Rebelicious Magazine Issue #6

NEON DOMINATION FEATURING HIGH FASHION PIN UP MODEL LOULOU VON BROCHWITZ APRIL/MAY #6 FOR GIRLY GIRLS IN A BRUTAL WORLD REBELICIOUSMAGAZINE.COM

PLUS:

SFR SKATES ANTICHRIST STEAMPUNK SPECIAL TATTOO TEA PARTY CHARLES OF LONDON SHHH! COUTURE ALICE VANDY SASHALOUISE VIOLETEYES AND LOTS MORE!

Contents

28 SFR Skates

REGULARS

FASHION & BEAUTY

MUSIC

6 News

8 SashaLouise: The Range

76 Puss Johnson

7 Editor’s Picks

12 Alice Vandy

78 Queens of Sheba

80 Soundtrack

24 Shhh! Couture

81 Film Reviews

REBELS NIGHT OUT 36 Tattoo Tea Party 48 AntiChrist Steampunk Special

EXPOSED 50 LouLou Von Brochwitz 58 Toria Brightside 62 Violeteyes 66 Tiffany Kate 70 Yellow Bubbles Photography

16 Charles of London 2 REBELICIOUS MAGAZINE

72 Leanne James 74 Claire Seville

42 Bella Époque

A Note From The Editor...

Welcome one and all to the April/May edition of Rebelicious. This is being released a little later than originally planned, but hopefully you can all forgive the lateness once you see what’s in our biggest issue yet!

models such Violeteyes, Eon, Leanne James and more, showcase photography work by Yellow Bubbles Photography and Claire Seville, as well as have the usual dose of independent fashion designers let us into their creative worlds.

Within these very pages, you’ll find new content to Rebelicious in the form of not one, but three fashion editorials! We’ve got our first ever skate editorial courtesy of SFR Skates, a stunning 1920s inspired shoot from Anna Swiczeniuk and JessicaLouise Abidde, and also the Spring/ Summer collection from the freak-tastic clothing line Charles of London.

Comedian Marc Burrows gives us a quick insight into what went down at the AntiChrist Steampunk Special (definitely not a read to miss), we have highlights from the Manchester Tattoo Tea Party, Volume interviews, film reviews and more! Be sure to enjoy this issue, tell us what you think via twitter or facebook, and I’ll see you all on the flipside.

For our cover feature, we interviewed international high fashion pin up model LouLou Von Brochwitz. This “SexyNerd” talks about her modelling career, her contortion skills and being a professional mathematican. We also catch up with

Dominique Marshall

Editor/Creative Director

P.S. a quick shout out to Jess Heath from Raffles Bizarre for my awesome “Rebel” necklace you can see in my photo! rafflesbizarre.co.uk

REBELICIOUS #6 APRIL/MAY 2012 COVER CREDITS: Photographer: Franchot & Emmalynn Model: Loulou von Brochwitz Make-Up: Lina Mourey Hair: Lexi Mourey EDITOR/ CREATIVE DIRECTOR: Dominique Marshall

TORIA BRIGHTSIDE Fashion photographer and stylist toriabrightside.com

TERA ARALYN Online brand reviewer tera@rebeliciousmagazine.com

SPECIAL THANKS TO: Emily Barton, Ellen Jones, Toria Brightside, Natalie Woods, Tera Aralyn, Katie Stamp, Tom Willox & Stateside Skates, Peter Leandre & White Ground Skatepark, Joseph O’Brien, Cervena Fox, Vicki Blatchley, Alison Bateman, Mark Burrows, Mark Charles, Anna Sampson, Jessica-Louise Abidde REBELICIOUS MASCOT: Curtis Allen: www.curtisallen.co.uk CONTACT: General: rebeliciousmag@gmail.com Submissions: submissions@rebeliciousmagazine.com Brand Reviews: tera@rebeliciousmagazine.com

NATALIE WOODS Music/Portrait photographer wondergirlphoto.tumblr.com

CONTRIBUTORS

VISIT US ONLINE: rebeliciousmagazine.com www.facebook.com/rebeliciousmagazine www.twitter.com/RebeliciousMag www.rebeliciousmagazine.tumblr.com Rebelicious is an independently produced non-profit magazine. All content copyright of Rebelicious Magazine unless otherwise stated. All opinions and expressed are that of the individual and not Rebelicious Magazine as a whole. All products shown may be subject to availability.

ELLEN JONES Photographer & writer gingersnapdragon.daportfolio.com

KATIE STAMP Film reviewer & alternative model facebook.com/Ivypearl100

We’re always on the lookout for new contributors for the magazine and the website, in particular WRITERS that wish to interview and/or review brands, rate music and films or compile fashion pick wishlists.

For more information on this please email rebeliciousmag@gmail.com!

REBELICIOUS MAGAZINE 3

rebeliciousmagazine.com FACEBOOK.COM/REBELICIOUSMAGAZINE 1 REBELICIOUS

FOR GIRLY GIRLS IN A BRU

TAL WORLD

FOR GIRLY GIRLS IN A BRU

Issue 4

TAL WORLD

Issue 3

for girly girls in a brutal world rebeliciousmagazine.com

ISSUE 5 FOR GIRLY GIRLS IN A BRUTAL WORLD REBELICIOUSMAGAZINE.COM

Y GIRLS IN FOR GIRL L WORLD A T A BRU

FASHI

WE VISIT THE #1 ALTERNATIVE TRADE SHOW

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RUBY TRUE BURLESQUE PHOTOGRAPHER

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REBELICIOUS MAGAZINE 5

NEWS

ON OUR RADAR...

Dolly Cool Spring/Summer Collection out now!

We are major fans of DOLLY COOL’S new Spring/Summer line titled “The Sugar Skull & Pearl Collection”. Inspired by Mexican imagery and styling, it features hand sculpted Sugar Skulls, with crystal eyes on matching beaded chokers. As with all Dolly Cool jewellery, each piece makes a real statement and with an original hand sculpted design, they are truly unique.

Available in 4 distinctive colour ways to choose from, there is sure to be something for everyone! Dolly Cool is created with a passion for all things Rock n’ Roll: the style and music of the 50s, old school tattoos, and a love of Japanese Kawaii culture thrown in for good measure! If you are looking for original cute, macabre, Rockabilly, Punk and Tattoo themed jewellery and accessories, look no further! Dolly Cool’s entire range is handmade from scratch with love in the U.K, by Dolly herself (aka Clare Dutton). www.dollycool.co.uk

Rockalily Cuts ReeRee Rockette, who runs ROCKALILY LIPSTICKS, recently broke the news that she is to undertake a new adventure into the world of ROCKALILY CUTS! She will be opening a new hair salon based in London, where all you rockabilly loving guys and gals will be able to go in order to get your vintage rock ‘n’ roll fix of Bettie bangs, quiffs and more.

We’re wishing ReeRee the best of luck in her new venture, and you can keep up to date with all things Rockalily over on her website: www.rockalily.com

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Rock ‘N’ Needle New Range Looking for something simple but with that all important rock ‘n’ roll twist? If you’re in need of new additions to that all important growing wardrobe, then head on over to ROCK ‘N’ NEEDLE who have recently launched their newest range of vests, crop tops and jumpers.

Here’s a quick note about the new range courtesy of founder Kelly Goss: “With the latest collection I wanted to maintain the influence of British rock ‘n’ roll (for example the “It’s only Rock ‘n’ Needle But I Like it” T-shirt) with the UK being in the limelight so much this year with the Olympics and Jubilee! Also the festival season with the shades and festival poster print style.”

To view and purchase more of the new range, check out the Rock ‘N’ Needle website: www.rocknneedle.com

Editor’s Picks

ABBY DAWN HEARTCORE DRESS

PAMELA MANN BOW SUSPENDER TIGHTS

SPRING HAS FINALLY HIT, AND ALTHOUGH THE WEATHER IS RUBBISH WITH ALL THE CONSTANT DOWNPOURS, A LITTLE BIT OF RAIN ISN’T GONNA STOP US GIRLS FROM SHOPPING! AKUMU INK J’ADORE TSHIRT

KILL STAR MICKEY MISFIT SWEATSHIRT

JEFFREY CAMPBELL STRIPE LITAS

MOOMOONZ PISTOL RIBBON EARRINGS

IRON FIST RUFF RIDER WALLET

DISTURBIA SUPER LOSER VEST DRESS

CHERRY HOUNDSTOOTH TOTE BAG

TOPSHOP HIGH WAISTED HOTPANTS REBELICIOUS MAGAZINE 7

SashaLouise FASHION & BEAUTY

WANT TO VENTURE INTO THE WORLD OF WEARING LATEX BUT NOT SURE WHERE TO BEGIN? FASHION DESIGNER SASHALOUISE HAS THE SOLUTION FOR YOU IN HER NEW AFFORDABLE COLLECTION “THE RANGE”.

WORDS: DOMINIQUE MARSHALL PHOTOS: NILS BRATBY MODEL: HELEN LIL’-LEOPARD LAMBERT

Tell us a bit about how you got into the business of fashion design and using latex as your main material…I wanted to be in fashion ever since I was a little girl, I used to draw all the time and tell my mum ‘I’m going make you that when I’m older!’ And it just went from there really. I went to Art College and then London College of Fashion. In my graduate collection I introduced Latex and fell in love with the fabric! I just started experimenting with it and even now I’m trying to push it to see what happens.

You recently released your new collection called ‘The Range’. What was the inspiration behind this? The inspiration behind The Range is to create wearable, affordable, classic latex clothing for the firsttimer and latex lover. I want to give everyone a chance to wear latex!

Describe your own clothing style… My own clothing style involves wearing a lot of black! The only colour I wear is on my head - it changes on a very regular basis! I really love 80s metal so bands like Motley Crue, Aerosmith and Def Leppard definitely give me inspiration.

Are there any pieces you’ve made that are personal favourites of yours? From The Range my favourite piece has to be the strapless top!

What are your views on the growing popularity of latex? The growing popularity with Latex is kind of unbelievable. There are a lot of great designers out there, but it’s just really disappointing to see that there are also just as many copycats that rip off designs.

If you could produce a custom outfit for anyone in the world, who would it be and why? If I could create a custom outfit for anyone it would have to be Steven Tyler or Nikki Sixx! They would look amazing in Latex!

What is it like working alongside latex veteran Kim West? Working with Kim West is fantastic! Not only has she been in the industry from the beginning, but she is such a creative and inspirational person. She has taught me so much and has helped me develop my skills as a designer.

What does the rest of 2012 have in store for Sashalouise? The hopes for Sashalouise in 2012 is to continue to grow and develop.

Search “Sasha Louise” on Facebook

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FASHION & BEAUTY

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FASHION & BEAUTY

Alice Vandy How did you start your journey into fashion?

I came from an art background, studying Fine Art in Cornwall and then Fashion in Plymouth. I really didn’t enjoy school so it was amazing finally having the freedom to put my energy into something I loved.

Is being creative something you’ve always enjoyed?

Yes, I’ve always been artistic and musical. When I was younger I spent a lot of time dressed in ridiculously impractical clothes; princess dresses to climb trees and a mermaid outfit whilst riding horses. You know, that kind of standard riding attire!

What inspires your work?

Many different things inspire me; street style, psychedelic films, wildlife (I definitely have a penchant for feline creatures!), music.

Do any of your pieces stand out as personal favourites?

My final uni collection pieces will always be my favourites. I won my first piece of editorial in Disorder Magazine with the collection, and it has since been used for The Clothes Show and been shot in Milan for FaceOn magazine.

Describe your clothing style...

Schizophrenic riot grrrl boho popstress... I think that sums it up?!!

You’ve produced garments for Cher Lloyd, Jessie J and Britain’s Next Top Model. You must have been excited to work on these projects? Completely! BNTM was one of my first jobs, so you can imagine how exciting it was to have your creations on TV for the first time! The one I was most excited about was the Jessie J commission, a catsuit for F1 Rocks in Brazil. I had to meet her in London for the fitting, I was so nervous! She was lovely though, and the catsuit looked amazing on her!

Is there anyone you would absolutely love to create a commission piece for? M.I.A, Rihanna, Bjork, Lady Gaga, Lana Del Ray... To name a few!!! With any luck they are all reading this and will be straight on the phone haha!!!

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FASHION & BEAUTY

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What has been the highlight of running your own clothing line? Having Jessie J buy pieces from my first collection after a few days of it launching was awesome. I could never have dreamt that would happen!!! Getting great feedback from customers is also amazing, especially when people come back and buy more. I have a few customers who almost have my entire collection!!

Who are your fashion icons?

I don’t really have specific fashion icons. I admire unique style and people who have fun with it.

What does the future hold for miss Alice Vandy?

Well I’m working on a menswear collection at the moment and also a couture line. There are so many things I want to do this year. I have plans for a unique display in London, I won’t say too much yet!! You’ll have to keep an eye on my Facebook updates!!!

View more of Alice Vandy’s work on her BigCartel page: alicevandy.bigcartel.com

WORDS: DOMINIQUE MARSHALL PHOTOGRAPHY: LOUISE-VISSEN BODYSUITS: ALICE VANDY

MODEL: COLLEEN DEARY MUA: BECCA SEARLE

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Model: Honey Manko Photographer: Dorota Muczynska Makeup: Sharka Nufna Hair: Magdelena Furmanik ALL CLOTHES BY CHARLES OF LONDON www.charlesoflondon.com

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FASHION & BEAUTY

Models: Scarlet Mae and Honey Manko Photographer: Dorota Muczynska Makeup: Sharka Nufna Hair: Magdelena Furmanik ALL CLOTHES BY CHARLES OF LONDON www.charlesoflondon.com 18 REBELICIOUS MAGAZINE

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FASHION & BEAUTY

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Models: Miriam Pierzak and Samar Khoury Photographer: Lucy Brown Makeup: Holly Knoyle Hughes Stylist: Amy Clements ALL CLOTHES BY CHARLES OF LONDON www.charlesoflondon.com REBELICIOUS MAGAZINE 21

FASHION & BEAUTY

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Models: Miriam Pierzak and Samar Khoury Photographer: Lucy Brown Makeup: Holly Knoyle Hughes Stylist: Amy Clements ALL CLOTHES BY CHARLES OF LONDON www.charlesoflondon.com REBELICIOUS MAGAZINE 23

FASHION & BEAUTY

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Shhh!Couture A LOVER OF GEEKERY, EXPERIMENTATION AND OF COURSE LATEX, FASHION DESIGNER SHOSHANNA ANI TALKS US THROUGH THE INSPIRATIONS AND IDEAS BEHIND HER COUTURE LATEX CLOTHING LINE, SHHH! COUTURE.

What inspired you to start up Shhh! Couture and choose latex as your main fabric?

During my time at university I had the chance to work as a designer for a then up-an-coming latex company based in the UK. I took the opportunity (of course!) and loved every minute. It was completely different to what I was studying at the time. I worked with the company for 8 months before leaving to focus on my 2nd year at university. In the final year of my BA degree, I decided it was time to mix things up a bit, and do something no one else on my course was doing. Once I started incorporating latex into my work, I couldn’t look back - I was hooked! Over time I developed my own techniques and style and decided I’d launch my own brand and see what would happen. It was the best decision I ever made!

Why the name “Shhh! Couture”?

Shhh! came from my nickname - Shush. Couture came from the fashions I studied at university. When I put the two together it seemed to fit and has stuck ever since. People often ask how to pronounce it - it’s “Shush Couture”, though it’s fun sometimes to actually say “shhh”!

What inspires you the most when it comes to designing?

There are so many things that inspire me - it can be anything from music to science and the mainstream fashion industry. I’m often inspired by the models and photographers I work with. I’m still very much into Haute Couture fashion and find a lot of ideas and techniques when I browse through designer collections. A total guilty pleasure for new ideas is the Victoria’s Secret Fashion Show. I could watch it every day and still be inspired!

Are there any pieces you’ve made that stand out as personal favourites?

Oh yes! So far it’s the Storm Trooper catsuit and the Mario inspired outfit. I love incorporating geekery into my work - I think it’s what I’m getting known for!

How would you describe your own personal clothing style?

My style? A little rockabilly, a little rock’n’roll and a little fashionista.

I’m totally addicted to fashion and shopping! I love to experiment with my style so I change my look all the time.

Latex has become an incredibly popular choice of clothing within the alt industry. What are your views on its growing popularity?

I’m really excited to be a part of it! I think it’s brilliant that latex is making its way further into the fashion industry (both alt & mainstream). I think more people are starting to realize that it’s a great material to work with and wear. It holds you in, emphasizes curves and makes you feel sexy - what more could a woman want!

I also love being able to offer models and latex newcomers the opportunity to experience it, even if they’re on a budget. With my Basics Range you can get a whole outfit from £47, and individual items from £17.

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FASHION & BEAUTY

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If you could produce a custom piece for anyone in the world, who would it be and why?

Tough question! There are many people I’d like to design for. Jessie J, Kimberly Wyatt and the dance group Prodijig to name just a few!

Jessie J has this awesome style and personality that radiates. She has the right attitude to wear latex and make it look edgy. Kimberly Wyatt is just gorgeous in every way! She’s a phenomenal performer and rocks so many styles, it’s insane! I’d absolutely love to work with her. Where to start with Prodijig?! Their style of dance would show off latex outfits so well! Each time I’ve seen them perform I just picture each of them in a Storm Trooper inspired catsuit - that would be so show-stopping!

What has been the main highlight of running Shhh! Couture?

The biggest highlight so far was the first message I received from a well known internationally published model asking if she could wear my designs for up-coming shoots. I almost fell out of my chair I was so excited! It’s one of those moments you never forget.

(PREVIOUS SPREAD - LEFT) PHOTOGRAPHY BY TOXIC IMAGING MODEL - ANDROMEDAX MAKE-UP BY DIANE DAIKIN GLOVES BY MAXIME AVET (ALL YOU NEED IS GL<3VES) (PREVIOUS SPREAD - RIGHT) PHOTOGRAPHY BY JULIAN M. KILSBY MODEL - CERVENA FOX (OPPOSITE) MODEL - VICKY CHRISTINA. PHOTOGRAPHY BY SEAN CHASNEY (ABOVE) PHOTOGRAPHY BY JULIAN M. KILSBY MODEL - RUBY TRUE. MAKE-UP BY SARAH BROPHY

What can fans expect from you in 2012?

Fans can expect a lot more geekery! I’m developing a mini collection of Storm Trooper outfits, as well as some other pieces in the Mario inspired collection and some Star Trek inspired pieces too. I’m also going to be offering more patterns and hand-painted prints, ranging from flowers to even more leopard spots! www.shhhcouturelatex.co.uk

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FASHION & BEAUTY

SFR have been making skates since roller skating’s rise alongside sweat bands, tube socks and Farrah Fawcett’s hair.

Since the retro comeback of the last few years, SFR Rio Skates have dominated the UK roller skate scene, being the first choice for anyone wanting to grab a boom box, slip on some leg warmers and have some nostalgic fluorescent fun with their friends!

Behind the scenes at SFR is a small and friendly team of skaters and boarders.

They work closely with the roller skate scene, designing and developing everything in the UK. As SFR own their brands, they are able to react quickly to the trends and pave the way in style and quality for price.

SFR Rio has designs for various styles, whether you’re after something classic, loud or punky. There is nothing more 80s than bright colours! With that in mind

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SFR have just released two new colours, a deep red and a luscious lilac! Keeping on trend the skates have striking multicoloured eyelets and side stripes, plus a cool chequered lining.

When you think about ‘exercising’ it can seem like a pretty boring task, and conjures up images of endless front crawl or the treadmill trot. Not everyone is up for conventional exercise and SFR are strong believers in doing things differently. Roller skating is the perfect alternative for anyone who wants to get fit, while having fun and doing it in style!

Whether it’s rolling along the sea front with friends, hitting roller discos or checking out your local roller derby team, roller skating can open up many ways of keeping fit.

Also, roller skating offers health benefits including improving cardiorespiratory fitness, increasing your coordination and gives you even better balance.

Thanks to films like ‘Whip It’, roller derby recently rumbled into cinemas. Many cities and towns are seeing teams starting up for people who want to keep fit and do something different, while letting off some steam and making new friends. It’s not just derby rolling into the mainstream, roller skating has made many appearances on worldwide TV recently, with Apple and Coke featuring roller skating and Lucozade using SFR Sovereign skates on models in their fun fuelled YES! Campaign.

SFR Rio skates are available from £45 from most skate shops and many websites in six striking styles. They are perfect for any aspiring skater who wants to stand out from the crowd, have fun and keep fit without having to spend a small fortune! www.statesideskates.co.uk WORDS: TOM WILLOX BRAND: SFR SKATES: RIO PHOTOGRAPHY: JOSEPH O’BRIEN MODELS: VICKI BLATCHLEY & CERVENA FOX

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FASHION & BEAUTY

SFR SK EDITOR

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KATES RIAL

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SFR SK EDITOR

Brand: SFR Skates: Rio Photography: Joseph O’Brien Model: Cervena Fox 32 REBELICIOUS MAGAZINE

KATES RIAL

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FASHION & BEAUTY Brand: SFR Skates: Rio Photography: Joseph O’Brien Model: Cervena Fox

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Brand: SFR Skates: Rio Photography: Joseph O’Brien Model: Vicki Blatchley

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FASHION REBELS NIGHT & BEAUTY OUT

TATTOO TEA PARTY MANCHESTER’S ANNUAL TATTOO TEA PARTY IS A MULTICULTURAL SHOWCASE OF THE TALENT AND SKILL IN THE UK TATTOO SCENE, CELEBRATING EVERYTHING FROM TRADITIONAL METHODS TO CONTEMPORARY TATTOO INFLUENCED ART. OUR GIRLS TORIA BRIGHTSIDE AND NATALIE WOOD SPENT THE OPENING DAY AT THE CONVENTION GETTING TATTOOED, INTERVIEWING, AND SEEING WHO SAID IT HURT. EXCLUSIVELY FOR REBELICIOUS, THEY REPORTED BACK WITH THEIR HIGHLIGHTS. 

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FASHION & BEAUTY

Sacred Stitches BRIGHTON BASED STORE SACRED STITCHES IS KNOWN FOR ITS UNUSUAL SELECTION OF HAND MADE ITEMS, AND CAN BE FOUND AT EVENTS LIKE THE TEA PARTY ACROSS THE UK. THE GIRLS SPOKE TO MOSES, ONE MEMBER OF A COLLECTION OF ARTISTS FROM SACRED STITCHES. Sacred Stitches’ stall is arguably the most eye catching at Tattoo Tea Party, whose work can we see here today? Thank you. I think it’s eye catching as we have such a diverse range of things. The work we have is by myself (Moses), Anna (the founder of Sacred Stitches), James Woodford from Into You Tattoo Brighton, and James Robinson from Nine Brighton.

Do you have a store, and if so, where is it based? We are mainly internet based and travel to as many tattoo conventions as possible to take our shop to our customers. It means we get to meet more of them and get to see other parts of the country. Our very good friend James Robinson is in the process of opening his own tattoo studio, Gilded Tattoo on St James Street in Brighton, so I suppose you could say that when it opens it is going to be our flagship store?

It looks like you have a multitude of outlets, from t-shirts to taxidermy. Does one of them define Sacred Stitches? Or is it a melting pot of creation? Our main trade is our t-shirts and cushions but I think it’s everything else we sell… bed linen, stickers, porcelain dolls, taxidermy, hand-painted Russian dolls that makes us a whole, and makes us stand out from the crowd. We like to try our hand at producing everything; if it doesn’t work we move on - if it does, we keep it.

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Would you say that as a group of artists, you have a collective style? Or is it the spanning of many genres that makes the brand what it is? Tough one. A bit of both would be the honest answer. Each artist brings something new and exciting to the table as we all have very different styles. But then we collaborate on a design and it works equally as well. I think as a business you can’t pigeonhole yourself to one style, I know it works for a lot of companies but not us. We’re a shop and a brand rolled into one.

Moses, I believe you are responsible for the printed t-shirts that we have all just bought.

Your style almost comes across as tattoo influenced illustration, and every piece has a purpose or tells a story outside of working aesthetically. What is your background? My background is far from glamorous. I ran pubs and nightclubs in my early twenties, which was a lot of fun at the time but takes its toll very quickly. So after meeting Anna, who had set up Sacred Stitches a year before I joined, I realized I needed to find a different path so I made

Anna buy me some screen printing stuff for my birthday. I taught myself how to do it from watching YouTube videos. As the boss, Anna (who studied Illustration at University) gets the final say on all designs that we sell so I have to adapt to suit the company.

Could you tell us the story behind our t-shirts, which depict an anatomical diagram of a mermaid skeleton? That has to be one of our longest running designs. Brilliant isn’t it!

What can I say about the design, we always have a bit of a nautical theme going on with a lot of our products, so a mermaid is perfect.

As for the anatomical part, it just works.

There’s a bit of a trend at the moment for all things Victorian and it just seemed to fit in so well. You can imagine it would have been something discovered and drawn in the late 19th century.

It is THE BEST! sacredstitches.co.uk

Painted Lady

SURROUNDED BY A DISPLAY OF ASTOUNDING ARTWORK BY OWNER DAWNII, THE PAINTED LADY STALL WAS ATTRACTING CONSTANT ATTENTION AT THE TEA PARTY. WORKING SINGLE-HANDEDLY ALL DAY ON INTRICATE HAND POKED TATTOOS WAS SELFTAUGHT ARTIST GOLDIELOX. WITH A LITTLE HELP FROM FRIENDS, SHE HAD TATTOOED THE MAJORITY OF A BEAUTIFUL, EXTENSIVE SEPIA CHEST PIECE ‘IN THE MIRROR’, AND TOOK THE TIME TO DISCUSS THE ART BEHIND HER METHOD WHILST TATTOOING CAMERA FILM ACROSS TORIA’S ARM, DOT BY DOT.

We were greeted with tequila shots in Union Jack mugs and new interpretations of the original tattoo design, demonstrating what must be a tendency for customer/artist collaboration at Painted Lady. The traditional hand-poking method is known for being more time consuming, but one which allows far more intricate designs to come to life. Goldielox sees the creation of permanent art on a person’s skin as a ‘privilege,’ and through her style, puts inspiration from her artistic background into every piece she does.

How did you learn this style of tattooing?

I taught myself, I’ve been a fine artist for ever. I’ve taught, exhibited, I’ve always been an artist. I come from a family of artists and it was just a natural progression really.

Do you see this style as being more artistic?

It just kinda make sense to work with hand and not machines, I work a lot. I grew up working with people who do lots of Greek grafts, ancient old grafts…

It just seemed to make sense to do something that was more that was more true to the hands, more natural.

When not taking part in conventions, the artists of Painted Lady Tattoo Parlour can be found on Station Road in Northfield, Birmingham.

To book appointments, get in touch on 01216086086 or 07947977899

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FASHION & BEAUTY

DARK ARTS

DURING THE CONVENTION, TORIA AND NATALIE CAUGHT UP WITH OUR FRIENDS AT DARK ARTS MODELLING AGENCY, WHO HAD A STALL AT THE EVENT. IN BETWEEN GETTING TATTOOED AND TAKING TURNS TO BE THE RING GIRL AT THE CHARITY BOXING MATCHES, OUR GIRLS WERE ABLE TO TALK TO THE DARK ARTS MODELS ABOUT THEIR TATTOOS, AND WHAT MAKES EACH OF THEM STAND OUT IN THE GROWTH OF THE ALTERNATIVE SCENE. Toria: Asha how long has Dark Arts been going for?

ASHA: For the last 2 years now as it is. It originally launched in 2005, online as a networking site before. We started taking up models for the past 2 years, and it went from there to becoming an agency.

How has it grown as an agency in that time, with regards to things like the number of models?

The number of models has gone up and down, but we learn the good ones as we go along. We just concentrate on a select few now, around 150 in total.

As a model yourself, you founded this agency.

Did it stem from a passion for modelling, or a passion for the alternative?

A bit of both really; when we did start, Alt wasn’t as big of a trend, hardly anybody did it. I wanted to do something with that, that’s where Dark Arts came from.

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There’s a lot of new agencies of this nature springing up, I wondered what would you say makes Dark Arts the one to go to? Perhaps you’re the original one?

Yeah, I like to think we are very different to the others - more on the basis that the models we book are marketable, with the right kind of people. It’s definitely a quality thing, and to do with experience as well. We check out everyone that applies, but we don’t always take the beginners unless we feel like they have really got potential.

I wanted to ask everybody this; the market for alt girls and even boys has become more saturated; the factors that I love about alternative models such as unique features and fearless attitude are being taken advantage of by some. I wanted to know what makes each of you guys the real thing.

KAY KAY: For me it’s more about race.

Flavour?!

KAY KAY: Yeah! [laughs]

CICI RYDER: I think it’s more about letting your character come out, especially on a shoot.

You’ve got to be yourself, add a bit of personal attitude. When you’ve got tattoos they are very personal, they are a great way to show your character on the outside - it makes a big difference to you.

Cool, so it’s a more personal shoot?

CICI RYDER: yeah, definitely.

DICKIE: It’s about being yourself, being comfortable with who you are, be the way you wanna look with no one judging you. It’s much more of a lifestyle, rather than a front. It’s not just doing it for the sake of getting the jobs it’s who we are, it’s just how it is for us.

VIVI STERLING: I have to say the same, it’s just being yourself and taking things in your stride - treating people the way you want to be treated, and just hoping that you get that much back, if not more. You just hope that whatever you’re doing, other people appreciate it. Because we’re not always stick

thin, we’re not always what everyone else would consider normal, but then again what is normal? I guess it’s about being kind to people and being yourself and just being awesome, totally fucking works!

ASHA: Not being normal models definitely, twigs, big headed…

VIVI: Yeah exactly [laughs] ASHA: Everyone’s themselves which is much better than just being ordinary.

Emma Heron: I started out as a glamour girl doing things with a couple of men’s magazines and I wasn’t being myself. I didn’t have my tattoos at the time, but I wanted them. I thought that I couldn’t because of my job, but than I thought sod it, I want them. I’m mental.

It goes with my head! My work has more than doubled; it’s tripled since I got my tattoos.

Since I became true to myself, I come out of my shell on shoots now and it’s not all about [pulls stupid faces] girl next door - my work took off, and now it’s my main job. I went from being semi professional because I wasn’t getting the bookings, to having my tattoos and thinking I’m either going to do it, or lose it. But at least I’ll be myself.

The message I’m getting is that you guys at Dark Arts are true to yourself, rather than putting on a front for the sake of work. That’s really encouraging for a lot of people, not only your prospective clients, but people who get a hard time for being themselves.

NINA TERROR: I treat being an alternative model as a lifestyle as well as a look – an alternative look, anyone can do that. Get a few tattoos and piercings and some dark eyeliner, and pose for the front cover of a magazine anyone can do that. You have to be yourself and you have to have that lifestyle in order to make it come alive in photos, videos, whatever you do - you have to live that rather than just pretend to be that sort of person. It’s got to make sense.

Definitely.

WHIPLASH: I think that before my tattoos and my piercings I didn’t quite feel right, I didn’t really know who I was or anything.

And then when I actually started getting my tattoos and piercings I just felt so much more confident. It’s weird, because I look at alternative modelling as ‘normal’ modelling - I don’t look at people with tattoos and piercings and think they look weird - to me, that’s normal. I don’t really notice it as ‘alt.’

It’s a great form of self expression as well; it shows people who you really are, and that you don’t let the opinions of others hold you back, it more about being you.

“WE’RE NOT WHAT PEOPLE WOULD CONSIDER NORMAL, BUT THEN AGAIN, WHAT IS NORMAL? THIS IS JUST ABOUT BEING AWESOME.” VIVI STERLING Cool, it’s that you happen to live that way, it’s your lifestyle - you are who you are.

EMMA: It’s an extension of who you are.

Nina: I know so many alternative models who don’t have any tattoos or piercings, so alt is not just about that.

EMMA: Yeah, it’s not solely about that.

VIVI: Exactly. I started having no tattoos, modelling fetish and alternative without any of that. You have to express yourself through the photos or whatever it is you do.

NINA: Yeah through your styling, through your…you know, you have to express your individuality. It’s more attitude and your style.

Not just like what’s on your skin and what colour your hair is, or how many piercings you have. It’s just about you as a person and what sums you up and what makes you stand out.

VIVI: And also you may not realize that all of us people are hard working at the shoots. I mean, some of us organize our own shoots and put in our own ideas - our own everything.

EMMA: Yeah you do find that a lot, with alt it’s up to you and what you put into it.

I know I’m a fashion photographer, and that’s the way my work will stay, but there is a way that alternative girls model that I am really attracted to - I discovered it shooting with Biomechanina and Sapphire Black after working with fashion models for so long. I suggested and demonstrated a simple, direct pose and both almost automatically did their own take on it - it wasn’t at all what was expected, but it worked so, so well. This little flare isn’t the same from girl to girl, it’s different, but it’s the same in that none of them are afraid to be different.

EMMA: Yeah, because it’s alt, it’s about being yourself and breaking through that barrier. So with preppy glamour it’s gotta be girl next door, it’s got to be this look, this style. But with us, it’s like… right, your alternative, alt is your weird. It’s not about been something certain.

WHIPLASH: It’s more like a frame of mind...

It’s not just about people having piercings because anyone could go out and do that. It has to come from within you.

CICI RYDER: People have tattoos that aren’t necessarily alt, tattoos are a massive thing. I think that tattoos are very personal, especially to me, I mean, it’s what you get tattooed on your body, you know - you don’t just go into a shop and get some random fashionable art, or like “I’ll have Tracy written on my boob please.”

[ALL LAUGH] EMMA: That was my first! [MORE LAUGHING] I got my name on my back! And everyone looks at me and says, you’ve got all these ‘out there’ tattoos… and then you’ve got that?! I was 15, I was just so excited that he believed I was 18!

I was just going to ask you all about tattoos with interesting stories.

EMMA: I have my postcode on my ankle, I got pissed and we chipped in for a tattoo gun off some guy. I woke up and I tried to scrub it off, and I was like, right - that hurts. So I rang my mum and was like “mum, I’ve got my postcode on my ankle!” [All laugh] It’s still there, but I don’t live in Cumbria anymore!

NINA: At least that’s got a story behind it, that’s the good thing.

[LAUGHS] Did anyone get tattooed today?

VIVI: I’m gonna!

KAY KAY: I did, I went to Tim Hinton in House of Mojo.

Gotta ask, did it hurt? Oh my god it’s camera film! That’s what I’m getting in like… 10 minutes!

KAY KAY: [LAUGHS] Great minds think alike. It hurt! www.darkarts.org.uk

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FASHION & BEAUTY

BELLE ÉPOQUE Photographer: Anna Swiczeniuk Makeup Artist: Cheyenne Raymond Model: Jessica-Louise Abidde

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Lingerie: Kiss Me Deadly Corset: Velda Lauder Hat: Apatico

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FASHION & BEAUTY

Lingerie: Kiss Me Deadly Hat: Apatico 44 REBELICIOUS MAGAZINE

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FASHION & BEAUTY

Lingerie: Kiss Me Deadly Corset and Neck Corset: Boom! Boom! Baby!

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Lingerie: Kiss Me Deadly Corset: Velda Lauder

BELLE ÉPOQUE

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REBELS NIGHT OUT

COMEDIAN & BASSIST OF ‘THE MEN THAT WILL NOT BE BLAMED FOR NOTHING’ MARC BURROWS GAVE US A QUICK LOWDOWN OF WHAT WENT ON DURING THE ANTI-CHRIST STEAMPUNK SPECIAL EVENT THAT HAPPENED IN MARCH. *WARNING* NOT FOR THE EASILY OFFENDED! 1) There are signs saying “NO WANKING!” everywhere. This tells you two brilliant things - firstly, and reassuringly, you’re in no danger of accidentally making eye contact with someone having a crafty stroke, which would be awkward, and secondly there’s stuff going on so perverted, red hot and probably fucked up that people may well want to crack one off right there, thus the need for signs. The only Hand Shandies allowed tonight are at the bar, as I say to one punter who promptly hurried off only to come back with a lemonade-and-lager drink and a look of disappointment.

FIVE REASONS WHY CLUB ANTI-CHRIST IS LONDON’S BEST FETISH NIGHT...

WORDS: MARC BURROWS PHOTOS: DAVID BRIGGS

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2) The audience are creative nutters in everything they do. I’d been given a headmic for my MC duties, which along with my eyeliner make me look like a Goth Justin Bieber or like I work at the worlds most awesome Drive-Through. Someone heckles me with “MICHAEL MCINTYRE CUNT!” Great heckle, although I’m not taking that from someone dressed as Prince fucking Valiant.

3) Boundaries are pushed. I introduce one act tonight who shoves an umbrella into her Vagina and squirts water out of her bumhole. A man uses a Dildo nailed to a stool to wheelbarrow her around the stage via her

vagina. The man is dressed as a cow. Later on she will smoke a cigarette through her special lower-lady mouth, splitting the audience into those turned on, those freaked out, and those jealous that she’s got around the smoking ban.

4) There is role-play and there is costume but there is no pretence. Where many nights would have Burlesque, club Anti-Christ has strippers, because let’s face it, that’s what they actually are. ‘Satan’s Strip Show’ is well named: It’s sexy as all hell and will probably lead to your damnation. Special mention must go here to co-organiser Missy who did a one-off charity strip and managed to outshine everyone else.

5) You can still be surprised. Tonight’s bill contained 1x Metal band, 1x Steamfunk band, 1x woman who keeps a bottle opener in her bum (see point 3) and 5 x full strip routines, but the best crowd reaction goes to Professor Elemental, a Victorian Rapper who closes the night to an audience that is going bananas and singing about tea.

Club Anti-Christ - abandon any preconceptions at the door, embrace your fetishes and leave your cock alone. Awesome stuff.

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EXPOSED Photographer: Franchot & Emmalynn Model: Loulou von Brochwitz Make-Up: Lina Mourey Hair: Lexi Mourey

HIGH FASHION PIN UP MODEL. PROFESSIONAL MATHEMATICAN AND CONTORTIONIST. LOULOU VON BROCHWITZ. 50 REBELICIOUS MAGAZINE

Photographer: Franchot & Emmalynn Model: Loulou von Brochwitz Make-Up: Lina Mourey Hair: Lexi Mourey

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“The number one rule is “Don’t be a look-alike”, unless your aim is to become a typical and conventional model. Be inspired, and always be ready to re-invent yourself.”

Photographer: Franchot & Emmalynn Model: Loulou von Brochwitz Make-Up: Lina Mourey Hair: Lexi Mourey 52 REBELICIOUS MAGAZINE

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EXPOSED Your modeling career started officially when you were 14 and represented by an agency. What initially inspired you to become a pin up model? As an agency represented model I was only booked for mainstream and classic jobs – most of them were not artsy at all. My model agency was responsible for my career and also my success. I was more or less just waiting for an exciting and creative job. I always disliked the somewhat snooty attitude, which is a pervasive part of the modeling industry. Furthermore, I recognized that there are so very many girls that believe that they can also become models, which makes being a conventional model rather “exchangeable”. Most of my model colleagues were pretty, perfect and so brain dead. That’s why I decided to create an emphasis in modeling: The High Fashion Pin-Up Girl. That’s an image with which I can identify myself and I would be able to share my vision with the world of a unique and visual retro branded Pin-Up Girl and contortionist.

You’re widely known as “The World’s Only Mathematical Model”, and even have an equation tattooed on your arm. When and how did your passion for Maths come about? My parents are both scientists and my father is a physicist and mathematician. Already as a child I could see his fascination and passion for math. Later, in high school, I discovered that mathematics is able to explain the world we live in. It was the only discipline that could give me answers to my questions about life, time and death. Mathematics is so much more than numbers and rules. Mathematics is the matrix of our world. I was driven by thirst for knowledge and I immediately knew that I want to understand the rules of mathematics!

Looking through your portfolio, it’s clear to see that you have a special talent as a contortionist. Was this a talent you developed from a young age? Yes, actually I am naturally flexible. Most of my life I considered my natural flexibility to be normal and didn’t realize that it was such a unique talent. Then after one photo shoot my photographer expressed that he was flabbergasted at the extreme degree of my contortion skills. He told me my talent was quite unique and advised me to sustain my contortion modeling - he felt it would especially make me stand out in the world of high fashion, which it has.

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The “Neon Domination” shoot featured is obviously very thought provoking and striking. Could you tell us a bit about what the general idea/concept behind “Neon Domination” was, and what it was like during the shoot? The Neon Domination editorial is actually a very personal concept that was developed by Emmalynn, the creative director, and me. I do not want to reveal the actual idea because it would annihilate the fantasy of the viewer. The photo shoot itself was a challenge: First the crew of 11 people had to climb down a canyon and in doing so the make-up artist almost lost her balance. It was sunny and extremely hot – about 115 F – so the make-up was sliding off my face after 5 minutes, and posing for the shoot was torture because the ground was sizzling hot. But nevertheless I was crawling on the ground and tried to look relaxed.

Obviously modeling involves a lot of motivation, confidence and hard work. How do you make sure that you are always on top form when it comes to building up your portfolio? Do not think about it! In particular, do not think how important a job really is – this makes you only nervous and lack in concentration. So the trick is to be on time, be professional, but do not prepare yourself too much.

Your portfolio portrays a very sultry look, and when mixed with the contortion it becomes even more artistic yet haunting. Do you spend a lot of time practicing different poses for shoots, or does it all come naturally? I do not practice for the shoot itself. But to further my flexibility skills even more, now I engage in regular contortion training.

As well as being a pin up model, mathematician and contortionist, TV is another avenue you work under. What’s it like working in TV and what are some of your most memorable moments? I am very happy about the fact that I can split my work between TV hosting and modeling. I regard modeling as art. Photography is subjective and stylistic and can approach the level of perfection - a model might even look surreal. On TV you can show who you and your personality are, and tell people your point of view. People somewhat expect you to be more or less a genuine person on TV. But very often reality TV shows are scripted in advance, and the protagonist is not allowed to be real, but has to act as a character. This can be a major problem when a person is collaborating with a TV Company. I always try not to pretend to be someone else.

Nevertheless it can sometimes happen that you could end up looking a little silly or foolish because of post production and producers trying to impress audiences. There are many memorable moments, but here is a ridiculous situation I will never forget: A TV crew was accompanying me on my trip to LA. We spend already 8 hours with filming the show and I was really hungry. The producer decided that we should film our stop at a restaurant. So everybody was ordering a meal and it was my turn to order, but they forbade me to order anything with the explanation: We want you to look nervous and excited on TV and thus you are too nervous to eat or drink anything! I was so peeved about this impertinent suggestion so that I ordered an extra large portion.

What does the rest of 2012 have in store for you? I would eventually like to use my contortion not only for my modeling but also for a High Fashion Contortion performance – something highly unique, that no one has done.

I am currently working on the concept.

What advice would you give to anyone that wants to become a model?

Keep asking yourself if you are really in the right business. If so, don’t copy former Hollywood stars or anybody else. The number one rule is “Don’t be a look-a-like”, unless your aim is to become a typical and conventional model.

Be inspired, and always be ready to re-invent yourself. Then work hard on your dream. It might take 5 or more years till you reach a certain level. Most of the people won’t be nice to you until you will be an A-list celebrity: You’d better toughen up! And don’t forget that an education is always more important than any success as a model. www.sexynerd.us

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TORIA BRIGHTSIDE IN THIS ISSUE, WE WELCOME FASHION PHOTOGRAPHER AND STYLIST TORIA BRIGHTSIDE TO THE REBELICIOUS FOLD! SHE’LL BE BRINGING SOME AMAZING FEATURES TO FUTURE ISSUES OF THE MAGAZINE, BUT FOR NOW WE THOUGHT IT’D BE BEST TO INTRODUCE THE LADY HERSELF AND HER LOVE OF PHOTOGRAPHY...

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Looking through your portfolio & blog, the use of a traditional film camera is a massive part of you capturing behind the scenes stills and the different aspects of your travels. Was using a traditional method a conscious decision from the beginning when you started photography, or was it something you grew into? There is honesty in film that I can’t find anywhere else. Instead of the ‘information’ being recorded onto a digital memory stick, and the camera being programmed to see colours a certain way, film is the literal light of the moment traveling through a box and being burned onto film. I see something amazing and special in that my first camera was actually a traditional film camera. The way of learning made sense to me, and I feel fluent in it now. I’ll be the first to say that I’m not technically advanced in modern digital mediums at all, and there are so many who are. There is thorough talent everywhere, but film maintains a charm that always surprises me. It’s certainly something that I’ll never grow out of.

Tell us a bit about what initially got you into photography… It was always an essential to me, even though I didn’t make the link between a love and a career until I was well out of college. I always had phases of being obsessed with different cameras… I had a phase of photographing friends that interested me at college when I had a point and shoot, and there was a massive disposable phase in summer 2005, just documenting all our adventures. Everybody loves photographs - I was always appreciative of how they can make you look back as a history, and how they could be viewed as an art form. About 3 years ago, some nasty girls told me that I couldn’t do it… and it’s been a thoroughly enjoyable no-brainer every day since.

What are some of your favourite concepts/ themes to shoot? I really enjoy taking advantage of the world that fashion photography opens up, there is a beauty in that it isn’t reality; the world of fantasy is at your fingertips. Some of my favorite shoots have been with Eustratia (latex designer) due to the creative input, from concept to styling, being so fluid throughout. I’m not just a button clicker; often fashion shoots will involve a huge team with assigned roles, but I like it being a collaboration of the core creative minds that take part.

What are your other main pieces of equipment? I love basic cameras – I mainly use my first camera (Pentax K1000), her brothers and sisters, and a golden Holga. You’d be surprised how many everyday items you can use to create an interesting effect on a photograph… I use fabric, glass, cellophane, Vaseline, a kaleidoscope that I got in a party bag… anything that I can find. I also have a pinhole camera that my friend and I made from cardboard!

Where have been some of your favourite places to visit? My recent trip to Berlin was incredible – I’ve been before, but not for long enough to truly appreciate what the city is.

It’s a really inspiring pace for artists, there is something on every corner and no sense of art being unwelcome, or negatively judged.

Everybody should go.

What are you inspired by? Anything and everything, the world in general – I think it’s hard for me to pinpoint. I recently answered this in another interview; I told them that I think a lot of creative people would say, “they get inspired by everything”, but it’s true, from the heart. Inspiration can be a sight that springs itself upon me, a photographer whose work astounds me or a moment I share with a person whose path crosses with mine. A combination of everything I see, touch and hear evolves into an image or a series that is brought to life by the designers or models I am lucky enough to work with – it’s usually a huge collaboration with the people involved, but I get a strong feeling when something is right.

The world never ceases to be an incredibly inspiring place whether it springs hardship or bliss on you.

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For those that may not have heard of them before, who are the band of babes otherwise known as The Elite, and how did the group form? Haha! The Elite was one of the style categories at Vau Vau fashion show, which Emma Parry co-hosted with me. These girls modelled in the show with individual hair and makeup looks to reflect their character, and appeared in the stunning Eustratia finale. Everybody looked amazing, and these particular babes worked extra hard delivering a more choreographed performance to showcase the possibilities of latex, and send everyone out on a big high.

Are there any photographic styles that you haven’t tried yet, but would love to have a go at in the future? I have wanted to do a fantasy editorial with extreme styling and set design for a while, and can say it’s in the Spring pipeline. Think Tim Walker, Eugenio Recuenco…

I have been lucky enough to meet some incredible people recently and think we’re all ready to take it to the next level.

If you could arrange a shoot with anyone in the world, who would it be and why? Kate Moss. At the Northern Lights! I think a 5’6.5” British girl who has remained a style icon and muse for so many people is someone really intriguing. I’ve thought she was beautiful since I can remember, and she’s just… cool.

What has been the best bit of advice someone has given to you with regards to being a photographer? The bitches that told me I couldn’t have undoubtedly done the most for me.

“The world never ceases to be an

incredibly inspiring place, whether

it springs hardship or bliss on you.”

With the photography industry becoming even more saturated as the months roll by, how do you make sure that your work stands out from the pack? It’s hard to say, I’m committed to my work, and it seems constant.

I suppose I just stay true to myself, and stay true to whom and what I’m shooting. I don’t usually go in with a vision or concrete plans, I just follow the vibe and know that what we create will be real. I think an artistic point of

view rather than a ‘correct’ one works for me; I can’t say why people choose me when they do, but hope it’s because my style and ethics compliment theirs. It’s a team thing, and I’ve been lucky enough to be a part of good teams.

I have a lot to thank my girls for… one of them, Helen Peta Storey who has been nothing short of a muse actually took this shot of me. We’re just a big team who love each other and make things together.

Finally, what are your thoughts on the whole Photoshop/retouching debate with photographers ‘over-photoshopping’ models? It goes with the use of film; I’m not over enthusiastic about relying on retouching as a photographer, I think if you do that, you’re more of a graphic artist. Obviously there are some really bad examples of model photographs being over edited out there, but I think everyone is relatively aware of them.

Likewise there are some great examples where post-production has done as much as realizing a whole fantasy, or as little as reassure one of the babes about her roots when we’re in studio! I don’t edit my film images, but have Photoshop to thank for enhancing my digital images. Like everything, I just think it shouldn’t be over done. www.toriabrightside.com

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When you first started out as a model, did you have any preconceptions on how the business would be? Where there any shocks along the way? I wasn’t really sure what to expect to be honest, my biggest worry was how people would react to me trying to establish myself as a model and how the already well known girls would be - It turns out everyone was lovely! My first “proper” shoot was daunting, I was lucky enough to live close to the fabulous (and now my best friend of many years) Dean Wilkinson who gave me my first tips and helped guide me to (as silly as this sounds) find my style. I think the biggest shock was my first shoot with a not so professional photographer who spent the whole shoot trying to kiss me; we were shooting an art nude set classed ‘sleeping beauty’ where I was naked but covered in garden foliage - It takes a certain amount of trust to shoot that kind of thing and that trust disappeared when I opened my eyes to find the photographer had stripped to his boxer shorts as he was “hot”. I didn’t know whether to laugh or cry, but being a newbie I kept going as I was worried about “gaining a reputation for being awkward” and it took all my willpower not to black his eyes when I opened my eyes to find him looming over me trying to get a kiss....I can laugh about it now but I was absolutely mortified at the time. I managed to compose myself and get dressed and out of there as quickly as possible without kicking him in the crotch! I learned to research people thoroughly and the importance of getting references from other models after that shoot - it could have ended up so much worse!

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You’re definitely no stranger to posing in latex. What is it about latex that makes it such a top choice for you? I always admired latex from getting into modelling and loved the way it shone and emphasized a women’s curves… it’s like stepping into a second skin that allows you to completely transform yourself into another persona - It gives you lots of freedom and stretches with you to get into some weird and wonderful poses but retains its shape, allowing the elegance to show in the curves you create through posing. I’m happy to admit I’m hooked and it will always be my main choice of fabrics to shoot in!

You’re also known for being a gorelesque performer. How did you get into it, and how do you go about creating new routines for your performances? I started out as a burlesque performer but I have quite a dark humour and wanted to do something to shock and entertain...I tried dancing to rock music and popping balloons full of fake blood but nothing really satisfied what I wanted to do. It came about accidentally when someone told me I wouldn’t be happy until I’d danced with my guts hanging out ....that was a lightbulb moment and I spent many days and nights stood in the bath while my other half patiently watched as I tried out new SFX (and ruined the new white bathroom..) and managed to perfect the process. New acts literally come to me as I hear music- I can hear a song and feel inspired, for example I perform “mad as a hatter” which came about after hearing Gwen Stefani’s “what you waiting for” - my

mind works in weird and wonderful ways and I envisioned someone going crazy to the sound of a ticking clock and finally pulling it out of their stomach....Oh I wonder what faces your readers are pulling right now!!!

Modelling involves having a lot of confidence in front of a camera, but does this confidence always transfer away from the lens too? No not at all! Violeteyes is an act, a mask, I’m confident when I’m playing the part but I’m actually quite shy in real life - I get star struck around other models and designers and muddle my words up, it can be quite embarrassing!

Relating to the question about confidence, you’ve shot implied nude and nudes quite a few times before. Do any major issues arise for you when such jobs are scheduled?

I have the same hang ups about my body as everyone else. I stand in front of the mirror poking at things and wishing things didn’t jiggle - I exercise and try to watch what I eat to an extent, but I’m only human. I try to watch what I eat before an art nude shoot but the bonus is you don’t have to worry about the clothes not fitting!!! I’m quite happy being nude though, I always have been from being a child (my mother forever tells me that she was always trying to get me to keep clothes on) - I just breathe in and go for it!

VioletEyes

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How would you describe your own personal style? I think I’m heavily influenced by the pinup/rockabilly style, horror and fetish fashion – I’m some crazy fusion of all three that’s obsessed with the colour purple & ridiculously high heels!

Having already shot in a variety of looks and styles, are there any concepts/themes that you would love to explore in the future?

I’m itching to do something completely different. I’ve started a project based on fairy tales and already shot my take on Rapunzel, Latex Red Riding Hood and Cruella DeVille - 2012 is going to see an expansion of those, along with a Wonder Woman shoot as I’ve been dying to pose as a latex clad Wonder Woman forever!

‘Alt modelling’ has become an incredibly popular industry over the past few years.

What are your views on this, and what advice would you give to those wanting to enter the industry? The most important piece of advice I could give is stay professional, don’t bitch and don’t develop a rockstar attitude - I was told that a lot of my work at the beginning was due to me being approachable, easy to work with and friendly - You have to remember it’s an industry where everyone talks and it’s

sad when you see a promising girl come on the scene who develops a high and mighty attitude and no one wants to work with them due to that. In an ideal world everyone would support each other as it’s a tough industry – I’m not naive enough to think that happens and everyone needs to vent at times - just be clever, Facebook and other public forums are not the place to do this, that’s what your best, most trusted friends are for!

What have been some of your most memorable photoshoots and performances?

I performed my “mad as a hatter” act at Skin Two North and made a member of the bar staff sick - I’m strangely proud of that! I’ve enjoyed all of my shoots, I don’t think there’s many that I could pick out over the others. My Bizarre cover girl shoot was amazing and it was lovely to meet the other girls who came along to shoot after chatting to them over Facebook and twitter for so long (and yes I was star struck!) It’s all about the teams I’m working with; I always have fun working with the likes of Dean Wilkinson and Jamie Mahon…they are always challenging me to push my boundaries and try new things. I’m lucky enough to have some talented designers in my mobile too, who seem more than happy to make the crazy designs I have in my head a reality - Catalyst

Latex made me the fabulous Cruella Deville dress and were extremely enthusiastic about it, and I only have to breathe in Rubber Monkeys Direction to get her fired up and jumping along to my crazy ideas!

What does the future hold for Violeteyes?

More ink, more latex, a change in hair colours – I’ve recently gone from black to light blonde and gained and lost fans of my work in the process ( it can be a fickle industry!) but I’m looking to try new things and a change in hair is the first step - although I know I’ll be black again by Christmas! I’m never quite sure where I’m heading - I just try and enjoy the ride and keep my fingers crossed! www.violeteyes.co.uk PHOTOGRAPHER: JAMIE MAHON LATEX: HELLCAT LATEX JEWELLERY: VENUS FLYTRAP JEWELS MODEL/MUA: VIOLETEYES (LYNSEY WEST)

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What inspired you to take up modelling? I never really thought about modelling when I was growing up. It all started when I was 18 and was asked to model by a local photographer. He approached me and asked if I would be interested in modelling for him as he had an interest in alternative photography. I thought I would give it a go and see what it was like, I had my friend do my makeup and he provided the wardrobe. I had fun and really enjoyed it so I thought I would look online, I think it was MySpace at the time, and look for local photographers to arrange more shoots. I’ve always worked full-time so my modelling was on and off for quite a few years, but in the last 18 months I’ve started focusing more on my modelling and arranging more shoots. Modelling is a creative outlet for me that has inspired me to carry on. For quite a few years I have been reading Bizarre Magazine and seeing the girls in there has inspired me to model more. Models like Mosh, Ulorin Vex and Nina Kate were the main models I became interested in and loved what they did. I’m always browsing online looking for inspiration or other models and photographers work. There are so many amazing, creative people out there and they all inspire me in their own way. It all started as a bit of fun, and the last few years of my life have been when I became inspired to take up modelling on a more regular basis. People inspire me!

Are there any styles/themes in particular that you prefer to model in? I obviously prefer alternative modelling, but I wouldn’t like to limit myself. I’ve not modelled enough styles and themes yet to say which I prefer, so this year I shall explore more and try new things. So many things interest me! Avant Garde concepts and styles are amazing, and this style is near the top of my to-do list. The images always look so beautiful and creative with a strong, powerful feeling to them. I love modelling latex too, it makes you feel sexy and getting the chance to wear it as often as possible is amazing. I love shoots where I can wear things I wouldn’t wear everyday, it’s nice to dress up and be someone else for a day and have a fun experience and capture it at the same time. My favourite shoots are when a whole team is working together with hair and makeup, an outfit, set in a location to go with the concept. I like long day shoots, always feel exhausted but have an amazing time.

Have you ever had any strange/weird experiences during a shoot? Only one particular shoot comes to mind, it was with PhotographAmy. We were shooting in a derelict hotel, I had just a straightjacket and underwear on and black makeup running down my face with massive backcombed hair. We started shooting outside of the building and it was right next to a fairly busy road, so you could imagine the onlookers’ faces. A few of them walked past a few times while I was stood there looking a bit crazy. Then some guy came close to where we were shooting and he looked pretty creepy, he went around the corner and went to the toilet! But he was gone for ages.

Amy and me were a bit creeped by him and then suddenly he appeared. He was a strange character. Another weird experience from that shoot was the fact that I had to ask Amy to pull out a wedgie. Haha! I’m not going to lie, that actually happened, and I must say it has brought our friendship to a new level. Hehe! Being in a straightjacket is pretty tricky when you have an itch or other annoyances that involve using your hands. We had a really fun shoot though, the location was awesome and the images I received back I was over the moon with. Just how I had pictured them in my head.

Are there any makeup/beauty products you just can’t live without? In my everyday life I don’t wear that much makeup. I just keep it basic to foundation, powder, a bit of blush and mascara, and eyeliner on the odd day. When I’m working I would rather have that little bit of extra time in bed so I don’t wear mascara to work anymore. I love Max Factor False Lash Effect mascara. It makes my lashes look huge, and I get a lot of people asking if my eyelashes are fake and they never are. I hardly wear false eyelashes, some people don’t believe me but they are all natural baby! I do love Yves Saint Laurent Touche Eclat, but it’s quite pricey so I don’t buy it all the time, its a little treat for myself. I also love Benefit, MAC, and Urban Decay, but again, they are also pricey so it’s quite rare that I buy myself the nicer makeup brands. Although I would love to spend lots of money on makeup, would be great to treat myself. There is one lip balm, which I absolutely love, and it’s a Hello Kitty balm from H&M. It works great on my lips; it gives them a nice glossy look without feeling sticky and makes my lips nice and soft. It’s only a cheap one too. The one beauty product/ accessory I couldn’t live without is cotton buds! They are wonderful for tidying up any makeup mistakes.

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How would you describe your own personal clothing style? I don’t really think I have a style. I love all styles, every style has something I like about it, and mixing them up is always good fun to do. I always find myself attracted to the more expensive fashions. I’ve always loved black clothing. I seem to look at black clothing more than any other colour, but I’m trying to add colour into my wardrobe now. I remember people saying to me “You will grow out of the wearing black phase when you’er older”, I didn’t believe them, but I guess it’s finally happening. I saw a picture of when I was about 4 and I had a black dress on…I think this started my love for dark clothing. I used to be a bit of a grunge kid back in school, wearing hoodies and baggy jeans. I don’t think I’d ever go back to that style again. I remember going through a phase of always wearing stripy tights when I was about 15. I think that’s where my love for tights came from. I wear tights...A LOT! I own a lot of skirts, mainly short skirts. I have only recently started wearing more jeans.

My everyday style is quite casual, but I do get occasions where I love to dress up, even if I’m not going anywhere. At the moment I’m liking all things animal print; I recently got a leopard print coat which I love, and a bargain too. For photoshoots I love to get dressed up, be someone else for the day and get into a role to suit the style of shoot. I’m not one for doing fancy hair and makeup by day, so when I have it all done for shoots I really enjoy it, it excites me. It’s nice to wear things you wouldn’t usually wear in the street and to feel pretty, girls like feeling pretty.

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Are there any models/designers/ photographers etc that you would love to collaborate with in the future? This is a tough one to answer, as the list would be very long. There are so many models, designers and photographers I would love to work with in the future. Here’s a few models who inspire me and who I admire. Mosh, Rachel Dashae, Apnea, Ophelia Overdose, Twigglet, Susan Coffee, Hattie Watson, Mandy Murphy and Sohui. I’ve always loved Ulorin Vex, and I’m very lucky to have had the chance to meet and shoot with her. I’d love to get the chance to work with her again. As for designers, there are so many amazing and unique designs out there at the moment but I really love the work of Westward Bound, AM Statik, Toxic Vision, Mother Of London, Steampunk Couture, Freyagushi, along with lots and lots of latex designers. There are a lot of photographers in the US that I would love the chance to work with. I really need to get my ass over there, it would be such an experience. I’d love to get the chance to work with Silent View, Lithium Picnic, Jeffery Scott, FrizzyCube, J. Isobel De Lisle, Danger Ninja, Kirsty Mitchell Photography, Lara Jade Photography, Brooke Shaden Photography, MojoKiss, Moritz Maibaum, Allan Amato, Robert Alverado, Winterwolf Studios and Marco Ribble. The list of photographers who I would love to work with is very long, I could be here for days listing them all. I’d also love Robert Masciave, Arnostyle and Shear Terror Hair Designs to get their paws on my hair.

How has being an alternative model affected your life so far? It’s allowed me to become more creative and express myself. I’m not overly creative when it comes to drawing, making things etc, so for me modelling is my creative output in life. So my creativeness has gained a lot from alternative modelling. It’s also introduced me to new things; meeting new people and some are close friends now.

It has also allowed me to travel more, only around the UK so far but I’m hoping to start branching out more over the next year. I’ve had some amazing experiences and had the chance to work with some awesome people in the industry. I have been through hard times though where I didn’t seem to be getting anywhere, trying my hardest and not seeing much of an improvement, and doubting if I should pursue modelling. It’s a hard industry to be in, having that right look that people want to use, maintaining your looks, and the industry itself can knock you back. There’s so much competition, and when you’re in a dark place you can find yourself comparing your work to others. You sometimes think your not slim enough, your skin isn’t perfect, your not pretty enough and it can all get a bit too

much at times, but I have now learned that there may be models out there who are doing really well but at the end of the day we all have something to contribute to the industry. I model as I enjoy it, if something comes from it then that would be amazing but I’m not going to get myself down if it doesn’t. I’m having a great time doing what I’m doing; it’s helped me find more out about myself and find out who I am, and I still have more to find out.

What do you think about the current alternative modelling scene? I think it’s great that the alternative modelling scene is growing. There are so many gorgeous models out there who are great at what they do, so many different looks out there now and a lot of models have great versatility in their work.

Seeing more alternative models is inspiring, it’s great to see models helping out other models with advice and tips. Although I hate seeing the ugly side of it all, people getting hate for doing what they enjoy, models bitching about other models. We are all in the same game, help each other out! It’s sad to see some girls getting into modelling and just taking their clothes off for men with cameras.

Some people think getting into modelling means taking your clothes off to get work, but it’s not like that at all, unless that’s a path you really wish to go down. It’s nice to see alternative models being more accepted now in the fashion industry too, there’s definitely a bigger scene for it now. I think it’s wonderful seeing models in all shapes and sizes, they’re not all thin and 5ft 7, there’s a variety and I love seeing women embracing their curves. I can see more creativity in the industry and it really is inspiring.

Is there anything you hope to achieve by the end of 2012? I hope to get on a front cover, would love to be on the cover of Bizarre Magazine but I think I’m along way off yet. I’m hoping to travel more this year, allowing me to work with more photographers. I want to try new things with my modelling, expand my portfolio and try new looks. This year I’m all about experimenting. It would be great to be involved in more film projects and not just photoshoots. It’s something I’m looking into doing this year, I want to start having behind the scenes footage and more motion footage.

I’m planning on attending more events this year too, Torture Garden is the next big thing on my list, and I really can’t wait for that. It would be a massive achievement for me to model in a catwalk show for a designer at an event, fingers crossed that happens this year.

I’d like more publications too, I’ve had a few which is a great feeling, seeing your images being published for people to see.

Search “Eon - Modelling Page” on Facebook PHOTO CREDITS: NV PHOTOGRAPHY BLINDFOLD: LOUISE MCKAY MUA: RAE EVANS

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Yellow Bubbles Photography

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Tell us a bit about the inception of Yellow Bubbles Photography, and how you came up with the name? I’ve always had my hand in photography, but after finishing school I ended up getting a job as a graphic designer.

My sister already had a business, Spoiled Cherry, and she had been bugging me to help her out and take pictures of models wearing her designs. When my job circumstances finally permitted, I immediately upgraded my camera and was able to pursue my true calling!

It really helped having a sister that I could bounce ideas off of and who was a talented costume and jewellery maker. We are like the Wonder Twins, when our powers combine we can create awesomeness! As for the name... a year or so before, I had started doing graphic design work on the side. When I was trying to come up with a name for it, my daughter was learning to talk and wouldn’t stop saying “Bubbles... Yellow” over and over. I thought that that was as good a name as any and went with it. When I started switching over to photography, it just stuck.

What are your favourite styles/themes to shoot? Urban Decay is my number one. I love to mix beauty, gritty, couture, with a pinch of dark.

Where do you draw your inspiration from?

Classic art, stories, music videos... and my sister’s crazy brain.

With so many people trying their hand at photography, how do you make sure that you stay ahead of the pack and keep Yellow Bubbles unique? It’s super hard with so many talented photographers popping up every day. I’ve been concentrating on staying true to who I am. Between the two of us, we have so many ideas, that I’ve learned not to waste my time doing things just for the money. You can always tell when I’m not inspired by something.

My sister and I are a bit obsessive and we are always brainstorming. We text and call each other constantly with new ideas. I feel that’s the only way that we improve and stay fresh.

Is there anyone in the world that you would love to do a shoot with? For fashion I would love to work with Coco Rocha. My favourite for alternative, of course, would be Mosh.

Are there any shoots you’ve done that stand out as very memorable? A lot of our artistic themes stand out to me. I will always love the Mermaid shoot and Vintage Circus themes. We always have something crazy that happens during a shoot, it just adds to the fun.

What are your plans for the future?

I’m undecided if I want to get a studio or not because I enjoy shooting outdoors the most.

But I usually don’t plan ahead... I just jump head first into whatever awesome opportunity comes my way. I just want to keep doing what I’m doing, while trying to improve. www.yellowbubbles.com REBELICIOUS MAGAZINE 71

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© Rowan Murray

Leanne James

What first sparked your interest in becoming a model? Is it something you’ve always wanted to do since you were young? I offered to model for a friend’s project and it went from there, its not something I planned on doing!

What have been some of your favourite shoots so far? My shoot for the Skin Deep Tattoo Magazine cover was really fun & I regularly work with Rowan Murray as he is one of my favourite photographers.

Have you ever had any strange/weird experiences during a shoot? No, thank god!

Are there any makeup/ beauty products you just can’t live without? My lippy! I have a few Natural Collection lipsticks on me at all times :) How would you describe your personal clothing style? I’m normally in death metal tees & leggings to be honest, if you can call that a style!

Are there any models/designers/photographers etc that you would love to collaborate with in the future? I have recently worked with Latex companies and I am really enjoying it. I’d love to work with Julian Kilsby, I adore his work.

If you weren’t a model, what do you think you would be doing? Working in a normal office job & miserable! I’m very grateful for my life the way it is now & how much fun I have.

As modelling involves a lot of motivation and hard work, how do you make sure that you are always on top form? I’m very driven in general so I often plan shoots & write a lot of notes on what I’m going to do / wear and make up schemes, that’s my way of preparing for a shoot.

What would you say are some of the best things about being a model, and what are some of the not-so-good things? I think the best thing is the people that you meet & the lovely clothes you get to wear, the not so good things are the travelling, often I spend longer travelling than the shoot itself!

What are your plans for rest of 2012 and the future? I want to develop my modelling and work with more clothing companies, and get myself established, I plan to also get another tattoo sleeve! :) WORDS: DOMINIQUE MARSHALL PHOTOS C/O: LEANNE JAMES REBELICIOUS MAGAZINE 73

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Claire Seville

What initially got you interested in taking up photography? I fell in love with pinups and the female form and I’m rubbish at drawing, so picking up the camera was the obvious thing to do.

If you could do a photoshoot with anyone in the world, who would it be and why? I’d definitely shoot Masuimi again, she rocks! But I’d also love to get my hands on Angelina Jolie, she has an amazing look.

Is being creative something you’ve always enjoyed? God yes! I’m always looking to try out new ideas and play dress up with my real life dolls. I have a note pad that is full of ideas that I hope to get round to doing one day. The world we live in gives us so much inspiration that you have to use it.

The photography industry seems to be growing in popularity much like the alternative modelling scene. What are your views on the growing photographer trend? I think more recently with some of the model reality TV shows it’s become cool to be a photographer and I think it’s great that we’re moving away from the photographer stereo type.

What are your main pieces of equipment?

My baby is my Canon 5D MKII, I’d be lost without it. I have been having a little play with a 35mm film camera recently and found that quite exciting.

Where do you draw your inspiration from?

Everywhere! I only have to step outside the door, watch a film or open a magazine and my mind starts whirring.

For this shoot featured, how did your collaboration with Masuimi Max come about?

What was she like to work with? She is a true professional, a real pleasure to work with, so easy going, fun and full of ideas. I’ve admired her work from way back when I was a model myself. So I contacted her to see if she was coming to the UK and when she was, that was it, I had to shoot her. So we did a collaborative shoot with Anatomic Bomb Latex.

Do you have any major goals you hope to achieve this year? Just to shoot more beautiful ladies and to push my skills as far as I can.

More published work would be amazing and hopefully one day a book.

What has been the best piece of advice anyone has given you? Get out there and show everybody everything, make yourself seen and believe in yourself. www.claireseville.co.uk www.iamtrouble.com WORDS: DOMINIQUE MARSHALL PHOTOS: CLAIRE SEVILLE MODEL: MASUIMI MAX

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VOLUME: Puss Johnson WITH AN INFECTIOUS BLEND OF PUNK ROCK ‘N’ ROLL THAT IS READY TO GET YOUR ADRENALINE PUMPING AND YOUR FEET MOVING, PUSS JOHNSON IS RENOWNED FOR PROWLING AUDIENCES AS ONE FOURTH OF PUSSYCAT AND THE DIRTY JOHNSONS. REBELICIOUS HAD A LITTLE CHAT WITH HER TO FIND OUT MORE ABOUT HER BAND, HER IDEAL SUPERGROUP, AND HER OBSESSION WITH ALL THINGS FELINE...

For those that may not have heard of you and your band before, introduce yourself and your sound…We’ve been described as Trash Punk, Trashabilly, Punkabilly, Psychobilly, all that kinda stuff but we’ve always just called it Dirty Rock’n’Roll.

How did Pussycat and the Dirty Johnsons come into existence? Well I was in a band with Jake (guitar) and Antz (drums) called The Johnsons previously. We decided to knock that on the head and give it a new lease of life, dirty it up some more as Pussycat And The Dirty Johnsons. It says a bit more about what we do and who we are.

I guess it would be a huge understatement to say that you’re a lover of leopard print/all things feline? Was this a persona you built up from starting the band, or was it just a natural progression that you wanted to fulfill? It was a natural progression, I’ve always loved leopard print in particular, and cats! I am very cat like.. I like being fussed, treats, and sleeping, and you better know I’ll scratch you if you pull my tail! And I go a bit bonkers at night, so watch your feet when you’re coming up the stairs!

Who/what are your main influences? I’m into so many different styles of music that it’s hard to pin the main ones down, I suppose they all come into play when I write as they’re all somewhere in my subconsciousness. But I do love in particular anything Jon Spencer does, The Stooges, The Cramps, Grinderman, Captain Beefheart, Tom Waits and James Brown. It’s really hard for me to leave it there... I could go on and on!

What are your favourite songs to perform live? Lipstick and Testosterone, I can really get into the thumping grove of it, and Wolfman Sideburns as I like climbing on stuff/people, but I love performing all the songs.

If you could form a supergroup with any living or dead musicians, who would you pick? Jon Spencer on lead vocals, Jimi Hendrix on guitar, Keith Moon on drums and Lemmy on Bass.. off the top of my head, I’ve never thought about it before!

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Tell us an interesting/random fact about Pussycat & The Dirty Johnsons? Me, Jake and Mike all use the same brand of hairspray.

For anyone that hasn’t seen you perform yet, what should they expect from one of your shows? Expect to get involved, by choice or by force! And the more you show you’re having a good time, the more we’ll give back. ‘Magic’ shows are created by the audience.

What advice would you give to anyone looking to start a band? It’s much like being in a relationship, there are hard times and good times. Communication is vital, and if you love the music then you just have to ride through the rough times instead of hooking up with the next bit of skirt that crosses your path!

That’s how to last and be a strong unit.

What does the future hold for you and the Dirty Johnsons? We have plans for a new video, new album and another UK tour for Halloween. We hope to get across the pond to tour Europe later this year or next year. Apart from that… World Domination! www.thedirtyjohnsons.com

WORDS: DOMINIQUE MARSHALL PHOTOS: DEBBIE ATTWELL

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VOLUME: Queens of Sheba MEET BIBI AND RITA, AKA QUEENS OF SHEBA. COMBINING A MIX OF MUSICAL TALENT AND COOL IMAGE INTO ONE PERFECT END PRODUCT, THE QUEENS OF SHEBA HAVE AN AUTHENTIC ROCK AND ROLL SOUND WITH MODERN & VINTAGE INFLUENCES, AND ARE ON THEIR WAY TO MAKING A MARK ON THE UK ROCK SCENE. IN A QUICK INTERVIEW, THE GIRLS TELL US MORE ABOUT THE BAND, BARBIE DOLLS, AND A POSSIBLE QUEENS OF SHEBA CASSEROLE DISH. Who are Queens of Sheba and how would you describe your sound? The Queens of Sheba are an all female rock band looking for global takeover one guitar pick at a time, our sound is good old fashioned classic rock with a fresh pop twist.

Who are your main influences? We don’t think there’s anyone we can really liken ourselves to as to who influences our music and style, but I guess if we had to pick people to create a Queen of Sheba casserole, it would be 200 grams of Led Zeppelin, 500 grams of Tina Turner and a teaspoon of Angus Young.

What are some of your favourite albums to listen to at the moment?

Rita: At the moment I’ve been listening to Madonna - Ray of light album.

Some pretty sick songs on there; I’ve had the album on repeat.

If you could form a supergroup with any musician, dead or alive, who would you pick and why? The ultimate supergroup would be with: Michael Jackson, for obvious reasons, Gwen Stefani, she’s just the epitome of cool, Slash, because he’s one of the GREATEST guitarists around and would just kill every record, Travis Barker, SICK drummer, literally makes me wanna vomit he’s so good. Paul McCartney, because everything he touches turns to musical gold dust!

Tell us a random fact about Queens of Sheba…The Queens of Sheba do a pretty amazing rendition of Barbie Girl by Aqua.

What have you found to be the hardest thing about being a part of the current music industry? Bibi: Being the black sheep [pardon the pun] can be quite hard as it means we are often judged before we’re heard...

It’s quite amusing watching the dudes who were pointing and laughing at the beginning of our set tapping their feet and basically asking for our autograph at the end ;D What’s your wildest ambition for Queens of Sheba? Our wildest dreams would be to have a Queens of Sheba barbie range... That would be insane!

Who would be your dream band/musician to tour with?

Rita: Lady Gaga isn’t the type of person we try to emulate or the type of music we make but her shows look ridiculous. She pulls in a crazy amount of viewers and is so entertaining and I think being on tour with someone like that, you can learn so much about performing, getting the crowd crazy and just putting on a spectacular show. Also I would love to see what goes into the massive productions she does.

Plans for the future? Plans for the future are to bring out an album and EP, tour, get global, get some barbie dolls and take over the world. Obviously. queensofshebaofficial.com

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WORDS: DOMINIQUE MARSHALL PHOTOS C/O: BIBI BELLATRIXX

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Soundtrack

Whilst working relentlessly to get each issue of Rebelicious ready and prepped for your viewing pleasure, we find that cranking the stereo up helps to motivate the work flow. Here are just a few of the albums we’ve been blasting recently...

EVERY TIME I DIE EX LIVES Top Tracks: Underwater Bimbos From Outer Space, Revival Mode, I Suck (Blood) AUGUST BURNS RED LEVELER Top Tracks: Empire, Poor Millionaire, Internal Cannon

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Skarlett Riot EP Review

SKINDRED UNION BLACK Top Tracks: Doom Riff, Cut Dem, Game Over

OF MICE & MEN THE FLOOD Top Tracks: Still YDG’n, Product Of A Murderer, Purified

LOWER THAN ATLANTIS WORLD RECORD Top Tracks: Could You? Would You?, Deadliest Catch, Working For The Man

By Day, Sticking It To The Man By Night

LAMB OF GOD RESOLUTION Top Tracks: Ghost Walking, King Me, Cheated

DEAF HAVANA MEET ME HALFWAY, AT LEAST Top Tracks: In Desperate Need of Adventure, I Guess I’ll Be Leaving Soon, Nicotine And Alcohol Saved My Life

BURY TOMORROW PORTRAITS Top Tracks: These Woods Aren’t Safe For Us, You & I, Waxed Things

SKARLETT RIOT - VILLIANS EP

Skarlett Riot are a female fronted four piece hard rock band from North Lincolnshire. That’s the basic information you should know. What you really need to know is how awesome their debut EP is and it really is very impressive stuff. Taking notes from classic hard rock and infusing it with serious grit and tuneful melody the style is impressive from a band that only formed in 2010. The professional quality on the four track EP gives a demonstration of just what this band is capable of. With strong melodic vocals from the eponymous female lead singer Skarlett, skilful and grinding guitars and thumping, head banging rhythms from the base and the drums it all comes together to create a truly slick and uncompromising sound. To have such a strong beginning it will be interesting to see what more this band has got in store for their audience. So if you’re a lover of hard rock Skarlett Riot is a band to watch out for.

ELLEN JONES

Reviews

THE RAVEN

Historically ‘playful’ movies are due to take over our cinemas this summer due to films such as the highly anticipated ‘Abraham Lincoln: Vampire Hunter’. The Raven acts as an introduction to this popular concept. The film is based on an actual account were Edgar Ellen Poe was found roaming the streets of Baltimore in a state of delirium, days before his death in 1849, then embellished somewhat into a cat and mouse style thriller involving a crazed serial killer who recreates gory scenes from Poe’s morbid stories. This is an imaginative and strongly visual film with the always-palatable John Cusack is cast in the lead. Cusack is at his charismatic best and is on top form as Poe. The script felt a little heartless, especially when a beloved one-liner from Brit classic ‘The Crying Game’ was clumsily lifted (“Do you want to pick up your teeth with broken fingers?”). It runs out of steam towards the finale, but there’s some entertaining gruesome parts, most notably a recreation of The Pit and the Pendulum that wouldn’t be out of place in a Saw movie. Don’t get too excited about ‘The Raven’ if you are an avid Poe fan, as this film sheds no light on the true and genuinely mysterious final days leading to his death. An entertaining thriller that is worth a look if a 19th-century gothic reboot of Se7en is your bag.

PARANORMAL ACTIVITY 3

The Paranormal Activity franchise continues with this third outing from Paramount Pictures. Taking place before the previous films, in 1988, the story follows Katie and Kristi, two young sisters with the addition of Dennis, their stepfather. Dennis, who handily happens to be a wedding videographer, begins video-recording in their home. Disturbing events ensue. The ‘entity’ is much more aggressive this time round, but the film loses none of its creeping terror making home the scariest place on Earth for the third time around. The formula for the film remains the same, handheld and static camera work with the addition of the fancam (a camera attached to a slowly panning fan) which raises the tension to nail biting territory. The filmmakers throw in a few cheesy scares: mom in a monster mask, a baby sitter jumping in front of a camera. The beauty of this movie is it’s self-awareness. The goofy scares are still jump-inducing. The whole nature of horror movies is to move and evoke fear in the audience; you don’t go to horror movies for story. This movie is a perfect example of good horror that serves its purpose well. The filmmakers fall back on well-trodden and rather silly territory involving a creepy witches’ coven however, which is a massive disappointment and a seemingly pointless addition to an otherwise good horror. But be warned, if you haven’t seen both of the first two films, you will make no sense of this movie.

WORDS: KATIE STAMP

PLAN 9 FROM OUTER SPACE

The original ‘anti-masterpiece’ that is consistently funny, but always for the wrong reasons, is a must-see for anyone that is interested in cult films. ‘Plan 9’ is a film that went under the radar until 1980 when it was given the title ‘worst movie ever made’ by prominent film critic Michael Medved, thus becoming the cult classic it is today. This is literally laugh out loud material through its bizarre dialogue, inept acting, threadbare production, and special effects that peak at an actual piece of cutlery (saucer) wrapped in tin foil, dangling from a string. The posthumous usage of Bela Lugosi, in a few minutes of left-over footage grafted into this film, is both precious and hilarious. It seems Wood acquired a minutes worth of Lugosi in a Dracula costume and proceeded to loop the footage throughout the film despite any relevance to the scene. The plot (in the loosest terms possible) includes an early appearance from zombies (called Ghouls in the film) nine years before Night of the Living Dead and stars the exquisite and wonderfully camp Vampira.

Vampira is a wonderful character, and watching an original goth pin up from the 1950’s should be reason enough to catch this movie. If you like this film and would like to see more, the Tim Burton film ‘Ed Wood’ is a sweet and often funny film based on the mad cap director and his various adventures that also comes recommended.

THE REVENANT

Special effects artist Kerry Prior makes his feature directorial debut with this goofy horror comedy. Whilst cinemas around the world are flooded with romantic/supernatural love stories, this is a refreshing and very funny. The story follows Bart Gregory, a soldier that has been recently laid to rest, who wakes up on the night of his funeral. Now he has joined the ranks of the living dead, he finds his best friend in life and death (cue bromance) and after surmising that blood is the only way to keep Bart ‘alive’, they go on a hunt that turns into a vigilante type rampage. Convinced that no one will miss the drug dealers and killers who have transformed the city into a swirling cesspool of crime and vice, the boys pick their ‘victims’. Blood doesn’t come for free and the boys have to be imaginative in obtaining it with hilarious results. Chris Wylde and David Anders have such great onscreen chemistry and it’s very easy to believe that they’re old friends, as the laughs come so smoothly. The effects are brilliant, as you would expect from a film directed by a special effects artist. But at one point the laughs stop and the film becomes a full blown horror, making for a very jarring scene in an otherwise smooth run. It’s pretty difficult to lift the film to its lighter note after this but on the whole it’s a very balanced horror/comedy. This is sure to become a cult hit and one not to miss for gore fans.

REBELICIOUS MAGAZINE 81

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