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AUTUMN AUCTION 2026 TAIPEI

羅芙奧台北 2026 秋季拍賣會現代與當代藝術

RAVENEL AUTUMN AUCTION 2026 TAIPEI Modern and Contemporary Art 拍賣日期

地點

2026年12月6日（日）下午 1:30 萬豪酒店台北市中山區樂群二路199號3樓（博覽廳）預展日期

地點

台北 2026年12月4日（五）~ 12月6日（日）上午11:00至下午7:00 萬豪酒店台北市中山區樂群二路199號3樓（博覽廳）

AUCTION Sunday, Dec 6, 2026, 1:30 pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, Zhongshan Dist., Taipei, Taiwan PREVIEWS Taipei Friday, Dec 4 - Sunday, Dec 6, 2026, 11:00 am - 7:00 pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, Zhongshan Dist., Taipei, Taiwan

拍賣目錄每本售價：NT$2,000 This auction catalogue: US$70 per copy

王鎮華 Arthur Wang 董事長 Chairman

林慧菁 Maggie Lin

陳惠黛 Odile Chen

藝術部資深副總經理 Senior Vice President, Art Department

國際藝術部總經理 Head of International Art Department

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林恒如 Nina Lin

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藝術部顧問 Consultant, Art Department

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國際藝術部經理 Manager, International Art Department

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目次 CONTENTS 5

羅芙奧秋季拍賣會

Sale Information 8

羅芙奧之服務

Ravenel Services 11

藝術家索引

Index 12

現代與當代藝術

Modern and Contemporary Art 231

給予買家的重要通知

Important Notice to Buyers 233

委託競投表格

Absentee Bid Form 235

業務規則

Transaction Agreement

藝術家索引 INDEX A A-Lei

Takeru Amano Yoshitaka Amano I Kadek Agus Ardika

176 阿咧 183 天野タケル 60, 61 天野喜孝 62 伊．卡德．阿古斯．阿迪卡

B Guy Bardone

115, 118 居．巴赫東 70 Luigi Benzoni 路意吉．班佐尼 137 Bijijoo (Michael Todd Horne)麥克－陶德．霍恩 123, 129 André Brasilier 安德烈．布拉吉利 54 Bernard Buffet 貝爾納．畢費 Jon Burgerman 喬恩．布爾格曼 112, 135, 136

C Cai Guo-Qiang

Bernard Cathelin Chang Teng-Yuan Chang Tzu-Ching Chang Wan-Chuan Chang-Ling Yoshio Chang George Chann Bernard Charoy Chen Meng-Tze Chen Ting-Shih Chen Wei-Ting Chen Yifei Chen Yingjie Chen Yin-Hui Chiu Chien-Jen Chiu Ya-Tsai Chou Chu-Wang Chu Shu-Chi Chu Teh-Chun Chuang Che Robert Combas

蔡國強貝爾納．卡多蘭張騰遠張子晴張萬傳常陵張義雄陳蔭羆貝爾納．夏洛瓦陳孟澤陳庭詩陳威廷陳逸飛陳英杰陳銀輝邱建仁邱亞才周珠旺朱書麒朱德群莊喆羅伯．貢巴斯

32 130 103 89 91 99 64, 71, 85 65 121, 122 88 27, 28, 30, 45 83, 84, 184 51 29 93 106 37, 46, 47 102 90 50, 165-168 43, 44 126

D Christian Dalibert

克里斯迪安．達利貝爾董小蕙塗鴉先生

F Alex Face

132 亞歷克斯．費斯 59 范揚宗 6, 12, 169, 170 舟越桂

G Bernard Gantner

貝爾納．甘德納高惠君賀內．吉尼斯

114 87 66, 119

H Ai Haibara

灰原愛韓永旭卡密．伊列魯平子雄一達明．赫斯特賀蕙芝霍剛細川真希蕭勤謝孝德許唐瑋徐永旭洪易

171 9 113 8, 15 149 92 95, 109 13,69 49 111 97 177, 178 181

Dong Shaw-Hwei Mr Doodle

Fan Yang Tsung Katsura Funakoshi Gao Huijun René Genis

Han Young Wook Camille Hilaire Yuichi Hirako Damien Hirst Ho Huey-Chih Ho Kan Maki Hosokawa Hsiao Chin Hsieh Hsiao-De Hsu Tang-Wei Hsu Yunghsu Hung Yi

J Jan Chin-Shui Ju Ming

詹金水朱銘

67 1, 39 185

110 58, 175, 188-191

K Aneta Kajzer

阿內塔．凱澤金卷芳俊 Kenz 小松美羽草間彌生

L Georges Laporte

喬治．拉波德李真李青萍廖震平羅伊．李奇登斯坦林良材亞當．里斯特劉耿一劉國松劉野盧明德呂紹瑜

M Michel Maly

117 米歇爾．馬利 127, 128 威爾．馬特 182 三木幸子（三木サチコ） 79, 80 胡安．米羅 19, 151 Mr. 82, 143, 144, 152 村上隆

N Tomoko Nagai

Ikumi Nakada Moe Nakamura Yoshitomo Nara Mika Ninagawa

長井朋子中田郁美中村萌奈良美智蜷川實花

P Pang Jiun

Blic (Blic Pinas)

龎均 34, 36 BLIC（波利克．皮納斯） 138

Yoshitoshi Kanemaki Kenz Miwa Komatsu Yayoi Kusama Li Chen Li Qingping Liao Zenping Roy Lichtenstein Lin Liang-Tsai Adam Lister Liu Keng-I Liu Kuo-Sung Liu Ye Lu Ming-Te Crystal Lupa Will Martyr Sachiko Miki Joan Miró Mr. Takashi Murakami

R Ran In-Ting

Ren Zhe Ayako Rokkaku

116 187 139 14, 153-156 20-25 63 55-57 124 96 78, 81 179 133, 134 86 52 158 105 100

3, 10, 16 4 5, 186 26 7

108 180 17, 157

藍蔭鼎任哲六角彩子

S Mark Jeffrey Santos Aka Mr. S 馬克．傑佛瑞．桑托斯 Chiharu Shiota Shiy De-Jinn David Shrobe

塩田千春席德進大衛．施羅伯

141 11, 145, 146 31, 33 120

T Walasse Ting

丁雄泉勞倫斯．托托菲利克斯．崔德威爾曾雍甯

V Claude Venard

克勞德．維納爾莫里斯．德．烏拉曼克

Lawrence Torto Felix Treadwell Tzeng Yong-Ning Maurice De Vlaminck

W Suling Wang

王淑鈴 Wang Huaiqing 王懷慶 Andy Warhol 安迪．沃荷 Xavier Wei (Wei Chen-Hung) 魏禎宏 A-Sun Wu 吳炫三

Y Moisés Yagües

莫伊．亞格斯山本麻友香楊識宏楊三郎楊英風葉世強吉田昭彥（仁吉）

Z Zao Wou-Ki

趙無極

Mayuka Yamamoto Yang Chihung Yang San-Lang Yuyu Yang Yeh Shih-Chiang Akihiko Yoshida (Nikichi)

2, 40-42 142 131 98 68 72 125 53 73-77, 150 101 104 140 18, 147, 148 38, 48, 94 35 173-174 107 172 159-164

001

DONG SHAWHWEI

董小蕙

(Taiwanese, b. 1962)

老院過雨

After Rain in the Courtyard

2006

2006 Watercolor on paper 56 x 39 cm Signed lower right S.Hwei and dated 2006

56 x 39 cm

PROVENANCE

Dongli Gallery, Taipei Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by Dongli Gallery, Taipei and signed by the artist.

NT$ 80,000 - 160,000 HK$ 20,000 - 40,000 US$ 2,500 - 5,000 RMB 17,000 - 34,000 12

水彩紙本簽名右下：S.Hwei 2006 來源

東籬畫廊，台北現有收藏者購自上述來源附東籬畫廊開立與藝術家簽名之原作保證書

002

WALASSE TING

丁雄泉

(Chinese-American, 1929-2010)

魚戲荷塘

Fish Swimming in Lotus Ponds

1980年代

1980s Acrylic on paper 49 x 37 cm With one seal of the artist

49 x 37 cm

PROVENANCE

Ravenel, Taipei, December 7, 2014, lot 102

NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,700 RMB 19,000 - 38,000

壓克力紙本鈐印左下：採花大盜來源

羅芙奧，台北，2014年12月7日，編號102

003

TOMOKO NAGAI

長井朋子

(Japanese, b. 1982)

經典沙發貓

Classic Sofa Cat

2014

2014 Mixed media and collage on paper 39 x 32 cm Signed reverse Tomoko Nagai, titled Classic Sofa Cat in Japanese and dated 2014

39 x 32 cm

PROVENANCE

Tomio Koyama Gallery, Tokyo

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 14

綜合媒材拼貼紙本簽名題識畫背：クラシックのソファー猫 2014 Tomoko Nagai 來源

小山登美夫畫廊，東京

004

IKUMI NAKADA

中田郁美

(Japanese, b. 1982)

想要更多

S’more

2020

2020 Oil and pencil on paper, with an artist-made frame 33.5 x 45.5 cm Signed reverse IKUMI NAKADA , titled S’more, inscribed oil on paper and dated 2020.12.6 Signed on the frame backing board IKUMI NAKADA and dated 2021.1.19

33.5 x 45.5 cm

PROVENANCE

展覽

Ravenel, Taipei, June 5, 2022, lot 212 EXHIBITED

Phantom Tail: Ikumi Nakada Solo Exhibition, Elsa Gallery, Taipei, January 23-March 6,2021

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

油彩鉛筆紙本藝術家手工框簽名題識畫背：IKUMI NAKADA S'more oil on paper 2020.12.6 簽名畫框背板：IKUMI NAKADA 2021.1.19 來源

羅芙奧，台北，2022年6月5日，編號 212 「靈魂之尾：中田郁美個展」，雲清藝術，台北，展期2021年1月23日至3月6日

005

MOE NAKAMURA

中村萌

(Japanese, b. 1988)

無題—4

Untitled-4

2022

2022 Acrylic on wood board 15(L) x 9.8(W) x 0.5(D) cm Signed reverse Moe and dated 2022

15(長) x 9.8(寬) x 0.5(厚) cm

PROVENANCE

Gallery Tsubaki, Tokyo This lot is accompanied by a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,700 RMB 19,000 - 38,000 16

壓克力木板簽名畫背：Moe 2022 來源

椿畫廊，東京附椿畫廊開立之原作保證書

006

KATSURA FUNAKOSHI (Japanese, 1951-2024)

舟越桂 DR1613

DR1613

2011

2011 Pencil and colored pencil on paper 54.5 x 39.4 cm Initialed lower right KF and dated 11

54.5 x 39.4 cm

PROVENANCE

Nishimura Gallery, Tokyo AKI Gallery, Taipei EXHIBITED

ONE ART Taipei , Sherwood Hotel, Taipei, January 15-17, 2021

NT$ 100,000 - 220,000 HK$ 25,000 - 54,000 US$ 3,200 - 6,900 RMB 21,000 - 46,000

鉛筆色鉛筆紙本簽名右下：KF 11 來源

西村畫廊，東京也趣藝廊，台北展覽

「ONE ART Taipei 藝術台北」，西華飯店，台北，展期2021年1月15日至1月17日

007

MIKA NINAGAWA

蜷川實花

(Japanese, b. 1972)

黑

Noir

2015

2015 C-print mounted on plexiglas, ed. 1/6 68.6 x 103 cm Signed on the label on the reverse Mika Ninagawa, dated 2015 and numbered 1/6

68.6 x 103 cm

PROVENANCE

Tomio Koyama Gallery, Tokyo Private collection, Asia EXHIBITED

Shashin! Japanese Photography Then/Now, Sotheby’s Hong Kong Gallery, Hong Kong, June 26 – July 10, 2015

NT$ 100,000 - 200,000 HK$ 25,000 - 49,000 US$ 3,200 - 6,300 RMB 21,000 - 42,000 18

彩色照片裱於有機玻璃版次1/6 簽名畫背標籤：Mika Ninagawa 2015 1/6 來源

小山登美夫畫廊，東京私人收藏，亞洲展覽

「寫真！日本攝影的歷史與當下」，蘇富比藝術空間，香港，展期2015年6月26日至7月10日

008

YUICHI HIRAKO

平子雄一

(Japanese, b. 1982)

夜光植物3

Luminous Plant 3

2014

2014 Acrylic on canvas 46 x 46 cm Initialed reverse YH and dated 14

46 x 46 cm

PROVENANCE

Galleri Christoffer Egelund, Copenhagen Acquired from the above by the present owner EXHIBITED

Yuichi Hirako: The Bark of Mind, Galleri Christoffer Egelund, Copenhagen, April 26 - May 31, 2014

NT$ 150,000 - 260,000 HK$ 37,000 - 64,000 US$ 4,700 - 8,200 RMB 32,000 - 55,000

壓克力畫布簽名畫背：YH 14 來源

克里斯托弗．埃格隆德畫廊，哥本哈根現有收藏者得自上述來源展覽

「平子雄一：心靈的樹皮」，克里斯托弗．埃格隆德畫廊，哥本哈根，展期2014年4月 26日至5月31日

009

HAN YOUNG WOOK

韓永旭

(Korean, b. 1963)

臉

Face

2009

2009 Oil on aluminum, scratch 65 x 91 cm Signed lower right Y Wook and dated 2009

65 x 91 cm

EXHIBITED

FACE – Han Young-Wook 2011 Solo Exhibition, Asia Art Center, Taipei, August 20 - September 18, 2011

NT$ 200,000 - 360,000 HK$ 49,000 - 89,000 US$ 6,300 - 11,400 RMB 42,000 - 76,000

油彩鋁板刮刻簽名右下：Y Wook 2009 展覽

「凝視的臉龐 – 韓永旭（漢永旭）2011台北個展」，亞洲藝術中心，台北，展期2011年8月20日至9月18日

010

TOMOKO NAGAI

長井朋子

(Japanese, b. 1982)

絨毛娃娃

Plush Doll

2020

2020 Oil on canvas 91 x 72.7 cm Signed reverse stretcher bar Tomoko Nagai, titled Plush Doll in Japanese and dated 2020

91 x 72.7 cm

PROVENANCE

Tomio Koyama Gallery, Tokyo Hiro Hiro Art Space, Taipei Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by Hiro Hiro Art Space, Taipei.

NT$ 200,000 - 300,000 HK$ 49,000 - 74,000 US$ 6,300 - 9,500 RMB 42,000 - 63,000

油彩畫布簽名畫背框條：ぬいぐるみ 2020；Tomoko Nagai 來源

小山登美夫畫廊，東京 Hiro Hiro Art Space，台北現有收藏者購自上述來源附 Hiro Hiro Art Space 開立之原作保證書

011

CHIHARU SHIOTA

塩田千春

(Japanese, b. 1972)

居其中

In the Centre

2020

2020 Water-soluble wax pastel, ink and thread on paper 20.5 x 15.5 cm

20.5 x 15.5 cm

This lot is accompanied by a certificate of authenticity issued by König Galerie, Berlin.

NT$ 200,000 - 400,000 HK$ 49,000 - 99,000 US$ 6,300 - 12,600 RMB 42,000 - 84,000

水溶性蠟彩墨線紙本

附柏林國王畫廊開立之原作保證書

012

KATSURA FUNAKOSHI (Japanese, 1951-2024)

舟越桂 DR1406

DR1406

2014

2014 Pencil and charcoal on paper 100.8 x 90 cm Initialed lower right KF and dated 2014

100.8 x 90 cm

PROVENANCE

Ando Gallery, Tokyo

NT$ 220,000 - 340,000 HK$ 54,000 - 84,000 US$ 6,900 - 10,700 RMB 46,000 - 72,000

鉛筆炭筆紙本簽名右下：KF 2014 來源

安藤畫廊，東京

013

MAKI HOSOKAWA

細川真希

(Japanese, b. 1980)

你安全了

You Are Safe

2006

2006 Acrylic on canvas 116.7 x 90.9 cm Signed reverse Maki , dated 5/26 2006 and titled You Are Safe in Japanese

116.7 x 90.9 cm

PROVENANCE

Gallery Cellar, Nagoya Gallery Tengensha, Osaka Mainichi Auction Inc., Tokyo, July 26, 2008, lot 245 Private collection, Taiwan

NT$ 240,000 - 360,000 HK$ 59,000 - 89,000 US$ 7,600 - 11,400 RMB 51,000 - 76,000 24

壓克力畫布簽名題識畫背：2006 5/26 あなたは大丈夫 Maki 來源

Cellar畫廊，名古屋展現舍，大阪每日拍賣，東京，2008年7月26日，編號245 私人收藏，台灣

014

MIWA KOMATSU

小松美羽

(Japanese, b. 1984)

踏上修行之旅的小獅子

Lion Cub Embarks on Ascetic Journey

2021

2021 Acrylic on canvas 65.5 x 45.5 cm Signed reverse Ko Miwa and Miwa Komatsu in kanji, dated 2021.9.9

簽名畫背：2021.9.9 Ko Miwa 小松美羽

PROVENANCE

Whitestone Gallery, Hong Kong Acquired from the above by the present owner

NT$ 440,000 - 800,000 HK$ 109,000 - 198,000 US$ 13,900 - 25,200 RMB 93,000 - 168,000

壓克力畫布 65.5 x 45.5 cm 來源

白石畫廊，香港現藏者購自上述來源

015

YUICHI HIRAKO

平子雄一

(Japanese, b. 1982)

陷入沉思54

Lost in Thought 54

2020

2020 Acrylic on canvas 116.7 x 91 cm Initialed reverse YH and dated ‘20 EXHIBITED

Gin Huang Gallery Taichung: Opening Group Exhibition , January 18, 2020, Gin Huang Gallery, Taichung, Taiwan

壓克力畫布 116.7 x 91 cm 簽名畫背：YH. '20 展覽

「田奈藝術開幕聯展」，田奈藝術，台中，展期2020年1月18日

NT$ 420,000 - 650,000 HK$ 104,000 - 160,000 US$ 13,200 - 20,500 RMB 88,000 - 137,000

平子雄一，2006年畢業於英國溫布頓藝術學院，其富含想像力與童話色彩的創作風格，深受新世代收藏家的青睞。平子雄一的創作向來以探討人類與自然的共存共生為題材，每幅繪畫都是藝術家出於自然或個人生命經驗的思考。《陷入沉思54》創作於2020年，畫面色彩鮮豔、構圖精巧，延續藝術家獨特的視覺語彙，將自然意象轉化為充滿想像力的藝術世界。「陷入沉思」的標題，呼應畫中主角獨自於月光下閱讀的場景。藝術家以溫柔而沉思的情感，引領觀者細細品味畫作中的精微細節，使人重新與內在情緒連結，並再次感受藝術與自我之間靜謐的對話。 Yuichi Hirako graduated from Wimbledon College of Art in the United Kingdom in 2006. His imaginative, fairy-tale-inspired artistic language has garnered considerable appeal among a new generation

of collectors. Throughout his practice, Hirako has consistently explored the coexistence and interdependence of humanity and nature, with each painting emerging from his reflections on the natural world or his own personal experiences. Executed in 2020, Lost in Thought 54 features vivid colours and a carefully orchestrated composition, extending the artist’s distinctive visual vocabulary into an imaginative realm where natural imagery is transformed into a world of poetic wonder. The title, Lost in Thought, evokes the tranquil scene of the central figure reading alone beneath the moonlight. With a gentle and contemplative sensibility, Hirako invites viewers to linger over the painting’s intricate details, allowing them to reconnect with their inner emotions and rediscover the quiet dialogue between art and the self.

016

TOMOKO NAGAI (Japanese, b. 1982)

Little Bear’s Bed 2018 Oil on canvas 145.8 x 112.2 cm Signed reverse stretcher bar Tomoko Nagai , dated 2018 and titled Little Bear’s Bed in Japanese PROVENANCE

Tomio Koyama Gallery, Tokyo ILLUSTRATED

Maha Harada, The Wise Man on the Hill: Return of the Travel Agent, Shueisha Bunko, Tokyo, December 2021, color illustrated, cover This lot is accompanied by a certificate of authenticity issued by Tomio Koyama Gallery, Tokyo.

NT$ 550,000 - 650,000 HK$ 136,000 - 160,000 US$ 17,400 - 20,500 RMB 116,000 - 137,000 長井朋子小熊的床 2018 油彩畫布 145.8 x 112.2 cm 簽名畫背框條：くまのこbed Tomoko Nagai 2018 來源

小山登美夫畫廊，東京圖錄

原田瑪哈著，《丘之上的賢人：歡迎回來，旅人》，集英社文庫，東京，2021年12月，彩色圖版，封面附小山登美夫開立之原作保證書

017

AYAKO ROKKAKU

六角彩子

(Japanese, b. 1982)

無題

Untitled

2015

2015 Acrylic and mixed media 25(L) x 25(W) x 8.5(D) cm Signed reverse Ayako Rokkaku in Japanese and dated 2015

25(長) x 25(寬) x 8.5(厚) cm

壓克力綜合媒材簽名畫背：2015 ロッカクアヤコ附藝術家簽名木盒與Target畫廊開立之原作保證書

This lot is accompanied by a wooden box signed by the artist and a certificate of authenticity issued by Gallery Target, Tokyo.

NT$ 800,000 - 1,200,000 HK$ 198,000 - 296,000 US$ 25,200 - 37,900 RMB 168,000 - 253,000

日本當代藝術家六角彩子以充滿童趣、自由奔放的繪畫風格著稱，擅長運用鮮明色彩與直覺筆觸，描繪富含想像力的奇幻世界。無論上海龍美術館、東京澀谷街頭、香港置地廣場，或西班牙馬德里的提森．博內米薩博物館，其作品總能以繽紛色彩為城市注入活力，帶來耳目一新的視覺感受。 2017年於東京Gallery Target 舉行個人展覽，藝術家以壓克力板材為媒材，創作融合繪畫與立體造形的新型作品。透過透明板材的層次與視角變化，畫面在正面與背面呈現完整形象，斜向觀看則浮現奇妙的立體效果，突破傳統平面繪畫的觀看方式，展現藝術與現代技術交融的獨特魅力。 Japanese contemporary artist Ayako Rokkaku is renowned for her playful, uninhibited artistic style, employing vivid colours and intuitive brushwork to conjure imaginative, fantastical worlds. Whether at Shanghai’s Long Museum, the streets of Shibuya

in Tokyo, Hong Kong’s Landmark, or the ThyssenBornemisza Museum in Madrid, her works infuse their surroundings with vibrant colour and an invigorating visual energy, offering a refreshing and uplifting experience. In 2017, Rokkaku held a solo exhibition at Gallery Target in Tokyo, presenting a new body of work that combines painting with sculptural form through the use of acrylic panels. By exploring the layered transparency of the material and the interplay of viewing angles, her compositions reveal a complete image when viewed from the front or back, while an unexpected sense of dimensionality emerges from an oblique perspective. Transcending the conventional boundaries of two-dimensional painting, these works embody a distinctive fusion of artistic expression and contemporary technology.

正面

反面

018

MAYUKA YAMAMOTO

山本麻友香

(Japanese, b. 1964)

企鵝男孩

Penguin Boy

2019

2019 Oil on canvas 130.3 x 81 cm Signed on the overlap Mayuka, dated 2019 and titled penguin boy

130.3 x 81 cm

PROVENANCE

展覽

Gallery Tsubaki, Tokyo EXHIBITED

Mayuka Yamamoto Solo Exhibition, Gallery Tsubaki, Tokyo, July 16 - August 6, 2022 ILLUSTRATED

Mayuka Yamamoto Paintings, Gallery Tsubaki, Tokyo, 2023, color illustrated, no. 25

油彩畫布簽名題識畫布折入處：penguin boy Mayuka 2019 來源

椿畫廊，東京「山本麻友香：個展」，椿畫廊，東京，展期2022年 7月16日至8月6日圖錄

《山本麻友香繪畫》，椿畫廊，東京，2023，彩色圖版，編號25 附東京椿畫廊開立之原作保證書

This lot is accompanied by a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 1,300,000 - 2,200,000 HK$ 321,000 - 543,000 US$ 41,000 - 69,400 RMB 274,000 - 463,000

日本當代藝術家山本麻友香以描繪身穿動物服裝的孩童著稱。透過童趣的形象與夢幻般的色彩，她探索童年純真、情感，以及人類內在的精神世界。創作於2019年的《企鵝男孩》，延續藝術家標誌性的「動物男孩」系列。畫面以明亮且富有細膩透明感的淺綠色為背景，中央描繪一名身穿黑白企鵝裝的小男孩，其形象以鮮明而簡潔的方式呈現。男孩的視線偏向一側，彷彿刻意避開觀者的目光，雙臂緊貼身體，呈現拘謹而近乎僵直的姿態。仔細觀察，可發現其中一手悄然抓著衣服，流露出微妙的羞怯與不安。透過對男孩姿態與神情的細膩刻畫，山本麻友香捕捉了童年情感中微妙而細緻的層次，使原本看似可愛的題材，轉化為一幅靜謐而引人深思的肖像，呈現純真、脆弱與內省的情感意境。 Japanese contemporary artist Mayuka Yamamoto is renowned for her depictions of children dressed in animal costumes. Through playful imagery and dreamlike

colours, she explores childhood innocence, emotion, and the inner world of the human spirit. Created in 2019, Penguin Boy continues Yamamoto’s signature “Animal Boy” series. Set against a luminous pale green background imbued with a delicate sense of transparency, the composition centres on a young boy dressed in a black-and-white penguin costume, whose presence lends the work a striking simplicity. His gaze drifts to one side, seemingly evading the viewer, while his arms remain close to his body in a restrained, almost rigid stance. A closer examination reveals one hand discreetly clutching his clothing, suggesting a subtle sense of shyness and unease. Through her meticulous rendering of the boy’s gestures and demeanour, Yamamoto captures the delicate emotional nuances of childhood, transforming an ostensibly charming subject into a quietly compelling portrait of innocence, vulnerability, and introspection.

019

MR.

Mr.

(Japanese, b. 1969)

我們遇見一位邊走邊聽廣播的老人

We Came Across an Old Man Walking While Listening to the Radio

2019

2019 Acrylic, silkscreen print and pen on paper 76 x 56.5 cm Signed lower right Mr. and dated 2019

簽名右下：Mr. 2019

壓克力絲網印刷鋼筆紙本 76 x 56.5 cm 來源

富藝斯與保利，香港，2021年11月29日，編號260

PROVENANCE

Phillips & Poly, Hong Kong, November 29, 2021, lot 260

NT$ 2,200,000 - 3,200,000 HK$ 543,000 - 790,000 US$ 69,400 - 100,900 RMB 463,000 - 674,000

日本當代藝術家 Mr. 的創作融合日本動漫、御宅族文化與當代流行視覺語彙，擅長運用鮮明色彩、卡通形象及幽默荒誕的表現方式，探索大眾文化與日常生活的關係。此次拍品《我們遇見一位邊走邊聽廣播的老人》，藝術家以平凡的生活片段為題材，呈現日常情境中微妙而富有趣味的觀察。藝術家融合絲網版畫、插畫及手繪等多元技法，使不同質感與表現語言相互交織，營造豐富而有層次的視覺效果。畫面中充斥著諸多無厘頭的日文與英文字詞交錯、穿插於構圖之中，這些文字跳脫原有的溝通功能，轉化為線條與視覺節奏的一部分，使觀者不再拘泥於語言的理解，而是以直覺感受畫面的韻律與張力。藝術家藉此打破文字與圖像、意義與形式之間的既定關係，將看似隨意的元素組構成近乎抽象的視覺場域，展現其對流行文化、符號運用與當代視覺美學的獨特探索。 The contemporary Japanese artist Mr. draws on Japanese anime, otaku culture, and the visual language of contemporary popular culture in his artistic practice. He is known for his use of vivid colors, cartoon imagery, and a humorous, absurdist visual language to explore the relationship between popular culture and everyday life. Titled We Came Across an Old Man Walking While Listening to the Radio, the work takes an ordinary

moment from daily life as its subject, revealing the artist’s subtle yet playful observations of everyday experience. Mr. skillfully combines a variety of techniques and media, including screen printing, illustration, and hand-drawn elements. The interplay of different textures and visual languages creates a rich and layered composition. The image is filled with seemingly nonsensical Japanese and English words, scattered and interwoven throughout the composition. These words detach from their conventional communicative function, the words become visual elements in their own right, contributing to the composition’s lines, forms, and rhythm. Rather than focusing on linguistic meaning, viewers are invited to experience the work intuitively through its visual rhythm and dynamic tension. I n t h i s w a y, t h e a r t i s t c h a l l e n g e s c o n v e n t i o n a l relationships between text and image, meaning and form, transforming seemingly random elements into an almost abstract visual composition. The work reflects Mr.’s distinctive exploration of popular culture, visual symbolism, and the aesthetics of contemporary art.

020

YAYOI KUSAMA

草間彌生

(Japanese, 1929-2026)

岬之雨

Rain on the Promontory

1978

1978 Enamel and ink on paperboard 27.3 x 24.2 cm Signed lower left Yayoi Kusama and dated 1978 Signed reverse Yayoi Kusama in English, dated 1978, inscribed By Kusama in kanji and titled Rain on the Promontory in Japanese

27.3 x 24.2 cm

瓷漆墨紙板簽名左下：1978 Yayoi Kusama 簽名題識畫背：Yayoi Kusama 1978 草間彌生作岬の雨附草間彌生工作室開立之作品登錄卡

This lot is accompanied by a registration card issued by the artist’s studio.

NT$ 950,000 - 1,600,000 HK$ 235,000 - 395,000 US$ 30,000 - 50,500 RMB 200,000 - 337,000

日本當代大師草間彌生以標誌性的波點與「無限網」系列聞名，透過重複性的圖式與鮮明色彩，探索自我、自然與宇宙之間的精神連結。1978年前後，她於日本清和病院休養期間，持續深化以網狀線條與點陣為核心的創作語彙。創作於1978年的《岬之雨》，以瓷漆形成藍色漸層的白色網狀結構，交織深黑且富有光澤的墨水波點。藍白色調營造出深邃而流動的空間感，黑色圓點則如雨滴般散布其間，在規律與變化之間形成鮮明的視覺節奏。密集的網絡與點陣不僅呼應雨水、海浪綿延不絕的意象，更延伸出自然循環與宇宙無垠的想像。透過不斷重複的元素，草間彌生將視覺景象轉化為沉浸式的精神體驗，呈現其創作中消融自我與外在界線的哲思。 Japanese contemporary master Yayoi Kusama is renowned for her iconic polka dots and Infinity Nets series. Through repetitive patterns and vivid colours, she explores the spiritual connections between the self, nature, and the cosmos. Around 1978, during her stay at

Seiwa Hospital in Japan, Kusama continued to develop her distinctive visual language, centred on intricate networks of lines and dotted motifs. Created in 1978, Rain on the Promontory features a white, net-like structure rendered in graduated shades of blue enamel, interwoven with glossy, deep-black ink dots. The blue-and-white palette evokes a sense of depth and fluidity, while the black dots are scattered across the surface like raindrops, establishing a striking visual rhythm between repetition and variation. The dense networks and dotted patterns evoke the ceaseless movement of rain and waves, while suggesting the perpetual cycles of nature and the boundlessness of the universe. Through the persistent repetition of visual elements, Kusama transforms the image into an immersive spiritual experience, expressing her enduring philosophical inquiry into the dissolution of boundaries between the self and the external world.

021

YAYOI KUSAMA (Japanese, 1929-2026)

草間彌生南瓜 GB-D

A PUMPKIN GB-D

2004

2004 Screenprint, ed. 8/80 24 x 28.5 cm (image); 33 x 38.5 cm (sheet) Signed lower right Yayoi Kusama , dated 2004 , numbered lower left 8/80 and titled A Pumpkin GB-D

24 x 28.5 cm (圖)；33 x 38.5 cm (紙)

ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, no. 332, p.190 (another edition)

NT$ 750,000 - 850,000 HK$ 185,000 - 210,000 US$ 23,700 - 26,800 RMB 158,000 - 179,000 38

絲網版畫版次 8/80 簽名右下：Yayoi Kusama 版次題識年代左下：8/80 A Pumpkin GB-D 2004 圖錄

《草間彌生全版畫1979-2017》，阿部出版社株式會社，東京，2017，彩色圖版，編號332，頁190（另一版次）

022

YAYOI KUSAMA

草間彌生

(Japanese, 1929-2026)

南瓜

Pumpkin

1995

1995 Etching, ed. 28/75 29.5 x 22 cm (image); 53 x 37.5 cm (sheet) Signed lower right Yayoi Kusama , dated 1995 , numbered lower left 28/75 and titled Pumpkin in Japanese

29.5 x 22 cm (圖)；53 x 37.5 cm (紙)

ILLUSTRATED

Yayoi Kusama Prints 1979-2017, Abe Publishing Ltd, Tokyo, 2017, color illustrated, no. 210, p.126 (another edition)

NT$ 460,000 - 650,000 HK$ 114,000 - 160,000 US$ 14,500 - 20,500 RMB 97,000 - 137,000

蝕刻版畫版次 28/75 簽名右下：Yayoi Kusama

版次題識年代左下：28/75 かぼちゃ1995 圖錄

《草間彌生全版畫1979-2017》，阿部出版社株式會社，東京，2017，彩色圖版，編號 210，頁126（另一版次）

023

YAYOI KUSAMA

草間彌生

(Japanese, 1929-2026)

花

Flower

1982

1982 Lithograph, ed. 46/100 22.3 x 15.5 cm (image); 35.7 x 27.6 cm (sheet) Signed bottom Yayoi Kusama, numbered 46/100 , titled Flower in kanji and dated 1982

22.3 x 15.5 cm (圖)；35.7 x 27.6 cm (紙)

ILLUSTRATED

Yayoi Kusama Prints 1979-2017, Abe Publishing Ltd, Tokyo, 2017, color illustrated, no. 10, p. 17 (another edition)

NT$ 420,000 - 550,000 HK$ 104,000 - 136,000 US$ 13,200 - 17,400 RMB 88,000 - 116,000 40

石版畫版次 46/100 簽名題識版次下方：46/100 花 Yayoi Kusama 1982 圖錄

《草間彌生全版畫1979-2017》，阿部出版社株式會社，東京，2017，彩色圖版，編號10，頁17（另一版次）

024

YAYOI KUSAMA

草間彌生

(Japanese, 1929-2026)

自畫像

Self-portrait

1995

1995 Etching, ed. 32/75 29.5 x 22.3 cm (image); 53.5 x 38 cm (sheet) Signed lower right Yayoi Kusama , dated 1995 , numbered lower left 32/75 and titled Self-portrait in Japanese

29.5 x 22.3 cm (圖)；53.5 x 38 cm (紙)

ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd, Tokyo, 2017, color illustrated, no. 217, p.131 (another edition)

NT$ 320,000 - 420,000 HK$ 79,000 - 104,000 US$ 10,100 - 13,200 RMB 67,000 - 88,000

蝕刻版畫版次 32/75 簽名右下：Yayoi Kusama 版次題識年代左下：32/75 自画像 1995 圖錄

《草間彌生全版畫1979-2017》，阿部出版社株式會社，東京，2017，彩色圖版，編號 217，頁131（另一版次）

025

YAYOI KUSAMA

草間彌生

(Japanese, 1929-2026)

月食

Lunar Eclipse

1989

1989 Screenprint, ed. 70/100 45.4 x 52.8 cm (image) 53.5 x 61 cm (sheet) Signed lower right Yayoi Kusama and titled lower left Lunar Eclipse in kanji, dated 1989 and numbered 70/100

45.4 x 52.8 cm (圖)

PROVENANCE

Ota Fine Arts, Tokyo

NT$ 550,000 - 650,000 HK$ 136,000 - 160,000 US$ 17,400 - 20,500 RMB 116,000 - 137,000 42

絲網版畫版次 70/100 53.5 x 61 cm (紙) 簽名右下：Yayoi Kusama 版次題識年代左下：70/100 月食 1989 來源

大田秀則畫廊，東京

026

YOSHITOMO NARA

奈良美智

(Japanese, b. 1959)

夢想時間

Dream Time

2015

2015 Woodcut in colors on Japanese paper, ed. 9/25 42 x 29 cm Signed Na in Japanese and dated 2015 Numbered lower left 9/25

42 x 29 cm

PROVENANCE

Pace Editions Inc., New York Christie’s, New York, September 27, 2016, lot 505 Private collection, Hong Kong Acquired from the above by the present owner

NT$ 700,000 - 1,200,000 HK$ 173,000 - 296,000 US$ 22,100 - 37,900 RMB 147,000 - 253,000

彩色木刻版畫版次 9/25 簽名右下：2015 な版次左下：9/25 來源

佩斯版畫出版公司，紐約佳士得，紐約，2016年9月27日，編號505 私人收藏，香港現有藏家購自上述來源

027

CHEN TING-SHIH

陳庭詩

(Taiwanese, 1913-2002)

寂靜#4

Silence #4

1975

1975 Cane fiber board relief print on paper, ed. 1/40 75.5 × 55 cm Signed lower right Chen Ting-Shih and dated Feb. 1975 Numbered lower center 1/40 Titled lower left Silence #4

75.5 x 55 cm

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 44

蔗版版畫版次 1/40 簽名右下：Chen Ting-Shih Feb. 1975 版次中下：1/40 題識左下：Silence #4

028

CHEN TING-SHIH

陳庭詩

(Taiwanese, 1913-2002)

書法-2

Calligraphy #2

1976

1976 Woodcut, ed. 12/40 56 x 76 cm Signed lower right Chen Ting-Shih and dated May 1976 Numbered lower center 12/40 Titled lower left Calligraphy #2

56 x 76 cm

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

木刻版畫版次12/40 簽名右下：Chen Ting-Shih May 1976 版次中下：12/40 題識左下：Calligraphy #2

029

CHEN YINGJIE

陳英杰

(Chinese, b. 1991)

無題

Untitled

2022

2022 Acrylic on paper 79 x 107 cm Signed lower right Yingjie in Chinese and dated 2022.2.10

79 x 107 cm

PROVENANCE

Whitestone Gallery, Taipei Acquired from the above by the present owner EXHIBITED

Chen Yingjie: The Dust of a Long Journey, Whitestone Gallery, Hong Kong, March 25 - April 23, 2022

NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,500 - 6,900 RMB 23,000 - 46,000 46

壓克力紙本簽名右下：英杰 2022.2.10 來源

白石畫廊，台北現有藏家購自上述來源展覽

「陳英杰：塵」，白石畫廊，香港，展期2022年 3月25日至4月23日

030

CHEN TING-SHIH

陳庭詩

(Taiwanese, 1913-2002)

天籟#3

God’s Song #3

1980

1980 Cane fiber board relief print on paper, ed. 7/40 60 x 60 cm Signed lower right Chen Ting-Shih and dated 1980 Numbered lower center 7/40 Titled lower left God’s Song #3

60 x 60 cm

NT$ 160,000 - 260,000 HK$ 40,000 - 64,000 US$ 5,000 - 8,200 RMB 34,000 - 55,000

蔗版版畫版次 7/40 簽名右下：Chen Ting-Shih 1980 版次中下：7/40；題識左下：God's Song #3

031

SHIY DE-JINN

席德進

(Taiwanese, 1923-1981)

相見歡

Pleasure at Meeting

1980

1980 Ink on paper 34 x 135 cm Signed lower left Shiy De-Jinn in Chinese With one seal of the artist

34 x 135 cm

PROVENANCE

Feishi Gallery Collections, Taiwan Sotheby’s, Hong Kong, October 6, 2014, lot 5019 Acquired from the above by the present owner

NT$ 160,000 - 260,000 HK$ 40,000 - 64,000 US$ 5,000 - 8,200 RMB 34,000 - 55,000 48

水墨紙本簽名左下：席德進鈐印左下：德進釋文：金陵城上西樓倚清秋萬里夕陽垂地大江流中原亂簪纓散幾時收試倩悲風吹淚過揚州來源

飛石樓收藏，台灣蘇富比，香港，2014年10月6日，編號5019 現有收藏者購自上述來源

032

CAI GUO-QIANG

蔡國強

(Chinese, b. 1957)

金圓券—招財平安符

Golden Yuan Bills–Numinous Talismans

2005

2005 Gunpowder, ink, golden yuan bills, mounted on paper 36 x 29 cm Signed lower center Cai Guo–Qiang in Chinese and Cai in English, inscribed lower center KY Tsai

簽名下方：蔡國強 Cai

NT$ 190,000 - 360,000 HK$ 47,000 - 89,000 US$ 6,000 - 11,400 RMB 40,000 - 76,000

火藥爆破水墨金圓券裱於宣紙 36 x 29 cm 題識下方：KY Tsai

033

SHIY DE-JINN

席德進

(Taiwanese, 1923-1981)

金門古厝

Traditional Houses in Kinmen

1977

1977 Watercolor on paper 54 x 75 cm Signed lower right Shiy De-Jinn in Chinese and dated 1977

54 x 75 cm

PROVENANCE

East Gallery, Taipei Acquired from the above by the present owner

NT$ 220,000 - 400,000 HK$ 54,000 - 99,000 US$ 6,900 - 12,600 RMB 46,000 - 84,000

水彩紙本簽名右下：席德進 1977 來源

東之畫廊，台北現有收藏家購自上述來源

034

PANG JIUN

龎均

(Taiwanese, b. 1936)

雪後夕陽

Sunset After Snow

1987

1987 Oil on canvas 43.5 x 60.5 cm Signed lower right Pang Jiun in Chinese and dated dingmao year (1987) With a painted seal of the artist Signed reverse Pang Jiun in Chinese and English, dated 1987 and titled Sunset After Snow in Chinese

43.5 x 60.5 cm

PROVENANCE

「龎均油畫展」，龍門畫廊，台北，展期1987年

Lung Men Art Gallery, Taipei

6月20日至30日

EXHIBITED

Pang Jiun, Lung Men Art Gallery, Taipei, June 20-30, 1987

NT$ 260,000 - 360,000 HK$ 64,000 - 89,000 US$ 8,200 - 11,400 RMB 55,000 - 76,000

油彩畫布簽名右下：龎均丁卯年鈐印右下：均簽名畫背：雪後夕陽龎均 Pang Jiun 1987 來源

龍門畫廊，台北展覽

035

YANG SAN-LANG

楊三郎

(Taiwanese, 1907-1995)

陽明山

Yang Ming Shan

1966

1966 Oil on canvas 53.5 x 41 cm Signed lower right S. Yang Inscribed backing board: “YANG MING SHAN” BY SABURO YANG TAIPEI, TAIWAN, 1966 GIVEN TO HANIL BANK, TOKYO BY BANKERS TRUST COMPANY, NEW YORK TOKYO OFFICE. OCTOBER 11, 1968

53.5 x 41 cm

PROVENANCE

韓國韓一銀行，東京分行（1968年得自上述來源

Bankers Trust Company, New York, Tokyo office Hanil Bank, Tokyo (acquired from the above in 1968) Gallery Kojima, Tokyo Private collection, Tokyo

贈與）

NT$ 200,000 - 300,000 HK$ 49,000 - 74,000 US$ 6,300 - 9,500 RMB 42,000 - 63,000 52

油彩畫布簽名右下：S. Yang 畫背註記："YANG MING SHAN" BY SABURO YANG / TAIPEI, TAIWAN, 1966 GIVEN TO HANIL BANK, TOKYO BY BANKERS TRUST COMPANY, NEW YORK TOKYO OFFICE. OCTOBER 11, 1968 來源

美國信孚銀行，紐約總行東京辦事處

兒嶋畫廊，東京私人收藏，東京

036

PANG JIUN

龎均

(Taiwanese, b. 1936)

碧潭吊橋

Bitan Suspension Bridge

2004

2004 Oil on canvas 60.5 x 72.5 cm Signed lower left Pang Jiun in Chinese and dated 2004 With a painted seal of the artist Signed reverse Pang in Chinese

60.5 x 72.5 cm

NT$ 460,000 - 900,000 HK$ 114,000 - 222,000 US$ 14,500 - 28,400 RMB 97,000 - 189,000

油彩畫布簽名左下：龎均 2004 手繪鈐印左下：均簽名畫背：龎

037

CHIU YA-TSAI

邱亞才

(Taiwanese, 1949-2013)

音樂家

Musician

1985-1986

1985-1986 Oil on canvas 130 x 110 cm Signed lower right Ya-Tsai in Chinese

130 x 110 cm

This lot is accompanied by a certificate of authenticity issued by Stony Woods Art Co., Taipei.

NT$ 550,000 - 850,000 HK$ 136,000 - 210,000 US$ 17,400 - 26,800 RMB 116,000 - 179,000 54

油彩畫布簽名右下：亞才附木石緣畫廊開立之原作保證書

038

YANG CHIHUNG

楊識宏

(Taiwanese, b. 1947)

枝與葉的構圖

Composition of Leaves and Branches

1993

1993 Oil on canvas 127.5 x 97 cm Signed reverse Chihung Yang , titled Composition of Leaves and Branches and dated 1993

127.5 x 97 cm

PROVENANCE

JP Art Centre, Kaohsiung Ravenel, Taipei, June 3, 2012, lot 206 Acquired from the above by the present owner

NT$ 650,000 - 750,000 HK$ 160,000 - 185,000 US$ 20,500 - 23,700 RMB 137,000 - 158,000

油彩畫布簽名畫背：Chihung Yang Composition of Leaves and Branches 1993 來源

琢璞藝術中心，高雄羅芙奧，台北，2012年6月3日，編號206 現有收藏者購自上述來源

039

DONG SHAW-HWEI

董小蕙

(Taiwanese, b. 1962)

十載花

Ten-Year Flower

2012

2012 Oil on canvas 100 x 80 cm Signed lower left S.Hwei and dated 2012

100 x 80 cm

This lot is accompanied by a certificate of authenticity issued by Asia Art Center Co. Ltd, Taipei.

NT$ 550,000 - 650,000 HK$ 136,000 - 160,000 US$ 17,400 - 20,500 RMB 116,000 - 137,000 56

油彩畫布簽名左下：S.Hwei 2012 附亞洲藝術中心有限公司開立之原作保證書

040

WALASSE TING (Chinese-American, 1929-2010)

Ladies with Parrots Acrylic on paper 180.5 x 96 cm With one seal of the artist ILLUSTRATED

Promenade à Paris, Galerie Elegance, Taipei, 2011, color illustrated, p. 185 This lot is accompanied by a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 550,000 - 1,000,000 HK$ 136,000 - 247,000 US$ 17,400 - 31,500 RMB 116,000 - 211,000 丁雄泉調鸚圖壓克力紙本 180.5 x 96 cm 鈐印左上：採花大盜圖錄

《品味巴黎》，愛力根畫廊，台北， 2011，彩色圖版，頁185 附愛力根畫廊開立之原作保證書

041

WALASSE TING

丁雄泉

(Chinese-American, 1929-2010)

繁花中的裸女

Naked Woman in Flowers

壓克力水墨紙本

Acrylic and ink on paper 70 x 120 cm With one seal of the artist

鈐印左上：採花大盜

NT$ 700,000 - 900,000 HK$ 173,000 - 222,000 US$ 22,100 - 28,400 RMB 147,000 - 189,000

70 x 120 cm

042

WALASSE TING

丁雄泉

(Chinese-American, 1929-2010)

吻，吻

A Kiss, A Kiss

1973

1973 Acrylic and crayon on paper 57 x 76 cm Signed reverse Ting , titled A Kiss, A Kiss and dated 1973

57 x 76 cm

PROVENANCE

Acquired directly from the artist Christie’s, Hong Kong, May 29, 2011, lot 1168 ILLUSTRATED

Red Mouth, Toppan Printing Co., Hong Kong, 1977, color illustrated

NT$ 850,000 - 950,000 HK$ 210,000 - 235,000 US$ 26,800 - 30,000 RMB 179,000 - 200,000

壓克力蠟筆紙本簽名題識年代畫背：A Kiss, A Kiss Ting 1973 來源

直接得自藝術家本人佳士得，香港，2011年5月29日，編號1168 圖錄

《紅唇》，凸版印刷，香港，1977，彩色圖版

043

CHUANG CHE

莊喆

(Chinese-American, b. 1934)

無題

Untitled

1991

1991 Acrylic on canvas 154 x 128 cm Signed lower right Chuang Che and dated 91

154 x 128 cm

PROVENANCE

壓克力畫布簽名右下：91莊喆來源

私人收藏，台灣

Private collection, Taiwan

NT$ 900,000 - 1,600,000 HK$ 222,000 - 395,000 US$ 28,400 - 50,500 RMB 189,000 - 337,000

莊喆為華人抽象藝術的重要代表，出生於北京，自幼浸潤於中國書畫傳統的藝術環境。1958年加入臺灣五月畫會，積極參與現代繪畫運動，並於1973年赴美發展。他將中國書法的筆勢、水墨山水的氣韻與西方抽象表現融會一體，開創兼具東方美學與現代精神的獨特藝術語彙。《無題》創作於1991年，展現莊喆對色彩、筆觸與空間張力的成熟掌握。畫面以青綠與灰白色調鋪展出朦朧而流動的空間，中央交錯的黑、赭褐、橙紅與綠色筆觸，則構成充滿動勢的視覺核心。藝術家運用層疊、刮擦與潑灑等手法，使顏料在覆疊與留白之間形成豐富的肌理；畫面上方斜向延伸的線條，更與中央厚重的色彩結構形成張力，牽引觀者的視線穿梭其間。作品不以再現具體景物為目的，而是透過奔放的筆勢與色彩交融，喚起山水自然的氣韻與生命律動。 Chuang Che is a leading figure in Chinese abstract art. Born in Beijing, he was immersed from an early age in the traditions of Chinese painting and calligraphy. In 1958, he joined the Fifth Moon Group in Taiwan, actively participating in the island’s modern art movement, before moving to the United States in

1973. By integrating the expressive force of Chinese calligraphy and the lyrical spirit of ink landscape painting with the language of Western abstraction, Chuang developed a distinctive artistic vocabulary that bridges Eastern aesthetics and modern expression. Created in 1991, Untitled demonstrates Chuang’s mature command of colour, gesture, and spatial tension. Shades of turquoise green and greyish white unfold across the canvas, establishing a hazy, fluid spatial atmosphere, while interwoven strokes of black, ochre, orange-red, and green form a dynamic visual core. Through the layering, scraping, and splashing of paint, the artist creates a richly textured surface in which overlapping pigments interact with areas of exposed ground. The diagonal lines extending across the upper portion of the composition introduce a further sense of tension against the dense structure of colours at the centre, guiding the viewer’s gaze through the painting. Rather than seeking to depict recognizable scenery, Chuang evokes the vitality and rhythmic energy of nature through vigorous brushwork and the interplay of colour.

044

CHUANG CHE (Chinese-American, b. 1934)

Work 87-85 (diptych) 1987 Oil and acrylic on canvas 101.5 x 267 cm Signed lower right Chuang Che dated 87 and titled reverse 87-85 (diptych)

NT$ 1,000,000 - 2,000,000 HK$ 247,000 - 494,000 US$ 31,500 - 63,100 RMB 211,000 - 421,000 62

PROVENANCE

Collection of the artist, USA Private collection, Taiwan EXHIBITED

Solo Exhibition of Chuang Che, Taipei Fine Arts Museum, Taipei, May 2-June 28, 1992 ILLUSTRATED

Solo Exhibition of Chuang Che, Taipei Fine Arts Museum, Taipei, 1992, color illustrated, pp. 66-67

莊喆作品 87-85（雙聯幅） 1987 油彩壓克力畫布 101.5 x 267 cm 簽名右下：87莊喆題識畫背：87-85 (diptych) 來源

藝術家自藏，美國私人收藏，台灣展覽

「莊喆個展」，台北市立美術館，台北，展期1992年5月2日至6月28日圖錄

《莊喆個展》，台北市立美術館，台北，1992，彩色圖版，頁66-67

045

CHEN TING-SHIH (Taiwanese, 1913-2002)

Abstract Triptych 1967 Woodblock print on paper, ed. 4/9 (Virtually unique; no other example is currently known.) 121.5 x 180 cm (image) 162 x 190.5 cm (sheet) Signed lower right Chen Ting-Shih , numbered 4/9 and dated 67 With one seal of the artist PROVENANCE

Property from the Collection of Laurence C. S. Sickman, Curator of Asian Art and later Director of the Nelson-Atkins Museum of Art, Kansas City, Missouri Freeman Fine Arts, Philadelphia PA, USA, September 10, 2016, lot 321 Acquired from the above by the present owner ILLUSTRATED

Hsiao Chong-Ray and Lin Po-Hsin, Taiwan Fine Arts Criticism Series: Liu Kuo-Sung , planned by the Taiwan Museum of Art, published by Artist Publishing Co., Taipei, 1999, illustrated in black and white, p. 19

NT$ 1,200,000 - 2,200,000 HK$ 296,000 - 543,000 US$ 37,900 - 69,400 RMB 253,000 - 463,000 陳庭詩抽象三聯幅 1967 木刻版畫版次 4/9 （幾乎為孤品原作，目前尚未見過第二件） 121.5 x 180 cm (圖)；162 x 190.5 cm (紙) 簽名右下：4/9 Chen Ting-Shih 67 鈐印左下：庭詩版畫來源

勞倫斯．史克門（Laurence C. S. Sickman, 1907-1988）舊藏（史克門曾任密蘇里州坎薩斯市納爾遜-阿特金斯藝術博物館東方藝術部策展人，後升任該館館長）弗里曼拍賣行，賓州費城，美國，2016年9月10日，拍品編號 321 現藏家購自上述來源圖錄

蕭瓊瑞、林伯欣著，《臺灣美術評論全集：劉國松》，臺灣省立美術館策畫，藝術家出版社出版發行，台北，1999，黑白圖版，頁19

046

CHIU YA-TSAI

邱亞才

(Taiwanese, 1949-2013)

穿著花格的青年

Young Man in Check Shirt

1993

1993 Oil on canvas 194.5 x 130.5 cm Signed lower left Chiu Ya-tsai in Chinese

194.5 x 130.5 cm

ILLUSTRATED

Chiu Ya Tsai, Ming Art Gallery, Taipei, 2009, color illustrated, pp. 24-25

油彩畫布簽名左下：邱亞才圖錄

《邱亞才》，旻谷畫廊，台北，2009，彩色圖版，頁24-25

NT$ 1,300,000 - 2,200,000 HK$ 321,000 - 543,000 US$ 41,000 - 69,400 RMB 274,000 - 463,000

邱亞才出生於宜蘭，是臺灣當代極具個人風格的自學藝術家，亦是一位作家。他透過閱讀莎士比亞、杜斯妥也夫斯基等文學經典，深化對人性與生命處境的觀察。其繪畫以人物肖像為核心，融合中國傳統白描的線條韻味與西方現代繪畫的表現性，藉由修長而略帶變形的人物造形、簡潔的背景與鮮明的色彩，傳達孤寂、憂鬱而內斂的精神氣質。創作於1993年的《穿著花格的青年》，以大面積鮮紅色背景襯托人物，營造強烈的視覺張力。青年身穿以紅、綠、黑、白等色彩構成的幾何格紋上衣，規整的三角形與菱形圖案交錯排列，與其纖瘦修長的身形形成鮮明對比。藝術家以簡練的線條勾勒五官，透過略顯疏離的眼神與拘謹的姿態，呈現人物內斂而難以捉摸的心理狀態。 Chiu Ya-tsai, born in Yilan, Taiwan, was a self-taught artist and writer renowned for his highly individual style. Through his engagement with literary classics by authors such as William Shakespeare and Fyodor

Dostoevsky, he deepened his understanding of human nature and the human condition. Centred on portraiture, his paintings combine the linear elegance of traditional Chinese baimiao (fine-line drawing) with the expressive qualities of modern Western art. Through elongated, subtly distorted figures, simplified backgrounds, and vivid colours, he conveys a profound sense of solitude, melancholy, and introspection. Created in 1993, Young Man in Check Shirt features a broad expanse of vivid red as its background, creating a striking visual tension with the figure. The young man wears a shirt patterned with geometric motifs in red, green, black, and white, its orderly arrangement of triangles and diamonds contrasting sharply with his slender, elongated physique. With economical lines, the artist delineates the subject’s facial features, while his somewhat detached gaze and restrained posture suggest an introspective and elusive psychological state.

047

CHIU YA-TSAI

邱亞才

(Taiwanese, 1949-2013)

綠衣女子

Woman in Green Dress

1990

1990 Oil on canvas 194.5 x 130.5 cm Signed lower right Chiu Ya-tsai in Chinese

194.5 x 130.5 cm

ILLUSTRATED

Chiu Ya Tsai, Ming Art Gallery, Taipei, 2009, color illustrated, pp. 38-39

油彩畫布簽名右下：邱亞才圖錄

《邱亞才》，旻谷畫廊，台北， 2009，彩色圖版，頁38-39

NT$ 1,300,000 - 2,200,000 HK$ 321,000 - 543,000 US$ 41,000 - 69,400 RMB 274,000 - 463,000

邱亞才出生於宜蘭，是臺灣當代極具個人風格的自學藝術家，亦是一位作家。他透過閱讀莎士比亞、杜斯妥也夫斯基等文學經典，深化對人性與生命處境的觀察。其繪畫以人物肖像為核心，融合中國傳統白描的線條韻味與西方現代繪畫的表現性，藉由修長而略帶變形的人物造形、簡潔的背景與鮮明的色彩，傳達孤寂、憂鬱而內斂的精神氣質。《綠衣女子》則延續邱亞才對女性肖像的探索，藉由服飾色彩、柔和的身形曲線與人物神情的安排，將女子溫婉的外在形象轉化為內在氣質的表徵。兩作皆體現藝術家對人物精神世界的敏銳觀察，使肖像超越單純的外貌再現，成為映照人性與生命處境的深刻媒介。 Chiu Ya-tsai, born in Yilan, Taiwan, was a self-taught artist and writer renowned for his highly individual style. Through his engagement with literary classics by authors such as William Shakespeare and Fyodor

Woman in Green Dress , painted in 1990, continues Chiu’s exploration of female portraiture. Through the interplay of clothing colours, the gentle curves of the figure, and the expression, the artist transforms the woman’s graceful outward appearance into a reflection of her inner character. Both works exemplify Chiu’s keen sensitivity to the inner world of his subjects, elevating portraiture beyond the mere representation of physical appearance to become a profound reflection on human nature and the human condition.

048

YANG CHIHUNG (Taiwanese, b. 1947)

Rhapsody in Blue 2013-2014 Acrylic on canvas 151 x 203 cm Signed reverse Chihung Yang , titled Rhapsody in Blue and dated 2013-2014 EXHIBITED

Eternal Present: Recent Paintings by Yang Chihung, Ueno Royal Museum, Tokyo, October 15-November 1, 2015 ILLUSTRATED

Eternal Present: Recent Paintings by Yang Chihung, Ueno Royal Museum, Tokyo: Asia Art Center Co. Ltd., Taipei, 2016, color illustrated, p. 79 & p. 88

「永恆的當下：楊識宏近作展」，上野之森美術館，東京，展期2015年10月15日至11月1日圖錄

《永恆的當下：楊識宏近作展》，亞洲藝術中心有限公司，台北，2016，彩色圖版，頁79與頁88

049

HSIAO CHIN (Taiwanese, 1935-2023)

L’Universo delle passioni 2008 Acrylic on canvas 150 x 200 cm Signed reverse Hsiao in English, Chin in Chinese, dated 2008 , titled “L’universo delle passioni” and inscribed Acrilici

NT$ 1,700,000 - 2,400,000 HK$ 420,000 - 593,000 US$ 53,600 - 75,700 RMB 358,000 - 505,000 蕭勤激情的宇宙 2008 壓克力畫布 150 x 200 cm 簽名題識畫背：Hsiao 勤二〇〇八 "L'universo delle passioni" Acrilici

050

CHU TEH-CHUN (Chinese-French, 1920-2014)

Miroir de l’illusion 2004 Oil on canvas 81 x 100 cm Signed lower right CHU TEH-CHUN in Chinese and English, dated 04 Signed reverse CHU TEH-CHUN in English and Chinese, dated 2004 and titled MIRROIR DE L’ILLUSION PROVENANCE

Ravenel, Taipei, December 6, 2009, lot 051 Acquired from the above by the present owner ILLUSTRATED

Pierre-Jean Rémy, Chu Teh-Chun , Éditions de la Différence, Paris, 2006, color illustrated, p. 268

NT$ 6,500,000 - 8,500,000 HK$ 1,605,000 - 2,099,000 US$ 205,000 - 268,100 RMB 1,368,000 - 1,789,000 朱德群鏡之幻象 2004 油彩畫布 81 x 100 cm 簽名右下：朱德群 CHU TEH-CHUN 04 簽名題識畫背："MIRROIR DE L'ILLUSION" CHU TEH-CHUN 朱德群 2004 來源

羅芙奧，台北，2009年12月6日，編號051 現有收藏家得自上述來源圖錄

皮耶－尚．雷米，《朱德群》，拉迪佛羅思出版社，巴黎， 2006，彩色圖版，頁268

Reflections of the Myriad Phenomena: The Eastern Philosophy of Chu Teh-Chun’s Miroir de l’illusion 鏡映萬象，重重無盡：朱德群《鏡之幻象》的東方哲思

朱德群（Chu Teh-Chun，1920–2014）是二十世紀華

現萬象彼此牽引、相互生成的視覺經驗。這種不以單一

人抽象藝術的重要代表人物，以融會中國書畫精神與西

形象為終點的開放性，正使作品具有耐人尋味的精神深

方現代繪畫語言的獨特風格，建立其國際藝術地位。

度。

創作於2004年的《鏡之幻象》，不僅展現藝術家成熟時期對色彩、筆勢與空間的深刻掌握，更引人聯想到東方哲學對現象與本質、虛與實，以及萬物相互關聯的思考。若從佛教思想「重重無盡、事事無礙」的觀點觀之，彷彿開啟了一處層層映現、彼此交融的精神空間，使抽象繪畫超越視覺形式，延伸至對宇宙秩序與生命感知的哲學探索。朱德群早年就讀於杭州國立藝術專科學校，接受中國傳統書畫與西方繪畫訓練。1955年赴法國巴黎後，他逐漸投入抽象創作，將中國書法的運筆氣韻、山水畫的虛實觀念，與西方油彩的光色表現融為一體。從1950至 1960年代抽象語言的形成，到1970至1990年代對色彩層次與空間深度的深化，再至2000年代更為成熟而自如的表現，朱德群始終致力於將可見的自然景象轉化為內在的精神感受。《鏡之幻象》正誕生於此一階段，體現其長年探索所凝鍊的藝術語言。朱德群的繪畫恰能為這種哲學聯想提供豐富的視覺對應。他以書法般的筆勢營造流動的節奏，透過色彩的交疊、明暗的轉換與空間的虛實關係，使畫面中的形與色彼此呼應，而非各自獨立。《鏡之幻象》最動人的地方，在於它讓觀看成為一場不斷延展的精神旅程。若借用華嚴思想來賞析，鏡中映現的景象可以聯想到「重重無盡」的境界：萬物彼此映照、相互依存，一個形象之中又蘊含其他形象，關係層層展開而沒有窮盡。所謂「事事無礙」，則指萬事萬物雖各有其相，卻並非彼此孤立，而是在相互依存之中共成整體。「鏡」映照萬物，卻不將萬物據為己有；「幻象」看似虛幻，卻又因觀看與感知而呈現意義。兩者相互交織，使作品標題具有超越表象的哲學意味。觀者或許由此聯想到冰川、雲霧與天光，卻無法將其限定為某個具體景象；每一次觀看，都可能在豐富的色彩關係與形象聯想之間，發現嶄新的意義。畫面因此不再只是描繪某一景物，而是呈

在收藏文獻方面，《鏡之幻象》曾收錄於皮耶－尚．雷米（Pierre-Jean Rémy）編著、2006年由巴黎拉迪佛羅思出版社出版的《朱德群》專書。皮耶－尚．雷米與朱德群同為法蘭西學術院院士，更是法國知名學者、小說家與外交官。此項出版紀錄為作品提供可供查考的文獻依據，也增添其研究與典藏價值。朱德群成熟時期的油畫兼具鮮明的個人風格與跨文化藝術意義，對重視藝術史脈絡的藏家而言，具有深入探究的價值。 Chu Teh-Chun (1920–2014) was one of the most significant Chinese artists of the twentieth century, internationally recognised for his distinctive synthesis of traditional Chinese artistic sensibilities and Western modernist painting. Created in 2004, Miroir de l’illusion demonstrates the artist’s mature mastery of colour, gestural brushwork and spatial composition, while inviting contemplation of Eastern philosophical ideas concerning appearance and essence, emptiness and substance, and the interconnectedness of all things. Viewed through the Buddhist concept of “infinite interpenetration and unobstructed interconnectedness”, the painting evokes a spiritual realm in which images endlessly reflect and merge into one another. In this way, abstraction transcends purely visual form, becoming a vehicle for philosophical reflection on the order of the universe and the nature of human perception. Chu Teh-Chun studied at the National College of Art in Hangzhou, where he received a rigorous education in both traditional Chinese painting and Western art. After moving to Paris in 1955, he gradually embraced abstraction, integrating the rhythmic movement of Chinese calligraphy and the interplay of presence and absence in traditional landscape painting with the

朱德群《藍色冷空》2004 油彩畫布 (三聯作) 195.2 x 390.3 cm 佳士得香港，2026年03月27日，編號25，成交金額 HK$ 31,000,000 CHU TEH-CHUN, Azur glaciaire (Glacial Blue) , 2004, oil on canvas, 195.2 x 390.3 cm, Christie's Hong Kong, Mar 27, 2026, lot 025, HK$ 31,000,000 sold

luminous qualities of Western oil painting. From the development of his abstract language in the 1950s and 1960s, through his increasingly sophisticated exploration of colour and spatial depth from the 1970s to the 1990s, to the assured expressiveness of his work in the 2000s, Chu consistently sought to transform visible natural phenomena into expressions of inner experience. Created during this mature period, Miroir de l’illusion embodies the artistic language distilled from decades of exploration. C h u ’s p a i n t i n g l e n d s i t s e l f n a t u r a l l y t o s u c h philosophical associations. Through calligraphic gestures, he creates a fluid visual rhythm, while overlapping colours, shifting tonal contrasts and the interplay between solid forms and open space establish relationships in which shapes and hues resonate with one another rather than remain isolated. The most compelling aspect of Miroir de l’illusion lies in its capacity to transform looking into an everunfolding spiritual journey. A mirror reflects all things without possessing them; an illusion, though seemingly unreal, acquires meaning through the act of perception. Together, these ideas lend the painting’s title a philosophical resonance that extends beyond appearances. Viewed through the lens of Huayan Buddhism, the images reflected in a mirror may evoke the notion of “infinite interpenetration”: all things reflect and depend upon one another, with each phenomenon containing the traces of countless

others in an endless web of relationships. The related concept of “unobstructed interpenetration of all things” suggests that although phenomena retain their individual characteristics, none exists in isolation; each participates in a greater, interconnected whole. Viewers may discern associations with glaciers, drifting mist or luminous skies, yet no single image can fully define the composition. Each encounter may reveal new meanings through the interplay of colour and imagination. The painting thus becomes more than a depiction of a particular landscape; it presents a visual experience in which myriad forms interact, influence one another and continually come into being. This openness of interpretation lends the work its enduring contemplative depth. In terms of its documentary significance, Miroir de l’illusion was included in a monograph on Chu TehChun compiled by Pierre-Jean Rémy and published in Paris by Éditions de la Différence in 2006. Rémy, like Chu, was a member of L’Académie française, and was also a distinguished French scholar, novelist and diplomat. This publication history provides a valuable documentary reference for further research and contributes to the work’s significance as a collectible. Combining a distinctive artistic language with the broader cultural significance of East–West artistic exchange, Chu’s mature paintings offer collectors a compelling opportunity to engage with an important chapter in the history of modern Chinese abstraction.

051

CHEN YIFEI (Chinese, 1946-2005)

Zhou Village Oil on canvas 100 x 150 cm Signed lower right Chen Yifei in Chinese and English PROVENANCE

Poly International Auction, Beijing, November 6, 2005, lot 1744 Private Collection, Asia Ravenel, Hong Kong, May 29, 2016, lot 74 Acquired from the above by the present owner Chen Yifei Estate has confirmed the authenticity of this work.

NT$ 7,000,000 - 9,000,000 HK$ 1,728,000 - 2,222,000 US$ 220,800 - 283,900 RMB 1,474,000 - 1,895,000 陳逸飛周莊油彩畫布 100 x 150 cm 簽名右下：Chen Yifei 陳逸飛來源

保利拍賣，北京，2005年11月6日，拍品編號 1744 亞洲，私人收藏羅芙奧，香港，2016年5月29日，拍品編號74 現藏者購自上述來源本作之真確性已獲陳逸飛遺產管理委員會確認

「陳先生的畫作糅合浪漫主義和寫實主義，讓人憶起歐洲古典大師的作品。他在畫作巧用中國的河道和古橋，表現靜謐祥和的生活情調。」 ——約翰．F．鄧恩，《紐約時報》，1985年

今次推薦之《周莊》，整體色彩明亮溫潤，筆觸厚實而富有變化，展現陳逸飛成熟時期對光線、色彩與空間層次的掌握。畫中朦朧溫煦的江南景緻，被藝術家定格於寧靜悠然的瞬間；河道蜿蜒，古橋靜立，水岸建築與周遭景物相互映襯，構築出富有東方韻味的詩意空間。細品畫中景物，更能體會陳氏身為異鄉遊子，對故土風景所寄寓的深厚情感。駐足畫前，彷彿沐浴於午後暖陽之中，臨江凝望如夢似幻的水鄉景色，耳畔幾乎響起悠揚的江南小調。陳逸飛的江南水鄉，不僅是對真實景致的細膩再現，更是藝術家將東方文化意蘊與西方油畫語言融會貫通的美陳逸飛《水鄉－－橋頭》1998 油畫畫布 99 x 139 cm 北京永樂，2021年12月03日，編號2040，成交價 RMB 6,348,000 Chen Yifei, Watertown - Bridge, 1998 oil on canvas, 99 x 139 cm Beijing Yongle, Dec 03, 2021, lot 2040, RMB 6,348,000 sold

1980年代初，在畫家好友楊明義的引領與建議下，陳逸飛開啟了與「江南水鄉」風景題材的不解之緣。 1984年春天，陳氏親赴蘇州及崑山一帶寫生，沿途水路風光令他不禁讚嘆：「這麼脫俗的地方，就是一個不食人間煙火的人間煙火之地啊！」此後，他創作多幅以周莊為題材的寫實油畫，將江南水鄉的自然風貌與人文氣息凝聚於畫布之上。1985年，美國實業家阿曼德．哈默（Armand Hammer）訪問中國，並將陳逸飛描繪周莊雙橋的《家鄉的回憶—雙橋》贈予中國領導人鄧小平，成為藝術外交的一段佳話，也使周莊藉由藝術家的畫筆走向國際視野。細數陳逸飛筆下的水鄉題材，大致可依創作風格分為兩類：其一為1980年代早期的作品，以灰色調營造煙渚迷濛的氛圍，流露淡淡的懷舊與感傷；其二則是1990 年代以後的創作，畫面色彩趨於明亮溫暖，金黃色調與厚實而靈動的筆觸交織，將江南水鄉槳聲欸乃、歲月靜好的詩意景致娓娓道來。

學結晶。他以寫實的造景為基礎，融入浪漫主義的情懷與理想化的光影，使尋常的河道、石橋與民居超越地域風景的描繪，昇華為承載記憶、鄉愁與文化認同的精神意象。在國際藝壇對中國當代藝術的認識逐漸深化之際，陳逸飛以江南水鄉為主題的創作，亦為東方美學提供了獨具魅力的視覺詮釋。《周莊》所呈現的，正是藝術家對故土風物的深情凝視，以及歷經歲月淬鍊後依然動人的東方詩意。 In the early 1980s, guided and encouraged by his artist friend Yang Mingyi, Chen embarked on an enduring artistic journey devoted to the landscapes of Jiangnan, the region south of the Yangtze River. In the spring of 1984, he travelled to Suzhou and Kunshan to paint from life. Captivated by the waterways and scenery along the way, the artist exclaimed, “Such an unworldly place is, paradoxically, a world of everyday life untouched by worldly concerns.” Chen subsequently created a series of realistic oil paintings depicting the water town of Zhouzhuang, capturing the region’s distinctive landscape and cultural atmosphere on canvas. In 1985, American industrialist Ar mand Hammer presented Chen’s Memories

“Mr Chen’s paintings combine Romanticism and Realism, evoking the works of the Old Masters of Europe. He skilfully incorporates Chinese waterways and ancient bridges into his compositions, conveying a sense of tranquillity and harmony in everyday life.” — John F. Dunn, The New York Times, 1985

of My Hometown — Twin Bridges , depicting the iconic bridges of Zhouzhuang, to Chinese leader Deng Xiaoping during a visit to China. The gesture became a celebrated episode in cultural diplomacy and brought Zhouzhuang to international attention through the artist’s vision. Chen’s water-town paintings can broadly be divided into two stylistic phases. His early works of the 1980s are characterised by muted grey tones and mistshrouded waterways, conveying a subtle sense of nostalgia and melancholy. By contrast, his works from the 1990s onwards feature a warmer, more luminous palette. Golden hues intertwine with substantial yet fluid brushwork, evoking the lyrical scenery of Jiangnan, where the gentle rhythm of boat oars and the tranquillity of everyday life unfold in timeless harmony. The present work, Zhou Village , is distinguished by its luminous, warm palette and substantial yet expressive brushwork, demonstrating Chen’s mature command of light, colour and spatial depth. The softly rendered, sunlit landscape is captured in a moment of profound stillness. Winding waterways, ancient bridges and traditional riverside architecture are brought into harmonious dialogue, creating a poetic space imbued with Eastern sensibility. A closer appreciation of the details reveals the profound affection with which Chen, living far from his homeland, depicted the landscapes of his native China. Standing before Zhou Village is an experience of quiet contemplation, as though bathed in the warmth of the afternoon sun and gazing across a dreamlike water town, with the gentle melodies of Jiangnan folk songs seemingly drifting through the air.

Chen Yifei’s depictions of Jiangnan are more than faithful renderings of actual landscapes; they represent an aesthetic synthesis of Eastern cultural sensibilities and Western oil-painting traditions. Grounding his compositions in meticulous realism while infusing them with Romantic sentiment and idealised light, Chen transforms familiar waterways, stone bridges and traditional dwellings into evocative images that transcend the boundaries of landscape painting. They become enduring vessels of memory, nostalgia and cultural identity. As international appreciation of contemporary Chinese art continued to deepen, Chen’s water-town paintings offered a distinctive and compelling visual interpretation of Eastern aesthetics. Zhou Village embodies the artist’s heartfelt contemplation of his homeland and the enduring poetic beauty of the East, refined through the passage of time.

陳逸飛《藍色水鄉》油畫畫布 86 x 127 cm 富藝斯香港，2025年09月28日，編號208，成交價 HK$ 1,548,000 Chen Yifei, Blue Water Village, oil on canvas, 86 x 127 cm Phillips, Sep 28, 2025, lot 208, HK$ 1,548,000 sold

052

LIU KUO-SUNG

劉國松

(Taiwanese, b. 1932)

陣風吹過蘆葦海

Gusts of Wind Sweeping Across a Sea of Reeds

2013

2013 ink and color on paper 91 x 330 cm Signed lower left Liu Kuo-sung and dated 2013 With one seal of the artist

簽名左下：劉國松二〇一三

This lot is accompanied by a certificate of authenticity issued by Capital Art Co., Taipei and signed by the artist.

NT$ 8,500,000 - 9,500,000 HK$ 2,099,000 - 2,346,000 US$ 268,100 - 299,700 RMB 1,789,000 - 2,000,000

彩墨紙本 91 x 330 cm 鈐印左下：劉國松附首都藝術事業有限公司開立藝術家親簽之原作保證書

《陣風吹過蘆葦海》，完成於2013年，以寬闊的橫幅展開一片藍綠交融的抽象世界。畫面不以具象描繪蘆葦，而是透過色彩的層疊、筆勢的流動與線條的穿梭，營造陣風掠過蘆葦海的動態景象。深淺不一的藍色宛如幽遠的水域與天際，暗綠則似蘆葦叢在風中起伏，交錯紋理形成富有節奏的韻律。長幅構圖引導觀者的視線由左至右延伸，彷彿置身廣袤原野，感受自然氣息的流轉。《陣風吹過蘆葦海》在開闊之中見精微，在自由之中見節制。不僅是自然景象的抽象轉化，更映照出藝術家歷經歲月洗鍊後，對生命與天地的深刻體悟。在看似無盡的藍綠流轉之間，展現的是一位藝術家不斷突破自我、回歸藝術本質的精神境界。

Gusts of Wind Sweeping Across a Sea of Reeds was executed in 2013, unfolds across a sweeping horizontal composition, presenting an abstract world where blue and green intermingle. Rather than depicting reeds in a

literal manner, the artist evokes the dynamic force of gusts sweeping across a vast field of reeds through layered colors, flowing brushwork, and interweaving lines. Shades of blue suggest distant waters and the expansive sky, while deep greens evoke reeds swaying in the wind. Interwoven textures create a rhythmic visual cadence. The panoramic format guides the viewer’s gaze from left to right, as though traversing an immense landscape and experiencing the ever-changing breath of nature.

Gusts of Wind Sweeping Across a Sea of Reeds reveals intricate nuances within expansive space and a sense of restraint within artistic freedom. More than an abstract interpretation of a natural scene, the work reflects the artist’s profound contemplation of life and the universe, shaped by years of artistic exploration. Amid the seemingly endless flow of blues and greens, it embodies the spirit of an artist continually transcending his own boundaries while returning to the very essence of art.

053

WANG HUAIQING (Chinese, b. 1944)

House in a House - Bed of Han Xizai (Han Xizai’s Night Revels 3) 2002 Oil on canvas, collage 200 x 300 cm Signed lower left Wang Huaiqing in Chinese EXHIBITED

An Open Era - Celebration of 40th Anniversary of Founding of National Art Museum of China , National Art Museum of China, Beijing, 2003 China International Gallery Exposition, Beijing, 2003 Art Singapore, 2005 Traces of Nature - Art of Wang Huaiqing, Shanghai Art Museum, Shanghai, December 3-12, 2007 ILLUSTRATED

An Open Era, People’s Art Publishing House, 2003, color illustrated, p. 165 Wang Huaiqing, Wang Huaiqing published, Beijing, 2004, color illustrated, p. 148 Wang Huaiqing: Traces of Nature, (draft of House in a House ), Yan Gallery, Hong Kong, 2005, color illustrated, p. 92 Traces of Nature - Art of Wang Huaiqing, catalogue of Shanghai Art Museum, Lin & Keng Gallery, Taipei, 2007, color illustrated, pp. 112-113 & p. 191

NT$ 38,000,000 - 55,000,000 HK$ 9,383,000 - 13,580,000 US$ 1,198,700 - 1,735,000 RMB 8,000,000 - 11,579,000 王懷慶房中房—韓熙載之床（夜宴圖系列之三） 2002 油彩畫布拼貼 200 x 300 cm 簽名左下：王懷慶展覽

「開放的時代—慶祝中國美術館建館40年展」，中國美術館，北京，2003 中國國際畫廊博覽會，北京，2003 新加坡國際藝術博覽會，2005 「王懷慶藝術展」，上海美術館，上海，展期自2007年12月3日至12月12日圖錄

《開放的時代》，中國美術館展覽畫冊，人民美術出版社，2003，彩色圖版，頁165 《王懷慶畫集》，王懷慶出版，北京，2004，彩色圖版，頁148 《王懷慶—天工開物》，仁畫廊，香港，2005，頁92（房中房草圖）《王懷慶藝術展》，上海美術館展覽畫冊，大未來畫廊，台北，2007，彩色圖版，頁112-113與頁191 84

WANG HUAIQING FROM HAN XIZAI’S NIGHT REVELS TO “HOUSE IN A HOUSE” 王懷慶｜從《韓熙載夜宴圖》走入「房中房」歷史悠久的中國古典美學，始終是王懷慶藝術探索的無盡源

從一張千年前的南唐古老床榻，到力量賁張的現代抽象畫面，

泉。從江南水鄉的黑瓦白牆、沉靜的明式家具，到古代工藝典

王懷慶將承載著悠悠歷史與起居記憶的器物，打造為最純粹的

籍《天工開物》，他不斷從為人漠視的傳統器物與工藝取材，

精神視覺。觥籌交錯之後，曲終人散，畫布上留存的空寂的家

重新進行拆解、重構與精神轉化，成為自己的抽象的繪畫語

具與抽象空間，成為東方文化記憶裡最沉默且驚心動魄的有力

言。

見證。

1996年起，王懷慶以五代顧閎中的傳世名作《韓熙載夜宴

The enduring legacy of classical Chinese aesthetics has served as an inexhaustible source of inspiration for Wang Huaiqing's artistic exploration. From the black-tiled roofs and whitewashed walls of Jiangnan's water towns to the understated elegance of Ming-style furniture and the ancient treatise on Chinese craftsmanship, Tiangong Kaiwu (The Exploitation of the Works of Nature), Wang continually draws upon traditional objects and craft practices that have long been overlooked. Through processes of deconstruction,

圖》為靈感，展開了歷時十年的大作「夜宴圖系列」。在此系列中，他並非重繪古畫中歌舞宴飲通宵達旦的放縱畫面，而是巧妙地讓人物逐漸退場，將畫中的家具、樂器抽離原來場景，將其熔鑄為由黑、白、紅構成的純粹空間。該系列僅有四件，分別誕生於1996、1998、2002及2006年。本次拍賣呈現的《房中房—韓熙載之床（夜宴圖系列之三）》創作於 2002 年，是該系列的第三幅關鍵作品。藝術家直取古畫中韓熙載坐臥的封閉式全木作床榻結構，以極具平面張力的黑色樑架重新形塑，將其置於大片濃烈、神聖的中國紅背景之中。具有造型美感的床榻，透過中國畫的平面化傾向，將家具抽離了原有的木質屬性，賦予為單一的「黑色」。這種近乎建築般的龐然巨幅，使得日常家具脫離了實用功能，轉化為視覺與精神上的宏偉體量。畫面上粗獷的黑色色塊，線條縱橫交錯，既是木作家具的榫卯樑架，又帶有中國書法大開大闔的恢弘筆勢；深淺斑駁的紅色背景空間，則在古典莊重與前衛抽象之間拉扯出強烈的對比張力。相較於該系列前兩件以黑白留白為主的基調，此作以濃烈的紅與深邃的黑激烈交會，完整保留了床榻最初的幾何基本結構，成為「夜宴圖系列」中格外大膽、鮮明且充滿生命力量的巨幅傑作。此作的展歷極為顯赫，曾於2003年入選北京中國美術館指標性的「開放的時代—慶祝中國美術館建館40年展」，隨後相繼參與 2003 年中國國際畫廊博覽會、2005 年新加坡國際藝術博覽會，以及 2007 年上海美術館主辦的「王懷慶藝術展」。同時，亦權威收錄於《開放的時代》、《王懷慶畫集》及《王懷慶藝術展》等歷史級核心出版物中。

王懷慶《房中房─紅色之床》2002 綜合媒材、油畫畫布裱於木板（雙聯作） 200 x 120 cm，蘇富比香港，2017年04月02日，編號1007，成交金額 HK$ 21,700,000 Wang Huaiqing, House in a House-Red Bed, 2002, Mixed media, oil/canvas/ board (diptych), 200 x 120 cm, Sotheby's Hong Kong, Apr 02, 2017, lot 1007, HK$ 21,700,000 sold

reconstruction, and spiritual transformation, he reinterprets these cultural forms, distilling them into a distinctive abstract pictorial language of his own. Beginning in 1996, Wang embarked on a decade-long artistic undertaking inspired by Han Xizai's Night Revels, the celebrated masterpiece attributed to Gu Hongzhong of the Five Dynasties period. In this series, rather than recreating the painting's scenes of nocturnal banqueting, music, and dance, Wang ingeniously allows the human figures to recede, extracting the furniture and musical instruments from their original narrative setting. These familiar objects are recast into an austere, autonomous spatial order defined by black, white, and red. Comprising only four works, the Night Revels series was created in 1996, 1998, 2002, and 2006. Presented in the current auction, House in a House—Han Xizai's Bed (Night Revels Series No. 3) , executed in 2002, is the third and a pivotal work in this exceptional series. Wang draws directly upon the enclosed, all-wood bed structure on which Han Xizai reclines in the original painting, reconfiguring it through a boldly planar black framework of striking visual tension. Set against an expansive field of intense, almost sacral Chinese red, the monumental structure commands the composition with an imposing presence. Through the flattening tendencies of traditional Chinese painting, Wang liberates the bed from its original material identity as a wooden furnishing, reducing it to the elemental visual force of black. Monumental in scale and architectural in conception, the structure transcends its utilitarian function as an everyday object, becoming instead a commanding presence of both visual and spiritual magnitude. Across the canvas, rugged expanses of black intersect in a dynamic interplay of horizontal and vertical lines, evoking both the mortise-and-tenon framework of traditional wooden furniture and the sweeping, expansive gestures of Chinese calligraphy. Against this forceful structure, the mottled red ground, with its subtle variations in tone, generates a compelling tension between classical solemnity and avantgarde abstraction. In contrast to the predominantly blackand-white compositions and generous use of negative space in the first two works of the series, the present lot stages a dramatic confrontation between saturated red and profound black. Retaining the bed's essential geometric structure, it stands as one of the Night Revels series' most audacious and visually arresting creations, distinguished by its monumental scale and palpable vitality.

The work boasts an impressive exhibition history. In 2003, it was selected for An Open Era: Celebrating the 40th Anniversary of the National Art Museum of China, a landmark exhibition held at the National Art Museum of China in Beijing. It subsequently featured in the China International Gallery Exposition in 2003, the Singapore International Art Fair in 2005, and the Wang Huaiqing Art Exhibition, organised by the Shanghai Art Museum in 2007. The work is also documented in several major publications, including An Open Era, Wang Huaiqing: Paintings , and Wang Huaiqing Art Exhibition , securing its place within the artist's documented oeuvre. From a centuries-old bed depicted in a Southern Tang masterpiece to a powerful composition of moder n abstraction, Wang Huaiqing transforms an object steeped in historical continuity and the intimate memories of daily life into an elemental expression of the spirit. Once the banquets have ended and the music has faded, what remains on the canvas is the silent presence of furniture and an abstracted space. In their stillness, they become a profound and haunting testament to the enduring memory of Eastern culture.

054

BERNARD BUFFET

貝爾納．畢費

(French, 1928-1999)

紅斗篷鬥牛士

Toréador à la muleta

1958

1958 Oil on canvas 160 x 55.5 cm Signed upper right Bernard Buffet and dated 1958 Bearing a David et Garnier Gallery stamp and inscribed V72 on the reverse

160 x 55.5 cm

PROVENANCE

Ader-Picard-Tajan, Paris, November 18, 1989, lot 130 Private collection, Asia

油彩畫布簽名右上：Bernard Buffet 1958 畫背鈐有 David et Garnier 畫廊印章，並註記編號 V72 來源

Ader-Picard-Tajan 拍賣，巴黎，1989年11月18日，編號130 私人收藏，亞洲附賈尼耶畫廊開立之原作保證書

This lot is accompanied by a certificate of authenticity issued by Galerie Maurice Garnier, Paris.

NT$ 11,000,000 - 19,000,000 HK$ 2,716,000 - 4,691,000 US$ 347,000 - 599,400 RMB 2,316,000 - 4,000,000

法國藝術家貝爾納．畢費（Bernard Buffet，1928–

展「百幅作品：1944至1958（Cent tableaux, de 1944

1999）是第二次世界大戰後法國具象繪畫的重要代表

à 1958）」，展覽開幕盛況空前，據文獻記載，開幕晚

人物。出生於巴黎的他，十五歲進入巴黎國立高等美

會吸引約八千人出席，售票參觀人次更達十萬。不僅彰

術學院習畫，年輕時便展現出卓越的繪畫天賦。1948

顯畢費在戰後席捲歐美藝壇的個人魅力，更充分展現畢

年，畢費獲頒評論家獎，迅速在戰後法國藝壇嶄露頭

費在公眾文化中的巨大影響力。

角，並於短短十年間躍升為備受國際矚目的藝術家。其鮮明而獨特的繪畫語彙，不僅確立了個人的藝術風格，也使他成為戰後法國具象藝術中極具辨識度的代表人物。

創作於1958年的《紅斗篷鬥牛士》（Toréador à la muleta），正是這一時期極具代表性的作品。高達160 公分的垂直構圖，賦予人物近乎紀念碑般的挺拔姿態。厚重而凌厲的黑色筆觸勾勒出人物鮮明輪廓，黃、白與

1958年是畢費藝術生涯的重要里程碑，他受到美國

粉紅色彩交錯其間，在冷調的藍灰色背景襯托下，營造

《時代》雜誌邀請，為法國第五共和首任總統：夏爾．

出強烈的視覺張力。畫面摒除了喧鬧的競技場景，將觀

戴高樂（Charles André Joseph Marie de Gaulle）繪

眾的目光集中於鬥牛士本身。在畫家冷峻而克制的筆調

製年度風雲人物封面。亦與法國名作家法蘭西絲莎

下，刀鋒般銳利的黑色線條立體如浮雕，刻畫出帽飾、

岡（Françoise Sagan）合作，為共同好友亞伯特．

刺繡華服與緊繃的身體輪廓；鬥士的側臉沉靜且堅毅，

沙法帝（Albert Sarfati）的芭蕾舞劇作《約會》（Le

眼神隱於陰影之中，外在儀態與內在精神緊密連結，彰

Rendez-Vous）製作劇本及舞台服裝設計。巴黎夏邦提

顯沉靜而富有力量，無與倫比的畢氏美學。

耶畫廊（Galerie Charpentier）為他舉辦首次大型回顧

Bernard Buffet: The Matador’s Presence, Forged in Line 貝爾納．畢費：凝鑄於線條中的鬥牛士英姿「鬥牛士系列」展現了藝術家將個人特色與戲劇性題材融為一體的成熟藝術風格。他以近乎古典歷史畫的構圖思維重新詮釋鬥牛儀式，並曾以「宗教般的美感」形容這項儀式所蘊含的莊嚴與精神性。在西班牙文化中，鬥牛不僅是一場力量與技巧的競逐，更交織著勇氣、榮耀、儀式感與對死亡的凝視。透過畢費的描繪，競技場成為承載生命張力、命運意識與戲劇性瞬間的舞台。從藝術史的視角觀之，畢費對鬥牛題材的詮釋，與西班牙藝術傳統形成了饒富意味的對照。相較於法蘭西斯科．哥雅（Francisco Goya）對命運與人性幽暗面的深刻揭示，以及巴布羅．畢卡索（Pablo Picasso）奔放多變、充滿實驗性的形式探索，畢費更著重人物姿態的凝練、輪廓線條的力度，以及畫面中近乎靜止卻蓄勢待發的戲劇張力，藉由精準而強烈的造形，將稍縱即逝的動作凝結為永恆的視覺形象。 French artist Bernard Buffet (1928–1999) was one of the foremost figures in postwar French figurative painting. Born in Paris, he entered the École Nationale Supérieure des Beaux-Arts at the age of fifteen, demonstrating exceptional artistic talent from an early age. In 1948, Buffet was awarded the Prix de la Critique, swiftly establishing himself within the postwar French art scene. Within a decade, he had risen to international prominence. His bold and distinctive pictorial language not only defined his individual artistic identity, but also secured his place as one of the most recognisable representatives of postwar French figurative art. The year 1958 marked a significant milestone in Buffet’s career. He was commissioned by Time magazine to create the cover portrait for its annual Man of the Year feature, depicting Charles André Joseph Marie de Gaulle, the first President of France’s Fifth Republic. In the same year, Buffet collaborated with celebrated French novelist Françoise Sagan on the programme and costume designs for Le Rendez-Vous, a ballet by their mutual friend Albert Sarfati. Galerie Charpentier in Paris also presented his first major retrospective, Cent tableaux, de 1944 à 1958

(One Hundred Paintings, 1944–1958). The exhibition opening was reportedly attended by approximately 8,000 people, while the total number of ticketed visitors reached 100,000. These extraordinary figures attest not only to Buffet’s magnetic appeal, which had captivated audiences across Europe and the United States in the postwar years, but also to his profound influence on the broader cultural imagination. Executed in 1958, Toréador à la muleta (Matador with Red Cape) is a quintessential work of this period. Its imposing vertical format, measuring 160 centimetres in height, lends the figure an almost monumental stature. Heavy, incisive black strokes define the matador’s commanding silhouette, while interwoven accents of yellow, white, and pink stand out against a cool blue-grey ground, generating striking visual tension. By eliminating the clamour of the bullring, Buffet directs the viewer’s attention entirely towards the matador himself. In the artist’s austere and restrained manner, blade-sharp black lines project from the surface like sculptural relief, articulating the ornate headgear, embroidered traje de luces, and taut contours of the body. The matador’s profile is composed and resolute, his gaze concealed in shadow. Here, outward bearing and inner fortitude become inseparable, embodying the distinctive Buffet aesthetic—restrained yet forceful, and unmistakably his own. Buffet’s Toréador series reveals the maturity of an artistic language in which his personal aesthetic is fused with dramatic subject matter. Approaching the bullfighting ritual through a compositional sensibility reminiscent of classical history painting, Buffet reinterprets the spectacle as an event of solemnity and spiritual intensity, once describing its beauty as possessing an almost religious quality. Within Spanish culture, bullfighting is more than a contest of strength and skill; it is imbued with courage, honour, ritual, and an unflinching confrontation with death. In Buffet’s vision, the arena becomes a stage upon which the tension of life, the awareness of destiny, and the drama of a fleeting moment converge.

貝爾納．畢費《鬥牛士》1958 油畫畫布 160 x 50 cm 蘇富比倫敦，2018年03月01日，編號120，成交金額 £ 249,000 Bernard Buffet, Toréador, 1958, oil on canvas, 160 x 50 cm, Sotheby's London, Mar 01, 2018, lot 120, £ 249,000 sold

F r o m a n a r t - h i s t o r i c a l p e r s p e c t i v e , B u f f e t ’s interpretation of bullfighting offers a compelling counterpoint to the Spanish artistic tradition. While Francisco Goya (1746–1828) explored the darker dimensions of fate and human nature, and Pablo Picasso (1881–1973) pursued an exuberant and experimental exploration of form, Buffet focused on the distillation of gesture, the expressive force of contour, and the dramatic tension of a moment poised between stillness and action. Through his precise and emphatic forms, he transforms fleeting movements into enduring visual images.

055

LI CHEN

李真

(Taiwanese, b. 1963)

飛行樂土

Float to Sukhavati

2002

2002 Bronze, ed. 1/8 81(L) x 61(W) x 46(H) cm Engraved Li Chen in Chinese and English, numbered 1/8 and dated 2002

81(長) x 61(寬) x 46(高) cm

ILLUSTRATED

Li Chen Sculpture 1992-2002, Asia Art Center, Taipei, 2004, color illustrated, p. 95 (another edition) The Contemporary Road of Media and Tradition - TOP 10 Chinese Contemporary Sculpture Exhibition, Asia Art Center, Beijing, 2007, color illustrated, p. 51 (another edition) Li Chen in Venice 52nd Venice Biennale - Energy of Emptiness, Asia Art Center, 2007, color illustrated, p. 144 (another edition) Li Chen in Beijing - In Search of Spiritual Space, Asia Art Center, Taipei, 2008, color illustrated, pp. 76-83; black-and-white illustrated, p. 197 (another edition) This lot is accompanied by a certificate of authenticity issued by Asia Art Center, Taipei.

NT$ 3,200,000 - 4,200,000 HK$ 790,000 - 1,037,000 US$ 100,900 - 132,500 RMB 674,000 - 884,000

銅雕版次 1/8 簽名雕刻：李真 Li Chen 1/8 2002 圖錄

《李真雕塑1992－2002》，亞洲藝術中心，2004，彩色圖版，頁95 (另一版次) 《媒介和傳統的當代道路－中國當代雕塑十人展》，亞洲藝術中心，2007，彩色圖版，頁51 (另一版次) 《李真第52屆威尼斯年展－虛空中的能量》，亞洲藝術中心，2007，彩色圖版，頁144 (另一版次) 《李真：中國美術館個展—尋找精神的空間》，亞洲藝術中心，台北，2008，彩色圖版，頁76-83；黑白圖版，頁197 (另一版次) 附亞洲藝術中心開立之作品保證書

056

LI CHEN

李真

(Taiwanese, b. 1963)

雲中一如來

The Buddha in the Cloud

2002 銅雕版次 15/30

2002 Bronze, ed. 15/30 35(L) x 21(W) x 49(H) cm Engraved lower reverse Li Chen in Chinese and English, numbered 15/30 and dated 2002

35(長) x 21(寬) x 49(高) cm

ILLUSTRATED

Li Chen Sculpture 1992-2002, Asia Art Center, Taipei, 2004, color illustrated, p. 91 (larger version) Li Chen in Venice 52nd Venice Biennale - Energy of Emptiness , Asia Art Center, 2007, color illustrated, p. 143 (larger version) Li Chen in Beijing - In Search of Spiritual Space, Asia Art Center, Taipei, 2008, color illustrated, pp. 74-75; black-and-white illustrated, p. 197 (larger version) This lot is accompanied by a certificate of authenticity issued by Asia Art International Group, Taipei.

NT$ 1,900,000 - 2,800,000 HK$ 469,000 - 691,000 US$ 59,900 - 88,300 RMB 400,000 - 589,000

簽名雕刻後側下方：李真 Li Chen 15/30 2002 圖錄

《李真雕塑1992－2002》，亞洲藝術中心，2004，彩色圖版，頁91（較大版本）《李真第52屆威尼斯年展－虛空中的能量》，亞洲藝術中心，2007，彩色圖版，頁143（較大版本）《李真：中國美術館個展—尋找精神的空間》，亞洲藝術中心，台北，2008，彩色圖版，頁74-75；黑白圖版，頁197（較大版本）附亞洲藝術國際集團開立之作品保證書

057

LI CHEN

李真

(Taiwanese, b. 1963)

南海

Avalokitesvara

1998 銅雕版次 EA 3/4

1998 Bronze, ed. EA 3/4 51(L) x 33(W) x 53(H) cm Engraved backside Li Chen in Chinese and English, numbered EA 3/4 and dated 1998

51(長) x 33(寬) x 53(高) cm

ILLUSTRATED

Li Chen Sculpture 1992-2002, Asia Art Center, Taipei, 2004, color illustrated, p. 37 (another edition) Li Chen in Venice 52nd Venice Biennale - Energy of Emptiness, Asia Art Center, 2007, color illustrated, p. 51 (another edition) Li Chen in Beijing - In Search of Spiritual Space, Asia Art Center, Taipei, 2008, color illustrated, pp. 76-83; black-and-white illustrated, p. 194 (another edition) This lot is accompanied by a certificate of authenticity issued by Asia Art Center, Taipei.

NT$ 1,300,000 - 2,400,000 HK$ 321,000 - 593,000 US$ 41,000 - 75,700 RMB 274,000 - 505,000

簽名雕刻背面：李真 Li Chen EA 3/4 1998 圖錄

《李真雕塑1992－2002》，亞洲藝術中心，2004，彩色圖版，頁37（另一版次）《李真第52屆威尼斯年展－虛空中的能量》，亞洲藝術中心，2007，彩色圖版，頁51（另一版次）《李真：中國美術館個展—尋找精神的空間》，亞洲藝術中心，台北，2008，彩色圖版，頁76-83；黑白圖版，頁194（另一版次）附亞洲藝術中心開立之作品保證書

058

JU MING

朱銘

(Taiwanese, 1938-2023)

太極系列

Taichi Series

1978

1978 Chamaecyparis formosensis (hollow construction) 29.6(L) x 23.7(W) x 45.8(H) cm Engraved bottom Ju Ming in Chinese and English, dated 78

29.6(長) x 23.7(寬) x 45.8(高) cm

EXHIBITED

木雕台灣紅檜 (中空結構) 簽名親刻左下：朱銘 JU MING '78 展覽

「功夫：朱銘雕塑展」，包兆龍畫廊，香港藝術中心，香港，展期1980年2月2日至2月28日

Kung Fu: Ju Ming Sculpture Exhibition, Pao Sui Loong Galleries, Hong Kong Arts Centre, Hong Kong, February 2-28, 1980

圖錄

ILLUSTRATED

附財團法人朱銘文教基金會開立之作品鑑定報告書

《功夫：朱銘雕塑展》，香港藝術中心，香港， 1980年

Kung Fu: A Series of Sculptures by Ju Ming, Hong Kong Arts Centre, Hong Kong, 1980, black-and-white illustrated This lot is accompanied by a certificate issued by Nonprofit Organization Juming Culture and Education Foundation, New Taipei.

NT$ 1,300,000 - 2,400,000 HK$ 321,000 - 593,000 US$ 41,000 - 75,700 RMB 274,000 - 505,000 朱銘為華人現代雕塑的重要代表人物，早年師承傳統木雕技藝，後融匯東西方藝術觀念，以簡練有力的造形語言，開創獨具特色的雕塑風格。「太極系列」雕塑是其藝術創作的重要代表，將中國傳統武術的哲學精神轉化為當代雕塑形式。此作《太極系列》造型靈感或源自太極招式「雲手」，以易經陰陽之理為基礎，體現以靜制動、以柔克剛、借力發力的智慧。朱銘將深奧的武術意涵融入厚實的體量與簡約的塊面之中，塑造剛健而富有張力的立體形象。作品下半身如山石壁立，沉穩堅實，展現穩如泰山的力量；上半身則呈現蓄勢而發的動態，與下盤的厚重相互呼應，形成攻守兼備、動靜相生的整體結構。作品不僅彰顯木雕材質的質樸與力量，更將太極剛柔並濟的精神凝練於形體之中，使觀者感受蓄勢待發的氣韻，以及傳統武術與現代雕塑交融的藝術魅力。 Ju Ming (1938–2023) was a leading figure in modern Chinese sculpture. Trained in traditional woodcarving in his early years, he later integrated Eastern and Western artistic concepts, developing a distinctive sculptural style characterized by powerful forms and concise visual expression. His Taichi Series is among the 98

most significant bodies of his work, transforming the philosophical principles of traditional Chinese martial arts into a contemporary sculptural language. The form of this Taichi Series appears to be inspired by “Cloud Hands,” a movement in Taichi. Rooted in the yin-yang philosophy of the I Ching (Book of Changes), the work embodies the wisdom of stillness overcoming motion, softness overcoming hardness, and harnessing an opponent’s force to generate power. Ju Ming translates the profound meanings of martial arts into substantial volumes and simplified planes, creating a sculptural form that is both robust and dynamic. The lower body rises like a sheer rock face, conveying stability and an imposing sense of strength, while the upper body captures the poised energy of a movement about to unfold. Together, the two parts form a harmonious structure that balances attack and defence, stillness and movement. Beyond expressing the raw, tactile strength of wood, the sculpture distils the Taichi principle of balancing softness with strength into its very form, inviting viewers to experience its latent energy and the artistic dialogue between traditional martial arts and modern sculpture.

059

FAN YANG TSUNG (Taiwanese, b. 1982)

衝突事件 (兩件一組)

Conflict Incident (a set of 2)

2006

2006 Acrylic on canvas 120 x 120 cm (each)

120 x 120 cm (每件)

This lot is accompanied by a certificate of authenticity issued by Gallery AKI, Taipei.

NT$ 1,300,000 - 2,400,000 HK$ 321,000 - 593,000 US$ 41,000 - 75,700 RMB 274,000 - 505,000

100

范揚宗

壓克力畫布

附也趣畫廊開立之原作保證書

范揚宗，1982年出生於台灣新竹，畢業於國立台北藝術大學美術創作研究所油畫組，目前於台灣創作和生活。從早期的《車內系列》、《造飛機系列》、《夜店系列》到他最為人熟知的《泳池系列》，范揚宗以純熟的繪畫技巧和獨特的視覺張力，創造出一種無需翻譯便能全球理解的繪畫語言。在這些作品中，他呈現了公共泳池這一開放又私密的空間，探索人們對他人隱私的窺視欲望與被窺視的情感。范揚宗的作品被全球排名前十的洛杉磯埃爾塞貢藝術博物館（El Segundo Museum of Art）及國立台灣美術館典藏。他曾受邀於上海、北京蜂巢當代藝術中心參展，並參與多個重要展覽，包括「璀璨的輪廓」（2023）和「訴諸內心的無限」聯展（2022）。2014年，他受邀於美國埃爾塞貢藝術博物館舉辦個展《HOME》，並與德國藝術家路德維希．李希特及法國藝術大師威亞爾同場展出。 Fan Yang-Tsung (b. 1982) was born in Hsinchu, Taiwan, and graduated from the Fine Arts program at Taipei National University of the Arts, Taiwan. He currently

lives and works in Taiwan. From his early series such as View from Within , Airplane Series , and Nightclub to his renowned Swimming Pool Series , Fan's mastery of painting techniques and intense visual tension has led to the creation of a distinctive artistic language—one that resonates universally without the need for translation. In the open yet intimate space of a public swimming pool, he explores the hidden desire of people to gaze at others, or even to be gazed at. Fan's works are part of prestigious collections, including the globally top-ranked El Segundo Museum of Art in Los Angeles and the National Taiwan Museum of Fine Arts. He has exhibited at Beijing Hive Contemporary Art Center in recent years, with group shows such as Silhouette of Splendors (2023) and Inward Gaze: Infinite Expressions (2022). In 2014, he was invited to the El Segundo Museum of Art in the U.S. for the HOME exhibition, alongside renowned artists such as Ludwig Richter and Théodore Géricault.

An Important Asian Private Collection 「亞洲重要私人收藏」

羅芙奧2026秋拍「亞洲重要私人收藏」專題，聚焦一位

等藝術家，透過絲網版畫、石版畫與銅版畫，讓版畫成

資深亞洲收藏家，他熱愛旅行、藝術與文化，數十年間遊

為二十世紀藝術重要的創作形式。另一條主線則是「經

歷全球，透過拍賣市場收藏了不少精彩有趣的藝術品。藏

典原作Unique Classics」。從法國野獸派藝術家烏拉曼

品橫跨二十世紀西方現代大師與普普藝術、台灣與華人經

克（Maurice de Vlaminck），到旅法張義雄、旅美陳

典，以及受到流行文化與動漫影響的日本當代藝術。欣賞

蔭羆等華人藝術家，再延伸至義大利路意吉．班佐尼

這批美麗的收藏品，猶如翻閱一幅幅濃縮藝術史的篇章。

（Luigi Benzoni）、印尼伊．卡德．阿古斯．阿迪卡（I

本次特別徵得其中23件收藏，年代、地域與媒材各異之

Kadek Agus Ardika）與日本當代藝術細川真希（Maki

作，得以從一個鑑賞者的角度，觀看二十世紀以來不同藝

Hosokawa）、天野喜孝（Yoshitaka Amano），呈現藏家

術風格的發展與交會。

跨越地域與世代的觀看視野。

專題收藏的其中一條重要脈絡，是「西洋大師版畫 Master

二十世紀西洋藝術從野獸派烏拉曼克出發，延伸閱讀至克

Editions」安迪．沃荷（Andy Warhol）、羅伊．李奇登

勞德．維納爾（Claude Venard）鮮明色塊建立具有結構

斯坦（Roy Lichtenstein）與胡安．米羅（Joan Miró）

感的畫面；喬治．拉波德（Georges Laporte）筆下海岸與光影的變幻；賀內．吉尼斯（René Genis）與克里斯迪安．達利貝爾（Christian Dalibert）又將目光帶回色彩、光線與記憶的載體，看見戰後法國具象繪畫的多樣面貌。現代華人藝術史中，有一群藝術家的人生始終伴隨著「移動」；張義雄與陳蔭羆，便是這群移動者中兩個獨特且迥異的生命樣態。他們揮別出生的城市，遠赴日本、歐洲或美國，在異鄉生活、觀看與創作。東方文化的內在記憶與西方現代藝術的外在刺激，逐漸形塑出難以用單一地域界定的藝術面貌。當收藏的視野跨入當代，地域與文化的邊界也隨之更加自由。專題壓軸篇章，視野從印尼藝術家伊．卡德．阿古斯．阿迪卡宏大的尺幅鋪陳出極具當代感的視覺敘事；義大利藝術家路意吉．班佐尼將「人物面貌」淬鍊至近乎符號化，視線延伸至日本藝術家細川真希，以標誌性的漫畫感場景，將平凡的日常生活，戲劇化地轉譯為超現實世界，最後登場的天野喜孝，更是跨越動漫、插畫、角色設計與純藝術領域的傳奇大師。擁有迥異文化背景的藝術家，共同勾勒出二十一世紀當代藝術豐富而多元的有機面貌。

Lot 73

102

For Ravenel’s 2026 Autumn Auction, the special collection “An Important Asian Private Collection” shines a spotlight on a distinguished Asian collector whose enduring passion for travel, art, and culture has

taken him around the world over the course of several decades. Through the international auction market, he has assembled an eclectic and compelling array of works of art. Spanning twentieth-century Western Modern Masters and Pop Art, Taiwanese and Chinese classics, as well as contemporary Japanese art shaped by popular culture and anime, the collection offers a series of exquisite vignettes of art history. For this special presentation, Ravenel is pleased to present 23 works from the collection, diverse in date, geography, and medium. Viewed through the discerning eye of a collector, these works reveal the evolution and intersection of artistic styles from the twentieth century onward. One of the collection’s defining threads is “Master Editions,” featuring prints by artists such as Andy Warhol, Roy Lichtenstein, and Joan Miró. Through screenprinting, lithography, and etching, these artists elevated printmaking into a significant artistic medium in twentiethcentury art. Another central theme is “Unique Classics,” encompassing works that trace a rich artistic journey across cultures and generations. From French Fauvist painter Maurice de Vlaminck to overseas Chinese artists Yoshio Chang, who lived and worked in France, and George Chann, who pursued his career in the United States, the selection extends further to contemporary art from Italy, Indonesia, and Japan. Together, these works reflect the collector’s expansive vision, transcending geographical boundaries and generational divides.

Lot 72

two distinctive, and contrasting, trajectories among these itinerant artists. Leaving their native cities behind, they travelled to Japan, Europe, or the United States, where they lived, observed, and developed their artistic practices. The interplay between the cultural memory of the East and the external stimuli of Western modernism gradually gave rise to artistic languages that resist definition within the boundaries of any single region. As the collection’s perspective extends into contemporary art, the boundaries between geography and culture become increasingly fluid. The concluding chapter of this special presentation turns to contemporary artistic expressions across diverse cultural

Among the artists featured in this collection, one of the most significant in the history of modern art is Maurice de Vlaminck, a leading figure of Fauvism. From Vlaminck, the narrative extends to Claude Venard, whose bold blocks of colour lend structural definition to his compositions; Georges Laporte, whose coastal scenes capture the shifting interplay of light and atmosphere; and René Genis and Christian Dalibert, whose works return to colour and light as vessels of memory and perception. Together, these artists reveal the diverse expressions of postwar French figurative painting.

contexts. On an expansive scale, Indonesian artist I Kadek

Within the history of twentieth-century Chinese art, a number of artists’ lives were defined by a continual state of movement. Yoshio Chang and George Chann represent

from vastly different cultural backgrounds, these artists

Agus Ardika constructs a compelling visual narrative with a distinctly contemporary sensibility. Italian artist Luigi Benzoni distils the human visage into forms approaching the symbolic, before the focus shifts to Japanese artist Maki Hosokawa, whose signature manga-inspired scenes transform the ordinary rhythms of everyday life into a theatrically reimagined surreal world. The final artist presented, Yoshitaka Amano, is a legendary master whose extraordinary career transcends the realms of anime, illustration, character design, and fine art. Emerging collectively articulate the rich, diverse, and ever-evolving landscape of twenty-ﬁrst-century contemporary art.

「亞洲重要私人收藏」：經典原作專題

060

YOSHITAKA AMANO (Japanese, b. 1952)

天野喜孝單色畫 13

Monochrome 13

2010

2010 Acrylic on canvas 48 x 33 cm Signed lower left Y. Amano

48 x 33 cm

PROVENANCE

Art Statement, Hong Kong Ravenel, Taipei, December 2, 2012, lot 713 Acquired from the above by the present owner

NT$ 90,000 - 130,000 HK$ 22,000 - 32,000 US$ 2,800 - 4,100 RMB 19,000 - 27,000 104

壓克力畫布簽名左下：Y. Amano 來源

Art Statement畫廊，香港羅芙奧拍賣，台北，2012年12月2日，編號713 現有收藏者購自上述來源

An Important Asian Private Collection: Unique Classics

061

YOSHITAKA AMANO (Japanese, b. 1952)

天野喜孝單色畫 5

Monochrome 5

2010

2010 Acrylic on canvas 45 x 62 cm Signed underside Y. Amano

45 x 62 cm

PROVENANCE

Art Statement, Hong Kong Ravenel Auction, Taipei, June 3, 2012, lot 187 Acquired from the above by the present owner

NT$ 140,000 - 220,000 HK$ 35,000 - 54,000 US$ 4,400 - 6,900 RMB 29,000 - 46,000

壓克力畫布簽名下側：Y. Amano 來源

Art Statement畫廊，香港羅芙奧拍賣，台北，2012年6月3日，編號187 現有收藏者購自上述來源

「亞洲重要私人收藏」：經典原作專題

062

I KADEK AGUS ARDIKA

伊．卡德．阿古斯．阿迪卡

(Indonesian, b. 1984)

名牌製品

Dalam Produk

2008

2008 Acrylic on canvas 160 x 140 cm Signed lower left I Kadek A. Ardika and dated 08 Signed reverse I Kadek A. Ardika and titled Dalam Produk in Indonesian, inscribed 140 x 160 cm, acrylic on kanvas and dated 2008

160 x 140 cm

PROVENANCE

Ravenel, Taipei, December 4, 2011, lot 246 Acquired from the above by the present owner

NT$ 80,000 - 140,000 HK$ 20,000 - 35,000 US$ 2,500 - 4,400 RMB 17,000 - 29,000 106

壓克力畫布簽名左下：I Kadek A. Ardika 08 簽名題識畫背：I KADEK A. ARDIKA DALAM PRODUK 140 x 160 cm ACRYLIC ON KANVAS 2008 來源

羅芙奧，台北，2011年12月4日，編號246 現有收藏者購自上述來源

An Important Asian Private Collection: Unique Classics

063

GEORGES LAPORTE

喬治．拉波德

(French, 1926-2000)

海的光輝

Départ de Piedra

1988

1988 Oil on canvas 35.5 x 27.5 cm Signed lower right G. Laporte Signed reverse G. Laporte Titled reverse stretcher bar Départ de Piedra and inscribed VN: 21 - 1988

35.5 x 27.5 cm

PROVENANCE

Galerie Vision Nouvelle, Paris Private collection, Taiwan Ravenel, Taipei, December 2, 2017, lot 140 Acquired from the above by the present owner

NT$ 70,000 - 110,000 HK$ 17,000 - 27,000 US$ 2,200 - 3,500 RMB 15,000 - 23,000

油彩畫布簽名右下：G. Laporte 簽名畫背：G. Laporte 題識背面框條：Départ de Piedra; VN: 21 1988 來源

新視界畫廊，巴黎私人收藏，台灣羅芙奧拍賣，台北，2017年12月2日，編號140 現有收藏者購自上述來源

「亞洲重要私人收藏」：經典原作專題

064

YOSHIO CHANG

張義雄

(Taiwanese, 1914-2016)

荷蘭都市風景

Cityscape in Netherlands

1985

1985 Oil on canvas 22 x 27 cm Signed lower right CHANG Y. and dated ‘85

22 x 27 cm

PROVENANCE

Pu Chi Gallery, Taipei Private collection, Taiwan Ravenel, Taipei, December 2, 2018, lot 323 Acquired from the above by the present owner

NT$ 90,000 - 150,000 HK$ 22,000 - 37,000 US$ 2,800 - 4,700 RMB 19,000 - 32,000 108

油彩畫布簽名右下：'85. CHANG Y. 來源

普及畫廊，台北私人收藏，台灣羅芙奧，台北，2018年12月2日，編號323 現有收藏者購自上述來源

An Important Asian Private Collection: Unique Classics

065

GEORGE CHANN

陳蔭羆

(Chinese-American, 1913-1995)

坐姿裸女

Painting of a Seated Nude

油彩畫布

Oil on canvas 52 x 42 cm Signed upper right Geo Chann

簽名右上：Geo Chann

PROVENANCE

Abell Auction, Los Angeles Private collection, USA Ravenel, Taipei, July 19, 2020, lot 182 Acquired from the above by the present owner

NT$ 90,000 - 150,000 HK$ 22,000 - 37,000 US$ 2,800 - 4,700 RMB 19,000 - 32,000

52 x 42 cm 來源

阿貝爾拍賣行，洛杉磯私人收藏，美國羅芙奧，台北，2020年7月19日，編號182 現有收藏者購自上述來源

「亞洲重要私人收藏」：經典原作專題

066

RENÉ GENIS

賀內．吉尼斯

(French, 1922-2004)

藍李子

Les prunes bleues

1992

1992 Oil on canvas 60.5 x 60 cm Signed lower center René Genis Signed reverse stretcher bar René Genis and titled Les Prunes Bleues

60.5 x 60 cm

PROVENANCE

Galerie Elegance, Taipei Private collection, Taiwan Ravenel, Taipei, December 2, 2017, lot 141 Acquired from the above by the present owner

油彩畫布簽名中下：René Genis 簽名題識畫背框條：LES PRUNES BLEUES René Genis 來源

愛力根畫廊，台北私人收藏，台灣羅芙奧，台北，2017年12月2日，編號141 現有收藏者購自上述來源

ILLUSTRATED

圖錄

Espaces du Silence: Rene Genis, Galerie Elegance, Taipei, 1992, color illustrated, no. RG0056

《寧靜的國度：吉尼斯》，愛力根畫廊，

NT$ 140,000 - 220,000 HK$ 35,000 - 54,000 US$ 4,400 - 6,900 RMB 29,000 - 46,000 110

台北，1992，彩色圖版，編號 RG0056

An Important Asian Private Collection: Unique Classics

067

CHRISTIAN DALIBERT

克里斯迪安．達利貝爾

(French, b. 1946)

聖誕彩球

Boules de Noël

油彩畫布

Oil on canvas 73 x 60 cm Signed lower left C. DALIBERT Titled reverse stretcher bar BOULES DE NOEL

簽名左下：C. DALIBERT

PROVENANCE

Ravenel, Hong Kong, May 28, 2012, lot 016 Acquired from the above by the present owner

NT$ 140,000 - 220,000 HK$ 35,000 - 54,000 US$ 4,400 - 6,900 RMB 29,000 - 46,000

73 x 60 cm 題識畫背框條：BOULES DE NOEL 來源

羅芙奧，香港，2012年5月28日，編號16 現有收藏者購自上述來源

「亞洲重要私人收藏」：經典原作專題

068

CLAUDE VENARD

克勞德．維納爾

(French, 1913-1999)

船

Boat

油彩畫布

Oil on canvas 33 x 41 cm Signed lower right C. Venard

簽名右下：C. VENARD

PROVENANCE

Private collection, Asia Ravenel, Taipei, June 3, 2017, lot 011 Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by Claude Vermassen, Antibes.

NT$ 140,000 - 220,000 HK$ 35,000 - 54,000 US$ 4,400 - 6,900 RMB 29,000 - 46,000 112

33 x 41 cm 來源

私人收藏，亞洲羅芙奧，台北，2017年6月3日，編號011 現有收藏者購自上述來源附代理畫廊負責人暨藝術鑑定專家 Claude Vermassen 開立之原作保證書

An Important Asian Private Collection: Unique Classics

069

MAKI HOSOKAWA

細川真希

(Japanese, b. 1980)

日常的翻弄萬歲繪圖

Daily Tossing Banzai

2010

2010 Acrylic on canvas 130.5 x 162 cm Signed reverse Maki in English, titled Daily Tossing Banzai in kanji and dated 2010

130.5 x 162 cm

PROVENANCE

Est-Ouest Auctions Co., Hong Kong, May 27, 2011, lot 1025 Ravenel, Taipei, June 1, 2014, lot 267 Acquired from the above by the present owner

NT$ 360,000 - 550,000 HK$ 89,000 - 136,000 US$ 11,400 - 17,400 RMB 76,000 - 116,000

壓克力畫布簽名題識畫背：2010「日常的翻弄万歲繪圖」 Maki 來源

伊斯特拍賣，香港，2011年5月27日，編號 1025 羅芙奧，台北，2014年6月1日，編號267 現有收藏者購自上述來源

「亞洲重要私人收藏」：經典原作專題

070

LUIGI BENZONI

路意吉．班佐尼

(Italian, b. 1956)

臉譜：黑色與金色的調變

Volto: Modulazione in nero/oro

2000

2000 Oil and acrylic on canvas 150 x 150 cm Signed reverse Benzoni and dated 2000

150 x 150 cm

PROVENANCE

Modern Art Gallery, Taichung Ravenel, Taipei, December 2, 2017, lot 119 Acquired from the above by the present owner

NT$ 280,000 - 480,000 HK$ 69,000 - 119,000 US$ 8,800 - 15,100 RMB 59,000 - 101,000 114

油彩壓克力畫布簽名畫背：Benzoni 2000 來源

現代畫廊，台中羅芙奧，台北，2017年12月2日，編號119 現有收藏者購自上述來源

An Important Asian Private Collection: Unique Classics

071

YOSHIO CHANG

張義雄

(Taiwanese, 1914-2016)

車廂

Coach

1982

1982 Oil on canvas 61 x 50 cm Signed lower left Y. CHANG and dated ‘82

61 x 50 cm

PROVENANCE

Ravenel, Taipei, December 2, 2018, lot 268 Acquired from the above by the present owner

NT$ 550,000 - 850,000 HK$ 136,000 - 210,000 US$ 17,400 - 26,800 RMB 116,000 - 179,000

油彩畫布簽名左下：Y. CHANG '82 來源

羅芙奧，台北，2018年12月2日，編號268 現有收藏者購自上述來源

「亞洲重要私人收藏」：經典原作專題

072

MAURICE DE VLAMINCK (French, 1876-1958)

Nature morte aux fruits et à la baguette de pain c. 1950 Oil on canvas, 50 x 65 cm Signed lower right Vlaminck PROVENANCE

Tamenaga Gallery, Tokyo Ravenel, Hong Kong, May 31, 2015, lot 074 Private collection, Taiwan Ravenel, Taipei, December 2, 2017, lot 113 Acquired from the above by the present owner EXHIBITED

Maurice de Vlaminck, The New Otani Art Museum, Tokyo, October 9-November 24, 1991 ILLUSTRATED

Maurice de Vlaminck, The New Otani Art Museum, Tokyo, 1991, color illustrated, no. 29 This lot is accompanied by two certificates of authenticity, issued respectively by Tamenaga Gallery and Gilbert Pétridès.

NT$ 3,400,000 - 5,500,000 HK$ 840,000 - 1,358,000 US$ 107,300 - 173,500 RMB 716,000 - 1,158,000 莫里斯．德．烏拉曼克有長棍麵包和水果的靜物約1950 油彩畫布 50 x 65 cm 簽名右下：Vlaminck 來源

為永畫廊，東京羅芙奧，香港，2015年5月31日，編號074 私人收藏，台灣羅芙奧，台北，2017年12月2日，編號113 現有收藏者購自上述來源展覽

「烏拉曼克特展」，新大谷美術館，東京，展期自1991年10月9日至11月24日圖錄

《烏拉曼克》，新大谷美術館，東京，1991，彩色圖版，編號29 附為永畫廊與烏拉曼克專家吉貝．派特里德開立之原作保證書 116

An Important Asian Private Collection: Unique Classics

Maurice de Vlaminck NATURE MORTE AUX FRUITS ET À LA BAGUETTE DE PAIN 莫里斯．德．烏拉曼克｜有長棍麵包和水果的靜物格的靜物畫，表現出他對此一主題的熱愛。他於1906 年對早期靜物畫《蘋果與靜物》的詮釋，用色鮮明大膽，展現出野獸派的特色，不同於1908年的《水果與靜物》，採用冷調的淺藍與白色，進一步突顯出畫作中暖色調的部分，可看出塞尚的影響。烏拉曼克曾受立體派的短暫影響，從1910年畫作《靜物》的幾何圖形也可觀察出來。戰後1920年完成的《葡萄籃》，相對來說色調則較為溫暖。烏拉曼克持續不懈的描繪靜物，靜物畫作代表了他在各個藝術生涯階段對真實世界的感知和內在情緒的投射。《有長棍麵包和水果的靜物》是標誌烏拉曼克藝術生涯的傑出之作，和他的後期作品一樣採用了深暗的色調， Lot 72

《有長棍麵包和水果的靜物》完成於1950年代，是現代藝術的迷人篇章，烏拉曼克（Vlaminck）在本靜物畫中展現對水果和水瓶的精微觀察。畫面構圖豐富，包括佔據前景的半條長棍麵包、水瓶旁邊三隻圓潤、豐美的梨子，和緊貼著它們的水果盤。厚重的油彩、輕快的筆觸為畫中靜物染上溫暖的淺黃綠色，凸顯水果和長棍麵包的明暗層次和質地，共同創造出極為豐富的視覺效果。偏暗的背景大片刷上沈穩的白灰色更顯現了構圖的嚴謹，襯托出水果和水瓶的輪廓。這種以色彩突出明暗對照的高超手法為畫面帶來水平的流動感，也傳達出空間感，帶出畫中靜物的主題。藝術史學和評論家賽茲（Jean Selz）曾說，烏拉曼克「明暗對比的運用令人驚嘆，沈穩的用色也讓其畫作達到和諧的境界。」本拍品代表了烏拉曼克作為大師的完美形式，動人心神且臻至成熟。本拍品和烏拉曼克1908年以前受梵谷影響而為的野獸派畫作相當不同，在野獸派時期之後，其畫風明顯受到觀賞塞尚畫作的啟發，轉趨單一色調，這是烏拉曼克藝術生涯的重要轉變。1909年巴黎的秋季沙龍舉行大規模的塞回顧展，更深入影響了烏拉曼克。一次大戰期間，法國現代藝術進程由野獸派轉向立體派，身在巴黎的烏拉曼克並未坦然接受。烏拉曼克希望超越流派，就像馬蒂斯（Henri Matisse）和德安（André Derain）一樣，保有個人特色，隨心所欲的作畫。在藝術生涯的不同階段，烏拉曼克創作了不同風

118

並以厚重的白色顏料作為畫面的對照。本拍品作展現烏拉曼克畢生致力實踐各派藝術理念、終於加以融會貫通後卓然成家的圓熟和精到。《有長棍麵包和水果的靜物》完美展現了烏拉曼克的個人特色，其中蘊含他作為小提琴家、運動員、作家和20世紀初創新藝術家的豐富人生體會，是值得珍藏的大師之作。 The exquisite “Nature morte aux fruits et à la baguette de pain ”, painted circa 1950s is a derivative from the fascinating interlude in the history of modern art from Vlaminck’s intensely concentrated observation of a still life depiction of fruits and liquid holding vessel. The composition is rich in elements depicting a half-loaf of Baguette that dominate the foreground, leading to three bulbous luscious pears next to the liquid-holding vessel and a platter of fruits in near proximity on the frontal plane. The profuse application of pigment and the sequence of dabs and short streaks rendered in warmer tones of lighter yellowish-green further define the highlights and dimensionality on the fruits and texture of the baguette, creating an effect of great optical richness. The compositional elements is further extenuated against a sombre backdrop enhanced with bold strokes and areas of contrasting whitish-grey that illuminates the outlines of the fruits and vessel. This mastery in projecting the stark contrast between light and dark in dabs and streaks of colours conveys

a sense of motion that cuts horizontally, connotative of space and brings forth the essential compositional elements in this exquisite painting. In this regard, the Art historian and critic Jean Selz had once remarked upon the way in which Vlaminck’s “striking contrasts of light and shade and introduction of more sombre tones all contribute to the harmony of Vlaminck’s canvas.” The present lot represents a masterful consolidation of form that is both enticing and anchoring. It differs and contrasts with the artist’s Fauves canvases inspired largely by works of Von Gogh whom the artist remained a key proponent of up until the 1908, after which his palette become more monochromatic largely due to the influence and response to the works of Cezanna that he had observed at an exhibition, an encounter that constituted a significant phrase of transition in Vlaminck’s artistic development. This prolific phrase subsequently extended to a fruitful personal exhibition of larger scale in 1909. In Vlaminck’s latter artistic endeavors, the artist demonstrated difficulty in accepting Cubism’s rise during the war in Paris when artistic modernism was undergoing a delicate transition from Fauvism to Cubism in France. In essence, Vlaminck sought to progress beyond a style much like Henri Matisse and Andre Derain, all whilst

Paul CÉZANNE, Peppermint Bottle , 1893-1895, oil on canvas, 65.9 x 82.1 cm National Gallery of Art, Washington, D.C. 保羅．塞尚《糊椒粉瓶和靜物》1893-1895 油彩畫布 65.9 x 82.1 cm 華盛頓國家畫廊收藏

retaining his idiosyncratic and instinctive manner of the application of paint. In retrospect, Vlaminck had depicted various still-life in different stages during his various artistic phrases, which reflects the artist’s consistent endeavor in this genre and associated subject matter. Vlaminck’s interpretation of earlier still-life such as Apple and Still-life in 1906 with vibrant colorful attributes from the Fauves tradition contrasts with another work of Fruits and still-life executed in 1908, adorned with a cooler colour palette of icy-blues and whites further accented with areas of warmer tones that remains reminiscent of Cezanna influences. Vlaminck’s brief encounter with cubism is apparent in another work entitled still-life in 1910 with an identifiable geometric composition. Grape basket was completed in 1920 of the post World War I era and thus exhibits a slightly more delicate warmer tonal palette comparatively. It is apparent that Vlaminck had consistently explored the realms of still-life, whereby many of these works are manifestations of his reality or inner emotions in responses to his artistic indulgence during the various phrases of his artistic development at a particular point in time. Nonetheless, “Nature morte aux fruits et à la baguette de pain” is truly an exceptional work that represents a significant period of Vlaminck’s artistic endeavor, which parallels with his later works that predicates upon the utilization of a darker more sombre palette imbued with heavy strokes of contrasting whitish pigments, as epitomized by the present lot. Furthermore, it testifies to a distinguished maturity and mastery in techniques derived from a dedicated lifetime of constant experimentations with different genres of artistic influences that ultimately lead to the fruition of a stylistic approach that remained very dear to the artist’s heart. “Nature morte aux fruits et à la baguette de pain” is truly a remarkable work, beautifully imbued with Vlaminck’s strident individual characteristics derived from a vibrant life of experiences from being a Violinist, an athlete, a writer, and a truly revolutionary and exceptional artist of the early 20th century.

「亞洲重要私人收藏」：大師版畫專題

073

ANDY WARHOL

安迪．沃荷

(American, 1928-1987)

愛情

Love (Love F.S. II 312)

1983

1983 Screenprint on Rives BFK paper, ed. H.C. 14/17 65.5 x 49.8 cm Signed lower left Andy Warhol and numbered HC 14/17

65.5 x 49.8 cm

PROVENANCE

Takeda Art Co. Inc., Tokyo New Art Est-Ouest Auctions, Tokyo, May 22, 2022, lot 84 Acquired from the above by the present owner

NT$ 650,000 - 950,000 HK$ 160,000 - 235,000 US$ 20,500 - 30,000 RMB 137,000 - 200,000 120

絲網版畫版次 H.C. 14/17 簽名左下：H.C 14/17 Andy Warhol 來源

武田美術，東京新藝伊斯特拍賣，東京，2022年5月22日，編號84 現有收藏者購自上述來源

An Important Asian Private Collection: Master Editions

074

ANDY WARHOL

安迪．沃荷

(American, 1928-1987)

愛情

Love (Love F.S. II 311)

1983

1983 Screenprint on Rives BFK paper, ed. E.P. 5/5 66 x 49.6 cm Signed lower left Andy Warhol and numbered E.P. 5/5

66 x 49.6 cm

PROVENANCE

Takeda Art Co., Inc., Tokyo New Art Est-Ouest Auctions, Tokyo, May 22, 2022, lot 85 Acquired from the above by the present owner

NT$ 650,000 - 950,000 HK$ 160,000 - 235,000 US$ 20,500 - 30,000 RMB 137,000 - 200,000

絲網版畫版次 E.P. 5/5 簽名版次左下：E.P. 5/5 Andy Warhol 來源

武田美術，東京新藝伊斯特拍賣，東京，2022年5月22日，編號85 現有收藏者購自上述來源

「亞洲重要私人收藏」：大師版畫專題

075

ANDY WARHOL

安迪．沃荷

(American, 1928-1987)

莉莉安．卡特

Lillian Carter

1977

1977 Screenprint in colors on paper, ed. A.P. 12/20 99.7 x 74.9 cm Signed lower center Andy Warhol and numbered A.P. 12/20

99.7 x 74.9 cm

PROVENANCE

Ravenel, Taipei, December 2, 2018, lot 141 Acquired from the above by the present owner ILLUSTRATED

Feldman & Schellmann, Andy Warhol Prints: a Catalogue Raisonné 1962-1987, Distributed Art Publishers, Inc., New York, (F & S II.153)

NT$ 420,000 - 600,000 HK$ 104,000 - 148,000 US$ 13,200 - 18,900 RMB 88,000 - 126,000 122

彩色絲網版畫版次 A.P. 12/20 簽名中下：Andy Warhol A.P. 12/20 來源

羅芙奧拍賣，台北，2018年12月2日，編號141 現有收藏者購自上述來源圖錄

費德曼與謝爾曼，《安迪．沃荷版畫：全集作品目錄 1962–1987》，編號F & S II.153

An Important Asian Private Collection: Master Editions

076

ANDY WARHOL (American, 1928-1987)

Ten Portraits of Jews of the Twentieth Century Announcement Cards 1980 Offset print on cards 17 x 14 cm (each) Signed upper left Andy Warhol and inscribed To Mike PROVENANCE

Ravenel, Taipei, December 4, 2016, lot 226 Acquired from the above by the present owner A complete set of Warhol announcement cards published in conjunction with Andy Warhol’s 1980 exhibition at The Jewish Museum (October 7, 1980 to January 5, 1981).

NT$ 120,000 - 220,000 HK$ 30,000 - 54,000 US$ 3,800 - 6,900 RMB 25,000 - 46,000

安迪．沃荷 20世紀猶太人十幅肖像宣傳卡 1980 平版印刷卡紙 17 x 14 cm (每件) 簽名左上：Andy Warhol 題識左上：To Mike 來源

羅芙奧拍賣，台北，2016年12月4日，編號226 現有收藏者購自上述來源一套完整的沃荷宣傳卡片，與安迪．沃荷1980 年在猶太博物館舉辦的展覽（1980年10 月7日至 1981年1月5日）同時出版。

「亞洲重要私人收藏」：大師版畫專題

077

ANDY WARHOL

安迪．沃荷

(American, 1928-1987)

毛澤東版畫集說明卡

Mao Tse-Tung by Andy Warhol Announcement Card

1972

1972 Offset print on card 17.5 x 35 cm Signed upper left Andy Warhol

簽名左上：Andy Warhol

PROVENANCE

現有藏家購自上述來源

Castelli Graphics, New York Ravenel, Taipei, December 1, 2019, lot 248 Acquired from the above by the present owner

NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 27,000 - 46,000 124

平版印刷卡紙 17.5 x 35 cm 來源

卡斯提里繪畫公司，紐約羅芙奧，台北，2019年12月1日，編號248

An Important Asian Private Collection: Master Editions

078

ROY LICHTENSTEIN (American, 1923-1997)

羅伊．李奇登斯坦哭泣的女孩(C. II.1)

Crying Girl (C. II.1)

1963

1963 Offset lithograph in colors 49.5 x 61.5 cm Signed lower right rf Lichtenstein

49.5 x 61.5 cm

PROVENANCE

Leo Castelli Gallery, New York Private collection, Asia Ravenel, Taipei, June 2, 2018, lot 004 Acquired from the above by the present owner ILLUSTRATED

Mary Lee Corlett, The Prints of Roy Lichtenstein a catalogue raisonné 1948-1997 , Hudson Hills Press, New York, 1994, color illustrated, no. II.1

NT$ 280,000 - 320,000 HK$ 69,000 - 79,000 US$ 8,800 - 10,100 RMB 59,000 - 67,000

彩色平版印刷簽名右下：rf Lichtenstein 來源

李歐．卡斯提里畫廊，紐約私人收藏，亞洲羅芙奧，台北，2018年6月2日，編號004 現有收藏者購自上述來源圖錄

瑪莉．李．科爾萊特，《李奇登斯坦版畫編年集1948-1997》，哈德遜之丘出版社，紐約，1994年，彩色圖版，編號II.1

「亞洲重要私人收藏」：大師版畫專題

079

JOAN MIRÓ (Spanish, 1893–1983)

胡安．米羅馬洛卡系列：第 9 幅

Plate IX from Série Mallorca

1973

1973 Etching and aquatint in colors, ed. 29/50 70.5 x 86.3 cm Signed lower right Miró , numbered lower left 29/50, with the blindstamp of Sala Pelaires lower left

70.5 x 86.3 cm

PROVENANCE

Est-Ouest, Hong Kong, November 26, 2017, lot 425 Acquired from the above by the present owner

NT$ 140,000 - 220,000 HK$ 35,000 - 54,000 US$ 4,400 - 6,900 RMB 29,000 - 46,000 126

彩色銅版畫版次 29/50 簽名右下：Miró 版次左下：29/50 版畫工作室壓印左下：Sala Pelaires 來源

伊斯特拍賣，香港，2017年11月26日，編號425 現有藏家購自上述來源

An Important Asian Private Collection: Master Editions

080

JOAN MIRÓ (Spanish, 1893–1983)

胡安．米羅馬洛卡系列：第 7 幅

Plate VII from Série Mallorca

1973

1973 Etching and aquatint in colors, ed. 29/50 70.5 x 86.3 cm Signed lower right Miró , numbered lower left 29/50 , with the blindstamp of Sala Pelaires lower left

70.5 x 86.3 cm

PROVENANCE

Est-Ouest, Hong Kong, November 26, 2017, lot 426 Acquired from the above by the present owner

NT$ 140,000 - 220,000 HK$ 35,000 - 54,000 US$ 4,400 - 6,900 RMB 29,000 - 46,000

彩色銅版畫版次 29/50 簽名右下：Miró 版次左下：29/50 版畫工作室壓印左下：Sala Pelaires 來源

伊斯特拍賣，香港，2017年11月26日，編號426 現有藏家購自上述來源

「亞洲重要私人收藏」：大師版畫專題

081

ROY LICHTENSTEIN (American, 1923-1997)

Aspen Winter Jazz 1967 Screenprint in colors on wove paper, ed. 227/300 101.5 x 66 cm Signed lower right R. Lichtenstein and numbered 227/300 PROVENANCE

Leo Castelli Gallery, New York (published with the artist for the Aspen Winter Jazz Festival) Private collection, Asia Sotheby’s, Hong Kong, October 18, 2018, lot 13 Acquired from the above by the present owner ILLUSTRATED

Mary L. Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948-1997 , Hudson Hills Press, New York, in association with National Gallery of Art, Washington, D.C., 2002, color illustrated, cat. no. 44

NT$ 120,000 - 200,000 HK$ 30,000 - 49,000 US$ 3,800 - 6,300 RMB 25,000 - 42,000 羅伊．李奇登斯坦阿斯本冬日爵士 1967 絲網版畫版次 227/300 101.5 x 66 cm 簽名版次右下：227/300 R.Lichtenstein 來源

卡斯提里繪畫公司，紐約（與藝術家合作出版，為阿斯本爵士音樂節籌款）私人收藏，亞洲蘇富比，香港，2018年10月18日，編號13 現有藏家購自上述來源圖錄

Mary L. Corlett編著，《羅伊．李奇登斯坦版畫作品全集1948-1997》，哈德遜山出版社，紐約，與華盛頓特區國家藝廊合作出版，2002年，彩色圖版，編號44

128

An Important Asian Private Collection: Master Editions

082

TAKASHI MURAKAMI (Japanese, b. 1962)

村上隆 DOB君與我

Me and Mr. DOB

2009

2009 Offset lithograph, ed. 26/300 68 x 68 cm Signed lower right Murakami and numbered 26/300

68 x 68 cm

PROVENANCE

Kaikai Kiki, Tokyo (Publisher) Ravenel, Hong Kong, May 28, 2012, lot 072 Acquired from the above by the present owner

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

彩色膠印石版畫版次 26/300 簽名右下：Murakami 26/300 來源

Kaikai Kiki畫廊，東京（發行）羅芙奧，香港，2012年5月28日，編號072 現有收藏者購自上述來源

083

CHEN WEI-TING

陳威廷

(Taiwanese, b. 1991)

靠得住

I Can Hold It

2020

2020 Acrylic, colored pencil on canvas 47.5 x 40.3 cm Signed reverse Chen Wei-Ting in Chinese and dated 2020

47.5 x 40.3 cm

This lot is accompanied by a certificate of authenticity issued by Naomi Art Studio.

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000 130

壓克力色鉛筆畫布簽名畫背：陳威廷 2020 附 Naomi Art Studio 開立之原作保證書

084

CHEN WEI-TING

陳威廷

(Taiwanese, b. 1991)

毋須堅強

Don’t Be Strong

2020

2020 Acrylic, colored pencil on canvas 80 x 65 cm Signed reverse Chen Wei-Ting in Chinese and dated 2020

80 x 65 cm

This lot is accompanied by a certificate of authenticity issued by Naomi Art Studio.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000

壓克力色鉛筆畫布簽名畫背：陳威廷 2020 附 Naomi Art Studio 開立之原作保證書

085

YOSHIO CHANG

張義雄

(Taiwanese, 1914-2016)

白色小丑與皮耶洛

Whiteface Clown and Pierrot

2004

2004 Oil on canvas 19 x 15 cm Signed lower left Chang Y. and dated 04

19 x 15 cm

PROVENANCE

Lotus Art Gallery, Kaohsiung Acquired from the above by the present owner

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 132

油彩畫布簽名左下：'04 Chang Y. 來源

荷軒新藝空間，高雄現藏者購自上述來源

086

LIU KENG-I

劉耿一

(Taiwanese, b. 1938)

池畔

By the Pond

1981

1981 Oil pastel on paper 39.5 x 54.5 cm Signed lower right Keng-I in Chinese and dated 81

39.5 x 54.5 cm

EXHIBITED

Scenes in Memory; Liu Keng-I Solo Exhibition, Share Art Space, Kaohsiung, January 23-March 21, 2018 ILLUSTRATED

油性粉彩紙本簽名右下：耿一'81 展覽

「記憶中的景緻：劉耿一個展」，分享藝術空間，高雄，2018年1月23日至3月21日圖錄

《記憶中的景緻：劉耿一畫輯》展覽目錄，

Scenes in Memory: Paintings by Liu Keng-I, Share Art Space, Kaohsiung, 2018, color illustrated, cover & p. 37

分享藝術空間，高雄，2018，彩色圖版，

This lot is accompanied by a certificate of authenticity issued by Share Art Space, Kaohsiung and signed by the artist.

附高雄分享畫廊開立與藝術家簽名之原作

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000

封面及頁37

保證書

087

GAO HUIJUN

高惠君

(Chinese, b. 1966)

思歸圖

Nostalgia

2006

2006 Oil on canvas 120 x 100 cm Signed reverse G. Huijun inscribed Heshang in Chinese and dated 2006, titled Nostalgia in Chinese

120 x 100 cm

PROVENANCE

Ravenel, Taipei, December 5, 2010, lot 167

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 134

油彩畫布簽名題識畫背：思歸圖河上 G. Huijun 2006 來源

羅芙奧，台北，2010年12月5日，編號167

088

CHEN MENG-TZE

陳孟澤

(Taiwanese, b. 1971)

溫室風景1（綠）

Greenhouse Scenery 1 (Green)

2007

2007 Oil on canvas 60.5 x 72.5 cm Signed upper left M.T. CHEN and dated 07

60.5 x 72.5 cm

EXHIBITED

Looking Through—Chen Meng-Tze Solo Exhibition: The Sixth Liao Chi-Chun Oil Painting Award, Taipei Fine Arts Museum, Taipei, July 7 – September 30, 2007 This lot is accompanied by a certificate of authenticity issued by Serendipity Art Gallery, Hsinchu and signed by the artist.

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

油彩畫布簽名左上：M.T. CHEN 07 展覽

「第六屆廖繼春油畫創作獎：透明之間－陳孟澤個展」，台北市立美術館，台北， 2007年7月7日至9月30日附新典藝術中心開立與藝術家簽名之原作保證書

089

CHANG TZU-CHING

張子晴

(Taiwanese, b. 1988)

花月9-2

Floral Moon 9-2

2017

2017 Acrylic on canvas 40.2 x 40.2 cm Signed backing board Tzu-Ching Chang in Chinese and English, dated 2017

40.2 x 40.2 cm

NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,700 RMB 19,000 - 38,000 136

壓克力畫布簽名背板：張子晴 2017 Tzu-Ching Chang

090

CHU SHU-CHI

朱書麒

(Taiwanese, b. 1985)

異界風景－王國的統治者

Fantascape: The Ruler of the Kingdom

2013

2013 Oil on canvas 72.5 x 91 cm Signed lower side Chu Shu-Chi in Chinese and dated 2013.11.

簽名下方側邊：朱書麒 2013.11.

NT$ 120,000 - 220,000 HK$ 30,000 - 54,000 US$ 3,800 - 6,900 RMB 25,000 - 46,000

油彩畫布 72.5 x 91 cm

091

CHANG WAN-CHUAN

張萬傳

(Taiwanese, 1909-2003)

魚與靜物

Still Life with Fish

油彩紙本

Oil on paper 25 x 38 cm Signed lower right CHANG in English and Wan in Simplified Chinese

簽名右下：CHANG 万

PROVENANCE

Acquired from the artist by the present owner

NT$ 100,000 - 200,000 HK$ 25,000 - 49,000 US$ 3,200 - 6,300 RMB 21,000 - 42,000

138

25 x 38 cm 來源

現有藏家購自藝術家本人

092

HO HUEY-CHIH

賀蕙芝

(Taiwanese, b. 1970)

台灣仙草

Taiwanese Grass Jelly

2005

2005 Oil on canvas 91 x 116.5 cm

91 x 116.5 cm

EXHIBITED

Ho Huey-Chih Solo Exhibition, Ke-Yuan Gallery, Taichung, May 3–25, 2008 This lot is accompanied by a certificate of authenticity issued by Ke-Yuan Gallery, Taichung and signed by the artist.

NT$ 100,000 - 160,000 HK$ 25,000 - 40,000 US$ 3,200 - 5,000 RMB 21,000 - 34,000

油彩畫布

展覽

「賀蕙芝個展」，科元藝術中心，台中，展期2008年5月3日至5月25日附科元藝術中心開立與藝術家簽名之原作保證書

093

CHEN YIN-HUI

陳銀輝

(Taiwanese, 1931-2024)

泰國風景

Scenery of Thailand

1986

1986 Oil on canvas 65.5 x 53 cm Signed lower right Yin in Chinese, Chen in English and dated 86

65.5 x 53 cm

NT$ 130,000 - 240,000 HK$ 32,000 - 59,000 US$ 4,100 - 7,600 RMB 27,000 - 51,000

140

油彩畫布簽名右下：銀 CHEN '86

094

YANG CHIHUNG

楊識宏

(Taiwanese, b. 1947)

彎

Crook

1992

1992 Oil on canvas 65 x 50 cm Signed lower right C. Yang and dated 92 Signed reverse Chihung Yang and dated 1992

65 x 50 cm

PROVENANCE

Taipei Time Gallery, Taipei JSL Auction, Taipei, December 14, 2014, lot 3002 This lot is accompanied by a certificate of authenticity issued by Taipei Time Gallery, Taipei.

NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 27,000 - 46,000

台北時代畫廊，台北景薰樓，台北，2014年12月14日，編號3002 附台北時代畫廊開立之原作保證書

095

HO KAN

霍剛

(Taiwanese, b. 1932)

無題（抽象）

Untitled (Abstract)

1995

1995 Oil on canvas 60 x 50 cm Signed reverse HO-KAN in English and Chinese, dated 1995 (ROC Year 84)

60 x 50 cm

NT$ 130,000 - 200,000 HK$ 32,000 - 49,000 US$ 4,100 - 6,300 RMB 27,000 - 42,000

142

油彩畫布簽名畫背：Ho-KAN 霍剛民八四

096

LIAO ZENPING

廖震平

(Taiwanese, b. 1982)

河上的構造物

Structure on the River

2017

2017 Oil on linen 130 x 97 cm Signed reverse Liao Zenping in Chinese, dated 2017 and inscribed Yokohama

130 x 97 cm

EXHIBITED

BankART Life V / Under 35/2017: Zenping Liao, BankART Studio NYK, Yokohama, August 25-September 13, 2017 ILLUSTRATED

Zenping Liao, BankART 1929, Yokohama, 2017, color illustrated, cover and back cover This lot is accompanied by a certificate of authenticity issued by Ke-Yuan Gallery, Taichung and signed by the artist.

NT$ 140,000 - 240,000 HK$ 35,000 - 59,000 US$ 4,400 - 7,600 RMB 29,000 - 51,000

油彩亞麻布簽名畫背：廖震平2017 Yokohama 展覽

「BankART Life V Under 35/2017：廖震平展」， BankART Studio NYK，橫濱，展期2017年8月 25日至9月13日圖錄

《廖震平展》，BankART 1929，橫濱，2017，彩色圖版，封面與封底附科元藝術中心開立與藝術家簽名之原作保證書

097

HSU TANG-WEI (Taiwanese, b. 1980)

Roaming 206 2008 Acrylic on canvas 162 x 112 cm Signed reverse Hsu Tang-Wei in Chinese and dated 2008 ILLUSTRATED

Sphere of Planetesimals: Hsu TangWei, National Central University Art Center, 2011, color illustrated, no. 041

NT$ 160,000 - 240,000 HK$ 40,000 - 59,000 US$ 5,000 - 7,600 RMB 34,000 - 51,000 許唐瑋漫遊206 2008 壓克力畫布 162 x 112 cm 簽名畫背：許唐瑋 2008 圖錄

《微行星場域：許唐瑋作品集》，國立中央大學藝文中心，2011，彩色圖版，編號041

144

098

TZENG YONG-NING (Taiwanese, b. 1978)

Spring Time 2012 Ballpoint pen on paper 121 x 81 cm Signed lower center TZENG and dated 2012 PROVENANCE

Soka Art Center, Taipei Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by Soka Art Center, Taipei and signed by the artist.

NT$ 160,000 - 260,000 HK$ 40,000 - 64,000 US$ 5,000 - 8,200 RMB 34,000 - 55,000 曾雍甯春天里 2012 原子筆紙本 121 x 81 cm 簽名下方：TZENG 2012 來源

索卡藝術，台北現藏者購自上述來源附索卡藝術當代有限公司開立與藝術家簽名之原作保證書

099

CHANG-LING (Taiwanese, b. 1975)

Poems About Evening Thoughts 2018 Oil on canvas 145 x 80 cm Signed reverse ChangLing, titled Poems About Evening Thoughts in Chinese and dated 2018 This lot is accompanied by a certificate of authenticity issued by InSian Gallery, Taipei.

NT$ 190,000 - 360,000 HK$ 47,000 - 89,000 US$ 6,000 - 11,400 RMB 40,000 - 76,000 常陵暮想傳詩 2018 油彩畫布 145 x 80 cm 簽名題識畫背：常陵暮想傳詩 2018 附印象畫廊開立之原作保證書

146

100

CRYSTAL LUPA (Taiwanese-American, b. 1989)

The Tribal Bride 2022 Oil on canvas 120 x 60 cm Signed lower right LUPA PROVENANCE

Hiro Hiro Art Space, Taipei Acquired from the above by the present owner EXHIBITED

Crystal Lupa: The Unspoken Tales, Hiro Hiro Art Space, Taipei, December 10, 2022 January 15, 2023 This lot is accompanied by a certificate of authenticity issued by Hiro Hiro Art Space, Taipei and signed by the artist.

NT$ 200,000 - 300,000 HK$ 49,000 - 74,000 US$ 6,300 - 9,500 RMB 42,000 - 63,000 呂紹瑜部落新娘 2022 油彩畫布 120 x 60 cm 簽名右下：LUPA 來源

Hiro Hiro Art Space，台北現有收藏者購自上述來源展覽

「呂紹瑜個展：人間勿語」，Hiro Hiro Art Space，台北，展期2022年12月10日至2023 年1月15日附Hiro Hiro Art Space 開立與藝術家簽名之原作保證書

101

XAVIER WEI (WEI CHEN-HUNG) (Taiwanese, b. 1966)

魏禎宏白背心(1)；黑衣條紋衣(3) (兩件一組)

White Tank Top (1); Black Striped Shirt (3) (a set of 2)

2004；2003

2004; 2003 Oil on canvas 150 x 50 cm (each) Signed reverse Wei (both), dated 2004 and 2003 (respectively)

簽名畫背：Wei 2004；Wei 2003

This lot is accompanied by certificates of authenticity issued by Caves Art Center and signed by the artist.

NT$ 200,000 - 300,000 HK$ 49,000 - 74,000 US$ 6,300 - 9,500 RMB 42,000 - 63,000 148

油彩畫布 150 x 50 cm (每件) 附敦煌畫廊開立藝術家簽名之原作保證書

102

CHOU CHU-WANG

周珠旺

(Taiwanese, b. 1978)

靜觀思語

Contemplative Reflection

2007

2007 Oil on canvas 91 x 72.5 cm Signed reverse Chou Chu-Wang in Chinese

91 x 72.5 cm

NT$ 220,000 - 400,000 HK$ 54,000 - 99,000 US$ 6,900 - 12,600 RMB 46,000 - 84,000

油彩畫布簽名畫背：周珠旺

103

CHANG TENG-YUAN

張騰遠

(Taiwanese, b. 1983)

發現外星生物2

Discovered Alien’s Plant 2

2021

2021 Acrylic on canvas 100 x 100 cm Signed on the reverse Chang Teng-yuan

100 x 100 cm

NT$ 220,000 - 420,000 HK$ 54,000 - 104,000 US$ 6,900 - 13,200 RMB 46,000 - 88,000

150

壓克力畫布簽名畫背：Chang Teng-yuan

104

A-SUN WU

吳炫三

(Taiwanese, b. 1942)

叢林人家

The Jungle Family

1989

1989 Oil on canvas 112 x 162 cm Signed lower right A-SUN and dated 89

112 x 162 cm

PROVENANCE

Mallet Japan Inc., Tokyo, September 27, 2019, lot 148 ILLUSTRATED

A-Sun Exhibition (1965-1995), Taipei Fine Arts Museum, Taipei, 1995, color illustrated, p. 161

NT$ 260,000 - 480,000 HK$ 64,000 - 119,000 US$ 8,200 - 15,100 RMB 55,000 - 101,000

油彩畫布簽名右下：A-SUN 89 來源

日本馬雷特拍賣，東京，2019年9月27日，編號148 圖錄

《吳炫三回顧展 (1965-1995)》，台北市立美術館，台北，1995，彩色圖版，頁161

105

LU MING-TE

盧明德

(Taiwanese, b. 1950)

植物馬戲團-1

Plant Circus – 1

2012

2012 Mixed media on canvas 162 x 130 cm Signed upper right Lu Ming-Te, titled Plant Circus – 1 in Chinese and dated 2012

162 x 130 cm

EXHIBITED

New Wizard of Oz – Lu Ming-Te Solo Exhibition, Lotus Art Gallery, Kaohsiung, June 6 – July 29, 2012 ILLUSTRATED

New Wizard of Oz – Lu Ming-Te, Lotus Art Gallery, Kaohsiung, 2012, color illustrated, p. 7 This lot is accompanied by a certificate of authenticity issued by Lotus Art Gallery, Kaohsiung and signed by the artist.

NT$ 300,000 - 500,000 HK$ 74,000 - 123,000 US$ 9,500 - 15,800 RMB 63,000 - 105,000 152

複合媒材畫布簽名右上：植物馬戲團-1 Lu Ming-Te 2012 展覽

「盧明德2012個展：新綠野仙縱」，荷軒新藝空間，高雄，展期2012年6月6日至7月29日圖錄

《新綠野仙縱─盧明德》，荷軒新藝空間，高雄，2012，彩色圖版，頁7 附荷軒新藝空間開立與藝術家簽名之原作保證書

106

CHIU CHIEN-JEN

邱建仁

(Taiwanese, b. 1981)

標記南方

Sign of the South

2011

2011 Oil on canvas 162 x 227 cm Signed side Chiu Chien-Jen in Chinese, inscribed ARTWO and dated 2011.11

162 x 227 cm

ILLUSTRATED

Chiu Chien-jen: There Is No There There, Lin & Lin Gallery, Taipei, Taiwan, 2013, color illustrated This lot is accompanied by a certificate of authenticity issued by Lin & Lin Gallery, Taipei and signed by the artist.

NT$ 300,000 - 500,000 HK$ 74,000 - 123,000 US$ 9,500 - 15,800 RMB 63,000 - 105,000

油彩畫布簽名側邊：2011.11 邱建仁 ARTWO 圖錄

《邱建仁個展：彼處無他方》，大未來林舍畫廊，台北，2013，彩色圖版附大未來林舍畫廊開立與藝術家簽名之原作保證書

107

YEH SHIH-CHIANG

葉世強

(Taiwanese, 1926-2012)

八哥與蕉葉

Crested Mynah on Banana Leaves

1995

1995 Ink on paper 41.5 x 55.5 cm Signed lower right Shih-Chiang in Chinese

41.5 x 55.5 cm

PROVENANCE

Private collection, Asia Sotheby’s, Hong Kong, October 3, 2016, lot 5060 ILLUSTRATED

Yeh Shih-Chiang: My Art World, National Central Library, Taipei, 2007, color illustrated, p. 143

NT$ 280,000 - 420,000 HK$ 69,000 - 104,000 US$ 8,800 - 13,200 RMB 59,000 - 88,000 154

水墨紙本簽名右下：世強來源

私人收藏，亞洲蘇富比，香港，2016年10月3日，編號5060 圖錄

《我的藝術世界：葉世強》，國家圖書館出版，台北，2007，彩色圖版，頁143

108

RAN IN-TING

藍蔭鼎

(Taiwanese, 1903-1979)

淡水養鴨人家

The Duck Breeder in Tamsui

1964

1964 Watercolor on paper 38 x 69 cm Signed lower right In-Ting in Chinese, RAN INTING in English, dated 5.1964 and inscribed Taiwan With one seal of the artist

38 x 69 cm

ILLUSTRATED

Circulation: Taiwan Modern Watercolor Painting Series, ARKI GALÉRIA, Taipei, 2016, color illustrated, pp. 24-25

NT$ 420,000 - 650,000 HK$ 104,000 - 160,000 US$ 13,200 - 20,500 RMB 88,000 - 137,000

水彩紙本簽名右下：蔭鼎 RAN INTING TAIWAN 5.1964 鈐印右下：鼎圖錄

《流轉：台灣50現代水彩展》，築空間，台北， 2016，彩色圖版，頁24-25

109

HO KAN (Taiwanese, b. 1932)

霍剛 No. 2

No. 2

1984

1984 Oil on canvas 80 x 99.5 cm Signed reverse Ho-KAN in English and Chinese, dated 1984

80 x 99.5 cm

PROVENANCE

Cherng Piin Gallery (Eslite Gallery), Taipei

NT$ 420,000 - 650,000 HK$ 104,000 - 160,000 US$ 13,200 - 20,500 RMB 88,000 - 137,000 156

油彩畫布簽名畫背：HO-KAN 霍剛 1984 來源

誠品畫廊，台北

110

JAN CHIN-SHUI

詹金水

(Taiwanese, b. 1953)

谷關春色

Spring in Guguan

1992

1992 Oil on canvas 130 x 162 cm Signed lower left Chin-Shui in Chinese and dated 1992 Signed reverse Jan Chin-Shui in Chinese, dated 1992, inscribed 100F and titled Spring in Guguan in Chinese

130 x 162 cm

This lot is accompanied by a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 320,000 - 500,000 HK$ 79,000 - 123,000 US$ 10,100 - 15,800 RMB 67,000 - 105,000

油彩畫布簽名左下：金水 1992 簽名題識畫背：100F 詹金水作 1992年谷關春色附愛力根畫廊開立之原作保證書

111

HSIEH HSIAO-DE

謝孝德

(Taiwanese, b. 1940)

風景

Landscape

2011

2011 Watercolor on paper 79 x 110 cm Signed lower left Hsieh Hsiao-De in Chinese and dated 2011

79 x 110 cm

NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 6,000 - 13,000

158

水彩紙本簽名左下：2011謝孝德

112

JON BURGERMAN

喬恩．布爾格曼

(British, b. 1979)

堆堆九號

Pile 9

2021

2021 Oil bar and spray paint on paper 30.4 x 22.8 cm Signed lower left Jon Burgerman Dated lower right 2021

30.4 x 22.8 cm

EXHIBITED

Face Time, Dopeness Art Lab, Taipei, December 11, 2021 – January 2, 2022, no. 15

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000

油畫棒噴漆紙本簽名左下：Jon Burgerman 年代右下：2021 展覽

Face Time, Dopeness Art Lab，台北，展期2021年12月11日至2022年1月2日，編號15

113

CAMILLE HILAIRE

卡密．伊列魯

(French, 1916-2004)

春日之森

Printemps

油彩畫布

Oil on canvas 46 x 55 cm Signed lower right Hilaire Titled Printemps on the stretcher bar

簽名右下：Hilaire

PROVENANCE

Elkaïm, L’Isle-Adam, France, November 28, 1999, lot 14

NT$ 80,000 - 160,000 HK$ 20,000 - 40,000 US$ 2,500 - 5,000 RMB 17,000 - 34,000

160

46 x 55 cm 題識畫背框條：Printemps 來源

艾爾凱姆拍賣，利勒亞當，法國，1999年 11月28日，編號14

114

BERNARD GANTNER

貝爾納．甘德納

(French, 1926-2018)

拉於姆雪景

La Hume

1965

1965 Oil on canvas 60.5 x 73 cm Signed lower right Gantner and dated 1965 Signed reverse Gantner , dated 1965 and titled La Hume

60.5 x 73 cm

PROVENANCE

Littleton Auctions, Worcestershire, UK Acquired from the above by the present owner

NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,700 RMB 19,000 - 38,000

油彩畫布簽名右下：Gantner 1965 簽名畫背：Gantner 1965 La Hume 來源

利特爾頓拍賣公司，伍斯特郡，英格蘭現有藏家購自上述來源

115

GUY BARDONE

居．巴赫東

(French, 1927-2015)

紅桌上的水果靜物

La table rouge

油彩畫布

Oil on canvas 46 x 55 cm Signed lower left Bardone Signed reverse Bardone and titled LA TABLE ROUGE on the stretcher bar

簽名左下：Bardone

PROVENANCE

iART Co., LTD., Tokyo, March 4, 2017, lot 16

NT$ 100,000 - 180,000 HK$ 25,000 - 44,000 US$ 3,200 - 5,700 RMB 21,000 - 38,000 162

46 x 55 cm 簽名題識框條：Bardone LA TABLE ROUGE 來源

iART拍賣公司，東京，2017年3月4日，編號16

116

ANETA KAJZER

阿內塔．凱澤

(Polish, b. 1989)

無法觸及

Can’t Touch This

2023

2023 Oil on canvas 90 x 70 cm Initialed reverse AK, titled Can’t touch this, dated 2023 and inscribed 90 x 70 cm

90 x 70 cm

EXHIBITED

Aneta Kajzer: Come Out to Play, PALM Gallery, Taipei, December 2-22, 2023

NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,500 - 6,900 RMB 23,000 - 46,000

油彩畫布簽名題識畫背：90 x 70 cm Can't touch this 2023 AK 展覽

「阿內塔．凱澤：出來玩」，PALM畫廊，台北，2023年12月2日至22日

117

MICHEL MALY

米歇爾．馬利

(French, 1936-2018)

方格布上的花束

Bouquet on the Checkered Tablecloth

油彩畫布

Oil on canvas 55.5 x 46 cm Signed lower right Maly, titled Bouquet sur la nappe à carreaux on the reverse stretcher bar

題識畫背框條：Bouquet sur la nappe à carreaux

PROVENANCE

Dimensions Art Center, Taipei Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by Dimensions Art Center, Taipei.

NT$ 100,000 - 150,000 HK$ 25,000 - 37,000 US$ 3,200 - 4,700 RMB 21,000 - 32,000 164

55.5 x 46 cm 簽名右下：Maly

來源

帝門藝術中心，台北現有收藏家購自上述來源附帝門藝術中心開立之原作保證書

118

GUY BARDONE

居．巴赫東

(French, 1927-2015)

綠桌上的萬壽菊

Oeillets d’Inde sur la table verte

油彩畫布

Oil on canvas 81 x 65.5 cm Signed lower right Bardone Signed reverse stretcher bar Bardone, titled OEILLETS D’INDE SUR LA TABLE VERTE , inscribed 25F2 1646

簽名右下：Bardone

PROVENANCE

Kyoei Life Insurance Co., Tokyo (Corporate Collection No. Ju-051789) Mallet Japan Inc., Tokyo, July 22, 2011, lot 330 Ines Gallery, Taipei Private collection, Taiwan This lot is accompanied by a certificate of authenticity issued by Ines Gallery, Taipei.

NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 27,000 - 46,000

81 x 65.5 cm 題識畫背框條：25F2 Bardone OEILLETS D'INDE SUR LA TABLE VERTE 1646 來源

協榮生命保險公司收藏，東京（什．051789）日本馬雷特拍賣公司，東京，2011年7月22日，編號330 伊尼斯有限公司，台北私人收藏，台灣附伊尼斯有限公司開立之原作保證書

119

RENÉ GENIS (French, 1922-2004)

Fruits et l’eau scintillante (Bandol) 1990 Oil on canvas 73 x 50 cm Signed lower left René Genis Signed stretcher bar René Genis and titled Fruits et l’eau scintillante (Bandol) PROVENANCE

Galerie Elegance, Taipei Acquired from the above by the present owner ILLUSTRATED

Espace du Silence: René Genis, Galerie Elegance, Taipei, 1992, color illustrated, no. RG0028 This lot is accompanied by a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 170,000 - 240,000 HK$ 42,000 - 59,000 US$ 5,400 - 7,600 RMB 36,000 - 51,000 賀內．吉尼斯波光前的靜物 1990 油彩畫布 73 x 50 cm 簽名左下：René Genis 簽名題識畫背板條：Fruits et l'eau scintillante (Bandol) René Genis 來源

愛力根畫廊，台北現有收藏者購自上述來源圖錄

《寧靜的國度：吉尼斯》，愛力根畫廊，台北， 1992，彩色圖版，編號RG0028 附愛力根畫廊開立之原作保證書

166

120

DAVID SHROBE (American, b. 1974)

My Corner 2020 Oil on paper and canvas, acrylic on flocking, linen, suede and leather mounted on wood panel and set in found wood frame 160(L) x 96.5(W) x 5.1(D) cm (with frame) Signed reverse David Shrobe and dated 2020 PROVENANCE

John Wolf Gallery, Los Angeles EXHIBITED

David Shrobe: Walk the Air, Steve Turner Contemporary, Los Angeles, July 25– August 29, 2020 This lot is accompanied by a certificate of authenticity issued by John Wolf Gallery, Los Angeles.

NT$ 280,000 - 480,000 HK$ 69,000 - 119,000 US$ 8,800 - 15,100 RMB 59,000 - 101,000

約翰．沃爾夫畫廊，洛杉磯展覽

「大衛．施羅伯：空中漫步」，史提夫．泰納畫廊，洛杉磯，展期2020年7月25日至8月29日附約翰．沃爾夫畫廊開立之原作保證書

121

BERNARD CHAROY

貝爾納．夏洛瓦

(French, 1931-2024)

珍珠項鍊

Woman Wearing a Black Pearl Necklace

1987

1987 Oil on canvas 61 x 50 cm Signed lower right Bernard Charoy Signed reverse Bernard Charoy

61 x 50 cm

PROVENANCE

Galerie Elegance, Taipei Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 220,000 - 320,000 HK$ 54,000 - 79,000 US$ 6,900 - 10,100 RMB 46,000 - 67,000 168

油彩畫布簽名右下：Bernard Charoy 簽名畫背：Bernard Charoy 來源

愛力根畫廊，台北現有收藏者購自上述來源附愛力根畫廊開立之原作保證書

122

BERNARD CHAROY

貝爾納．夏洛瓦

(French, 1931-2024)

克拉拉

Clara

油彩紙本

Oil on paper 54 x 65 cm Signed lower left Bernard Charoy

簽名左下：Bernard Charoy

PROVENANCE

Mainichi Auction Inc., Tokyo, March 15, 2008, lot 1016 Mainichi Auction Inc., Tokyo, November 7, 2009, lot 338

NT$ 260,000 - 360,000 HK$ 64,000 - 89,000 US$ 8,200 - 11,400 RMB 55,000 - 76,000

54 x 65 cm 來源

每日拍賣，東京，2008年3月15日，編號1016 每日拍賣，東京，2009年11月7日，編號338

123

ANDRÉ BRASILIER

安德烈．布拉吉利

(French, 1929-2026)

敞開的門扉

La porte ouverte

1973

1973 Oil on canvas 61.5 x 50.3 cm Signed lower right André Brasilier Initialed reverse A.B. and titled La porte ouverte

61.5 x 50.3 cm

PROVENANCE

Ferri, Drouot-Richelieu, Paris, 4 June 1999, lot 69

NT$ 380,000 - 550,000 HK$ 94,000 - 136,000 US$ 12,000 - 17,400 RMB 80,000 - 116,000 170

油彩畫布簽名右下：André Brasilier 簽名題識畫背：La porte ouverte A.B. 來源

費里拍賣行（德魯奧-黎塞留），巴黎， 1999年 6月4日，編號 69

124

LI QINGPING

李青萍

(Chinese, 1911-2004)

富士山

Mt. Fuji

1990

1990 Oil on board 40.5 x 53.5 cm Signed reverse Li Qingping in Chinese

40.5 x 53.5 cm

NT$ 420,000 - 800,000 HK$ 104,000 - 198,000 US$ 13,200 - 25,200 RMB 88,000 - 168,000

油彩木板簽名畫背：李青萍

125

SULING WANG

王淑鈴

(Taiwanese, b. 1963)

流轉的起源

Transient Origins

2006

2006 Oil and acrylic on canvas 245 x 200 cm Signed overlap SuLing Wang in English and Chinese, and dated 2006

245 x 200 cm

NT$ 700,000 - 1,000,000 HK$ 173,000 - 247,000 US$ 22,100 - 31,500 RMB 147,000 - 211,000

172

油彩壓克力畫布簽名畫布折入處：SuLing Wang 王淑鈴 2006

126

ROBERT COMBAS

羅伯．貢巴斯

(French, b. 1957)

搖滾樂手

Les Rockeurs

2002

2002 Acrylic on canvas 54 x 65 cm Signed lower right Combas

54 x 65 cm

EXHIBITED

Robert Combas Greatest Hits, Musée d’art contemporain de Lyon, Lyon, February 24-July 15, 2012 This lot is accompanied by a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 750,000 - 1,600,000 HK$ 185,000 - 395,000 US$ 23,700 - 50,500 RMB 158,000 - 337,000

壓克力畫布簽名右下：Combas 展覽

「羅伯．貢巴斯精選集」，里昂當代藝術館，里昂，展期2012年2月24日至7月15日附愛力根畫廊開立之原作保證書

127

WILL MARTYR

威爾．馬特

(British, b. 1980)

瞬間我明白了

Suddenly I Understand

2018

2018 Acrylic on canvas Diameter 240 cm Signed reverse W. Martyr, dated 2018 and titled “Suddenly I Understand”

直徑 240 cm

PROVENANCE

Unit London, London Acquired from the above by the present owner EXHIBITED

壓克力畫布簽名題識畫背：W. Martyr 2018 "Suddenly I Understand" 來源

Unit London藝廊，倫敦現有收藏家購自上述來源展覽

《威爾．馬特個展：水深千尋》，Unit London

Will Martyr: Fathoms, Unit London, London, August 31-September 29, 2018

藝廊，倫敦，展期2018年8月31日

ILLUSTRATED

圖錄

Livingetc, January 2019 Issue , London, color illustrated, p. 85

《Livingetc》雜誌，2019年1月號，倫敦，

NT$ 950,000 - 1,600,000 HK$ 235,000 - 395,000 US$ 30,000 - 50,500 RMB 200,000 - 337,000 174

至9月29日

彩色圖版，頁85

128

WILL MARTYR

威爾．馬特

(British, b. 1980)

愛不為時間所愚弄

Love Is Not Time’s Fool

2018

2018 Acrylic on canvas 160 x 120 cm Signed reverse W. Martyr, dated 2018 and titled “Love Is Not Time’s Fool”

160 x 120 cm

PROVENANCE

Unit London, London Acquired from the above by the present owner ILLUSTRATED

Livingetc, January 2019 Issue, London, color illustrated, p. 84

NT$ 600,000 - 1,000,000 HK$ 148,000 - 247,000 US$ 18,900 - 31,500 RMB 126,000 - 211,000

壓克力畫布簽名題識畫背：W. Martyr 2018 "Love Is Not Time's Fool" 來源

Unit London藝廊，倫敦現有收藏家購自上述來源圖錄

《Livingetc》雜誌，2019年1月號，倫敦，彩色圖版，頁84

129

ANDRÉ BRASILIER

安德烈．布拉吉利

(French, 1929-2026)

元月雪景

Janvier

1987

1987 Oil on canvas 96.8 x 130 cm Signed lower right André Brasilier

96.8 x 130 cm

Alexis Brasilier has confirmed the authenticity of this work.

NT$ 850,000 - 1,300,000 HK$ 210,000 - 321,000 US$ 26,800 - 41,000 RMB 179,000 - 274,000 176

油彩畫布簽名右下：André Brasilier 亞歷克西斯．布拉吉利已為此作提供認證。

130

BERNARD CATHELIN

貝爾納．卡多蘭

(French, 1919 - 2004)

豐收後的麥田白屋

Ferme de la Drôme

1989

1989 Oil on canvas 114 x 195 cm Signed lower left Cathelin and dated 89 Signed reverse Cathelin , dated 1989 and titled Ferme de la Drôme

114 x 195 cm

PROVENANCE

Elegant Art Center, Taipei Acquired by the present owner from the above ILLUSTRATED

油彩畫布簽名左下：Cathelin 89 簽名畫背："Ferme de la Drôme" 1989 Cathelin 來源

金典畫廊，台北現有收藏者購自上述來源圖錄

《卡多蘭：1982-1990繪畫作品》，Michèle

Cathelin: Peintures 1982-1990 , Editions Michèle Trinckvel, Paris, 1991, color illustrated, pp. 158-159

Trinckvel出版社，巴黎，1991，彩色圖版，

This lot is accompanied by a certificate of authenticity issued by Elegant Art Center, Taipei.

附金典畫廊開立之原作保證書

NT$ 850,000 - 1,500,000 HK$ 210,000 - 370,000 US$ 26,800 - 47,300 RMB 179,000 - 316,000

頁158-159

131

FELIX TREADWELL

菲利克斯．崔德威爾

(British, b. 1992)

聰明女孩

Clever Girl

2020

2020 Acrylic on canvas 120 x 160 cm Signed overlap Felix Treadwell , titled Clever Girl and dated 2020

120 x 160 cm

PROVENANCE

DOPENESS ART LAB, Taipei Sotheby’s, Hong Kong, September 12, 2023, lot 5548 Acquired from the above by the present owner ILLUSTRATED

Judicaël Lavrador, “Peintres de la vie quotidienne”, Beaux Arts , March 2021, color illustrated, p. 48

NT$ 420,000 - 600,000 HK$ 104,000 - 148,000 US$ 13,200 - 18,900 RMB 88,000 - 126,000 178

壓克力畫布簽名題識畫布折入處：Felix Treadwell 《Clever Girl》2020 來源

DOPENESS ART LAB，台北蘇富比，香港，2023年9月12日，編號5548 現藏者購自上述來源圖錄

朱迪卡埃爾．拉夫拉多，〈日常生活的畫家〉，《Beaux Arts》雜誌，2021年3月，彩色圖版，頁48

132

ALEX FACE (Thai, b. 1981)

亞歷克斯．費斯遊樂場的邊界 No. 2

Playground’s Border No. 2

2020

2020 Oil, acrylic and spray on linen 60 x 119 cm Signed lower right Alex Face

60 x 119 cm

This lot is accompanied by a certificate of authenticity issued by Vertical Gallery, Chicago.

NT$ 460,000 - 550,000 HK$ 114,000 - 136,000 US$ 14,500 - 17,400 RMB 97,000 - 116,000

油彩壓克力噴漆亞麻布簽名右下：Alex Face 附芝加哥Vertical畫廊開立之原作保證書

133

ADAM LISTER

亞當．里斯特

(American, b. 1978)

致敬巴斯奇亞

After Basquiat

2020

2020 Acrylic on canvas 133 x 133 cm Signed reverse A. LISTER, dated 2020 and titled UNTITLED (AFTER BASQUIAT)

133 x 133 cm

This lot is accompanied by a certificate of authenticity signed by the artist.

NT$ 360,000 - 500,000 HK$ 89,000 - 123,000 US$ 11,400 - 15,800 RMB 76,000 - 105,000 180

壓克力畫布簽名畫背：A. LISTER 2020 UNTITLED (AFTER BASQUIAT) 附藝術家簽名之原作保證書

134

ADAM LISTER

亞當．里斯特

(American, b. 1978)

巴斯奇亞1982年無題

1982 Basquiat Untitled

2020

2020 Acrylic on canvas 133 x 133 cm Signed reverse A. LISTER, dated 2020 and titled “UNTITLED 1982” (AFTER BASQUIAT)

133 x 133 cm

This lot is accompanied by a certificate of authenticity signed by the artist.

NT$ 360,000 - 500,000 HK$ 89,000 - 123,000 US$ 11,400 - 15,800 RMB 76,000 - 105,000

壓克力畫布簽名畫背：A. LISTER 2020 "UNTITLED 1982" (AFTER BASQUIAT) 附藝術家簽名之原作保證書

135

JON BURGERMAN

喬恩．布爾格曼

(British, b. 1979)

影子遊戲

Shadow Play

2022

2022 Aerosol on canvas 174.3 x 127.4 cm Signed reverse jon burgerman , inscribed NYC and dated 2022

174.3 x 127.4 cm

PROVENANCE

Tang Contemporary Art, Beijing Acquired from the above by the present owner EXHIBITED

Sync in Progress … Jon Burgerman, Geoffrey Bouillot, Mona Broschar, Nina Bachmann, HIMBAD, Helena Margret Jonsdottir, Nirit Takele, Tang Shuo, Albert Willem, Tang Contemporary Art, Beijing, November 19 – December 8, 2022

NT$ 260,000 - 380,000 HK$ 64,000 - 94,000 US$ 8,200 - 12,000 RMB 55,000 - 80,000 182

噴漆畫布簽名畫背：jon burgerman NYC 2022 來源

當代唐人藝術中心，北京現藏者購自上述來源展覽

「同步中…喬恩•伯格曼、傑佛瑞•布約特、莫娜•布羅莎、妮娜•巴赫曼、HIMBAD、海倫娜•瑪格麗特•鐘斯多蒂爾、尼瑞特•塔克爾、唐槊、阿爾伯特•威廉」，當代唐人藝術中心，北京，展期2022年11月19日至12月8日

136

JON BURGERMAN

喬恩．布爾格曼

(British, b. 1979)

臉譜七號

Faces 7

2021

2021 Spray paint on canvas 78 x 124 cm Signed reverse Jon Burgerman and dated 2021

78 x 124 cm

PROVENANCE

Galerie Masurel, Lyon This lot is accompanied by a certificate of authenticity issued by VINS Gallery, Taipei.

NT$ 200,000 - 400,000 HK$ 49,000 - 99,000 US$ 6,300 - 12,600 RMB 42,000 - 84,000

噴漆畫布簽名畫背：Jon Burgerman 2021 來源

馬敘雷爾畫廊，里昂附 VINS GALLERY 開立之原作保證書

137

BIJIJOO (MICHAEL TODD HORNE)

麥克－陶德．霍恩

(American, b. 1975)

遺失鑰匙

Lost Key

2021

2021 Oil and acrylic on canvas 108 x 102 cm Signed lower right BIJIJOO Signed reverse Bijijoo, titled “LOST KEY” and dated 3 Nov 2021

108 x 102 cm

This lot is accompanied by a certificate of authenticity issued by VINS Gallery, Taipei.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000 184

油彩壓克力畫布簽名右下：BIJIJOO 簽名題識畫背："LOST KEY" Bijijoo 3 Nov 2021 附 VINS GALLERY 開立之原作保證書

138

BLIC (BLIC PINAS)

BLIC（波利克．皮納斯）

(Filipino, b. 1985)

祈求好運

Fingers Crossed

2023

2023 Acrylic on canvas 91 x 91.5 cm Signed lower right BLIC

91 x 91.5 cm

NT$ 70,000 - 140,000 HK$ 17,000 - 35,000 US$ 2,200 - 4,400 RMB 15,000 - 29,000

壓克力畫布簽名右下：BLIC

139

KENZ

Kenz

(Thai, b. 1995)

噢！不

Oh No!

2020

2020 Acrylic on canvas 102 x 102 cm Signed reverse Kenz, titled “OH NO!” and dated 2020

102 x 102 cm

NT$ 70,000 - 140,000 HK$ 17,000 - 35,000 US$ 2,200 - 4,400 RMB 15,000 - 29,000

186

壓克力畫布簽名題識畫背：Kenz "OH NO!" 2020

140

MOISÉS YAGÜES

莫伊．亞格斯

(Spanish, b. 1972)

生存或毀滅

Ser o no ser (To Be, or Not to Be)

2022

2022 Acrylic on canvas 80 x 80 cm Signed lower right YAGÜES and dated 2022 Signed reverse MOISÉS YAGÜES , titled SER O NO SER, dated 2022 and inscribed 80 x 80 cm

80 x 80 cm

This lot is accompanied by a certificate of authenticity issued by Galería Marita Segovia, Madrid.

NT$ 70,000 - 140,000 HK$ 17,000 - 35,000 US$ 2,200 - 4,400 RMB 15,000 - 29,000

壓克力畫布簽名右下：YAGÜES 2022 簽名題識畫背：SER O NO SER 80 x 80 cm MOISÉS YAGÜES 2022 附瑪莉塔．塞哥維亞畫廊開立之原作保證書

141

MARK JEFFREY SANTOS (AKA MR. S)

馬克．傑佛瑞．桑托斯

(Filipino, b. 1990)

堅毅的面孔

The Face of Endurance

2021

2021 Acrylic on canvas 61 x 45.5 cm Signed lower left MR. S and dated 2021

61 x 45.5 cm

PROVENANCE

CC Gallery, Taipei Acquired from the above by the present owner This lot is accompanied by a certificate of authenticity issued by CC Gallery, Taipei.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000 188

壓克力畫布簽名左下：MR. S 2021 來源

CC Gallery，台北現有藏家購自上述來源附CC Gallery 開立作品保證書

142

LAWRENCE TORTO

勞倫斯．托托

(Ghanaian, b. 1993)

孤立於荒野中

Isolated in the Wilderness

2022

2022 Mixed media and acrylic on canvas 51.5 x 61.4 cm Signed lower left TORTO LAWRENCE Signed reverse LAWRENCE TORTO, titled ISOLATED IN THE WILDERNESS and inscribed PAINTING 1000 ACRYLIC ON CANVAS MIXED MEDIA 20 x 24

51.5 x 61.4 cm

PROVENANCE

來源

Galerie OVO, Taipei Acquired from the above by the present owner

十方藝術空間，台北現有藏家購自上述來源

This lot is accompanied by a certificate of authenticity issued by Galerie OVO, Taipei

附十方藝術空間開立之原作保證書

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000

綜合媒材壓克力畫布簽名左下：TORTO LAWRENCE 簽名畫背：PAINTING 1000 ACRYLIC ON CANVAS MIXED MEDIA 20 x 24 LAWRENCE TORTO TITLE: ISOLATED IN THE WILDERNESS

143

TAKASHI MURAKAMI (Japanese, b. 1962)

Kaikai, Kiki and Me 2013 Offset lithograph in colors, ed. 76/300 50 x 50 cm Signed lower right Takashi Murakami and numbered 76/300

NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 6,000 - 13,000 村上隆怪怪、奇奇和我 2013 彩色平版膠印版畫版次 76/300 50 x 50 cm 簽名版次右下：Takashi Murakami 76/300

144

TAKASHI MURAKAMI (Japanese, b. 1962)

The Creative Mind 2015 Offset lithograph in colors on smooth wove paper, ed. 51/300 68 x 68 cm Signed lower right Murakami and numbered 51/300

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 村上隆創意之心 2015 彩色平版膠印版畫、光面編織紙版次 51/300 68 x 68 cm 簽名版次右下：Murakami 51/300

190

145

CHIHARU SHIOTA (Japanese, b. 1972)

Encounter 2020 Lithograph, ed. 15/40 65 x 50 cm Initialed lower right C.S. Numbered lower left 15/40

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000 塩田千春相遇 2020 石版畫版次 15/40 65 x 50 cm 簽名右下：C.S. 版次左下：15/40

146

CHIHARU SHIOTA (Japanese, b. 1972)

Connection with the Universe 2019 Lithograph, ed. 20/40 30 x 40 cm Initialed lower right C.S. Numbered lower left 20/40

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000 塩田千春和宇宙聯繫 2019 石版畫版次 20/40 30 x 40 cm 簽名右下：C.S. 版次左下：20/40

147

MAYUKA YAMAMOTO (Japanese, b. 1964)

White Antlers 2025 Lithograph, ed. 16/50 35 x 39 cm (image); 45 x 50 cm (sheet) Signed lower Mayuka, titled white antlers , numbered 16/50 and dated 2025 This lot is accompanied by a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000 山本麻友香白鹿角 2025 石版畫版次 16/50

148

35 x 39 cm (圖)

MAYUKA YAMAMOTO

45 x 50 cm (紙)

(Japanese, b. 1964)

簽名版次下方：16/50 white antlers Mayuka 2025

Penguin in Bucket

附東京椿畫廊開立之作品保證書

2025 Lithograph, ed. 18/50 39.5 x 31.5 cm (image); 50 x 40 cm (sheet) Signed lower Mayuka, titled Penguin in bucket , numbered 18/50 and dated 2025 This lot is accompanied by a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000 山本麻友香企鵝水桶 2025 石版畫版次 18/50 39.5 x 31.5 cm (圖) 50 x 40 cm (紙) 簽名版次下方：18/50 Penguin in bucket Mayuka 2025 附東京椿畫廊開立之作品保證書 192

149

DAMIEN HIRST

達明．赫斯特

(British, b. 1965)

蝴蝶旋轉畫

Spin Painting - Butterfly

2009

2009 Acrylic, metallic paint on paper 68 x 52 cm Hand signed reverse Damien Hirst Printed signature Damien Hirst, stamped with the artist’s copyright and marked with the studio’s blind stamp

68 x 52 cm

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000

150

ANDY WARHOL (American, 1928-1987)

Marilyn Monroe (a set of 10) Print 91.3 x 91.3 cm (each) Printed on the reverse fill in your own signature and published by Sunday B. Morning

NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 27,000 - 46,000 安迪．沃荷瑪麗蓮．夢露（十件一組）印刷品 91.3 x 91.3 cm (每件) 畫背印有：ﬁll in your own signature、 published by Sunday B. Morning

194

151

MR. (Japanese, b. 1969)

Mr.

城市女孩新生活;我心屬於那天 (兩件一組)

A City Girl’s New Life; Where My Heart Belonged That Day (a set of 2)

2020

2020 Archival pigment and screenprints, ed. 85/100 & ed. 36/100 70 x 55 cm 70 x 61.5 cm Signed lower right Mr., dated 2020 and numbered 85/100 Signed lower right Mr. , dated 2020 and numbered 36/100

70 x 61.5 cm

NT$ 70,000 - 140,000 HK$ 17,000 - 35,000 US$ 2,200 - 4,400 RMB 15,000 - 29,000

藝術微噴絲網版畫版次 85/100; 36/100 70 x 55 cm 簽名右下：Mr. 2020 85/100 簽名右下：Mr. 2020 36/100

152

TAKASHI MURAKAMI (Japanese, b. 1962)

Ensō: Memento Mori Red on Blue; Ensō: Zen, The Heavens (a set of 2) 2015; 2016 Offset lithograph with special silver ink on woven paper, ed. 71/300; ed. 40/300 68 x 68 cm (each) Signed lower right Murakami and numbered 71/300 Signed lower right Murakami and numbered 40/300

NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,700 RMB 19,000 - 38,000

196

村上隆圓相：勿忘死亡．藍中之紅；圓相：禪、天界（兩件一組） 2015；2016 彩色平版膠印版畫（特殊銀墨）編織紙版次 71/300; 40/300 68 x 68 cm (每件) 簽名版次右下：Murakami 71/300 簽名版次右下：Murakami 40/300

153

MIWA KOMATSU

小松美羽

(Japanese, b. 1984)

慶祝成長之時

Celebrating the Time of Growth

2021

2021 Screenprint, ed. 31/50 45.5 x 36.3 cm Signed lower right Ko Miwa , numbered lower left 31/50

45.5 x 36.3 cm

PROVENANCE

Whitestone Gallery, Tokyo Acquired from the above by the present owner This lot is accompanied by a certificate of sale issued by Whitestone Gallery, Tokyo.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000

絲網版畫版次 31/50 簽名右下：Ko Miwa 版次左下：31/50 來源

白石畫廊，東京現有藏家購自上述來源附東京白石畫廊開立之販賣證明書

154

MIWA KOMATSU

小松美羽

(Japanese, b. 1984)

為宇宙與地球的和諧祈禱

Praying for the Harmony between the Universe and the Earth

2021 絲網版畫版次 21/50

2021 Screenprint, ed. 21/50 53.2 x 73 cm Signed lower right Ko Miwa , numbered lower left 21/50

簽名右下：Ko Miwa

This lot is accompanied by a certificate of sale issued by Whitestone Gallery, Hong Kong.

NT$ 80,000 - 160,000 HK$ 20,000 - 40,000 US$ 2,500 - 5,000 RMB 17,000 - 34,000 198

53.2 x 73 cm 版次左下：21/50 附香港白石畫廊開立之販賣證明書

155

MIWA KOMATSU

小松美羽

(Japanese, b. 1984)

干支神獸：寅

Zodiac Divine: Spirit Year of the Tiger

2018

2018 Screenprint, ed. 1/50 53 x 53 cm Signed lower right Ko Miwa , numbered lower left 1/50

53 x 53 cm

PROVENANCE

Whitestone Gallery, Tokyo

NT$ 80,000 - 160,000 HK$ 20,000 - 40,000 US$ 2,500 - 5,000 RMB 17,000 - 34,000

絲網版畫版次 1/50 簽名右下：Ko Miwa 版次左下：1/50 來源

白石畫廊，東京

156

MIWA KOMATSU

小松美羽

(Japanese, b. 1984)

干支神獸羊年

Zodiac Divine: Spirit Year of Sheep

2018

2018 Screenprint with glitter on paper, ed. 40/50 52.8 x 52.8 cm (image); 63 x 62 cm (sheet) Signed lower right Ko Miwa Numbered lower left 40/50

52.8 x 52.8 cm (圖)；63 x 62 cm (紙)

PROVENANCE

Whitestone Gallery, Hong Kong Acquired from the above by the present owner

NT$ 80,000 - 160,000 HK$ 20,000 - 40,000 US$ 2,500 - 5,000 RMB 17,000 - 34,000 200

絲網印刷閃粉紙本版次 40/50 簽名右下：Ko Miwa 版次左下：40/50 來源

白石畫廊，香港現藏者購自上述來源

157

AYAKO ROKKAKU

六角彩子

(Japanese, b. 1982)

無題

Untitled

2021

2021 Silkscreen in 93 colors printed on Corona Magnani paper, ed. 122/200 73 x 103 cm Signed lower right Ayako Rokkaku in Japanese and dated 2021 Numbered lower left 122/200

73 x 103 cm

NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 27,000 - 46,000

93色絲網印刷版次 122/200 簽名年代右下：ロッカクアヤコ 2021 版次左下：122/200

158

LIU YE

劉野

(Chinese, b. 1964)

鄧麗君

Deng Lijun

2009

2009 Silkscreen on paper, ed. 5/50 52 x 38.8 cm Signed lower right Liu Ye in Chinese and dated 09 Titled lower center Deng Lijun in Simplified Chinese Numbered lower left 5/50

52 x 38.8 cm

PROVENANCE

Christie’s, Hong Kong, May 26, 2013, lot 428 Private collection, Hong Kong Acquired from the above by the present owner

NT$ 190,000 - 280,000 HK$ 47,000 - 69,000 US$ 6,000 - 8,800 RMB 40,000 - 59,000 202

絲網版畫版次 5/50 簽名右下：劉野 09 題識中下：鄧麗君版次左下：5/50 來源

佳士得，香港，2013年5月26日，編號428 私人收藏，香港現有收藏者得自上述來源

159

ZAO WOU-KI

趙無極

(Chinese-French, 1920-2013)

四季—春夏秋冬

Four Seasons (a set of 4)

2000

2000 Lithograph, ed. 127/150; ed. 127/150; ed. 41/150; ed. 136/150 75 x 63 cm (image); 93 x 77.3 cm (sheet) (each) Signed lower right Wou-Ki in Chinese and Zao (each) Numbered lower left 127/150; 127/150; 41/150 ; and 136/150 (respectively)

136/150

PROVENANCE

Acquired from Hoke Art, Taipei

NT$ 260,000 - 360,000 HK$ 64,000 - 89,000 US$ 8,200 - 11,400 RMB 55,000 - 76,000

石版畫版次 127/150；127/150；41/150； 75 x 63 cm (圖)；93 x 77.3 cm (紙) (每件) 簽名右下：無極 Zao (每件) 版次左下：127/150；127/150；41/150； 136/150 (依序) 來源

霍克藝術，台北

160

ZAO WOU-KI

趙無極

(Chinese-French, 1920-2013)

詩畫之禮讚

À la gloire de l’image et art poétique

1976

1976 Lithograph on Arches paper, ed. 21/99 40.5 x 67.5 cm (image); 50 x 75.5 cm (sheet) Signed lower right Wou-ki in Chinese, Zao and dated 76 Numbered lower left 21/99

40.5 x 67.5 cm (圖)；50 x 75.5 cm (紙)

ILLUSTRATED

Jørgen Ågerup, Zao Wou-Ki The Graphic Work: A Catalogue Raisonné 1937-1995 , Edition Heeds Moestrup, Copenhagen, 1994, no. 274, p. 153 This lot is accompanied by a certificate of authenticity issued by Julia Gallery, Taipei.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000 204

石版畫版次 21/99 簽名右下：無極 ZAO 76 版次左下：21/99 圖錄

喬詹．阿格魯普，《趙無極版畫集19371995》，黑德與莫斯特魯普出版社，哥本哈根， 1994，編號 274，頁153 附雅逸藝術中心開立之作品保證書

161

ZAO WOU-KI

趙無極

(Chinese-French, 1920-2013)

無題

Untitled

1986

1986 Lithograph in colors on Guarro paper, ed. 69/100 32 x 43.5 cm (image); 38 x 56 cm (sheet) Signed lower right Wou-Ki in Chinese, Zao and dated 86 Numbered lower left 69/100

32 x 43.5 cm (圖)；38 x 56 cm (紙)

PROVENANCE

Christie’s New York, February 7, 2008, lot 296 Private collection, Hong Kong ILLUSTRATED

Jørgen Ågerup, Zao Wou-Ki The Graphic Work: A Catalogue Raisonné 1937-1995, Edition Heeds Moestrup, 1994, Copenhagen, no. 330, p. 183

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000

彩色石版畫版次 69/100 簽名右下：無極 ZAO 86 編號左下：69/100 來源

佳士得，紐約，2008年2月7日，編號296 私人收藏，香港圖錄

喬詹．阿格魯普，《趙無極版畫集1937-1995》，黑德與莫斯特魯普出版社，哥本哈根，1994，編號 330，頁183

162

ZAO WOU-KI

趙無極

(Chinese-French, 1920-2013)

無題

Sans titre

1998

1998 Lithograph, EA 20/25 45.5 x 64.7 cm (image); 56 x 75.7 cm (sheet) Signed lower right Wou-ki in Chinese, Zao and dated 98 Numbered lower left E.A. 20/25

45.5 x 64.7 cm (圖)；56 x 75.7 cm (紙)

PROVENANCE

Hoke Art, Taipei This lot is accompanied by a certificate of authenticity issued by Hoke Art, Taipei.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000 206

石版畫 EA 20/25 簽名右下：無極 ZAO 98 版次左下：E.A. 20/25 來源

霍克藝術，台北附霍克國際藝術珍藏公司開立之作品保證書

163

ZAO WOU-KI

趙無極

(Chinese-French, 1920 - 2013)

迷濛山岳

Montagnes embrumées

2006

2006 Serigraph, ed. 93/99 27 x 21.5 cm Signed lower right Wou-Ki in Chinese and Zao Numbered lower left 93/99

27 x 21.5 cm

ILLUSTRATED

Zao Wou-ki – Carnets de voyages 1948-1952, Albin Michel Editions, Paris, 2006, color illustrated, p. 95

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

絲網版畫版次 93/99 簽名右下：無極 ZAO 版次左下：93/99 圖錄

《趙無極 — 旅行日記1948-1952》，阿爾班• 米歇出版社，巴黎，2006，彩色圖版，頁95

164

ZAO WOU-KI

趙無極

(Chinese-French, 1920-2013)

無題（羅瓦雷）

Sans titre, Loiret

2007

2007 Pigment print on paper, ed. 212/250 21 x 32 cm Plate-signed lower right Wou-Ki in Chinese and Zao in French Numbered reverse Exemplaire n° 212/250

21 x 32 cm

PROVENANCE

Pont des Arts Limited, France Private collection, Hong Kong

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 208

藝術微噴版次 212/250 版上簽名右下：無極 ZAO 版次畫背：Exemplaire nº 212/250 來源

藝術橋有限公司，法國私人收藏，香港

165

CHU TEH-CHUN

朱德群

(Chinese-French, 1920-2014)

璀璨

Étincelante Élégance

2008

2008 Lithograph in colors, ed. 13/100 49.5 x 65 cm (image); 57 x 72 cm (sheet) Signed lower right CHU TEH-CHUN in Chinese and English; numbered lower left 13/100

49.5 x 65 cm (圖)；57 x 72 cm (紙)

ILLUSTRATED

Chu Teh-Chun: The Graphic Work 2000-2008, Hoke Art, Taipei, 2008, color illustrated This lot is accompanied by a certificate of authenticity issued by Hoke Art, Taipei.

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

石版畫版次 13/100 簽名右下：朱德群 CHU TEH-CHUN 版次左下：13/100 圖錄

《朱德群石版畫》，霍克國際藝術股份有限公司，台北，2008年，彩色圖版附霍克國際藝術珍藏公司開立之作品保證書

166

CHU TEH-CHUN

朱德群

(Chinese-French, 1920-2014)

金秋

Golden Autumn

2006

2006 Lithograph in colors, ed. 136/150 94 x 70 cm (image); 118 x 76.5 cm (sheet) Signed lower right CHU TEH-CHUN in Chinese and English; numbered lower left 136/150

94 x 70 cm (圖)；118 x 76.5 cm (紙)

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

210

石版畫版次 136/150 簽名右下：朱德群 CHU TEH-CHUN 版次左下：136/150

167

CHU TEH-CHUN

朱德群

(Chinese-French, 1920-2014)

凱旋歸

Triumph

2001

2001 Lithograph in colors, ed. 17/150 75 x 60 cm Signed lower right CHU TEH-CHUN in Chinese and English; numbered lower left 17/150

75 x 60 cm

ILLUSTRATED

Chu Teh-chun: The Graphic Work 2000-2002, Hoke Art, Taipei, 2003, color illustrated, pp. 46-47 This lot is accompanied by a certificate of authenticity issued by Hoke Art, Taipei.

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000

石版畫版次 17/150 簽名右下：朱德群 CHU TEH-CHUN 版次左下：17/150 圖錄

《龍在西方迤邐東還：朱德群石版畫》，霍克國際藝術股份有限公司，台北，2003，彩色圖版，頁46-47 附霍克國際藝術珍藏公司開立之作品保證書

168

CHU TEH-CHUN

朱德群

(Chinese-French, 1920-2014)

瑞雪

Auspicious Snow

2001

2001 Lithograph printed in 16 colors on Rives paper, ed. 113/150 70 x 98 cm (image) 78 x 118 cm (sheet) Signed lower right CHU TEH-CHUN in Chinese and English; numbered lower left 113/150

70 x 98 cm (圖)

PROVENANCE

Private collection, Taipei ILLUSTRATED

Chu Teh-chun: The Graphic Work 2000-2002, Hoke Art, Taipei, 2003, color illustrated, pp. 38-39

NT$ 80,000 - 160,000 HK$ 20,000 - 40,000 US$ 2,500 - 5,000 RMB 17,000 - 34,000 212

石版畫版次 113/150 78 x 118 cm (紙) 簽名右下：朱德群 CHU TEH-CHUN 版次左下：113/150 來源

私人收藏，台北圖錄

《龍在西方迤邐東還：朱德群石版畫》，霍克國際藝術股份有限公司，台北，2003，彩色圖版，頁38-39

169

KATSURA FUNAKOSHI (Japanese, 1951-2024)

Far From the Building 1993 Lithograph, ed. A.P. 3/10 93 x 75 cm Signed lower right Katsura Funakoshi and numbered lower left A.P. 3/10

NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 8,000 - 17,000 舟越桂遠離建築 1993 石版畫版次 A.P. 3/10 93 x 75 cm 簽名右下：Katsura Funakoshi 版次左下：A.P. 3/10

170

KATSURA FUNAKOSHI (Japanese, 1951-2024)

A Room the Night Comes 2001 Woodcut print, ed. 1/30 42 x 30 cm (image) 49 x 37 cm (sheet) Signed lower right Katsura Funakoshi and dated 01, numbered lower left 1/30

NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 6,000 - 13,000 舟越桂夜色降臨的房間 2001 木版畫版次 1/30 42 x 30 cm (圖) 49 x 37 cm (紙) 簽名右下：Katsura Funakoshi 01 版次左下：1/30

171

AI HAIBARA (Japanese, b. 1981)

Come and Go 2010 Camphor wood, acrylic paint 30(L) x 30(W) x 66(H) cm Engraved on the underside of the base Ai Haibara and dated 2010 EXHIBITED

Drawing and Carving Human Spirit, Contemporary Japanese Art Five-Person Exhibition: Katsura Funakoshi, Toshimatsu Kuremoto, Tadafumi Kobachi, Shimazaki Tatsuya, and Ai Haibara, iart Gallery, Hsinchu, July 14–September 15, 2018 This lot is accompanied by a certificate of authenticity issued by Imavision Gallery, Taipei and signed by the artist.

NT$ 220,000 - 340,000 HK$ 54,000 - 84,000 US$ 6,900 - 10,700 RMB 46,000 - 72,000 灰原愛來來去去 2010 樟木壓克力彩 30(長) x 30(寬) x 66(高) cm 簽名雕刻台座底部：Ai Haibara 2010 展覽

「靈魂的雕繪者—日本當代藝術五聯展：舟越桂、吳本俊松、小鉢公史、嶋崎達哉、灰原愛」，愛上藝廊，新竹，展期2018年7月14日至9月15日附晴山藝術中心開立與藝術家簽名之作品保證書

214

172

AKIHIKO YOSHIDA (NIKICHI) (Japanese, b. 1954)

Beloved Basswood 26(L) x 20(W) x 46(H) cm Engraved on the underside of the base Niki in kanji

NT$ 240,000 - 340,000 HK$ 59,000 - 84,000 US$ 7,600 - 10,700 RMB 51,000 - 72,000 吉田昭彥（仁吉）珍愛之物椴木 26(長) x 20(寬) x 46(高) cm 簽名雕刻台座底部：仁

173

YUYU YANG (YANG YING-FENG)

楊英風

(Taiwanese, 1926-1997)

喜悅與期盼

Joy and Expectations

1987-1993

1987-1993 Stainless steel, ed. 11/20 45(L) x 45(W) x 17(H) cm

45(長) x 45(寬) x 17(高) cm

This lot is accompanied by a certificate of authenticity issued by Yuyu Yang Foundation and signed by the artist.

NT$ 130,000 - 260,000 HK$ 32,000 - 64,000 US$ 4,100 - 8,200 RMB 27,000 - 55,000

216

不鏽鋼；版次 11/20 附財團法人楊英風美術教育基金會開立與藝術家簽名之作品保證書

174

YUYU YANG (YANG YING-FENG)

楊英風

(Taiwanese, 1926–1997)

天地星緣

Cosmic Encounter

1987

1987 Stainless steel, ed. 8/10 120(L) x 72(W) x 77(H) cm Engraved on the base Yuyu Yang in English and Chinese, Yang Y.F. in English, dated 87 and numbered 8/10

120(長) x 72(寬) x 77(高) cm

PROVENANCE

Zhong Cheng Auctions, Taipei, December 16, 2012, lot 096 Acquired from the above by the present owner ILLUSTRATED

Landscape．Contentment．Yang Ying-feng , Hsiung Shih Art Books Co., Ltd., Taipei, 2004, pp. 126-127, color illustrated (another cast) Yuyu Yang Corpus, Vol. 1, Artist Publishing Co., Taipei, 2005, pp. 303–304, color illustrated (another cast) This lot is accompanied by a certificate of authenticity issued by Yuyu Yang Foundation, Taipei.

NT$ 190,000 - 280,000 HK$ 47,000 - 69,000 US$ 6,000 - 8,800 RMB 40,000 - 59,000

不鏽鋼版次 8/10 簽名雕刻底座：87 呦呦楊英風 Yu Yu YANG Yang Y.F. 8/10 來源

中誠拍賣，台北，2012年12月16日，編號096 現有藏家購自上述來源圖錄

《景觀．自在．楊英風》，雄獅圖書股份有限公司，台北，2004，彩色圖版，頁126-127（另一版次）《楊英風全集第一卷》，藝術家出版社，台北， 2005，彩色圖版，頁303-304（另一版次）附財團法人楊英風藝術教育基金會開立之作品保證書

175

JU MING

朱銘

(Taiwanese, 1938-2023)

人間系列—生生不息

Living World Series – Endless

2007

2007 Nickel-copper, ed. 157/200 31(L) x 17(W) x 52(H) cm Engraved on right back Ju Ming , dated 2007 , inscribed Audi A6 Masterpiece , and numbered 157/200

31(長) x 17(寬) x 52(高) cm

NT$ 260,000 - 420,000 HK$ 64,000 - 104,000 US$ 8,200 - 13,200 RMB 55,000 - 88,000

218

銅鍍鎳版次 157/200 簽名雕刻右後：朱銘 2007 Audi A6 Masterpiece 157/200

176

A-LEI (Taiwanese, b. 1976)

Magesian 2021 Brass and paint, ed. 23/100 34(L) x 18(W) × 52(H) cm Signed on the bottom of the figure Lei, dated 2021 and numbered 23/100 Engraved on the underside of the horse Lei, dated 2021 and numbered 23/100

NT$ 200,000 - 300,000 HK$ 49,000 - 74,000 US$ 6,300 - 9,500 RMB 42,000 - 63,000 阿咧馬蓋仙 2021 黃銅烤漆版次 23/100 34(長) x 18(寬) x 52(高) cm 簽名雕刻馬腹：Lei 2021 23/100 簽名人物底部：Lei 2021 23/100

177

HSU YUNGHSU (Taiwanese, b. 1955)

2018-19 2018 Porcelain, unique piece 75(L) x 23.5(W) x 112(H) cm EXHIBITED

Unfettered Encompassment-Hsu Yunghsu Solo Exhibition , Double Square Gallery, Taipei, November 2–December 8, 2018 ILLUSTRATED

Unfettered Encompassment, Double Square Gallery Co. Ltd., Taipei, 2019, color illustrated, p. 99 This lot is accompanied by a certificate of authenticity issued by Double Square Gallery, Taipei and signed by the artist.

NT$ 360,000 - 550,000 HK$ 89,000 - 136,000 US$ 11,400 - 17,400 RMB 76,000 - 116,000 徐永旭 2018-19 2018 瓷土單一件 75(長) x 23.5(寬) x 112(高) cm 展覽

「大器逍遙－徐永旭個展」，双方藝廊，台北， 2018年11月2日至12月8日圖錄

《大器逍遙》，双方藝廊股份有限公司，台北， 2019，彩色圖版，頁99 附双方藝廊開立與藝術家簽名之作品保證書

220

178

HSU YUNGHSU (Taiwanese, b. 1955)

2019-a17 2019 Porcelain, unique piece 26(L) x 23.5(W) x 42(H) cm ILLUSTRATED

A World Made Light: Hsu Yunghsu , Kaohsiung Museum of Fine Arts, Kaohsiung, 2020, color illustrated This lot is accompanied by a certificate of authenticity issued by Double Square Gallery, Taipei and signed by the artist.

NT$ 180,000 - 280,000 HK$ 44,000 - 69,000 US$ 5,700 - 8,800 RMB 38,000 - 59,000 徐永旭 2019-a17 2019 瓷土單一件 26(長) x 23.5(寬) x 42(高) cm 圖錄

《以光織界─徐永旭的藝術世界》，高雄市立美術館，高雄，2020，彩色圖版附双方藝廊開立與藝術家簽名之作品保證書

179

LIN LIANG-TSAI (Taiwanese, b. 1947)

Reaching to Heaven 2007 Iron, unique piece 32(L) x 24(W) x 89(H) cm This lot is accompanied by a certificate of authenticity issued by Galerie Elegance, Taipei and a photo signed by the artist.

NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,500 - 6,900 RMB 23,000 - 46,000 林良材巨擎 2007 鐵雕單一件 32(長) x 24(寬) x 89(高) cm 附愛力根畫廊開立之作品保證書與藝術家簽名照片

222

180

REN ZHE (Chinese, b. 1983)

Vigorous Ambition 2008 Bronze, ed. 7/12 43(L) x 59(W) x 68(H) cm Engraved Ren Zhe in Chinese and English, numbered 7/12 PROVENANCE

Kingsley’s Art Auction, Taipei, December 17, 2011, lot 0206 ILLUSTRATED

Ren Zhe: Warrior & Civilian 2005-2008, Rongbaozhai Publishing House, Beijing, 2009, pp. 30-31 This lot is accompanied by a certificate of authenticity issued by PING Art Space, Taipei.

NT$ 150,000 - 240,000 HK$ 37,000 - 59,000 US$ 4,700 - 7,600 RMB 32,000 - 51,000 任哲鬥志昂揚 2008 銅雕版次 7/12 43(長) x 59(寬) x 68(高) cm 簽名：任哲 Ren Zhe 7/12 來源

金仕發拍賣，台北，2011年12月17日，編號0206 圖錄

《任哲作品集－ Warrior & Civilian 20052008》，榮寶齋出版社，2009年，頁30-31 附平藝術空間開立之作品保證書

181

HUNG YI (Taiwanese, b. 1970)

Red Papercutting Bird 2010 Baked enamel on steel plate 68(L) x 39(W) x 156(H) cm Signed on the base Hung Yi in Chinese, dated 2010

NT$ 130,000 - 240,000 HK$ 32,000 - 59,000 US$ 4,100 - 7,600 RMB 27,000 - 51,000 洪易紅色剪紙鳥 2010 鋼板烤漆 68(長) x 39(寬) x 156(高) cm 簽名底座：洪易 2010

224

182

SACHIKO MIKI (Japanese, b. 1974)

Crown Neck - Mint 2021; painted FRP 25(L) x 25(W) x 73(H) cm Signed left foot sole S.Miki and dated 2021 PROVENANCE

Gallery Tsubaki, Tokyo EXHIBITED

BIWAKO BIENNALE 2022: Origin, Omihachiman and Hikone, Shiga Prefecture, Japan, October 8–November 27, 2022 This lot is accompanied by a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000 三木幸子（三木サチコ）皇冠－薄荷綠 2021；FRP 彩繪 25(長) x 25(寬) x 73(高) cm 簽名左足底：2021 S.Miki

183

來源

TAKERU AMANO

椿畫廊，東京展覽

「琵琶湖雙年展2022：起源」，日本滋賀縣近江八幡市及彥根市，展期2022年10月8日至11月27日附東京椿畫廊開立之作品保證書

(Japanese, b. 1977)

Venus and Fawn 2022 Resin and fabric, ed. 54/88 53.8(L) x 44.2(W) x 50(H) cm This lot is accompanied by a certificate of authenticity issued by APPortfolio, Hong Kong and its original wooden case.

NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 6,000 - 13,000 天野タケル維納斯和小鹿 2022 玻璃纖維植絨版次 54/88 53.8(長) x 44.2(寬) x 50(高) cm 附APPortfolio開立之原作保證書及原裝木箱

184

CHEN WEI-TING (Taiwanese, b. 1991)

Keep It Balance 2021 Polyresin, hand painted, LED light and mixed media, ed. 79/80 26(L) x 17(W) x 41.5(H) cm This lot is accompanied by a certificate of authenticity signed by the artist.

NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 6,000 - 13,000 陳威廷保持平衡 2021 樹脂、手繪、LED燈、複合媒材；版次 79/80 26(長) x 17(寬) x 41.5(高) cm

185

附藝術家簽名之作品保證卡

MR DOODLE (British, b. 1994)

The Doodler 2019 Resin, ed. 216/250 17(L) x 17(W) x 34(H) cm Printed signature and dated on the sole of the left shoe: MR DOODLE! 2019 This lot is accompanied by a certificate of authenticity signed by the artist and its original product box.

NT$ 60,000 - 120,000 HK$ 15,000 - 30,000 US$ 1,900 - 3,800 RMB 13,000 - 25,000 塗鴉先生塗鴉先生 2019 樹脂版次 216/250 17(長) x 17(寬) x 34(高) cm 印刷簽名左鞋底：MR DOODLE! 2019 附藝術家簽名保證卡與作品原產紙盒包裝 226

186

MOE NAKAMURA (Japanese, b. 1988)

Into a Dream 2021 Polystone, ed. 140/160 21(L) x 18(W) x 23(H) cm Printed signature Moe on the bottom This lot is accompanied by a certificate of authenticity and its original box.

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 中村萌進入夢中 2021 寶麗石粉樹脂版次140/160 21(長) x 18(寬) x 23(高) cm 簽名印刷底部：Moe 附藝術家簽名作品保證卡與作品原產紙盒包裝

187

YOSHITOSHI KANEMAKI (Japanese, b. 1972)

Caprice Figurative 01 (a set of 2) 2020 Resin, ed. 114/120 (each) 18(L) x 16.5(W) x 33(H) cm (each) This lot is accompanied by two certificates of authenticity signed by the artist and two original boxes.

NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 6,000 - 13,000 金卷芳俊人物隨想 01（兩件一組） 2020 樹脂版次114/120 (每件) 18(長) x 16.5(寬) x 33(高) cm (每件) 附藝術家簽名作品保證卡及原裝紙盒

188

JU MING

朱銘

(Taiwanese, 1938-2023)

太極系列—單鞭下勢

Taichi Series - Single Whip

2009構思；2025發行

Conceived in 2009; issued in 2025 Unsaturated polyester resin, eco-friendly water-based mineral paint, ed. 073/300 15.6(D) x 30(W) x 22(H) cm Stamped and numbered on the underside: JUMING MUSEUM, Limited Edition No. 073/300

073/300

This lot is accompanied by a certificate of limited reproduction issued by Juming Museum, New Taipei.

NT$ 150,000 - 260,000 HK$ 37,000 - 64,000 US$ 4,700 - 8,200 RMB 32,000 - 55,000 228

不飽和聚酯樹脂水性環保礦物顏料版次 15.6(厚) x 30(寬) x 22(高) cm 雕刻鈐印及編號底部：朱銘美術館 JUMING MUSEUM Limited Edition No. 073/300 附朱銘美術館限量複製品證明書

189

JU MING

朱銘

(Taiwanese, 1938-2023)

太極系列

Taichi Series

1991構思；2021發行

Conceived in 1991; issued in 2021 Unsaturated polyester resin, calcium carbonate and oil color paste, ed. 87/300 L: 20(L) x 22.4(W) x 20.8(H) cm R: 17.6(L) x 15.2(W) x 20.8(H) cm Stamped and numbered on the underside: JUMING MUSEUM , Limited Edition No. 087/300

左：20(長) x 22.4(寬) x 20.8(高) cm

This lot is accompanied by a certificate of limited reproduction issued by Juming Museum, New Taipei.

NT$ 140,000 - 240,000 HK$ 35,000 - 59,000 US$ 4,400 - 7,600 RMB 29,000 - 51,000

不飽和聚酯樹脂碳酸鈣油性色母版次 87/300 右：17.6(長) x 15.2(寬) x 20.8(高) cm 雕刻鈐印及編號底部：朱銘美術館 JUMING MUSEUM Limited Edition No. 087/300 附朱銘美術館限量複製品保證書

190

JU MING (Taiwanese, 1938-2023)

Living World Series - Lining Up Conceived in 2002; issued in 2016 Pewter, multiple 72(L) x 18.5(W) x 19.4(H) cm This lot is accompanied by a certificate of limited reproduction issued by Juming Museum, New Taipei.

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 朱銘人間系列—排隊 2002構思；2016發行

191

鉛錫合金複製品

JU MING

72(長) x 18.5(寬) x 19.4(高) cm

(Taiwanese, 1938-2023)

附朱銘美術館限量複製品證明書

Side Kick Conceived in 1991; issued in 2020 Unsaturated polyester resin, calcium carbonate, oil color paste, ed. 154/300 24(L) x 20(W) x 25(H) cm Stamped and numbered on the underside: JUMING MUSEUM, Limited Edition No. 154/300 This lot is accompanied by a certificate of limited reproduction issued by Juming Museum, New Taipei.

NT$ 50,000 - 100,000 HK$ 12,000 - 25,000 US$ 1,600 - 3,200 RMB 11,000 - 21,000 朱銘側踢 1991構思；2020發行不飽和聚酯樹脂碳酸鈣油性色母版次 154/300 24(長) x 20(寬) x 25(高) cm 鈐印及編號底部：朱銘美術館 JUMING MUSEUM Limited Edition No. 154/300 附朱銘美術館限量複製品證明書 230

給予買家的重要通知本拍賣會依據「羅芙奧股份有限公司業務規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.

有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納競投保證金。

競投保證金 : 新台幣陸拾萬元或貳萬美金。

競投保證金需於 2026 年 12 月 3 日以前完成匯款至本公司指定帳號如下 : 銀行：匯豐（台灣）商業銀行 - 台北分行銀行代碼：0810016 戶名：羅芙奧股份有限公司帳號：001-234830-031（新台幣）或 001-234830-061（美金）地址：台北市基隆路一段 333 號 14 樓匯款時請指示銀行本公司需實收競投保證金全額，銀行手續費請匯款人負擔。

2026 年 12 月 3 日之後，若欲參與競投領取牌號者需於台北拍賣預展期間 (2026 年 12 月 4 日至 12 月 6 日 ) 以新台幣現鈔支付 ( 恕不接受除現金之外之其他繳納方式 )，收款將於 12 月 6 日中午 12 點截止。

電話

書面

網路競投：競投者如不能出席拍賣會，可透過電話

書面

網路方式進行競投。登記申請手續以及競投保證金

之繳納亦需在 2026 年 12 月 3 日以前完成匯款至本公司指定帳號。 6.

如於 2026 年 12 月 3 日以前完成競投保證金匯款，請提供我方可證明已匯款的證明文件。確認收到競投保證金匯款後，我們將與競投者聯繫並與之確認其競標牌號。

拍賣當天已繳納競投保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以確認身份。

競投保證金退還方式： (1) 有成交： (a) 競投保證金以「匯款」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 (b) 競投保證金以「現金」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額需退還，本公司將於拍賣當日以現金退還給買家。 (c) 若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之款項（包含落槌價、服務費及其他費用）予本公司，買家不得請求返還競投保證金。 (2) 未成交：若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。競投保證金以「匯款」方式完成者，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。競投保證金以「現金」方式完成者，本公司將於拍賣當日以現金退還給買家。

若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價、服務費及其他費用 ) 金額超過競投保證金金額時，買方得以下列方式結清帳款： (1) 現鈔：上限新台幣伍拾萬元。 (2) 信用卡與銀聯卡：刷卡上限為新台幣壹佰萬元。信用卡與銀聯卡持有人必需是買家本人，本公司不接受他人之信用卡。

10. 羅芙奧股份有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含競投保證金）保留全部的決定權。

IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1.

Interested parties must complete the registration procedures with valid personal identiﬁcations (i.e. Identiﬁcation card, Passport, etc.). The completion of a registration form and the payment of a bidding deposit are required.

Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.

The bidding deposit must be transferred to Ravenel's specified Bank account prior to 3 December 2026, details as follow: Beneficiary's Bank: HSBC BANK (Taiwan) Limited. SWIFT Code: HSBCTWTP Beneficiary's Name: Ravenel Ltd. Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$) Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.

After the 3 December 2026, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 4-6 December 2026). Acceptance will cease on 6 December by 12 noon (No other forms of payment will be accepted).

Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's speciﬁed Bank account before the 3 December 2026.

If the bidding deposit has been transferred prior to 3 December 2026, suitable proof or documentation is required. Once this information is veriﬁed, the payer will be contacted for details of his/her/its paddle number.

If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.

Return of the Security Deposit: (1) Completed Transaction: (a) For successful bidders with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. (b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit. (2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.

Successful bidder must settle the payment (hammer price, buyer's premium, and other expenses) prior to receiving the lot(s) on site. If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment must not exceed NT$ 500,000. (2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.

10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies. 232

委託競投表格委託競投表格須於拍賣24小時前送抵藝術部。競投表格可傳真至:

拍賣名稱：羅芙奧台北 2026 秋季拍賣會現代與當代藝術

藝術部電話：+886-2-2708 9868 ｜傳真：+886-2-2701 3306

拍賣編號：TA2602

投標者資料客戶編號

拍賣日期：2026 年 12 月 6 日 ( 星期日 ) 下午 1:30

姓名

拍賣地點：台北萬豪酒店三樓（博覽廳）台北市中山區樂群二路 199 號

護照號碼/身分證字號/統一編號電話號碼（住宅）

（手機）

拍賣期間之聯絡電話 (僅限電話競投) 電郵

傳真號碼

地址拍賣品編號

名

稱

競投價 (新台幣) / (服務費不計在內)

※投標規則： 1. 茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。 2. 本人知悉書面及電話競標乃羅芙奧為基於投標者之便利而提供代為投標之服務而不成立任何委託投標之契約，羅芙奧不因執行投標而負任何責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以最先收到者優先辦理。 3. 本人同意如投標成功，本人應付之購買價款為最後落槌價加上服務費，服務費依業務規則第二條第4項之規定計算。(4a.買家支付每件拍品之服務費率：（1）買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下者含參仟貳佰萬元以20％計算；（2）落槌價於新台幣參仟貳佰萬元以上者分為二級，其中新台幣參仟貳佰萬元以20％計算，超過新台幣參仟貳佰萬元之部份以12％計算。) 4. 本競投，本人同意並遵守本目錄所載所有業務規則。(包含但不限於羅芙奧不負瑕疵擔保責任及保證責任等規定) 5. 如投標者未曾於羅芙奧競投拍賣品，請附上投標者資料之副本及銀行證明資料。 6. 本人同意買家須知、投標者登記表格、委任競投表格及業務規則等附屬文件均視為本契約之一部分。 7. 羅芙奧基於上述原因而需蒐集、處理或非營利目的之利用投標者個人資料，該資料將在前開蒐集目的之存續期間及依法令規定要求之期間內被處理或利用。

簽署：

日期：

羅芙奧在取得投標者之個人 / 公司資料及簽名後方才接受競標簽名即代表確認以上登記 / 競投，詳閱並同意接受羅芙奧載於圖錄及網站內之業務規則

Ravenel Ltd. 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel: +886 2 2708 9868 | Fax: +886-2-2701 3306 ravenel.com | ravenelart.com.cn

ABSENTEE BID FORM The absentee bid forms must be delivered to the Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: Art Department Tel: +886 2 2708 9868 ｜Fax: +886 2 2701 3306

Bidder's Details Customer Number

Name

Passport number/ID number/Uniﬁed Business number Tel (Home)

Auction Date Sale No. Location Address

AUTUMN AUCTION 2026 TAIPEI Modern & Contemporary Art Sunday, December 6, 2026, 1:30pm TA2602 Marriott Taipei 3F (Grand Space) No. 199 Lequn 2nd Road, Zhong Shan District, Taipei

(Mobile)

Tel (For Phone Bid) Email

Fax

Address Auction Lot Number

Title

Bid Price (NT$) (Not including Buyer's premium)

※Bidding rules： 1. It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder. 2. I understand and agree that Ravenel provides such bid services for the convenience of customers and no contract or agreement shall be constituted. Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received. 3. I understand and agree that if my bid is successful, I shall pay the final hammer price together with the buyer's premium. For detail please refer to Article 2,section 4 of the Transaction Agreement to the buyer. (4a. The service fee of each lot payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the buyer's premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the buyer's premium should be calculated at 20% of the hammer price; (2) For hammer price higher than NT$ 32,000,000, the first NT$ 32,000,000 should be calculated at 20% and the rest of the amount should be 12%.) 4. The bid shall be subject to the Transaction Agreement prescribed in the catalogue (including but not limited to Ravenel's non-defect warranty and non-guaranteed liability). 5. If the bidder has not bid for the auction item at Ravenel, please attach a copy of the bidder's information. (Individual: ID card or passport with photo issued by the government) 6. I agree that the Notice to Buyers, Bidder Registration, Absentee Bid Form and Transaction Agreement and other attached documents are regarded as part of this agreement. 7. Ravenel will collect, process and use the personal data provided by the client for auction-related matters and other non-profit purposes.

Signature：

Date：

We accept the bid only after obtaining the personal/company information and signature to execute this bid. By signing this form, you conﬁrm your registration/bid(s) as above and you agree that you have read and understood our Transaction Agreement as stated in our catalogues and on our website. 234

Ravenel Ltd. 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel: +886 2 2708 9868 | Fax: +886-2-2701 3306 ravenel.com | ravenelart.com.cn

業務規則下述規則，為羅芙奧股份有限公司(下稱「本公司」)與賣家訂立合約，亦作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5 項，其對本公司之法律責任作了限定。一、本業務規則所用詞彙之定義在下列規定中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1. 「買家」：指本公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣之自然人或法人。 4. 「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以任何編號描述之一項或多項物品。 5. 「落槌價」：指本公司就某一拍賣品而接受之最高出價之價款。 6. 「買家服務費」：指買家按落槌價之某一百分比而支付本公司之費用；收費率如第二條第4a項所列。 7. 「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之價格售出。 8. 「贗品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義，任何拍賣品均不會因為有任何損壞及或任何形式之修整（包括重新上漆）而成為贗品。 9. 「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險之價值（不論保險是否由本公司安排購買）。 10. 「賣家服務費」：指賣家應支付本公司之費用。二、買家 1. 本公司作為賣家代理人本公司作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2. 拍賣前 a. 鑑定物品本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之物品。本公司就任何拍賣品及相關證明文件之真偽，均不對買家作任何保證。 b. 拍賣品狀況之重要注意事項請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述，皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疵與不完整。對任何拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議，準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知悉並瞭解所有拍賣品均以「現狀」售出，本公司對於任何拍出之拍賣品狀態不作任何承諾或保證。 c. 符號表示以下為本目錄所載符號之說明ｏ保證項目拍賣品編號旁註有ｏ符號者，表示賣家已取得本公司保證，可在一次或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家服務費。 d. 目錄說明本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、日期、年代、尺寸、材質、歸屬、真實性、出處、保存狀況或估計售價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬意見之陳述，不應依據為確實事實之陳述。目錄圖示亦僅作為指引而已，不應作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。

拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作其他用途之價值陳述。許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有些說明或鑑定意見書會提述拍賣品之損壞及或修整資料。此等資料僅作為指引而已，如未有提述此等資料，亦不表示拍賣品並無缺陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查明並瞭解，並就拍賣品為自己獨立之判斷及評估，並確使自己感到滿意。 3. 拍賣時 a. 估價目錄內及拍賣當日所提供之美金等貨幣估價，僅為參考依據。本拍賣會須以新台幣結算，買家如須以新台幣之外其他貨幣繳付，須依拍賣日現場公佈之匯率，折合所繳付之等值貨幣計算。 b. 拒絕入場拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣場地或參與拍賣。 c. 競投之前作出登記每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身分證明。準買家應注意，本公司通常會要求對買家作出信用核查。 d. 競投保證金競投者，應在領取競投號牌前繳納競投保證金，競投保證金的金額由本公司在拍賣日前公佈。 (1) 若競投者未支付競投保證金，本公司有權不接受其競投。若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。 (2) 若競投者成為買家，則本公司有權將此保證金自動轉化為已成交拍賣品購買款項之一部（包含落槌價、服務費或運費等相關費用），若尚有餘款須退回給買家；若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之成交拍賣品購買款項（包含落槌價、服務費或運費等相關費用）予本公司，買家不得請求返還競投保證金。 e. 競投者為買家競投者將被視為買家而須承擔個人法律責任，除非登記時已經與本公司書面協定，競投者僅為第三人之代理人，且該第三人復為本公司所接受者。 f. 委託競投如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託作出競投，本公司將不負任何法律責任。準買家如希望確保競投成功，應親自出席競投。 g. 電話競投如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無法參加電話競投，本公司對賣家或任何準買家均不負任何責任。 h. 透過網路進行競投若準買家未能出席拍賣會，可透過 Invaluable 或本公司官網「即時競標」（網址：https://bid.ravenel.com/）競投屬意拍賣品，而承擔買家獨立責任。進行網上競投之詳情，請參閱本公司網頁 Ravenel.com，惟準買家及買家透過 Invaluable 網上競投之方式成功拍得屬意拍賣品，除須支付依本業務規則二、買家、4(a)規定所計算之服務費外，並應另行支付落槌價5%之服務費，且應同意本公司得隨時修改該業務規則。 i. 匯率轉換顯示板拍賣會中，本公司會使用匯率轉換顯示板。匯率轉換顯示板僅供參考，不論是顯示板所示之拍賣品編號或是新台幣競投價之相等外匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依賴匯率轉換顯示板（而非因以新台幣競投）所導致而蒙受之任何損失，本公司概不負責。

j. 錄映影像在有些拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是否與成功拍賣之拍賣品相配合，或是翻版影像之質素，本公司對買家均不負任何責任。 k. 拍賣官之決定權拍賣官具有絕對決定權，有權拒絕任何競投、以其決定之方式推動出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併，以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始前或於相關拍賣品競標前對注意事項作出通告，準買家須負責自行注意所有於拍賣會場發表之通告。建議使用即時網上競投服務參與競投的準買家，於拍賣開始前登入，以確保準買家得知拍賣開始前所作出之通告。 l. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受，亦即為賣家與買家合意依落槌價拍定拍賣品，視為成功拍賣合約之訂立。 4. 成功拍賣後 a. 買家支付每件拍賣品之服務費費率 (1) 買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下者含參仟貳佰萬元以落槌價之20％計算。 (2) 落槌價於新台幣參仟貳佰萬元以上者，採分為二階段計費，其中新台幣參仟貳佰萬元以落槌價之20％計算，超過新台幣參仟貳佰萬元之部份再以落槌價之12％，加總計算服務費金額。 b. 稅項買家應付予本公司之款項，如須另行支付貨物、服務稅或其他稅則時（不論由台灣政府或別處所徵收）。買家須負責按有關法律所規定之稅率及時間，自行繳付稅款。 c. 付款成功拍賣後，買家須向本公司提供其真實姓名及永久地址。如經本公司要求，買家亦須提供付款銀行之詳情，包含但不限於付款帳號。買家應於拍賣日期後七天內悉數支付應支付予本公司之款項（包含落槌價、服務費或運費等相關費用）。即使買家希望將拍賣品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。買家如未向本公司支付所欠之全部款項，則不能取得拍賣品之所有權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之款項為新台幣以外之貨幣，須依拍賣日現場公佈之匯率（台灣銀行），並以本公司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣之拍賣項目，直至欠本公司之款項已悉數支付為止。已購拍賣品在暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險，如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領取時起（以較早者為準），已購拍賣品之風險全由買家承擔。 e. 介紹裝運及運輸公司本公司之貨運部門在買家要求下，可為買家介紹運輸公司、安排付運及購買特定保險，但本公司在此方面不負任何法律責任。買家必須預先繳付運輸費用。 f. 不付款或未有領取已購拍賣品之補救辦法如買家並未在成功拍賣日後起算七天內付款，本公司即有權行使下述一項或多項權利或補救辦法： (1) 在成功拍賣日後起算超過七天仍未付款，則按不超過台灣銀行基本放款利率加收10%之年利率收取整筆欠款之利息。此外本公司可同時按日收取依成交價（含落槌價、服務費）1％計算之懲罰性違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷本公司或其他關係企業在任何其他交易中欠下買家之款項，買家絕無異議。 (2) 對任何屬於買家所有而因任何目的(包含但不限於其他交易)而由本公司管有之已購拍賣品行使留置權，並在給予買家有關其未付之欠繳之十四天通知後，安排將該物品出售並將收益用以清償該未付之欠款。 (3) 如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項用以清償已購拍賣品就任何特定交易而欠下之任何款項，而不論買家是否指示用以清償該筆款項。 (4) 在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投，或在接受其任何競投之前先收取買家一筆競投保證金。如買家未有在三十五天內付款，本公司除上述辦法外，另有權為下述一項或多項權利或補救辦法： 236

(a) 代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉數賠償為基準之法律程序訴訟費。 (b) 取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售予買家之拍賣品交易。 (c) 安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連同因買家未有付款而引致之任何費用一併向買家索償。 g. 未有領取已購拍賣品如已購得之拍賣品未有在成功拍賣日後起算七天內領取，則不論是否已付款，本公司將安排貯存事宜，費用由買家承擔。而買家在付清所引起之貯存、搬運、運輸、保險及任何其他費用，連同欠本公司之所有其他款項後，方可領取已購拍賣品項目。 h. 出口許可證除本公司另有書面同意外，買家希望申請出口許可證，並不影響買家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲付款收取利息之權利。如買家要求本公司代為申請出口許可證，本公司有權向其收取與此項申請有關之款項及零碎開支連同任何有關之稅則。如買家不需要出口許可證而作出付款，本公司並無責任退還買家因此而引致之任何利息或其他開支。 5. 本公司之法律責任本公司僅在第二條第6項所列之情況下，得退還款項予買家。除此之外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之作者、來歷、日期、年代、歸屬、真實性或出處之陳述，或任何其他說明之誤差，任何拍賣品之任何瑕疵或缺陷，均不負有任何責任。賣家、本公司、本公司之僱員或代理人，不論是明示或暗示均無就任何拍賣品作出任何保證。任何種類之任何擔保，均不包含在本條之內。 6. 膺品/贓物之退款本公司之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實為膺品、贓物或涉及不法情事者，則交易將取消，已付之款項於交付賣家前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納之意見，或清楚表明有牴觸當時學者或專家普遍接納之意見。 b. 或證明拍賣品為膺品或贓物之方法，只是一種在目錄出版前仍未普遍獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退款： (1) 買家必須在拍賣日起十日內以書面通知本公司，說明買家認為有關拍賣品乃膺品或贓物之詳細理由及證據。 (2) 且買家需於書面通知後十四天內將拍賣品送還本公司，而其狀況應維持與拍賣當日相同，不得有任何損壞。 (3) 送還拍賣品後，買家須盡快出示證據，足以使本公司確信拍賣品乃膺品或贓物(本公司保有最終及不可異議之決定權)，買家並可將拍賣品之完整所有權及相關權利轉讓予本公司，而與任何第三人之索償無涉。在任何情況下，本公司均毋須向買家支付多於買家就有關拍賣品而支付之款項，而買家亦不能索取利息。本擔保之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本發票之買家所有(該買家名稱被記載於發票上)，該名買家並須自拍賣後一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品或贓物，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證拍賣品是否屬於膺品或贓物結果與買家出示證據相衝突者，應以本公司驗證結果為準。

賣方業務規則請參閱羅芙奧網站 http://ravenel.com http://ravenelart.com.cn

TRANSACTION AGREEMENT The following provisions are entered into by and between Ravenel Ltd., as the auctioneer, (hereinafter referred to as the “Company”), and the Seller (hereinafter referred to as the "Seller"). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer"). The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5 which provides limitations as to the legal responsibilities of the Company. ARTICLE 1.DEFINITION Some of the phrases commonly seen herein are defined as follows: 1. "The Buyer" shall mean highest bidder accepted by the Company. 2. "The Prospective Buyer" shall mean any potential bidder willing to attend the auction sale hosted by the Company. 3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company. 4. "The Lot" shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue. 5. "Hammer price" shall mean the highest bid with respect to one particular Lot accepted by the auctioning party. 6. The " Buyer's Premium" shall mean the fee based on a certain percentage of the Hammer price paid to the Company by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a. 7. "The Reserve Price" shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price. 8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints). 9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company). 10. The "Seller Service Fee” shall mean the fee is paid to the Company by the Seller. ARTICLE 2.THE BUYER 1. The Company as the Agent of the Seller The Company, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer. 2. Prior to the Auction a. Authentication We strongly recommend that the Prospective Buyers conduct their own authentication for the items they are interested in bidding prior to the auction. The Company provides no guarantee to the Buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot and related certificates. b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The description of the auction items also do not imply and guarantee that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally. We strongly recommend the Prospective Buyers shall personally view the items for which they plan to bid before the auction. Any description in the catalogue or any statement provided by the Company is purely the Company's subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in "as is" condition. The Company does not provide any representation or guarantee as to the condition of any of the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue. ○ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer's Premium. d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lot and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not

be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes. Many Lots fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her/its own judgment or estimation independently regarding the Lots.ing his/her own judgment or estimation independently regarding the Lots. In the Auction a. Estimates The prices in US dollars or other currencies reproduced in the auction and this catalogue are for reference only. The Buyer is requested to pay by New Taiwan dollars or other foreign currencies in its equivalency based on the exchange rate announced by the Company on the day of auction. b. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. c. Registration Prior to the Bidding Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. Prospective Buyers should also note that the Company may request to conduct credit checks against Buyers. d. The Bidding Deposit The bidder shall pay the bidding deposit before receiving the bidding number. The Company will announce the amount of the bidding deposit before the auction day. (1) If the bidder fails to pay the bidding deposit in advance, the Company has the right to refuse the bid. If the bidder is not able to purchase any Lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. (2) If the bidder becomes the Buyer, the Company has the right to transfer the bidding deposit into the payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs ) of the Lot for which transaction is concluded. And the Company will return the balance of the deposit to the Buyer (if any). If the Buyer ,without any good cause, fails to pay any and all payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs) of the Lot to the Company within 7 days after the auction date ,the Buyer shall not claim for the return of the bidding deposit. e. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. f. Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the provided forms attached to the explanations of the catalogue; however, bid commission instructions must be delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions. The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. g. Bid by Phone The Company will make proper effort to contact the bidder so he/she can participate in the auction by phone if the Prospective Buyer make arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. h. Online Bidding If the Prospective Buyer cannot attend the auction, it may be possible to bid online via Invaluable or our company's official website, "BID NOW" (https://bid.ravenel.com/), for their preferred Lots bearing individual buyer's responsibilities. For information about registering for online bidding, please refer to Ravenel.com., When successfully winning an item through online bidding via Invaluable, the Prospective Buyer and the Buyer shall pay a service fee of 5% of the hammer price in addition to the Buyer's Premium calculated according to Article 2, Section 4a. The Prospective Buyer and the Buyer agree that this Agreement can be viewed at the website and be revised by the Company from time to time. i. Exchange Rate Conversion Board There will be an exchange rate conversion board operating in auctions. Nonetheless, the auction will still be conducted in NT dollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board.

j. Recorded Images There is image projection in some auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. k. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his/her discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items. If the auctioneer announces the points for attention before the auction or the bidding, the Prospective Buyers shall pay attention for any announcement as its own responsibility. We recommend the Prospective Buyers using Online Bids Services to log in the system prior to the commencement of the auction, to ensure the timely awareness of any notices or announcements made prior to the auction. l. Successful Bids Under the discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement on Hammer Price. Following the Auction a. The Buyer's Premium of Each Lot (1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the Buyer's Premium should be calculated at 20% of the hammer price. (2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's Premium should be that the first NT$ 32,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12% of the hammer price. b. Taxes All the payments payable by the Buyer to the Company do not include any commodity or service taxes or any other value added taxes (whether imposed by the Taiwanese government or elsewhere). The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his/her/its true name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon the company request. All payments due (including the hammer price, the Buyer's Premium and any freights or other expenses) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit. If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to the Company are made in any currency other than NT dollars, the exchange rate of the payments to the Company should be the exchange rate reported by the Bank of Taiwan to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period. The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Referral of Packaging or Transportation Companies The shipping department of the Company may introduce the forwarder, assist in the arrangement of delivery, or purchase particular insurance upon the Buyer's request. The Company will not be held liable for any legal responsibilities in this regard. And the Buyer shall prepay the freight charges. Costs and expenses for shipping and insurance shall be paid in advance. f. Remedies for Non-Payment or Non-Collection of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1) An interest at the annual rate of no higher than 10% plus the base interest rate of Bank of Taiwan will be imposed on all of the payment due if payment is not mades within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and Buyer's Premium) multiplied by the number of delayed days as puntitive damages for the default. The payment to be made by the Buyer may offset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company's sole decision. (2) To exercise lien of any items owned by the Buyer and held by the Company for any purpose including but without limitations other transactions. The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his/hers/its non-payment. The proceeds shall make up for the payment due. (3) If the Buyer owes the Company several payments as a result of different transactions, the payments will set-off any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments. (4) Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/or to require a bidding deposit from the Buyer before accepting any future bids from him/her/it. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a) To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim. (b) Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions.

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(c) To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any cost incurred as a result of the non-payment by the Buyer. g. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, handling, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. h. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer's wishes to apply for an export permit does not affect the Buyer's responsibility to make the payments in 7 days following the auction date; nor does it affect the Company's right to impose interest on delayed payments. If the Buyer requests that the Company applies for the export permit on his/hers/its behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes. If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom. The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Seller, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein. Return of Payments for Counterfeits or stolen goods The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit or stolen goods, or involved in obvious illegality by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields. b. Or the method used to prove that the Lot is a counterfeit or stolen goods is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer's payment can only be refunded when the following terms are met: (1) The Buyer must notify the Company in writing within 10 days following the auction day that he/she considers the relevant auction item a counterfeit or stolen goods. (2) The Buyer must return the Lot to the Company within the following 14 days and the condition of the item must be the same as on the auction day without any damage. (3) Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit or stolen goods (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim. Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer cannot claim interests.

The interests of the warranty cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer's name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods based on a scientiﬁc procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction. If the result of appraising and verifying whether the Lot is a counterfeit or stolen goods by the Company conﬂicts with the evidence provided by the Buyer, the Company's said result shall prevail over the evidence provided by the Buyer.

Please refer to our website for seller's Transaction Agreement. http://ravenel.com http://ravenelart.com.cn