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ELYSIAN Summer 2019

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INCREDIBLE TRAVEL EXPERIENCES CURATED FOR YOU.

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ELYSIAN Volume 4 • Issue 2 • été 2019

Rowen Rose

The storied origins of fashion’s most buzzed-about brand since Alexander McQueen. BY KAREN FRAGALA SMITH

How the Princess of Monaco ruled the world. BY LAURIE BOGART WILES

FEATURES

Grace Kelly

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the Designer Destination

Everything might be bigger in Texas, but for interior designer Michelle Nussbaumer, the smallness of the Swiss village of Gstaad is magic in her soul. BY ANGELA CARAWAY-CARLTON

The World’s Greatest Art Fair All the (art) world’s a stage. BY DEBRA SPARK

Inspiring Women Jane Holderness-Roddam page 92 Jennifer Justice page 98 Lou Kennedy page 104 Susan L. Taylor page 110 INTERVIEWED BY KAREN FLOYD


The Backstory

Cover model and musician Call Me Margot is wearing Marc Jacobs Spring/Summer 2019 collection; marcjacobs.com. BY KAREN FRAGALA SMITH

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PHOTOGRAPHY BY U + A / UNGANO-AGRIODIMAS.COM

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art

finance health fitness

Investing in female artists. BY CATE MCQUAID

The all-natural workout. BY ANGIE COMER

24 fashion

DEPARTMENTS

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Reaching back in time to reimagine today’s design trends. BY LISA RUBENSON

32 beauty

Clean beauty. BY AMY ZIMMER

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wellness

A holistic approach to medicine. BY DR. KATHERINE BIRCHENOUGH

food

dining

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The grand Budapest Café. BY MAKAYLA GAY

graceful living A return to craft. BY RHONDA WILKINS

art

culture

130 home

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Artist Grete Stern. BY LATRIA GRAHAM

philanthropy The power of the lens. BY DEBRA SPARK

garden young creator

Your home is your castle. BY PAGE LEGGETT

Seeing art in a new light with Stephanie Baptist. BY LATRIA GRAHAM

closing the circle

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Cover model and musician Call Me Margo & Jennifer Justice. BY KAREN FRAGALA SMITH


Investing in Female Artists BY CATE MCQUAID

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Installation view: “Hilma af Klint: Paintings for the Future,” Solomon R. Guggenheim Museum, New York, October 12, 2018–April 23, 2019. PHOTOGRAPH BY DAVID HEALD © 2018 THE SOLOMON R. GUGGENHEIM FOUNDATION

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WOMEN ARTISTS—FROM OLD MASTERS TO THOSE JUST OUT OF ART SCHOOL—HAVE SLOWLY GAINED TRACTION IN MUSEUMS AND ON THE ART MARKET FOR YEARS. IF YOU’RE THINKING OF COLLECTING ART BY WOMEN, NOW IS THE TIME. Portrait of Madame De Genlis (1746-1830) by Marie-Victoire Lemoine Signed and dated center right: Vic. Lemoine / 1781 oil on canvas; property from “A Distinguished American Collection;” estimate $60/80,000 from “The Female Triumphant” show at Sotheby’s.

In the early 1970s on a trip to Venice, Wilhelmina Cole Holladay purchased a still life painted by Clara Peeters, a contemporary of Rembrandt’s. Captivated, Holladay tried to research Peeters and found very little. The painting was an early piece in an extensive collection of work by women, which would lead led Holladay and her husband Wallace to found the National Museum of Women in the Arts, opening in 1987. It wasn’t until 2016 that Peeters had her first monographic show at the Museo del Prado—the Prado’s first exhibition devoted to a woman painter. “The value of her work has gone up, not only on the market, but recognizing the value of her style of painting,” says Virginia Treanor, associate curator at NMWA. “She was among the first to do what are known as breakfast paintings—a catchall term for still life paintings of food.”

Women artists—from old masters to those just out of art school— have slowly gained traction in museums and on the art market for years. If you’re thinking of collecting art by women, now is the time. This year appears to be a watershed. “Hilma af Klint: Paintings for the Future,” an exhibition of work by the Swedish modernist that closed in April, shattered records at the Guggenheim, pulling in 600,000 viewers. In January, Victoria Beckham joined forces with Sotheby’s during Masters Week to spotlight 21 works by 14 women in a show called “The Female Triumphant,” including gold-standard artists such as Artemisia Gentileschi and Elisabeth-Louise Vigée Le Brun. Sales exceeded estimates, realizing $14.6 million. The fever for women artists is even coming to television. This spring, Amazon optioned Mary Gabriel’s 2018 book Ninth Street Women for Emmy winners Amy Sherman-Palladino and Daniel Palladino to develop as a series. The book spotlights Elaine de Kooning, Helen Frankenthaler, Grace Hartigan and others in the postwar New York art scene. “The rising demand for their work, both curatorially and commercially, is indicative of centuries-delayed ‘canon correction,’” according to Mary

Clara Peeters, Still Life of Fish and Cat, after 1620; Oil on panel, 13 1/2 x 18 1/2 in. NATIONAL MUSEUM OF WOMEN IN THE ARTS, GIFT OF WALLACE AND WILHELMINA HOLLADAY.

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