika će doprineti osećaju dolaska nove budućnosti koji je neophodan korisniku da bi prostor ovog sadržaja doživeo na adekvatan način.U osavremenjenom prostoru bi se odvijale radionice, panteli o temama bliskim tehnologiji i napretku a konstantno menjajući sadržaj bi korisnika vraćao zdanju i omogućio osećaj putovanja kroz vreme, buduće i pređašnje.

The concept of the foundry ‘Skulptura’ is a new architectural object that is brought to new content. The project will create a cultural center which would contain media of science fiction and futurism, therefore creating the ‘Archive of Ideas’. The past predictions of the future would be presented in a form of a changing exhibition which would allow the user to learn about the idea of how the future would look like in a half of a century.

The building would contain a gallery, a bar, a multifunctional space for live events, a library and a literature club. The space’s renewal would be inspired by graphics of Cyberpunk, futurism and retro futurism. Visual homage of these aesthetics will contribute to the feeling of the forthcoming future inducted in the user, which is essential for experiencing the new architecture and let the user travel through time, the past and the future alike.

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INTIMNO U ARHITEKTURI: UTICAJ GASTRONOMIJE NA OBLIKOVANJE I DOŽIVLJAJ PROSTORA ARCHITECTURE OF INTIMATE: THE INFLUENCE OF GASTRONOMY ON SHAPING AND EXPERIENCING SPACE Ana Komnenić Studio | Savremeni spektakl Kultura i zanatstvo The Contemporary Spectacle Culture and Crafts

Nakon pažljivog ispitivanja prirode kulinarstva i analiziranja relacije gastronomije sa čovekovim poimanjem prostora, objekat stare livnice “Skulptura” novu svrhu pronalazi u formiranju ambijenta koji će posetiocima kroz različite medije preneti ideju o ukusu kao metodu za dublje upoznavanje ljudske podsvesti, povezivanje sa uspomenama iz prošlosti i približavanju sveta budućnosti. Stvaranjem laboratorije za kreativna istraživanja i razvoj gastronomije učesnici će moći da se upoznaju sa procesom stvaranja jela kao sinteze naučnog eksperimenta i umetničkog dela. Prostor je koncipiran tako da posetioci kretanjem kroz definisane zone u objektu aktivno učestvuju u procesu stvaranja jela, uče o nastanku i prvobitnim izvorom istog, spoznaju gastronomiju kroz naučni i umetnički aspekt, ali i da degustacijom krajnjeg proizvoda, kao poslednje faze celokupnog događaja, čulom ukusa ponovo prožive svoju prošlost, uspomenu ili emociju. Tako se, kružnim kretanjem, ponovo vraćaju na početak objekta, eksperimenta i ličnog doživljaja.

After carefully examining the nature of cuisine and analyzing the relationship of gastronomy with human understanding of space, the old foundry “Skulptura” finds a new purpose in creating an environment that will convey visitors through various media the idea of ​​taste as a method of deeper knowledge of human subconscious. By creating a laboratory for creative research and development of gastronomy, participants would be able to get acquainted with the process of creating dishes as a synthesis of scientific experiment and work of art. The space is designed so that visitors move through defined zones and actively participate in the process of creating dishes, learn about gastronomy through scientific and artistic aspects, but also, by tasting the final product as the last phase of the event. relive their past, memory, or emotion. Thus, by going in circles, they return to the beginning of the event, experiment and personal experience.

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MAS-IU MASTER AKADEMSKE STUDIJE INTEGRALNI URBANIZAM MASTER ACADEMIC STUDIES IN INTEGRAL URBANISM

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S01-IU LOKALIZACIJA CILJEVA ODRŽIVOG RAZVOJA - ZDRAV GRAD, BEOGRAD LOCALIZING THE SDGS HEALTHY CITY CONCEPT, BELGRADE

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Nastavnik: dr Ratka Čolić docent | assistant professor

Tema istraživanja je pitanje Lokalizacije ciljeva održivog razvoja definisanih UN Agendom za održivi razvoj (Transforming our world: the 2030 Agenda for Sustainable Development, 2015) sa posebnim osvrtom na koncept zdravog grada. Poligon za izradu projekata je grad Beograd.

Mentorska komisija: arh. Ivan Rašković redovni profesor | full professor dr Biserka Mitrović vanredni profesor | associate professor

The research topic is the issue of Localization of Sustainable Development Goals defined by the UN Agenda for Sustainable Development (Transforming our world: the 2030 Agenda for Sustainable Development, 2015) with special reference to the concept of a healthy city. The proving ground for project development is the city of Belgrade.

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REVITALIZACIJA BRAUNFILD LOKACIJA U CILJU SMANJENJA NEGATIVNOG DEJSTVA URBANOG TOPLOTNOG OSTRVA U BEOGRADU BROWNFIELD REVITALIZATION TOWARDS REDUCTION OF URBAN HEAT NEGATIVE EFFECTS IN BELGRADE Milica Bojanović Studio | Lokalizacija ciljeva održivog razvoja _ Zdrav grad _ Beograd Localizing the SDGs _ Healthy city concept _ Belgrade

Koncept zdravog grada počiva na vezi između uslova života u gradu, odnosno njegovog fizičkog i socijalnog okruženja i zdravlja stanovništva. Adaptacija na klimatske promjene je savremeni urbani izazov koji se posebno promoviše kroz međunarodne, nacionalne i lokalne strategije i politike urbanog razvoja. Beograd postaje sve manje otporan na ekstremno visoke temeprature, što pogoduje povećanju intenziteta urbanog toplotnog ostrva, a napušteno industrijsko nasleđe predstavlja karakterističnu fizičku strukturu, koja osim što narušava urbani pejsaž i predstavlja neiskorišćenu ekonomsku kategoriju, pogoduje povećanju negativnog efekta ekstremnih temperatura. Braunfild lokacije negativno utiču na svoje uže i šire okruženje, a obnova i regeneracija predstavljaju strategije revitalizacije ne samo u urbanom i ekonomskom, već i u estetskom, psihološkom, socijalnom, i ekološkom smislu.

The concept of a healthy city is based on the connection between the living conditions in the city, ie its physical and social environment and the health of the population. Adaptation to climate change is a contemporary urban challenge that is especially promoted through international, national and local strategies and policies of urban development. Belgrade is becoming less and less resistant to extremely high temperatures, which affects the increase of the intensity of the urban heat island, and the abandoned industrial heritage represents a characteristic physical structure, which besides disturbing the urban landscape and represents an untapped economic category, increases the negative effect of extreme temperatures. Brownfield sites negatively affect their immediate and wider environment, and renovation and regeneration represent revitalization strategies not only in urban and economic, but also in aesthetic, psychological, social, and environmental terms.

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IZRADA PLANA DETALJNE REGULACIJE UVOĐENJEM NOVOG UPRAVLJAČKOG INSTRUMENTA RADI REŠAVANJA SUKOBA I IMPLEMENTACIJE TEHNIČKIH REŠENJA NA PODRUČJU SAVSKOG KEJA DEVELOPMENT OF A DETAILED REGULATION PLAN BY INTRODUCING A NEW STEERING INSTRUMENT IN ORDER TO RESOLVE CONFLICTS AND IMPLEMENT TECHNICAL SOLUTIONS IN THE SAVA QUAY AREA Studio | Lokalizacija ciljeva održivog razvoja _ Zdrav grad _ Beograd Localizing the SDGs _ Healthy city concept _ Belgrade

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Marija Radojević Poligon master projekta je područje savskog nasipa na Novom Beogradu. Već dvadeset godina unazad ovo područje se bori sa invazivnim talasom nelegalnih objekata koji direktno ugrožavaju pristup reci Savi, narušavaju odbrambeni nasip i ugrožavaju zone vodoizvorišta, a glavni uzrok ovog problema jeste kompleksnost i nejasno definisana nadležnost institucija. Kao moguće rešenje predlaže se uvođenje novog instrumenta planiranja, javno-privatno-civilnog dijaloga, koji bi se inkorporirao u okviru ranog javnog uvida unutar Plana Detaljne Regulacije, odnosno Sanacionog Plana. Prvi korak kod dijaloga jeste analiza uticaja i interesa uključenih aktera. Zatim se formiraju radne grupe na osnovu relevantnih aspekata, kao i teme o kojima će se diskutovati na ranom javnom uvidu.

Nakon dijaloga dobila bi se jasna slika o svojinsko-pravnom statusu objekata, kao i njihov status u odnosu na zona zaštite vodoizvorišta, poplava i životne sredine. Na osnovu svih prikupljenih informacija dao bi se predlog tehničkih rešenja kojima se dolazi do sanacije savskog nasipa.

For twenty years now, the Sava quay has been battling an invasive wave of illegal buildings that directly threaten access to the Sava river, disrupt the defensive embankment and endanger water source zones. The cause of this problem is the complexity and vaguely defined competence of institutions. As a possible solution, introducing the public-private-civil dialogue is proposed, which would be incorporated within the early public insight within the Detailed Regulation Plan. The first step is to analyze influences and interests of involved actors. Then working groups are formed based on relevant aspects, together with topics that would be discussed. After the dialogue, a clear picture would be obtained about the property-legal status of the facilities and their status in relation to the protection zone of water sources, floods and the environment. On the basis of the collected information, a proposal of technical solutions would be given to rehabilitate the Sava embankment.

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MITIGACIJA UTICAJA INDIVIDUALNIH LOŽIŠTA U NEFORMALNIM NASELJIMA NA KVALITET VAZDUHA U BEOGRADU MITIGATION OF THE INFLUENCE OF INDIVIDUAL HOUSEHOLD HEATING IN INFORMAL SETTLEMENTS ON AIR QUALITY IN BELGRADE Marta Ćuruvija Studio | Lokalizacija ciljeva održivog razvoja _ Zdrav grad _ Beograd Localizing the SDGs _ Healthy city concept _ Belgrade

Glavni cilj projekta je bolji kvalitet vazduha, u Beogradu i uže od toga u neformalnom naselju Ledine. Kroz mitigaciju zagađenja uzrokovanog korišćenjem čvrstih i fosilnih goriva u individualnim ložištima dolazi se do povoljnijih ekoloških okolnosti i posledično boljih uslova javnog zdravlja.

Poboljšanje dostupnosti i transparentnosti podataka o kvalitetu vazduha (bolji monitoring i distribudija informacija) i korišćenje obnovljivih izvora energije za grejanje domaćinstava u neformalnim naseljima kroz centralizovani sistem hidrogeotermalnog grejanja i prestanak zagađenja kroz individualna ložišta su specifični ciljevi projekta. Oni se postižu kroz 6 faza za koje su definisane aktivnosti i njihovo trajanje, uključeni akteri i očekivani rezultati: 1_Poboljšanje transparentnosti i dostupnosti podataka kroz učešće javnosti u naučnom istraživanju; 2_Poboljšanje transparentnosti i dostupnosti podataka dobijenih od zvaničnih institucija; 3_Sanacija i rehabilitacija neformalnog nasenja; 4_Studija izvodljivosti; 5_ Prelazak na korišćenje obnovljivih izvora energije (centralizovani hidro-geotermalni sistem grejanja); 6_Evaluacija.

Main goal of the project is better air quality, in Belgrade and more specifically in informal settlement Ledine. Environmental improvement and consequentially better public health are achived trough mitigation of pollution coming from fossil fuel powered individual household heating. Improving availability and transparency of data on air quality (monitoring and distribution of information), and utilizing renewable resources for household heating in informal settlement trough hydrogeothermal district heating system and termination of air pollution from household heating are specific goals of the project. These are accopmlished trough 6 phases: 1_Improving transparency and availability of data through citizen science, 2_Improving transparency and availability of official data coming from institutions, 3_Rehabilitating informal settlement, 4_Feasibility study, 5_Transition to renewable energy, 6_ Evaluation. Every phase has defined activities, duration, stakeholders and expected results.

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Nastavnik: dr Zoran Đukanović vanredni profesor | associate professor dr Lorenzo Pignatti redovni profesor | full professor Dipartimento di Architettura – University “G. D’Annunzio” in Pescara (Italy)

Rad na predmetu podrazumeva samostalni istraživački rad u odabranoj težišnoj oblasti u okviru koje student bira i definiše temu, vrši pregled različitih teorijskih pristupa i dosadašnjih istraživanja teme, oblikuje teorijski okvir rada, definiše metodološki pristup i vrši izbor adekvatnog metoda istraživanja predložene teme koja se obrađuje na master projektu. Rezultat rada je formulacija teze i definisanje projekta istraživanja. Teza se sagledava i formuliše u relaciji sa aktuelnim teorijskim i praktičnim problemima urbanog razvoja. Projekat istraživanja odražava integralni pristup istraživanju teme

Mentorska komisija: dr Jelena Živković vanredni profesor | associate professor arh. Dejan Miljković redovni profesor | full professor

The studio work includes independent research work in the selected focus area within which the student chooses and defines the topic, reviews various theoretical approaches and previous research on the topic, forms the theoretical framework, defines the methodological approach and selects an adequate research method of the proposed topic. The result of the research is the formulation of the thesis and the definition of the research project. The thesis is considered and formulated in relation to current theoretical and practical problems of urban development. The research project reflects an integral approach to researching the topic.

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DISTRIKT SIMBOLA DISTRICT OF SYMBOLS

Hristina Jovanović Studio | Integralni urbani dizajn otvorenih javnih prostora grada Peskare u Italiji Integral urban design of open public spaces in Pescara city, Italy

Ovaj projekat predviđa formiranje Simboličkog distrikta na teritoriji ispred železničke stanice u Peskari. Inspiracija je nastala istraživanjem prirodnih ambijenata Italije, pa i same Peskare, a zatim njihovo apstrahovanje kroz arhitektonske elemente. Planinski predeli Apenina, obala Jadranskog mora, tradicionalni primorski objekti, pa i sami prostorni obrasci već izgrađene strukture predstavljaju polaznu osnovu za urbani dizajn. Ovu celinu čine Apeninski i Jadranski distrikt – urbani park sa visokim rastinjem i travnatim površinama i površine pod parternim fontanama i primorskim brdovitim predelima sa rastinjem. Loakcija je predviđena za objekte mešovite namene, gde su ugostiteljski objekti, objekti kulture i zabave povezani glavnim pravcem kretanja. Predviđen je i centralni trg koji afirmiše već postojeće objekte i samu železničku stanicu.

Distrikt simbola ima za cilj da esenciju Peskare prikaže i turistima i lokalcima kroz brojne simbole koji zajedno čine alegoriju, pesničku sliku ovog grada. Peskara u harmoniji sa prirodom, kontekstom i istorijom.

This project implies forming of the Symbolic district in the territory in front of the train station in the city of Pescara. The inspiration were the natural ambients of Italy and Pescara itself, and their abstraction through architectural elements.

The mountain areas of the Apennines, the shore of the Adriatic sea, traditional seaside buildings and existing spatial patterns are the starting point for urban design. Apennine district is an urban park with tall vegetation and grassy areas. Adriatic district is an area under fountains and coastal hill landscape with seaside vegetation. In the District of symbols are located mixed-use facilites. The central square is affirming the existing objects. The District of symbols has a goal to show the essence of Pescara to the turists and local people too through many symbols which together make an allegory – the poetic image of Pescara. Pescara in harmony with nature, context and history.

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UTICAJ KULTURE NA OBLIKOVANJE GRADSKIH PROSTORA U PROCESU URBANE REGENERACIJE THE INFLUENCE OF CULTURE ON THE SHAPING OF URBAN SPACES IN THE PROCESS OF URBAN REGENERATION Teodora Pešić Studio | Integralni urbani dizajn otvorenih javnih prostora grada Peskare u Italiji Integral urban design of open public spaces in Pescara city, Italy

Projekat je nastao sa idejom da se na inovativan način prikaže kultura Italije, Abruco regiona kao i Peskare kroz pet odabranih segmenta kulture kao što su umetnost, film, hrana, književnost i arhitektura. Korišćenjem elemenata iz svih pomenutih segmenata, formiran je koncept i oblikovan je prostor, a potom je došlo i do kreiranja programa istog, koji za cilj ima da aktivira lokalno stanovništvo, privuče turiste, da zadrži tradiciju ali i pruži inovativnost. Uvođenjem kulture u vidu biblioteke, gastronomskog centra, muzeja i bioskopa, kao i otvorenih prostora za rekreaciju, socijalizaciju, edukaciju i zabavu, stvorena je oaza koja pruža dobrodošlicu turistima, mesto svakodnevice lokalcima i lokacija koja svojim atraktivnim ambijentima privlači stanovništvo, što omogućava napredak i regeneraciju celog grada kao i njenu povezanost.

The project was created with the idea to present the culture of Italy, the Abruzzo region and Pescara in an innovative way through five selected segments of culture such as art, film, food, literature and architecture. Using elements from all the mentioned segments, a concept was formed and a space was formed, and then the program was created, which aims to activate the local population, attract tourists, keep the tradition but also provide innovation.

By introducing culture in the form of a library, gastronomic center, museum and cinema, as well as open spaces for recreation, socializing, education and entertainment, an oasis was created that welcomes tourists, a place of everyday life for locals and a location that attracts people with its attractive ambiences. regeneration of the whole city as well as its connection.

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Nastavnik: dr Vladimir Mihajlov vanredni profesor | associate professor dr Lorenzo Pignatti redovni profesor | full professor Dipartimento di Architettura – University “G. D’Annunzio” in Pescara (Italy)

Rad na predmetu podrazumeva samostalni istraživački rad u odabranoj težišnoj oblasti u okviru koje student bira i definiše temu, vrši pregled različitih teorijskih pristupa i dosadašnjih istraživanja teme, oblikuje teorijski okvir rada, definiše metodološki pristup i vrši izbor adekvatnog metoda istraživanja predložene teme koja se obrađuje na master projektu. Rezultat rada je formulacija teze i definisanje projekta istraživanja. Teza se sagledava i formuliše u relaciji sa aktuelnim teorijskim i praktičnim problemima urbanog razvoja. Projekat istraživanja odražava integralni pristup istraživanju teme

Mentorska komisija: dr Ivan Simić docent | assistant professor dr Jelena Ristić Trajković docent | assistant professor

The studio work includes independent research work in the selected focus area within which the student chooses and defines the topic, reviews various theoretical approaches and previous research on the topic, forms the theoretical framework, defines the methodological approach and selects an adequate research method of the proposed topic. The result of the research is the formulation of the thesis and the definition of the research project. The thesis is considered and formulated in relation to current theoretical and practical problems of urban development. The research project reflects an integral approach to researching the topic.

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PROJEKAT ,,ZELENO ČVORISTE” ,,GREEN HUB“ PROJECT

Aleksandra Džinić Studio | Integralni urbani dizajn otvorenih javnih prostora grada Peskare u Italiji Integral urban design of open public spaces in Pescara city, Italy

Uz težnju ka stvaranju odgovarajućeg identiteta grada i javnog prostora koji zadovoljava sve gradske potrebe, a pre svega vodeći se postojećim kontekstualnim pravcima kretanja i smernicama proisteklim nakon prethodne primene istraživačkih metoda, kreiran je hibridni urbani prostor koji poseduje multifunkcionalnu fizičku strukturu uz zelene prostore i prateće javne sadržaje. Pored komercijalnih i kulturnih sadržaja koji su prisutni u okviru multifunkcionalnih objekata, korisnici ovog prostora mogu uživati u otvorenim prostorima okruženi zelenilom, ili provodeći svoje slobodno vreme u šetnji zelenim krovovima i pasarelom koja se pruža preko krova železničke stanice, uz divan pogled ka moru. ,,Green Hub” jeste čvorište centralne gradske zone u gradu Peskara, urbani javni prostor koji poseduje čitljivu vezu između konteksta, novoizgrađene fizičke strukture i njenih sadržaja, kao i zelenih površina. On predstavlja jasnu i čitljivu celinu – multifunkcionalni i hibridni urbani prostor, oblikovan u skladu sa vrednostima ekološki održivog grada.”

With the aim of creating an appropriate identity of the city and public space that meets all urban needs, guided by existing contextual directions and guidelines derived from the previous application of research methods, a hybrid urban space has been created. In addition to the commercial and cultural facilities present in the multifunctional facilities, users of this space can enjoy the open spaces surrounded by greenery, or spend their free time walking through the green roofs and walkway over the roof of the train station, with a beautiful sea view. “Green Hub” is the hub of the central zone of Pescara, an urban public space that has a readable connection between the context, the newly built physical structure and its contents, as well as green areas. It represents a readable whole - a multifunctional hybrid urban space, designed in accordance with the values ​​of a sustainable city. ”

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IZAZOVI ADAPTACIJE NA KLIMATSKE PROMENE: PROJEKAT REŠAVANJA TOPLOTNOG OSTRVA NA PLATOU ŽELEZNIČKE STANICE GRADA PESKARE CHALLENGES TO CLIMATE CHANGE ADAPTATION:PROBLEM-SOLVING PROJECT OF THE HEAT ISLAND ON THE PLATEAU OF PESCARA TRAIN STATION Antonije Ćatić Studio | Integralni urbani dizajn otvorenih javnih prostora grada Peskare u Italiji Integral urban design of open public spaces in Pescara city, Italy

Klimatske promene predstavljaju globalni fenomen pristuan u svim prostornim aspektima. One se direktno odražavaju na gradove, te utiču na život u njima. Mediteranski gradovi, među kojima je i Peskara, tokom svog postojanja su se neprestano susretali sa visokim temperaturama. Specifičan način gradnje tih gradova, sa uskim, krivudavim i kratkim ulicama aktivno je doprinosio adaptaciji na klimatske promene, putem dobre osenčenosti i provetrenosti. Tema ovog rada bavi se uticajem klimatskih promena na prostoru grada Peskare, od regionalnog do mikro nivoa. Fokus je stavljen na uvođenje stare strukture mediteranskih gradova u njen centar, tačnije na plato ispred glave železniče stanice, principima grada kolaža (Rowe, Koetter, 1978); koje bi na najnižem nivou doprinele u adaptaciji na klimatske promene, ali i stvaranju veze sa okolnim činiocima koji takođe utiču na ovu aktuelnu globalnu problematiku.

Climate change is a global phenomenon present in all spatial aspects. They directly affect the cities and have influence on life in them. Mediterranean cities, including Pescara, have constantly encountered high temperatures during their existence. The specific way of design these cities, with narrow, winding and short streets, actively contributed to the adaptation to climate change, through good shading and ventilation. The topic of this project deals with the impact of climate change in Pescara, from regional to micro level. The focus is on the introduction of the old structure of Mediterranean cities in its center, more precisely on the plateau in front of the head of the railway station, by principles of the city of collage (Rowe, Koetter, 1978); which would contribute at the lowest level in the adaptation to climate change, but also in creating a connection with the surrounding factors that also affect this current global issue.

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LOKALIZACIJA CILJEVA ODRŽIVOG RAZVOJA: INTEGRALNI URBANI PROJEKAT ZA ODRŽIVI RAZVOJ STARE PLANINE

LOCALIZING THE SUSTAINABLE DEVELOPMENT GOALS: INTEGRAL URBAN PROJECT FOR SUSTAINABLE DEVELOPMENT OF STARA PLANINA

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Nastavnik: dr Danijela Milovanović Rodić docent | assistant professor Mentorska komisija: dr Ana Nikezić vanredni profesor | associate professor arh. Ivica Nikolić docent | assistant professor dr Tijana Crnčević viši naučni saradnik | senior research associate

Okvirna tema istraživanja je Lokalizacija ciljeva održivog razvoja definisanih UN Agendom za održivi razvoj (Transforming our world: the 2030 Agenda for Sustainable Development, 2015).

Poligoni za izradu pojedinačnih projekata na teritoriji Stare planine se bliže utvrđuju sa svakim studentom nakon izbora istraživačke teme.

The framework topic of the research is Localization of the Sustainable Development Goals defined by the UN Agenda for Sustainable Development (Transforming our world: the 2030 Agenda for Sustainable Development, 2015). Polygons for the development of individual projects on the territory of Stara Planina are determined more closely with each student after choosing a research topic.

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ODRŽIVI MODELI REVITALIZACIJE GRUPACIJA POJATA UNUTAR SELA OPŠTINE PIROT NA STAROJ PLANINI SUSTAINABLE MODELS OF REVITALIZATION OF ABANDONED AGRICULTURAL FACILITIES – “POJATE” WITHIN THE VILLAGES OF THE MUNICIPALITY OF PIROT ON STARA PLANINA Tanja Tovilović Studio | Lokalizacija ciljeva održivog razvoja: Integralni urbani projekat za održivi razvoj Stare planine Localizing the Sustainable Development Goals: Integral urban project for Sustainable Development of Stara Planina Nominacija | Nomination | RIBA President’s Medals Disertation Award

Cilj projekta je revitalizacija i aktivacija napuštenih poljoprivrednih objekata – pojata u atarima sela opštine Pirot na Staroj planini, rekonstrukcijom postojećih i dogradnjom novih objekata, izborom više tipova programa, formiranjem ekonomski opravdanih modela izgradnje, korišćenja i održavanja, uz poštovanje principa ekološki odgovorne izgradnje i korišćenje lokalnih znanja. Prostornom intervencijom je obuhvaćeno nekoliko različitih tipova grupacija pojata unutar sela Gostuša, Bela, Rsovci i Pokrevenik na teritoriji opštine Pirot. Model revitalizacije je formulisan u skladu sa konceptom održivog razvoja i određen je specifičnim prirodnim, razvojnim i kulturnim kontekstom zaštičenog prirodnog dobra Parka prirode Stara planina. Razmatrana su tri razvojna modela koja bi mogla da podstaknu razvoj održivog eko-turizma, te time doprinesu lokalnom razvoju, unapređenju kvaliteta života lokalnog stanovništa i zaustavljanju depopulacije.

UniADA ’21 Unfuse International Architectural Dissertation Awards Godišnja nagrada “Dimitrije Perišić“ za najbolji rad u oblasti prostornog planiranja

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The aim of the project is the revitalization and activation of abandoned agricultural facilities - “pojate” in the villages of the Municipality of Pirot on Stara Planina with the reconstruction of existing and extension of new facilities, choosing several types of programs, the formation of economically justified models of construction, use and maintenance and using local knowledge. The spatial intervention covered several different types of groups of “pojate” within the villages of Gostuša, Bela, Rsovci, and Pokrevenik on the territory of the Municipality of Pirot. The revitalization model is formulated following the concept of sustainable development and is determined by the specific natural, developmental, and cultural context of the protected natural asset of the “Stara Planina” Nature Park. Three development models were considered that could encourage the development of sustainable eco-tourism, and thus contribute to local development, improve the quality of life of the local population and stop depopulation.

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EKO-KULTURNA TURISTIČKA RUTA ,,TEMSKA – TOPLI DO’’ ECO-CULTURAL TOURIST ROUTE ,,TEMSKA – TOPLI DO’’

Dragomir Ristanović Studio | Lokalizacija ciljeva održivog razvoja: Integralni urbani projekat za održivi razvoj Stare planine Localizing the Sustainable Development Goals: Integral urban project for Sustainable Development of Stara Planina

Projekat uspostavljanja eko-kulturne turističke rute između staroplaninskih sela Temska i Topli Do zamišljen je kao sredstvo povezivanja prirodnih lokaliteta, elemenata graditeljskog nasleđa i nematerijalne kulturne baštine- u skladnu celinu koja promoviše lokalni identitet područja i zaštitu prirode i tradicije. Uspostavljanje rute ima za opšti cilj pružanje doprinosa održivom razvoju ovog područja zasnovanom na neinvazivnom korišćenju turističkog potencijala jedinstvenih ekoloških i kultirnih vrednosti koje ono poseduje. Projekat je usmeren prema očuvanju, unapređenju, promociji i edukaciji o ovim vrednostima, kao i postizanju društvenog blagostanja i ekonomskog prosperiteta lokalne zajednice. U prostornom smislu intervencija podrazumeva revitalizaciju i sanaciju starog seoskog puta (koji je kroz dolinu Temštice i toplodolske reke nekada povezivao ova dva sela i bio osnovno sredstvo transporta stoke i poljoprivrednih dobara) kao i obezbeđivanje adekvatne turističke infrastrukture unutar naseljenih područja.

The project of establishing an eco-cultural tourist route between the Stara Planina villages of Temska and Topli Do is envisioned as a means of connecting natural sites, architectural heritage and intangible cultural heritage - into a harmonious whole that promotes local identity and protection of nature and tradition.

The aim of the project is to contribute to the sustainable development based on non-invasive use of the tourist potential of the existing ecological and cultural values. The project is aimed at preserving, promoting, and educating about these values, as well as achieving social well-being and economic prosperity of the local community. Spatial intervention implies the revitalization of the old rural road (which once connected these two villages through the valleys of Temštica and the Toplodolska river and was the main means of transporting livestock and agricultural goods) as well as providing tourist infrastructure within the populated areas.

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JAVNA SVOJINA – RESURS U SLUŽBI LOKALNE ZAJEDNICE PUBLIC FACILITIES – RESOURCE THAT SERVES THE COMMUNITY

Jelena Anđelić Studio | Lokalizacija ciljeva održivog razvoja: Integralni urbani projekat za održivi razvoj Stare planine Localizing the Sustainable Development Goals: Integral urban project for Sustainable Development of Stara Planina

Polazeći od premise da se stepen paticipacije i participativnih praksi najbolje može sagledati kroz način na koji se u datom kontekstu tretira javna svojina, obzirom da njena primarna svrha jeste zadovoljenje javnog interesa, ovaj projekat bavi se traženjem načina na koje se ista može približiti lokalnim zajednicama sela na prostoru Parka prirode Stara planina a u okviru opštine Pirot, pa samim tim i staviti u službu njihovog održivog razvoja. Usmjeren na osnaživanje lokalnih zajednica projekat je uzeo oblik kako regulatornog tako i prostornog dijela rešenja. Regulatorno rešenje odnosi se na predlog novog modela upravljanja javnom svojinom koji za cilj ima interese lokalnih zajednica kao prioritet. Dok prostorno rešenje predstavlja rezultate intezivne saradnje sa predstavnicima lokalnih zajednica kako tokom prikupljanja podataka o javnoj svojini a zatim i kasnije kroz generisanje i artikulisanje zajedničkog programskog rešenja.

Starting from the premise that the performance of participatory practices and participatory decision-making can best be seen through the way in which public property is treated in a given context since the ultimate purpose of public property should be the public interest, this project seeks ways how to bring public facilities closer to local communities and thus put them in the service of their sustainable development. With the aim to strengthen local communities, the project took the form of both a regulatory and a spatial part of the solution. The regulatory solution refers to the proposal of a new model of public property management with a focus on the interests of the local community. While the spatial solution is the result of intensive cooperation with representatives of local communities during the collection of data on public property as well as through articulation of a joint program solution.

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OASA OSNOVNE AKADEMSKE STUDIJE ARHITEKTURA / RIBA Part 1

UNDERGRADUATE STUDIES IN ARCHITECTURE / RIBA Part 1

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SP4 URBANA BRANA URBAN DAM

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Rukovodilac studijske celine | Head of the study unit | mr Milan Vujović redovni profesor | full professor

Zadatak na predmetu bio je usmeren ka izradi idejnih projekata kompleksnijeg programa i prostorne složenosti uz integralnu primenu stečenih znanja sa prethodnih studija. Akcenat rada u studijima bio je na projektovanju i rekonstrukciji gradskog bloka, namenjenog različitim tipologijama i funkcijama: od poslovanja i stanovanja do pretećih, komplementarnih, višenamenskih, sadržaja (obrazovanje, kultura, sport, trgovina, usluge...).

Rezultat tog rada predstavljaju studentski, urbanističkoarhitektonski projekti koji su razrađeni od konceptualnog, preko programskog nivoa pa sve do situacionog, saobraćajnog i regulaciono-volumetrijskog rešenja sa elementima funkcionalne razrade, materijalizacije i konstrukcije.

Assignment on the course was aimed at the development of conceptual designs of a more complex program and spatial complexity with the integral application of acquired knowledge from the previous studies. The focus of work in the studios was on the design and reconstruction of the city block, intended for different typologies and functions from business and housing to accompanying, complementary and multi-purpose purposes (education, culture, sports, trade, services ...). The result are students’, urban and architectural projects that have been developed from conceptual through the programming level up to situational, and traffic regulation-volumetric solutions with elements of functional elaboration, materialization and construction.

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TRANSVERZALA TRANSVERSAL

Rista Vasiljević Nastavnik | Teacher | arh. Vladimir Lojanica, redovni profesor | full professor Saradnik | Associate | dr Maja Dragišić, asistent | teaching assistant

SP4-01

Ovaj uži prostorni kontekst predstavlja arhitektonskourbanističku situaciju okviru koje se prepliće niz tema koje mogu poslužiti kao konceptualna podloga za projektovanje novog gradskog bloka.Sam lokalitet nalazi sa na razmeđu dve urbanističke matrice od kojih je jedna tradicionalna, stambena,sa sturkturom parcelacije i morfološkom matricom koje prate pokrenutu topologiju terena I koje nastaju drugoj polovini 19. i početkom 20. veka, i drugom-„modernom“ sa objektima savremene infrastrukture, velikih volumena(beogradski Sajam) i morfološkom strukturom i saobraćajnom matricom koje prate podužno tok reke Save. Projekat ima temu hotelsko – poslovni, stambeno kompleks sa javnim sadržajima na platou iznad koga se preko pilona i prolaznog prizemlja / galerije nadzire dvotrakt u kome jedan jeste hotel. Poslovni prostori sa temom fleksibilnog co-coworking radnog prostora različitih namena i sadržaja, a drugi Stambeni kompleks sa različitim prostornim organizacijama. Ovako koncipiran prostor koji treba da ima za cilj aktiviranje fronta ka Beogradskom sajmu.

This narrower spatial context represents an architectural and urban situation within a framework that intersects a number of themes that can serve as a conceptual theme for designing a new urban block.The area itself is located against the background of two urban planning matrices, one of which is traditional, residential, with a theme and a morphological matrix that accompany the initial topology of the area and which are formed by the second half of 19. and the beginning of 20. century, in the second “modern” with modern infrastructure, large volumes (Belgrade fair) and morphological structure and road matrix that accompany the sad flow of the river basin.

The project has the theme of a hotel-business, residential complex with public amenities on a plateau, over which a two blocks arising is controlled above a pylons and a walk-through gallery, in which one of them is a hotel with office spaces with the theme of flexible co-working spaces for various purposes and contents, as well as other one is residential block with various space organizations. This is how the space that should be aimed in activating communication with the city fair hall.

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Iva Živković Nastavnik | Teacher | arh. Vladimir Lojanica, redovni profesor | full professor Saradnik | Associate | dr Maja Dragišić, asistent | teaching assistant

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Konstantin Ninković Nastavnik | Teacher | arh. Dejan Miljković, redovni profesor | full professor Saradnik | Associate | m.arh. Miloš Stojković, asistent | teaching assistant

Na obronku Senjačke padine, od reke odvojen intenzivnim Bulevarom i novim Sajmom, desio se Preplet. Kao urbana brana on ne predstavlja čvrstu, neprobojnu prepreku, već naprotiv, svojom nivelacijom, prozračnošću, isprepletanošću, on pažljivo spaja miran i tih stambeni kraj Senjaka sa užurbanim, gustim i bučnim delom Bulevara i Sajma. Međutim, Preplet nije samo tu da razdvoji i spoji dve celine, već da u njemu samom stvori treću. Sa mnoštvom zelenih, aktivnih, ravnih krovova i dosta vertikalnih prodora, njegovim stanovnicima se pruža intima, privatnost, smirenost i odvojenost, kakva ne postoji na celom potezu Bulevara. Taj efekat se ne postiže samo na osnovu tih prodora i prepleta, on se postiže i razmišljanjem da nijedan stan ne treba da ima pogled u drugi. To je dovelo do izbora galerijskog tipa stanovanja. Takvo razmišljanje je moglo dovesti i do problema da se ljudi na nižim etažama, ili onim zaklonjenijim delovima, nađu u nepovoljnom i nezdravom položaju.

On the slope of Senjačka padina, separated from the river by an intensive Boulevard and a new Fair, the Interweaving took place.

As an urban dam, it does not represent a solid, impenetrable obstacle, but on the contrary, with its leveling, airiness, intertwining, it carefully connects the quiet and peaceful residential area of Senjak with the busy, dense and noisy part of the Boulevard and the Fair. However, the Interweaving is not only there to separate and unite the two wholes, but to create the third in itself. With a multitude of green, active, flat roofs and a lot of vertical penetrations, its inhabitants are provided with intimacy, privacy, calmness and separation, which does not exist on the entire stretch of the Boulevard. This effect is not achieved only on the basis of these penetrations and interweaving, it is also achieved by thinking that no apartment should have a view of another. This led to the choice of a gallery type of housing. Such thinking could also lead to the problem that people on the lower floors, or those more sheltered parts, find themselves in an unfavorable and unhealthy position.

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Tijana Lješković Nastavnik | Teacher | arh. Dejan Miljković, redovni profesor | full professor Saradnik | Associate | m.arh. Miloš Stojković, asistent | teaching assistant

Kompleks je formiran od ćelija 10mx10m i raster je postavljen tako da svaka ćelija ima vizure koje pruža ova lokacija. Koncept ‘pogleda’ primijenjen je i prilikom određivanja spratnosti objekata, kaskadiranjem su omogućene vizure iz svake ćelije. Ovaj princip projektovanja omogućio je i pojavu velikih terasa i velikih otvorenih površina. S obzirom da se blok nalazi uz veoma prometni bulevar poslovni blok se prostire njegovom dužinom i na taj način se formira urbana brana i jedan vid zaštite stambenog prostora od buke. Stambeni blok je sastavljen od dva tipa stanovanja. Prvi tip jeste klasično stanovanje koje je podijeljeno na dio sa dvosobnim stanovima i dio sa luksuznim duplex ćelijama. Drugi tip stanovanja jeste privremeno stanovanje koje se sastoji od malih apartmana, recepcije i restorana.

The complex is formed of 10mx10m cells and the grid is set up so that each cell has the views provided by this location. The concept of ‘view’ was applied when determining the number of storeys of buildings, cascading enabled views from each cell. This design principle also enabled the appearance of large terraces and large open areas. Since the block is located along a very busy boulevard, the business block extends along its length and in that way an urban dam is formed and a kind of protection of residential space from noise. The apartment block is composed of two types of housing. The first type is a classic apartment that is divided into a part with two-bedroom apartments and a part with luxury duplex cells. Another type of housing is temporary housing, which consists of small apartments, a reception and a restaurant.

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Petar Uskoković Nastavnik | Teacher | arh. Dejan Miljković, redovni profesor | full professor Saradnik | Associate |

Nakon obilaska i analize lokacije došao sam do zaključka da neki od postojećih objekata na lokaciji mogu da se sačuvaju, obnove i pretvore u nove poslovne prostore. Zauzeo sam ovaj stav iz razloga što se sama lokacija nalazi na raskršću dve urbane strukture i na neki način predstavlja urbanu branu promenljivog karaktera. Očuvanjem starih i nadogradnjom novih struktura dobija se spoj starog i novog, što predstavlja spoj dva različita okruženja.

m.arh. Miloš Stojković, asistent | teaching assistant Nominacija | Nomination | TAMAYOUZ INTERNATIONAL AWARD 2020 FOR GRADUATION PROJECTS After visiting and analyzing the location, I came to the conclusion that some of the existing facilities on the location can be preserved, renovated and converted into new business premises. I took this position because the location itself is located at the crossroads of two urban structures and in a way represents an urban dam of a changing character. By preserving the old and upgrading the new structures, a combination of the old and the new is obtained, which is a combination of two different environments.

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RING THE RING

Andrej Jovanović Nastavnik | Teacher | mr Milan Vujović, redovni profesor | full professor Saradnik | Associate | m. arh. Snežana Zlatković, asistent | teaching assistant

SP4-03

Zamisao projekta je da se čitava kompozicija posmatra kao kontekstualna neodvojiva celina, neraskidivo umetnuta u slagalicu koju čine mikro i makro površine Senjaka i Sajma.

Objekat je zamišljen kao monolit koji prolazi kroz proces defragmentacije, pucanja i odvajanja, pri čemu se formiraju dve pune zone: stambena i poslovna koje su prožete komunikacionim nitima u vidu “mostova”. Tema kruga i dodira, odnosno otiska, kao prstena ili bedema prožetog vidljivim i nevidljivim, simbolički i istorijski vezana za težnju čoveka ka savršenom i potpunom, utiče na genezu konačnog rešenja praveći jedinstvene kadrove. Izdvajaju se dva “centra gravitacije” projekta u vidu dva kruga koja formiraju dalje prostorne odnose, najpre otisak hale sajma koji razdvaja dve celine projekta, pa onda, u međusobnom dodiru, veliki centralni atrijumski prostor. Objekat je zamišljen kao odgovor i nadovezivanje na kompoziciju sajma čiji deo postaje, kako prostorno tako i namenski, u vidu brojnih prostora namenjenih aktivnostima i smeštaju korisnika prostora sajma.

Basic idea of the project is to recognize the whole composition as a contextually inseparable whole, inextricably inserted into a puzzle made of micro and macro surfaces of Senjak and Sajam.

The building is conceived as a monolith that goes through a process of defragmentation, cracking and separation, forming two zones: residental and business, which are permeated with communication threads in the form of “bridges”. The theme of circle and touch, as imprint, like a ring or rampant permeated with visible and invisible, symbolically and historically related to human aspiration towards the perfect and complete, influences the genesis of the final solution by creating unique frames and ambiences. Two “centers of gravity” of the project stand out in the form of two circles that form further spatial relations: first the imprint of the fair hall that seperates the two units, and then, in mutual contact, large central atrium space.

The building was conceived as a response and extension of the fair complex, both spatially and purposefully, in the form of numerous spaces planned for different activities and accommodation of participants and users of the fair complex on the river bank.

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Đorđe Ćebić Nastavnik | Teacher | mr Milan Vujović, redovni profesor | full professor Saradnik | Associate | m. arh. Snežana Zlatković, asistent | teaching assistant

Osnovni koncept projekta zasniva se na uslovima lokacije i konteksta, čijom analizom se došlo do meandrične forme koja u svojim meandrima formira zasebne prostore orijentisane u različitim pravcima. Ova meandrična forma bi predstavljala branu koju se težilo savladati i pretvoriti je u, upravo, ono suprotno, nekakvu vezu između dve strane koje su stremile da se na neki način povežu, ali su u svakom slučaju bile razdvojene.

Prema tome, bitan element projekta je i način rešavanja visinske razlike kako na samoj lokaciji koja sadrži određenu denivelaciju, tako i unutar same strukture, odnosno, izvan nje s’ obziorom da se kao dominantan motiv javljaju stepeništa, u ovom slučaju, na spoljašnjoj strani objekta. Spoljašnja stepeništa i uključenje krovnih površina u celokupan poligon koji se formira unutar i oko same strukture dali su potpuno omekšavajući karakter snažnoj, monolitnoj strukturi.

The main concept of the project is based on the conditions of location and context, the analysis which led to a meandering form that in its meanders forms separate spaces oriented in different directions. This meandering form would represent a dam that was aspired to be overcome and turned into, on the contrary, a kind of connection between two sides that sought to connect in some way, but were in any case separated.

Therefore, an important element of the project is the way of solving the height difference both at the location that contains a certain leveling, and within the structure itself. Thus, outside it, given that the dominant motive are the stairs, in this case, on the outside . External stairs and the inclusion of roof surfaces in the entire polygon that is formed inside and around the structure itself have given a completely softening character to the strong, monolithic structure.

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JUŽNA KAPIJA BEOGRADA, STAMBENO POSLOVNI KOMPLEKS SOUTH GATE OF BELGRADE, RESIDENTIAL AND BUSSINES COMPLEX

Luka Vasiljević Nastavnik | Teacher | arh. Ivan Rašković, redovni profesor | full professor Saradnik | Associate | m. arh. Miloš Kostić, asistent | teaching assistant Nominacije | Nominations | RIBA PRESIDENT’S MEDALS 2020 - Bronze Medal,

Ideja projekta nastala je posmatranjem odnosa postojeće strukture unutar i u bližem kontekstu lokacije.Odnosa ljudi prema istoj i njihovog kretanja, koje je nastalo kao odgovor na nedovoljno dobro organizovanu industrijsku zonu koja je tu nametnuta, na mestu nekadašnje stambene zone. Forma i struktura bloka rezultat je primene prethodno pomenutih analiza, pri čemu teren dobija dodatne sadržaje i postaje sastavni deo objekta ne ometajući kretanje ljudi, omogućivši pritom da prirodni, postojeći tokovi definišu njegovu strukturu i formu. ,,Južna kapija“ sastoji se iz tri kule.Forma glavne kule nastala je generisanjem čestica (ljudi) na taj način da njihovi tokovi postaju zone komunikacije, dok mesta sa najvećom koncentracijom čestica (čvorna mesta) postaju delovi strukture različitih namena. Pored pomenutih vertikalnih vrtova koji postoje unutar strukture i predstavljaju zonu odmora i rekreacije unutar objekta, značajan je i princip održivosti koji nastaje primenom principa biomimikrije.

UnIATA ’20 World’s best graduation projects ever created The main idea of the project was motivated by the the ratio of the different parts of the context that I caught sight of, both on a larger and a smaller scale. The project location, a previously residential area was repurposed into an industrial area-insufficiently organized and structured. Consequently, the outlock that people have on this part of Belgrade and the flows of people there have shifted. The form and structure that emerged from these studies is one that activates the area by activating the terrain. By assigning new functions to the terrain, carved out by the immanent flows of people, this area shall come to life. “The South Gate” consists of 3 towers. The genesis of the form of the main tower was inseparabre from the previously mentioned flows, where the streams of particles (people) became communication zones and nodes-places of the biggest concentration of particles became solid parts of the structure-bussines areas, vertical gardens, co-working zones...

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Irina Živković Nastavnik | Teacher | arh. Ivan Rašković, redovni profesor | full professor Saradnik | Associate | m. arh. Miloš Kostić, asistent | teaching assistant

Efekat kojim se bavim, tokom ovog studija, jeste kretanje ljudi, njihove veze i mesta sastajanja. Tema je potekla iz obilaska lokacije, kada dolazim do zapazanja da je za mene to bio glavni faktor daljeg projektovanja. Na lokaciji se ljudi ne zadrzavaju puno i provode mаlо vremena, mozemo reci da im je to samo usputno prolaziste. Iz ovog razloga ubacujem zelenilo koje se prozima u celom pro- jektu kao koncept koji се ljudima stvoriti ugodan boravak i koji се samim tim pozeleti da dodju i da se zadrze na ovom mestu. Kada ukrstimo ove dve teme – KRETANJE I ZELENILO (igra senki) dolazim do brojnih mapa i analiza na koji nacin formirati moje zapazanje u datom kontekstu. Ovim principima sledim sledece korake prilikom analize i mapiranja, da pravim kontrast i igru “punoprazno”. Ovim postupkom resavam nacine obІikovanја, formirajuci kružne amfiteatre, kao čvorne veze kretanја ljudi, koji predstavljaju obrnuti kalup kupole sajma. Na taj način još jednom potvrdjujem temu kontrasta.

The effect I am dealing with, during this study, is movement People, their connections and meeting places. The theme originated from tour of location, when I come to the observation that it is for to me it was a major factor in further design. At location people don’t stay long and spend little time, we can say that it is just a passing for them. From this For this reason, I add greenery that permeates the entire project as a concept that will create a pleasant stay for people and which will thus begin to come and linger on this place. When we cross these two topics - MOVEMENT AND GREEN (game of shadows) I come to numerous maps and analysis of how to form my observation in a given context. These principles follow the next steps on occasion analysis and mapping, to contrast and play “ much empty “. With this procedure, I solve the ways of shaping I, forming circular amphitheaters, as nodes of movement I people, who represent the inverted mold of the fair dome. On the in this way I reaffirm the theme of contrast.

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Anastasija Spalević Nastavnik | Teacher | arh. Goran Vojvodić, redovni profesor | full professor Saradnik | Associate | m. arh. Vanja Spasenović, asistent | teaching assistant m. arh. Ana Zorić, asistent | teaching assistant

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MEMBRANSKE KULE MEMBRANE TOWERS

Lara Knežević Nastavnik | Teacher | arh. Goran Vojvodić, redovni profesor | full professor Saradnik | Associate | m. arh. Vanja Spasenović, asistent | teaching assistant m. arh. Ana Zorić, asistent | teaching assistant

Dovoljno udaljena od centra grada, mirna, lokacija, okruzena putevima i u blizini reke. Mesto je pored kojeg često prolazimo, a ne primetimo, sa dosta neiskorišćenih potencijala daje mnoštvo mogućih rešenja. Koncept uvodjenja dominantnih vertikala nastaje kao negacija glavnog motiva konteksta - horizontalnih pravaca. Tri kule izdižu se na određenim tačkama lokacije koje su jasno prepoznate dodatnim analizama morfologije terena.

Pored kula, koje su predvidjene za stanovanje i rekreaciju, jedan od glavnih karakteristika ovog projekta jeste pokrenut teren u čijim dzepovima nastaju prostori namenjeni za komercijalni sadržaj. Ceo kompleks dodatno je pokrenut opnom koja je još jedan od ključnih motiva ovog projekta. Ovo rešenje daje novi identitet mestu, postaje gradski reper I još jedna kapija grada.

A quiet location, far enough from the city center yet surrounded by roads and in proximity to the river.A palace that we pass, and yet do not notice, with many unused potential it lends itself to a myriad of different architectural solutions. The concept of introducing dominant verticals is introduced as a negation of the principal motive of the context- the horizontal ways. Three towers elevate themselves at certain points in the location that are identified through additional morphological analyses of the terrain. Besides the towers, that are meant for living, one of the main characteristics is the moved terrain in whose pockets can be found additional commercial spaces.Entire complex is additionally set in motion by a membrane that is an additional motif of project.This architectural solution gives a new identity to a place, becoming a city landmark and joins Belgrade’s landscape as a new gate to the city.

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Elena Jovanović Nastavnik | Teacher | arh. Borislav Petrović, redovni profesor | full professor Saradnik | Associate | m. arh. Dalia Dukanac, asistent | teaching assistant

Analizirajuci lokaciju uočila sam problem povezanosti iste (Bulevar Vojvode Mišića koji za mene predstavlja “branu” u smislu povezivanja leve i desne strane, kako za kolski tako i za pešački saobraćaj) sa dve petlje koje su dominantne u širem kontekstu lokacije. Koncept kretanja kroz petlju je bio polazna tačka da preuzmem to kao princip i formiram nove pravce kretanja kroz uvezivanje šire lokacije. Na taj način formirala sam nekoliko “manjih” petlji. Oblikovanje samog objekta na zadatoj lokaciji proizašlo je iz sličnog principa preuzetih krivlonijskih pravaca oblikovanja petlji. Donela sam odluku da sačuvam postojeću okretnicu tramvaja, koja će postati multifunkcionalni javni prostor tako da se budući objekat podiže iznad nje. U zadebljanju objekta naći će se svi programski sadržaji, stanovanje u višem delu objekta a komercijalni sadržaji u nižem.

Analyzing the location, I noticed the problem of connecting it (Vojvoda Mišić Boulevard, which for me is a “dam” in terms of connecting the left and right, for both car and pedestrian traffic) with two loops that are dominant in the wider context of the location. The concept of moving through the loop was the starting point for me to take that as a principle and form new directions of movement through importing a wider location. In this way, I formed several “smaller” loops. The design of the object itself at a given location arose from a similar principle of the assumed curvilinear directions of loop design. I made the decision to preserve the existing tram turntable, which will become a multifunctional public space so that the future facility rises above it. All program contents will be found in the thickening of the building, housing in the higher part of the building and commercial contents in the lower part.

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ANTROPOCEN ANTHROPOCENE

Ivona Despotović Nastavnik | Teacher | arh. Borislav Petrović, redovni profesor | full professor Saradnik | Associate | m. arh. Dalia Dukanac, asistent | teaching assistant

U zimu 2019/20. merači zagađenja vazduha su u Beogradu počeli da pokazuju alarmantne rezultate. Sa zagađenjem koje je prešlo granicu opasnog po život, Beograd se plasirao u top deset najzagađenijih gradova sveta. Naš odnos prema životnoj okolini doveo je do toga da ne znamo kakva nas budućnost očekuje. Svake godine šteta se vrtoglavom brzinom povećava, a mi ne činimo nikakve korake kako bismo sačuvali planetu.

Može se reći da je šteta nepovratna. Zbog svega navedenog najverovatnija budućnost koja nas očekuje jeste potpuna apokalipsa i nestanak života na Zemlji. Pošto ne možemo da povratimo ono što nam je priroda dala jedini izlaz jeste stvaranje veštačkih uslova za život. Tako nastaje ovaj projekat kao moderna ‘’Nojeva barka’’, hibridna forma, koja se sastoji iz stanovanja, oaze, veštačkog ozonskog omotača i pratećih sadržaja neophodnih za život.

During the 2019/20 winter season the levels of air pollution in Belgrade showed life threatening results, putting Belgrade on the list of top 10 cities with the poorest air quality in the world. Our disregard towards the environment is leading us into an uncertain future. Every year the damage increases exponentially, and we aren’t making any significant steps towards rescuing the planet. We could say that the damage caused has been irreversible.

The only conclusion is that we are heading towards an apocalyptic event and the extinction of life on Earth. Because we can not recover what the nature has given us the only solution is to create artificial living conditions. That is how this project comes to life, as a modern-age “Noah’s ark”, a hybrid form consisting of a living space, an oasis, an artificial ozone layer and the accompanying necessities of life.

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Siniša Savatijević Nastavnik | Teacher | dr Vladimir Milenković, vanredni profesor | associate professor Saradnik | Associate | dr Mila Mojsilović, asistent | teaching assistant

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Željko Mijušković Nastavnik | Teacher | dr Vladimir Milenković, vanredni profesor | associate professor Saradnik | Associate | dr Mila Mojsilović, asistent | teaching assistant Nominacije | Nominations |

Distopija otkriva narativnu prirodu arhitektonskog projekta.

Disonanca koja proističe iz protivrečnosti pojmova projekat i distopično postavlja kontrautopiju kao mesto pripovedanja, ne pružajući verodostojan sadržaj za projekat, eliminišući fikciju utopije. Ono što ostaje je samo narativ – otkrivena istina projekta. Uvođenje negativnih motiva u tolikoj meri da ludačka fikcija nadjačava zdravorazumsku funkciju, te namerna odluka da se negiraju fundamentalne koncepcije onoga što čovekovo stanovanje može biti omogućilo je stvaranje slike. Slike , poput bilo kog jezika, poseduju svoju unutrašnju dijalektiku, sopstvenu retoriku, kao i manji ili veći kapacitet za ubeđivanjem. Uprkos visokom stepenu dvosmislenosti, koji zahteva tumačenje (u poređenju sa ostalim tipovima dijaloga), slike su apsolutno neposredne – lako dostupne i uporedive. Ove slike se ispostavljaju se kao inverzija klasičnog poimanja arhitektonske forme i narativa, negativnom slikom. Neposrednom distopijom.

UnIATA ’20 World’s best graduation projects ever created TAMAYOUZ INTERNATIONAL AWARD 2020 FOR GRADUATION PROJECTS

SP4-07

Dystopia reveals the narrative nature of the architectural project. The dissonance that results from the contradiction of the terms project and dystopianly places counterutopia as a place of narration, not providing credible content for the project, eliminating the fiction of utopia. What remains is only the narrative - the revealed truth of the project. The introduction of negative motives to such an extent that insane fiction overrides common sense function, and the deliberate decision to deny the fundamental conceptions of what human habitation can be has made it possible to create an image. Images, like any language, have their own internal dialectic, their own rhetoric, as well as a greater or lesser capacity for persuasion. Despite the high degree of ambiguity, which requires interpretation (compared to other types of dialogue), the images are absolutely immediate - easily accessible and comparable. These images turn out to be an inversion of the classical notion of architectural form and narrative, a negative image. Immediate dystopia.

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EDUKATORIJUM EDUCATORIUM

Mina Vujović Nastavnik | Teacher | dr Ana Nikezić, vanredni profesor | associate professor Saradnik | Associate | m. arh. Anđela Karabašević, istraživač-pripravnik | junior researcher Nominacija | Nomination |

Lokacija koju smo ispitivali nalazi se u podnožju Senjačke padine, između usitnjene stambene strukture Senjaka i prometne saobraćajnice kod Beogradskog sajma. Ključni imperativ prostornog konteksta postaje osunčanost, nedostatak iste usled ukopanosti parcele i njene orijentacije ka severu. Tema kojom se projekat bavi jeste uvođenje što više prirodnog osvetljenja. Tema se sprovodi vertikalnim ošupljivanjem kroz objekat, formiranjem glavnih otvora u strukturi-tematskih dvorišta, kao i manjih atrijuma uokvirenih poroznim stubovima.

Program objekta vezan je za edukaciju i kreativni razvoj mladih.

Sadržaji jednog edukatorijuma prirodno su se nametnuli, sa svojim prostornim zahtevima. Glavni nosilac estetike projekta postaju „razigrane“ tavanice koje ugnežđuju gorepomenute sadržaje. Edukatorijum je fleksibilan i porozan prostor, u kome barijera spolja-unutra ne postoji.

UnIATA ’20 World’s best graduation projects ever created

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The site we studied is located at the foot of the Senjak slope, between the fragmented residential structure of Senjak on one side and the hectic road gliding by the Belgrade Fair on the other. The key imperative of the spatial context becomes the sunshine, or rather the lack of it, due to the the entire location being built into the sloping terrain and oriented towards the north. The project aims to introduce as much natural light as possible into the building. The theme is carried out by vertical hollowing out of the building mass, and in this way forming the main openings in the structure - themed courtyards, as well as smaller atriums framed by porous pillars. The program is devoted to future education and creative development of young people. Various contents of such typology and its specific spatial requirements naturally influenced the architecture during the design process. The main carriers of the spatial aesthetics of the project are the “playful” ceilings that nest the above-mentioned contents. The educational center is a flexible and luminous space, in which the inside-outside barrier is blurred.

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Teodora Stevanović Nastavnik | Teacher | dr Ana Nikezić, vanredni profesor | associate professor Saradnik | Associate | m. arh. Anđela Karabašević, istraživač-pripravnik | junior researcher

Projekat uspostavlja odnos prema lokaciji iz dva ugla.Prvo kroz istoriju industrije,koja se manifestovala kao tema programa projekta i kroz konstrukciju kupole Hale 1 Beogradskog sajma kao motiv,POLULUK ,za razvoj prostorne stukture.

Uloga konstruktivnog sistema u oblikovanju prostorne stukture ima važnu ulogu,jer ona zadatu formu gradi na modularnom sistemu.Formiran raster 8*7 m koji se definisao na istraživanju primalnih dimenzija stanovanja(Co-living) I proizvodnje,omogućava da se integrišu postojeći programi.

Poluluk, glavni konstruktivni element,oblikovan je spajanjem u T-presek i definisan sa tri dimenzije.Drugi element koji se pozicionira upravno na T presek ima ulogu da generiše saobraćaj sa parcelom. Raster nije umanjio razigranost ambijenata,naprotiv dao je fleksibilnost i mogućnost da struktura egzistira s vremenom.

The project establishes a relationship to the location from two angles. First through the history of the industry, which is manifesting itself as the theme of the project program and through the construction of the dome of Hall 1 of the Belgrade Fair as a motif, HALF-ARCH, for development of spatial structure. The role of the constructive system in shaping spatial structures has an important role, because it builds the given form on a modular system. Formed raster 8 * 7 m which was defined on the research of the primal dimensions of housing (Co-living) and production, allows that existing programs are integrated. The half-arch, the main structural element, is shaped by merging into T-section and defined with three dimensions. Another element that is positioned perpendicular to the T-section has a role to generate traffic with the plot. Raster did not diminish the playfulness of the ambience, on the contrary he gave is the flexibility and ability for the structure to exist over time.

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Maja Savić Nastavnik | Teacher | arh. Dejan Miletić, vanredni profesor | associate professor Saradnik | Associate | m. arh. Hristina Stojanović, asistent | teaching assistant

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URBANI PROCESOR URBAN PROCESSOR

Milica Jovičić Nastavnik | Teacher | arh. Dejan Miletić, vanredni profesor | associate professor Saradnik | Associate | m. arh. Hristina Stojanović, asistent | teaching assistant Nominacija | Nomination |

Projekat poslovnog kompleksa sa privremenim stanovanjem i mešovitim funkcijama, smešten na Senjačkoj padini u neposrednoj blizini Beogradskog Sajma. Tema urbane brane razvila se kao pauza u prostoru, zelena oaza sa kulturnorekreativnim sadržajima. Kaskadno stanovanje na Senjačkoj padini uticalo je na oblikovanje objekta, a kao odgovor na jaku saobraćajnicu javila se barijera ka Bulevaru Vojvode Mišića u vidu opne. Međutim, kao glavni motiv u projektu, opna ima višestruku ulogu: ona takođe predstavlja glavnu zonu komunikacija, a zbog svoje specifične materijalizacije ujedno predstavlja i vezu sa kontekstom. Koridori koji u pojedinim delovima izlaze u vidu proširenja, na drugim se nastavljaju i kao horizontalne komunikacije povezuju deo objekta uz Bulevar sa delovima na padini, objedinjujući na taj način čitav prostor.

UnIATA ’20 World’s best graduation projects ever created

Business complex with temporarily housing and complementary functions, located on the Senjak slope near the Belgrade Fair. The theme of the urban dam developed as a gap in space, a green oasis with cultural and recreational facilities. Cascading housing on the Senjak slope influenced the shaping of the building. In response to the strong transit line, a barrier appeared in the form of a multifunctional membrane, which also represents the main communication zone, and due to its specific materialization, connects the building with the context. Corridors which in some parts come out in the form of extensions, in the other continue as horizontal communications and connect a part of the building along the Boulevard with parts on the slope, thus uniting the entire space.

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Marijana Gajić Nastavnik | Teacher | arh. Miloš Nenadović, docent | assistant professor Saradnik | Associate | m. arh. Petar Cigić, asistent | teaching assistant Nominacija | Nomination | TAMAYOUZ INTERNATIONAL AWARD 2020 FOR GRADUATION PROJECTS

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Ognjen Milićević Nastavnik | Teacher | dr Grozdana Šišović, docent | assistant professor Saradnik | Associate | m. arh. Dušan Stojanović, asistent | teaching assistant Nominacija | Nomination |

Predloženo rešenje predstavlja mesto na kome kontinualni niz „puca“ . Preispitavanjem konvencionalnog modela zgrade došlo se do „lebdećih štangli“ koje propuštaju svetlost i dozvoljavaju provetravanje stvarajući prijatne javne i polujavne prostore.

Strukturu pored štangli čine i dve ramovske konstrukcije koje prihvataju opterećenje u dve tačke i time omogućuju utisak lebdenja. Struktura stanova je raznolika i zbog modularnosti ona može da bude pormenjena ukoliko to tržište zahteva. Širok spektar stanova od jedinica za privremen boravak do dupleksa sa više spavaćih soba korespondira sa strukturom stanovništa kojima je ovaj kraj prijemčiv. Strukturu preseca dijagonalna rampa koja spaja partere dve ulice i iznad koje se javlja praznina koja se penje do vrha zgrade čime se ostvaruju nove vertikalne komunikacije i pristup dodatnom sadržaju – izložbenoj galeriji.

Tamayouz International Graduate Award

This proposal lies on the premise of making a gap in the continuous row. “Flying bars” that allow sunlight and wind flow thus creating pleasant public and semi – public interspaces are the result of reconsideration of conventional high density, mix – use models. Besides the bars the structure also consists of two frames which support the whole construction and thus enabling the levitating effect. Apartment typology spans from studios for temporary stay to multiple bedrooms and duplex apartments. Apartments diversity corresponds to social structure of this territory. Through modularity it is possible to shape housing structure according to market needs. Structure is intercepted by a diagonal ramp which overcomes the height difference and above which the void spans to the top. This void allows new vertical communications that enable access to the exhibition gallery.

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Aleksandra Đalović Nastavnik | Teacher | dr Jelena Ivanović Šekularac, redovni profesor | full professor Saradnik | Associate | m. arh. Nikola Macut, asistent | teaching assistant

Predmetna lokacija, smeštena na graničnoj liniji između prostora senjačke padine sa jedne, i prostora priobalja reke Save sa druge strane, donela je sa sobom brojne izazove na koje je trebalo odgovoriti. Reč je o veoma tranzitnom području sa izrazitim stepenom buke i zagađenja, dok je s druge strane denivelacija terena koja je prisutna u ovom delu grada sama po sebi inspirativan zadatak. Cilj projekta bio je stvoriti stambeni blok koji će se uspešno suprotstaviti ili prilagoditi zadatim parametrima,i na taj načit formirati prijatno okruženje za život i rad. Uzimajući u obzir sve okolnosti, rezultat rada jeste gradski blok koji se svojom formom i brisolejima, koji postaju glavni motiv, „štiti” od okruženja i na taj način stvara prijatne stambene, poslovne i rekrativne prostore. Fokus čitavog projekta bilo je detaljno analiziranje i promišljanje o stambenoj zoni, te formiranje stanova različitih struktura koji su po svim svojim aspektima prilagođeni korisnicima i njihovim potrebama.

The given location on the border line between the area of the Senjak slope, and the area of the Sava river bank, brought numerous challenges. It is a very transit area with extreme noise and pollution, while the leveling of the terrain that is present is an inspiring task itself. The goal of the project was to create a residential block that will successfully oppose or adapt to the given parameters, and create a pleasant environment for living and working. Taking into account all the circumstances, the result of the work is a city block which, with its shape and sunshading structures, as the main motive, “protects” itself from the environment by creating pleasant residential, business and recreational spaces. The focus of the whole project was a detailed analysis and thinking about the residential zone, and formation of diverse apartments that are adapted to the users in all their aspects.

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Bojana Novković Nastavnik | Teacher | dr Jelena Ivanović Šekularac, redovni profesor | full professor Saradnik | Associate | m. arh. Nikola Macut, asistent | teaching assistant Nominacija | Nomination | UnIATA ’21 World’s best graduation projects ever created

SP4-12

Projekat je fokusiran na formiranju stambene strukture sa pratećim funkcijama koja odgovara zahtevima i potrebama savremenog načina života u skladu sa kontekstom u kojem se nalazi. Analiza lokacije dovela je do rešenja koje se ogleda u formiranju zatvorenog bloka sa postavljenom internom saobraćajnicom. Zatvoreni blok prati nagib terena i u svom sklopu sadrži projektovane zelene zone koje se nalaze i u unutrašnjem prostoru i po spoljnom obodu bloka radi zaštite od buke i zagađenja imajući u vidu blizinu bulevara Vojvode Mišića. Projektom je dato arhitektonsko rešenje jedne od šest zgrada koje formiraju zatvoreni blok. Spratnost objekta je 3Po+Pr+4+Ps i svojom formom objekat prati izraziti nagib terena, a sve u cilju ostvarenja kvalitetnih vizura. Analizom je zaključena i potreba za zaštitom objekta od insolacije, pa se zbog tih uticajnih faktora tokom procesa projektovanja brižljivo razmatrao i definisao koncept materijalizacije fasade i upotrebe adekvatnih sistema za zaštitu od sunčevog zračenja.

The project focuses on the formation of a housing structure with supporting functions that meets the requirements and needs of the modern way of life in accordance with the context in which it is placed. The analysis of the location led to a solution that is reflected in the formation of a closed block with an internal road. This closed block follows the slope of the terrain and features green zones located both in the interior and on the outer edges of the block for protection against noise and pollution, having in mind the proximity of Vojvoda Mišić Boulevard. The project provides an architectural solution for one of the six buildings that form the closed block. The number of storeys of the building is 3 basement levels + ground floor + 4 storeys + withdrawn floor, while its shape follows the distinct slope of the terrain with the aim of achieving quality views. The analysis also showed the need to protect the building from insolation and owing to these influential factors during the design process, the concept of materialization of the facade and the use of adequate systems for protection from solar radiation was carefully considered and defined.

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MULTIFUNKCIONALNI ISTRAŽIVAČKI CENTAR MULTIFUNCTIONAL RESEARCH CENTER

Aleksandra Stevanović Nastavnik | Teacher | arh. Dragan Marčetić, vanredni profesor | associate professor Saradnik | Associate | m. arh. Andrej Josifovski, asistent | teaching assistant Nominacija | Nomination | TAMAYOUZ INTERNATIONAL AWARD FOR GRADUATION PROJECTS

Koncept polazi od tri prepoznata problema u okviru analize problema na lokaciji: neatraktivnost, nepristupačnost i nedostatak funkcija koje oplemenjuju prostor. Kao odgovor na problem, nastaje ideja o kombinaciji različitih funkcija unutar bloka, što bi značilo i prisustvo više tipova korisnika i aktivnosti.

Oblikovan pod uticajem prirodne morfologije terena i konteksta u kome se nalazi, novi kompleks pruža mogućnosti za obrazovanje, istraživanje, rad, saradnju i interakciju korisnika.

Prostor je osmišljen kao multifunkcionalni centar sa laboratorijom za istraživanja, radnim prostorom za iznajmljivanje, čitaonicom i bibliotekom, auditorijumom i salama za sastanke, kao i kampusom sa sobama, restoranom i zonom za odmor.

Problem nepristupačnosti rešen je prešačkom pasarelom koja prati morfologiju terena i pokrenute zelene krovove koji se utapaju u predeo. Pasarela dovodi korisnike iz različitih pravaca grada, povezuje blok sa suprotnom stranom bulevara i rekom Savom, te doprinosi cirkulaciji ljudi i atraktivnosti prostora.

The concept is based on three identified problems within the analysis: unattractivness, inaccessibility and lack of functions that enrich the space. As a resoponse to the problem, there is an idea of combining different functions within the block, which would mean the presence of several types of users and activities.

Shaped under the influence of the natural morphology, the new complex provides opportunities for education, research, work and cooperation.

The space is designed as a multifunctional center with a laboratory, a rental workspace, a library and meeting rooms, a campus with rooms, a restaurant and a rest area.

The problem of inaccessibility has been solved by the pedestrian bridge which follows the morphology and merges with the dynamic green roofs. The footbridge connects complex with the oppposite side of the boulevard, with the Sava river, contributing to the circulation of the people and the attractiveness of the space.

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Jovana Dragović Nastavnik | Teacher | arh. Dragan Marčetić, vanredni profesor | associate professor Saradnik | Associate | m. arh. Andrej Josifovski, asistent | teaching assistant

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HIBRIDNO STEPENOVANJE HYBRID GRADATION

Filip Miladinović Nastavnik | Teacher | dr Milan Radojević, docent | assistant professor Saradnik | Associate | dr Aleksandra Čabarkapa,, asistent | teaching assistant

Zajedno sa svojim istoriskim značajem i denivelacijom terena, zadata lokacija je sa sobom nosila veliki potencijal.

Na lokaciji dominiraju 3 funkcije: rekreacija, poslovanje i stanovanje. Sve etaže imaju svoju dominantnu funckiju, ali su isto tako međusobno povezane lifton i stepeništem kako bi se skratilo vreme kretanja. Podela loakcije izvršena je na 2 segmenta. Na levoj strani se nalazi izgrađena struktura sa svim gore navedenim sadržajima, dok se sa desne strane, na mestu nekadašnje okretnice tramvaja, nalaze šetališta sa mnogobrojnim sportskim terenima koja su dostupna svim građanima. Rampama koje su postavljene severno u odnosu na sportke terene savladavaju visinu između bulevara Vojvode Mišića i ulice Viktora Igoa. Pored zadovoljavanja osnovnih potreba društva, rešenje predstavlja i mesto za okupljanje, kao i novu ključnu tačku grada.

Together with its historical significance and elevation of the terrain, the given location carried great potential. The location is dominated by 3 functions: recreation, business, and housing.

All floors have their dominant function, but they are also interconnected by an elevator and a staircase in order to shorten the travel time. The location was divided into 2 segments. On the left side is the built structure with all the above-mentioned facilities, while on the right side, on the site of the former tram turntable, there are promenades with numerous sports fields that are accessible to all citizens. With ramps that are placed to the north in relation to the sports fields, they overcome the height between Vojvode Misica Boulevard and Street Viktor Igo. In addition to meeting the basic needs of society, the solution represents a gathering place, as well as a new key point of the city.

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Milana Tokić Nastavnik | Teacher | dr Vladimir Mihajlov, vanredni profesor | associate professor Saradnik | Associate | m. arh. Filip Petrović, asistent | teaching assistant

Početak projektovanja jeste istraživanje lokacije i okruženja, na osnovu čega fokus razrade u ovom slučaju pada na korišćenje pokrenutog terena za formiranje vizura ka reci i Novom Beogradu. Prostor je u prizemlju u potpunosti oslobođen kako ne bi došlo do podele između javnog i polujavnog prostora, dok s druge strane veliki objekti predstavljaju jasnu granicu između rezidencijalnog i spoljašnjeg. Izdizanjem objekata na betonske šajbne postiže se efekat usmeravanja kako pogleda tako i kretanja korisnika. Pešačke staze koje prodiru kroz ove šajbne formiraju zanimljiv doživljaj pri kretanju jer su procepi koji dele velike otvorene površine između njih veoma uski.

Nominacija | Nomination | TAMAYOUZ INTERNATIONAL AWARD FOR GRADUATION PROJECTS The beginning of the design is the research of the location and the environment, on the basis of which the focus of elaboration falls on the use of the initiated terrain for creating of views towards the river. The space on the ground floor is completely vacated so that there is no division between public and semi-public space, while on the other hand, large buildings represent a clear boundary between residential and external.

By lifting objects on concrete curtains, the efect of directing both the view and the movement of the user is achieved. The curtains, as the main motive for directing and creating views, were extended outside the location itself in the form of smaller curtains or in some places as prints in the ground.

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Miloš Tomić Nastavnik | Teacher | dr Vladimir Mihajlov, vanredni profesor | associate professor Saradnik | Associate | m. arh. Filip Petrović, asistent | teaching assistant

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IASA INTEGRISANE OSNOVNE I MASTER AKADEMSKE STUDIJE ARHITEKTURA

SINGLE-CYCLE 5-YEAR STUDY PROGRAMME IN ARCHITECTURE

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VRAČARSKA INTERVENCIJA VRAČAR INTERVENTION

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Rukovodilac studijske celine | Head of the study unit | arh. Goran Vojvodić redovni profesor | full professor

Težište rada podrazumeva ispitivanje prostornih, programskih i konceptualnih potencijala lokacije na Vračaru. U prostornom kontekstu gradskog urbaniteta, projektovane celine mogu biti određene kao manji gradski centri ili kao multifunkcionalne celine sa prisustvom više komplementarnih funkcija, uz ispitivanje mogućnosti za unapređenje i obogaćivanje postojećih sadržaja (kontekstualnost). Akcenat studija je na projektovanju tipologije višeporodičnog stanovanja sa pratećim višenamenskim, obrazovnim, kulturnim, poslovnim, sportskim, trgovačkim i uslužnim funkcijama.

The focus of the studio is to examine the spatial, program and conceptual potentials of the location defined by the streets in Vračar, Belgrade. In the spatial context of urbanity, designed units can be defined as smaller urban centers or as multifunctional units with the presence of more complementary functions, with the examination of possibilities for improvement and enrichment of existing contents (contextuality). The emphasis of the studio is on designing the typology of multifamily housing with accompanying multipurpose, educational, cultural, business, sports, trade and service functions.

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Milica Ćoćić Nastavnik | Teacher | arh. Miloš Komlenić, docent| assistant professor Saradnik | Associate | m. arh. Nemanja Kordić, asistent | teaching assistant

Podium sa slobodnostojećim objektima kao urbana forma, savladava teren u padu koristeći kaskadne platoe na kojima su postavljeni stambeni objekti tako da im spratnost opada niz južnu padinu. U kaskadama podiuma su smešteni komercijalni i rekreativni sadržaji kao programski dodatak stambenom kompleksu. Sklop samih objekata karakteriše jedno jezgro koje servisira duboku osnovu sa čiji je veliki deo namenjen terasama i lođama kao polivalentnim otvorenim prostorima. Oblikovanje karakterišu umrežavanje ploča i fasadnih šajbni koje postaju prostorne spirale koje međusobnim prožimanjem generišu konačnu formu.

The podium, with free-standing buildings as an urban form, overcomes the terrain in decline using cascading plateaus on which residential buildings are placed so that their number of storeys decreases along the southern slope. In the cascades of the podium, commercial and recreational facilities are located as a program addition to the residential complex. The complex of buildings itself is characterized by a single core that serves a deep base, much of which is intended for terraces and loggias as polyvalent open spaces. The design is characterized by the cross-linking of panels and façade washers, which become spatial spirals that generate the final shape by interpenetrating each other.

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Ada Pakljanac Nastavnik | Teacher | arh. Miloš Komlenić, docent| assistant professor Saradnik | Associate | m. arh. Nemanja Kordić, asistent | teaching assistant

Na predmetnom bloku predložena je grupna forma koja umrežava šest jednotrakta orjektacije sever-jug zajedničkim vertikalnim jezgrima strateški postavljenim između njih. Na ovaj način se dobija dinamična mreža javnih prostora od kojih su manji - javniji pristupni platoi, dok su veći i duži namenjeni kao zeleni polujavni i privatni prostori bašti za stanare u prizemlju.

Samo oblikovanje proizilazi iz različitog tretmana sklopa lica(stambene fasade) i naličja(fasade zastakljene galerije), kao i smicanja objekata u podužnom pravcu, kao i u vertikalnoj ravni blagim kaskadiranjem i varijacijom u spratnosti.

In the subject block, a group form is proposed that networks six single-paths of north-south orientation with common vertical cores strategically placed between them. In this way, a dynamic network of public spaces was obtained, of which the smaller ones are the more public access plateaus, while the larger and longer ones are intended as green semi-public and private garden spaces for the tenants on the ground floor. The shaping itself results from the different treatment of the assembly of the face (residential facade) and the reverse (facade of the glazed gallery), as well as the shear of the buildings in the longitudinal direction, as well as in the vertical plane with slight cascading and variation in storeys.

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Nenad Žujović Nastavnik | Teacher | dr Jelena Ristić Trajković, docent | assistant professor Saradnik | Associate | m. arh. Aleksandra Milovanović, istraživač saradnik | research assistant

Istraživanje kroz dizajn polazi od prepoznavanja naglašene morfologije terena kao najizraženijeg vizuelnog aspekta lokacije.

Koncept se tako zasniva na ideji implementacije platformi i njihovog raslojavanja u odnosu na stambeni sklop. Akcenat je na arhitekturi čija je glavna tema višeporodično stanovanje sa pratećim sadržajem, pa su te platforme poslužile kao otvoreni prostori u okviru blokova. Kako bi se stvorila interakcija između otvorenih prostora i objekata, stambeni sklop je koncipiran kao galerijski. Svi traktovi su identično dimenzionisani, a dinamika u prostoru je postignuta imlementacijom galerija koje su postavljene na višim etažama. Na taj način se formiraju pasarele između objekata, koje omogućavaju nesmetano cirkulisanje kroz blokove, a spoljašnje vertikalne komunikacije, postavljene u okviru objekata i između objekata, omogućavaju efikasno i neometano kretanje između etaža.

The research through design starts from the recognition of the emphasized morphology of the terrain as the most pronounced visual aspect of the location. The concept is thus based on the idea of ​​implementing platforms and their stratification in relation to the housing complex. The emphasis is on architecture whose main theme is multi-family housing with accompanying content, so these platforms served as open spaces within the blocks. In order to create an interaction between open spaces and buildings, the residential complex is conceived as a gallery.

All tracts are identically dimensioned, and the dynamics in the space is achieved by the implementation of galleries that are placed on higher floors. In that way, footbridges are formed between the buildings, which enable unhindered circulation through the blocks, and external vertical communications, placed within the buildings and between the buildings, enable efficient and undisturbed movement between floors.

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Nikolina Ješić Nastavnik | Teacher | dr Jelena Ristić Trajković, docent | assistant professor Saradnik | Associate | m. arh. Aleksandra Milovanović, istraživač saradnik | research assistant

Arhitektonski apsurdi Vračara postavljaju kritička pitanja arhitektama koji su riješeni da projektuju na njegovoj teritoriji.

Ta mješavina stilova i arhitektonskih izraza na jednom mjestu ostavlja afirmativan, ali nejasan utisak prostora koji je izgubio identitet i postao mjesto brojnih sukoba i nedorečenosti - u pogledu stilova, funkcija koje su zastupljene, boniteta objekata.

Pitanje boniteta i estetike objekata na lokaciji bili su polazna tačka u osmišljavanju koncepta. Bonitet je posmatran kao pitanje očuvanosti i potrebe za rušenjem objekata, dok je pitanje estetike razvijano u skladu sa stilskim izrazom objekta. Identifikovanjem najzanimljivijih prostornih obrazaca prema tim aspektima postavljene su zone intervencija. Uz prepoznavanje da lokacija ne nudi dovoljno sadržaja za đecu, kao dodatni sadržaji pretpostavljaju se radionice, čitaonice, coworking centar, zatvoreni i otvoreni prostori za sportske i fitnes aktivnosti i slično.

The architectural absurdities of Vracar ask critical questions to architects who are determined to design on its territory. This mixture of styles and architectural expressions in one place leaves an affirmative but vague impression of a space that has lost its identity and become a place of numerous conflicts and ambiguities - in terms of styles, functions represented, the creditworthiness of buildings. The issue of creditworthiness and aesthetics of the facilities on the site were the starting point in designing the concept. Creditworthiness was viewed as a question of preservation and the need to demolish buildings, while the question of aesthetics was developed in accordance with the stylistic expression of the building. By identifying the most interesting spatial patterns according to these aspects, intervention zones have been set up. Recognizing that the location does not offer enough content for children, additional facilities include workshops, reading rooms, a coworking center, indoor and outdoor spaces for sports and fitness activities.

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Nina Stevović Nastavnik | Teacher | dr Jelena Ristić Trajković, docent | assistant professor Saradnik | Associate | m. arh. Aleksandra Milovanović, istraživač saradnik | research assistant

SP4A-02

Na području Vračara se, osim objekata koji su nastali kao produkt investitorske gradnje, nalaze i objekti jako lošeg boniteta koji nisu bezbedni za korišćenje. Identifikovanjem takvih objekata, postavljene su zone intervencije na datoj lokaciji. S obzirom na gusto tkivo urbane matrice Vračara, na lokaciji su uočljivi procepi koji se javljaju između objekata. Ta zbijenost objekata nametnula je da se privatni otvoreni prostori, odnosno dvorišta, nađu unutar blokova. Uski prostori između objekata, često nefunkcionalni, bili su inspiracija za početak projekta. Gusto raspoređenim zidovima postignut je efekat procepa, ali i usmereno kretanje korisnika ka unutrašnjem dvorištu, koji se dodatno naglašava oslobođenim parterom.

Zbog prenaseljenosti lokacije, postoji jako malo uređenih otvorenih površina koje stanovništvo može da koristi, kao i dodatnih sadržaja poput radionica, teretana, co-working prostora, bioskopa... Projektom je pokušana regulacija ovog problema dodavanjem javnih prostora u vidu terasa između objekata, dvorišnim prostorima unutar bloka, kao i javnim zatvorenim površinama kojima je moguće lako pristupiti.

In the area of ​​Vracar, in addition to facilities that were created as a product of investor construction, there are also facilities of very poor creditworthiness that are not safe to use. By identifying such facilities, intervention zones have been set up at a given location. Considering the dense tissue of the urban matrix of Vracar, there are noticeable gaps in the location that appear between the buildings. This compactness of the buildings forced private open spaces, ie courtyards, to be located inside the blocks. The narrow spaces between the buildings, often non-functional, were the inspiration for the start of the project. The densely arranged walls have the effect of a gap, but also the directed movement of the user towards the inner courtyard, which is additionally emphasized by the vacated ground floor. Due to the overcrowding of the location, there are very few open spaces that the population can use, as well as additional facilities such as workshops, gyms, coworking spaces, cinemas ... The project tried to regulate this problem by adding public spaces in the form of terraces between buildings, courtyards spaces within the block, as well as public enclosed areas that can be easily accessed.

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Milica Vulović Nastavnik | Teacher | dr Jelena Ristić Trajković, docent | assistant professor Saradnik | Associate | m. arh. Aleksandra Milovanović, istraživač saradnik | research assistant

Polazište za Vračarsku intervenciju se zasniva na morfološkom istraživanju lokacije i okruženja, na čijim je osnovama definisan cilj povećanja afirmativnosti predmetne lokacije.

Sagledavanjem okruženja je prepoznat dominantan stambeni predeo u okviru kog nedostaju ostale programske komponente u skladu sa savremenim načinom života. Intervencija se zasniva na transformaciji objekata lošeg boniteta i uvođenju novog urbanističkog sklopa gde je veći akcenat na poslovnim, sportskim, trgovačkim i uslužnim funkcijama, a manji na stanovanju. Programski koncept se zasniva na prostorima privatnog karaktera, pri čemu prizemlje skopa ostaje slobodno i dostupno svim stanovnicima. Multiplikovanjem jedinica dobijena je forma i struktura, koja može biti primenjena na celokupnom području.

The starting point for the Vracar intervention is based on the morphological research of the location and the environment, on the basis of which the goal of increasing the affirmativeness of the subject location is defined. By looking at the environment, the dominant residential area has been identified, within which other program components in accordance with the modern way of life are missing. The intervention is based on the transformation of buildings with poor creditworthiness and the introduction of a new urban complex where there is a greater emphasis on business, sports, trade and service functions, and less on housing. The program concept is based on spaces of a private character, while the ground floor of the skop remains free and accessible to all residents. By multiplying the units, a form and structure were obtained, which can be applied to the entire area.

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Aleksa Đorđević Nastavnik | Teacher | dr Ivana Rakonjac, docent | assistant professor Saradnik | Associate | m. arh. Vladan Stevović, asistent | teaching assistant

Analiziranjem lokacije je uočen veliki broj neaktivnih odnosno prostora koji su bez funkcije ,bilo da su to prostori delova partaja koji su novoizgrađeni objekti višeporodičnog stanovanja odvojili od ostatka parcele i nepravilno grupisali ili prostori koji su izgubili svoju namenu uvođenjem nove tipologije stanovanja umesto tipologije jednoporodične kuće koja je ranije u velikoj meri bila zastupljena na lokaciji i te prostre držala uz sebe kao privatne.Koncept iz ideje iz koje je potekao ima cilj redefinisanje tih površina i davanje novog karaktera tom sada napuštenom i zapostavljenom prostoru,kroz uvođenje višeporodičnog stanovanja i pre svega zajednicu i dijalog s njim.Da bi sam taj prostor komunicirao sa objektima višeporodičnog stanovanja i njegova nova funkcija odgovarala potrebama pomenute tipologije bilo je potrebno naći “pravo mesto” za projektovanje ovakog tipa stanovanja.Kroz dalju analizu usvojeno je više tipova višeporodičnih objekata jer je nemoguće uzeti samo jedan tip zbog same geometrije i oblika prostora oko koga se gradi tako i položaja objekata i orijentacijie stanova kao i takođe objekata koji se već nalaze oko tih međuprostora.

Analyzing the location, a large number of inactive or nonfunctional spaces were noticed, whether they were part of the party that separated the newly built multi-family housing facilities from the rest of the plot and incorrectly grouped them, or spaces that lost their purpose by introducing a new typology of housing instead of a single-family house. The concept from the idea from which it originated aims to redefine these areas and give a new character to this now abandoned and neglected space, through the introduction of multifamily housing and above all the community and dialogue with him. In order for this space to communicate with multi-family housing facilities and its new function to meet the needs of the mentioned typology, it was necessary to find the “right place” for designing this type of housing. Through further analysis, several types of multi-family facilities were adopted. one type because of the geometry itself It is also the shape of the space around when it is built, as well as the position of buildings and the orientation of apartments, as well as buildings that are already around these interspaces.

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Jovana Lučić Nastavnik | Teacher | dr Ivana Rakonjac, docent | assistant professor Saradnik | Associate | m. arh. Vladan Stevović, asistent | teaching assistant

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Pojam koji opisuje zadatu lokaciju u pogledu volumetrije objekata, stila, istorijskog nastanka i spratnosti jeste kontrast.

Najizraženiji aspekt kroz koji se javlja kontrast jeste visinska razlika izđeđu objekata, koja je najvidljivija kada su objekti znatno različitih visina postavljeni jedni pored drugih. Tada se razvija tema zadržavanja različitosti. Objekti najmanje spratnosti na lokaciji su najčešće i najstariji, objekti koji nemaju namenu i na čijem mestu mogu nastati novi. Koncept, koji opisuje trenutno stanje na lokaciji, treba da zadrži postojeću dinamiku, ostavljajući nisku spratnost objekata, ali uvođenjem podzemnih etaža, koje prave skrivenu dinamiku. Na mestima postojećih objekata koji se ruše, novi objekat ulazi u zemlju i formira prostore javne namene i na taj način stvara potpuno novi ambijent. Prostore podzemne etaže odlikuje prodor svetlosti u vidu refleksije vode, koja se javlja mestiđično na parteru, tako da na određenim mestima osvetljava prostor ispod njega.

The term that describes a given location in terms of building volume, style, historical origin and number of storeys is contrast. The most pronounced aspect through which the contrast occurs is the height difference between the objects, which is most visible when the objects of significantly different heights are placed next to each other. Then the theme of retaining diversity developed. The buildings with the lowest number of floors on the location are usually the oldest, buildings that have no purpose and in whose place new ones can be built. The concept, which describes the current situation on the site, should keep the existing dynamics, leaving the lowrise buildings, but by introducing underground floors, which create hidden dynamics. In the places of the existing buildings that are being demolished, the new building enters the country and forms public spaces, and in that way creates a completely new ambience. The spaces of the underground floor are characterized by the penetration of light in the form of water reflection, which occurs locally on the ground floor, so that in certain places it illuminates the space below it.

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Jovana Stefanović Nastavnik | Teacher | dr Ivana Rakonjac, docent | assistant professor Saradnik | Associate | m. arh. Vladan Stevović, asistent | teaching assistant

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Skvotovanje otvara pitanje javnog prostora. Ljudi svih uzrasta imaju potrebu za svojim prostorom; ne samo prostorom za život, već i javnim prostorom za igru, druženje i zajedničke aktivnosti. Skvoteri stvaraju autonomne prostore u kojima preuzimaju kontrolu nad svojom svakodnevicom. Uvođenjem novog tipa skvotovanja, u kome su glavni akteri deca, dolazimo do prostora uređenog prema dečijoj meri. Stavljanjem u drugačiji kontekst postojećih 5 konfiguracija skvotovanja prema Hansu Pruijtu, dobijamo sasvim drugačiju sliku datih fenomena i nove korisnike prostora: 1. Iz nužde roditelji ostavljaju decu u prostor za igru dok su preokupirani drugim obavezama. 2.

Deca to doživljavaju kao vid alternativnog stanovanja i života u zajednici sa svojim vršnjacima. 3. Konzervacijsko skvotovanje se dešava upravo na nivou škole „Kralj Petar Drugi” koja je objekat pod prethodnom zaštitom. 4.Preduzetno skvotovanje i dalje zadržava svoju prvobitnu ideju otvaranja novih kulturnih i društvenih centara. 5. Iz ubeđenja i vođeni ponašanjem ostalih, roditelji odvode svoju decu u prostor novog društvenog centra.

Squatting raises the question of public space. People of all ages have a need for their space; not only a space for living, but also a public space for playing, socializing and joint activities. Squatters create autonomous spaces in which they take control of their daily lives. By introducing a new type of squatting, in which the main actors are children, we come to a space arranged according to the children’s measure. By putting the existing 5 squatting configurations in a different context according to Hans Pruitt, we get a completely different picture of the given phenomena and new space users: 1. Out of necessity, parents leave their children in the play area while they are preoccupied with other obligations. 2. Children perceive this as a form of alternative housing and community living with their peers. 3. Conservation squatting takes place right at the level of the school „Kralj Petar Drugi”, which is a building under previous protection. 4. Entrepreneurial squatting still retains its original idea of ​​opening new cultural and social centers. 5. Out of conviction and guided by the behavior of others, parents take their children to the space of a new social center.

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Vanja Knežević Nastavnik | Teacher | dr Ivana Rakonjac, docent | assistant professor Saradnik | Associate | m. arh. Vladan Stevović, asistent | teaching assistant

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Projekat nastaje razmišljanjem o pojmu slobode. Nešto što je iskreno daje mogućnost slobodi. Prostor koji ne postavlja granice “različitostima’’ već objedinjuje one koji beže od istih.

Klub predstavlja najbolji primer urbane manifestacije takvog prostora. Ulaskom u klub prostor izaziva promenu ponašanja, efekat koji je sličan jedino religioznoj arhitekturi, izaziva neku vrstu oslobođenja. Arhitektura projekta nastaje iz ovog razmišljanja. Projekat predstavlja kompleks u kom se javlja “heteroutopija’’ – simultano prisustvo u više fragmentarnih svetova. To je zapravo želja za prostorom koji je dostupan čitavoj publici. Prostor je javan i oslobođnjen na prizemnoj etaži kako ne bi došlo do podele javnog- polujavnog- privatnog, ali s druge strane veliki betonski objekti opet predstavljaju neku vrstu granice, granice između spoljašnjeg i unutrašnjeg. Betonska jezgra se javljaju kao izdvojeni objekti, i služe za ulazak u zgradu kao i ulazak u klub ili na sam prostor iz podzemne garaže.

Zgrade su spojene stazama na svakoj etaži međusobno, putem jezgara i time život nije odvojen od programa. Projekat pored stanovanja sadrži operu, klub, muzičke studije, kafić, splav i otvoreni amfiteatar.

The project is created by thinking about the concept of freedom.

Something that is sincere gives the possibility of freedom. A space that does not set boundaries with “differences” but unites those who run away from them. The club is the best example of an urban manifestation of such a space. The project is a complex in which “heteroutopia” occurs - a simultaneous presence in several fragmentary worlds. It is actually a desire for a space that is accessible to the entire audience. The space is public and vacated on the ground floor in order to prevent the division of public-semi-public-private, but on the other hand, large concrete buildings again represent a kind of border, the border between external and internal. Concrete cores appear as separate buildings, and are used to enter the building as well as to enter the club or the space itself from the underground garage. The buildings are connected by paths on each floor to each other, through cores and thus life is not separated from the program. In addition to housing, the project includes an opera house, a club, music studios, a café, a raft and an openair amphitheater.

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NOMINACIJE NOMINATIONS Eksterna komisija za selekciju najuspešnijih završnih master radova za 2019/2020. godinu | External Commission for the selection of the most successful final master’s theses for 2019/2020 academic year |

Arhitektonski fakultet u Beogradu duži niz godina realizuje aktivnost nominacija najuspešnijih master završnih radova za priznate nacionalne i međunarodne studentske nagrade i konkurse u cilju promocije Fakulteta i prezentacije studentskih rezultata na nacionalnoj i međunarodnoj akademskoj sceni.

Komisija za selekciju najuspešnijih završnih master radova za 2019/2020. godinu, donela je odluku o nominacijama za nacionalne i međunarodne studentske nagrade ispred Univerziteta u Beogradu – Arhitektonskog fakulteta. Master završni projekti su realizovani u okviru četvrtog semestra programa Master akademske studije Arhitektura – II godina, Master akademske studije Unutrašnja arhitektura – II godina i Master akademske studije Integralni urbanizam – II godina.

Arh. Krešimir Rogina Vanredni profesor, Akademija primenjenih umetnosti u Rijeci | Associate Professor, Academy of Applied Arts in Rijeka

The Faculty of Architecture in Belgrade has a well-developed practice of nominating the most successful master’s theses for recognized national and international student awards and competitions in order to promote the Faculty and present student results on the national and international academic scene. Commission for the selection of the most successful final master’s theses for 2019/2020 academic year, made a decision on nominations for national and international student awards in front of the University of Belgrade - Faculty of Architecture. Master final projects were realized within the fourth semester of the program Master of Academic Studies in Architecture - 2nd year, Master of Academic Studies in Interior Architecture - 2nd year and Master of Academic Studies in Integral Urbanism - 2nd year.

Arh. Zoran Dmitrović Normotic studio, Beograd Dr Luka Skansi Vanredni profesor, Politehnički Univerzitet u Milanu | Associate Professor, Politecnico di Milano

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RIBA PRESIDENT’S MEDALS Nominacije | Nominations | RIBA Part 1 Željko Mijušković Luka Vasiljević RIBA Part 2 Marko Jovičić Sandra Draganić Best Dissertation Award Tanja Tovilović

RIBA President’s Medals su nagrade koju svake godine dodeljuje Kraljevski Britanski institut arhitekata -RIBA i predstavljaju najstarije i najprestižnije nagrade u arhitektonskom obrazovanju u svetu koje datiraju još od 1836. godine, kada je Kraljevski Britanski institut arhitekata dodelio Džordžu Godvinu(George Godwin) prvu srebrnu medalju za esej “Priroda i svojstva betona”. Trenutni format nagrada je uspostavljen 1986. godine, kada je veliki broj studentskih nagrada, stipendija i priznanja zamenjen bronzanim i srebrnim medaljama kako bi bili nagrađeni izvanredni studentski radovi u okviru verifikovanih programaRIBA part 1 i RIBA part 2, dok se od 2001. godine dodeljuje i nagrada za najbolju disertaciju.

RIBA President’s Medals are awards given annually by the Royal British Institute of Architects – RIBA and represent the oldest and most prestigious awards in architectural education in the world, dating back to 1836, when the Royal British Institute of Architects awarded George Godwin the first silver medal for the essay “Nature and Properties of Concrete“. The current award format was established in 1986, when a large number of student awards, scholarships and honors were replaced with bronze and silver medals to reward outstanding student work within the verified RIBA part 1 and RIBA part 2 programs, and since 2001 and Best Dissertation Award.

YOUNG TALENT ARCHITECTURE AWARD - EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE MIES VAN DER ROHE AWARD 2022 Nominacije | Nominations | Isidora Ekmešić Marina Marković Jovan Matović Dušan Međedović

The Young Talent Architecture Award (YTAA) organizuje Fondacija Mies van der Rohe uz podršku Kreativne Evrope(Creative Europe), kao ekstenziju nagrade Evropske unije za savremenu arhitekturu- Mies van der Rohe. Ova nagrada se dodeljuje u partnerstvu sa Evropskom asocijacijom za arhitektonsku edukaciju (EAAE), čiji je Arhitektonski fakultet u Beogradu formalni član i Savetom arhitekata Evrope (ACECAE).

The Young Talent Architecture Award (YTAA) is organized by the Mies van der Rohe Foundation with the support of Creative Europe as an extension of the European Union’s Award for Contemporary Architecture – Mies van der Rohe. This award is presented in partnership with the European Association for Architectural Education (EAAE), of which the Faculty of Architecture in Belgrade is a formal member and the Council of Architects of Europe (ACE-CAE).

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INSPIRELI AWARDS 2020 Nominacije | Nominations | Marko Lukić Jelena Pavlica Sara Čoti Đurđa Đukić Tijana Lovrić Marko Jovanović Senka Radović

Inspireli Awards je globalno studentsko takmičenje u oblasti arhitekture, urbanog dizajna, pejzažne arhitekture i unutrašnje arhitekture pod medijskim pokroviteljstvom vodeće globalne digitalne platforme ArchDaily. Osnovni cilj nagrade je omogućavanje novim talentima da ispričaju svoje arhitektonske priče i podignu svest o sopstvenom profesionalnom svetu.

The Inspireli Awards is a global student competition in architecture, urban design, landscape architecture and interior architecture sponsored by the leading global digital platform ArchDaily. The main goal of the award is to enable new talents to tell their architectural stories and raise awareness of their own professional world.

NAGRADA FONDACIJE SESTRE BULAJIĆ SISTER BULAJIĆ FOUNDATION AWARD Nominacije | Nominations | Jegor Aleksić Jelena Vlaović

Nagrada Fondacije sestre Bulajić raspisuje se svake godine za po dva najbolja odbranjena diplomska rada na osnovnim studijama Arhitektonskog fakulteta – Univerziteta u Beogradu.

The Sister Bulajic Foundation Award is awarded each year for two of the best-defended master’s theses of undergraduate studies program at the Faculty of Architecture – University of Belgrade.

NAGRADA GRADA BEOGRADA ZA STVARALAŠTVO MLADIH BELGRADE CITY AWARD FOR YOUTH CREATION Nominacije | Nominations | Ana Jovanović

Nagrada grada Beograda za stvaralaštvo mladih dodeljuje se za delo koje predstavlja najvrednije ostvarenje u naučnom i umetničkom radu učenika i studenata, odnosno za samostalni rad učenika ili studenata koji predstavljaju doprinos u određenoj oblasti nauke, originalno tumačenje nekog problema, delimično ili potpuno novo rešenje praktične primene određenih naučnih rezultata ili umetničko dostignuće koje se po vrednosti naročito ističe.

The Belgrade City Award for Youth Creation is awarded for a work that represents the most valuable achievement in the scientific and artistic work of students and students, or for the independent work of students or students who represent a contribution in a particular field of science, an original interpretation of a problem, a partial or completely new solution of practical application certain scientific outputs or artistic achievement that stands out in particular.

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TAMAYOUZ INTERNATIONAL AWARD 2021 Nominacije | Nominations | Master Andrea Zobec Bojana Mijatov Jelena Vlaović Uroš Majstorović Aleksandra Vujić Anđela Lazarević Jelena Pilipović Luka Grgić Jelena Pavlica Bachelor Ognjen Milićević Aleksandra Stevanović Marijana Gajić Petar Uskoković Milana Tokić Željko Mijušković

Tamayouz International Award for Graduation Projects je globalni konkurs za diplomske projekte u oblasti arhitekture, urbanog dizajna, urbanog planiranja, arhitektonskih tehnologija i pejzažnog dizajna. Nagrada je aktuelna na internacionalnom nivou od 2012. godine, razvijajući se od nacionalne do globalno priznate nagrade, prvenstveno zbog kredibiliteta kritičara – počevši od Zahe Hadid koja je učešćem u radu žirija 2012. godine doprinela globalnom brendiranju nagrade. Nagrade se dodeljuju za pojedinačne diplomske projekte, za najbolju školu arhitekture i najboljeg mentora.

The Tamayouz International Graduation Projects Award is a global competition for graduate projects in architecture, urban design, urban planning, architectural technology and landscape design. The prizes are awarded internationally since 2012, evolving from a national to a globally recognized award, primarily because of the credibility of the critics – starting with Zaha Hadid, who contributed to the global branding of the award through participation in the jury in 2012. Awards are given for individual graduate projects, for the best architecture school and the most successful mentorship.

Nagrada mentora Vladimir Milenković

UNIATA ’21 WORLD’S BEST GRADUATION PROJECTS EVER CREATED

Nominacije | Nominations | Katarina Petrović Aleksa Gajić Luka Grgić Sandra Ojdanić Andrea Stanković Ana Vojinović Katarina Pejić Bojana Novković Milica Jovičić Mina Vujović Marko Jovičić Sandra Draganić Željko Mijušković Luka Vasiljević

UnIATA je globalni arhitektonski izazov bijenalnog karaktera sa fokusom na diplomske akademske projekte koji ilustruju novu generaciju najboljih svetskih arhitekata, urbanista i pejzažnih arhitekata i pružaju uvid u trenutne trendove u arhitektonskom obrazovanju širom sveta. Nagrada se dodeljuje za najbolje master projekte i najbolje škole arhitekture koje nominovani diplomci i njihovi mentori predstavljaju kao tim.

UnIATA is a global biennial architectural challenge focusing on graduate academic projects that illustrate the next generation of the world’s best architects, urban planners and landscape architects and provide insight into current trends in architectural education worldwide. The prize is awarded for the best master projects and the best architecture schools represented by the nominated graduates and their mentors as a team.

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ARCHIPRIX INTERNATIONAL 2021 Nominacije | Nominations | Teodora Spasić

Archiprix International je bijenalni događaj koji poziva sve škole u oblasti arhitekture, urbanizma i pejzažne arhitekture širom sveta da odaberu po jedan najbolji diplomski projekat i doprinesu globalnoj bazi najboljih diplomskih projekata u navedenim oblastima. Ovogodišnje izdanje nagrade je organizovano u saradnji sa Addis Ababa University EiABC. Archiprix International is a biennial event that invites all schools in the field of architecture, urbanism and landscape architecture around the world to select one of the best graduate projects and contribute to the global database of the best graduate projects in these areas. This year’s edition of the award was organized in cooperation with Addis Ababa University EiABC.

ARCHITECTURE MASTERPRIZE (AMP) Nominacije | Nominations | Kristina Ranković Nikola Mitrović

The MasterPrize Student Award for Architecture is an international annual program for the affirmation of higher architectural education and young professionals. The awards program promotes outstanding emerging talents and affirms those who push boundaries, using new, innovative technologies and materials and developing our future environment in ways that are environmentally sensitive. The MasterPrize Award for Architecture is dedicated to the promotion of quality academic architectural ideas and projects around the world, the promotion of new talents in architecture, interior design and landscape design, as well as providing a dissemination platform for architecture students who have graduated.

MasterPrize studentska nagrada za arhitekturu je međunarodni godišnji program za afirmaciju visokog arhitektonskog obrazovanja i mladih profesionalaca. Program nagrada promoviše izuzetne talente u nastajanju i afirmiše one koji pomeraju granice, koristeći nove, inovativne tehnologije i materijale i razvijajući naše buduće okruženje na načine koji su envajronmentalno senzitivni. Nagrada MasterPrize za arhitekturu posvećena je promociji kvalitetnih akademskih arhitektonskih ideja i projekata širom sveta, promociji novih talenata u arhitekturi, dizajnu enterijera i pejzažnom dizajnu, kao i obezbeđivanju diseminacione platforme studentima arhitekture koji su diplomirali.

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UnIADA ’21 UNFUSE INTERNATIONAL ARCHITECTURAL DISSERTATION AWARDS Nominacije | Nominations | Aleksandra Jovičić Tanja Tovilović Jovan Matović Teodora Spasić Senka Radović

UnIADA predstavlja obrazovnu i profesionalnu platformu za dodeljivanje međunarodnih nagrada za najuspešnije disertacije na master i osnovnim nivoima studija arhitekture. Platforma nagrađuje najbolje istraživačke radove kroz projekat studenata arhitekture razvijajući dijalog i stavljajući u središte pažnje izuzetna dostignuća mladih profesionalaca. Cilj UnIADA je da bude platforma za jačanje profesionalne odgovornosti i svesti o i oko oblasti arhitekture.

UnIADA is an educational and professional platform for awarding international prizes for the most successful dissertations at the master’s and basic levels of architecture studies. The platform rewards the best research works through an architecture student project by developing dialogue and focusing on the outstanding achievements of young professionals. The goal of UnIADA is to be a platform for strengthening professional responsibility and awareness about and around the field of architecture.

KONKURS ZA GODIŠNJU NAGRADU “ALEKSEJ BRKIĆ” – NAGRADA UDRUŽENJA ARHITEKATA SRBIJE Nominacije | Nominations | Isidora Ekmešić

COMPETITION FOR ANNUAL AWARD “ALEKSEJ BRKIĆ” - AWARD OF THE ASSOCIATION OF ARCHITECTS OF SERBIA GODIŠNJA NAGRADA ’’MILORAD MACURA’’ ZA NAJBOLJI RAD U OBLASTI ARHITEKTURE I URBANIZMA

Nominacije | Nominations | Andrea Zobec

ANNUAL AWARD “MILORAD MACURA” FOR THE BEST PROJECT IN THE FIELD OF ARCHITECTURE AND URBANISM GODIŠNJA NAGRADA ’’DIMITRIJE PERIŠIĆ’’ ZA NAJBOLJI RAD U OBLASTI PROSTORNOG PLANIRANJA

Nominacije | Nominations | Tanja Tovilović

ANNUAL AWARD OF “DIMITRIJA PERIŠIĆ” FOR THE BEST WORK IN THE FIELD OF SPATIAL PLANNING

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2019/2020

PREGLED VANNASTAVNIH AKTIVNOSTI

OVERVIEW OF EXTRACURRICULAR ACTIVITIES

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RADIONICA PONOVNA UPOTREBA ZAJEDNIČKIH PROSTORA NOVOBEOGRADSKIH BLOKOVA: KO-DIZAJN URBANIH ZAJEDNICA WORKSHOP REUSE OF COMMON SPACES OF NEW BELGRADE BLOCKS: CO-DESIGNING THE URBAN COMMONS

Organizacija | Organizacija | Univerzitet u Beogradu Arhitektonski fakultet University of Belgrade Faculty of Architecture U saradnji sa | In collaboration with |

Zadatak radionice je promišljanje zajedničkih prostora novobeogradskih blokova i ispitivanje potencijala za njihovu obnovu ili re-dizajn. Fokus je na participativnom procesu projektovanja zajedničkih prostora, od vrednovanja ovih prostora zajedno sa stanarima, mapiranja potreba stanara, do predloga budućih intervencija i definisanja programa i načina funkcionisanja tih prostora. Rezultati radionice su predstavljeni na DETMOLD CONFERENCE WEEKS 2020: The Human Habitat in Times of Transformation konferenciji organizovanu od strane TH OWL u novembru 2020. godine.

TH OWL: Detmold School of Architecture and Interior Architecture (Nemačka) i TU Delft (Holandija) uz podršku Erasmus+ TH OWL: Detmold School of Architecture and Interior Architecture (Germany) i TU Delft (Netherlands) with support of Erasmus+ Datum i mesto realizacije | Date and time of realization | UB - AF, 15. Septembar 2.Oktobar 2020. godine UB - FA, 15th September 2nd October 2020

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The aim of the workshop is to rethink the common spaces of the New Belgrade blocks and to examine the potential for their renewal or re-design. The focus is on the participatory process of designing common spaces, from evaluating these spaces together with the residents and mapping their needs and habitas, to proposing future interventions and defining the programs and ways of functioning of these spaces. The results of the workshop were presented at the DETMOLD CONFERENCE WEEKS 2020: The Human Habitat in Times of Transformation conference organized by TH OWL in November 2020.

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Foto / Photo: T. Popović

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IZLOŽBA SOUND DRAWING EXHIBITION SOUND DRAWING

Autori | Authors | Studenti | Students: Slađana Aničić, Tamara Vukotić, Branko Gulan, Olga Dukić, Boris Ivanović, Đorđe Kekić, Nikolina Lalić, Bojana Mijatov, Mladen Ostojić, Jefimija Popović, Jovana Ropčević, Andrea Stanković; Mentor | Mentorship: Snežana Zlatković, Asistent | Teaching Assistant Kustos | Curator | Anđelka Bnin-Bninski, Naučni saradnik | Research Associate Projekat | Project | Nova sezona izložbene programske celine 3M3 The new season of the 3M3 exhibiting program Datum i mesto realizacije | Date and time of realization | Galerija Kolektiv, 30. Jun 31.Avgust 2020. godine Kolektiv Gallery, 30th June 31st August 2020

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Crtež počinje od zida, kao atipičnog konteksta i razmere u okviru kojih treba da deluje. Odnosi se prema njegovom erozivnom karakteru kao onom koga treba sačuvati u svom izvornom obliku, ili pak kao onom čija nagrizanja treba dodatno stimulisati pokretom. Kreira se nov sloj – linearna struktura na određenom, promenljivom odstojanju od zida. Između građenja linearnog i zida kao postojećeg stanja postavlja se nov element kao medijator i prenosilac zvuka. Linearna struktura nosi sa sobom i niz pomerljivih tačkastih elemenata koji menjaju karakter linije. Namera crteža je da ispita pokretljivost linije u međuodnosu sa zvukom, da čitanjem otkrije preplitanja i mimoilaženja kako vidljivih, tako i nevidljivih tragova koji nastaju od pomeranja, razvlačenja, natezanja postavljenih slojeva crteža.

The drawing starts from the wall, as an atypical context and scale to which it should act. It refers to its erosive character as one that should be preserved in its original form, or as one whose erosion should be further stimulated by movement. A new layer is created – a linear structure at a certain, variable distance from the wall. Between the linear creation and the wall as an existing condition, a new element is introduced as a mediator and transmitter. The linear structure also carries with it a number of moving points that change the character of the line. The purpose of the drawing is to examine the mobility of the line in relation to sound, and to reveal, through reading, the intertwining, and passing of both visible and invisible traces that arise from moving, stretching, tensing the set layers of the drawing.

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Foto / Photo: I. Zupanc

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IZLOŽBA STUDENTSKIH PROJEKATA OBNOVA ŠKOLE U SELU PAKLEŠTICA EXHIBITION OF STUDENT PROJECTS RENOVATION OF THE SCHOOL IN THE VILLAGE OF PAKLEŠTICA

Autori | Authors | Studenti | Students: Aleksić Andrea, Andjelković Radmilo, Andrić Marija, Andrijana Kuzmanović, Arsenović Darija, Bekić Aleksa, Bjelić Teodora, Grgić Luka, Guberinić Milena, Gular Branko, Jakovljević Lana, Jolović Katarina, Jovan Matović, Kuzmanović Andrijana, Lakić Ivana, Lakić Stefan, Lazarević Anđela, Milosavljević Dušanka, Mišić Luka, Nikolić Sonja, Obućina Lazar, Ognjenović Katarina, Olga Petrović, Purić Miloš, Racić Sara, Ranković Sofija, Stijović Aleksandra, Tijana Radovanović, Vasić Teodora, Vujić Aleksandra, Živković Aleksandra, Zobec Andrea; Mentorstvo | Mentorship: dr Danijela Milovanović Rodić, docent | assistant professor, m.arh. Božena Stojić, saradnik | collaborator Datum i mesto realizacije | Date and time of realization | UB - AF, 24. februr - 1. mart 2020. godine UB - FOA, 24th February 1st March 2020

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Projekat predstavlja nastavak saradnje studenata i nastavnika Arhitektonskog fakulteta sa stanovnicima i udruženjima staroplaninskih sela i clanovima pokreta Odbranimo reke Stare planine sa kojima je formirana inicijativa STARA KAO NOVA i u okviru koje je u toku 2018-19. školske godine realizovan projekat “Stara, ne dam te: Uređenje sale Doma kulture u selu Dojkinci na Staroj planini”. U osnovi oba projekta je ideja o povezivanju nastavnog procesa i realnog razvojnog konteksta radi formulisanja i realizacije društveno i ekološki odgovornih i ekonomski opravdanih rešenja SA i ZA lokalnu zajednicu.

Njihov cilj je unapređenje kvaliteta života ljudi u staroplaninskim selima i zaštita prirode kao njihovog ključnog resursa za razvoj.

The project is a continuation of the cooperation of students and teachers of the Faculty of Architecture with residents and associations of Stara Planina villages and members of the movement Let’s Defend the Rivers of Stara Planina, with whom the initiative OLD AS NEW was formed and within whom during the school year 2018-19 the project “Old, I won’t give you: Arranging the hall of the House of Culture in the village of Dojkinci on Stara Planina” was realized. At the core of both projects is the idea of connecting the teaching process and the real development context in order to formulate and implement socially and environmentally responsible and economically justified solutions WITH and FOR the local community. The main goal is to improve the quality of life of people in Stara Planina villages and protect nature as their key resource for development.

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IZLOŽBA STUDENTSKIH RADOVA IN THE GALLERY OF THE KOLARAC FOUNDATION: DANUBE MUSEUM EXHIBITION OF STUDENT WORKS IN THE GALLERY OF THE KOLARAC FOUNDATION: DANUBE MUSEUM

Autori | Authors | Studenti | Students: Aleksa Bekić, Aleksandra Živković, Ana Šabanović, Andrea Aleksić Anđela Đurđević, Andrijana Kuzmanović, Dušan Grujović, Dušan Međedović, Isidora Ekmeščić, Jovana Janković, Marijana Marković, Mihailo Kocić, Sara Mučibabić, Simona Štulović, Tamara Čvorović, Uroš Majstorović, Željana Davidović, Lazar Obućina; Mentorstvo | Mentorship: arh. Branislav Mitrović, profesor emeritus | professor emeritus, m.arh. Anđela Karabašević, istraživač-pripravnik | junior researcher Kritičari | Critics | dr Pavle Stamenović, docent | assisntant professor, dr Marija Milinković, docent | assisntant professor Datum i mesto realizacije | Date and time of realization | Galerija Kolarčeve zadužbine, 23. jun - 29. jun 2020. godine Kolarac Gallery, 23rd Jun 29th Jun 2020

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Izložba „Muzej Dunava“ predstavlja projekte sedamnaest studenata druge godine master i pete godine integrisanih studija na Arhitektonskom fakultetu Univerziteta u Beogradu. Osnovni cilj ove tematske izložbe bio je istraživanje kulturološkog i izlagačkog potencijala reke Dunav u savremenom trenutku, kao i ispitivanje mere arhitektonskog delovanja u osetljivoj prirodnoj sredini reke, te odnosa budućeg muzeja prema ekosistemu, mikroklimi, dinamici reke i jačini njenog toka.

Svaki studentski projekt obuhvaćen ovom izložbom je po sebi individualnog karaktera i specifičan po izboru teme, lokacije i prostorne intervencije. Prilikom otvaranja, prisutnima su se obratili predstavnici organizatora, Ministarstva trgovine, turizma i telekomunikacija, Turističke organizacije Srbije, kao i mentor izložbe i studenti – autori.

The exhibition “Danube Museum” presents the projects of seventeen second-year master and fifth-year integrated studies students at the Faculty of Architecture, University of Belgrade. The main goal of this thematic exhibition was to research the cultural and exhibition potential of the Danube River in modern times, as well as to examine the measure of architectural activity in the sensitive natural environment of the river, and the future museum’s attitude towards the ecosystem, microclimate, river dynamics and its flow. Each student project included in this exhibition is of an individual character and specific in the choice of topic, location and spatial intervention. During the opening, the audience was addressed by representatives of the organizers, the Ministry of Trade, Tourism and Telecommunications, the Tourist Organization of Serbia, as well as the mentor of the exhibition and students - authors.

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UB - AF PROGLAŠEN ZA NAJBOLJU INSTITUCIJU DIPLOMSKIH PROJEKATA U OKVIRU UNIATA ’20 KONKURSA UB - FOA NAMED AS THE BEST INSTITUTION OF GRADUATE PROJECTS WITHIN THE UNIATA ’20 COMPETITION

Studenti | Students | Marta Adamović, Danijela Urukalo, Dezire Tilinger, Đorđe Bulajić, Mladen Maslovar, Lidija Lukić, Đorđe Đurica; Mentorstvo | Mentorship | dr Nenad Šekularac, redovni profesor | full professor, arh. Ivan Rašković, redovni profesor | full professor, arh. Dejan Miljković, redovni profesor | full professor, dr Aleksandra Stupar, vanredni profesor | associate professor, arh. Milan Đurić, vanredni profesor | associate professor, dr Vladimir Milenković, vanredni profesor | associate professor Nagrada | Prize | Best Institution for Graduation Projects

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UnIATA je godišnji konkurs koji kroz diplomske projekte predstavlja novu generaciju mladih arhitekata, urbanista i pejzažnih arhitekata na globalnom nivou. Konkurs predstavlja jednu od vodećih prezentacija diplomskih projekata i nudi nenadmašan uvid u aktuelne trendove u arhitektonskom obrazovanju širom sveta. Arhitektonski fakultet u Beogradu aplicirao je seriju diplomskih projekata u okviru UnIATA konkursa u decembru 2019. godine. Komisija za selekciju najuspešnijih završnih master radova za 2018/19. godinu za konkurs UnIATA ’20 nominovala je ispred UB – AF sedam projekata realizovanih u okviru petog semestra programa Master akademskih studija. Fakultet je proglašen za najbolju instituciju diplomskih projekata u okviru konkursa.

UnIATA is an annual competition that through graduate projects represents a new generation of young architects, urban planners and landscape architects on a global level. The competition is one of the leading presentations of graduate projects and offers unsurpassed insight into current trends in architectural education around the world. The Faculty of Architecture in Belgrade applied with a series of graduate projects for the UnIATA competition in December 2019.

Commission for the selection of the most successful final master’s theses for the school year 2018-19 nominated in front of UB - FOA seven projects for the UnIATA ’20 competition which were realized within the fifth semester of the Master of Academic Studies program. The Faculty was declared the best institution of graduate projects within the competition.

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ONLINE STUDENTSKA RADIONICA ‘’IZAZOVI COVID-19: ARHITEKTURA PANDEMIJE’’ ONLINE STUDENT WORKSHOP “COVID-19 CHALLENGES: PANDEMIC ARCHITECTURE”

Studenti | Students | 98 studenata osnovnih, integrisanih, master i doktorskih akademskih studija, podeljenih u 29 grupa 98 students of undergraduate, integrated, master’s and doctoral academic studies, divided into 29 groups Mentorstvo | Mentorship | dr Aleksandra Đorđević, asistent | teaching assistant, m.arh. Jovana Bugarski, asistent | teaching assistant, m.arh. Mladen Pešić, asistent | teaching assistant, m.arh. Ana Zorić, asistent | teaching assistant, m.arh. Miloš Kostić, asistent | teaching assistant, m.arh. Dejan Todorović, asistent | teaching assistant, m.arh. Andrej Josifovski, asistent | teaching assistant, m.arh. Aleksandra Milovanović, istraživač saradnik | research assistant Kritičari | Critics | Nastavnici UB - AF Professors UB - FOA

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Prepoznajući važnost aktivnog delovanja i efektivnog traganja za odgovarajućim reakcijama u svetlu pandemije COVID-19, Univerzitet u Beogradu – Arhitektonski fakultet je inicirao i realizovao Online studentsku radionicu “Izazovi COVID-19: Arhitektura pandemije” usmerenu na traganje za novim, inovativnim tipologijama i arhitektonskim scenarijima koji će činiti osnov za kreiranje prostorno-programskih rešenja u cilju smanjenja rizika širenja virusa. Radionica je realizovana u periodu od 13. do 27. aprila 2020. godine uz učešće studenata Arhitektonskog fakulteta u Beogradu i Fakulteta tehničkih nauka u Novom Sadu. Radionica je realizovana kroz 4 faze u vidu (1) uvodne prezentacije, (2) PechaKucha prezentacije, (3) razrade idejnih rešenja i studija kroz diskusiju studenata, tutora i kritičara i (4) samostalnog rada studenata na finalizaciji idejnih rešenja.

Recognizing the importance of the active and effective search for appropriate responses in the light of the COVID-19 pandemic, the University of Belgrade - Faculty of Architecture initiated and implemented an online student workshop “Challenges of COVID-19: Pandemic Architecture” aimed at searching for new, innovative typologies and architectural scenarios, which will form the basis for creating spatialprogrammatic solutions in order to reduce the risk of virus spread. The workshop was held in the period from April 13 to 27, 2020, with the participants from the Faculty of Architecture in Belgrade and the Faculty of Technical Sciences in Novi Sad. The workshop was realized through 4 phases in the form of (1) the introductory presentation, (2) the PechaKucha presentation, (3) the elaboration of conceptual solutions and studies through the discussion of students, tutors and critics, and (4) the independent work of students on the finalization of conceptual solutions.

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IZLOŽBA STUDENTSKOG PROJEKTA OXYGEN U GALERIJI ZVONO EXHIBITION OF THE OXYGEN STUDENT PROJECT IN THE ZVONO GALLERY

Autori | Authors | Studenti | Students: Milica Grbić, Senka Radović, Miljana Dobrota, Ida Milačić, Ana Jovanović Mentorstvo | Mentorship: dr Milena Kordić, docent | assistant professor, m.arh. Dejan Todorović, asistent | assistant Datum i mesto realizacije | Date and time of realization |

OXYGEN ispituje mogućnosti povezivanja sa prirodom u unutrašnjem prostoru, kroz građenje ambijenta artificijelnim elementima. Prostorni sklop OXYGEN stvara ambijent koji ohrabruje povezivanje prirode i čoveka. Savremeni život u gradu ostavlja malo vremena za odlazak u prirodu. Iskustvo boravka u prirodi treba približiti čoveku i u izgrađenom prostoru, budući da u njemu provodi najveći deo dana.

Povezivanje sa prirodom, makar i asocijativnim putem a ne direktnim kontaktom, doprinosi ukupnom poboljšanju zdravlja ljudi. Transformabilnost i lakoća upravljanja modulima sklopa podstiču korisnika da se, pokrećući telo, fizički angažuje u izgradnji sopstvenog okruženja. Autori projekta su studenti Master Studijskog programa Unutrašnja arhitektura koji su projekat radili u okviru predmeta Strategije dizajna.

Galerija Zvono, 25. februar - 10. marta 2020. godine Zvono Gallery, 25th February 10th March 2020

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OXYGEN examines the possibilities of connecting with nature in the interior, through the construction of the environment with artificial elements. The OXYGEN spatial complex creates an ambience that encourages the connection between nature and man. Modern life in the city leaves little time to go to nature. The experience of staying in nature should be closer to a person in a built space since most of the day is spent in it. Connecting with nature, even in an associative way and not in direct contact, contributes to the overall improvement of human health.

Transformability and ease of managing modules encourage the user to physically engage in building their environment by moving the body. The authors of the project are students of the Master Study Program Interior Design who worked on the project within the subject of Strategy of Design.

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USPESI STUDENATA ARHITEKTONSKOG FAKULTETA NA CLIMATHON-U SUCCESSES OF STUDENTS OF THE FACULTY OF ARCHITECTURE AT CLIMATHON

Učesnici | Participants | Dragomir Ristanović, Milica Bojanović, Antonije Ćatić, Aleksa Bekić, Milana Tokić, Ana Arsenović, Teodora Perović, Lenka Tasić, Jovana Cakić, Danica Petrović, Andrijana Tmušić, Milica Milutinović, Tatjana Konjikovac;

Climathon je najmasovnija kolektivna klimatska akcija u svetu, koja godišnje okuplja hiljade ljudi u preko 145 gradova i 55 zemalja na svim kontinentima, sa medijskim dosegom preko 300 miliona ljudi. U rešavanju ovih izazova učestvovalo je preko 80 studenata različitih fakulteta i predstavnika privrede-javnog i privatnog sektora. Timovi u kojima su učestvovali studenti Arhitektonskog fakulteta ostvarili su izuzetne rezultate. Za rešavanje prvog izazova “Urbana toplotna ostrva” studenti Arhitektonskog fakulteta su osvojili prvo i četvrto mesto, a za rešenje izazova “Čvrsti komunalni otpad i ekološka svest građana” osvojili su drugo mesto.

Mentorstvo | Mentorship | dr Ksenija Lalović, vanredni profesor | associate professor, dr Ratka Čolić, docent | assistant professor Datum i mesto realizacije | Date and time of realization | Gradska uprava grada Beograda, 8. i 9. februar 2020. godine City Administration of the City of Belgrade, 8th and 9th February t2020

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Climathon is the most massive climate action in the world, which annually gathers thousands of people in over 145 cities and 55 countries on all continents, with a media reach of over 300 million people. Over 80 students from various faculties and representatives of the economy - public and private sector - participated in solving these challenges. The teams in which the students of the Faculty of Architecture participated achieved exceptional results. For solving the first challenge “Urban Heat Islands”, our students won first and fourth place, and for solving the challenge “Solid municipal waste and environmental awareness of citizens” they won the second place.

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IZLOŽBA: UMETNIKOVA KNJIGAT EXHIBITION: THE ARTIST’S BOOK

Učesnici | Participants | izbor radova studenata Arhitektonskog fakulteta Univerziteta u Beogradu nastalih izbornom predmetu Umetnikova knjiga na 1. godini master studija prethodnih par godina selection of works by students of the Faculty of Architecture, University of Belgrade, created on the elective course The Artist’s book in the 1st year of master studies in the previous couple of years Mentorstvo | Mentorship | dr Mariela Cvetić, redovni profesor | full professor Datum i mesto realizacije | Date and time of realization | Galerija SKC Kragujevac, 10. decembar 2019. - 18. januar 2020. godine Gallery SKC Kragujevac, 10th December 2019 - 18th January, 2020

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Pod umetnikovom knjigom razume se ‘jedan oblik teksta’, uređenog poretka znakova koji može biti ne samo pisani, već i vizuelni, prostorni ili zvučni, a čije se značenje u ovom slučaju proizvodi u formi knjige. Umetnikova knjiga zato nije ‘umetnička knjiga’ već knjiga (kao) umetnički rad, umetnička forma koju stvara, pravi i/ili organizuje umetnik. Studentski radovi su do sada izlagani u Beogradu na različitim sajmovima, na izložbama i festivalima. Budući da do sada ovi radovi nisu izlagani van Beograda, značajno je, kako za studente obe akademske zajednice Beograda i Kragujevca što su se u okviru ove izložbe izlagali u prostoru Galerije Studentskog kulturnog centra Kragujevac.

The artist’s book is understood as “one form of text”, an order of signs that can be not only written, but also visual, spatial or sound, and whose meaning, in this case, is produced in the form of a book. The artist’s book is therefore not an ‘art book’ but a book (as) a work of art, an art form created, made and/or organized by the artist. So far, student works have been exhibited in Belgrade at various fairs, exhibitions and festivals. Since these works have not been exhibited outside Belgrade so far, it is important for the students of both academic communities of Belgrade and Kragujevac that they were exhibited in the Gallery of the Student Cultural Center Kragujevac.

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Foto / Photo: SKC KRAGUJEVAC

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RADIONICA ADJUSTING BELGRADE: COLLAGE OF URBAN INTERIORITY WORKSHOP ADJUSTING BELGRADE: COLLAGE OF URBAN INTERIORITY

Učesnici | Participants | AA: Buster Rongrenn, Joseph Istance, Younseo Song, Jae Kim, Mia Aleksić, Nicholas Lin, Simon Glemser, Elina Zampetakis, Daniel Hambley, Neophytos Christou, Nikola Miloradović, Richard Aina The Bartlett, UCL: Nonna Shabanova UB-AF: Đorđe Bulajić, Tijana Mačkić, Milica Božić, Jovana Arsić, Mila Luković, Katarina Ognjenović, Sara Stanković, Teodora Spasić, Marija Matijević, Milica Božović, Branko Gulan Mentorstvo | Mentorship | Shin Egashira AADipl(Hons), profesor | professor Marko Milovanovic AADipl(Hons), tutor | tutor Datum i mesto realizacije | Date and time of realization | UB - AF, 13. - 21. decembar 2019. godine UB - FOA, 13th - 21st December, 2019

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Na radionici su učestvovali studenti master programa londonske škole arhitekture – Architectural Association (AA) i studenti doktorskih, master i integrisanih studija Arhitektonskog Fakulteta, Univerziteta u Beogradu. Kroz seriju šetnji, predavanja i razgovora, studenti su stekli uvid u neformalni i ekstra-legalni pejzaž grada i tom prilikom zabeleže ove pojave kroz fotografiju, crtež, intervju i film. Krajnji ishod radionice je bilo istraživanje postojećih narativa neformalnog Beograda, kao i njihovo poređenje, u formi velikog kolaža. Kolaž, u daljem čitanju postaje predmet istraživanja novih narativa i ispitivanje mogućnosti novih socijalnih i fizičkih odnosa.

The workshop was attended by students of the master’s program of the London School of Architecture - Architectural Association (AA) and students of doctoral, master’s and integrated studies at the Faculty of Architecture, University of Belgrade. Through a series of walks, lectures and conversations, students gained an insight into the informal tlandscape of the city and on that occasion recorded these phenomena through photography, drawing, interview and film. The outcome of the workshop was the research of existing narratives of informal Belgrade, as well as their comparison, in the form of a large collage. Collage, in further reading, becomes the subject of research of new narratives and examination of the possibilities of new social and physical relations.

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Foto / Photo: Đ. Bulajić, B. Gulan

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MEĐUNARODNA STUDENTSKA RADIONICA ODRŽIVI I INTEGRALNI URBANI RAZVOJ NOVOBEOGRADSKIH BLOKOVA INTERNATIONAL STUDENT WORKSHOP UNBLOCKING A SUSTAINABLE FUTURE FOR NEW BELGRADE BLOCKS

Učesnici | Participants | 13 studenata Master programa Integralni urbanizam sa Arhitektonskog fakulteta u Beogradu i 15 studenata Master programa Integrated urbanism and sustainable design sa fakulteta za Arhitekturu i urbanističko planiranje iz Štutgarta 13 students of the Master program Integral Urbanism from the Faculty of Architecture in Belgrade and 15 students of the Master Program Integrated urbanism and sustainable design from the Faculty of Architecture and Urban Planning from Stuttgart Datum i mesto realizacije | Date and time of realization | UB - AF, 25. oktobra do 3. novembra 2019. godine UB - FOA, 25th October - 3rd November, 2019

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Tokom radionice primenjene su grupne tehnike kritičke analize sadržaja nalaza predistraživanja (sa oba fakulteta), SWOT analiza, definisanje vizije i ciljeva urbanog razvoja, generisanje strateških ideja i formulisanje predloga mogućih strateških projekata za zadati poligon. Kao mentori na radionici sa fakulteta iz Beograda su učestvovali: van. prof. Ksenija Lalović, van. prof. Marija Maruna, doc.dr Ratka Čolić, doc. dr Danijela Milovanović Rodić, asist. Jovana Bugarski, asist. Aleksandra Đorđević i saradnik Ana Šabanović. Sa fakulteta iz Štutgarta učestvovali su: Lenka Vojtová, MSc, Researcher and Lecturer Rainer Goutrié, dipl.-ing. arch., IUSD Coordinator and Lecturer, Raphael Dietz, dipl.-ing. arch., Research Associate.

During the workshop, group techniques of critical analysis of the content of pre-research findings (from both faculties), SWOT analysis, defining the vision and goals of urban development, generating strategic ideas and formulating proposals for possible strategic projects for a given landfill were applied.

As mentors at the workshop from the Facultyof Architecture from Belgrade participated: associate prof. Ksenija Lalović, associate prof. Marija Maruna, assistant prof. Ratka Colic, assistant prof. Danijela Milovanović Rodić, assistant Jovana Bugarski, assistant Aleksandra Djordjevic and associate Ana Sabanović. From the Faculty of Stuttgart participated: Lenka Vojtová, MSc, Researcher and Lecturer Rainer Goutrié, B.Sc. arch., IUSD Coordinator and Lecturer, Raphael Dietz, research associate.

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2019/2020 PREGLED STUDENTSKIH KONKURSA

THE OVERVIEW OF STUDENT COMPETITIONS

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INTERNACIONALNI STUDENTSKI KONKURS BAUHAUS NEUE – FRAMING FUTURE OF DESIGN EDUCATION

INTERNATIONAL STUDENT COMPETITION BAUHAUS NEUE – FRAMING FUTURE OF DESIGN EDUCATION

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Konkurs je bio idejnog karaktera i zahtevao je stvaranje nove, inovativne škole dizajna po ugledu na čuveni Bauhaus.

Lokacija je bila slobodna, te je studentima postavljen izazov da izborom lokacije dodatno odbrane svoj projekat. Od studenata je traženo da se kritički postave u odnosu na potrebe i zahteve današnjeg vremena, kao i da na inovativan način integrišu tehnologiju u svoj dizajn. Od šesnaest studenata prve godine Master akademskih studija i četvrte godine Integrisanih akademskih studija, na predmetu Studio M01 pod mentorstvom profesora Ivana Raškovića svih šesnaest radova ušlo je u uži krug, a pored toga dve studentkinje osvoje su nagrade: People’s choice award i Institutional Excellence Award.

The competition was of a conceptual character and required the creation of a new, innovative school of design in the image of the famous Bauhaus. The project location was a free choice, and the students were challenged to further define their project by choosing it. Students were directed to be critical of the needs and requirements of the present, as well as to integrate technology into their design in an innovative way.

Out of sixteen students of the first year of Master of Academic Studies and the fourth year of Integrated Academic Studies, in the course Studio M01 under the mentorship of professor Ivan Rašković, all sixteen works were shortlisted, and two students won awards: People’s choice award and Institutional Excellence Award.

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KRISIS KRISIS

Katarina Banković Mentor | Teacher | Ivan Rašković, redovni profesor | full professor Saradnici | Associates | m. arh. Tamara Popović, istraživač-pripravnik | junior researcher m. arh. Miloš Kostić, asistent | teaching assistant

Krisis je radionica za preživljavanje. Ona je humani karantin.

Zamišljena je kao prelazno mesto za ljude koji se nađu u krizi.

Jedan dan na radionici zamišljen je kao simulacija svakodnevnog života koji sada, nakon promena, postaje stvarnost za te ljude.

Lokacija je u Atini, na napuštenom aerodromu koji se trenutno koristi kao izbeglički kamp. Ideja za Krisis je prvo započela kao dodatak Bauhausovoj ideji spajanja umetnosti i nauke. Činilo se da nedostaju humanističke i društvene nauke. Kasnije se ideja razvila tako da se primarni fokus u potpunosti prebacio na pitanja i probleme ljudi, društva, opšteg zdravlja i trenutnog mentaliteta. Ono što sam želela da stvorim je sklonište za ljude u nevolji. Kao glavne principe postavila sam humanost i praktičnost.

m. arh. Desirée Tilinger m. arh. Sara Stanković Nagrada | Prize | Peoples choice award

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Krisis is a survival workshop. It is a humane quarantine. It is imagined as a transitional place for people who find themselves in crisis. One day at a workshop is imagined as a simulation of an everyday life that is now, after change, becoming a reality for those people. Location is in Athens, at an abandoned airport, currently used as a refugee camp.

The idea for the Krisis first started as an addition to the Bauhaus idea of joining arts and science. What seemed missing were humanities and social sciences. Later on, idea evolved so that the primary focus shifted completely to questions and problems of people, society, general health and current mentality. What I wanted to create was a shelter for people in need. I set humanity and practicality as the main principles.

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KORAK PO KORAK STEP BY STEP

Nikolina Rašović Mentor | Teacher | Ivan Rašković, redovni profesor | full professor Saradnici | Associates | m. arh. Tamara Popović, istraživač-pripravnik | junior researcher m. arh. Miloš Kostić, asistent | teaching assistant

Djeca su prošlost, sadašnjost i budućnost. Pod uticajem okruženja koje im je nametnuto, uskraćena im je sloboda da upoznaju život oko sebe. Širom svijeta isti patern se konstantno ponavlja, oduzimajući im mogućnosti da pravilno i zdravo odrastaju. Nova paradigma ove misije teži da stvori mikrokosmos u kojem sva djeca preživljavaju, imaju priliku da uče i zaštićena su od zlostavljanja, zanemarivanja i iskorištavanja. Jedan od ključnih primjera za nemilosrdno odrastanje djece je grad Rio de Janeiro. Mnoga djeca potiču iz porodica pogođenih hroničnom krizom prilika i gradskim siromaštvom unutar favela. Edukacija ima presudnu ulogu u rešavanju ovog problema. Zbog toga, ovaj projekat ima za cilj kreiranje prostora gdje se djeci daje mogućnost da iskuse ljepotu života svim svojim čulima.

m. arh. Desirée Tilinger m. arh. Sara Stanković Nagrada | Prize | Institutional Excellence Award

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Children are the past, present, and future. Embedded in an environment they do not have the freedom to meet the planet appropriately. All over the world, the same pattern repeatedly occurs. The new paradigm seeks to create a world in which all children survive, have the opportunity to learn, and are protected from abuse and exploitation. One of the leading examples of the relentless growing up of children is the city of Rio de Janeiro. Many children come from families affected by the chronic crisis of opportunity and urban poverty in favelas.

Education plays a crucial role in solving this problem. This project aims to create a space that will provide an opportunity for children to experience the beauty of life for all the senses.

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STUDENTSKI KONKURS ZA IDEJNO REŠENJE PRIHVATILIŠTA ZA REHABILITACIJU DOMAĆIH I DIVLJIH ŽIVOTINJA U PINOSAVI STUDENT COMPETITION FOR THE CONCEPTUAL DESIGN OF THE SHELTER FOR REHABILITATION OF DOMESTIC AND WILD ANIMALS IN PINOSAVA

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Povod za raspisivanje ovog konkursa se nalazio u potrebi Animal Rescue Serbia (ARS) za jednim kompletno osmišljenim i opremljenim prihvatilištem sa privremenim smeštajem tokom rehabilitacije životinja, čija se realizacija predviđa na zadatoj lokaciji. Predmet konkursa bio je izrada konceptualno – programsko prostornog rešenja prihvatilišta za rehabilitaciju domaćih i divljih životinje u prigradskom naselju Pinosava, Opština Voždovac, Beograd. Na konkurs su pristigla četiri konkursna rada, od čega su selektovana dva rada, koja su nastavila razradu postavljenih idejnih rešenja.

The reason for announcing this competition was the need of Animal Rescue Serbia (ARS) for a fully designed and equipped shelter with temporary accommodation during the rehabilitation of animals, the realization of which is planned at a given location. The subject of the competition was the development of a conceptual - programmatic spatial solution for the shelter for the rehabilitation of domestic and wild animals in the suburban settlement of Pinosava, Voždovac Municipality, Belgrade. Four competition works arrived for the competition within the stipulated time, out of which two works were selected to continue the elaboration of their conceptual solutions.

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GRUPA 1 GROUP 1

Tatjana Argakijev Ognjen Milićević Mentori | Mentors | dr Dušan Ignjatović, vanredni profesor | associate professor Aleksandar Gavrić, predsednik organizacije ARS | president of the ARS organization dr Grozdana Šišović, docent | assistant professor dr Maja Dragišić, asistent | teaching assistant

Ovaj rad nastao je kroz dva kruga konkursa koji je bio organizovan od strane Arhitektonskog fakulteta i neprofitne organizacije Animal Rescue Serbia koja se bavi spasavanjem i zbrinjavanjem životinja. Zadatak je bio projektovati novi model neuobičajene tipologije, zgrade koja bi se lako montirala i demontirala. Forma je nastala manipulisanjem arhetipskim oblikom kuće. Zalančavanjem modula dobija se razigrana forma koju karakterišu puni I prazni volumeni, kao I pauze koje služe za komunikaciju ali I pomažu u artikulaciji strukture. Ceo koncept se zasniva na modularnosti tako da nudi fleksibilnost u slučaju modifikacije ili potrebe za projektovanjem ovakvog objekta na drugim lokacijama. Ovaj projekat uzima u obzir sve funkcionalne zahteve ali obraća pažnju i na ambijentalni karakter celine, stvarajući prijatne prostore za interakciju životinja, zaposlenih i posetilaca.

Nagrada | Prize | work selected for the further development

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This work was created through two rounds of competition organized by the Faculty of Architecture and the non-profit organization Animal Rescue Serbia, which deals with rescuing and taking care of animals. The task was to design a new model of an unusual typology, a building that would be easy to assemble and dismantle. The form was created by manipulating the archetypal shape of the house. A playful form is obtained by chaining the module, which is characterized by full and empty volumes, as well as breaks that serve for communication but also help in the articulation of the structure. The whole concept is based on modularity so that it offers flexibility in case of modification or the need to design such a facility in other locations. This project takes into account all functional requirements, but also pays attention to the ambient character of the whole, creating pleasant spaces for the interaction of animals, employees and visitors.

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GRUPA 2 GROUP 2

Bojana Mijatov Sara Mučibabić Mentori | Mentors | dr Dušan Ignjatović, vanredni profesor | associate professor Aleksandar Gavrić, predsednik organizacije ARS | president of the ARS organization dr Grozdana Šišović, docent | assistant professor dr Maja Dragišić, asistent | teaching assistant Nagrada | Prize | work selected for the further development

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Procenivši postojeće stanje naselja Pinosava, u opštini Voždovac u Beogradu, prigradskog karaktera, došli smo do zaključka da je sama lokacija deo prirodnog landscape-a Šumadije sa izuzetnim potencijalom za projektovanje prostora namenjenog životinjama. U skladu sa savremenim tehnološkim parametrima, kao i funkcionalnim potrebama organizacije za montažno-demontažnom gradnjom, odlučile smo se za kontejner, kao osnovni modul konstrukcije. Objekat je konceptualno formiran od ulaznog segmenta i prostora sa smeštajnim jedinicama za životinje. Prostor namenjen životinjama isprojektovan je tako da kreira atmosferu slobodnog prostora, dok životinje nemaju utisak kao da su u kavezu. Razigrane kompozicije, otvorenih i zatvorenih prostora, omogućava posetiocu direktan kontakt sa životinjama. Sami kavezi unutar objekta su podeljeni na tri različite zone u zavisnosti od stepena bolesti. Potrebni karantinski prostor izolovan je od ostalih prostornih segmenata montažnom strukturom, ali i zelenilom koje kreira još prirodnije okruženje.

Tehnologija konstruktivnog modula, kontejnera, daje slobodu projektovanja za nadogradnju više etaža u različitim fazama.

Assessing the existing condition of the settlement Pinosava, in Voždovac, Belgrade, we came to conclusion that the location itself is part of the natural landscape of Šumadija with great potential for designing spaces for animals. Alongside modern technological parameters, as well as the functional needs of the organization for prefabrication, we have chosen the container, as the basic module of construction. The building is formed from an entrance and accommodation units for animals. These units are designed to create an atmosphere of a free space, where animals don’t feel as if they’re in cages.

Designed opened and closed spaces, allow the visitor direct contact with animals. The units are divided into three different zones depending on the disease. The required quarantine is isolated from other spatial segments by a prefabricated structure, but also by greenery that creates an even more natural environment. The technology of the container, gives the freedom of design to upgrade several floors in different phases.

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CIP - Каталогизација у публикацији Народна библиотека Србије, Београд 72 ARHITEKTONSKI fakultet Files AF Files ... / glavni i odgovorni urednik Vladan Đokić. 2020, br. 1- . - Beograd : Univerzitet u Beogradu, Arhitektonski fakultet, 2020- (Zemun : Birograf Comp). - 25 cm Godišnje. - Tekst uporedo na srp. i engl. jeziku.

ISSN 2683-6386 = AF Files COBISS.SR-ID 17802505

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Univeritet u Beogradu Arhitektonski fakultet University of Belgrade Faculty of Architecture arh.bg.ac.rs

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