Yun-Jui Liang Internship Portfolio 2023

梁允睿 RAY LIANG

Interior Design Portfolio for Compulsory Curricular Internship

SELECTED WORKS 2019 - 2023

INTERIOR DESIGN —

PORTFOLIO

Yun-Jui Liang (Ray Liang) Politecnico di Milano, Italy MSc. Interior and Spatial Design Email: yunjui.liang@mail.polimi.it

PROLOGUE

I'm Yun- Jui Liang, also known as Ray Liang, a n i n t e r i o r d e s i g n e r f r o m Ta i p e i , Ta i w a n , with a six-year immersion in interior design.

At Asia University, I earned a B.F.A. in Interior Design and was honored with the prestigious Founder's Award, reflecting my dedication and creativity. My undergraduate tenure was marked by excelling in design competitions and culminated in the Student Outstanding Achievement Award.

Currently pursuing an MSc. in Interior and Spatial Design at Politecnico di Milano, Italy, I'm broadening my design horizons amidst diverse cultural influences.

This portfolio showcases my passion and design ethos, featuring works embodying my vision — exploring new dimensions within spaces and transforming conventional perspectives into innovative narratives.

Yun-Jui Liang ｜ Ray Liang CONTACT +39 380 1438501 / Italy +886 916 649 109 / Taiwan E-MAIL yunjui.liang@mail.polimi.it

WEBSITE

CONTENTS

MASTER

01

UMARELL

03

ARIA: Project in the Air 2023 /06．Summer Milan, Italy

02

INTERPRETING DANIEL BUREN

07

Sunglasses Pop-up Shop based on Artistic Language 2023 /05．Spring Milan, Italy

BACHELOR

03

PARASITIZATION & REHABILITATION

09

Thesis Design Project 2020 /09．Summer ｜ 2021 /05．Spring Taichung, Taiwan

04

THE NONE RESIDENCES

19

Complex Residential 2020 /01．Winter Miaoli, Taiwan

05

FABRIC WAVE

23

Fashion Maker Space 2019 /03．Sping Taipei, Taiwan

FREELANCE

06

DELICATESSEN ROASTED FISH

27

Sichuan Roasted Fish Restaurant 2020 /06．Summer Taipei, Taiwan

03

01

UMARELL

01 UMARELL

ARIA: Project in the Air Politecnico di Milano ｜ Ephemeral and Temporary Spaces 2 Lab 2023 / 06 ．Summer Group Work

Yun-Jui Liang, Lingxi Zhang, Mayar Farrag, Federica Conetta

Role

Visualization /3D Modeling /Rendering /Techinal Drawing

Instructor

Anna Meroni, Claudia Mastrantoni, Giordana Ferri

Location

Milan, Italy

Site Area

4358.9 m2

The ongoing Ex-Macello project represents neighborhood expectations and imagination, but a divisive wall hinders community understanding and engagement. We aim to empower the wall with more possibilities, allowing residents to actively access updates and project details, fostering community involvement.

04

RAY LIANG PORTFOLIO

01 CONCEPT

UMARELL

INFORMATION GAP

PERISCOPE

Refers to elderly men observing construction sites, often seen with clasped hands behind their backs.

Perimeter walls block residents from accessing renovation information, hindering their involvement in the neighborhood’s changes.

Innovative mirrors offer 24/7 surveillance, letting visitors observe construction work through reflections for in-depth insights.

MASTER PLAN A

B

D

C

E

1

2 F

A

PAVILION A

: Social Gathering

B

PAVILION B

: Meeting (Table)

C

PAVILION C

: Corridor / Camera

D

PAVILION D

: Watchtower

E

PAVILION E

: Rest / Workshop

F

PAVILION F

: To Peek / Camera

1

PORTICO 1

: Photo Wall

2

PORTICO 2

: Info / Reception

Our pavilion concept enables residents and visitors to have an umarell-like experience by approaching the construction site, following the progress, and sharing insights and feedback. It aims to break down the barrier between the community and the construction site, fostering a sense of connection.

05

01

UMARELL

PAVILION A ｜ Social Gathering 35 m2

PAVILION B ｜ Meeting Space 32.1 m2

PAVILION C ｜ Corridor / Camera 14.9 m2

PAVILION D ｜ Watchtower 8.9 m2

PAVILION E ｜ Rest / Workshop 14.4 m2

PAVILION F ｜ To Peek / Camera 8.5 m2

PORTICO 1 To display visitors’ photo collections taken during their journey around the perimeter and as a hub for conversing and sharing experiences with fellow explorers.

06

RAY LIANG PORTFOLIO

PORTICO 2 As the central hub, it provides an overview of activities, navigation guidance, site info, pavilion details, and schedules through posters, screens, and interactive displays.

01

PAVILION A The prime location is next to the parking lot and offers ample space for gatherings or local organization activities, ideal for those arriving by car or seeking a versatile space.

PAVILION B The two-floor pavilion includes an information area with a periscope function and a second-floor meeting space with tables and chairs.

PAVILION C A narrow passage with a transparent PMMA waveboard that includes periscope features for information checking to attract visitors coming from the train station.

PAVILION D Positioned far from the main circulation area, this pavilion, the tallest, piques curiosity as an information hub with a periscope feature and evening lighting.

PAVILION E Available for organizations hosting children’s activities or individuals seeking relaxation, polycarbonate maintains outdoor connections and ensures privacy.

PAVILION F Serving as the journey’s starting point, it offers information and a camera for visitors to capture themselves and the progress of ongoing construction.

07

02

INTERPRETING DANIEL BUREN

02 INTERPRETING DANIEL BUREN Sunglasses Pop-up Shop based on Artistic Language Politecnico di Milano ｜ Arts and Languages of the Present 2023 / 05 ．Spring Yun-Jui Liang, Hu Xinyu, Selin Ilker

Role

Visualization /3D Modeling /Rendering

Instructor

Luca Guerrini

Location

Milan, Italy

Floor Area

12.96 m2

A’

Group Work

10

10 3

6

3

25

6

360 10

360 6 3 10

322 3

62

3

62

60

25

10 3 6

10

2

79

15

79

360

340 2

10 79

2

79

6 3 10

10

340

10 3 6

62

3

62

3

10

62

3

62

3

62

6 3 10

14

6 3 10

Shelves

79

25 15

120

Mirror

5 9

10 3

60

20 40

42

1

1

187

40

42

3

16

4

66

18

151

18

41

25

4

16

2

R120

69 31

79

A

40

322 360

2

Display Cabinet

40

A

31

40 69 241 330

79

25

25

2

69

40

40

60

79

40 100

60

100

120 69

40 120 3

6

3

10

6 10

25

40 15

5

A’

62

FLOOR PLAN

SECTION A-A

Inspired by Daniel Buren, our design disrupts space with black and white stripes, guiding customers through a visually stimulating experience that challenges traditional art-space perceptions. It incorporates an X-shaped shelving system, prismatic shapes, colored glass, and mirrors, inviting viewers to reconsider the connection between art, space, and the observer.

08

RAY LIANG PORTFOLIO

02

09

03

PARASITIZATION & REHABILITATION

03 PARASITIZATION & REHABILITATION THESIS: Modualr Juvenile Reform School Asia University ｜ Thesis Design Studio 2020 / 09 ．Summer ｜ 2021 / 05 ．Spring Indivudual

Yun-Jui Liang

Instructor

Jacksam Yang, Shou-Shu Liu

Location

Taichung, Taiwan

Site Area

9656 m2

Honorable Mention, Architecture MasterPrize 2021

Dating back to the 16th century, prisons were the only space where the country could use violence to rule their people. As the times have evolved, the concept of the prison has gradually changed from a punitive to a corrective one. In many countries around the world, including Taiwan, prisons are facing a dilemma of high over-incarceration and recidivism rates, and there is a strong correlation between the lack of prison space and correctional outcomes.

This Thesis Design Project is an attempt to propose the possibility of solving the problem of over-incarceration and improving the effectiveness of correction.

10

RAY LIANG PORTFOLIO

ASIA

TAIWAN

TAICHUNG

NANTUN

03

MASTER PLAN

11

03

PARASITIZATION & REHABILITATION MODULAR CELL TYPES

Average

Gratification Average Punishment

6.25 mq 6.25 mq/ person

Gratification

6.25 mq 6.25 mq/ person 2.5 x 2.5 x 2.5

2.5 x 2.5 x 2.5

Type A2

Type A1 Punishment

6.25 mq 6.25 mq/ person

Punishment

2.5 x 2.5 x 2.5

Average

12.5 mq 3.125 mq/ person

6.25 mq 6.25 mq/ person

Average

12.5 mq 3.125 mq/ person

Gratification

5 x 2.5 x 2.5

Type B4

12.5 mq 6.25 mq/ person

6.25 mq 11.96 mq/ person 2.5 x 2.5 x 5

1F

Type C1

2.5 x 2.5 x 2.5

Average

12.5 mq 6.25 mq/ person 5 x 2.5 x 2.5

12.5 mq 6.25 mq/ person

Gratification

5 x 2.5 x 2.5

Punishment

6.25 mq 3.125 mq/ person

Type B3

Type B5

Gratification

6.25 mq 6.25 mq/ person

Type A6

Type B2

Type B1

Punishment

5 x 2.5 x 2.5

5 x 2.5 x 2.5

unreliablity

2.5 x 2.5 x 2.5

2.5 x 2.5 x 2.5

Average

squeeze

privacy crowd

Type A3

Type A5

Type A4

Punishment

sunshine

12.5 mq 12.5 mq/ person 5 x 2.5 x 2.5

Type B6 6.5 mq 1.56 mq/ person

6.25 mq

2.5 x 2.5 x 5

2.5 x 2.5 x 5

2F

Type C2

Stairs Unit

Changing the modular parts can produce simple changes in the size of the cell and change the elements of the cell interior to create a different spatial feeling.

12

RAY LIANG PORTFOLIO

Discipline and Punish : the Birth of the Prison. New York :Pantheon Books, 1977 #split 分割 #single room 單人房 #w.c. privacy 如廁隱私

TYPE B5

#privacy 隱私 #sunshine 陽光 #single room 單人房

TYPE A2

Gratification

TYPE C1

Gratification

8 hours

#attic 閣樓 #single room 單人房 #dbl-entrance 雙出入口

封閉 壓迫 腳步聲

Gratification

overnight #sightline 視線 #unreliable 不安 #no privacy 缺乏隱私

Michel Foucault

TYPE B6

Gratification

8 hours #closed #squeeze #footsteps

#single room 單人房 #extra terrace 額外露臺 #w.c. privacy 如廁隱私

overnight #sightline 視線 #highlight 強光 #no privacy 缺乏隱私

1926-1984

overnight #sightline 視線 #unreliable 不安 #no privacy 缺乏隱私

#sightline #crowd #power

視線 擁擠 權力關係

03 TYPE A6

Punishment

TYPE A4

Punishment

TYPE A3

Punishment

TYPE A5

Punishment

TYPE C2

Punishment

CONCEPT ｜ GRATIFICATION & PUNISHMENT

1. SOLAR AZIMUTH

2. BUILDING BLOCKS

3. MERGING BUILDINGS

4. FRAME THE VIEW

5. PUBLIC AREA

6. COMPLETE BUILDING

By dividing the prison into three zones for correction in stages, the circulation and vision of each zone will cause strong psychological feelings to the prisoners in different periods.

13

03

PARASITIZATION & REHABILITATION

N

2 4

3 15

5

1

6

10

7

8

9 11 1. Main Entrance 2. Modular Prison Exhibition 3. Reception Registration 4. Cooperative Store 5. Reception Security Check 6. Gratification Reception Area 7. Zone I / Textile Factory 8. Zone I / Cell Components Factory 9. Zone I / Agriculture 10. Outdoor Space 11. Basketball Court(Half-Court) 12. Rock Climbing Area 13. Prisoners' van Parking Lot 14. Fitness 15. Canteen

14 12

13

0

12.5

87.5M 37.5

GROUND FLOOR PLAN In circulation planning, relatives are allowed to go deep into the center of the prison during reachable reception, and visitors are also entitled to visit the exhibition of modular cells in the more external area

N

3 2

1

4 5

12

7

13

6

8 9

11 10

0

12.5

87.5M 37.5

1. Zone II / Passage 2. Basketball Court 3. Zone II / Reading Area 4. Central Station 5. Zone I / Classroom 6. Zone I / Horticulture 7. Zone III / Passage to Central 8. Zone III / Administrative Office 9. Zone III / Classroom 10. New Inmates Zone / Office 11. Zone II / Outdoor Space 12. Basketball Court(Half-Court) 13. Zone II / Kitchen Site

3RD FLOOR PLAN As inmates pass through the various zones of the prison, framed scenes in the passageways capture views of the city, the behavior of other inmates, and the available gratification.

14

RAY LIANG PORTFOLIO

CONCEPT MODEL ｜ CROSSING THE MODULAR STACK

03

CONCEPT MODEL ｜ MODULAR CONSTURCTION

15

03

PARASITIZATION & REHABILITATION

N

7

8

4

5 6 2 1

2

9

3

1. Juvenile Detention Centre-Zone I 2. Juvenile Detention Centre-Zone II 3. Juvenile Detention Centre-Zone III 4. Taichung Prison 5. Taichung Peide Prison Hospital 6. Correctional Education Center 7. Detention Center 8. Juvenile Detention House 9. Renyou Bus Station

VISITOR LOBBY From here, visitors and inmates' families can get a partial view of the prison through the windows and either go to the reception or the prison exhibition hall to learn more about the prison.

DISCIPLINE

S

TIVE

RELA

DISCIPLINE

S

R

IVE ELAT

DISCIPLINE

DISCIPLINE

S IVE

AT REL

DISCIPLINE

S

ATE

INM

RELATIVES

INMATES

DISCIPLINE USER ACTIVITIES

Zone II

Village

Zone I

Zone II

Zone III

Juvenile Detention Centre Building Road

Stream Waterfront

Wasteland Road

TERRAIN SECTION Located in the foothills of Dadu Plateau, the beautiful scenery gives the inmates a visual interaction with the outside world and the accompanying psychological impact creates a stronger desire to return to society.

16

RAY LIANG PORTFOLIO

03

ZONE II ｜ PASSAGEWAY Inmates passing through prison zones see city views, inmate behavior, and benefits through framed scenes,

which strongly influence their psychology, achieving internal supervision.

01 Being Observed

02 Limited Freedom

03 Temporary Meeting

04 Distance with Family

05 Interface of Freedom

06 The Outside World

VISUAL SENSE The space is made more transparent by using the staggering of heights and floors, changing the confinement and darkness caused by the division of various functional spaces in the prison.

17

03

PARASITIZATION & REHABILITATION

RECEPTION AREA A scenic area above the stream where well-behaved inmates can have face-to-face meetings with their families, visible to other inmates passing through the passage above.

Reading Area

Zone II

Zone II - Zone I Pathway Central Station

Zone II / Basketball Court

WEST SIDE SECTION

Entrance

Exhibition Hall

wc Visitation Passage

18

RAY LIANG PORTFOLIO

Reception Registration Waiting Area

Gratification Reception Area Check Point

Stream

03

ZONE I ｜ CLASSROOM The terrace classroom serves as the pathway between the basketball court and cells. Vertical circulation is employed to both segment the space for practical purposes and enhance a feeling of openness.

Zone I / Basketball Court

Zone I / Horticulture Zone I

Zone I

The design allows visitors to enter more deeply into the prison, and the circulation is divided into sections to ensure the security requirements of the prison.

Zone I / Textile Factory Zone I / Cells

Zone I / Cell Components Factory

19

04

THE NONE RESIDENCES

04 THE NONE RESIDENCES Residential Complex for All Ages Group

Asia University ｜ Commercial Space Design Studio 2 - Competition 2020．Winter Indivudual

Yun-Jui Liang

Quality Award, Decor House Award 2020

Instructor

Shih-Yuan Liu

Silver Award, Taiwan Good Design Award 2020

Location

Miaoli, Taiwan

Winner, Architecture MasterPrize 2020

Floor Area

620.9 m2

Winner, DNA Paris Design Awards 2020 Honorable Mention, International Design Awards 2020 Excellence Award, FCDA International Design Awards 2020 Official Selection, London International Creative Competition 2020

The 2020 Décor House Award responds to the surging global elderly population. Emphasizing safety for all age groups, the residential design prioritizes smooth circulation and functional public spaces, steering clear of sharp angles. Rooted in Hakka culture, the design translates tradition into a contemporary vocabulary, resulting in a residential complex devoid of angles and sharp edges.

20

RAY LIANG PORTFOLIO

SAF

ETY

ALL

ES

AG

Fillet

Embrace NONE SHARP ANGLE CONCEPT

The design incorporates the beauty of the Hakka Rush-weaving, and continues the arcing approach of the traditional Hakka Roundhouse, effectively reducing the sharp angle to create a safe living space, and emphasizing the sense of Trustworthiness enclosed by the curved wall.

04 4 7

5

6

8 2 1 3

1. Lobby 5. Container of Fresh Delivery

2. Reception Counter 6. Elevator

3. Staff Lounge 7. Yoga Classroom

4. Supermarket 8. Reading Center

0

1

7M 3

1st FLOOR PLAN Scale : 1/200 cm

21

04

THE NONE RESIDENCES

MASTER BEDROOM ｜ 2F The protrusions are substantially rounded off, precisely fillet and curved walls are done to free the hostile protrusions and deliver a sense of cleanliness, coziness, and trustworthiness.

1

5

6

2

7 4

3

8

1. Entryway 5. Bedroom

8

2. Living Room 6. Bath

3. Kitchen 7. Maser Bedroom

2nd FLOOR PLAN Scale : 1/100 cm

22

RAY LIANG PORTFOLIO

4. Dining 8. Balcony

0

0.5

3.5M 1.5

The wall from the entryway extends into a cabinet, shoe cabinet, and TV wall, while the other wall extends into the tables and countertop of kitchen. The curved shape provides a sense of trustworthiness and hidden functionality of the home need.

LIVING ROOM ｜ 2F

04

As a room for young children, the interior spaces including closets, bed cabinets, and bookshelves follow curved walls and fillet design as a way to avoid the risk of injury caused by children falling.

BEDROOM ｜ 2F

23

05

FABRIC WAVE

05 FABRIC WAVE Fashion Maker Space

Asia University ｜ Commercial Space Design Studio 1 2019．Spring Indivudual

Yun-Jui Liang

Instructor

Shan-Shan Ho, Jung-Hsuan Chan

Location

Taipei, Taiwan

Floor Area

469.4 m2

Bronze Award, Taiwan Society of Interior Designers Student Award 2019 Excellence Award, IAI Design Award 2019 Finalist, K-Design Award 2020

The 2019 Taiwan Society of Interior Design Competition site, once the 1937 Songshan Tobacco Factory in Taipei's Songshan Cultural and Creative Park, is now an art exhibition center. The objective is to craft an exclusive space for fashion designers, preserving the monument's original look while modernizing the interior.

The design incorporates dynamic fabric imagery for both aesthetics and functionality.

24

RAY LIANG PORTFOLIO

05

SKETCH 2019．February 25

05

FABRIC WAVE

WAVE MOTION 01

WAVE MOTION 02

WAVE MOTION 03

INVERT 01

WAVE MOTION 04

WAVE MOTION 05

WAVE MOTION 06

INVERT 02

THE DANCING FABRIC Through concept models, it is possible to observe the movement of fabric through wind and translate it into a functional spatial volume.

FLATTEN

WAVE MOTON

INVERT

CONCEPT By capturing the waving, twisting, and invert moments of the fabric, the soft, rhythmic, and continuous nature of the fabric defines the character of the space. A large number of curved surfaces form a strong impression of visual style. The pure white theme resonates with the unprocessed fabric inviting designers to add color and vitality to the scheme.

26

RAY LIANG PORTFOLIO

ISO Isometric Projection of the whole fashion maker space.

ENTRANCE N

2 1

05 3

4

5

7

8

6

1. Reception Desk 5. Presentation Runway

2. Dress up Area 6. Presentation Area

3. Disscussion Area 7. Sewing Area

4. Pattern Making Area 8. Photo Studio

0

1

7M 3

FLOOR PLAN Scale : 1/200 cm

27

06

DELICATESSEN ROASTED FISH

06 DELICATESSEN ROASTED FISH Sichuan Roasted Fish Restaurant Freelance Project ｜ Renovation 2020．Summer Designer

Yun-Jui Liang

Logo Design

Hank Huang

Client Location

Delicatessen Roasted Fish 伙房烤魚 Taipei, Taiwan

Floor Area

85.9 m2

Design Area

54.5 m2

This design revamps the brand’s black and red theme, replacing the original red with a vibrant orange-red. It retains the original broken and rough walls, seamlessly blending traditional and modern elements. To address the prevailing pandemic, the design relocates the grilling area from a closed kitchen to a prominent spot at the restaurant entrance, aligning with the client’s emphasis on takeout services in their business transformation plan.

28

RAY LIANG PORTFOLIO

06

29

06

DELICATESSEN ROASTED FISH Huo

Fang

Fire

Kao

Yu

Grilled

Fish

Fire

Partner

House

CONCEPT Capturing the character of "Fire" #df1a14 in the chinese name of the restaurant, and redefining the colors of the #a73a35 brand, also reinforcing the sense of " Roasting" temperature in the space.

ELEVATION Scale : 1/50 cm N

11 1

13

9 2 10

7 3

5

12

9 4 ENTRANCE

6 8

1. The Image Wall 5. Grill Area & Order for to go 9. Serving 13. Way to Storage & WC (No design needs)

2. Aquarium 6. Display Wall 10. Beer Kegerator

3. Charbroiler 7. Kitchen (No design needs) 11. Display Cabinets

4. Checkout Counter 8. General Supply 12. Dining Area

FLOOR PLAN Scale : 1/100 cm

30

RAY LIANG PORTFOLIO

0

0.5

3.5M 1.5

Chinese Elements

Signboard

Structure

Corridor

Image Wall

Dining

06

To Go

ISO Isometric Projection of the restaurant space.

31

06

DELICATESSEN ROASTED FISH

INTERIOR PERSPECTIVE ｜ I The interior of the restaurant retains the old wall surface and adds traditional Chinese windows to create a chinese vista effect.

INTERIOR PERSPECTIVE ｜ II The ceiling uses various traditional Chinese windows to create a sense of layering, and the display cabinets are used to conceal the smoke ducts protruding from the kitchen.

32

RAY LIANG PORTFOLIO

CONCRETE OLD (Rough) RED BRICKS OLD (Rough)

WALNUT RUSTIC PLANK SOLID SOFTWOOD PAINT WITH WOOD LACQUER (Rustic) OAK COCO EURO NERO

HIGH-PRESSURE LAMINATE SHEET RUST IRON

WOOD VENEER LIGHT GRAY CONCRETE

DARK GRAY CONCRETE

HIGH-PRESSURE LAMINATE SHEET

LIGHT BULB

#878685

#535353

TEXTILE NYLON 100% #65000B (Rosewood Color)

#a73a35

BRAND COLOR Redefining the Brand

06

MATTE PAINT

MATERIAL BOARD Use of materials and elements in the space.

33

梁允睿 Ray Liang Portfolio Selected Works 2019 - 2023 Produce & Edited by Yun-Jui Liang © 2023