Laurence Osborn
Rendering Error for Solo Violin
©Laurence Osborn 2019
Rendering Error for Solo Violin Duration: 10’ Commissioned by Fenella Humphreys. Performance Directions Effects Notation: During Rendering Error, the player is frequently instructed to use a technique or effect for the duration of a single note. When this happens, the duration of the effect is specified by the square bracket above the stave. For longer passages that use an effect, ‘ord.’ is used to cancel the effect. Glossary: III>IV III>IV
III>IV
Violin
iolin
Violin
ln.
ln.
Violin
Vln.
ln.
III>IV
Indicates that the player should alternate between thestrings specified by the romannumerals. The string given first is always the string that the player should use first.
ln.Vln. 40 Vln. 34 ln. 34 34 Vln.
ln.
Indicates use of extreme bow pressure. This is used on open strings, pitchshould only and no be heard.
34
Vln.
ln.
Vln.
40
40
Vln.
ln.
Vln.
40
should have a folk-like character, and should be treated like a grace note occurring before the beat.
very high note. Indicates anunspecified,
©Laurence Osborn 2019
Indicates a glissando ‘scoop’ up to the given note, ln. ln.Vln. from between a tone and a semitone lower. These Vln.
Programme Note The title Rendering Error refers to badly rendered computer-generated images. When a rendering error occurs in a video game, the image will be warped or disfigured, but still recognisable. I began writing this piece with the idea of a badly rendered computer-generated image of a violin. Rendering Error starts with some vaguely recognisable material that is rendered badly. Gradually, the resulting glitches and warps begin to reveal themselves as the true material of the piece. This material mutates until the final section, which is a long howl of distress. I can’t tell whether the final section is related to the preceding material or not.
©Laurence Osborn 2019
for Fenella
Rendering Error for Solo Violin
Slow, broad but glitchy q = c. 62 molto flautando IV>III
III III 3 mp (ppp) III>IV
pp
f
ord.
3
3
mf
3
3
f
mp
senza vib.
p
mf
p
mf
3
3
(ppp)
molto flaut.
fmf
(ppp)
p
mf
3
3
molto vib.
3
3
f
mf
fmf
mf
3 3 s.v. 3
ord.
3
f
mf
fmf
24
3
p
mf
f
6
3
3 b.p. f mf
3 3 5 3
3
28
(mf) p
18
ord.
molto flaut. III>II
f
3
molto flaut.
3
3
III
p
3 mp
3 III IV 3 ord.
3
senza vib. IV
3 ord.
(ppp)
10
14
molto flaut.
5
III 3
1
Violin
Laurence Osborn (molto flaut.) IV>III
mfp
mf
mfpp
mf
II 3 3 mf 3
3
m.v.
3
II
32
p
Copyright © Laurence Osborn 2019
f
3
pp
3
mf
3
mf
mp
I
3
I
fmf
47
f
p
(change bow imperceptibly) 3
3
3
3
3
3 mf expressive
II 3
mf
3
3
6
ff
3
ff
(II) I
m.v.
ffmf
3
3
With new life and momentum q = c.93 <Kq = q> 2+2+3 m.v.
3
ff
3
44
3
I
I
II
I
sffz
ff
3
3 3 p
40
3
f
3
m.v.
3
36
p
mf
pp
3+2
mf
3
pp
mf
pp
mf
2+3
p
mf
56
mf
52
p
mf
f
59
fmf
p
f
mf
3+2 3 p
63
mf
f
66
f
mf
2
f
mf
f
p
f
mf
3
3
69
f
p
p
mf
p
mf
2+3 x=x
72
mf
pp
pp
mp
2+2+3+3 75
mf
pp
mf
p
3+2
pp
I>II sempre
(p) (no dim.)
83
mf
(ppp)
3+2+2
3+2
mf
96
3+2
ff
mf
ff
f
mfp
ppp
p
mf
mf
p
p
mf
p
92
f
III II 3+3+2
I
mf
(ppp)
mf
88
p
79
pp
mf
ff
mf
p
I II I II III II I II I II I II I
3+2+3
101
II I
(p)
II
I
I
I
f
p
4
106
3+2 4:3
f
mf f
111 4:3
mf
4:3
f
p
4:3
4:3
sffz
III IV IV III III 4:3 4:3 4:3 4:3 4:3 f p f mf
117 3+2
f
Mechanical q = c. 124 4:3 4:3 4:3 4:3 p
<e. = q>
123
f
128
mp
pp
3 sul pont. pp p pp mp p pp pp
134
p
mp
pp
2+2+3 p
pp
p
mp
pp
p
3+2+2 3+2 sul pont. 3 p 3 pp mp ord.
140
pp
3
147
ord.
mf
mp
s.p. p
pp
p
3 s.p. mf p fp ord.
fp
p
(p)
s.p. 3 3 fp mf ord.
153
pp
3 s.p. 2+3 pp p fp (mf) mp p
159
3+2
ord.
ord.
164
3 mf
3
s.p. 3 s.p. 3 pp p p mp mp
2+3
170
pp
fp
ord.
175
3 f
3 f
fp
p
mf
s.p. mf
fp
3
f
mf
f
3
pp p mf
3
pp
fmf
3 3 p f
192
3 f
4+3+3
3 f
3
pp
sffz
3 3 3 p sfz f
f
4+3 3 3 p 3
3+3+2
p
4+3 p
sffz
mf
pp
ff
mf
3
f
0
4+3
3 3 mf mf f f
212
0
206
f
p
f
2+3 4+3 3 p mf p p sffz (p)
199
4+3+3
(p)
3+4 186 p 4+3+2
s.p.
f
4+3
3
ord. 3
s.p.
ord.
ord.
181
5
ord.
mf
sffz mf
3 ff mf ff mf mf ff mf 3
218
ff
6
rall.
223
ff 3
ffmf
3
fmf
3 pp 3 5 pp
3 3 molto vib. 5 232 3 ff
mf
3
ff
228
ff
Suddenly very expressive q = 84
mp
5 p
ff
mf
5
vib. senza 3 3
5
mf
fff
m.v. 3 III>IV 5 3 3 5 3 3 3 ff p mf ff fff f mf f
235
239
m.v. 3 5 5 5 3 5 fff ff
ff
mf
p
ff
ff
III>IV s.v. 3 3 3 3 pp mf
3 5 p 3 sfffz
242
f
246 f
5
ff
sfffz
254
p
pp
3
3
sfz mp
m.v.
ff
3
s.v.
mf
3
3 III>IV3 f 3
s.v. 3 3 3 mf ff mf f
(II)
f
pp
3
250
sfffz
3
sfffz
3 III IV3 p f
5 3 5 5 s.v.
sffz
ffp
mf
5
(mf)
7 3
III>IV
257
0
3 3
3
ff
ffmf
sffz
sfz mf
p
5
3
5
3 (mf)
ffmf
3 III>IV 3 3 5 5 3 3
261
f
264 III>IV
3 3
p
p
3
mf
5
3
mf
fp
267
3
3
3
p
III IV3 5 f III
IV
III
5
IV
5
3
f
Expansive q = c. 62
(change bow imperceptibly)
pp
mp
Sounding:
260 (III)
mf
p
(no dim.)
molto flautando, senza vib. al fine
268
mf
ppp
mf
mf
ppp
to harmonic III
(III)
p
IV
pp
mf
p
II
f
(pp)
272
rall.
f
5
mf
fmf
3
sffz mf
fp
5
3 3 p f 3
3
3 5 3 fp f pp
fpp
III>IV 3
3
rall. 270
3
ppp