SELECT I : MASTER DRAWINGS - SANYU & WALASSE TING Ravenel 1
Arthur Wang 王鎮華
Chairman 董事長
Clara Kuo 郭倩如
Vice Chairman 副董事長
Wendy Lee 李雅欣
Chief Operation Officer 營運長
陳惠黛 Odile Chen
傅斐郡 Flora Fu
國際藝術部 總經理 Head of International Art Department Chief Specialist
台北藝術部 總經理 President, Art Department, Taipei
何瑩 Vivi He
林慧菁 Maggie Lin
業務發展部 總監 Head of Business Development Department
台北藝術部 副總經理 Vice President, Art Department, Taipei
游景涵 Carol Yu
黃詩涵 Stella Huang
國際藝術部 專家 Specialist, International Art Department
台北藝術部 經理 Manager, Art Department, Taipei
陳昱良 Iris Chen
蔡晉欣 Olivier Tsai
國際藝術部 業務 Sales, International Art Department
台北藝術部 副理 Assistant Manager, Art Department, Taipei
翁境優 Tiff Wong 國際藝術部 業務助理 Assistant, International Art Department
李政希 Xiu Lee 上海商務代表 Representative, Shanghai
RAVENEL AUTUMN AUCTION 2017
SELECT I : Master Drawings - Sanyu & Walasse Ting
羅芙奧 2017 秋季拍賣會 薈萃專場 I ：濃淡總相宜－常玉、丁雄泉的東方之韻
AUCTION
拍賣日期 / 地點
Saturday, December 2, 2017, 2:30 pm Marriott Taipei 3F (Grand Space) No. 199, Lequn 2nd Road, Zhong Shan District, Taipei
2017年12月2日（六） 下午 2:30 台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路199號
PREVIEWS
預展日期 / 地點
Taichung
台中 2017年11月11日（六） 下午1:00至下午6:00 2017年11月12日（日） 上午11:00至下午6:00 豐藝館 台中市西區五權西路一段110號
Kaohsiung
高雄 2017年11月18日（六）至11月19日（日） 上午11:00至下午6:00 琢璞藝術中心 高雄市前金區五福三路63號8樓
Saturday, November 11, 2017, 1:00 pm - 6:00 pm Sunday, November 12, 2017, 11:00 am - 6:00 pm Fong-Yi Art Gallery (Next to the National Taiwan Museum of Fine Arts) No. 110, Sec. 1, Wuquan W. Rd., West Dist., Taichung, Taiwan
Saturday, November 18 - Sunday, November 19, 2017, 11:00 am - 6:00 pm J. P. Art Center 8F, No. 63, Wu Fu 3rd Road, Qianjin District, Kaohsiung,Taiwan
Hong Kong
Saturday, November 25 - Sunday, November 26, 2017, 11:00 am - 7:00 pm Grand Hyatt Hong Kong 5F (Chief Executive Suites) No. 1, Harbour Road, Wanchai, Hong Kong
Taipei
Thursday, November 30 - Saturday, December 2, 2017 10:00 am - 6:00 pm Marriott Taipei 3F (Grand Space) No. 199, Lequn 2nd Road, Zhong Shan District, Taipei
香港 2017年11月25日（六）至11月26日（日） 上午11:00至下午7:00 香港君悅酒店五樓（CES） 香港灣仔港灣道1號 台北 2017年11月30日（四）至12月2日（六） 上午10:00至下午6:00 台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路199號
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濃淡總相宜 常玉、丁雄泉的東方之韻 MASTER DRAWINGS SANYU & WALASSE TING 紙上作品多數已為衣淑凡女士編入常玉水彩素描全集。但她表示 仍有遺漏部分作品來不及編錄於圖錄出版或其資料庫內，只要經 過確認作品無誤，仍允諾會收錄於未來的常玉作品全集內。 以毛筆、水墨或硬筆勾勒人體線條，炭筆、乾筆塗擦增色，增加立 體感，常玉開拓出人物素描的豐富性，靈活結合東方的書寫精神與 西方的摩登造型。陳炎鋒認為，常玉素描中人體肌理和外側以炭筆 簡約暈染，為1927-1928年間普遍流行的「裝飾藝術」手法。 「手足的五指梳齒狀的符號化，流露畫家自我的獨創性。」常玉 常玉 SANYU (1901-1966)
丁雄泉 WALASSE TING (1929-2010) Image courtesy of Galerie Delaive
放眼現代中國美術史，華人藝術家在赴西方學習藝術之前，多有 東方書畫的基礎，即使非學院的教學，自幼讀書寫字，浸淫在 中華文化滋養，東方墨韻之美在他們選擇走上繪畫之路的初始 階段早已萌芽。二十世紀揚名海外的華人藝術家各有風範，在此 因緣巧合地，羅芙奧選擇兩位風度翩翩的風流才子的紙上作品專 拍：一位是來自四川的常玉（1901.10.14中國四川~1966.08.12 法國巴黎），一位是出生江蘇的丁雄泉（1929.10.13中國江蘇 ~2010.5.17美國紐約）。兩位年紀相差28歲，生日僅間隔一天。 常玉、丁雄泉有許多共同特點，都曾在上海生活，而後飛往巴
的素描作品顯然有更多的東方逸趣，簡約、寫意、快筆，接近抽 象的概念。無論是在大茅屋工作室或咖啡館，常玉的人物速寫又 快又好，往往贏得圍觀者的喝彩。《法國晚報》記者艾爾貝•達 昂（Albert Dahan）是常玉晚年好友，交情近二十年，當年他曾 為常玉冠上「中國的馬諦斯」的稱號，傳頌至今。達昂讚賞常玉 裸女畫的黑色線條都常是一筆完成的，線條功力了得。 常玉的素描人物之美，即使如野獸派大師馬諦斯也要折服。法國 資深常玉畫商與收藏家希耶戴先生（Jean-Claude Riedel）以近 期紐約蘇富比拍賣的一張馬諦斯繪於1950年的《女人頭像》素 描，他說眾人皆說常玉是「中國的馬諦斯」，其實馬諦斯也學常 玉啊。常玉在1920年代就已自成一格，發表此一技法，早於馬諦 斯20多年。
黎，和二十世紀重要國際藝術大師熟識交往，參與美術運動，彼 此影響。大抵而言，兩人皆是素人藝術家，特別是西畫的研究， 純粹的天賦異稟。他們追求自由，享受人生，風流倜儻，一生熱 愛女人，繪畫女體，喜愛描繪花卉、動物的姿態，都有強烈的裝 飾風格。雖然他們大半生於西方藝壇發展，終老於異鄉，獨特的 油畫作品艷驚西方，然而下筆時東方的筆墨線條依然，或優雅或 狂放，或清雅或濃烈，東方墨韻在兩人一生的創作中始終存在。 常玉於1921年前往巴黎習藝，20歲年紀，在此之前，他已受過 藝術的薰陶，少時曾經與四川名儒趙熙習字，常玉寫得一手好書 法，作品曾經刊載於東京的藝術雜誌，也曾畫過彩墨。到了巴 黎之後，他不急於學西畫，1920年代近十年的時光，除了感受 藝文薈萃的巴黎點點滴滴，都在大茅屋藝術工作室（L a G r a n d e C h a u m i è re）或咖啡館，觀察男女百態，琢磨人物素描水彩等紙 上作品，第一幅油畫在1929年後才出現。
常玉《五裸女》1950年代 油彩 纖維板 120 x 175 cm 羅芙奧香港2011春拍 編號019 港幣128,320,000（台幣475,259,259）成交 SANYU, Five Nudes ,1950s, oil on fiberboard, 120 x 175 cm Ravenel Spring Auction 2011 Hong Kong, lot 019, US$16,493,573 sold
愛畫女人出名的丁雄泉，筆名「採花大盜」，也是個性十足的藝術
場上出現尺幅最大，個人拍賣行情最
家。出生於江蘇無錫，成長於上海，童年時期開始在街頭作畫，雖
高價紀錄都是裸女油畫題材，正巧都由羅芙奧
然曾短暫入上海美術專科學校學習，但他一直認為是自學的素人畫
R a v e n e l先後締造。常玉的《五裸女》與《世界
家。1952年23歲時移居巴黎，結交許多眼鏡蛇畫派C o B r A的藝術
小姐》，亦可看出兩人藝術演化的風格特色。中
家，而後移居紐約，發展出美國普普藝術與抽象表現主義的風格。
國人形容西湖之美，濃妝淡抹總相宜，人物繪畫
當年前往巴黎前，丁雄泉曾完成一批素描水墨，視為珍寶，飄洋過
造型之美，常玉的「簡約」、丁雄泉「艷情」，
海地攜至巴黎，但後來視野大開後，自覺不夠成熟，於是毀去此批
線條、筆法、用色、造型、佈局，分別詮釋出媲
作品，決定重新開始。大開大闔的個性，也預視了未來發展得以大
美西洋大師風範的個性之美，殊為難得可貴。
器淋漓。 丁雄泉個性浪漫，喜愛寫詩，在他多本出版品中，常見他手寫的中 英詩文，筆跡瀟灑有個性1950年代他的作品多探索情慾、女體的 題材，展現熾熱的生命力。到了美國之後，開始以新媒材進行創 作，例如油彩、壓克力顏料、粉彩，以及最得心應手的水墨。丁雄 泉的早期作品多為是帶有東方精神的黑白抽象表現風格，筆觸如書 法般的遒勁雄渾。1960年代才轉向螢光、普普色彩，主題也偏向 具象，然而他的滴流、潑灑仍看得出東方水墨的趣味。初期的壓克 力彩等作品多繪於畫布上，1980年代之後則以宣紙ricepaper為主 要素材，水墨線條勾勒，色彩摩登豔麗依舊，卻巧妙地融繪東西方 繪畫的表現特色。 羅芙奧2017秋拍薈萃國際專場I以「濃淡總相宜：常玉、丁雄泉的 東方之韻」為題，推薦兩位早期海外華人藝術家的紙上作品，探討 兩人藝術表現與風格中的同與異。常玉與丁雄泉兩位藝術家目前市
丁雄泉《 世界小姐》1975 壓克力 畫布 222 x 396 cm 羅芙奧台北2015春拍 編號235 台幣56,320,000成交 Walasse TING, Miss World , 1975, acrylic on canvas, 222 x 396 cm Ravenel Spring Auction 2015 Taipei, lot 235, US$ 1,825,608 sold
An examination of contemporary Chinese art history shows that
majority of their lives to the western art scene, where they also
many Chinese artists who went on to pursue their studies in the
spent the rest of their days, their unique oil paintings astounded
West had already been deeply immersed in Chinese culture.
the west. However, with each brush stroke, the eastern spirit of
Even if they did not have any prior formal training in eastern
ink shone through the lines, be they elegant, wild, graceful, or
painting techniques, they still had to learn to read and write
bold.
at a young age, and this immersion of Chinese culture was so integral to them that the eastern beauty of ink was ingrained
Sanyu arrived in Paris in 1921 at age 20 to further his craft.
into the first stages of their artistic journeys. Each of these
Before this, he had been trained in pottery, and under the
Chinese artists living abroad in the twentieth century have their
tutelage of the famous Confucianist Zhao Xi during his youth,
own style, and by a stroke of fate, Ravenel has elected to hold
he became a masterful calligrapher, having contributed his ink
an exclusive auction of ink paintings from two exceptionally
paintings to art magazine publications in Tokyo. Upon arriving
talented individuals: Sanyu from Sichuan (born 1901.10.14,
in Paris, he was in no hurry to begin his studies in western
Sichuan, China; deceased 1966.08.12, Paris, France) and
painting. During the 1920's, when he was not taking in bits
Walasse Ting (bor n 1929.10.13, Jiangsu, China; deceased
and pieces of art around Paris, he was people-watching at
2010.5.17, New York, United States) The two were 28 years
La Grande Chaumière and cafes, honing his life drawings of
apart in age, yet, their birthdays just one day apart.
people using watercolors and the like. It was not until 1929 that he painted his first oil painting. Many of Sanyu's works on
Sanyu and Walasse Ting had quite a few things in common;
paper have since been collected into the "SANYU Catalogue
both of them had lived in Shanghai before flying to Paris, where
RaisonnĂŠ: Drawings and Watercolors" by Ms. Rita Wong.
they acquainted themselves with the artistic masters of the
However, she has expressed that there are a number of works
twentieth century from all over the world and partook in several
she did not have sufficient time to put into the published
art movements, influencing each other in the process. Broadly
catalogue or its database. She has promised that after these
speaking, both men were self-taught artists of extraordinary
works have been evaluated and cleared, they will be collected
talent who focused their studies in western painting. These
into future art portfolios of Sanyu.
suave men pursued freedom and enjoyed t h e i r l i v e s t o t h e f u l l e s t . T h e y w e re
Using calligraphy brushes and ink to outline his subjects and
both passionate about women,
adding color and volume to their figures with charcoal and
and enjoyed drawing the
drying brushes, Sanyu has paved a way to the expressiveness
female form as well as
of life drawings, cleverly integrating the calligraphic spirit
flowers and animals
of the west and the modern stylizations of the west. Chen
in a distinct and
Yanfeng believes that Sanyu's simplistic approach to the
decorative fashion.
muscular structure of his subjects and light charcoal shading
They devoted the
outside their forms utilized the "art deco" techniques that were popular from 1927 to 1928. "The artist's conversion of hands and feet to jagged symbols is an expression of his unique creativity." Sanyu's life drawings evidentially show traces of the intrigue, minimalism, impressionism, and briskness of the east that is akin to the concepts of abstract art. Whether they were drawn at La Grande Chaumière or at a cafe, Sanyu's life drawings of humans are quick and
well-drawn, often garnering praise from their viewers. France
Walasse Ting was a romantic at heart who loved writing poems.
Soir journalist Albert Dahan was a good friend of Sanyu in his
Many of the works in his publications were hand-written poems
old age, their friendship lasting almost twenty years. He once
in both Chinese and English, his individualistic print of the 1950's
dubbed Sanyu as "The Matisse of China," a title that has lasted
exploring lust and the female body in an expression of his burning
until the present day. Dahan praised the masterful way the black
vitality. After arriving in America, he began working with new
lines of Sanyu's nude women were drawn, often in a single
media such as oils, acrylics, and pastels, alongside the inks he was
stroke.
so familiar with. Walasse Ting's earlier works were mostly blackand-white abstract expressionism works of eastern influences,
Even the Fauvist master Matisse admired the beauty of Sanyu's
his brushwork utilizing the expressiveness of calligraphy. It was
figure drawings. Jean-Claude Riedel, an experienced Sanyu art
in the 1960's that he began to gravitate towards neon and pop
agent and art collector, recently auctioned Matisse's "Portrait of
colors, his subjects becoming more figurative while still retaining
a Woman" from 1950 at the Sotheby's Auction of New York. He
the amusing qualities of eastern ink paintings in every flick of his
stated that everyone called Sanyu "The Matisse of China"; even
brush. His early acrylics were mostly painted on canvas. From
Matisse must have learned from Sanyu. By the 1920's, Sanyu had
the 1980's onward, his main choice of medium was ricepaper, his
already developed his own style, preceding Matisse by more
inked lines and colorful modern colors remaining very much the
than 20 years.
same while cleverly blending in methods of expression from both the east and the west.
Famous for his love for drawing women, Walasse Ting, also known as "The Flower Thief, is also an artist with quite a
Ravenel's 2017 Autumn Auction presents the special themed
personality. Born in Wuxi, Jiangsu and raised in Shanghai, he
"Master Drawings: Sanyu & Walasse Ting" as a recommendation
began drawing on the streets in his childhood. Though he briefly
of the works of these two Chinese artists from overseas and
attended Shanghai Special Fine Arts School, he had always
a discussion of the similarities and differences between their
considered himself a self-taught artist. Moving to Paris 1952
manners of expression and art styles. Dominating the current
at the age of 23, he befriended several CoBrA artists. He then
market as record-holders of personal auctions are Sanyu and
moved to New York, where he developed styles in America's
Walasse Ting's oil paintings of nude women, all of which were
pop art and abstract expressionism. Before heading to Paris,
represented by Ravenel. Their artistic evolution is evident in
Walasse Ting had completed a body of life drawings in ink,
Sanyu's "Five Nudes" and "Miss World." The beauty of West
which he treasured enough to bring with him to Paris by sea.
Lake, as described by the Chinese, is said to be the perfect
However, after expanding his horizons, he realized that he still
amount of intensity and subtlety. The beautiful forms of their
had much to learn, so he threw away these works and decided
subjects, Sanyu's "minimalism," Walasse Ting's "fervor," their
to begin anew. His audacious personality paved the way for his
lines, techniques, colors, stylizations, and compositions each
daring future developments.
describe the beauty in the personalities of the masters of America and the west in an opportunity of a lifetime.
Ravenel 11
001 SANYU
(Chinese-French, 1901 - 1966)
Relaxed Nude 1920-1930s Ink on paper 28.5 x 22 cm PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0621, p. 55 (flash drive)
NT$ 400,000 - 600,000 HK$ 104,000 - 155,000 US$ 13,300 - 19,900
常玉 慵懶的裸女 1920-1930年代 水墨 紙本 28.5 x 22 cm 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0621，頁55（隨身碟）
Ravenel 13
002 SANYU
(Chinese-French, 1901 - 1966)
Nu allongé 1920-1930s Ink on paper 45 x 26.5 cm PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0505, p. 44 (flash drive)
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 伸展肢體的裸女 1920-1930年代 水墨 紙本 45 x 26.5 cm 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0505，頁44（隨身碟）
Ravenel 15
003 SANYU
(Chinese-French, 1901 - 1966)
Female Painter's Profile 1920-1930s Ink on paper 44.5 x 27.2 cm Signed lower right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2296, p. 103 (flash drive)
NT$ 700,000 - 1,000,000 HK$ 181,000 - 259,000 US$ 23,200 - 33,200
常玉 作畫女子的剪影 1920-1930年代 水墨 紙本 44.5 x 27.2 cm 簽名右下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2296，頁103（隨身碟）
Ravenel 17
004 SANYU
(Chinese-French, 1901 - 1966)
A Seated Lady Ink on paper 26.5 x 31 cm Signed lower right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2307, p. 104 (flash drive) This work is to be sold with the letter of opinion signed by Rita WONG and issued by The Li-Ching Cultural and Educational Foundation
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 坐姿仕女 水墨 紙本 26.5 x 31 cm 簽名右下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2307，頁104（隨身碟） 附立青文教基金會衣淑凡女士意見信函
Ravenel 19
005 SANYU
(Chinese-French, 1901 - 1966)
Drawing Lady 1920-1930s Charcoal on paper 49 x 29.5 cm PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu Catalogue raisonné: Drawings and Watercolor , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D3043, p. 122 Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D3043, p. 118 (flash drive)
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 作畫中的仕女 1920-1930年代 炭筆 紙本 49 x 29.5 cm 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描與水彩全集》，衣淑凡，財團法人立青文教基金 會，台北，2014，彩色圖版，編號D3043，頁122 《常玉素描全集》，衣淑凡，財團法人立青文教基金會，台 北，2014，彩色圖版，編號D3043，頁118（隨身碟）
006 SANYU
(Chinese-French, 1901 - 1966)
A Drawing Young Man 1920-1930s Ink on paper 45.5 x 28 cm Signed lower right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2281, p. 102 (flash drive)
NT$ 650,000 - 950,000 HK$ 168,000 - 246,000 US$ 21,600 - 31,600
常玉 素描的青年 1920-1930年代 水墨 紙本 45.5 x 28 cm 簽名右下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2281，頁102（隨身碟）
Ravenel 21
007 SANYU
(Chinese-French, 1901 - 1966)
Two Seated Nudes
常玉
1920-1930s Ink on paper 45.5 x 27.5 cm
雙重坐姿裸女
PROVENANCE: Former collection of Jean-Claude Riedel, France Mrs. Rita Wong has validated this painting as an authentic artwork by Sanyu, and it is to be included in the forthcoming catalogue raisonné of Sanyu.
NT$ 800,000 - 1,200,000 HK$ 207,000 - 311,000 US$ 26,600 - 39,900
1920-1930年代 水墨 紙本 45.5 x 27.5 cm 來源： 尚．克勞德．希耶戴舊藏，法國 衣淑凡女士確認此幅作品為常玉真跡，未來將收錄於常玉 目錄全集
Ravenel 23
008 SANYU
(Chinese-French, 1901 - 1966)
Woman Gazing 1920-1930s Ink on paper 45 x 27 cm PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2372, p. 108 (flash drive)
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 凝視的女子 1920-1930年代 水墨 紙本 45 x 27 cm 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會，台北， 2014，彩色圖版，編號D2372，頁108（隨身碟）
Ravenel 25
009 SANYU
(Chinese-French, 1901 - 1966)
Nu à plat ventre Ink on paper 28.5 x 44.5 cm Signed center right YU in Chinese and SANYU ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0231, p. 24 (flash drive) This work is to be sold with a certificate of authenticity issued by Lin & Lin Gallery, Taipei.
NT$ 700,000 - 1,000,000 HK$ 181,000 - 259,000 US$ 23,200 - 33,200
常玉 俯臥裸女 水墨 紙本 28.5 x 44.5 cm 簽名右中：玉 SANYU 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0231，頁24（隨身碟） 附大未來畫廊開立之原作保證書
Ravenel 27
010 SANYU
(Chinese-French, 1901 - 1966)
Female Nude Standing 1930s Ink on paper 48.2 x 31 cm Signed lower right YU in Chinese and SANYU ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, No. D0161, p. 20 (flash drive) This work is to be sold with the letter of opinion signed by Rita WONG and issued by The Li-Ching Cultural and Educational Foundation
NT$ 400,000 - 600,000 HK$ 104,000 - 155,000 US$ 13,300 - 19,900
常玉 站姿裸女 1930年代 水墨 紙本 48.2 x 31 cm 簽名右下：玉 SANYU 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0161，頁20（隨身碟） 附立青文教基金會衣淑凡女士意見信函
Ravenel 29
011 SANYU
(Chinese-French, 1901 - 1966)
Study of Cat
常玉
1931 Ink and pencil on the paper 11.5 x 18.5 cm
貓的速寫
Signed lower right YU in Chinese and SANYU PROVENANCE: Collection of Mr. and Mrs.Neyrinck, France (friends of artist in the 1920s-1930s) ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D6007, p. 139 (flash drive)
NT$ 360,000 - 550,000 HK$ 93,000 - 142,000 US$ 12,000 - 18,300
1931 水墨 鉛筆 紙本 11.5 x 18.5 cm 簽名右下：玉 SANYU 來源： 納瑞克先生夫婦收藏，法國（藝術家1920-1930年代友人） 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會，台 北，2014，彩色圖版，編號D6007，頁139（隨身碟）
正面 recto
背面 verso
012 SANYU
(Chinese-French, 1901 - 1966)
Portrait (Double-sided)
常玉
Pencil and charcoal on paper 31.2 x 24.2 cm
人物肖像（雙面畫）
Signed lower left YU in Chinese and SANYU ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, No. D5011, p. 135 (flash drive)
鉛筆 炭筆 紙本 31.2 x 24.2 cm 簽名左下：玉 SANYU 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D5011，頁135（隨身碟）
NT$ 280,000 - 420,000 HK$ 73,000 - 109,000 US$ 9,300 - 13,900
Ravenel 31
013 SANYU
(Chinese-French, 1901 - 1966)
Modern Lady with a Hat 1920-1930s Charcoal on paper 44 x 27.5 cm Signed lower left YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D3097, p. 122 (flash drive)
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 戴帽的摩登女子 1920-1930年代 炭筆 紙本 44 x 27.5 cm 簽名左下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D3097，頁122（隨身碟）
Ravenel 33
014 SANYU
(Chinese-French, 1901 - 1966)
Dedicated Woman 1920-1930s Ink on paper 45 x 28 cm Signed center right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2150, p. 94 (flash drive)
NT$ 650,000 - 950,000 HK$ 168,000 - 246,000 US$ 21,600 - 31,600
常玉 專注的女子 1920-1930年代 水墨 紙本 45 x 28 cm 簽名中右：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2150，頁94（隨身碟）
Ravenel 35
015 SANYU
(Chinese-French, 1901 - 1966)
Cross-legged Woman 1920-1930s Charcoal on paper 49 x 27.5 cm Signed center left YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu Catalogue raisonné: Drawings and Watercolor , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1080, p. 101 Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1080, p. 61 (flash drive)
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 翹腳的裸女 1920-1930年代 炭筆 紙本 49 x 27.5 cm 簽名左中：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描與水彩全集》，衣淑凡，財團法人立青文教基金 會，台北，2014，彩色圖版，編號D1080，頁101 《常玉素描全集》，衣淑凡，財團法人立青文教基金會，台 北，2014，彩色圖版，編號D1080，頁61（隨身碟）
016 SANYU
(Chinese-French, 1901 - 1966)
Baigneuse 1920-1930s Charcoal on paper 57 x 31 cm Signed lower right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1244, p. 71 (flash drive)
NT$ 600,000 - 900,000 HK$ 155,000 - 233,000 US$ 19,900 - 29,900
常玉 裸女梳妝 1920-1930年代 炭筆 紙本 57 x 31 cm 簽名右下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D1244，頁71（隨身碟）
Ravenel 37
正面 recto
背面 verso
017 SANYU
(Chinese-French, 1901 - 1966)
Plump Woman (Double-sided)
常玉
c. 1925-1930 Charcoal on paper 47 x 33 cm
豐腴的裸女（雙面畫）
Signed lower right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1272, p. 73 (flash drive)
NT$ 500,000 - 800,000 HK$ 130,000 - 207,000 US$ 16,600 - 26,600
約1925-1930年 炭筆 紙本 47 x 33 cm 簽名右下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D1272，頁73（隨身碟）
正面 recto
背面 verso
018 SANYU
(Chinese-French, 1901 - 1966)
Nude (Double-sided)
常玉
1920s-1930s Charcoal on paper 41.5 x 33 cm
叉腰的裸女（雙面畫）
Signed lower right YU in Chinese and SANYU PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1273, p. 73 (flash drive)
1920-1930年代 炭筆 紙本 41.5 x 33 cm 簽名右下：玉 SANYU 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D1273，頁73（隨身碟）
NT$ 500,000 - 800,000 HK$ 130,000 - 207,000 US$ 16,600 - 26,600
Ravenel 39
019 SANYU
(Chinese-French, 1901 - 1966)
Sitting Nude
常玉
Ink on paper 26.2 x 43.3 cm
側坐裸女
PROVENANCE: Former collection of Jean-Claude Riedel, France ILLUSTRATED: Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0261, p. 27 (flash drive) This work is to be sold with the letter of opinion signed by Rita WONG and issued by The Li-Ching Cultural and Educational Foundation
NT$ 500,000 - 800,000 HK$ 130,000 - 207,000 US$ 16,600 - 26,600
水墨 紙本 26.2 x 43.3 cm 來源： 尚．克勞德．希耶戴舊藏，法國 圖錄： 《常玉素描全集》，衣淑凡，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0261，頁27（隨身碟） 附立青文教基金會衣淑凡女士意見信函
Ravenel 41
020 WALASSE TING
(Chinese-American, 1929 - 2010)
Girl with Red Hair 1990 Acrylic on paper 28 x 40 cm With one seal of the artist Provenance: Ravenel Autumn Auction 2011, Taipei, lot 105
NT$ 180,000 - 240,000 HK$ 47,000 - 62,000 US$ 6,000 - 8,000
丁雄泉 紅髮女孩 1990 壓克力 紙本 28 x 40 cm 鈐印右中：採花大盜 來源： 羅芙奧台北2011秋季拍賣會，編號105
Ravenel 43
021 WALASSE TING
(Chinese-American, 1929 - 2010)
Golden Cat
丁雄泉
Acrylic on rice paper 37.5 x 30.5 cm
金絲貓
With one seal of the artist PROVENANCE: Private collection, Europe
NT$ 110,000 - 170,000 HK$ 28,000 - 44,000 US$ 3,700 - 5,600
壓克力 紙本 37.5 x 30.5 cm 鈐印右下：採花大盜 來源： 私人收藏，歐洲
022 WALASSE TING
(Chinese-American, 1929 - 2010)
Beauty with Flower in Mouth
丁雄泉
Ink and color on paper 22 x 29 cm
銜花美人
With one seal of the artist
彩墨 紙本 22 x 29 cm 鈐印左上：採花大盜
NT$ 160,000 - 240,000 HK$ 41,000 - 62,000 US$ 5,300 - 8,000
Ravenel 45
023 WALASSE TING
(Chinese-American, 1929 - 2010)
Two Beauties Acrylic on rice paper 21.5 x 29.9 cm With one seal of the artist PROVENANCE: Private collection, Europe
NT$ 160,000 - 240,000 HK$ 41,000 - 62,000 US$ 5,300 - 8,000
丁雄泉 雙美圖 壓克力 紙本 21.5 x 29.9 cm 鈐印左下：採花大盜 來源： 私人收藏，歐洲
Ravenel 47
024 WALASSE TING
(Chinese-American, 1929 - 2010)
Lady with Parrot and Horse
丁雄泉
Acrylic on rice paper 23 x 30 cm
仕女、鸚鵡與馬
With one seal of the artist PROVENANCE: Private collection, Europe
NT$ 120,000 - 180,000 HK$ 31,000 - 47,000 US$ 4,000 - 6,000
壓克力 紙本 23 x 30 cm 鈐印中下：採花大盜 來源： 私人收藏，歐洲
025 WALASSE TING
(Chinese-American, 1929 - 2010)
Woman in Red Hair
丁雄泉
Ink and color on paper 22 x 30 cm
紅髮女郎
With one seal of the artist
彩墨 紙本 22 x 30 cm 鈐印左中：採花大盜
NT$ 160,000 - 240,000 HK$ 41,000 - 62,000 US$ 5,300 - 8,000
Ravenel 49
026 WALASSE TING
(Chinese-American, 1929 - 2010)
Blonde Girl
丁雄泉
Acrylic on paper 38 x 35.5 cm
金髮女孩
With one seal of the artist
壓克力 紙本 38 x 35.5 cm 鈐印右上：採花大盜
NT$ 260,000 - 380,000 HK$ 67,000 - 98,000 US$ 8,600 - 12,600
027 WALASSE TING
(Chinese-American, 1929 - 2010)
Purple Cat
丁雄泉
c. 1981-1982 Acrylic on paper, mounted onto canvas 64 x 99.5 cm
紫色的貓
With one seal of the artist PROVENANCE: London Arts Group, USA Private collection, USA
NT$ 300,000 - 460,000 HK$ 78,000 - 119,000 US$ 10,000 - 15,300
約1981-1982年 壓克力 紙本裱於畫布 64 x 99.5 cm 鈐印左下：採花大盜 來源： 倫敦藝術集團畫廊，美國 私人收藏，美國
Ravenel 51
028 WALASSE TING
(Chinese-American, 1929 - 2010)
Two Beauties with Fans c. 1981-1982 Acrylic on paper 89 x 97 cm With one seal of the artist PROVENANCE: Private collection, Japan (acquired directly from the artist) Private collection, Asia
NT$ 750,000 - 1,000,000 HK$ 194,000 - 259,000 US$ 24,900 - 33,200
丁雄泉 執扇雙美 約1981-1982年 壓克力 紙本 89 x 97 cm 鈐印右上：採花大盜 來源： 私人收藏，日本（直接得自藝術家本人） 私人收藏，亞洲
羅芙奧2017秋季拍賣會 薈萃：國際現代與當代藝術 SELECT: MODERN & CONTEMPORARY ART
Walasse TING 丁雄泉 《世界小姐》1975 壓克力 畫布 211 x 295 cm Estimate: NT$ 22,000,000 - 32,000,000
國際藝術專場
I N T E R N A T I O N A L
A R T
拍賣
12月2日 | 台北萬豪酒店 Marriott Taipei 三樓（博覽廳） PM 2:30 薈萃專場 I ：濃淡總相宜－常玉、丁雄泉的東方之韻 PM 3:00 薈萃專場 II：國際現代與當代藝術
預展
台中 | 11月11-12日 | 台中豐藝館 高雄 | 11月18-19日 | 高雄琢璞藝術中心 香港 | 11月25-26日 | 香港君悅酒店五樓 台北 | 11月30日-12月2日 | 台北萬豪酒店三樓（博覽廳）
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G R O U P
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拍 賣 名 稱：羅芙奧 2017 秋季拍賣會 薈萃 I：濃淡總相宜－常玉、丁雄泉的東方之韻
國際藝術部
薈萃 II：國際現代與當代藝術
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拍 賣 編 號：TA1703
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拍 賣 日 期： 2017 年 12 月 2 日（星期六） 下午 2:30 ( 薈萃 I) 2017 年 12 月 2 日（星期六） 下午 3:00 ( 薈萃 II)
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客戶編號 （如有）
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ABSENTEE BID FORM The absentee bid forms must be delivered to the International Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: International Art Department Tel: +886 2 2708 9868 Fax: +886 2 2701 3306 Bidder’s Details Name
Auction
RAVENEL AUTUMN AUCTION 2017
SELECT I: Master Drawings - Sanyu & Walasse Ting
SELECT II: Modern & Contemporary Art
Date
Saturday, 2 December 2017, 2:30 pm (SELECT I)
Saturday, 2 December 2017, 3:00 pm (SELECT II)
Sale No.
TA1703
Location
Marriott Taipei 3F (Grand Space)
Address
No. 199 Lequn 2nd Road, Zhong Shan District, Taipei
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