薈萃國際：現代與當代藝術 SELECT: Modern & Contemporary Art

AUTUMN AUCTION 2023 TAIPEI

羅芙奧 2023 秋季拍賣會 薈萃國際：現代與當代藝術

RAVENEL AUTUMN AUCTION 2023 SELECT: Modern & Contemporary Art 拍賣日期

地點

2023年12月2日（六）下午 4:00 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳） 預展日期

地點

台中 2023年11月18日（六）下午1:00至下午6:00 2023年11月19日（日）上午11:00至下午6:00 豐藝館 台中市西區五權西路一段110號B1 台北 2023年11月30日（四）~ 12月2日（六）上午11:00至下午7:00 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳）

AUCTION Saturday, December 2, 2023, 4:00pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei PREVIEWS Taichung Saturday, November 18, 2023, 1:00pm - 6:00pm Sunday, November 19, 2023, 11:00am - 6:00pm Fong-Yi Art Gallery B1, No. 110, Section 1, Wuquan W. Rd., West Dist., Taichung, Taiwan Taipei Thursday, November 30 - Saturday, December 2, 2023, 11:00am - 7:00pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan

拍賣目錄每本售價：NT$2,000 This auction catalogue: US$70 per copy

6

王鎮華 Arthur Wang 董事長 Chairman

郭倩如 Clara Kuo 副董事長 Vice Chairman

陳惠黛 Odile Chen 國際藝術部 總經理 Head of International Art Department

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陳子萱 Jenny Chen 國際藝術部 業務助理 Sales Assistant, International Art Department

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羅芙奧 2023 秋季拍賣會服務部門及連絡人 藝術品諮詢專家 國際藝術部 總經理

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藝術家索引 INDEX A

阿咧 尤瑟夫．艾納 保羅．艾斯比利 天野タケル 凱薩琳娜．阿恩特

B

杰弗里．布約 傑克．波依素

Takeru Amano

Geoffrey Bouillot

Jacques Bouyssou

Luis Chan (Chen Fushan)

喬納森．查普林 貝爾納．夏洛瓦 陳威廷 邱亞才 周珠旺

Jonathan Chapline

Bernard Charoy Chen Wei-Ting Chiu Ya-tsai

Chou Chu-Wang

曲德義

Chu Teh-I

蘿絲．范．黛芙特

Loes van Delft

董小蕙 江上越

山姆．法蘭西斯 傅慶豊

Arman Fernandez Thierry Feuz Sam Francis Alixe Fu

舟越桂

Katsura Funakoshi

G

安．索菲．吉倫

Anne-Sophie Gilloen

H

灰原愛

Ai Haibara

韓忠錫 橋本ユタカ 米歇爾－昂利 東麻奈美 Hime 徐永旭 黃本蕊

Han Choong-Seok

Yutaka Hashimoto

Poren Huang

I

池田光弘

Mitsuhiro Ikeda

J

吉斯巴

Jisbar

朱銘

Ju Ming

8

72, 73, 74 41 62

65

26, 27

Eddie Martinez

40

Sadamasa Motonaga

38

Hideyasu Moto

86

村上隆

Takashi Murakami

103

長井朋子

Tomoko Nagai

1, 70

Kitti Narod

64

Sayuri Nishikubo

87

Nantoka

Shigematsu Nantoka NIKKI

83

63

44, 45

艾德加．普連斯

Edgar Plans

69, 100

R

六角彩子

Ayako Rokkaku

95, 96

S

坂本和也

Kazuya Sakamoto

36

Toko Shinoda

37

龎均

佐竹龍蔵 篠田桃紅

T

Y

81

高木美希

Miki Takagi

76

Giorgio Tentolini

艾庫特．特利克斯

Erkut Terliksiz

55

王懷慶

Wang Huaiqing

30

Syozo Taniguchi

渡邊香奈

Kana Watanabe

山本麻友香

Mayuka Yamamoto

楊識宏

Z

Ryuzo Satake

32

Su Xiaobai

喬治．坦托里尼

W

Pang Jiun

99

蘇笑柏

谷口正造

10

34

艾迪．馬丁內斯

2

Tatyana Palchuk

39 56, 59

20

塔提雅娜．帕丘卡

P

3

88

Lo Chiao-Ling

Kunihiko Nohara

13, 14 84

57

野原邦彥

51 102

101

Liu Shih-Tung

西久保佐友里

54 35

Kuo I Ting

羅喬綾

NIKKI

80

58

黃柏仁

Lin Yen-Liang

奇蒂．納羅德

4

Hime

Benrui Huang

N

50

42

Hsu Yunghsu

林彥良

元永定正

21

Michel-Henry

Manami Higashi

Kwon Kisoo

本秀康

33

11, 12

Alex Face

西瑞．菲茲

7

Etsu Egami

亞歷克斯．費斯

M

68

46, 47

22, 23

EMU

權奇秀

劉時棟

53

Dong Shawhwei

EMU

阿曼．費爾戴儂

24

25, 48

82

5, 6

15, 16, 17, 18, 19

85

陳福善

Iida Kiriko

Yayoi Kusama

草間彌生

67, 89

60, 61

Yasuhito Kawasaki

71, 97, 98

郭奕庭

L

Jan Kaláb

Miwa Komatsu

小松美羽

66

79

Chang-Ling

飯田桐子

43

Jon Burgerman

楊．克拉 川崎泰史

77, 78

Katharina Arndt

George Chann

K

49

Byun Sehee

常陵

F

Paul Aïzpiri

邊世喜

陳蔭羆

E

91

93, 94

喬恩．布爾格曼

D

92

Yusuff Aina

Rhys Brown

萊斯．布朗

C

A-Lei

Yang Chihung

姚瑞中

Yao Jui-Chung

張宏圖

Zhang Hongtu

29 9

90 75 104, 105

31 52

28

目次 CONTENTS

4

羅芙奧秋季拍賣會

Sale Information 8

羅芙奧之服務

Ravenel Services 10

藝術家索引

Index 12

薈萃國際：現代與當代藝術

SELECT: Modern & Contemporary Art 143

給予買家的重要通知

Important Notice to Buyers 145

委託競投表格

Absentee Bid Form 147

業務規則

Transaction Agreement

001

TOMOKO NAGAI

長井朋子

(Japanese, b. 1982)

新綠

Green

2020年

2020 Watercolor, pencil, color pencil, collage on paper 17.5 x 12.4 cm Signed reverse Tomoko Nagai , titled Green in Japanese and dated 2020

17.5 x 12.4 cm

PROVENANCE

Tomio Koyama Gallery, Tokyo

NT$ 40,000 - 60,000 HK$ 10,000 - 15,000 US$ 1,300 - 1,900 RMB 9,000 - 14,000

12

水彩 鉛筆 色鉛筆 紙本 簽名題識畫背：Tomoko Nagai 2020 みどり 來源

小山登美夫畫廊，東京

002

LO CHIAO-LING

羅喬綾

羅 喬 綾，1981 年 出 生 於 台 北，2009 年

(Taiwanese, b. 1981)

金魚眼

畢業於國立台北藝術大學美術學系碩士，

Goldfish Eyes

2009年

2009 Acrylic on canvas 60.5 x 72.5 cm Signed reverse Lo ChiaoLing

60.5 x 72.5 cm

PROVENANCE

Arty Art Center, Tainan This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 50,000 - 80,000 HK$ 12,000 - 20,000 US$ 1,600 - 2,500 RMB 11,000 - 18,000

壓克力 畫布 簽名畫背：Lo ChiaoLing 來源

亞帝藝術中心，台南 附藝術家簽名之原作保證書

主修複合媒體。創作靈感主要以自身的童 年記憶、家庭和日常生活為主。她認為每 個人的心中都住著一個孩子，並以此為願 景，試圖透過描繪孩童的形象。 Lo Chiao-Ling was born in Taipei in 1981 and graduated in 2009 with a Master's degree in Fine Arts from the National Taipei University of the Arts, specializing in multimedia. Her creative inspiration primarily stems from her own childhood memories, family, and daily life. She believes that there is a child residing in everyone's heart and envisions capturing the pure essence that each person once possessed by depicting childlike figures.

003

HAN CHOONG-SEOK

韓忠錫

韓忠錫釜山國立大學西洋藝術系取得碩

(Korean, b. 1981)

冰淇淋狗

士。韓忠錫的作品畫在韓國棉布上，一

Ice Cream Dog

2019年

2019 Acrylic on Korean cotton 53 x 45.5 cm Signed lower right side choong seok Signed backing board han choong seok , titled Ice Cream Dog, inscribed 53x45.5cm, Acrylic on Korean cotton in Korean and dated 2019

53 x 45.5 cm

This lot is accompanied with a certificate of authenticity issued by Gallery Woo, Busan.

NT$ 90,000 - 150,000 HK$ 22,000 - 37,000 US$ 2,800 - 4,700 RMB 21,000 - 34,000 14

壓克力 韓國棉布 簽名右下側邊：choong seok

種薄且沒有塗層的韓國棉料，讓顏色更 容易滲透。他擅長繪畫各種動物及人物 角色，並且從「關係」這個詞語中獲取 靈感，呈現出角色間不可言喻的距離。

簽名題識背板：han choong seok Ice Cream Dog 53x45.5 광목천에

Han Choong-Seok received a

아크릴 채색 2019

of Wester n Arts, Busan National

附釜山宇畫廊開立之原作保證書

M.F.A. degree from the Department U n i v e r s i t y. H a n C h o o n g - S e o k works on Gwangmokcheon, a thin, uncoated Korean cotton cloth that allows the colors to permeate.

Famous for various animals and characters' paintings, his works originate from the word relationship, which shows unspoken distances between the objects concerned.

004

LOES VAN DELFT

蘿絲．范．黛芙特

蘿絲．范．黛芙特於 2012 年在阿姆斯

(Dutch, b. 1991)

爆炸

特丹國際藝術博覽會上獲得全球最佳藝

Boom

2016年

術家獎。黛芙特的創作風格天真爛漫，

綜合媒材 亞麻布

融合俏皮的卡通感，挑戰了藝術與商業

2016 Mixed media on flemish linen 80 x 140 x 4 cm Signed lower right side and reverse Loes Van Delft

80 x 140 x 4 cm

的界線。在她自創的角色中，黛芙特運

EXHIBITED

Art Revolution Taipei 2017 , Taipei World Trade Center Exhibition, Taipei, April 14-17, 2017 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 200,000 - 300,000 HK$ 49,000 - 73,000 US$ 6,300 - 9,400 RMB 46,000 - 68,000

簽名右側及畫背：Loes Van Delft 展覽

「2017年台北新藝術博覽會」， 台北世貿中心，台北， 展期2017年4月14日至17日 附藝術家簽名之原作保證書

用了較為女性化的柔和線條，賦予作品 活潑的動態感，也逐漸找到了自己的藝 術定位。 Loes van Delft received the Best Global Artist Award at the Amsterdam International Art Fair in 2012. Delft's artwork is characterized by a naive and slightly cartoonish style, challenging the boundaries between art and commerce. Delf employs soft, lively lines and a sense of dynamism in her self-created characters, gradually finding her own artistic identity.

005

YASUHITO KAWASAKI

川崎 泰 史

川崎泰史，1983 年出生於日本佐賀

(Japanese, b. 1983)

女孩與桌上貓頭鷹

縣。2010 年在金澤藝術大學獲得藝

Owl on the Table with Girl

2022年

2022 Acrylic on canvas 53 x 53 cm Signed reverse YASUHITO KAWASAK , dated 2022 , inscribed acrylic on canvas and titled Owl on the Table with Girl

53 x 53 cm

EXHIBITED

展覽

想的空間，希望人們可以在豐富多彩

「哈囉熊仔」，Thinkspace 畫廊， 洛杉磯，展期2023年2月4日至25日

的平行世界找回童年時光，進入一個

Hello Bear-Chan! , Thinkspace Projects, Los Angeles, February 4-25, 2023

NT$ 90,000 - 140,000 HK$ 22,000 - 34,000 US$ 2,800 - 4,400 RMB 21,000 - 32,000

16

壓克力 畫布 簽名題識畫背： YASUHITO KAWASAK 2022 acrylic on canvas "Owl on the Table with Girl"

術鑄造碩士學位。川崎向來以玻璃纖 維雕塑作品而聞名，自從他遇到了他 的陶瓷藝術家妻子川崎朋子後，創作 風格便演變出新的面向，共同朝陶瓷 雕塑而行。川崎泰史深信每個人都活 在平行世界中，並且一個事件不同的 過程或決定是存在於不同的平行宇 宙中的。其雕塑及畫作探索現實及幻

浪漫而充滿童真的國度。川崎的作品 以天真無邪的孩童形象回歸純粹的 內在心靈，傳遞內心的自適和喜悅。

006

YASUHITO KAWASAKI

川崎 泰 史

Yasuhito Kawasaki was born in Saga, Japan in

(Japanese, b. 1983)

男孩與藍色小熊

1983. He earned his Master's degree in Casting

Boy with Blue Bear

2023年

2023 Acrylic on canvas 73 x 73 cm Signed reverse YASUHITO KAWASAK , dated 2023 , inscribed acrylic on canvas and titled Boy with Blue Bear

73 x 73 cm

PROVENANCE

來源

events and decisions exist in separate parallel

歐茲曼畫廊，巴黎

universes. His sculptures and artworks explore

Maison Ozmen, Paris

NT$ 130,000 - 200,000 HK$ 32,000 - 49,000 US$ 4,100 - 6,300 RMB 30,000 - 46,000

壓克力 畫布 簽名題識畫背： YASUHITO KAWASAK 2023 acrylic on canvas Boy with Blue Bear

from Kanazawa College of Art in 2010. Kawasaki was originally renowned for his fiberglass sculptures, but his creative style took on a new dimension when he encountered his wife, ceramic artist Tomoko Kawasaki. Together, they ventured into the realm of ceramic sculpture.

Kawasaki firmly believes that each person exists in parallel worlds, where different outcomes of

the spaces between reality and fantasy, aiming to allow people to rediscover their childhood in this diverse world of parallel universes, entering a romantic and childlike realm where anything is possible. Kawasaki's works often feature an innocent childlike figure, representing a return to the pure inner self, conveying the artist's inner contentment and joy.

007

CHEN WEI-TING

陳威廷

陳威廷畢業於台北大學視覺藝術碩士後赴日本取

(Taiwanese, b. 1991)

歡笑

得東京藝術大學全球藝術實踐碩士。大學期間主修

Laugh

2020年

2020 Acrylic, oil pastel, colored pencil on paper 57 x 79 cm

色鉛筆 紙本

This lot is accompanied with a certificate of authenticity signed by the artist and issued by JXJ Books Gallery, Taipei.

家簽名之原作保證書

NT$ 80,000 - 120,000 HK$ 20,000 - 29,000 US$ 2,500 - 3,800 RMB 18,000 - 27,000

壓克力 油蠟筆 57 x 79 cm 附舊香居畫廊開立藝術

中國文學，深受文字詩詞薰陶，陳威廷擅長以圖像 與詩文創作。正因為堅信創作是與世界交流的方 式，因此他一直通過繪畫、寫詩去連結世界。他說 「我確信，純粹的物件往往是我們最常忽視的。」 Chen Wei-Ting graduated from the Master of Visual Art in Taipei University, he went to Japan to obtain a Master of Art Administration G.A.P. During university, he also studied Chinese literature and was deeply influenced by poetry, hence he excels at creating images and poems.

He believes creation is the way to communicate with the world, therefore he has been writing poems and making paintings to connect with the outside world. He said, "I am convinced that things which are in their purest forms are indeed most frequently ignored by us."

18

008

LIN YEN-LIANG (Taiwanese, b. 1987)

No Time to Waste; You Are Not Alone (a set of 2)

林彥良

林彥良，1987 年出生於台中，畢業於東

沒有時間浪費； 你不孤單（兩件一組）

海大學景觀學系及國立雲科大創意生活

2020年 壓克力 粉彩 炭筆

設計所。「阿蕉」是他設計的可愛角色， 香蕉皮上巧克力豆般的斑點，像在暗示 這個一副小男孩模樣的他。

2020 Acrylic, pastel, charcoal, colored pencil on kraft paper 54 x 39 cm; 37 x 20.5 cm Signed lower right BANANA and dated 2020 ; Signed lower left BANANA and dated 2020

彩色鉛筆 牛皮紙

Lin Yen-Liang aka BaNAna was born

54 x 39 cm；

i n 1 9 8 7 i n Ta i c h u n g , Ta i w a n . H e

37 x 20.5 cm

graduated from the Department of

簽名年代右下：

Landscape Architecture at Tunghai

BANANA 2020；

University and the Institute of

簽名年代左下：

Creative Design for Everyday Life at

This lot is accompanied with certificates issued by JXJ Books, Taipei and signed by the artist.

BANANA 2020

National Yunlin University of Science

附舊香居開立藝術家簽名 之原作保證書

NT$ 90,000 - 140,000 HK$ 22,000 - 34,000 US$ 2,800 - 4,400 RMB 21,000 - 32,000

and Technology. "A-Jiao" is a cute character he designed. The chocolatelike spots on the banana peel seem to suggest that this boyish figure actually has a sensitive and precocious heart, just like the artist himself.

009

SYOZO TANIGUCHI

谷口正造

(Japanese, b. 1990)

白日夢

Day Dreaming

2022年

2022 Cardboard, paper tape, masking tape, modeling paste, acrylic, colored pencils, collage 37.5(L) x 13(W) x 27(H) cm Signed bottom Syozo Taniguchi , dated 2022 and titled Day Dreaming

37.5（長）x 13（寬）x 27（高）cm

PROVENANCE

Biscuit Gallery, Tokyo Acquired from the above by the present owner

NT$ 110,000 - 170,000 HK$ 27,000 - 41,000 US$ 3,400 - 5,300 RMB 25,000 - 39,000

20

紙板 紙膠帶 膠帶 建模膏 壓克力顏料 色鉛筆 拼貼 簽名題識底部：Syozo Taniguchi 2022 Day Dreaming 來源

餅乾畫廊，東京 現有收藏者購自上述來源

010

BENRUI HUANG

黃本蕊

(Taiwanese, b. 1959)

我越來越愛你

I Love You More and More

2010年

2010 Acrylic on canvas 51 x 61 cm Initialed lower right BR and dated 10

51 x 61 cm

This lot is accompanied with certificates of authenticity issued by Eslite Gallery, Taipei and signed by the artist.

NT$ 180,000 - 280,000 HK$ 44,000 - 68,000 US$ 5,600 - 8,800 RMB 41,000 - 64,000

壓克力 畫布 簽名年代右下：BR 10 附誠品畫廊開立藝術家簽名之原作保證書

011

ETSU EGAMI

江上越

江上越成長期間經歷過不同國家、

(Japanese, b. 1994)

擦肩而過的困惑 2019-113

不同的語言的文化衝擊，時常感受

Confusion by Brushing Past-2019-113

2019年

2019 Oil on canvas 45.5 x 38 cm Signed upper right Egami Etsu and dated 2019

簽名年代右上：

PROVENANCE

Whitestone Gallery, Tokyo EXHIBITED

ART 021 , Shanghai, November 12-15, 2020

NT$ 190,000 - 280,000 HK$ 46,000 - 68,000 US$ 5,900 - 8,800 RMB 43,000 - 64,000 22

油彩 畫布 45.5 x 38 cm Egami Etsu 2019

到溝通上的障礙，因此逐漸加深了 她對語言交流的興趣。早期創作脈 絡中作品包含了聲音、視頻和繪畫 等多種媒介，藉由探索人類的本能 和交流的真實性，提供了更人性和 更 國 際 的 視 點。 江 上 越 先 後 獲 得

來源

多 個 獎 項， 包 括 日 本 文 化 廳 2020

白石畫廊，東京

年傑出藝術家及 2018 年第十六屆

展覽

千 葉 市 藝 術 文 化 新 人 獎。 主 要 個

「上海021藝術博覽會」，上海， 展期2020年11月12日至15日

展：2016 年，「 無 聲 人 語 ?」， DEHAIRI 項目，東京，日本，2016 年「這不是誤聽遊戲」，德薩項目 空間，北京，中國。

012

ETSU EGAMI

江上越

Egami had experience with the cultural shocks

(Japanese, b. 1994)

彩虹 2020-004

from different countries and languages during

Rainbow-2020-004

2020年

2020 Oil on canvas 45.5 x 53 cm Signed lower left Egami Etsu and dated 2020

45.5 x 53 cm

油彩 畫布 簽名年代左下： Egami Etsu 2020

her childhood. She often felt barriers in communication, so which gradually deepened her interest in language communication.

Her early works include mediums such as sound, video and painting, provide a more human nature and international perspective

來源

b y e x p l or i n g t h e a u t h e n t i c i t y o f hu man

白石畫廊，東京

instinct and communication. Etsu Egami

Whitestone Gallery, Tokyo

展覽

h a s w o n s e v e r a l a w a rd s , i n c l u d i n g t h e

EXHIBITED

「上海021藝術博覽會」，上海， 展期2020年11月12日至15日

2020 Outstanding Artist from the Agency

PROVENANCE

ART 021 , Shanghai, November 12-15, 2020

for Cultural Affairs, Government of Japan and the 16th Chiba City Art and Culture Newcomer Award in 2018. Her main solo

NT$ 200,000 - 300,000 HK$ 49,000 - 73,000 US$ 6,300 - 9,400 RMB 46,000 - 68,000

exhibitions: "God's Voice, Human's Words?", DEHAIRI Projects, Tokyo, Japan in 2016 and "This Is not a Mishearing Game", de Sarthe Gallery, Beijing, China in 2016.

013

AI HAIBARA (Japanese, b. 1981)

Come and Go 2010 Camphor wood, acrylic; unique piece 30(L) x 30(W) x 66(H) cm Engraved base bottom Ai Haibara and dated 2010 EXHIBITED

Drawing and Carving Human Spirit, Contemporary Japanese Art Five-Person Exhibition: Katsura Funakoshi, Toshimatsu Kuremoto, Tadafumi Kobachi, Shimazaki Tatsuya, and Ai Haibara, iart Gallery, Hsinchu, July 14-September 15, 2018 This lot is to be sold with a certificate of authenticity issued

by Imavision Gallery, Taipei and signed by the artist.

NT$ 380,000 - 550,000 HK$ 93,000 - 134,000 US$ 11,900 - 17,200 RMB 87,000 - 126,000 灰原愛 來來去去 2010年 樟木 壓克力彩 單一件 30（長）x 30（寬）x 66（高）cm 簽名雕刻台座底部：Ai Haibara 2010 展覽

「靈魂的雕繪者－日本當代藝術五聯展：舟越桂、 吳本俊松、小鉢公史、嶋崎達哉、灰原愛」， 愛上藝廊，新竹，展期2018年7月14日至9月15日 附晴山藝術中心開立藝術家簽名之原作保證書

24

014

AI HAIBARA (Japanese, b. 1981)

Fairytale Hat 2005 Camphor, acrylic, colored pencils; unique piece 42(L) x 31(W) x 55(H) cm PROVENANCE

Ravenel Auction, Taipei, June 6, 2010, lot 222 Zhong Cheng Auction, Taipei, October 3, 2021, lot 143

NT$ 360,000 - 550,000 HK$ 88,000 - 134,000 US$ 11,300 - 17,200 RMB 82,000 - 126,000 灰原愛 童話之帽 2005年 壓克力 色鉛筆 樟木 單一件 42（長）x 31（寬）x 55（高）cm 來源

羅芙奧，台北，2010年6月6日，編號222 中誠拍賣，台北，2021年10月3日，編號143

灰原愛 1981 年出生於日本岡山縣，2004 年畢業於東京藝術大

in 2004. After that, she got the MD in Craft Course of

學美術系，主修雕刻，並於 2006 年取得碩士學位。其作品參加

Faculty of Fine Arts, Tokyo National University of Fine Arts

過的個展如「記憶的旅程」（2006，岡山）、「悸動」（2007，

and Music in 2006. Her selected solo exhibitions include:

東 京 ）。 以 及 聯 展「 四 人 聯 展 」（2003， 東 京 ）、「 東 京 藝

"Memories Journey" (2006, Okayama), "A Stir in My Heart"

術大學雕刻四人聯展－雕刻的空間」（2004，東京）、「畫室

(2007, Tokyo). Selected group exhibitions include: "Four

的後裔或未來展」（2006，東京）、「畫室的後裔或未來展」

Persons' exhibition" (2003, Tokyo), "Space with Sculpture-

（2007，東京）。

Four Persons' Exhibition of Sculpture" (2004, Tokyo),

Ai Haibara was born in 1981 in Okayama Prefecture, Japan.

She graduated from Craft Course of Faculty of Fine Arts and Music, Tokyo National University of Fine Arts and Music

"Descendants of Atelier or of It Future" (2006, Tokyo), "Descendants of Atelier or of It Future" (2007, Tokyo).

015

YAYOI KUSAMA

草間彌生

(Japanese, b. 1929)

花 (A．B)

Flower (A.B)

1994年

1994 Etching, ed. 70/75 29.7 x 41.8 cm (image); 45.5 x 63 cm (sheet) Signed lower right Yayoi Kusama Titled center lower left Flower (A.B) in Kanji, and dated 1994 Numbered lower left 70/75

29.7 x 41.8 cm（圖）

ILLUSTRATED

圖錄

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, no. 194, p. 118

NT$ 180,000 - 280,000 HK$ 44,000 - 68,000 US$ 5,600 - 8,800 RMB 41,000 - 64,000

26

銅版畫 版次70/75 45.5 x 63 cm（紙） 簽名右下：Yayoi Kusama 題識年代下方：花（A.B）1994 版次左下：70/75

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，編號194，頁118

016

YAYOI KUSAMA

草間彌生

(Japanese, b. 1929)

鬱金香

Tulipe (I)

2000年

2000 Silkscreen, ed. AP 45.5 x 38 cm (image); 65 x 50 cm (sheet) Signed lower right Yayoi Kusama Inscribed lower left A.P. Tulipe (I) 2000

45.5 x 38 cm（圖）；65 x 50 cm（紙）

PROVENANCE

Artemperor Auction, Taipei, August 01, 2021, lot 2038 Acquired from the above by the present owner ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, p. 172, no. 290

NT$ 480,000 - 750,000 HK$ 117,000 - 183,000 US$ 15,000 - 23,500 RMB 110,000 - 171,000

絲網印刷 版次AP 簽名右下：Yayoi Kusama 題識左下：A.P. Tulipe (I) 2000 來源

帝圖拍賣，台北，2021年08月01日，編號2038 現有收藏者購自上述來源 圖錄

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，頁172，編號290

017

YAYOI KUSAMA

草間彌生

(Japanese, b. 1929)

帽子

Chapeau (I)

2000年

2000 Silkscreen, ed. AP 38 x 45.5 cm (image); 50 x 65 cm (sheet) Signed lower right Yayoi Kusama ; titled lower center Chapeau (I) and dated 2000 ; numbered lower left A.P.

38 x 45.5 cm（圖）；50 x 65 cm（紙）

PROVENANCE

Ravenel Auction, Taipei, July 17, 2021, lot 026 Acquired from the above by the present owner ILLUSTRATED

Yayoi Kusama Prints 1979-2017, Abe Publishing Ltd., Tokyo, 2017, color illustrated, p. 168, no. 284

NT$ 480,000 - 750,000 HK$ 117,000 - 183,000 US$ 15,000 - 23,500 RMB 110,000 - 171,000 28

絲網印刷 版次AP 簽名右下：Yayoi Kusama 題識中下：Chapeau（I）2000 版次左下：A.P. 來源

羅芙奧，台北，2021年7月17日，編號026 現有收藏者購自上述來源 圖錄

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，頁168，編號284

018

YAYOI KUSAMA

草間彌生

(Japanese, b. 1929)

南瓜2000（綠色）

Pumpkin 2000 (Green)

2000年

2000 Silkscreen, ed. 65/100 30 x 35 cm (image); 48 x 64 cm (sheet) Signed lower right Yayoi Kusama Titled lower center Pumpkin and dated 2000 Numbered lower left 65/100

30 x 35 cm（圖）；48 x 64 cm（紙）

PROVENANCE

Bonhams, London, June 18, 2020, lot 334 Acquired from the above by the present owner ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, p. 175, no. 300

NT$ 900,000 - 1,400,000 HK$ 220,000 - 341,000 US$ 28,100 - 43,800 RMB 205,000 - 320,000

絲網印刷 版次65/100 簽名右下：Yayoi Kusama 題識下方：Pumpkin 2000 版次左下：65/100 來源

邦翰斯拍賣，倫敦，2020年06月18日，編號334 現有收藏者購自上述來源 圖錄

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，頁175，編號300

019

YAYOI KUSAMA

草間彌生

(Japanese, b. 1929)

草莓一號與二號（兩件一組）

Strawberry 1 & 2 ( a set of two)

構思於1974，鑄造於1993年；

Conceived in 1974 and casted in 1993; Conceived in 1974 and casted in 1994 Bronze ed. 20/30; bronze ed. AP 23(L) x 23(W) x 8(H) cm; 24.5(L) x 23(W) x 21.5(H) cm Engraved base '74 Kusama Engraved bottom 20/30 '93 With artist totem at bottom; Engraved base '74 Kusama Engraved bottom 6/30 '94 With artist totem at bottom

銅雕 版次20/30 ；銅雕 版次AP

PROVENANCE

蘇富比，香港，2019年10月15日，編號9074 SBI拍賣，東京，2022年5月27-28日，編號078 現有收藏者購自上述來源

Sotheby’s, Hong Kong, October 15, 2019, lot 9074 SBI Auction, Tokyo, May 27-28, 2022, lot 078 Acquired from the above by the present owner

構思於1974，鑄造於1994年 23（長）x 23（寬）x 8（高）cm； 24.5（長）x 23（寬）x 21.5（高） cm 簽名雕刻底部：'74 Kusama 年代雕刻下方：20/30 '93 藝術家圖騰下方； 簽名雕刻底部：'74 Kusama 年代雕刻下方：6/30 '94 藝術家圖騰下方 來源

附藝術家簽名之原作保證書（草莓一號）

This lot is accompanied with a certificate of authenticity signed by the artist. (Strawberry 1)

NT$ 1,800,000 - 2,800,000 HK$ 439,000 - 683,000 US$ 56,300 - 87,600 RMB 411,000 - 639,000

「不在永恆的時光裡，而在即逝的轉瞬…將錯覺之門打得粉碎， 在群花的痛苦之間，此刻永不終結」－草間彌生 Not in time eternal but in the present that transpires...

Tear down the gate of hallucinations, amidst the agony of flowers, the present never ends... － Yayoi Kusama

30

草莓二號 Strawberry 2

草莓一號 Strawberry 1

Yayoi Kusama

STRAWBERRY 1 & 2 今次拍品草間彌生《草莓一號》與《草莓二號》（兩件一組）， 全球限量三十件的銅雕作品，即是 1974 年藝術家在面對身、心、 靈考驗，仍秉持創作動力，以生命能量驅動創作的結晶。大抵 而言，草間彌生的立體作品數量不如油畫作品多，自然其限量 雕塑也比版畫數量稀缺。繼六零年代紐約時期的「高跟鞋」軟 雕塑；七零年代的立體作品，就屬 1974 年的「草莓」銅雕最具 代表性，且早於八零年代盛行的南瓜系列。 「草莓」系列銅雕，鮮豔通紅如珊瑚的不規則表面，滿佈手工 戳扎的孔洞。可見為藝術家將無線網點特色，形塑成三維作品。 成果像極了隨時間脫水的風乾草莓，頂部如糖霜抑或白雪罩頂 富士山，則因觀眾的思想有所不同。藝術家以題名，切確點出 創作靈感來自果物，手法則反向抽離外型的仿擬，大膽打破草 莓甜美、脆弱的膚淺形象，選擇剛硬的金屬材質、錐狀造型， 與無限蔓延如藤蔓，其自我象徵的「網點 / 孔洞」特色來表現。 Yayoi Kusama White Infinity Mirror Room-Phalli's Field, Castellane Gallery, New York, 1965 / Image courtesy: Ota Fine Arts, Tokyo © Yayoi Kusama, Yayoi Kusama Studio inc.

正如草間回應自身生命課題，當面臨外在的打擊、死亡的驟變， 她能包容一切，將挑戰，淬鍊成藝術的果實，如一團生生不息 的愛之焰火，溫暖照亮世人幽暗的心靈。 Yayoi Kusama experienced a setback in the late 1972 when

草間彌生經歷 1972 年末，愛侶美國超現實主義藝術家－約瑟

her lover, the American surrealist artist Joseph Cornell,

夫．康奈爾（Joseph Cornell）離世的打擊，精神壓力的舊疾

passed away. Her old mental health issues resurfaced,

復發。她離開嘈雜喧囂的紐約藝壇，欲短暫回到日本靜養。雖

and she left the noisy New York art scene to briefly return

然病情的反覆，限縮身體自由活動的範圍，徹夜難眠的孤獨感，

to Japan for rest and recuperation. Despite the recurrent

夢魘卻也滋養了創作的能量。「自我消融」神秘的氣氛，壟罩

illness, the physical limitations on her freedom of movement,

在此時期的創作風格。療養院較為封閉的環境，促使她將創作

and the loneliness of sleepless nights, Yayoi Kusama found

的注意力轉往水彩、拼貼與小型陶瓷、銅雕立體作品；並且持

that her nightmares nourished her creative energy. The

續紀錄個人的生命經驗，開始創作詩歌。

mysterious atmosphere of "self-obliteration" shrouded

1974 年是草間回日本調養的第二年，此年四月美國費城公民中 心博物館舉行「女性藝術家作品：1974 年美國藝術」聯展，包 含草間彌生、李．克拉斯納（Lee Krasner）、茱蒂絲．伯恩斯 坦（Judith Bernstein）等八十位藝術家，一百五十件作品共同 展出。此展不但是當代女性藝術史極為標誌性的展覽，更彰顯 草間彌生被當時國際藝壇，歸為美國當代、前衛的重量級藝術

her artistic style during this period. The more closed environment of the sanatorium encouraged her to shift her creative focus towards watercolors, collages, small-scale ceramics, and bronze sculptures. She also continued to document her personal life experiences and began writing poetry.

家。惟同年六月，草間彌生的父親病逝。在她成就為世人認可

In 1974, which marked Yayoi Kusama's second year of

之時，再度遭逢至親的離世，心境冷暖恰如草木榮枯，生命時

recovery in Japan, the Civic Center Museum in Philadelphia

序的流轉，甜蜜中卻總是伴隨著苦澀。

held the exhibition "Woman's Work: American Art 1974"

32

in April. This exhibition featured the works of eighty artists,

approach involves a reverse mimicry of the appearance.

including Yayoi Kusama, Lee Krasner, Judith Bernstein,

She boldly breaks away from the sweet and fragile image of

and others, showcasing a total of 150 pieces of art.

strawberries by using rigid metal materials, cone-like shapes,

This exhibition was not only a significant milestone in

and an endless proliferation of vine-like forms to express the

contemporary female artist's history but also highlighted

self-representative feature of "infinite dots/holes."

Ya y o i K u s a m a ' s s t a t u s a s a p r o m i n e n t a r t i s t i n t h e contemporary and avant-garde American art scene at that time. However, in the same year, in June, Yayoi Kusama's father passed away. Just as she was achieving recognition and success in the eyes of the world, she once again experienced the loss of a close family member. Her emotions fluctuated like the changing seasons, and the passage of

Just as Yayoi Kusama responds to the challenges of her own life, facing external setbacks and the suddenness of death, she can embrace it all and transform these challenges into the fruits of art. Like an ever-burning flame of love, she warms and illuminates the dark corners of people's hearts with her art.

life's moments, while sweet in many ways, always seemed to carry a hint of bitterness.

Lot 019 "Strawberry 1 & 2", represents a limited edition of thirty bronze sculptures created by the artist in 1974.

During this year, Kusama faced physical, emotional, and spiritual challenges, yet she continued to create, driven by the energy of life. Generally, Kusama's three-dimensional works are less numerous than her paintings, making limited sculptures like these quite rare. While her soft sculptures of "High Heels" from the 1960s in New York are well-known, her three-dimensional works from the 1970s, particularly the 1974 "Strawberry" bronze sculptures, hold great significance and predate the popular pumpkin series from the 1980s.

The "Strawberry" series of bronze sculptures feature a vibrant and irregular surface, reminiscent of the color of coral, with hand-pierced holes scattered throughout. It's evident that the artist has translated her signature infinite dots into three-dimensional works. The result is akin to dehydrated strawberries over time, with the top resembling either powdered sugar or a snowy-capped Mount Fuji, depending on the viewer's interpretation.

草間彌生《密西根湖》1960年 油彩 畫布 64.8 x 80 cm 蘇富比紐約 2017年 當代藝術夜拍 編號2 約台幣159,000,000 成交

The artist's choice of title accurately indicates that the

Yayoi Kusama, Lake Michigan , 1960, oil on canvas 64.8 x 80 cm Sotheby's New York 2017 Contemporary Evening Sale, lot 2, US$ 5,300,000 sold

inspiration for the creation comes from fruit, but her

020

LIU SHIH-TUNG

劉時棟

劉時棟 1998 年獲美國亞洲文化協會台北

(Taiwanese b. 1970)

高飛

分會 ACC「紐約藝術創作獎助」前往紐

Flying High

2018年

2018 Mixed media on canvas 120 x 120 cm Signed reverse Liu Shih-tung, titled Flying High in Chinese and dated 2018

120 x 120 cm

EXHIBITED

Liu Shih-tung: Strata Labyrinthine Forests, Lin & Lin Gallery, Taipei, June 16-July 22, 2018

NT$ 180,000 - 280,000 HK$ 44,000 - 68,000 US$ 5,600 - 8,800 RMB 41,000 - 64,000 34

綜合媒材 畫布 簽名題識畫背： 高飛 劉時棟 2018 展覽

「劉時棟－迷林浮繪」， 大未來林舍畫廊，台北， 展期2018年6月16日至7月22日

約。2001 年國立藝術學院美術學系創作 碩士班畢業。劉時棟早期擅長影像創作及 地景藝術，亦為台灣少數以拼貼藝術見 長，且具有高度繪畫特質的當代藝術家。 Liu travelled to New York in 1998 after receiving the New York Art Creativity Award from the Asian Cultural Council Taipei Office. In 2001, he received a MFA from the Department of Fine Arts at the Taipei National University of the Arts. In his early years, Liu specialized in image creation and landscape art.

He is also one of the few contemporary Taiwanese artists who excel in collage and painting.

021

CHOU CHU-WANG

周珠旺

(Taiwanese, b. 1978)

靜觀思語－靜悟

Contemplative Reflection-Silent

2009年

2009 Oil on canvas mounted onto board 65 x 170 cm Signed overlap Chou Chu-Wang in Chinese and dated 2009 Signed backing board Artwork by Chou Chu-Wang in Chinese With three seals of the artist

65 x 170 cm

EXHIBITED

Chu-Wang Chou Solo Exhibition: Point ꚙ-Between Alpha and Omega , InART Space, Tainan, March 27-May 9, 2010 Building Blocks, Building Happiness , Tainan Art Museum, Tainan, March 18-October 17, 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 280,000 - 420,000 HK$ 68,000 - 102,000 US$ 8,800 - 13,100 RMB 64,000 - 96,000

油彩 畫布裱於簽名背板 簽名年代畫背折入處：周珠旺 2009 簽名背板：周珠旺 作品 2009 藝術家鈐印背板三處 展覽

「周珠旺個展：點∞－最初與最終」，加力畫廊，台南， 展期2010年3月27日至5月9日 「堆疊快樂－玩具積木藝術展」，台南市美術館，台南， 展期2021年3月18日至10月17日 附藝術家簽名之原作保證書

022

DONG SHAWHWEI

董小蕙

董小蕙早期研究印象派畫風，西畫色彩

(Taiwanese, b. 1962)

瓶花靜物

與光影變化。攻讀碩士學位時致力於老

Still Life with Flowers in a Vase

1996年

1996 Oil on canvas 91 x 73 cm Signed lower right S. Hwei and dated 1996 PROVENANCE

New Aspect Auction, Taipei, April 11, 2021, lot P3026 Acquired from the above by the present owner

NT$ 200,000 - 300,000 HK$ 49,000 - 73,000 US$ 6,300 - 9,400 RMB 46,000 - 68,000

36

油彩 畫布 91 x 73 cm 簽名年代右下：S. Hwei 1996

莊哲學的研究，自此在創作上逐漸 提 煉與深化繪畫風格。1990 年代後期創 作風格開始轉變，發展出主觀心 靈意 象的「黑桌靜物」系列，以花卉、簡單 的器皿、木質的桌椅構成畫面，形成靜

來源

謐的空間氛圍，並以自身居所為題材，

新象拍賣，台北， 2021年4月11日，編號P3026 現有收藏者購自上述來源

發展出「老院子」系列。重要個展 包 括 2013 年美國華府「雙橡園」邀請個 展，2017 年台北國立歷史博物館「老 院子．韶光．年華」個展。

023

DONG SHAWHWEI

董小蕙

In Dong Shawhwei's early period, she studied the

(Taiwanese, b. 1962)

靜日－沙漠玫瑰

style of impressionism, and learned how to express

Quiet DayAdenium Obesum

2018年

2018 Oil on canvas 80 x 100 cm Signed lower right S. Hwei and dated 2018

簽名年代右下：S. Hwei 2018

This lot is accompanied with a certificate of authenticity issued

by Asia Art Center, Taipei.

NT$ 750,000 - 1,100,000 HK$ 183,000 - 268,000 US$ 23,500 - 34,400 RMB 171,000 - 251,000

油彩 畫布 80 x 100 cm

the shadows and color from western painting. She was devoted to analysis of Zhuangzi's thought and aesthetics when she studied in the graduate school of art, this thought gradually refining and adding depth to her painting style, and also started

附亞洲藝術中心開立

a process of self realization through uniting her

之原作保證書

life and her art. In the late 1990s, she created her unique style with the "Still Life of Black Table Series", as well as the "Courtyard in Black and White Series". Dong restructured the common space in her paintings with many plants, wooden tables and chairs. Her important solo exhibitions include Twin Oaks of National Register of Historic Places in the Washington, D.C., and Unfettered Heart-2013 and In Courtyard, Recollecting Precious Moments of Life: Dong Shaw-hwei 2017 Solo Exhibition at National Museum of History, Taiwan in 2017.

024

LUIS CHAN (CHEN FUSHAN)

陳福善

陳福善於 1905 年生於巴拿馬，在 1910 年

芭蕾舞

移居香港。1927 年透過倫敦函授美術課程

(Chinese, 1905-1995)

1985年

Ballet

壓克力 紙本

1985 Acrylic on paper 76 x 58 cm Signed lower right Luis Chan , dated 1985 and titled Ballet

簽名題識右下：

PROVENANCE

Christies, Hong Kong, July 1-15, 2020, lot 8908 Acquired from the above by the present owner

NT$ 220,000 - 320,000 HK$ 54,000 - 78,000 US$ 6,900 - 10,000 RMB 50,000 - 73,000 38

76 x 58 cm Luis Chan 1985 Ballet 來源

佳士得，香港， 2020年7月1日至15日，編號8908 現有收藏者購自上述來源

學習西方畫作技巧。1960 年創辦了華人現 代藝術研究會。陳福善早期的作品主要是寫 實的水彩風景畫，因此被譽為「水彩王」。 在 1950 年代，他的風格轉向了抽象的構圖 和豐富的色彩，蘊含著童趣般夢境的氛圍。 Luis Chan founded the Chinese Contemporary Artists' Guild in 1960.

Chan's earlier works were mostly realistic watercolor landscapes, which earned him a reputation as the "King of Watercolour". He started to explore different western painting techniques in the 1950s and his style took a turn towards abstract configurations and a rich palette that conveyed a sense of childhood fantasy.

025

GEORGE CHANN

陳蔭羆

(Chinese-American, 1913-1995)

律動

Rhythm

1970年代

1970s Oil on canvas 58 x 53 cm Signed lower right GEO CHANN

58 x 53 cm

PROVENANCE

Lin & Keng Gallery, Taipei ILLUSTRATED

George Chann , Lin & Keng Gallery Inc., Taipei, 2005, color illustrated, p. 158

NT$ 600,000 - 900,000 HK$ 146,000 - 220,000 US$ 18,800 - 28,100 RMB 137,000 - 205,000

油彩畫布 簽名右下：GEO CHANN 來源

大未來畫廊，台北 圖錄

《陳蔭羆》，大未來畫廊藝術有限公司， 台北，2005，彩色圖版，頁158

026

JU MING (Taiwanese, 1938-2023)

朱銘出生於台灣苗栗。1953-1957 年從李金川學習木刻，19681976 年間拜師楊英風（1926-1997）學習現代雕塑，以純樸的

Taichi

天性、卓越的才華，將過去賴以維生的木雕工藝，逐次提升為

1995 Bronze, ed. AP 4/6 58(L) x 41(W) x 57(H) cm Engraved lower back Ju Ming in Chinese, dated '95 and numbered AP 4/6

已漸受西方社會矚目。曾獲選十大傑出青年，獲頒國家文藝獎

PROVENANCE

Kalos Gallery, Taipei Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity issued by Kalos Gallery, Taipei and signed by the artist.

NT$ 1,600,000 - 2,400,000 HK$ 390,000 - 585,000 US$ 50,000 - 75,000 RMB 365,000 - 548,000

富有生命意味的藝術創作。其作品廣泛而深切地感動了國人， 章。著名的作品有「鄉土」系列、「太極」雕刻、「人間」雕刻等。 1997 年 12 月在他巴黎梵登廣場盛大展出其著名的太極系列， 1999 年台北金山成立了朱銘美術館，收藏他大量作品。 Ju Ming was born in Miaoli, Taiwan. He developed his unique artistic style through various apprenticeships with mentors, including the master sculptor Yuyu Yang (19261997), who advised Ju to take up Taichi. Studying this martial art subsequently inspired Ju's distinctive Taichi series. Ju's other sculptural series include the 'Nativist' and 'Living World' series. After his 1976 exhibition at the Natural Museum of History in Taipei, Ju received several accolades, including one of ten prestigious Outstanding Young Persons from Taiwan awards and an Arts Award from the Chinese Cultural and Arts Association. The Juming Museum, where much of his work is housed, was established in Chin-shan, Taipei County in 1999, under Ju's direction.

朱銘 太極 1995年 銅雕 版次AP 4/6 58（長）x 41（寬）x 57（高）cm 簽名雕刻背部下側：朱銘 '95 自 4/6 來源

真善美畫廊，台北 現有收藏者購自上述來源 附真善美畫廊開立藝術家簽名之原作保證書

藝術家照片 Artist photo

40

027

JU MING (Taiwanese, 1938-2023)

Taichi Series (a set of 2) 1991 Wood 58.9 (L) x 24.6 (W) x 53.3 (H) cm; 25.1 (L) x 27.6 (W) x 52.4 (H) cm Engraved bottom Ju Ming in Chinese, and dated '91 (both) This lot is accompanied with a certificate of authenticity issued by the Nonprofit Organization Ju Ming Culture and Education Foundation.

NT$ 9,000,000 - 14,000,000 HK$ 2,195,000 - 3,415,000 US$ 281,400 - 437,800 RMB 2,055,000 - 3,196,000 朱銘 太極系列（兩件一組） 1991年 木雕 58.9（長）x 24.6（寬）x 53.3（高）cm； 25.1（長）x 27.6（寬）x 52.4（高）cm 簽名雕刻底部：朱銘 '91（每件） 附財團法人朱銘文教基金會開立之作品鑑定報告書

42

Ju Ming

TAICHI SERIES 朱銘最高價前二十名的拍賣成交紀錄，「單鞭下勢」與「太極

刻的姿態動能，來自於觀者腦海中對未來感與速度感的捕捉。

系列（對招）」兩項主題占了四分之三。藝術家自 1970 年代後

在敵對雙方一攻一踞的對峙中，展現收放自然的動能態勢，勇

期創始太極系列，他反覆創作這兩項代表性題材。常見它們作

然迎戰的氣勢環伺於四周，感染觀者屏息注目的視覺觀感。

為國內重點機構之公共雕塑建設，甚至是官方用於國際文化交 流之餽贈。私人收藏將它們同時列為朱銘雕塑收藏的關鍵品項。 若「單鞭下勢」能詮釋個人涵養的內斂沉靜；「太極系列（對 招）」就是將陰陽虛實，「動能態勢」倏然而起之姿，凝練於 斧劈的塊面肌理。包含大件銅雕裝置，或是能直觀親近的木雕 作品，太極系列皆能與其所處之空間和諧相容，飽含中國園林 天地圓融的東方哲學思想。

台灣中央研究院、新加坡國家博物館、美國亞特蘭大市政府等 機構都有收藏大型「太極系列（對招）」戶外銅雕裝置。2000 年後朱銘自承「太極系列（對招）」延伸出後期的「太極拱門」 系列，可視為太極系列之集大成：「以前的推手，兩個個體間 還有間距，而現在，我讓雙手連接起來，一連接，氣的流動、 肌肉的牽動，就相互貫通、活絡，合為一體，轉化成拱門的造 型。」太極拳看似柔軟無力，實則陰陽相生、柔中寓剛、剛柔

朱銘少年時期從傳統的木雕習藝，長期的實踐讓他對木頭的特

並濟、動靜相隨，它以架勢誘導身體產生調和動作的均衡，氣

性瞭若指掌，擁有深刻的體悟。結合藝術家從自身練太極拳中

體運行，而達平與靜的效果。

獲得啟示，不停專研太極招式中的人物造型。因而他能完全發 揮木材天然紋理的美感，讓木質纖維沿著紋理開裂，突顯其質 地。藝術家順應並尊重原生材料的氣度，深刻連結「太極」核 心思想，注重內在精神與外在物質相融，宇宙萬物的平衡運行 的道理。而縱觀二十世紀華人現代雕塑史，亦如朱銘「太極」 系列蘊含天地合一自然觀，飽含東方氣度之雕塑作品，無人能

The top 20 auction records for Ju Ming are dominated by two themes: "Single Whip" and "Taichi Series Boxing" The artist initiated the Taichi Series in the late 1970s, and he repeatedly created these two iconic subjects. They are commonly used for public sculpture installations in domestic

出其右。

key institutions, and even as official gifts for international

法國藝評家尚－律克．夏綠莫讚譽：「朱銘在三度空間中以線條、

essential items in their Ju Ming sculpture collections.

形式，解決銅雕向來存在的笨重感問題，熟練地呈現太極的律 動，使中國武術藝術的不安定狀態取得和諧、平衡。朱銘的『旋 踢』（1991）和『對招』（1996）似乎重現了希臘雕像的神奇 發現，大塊量體中竟然隱藏著矯捷的形式。」太極拳法瀟灑飄 逸，你來我往之間，象徵著中國的陰陽兩儀，推手的兩方又構 成了太極的本體。其中，「對招」著重平衡與對應，轉換於雕

cultural exchanges. Private collectors also consider them as

If "Single Whip" conveys the personal refinement of introspection and tranquility, then the "Taichi Series" encapsulates the interplay of yin and yang, the sudden manifestation of dynamic energy, and the distinct impression left by the ax on the surface textures. Whether in the form of

朱銘《太極系列－對招》1988年 木雕 70.2 x 50.5 x 39.2 cm; 57.4 x 68.3 x 38.6 cm 佳士得香港2019年二十世紀現當代藝術夜拍 編號10 港幣 5,525,000（約台幣22,100,000）成交 Ju Ming, Taichi Series-Sparring , 1988 Wood, 70.2 x 50.5 x 39.2 cm; 57.4 x 68.3 x 38.6 cm, Christies, Hong Kong 2019, 20th Century & Contemporary Art Evening Sale, lot 10, HKD 5,525,000 sold

44

large bronze sculptures or approachable wooden carvings, the Taichi Series seamlessly harmonizes with the spaces they occupy, embodying the Eastern philosophical concept of the integration of heaven and earth found in Chinese garden design.

During his youth, Ju Ming apprenticed in traditional wood carving, and his extensive practice endowed him with an intimate understanding of wood's characteristics. Combining this knowledge with insights gained from his personal practice of Taichi, the artist continuously studied the figure forms within Taichi movements. Therefore, he could fully harness the natural beauty of wood's grain, allowing the wood fibers to split along the grain and accentuate its

朱銘《太極系列－拱門》1992年 木雕 19.7 x 23.5 x 46 cm (左)；49.5 x 25 x 47 cm (右) 羅芙奧2007年春拍 20與21世紀華人藝術 編號071 台幣17,400,000 成交 Ju Ming, Taichi Series-Arch , 1992, Wood, 19.7 x 23.5 x 46 cm (Left); 49.5 x 25 x 47 cm (Right) Ravenel Spring Auction 2007 The 20th & 21st Century Chinese Art, lot 071, USD 526,874 sold

texture. The artist harmonized with and respected the innate qualities of the materials, forming a profound connection

the confrontational stance of two opposing sides, with one

with the core philosophy of "Taichi" He emphasized the

attacking and the other defending, it displays the dynamic

fusion of inner spirit and external material, reflecting the

posture of natural expansion and contraction. The bold and

principles of the balanced operation of the universe. When

courageous spirit of facing the battle surrounds the scene,

considering the history of 20th-century Chinese modern

infecting the viewers with a breathless and captivating visual

sculpture, artworks like Ju Ming's "Taichi" series, imbued

experience as they watch with rapt attention.

with a holistic view of nature, exude the essence of Eastern aesthetics and stand unrivaled by any.

After 2000, Ju Ming extended the "Taichi Series Boxing" theme into the later "Taichi Arch" series, which can be seen

The French art critic, Jean-Luc Chalumeau, ever praised Ju

as the culmination of his Taichi series. He said: "There are

Ming's art: "However, that was referring to lines, or forms

distances between two objects in the 'Pushing Hands' from

worked upon in the third dimension, whereas Ju Ming

the past, now, I have connected those too hands, once they

has to solve the constant problem of extricating, from the

are connected, the flow of chi, and movements of muscles

massiveness of a block of bronze, the sensation of a Taichi

are connected and alive, becoming a single object, and are

adept, meaning one who practices a martial art in which

transformed to an arch."

balance must be kept in the midst of disequilibrium. Taichi Spin Kick (1991) or the double figure Taichi Shadow Boxing (1996) seem to revive the miraculous discoveries of Greek statuary, hidden in the mass of these strangely agile forms.”

Institutions such as the Taiwan Academia Sinica, the National Museum of Singapore, and the City Government of Atlanta in the United States have collections of large outdoor bronze sculptures of the "Taichi Series Boxing".

Taichi Chuan is graceful and elegant, and within the

Taichi Chuan may appear soft and powerless, but in reality, it

exchange of movements between practitioners, it symbolizes

embodies the concept of the interplay of yin and yang, the

the Chinese concept of the interplay of yin and yang. In

fusion of gentleness and firmness, the balance of softness

the practice of push hands, the two sides form the essence

and hardness, and the harmonious coexistence of movement

of Taichi itself. In particular, "Taichi Series" emphasizes

and stillness. It uses its postures to induce the body to

balance and responsiveness, transforming the kinetic energy

produce balanced and harmonious movements, facilitating

of the sculpted postures, originating from the viewer's

the circulation of energy, ultimately achieving a state of

mental capture of a sense of the future and speed. Amid

equilibrium and tranquility.

028

ZHANG HONGTU (Chinese-American, b. 1943)

Sun Kehong (Detail)-Van Gogh NPM 2003 Oil on canvas 92 x 122.5 cm Signed reverse Zhang Hongtu and dated 2003 PROVENANCE

Lin & Keng Gallery, Taipei EXHIBITED

Dialogue with the Taipei Palace Museum: Zhang Hongtu Solo Exhibition , Lin & Keng Gallery, Taipei, February 7-29, 2004 ILLUSTRATED

Dialogue with the Taipei Palace Museum: Zhang Hongtu Solo Exhibition , Lin & Keng Gallery Inc., Taipei, 2004, color illustrated, cover, inside cover and pp. 22-23

NT$ 950,000 - 1,400,000 HK$ 232,000 - 341,000 US$ 29,700 - 43,800 RMB 217,000 - 320,000

出生於中國甘肅。張宏圖畢業於北京中央美術學院附中、中央 工藝美術學院，1982 年赴美國定居。張宏圖將中國古代名家的 經典字畫，以西方大師的用色及筆觸重新詮釋，運用西畫畫法 很好地保留了中國傳統山水畫的構圖及遼闊視野，讓古與今、 東方與西方借著畫家的彩筆展開對話，大膽跳脫了傳統中西方 的美學，以客觀的角度提供觀者一種全新的視覺體驗。 Born in Gansu, China, Zhang graduated from the Affiliated Senior High School of Central Academy of Fine Arts and Central Academy of Arts and Design. In 1982, he settled in the United States. Zhang reinterprets the masterpieces of traditional Chinese painting and calligraphy with western colors and brushworks. He preserves the composition and expansive horizons of traditional Chinese landscape painting, employing Western painting technique and starts the conversations between past and present, East and West with his own paint brush. He frees himself boldly from the traditional Chinese and western aesthetics and provides the viewers with a whole new visual experience from an objective perspective.

張宏圖 孫克弘（細部）－梵谷 2003年 油彩 畫布 92 x 122.5 cm 簽名年代畫背：Zhang Hongtu 2003 來源

大未來畫廊，台北 展覽

「張宏圖中國山水畫再製系列－與台北故宮的對話」， 大未來畫廊，台北，展期2004年2月7日至2月29日 圖錄

《與台北故宮私對話：張宏圖個展》， 大未來畫廊藝術有限公司，台北，2004，彩色圖版， 封面、封面裡與頁22-23

46

張宏圖《孫克弘（細部）－梵谷 NPM－草圖》2003 油彩 畫布 43.7x55 cm， 高雄市立美術館典藏 Zhang Hongtu, Sun Kehong - Van Gogh NPM Draft , 2003 Oil on canvas 43.7x55 cm, Collection of Kaohsiung Museum of Fine Arts

Zhang Hongtu

SUN KEHONG (DETAIL)VAN GOGH NPM

明 孫克弘《銷閒清課圖》（局部）台北故宮博物院館藏 A landscape by Sun Kehong (Detail), courtesy of the Open Data from the National Palace Museum, Taipei.

張宏圖繪畫的特點是在中國傳統山水畫裡運用印象派和後印象派的手法， 在運用西畫畫法的同時又妥適地保留中國傳統山水畫的構圖及其遼闊視 野。作品反映張宏圖異鄉人心情，創作主題大都玩味「東方對西方」、「精 緻對通俗」、「偶像對凡夫」的二分法，取塞尚、梵谷的筆法臨摹中國山 水的巨作，作品一貫呈現了張宏圖顛覆的玩世態度。 本次拍品《孫克弘（細部）－梵谷》以梵谷強烈動感的短直線筆觸重現孫 克弘清雅脫俗的《銷閒清課圖－月上卷》，為 2004 年大未來畫廊《與台 北故宮私對話：張宏圖個展》圖錄的封面作品，小幅草圖已為高雄市立美 術館典藏，其重要性可見一斑。 接受東西方藝術教育的張宏圖認為，中西文化的結合已經成為一種現象， 而他的畫正是「根據中國畫，通過仿畫用新的技術創造出自己的東西」， 他的繪畫大膽跳脫了傳統中西方的美學，以客觀的角度提供觀者一種全新 的視覺體驗。 張宏圖曾於美國、台灣等地舉辦個展。曾獲 1991-1992 年紐約波洛克．魁 阿斯那基金會繪畫大獎、1995-1996 年美國國家藝術基金會視覺藝術家獎 等獎項。作品受北京中國美術館、廣東美術館、紐約布朗克斯美術館、普 林斯頓大學藝術博物館、紐約彼得．諾頓藝術基金會、阿布達比古根漢美 術館與倫敦薩奇美術館等機構收藏。

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Zhang Hongtu's distinctive style of painting involves the use

Zhang Hongtu has held solo exhibitions in the United

of Impressionist and Post-Impressionist techniques within

States, Taiwan, and other places. He has received awards

the traditional Chinese landscape painting. He combines

such as the 1991-1992 Pollock Prize in New York and the

Western painting methods while retaining the traditional

1995-1996 National Endowment for the Arts Visual Artist

Chinese landscape painting's composition and its expansive

Award in the United States. His works are included in the

perspective skillfully.

collections of institutions like the National Art Museum in

His artworks reflect the feelings of a foreigner, and the themes of his creations often play with the dichotomy of "East versus West," "refinement versus populism," and "idols versus ordinary people." He emulates the brushwork

Beijing, Guangdong Museum of Art, Bronx Museum of the Arts in New York, Princeton University Art Museum, the Peter Norton Family Foundation in New York, Guggenheim Abu Dhabi, and Saatchi Gallery in London.

of Cézanne and Van Gogh in his renditions of Chinese l a n d s c a p e s , c o n s i s t e n t l y p re s e n t i n g Z h a n g H o n g t u ' s subversive attitude towards the world.

Lot 028 "Sun Kehong (Detail)-Van Gogh NPM" captures the intense dynamism of Van Gogh's short, straight brush strokes in Sun Kehong's elegant and refined "Delectations for leisure hours-Yueshang (Rising moon)" It served as the cover artwork for the 2004 Lin & Lin Gallery catalog "Dialogue with the Taipei Palace Museum: Zhang Hongtu Solo Exhibition." A small-scale sketch of this work is already in the collection of the Kaohsiung Museum of Fine Arts, highlighting its significance.

Zhang Hongtu, who received education in both Eastern and Western art, believes that the fusion of Chinese and Western cultures has become a phenomenon. He sees his art as "based on Chinese painting, using new techniques to create his own blend of East and West." His paintings boldly break away from the traditional aesthetics of both Eastern and Western art and offer viewers a fresh and objective perspective, providing a completely new visual experience.

文森．梵谷《星夜》紐約現代美術館館藏 Vincent Van Gogh, Starry Night , Collection of MoMA, New York, USA

029

SU XIAOBAI

蘇笑柏

(Chinese, b. 1949)

干戈（雙聯幅）

Arms (diptych)

2010年

2010 Oil on board, lacquer on linen cloth 80 x 300 cm Signed reverse Su Xiaobai , titled Arms in Chinese, inscribed 80x300cm and dated 2010 (both)

80 x 300 cm

PROVENANCE

Tina Keng Gallery, Taipei Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity issued by Tina Keng Gallery, Taipei.

NT$ 1,800,000 - 2,800,000 HK$ 439,000 - 683,000 US$ 56,300 - 87,600 RMB 411,000 - 639,000 50

油彩 大漆 亞麻布 木板 簽名題識畫背：蘇笑柏 干戈 2010 80x300cm（兩件） 來源

耿畫廊，台北 現有收藏者購自上述來源 附耿畫廊開立之原作保證書

蘇笑柏 1992 年赴德國的杜塞爾多夫藝術學院深造。2002 年回到中國後蘇笑柏被象徵東方文化的漆藝吸 引，結合古代工匠技藝與現代藝術思維，培養出具有個人風格的抽象符號及語彙。此雙聯幅拍品《干戈》 作品創作於 2010 年，引用古代兵器名稱，延伸為戰爭之意，頗具懷古寄情歷史浩瀚之胸懷。全篇構色 以棕黃、墨黑表現中式底蘊，畫面結構俐落構成，顯露大器不凡的風範。 Su Xiaobai went to the Dusseldorf Academy of Arts in Germany in 1992 to further his studies. In 2002, after returning to China, Su Xiaobai was drawn to lacquer art, symbolizing Eastern culture. He combined ancient craftsmanship with modern artistic thinking, cultivating a unique style of abstract symbols and vocabulary. This diptych artwork, "Arms," was created in 2010, referencing the names of ancient weapons and extending the meaning to war, reflecting a deep nostalgia for the vastness of history. The entire composition uses brown and black to express the essence of Chinese culture, with a clear and well-structured composition that showcases an extraordinary demeanor.

030

WANG HUAIQING (Chinese, b.1944)

Portrait of Stool 1999 Oil on canvas 131 x 145.5 cm Signed lower right Wang Huaiqing in Chinese

王懷慶現任北京畫院一級畫師，中國美術家協會會員，

PROVENANCE

1992 第 10 屆上野之森美術館大獎展、2003 年中國廣東

Ravenel Spring Auction 2006, Taipei, lot 73 Ravenel Autumn Auction 2008, Hong Kong, lot 135 Acquired from the above by the present owner ILLUSTRATED

Wang Huai Qing , Wang Huaiqing published, Beijing, 2004, color illustrated, no. 114

NT$ 9,000,000 - 13,000,000 HK$ 2,195,000 - 3,171,000 US$ 281,400 - 406,500 RMB 2,055,000 - 2,968,000

與中國油畫學會理事。曾獲 1984 年北京市美展甲等獎、 1991 年《 大 明 風 度 》「91 年 中 國 油 畫 年 展 」 金 獎、 美術館「第二屆全國畫院雙年展」學術獎等獎項。2012 年於台北市立美術館舉辦「一生萬：王懷慶藝術展」， 2014 年於台北耿畫廊舉辦「大都－王懷慶個展」，2015 至 2016 年於日本兵庫縣立美術館舉辦「出山：王懷慶」， 2021 年於中國北京清華大學藝術博物館舉辦「縱橫－王 懷慶藝術展」等。作品典藏於上海美術館、中國美術館 和北京市美術家協會。

王懷慶 坐具肖像 1999年 油彩 畫布 131 x 145.5 cm 簽名右下：王懷慶 來源

羅芙奧2006年春季拍賣會，台北，編號73 羅芙奧2008年香港秋季拍賣會，香港 ，編號135 現有收藏者購自上述來源 圖錄

《王懷慶》，王懷慶出版，北京，2004， 彩色圖版，編號114

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藝術家照片 Artist photo

Wang Huaiqing

PORTRAIT OF STOOL 王懷慶師承華人藝術大師吳冠中，卻發展出與吳冠中迥然不同

有時呈現崩離、拆解的組件，有種悵然若失、繁華不再的感覺，

的創作面貌。王懷慶的作品深沉含蓄，寧靜優雅之中充滿視覺

表達物是人非的悲戚，與對文化傳統斷裂的危機感。

的張力。中國著名藝術評論家賈方舟曾如此評論王懷慶的創作： 「若從哲學的角度審視，王懷慶走的是一條極高明而道中庸的 路。在平面處理中見空間的深度，在具象表現中見抽象精神， 在感性錯覺中見理性原則，在西方的表現技巧中見東方的文化 內涵。中國傳統藝術一向注重結構，建築的空間佈局、繪畫的 置陳步勢、書法的間架結構、篆刻的分朱佈白，直至民間剪紙 的平面鏤空 ... 無一不從結構著眼。在王懷慶的作品中，這些傳 統因素經過創造性的現代轉化，構成了自己風格的主要成分。」 王懷慶從民族的工藝經典取材。力求創造具有個人風味的現代 風貌新經典。完成於 1999 年的《坐具肖像》，乃是王懷慶本人 頗為滿意的作品。畫中一隻造型古樸的大凳子登上主角，老家 具的形體變形為幾何圖案，化成方中帶圓、圓中有方的中國古 典形式。而物件物在畫布上幾乎頂天立地，宛如一張國劇的臉 譜般，簡樸的個體遺世獨立，坐具兀自地述說著自我。墨色取 代了古凳原有的木質顏色，讓人忘卻它原本的功能性，轉為純 然的形式結構，十足地具有極簡抽像美感。然而，在其斑駁的 背景空間裡，古凳仍傳達的一種思古幽情。王懷慶向來擅長畫 面的置陳布勢，給人一種劇場式聯想。他在畫作中所呈現時間 的凝視，一個人物離場後的舞台空間。角色們曾經的粉墨登場，

《坐具肖像》一作中的黑色架構，如碑體法書的斧鑿痕跡，氣 勢十足；另外一方面則描寫如窗花剪紙般的構圖，令人玩味。 一張被藝術家放大的古凳坐具，牽引出中國文人的起居、生活 的文化想像空間，也寄寓著當代藝術家對發揚民族藝術的情懷。 Wang Huaiqing holds the position of a First Class Painter at the Beijing Painting Academy. He is a member of the Chinese Artists Association and serves as a director of the China Oil Painting Factory. He has received the Beijing Art Exhibition First Award 1984, the 1st Annual Exhibition of Chinese Oil Painting Gold Medal in 1991, the 10th Ueno Royal Museum Grand Prize Exhibition in 1992, the 2nd Chinese Art Academies Biennale Academic Award in 2003 and so on. Throughout his career, Wang Huaiqing has had several notable exhibitions. "One to All: the Art of Wang Huaiqing" at the Taipei Fine Arts Museum in 2012, "The Capital" at Tina Keng Gallery in Taipei in 2014, "Out of the Mountain" at Hyogo Prefectural Museum of Art in Japan from 2015 to 2016, "Vertical Horizontal" at Tsinghua

舞台上曾經上演的精彩故事，皆留給觀者自己言說。

University Art Museum in Beijing in 2021, just to name a

為何要選擇明式家具作為描寫的物件？王懷慶如此回答：「特

institutions such as the Shanghai Art Museum, the National

別想畫一幅畫來把這種有生命的東西和這種對象，沒有生命的

Art Museum of China, and the China Artists Association.

東西，給它的主角和它的次角做一個倒置，有時候覺得人的生 命不管多輝煌，多奢靡，全都是比較脆弱的，有時候還不如一 個家具更永恆，更長久，物很近，人很遠，就這種物是人非的 一種情緒吧。」1990 年後，明式家具等古老家私幾乎躍為這位 北京藝術家畫中的主角。有時它們是拉長、變形的極簡結構，

54

few. His artworks are part of the collections at prestigious

Wang Huaiqing's teacher was the Chinese master artist Wu Guanzhong, but the creative style he developed was completely different from that of his teacher. There's a sense of the profound in his works, filling the tranquility and

elegance with visual tension. The renowned Chinese art critic

once lived, life itself is still very fragile. Very often, it cannot

Jia Fangzhou made this comment about Wang Huaiqing's

last longer than a piece of furniture. I just feel that a lifeless

works: "When examined from a philosophical perspective,

object is closer to me than a human being." After 1990, the

Wang Huaiqing has chosen to travel on an extremely rarefied

Ming-style furniture has become the main character in the

and exact path. In the treatment of planes we see the depth

paintings of the artist from Beijing. His furniture sometimes

of space; within the expression, figurative abstractionism can

presents a simple and distorted shape, and sometimes it just

be found; in the sensual illusions, principles of reason and;

falls apart and gives a feeling of loneliness and loss.

in the Western techniques of expression and the cultural sensitivities of the East. Traditional Chinese art has always emphasized the structure. From the spatial layout of the building, the composition of the painting, the framework of calligraphy, the contrast between ink and space of seal scripts through to the hollow spaces of the common papercut and more, all approach the subject matter with an eye to its structure. In Wang Huaiqing's work, these traditional

The black structure in "Portrait of Stool" contains the power of the stele-style calligraphy. Its silhouette-like composition also narrates a profound meaning. An ancient stool enlarged by the artist brings out an imaginary space of the life of a Chinese intellectual. It also inhabits the passion of a contemporary artist to present the culture of his nation to the world.

elements have been given a creative modern transformation to become the main themes of his own style."

In this restless world, the artist creates a quiet corner of reminiscence. Wang gets his materials from the folk crafts, and makes a modern classic work of his own style. "Portrait of Stool" finished in 1999, is one of Wang's favorites. The main character is a simple old stool. The shape of this old piece of furniture is distorted into geometric patterns, a coexistent form of round and square. The lonely counterpart looks like the face painted in the Chinese Opera-easy but independent; it tells its own story. Replacing the original wooden color, the ink color turns its functionality into a pure structure with a minimal abstract beauty. Yet, in that mottled background, the stool conveys a reminiscent atmosphere. Wang is always good at composing a picture, which gives the beholder an association of stage. He presents a time gaze and an empty stage in his paintings; he lets the beholders become ill in the stories which are once performed on stage.

W h y d o e s h e c h o o s e t h e M i n g - s t y l e f u r n i t u re a s h i s characters? Wang answered, "I want to paint something which reverses the order of life and a lifeless object as well as the main and the subordinate characters. Sometimes, I feel that no matter how glorious and luxurious a person

王懷慶《大開大合》1992年 油彩 畫布 145 x 112 cm 羅芙奧2008年秋拍 編號248 台幣 23,600,000 成交 WANG Huaiqing, Separation and Reunion , 1992, Oil on canvas, 145 x 112 cm, Ravenel 2008 Autumn auction, lot 248, US$703,637 sold

031

YANG CHIHUNG

楊識宏

(Taiwanese, b. 1947)

虛空的虛空-3

Vanity of Vanities-3

1987-1988年

1987-1988 Acrylic on canvas 142 x 101.8 cm Signed reverse Chihung Yang and dated 1987-88

142 x 101.8 cm

PROVENANCE

Poly Hong Kong, October 3, 2017, lot 124 Acquired from the above by the present owner ILLUSTRATED

Chihung Yang: Paintings & Works on Paper , Lung Men Gallery, Taipei, 1990, color illustrated, p. 11

NT$ 650,000 - 950,000 HK$ 159,000 - 232,000 US$ 20,300 - 29,700 RMB 148,000 - 217,000 楊識宏善用大自然和諧神祕的特質，繪出抒情婉約的旖旎情 境；畫中褐色使得立於赭黃白三色背景上的植物形影更為舒 緩柔美。楊識宏獨到的空間配置與明暗對比加強藝術傳達的 力道；明亮與幽暗的交錯常現畫中，捕捉了植物的靜謐纖柔。 Yang Chihung skillfully captures the harmonious and mysterious qualities of nature, creating lyrical and delicate scenarios. The use of brown in the painting lends a soothing and gentle quality to the plant forms set against a backdrop of ochre, yellow, and white. Yang Chihung's unique spatial arrangement and play of light and shadow enhance the expressive power of the artwork. The interplay of brightness and darkness is a recurring theme, capturing the tranquil and delicate nature of the plants.

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壓克力 畫布 簽名年代畫背：Chihung Yang 1987-88 來源

保利香港拍賣，2017年10月3日，編號124 現有收藏者購自上述來源 圖錄

《楊識宏》，龍門畫廊，台北，1990年， 彩色圖版，頁11

032

PANG JIUN

龎均

(Taiwanese, b. 1936)

瓶花

Vase of Flowers

2001年

2001 Oil on canvas 53 x 45.5 cm Signed lower left Pang Jiun in Chinese and dated 2001 With one painted seal of the artist

53 x 45.5 cm

PROVENANCE

Ravenel Auction, Taipei, December 5, 2010, lot 104 Acquired from the above by the present owner

NT$ 300,000 - 460,000 HK$ 73,000 - 112,000 US$ 9,400 - 14,400 RMB 68,000 - 105,000

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油彩 畫布 簽名年代左下：龎均 2001年 手繪鈐印：均 來源

羅芙奧台北拍賣，2010年12月5日，編號104 現有收藏者購自上述來源

033

CHIU YA-TSAI

邱亞才

邱亞才筆下的台灣現代文人肖像，受唐代繪畫的影

(Taiwanese, 1949-2013)

中年男子

響頗深，如人物的鉤狀鼻、杏眼，鵝蛋臉，身材頎

Middle-Aged Man

1992年

1992 Oil on canvas 79 x 64 cm Signed lower right Chiu Ya-tsai in Chinese and dated 92

79 x 64 cm

ILLUSTRATED

Chiu Ya-tsai , Goethe Art Center, Taichung, 2006, color illustrated, p. 154

NT$ 380,000 - 550,000 HK$ 93,000 - 134,000 US$ 11,900 - 17,200 RMB 87,000 - 126,000

油彩 畫布 簽名年代右下：92 邱亞才 圖錄

《邱亞才》，哥德藝術中心， 台中，2006，彩色圖版，頁154

長纖瘦，雌雄莫辯，主題上傾向於孤寂、憂鬱、內 斂而沈靜。以肖像畫著稱，藉由畫筆直嘆身埋人類 理性面具下的卑微、傲慢、頹廢與脆弱，細膩優雅 中洋溢著文人感懷落寞的頹靡氛圍。 The portraits of contemporary Taiwanese literati

by Chiu Ya-tsai are deeply influenced by Tang Dynasty painting, characterized by hooked noses, almond-shaped eyes, oval faces, tall and slender figures, and an androgynous quality.

The themes tend to lean towards solitude, melancholy, introversion, and tranquility. Chiu Ya-tsai is renowned for his portraiture, using his brush to deeply sigh at the humility, arrogance, decadence, and vulnerability buried beneath the human mask of reason. Within the delicacy and elegance, there is an atmosphere of decadence that is steeped in the sentiments of literati.

034

MITSUHIRO IKEDA (Japanese, b. 1978)

Portrait of PlaceRomania No.4 2015 Oil on canvas 60.6 x 41 cm Signed reverse Mitsuhiro Ikeda , titled Portrait of Place-Romania No.4 and dated 2015 This lot is accompanied with a certificate of authenticity issued by Soka Contemporary Art Space, LTD., Taipei.

NT$ 60,000 - 90,000 HK$ 15,000 - 22,000 US$ 1,900 - 2,800 RMB 14,000 - 21,000

池田光弘

池田光弘在東京武藏野藝術大學獲得碩

場．肖像－ 羅馬尼亞4號

士學位。藝術家透過描繪看似無關宏旨

2015年 油彩 畫布 60.6 x 41 cm

的物件，拋出對於追求物質文明進步的 反思，讓觀者停下來思考，想像它們曾 經經歷與承載過的一切，重新賦予已經 不完整的表象其主體價值。

簽名題識畫背：

Mitsuhiro Ikeda earned a Master's

2015 Mitsuhiro Ikeda

degree from Tokyo Musashino Art

Portrait of Place-Romania

University. Through his depictions of

No.4

seemingly ordinary and unremarkable

附索卡當代藝術有限公司 開立之原作保證書

objects, the artist offered a reflection on the pursuit of material civilization progress. This compelled viewers to pause and contemplate, to imagine the experiences and burdens these objects had once carried, a n d t o re a s s i g n t h e m n e w f o u n d significance despite their apparent incompleteness.

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035

KATSURA FUNAKOSHI

舟越桂

為日本當代藝壇巨擘，父親舟越保武亦為日本戰後重要雕刻

素描 1

家。舟越桂作品向來以「人」為主題，獨特的人像表現方式，

(Japanese, b. 1951)

2001年

Drawing #1

水墨 墨 修正液 紙

2001 Chinese ink, ink, correcting liquid on paper 34.7 x 67.5 cm Initialed lower left KF and dated '01

簽名年代左下：'01 KF

NT$ 280,000 - 420,000 HK$ 68,000 - 102,000 US$ 8,800 - 13,100 RMB 64,000 - 96,000

34.7 x 67.5 cm

帶給觀賞者一種超現實的疏離感，有東方內斂、沉穩的特質。 舟越桂的每件作品基本上皆是從素描人像的草稿開始，他認為 素描能帶出雕塑的要素與靈魂，有時比成品更具深度。 Katsura Funakoshi is son of an important post-war Japanese sculptor Yasutake Funakoshi and he is now a great Japanese sculpture artist in present day. Through his peculiar works are encircled by his favorite theme, "Human" and often revealing an indifferent atmosphere which the viewers can also discover in some surrealism works. In addition, his works are abundant in oriental introversion and the sedateness. FunakoshiI builds each his works based on the portrait sketches and he believes that these portrait sketches are the fundamental elements to the sculptures and bring the soul into them. He also believes that the original sketches of the sculpture sometimes reveal the deep strength than the sculpture itself.

036

KAZUYA SAKAMOTO

坂本和也

坂本和也，2014 年畢業於名古屋藝術

(Japanese, b. 1985)

飄移

大學美術研究所。坂本和也在盎然綠

Drift

2018年

2018 Oil on canvas 72.5 x 91 cm Signed reverse Kazuya Sakamoto , titled Drift and dated 2018

72.5 x 91 cm

油彩 畫布

PROVENANCE

Nichido Contemporary art, Tokyo Acquired from the above by the present owner EXHIBITED

Taipei Dangdai , January 17-20, 2019

NT$ 120,000 - 180,000 HK$ 29,000 - 44,000 US$ 3,800 - 5,600 RMB 27,000 - 41,000 62

簽名題識畫背：Drift 2018 Kazuya Sakamoto 來源

日動當代藝術畫郎，東京 現有收藏者購自上述來源 展覽

台北當代藝術博覽會， 2019年1月17日至20日

意和潮濕環境中成長。因此他描繪了 那些記憶中的水草景觀。該藝術家曾 在日動畫廊東京當代館、米子市美術 館等地舉辦個展。 Kazuya Sakamoto graduated from the Nagoya University of Arts with a degree in fine arts in 2014.

Sakamoto's upbringing in lush, verdant surroundings and a humid atmosphere left an indelible mark on him, much like a birthmark on one's skin. Consequently, he portrays the aquatic plant landscapes from his memories. The artist has held solo exhibitions at venues such as the Nichido Contemporary Art and the Yonago City Museum of Art.

037

TOKO SHINODA

篠田桃紅

(Japanese, 1913-2021)

靜月

Silent Moon

日本墨 紙本

Sumi ink on paper 100 x 53 cm (with frame) Signed lower right Toko in Kanji and Shinoda in English

簽名右下：桃紅 Shinoda

PROVENANCE

The Tolman Collection, Tokyo Acquired from the above by the present owner in 2006 This lot is accompanied with a certificate of authenticity issued by The Tolman Collection, Tokyo.

NT$ 460,000 - 700,000 HK$ 112,000 - 171,000 US$ 14,400 - 21,900 RMB 105,000 - 160,000

篠田桃紅於 1956 年前往美國，在抽象表現主義繪 畫盛行的紐約展開創作。篠田嘗試超越書法的傳 統，探索新墨的表達形式。她的作品為眾多著名機 構收藏，包括紐約古根漢博物館、荷蘭海牙國家博 物館、大英博物館和紐約現代美術館等。 Toko Shinoda embarked on an artistic journey to New York in 1956, a city thriving with abstract expressionist paintings. Shinoda ventured beyond the confines of traditional calligraphy, exploring novel forms of ink expression. Her work is held in the collections of numerous institutions, including the Guggenheim Museum ( N e w Yo r k ) , t h e H a g u e N a t i o n a l M u s e u m (Netherlands), the British Museum (London), and the Museum of Modern Art (New York).

100 x 53 cm（含框）

來源

陶曼藏珍畫廊，東京 現有收藏者 2006 年購自上述來源 附東京陶曼藏珍畫廊開立之原作保證書

038

SADAMASA MOTONAGA

元永定正

(Japanese, 1922-2011)

一二三，若白光明滅

One Two Three Like White Light is Out

1993年

1993 Synthetic resin paint, acrylic on canvas 60.6 x 72.7 cm Signed lower right S. Motonaga and dated '93 Signed Sanadamasa Motonaga , dated 1993 in Kanji and titled stretcher bar One Two Three Like White Light is Out in Japanese

壓克力 油性合成樹脂塗料 畫布 60.6 x 72.7 cm 簽名年代右下：S. Motonaga '93 題識畫背框條：「いちにいさんしろいひかりがで ているみたい」一九九三 元永定正 附元永資料研究室開立之原作保證書， 登錄編號#F(94)-93

This lot is accompanied with a certificate of authenticity issued by Motonaga Archive Research Institution Ltd., Hyogo, Japan. Registration No: #F(94)-93

NT$ 650,000 - 950,000 HK$ 159,000 - 232,000 US$ 20,300 - 29,700 RMB 148,000 - 217,000 元永定正 1960 年代末期訪美，受「硬邊藝術」啟發創造出全新

occupying the center. This image is endowed with rich

風格。元永定正畫作中常見混合噴漆技法，在全黑的背景中，

and vibrant gradient tones, sculpting smooth and well-

主視覺以向上延伸的豆（橢）型圖像佔據中心，並賦予飽滿亮

defined surfaces, and has become a representative symbol

麗的漸層色調，型塑出造型溫潤圓滑、輪廓明確的色面，也成

of Motonaga's artworks, repeatedly created until the

為元永定正畫作的代表符號，反覆創作直至 2000 年代。今次拍

2000s. The lot "One Two Three Like White Light is out"

品《一二三，若白光明滅》正是 1993 年畫家延伸此橢圓形構圖

is an extension of this theme from 1993. It features three

的作品，三座山型突狀物，似萌芽、菌菇由底部向上生長。半

mountain-shaped protrusions, resembling buds or fungi

圓頂彷彿鎢絲燈或投射燈，光線明滅，熾白光感殘留觀者眼底，

growing upwards from the base. The semi-circular tops

黑暗迅速壟罩的瞬間。作品貫徹理性思考的佈局，同時透過「有

closely resemble the instant when a tungsten filament lamp

機物造型」保有生命力的想像空間，實屬難能可貴。可見晚年

melts and the light goes out, leaving a lingering afterglow

時期的元永定正不再參與具體派活動，也依然秉持「創造從未

of brilliant white light in the viewer's eye, just as darkness

見過的事物」的核心思維，持續探索個人風格的再造。

quickly envelops the scene. The layout of the artwork follows

Motonaga Sadamasa visited to the United States in the late 1960s, where he was inspired by Post-Painterly Abstraction, that he created an entirely new style. In Motonaga's paintings, a common technique involves a blend of spray paint. Against an all-black background, the primary visual consists of an upward-extending bean-shaped (oval) image

64

a thorough rational consideration, while maintaining a space of imaginative vitality through "organic form shaping," which is truly remarkable. It is evident that in his later years, Sadamasa Motonaga no longer engaged in specific artistic movements, yet he continued to adhere to the core philosophy of "creating something never seen before," persistently exploring the recreation of his personal style.

039

HSU YUNGHSU (Taiwanese, b. 1955)

2011-25 2011 Stoneware; unique piece 155 (L) x 40 (W) x 202 (H) cm PROVENANCE

Tina Keng Gallery, Taipei Acquired from the above by the present owner EXHIBITED

Becoming, Refrain: Hsu Yunghsu Solo Exhibition , Tina Keng Gallery, Taipei, February 18-March 18, 2012 ILLUSTRATED

Becoming, Refrain: Hsu Yunghsu , Tina Keng Gallery, Taipei, 2012, color illustrated, pp. 32-33 This lot is accompanied with a certificate of authenticity issued by Tina Keng Gallery, Taipei.

NT$ 800,000 - 1,200,000 HK$ 195,000 - 293,000 US$ 25,000 - 37,500 RMB 183,000 - 274,000 徐永旭

「超越，由生命超越生命，由藝術創作超越藝術創作， 由藝術創作超越生命。」－徐永旭

"Transcendence-from life to life, from artistic creation to artistic creation, from artistic creation to life."- Hsu Yung Hsu

本次拍品《2011-25》曾參展 2012 年耿畫廊徐永旭個展「周流 • 複歌」，三十二件新作呈現藝術家過去六年的藝術沉澱與統整。

2011-25

其中由不計其數的「小單元」所組成的雕塑，如聚合的珊瑚，

2011年

如匯集的葉瓣，如緊密的蜂巢，創造出神秘立體的內在空間，

高溫陶 單一件

宛若自成一格的小宇宙，勃勃的生機、滿蓄的能量吸引人一探

155（長）x 40（寬）x 202（高）cm

究竟。

來源

Lot 039 "2011-25”was exhibited at Tina Keng Gallery

耿畫廊，台北 現有收藏者購自上述來源

"Hsu Yung Hsu Solo Exhibition: Becoming•Refrain”in

展覽

culmination and integration of past six years. Among them

「周流．複歌：徐永旭個展 」，耿畫廊，台北， 展期2012年2月18日至3月18日

are numerous "miniature units" that compose sculptures,

圖錄

woven honeycombs. These creations form mysterious three-

《周流．複歌：徐永旭》，耿畫廊，台北，2012， 彩色圖版，頁32-33

dimensional inner spaces, like self-contained microcosms,

附耿畫廊開立之原作保證書

to explore further.

66

2012, featuring 32 new works that showcase the artistic

resembling clustered corals, gathered petals, or tightly

brimming with vitality and stored energy that beckon viewers

040

EDDIE MARTINEZ

艾迪．馬丁內斯

(American, b. 1977)

方塊頭燈

Blockhead Lamp

2020年

2020 Stained glass, patinated bronze, LED light and mixed media, ed. 51/100 17(L) x 17(W) x 17(H) cm; 28(L) x 28(W) x 26(H) cm (box) Signed bottom MARTINEZ and numbered 051/100

17（長）x 17（寬）x 17（高）cm；

This lot is accompanied with a certificate of authenticity by AllRightsReserved, Hong Kong; with original product box.

NT$ 340,000 - 550,000 HK$ 83,000 - 134,000 US$ 10,600 - 17,200 RMB 78,000 - 126,000

68

彩色玻璃 古銅 發光二極體 複合媒材 版次51/100 28（長）x 28（寬）x 26（高）cm（原裝盒） 簽名台座底部：MARTINEZ 051/100 附AllRightsReserved開立之原作保證書及原裝盒

041

ARMAN FERNANDEZ

阿曼．費爾戴儂

(American-French, 1928-2005)

圓舞曲小提琴桌

Table Basse de Violons

1993年

1993 Gilded bronze (golden patina) and glass, ed. 8/8 Ø 102 x 40 (H) cm Engraved base Arman , inscribed bocquel fd and numbered 8/8

102（直徑）x 40（高）cm

PROVENANCE

Modern Art Gallery, Taichung Acquired from the above by the present owner

銅雕 鍍金 玻璃 版次8/8 簽名雕刻底座：Arman bocquel fd 8/8 來源

現代畫廊，台中 現有收藏者購自上述來源 圖錄

《阿曼－國際大師雕塑展》，現代畫廊，台北，1996年， 彩色圖版，頁34

ILLUSTRATED

Arman-The Exhibition of International Sculpture Master , Modern Art Gallery, Tchung, 1996, color illustrated, p. 34

NT$ 900,000 - 1,400,000 HK$ 220,000 - 341,000 US$ 28,100 - 43,800 RMB 205,000 - 320,000

阿曼深受達達主義及普普藝術主義影響，創立了新現實主義，並成為 在國際上舉足輕重的物體藝術家。阿曼的作品被紐約大都會藝術博物 館、倫敦泰特美術館和巴黎龐畢度藝術中心等世界級美術館收藏。 Arman is deeply influenced by Dadaism and Pop Art, and he was a co-founder of Nouveau Réalisme (New Realism), becoming a prominent object artist on the international stage. Arman's works are held in the collections of world-renowned art institutions such as the Metropolitan Museum of Art in New York, Tate Modern in London, and the Centre Pompidou in Paris.

042

MICHEL-HENRY

米歇爾－昂利

法國畫家米歇爾－昂利以風景、海

(French, 1928-2016)

聖貞母

洋及花卉靜物畫聞名。米歇爾－昂

La Vierge à l'enfant

油彩 畫布

Oil on canvas 35 x 27 cm Signed lower left Michel Henry

簽名左下：Michel Henry

PROVENANCE

Acquired directly from the artist Dimensions Art Center, Taipei Acquired from the above by the present owner in March 1991 This lot is accompanied with a certificate of authenticity issued by Dimensions Art Center, Taipei.

This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 100,000 - 150,000 HK$ 24,000 - 37,000 US$ 3,100 - 4,700 RMB 23,000 - 34,000 70

35 x 27 cm

來源

藝術家本人 帝門藝術中心，台北 現有收藏者購自上述來源於 1991年3月 附帝門藝術中心開立之購買證書 附藝術家簽名之原作保證書

利，1928 年 出 生 於 法 國 朗 格 勒。 1951 年，他畢業於巴黎的法國美術 學院，並在之後獲得許多獎項，其 中包含：1984 年獲頒法國農業騎士 勳章，1986 年獲頒巴黎市勳章。 Michel-Henry is a French painter who was known for his paintings of flower still life, landscapes and marines scenes. Michel-Henry was born in Langres, France in 1928.

He graduated from the Ecole Nationale Supérieure des Beaux Arts of Paris in 1951. MichelHenry have won several awards including Chevalier du Mérite Agricole in 1984 and Médaille de Vermeil of Paris in 1986.

043

JACQUES BOUYSSOU

傑克．波依素

(French, 1926-1997)

聖德尼教堂

Basilica of Saint Denis

油彩 畫布

Oil on canvas 73.5 x 92 cm Signed lower left Jacques Bouyssou

簽名左下：Jacques Bouyssou

EXHIBITED

Jacques Bouyssou , Dimensions Art Center, Taipei, November 11-30, 1989 ILLUSTRATED

Jacques Bouyssou , Dimensions Art Center, Taipei, 1989, color illustrated This lot is accompanied with a certificate of authenticity issued by Dimensions Art Center, Taipei.

This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 150,000 - 220,000 HK$ 37,000 - 54,000 US$ 4,700 - 6,900 RMB 34,000 - 50,000

73.5 x 92 cm

展覽

「1989法國和諧大師波依素個展」，帝門藝術中心， 台北，展期1989年11月11日至30日 圖錄

《傑克．波依素畫輯》，帝門藝術中心，台北， 1989，彩色圖版 附帝門藝術中心開立購買證書 附藝術家簽名之原作保證書

044

TATYANA PALCHUK

塔提雅娜．帕丘卡

(Latvian, b. 1954)

秋日狩獵．格雷獵犬

Hunting with Grey Hounds. Autumn

2005年

2005 Oil on linen 60 x 80 cm Signed lower right T Palchuk and dated 05

60 x 80 cm

EXHIBITED

Never-ending Story Tatyana Palchuk Retrospective , Cesis Museum Exhibition Hall, Cesis, January 2013 Tatyana Palchuk Retrospective , Regional Museum, Rezekne, 2014 ILLUSTRATED

Tatyana Palchuk, Baltic Fine Art , Ludwig Trossaert Galleries, Antwerp, 2017, color illustrated, p. 21

NT$ 120,000 - 200,000 HK$ 29,000 - 49,000 US$ 3,800 - 6,300 RMB 27,000 - 46,000 72

油彩 亞麻布 簽名年代右下：T Palchuk 05 展覽

「永不止盡的故事：塔提雅娜．帕丘卡回顧展」， 采西斯博物館展覽廳，采西斯，2013年1月 「塔提雅娜．帕丘卡回顧展」，雷澤克內博物館， 雷澤克內，2014年 圖錄

《塔提雅娜．帕丘卡：波羅的海美術》， 路德維希．托薩爾特畫廊，安特衛普， 2017，彩色圖版，頁21

045

TATYANA PALCHUK

塔提雅娜．帕丘卡

(Latvian, b. 1954)

漫步橡樹林．落雪

Stroll on the Oak Grove. Snowfall

2021年

2021 Oil on canvas 70 x 90 cm Signed lower right T Palchuk and dated 21 Signed reverse Tatyana Palchuk (Tatjana Palcuka-Rikane) , titled Stroll on the Oak Grove. Snowfall , inscribed 70 x 90 Oil on canvas and dated 2021

90 x 70 cm

PROVENANCE

Private collection, Latvia

NT$ 150,000 - 240,000 HK$ 37,000 - 59,000 US$ 4,700 - 7,500 RMB 34,000 - 55,000

油彩 畫布 簽名右下：T Palchuk 21 簽名年代題識畫背：Tatyana Palchuk （Tatjana Palcuka-Rikane）Stroll on the Oak Grove.

Snowfall 70 x 90 Oil on canvas 2021 來源

私人收藏，拉脫維亞

046

BERNARD CHAROY

貝爾 納 ． 夏 洛 瓦

貝爾納．夏洛瓦 1931 年 5 月 26 日出生

(French, b. 1931)

喬瑟芬

於法國東部洛林省的大南。以柔和的女性

Joséphine

2015年

2015 Acrylic on canvas 46 x 38 cm Signed lower right Bernard Charoy Titled reverse Joséphine

46 x 38 cm

PROVENANCE

Galerie Elegance, Taipei Private collection, Taiwan Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 220,000 - 340,000 HK$ 54,000 - 83,000 US$ 6,900 - 10,600 RMB 50,000 - 78,000 74

壓克力 畫布 簽名右下：Bernard Charoy 題名畫背：Joséphine

肖像畫最為人所知，風景作品細膩而頗富 詩意情調。夏洛瓦於 1955 年，開始在巴 黎蒙馬特工作室與當地藝術家一同工作， 並向藝術家、畫家、設計師學習繪畫及版 畫。1960 年代起，接受新聞及雜誌社委 託，特別為媒體完成許多旖旎之作。其油

來源

畫作品則更加柔美浪漫、風光明媚，廣受

愛力根畫廊，台北 私人收藏，台灣 現有收藏者購自上述來源

青睞。自 1970 年代起至今，夏洛瓦受邀

附藝術家簽名之原作保證書

加坡、法國坎城、比利時安特衛普等地。

於各地展出，其足跡遍佈全球：紐約藝術 展、德國科隆、日本東京、台灣台北、新

047

BERNARD CHAROY

貝爾納．夏洛瓦

Bernard Charoy was born on May 26th,

(French, b. 1931)

卡門

1931, in Nant le Grand, a town in the

Carmen

2014年

2014 Acrylic on canvas 65 x 54 cm Signed lower right Bernard Charoy

65 x 54 cm

PROVENANCE

Galerie Elegance, Taipei Private collection, Taiwan Acquired from the above by the present owner

壓克力 畫布 簽名右下：Bernard Charoy

L o r r a i n e re g i o n o f E a s t e r n F r a n c e .

Charoy is renowned for his portraits of women, and the delicate, enchanting sentiment in his poetic landscape works.

He began his artistic jour ney at the

來源

Montmartre Studio in 1955, where he

愛力根畫廊，台北 私人收藏，台灣 現有收藏者購自上述來源

studied painting and lithography under

附藝術家簽名之原作保證書

accepted commissions from news and

the guidance of local artists, painters, and designers. In the 1960s, Charoy

This lot is accompanied with a certificate of authenticity signed by the artist.

magazine agencies to create compelling

NT$ 320,000 - 480,000 HK$ 78,000 - 117,000 US$ 10,000 - 15,000 RMB 73,000 - 110,000

exhibited around the world, including

artwork, especially for press media.

Since the 1970s, Charoy's work has been the United States, Ger many, Japan, Taiwan, Singapore, France and Belgium.

048

GEORGE CHANN

陳蔭羆

(Chinese-American, 1913-1995)

戲水孩童

The Babies

油彩 畫布

Oil on canvas 62 x 75 cm Signed lower right GEO. CHANN

簽名右下：GEO. CHANN

PROVENANCE

Collection of Jannet Chann (the artist's daughter), USA Private collection, Taiwan (acquired from the above in 2004) The lot will be included in the artist's forthcoming catalogue raisonné prepared by the artist's daughter, Janet Chann, plate no. 363.

This lot is accompanied with a photo with the artist's daughter's signature.

NT$ 240,000 - 360,000 HK$ 59,000 - 88,000 US$ 7,500 - 11,300 RMB 55,000 - 82,000 76

62 x 75 cm

來源

陳蔭羆女兒Janet Chann收藏，美國 私人收藏，台灣（2004年得自上述來源） 本作品即將收錄於陳蔭羆生平作品總目錄， 編號363（作品照片的編號） 附有藝術家女兒簽名作品照片

049

PAUL AÏZPIRI

保羅 ． 艾 斯 比 利

艾斯比利充滿鮮豔色彩與奔放筆調的創作風

(French, 1919-2016)

小丑

格來自流於血液中的樂天基因。他充滿個人

Le Clown

1950年代

1950's Oil on canvas 55 x 46 cm Signed lower right Aïzpiri

55 x 46 cm

PROVENANCE

Galerie Crimson, Taipei Acquired from the above by the present owner's family

NT$ 180,000 - 280,000 HK$ 44,000 - 68,000 US$ 5,600 - 8,800 RMB 41,000 - 64,000

油彩 畫布 簽名右下：Aïzpiri 來源

徐桂畫廊，台北 現有收藏者家屬於 1993年購自上述來源

特質的可親畫面，演化融匯自野獸派、表現 主義與立體派。1950 年代起受邀於各國著名 畫廊舉辦個展。1996 年日本艾斯比利美術館 開幕，為在世藝術家少有的殊榮。 Aïzpiri was an optimistic person from birth, a disposition reflected by the vibrant colors and unrestrained brushstrokes characteristic of his works. His signature composition, always with a touch of friendliness, integrates elements of Fauvism, Expressionism, and Cubism. From the 1950s, worldwide renowned galleries began to invite him for solo exhibitions. In 1996, the Nakata Museum of Art in Japan opened, dedicated to Aïzpiri's work, which is a rare honor for a living artist.

050

CHU TEH-I

曲德 義

曲德義於大學時就讀於國立台灣師範

(Taiwanese, b. 1952)

斷片．錯位 B1310

大學美術系，受教於李仲生。畢業後，

Fractions Dislocation B1310

2013年

2013 Acrylic on linen 65 x 162 cm

65 x 162 cm

EXHIBITED

Sensibility and Order, Tina Keng Gallery, Taipei, September 14-October 12, 2013 ILLUSTRATED

壓克力 亞麻布

展覽

「感性．秩序」，耿畫廊， 台北，展期2013年9月14日 至10月12日 圖錄

Sensibility and Order , Tina Keng Gallery, Taipei, 2013, color illustrated, pp. 46-47

《感性．秩序》，耿畫廊， 台北，2013，彩色圖版， 頁46-47

This lot is accompanied with a certificate of authenticity issued by Tina Keng Gallery, Taipei.

附耿畫廊開立之原作保證書

他前往法國，進入著名國立高等美術 學院深造。如同頑童般的他不斷挑戰自 我，對色彩的掌握和材質間衝突的美感 呈現，總是有獨到的見解。 Chu Teh-I pursued studies at the National Taiwan Normal University's Department of Fine Arts. Following his graduation, he embarked on an educational journey to France, enrolling in the prestigious École Nationale Supérieure des BeauxArts. With a spirit akin to that of a playful child, Chu Teh-I consistently challenges himself. His mastery of

NT$ 160,000 - 240,000 HK$ 39,000 - 59,000 US$ 5,000 - 7,500 RMB 37,000 - 55,000 78

color and the aesthetic presentation of material conflicts demonstrate his distinctive perspective.

051

ALIXE FU

傅慶豊

(Chinese-French, b. 1961)

聖母與黑小孩

Mary, Jesus and John

19世紀-2013年

19th Century-2013 Oil on canvas 60 x 50 (image); 72 x 61 x 7 cm (with frame) Signed lower left Alixe Fu and dated 2013

60 x 50 cm（圖）；72 x 61 x 7 cm（含框）

ILLUSTRATED

Alixe FU/Sign Me Portraits Métissé , Galerie Marie Vitoux, Paris, 2015 color illustrated, pp. 256-257 This lot is accompanied with a certificate of authenticity issued by Lyna Art Co., Auvers-sur-Oise.

NT$ 400,000 - 600,000 HK$ 98,000 - 146,000 US$ 12,500 - 18,800 RMB 91,000 - 137,000

油彩 畫布 簽名年代左下：Alixe Fu 2013 圖錄

《傅慶豊：臉譜 》，維都畫廊，巴黎， 2015，彩色圖版，頁256-257 附Lyna Art開立之原作保證書

052

YAO JUI-CHUNG (Taiwanese, b. 1969)

Good Times: Jaguar 2015 Blue oil ink, glitter and gold leaf on Indian handmade paper 200 x 80 cm With one seal of the artist PROVENANCE

Tina Keng Gallery, Taipei Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity issued by Tina Keng Gallery, Taipei and signed by the artist.

NT$ 260,000 - 380,000 HK$ 63,000 - 93,000 US$ 8,100 - 11,900 RMB 59,000 - 87,000 姚瑞中 好時光－捷豹圖（臨文徵明《雪歸圖》） 2015年 油性製圖筆 亮粉 金箔 印度手工紙 200 x 80 cm 簽名右下鈐印 來源

耿畫廊，台北 現有收藏者購自上述來源 附耿畫廊開立藝術家簽名之原作保證書

80

053

CHANG-LING (Taiwanese, b. 1975)

Poems About Evening Thoughts 2018 Oil on canvas 145 x 80 cm Signed reverse ChangLing , titled Poems About Evening Thoughts in Chinese and dated 2018 This lot is accompanied with a certificate of authenticity issued by InSian Gallery, Taipei.

NT$ 360,000 - 550,000 HK$ 88,000 - 134,000 US$ 11,300 - 17,200 RMB 82,000 - 126,000 常陵 暮想傳詩 2018年 油彩 畫布 145 x 80 cm 簽名題識畫背：常陵 暮想傳詩 2018 附印象畫廊開立之原作保證書

常陵生於台灣花蓮，2000 年畢業於法國國立步矩藝術 學院，同年進入法國國立巴黎高等藝術學院，師事波 坦斯基，韋勒蒙及布斯塔蒙，2004 年畢業於法國國立 巴黎高等藝術學院。2003 年成立 COLOCOLOC 藝術 團體於巴黎。 Born in Hualien City, Taiwan. Chang-Ling graduated from L'Ecole Nationale des Beaux-Art de Bourge in 2000, in which year he was admitted into the Ecole Nationale Superieure des Beaux-Art de Paris and studied under Christian Boltansky, Jean-Luc Vilmout and Jean-Marc Bustamant. In 2003, he held the art group "COLOCOLOC" in Paris.

054

SAM FRANCIS

山姆． 法 蘭 西 斯

山姆．法蘭西斯被認為是少數戰後藝術家首

(American, 1923-1994)

無題，SF85-646

先得到世界認可的藝術家之一。法蘭西斯有

Untitled, SF85-646

1985年

1985 Ink on paper 35.5 x 28 cm Stamped reverse Sam Francis , inscribed SF85-646 S4-164-00 and dated 1985 With one stamp of the Sam Francis Estate on the reverse

35.5 x 28 cm

This painting has been registered with the Sam Francis Foundation in the number of SF85-646.

金會作品登錄，編號SF85-646

NT$ 180,000 - 280,000 HK$ 44,000 - 68,000 US$ 5,600 - 8,800 RMB 41,000 - 64,000 82

水墨 紙本 鈐印畫背：Sam Francis 題識畫背：SF85-646 1985

著旅居數國經驗，也因此學習到許多不同的 創作技巧、方式及文化影響，爾後逐漸形成 山姆的獨特個人風格。法蘭西斯對文學、音 樂及科學的喜好經常顯於他的繪畫，也反映 出他深層的感受。

S4-164-00

American artist Sam Francis is noted as

鈐印畫背：The Sam Francis

one of the first post-World War II painters

Estate

to develop an international reputation.

此作品已於山姆．法蘭西斯基

Francis has travelled extensively and through his travels he was exposed to many styles, techniques and cultural influences, which later formed the development of his style of painting. His paintings embody his love of literature, music and science, while reflecting his deep range of emotions.

055

GIORGIO TENTOLINI (Itanlian, b. 1978)

AnadyomeneVista 021100 2022 Mesh cut handmade board 160 x 80 cm Signed reverse Giorgio Tentolini , titled Afrodite Anadyomene-Vista 021100 (Pagan Poetry) inscribed 160 x 77 cm rete metallica su fondo bianco GT220320 and dated 2022 EXHIBITED

Art Solo 2023 , Expo Dome, Taipei, May 4-7, 2023

NT$ 480,000 - 700,000 HK$ 117,000 - 171,000 US$ 15,000 - 21,900 RMB 110,000 - 160,000

喬治．坦托里尼

喬治．坦托里尼於以金屬絲網為

阿芙蘿黛蒂（維納斯）－ 遠景 021100

媒材，六邊形網眼相互重疊、交

2022年 手工切割網格 木板 160 x 80 cm 簽名題識畫背：Giorgio Tentolini,

織，從一定的距離欣賞，觀眾方 能察覺運用光線和金屬絲網精心 設計的圖像。藝術家使用貼近觀 眾日常的材料，重新詮釋古典雕 塑，將古代與現代完美融合。

Afrodite Anadyomene - Vista

G i o rg i o Te n t o l i n i u s e s w i re

021100（Pagan Poetry）2022,

mesh as his medium. He

160 x 77 cm rete metallica su

overlaps hexagonal grids, which

fondo bianco GT220320

are just like contemporary

展覽

「2023藝之獨秀藝術博覽會」， 花博爭豔館，台北，展期2023年 5月4日至5月7日

society filled with unrealistic filters. The artist allows viewers to recognize themselves in the paintings, making the artworks accessible. Additionally, he reinterprets classical statues, blending the ancient with the contemporary seamlessly.

056

POREN HUANG

黃柏仁

(Taiwanese, b. 1970)

牛仔；等待（迷你版）（兩件一組）

Cowboy; WaitingMini Series (a set of 2)

2020年；2005年

2020; 2005 Bronze and gold foil, ed. 8/30 Bronze, ed. 13/30 25 (L) x 16 (W) x 15 (H) cm 21 (L) x 12 (W) x 8 (H) cm Engraved back of the right leg PR in English, engraved bottom numbered 30-8 PR and dated 2020; Engraved back of the right leg PR in English, engraved bottom numbered 30-13 PR

21（長）x 12（寬）x 8（高）cm

EXHIBITED

The Dogs Notes: Poren Huang , Art Space & Design, Calgary, Canada, 2022 (Cowboy); The Dogs Notes: Poren Huang , Williamsburg Art & Historical Center, New York, November 7, 2015-January 10, 2016 (Waiting-Mini Series)

NT$ 200,000 - 300,000 HK$ 49,000 - 73,000 US$ 6,300 - 9,400 RMB 46,000 - 68,000

84

銅 金箔 版次8/30；銅 版次13/30 25（長）x 16（寬）x 15（高）cm 簽名雕刻右後腿：PR，底部：2020 30-8 PR ； 簽名雕刻右後腿：PR，底部：30-13 PR 展覽

「黃柏仁：狗札記」，Art Space & Design，卡加利， 加拿大，2022年（牛仔）；「黃柏仁：狗札記」， WAH藝術中心，紐約，展期2015年11月7日 至2016年1月10日（等待-迷你版）

057

KWON KISOO

權奇秀

(Korean, b. 1972)

在彩虹之上－紅色河流

On the Rainbow-Red River

2010年

2010 Acrylic on canvas 130 x 197.7 cm Signed overlap and backing board Kwon Kisoo in Korean, Chinese, English and dated 2010

130 x 197.7 cm

PROVENANCE

Seoul Auction, Hong Kong, October 4, 2010, lot 4 Acquired from the above by the present owner EXHIBITED

Kwon Kisoo, New Paintings , UrbanArt Gallery, Seoul, February 19- March 31, 2010

NT$ 380,000 - 550,000 HK$ 93,000 - 134,000 US$ 11,900 - 17,200 RMB 87,000 - 126,000

壓克力 畫布 簽名畫布折入處和背板： 권기수 權奇秀 Kwon Kisoo 2010 來源

首爾拍賣，香港，2010年10月4日，編號4 現有收藏者購自上述來源 展覽

「權奇秀個展：新繪畫」，城市藝術畫廊，首爾， 展期2010年2月19日至3月31日

058

HIME

Hime

Hime 2013 年 移 居 美 國 為 海 外 品

(Japanese, b. 1986)

好看、好感覺、做好事

牌進行拍攝，歸國後移居東京，為

Look Good, Feel Good, Do Good

2022年

2022 Acrylic on canvas 162 x 130 cm Signed reverse Hime and dated 2022 Titled reverse Look good, feel good, do good.

簽名年代畫背：Hime 2022

EXHIBITED

2022 Art Taipei , Taipei World Trade Center Exhibition, Taipei, October 21-24, 2022

NT$ 480,000 - 700,000 HK$ 117,000 - 171,000 US$ 15,000 - 21,900 RMB 110,000 - 160,000 86

壓克力 畫布 162 x 130 cm 題識畫背：Look good, feel good, do good. 展覽

「2022年台北國際藝術博覽會」， 台北世貿中心，台北， 展期2022年10月21日至24日

國 際 時 尚 攝 影 師。2019 年 藝 術 家 發展數位插畫家一職，自由接案。 2020 年 底， 藝 術 家 首 次 使 用 壓 克 力創作畫布作品，並於京都藝術博 覽會（Art Fair Kyoto）展出。 Hime moved to the United States and shot for foreign brands in 2013. He became an international fashion photographer when he returned to Tokyo. Furthermore, he developed a freelance career as a digital illustrator starting from 2019. At the end of 2020, Hime painted his first artwork using acrylic on canvas, which was exhibited at Art Fair Kyoto.

059

POREN HUANG

黃柏仁

(Taiwanese, b. 1970)

狗札記系列－禁區

You Can Not Pass!

2006年

2006 Bronze, ed. 8/12 32(L) x 64(W) x 60(H) cm Engraved back of the leg PR in English, numbered 12-8 and dated 2006

32（長）x 64（寬）x 60（高）cm

PROVENANCE

Powen Gallery, Taipei Acquired from the above by the present owner EXHIBITED

The Dog's Notes-Poren Huang , Powen Gallery, Taipei, December 30, 2017-February 11, 2018 The Dog's Notes-Poren Huang , Shin Kong Mitsukoshi, Taipei/Taichung/Tainan, January 5-March 2, 2018 ILLUSTRATED

The Dog's Notes: Poren Huang , Powen Gallery, Taipei, 2014, color illustrated, pp. 58-59 This lot is accompanied with a certificate of authenticity signed by the artist and issued by Powen Gallery, Taipei.

NT$ 550,000 - 850,000 HK$ 134,000 - 207,000 US$ 17,200 - 26,600 RMB 126,000 - 194,000

銅 版次8/12 簽名雕刻後腿：2006 12-8 PR 來源

紅野畫廊，台北 現有收藏者購自上述來源 展覽

「黃柏仁狗札記藝術展」，紅野畫廊，台北， 展期2017年12月30日至2018年02月11日 「黃柏仁狗札記藝術展」，新光三越，台北/台中/台南， 展期2018年1月5日至3月2日 圖錄

《狗札記：黃柏仁》，紅野畫廊，台北，2014， 彩色圖版，頁58-59 附紅野畫廊開立藝術家簽名之原作保證書

060

JAN KALÁB

楊．克 拉

楊．克拉於 1978 年出生於捷克斯

(Czech, b. 1978)

震動的紅色蛋形

洛伐克，畢業於捷克布拉格藝術學

Vibrating Red Egg 0123

2023年

2023 Acrylic on canvas 120 x 100 cm Signed reverse Jan Kaláb , dated 2023 and titled Vibrating Red Egg 0123

120 x 100 cm

EXHIBITED

Blue Horizon: Jan Kaláb , Bluerider ART Gallery, Taipei, March 1-May 28, 2023

NT$ 420,000 - 650,000 HK$ 102,000 - 159,000 US$ 13,100 - 20,300 RMB 96,000 - 148,000

88

壓克力 畫布 簽名題識畫背：Jan Kaláb 2023 Vibrating Red Egg 0123

院，現居住創作於布拉格。作為捷 克塗鴉界先驅，他在過去 30 年的 創作中一直走在一條非傳統藝術家 的道路上。從街頭塗鴉走入純白空 間，他以點出發，發展出圓的形變 及 3D 立體雕塑，將戶外狂放濃縮

展覽

在幾何形變畫布上。每一條成為極

「藍色地平線上：楊．克拉」， 藍騎士藝術空間敦仁館，台北， 2023年3月1日至5月28日

限的線、色彩緩緩溢出的邊緣，都 讓視線逐漸模糊、融合，賦予作品 富有流動的能量感。作品為捷克和 斯洛伐克國家博物館、巴西國家藝 術博物館、中國德基美術館、韓國 烏山美術館等機構收藏。

061

JAN KALÁB

楊．克 拉

Jan Kaláb was born in Czechoslovakia in

(Czech, b. 1978)

震動的藍色蛋形

1978, graduated from the Academy of Fine

Vibrating Blue Egg 0123

2023年

2023 Acrylic on canvas 120 x 100 cm Signed reverse Jan Kaláb , dated 2023 and titled Vibrating Blue Egg 0123

120 x 100 cm

EXHIBITED

Blue Horizon: Jan Kaláb , Bluerider ART Gallery, Taipei, March 1-May 28, 2023

NT$ 420,000 - 650,000 HK$ 102,000 - 159,000 US$ 13,100 - 20,300 RMB 96,000 - 148,000

壓克力 畫布 簽名題識畫背：Jan Kaláb 2023 Vibrating Blue Egg 0123

Arts in Prague, and currently resides and creates in Prague. As a pioneer of Czech graffiti, he has been walking the path of a non-traditional artist for the past 30 years. Transitioning from street graffiti to pure white spaces, Kaláb starts with dots

展覽

and develops them into transformations

「藍色地平線上：楊．克拉」， 藍騎士藝術空間敦仁館， 台北，2023年3月1日至5月28日

of circles and 3D sculptures, condensing the wild creativity of the outdoors onto geometrically transformed canvases. Each line reaching its limit, the edges slowly overflowing with color, blurs and merges the sight, giving his works a flowing sense of energy. His pieces are collected by the National Museums of Czech Republic and Slovakia, the National Museum of Fine Arts in Brazil, the Deka Art Museum in China, and the Ushan Art Museum in South Korea.

062

THIERRY FEUZ (Swiss, b. 1968)

Golden Atlas Seraphin

西瑞．菲茲 1968 年出生於瑞士，於日內瓦藝術與設計大學碩士畢

2021 Lacquer, oil gold and glitter on canvas 200 x 160 cm Signed overlap Thierry Feuz and dated 2021 Signed reverse Thierry Feuz , titled Golden Atlas Seraphin and dated 2021

衷探索人類於普世間的「存在」（Existence）的意義，並用獨有

EXHIBITED

即逝。菲茲的作品跨越文化及抽象的界線，虛構的風景、豐饒的

Bluerider ART 8th Anniversary Exhibition , Bluerider ART Gallery, Taipei, January 8-March 31, 2022

NT$ 800,000 - 1,200,000 HK$ 195,000 - 293,000 US$ 25,000 - 37,500 RMB 183,000 - 274,000

業。探討其創作核心，相互由藝術、科學、宗教哲學交融，他熱 的繪畫技術，呈現以往未曾可見之心靈境域。「阿特拉斯」典故 源自希臘神話的擎天神，今日則指為位於非洲西北部，橫跨摩洛 哥、阿爾及利亞、突尼西亞三國的山脈；而「塞拉芬」則是出於《舊 約聖經》的六翼熾天使，象徵神聖與無盡的愛。畫中捲曲的花萼 及微生物，極致嬌媚的外表之下，隱喻著生命脆弱，也易於稍縱 色彩、生命的律動，藉由繪畫探問人生及人們存在的意義，在沒 有邊界及場域界定的時空中，死亡與生命的意義將永遠並行。 Thierry Feuz was born in Switzerland in 1968 and graduated with a master's degree from the University of Art and Design in Geneva. Exploring the core of his creative work, it is a fusion of art, science, and religious philosophy. He is passionate about exploring the meaning of "existence" in the universal world of humanity and uses his unique painting techniques to

西瑞．菲茲 金色阿特拉斯系列－塞拉芬 2021年 漆 油彩 金箔 畫布 200 x 160 cm 簽名畫布折入處：Thierry Feuz 2021 簽名題識畫背：Thierry Feuz Golden Atlas Seraphin 2021

present previously unseen spiritual realms. The reference to "Atlas" originates from the Greek mythology of the Titan who held up the heavens, and today, it refers to a mountain range located in the northwest of Africa, spanning three countries: Morocco, Algeria, and Tunisia. On the other hand, "Seraphim" comes from the Old Testament and represents a six-winged, fiery angel symbolizing the divine and boundless love. Within the gracefully curled petals and microorganisms depicted in the artwork, beneath their exquisite beauty, there is a hidden

展覽

metaphor for the fragility of life, which can easily vanish

「Bluerider ART 8周年特展」， 藍騎士藝術空間，台北， 展期2022年1月8日至2022年3月31日

in an instant. Feuz's work transcends cultural and abstract boundaries, creating fictional landscapes, rich colors, and the rhythms of life. Through painting, he explores the meaning of life and human existence in a timeless space without boundaries or defined domains, where the significance of death and life will forever coexist.

90

063

NIKKI

NIKKI

Nikki，本名維若妮卡．伊麗莎白．傑克遜，童

(American, b. 1996)

星光之子「向右看」

年大部分時間成長於美國、德國及日本。她以噴

Starlight Children "Look to Bear Right"

2021年

2021 Mixed media on canvas mounted on board 111 x 111 cm Signed backing board NIKKI

簽名畫背板：NIKKI

This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 320,000 - 480,000 HK$ 78,000 - 117,000 US$ 10,000 - 15,000 RMB 73,000 - 110,000

綜合媒材 畫布 裱於木板 111 x 111 cm

附藝術家簽名之原作保證書於畫背

霧來創造數位化、像素化外觀，畫面用色繽紛， 活潑可愛的女孩圖樣，融合諸多日本與美國當代 藝術家標誌性創作元素，賦予新意。這位全球矚 目藝術界新星的藝術家已於巴黎、倫敦、首爾等 地展出，2022 年 7 月也舉行首場台北個展。 NIKKI (Veronica Elizabeth Jackson) spent most of her childhood in America, Germany, and Japan. She uses spray paint to create a digital and pixelated appearance, resulting in colorful and lively depictions of cute girls.

NIKKI blends various iconic elements from Japanese and American contemporary artists, offering a fresh perspective. This globally renowned emerging artist has exhibited her work in cities such as Paris, London, and Seoul, and she held her first solo exhibition in Taipei in July 2022.

92

064

KITTI NAROD

奇蒂 ． 納 羅 德

奇蒂．納羅德於畢業於泰國皇家理工大學博昌工藝美

(Thai, b. 1976)

讓他吃蛋糕2

術學院。納羅德的作品通過對日常生活中恬靜而溫暖

Let's Him Eat Cake 2

2019年

2019 Acrylic on canvas 99.5 x 80 cm Signed lower right KITTI

99.5 x 80 cm

NT$ 340,000 - 500,000 HK$ 83,000 - 122,000 US$ 10,600 - 15,600 RMB 78,000 - 114,000

壓克力 畫布 簽名右下：KITTI

的氛圍的描繪，來傳達歡樂的氣息，在他作品裡的人 和事物都生活在一個烏托邦裡。這種想法在當下的社會 中可能看起來不太現實，但藝術家試圖提醒我們去享 受簡單的快樂，關注自己最基本的日常生活行為細節。 Kitti Narod graduated from Poh-Chang Academy of Arts, Rajamangala University of Technology Rattanakosin. Narod creates paintings that convey a sense of joy and optimism through the gentle and warm portrayal of daily life and human connectedness. In his paintings, everyone and everything exists together in a utopia. This notion may seem unrealistic to some, especially during an era of social division, but the artist's work tries to remind us to appreciate the simple pleasures and to pay attention to the mundane or basic details of daily life.

065

JISBAR

吉斯巴

吉斯巴本名尚－巴蒂斯特．奈洛，是一位出生

(French, b. 1989)

態度：巴斯奇亞頭骨

於 1989 年的法國街頭普普藝術家。他在巴黎和

Mindset Basquiat Skull

2022年

2022 Mixed media on canvas 130 x 97 cm Signed reverse JISBAR , titled Mindset Basquiat Skull , inscribed 2441880 and dated 2022

130 x 97 cm

NT$ 480,000 - 750,000 HK$ 117,000 - 183,000 US$ 15,000 - 23,500 RMB 110,000 - 171,000

綜合媒材 畫布 簽名題識畫背：Mindset

里斯本兩地生活和創作。吉斯巴以街頭藝術風格 重新詮釋古典藝術傑作如蒙娜麗莎、安迪．沃荷 而 聞 名 於 世。 他 與 BMW、Armani 與 LG 等 品 牌合作，為品牌形象注入了令人興奮的新元素。

Basquiat Skull 2022

Jean-Baptiste Launay, better known as Jisbar,

JISBAR 2441880

is a French pop-street artist born in 1989. He lives and works between Paris and Lisbon.

Jisbar is famous worldwide for being the artist to reinterpret classical art masterpiece figures such as Mona Lisa or Warhol with his personal style of pop and street art. This striking blend of influences shaped a clear and unique identity that inspires a lot of artists and brands such as BMW, Armani, LG across the world today.

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066

KATHARINA ARNDT

凱薩 琳 娜 ． 阿 恩 特

凱薩琳娜．阿恩特出生於 1981 年，在柏

(German, b. 1981)

打錯字的訊息（雙聯幅）

林和巴塞隆納兩地生活和創作。她在布

Message with Typing Errors (Diptych)

2023年

2023 Acrylic on canvas 130 x 180 cm Signed reverse Arndt , titled Message with Typing Errors #1 and dated 2023 Signed reverse Arndt , titled Message with Typing Errors #2 and dated 2023

簽名題識畫背：Message with

EXHIBITED

Art Solo 2023 , Expo Dome, Taipei, May 4-7, 2023

NT$ 380,000 - 550,000 HK$ 93,000 - 134,000 US$ 11,900 - 17,200 RMB 87,000 - 126,000

壓克力 畫布 130 x 180 cm Typing Errors #1 2023 Arndt

倫瑞克藝術學院學習美術、並獲得了喬 恩．阿姆萊德的美術碩士學位。阿恩特 透過具有光滑紋理的媒材來代表我們的 塑膠物質文化。藝術家誇大和諷刺了現 代社會頹廢又豐富的大眾消費主義美學。

簽名題識畫背：Message with

Katharina Arndt, born in 1981, lives

Typing Errors #2 2023 Arndt

and works in Berlin and Barcelona. She

展覽

「2023藝之獨秀藝術博覽會」， 花博爭豔館，台北， 展期2023年5月4日至5月7日

studied at the Braunschweig School of Art and achieved her Master's degree under the guidance of Jon Armleder.

Arndt uses glossy textures to represent our plastic and materialistic culture.

The artist exaggerates and satirizes the contemporary mass consumerist aesthetic of a decadent and abundant society.

067

JON BURGERMAN

喬恩．布爾格曼

(British, b.1979)

朋友們

Friends

2023年

2023 Spray paint on canvas 163 x 183 cm Signed reverse Jon Burgerman , dated 2023 and inscribed New York

163 x 183 cm

EXHIBITED

噴漆 畫布 簽名年代畫背：Jon Burgerman 2023 New York 展覽

「2023 台北當代藝術博覽會」， 台北，展期2023年5月12日至14日

Taipei Dangdai 2023 , Taipei, May 12-14, 2023

NT$ 650,000 - 950,000 HK$ 159,000 - 232,000 US$ 20,300 - 29,700 RMB 148,000 - 217,000 喬恩．布爾格曼 1979 年出生於英國，以一等榮譽畢業於諾丁漢

Contemporary Art Space in Beijing and "New Friends" at

特倫特大學美術系，現居美國紐約。2022 年於北京博樂德藝術

the WOAW Gallery in Hong Kong in 2022, "Feel the Heat"

中心舉辦「群體治療」個展，於香港 WOAW 畫廊舉辦「新朋友」

at the WOAW Gallery in Singapore in 2023 and so on.

個展，2023 年於新加坡 WOAW 畫廊舉辦「感受熱浪」個展等。 作品受倫敦維多利亞和艾伯特博物館與奧地利州博物館等機構收 藏。曾獲坎城廣告節廣告獎、兩項 D&AD 銀獎提名，並與三星、

Burgerman believes in pure imagination and hopes that everyone can participate in experiencing the potential for

可口可樂、蘋果、Nike 等知名品牌聯名合作。

creation, thus creating joy in their own lives. The artist has

布爾格曼認為「想像力就是最好的創作媒介」，更希望每個人都

fashion, design, printmaking and so on. The artwork "

能參與感受創造的可能性，自己創造生活的歡樂。藝術家也多方

Friends" is one of the artist's recent works, with a focus

涉獵包括雕塑、服裝、設計、印刷品等。此次拍品《朋友們》為

on techniques like spray paint or crayon. The style is

藝術家近年之作，風格聚焦於噴漆或蠟筆等繪畫呈現，顏料乾透

characterized by the randomness of dripping pigments

前隨意滴落的不定感，讓畫中角色似笑似哭，如同喜憂參半的人

before they dry, creating a sense of unpredictability. This

生，而觀者猜想畫作情緒的同時，也一同延伸完整了作品。

technique makes the characters in the painting appear both

Jon Burgerman was born in the UK in 1979 and graduated in fine art from Nottingham Trent University. He currently resides in New York, USA. In recent years, he has held solo exhibitions such as "Group Therapy" at Blanc International

96

explored various artistic mediums, including sculpture,

smiling and crying, much like the mixed emotions of life.

Viewers can not only interpret the emotions conveyed by the artwork, but also engage with and complete the piece in their own way.

068

JONATHAN CHAPLINE

喬納森．查普林

(American, b. 1987)

家庭景觀

Domestic Landscape

2017年

2017 Acrylic and Flashe on panel 61.6 x 78.7 cm Signed reverse CHAPLINE and dated 2017

61.6 x 78.7 cm

PROVENANCE

Beers London, London Private collection, Los Angeles Private collection, USA Sotheby's, New York, November 18, 2020, lot 201 Ravenel, Taipei, December 4, 2021, lot 062 Acquired from the above by the present owner EXHIBITED

75 Works on Paper , Beers London, London, November 17-December 19, 2017

壓克力 福喜特殊顏料 畫板 簽名年代畫背：CHAPLINE 2017 來源

Beers London畫廊，倫敦 私人收藏，洛杉磯 私人收藏，美國 蘇富比，紐約，2020年11月18日，編號201 羅芙奧，台北，2021年12月4日，編號062 現有收藏者得自上述來源 展覽

「75紙上群展」，Beers London畫廊，倫敦， 展期2017年11月17日至12月19日

NT$ 1,000,000 - 1,500,000 HK$ 244,000 - 366,000 US$ 31,300 - 46,900 RMB 228,000 - 342,000 喬納森．查普林 Jonathan Chapline（1987 年生）畢業於羅德

art creation. Chapline describes his creative spirit as

島設計學院（RISD），目前定居於紐約布魯克林。他的作品完

"Pushing the boundaries between the digital and the

美詮釋「3D 渲染」技術在當代藝術創作的實踐。查普林自詡其

physical", capturing the first impressions of his artwork with

創作精神是「推倒數位與現實的界線」，捕捉對其畫作的第一

a significant clash of magenta and indigo color schemes.

印象，大量洋紅與靛藍色系相互衝擊。彷彿視覺化 Synth wave

His work seems to visualize the concepts of synth-wave

電子音樂，反向輸出虛擬概念於物質世界，充滿未來、超現實

electronic music, projecting virtual ideas into the material

迷幻感。作為引導觀者進入非現實空間體驗的基礎，藝術家收

world in a way that is filled with a sense of the future and

集早期建築雜誌的豪宅攝影，並施以電腦繪圖的現代技術。當

surreal psychedelia. The artist collects photographs of luxury

復古元素與經典題材，復生於科技感，過去與未來的交集，最

homes from early architectural magazines and combines

終停泊於觀者的視野。也許藝術家也間接回答了，對於「時、空」

them with modern computer graphics techniques. The fusion

的詮釋，唯有「人」才是最終的解答。

of retro elements and classical subjects with a technological

Jonathan Chapline, born in 1987, graduated the Rhode Island School of Design (RISD) and currently resides in Brooklyn, New York. His work perfectly embodies the practice of "3D rendering" technology in contemporary

98

sensibility creates a meeting point between the past and the future, ultimately arriving in the viewer's field of vision.

Perhaps the artist is indirectly addressing the interpretation of "time and space," suggesting that only "people" are the ultimate answer to this conundrum.

069

EDGAR PLANS

艾德加．普連斯

(Spanish, b. 1977)

甜蜜的家

Home Sweet Home

2020年

2020 Mixed media on canvas 100 x 100 cm Signed lower left Plans Titled upper left Home Sweet Home Signed reverse Plans , titled Home Sweet Home and dated 2020

100 x 100 cm

NT$ 3,000,000 - 5,000,000 HK$ 732,000 - 1,220,000 US$ 93,800 - 156,300 RMB 685,000 - 1,142,000

綜合媒材 畫布 簽名左下：Plans 題識左上：Home Sweet Home 簽名題識畫背：Home Sweet Home Plans 2020

艾德加．普連斯 1977 年出生於西班牙馬德里，自小著迷塗鴉、 城市藝術和漫畫書，從有記憶以來，便拿著鉛筆和蠟筆在每面 可觸及的牆壁上、人行道上盡情揮灑源源不絕的創造力，而 耳邊總是一如既往地響著作為科幻作家的父親的親切打字聲。 普連斯和手足會在父親辦公室裡的矮桌上畫畫，家裡洋溢著藝 術氛圍，任何創作皆受到鼓勵，「我從來沒有遇到任何限制」 藝術家如此回憶到。直到他 15 歲時決定學習更多技術，跟隨 藝術家何塞．瑪麗亞．拉莫斯（José María Ramos）工作兩年， 對於透過繪畫抒發自由思想更加得心應手，此後普連斯繼續進 修，在西班牙奧維耶多大學取得藝術史學位。 Edgar Plans was born in Madrid, Spain, in 1977. From a young age, he was captivated by graffiti, urban art, and comic books. He picked up pencils and crayons and painted on any wall or sidewalk he could reach. And the typing sound of his father, who was a science fiction writer, accompanied him all the time. Plans and his siblings used to draw on a table in their father's office, and the atmosphere at home is always artistic and cozy. Any form of creativity was encouraged, and as he recalls, "I never encountered any limitations." It wasn't until he was 15 years old that he decided to learn more techniques. He

艾德加．普連斯《向八零年代的塗鴉藝術家致敬》 2019年 綜合媒材 畫布 100 x 100 cm 羅芙奧2022年春拍 編號240 台幣10,800,000 成交 Edgar Plans, Tribute to Graffiti Artists at Eighties , 2019 Mixed media on canvas 100 x 100 cm, Ravenel 2022 Spring auction, lot 240, US$367,597 sold

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spent two years working with the artist José María Ramos.

This experience made him even more adept at expressing his free thoughts through painting. Subsequently, Plans continued his studies and earned a degree in Art History from the University of Oviedo in Spain.

Edgar Plans

HOME SWEET HOME 此次拍品《甜蜜的家》為艾德加．普連斯的動物英雄（Animal Heroes）系列， 藝術家打造了一個全然不同的英雄形象，稚嫩的孩童戴上五顏六色的頭套，大 大的無辜雙眼如同他們毫無防備的透明內心，圓潤可愛的造型充滿童趣。 畫作飾有塗鴉的背景恍若城市縮影，普連斯將自己最喜愛的街頭藝術與兒童插 圖結合，這兩者都是藝術家認為「非常自由的藝術」。而在多彩生動的圖像背 後，闡述著藝術家對社會政治問題的觀察和評論，普連斯曾說過：「我的動物 英雄希望可以用來批評人類對地球的破壞，抵抗性別暴力、種族主義和妒恨等 負面情緒。」 《甜蜜的家》中超級英雄們在由梯子和平台搭建成的迷宮建築物上，或手持彩 筆肆意圖畫，或四處張望尋找方向，背景中潦草地寫著「Paris Can Wait」（巴 黎可以等待）、「Wrong Way」（錯誤方向）呼應主題。「Paris Can Wait」 （你好，安）是一部 2017 年的電影，描述女主角安在一趟意外旅行中，正視 過往傷痛，重新尋回生命之望。 在汲汲於一個接一個目的地的生活中，普連斯的超級英雄提起畫筆，為周圍環 境塗上內心憧憬，「對我來說，善良、能夠溫暖人心，才是英雄所需要具備的 真正力量」英雄們懷著天真善良、勇敢無畏的心，為冰冷陳悶的灰色世界，帶 來令人會心一笑的溫暖力量，更表達藝術家對心靈自由的嚮往。 艾德加．普連斯 2021 年於莫斯科現代藝術博物館舉辦個展「夢想的自由和想 要的自由」、於巴黎阿爾敏萊希畫廊舉辦「艾德加．普連斯：法國文學往事」， 2021 年至 2022 年於布魯塞爾阿爾敏萊希畫廊舉辦個展「艾德加．普連斯：牆」 等。作品受古巴國家美術館、阿斯圖里亞斯藝術博物館、阿斯圖里亞斯公國政 府委員會、蘭格雷奧市政美術館 -Eduardo Úrculo、西班牙的 LABoral 科技與 創意產業中心等機構收藏。

Lot 100

102

Edgar Plans was born in Madrid, Spain, in 1977. From a young age, he was captivated by graffiti, urban art, and comic books. He picked up pencils and crayons and painted on any wall or sidewalk he could reach. And the typing sound of his father, who was a science fiction writer, accompanied him all the time.

Plans and his siblings used to draw on a table in their father's office, and the atmosphere at home is always artistic and cozy. Any form of creativity was encouraged, and as he recalls, "I never encountered any limitations." It wasn't until he was 15 years old that he decided to learn more techniques. He spent two years working with the artist José María Ramos. This experience made him even more adept at expressing his free thoughts through painting. Subsequently, Plans continued his studies and earned a degree in Art History from the University of Oviedo in Spain.

The artwork "Home Sweet Home" is part of Edgar Plans' "Animal Heroes" series. In this series, the artist has created entirely different hero figures. Innocent and childlike characters wear colorful headgears, and their large, pure eyes reflect their unguarded and transparent inner selves.

Their round and adorable appearance exudes a sense of playfulness.

The artwork features a graffiti-laden background that resembles a miniature cityscape. Plans combines his love for street art and children's illustration, both of which he considers "especially free forms of art." Behind the colorful and vibrant imagery, the artist conveys his observations and commentary on social and political issues. Plans once mentioned, "My animal heroes are intended to be used to criticize human destruction of the Earth, resistance against gender violence, racism, and negative emotions like envy."

In "Home Sweet Home," the superheroes are depicted on a maze-like structure constructed from ladders and platforms. They are freely drawing with colored pencils or looking around to find their way. In the background, there are scribbled phrases like "Paris Can Wait" and "Wrong Way," which are in line with the theme. "Paris Can Wait" is a reference to a film with the same name, which portrays the female protagonist, Anne, coming to terms with the past and rediscovering hope during an unexpected journey.

艾德加．普連斯《勿忘活出真自我》2019年 綜合媒材 畫布 180.3 x 180.3 cm 蘇富比紐約 2022年 當代藝術日拍 編號512 約台幣14,364,000 成交 Edgar Plans, Don't Forget to Live My Life , 2019, Mixed media on canvas, 180.3 x 180.3 cm Sotheby's New York 2022 Contemporary Day Sale, lot 512, US$478,800 sold

The artwork appears to capture a sense of adventure and exploration, perhaps echoing the idea that life's path can sometimes take unexpected and transformative turns.

In the hustle and bustle of a life filled with one destination after another, Plans' superheroes pick up their paint brushes to color their surroundings with their inner aspirations. "To me, kindness and the ability to warm people's hearts are the true powers that heroes should possess," he says. These heroes, with their innocence, goodness, and fearless hearts, bring a heartwarming power to the cold gray world. They represent the artist's yearning for spiritual freedom and the belief in the transformative and uplifting impact of kindness on the world.

Edgar Plans held solo exhibitions in Moscow "The Freedom to Dream and Want to Be" at the Moscow Museum of Modern Art in 2021, in Paris "Once Upon a Time the French Literature" at the Almine Rech Gallery in 2021 and in Brussels "The Walls" at the Almine Rech Gallery from 2021 to 2022.

His works are collected by institutions such as the National Museum of Fine Arts in Cuba, the Asturias Art Museum, the Government Committee of Asturias, the Eduardo Úrculo Municipal Museum of Fine Arts in Langreo, and the LABoral Technology and Creative Industries Centre in Spain.

070

TOMOKO NAGAI (Japanese, b. 1982)

長井朋子 1982 年出生於日本愛知縣，於 2006 年畢業於愛知縣立藝 術大學油畫系。曾於日本、香港、台灣、新加坡等地舉辦個展，今

Cat Hat

年也兩次參與台灣畫廊聯展，「玩美藝術」當代藝術聯展（UYart，

2020 Oil and glitter on canvas 162 x 130.3 cm Signed stretcher bar Tomoko Nagai , dated 2020 and titled Cat Hat in Japanese

術，2023），並由東京都現代美術館、愛知縣美術館、英國 Franks-

PROVENANCE

Tomio Koyama Gallery, Tokyo EXHIBITED

Tell It Like It Is! , ISM Art Space, Shenzhen, October 30-November 25, 2022

NT$ 1,200,000 - 1,800,000 HK$ 293,000 - 439,000 US$ 37,500 - 56,300 RMB 274,000 - 411,000

2023）、「Human Desire : The YANG ARTS Collection」（ 洋 藝 Suss、瑞士 JaPigozzi、德國 Olbricht 等機構收藏其作。曾參與 NHK 教育頻道的節目製作與多本出版書籍封面設計，更與日本資深畫廊－ 小山登美夫長期合作。 拍品《貓咪高帽子》繽紛的顏料和多元的繪畫媒材，宛若譜寫一曲樂 章，令人耳目一新的旋律絲絲入扣，喚起童年最柔軟的記憶，聯想起 兒時純真稚氣的夢；觀賞長井朋子的作品，似觀看充滿奇思妙想的少 女日記，甜美夢幻，又細膩真實，表裡世界交錯，讓觀者與作品進行 私密的心靈交流。 Tomoko Nagai was bor n in Aichi Prefecture in 1982. She graduated from Aichi Prefectural University of Fine Arts and Music in 2006, majoring in Oil Painting. She has held solo exhibitions in various locations, including Japan, Hong Kong, Taiwan, and Singapore. In addition, she has participated in joint exhibitions in Taiwan this year, "Playful Art" at UYart Gallery, Taichung and

長井朋子 貓咪高帽子 2020年 油彩 亮粉 畫布 162 x 130.3 cm 簽名題識畫背條框：ねこの帽子 2020 Tomoko Nagai

"Human Desire: The YANG ARTS Collection" at Yang Art, Taipei.

Nagai's artworks have been included in public collections both in Japan and internationally, notably Museum of Contemporary Art Tokyo (Japan), Aichi Prefectural Museum of Art, the Franks-Suss Collection (UK) and The JAPIGOZZI Collection (US / Switzerland), the Olbricht Collection (Germany). Nagai provided title designs and artworks for television programmes on NHK Educational, as well as created book covers for a range of publications.In collaboration with the esteemed Japanese gallery Tomio Koyama.

來源

小山登美夫畫廊，東京 展覽

「見你所見，感你所感」，藝森空間， 深圳，展期2022年10月30日至12月25日

The artwork "Cat Hat" with its vibrant colors and diverse painting materials is like composing a musical piece, with a refreshing melody that stirs up the softest childhood memories and evokes the innocent dreams of youth. When observing the works of Nagai Tomoko, it's akin to reading a girl's diary filled with whimsical thoughts-sweet, dreamy, yet exquisitely real. The worlds within and outside the artwork interweave, allowing viewers to engage in intimate, soulful communication with the piece.

104

071

MIWA KOMATSU

小松美羽

(Japanese, b. 1986)

彼此守護

To Support Each Other

2018年

2018 Acrylic and mixed media on canvas 91 x 72.7 cm Signed left side Miwa Komatsu and inscribed Komainu VR 3D in Kanji and dated 2018 Signed right side KoMiwa and inscribed Ah in Kanji

91 x 72.7 cm

壓克力 綜合媒材 畫布 簽名題識左側：2018 狛犬VR用立体 小松美羽 簽名右側：阿 KoMiwa 附香港白石畫廊開立之原作保證書

This lot is accompanied with a certificate of authenticity issued by Whitestone Gallery, Hong Kong.

NT$ 850,000 - 1,300,000 HK$ 207,000 - 317,000 US$ 26,600 - 40,700 RMB 194,000 - 297,000 小松美羽 1986 年出生於日本長野縣，2004 年畢業於女子美術

later became the permanent display at the British Museum,

短期大學部。2015 年在倫敦「切爾西花展」展出有田燒彩繪狛

this made her being the youngest living artist, whose work is

犬作品《天地的守護獸》，被大英博物館收藏，成為常設展品，

ever collected by this worldwide known museum.

小松美羽成為該館所典藏在世藝術家作品最年輕的一位。作品 受紐約世界貿易中心、長野縣美術館、廣島 Woodone 美術館、 中國山東省日照市瀟美術館、日本駐克利夫蘭總領事官邸等機

Her works are included in the collections of institutions like World Trade Center, Nagano Prefectural Art Museum,

構典藏。

Woodone Museum of Art, Xiao Museum of Contemporary

本次拍品《彼此守護》奔放的線條交織成獸，神祕絢爛的色彩

Consulate-General of Japan in Cleveland (Ohio, USA).

帶 來 強 烈 的 視 覺 張 力， 而 畫 面 中 的 守 護 獸 安 然 如 故， 以 靈 動 的姿態傳遞溫暖能量。小松美羽提倡「大和諧」（The Great Harmonization），將藝術作為連接靈魂的工具，透過冥想，與 常人不可見的神獸相遇、聯繫，並生動地描繪成具象，藝術就

Art (Rizhao, Shandong, China) and the official residence of

The artwork "To Support Each Other" bold lines interweave to form mythical creatures, and the vibrant and mysterious colors create a strong visual tension. However, the guardian

此成為不分人種、跨越語言障礙的祝福。

beasts in the picture remain unharmed, conveying warm

Miwa Komatsu was born in Nagano, Japan in 1984. She

advocates "The Great Harmonization," using art as a tool to

graduated from the Joshibi College of Art and Design

connect with the soul. Through meditation, she encounters

in Tokyo in 2004 and won the Best Design Award in the

and connects with invisible guardian beasts that are beyond

following year. In 2015, her Arita-porcelain made "Guardian

ordinary perception, vividly portraying them in her art. This

Lion Dogs: Heaven and Earth" was exhibited at the Chelsea

makes art a universal blessing that transcends race and

Flower Show in London, which won the Golden Award and

language barriers.

106

energy through their graceful postures. Miwa Komatsu

072

ALEX FACE (Thai, b. 1981)

亞 歷 克 斯． 費 斯 Alex Face 泰 文 本 名 Patcharapol Tangruen 出 生 於 1981 年，大學進入先皇技術學院學習建築，並獲「美術與應用藝

The Gardener

術」學位。因喜愛嘻哈文化而接觸街頭塗鴉，Alex Face 愛上不斷征

2016 Bronze, ed. 3/3 69 (L) x 75(W) x 150(H) cm Engraved backside of the right paw Alex Face and numbered 3/3

Mardi，它擁有幼體化的柔軟外型與傳統宗教中象徵感知的第三隻眼，

EXHIBITED

Alive , Bangkok CityCity Gallery, Bangkok, December 21, 2016-February 19, 2017 This lot is accompanied with a certificate of authenticity issued by Bangkok CityCity Gallery, Bangkok and signed by the artist.

NT$ 1,200,000 - 1,800,000 HK$ 293,000 - 439,000 US$ 37,500 - 56,300 RMB 274,000 - 411,000

服高牆和環境限制的成就感。Alex Face 2009 年創造出擬人造型角色 集結藝術家個人的生命經驗與泰國視覺形象，強化了作者敘事的情感 渲染力，並弱化包藏的政治性與批判攻擊，因而深植人心。 Alex Face, whose name is Patcharapon Tangruen, was born in 1981. He pursued higher education at King Mongkut's Institute of Technology Ladkrabang (KMIT), studying architecture and earning a degree in Fine Arts and Applied Arts. Inspired by his love for hip-hop culture, Alex Face was drawn to street graffiti.

He fell in love with the sense of accomplishment that came from conquering tall walls and overcoming environmental constraints.

In 2009, Alex Face created the anthropomorphic character Mardi, characterized by a soft and youthful appearance and a third eye symbolizing a sense of perception often seen in traditional religious contexts. Mardi embodies both the artist's personal life experiences and the visual identity of Thailand, enhancing the emotional impact of the artist's storytelling while tempering overt political messages and critical attacks. As a result, Mardi has

亞歷克斯．費斯

become deeply ingrained in the hearts of many.

花園守護者 2016年 銅 版次3/3 69（長）x 75（寬）x 150（高）cm 簽名雕刻右足後側：Alex Face 3/3 展覽

「生存」，曼谷城市城市畫廊，曼谷， 展期2016年12月21日至2017年2月19日 附曼谷城市城市畫廊開立之藝術家簽名原作保證書

2016年《花園守護者》銅雕藝術家曼谷個展照片 The Gardener exhibition photo in 2016

108

073

ALEX FACE

亞歷克斯．費斯

(Thai, b. 1981)

落日彩霞 No.3

Sunset Cloud No.3

2022年

2022 Oil, acrylic and spray on linen 30.5 x 40.5 cm Signed lower right Alex Face and dated 2022

30.5 x 40.5 cm

NT$ 320,000 - 480,000 HK$ 78,000 - 117,000 US$ 10,000 - 15,000 RMB 73,000 - 110,000

110

油彩 壓克力 噴漆 亞麻布 簽名年代右下：Alex Face 2022

074

ALEX FACE (Thai, b. 1981)

Bare with Me (Dream) 2020 Acrylic on canvas 85 x 60 cm Signed lower right Alex Face and dated 2020 PROVENANCE

Vertical Gallery, Chicago Private Collection, Asia

NT$ 420,000 - 600,000 HK$ 102,000 - 146,000 US$ 13,100 - 18,800 RMB 96,000 - 137,000 亞歷克斯．費斯 坦然於心 2020年 壓克力 畫布 85 x 60 cm 簽名年代右下：Alex Face 2020 來源

Vertical 畫廊，芝加哥 私人收藏，亞洲

075

KANA WATANABE

渡邊香奈

渡邊香奈前往西班牙馬德里進修三年，

(Japanese, b. 1980)

蘋果引力

向當代具象繪畫大師安東尼奧．洛佩斯

Apple Gravitation

2010年

2010 Oil and tempera on canvas mounted onto board 53 x 53 cm With artist's initial lower left Signed reverse Na in Japanese, titled Apple Gravitation and dated 2010

53 x 53 cm

This lot is accompanied with a certificate of authenticity issued

by Star Gallery, Taipei.

NT$ 90,000 - 140,000 HK$ 22,000 - 34,000 US$ 2,800 - 4,400 RMB 21,000 - 32,000 112

油彩 蛋彩 畫布裱於木板 藝術家縮寫左下 簽名題識畫背：な Apple Gravitation 2010 附藝星藝術中心開立之原作保證書

學習西班牙寫實主義技巧。作品色調溫 和，筆觸細膩，渡邊香奈致力於在畫布 上呈現以五感捕捉到的現實，使繪畫在 寫實與畫家的想像間達成平衡。 Kana Watanabe went to Madrid for further study, stayed there for about three years and learnt Spanish realism technique from the contemporary figurative painting master Antonio Lopez. With warm tones and precise brushstroke, Watanabe devoted to represent "one reality" that a painter "captures with five senses" and reach a pictorial balance between the real and the imagination of the artist.

076

MIKI TAKAGI

高木 美 希

高木美希於 1974 年出生於日本新瀉縣，

(Japanese, b. 1974)

讓時間停止

並於 1998 年於武藏野美術大學造型研究

Stopped Clock

約2017年

c.2017 Oil on canvas 194 x 162 cm Signed lower right Miki Signed reverse Miki Takagi in Kanji and titled Stopped Clock

194 x 162 cm

EXHIBITED

The 91st Kokuten , The National Art Center, Tokyo, May 3-15, 2017 Cute & the Powe r: Miki Takagi, Uspace Gallery, Taipei, November 13-28, 2020

NT$ 360,000 - 550,000 HK$ 88,000 - 134,000 US$ 11,300 - 17,200 RMB 82,000 - 126,000

油彩 畫布 簽名右下：Miki 簽名題識畫背：高木美希 Stopped Clock 展覽

「第91回國展」，國立新美術館， 東京，展期2017年5月3日至5月15日 「可愛力量大：高木美希個展」， Uspace Gallery，台北，展期 2020年11月13至28日

科取得其油畫碩士學位，現為日本國畫會 會員之一。高木美希的作品充滿了可愛 感，受到村上隆和「琳派」風格的影響， 她的作品也以鮮豔的色彩、大膽而有張力 的構圖和富於裝飾性細節。 M i k i Ta k a g i w a s b o r n i n N i i g a t a Prefecture, Japan in 1974. She got the Master's Degree of Painting from The Graduate School of Art and Design, Musashino Art University in 1998.

Miki Takagi is a member of Kokugakai currently. The works of Maki Takagi are full of cuteness. She is under the influence of Takashi Murakami, the other artists of "Rinpa". Therefore, her works tend to have vivid colors, bold and impactful composition, and rich decorative details.

077

TAKERU AMANO

天野タケ ル

天野タケル 1977 年出生於東京，1997 至 2000 年

(Japanese, b. 1977)

維納斯 #23025

於紐約版畫工作室學習三年之後返日。除了出色的

Venus #23025

2023年

2023 Oil stick on paper 76 x 57 cm Signed lower right Takeru Amano

76 x 57 cm

NT$ 160,000 - 240,000 HK$ 39,000 - 59,000 US$ 5,000 - 7,500 RMB 37,000 - 55,000

114

油畫棒 紙本 簽名右下：Takeau Amano

繪畫及雕塑創作，在設計、藝術指導、影像監督 方面也完成許多作品。天野タケル用色彩鮮明活 潑，筆下人物有著精簡俐落的輪廓線，擅於結合各 種標誌性元素，創作出俏皮又饒富深意的畫作。 他成功揉合古典與現代、日本流行文化以及紐約 當代藝術風潮。除了與時裝品牌山本耀司（Yohji Yamamoto） 合 作 之 外， 更 自 創 生 活 藝 術 品 牌 Newart。自 2014 年起展覽於東京、香港及巴黎。

078

TAKERU AMANO

天野タケ ル

Takeru Amano was born in 1977 in Tokyo,

(Japanese, b. 1977)

天空是黃色的

Amano spent 3 years studying lithography in

The Sky was Yellow

2014年

2014 Acrylic on canvas 100 x 100 cm Signed lower right side Takeru Amano

100 x 100 cm

EXHIBITED

Takeru Amano: No One on the Moon, Art Statements, Hong Kong, 2014

NT$ 280,000 - 420,000 HK$ 68,000 - 102,000 US$ 8,800 - 13,100 RMB 64,000 - 96,000

壓克力 畫布 簽名右下側邊：Takeru Amano

New York from 1997 to 2000 before returning to his hometown. In addition to paintings and sculptures, he has completed great works as a designer, art director, and film director. Takeru uses an explosive color palette, accuracy of

展覽

lines and iconic elements to create paintings

「天野タケル：無人之月」， Art Statements，香港，2014年

which are simultaneously brisk and profound.

He successfully combines classicism and m o d e r n i t y, J a p a n e s e P o p c u l t u r e a n d contemporary art trends of the Big Apple. In addition to his collaboration with brands such as Yoji Yamamoto, he also founded his lifestyle art brand "Newart". Since 2014 he has been exhibited in Tokyo, Hong Kong and Paris.

079

BYUN SEHEE

邊世喜

(Korean, b. 1990)

安身之處 #22

Querencia #22

2021年

2021 Acrylic on canvas 72.7 x 72.7 cm Signed, titled and inscribed reverse QUERENCIA #22 72.7 x 72.7 Acrylic on Canvas 2021

by Byun Sehee in Korean

72.7 x 72.7 cm

NT$ 100,000 - 150,000 HK$ 24,000 - 37,000 US$ 3,100 - 4,700 RMB 23,000 - 34,000

壓克力 畫布 簽名題識畫背：QUERENCIA # 22 72.7 x 72.7 캔버스에 아크 릴 2021변세희

藝術家邊世喜（변세희）於 1990 年出生於韓國濟州 島，於 2017 年獲得濟州大學美術系碩士學位。邊世 喜以生動的色彩和大膽的輪廓創作，有如兒童讀物和 1990 卡通節目中的畫風，試圖將觀眾帶回到童年時 代。她的作品曾展出於濟州島基唐美術館、濟州島美 術館、弘益大學當代藝術館等藝術機構邀請參展。 Artist Byun Se-hee ( 변세희 ) was born in Jeju Island, Korea in 1990. She obtained her master's degree from the Department of Fine Art at Jeju National University in 2017. Byun's use of vivid colors and bold contours gives her paintings the appearance of illustrations from children's books and '90s cartoon shows, taking the viewer back in time to that age. Byun's works have been showcased in esteemed institutions such as the Gidang Art Museum in Jeju-do, Jeju Museum of Art, and Hongik University Contemporary Art Museum.

116

080

EMU

EMU

EMU 自 2016 年起轉而開始了他的藝術家生涯。他

(Japanese)

過來

的創作風格主要以彎曲型態和圓弧輪廓組成的角色

Come Here

2022年

2022 Acrylic on custom shaped canvas 70 x 110 x 4 cm Signed EMU and dated 2022 both reverse and left side

70 x 110 x 4 cm

壓克力 訂製成形畫布 簽名年代畫背及左側：EMU 2022 附藝術家簽名之原作保證書

為主，有時候群集、有時候獨自一人，以舒適的姿 勢及體態呈現日常生活中的各種樣態。EMU 以這些 角色為模型製作繪畫與小型木雕，創作材料都是以 造船廠廢棄的木頭木頭廢材升級再造，不僅對環境 友善、提倡生活的簡約也帶入了各種生活可能性。 EMU embarked on his career as an artist in 2016.

His creative style primarily features characters

This lot is accompanied with a certificate of authenticity signed by the artist.

composed of curved forms and rounded contours.

NT$ 120,000 - 180,000 HK$ 29,000 - 44,000 US$ 3,800 - 5,600 RMB 27,000 - 41,000

postures and poses that reflect everyday life in

At times, these characters gather in groups, while other times they stand alone, presenting various a comfortable manner. Using these characters as models, EMU creates paintings and small wooden sculptures. The materials for his creations are upcycled from discarded wood scraps found in shipyards, promoting environmental friendliness and advocating for a simple lifestyle.

081

RYUZO SATAKE

佐竹龍 蔵

(Japanese, b. 1987)

少女

Girl

2017年

2017 Mineral paint on paper, mounted on board 60.6 x 60.6 cm Signed reverse Ryuzo Satake , titled Girl in Kanji and dated 2017

60.6 x 60.6 cm

礦物顏料 高知麻紙 木板

EXHIBITED

Five Japanese Artists Group Exhibition , UYart Gallery, Taichung, January 9-27, 2018 This lot is accompanied with a certificate of authenticity issued by YOD Gallery, Osaka.

NT$ 40,000 - 60,000 HK$ 10,000 - 15,000 US$ 1,300 - 1,900 RMB 9,000 - 14,000 118

簽名題識畫背：佐竹龍蔵 少女 2017 展覽

「日本藝術家五人聯展」， 原顏藝術，台中，展期2018年 1月9日至1月27日 附YOD畫廊開立之原作保證書

佐竹龍蔵，1987 年出生於日本高知縣，並於 2012 年取得京都藝術大學日本畫的美術碩士 學位。佐竹的作品是採用點畫法，他運用日 本傳統繪畫「岩畫」特有的透明度，以扁平 筆刷像點一樣稀薄地上色，來描繪肖像畫， 創造出靜止和透明的感覺。 Ryuzo Sakata was born in Kochi Prefecture, Japan in 1987 and obtained his Master of Fine Arts in Nihonga (Japanese-style painting) from Kyoto City University of Arts in 2012. Sakata's works employ pointillism, using the unique transparency found in Japanese traditional painting, "iwaga," applying color thinly with flat brushes, resembling points. This technique is used to depict portraits, creating a sense of stillness and transparency.

082

IIDA KIRIKO (Japanese, b. 1970)

Moon Light 2015 Oil on board 91 x 15 cm Signed reverse Kiriko Iida and dated 2015

NT$ 60,000 - 90,000 HK$ 15,000 - 22,000 US$ 1,900 - 2,800 RMB 14,000 - 21,000 飯田桐子 月光 2015年 油彩 木板 91 x 15 cm 簽名年代畫背：Kiriko Iida 2015 飯田桐子，1970 年出生於日本北海道，1991 年畢業於北 海道造形設計學校。她對描繪擁有生命力的造物抱持極大 的熱情，畫面中脫俗而寂靜的美感，深深感動人心。飯田 桐子的畫作而寧靜，其些許神秘的氛圍以及遠離塵囂的美 感頗受藏家偏愛。 Born in 1970 in Hokkaido, Japan, Iida Kiriko graduated from the Hokkaido Institute of Design in 1991.She holds a tremendous passion for portraying vibrant creations, evoking a sense of otherworldly and tranquil beauty in her artwork that touches the heart. Iida's artworks are tranquil, and their slightly mysterious atmosphere, as well as the beauty of being far from the hustle and bustle, are greatly favored by collectors.

083

SHIGEMATSU NANTOKA

Nant ok a 無題

(Japanese, b. 1996)

2021年

Untitled

壓克力 畫布

2021 Acrylic on canvas 91 x 72.5 cm Signed reverse Shigematsu and dated 2021

簽名年代畫背：

NT$ 60,000 - 90,000 HK$ 15,000 - 22,000 US$ 1,900 - 2,800 RMB 14,000 - 21,000

91 x 72.5 cm Shigematsu 2021

Shigematsu 或以單名 Nantoka 為名，出生於 1996 年。 自 2017 年起，他就以日本福岡視為他的創作基地。他 的繪畫受到動畫和漫畫的影響，以獨特的方式呈現了日 本流行文化的精髓。藝術家的作品以一名女孩為主題， 通過簡單的輪廓線和單一上色繪製，提高了角色的辨識 度。Nantoka 以其獨特的風格贏得了國際認可，並已 在東京、倫敦、巴黎和首爾等地舉辦個展和聯展。 Shigematsu, who is also known as Nantoka, was born in 1996. Starting in 2017, he established Fukuoka, Japan, as his creative base. Drawing on the influence of anime and manga, Nantoka embodies the essence of Japanese pop culture. The artist's works revolve around a girl as the main subject, utilizing simple outlines and single-color shading to enhance the character's recognition. Nantoka has gained international recognition for his unique style and has held solo and group exhibitions in locations such as Tokyo, London, Paris, and Seoul.

120

084

YUTAKA HASHIMOTO

橋本ユタカ

橋本ユタカ，1979 年出生於大阪。畢業於嵯峨美

無的習作（某人的肖像 #038）

術短期大學和大阪綜合設計專門學校。在橋本的

(Japanese, b. 1979)

2021年

Study for Null Portrait of Someone #038

壓克力 畫布 145.5 x 112 cm 簽名年代畫背：Y.Hashi 2021

作品中，人物反覆出現，儘管僅描繪輪廓且毫無 表情。但這卻喚起了一種懷舊和熟悉的感覺，讓 觀者自行詮釋。橋本的作品帶有街頭塗鴉的風格， 純粹的黑白噴漆體現出橋本希望觀者在欣賞他的 作品時，不要被具體形象及顏色所束縛的想法。

2021 Acrylic on canvas 145.5 x 112 cm Signed reverse Y.Hashi and dated 2021

Yutaka Hashimoto was born in Osaka, Japan

NT$ 240,000 - 360,000 HK$ 59,000 - 88,000 US$ 7,500 - 11,300 RMB 55,000 - 82,000

the characters without any facial expressions,

in 1979. He graduated from Kyoto Saga Art College and Osaka Sogo College of Design.

In Hashimoto's works, figures repeatedly appear. Despite depicting only the outlines of they evoke a nostalgic and familiar feeling that allows viewers to define their own interpretations. Hashimoto embodies a desire for viewers to liberate themselves from the constrictions of tangible forms and colors while appreciating his artistry.

085

GEOFFREY BOUILLOT

杰弗里 ． 布 約

法國出生的藝術家杰弗里．布約目前定居於日

(French, b.1990)

糖果風獅爺

本。他的作品儼然受到這兩個文化的影響，並

Shisa à la Pastille

2021年

2021 Acrylic on canvas 100 x 100cm Signed right side BOUILLOT

100 x 100 cm

EXHIBITED

Joie de vivre , Rich Art Gallery, Taichung, July 22-September 16, 2023

NT$ 120,000 - 180,000 HK$ 29,000 - 44,000 US$ 3,800 - 5,600 RMB 27,000 - 41,000

壓克力 畫布 簽名右側：BOUILLOT 展覽

「生活之樂」，大雋藝術，台中， 展期2023年7月22日至9月16日

探討了普普藝術、立體主義和未來主義的獨特 動態。布約以黑白為基調的灰階影像作畫手 法、組合立體主義和時尚精簡主義的作品為其 特徵。畫作中的靜物和肖像充滿了與煉金術相 關符號以及受到古代文明啟發的圖案。 F re n c h b o r n a r t i s t , G e o ff re y B o u i l l o t , currently lives and works in Japan. His work is evidently informed by these two cultures, and examines a unique dynamic of pop art, cubism, and Italian futurism. Bouillot's characteristic artistic style is based on a grayscale image technique with a blackand-white theme, combining elements of cubism and minimalist fashion. His artworks are filled with still life and portraits adorned with alchemical symbols and patter ns inspired by ancient civilizations.

122

086

HIDEYASU MOTO

本秀康

本秀康，1969 年出生於日本京都。他在大學主修設

(Japanese, b. 1969)

男人與黃金獸

計專業，畢業後持續從事自由插畫工作。在 1995

Man with the Golden Beast

2020年

2020 Acrylic on canvas 45.5 x 45.5 cm Signed lower right Moto

簽名右下：Moto

EXHIBITED

Art Basel Hong Kong 2021 , Hong Kong Convention and Exhibition Centre, HongKong, May 21-23, 2021

NT$ 150,000 - 220,000 HK$ 37,000 - 54,000 US$ 4,700 - 6,900 RMB 34,000 - 50,000

壓克力 畫布 45.5 x 45.5 cm

年 7 月，他憑藉優秀的創作獲得了長井勝一賞，這 也成為他漫畫家生涯的起點，他的漫畫作品因此被 刊登在雜誌上，正式出道成為漫畫家。本秀康獨特 的超現實和流行的世界觀，以及令人印象深刻的角 色設計，吸引了日本國內外的收藏家關注。

展覽

「2021年巴塞爾藝術展香港展會」， 香港會議展覽中心，香港， 展期2021年5月21日至23日

Hideyasu Moto was born in Kyoto, Japan in 1969. He majored in design during university and has been engaged in freelance illustration since graduating. In July 1995, his exceptional c re a t i o n s w e re re c o g n i z e d w i t h t h e N a g a i Katsuichi Award, while comic works subsequently published in magazines, these formally establish him as a comic artist. Moto's distinctive surreal and pop worldview, along with his impressive character designs, captured the attention of collectors both in Japan and abroad.

087

SAYURI NISHIKUBO (Japanese, b. 1988)

Continue to Be a Punk Even as an Adult 02 2022 Acrylic gouache and gesso on canvas 100 x 80.3 cm Signed reverse Sayuri and dated 2022 EXHIBITED

Beyond-Japan Contemporary Art Group Exhibition , 333 Gallery, Taipei, February 20-March 13, 2022 This lot is accompanied with a certificate of authenticity issued by 333 Gallery, Taichung and signed by the artist.

NT$ 120,000 - 180,000 HK$ 29,000 - 44,000 US$ 3,800 - 5,600 RMB 27,000 - 41,000 124

西久保佐友里

西久保佐友里，1988 年出生於日

即使成年， 仍然保持龐克精神 02

本，她在大學附屬醫院工作期間，

2022年 壓克力 水粉 石膏 畫布 100 x 80.3 cm 簽名年代畫背：Sayuri 2022 展覽

「Beyond日本當代藝術群展」， 333畫廊，台北， 2022年2月20日至3月13日 附333畫廊開立藝術家簽名 之原作保證書

自學了圖形設計、插畫以及標誌 設 計 與 包 裝， 並 在 2020 年 開 始 用壓克力顏料創作黑白畫作。西 久保佐友里曾說過：「即便身為 大人，還是繼續龐克下去啊！」 Sayuri Nishikubo was born in 1988 in Japan. While working at a university hospital, she taught herself graphic and illustration, designed logos and packages.

In 2020, she began creating black-and-white paintings using acrylics. Nishikubo once said, "Even as an adult, let's continue to be punk!"

088

MANAMI HIGASHI

東麻 奈 美

東麻奈美，1988 年出生於神奈川縣橫

(Japanese, b. 1988)

托拉奶油 S

濱市，並於 2013 年獲得城北藝術設計

Tora Butter S

2021年

2021 Oil on canvas 41 x 41 cm Signed reverse Manami Higashi , titled Tora Butter S and dated 2021

41 x 41 cm

EXHIBITED

Manami Higashi Solo Show , Masataka Contemporary, Tokyo, October 30-November 19, 2021 This lot is accompanied with a certificate of authenticity issued by 333 Gallery, Taipei and signed by the artist.

NT$ 50,000 - 70,000 HK$ 12,000 - 17,000 US$ 1,600 - 2,200 RMB 11,000 - 16,000

油彩 畫布 簽名題識畫背：Manami Higashi Tora Butter S 2021 展覽

「東麻奈美個展」，Masataka Contemporary，東京， 2021年10月30日至11月19日 附333畫廊開立藝術家簽名 之原作保證書

大學藝術碩士學位。 她將二次元的角 色轉化為三次元，並巧妙的賦予旋轉 的動作固定在畫布上，形成的獨特的 第四維度創作。 Manami Higashi was born in Yokohama, Kanagawa Prefecture, in 1988, and she obtained her Master's degree in Art from Jyoshibi University of Art and Design in 2013.

She transforms characters from the two-dimensional realm into threedimensional forms, skillfully giving fixed motion to the spinning actions on canvas, resulting in a unique creation in the fourth dimension.

089

JON BURGERMAN

喬恩 ． 布 爾 格 曼

來自英國中部，現居紐約布魯克林，作

(British, b. 1979)

痞瓶5

品充滿幽默感。他就曾表示創作最好的

Vase 5

2021年

靈感就是想像力，他希望透過藝術讓每

油畫棒 紙本

合人都能參與感受創造的可能性。藝術

2021 Oil stick on paper 30.4 x 22.8 cm Signed lower left Jon Burgerman Dated lower right 2021

30.4 x 22.8 cm

無分國界，來自英國的喬恩．布爾格曼

EXHIBITED

Face Time , Dopeness Art Lab, Taipei, December 11, 2021-January 2, 2022 This lot is accompanied with a certificate of authenticity issued by Dopeness Art Lab, Taipei and signed by the artist.

NT$ 40,000 - 60,000 HK$ 10,000 - 15,000 US$ 1,300 - 1,900 RMB 9,000 - 14,000 126

簽名左下：Jon Burgerman 年代右下：2021

善於使用繽紛的色彩，作品充滿童趣的 創作加上英式幽默，讓他的作品成功走 進不同地區。

展覽

Face Time，Dopeness Art Lab， 台北，展期2021年12月11日 至2022年1月2日 附Dopeness Art Lab畫廊開立藝術家 簽名之原作保證書

Jon Burgerman is from the Midlands in the UK and currently resides in Brooklyn, New York. His works are full of humor. He believes that imagination is key to his creation, as he allows audiences to create through his art.

To him, art has no boundaries. Various colours were used to highlight childlike fun with hints of British humour, allowing his works to be well-received by different countries.

090

ERKUT TERLIKSIZ

艾庫特． 特 利 克 斯

艾庫特．特利克斯 1978 年出生於土耳其

(Turk, b. 1978)

燈塔 I

阿達納，目前居住於伊斯坦堡。他在 2002

Lighthouse I

2021年

年畢業於密瑪爾斯南美術大學的平面設計

壓克力 畫布

系。畢業後，他開始在世界各地舉辦展覽，

2021 Acrylic on canvas 174.5 x 108.5 cm Signed reverse Erkut Terliksiz and dated 2021

174.5 x 108.5 cm

其中包括阿姆斯特丹和米蘭等城市的個

EXHIBITED

Ding Dong Daddy , Plan X Art Gallery, Milan, November 18-December 15, 2021

NT$ 220,000 - 340,000 HK$ 54,000 - 83,000 US$ 6,900 - 10,600 RMB 50,000 - 78,000

簽名年代畫背：Erkut Terliksiz 2021 展覽

「叮噹爸爸」，X 計畫畫廊，米蘭， 展期2021年11月18日至12月15日

展。特利克斯的創作融合了心理學和解剖 學，捕捉人類的現實狀況。 Erkut Terliksiz was bor n in 1978 in Adana, Turkey, and currently resides in Istanbul. He graduated in 2002 from the Graphic Design Department of Mimar Sinan University. After graduating, he started exhibiting his work around the world, including solo exhibitions in cities like Amsterdam and Milan. Terliksiz's art combines psychology and anatomy to capture the human condition.

091

YUSUFF AINA (Nigerian, b. 1997)

Eniyan-Let's See How Things Go 2022 Acrylic on canvas 122 x 92 cm Signed lower right Yusuff Aina and dated 22 EXHIBITED

Anniversairy Group Show "Decoding” , Vins Gallery, Taipei, July 30-August 28, 2022 This lot is accompanied with a certificate of authenticity issued by VINS Gallery, Taipei.

NT$ 200,000 - 300,000 HK$ 49,000 - 73,000 US$ 6,300 - 9,400 RMB 46,000 - 68,000 128

尤瑟夫．艾納

尤 瑟 夫． 艾 納． 阿 博 貢 德 於 1997 年 出

人類：讓我們看看事情 如何發展

生於奈及利亞的拉哥斯州，並在阿科塔

2022年

藝術教育。他是一位畫家、雕塑家和虛

聯邦教育學院獲得了美術與應用藝術的

壓克力 畫布

擬藝術家，將自己的藝術風格稱為艾納

122 x 92 cm

主義。尤瑟夫採用了普普藝術風格的超

簽名年代右下：Yusuff Aina 22

現實具象繪畫和運動線條來描繪他作品 中常見角色「Eni-Yan」的掙扎。

展覽

「週年群展 Decoding」, Vins Gallery, 台北，展期 2022年7月30日至8月28日

Yusuff Aina Abogunde was born in

附台北VINS Gallery開立

Applied Arts from the Federal College

之原作保證書

of Education, Akota. He is a painter,

1997 in Lagos State, Nigeria, and received his art education in Fine and

sculptor, and virtual artist, defining his artistic style as "Ainaism." Yusuff utilizes the style of pop art with surreal figurative paintings and dynamic lines to depict the struggles of the character "Eni-Yan" in his works.

092

A-LEI

阿咧

(Taiwanese, b. 1976)

火星探險隊

Mars Expedition

2020年

2020 Pottery; unique piece 33(L) x 40(W) x 53(H) cm Diving frog (with base); 11(L) x 20(W) x 20(H) cm Microwave (big); 7(L) x 9.5(W) x 8(H) cm Microwave (small); 23(L) x 10(W) x 12(H) cm Mini Flashlight

33（長）x 40（寬）x 53（高）cm 潛水蛙（含底座）；

PROVENANCE

陶土 釉 單一件 11（長）x 20（寬）x 20（高）cm 微波爐（大）； 7（長）x 9.5（寬）x 8（高）cm 微波爐（小）； 23（長）x 10（寬）x 12（高）cm 縮小燈 來源

意識畫廊，台北

Yesary Gallery, Taipei

展覽

EXHIBITED

「2020年台北國際藝術博覽會」， 台北世貿中心，台北，展期2020年10月23日至26日

2020 Art Taipei , Taipei World Trade Center Exhibition, Taipei, October 23-26, 2020 This lot is accompanied with a certificate of authenticity issued by Yesary Gallery, Taipei and signed by the artist.

NT$ 280,000 - 420,000 HK$ 68,000 - 102,000 US$ 8,800 - 13,100 RMB 64,000 - 96,000

附意識畫廊開立藝術家簽名之原作保證書

093

RHYS BROWN

萊斯．布朗

萊 斯． 布 朗 1993 年 出 生 於 倫 敦。

(British, b. 1993)

我恨你也愛你

2014 年畢業於克羅伊登藝術學院。在

I Hate You But I Love You

2022年

2022 Ink and oil pastel on Fabriano cotton rag 70 x 50 cm Signed lower right Rhys Brown and dated 22

70 x 50 cm

NT$ 90,000 - 150,000 HK$ 22,000 - 37,000 US$ 2,800 - 4,700 RMB 21,000 - 34,000

130

墨 油畫棒 法比亞諾棉紙 簽名年代右下：Rhys Brown 22

大學期間，布朗將他的創作從插畫和 絲網版畫轉為一種日本的傳統「魚拓」 技法。布朗身為玩具文化的愛好者， 使用絨毛玩具作為創作題材。他的作 品以一種獨特的方式製作，從絨毛玩 具的身體動作到特定區域的墨水量， 每幅作品都是獨一無二的。藝術家曾 於台北、倫敦、巴黎等地有展覽經驗。

094

RHYS BROWN

萊斯．布朗

R h y s B ro w n w a s b o r n i n 1 9 9 3 i n

(British, b. 1993)

絨毛

London. Graduating from Croydon

Fluff

2023年

2023 Ink and oil pastel on paper 70 x 50 cm Signed lower right Rhys Brown

70 x 50 cm

EXHIBITED

Art Solo 2023 , Expo Dome, Taipei, May 4-7, 2023 Art Formosa , Eslite Hotel, Taipei, August 26-28, 2023

NT$ 90,000 - 150,000 HK$ 22,000 - 37,000 US$ 2,800 - 4,700 RMB 21,000 - 34,000

墨 油畫棒 紙本 簽名右下：Rhys Brown

School of Art in 2014. During college and university, Brown turned his focus from illustration and screen printing to "Gyotaku" printing, a traditional Japanese process. Brown, a lifelong

展覽

f a n o f t o y c u l t u re , u s e s t h e m a s

「2023藝之獨秀藝術博覽會」， 花博爭豔館，台北， 展期2023年5月4日至5月7日 「福爾摩沙國際藝術博覽會」， 誠品行旅酒店，台北， 展期2023年8月26日至28日

subjects. The nature of his works are produced in a way that makes every print unique from the body movement to the amount of ink applied in a specific area. His exhibitions include in Taipei, London, Paris.

095

AYAKO ROKKAKU

六角彩子

(Japanese, b. 1982)

無題

Untitled

2021年

2021 Silkscreen in 67 colors printed on Corona Magnani paper, ed.143/200 73 x 103 cm Signed lower right Ayako Rokkaku in Japanese and dated 2021 Numbered lower left 143/200

73 x 103 cm

PROVENANCE

Gallery Delaive, Amsterdam Acquired from the above by the present owner

NT$ 320,000 - 480,000 HK$ 78,000 - 117,000 US$ 10,000 - 15,000 RMB 73,000 - 110,000 132

67色絲網印刷 版次143/200 鈐印年代右下：

ロッカクアャコ 2021

版次左下：143/200 來源

德萊夫畫廊，阿姆斯特丹 現有收藏者購自上述來源

096

AYAKO ROKKAKU

六角彩子

(Japanese, b. 1982)

無題

Untitled

2021年

2021 Silkscreen in 93 colors printed on Corona Magnani paper, ed. 195/200 73 x 103 cm Signed lower right Ayako Rokkaku in Japanese and dated 2021 Numbered lower left 195/200

73 x 103 cm

PROVENANCE

Gallery Delaive, Amsterdam Acquired from the above by the present owner

NT$ 320,000 - 480,000 HK$ 78,000 - 117,000 US$ 10,000 - 15,000 RMB 73,000 - 110,000

93色絲網印刷 版次195/200 鈐印年代右下：

ロッカクアャコ 2021

版次左下：195/200 來源

德萊夫畫廊，阿姆斯特丹 現有收藏者購自上述來源

097

MIWA KOMATSU

小松美羽

(Japanese, b. 1986)

守護獸－地

Guardian-Land

2017年

2017 Screenprint, ed. 7/30 38 x 45.5 cm (image); 48 x 56.5 cm (sheet) Signed lower right Komiwa Numbered lower left 7/30

38 x 45.5 cm（圖）；

EXHIBITED

Miwa Komatsu: Prayer , Whitestone Gallery, Taipei, December 2, 2017-January 7, 2018 This lot is accompanied with a certificate of authenticity issued by Whitestone Gallery, Hong Kong.

NT$ 90,000 - 130,000 HK$ 22,000 - 32,000 US$ 2,800 - 4,100 RMB 21,000 - 30,000 134

絲網版畫 版次7/30 48 x 56.5 cm（紙） 簽名右下：Komiwa 版次左下：7/30 展覽

「繪獸繪靈－小松美羽台灣首個展」， 白石畫廊，台北，展期2017年12月2日 至2018年1月7日 附香港白石畫廊開立之原作保證書

098

MIWA KOMATSU

小松美羽

(Japanese, b. 1986)

干支神獸羊年

Zodiac Divine Spirit: Year of Sheep

2018年

2018 Screenprint with glitter on paper, ed. 39/50 52.8 x 52.8 cm (image); 63 x 62 cm (sheet) Signed lower right Komiwa Numbered lower left 39/50

63 x 62 cm（紙）

PROVENANCE

Whitestone Gallery, Hong Kong Acquired from the above by the present owner

NT$ 100,000 - 150,000 HK$ 24,000 - 37,000 US$ 3,100 - 4,700 RMB 23,000 - 34,000

絲網印刷 閃粉 紙本 版次39/50 52.8 x 52.8 cm（圖）； 簽名右下：Komiwa 版次左下：39/50 來源

香港，白石畫廊 現藏者購自上述來源

099

KUNIHIKO NOHARA (Japanese, b. 1982)

Cappuccino B 2019 FRP, ed. 1/18 33(L) x 22.5(W) x 41(H) cm Initialed bottom and numbered 1/18 This lot is accompanied by a certificate of authenticity issued by the Gallery UG, Tokyo.

NT$ 90,000 - 130,000 HK$ 22,000 - 32,000 US$ 2,800 - 4,100 RMB 21,000 - 30,000 野原邦彥 卡布奇諾B 2019年 玻璃纖維 版次1/18 33（長）x 22.5（寬）x 41（高）cm 簽名編號底部：1/18

附Gallery UG開立之原作保證書

1982 年出生於北海道，2001 年進入廣島市立大學藝術

Born in 1982 in Hokkaido, Japan. In 2001, he entered the

學院美術系，並於 2007 年畢業於廣島市立大學藝術研

Fine Arts Department of Hiroshima University, completed

究所雕刻組。在多次獲獎後，野原邦彥於 2010 年開始

studies at Hiroshima University M.A, Department of Art in

嶄露頭角，並且於 2012 在日本東京舉辦個展。野原邦

2007. After many awards, Nohara became a rising star in

彥將兒時想像融合自身經驗碰撞出幽默的視覺呈現。當

2010 and held a solo exhibition in Tokyo, Japan in 2012.

今活耀於日本、韓國以及台灣等亞洲城市。

Nohara merged his childhood imagine and self-experience in to a humorous representation. Nohara is now active in Japan, Korea, Taiwan and many other cities in Asia.

136

100

EDGAR PLANS

艾德加．普連斯

(Spanish, b. 1977)

閱讀小英雄（五件一組）

The Reading Hero (a set of 5)

2021年

2021 100% Alloy in full painted color My Little Martian, Dreamer Girl (Deep Purple, Light Purple, Light Brown), ed. 212/250; Dreamer Girl (Pink), ed. 182/250 10 (L) x 15 (W) x 28 (H) cm (each)

小火星人、夢想家女孩（深紫、淺紫、亮棕）版次212/250

EXHIBITED

Edgar Plans-The Power of Letters , K11 Art Mall, Guangzhou, China, December 17, 2021-March 14, 2022 This lot is accompanied with a certificate of authenticity and a NFC manual.

NT$ 180,000 - 280,000 HK$ 44,000 - 68,000 US$ 5,600 - 8,800 RMB 41,000 - 64,000

100%全彩繪合金 夢想家女孩（粉紅色）版次182/250 10（長）x 15（寬）x 28（高）cm（每件） 展覽

「艾德加．普連斯－字有引力：看得見的夢境」， K11購物藝術中心，廣州，展期2021年12月17日 至2022年3月14日 附原作保證書及NFC說明書

101

KUO I TING (Taiwanese, b. 1998)

Gift

郭奕庭於 1998 年出生於台灣台東，並畢業於台灣藝術大學雕塑系。擅長運 用古典繪畫的造型及象徵主義，探討自身存在與環境的關聯，如同木材隨 著外界的溫度和濕氣收縮而不斷變化一般。她的作品將符號與意義融合， 透過材料應用的變化來探索情緒思路，並用擬人化的方式呈現自然事物，

2021 Camphor wood 42(L) x 40(W) x 23(H) cm With one artist totem reverse

去找尋人心中的情感和思考背後的故事。郭奕庭的作品被三義木雕博物館

NT$ 40,000 - 60,000 HK$ 10,000 - 15,000 US$ 1,300 - 1,900 RMB 9,000 - 14,000

excels in utilizing classical painting styles and symbolism to explore the

郭奕庭

和麗寶藝術文化基金會所收藏。 Kuo I Ting was born in Taitung, Taiwan in 1998 and graduated from the Sculpture Department of the National Taiwan University of Art. The artist connection between her own existence and the environment, much like how wood constantly changes and contracts with external temperature and humidity. In her artistic tapestry, Kuo masterfully intertwines symbols and meanings, leading viewers on an exploration of emotional pathways. With a captivating touch, she humanizes natural elements, unveiling the emotions and narratives concealed within. Kuo's work find

禮物

a cherished home within the collection of the esteemed Sanyi Wood

2021年

Sculpture Museum and the illustrious Lihpao Cultural Arts Foundation.

樟木 42（長）x 40（寬）x 23（高）cm 藝術家親筆圖騰背面 138

102

ANNE-SOPHIE GILLOEN

安．索菲．吉倫

(French, b. 1971)

微加幸福

La journée des devinettes

2021年

2021 Pottery, glaze; unique piece 22(L) x 11(W) x 30.5(H) cm Titled bottom LA JOURNÉE DES DEVINETTES and dated II 2021

22（長）x 11（寬）x 30.5（高）cm

EXHIBITED

Anne-Sophie Gilloen's First Solo Exhibition in Asia, Yami Art Space, Taichung, April 8-May 15, 2021

NT$ 40,000 - 60,000 HK$ 10,000 - 15,000 US$ 1,300 - 1,900 RMB 9,000 - 14,000 安－索菲．吉倫在法國北部靠近比利時邊境的地區生活 和創作。經過二十多年的自學與無數次培訓實習，她已 經成為了一位熟練的陶藝家。她的作品曾在國內外展出， 並獲得收藏家極高的評價。在感性和直覺的驅使下，安－ 索菲．吉倫創造出詩意的微觀世界，裡面居住著各式各 樣的角色，訴說著他們的生活故事。透過巧妙雙手的塑 造，安－索菲．吉倫帶出對生活的新視角，並鼓勵人們 以不同的視角重新看待事物。 Anne-Sophie Gilloen lives and works in the northern region of France near the Belgian border. Through more than two decades of self-taught dedication and numerous training internships, she has refined her skills as a ceramic artist. Her creations have been showcased both domestically and internationally, earning recognition among collectors worldwide.

Driven by sensitivity and intuition, Anne-Sophie Gilloen crafts poetic microcosms, each populated by a diverse array of characters, each with their own life stories to tell. With skilled hands that shape her art, she offers a fresh perspective on life, encouraging viewers to see things from different angles.

陶 釉彩上色 單一件 題識年代底部：LA JOURNÉE DES DEVINETTES II 2021 展覽

「Forever Love 安．索菲．吉倫亞洲首次個展」， 亞米藝術，台中，展期2021年4月8日至5月15日

103

TAKASHI MURAKAMI

村上隆

(Japanese, b. 1962)

獅子牡丹骷髏泉

A Picture of the Blessed Lion Who Stares at Death

2012年

2012 Offset lithograph in colors on smooth wove paper, ed. 117/300 Co-published by the artist and Kaikai Kiki Co., Ltd., Tokyo and New York 70.9 x 140 cm Initialed lower right M and numbered 117/300

共同發行

NT$ 60,000 - 90,000 HK$ 15,000 - 22,000 US$ 1,900 - 2,800 RMB 14,000 - 21,000

140

彩色平版印版畫 滑面網紋紙 版次117/300 由藝術家、東京和紐約Kaikai Kiki Co., Ltd. 70.9 x 140 cm 簽名右下：M 117/300

104

MAYUKA YAMAMOTO (Japanese, b. 1964)

Bird 2013 Copper engraving, ed. 7/20 33.5 x 29.5 cm (image); 54 x 39.5 (sheet) Signed lower right Mayuka and dated '13 Titled lower center Bird ; Numbered lower left 7/20 This lot is accompanied with a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 30,000 - 50,000 HK$ 7,000 - 12,000 US$ 900 - 1,600 RMB 7,000 - 11,000 山本麻友香 鳥 2013年 銅版畫 版次7/20 33.5 x 29.5 cm（圖）；54 x 39.5（紙） 簽名年代右下：Mayuka '13 題識正下：Bird；版次左下：7/20 附椿畫廊開立之原作保證書

105

MAYUKA YAMAMOTO (Japanese, b. 1964)

Polar Bear Boy 2022 Lithograph, ed. 59/75 61 x 45.4 cm Signed lower right Mayuka Tilted lower center Polar Bear Boy Numbered lower left 59/75 This lot is accompanied with a certificate of authenticity issued by Gallery Tsubaki, Tokyo.

NT$ 60,000 - 90,000 HK$ 15,000 - 22,000 US$ 1,900 - 2,800 RMB 14,000 - 21,000 山本麻友香 北極熊男孩 2022年 石版畫 版次59/75 61 x 45.4 cm 簽名右下: Mayuka 題識下方: Polar Bear Boy；版次左下: 59/75 附椿畫廊開立之原作保證書

給予買家的重要通知 本拍賣會依據「羅芙奧股份有限公司業務規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.

有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納競投保證金。

2.

競投保證金：新台幣陸拾萬元或貳萬美金。

3.

競投保證金需於 2023 年 11 月 29 日以前完成匯款至本公司指定帳號如下 : 銀行：匯豐（台灣）商業銀行 - 台北分行 銀行代碼：0810016 戶名：羅芙奧股份有限公司 帳號：001-234830-031（新台幣）或 001-234830-061（美金） 地址：台北市基隆路一段 333 號 14 樓 匯款時請指示銀行本公司需實收競投保證金全額，銀行手續費請匯款人負擔。

4.

2023 年 11 月 29 日之後，若欲參與競投領取牌號者需於台北拍賣預展期間（2023 年 11 月 30 日至 12 月 2 日）以新台幣現鈔支付（恕 不接受除現金之外之其他繳納方式），收款將於 12 月 2 日中午 12 點截止。

5.

電話

書面

網路競投：競投者如不能出席拍賣會，可透過電話

書面

網路方式進行競投。登記申請手續以及競投保證金之

繳納亦需在 2023 年 11 月 29 日以前完成匯款至本公司指定帳號。 6.

如於 2023 年 11 月 29 日以前完成競投保證金匯款，請提供我方可證明已匯款的證明文件。確認收到競投保證金匯款後，我們 將與競投者聯繫並與之確認其競標牌號。

7.

拍賣當天已繳納競投保證金之競投者欲領取所登記的牌號時，請出示有效證件（如：身份證明、護照…）以確認身份。

8.

競投保證金退還方式： (1) 有成交： (a) 競投保證金以「匯款」方式完成者，扣除應支付予本公司之款項（包含落槌價、服務費及其他費用）後，若有餘額 需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 (b) 競投保證金以「現金」方式完成者，扣除應支付予本公司之款項（包含落槌價、服務費及其他費用）後，若有餘額 需退還，本公司將於拍賣當日以現金退還給買家。 (c) 若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之款項（包含落槌價、服務費及其他費用）予本公司， 買家不得請求返還競投保證金。 (2) 未成交：若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。競投保證金以「匯款」方式完成者， 本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。競投保證金以「現金」方式完成者，本公司將於拍賣 當日以現金退還給買家。

9.

若成功得標買方欲現場取貨，買方之應付款項（落槌價、服務費及其他費用）金額超過競投保證金金額時，買方得以下列方式 結清帳款： (1) 現鈔：上限新台幣壹佰萬元。 (2) 信用卡與銀聯卡：刷卡上限為新台幣壹佰萬元。信用卡與銀聯卡持有人必需是買家本人，本公司不接受他人之信用卡。

10. 羅芙奧股份有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含競投保證金）保留全部的 決定權。

IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1.

Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.).

The completion of a registration form and the payment of a bidding deposit are required.

2.

Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.

3.

The bidding deposit must be transferred to Ravenel's specified Bank account prior to 29 Nov 2023, details as follow: Beneficiary's Bank: HSBC BANK (Taiwan) Limited.

SWIFT Code: HSBCTWTP Beneficiary's Name: Ravenel Ltd. Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$) Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.

4.

After the 29 Nov 2023, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 30 Nov to 2nd Dec 2023). Acceptance will cease on 2nd Dec by 12pm (No other forms of payment will be accepted).

5.

Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified Bank account before the 29 Nov 2023.

6.

If the bidding deposit has been transferred prior to 29 Nov 2023, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her/its paddle number.

7.

If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.

8.

Return of the Security Deposit: (1) Completed Transaction: (a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. (b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit.

(2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.

9.

Successful bidder must settle the payment (hammer price, buyer's premium, and other expenses) prior to receiving the lot(s) on site.

If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment must not exceed NT$ 1,000,000.

(2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.

10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.

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委託競投表格 委託競投表格須於拍賣24小時前送抵國際藝術部。競投表格可回傳至:

拍 賣 名 稱：羅芙奧台北 2023 秋季拍賣會 薈萃國際：現代與當代藝術

國際藝術部 電話：+886-2-2708 9868 分機 883｜傳真：+886-2-2701 3306

拍 賣 編 號：TA2303

投標者資料 客戶編號

拍 賣 日 期：2023 年 12 月 2 日 ( 星期六 ) 下午 4:00

姓名

拍 賣 地 點：台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路 199 號

護照號碼/身份證字號/統一編號 電話號碼（住宅）

（手機）

拍賣期間之聯絡電話 (僅限電話競投) 電郵

傳真號碼

地址 拍賣品編號

名

稱

競投價 (新台幣) / (服務費不計在內)

※投標規則： 1. 茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。 2. 本人知悉書面及電話競標乃羅芙奧為基於投標者之便利而提供代為投標之服務而不成立任何委託投標之契約，羅芙奧不因執行投標而負任何 責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以最先收到者優先辦理。 3. 本人同意如投標成功，本人應付之購買價款為最後落槌價加上服務費，服務費依業務規則第二條第4項之規定計算。(4a.買家支付每件拍品之 服務費率：（1）買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下者含參仟貳佰萬元以20％計算；（2） 落槌價於新台幣參仟貳佰萬元以上者分為二級，其中新台幣參仟貳佰萬元以20％計算，超過新台幣參仟貳佰萬元之部份以12％計算。) 4. 本競投，本人同意並遵守本目錄所載所有業務規則。(包含但不限於羅芙奧不負瑕疵擔保責任及保證責任等規定) 5. 如投標者未曾於羅芙奧競投拍賣品，請附上投標者資料之副本及銀行證明資料。 6. 本人同意買家須知、投標者登記表格、委任競投表格及業務規則等附屬文件均視為本契約之一部分。 7. 羅芙奧基於上述原因而需蒐集、處理或非營利目的之利用投標者個人資料， 該資料將在前開蒐集目的之存續期間及依法令規定要求之期間內被處理或利用。

簽署 ：

日期：

羅芙奧在取得投標者之個人 / 公司資料及簽名後方才接受競標 簽名即代表確認以上登記 / 競投，詳閱並同意接受羅芙奧載於圖錄及網站內之業務規則

羅芙奧股份有限公司 106485 台北市敦化南路二段76號18樓 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel : +886 2 2708 9868 | Fax : +886 2 2701 3306 ravenel.com | ravenelart.com.cn

ABSENTEE BID FORM The absentee bid forms must be delivered to the International Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: International Art Department Tel: +886 2 2708 9868 ext. 883｜Fax: +886 2 2701 3306

Bidder's Details Customer Number

Name

Passport number/ID number/Unified Business number Tel (Home)

Auction Date Sale No. Location Address

AUTUMN AUCTION 2023 TAIPEI SELECT: Modern & Contemporary Art Saturday, December 2, 2023, 4:00 pm TA2303 Marriott Taipei 3F (Grand Space) No. 199 Lequn 2nd Road, Zhong Shan District, Taipei

(Mobile)

Tel (For Phone Bid) Email

Fax

Address Auction Lot Number

Title

Bid Price (NT$) (Not including Buyer's premium)

※Bidding rules： 1. It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder.

2. I understand and agree that Ravenel provides such bid services for the convenience of customers and no contract or agreement shall be constituted. Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received.

3. I understand and agree that if my bid is successful, I shall pay the final hammer price together with the buyer's premium. For detail please refer to Article 2,section 4 of the Transaction Agreement to the buyer. (4a. The service fee of each lot payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the buyer's premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the buyer's premium should be calculated at 20% of the hammer price; (2) For hammer price higher than NT$ 32,000,000, the first NT$ 32,000,000 should be calculated at 20% and the rest of the amount should be 12%.)

4. The bid shall be subject to the Transaction Agreement prescribed in the catalogue.(including but not limited to Ravenel's non-defect warranty and non-guaranteed liability).

5. If the bidder has not bid for the auction item at Ravenel, please attach a copy of the bidder's information. (Individual: ID card or passport with photo issued by the government) 6. I agree that the Notice To Bidders, Bidder Registration, Absentee Bid Form and Transaction Agreement and other attached documents are regarded as part of this agreement.

7. Ravenel will collect, process and use the personal data provided by the client for auction-related matters and other non-profit purposes.

Signature：

Date：

We accepts the bid only after obtaining the personal/company information and signature to execute this bid.

By signing this form, you confirm your registration/bid(s) as above and you agree that you have read and understood our Transaction Agreement as stated in our catalogues and on our website.

146

Ravenel Ltd. 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel: +886 2 2708 9868 | Fax: +886 2 2701 3306 ravenel.com | ravenelart.com.cn

業務規則 下述規則，為羅芙奧股份有限公司(下稱「本公司」)與賣家訂立合約，亦 作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀 各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5 項，其對本公司之法律責任作了限定。 一、本業務規則所用詞彙之定義 在下列規定中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1. 「買家」：指本公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣 之自然人或法人。 4. 「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以 任何編號描述之一項或多項物品。 5. 「落槌價」：指本公司就某一拍賣品而接受之最高出價之價款。 6. 「買家服務費」：指買家按落槌價之某一百分比而支付本公司之費用； 收費率如第二條第4a項所列。 7. 「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之 價格售出。 8. 「膺品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺 詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺 騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品 在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義， 任何拍賣品均不會因為有任何損壞及 或任何形式之修整（包括重新上 漆）而成為膺品。 9. 「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險 之價值（不論保險是否由本公司安排購買）。 10. 「賣家服務費」：指賣家應支付本公司之費用。 二、買家 1. 本公司作為賣家代理人 本公司作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中 成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2. 拍賣前 a. 鑑定物品 本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之 物品。本公司就任何拍賣品及相關證明文件之真偽，均不對買家作任 何保證。 b. 拍賣品狀況之重要注意事項 請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述， 皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疪與不完整。對任何 拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍 賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或 損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議， 準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢 閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述 或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知 悉並瞭解所有拍賣品均以「現狀」售出，本公司對於任何拍出之拍賣 品狀態不作任何承諾或保證。 c. 符號表示 以下為本目錄所載符號之說明 ｏ保證項目 拍賣品編號旁註有ｏ符號者，表示賣家已取得本公司保證，可在一次 或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由 本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之 形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可 能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或 參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家 服務費。 d. 目錄說明 本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、 日期、年代、尺寸、材質、歸屬、真實性、出處、保存狀況或估計 售價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬意見之陳 述，不應依據為確實事實之陳述。目錄圖示亦僅作為指引而已，不應 作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。

拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作其 他用途之價值陳述。 許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有 些說明或鑑定意見書會提述拍賣品之損壞及 或修整資料。此等資 料僅作為指引而已，如未有提述此等資料，亦不表示拍賣品並無缺 陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任 有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查 明並瞭解，並就拍賣品為自己獨立之判斷及評估，並確使自己感到 滿意。 3. 拍賣時 a. 估價 目錄內及拍賣當日所提供之美金等貨幣估價，僅為參考依據。本拍 賣會須以新台幣結算，買家如須以新台幣之外其他貨幣繳付，須依 拍賣日現場公佈之匯率，折合所繳付之等值貨幣計算。 b. 拒絕入場 拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地 進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣 場地或參與拍賣。 c. 競投之前作出登記 每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身 分證明。準買家應注意，本公司通常會要求對買家作出信用核查。 d. 競投保證金 競投者，應在領取競投號牌前繳納競投保證金，競投保證金的金額 由本公司在拍賣日前公佈。 (1) 若競投者未支付競投保證金，本公司有權不接受其競投。若競 投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證 金。 (2) 若競投者成為買家，則本公司有權將此保證金自動轉化為已成 交拍賣品購買款項之一部（包含落槌價、服務費或運費等相關 費用），若尚有餘款須退回給買家；若買家無正當理由未於 成功拍賣日期後七天內支付全部應支付之成交拍賣品購買款項 （包含落槌價、服務費或運費等相關費用）予本公司，買家不 得請求返還競投保證金。 e. 競投者為買家 競投者將被視為買家而須承擔個人法律責任，除非登記時已經與本 公司書面協定，競投者僅為第三人之代理人，且該第三人復為本公 司所接受者。 f. 委託競投 如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公 司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公 司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而 在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其 委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承 諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項 承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託 作出競投，本公司將不負任何法律責任。準買家如希望確保競投成 功，應親自出席競投。 g. 電話競投 如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競 投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無 法參加電話競投，本公司對賣家或任何準買家均不負任何責任。 h. 透過 Invaluable 進行網上競投 若準買家未能出席拍賣會，可透過 Invaluable 或本公司官網「即時競 標」（網址：https://bid.ravenel.com/）競投屬意拍賣品，而承擔買家 獨立責任。進行網上競投之詳情，請參閱本公司網頁 Ravenel.com， 惟準買家及買家透過 Invaluable 網上競投之方式成功拍得屬意拍賣 品，除須支付依本業務規則二、買家、4(a)規定所計算之服務費外， 並應另行支付落槌價3%之服務費，且應同意本公司得隨時修改該業 務規則。 i. 匯率轉換顯示板 拍賣會中，本公司會使用匯率轉換顯示板。匯率轉換顯示板僅供參 考，不論是顯示板所示之拍賣品編號或是新台幣競投價之相等外 匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依 賴匯率轉換顯示板（而非因以新台幣競投）所導致而蒙受之任何損 失，本公司概不負責。

j. 錄映影像 在有些拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是 否與成功拍賣之拍賣品相配合，或是翻版影像之質素，本公司對買 家均不負任何責任。 k. 拍賣官之決定權 拍賣官具有絕對決定權，有權拒絕任何競投、以其決定之方式推動 出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併， 以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始 前或於相關拍賣品競標前對注意事項作出通告，準買家須負責自行 注意所有於拍賣會場發表之通告。建議使用即時網上競投服務參與 競投的準買家，於拍賣開始前登入，以確保準買家得知拍賣開始前 所作出之通告。 l. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受， 亦即為賣家與買家合意依落槌價拍定拍賣品，視為成功拍賣合約之 訂立。 4. 成功拍賣後 a. 買家支付每件拍賣品之服務費費率 (1) 買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台 幣參仟貳佰萬元以下者含參仟貳佰萬元以落槌價之20％計算。 (2) 落槌價於新台幣參仟貳佰萬元以上者，採分為二階段計費，其中 新台幣參仟貳佰萬元以落槌價之20％計算，超過新台幣參仟貳 佰萬元之部份再以落槌價之12％，加總計算服務費金額。 b. 稅項 買家應付予本公司之款項，如須另行支付貨物、服務稅或其他稅則 時（不論由台灣政府或別處所徵收）。買家須負責按有關法律所規 定之稅率及時間，自行繳付稅款。 c. 付款 成功拍賣後，買家須向本公司提供其真實姓名及永久地址。如經本 公司要求，買家亦須提供付款銀行之詳情，包含但不限於付款帳 號。買家應於拍賣日期後七天內悉數支付應支付予本公司之款項 （包含落槌價、服務費或運費等相關費用）。即使買家希望將拍賣 品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。 買家如未向本公司支付所欠之全部款項，則不能取得拍賣品之所有 權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之 款項為新台幣以外之貨幣，須依拍賣日現場公佈之匯率（台灣銀 行），並以本公司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品 除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣 之拍賣項目，直至欠本公司之款項已悉數支付為止。已購拍賣品在 暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險， 如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領 取時起（以較早者為準），已購拍賣品之風險全由買家承擔。 e. 介紹裝運及運輸公司 本公司之貨運部門在買家要求下，可為買家介紹運輸公司、安排付 運及購買特定保險，但本公司在此方面不負任何法律責任。買家必 須預先繳付運輸費用。 f. 不付款或未有領取已購拍賣品之補救辦法 如買家並未在成功拍賣日後起算七天內付款，本公司即有權行使下 述一項或多項權利或補救辦法： (1) 在成功拍賣日後起算超過七天仍未付款，則按不超過台灣銀行基 本放款利率加收10%之年利率收取整筆欠款之利息。此外本公司 可同時按日收取依成交價（含落槌價、服務費）1％計算之懲罰 性違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷 本公司或其他關係企業在任何其他交易中欠下買家之款項，買 家絕無異議。 (2) 對任何屬於買家所有而因任何目的(包含但不限於其他交易)而由 本公司管有之已購拍賣品行使留置權，並在給予買家有關其未 付之欠繳之十四天通知後，安排將該物品出售並將收益用以清 償該未付之欠款。 (3) 如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項 用以清償已購拍賣品就任何特定交易而欠下之任何款項，而不 論買家是否指示用以清償該筆款項。 (4) 在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投， 或在接受其任何競投之前先收取買家一筆競投保證金。如買家 未有在三十五天內付款，本公司除上述辦法外，另有權為下述 148

一項或多項權利或補救辦法： (a) 代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉 數賠償為基準之法律程序訴訟費。 (b) 取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售 予買家之拍賣品交易。 (c) 安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連 同因買家未有付款而引致之任何費用一併向買家索償。 g. 未有領取已購拍賣品 如已購得之拍賣品未有在成功拍賣日後起算七天內領取，則不論是 否已付款，本公司將安排貯存事宜，費用由買家承擔。而買家在付 清所引起之貯存、搬運、運輸、保險及任何其他費用，連同欠本公 司之所有其他款項後，方可領取已購拍賣品項目。 h. 出口許可證 除本公司另有書面同意外，買家希望申請出口許可證，並不影響買 家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲 付款收取利息之權利。 如買家要求本公司代為申請出口許可證，本公司有權向其收取與此 項申請有關之款項及零碎開支連同任何有關之稅則。 如買家不需要出口許可證而作出付款，本公司並無責任退還買家因 此而引致之任何利息或其他開支。 5. 本公司之法律責任 本公司僅在第二條第6項所列之情況下，得退還款項予買家。除此之 外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之 作者、來歷、日期、年代、歸屬、真實性或出處之陳述，或任何其他說 明之誤差，任何拍賣品之任何瑕疵或缺陷，均不負有任何責任。賣家、 本公司、本公司之僱員或代理人，不論是明示或暗示均無就任何拍賣品 作出任何保證。任何種類之任何擔保，均不包含在本條之內。 6. 膺品/贓物之退款 本公司之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實 為膺品、贓物或涉及不法情事者，則交易將取消，已付之款項於交付賣 家前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納 之意見，或清楚表明有牴觸當時學者或專家普遍接納之意見。 b. 或證明拍賣品為膺品或贓物之方法，只是一種在目錄出版前仍未普遍 獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並 不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並 無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退 款： (1) 買家必須在拍賣日起十日內以書面通知本公司，說明買家認為有 關拍賣品乃膺品或贓物之詳細理由及證據。 (2) 且買家需於書面通知後十四天內將拍賣品送還本公司，而其狀況 應維持與拍賣當日相同，不得有任何損壞。 (3) 送還拍賣品後，買家須盡快出示證據，足以使本公司確信拍賣品 乃膺品或贓物(本公司保有最終及不可異議之決定權)，買家並可 將拍賣品之完整所有權及相關權利轉讓予本公司，而與任何第 三人之索償無涉。在任何情況下，本公司均毋須向買家支付多 於買家就有關拍賣品而支付之款項，而買家亦不能索取利息。 本擔保之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本 發票之買家所有(該買家名稱被記載於發票上)，該名買家並須自拍賣後 一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何 第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品 或贓物，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證 拍賣品是否屬於贗品或贓物結果與買家出示證據相衝突者，應以本公司 驗證結果為準。

賣方業務規則請參閱羅芙奧網站 http://ravenel.com http://ravenelart.com.cn

TRANSACTION AGREEMENT The following provisions are entered into by and between Ravenel Ltd., as the auctioneer, (hereinafter referred to as the "Company"),and the Seller (hereinafter referred to as the "Seller"). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer").

The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5 which provides limitations as to the legal responsibilities of the Company.

ARTICLE 1.DEFINITION Some of the phrases commonly seen herein are defined as follows: 1. "The Buyer" shall mean highest bidder accepted by the Company.

2. "The Prospective Buyer" shall mean any potential bidder willing to attend the auction sale hosted by the Company.

3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company.

4. "The Lot" shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue.

5. "Hammer price" shall mean the highest bid with respect to one particular Lot accepted by the auctioning party.

6. The "Buyer's Premium" shall mean the fee based on a certain percentage of the Hammer price paid to the Company by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a.

7. "The Reserve Price" shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price.

8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints).

9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company).

10. The "Seller Service Fee" shall mean the fee is paid to the Company by the Seller.

ARTICLE 2.THE BUYER 1. The Company as the Agent of the Seller The Company, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer.

2. Prior to the Auction a. Authentication We strongly recommend that the Prospective Buyers conduct their own authentication for the items they are interested in bidding prior to the auction. The Company provides no guarantee to the Buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot and related certificates. b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The description of the auction items also do not imply and guarantee that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally. We strongly recommend the Prospective Buyers shall personally view the items for which they plan to bid before the auction. Any description in the catalogue or any statement provided by the Company is purely the Company's subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in "as is" condition. The Company does not provide any representation or guarantee as to the condition of any of the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue. ○ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions.

This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer's Premium. d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lot and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not

3.

be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes.

Many Lots fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her/its own judgment or estimation independently regarding the Lots.ing his/her own judgment or estimation independently regarding the Lots.

In the Auction a. Estimates The prices in US dollars or other currencies reproduced in the auction and this catalogue are for reference only. The Buyer is requested to pay

by New Taiwan dollars or other foreign currencies in its equivalency based on the exchange rate announced by the Company on the day of auction. b. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. c. Registration Prior to the Bidding Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. Prospective Buyers should also note that the Company may request to conduct credit checks against Buyers. d. The Bidding Deposit The bidder shall pay the bidding deposit before receiving the bidding number. The Company will announce the amount of the bidding deposit before the auction day.

(1) If the bidder fails to pay the bidding deposit in advance, the Company has the right to refuse the bid. If the bidder is not able to purchase any Lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder.

(2) If the bidder becomes the Buyer, the Company has the right to transfer the bidding deposit into the payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs ) of the Lot for which transaction is concluded. And the Company will return the balance of the deposit to the Buyer (if any). If the Buyer ,without any good cause, fails to pay any and all payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs) of the Lot to the Company within 7 days after the auction date ,the Buyer shall not claim for the return of the bidding deposit. e. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. f. Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the provided forms attached to the explanations of the catalogue; however, bid commission instructions must be delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions.

The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. g. Bid by Phone The Company will make proper effort to contact the bidder so he/she can participate in the auction by phone if the Prospective Buyer make arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. h. Online Bids via Invaluable If the Prospective Buyer cannot attend the auction, it may be possible to bid online via Invaluable or our company’s official website,“BID NOW”(https://bid.ravenel.com/), for their preferred Lots bearing individual buyer’s responsibilities. For information about registering for online bidding, please refer to Ravenel.com., When successfully winning an item through online bidding via Invaluable, the Prospective Buyer and the Buyer shall pay a service fee of 3% of the hammer price in addition to the Buyer’s Premium calculated according to Article 2, Section 4a.

The Prospective Buyer and the Buyer agree that this Agreement can be viewed at the website and be revised by the Company from time to time. i. Exchange Rate Conversion Board There will be an exchange rate conversion board operating in auctions.

Nonetheless, the auction will still be conducted in NT dollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board.

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j. Recorded Images There is image projection in some auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. k. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his/her discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items. If the auctioneer announces the points for attention before the auction or the bidding, the Prospective Buyers shall pay attention for any announcement as its own responsibility. We recommend the Prospective Buyers using Online Bids Services to log in the system prior to the commencement of the auction, to ensure the timely awareness of any notices or announcements made prior to the auction. l. Successful Bids Under the discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement on Hammer Price.

Following the Auction a. The Buyer's Premium of Each Lot (1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the Buyer's Premium should be calculated at 20% of the hammer price.

(2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's Premium should be that the first NT$ 32,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12% of the hammer price. b. Taxes All the payments payable by the Buyer to the Company do not include any commodity or service taxes or any other value added taxes (whether imposed by the Taiwanese government or elsewhere). The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his/her/its true name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon the company request. All payments due (including the hammer price, the Buyer's Premium and any freights or other expenses) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit.

If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to the Company are made in any currency other than NT dollars, the exchange rate of the payments to the Company should be the exchange rate reported by the Bank of Taiwan to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period.

The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Referral of Packaging or Transportation Companies The shipping department of the Company may introduce the forwarder, assist in the arrangement of delivery, or purchase particular insurance upon the Buyer's request. The Company will not be held liable for any legal responsibilities in this regard. And the Buyer shall prepay the freight charges. Costs and expenses for shipping and insurance shall be paid in advance. f. Remedies for Non-Payment or Non-Collection of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1) An interest at the annual rate of no higher than 10% plus the base interest rate of Bank of Taiwan will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and Buyer's Premium) multiplied by the number of delayed days as puntive damage for the default. The payment to be made by the Buyer may offset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company's sole decision.

(2) To exercise lien of any items owned by the Buyer and held by the Company for any purpose including but without limitations other transactions.

The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his/hers/its non-payment. The proceeds shall make up for the payment due.

(3) If the Buyer owes the Company several payments as a result of different transactions, the payments will set-off any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments.

(4) Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/or to require a bidding deposit from the Buyer before accepting any future bids from him/her/it. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a) To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim.

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(b) Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions. (c) To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any cost incurred as a result of the non-payment by the Buyer. g. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, handling, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. h. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer's wishes to apply for an export permit does not affect the Buyer's responsibility to make the payments in 7 days following the auction date; nor does it affect the Company's right to impose interest on delayed payments.

If the Buyer requests that the Company applies for the export permit on his/hers/its behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes.

If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom.

The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Seller, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein.

Return of Payments for Counterfeits or stolen goods The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit or stolen goods, or involved in obvious illegality by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields. b. Or the method used to prove that the Lot is a counterfeit or stolen goods is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer's payment can only be refunded when the following terms are met: (1) The Buyer must notify the Company in writing within 10 days following the auction day that he/she considers the relevant auction item a counterfeit or stolen goods.

(2) The Buyer must return the Lot to the Company within the following 14 days and the condition of the item must be the same as on the auction day without any damage.

(3) Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit or stolen goods (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim. Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer cannot claim interests.

The interests of the warranty cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer's name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction. If the result of appraising and verifying whether the Lot is a counterfeit or stolen goods by the Company conflicts with the evidence provided by the Buyer, the Company's said result shall prevail over the evidence provided by the Buyer.

Please refer to our website for seller's Transaction Agreement. http://ravenel.com http://ravenelart.com.cn