羅芙奧季刊第19期 Ravenel Quarterly No. 19

⇭Ẓ䵺㿆 Sharing Economy

No. 19 Winter 2016

| CONTENTS | 04

世界就是你家 The World Is Your Home

08

環球展覽預告 Global Exhibition Preview

10

2016 羅芙奧秋季拍賣會

聚焦台灣 放眼國際 Ravenel Autumn Auction 2016 New Vision and Global Expansion

16

重新評價─超級藝術家畢費 Bernard Buffet – Reevaluating a Mega-artist

32

分享經濟 Sharing Economy

42

關西 La Cime 一口入魂 Kansai La Cime Love at First Bite

46

周夢蝶 翁狄森 Dreaming of a Butterfly: Dickson Yewn

50

酒杯中的旅程 Journey Through a Wine Glass

54

普普藝術先驅 亞力士•凱茲 The Pioneer of Pop Art – Alex Katz

58

黃花梨收藏為時不晚 The Collecting Times of Huanghuali

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地域分權：維也納當代藝術博覽會 Polyphony of Centers: viennacontemporary

周春芽《桃花林》（局部）2015 年 油彩 畫布 120 x 150 cm 預估價：12,000,000 - 18,000,000 台幣 羅芙奧 2016 秋季拍賣會「薈萃」 ZHOU Chunya, “Peach Blossoms” (detail), 2015, oil on canvas, 120 x 150 cm Estimate: US$381,900 - 572,900 Ravenel Autumn Auction 2016 “SELECT”

| Chief Editor’s Note |

世界就是你家

「我的就是你的」，「使用而非佔有」，

拍賣會屬於二手市場，藝術、古董、藏

因應環保的課題 ，「分享經濟」為近期十

酒與精品二手包，也有分享經濟的概念。

分熱門的話題。Airbnb、Uber、二手衣等行

將私人珍藏公諸於世，活絡市場交易，創

業的興起，活化閒置資源，皆是分享文化

造周邊效益。想要參與分享嗎？一起到羅

的成功範例。

芙奧 2016 秋季拍賣會尋寶吧。

Neo-figurative artist, and American Pop artist Alex Katz.

We a l s o l a u n c h a j o u r n e y o f exploring wine glasses and spend time i n w i n e r i e s i n C a l i f o r n i a . We t h e n

社群媒體的活絡，更是為分享經濟的創

visit Viennacontemporary, Australia ’ s

意增添動能，每天我們利用社群媒體和好

Slogans such as “ mine is yours ” and

international art fair, and encounter

友分享音樂、影片、美圖與知識，分享的

“using not occupying” have indicated the

different regional aesthetics. The quarterly

概念落實於每人的生活日常裡。

recent popularity of “ sharing economy ”

also gives a detailed introduction to

owing to increasing environmental

Chinese Yellow Rosewood furniture, a

awareness. Airbnb, Uber, second-hand

popular type of collectibles with high

clothing and other related industries that

return rate.

《Ravenel》 第 19 期 為讀者介紹分享經濟的案

encourage activating idle resources are all successful cases of sharing culture.

例， 也 介 紹 香 港 美 術 家 兼 珠 寶

An auction, a market of second-hand items that sells art works, antiques and

設 計 師 翁 狄 森 Dickson Yewn、 法 國

The prevalence of social networks adds

second-hand luxury bags, also involves the

新具象藝術家代表名家貝爾納 • 畢費

creative dynamism to sharing economy. We

concept of sharing economy. By making

Bernard Buffet、美國普普藝術家亞力士 •

use social media to share music, videos,

public private collections, it activates the

凱茲 Alex Katz 等各具特色的藝術。

photos and knowledge with friends every

market and creates peripheral benefits.

day. The concept of sharing has rooted into

Do you want to participate in sharing

everyone’s daily lives.

economy? Come to Ravenel Autumn

然 後 和 愛 酒 人 一 起 探 索 酒 杯 的 旅 程，

Auction 2016!

參 觀 加 州 葡 萄 酒 莊； 拜 訪 世 界 重 要 盛 會 Viennacontemporary 維 也 納 當 代 藝 術 博 覽

Ravenel Quarterly No. 19 introduces

會，體驗不同地域的美感；中國黃花梨木

cases on sharing economy as well as

家具是高投資報酬率的收藏品項，本期雜

Dickson Yewn, artist and jewelry designer

誌有詳細的介紹。

from Hong Kong, Bernard Buffet, French

總編輯

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| Trend |

比利時國寶包 DELVAUX 以建築為風骨 用藝術造夢 1

Text / Angela Photo / DELVAUX

光淬鍊，歷史為鑑。這個世界最難

受 到 比 利 時 藝 術 大 師 如 René Magritte 和

能可貴的，即是光陰一去不復返，

Paul Delvaux 等的幻覺影像薰陶，無論在超

唯有「經典」可以傳承美好，風韻永存。

現實主義的體現或是工藝精萃，都展現出

時

華美脫俗的創作精神，別出心裁，歷久彌 比 利 時 國 寶 級 皮 具 品 牌 DELVAUX，

新。今年秋冬，完美縫合手工削剪的水貂

創 始 於 比 利 時 建 國 的 前 一 年 1829 年。

毛以黑白對比色完美縫合在 Le Tempête 的

並 自 1883 年 起 由 比 利 時 國 王 首 度 任 命

結構型包身，展現柔軟毛絨的細緻觸感及

DELVAUX 為比利時皇室御用皮具供應商，

天然的皮草光澤，並搭配同色系的搭扣，

並一直持續獲得皇家認證至今，百年來除

在各處細節皆完美體現品牌對品質與工藝

了受到各國皇室貴族的喜愛，現今更受全

技術的驕傲與堅持。

球名流的青睞與追捧，經典雋永世代傳襲。

DELVAUX 的皮具工藝，延續了近兩百年 的歷史傳承，只在比利時及法國的工坊以工 匠純手工拼製，從選材、處理、裁切到縫製 完成每一道工序都堅持細緻完美，材質選用 上等牛皮或各類珍稀材質製作，創新與傳統 技藝的融合使每個作品更顯矜貴。最經典 2

的莫過於 1958 年布魯塞爾世界博覽會上亮 相的 Le Brillant 手提包，擁有 64 塊皮革組 成獨特的雕塑結構及馬蹄形搭扣，包如其 成獨特的雕塑結 名「光芒四射」優雅雋永。而 DELVAUX 以 名「光芒四射」 無限創意不設限 無限創意不設限的發揮精湛工法不斷推陳出 新，就在 2016 年秋冬推出拼接不同處理方 式的短吻鱷皮革、羊胎毛以及馬 式的 毛 ，巧妙搭配各素材的光澤及 觸感，將 Brillant 包款呈現如藝 觸感 術品般極致奢華。 術品

Le Tempête 系 列 則 貫 徹 建 築美學思維於金屬飾片及優 築 美幾何形狀，巧奪天工。每 美 季在創作上選用不同材質及 季 色彩表現出各具特色及新意

3

1. 一絲俏皮的裝飾藝術意味，搭配幾何圖案 的嚴謹感覺，2016 秋冬 Le Tempête 黑白 撞色水貂毛拼牛皮中型手提包，體現藝術 美感和珍稀質感。 With a hint of playful decoration, combined with a touch of geometric rigour, the 2016 Autumn Winter collection Le Tempête black and white mink fur and leather medium-sized handbag embodies rare textures and artistic beauty.

2. 2016 秋冬 Brillant 系列取用了漸層染色的 亮面短吻鱷皮上蓋、以及砂紙磨面效果的 霧面鱷魚皮前扣，並取用羊胎毛交叉縫製 出陰影漸層效果在包身，最後在上蓋部分 加上手工染製的馬毛羽扇，巧奪天工的設 計及細緻工法，突破傳統的華美而前衛， 展現 DELVAUX 對藝術及作品的堅持。 This 2016 Brillant Series Autumn and Winter Collection bag features a gently shaded glossy alligator skin cover, a sandpaper matte alligator skin front buckle, and a cross-stitched lambswool body shaded from dark to light. Finally, a handdyed horsehair fan has been added to the cover. Intricate design and superb craftsmanship create a gorgeous and avant-garde piece that transcends the traditional, and illustrates DELVAUX’s devotion to artistic creation.

的 美 感。DELVAUX 的 創 作

3. 前比利時寶拉王妃參觀 DELVAUX 工坊時 的專注神情。

融合傳統比利時精神與文

The focused expression of Her Majesty Queen Paola, the former Queen of Belgium, during her visit to the DELVAUX atelier.

化、藝術及建築等元素，

No. 19 Winter 2016

羅芙奧藝術集團台北辦公室

發 行 人 王鎮華

Publisher: Arthur Wang

監 製 李雅欣

Managing Director: Wendy Lee

總 編 輯 陳惠黛

Editor-in-Chief: Odile Chen

編 輯 葉子微

Editor: Gina Yeh

編 輯 翁境優

Editor: Tiff Wong

發 行 所 羅芙奧股份有限公司

10683台北市敦化南路二段76號15樓之2

電話：+886 2 2708-9868 傳真：+886 2 2701-3306 羅芙奧藝術集團北京辦公室 100020中國北京市朝陽區東三環中路1號

北京環球金融中心東樓1層E101單元

Published by Ravenel Ltd.

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Editorial Production: Likestudio Publishing Ltd.

羅芙奧藝術集團香港辦公室 香港北角健康東街39號13樓1307A室 電話：+852 2889-0859 傳真：+852 2889-0850 羅芙奧藝術集團上海辦公室 200050中國上海市長寧區鎮寧路465弄 181號1幢2樓2E

地 址 10692台北市忠孝東路四段222號13樓

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First issue: May, 2012

季刊 Quarterly

登記證：中華郵政台北雜字第1883號執照登記為雜誌交寄 ©版權所有 翻印必究。本刊圖文非經同意，不得轉載或公開播送。 ©All rights reserved. Use of editorial content without permission is strictly prohibited.

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Dior a Versailles Photography by Pol Barril for Dior

| Trend |

路易威登 微風信義旗艦店 Objets Nomades 旅行傢俱系列特展 Text / Angela Photo / LOUIS VUITTON

路

易威登 Objets Nomades 旅行傢俱系

路易威登不斷以革新精神，將保留下來的

列首度在台展出！最搶眼的 Marcel

精湛工藝，帶進豐富多樣的摺疊式傢俱及

Wanders 作 品 Lounge Chair 是 一 片 能 張 能

旅遊用品的 Objets Nomades

收的移動休閒綠洲，三個分開的模筒能像

系列中，向過去特別訂

拼圖般收組在一起，展開又可具有躺臥、

製史中，如行李床或

座 椅 或 腳 凳 等 不 同 功 能。 還 有 Campana

行李衣櫥等傳奇的

Brothers 的吊椅 Cocoon、Gwenaël Nicolas 的

經典，獻上最高敬

誠 摯 之 床 及 Raw Edges 的 Concertina 桌 椅

意， 並 融 入 大 膽

等。僅有限量或少量實驗性概念樣本的各

的當代精神。

式作品，材質頂級，極為珍貴。直至明年 一月底親臨路易威登微風信義旗艦店邂逅 「旅行的藝術」。 旅行的藝術」 2

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1. Campana Brothers 的 可 攜 式 摺 疊 收 納 櫃 Maracatu。及 Marcel Wanders 驚豔世人的 移動休閒綠洲 Lounge Chair 躺椅。 Maracatu hanging travel cabinet by the Campana Brothers; the Lounge Chair by Marcel Wanders is a portable oasis for relaxation.

2. Campana Brothers 設計彷彿「破繭而出」 的 吊 椅 Cocoon。 及 Raw Edges 花 瓣 造 型 的 Concertina 桌椅及燈罩。 The swinging Cocoon chair by the Campana brothers expertly illustrates the ambience of “breaking out of a cocoon”; the petal-shaped Concertina Chair and Lamp by Raw Edges.

豐邑機構 • 豐藝館 《藝發光》經典藝術展 Text / Vicky Photo / 豐藝館

豐

藝館位於國立台灣美術館正對面，為「財團 法人豐邑文教基金會」所屬公益性展覽藝文

空間，每年一、四、七、十月規劃主題展並致力藝 文活動推廣。2011 年開展迄今已有六年，館藏囊括 台灣前輩經典、現代與當代新銳及至海外華人藝術 家等多達千件藝術品，兼具深度與廣度。2016 年冬， 以感恩誠摯的心，展出：趙無極、朱德群、林風眠、 趙春翔、吳冠中、席德進、陳澄波、廖繼春、藍蔭鼎、 邱亞才……等藝術家，呈現經典藝術的閃耀光芒。

展出時間：10 / 6 ( 四 ) ∼ 12 / 13 ( 二 ) 開放時間：週二至週日 9:00-18:00 ( 週一休館 ) 展館地址：台中市西區五權西路一段 110 號 B1 ( 國美館旁 ) 預約專線：+886 4 2376 0492 ( 歡迎預約參觀 )

環球展覽預告 Global Exhibition Preview

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畢費回顧展 Bernard Buffet Retrospective

巴黎市立現代美術館 Musée d’ Art Moderne de la Ville de Paris 2016 / 10 / 14 ∼ 2017 / 2 / 26 www.mam.paris.fr

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無極限：趙無極 No Limits: Zao Wou-Ki

紐約 亞洲協會 Asia Society, New York 2016 / 9 / 9 ∼ 2017 / 1 / 8 www.asiasociety.org

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丁雄泉：採花大盜 Walasse Ting: The Flower Thief

巴黎 賽努奇亞洲博物館 The Cernuschi Museum, Paris 2016 / 10 / 7 ∼ 2017 / 2 / 26 www.cernuschi.paris.fr

二十世紀最知名也最具爭議性的法國畫家畢

旅法藝術家趙無極在美國的首次回顧展，由亞

先後活躍於巴黎、紐約和阿姆斯特丹，難以被

費（1928-1999） 回 顧 展， 從 一 百 件 鮮 為 人

洲協會與柯爾比大學美術館共同策劃。展出油

歸類的丁雄泉是中國當代藝術在 1990 年代展

知的作品重新認識畢費。除了他自己最喜歡

畫、水墨、版畫和水彩作品多達 49 幅，橫跨

露國際舞台的預兆。1970 年他向賽努奇博物

的自畫像、靜物之外，更透過宗教、文學、預

藝術家生涯六十多年之久，將展覽命名為無極

館捐贈八十多幅繪畫。從典型構圖中描繪彷若

言等作品看見畢費對於歷史畫的關注，以及

限，不僅向藝術家致意，更是作品體現的狀

植物生長之軀的美女，到綠葉般的傾情表白，

藝術家在生命尾端之際，大量援引中世紀的

態，將其融合東西方美學特色的獨特成就，再

都與「採花大盜」的顛覆形象交織在一塊，體

死亡象徵入畫。

次展現世人眼前。

現藝術家的雙重想像。

Become reacquainted with French artist Bernard Buffet (1928-1999), one of the most well-known and also most controversial artists of the twentieth century, through a retrospective of one hundred lesser-known pieces of his artworks. In addition to his favorite selfportraits and still lifes, the retrospective also includes other themes that he has worked through including religion, literature and prophecies, illustrating Buffet’s appreciation of historical painting, including a large number of symbolic references to death, taken from the Middle Ages, that were included in his paintings made near the end of the artist’s life.

The first retrospective of Chinese-French painter Zao Wou-Ki in the USA, co-organized by the Asia Society and the Colby College Museum of Art. An exhibition of up to 49 works of art including oil paintings, ink paintings, prints and watercolors, spanning across the artist’s career of more than sixty years. The exhibition is called “No Limits”, to not only pay tribute to the artist, but also to reflect the standing of his work, a unique achievement of the integration of Eastern and Western aesthetic characteristics, that can once again be shown to the world.

Walasse Ting was a genre-breaking artist who worked successively in Paris, New York and Amsterdam, and was a forerunner of the internationalization of contemporary Chinese art in the 1990s. In 1970, he donated more 80 paintings to the Cernuschi Museum in Paris.

From typical compositions portraying women with botanical bodies, to the green leaf-like pages of a confession book, this collection is intimately intertwined with the subversive identity of the Flower Thief, the imaginary alter ego of the artist.

Bernard BUFFET, “La Ravaudeuse de filets”, 1948, 200 x 308 cm, huile sur toile. Musée d’Art moderne de la Ville de Paris © Musée d'Art moderne / Roger-Viollet © ADAGP, Paris 2016

ZAO Wouki, “Rouge, bleu, noir (Red, blue, black)”, 1957, Oil on canvas. 29 1/2 x 32 in. (74.9 x 81.3 cm). Harvard Art Museums/ Fogg Museum, Gift of Benjamin and Lilian Hertzberg, 2007.29 Imaging Department © President and Fellows of Harvard College

Walasse TING, “Sans titre (Femme au perroquet)”, 1980s, ink and color on paper. 95,5 x 176 cm Archives Pierre Alechinsky © The Estate of Walasse Ting/ADAGP,2016/ Photo Michel Nguyen

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我們該怎樣生活？ 當代室內設計的命題 How Should We Live? Propositions for the Modern Interior

紐約 現代藝術博物館 Museum of Modern Art, New York 2016 / 10 / 1 ∼ 2016 / 4 / 23 www.moma.org

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宇宙與藝術 The Universe and Art

東京 森美術館 Mori Art Museum, Tokyo 2016 / 7 / 30 ∼ 2017 / 1 / 9 www.mori.art.museum

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Tom Ford 展廳 The Tom Ford Rooms

佛羅倫斯 古馳博物館 GUCCI Museo （Piazza della Signoria, 10, 50122 Firenze, Italy） Permanent Exhibition www.guccimuseo.com

探索 1920-1950 年間，建築材料和裝潢對整

2016 年大展《宇宙與藝術》將來自古今中外

古馳博物館特別設立 Tom Ford 成衣及配飾兩

個室內設計行業的影響，包括被譽為「功能主

藝術家們對於外太空的想像與作品一舉呈現，

個展廳，選自在時尚界風靡一時、不僅動搖當

義之父」的法國建築大師 Le Corbusier、愛爾

從達文西的天文手稿到日本古代神話畫卷以及

時時尚產業的既定傳統，並挑戰了時尚的定

蘭建築大師 Eileen Gray 和「北歐現代主義之

太空實驗，甚至是 1844 年江戶時代飛碟擱淺

義與理念之一系列標誌性作品。藉此認可 Tom

父」芬蘭建築大師 Alvar Alto 等等，多達 200

的時事新聞，浩瀚無垠的宇宙正是藝術家探索

Ford 作為 GUCCI 創意總監時期，勇於表達自

件作品讓人重新審視，我們究竟想怎麼生活。

不完的靈感泉源！

我的態度，及為 GUCCI 所創的現代新義。

Exploring the influence of building materials and decoration on the interior design industry from the 1920 s to the 1950 s, there are more than 200 works to re-examine about how we really want to live, including from French architectural master Le Corbusier, known as the “father of functionalism”, Irish architectural master Eileen Gray, and Finnish architectural master Alvar Alto, the “father of Nordic modernism”.

The 2016 exhibition “The Universe and Art” will bring together artwork and imagination of Eastern and Western artists, ancient and contemporary, based on the theme of outer space. Works include Da Vinci’s astronomical manuscript, ancient Japanese scrolls of mythology and astronomical experiments, and even news from the year 1844 in Edo-era Japan about the stranding of a flying saucer. The vast expanse of the universe provides artists with a boundless source of inspiration!

When GUCCI Museo set up two special exhibition halls to display Tom Ford ’ s garments and accessories, it took the fashion community by storm, challenging deeplyrooted traditions in the fashion industry, the definitions and concepts of fashion, and a series of iconic works. It is a tribute to Tom Ford’s self-assurance in expressing himself while he served as creative director in GUCCI, which breathed new life into the fashion brand in modern times.

Print Reporting “Utsuro-bune”, Hollow Ship Drifted to Kashima, Hitachi Province. 1844 (Edo period), woodcut print, 26 x 32 cm. Collection: Funabashi Nishi Library

© GUCCI

Willi Baumeister. wie wohnen? Die Wohnung (How Should We Live? The Dwelling), Poster for an exhibition organized by the Deutsche Werkbund at the Weissenhofsiedlung, Stuttgart, Germany. 1927. Lithograph, 44 3/4 x 32 3/8〃 (113.7 x 82.2 cm).

The Museum of Modern Art, New York. Gift of Philip Johnson

2016 羅芙奧秋季拍賣會

聚焦台灣 放眼國際 6EZIRIP %YXYQR %YGXMSR ĀþÿĄ New Vision and Global Expansion Text•Photo / Ravenel International Art Group

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由趙無極領銜以及首度曝光的陳澄波，中國當代劉海粟、岳敏君，聚萃日本 藝術巨擘草間彌生及奈良美智。西洋專題的印度裔英國雕塑家安尼詩．卡普 爾、野獸派代表烏拉曼克等。 提供多樣化收藏，品項網羅佛像、宋瓷、文房、賞石、水墨等。二十餘款限 量稀有皮革愛馬仕包，搭配華裔珠寶設計師翁狄森的系列珠寶。及佳評如潮 的尊釀雲集藏酒特於羅芙奧 2016 秋季拍賣會登場。 For this Autumn Auction, leading from Zao Wou-Ki, Chen Cheng-po, Liu Haisu, Yue Minjun, the most famous Japanese artist Yoshitomo Nara and Indian British Sculptor Anish Kapoor, and Fauvist artist Maurice de Vlaminck.

For having mutiple artworks for collectors, items are included Budda, Song Dynasty, Chinese Ink, limited collections of HERMÈS handbags, Designer 1L^LSY` I` +PJRZVU HUK ÄUL ^PULZ MVY SPNO[PUN [OPZ H\J[PVU L]LU[Z

羅

芙奧台北 2016 秋季拍賣會「亞洲

近百組精緻藝術收藏品，超過半數為西洋藝

現 代 與 當 代 藝 術 」 將 於 12 月 4 日

術家品項。

下午兩點假座台北富邦大樓國際會議中心 舉 槌，159 件 佳 作 精 品 總 金 額 逾 7 億 新

西洋專題包含具影響力的印度裔英國雕

台幣。領銜拍品為趙無極六十年代大尺幅

塑家，安尼詩 • 卡普爾鉅作《天空之鏡─

油 畫《26.01.60》， 亦 有《23.11.83》、

酒紅》透過酒紅色圓弧鏡面，將生動錯置

《19.9.85》、《18.02.2002》四件上乘佳

的反射畫面呈現在觀眾眼前。而法國新具

作；吳冠中《黃山寫生》、《塊磊》、《紅

象繪畫代表藝術家畢費，近期話題不斷，

梅》等紙上瑰寶、朱德群巨幅抒情抽象畫作

其 繪 於 1952 年 的《 運 河 邊 的 房 屋 》， 及

《無形的境界》等華人現代藝術先鋒。海外

1983 年《教堂街景》呈現不同時空背景轉

華人藝術家精選朱沅芷《古堡》與丁雄泉以

換的傑作。

女兒為主角的《迷雅與愛麗克絲》、《愛我？ 不愛我？》；首度曝光的陳澄波《西湖寶石

野獸派代表藝術家烏拉曼克的 1909 年

山保俶塔風景》及台灣傑出藝術家如葉子奇

《白瓷瓶花束》，融合細微觀察力與豐富表

《錐麓古道 • 花蓮》、劉國松《紅色大地》

現色彩。享譽盛名的美國當代藝術家亞力

等，並帶來中國現、當代藝術家劉海粟作品

士 • 凱茲《綠色的伊達》，描繪妻子伊達

《黃山晨曦圖》、岳敏君《處理 -16》。更聚

的美麗形象。西洋聚焦的藝術家也跨及「歐

萃日本具體派白髮一雄、元永定正、當代藝

普藝術」之父美名的瓦薩雷利，以及阿貝

術巨擘草間彌生，值得一提的是奈良美智油

爾、馬松、阿曼、艾斯比利、卡多蘭等多

畫《美智》，彷彿為藝術家潛意識下創作出

位精彩藝術家之作。

的自畫像，象徵意義濃厚；韓國當代藝術以 錄像創作見長的白南準也囊括是次拍賣。 羅芙奧 2016 秋季拍賣會 11 月 20 日「薈 萃：國際現代與當代藝術」是台灣難得推出 以「國際藝術家」為專題的盛會，精心選粹

1. 趙無極《26.01.60》1960 年 油彩 畫布 97 x 130 cm 估價待詢 羅芙奧台北 2016 秋季拍賣會 ZAO Wou-ki, “26.01.60”, 1960 oil on canvas, 97 x 130 cm Estimate on reguest Ravenel Autumn Auction 2016 Taipei

國際藝術區塊涵蓋亞洲當代藝術名家，

品項網羅佛像、宋瓷、文房、賞石、水

飾，提供向來考究美感且品味絕佳的藏家

包 含 周 春 芽《 桃 花 林 》、 龎 均《 春 滿 狀 元

墨等。一件 18 世紀銅鎏金騎羊護法像，身

以理性價位，直接購入市場上難得的夢幻

樓》、谷文達、劉溢、季大純、韋嘉、常玉、

姿側坐於山羊背上，威震三界，為寧瑪派

逸品。特別推薦難得一見的全新紅色頂級

曾海文以及台灣重要藝術家余承堯、李小

列為九組護法神之首，極具收藏價值。另

鱷魚皮柏金包、流行趨勢所指粉色鴕鳥皮

鏡等優質作品。本次更特別呈獻日本藝術

一件 12 － 13 世紀帕拉合金銅蓮花手菩薩，

Lindy 包及特別稀有的蜥蜴皮 Constance 方

家空山基與美國塗鴉藝術家 KAWS 的共同

亦十分值得藏家關注。本專場也集結了南

包等，氣質非凡具傳承價值，誠摯地邀請

創作；動態雕塑名家西野康造、具體派松

北兩地名窯的瓷器精品，其中一件 宋 鈞窯

藏家細細品味及珍藏。

田豐、六角彩子、奈良美智等矚目拍品值

天藍釉茶盞，釉色純淨，器型秀美，為五

得期待。

大名窯的珍品且傳承有序，來源為日本藤 原集古堂。另有一件堪稱館藏級器物的 唐

The Ravenel Autumn Auction 2016 in

佳評如潮的羅芙奧「尊釀雲集藏酒拍賣

邢窯盈字款白釉盤。此外，龍泉窯、懷仁

Taipei, “Modern and Contemporary Asian

會」將於 2016 年 11 月 19 日假台北富邦

窯等當今熱門品種也包含其中。水墨較之

Art,” will be held at Fubon International

國際會議中心舉槌，是次拍賣為羅芙奧藏

往屆更著重於中國書畫的發展與脈絡傳承，

Conference Center on December 4 . The

酒拍賣成軍以來第十次舉槌 ，意義格外深

本季不乏中國山水畫大師，陸嚴少、溥儒、

auction begins at 2 pm. There will be 159

遠 。本次葡萄酒部分側重波爾多紅酒與老

丁衍庸等作品，亦包含嶺南畫派畫家何百

lots of fine art pieces, with a total value of

年份香檳，在威士忌品項，以蘇格蘭原廠

里及當代新水墨畫家樊洲、如一及新加坡

more than NT$700 million.

老年份與高年份作品為主，尋覓僅屬於舊

藝術家李德 的作品。

時代的風華，致力滿足收藏家的需求。

The leading piece in the auction will 「手袋及精品鑑賞會」為提供多樣化收

be Zao Wou-ki ’ s large-scale 1960 oil

繼香港成功舉辦兩季之後，羅芙奧首次

藏，延續春季熱絡氛圍，特別以二十餘款

painting “26 . 01 . 60” . Additional pieces

在台北推出「緣來私藏─古今人文藝術專

限量稀有皮革愛馬仕包為主打，同時精選

include “23.11.83”, “19.9.85” and

場」拍賣。以「藝術家私享空間」為主題，

廣受青睞的頂級翡翠及絕美鑽石隆重呈現，

“ 18 . 02 . 2002 ” , making for four very

延續承古載今的收藏審美。明人張岱說：

搭配國際知名華裔珠寶設計師翁狄森的

s u p e r i o r w o r k s . Tr e a s u r e s o n p a p e r

「人無癖不可與交，以其無深情也」即：

「淵」系列珠寶，作品中散發細緻且濃厚

include Wu Guanzhong ’ s “ Landscape of

人沒有愛好，則不值得深交，因為他做事

的東方氣息，品味出眾的美國總統歐巴馬

Mount Huang ” , “ A Heap of Stones ” and

不夠投入，沒有深情。「緣來私藏」，指的

夫人也選戴他的戒指出席正式場合。此系

“Blooming Plums”. Chu Teh-Chun’s large

是收藏的緣分。

列經典與優雅兼具且設計感十足的珠寶首

abstract expressionist painting “ Jeux Immatériels” rounds out this selection of works by modern Chinese pioneers. Select pieces by overseas Chinese artists include Yun Gee ’ s “ Old Castle ” and Walasse Ting’s “Mia & Alex”, which features Ting’s daughter as the main figure, and “ Love me? Love me not? ” . There will be first showings of Chen Cheng-po ’ s “ Scenery of the West Lake Baoshi Mountain”, and of Tzu-chi Yeh’s “Zhuili Ancient Trail in Hwalien ” and Liu Kuo-sung “ The Red Land”. Yeh and Liu are both outstanding Taiwanese artists. There will also be modern and contemporary Chinese pieces, with Liu Haisu ’ s “ Yellow Mountain” and

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Yue Minjun ’ s “ Manipulation- 16” . This

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Various other brilliant artists’ works will also be included in this season’s auction.

In addition, the international art section includes exquisite modern and contemporary Asian artworks.

For example, Zhou Chunya ’ s “ Peach Blossoms”, Pang Jiun’s “Scholar’s Building in Spring”, Gu Wenda, Lui Liu, Ji Dachun, Wei Jia, Sanyu, T’ang Haywen are also of note. In particular, the high-quality works of important Taiwanese artists like Daniel Lee, and Yu Cheng-Yao are also highly anticipated in this auction.

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This time, noticeably, we present the works of the Japanese artist Kozo Nishino. auction also gathers works by Japanese

British sculptor, Anish Kapoor. The work

Other Japanese artists include the artist of

Gutai artist Kazuo Shiraga, Sadamasa

uses a wine red arched mirror to create

things Hajime Sorayama and KAWS; their

Motonaga, and the giant in contemporary

dazzling light and a visual journey in

collaborative work “No Future Companion

art, Yayoi Kusama. Noticeably, Yoshitomo

architectural aesthetics, presenting vividly

(Black Chrome)” is a delightful fusion that

Nara ’ s oil painting “ Michi ” seems to be

reflected scenes right before the viewer’s

is gaining particular appreciation from

a self-portrait that was created from the

eyes. “ Maison au bord du canal ” was

young collectors. The high-profile pieces

artist ’ s subconscious, rich in symbolic

painted by Bernard Buffet, a representative

of Ayako Rokkaku, Yutaka Matsuda, and

meaning. This auction also includes

of the French New Figurative movement,

Yoshitomo Nara await on the preview site

works by Korean contemporary artist Nam

in 1952 and “ Rue et Église, ” another

for you to visit in person.

June Paik, who is known for using video

work of Buffet, are masterpieces that show

recording equipment in his art.

the changes that were happening in the

The well-received Ravenel “ Finest

50 s and the 80 s. What did not change,

and Rarest Wines” will be held at Fubon

however, is Buffet’s lifelong mastery of the

International Conference Center on

skill of painting.

November 19 , 2016 . Finest and Rarest

Ravenel 2016 Autumn Auction of November 20 “Select: Modern &

Wines will be celebrating the 10th auction

Contemporary Art” is the first auction in Taiwan with “ international artists ” as its

As one of the representative artists

theme. This auction carefully collects

of the Fauvists, Maurice de Vlaminck

nearly a hundred splendid art lots

became famous after joining the Salon

specifically for new collectors with refined

in Paris with Matisse and others. “ Vase

tastes, and amid them, more than half are

de fleurs ” was completed in 1909 . The

Western artworks. It is a grand event, one

renowned American contemporary artist

not to be missed.

Alex Katz brings us “ Ada with Green. ” Western artists featured also include

Amid the handpicked rare, precious,

Victor Vasarely, who has the title of

and excellent works is the work “ Sky

“Father of Optical Art,” and the excellent

Mirror, Wine” by today’s most influential

artists Paul Aïzpiri and Bernard Cathelin.

since its establishment. All the record-

1. 宋代 鈞窯天藍釉茶盞 H:4cm D:7.5cm 預估價：350,000 - 500,000 台幣 Song Dynasty Jun ware glazed sky blue tea cup Estimate: US$11,000 - 15,900

2. 莫里斯 • 德．烏拉曼克《白瓷瓶花束》 1909 年 油彩 畫布 預估價：5,000,000 - 7,500,000 台幣 羅芙奧 2016 秋季拍賣會「薈萃」 Maurice de VLAMINCK, “Vase de fleurs” 1909, oil on canvas Estimate: US$159,100 - 238,700 Ravenel Autumn Auction 2016 “SELECT”

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禁 止 酒 駕

酒 後 不 開 車

breaking accomplishments during these

from an Artist’s Studio.” Since the

cultured and elegant tone of the previous

years cannot be made without the strong

two successful seasons in Hong Kong,

auction, has the theme “ Spaces Artists

supports from all the collectors and

this art auction is the first vintage and

Appreciate. ” This also passes on the

winelovers. We sincerely hope that we can

contemporary cross-cultural auction

tradition of collecting and appreciating art.

continue providing top quality collections

in Taipei. Keeping in mind the critical

and great variety of choices to meet the

acclaim of “ Literati: Quiet Affection, ”

Contemporary ink paintings always

collectors’ satisfaction.

held in Hong Kong’s spring season auction

attract collectors’ attention and this time

in 2016 , this auction, continuing in the

we are going to emphasize more on the

This Autumn, we focus on Bordeaux

development and lineage of Chinese

wines and vintage champagne, as well

p a i n t i n g s . We w i l l s h o w c a s e w o r k s

as Burgundy wines from renowned

of masters of contemporary Chinese

winemakers such as DRC and Henri

landscape paintings such as Lu Yanshao,

Jayer. For whisky, we focus mainly on old

Pu Ru, Ding Yanyong; the pioneer artist

and rare vintage original bottling

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安 全 有 保 障

of Lingnan school He Baili, New Ink

Scotch whisky from the 1960s and

Artists such as Fan Zhou, Ru Yi

even earlier, tracing back to the

and Li Dezhuang from Singapore,

unsurpassed beauty and complexity

will all bring their excellent works

of the good old days.

to the collectors.

Seeing as our vintage and

To p r o v i d e c o l l e c t o r s w i t h

contemporary art auctions have

diverse possibilities, and

continued to make new records

continuing the lively atmosphere

and stirred many discussions

from the spring auction, the

recently, Ravenel has launched

a u t u m n “ Ti m e l e s s H a n d b a g s

the “Literati: Oriental Arts

& Luxury Collectibles Private

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Sale” primarily features more than twenty

line of jewelry, which is classic, elegant,

leather, the most fashionable Lindy bag

limited and rare HERMÈS bags. At the

and fashionable, is also reasonably priced,

made of ostrich, and the particularly rare

same time, Ravenel has handpicked jades

providing collectors with high aesthetic

Constance square bag made of lizard.

of the highest quality that are admired

standards and the finest tastes with a

Each boutique has a unique look and

by collectors, and stunningly beautiful

chance to purchase such fine treasures.

is worthy of being passed on to future

diamonds to present. In addition, the

The experts for the boutique section

generations. Ravenel sincerely invites

“ Yewn ” jewelry by the world famous

especially recommend the rare, brand

each collector to appreciate and collect

Chinese jewelry designer Dickson Yewn

new red Birkin bag made of crocodile

these exquisite items.

have a refined and strong Eastern feel to them. American First Lady Michelle Obama, with great taste, chose to wear one of his rings for formal occasions. This

| 拍賣 Auctions | 場次 Session

時間 Time

尊釀雲集

November 19 12:00 PM

Finest and Rarest Wines

薈萃：國際現代與當代藝術 Select: Modern & Contemporary Art

緣來私藏：古今人文藝術專場 Literati: Oriental Arts from an Artist's Studio

亞洲現代與當代藝術 Modern and Contemporary Asian Art

November 20 2:00 PM

November 20 4:00 PM

地點 Location

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

December 4 2:00 PM

| 預展 Previews | 場次 Session

3

時間 Time

地點 Location

November 12 1:00 PM – 6:00 PM November 13 11:00 AM – 6:00 PM

台中 豐藝館 （台中市西區五權西路一段110號）

亞洲現代與當代藝術 Modern and Contemporary Asian Art

緣來私藏：古今人文藝術專場 Literati: Oriental Arts from an Artist's Studio

尊釀雲集 Finest and Rarest Wines

1. Lot 417 Henri Jayer Échézeaux 1978 1 bt 預估價：200,000 - 260,000 台幣 Lot 417 Henri Jayer Échézeaux 1978 1 bt Estimate: US$6,400 - 8,300

Lot 421 Henri Jayer Richebourg 1985 1 bt 預估價：240,000 - 300,000 台幣 Lot 421 Henri Jayer Richebourg 1985 1 bt Estimate: US$7,600 - 9,500

Lot 422 Henri Jayer Vosne-Romanée Cros-Parantoux 1978 1 bt 預估價：180,000 - 220,000 台幣 Lot 422 Henri Jayer Vosne-Romanée Cros-Parantoux 1978 1 bt Estimate: US$5,700 - 7,000

2. POROSUS 鱷魚皮 30 公分柏金包 附銀色 金屬配件 A POROSUS CROCODILE BIRKIN 30 WITH PALLADIUM HARDWARE

3.「淵」—窗花系列 OBAMA RING OBAMA RING Diamond, Jadeite, 18 white gold with Black Rhodium

薈萃: 國際現代與當代藝術

Taichung Fong-yi Art Gallery (No. 110, Sec. 1, Wuquan West Road, West Dist., Taichung)

Select: Modern & Contemporary Art

手袋及精品鑑賞會 Timeless Handbags & Luxury Collectibles Private Sale

緣來私藏：古今人文藝術專場 Literati: Oriental Arts from an Artist's Studio

薈萃: 國際現代與當代藝術 Select: Modern & Contemporary Art

手袋及精品鑑賞會 Timeless Handbags & Luxury Collectibles Private Sale

亞洲現代與當代藝術 Modern and Contemporary Asian Art

November 18 10:00 AM – 6:30 PM November 19 10:00 AM – 6:30 PM November 18, 19, 20 10:00 AM – 6:30 PM December 2 10:00 AM – 6:00 PM December 3 10:00 AM – 6:00 PM

** 預估價不包括買家佣金 Estimates do not include buyer’s premium.

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

重新評價─ 超級藝術家畢費 &IVREVH &YJJIX ǐ Reevaluating a Mega-artist Text / Odile Chen 陳惠黛 Photo / Ravenel International Art Group、Christie’ s、 Art Moderne de la Ville de Paris 巴黎市立現代美術館 Musée d’

時髦奢華、傲驕冷峻；華麗出場的畫家畢費，彩筆描繪的是戰後苦 澀不安的悲慘世界。 這位被時代埋沒過的天才藝術家，當初得不到法國文化界與評論家 青睞，但宗教畫受到梵蒂岡教皇肯定、日本為他成立美術館。曾被 譽為是畢卡索的接班人，擁有廣大的名人粉絲，領銜「新具象畫風」 的畢費，正代表著戰後當代藝術的新風貌。 -HZOPVUHIS` S\_\YPV\Z HYYVNHU[S` JVSK" [OL HY[PZ[ )LYUHYK )\ɈL[’ s splendid arrival on the art scene brought into view the bitterly disturbing tragedies of the postwar world.

This genius of this artist was once nearly lost to history. Unable to gain recognition from the French cultural elite and art critics of his time, his work nonetheless obtained the Vatican’s approval and Japan established a museum dedicated to his work. Once referred to as“Picasso’ s heir”and counting a wide number of WH[YVUZ HTVUN [OL JLSLIYP[` JYV^K )\ɈL[ ^HZ H[ [OL MVYLMYVU[ VM the Nouveau réalisme (new realism) style and his work perfectly represents the new appearance of postwar contemporary art.

1.《運河邊的房屋》1952 年 油彩 畫布 81 x 100 cm 預估價：6,000,000 - 8,000,000 台幣 羅芙奧 2016 秋季拍賣會「薈萃」 “Maison au Bord du Canal”, 1952 oil on canvas, 81 x 100 cm Estimate: US$191,000 - 254,600 Ravenel Autumn Auction 2016 “SELECT”

1

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位藝術家的人生注定要轟轟烈烈，

貝爾納 • 畢費是近期新聞關注度最高的

國際藝術市場從數年前開始醞釀著畢

充滿戲劇性。他是二十世紀最出名

法國藝術家之一，但或許風光程度尚不及

費 行 情 看 漲 的 先 兆。2013-2015 年 間 倫

也最受爭議的法國藝術家之一，成長於納

1950 年 代 的 水 準。 當 年 他 意 氣 風 發，18

敦、紐約、上海、東京幾場國際拍賣公司

粹佔領的巴黎，個性憂鬱寡言、外形俊美、

歲獲得藝術大獎，20 多歲已是家財萬貫的

都曾交出亮麗的成交行情，而羅芙奧香港

擁有繪畫長才、雙性戀、時髦奢華、傲驕

藝術明星，名氣直逼前輩大師畢卡索和馬

從 2012 年起呈獻西洋現代與當代藝術拍

冷峻。他的畫筆描繪的卻是戰後苦澀不安

蒂斯。他曾在威尼斯雙年展上被譽為是畢

賣，因為畢費的畫作多年來持續受到亞洲

的悲慘世界，彌漫存在主義氛圍的關懷，

卡索的接班人，後來有人形容他是銜接畢

收藏家的關注，自然成為優先徵集的標的。

實質上卻過著成功闊綽的生活，每次都是

卡索和安迪渥荷兩位大師的過渡章節，驗

2013 年春拍一幅名為《左輪手槍》的早期

華麗的出場，導致後來惹來造作不協調等

證世界藝術之都從巴黎轉向紐約的時代關

油畫，預估價 34 萬至 46 萬港元，在熱烈

非議。他年少得志，站上世界之巔，賺得

鍵人物。巴黎市立現代美術館、蒙馬特美

的競標下，由歐洲的畫商以 60 萬港幣（約

金屋華服，明星藝人搶著收藏他的畫作，

術館暨雷諾瓦花園，從 2016 年 10 月中旬

231 萬台幣或 77,320 美元）標得。

卻不得當時法國文化界與評論家的青睞，

先後舉辦跨年度的「畢費回顧展」，國際拍

毒舌斥之媚俗，他的宗教畫受到梵蒂岡教

賣公司蘇富比也趕在 9 月份在香港的畫廊

畢費的這波行情漲勢於 2016 年中開出

皇的肯定，在日本有收藏家為他成立美術

空間推出畢費（翻譯為「布菲」）作品小

最亮麗的成績，一幅 300 號巨作油畫作品

館，並有廣大的名人粉絲。晚年罹患帕金

型展售會，其實商業空間的展出，1 月份

《小丑音樂家：薩克斯風手》，在 6 月 22

森氏症，不願面對無法畫畫的未來，1999

新 加 坡 MAD Museum of Art & Design 已 率

日 在 倫 敦 佳 士 得 拍 賣 公 司 以 102.25 萬 英

年世紀末的一年，以自殺結束生命，告別

先和法國畫商及藝術家家屬合作，隨著 Art

鎊（150 萬美元）寫下藝術家全球最高拍

精彩的一生，他是二十世紀的超級藝術家

Stage Singapore 期間展出 25 幅畫作，造成

賣成交紀錄，超越了 26 年前在法國里昂

貝爾納 • 畢費（1928-1999）。

轟動。

Anaf 拍賣公司締造的 109.6 萬美元紀錄，

這

更難得的是它是一幅創作於 1991

1

年的晚期作品，過去收藏家偏愛 早 期 作 品， 尤 其 是 1958 年 以 前 的作品，如今後期作品也逐漸受 到重視。從國際拍賣公司的商業 機制，到國家博物館的學術機構， 西方人重新評價曾被時代埋沒過 的天才藝術家。

《浮華世界》的特約編輯、英 國 GQ 專欄作家尼克 • 福克斯在 2015 年 寫 作 一 本 畢 費 的 傳 記， 《貝納爾 • 畢費─超級現代藝術 家 的 創 造 》， 這 本 書 也 在 2016 年 1 月 14 日正式上架販售，書中 描述畫家的聲名起落，複雜的雙 性戀情感，也為一輩子反對抽象， 堅持具象繪畫的畫家抱持不平。 畫家自殺 17 年後，熟悉歷史與時 尚的作家採取新觀點，介紹曾引 領流行的畫家畢費和他的世界。

18

| Art & Investment |

浮華世界天才的誕生 1928 年 7 月 10 日， 貝 納 爾 • 畢 費 誕

於不適應中學的學院式教學，遭受退學，

耶 • 戴斯卡格（1925-2012），為他出書

生於巴黎一個平庸的家庭，此時歐洲逐漸

畢 費 只 好 轉 到 夜 校 苦 修 素 描，15 歲 時 如

並實際給予高度的評價。

從第一次世界大戰的蕭條中恢復，世界各

願考入巴黎國立高等美術學院，進入美術

地的作家與藝術家們齊聚藝術之都，這一

學院的教師也是知名畫家的納伯恩畫室

年超現實主義為世人帶來嶄新的文化視角。

（1885-1973）學畫兩年。

青年畢費才華橫溢、光芒四射，他的繪 畫才能逐漸受到藝壇的矚目。1947 年 19 歲的畢費以《托腮男人》一作入選獨立沙

畢費的母親喜愛藝術，小畢費會陪同她參 觀羅浮宮，藝術的種子在小小心靈萌芽滋

1946 年畢費的第一幅《自畫像》正式發

龍展，同年 12 月，評論家齊 • 威倫和米

長。少年時，遭逢二次世界大戰，納粹佔

表，參加美術畫廊的「三十歲未滿的畫家

歇 • 布里揚聯合策劃，在巴黎「藝術圖書

領巴黎，他看盡戰亂的顛沛流離，成長的

沙龍」，初試啼聲即受到關注。同年，結識

書店」為畢費舉辦生平首次個展。在這次

經驗深刻地融入到他後來的創作之中。由

後來熱心支持畢費的作家兼藝評家朋友皮

展覽中法國作家雷蒙 • 科尼亞出面為巴黎

2

國家現代美術館買下《小雞靜物》油畫， 快速地累積成功。

此後，畢費幾乎每年都會舉行畫展，創 作豐沛。同時，他還結識重量級收藏家莫里 斯 • 吉哈登博士，吉哈登是畢費早年最重 要的收藏家，一共收藏了 17 幅 1948-1953 年間的畫作。吉哈登對畢費的熱情喜好，也 吸引了巴黎畫商亞曼紐 • 大衛對這位年輕 藝術家的高度興趣。1948 年 4 月，畢費就 以《飲酒的人》油畫，參加大衛與合夥人的 杜胡安─大衛畫廊的「青年繪畫聯展」，並 獲得獎項，此畫亦是由吉哈登博士買下。 1948 年 6 月， 畢 費 和 另 一 位 畫 家 羅 爾 如 （1908-1986），於巴黎聖博拉西德畫廊獲 得「藝評獎」的榮譽。同年 11 月，作品《縫 衣女》入選秋季沙龍展，這幅畫後來也成為 吉哈登博士的收藏。吉哈登博士過世後，他 的收藏遺贈予巴黎小皇宮美術館，這批藏 品後轉至巴黎市立現代美術館，也就是如今 法國博物館界主要的畢費藏品，2016 年 10 月開展的回顧展中也會展出這批作品。

1. 畢費在畫室作畫中，1958 年攝於巴黎。 Bernard Buffet at work in his studio, Paris, in 1958.

2.《飲酒的人》 巴黎市立現代美術館 2016 年 10 月回顧展品之一 （展期：2016 / 10 / 14 ∼ 2017 / 2 / 26） “Le Buveur” One of the artworks in Musée d’Art Moderne de La Ville de Paris Buffet Retrospective, from Oct 14, 2016 to Feb 26, 2017

曲折人生、情欲表現主義者 或敘事性的特色，和昔日的風格大不相同。 而他在經紀人莫里斯 • 賈尼耶的鼓勵下， 創作一系列基督宗教題材，肖像畫、靜物 或風景畫，尤其是小丑與鬥牛士等強烈個 人表現主義特色作品，為畢費的畫作樹立 獨特風格。他的繪畫風格影響不少後來的 藝術家，包括來自台灣的席德進等。

1958 年法國戴高樂總統任命文學家安德 烈 • 馬勒侯（1901-1976）為文化部長， 馬勒侯是龔固兒文學獎得主，曾被提名諾 貝爾文學獎，他個人偏愛抽象藝術，輕視 具象繪畫，認為具象繪畫為婦道人家喜愛 的畫，知識份子應該欣賞抽象藝術，造成 美術機構只能展出抽象藝術。身為文化首 長，獨鍾抽象繪畫卻犧牲了具象繪畫的發 1

展，未免失之偏頗。被法國文化界無情嘲 諷的畢費，轉而到海外尋求發展，特別是 1950 年， 畢 費 認 識 了 從 外 省 到 巴 黎 奮

鬥的年輕人皮耶 • 貝爾傑，貝爾傑懷抱

高知名度，也是媒體的寵兒，在當時幾乎

他畫裡黑線條的書法意象，在日本受到歡

與明星無二致了。

迎。銀行家岡野喜一郎（1917-1995）一

著當作家與記者的夢想，兩人結合為同志

共收藏千幅以上畢費的畫作，1973 年在靜

戀人與伴侶，野心勃勃的貝爾傑和藝壇奇

畢費和皮耶 • 貝爾傑在一起的時期，他

岡縣駿東郡創建貝爾納 • 畢費美術館，尊

才畢費成為黃金戀人，關係維持八年，直

的創作才華如日中天，儘管題材憂鬱灰色，

稱畢費為「法國藝術的教皇」。 岡野喜一

到 貝 爾 傑 琵 琶 別 抱， 移 情 YSL 服 裝 設 計

這段時期也是過去藝術市場最受歡迎的時

郎本人曾經在 1990、1991 年連續入選美

師聖羅蘭為止。貝爾傑富有文采，品味高

期，在貝爾傑精心打造的畢費，出入名流

國《藝術新聞雜誌》的「世界兩百強收藏

超，擅長交際，也懂得商業經營，在巴黎

界，賺得無數財富，他的財力可以買下幾

家」的行列 ，入選原因就是擁有畢費的豐

時尚界與文化界都有相當人脈。畫商亞曼

座城堡，聘用司機駕著勞斯萊斯銀魅名駒，

沛收藏。

紐 • 大衛非常欣賞這對年輕伴侶，甚至介

穿著光鮮，往來無白丁。1958 年貝爾傑為

紹他們給另一位年輕畫商莫里斯 • 賈尼耶

畢費出版同名傳記，在經常舉辦巴黎畫派

1961 年畢費創作一系列描繪耶穌基督

（1920-2014），鼓勵他開立自己的畫廊，

作品的夏邦提耶畫廊舉辦畢費第一次的回

的油畫，原本是為了裝飾他位於南法寓所

代理畢費的作品。賈尼耶是畢費生平最重

顧展，同年兩人分道揚鑣，那一年畢費才

拱形城堡的禮拜堂所作。10 年後應教宗保

要的藝術經紀人與專家，兩人的合作將近

不過 30 歲的年紀。

祿六世的秘書帕斯 • 奎馬茨殿下的邀請，

50 年，直到畢費去世為止。

20

將這批宗教繪畫呈獻給梵蒂岡現代美術 剛剛和貝爾傑分手，他透過畫家介紹，

館，設立專室陳列，永久典藏。1962 年和

根據畢費傳記的作者尼克 • 福克斯的說

結識作家女歌手安娜貝爾，轉性愛女人，

1963 年他的兩個女兒薇吉尼和丹妮兒先後

法，1950 年代畢費不只在藝術圈具有高人

兩人很快在 1958 年底結婚 ，相互扶持牽

出生，小兒子尼古拉則在 1973 年誕生，

氣，他與女作家莎岡、導演羅傑 • 瓦迪姆、

手到白頭。他以妻子美麗的形象創作許多

生活優裕，此時仍投入繪畫不輟。

演員碧姬芭杜和時尚設計師聖羅蘭並列「文

肖像畫、裸體畫與情色題材，色彩轉為明

化五傑」，且居於首位，成為法國二次大戰

亮大膽，情感澎湃。線條依舊尖銳而強烈，

後的標誌性人物。而他俊美上相的外型和

扭曲人生與悲慘世界的主題，帶有裝飾化

| Art & Investment |

來自祖國遲到的禮讚 畢費曾被推為是畢卡索的接班人。不知

同 時 在 郵 政 博 物 館 舉 辦 個 人 的 回 顧 展。

方的意象，於是畫商將他的作品引進日本，

何故，文化部長馬勒侯始終對畢費沒有好

1991 年時畢費再次受邀為 25.7 法郎設計

結果大受歡迎，才會有銀行家岡野喜一郎

感，間接壓抑了他在法國境內的發展，然

郵票圖案。1990 年代在畢費生命的最後幾

這般熱情的收藏家。隨著日本經濟的發展，

而海外的掌聲不斷，畢費終究還是得到來

年間，他出席了世界各地的回顧展覽邀請，

畢費的市場行情曾經在 1990 年前後達到

自法國官方的禮讚 。1973 年大師畢卡索去

包括日本、俄國、德國、台灣的高雄等地

高峰。泡沫經濟後，行情隨之略顯黯淡，

世，馬勒侯為畢卡索寫了一本傳記，歌頌

的美術館。沉默寡言的藝術家，一生創作

1999 年畢費的死訊讓他再度成為世界媒體

他的藝術成就。或許政治局勢已有不同，

了超過八千幅的作品，創作力的確十分旺

的焦點，也令人感嘆他的悲劇性格與命運。

當政者或已年邁或已不在位。同年，不得

盛，然而當帕金森氏症找上六十多歲的藝

他青睞的畢費，則獲頒法國的榮譽勳位勳

術家，相較於其他同齡的長壽畫家，他至

巴黎市立現代美術館分別在 2012 年和

章的殊榮，表彰其特殊貢獻。1974 年 46

少還有二十或三十年的創作時光啊，疾病

2016 年舉辦了畢費的個展，特別是 2016

歲的畢費，入選為最年輕的法蘭西學院美

摧毀了他最喜愛的繪畫生命。1999 年 10

年的回顧展，伴隨著蒙馬特美術館的另一

術學院院士，這項榮譽為終生所有，院士

月 4 日他以塑膠袋套頭自殺，悲劇性的結

個畢費個展，以及國際拍賣公司近來締造

過世後才由學術界賢達推薦另一位在世藝

束 71 年璀璨的人生。

的新高行情，讓世人以新的時代觀點，持

術家，此頭銜無疑為法國政府賦予藝術家

平看待這位堅持具象繪畫的天才藝術家，

的最高榮譽的肯定。華裔藝術家朱德群和

畢費的名字或許稱不上家喻戶曉的名

才 華 不 應 被 埋 沒。 抽 象 藝 術 故 然 曾 經 在

趙無極，都分別在 1997 和 2002 年獲得同

字，但在 1950-1960 年代他所形成的旋風

二十世紀引領風騷數十年，新具象畫家代

樣的殊榮，一位是 77 歲取得，另一位則已

卻是非常巨大的。1955 年名列戰後十大最

表畢費也代表著戰後當代藝術的風貌，應

是 81 歲高齡。

傑出藝術家之首。據悉 1956 年在倫敦一

有其歷史地位與貢獻，有待後人給予比較

幅中型尺寸的畢費油畫可以賣到五千英鎊，

公允的評價。

1978 年，受法國郵政總局之邀，畢費設

這個數字在當時已經可以買下兩間房屋了。

計 3 法郎的圖案《法蘭西學院與藝術橋》，

日本人從畢費的黑白交錯的線條裡發現東

1.《一對金鱒魚》1977 年 油彩 畫布 64 x 98 cm 成交價：2,666,667 台幣 羅芙奧香港 2012 秋季拍賣會 “Deux Truites Jaunes”, 1977 oil on canvas, 64 x 98 cm Sold of US$92,903 Ravenel Autumn Auction 2012 Hong Kong

2.《向日葵》1952 年 油彩 畫布 60 x 73 cm 私人收藏

2

“Tournesols Dans un Vase”, 1952 oil on canvas, 60 x 73 cm Private collection

Bernard Buffet ’ s life was rich and

luxurious lifestyle. Partly for that reason,

Parkinson’s disease, and unable to continue

full of drama. He was one of the most

some began to denounce him as a “poser”

working as an artist, he took his own life

famous and popular, but also one of

and to question his artistic merits. Soon he

in 1999. It was a poignant ending to the

the most controversial French artists

found that while his early and resounding

eventful career of someone who had truly

century, particularly in his

success had made him a wealthy man with

earned the moniker “mega-artist.”

own country. Born in 1928, he spent his

the world at his fingertips, it had also made

later adolescence in a Paris occupied by

him some powerful enemies. On the one

Bernard Buffet has been much in the

Nazi Germany, growing up to become a

hand, film stars and other celebrities were

news again of late, garnering more media

somewhat melancholy and taciturn but

lining up to buy his paintings for their

attention than most other French painters.

handsome young man with a great talent for

collections, but many critics, including

While a Buffet renaissance may be under

painting, a bisexual leading a fashionable

the then French Minister of Cultural

way, it doesn ’ t quite match the furor the

and extravagant life who often appeared

Affairs, André Malraux, were very vocal

artist created in the 1950s, when he had

rather arrogant and detached to the public

in dismissing his work as “ kitsch. ” He

just burst on the scene as a dashing young

eye. His oeuvre reflects the sad and tragic

enjoyed a much better reputation abroad:

painter who had begun to collect awards

atmosphere dominating postwar Europe,

his religious-themed paintings met with

and honors at 18 and was a full-fledged and

an old continent brimming with the bitter

the Vatican’s approval, and a collector in

very well-to-do star painter by the age of 20

and disturbing truths of disillusion and

Japan founded a Bernard Buffet Museum

something, his fame rising to similar heights

existentialism. However, Buffet ’ s great

dedicated to his art. Generally, he was

as that of established greats such as Picasso

commercial success allowed him to lead

much more popular with both the jet set

and Matisse. At the Venice Biennale, he

a high life, and he enjoyed being in the

and the average punter than with highbrow

was hailed as “ Picasso’ s heir. ” Later on,

spotlight, making no effort to hide his

critics. In his later years he suffered from

critics described him as the vital link

of the 20

th

1

between Picasso and Andy Warhol, a key figure in modern art history symbolizing the shift of the avant-garde from Paris to New York. Both the Musée d’Art Moderne de la Ville de Paris and the Musée de Montmartre et Jardins Renoir have Buffet retrospective exhibitions opening in mid-October this year that will run through 2017 , and Sotheby ’ s Hong Kong held a special exhibition titled “Bernard Buffet: Infinite Jester” in September. In cooperation with French art dealers and artists, and timed to coincide with the Art Stage Singapore event, Singapore’s MAD Museum of Art & Design last January showed 25 of Buffet’s works, generating considerable interest in

2

£1.0225 million (approx. US$1.5 million)

as his bisexuality and complicated public

at a Christie’s London auction, marking the

and private life. The work is also part of an

The first signs of an impending bullish

highest price ever paid for a painting by

ongoing process aiming to reclaim Buffet’s

trend in the international art market for

Buffet, easily besting the previous record

status as an important modern painter,

Bernard Buffet’s appeared a few years back,

of US$1.096 million set at an auction held

a man who went against the prevailing

when prices for his paintings on the global

at Anaf in Lyon 26 years earlier. The new

abstractionist mood of his time and

art market began to rise. Between 2013

record was all the more remarkable as it was

persisted in a mode of figurative painting

and 2015, auction houses in London, New

set by one of the artist’s late works (1991)

that many influential critics back then

York, Shanghai, and Tokyo all recorded

ǐ previously, collectors had very much

considered passé. Almost 17 years after

an increased turnover of Buffet paintings

favored Buffet ’ s early output, especially

the artist’s death, Foulkes, familiar with the

and prints. Noticing the growing interest

works dating from before 1958 . Clearly,

history of art and fashion, uses his unique

in Buffet on the Asian art market, Ravenel

there is a trend towards a growing interest in

perspective to introduce Buffet, a former

Hong Kong has also been featuring an

Buffet’s later work. In more general terms,

darling of the rich and famous, to today’s

increasing number of the artist’s works in

a reappraisal of the artist and his oeuvre

public ǐ an audience largely unaware of the

its “ Modern and Contemporary Western

is currently taking place, supported by

painter and his former eminence.

Painters” section since 2012. In 2013, one

international auction houses, art galleries,

of Buffet ’ s early oil paintings, titled “ Le

and major museums. The Western art world

revolver,” sold for a stunning HK$600,000

is rediscovering one of its long neglected

(approx. NT$2.31 million, or US$77,320)

geniuses.

the international art scene.

against a house estimate of HK$340 to 460 thousand.

In 2015, Vanity Fair contributing editor and GQ UK columnist Nicholas Foulkes

The most impressive example so far of

wrote a biography titled Bernard Buffet: The

a renewed appreciation of Buffet ’ s work

Invention of the Modern Mega-artist. The book

during 2016 came on June 22, when one

hit the market on January 14, 2016, offering

of the artist ’ s major works, “ Les Clowns

readers fresh insights into the steep rise and

musicians, le saxophoniste ” ) sold for

deep fall of the artist’s reputation, as well

1.《教堂街景》1983 年 油彩 畫布 97 x 130 cm 預估價：3,400,000 - 5,000,000 台幣 羅芙奧 2016 秋季拍賣會「薈萃」 “Rue et Église”, 1983 oil on canvas, 97 x 130 cm Estimate: US$108,200 - 159,100 Ravenel Autumn Auction 2016 “SELECT”

2.《小丑音樂家（薩克斯風）》1991 年 油彩 畫布 225.4 x 270 cm 成交價：1,022,500 英鎊 倫敦佳士得 2016 年 6 月 22 日 © 2016 圖片由佳士得提供 “Les Clowns Musiciens, (Le Saxophonist)”, 1991, oil on canvas, 225.4 x 270 cm Sold of US$1,500,008 Christie’s London, June 22, 2016 © CHRISTIE’S IMAGES LIMITED

&MVXL SJ E ,MKL Â]MRK +IRMYW ERH .IX 7IX 7XEV Bernard Buffet was born on July 10 ,

As a brilliant painter with unusual gifts,

from the period between 1948 and 1953.

1928 , into a middle-class family in a

Buffet’s star soon began its meteoric rise to

Girardin ’ s enthusiasm induced Paris art

Paris suburb. It was a time when Europe

fame and fortune, although art circles and

dealer Emmanuel David to also take a

was gradually beginning to recover from

critics were a little less quick to recognize

close interest in Buffet ’ s work, and as a

the depression following the First World

his talent. In 1947, when the artist was 19

result in April 1948 the oil painting “Le

War, with Paris the “capital of the arts” in

years old, his painting “L’homme accoudé”

Buveur” was shown at the Jeune Peinture

the Roaring Twenties, attracting writers,

was shown at the Salon des Indépendants,

exhibition organized by the Galerie

artists, and intellectuals from all over the

and in the December of the same year,

Drouant-David, winning an award and

globe. Surrealism was sweeping across the

finding a buyer in Maurice Girardin.

Old World, opening people’s eyes to brand

On June 6, 1948, Buffet shared the

new possibilities and perspectives. Buffet’s

Prix de la Critique, awarded at the

mother loved the arts and would take her

Galerie Saint-Placide, with fellow

son on regular visits to the Louvre, thus

anti-abstract painter Bernard Lorjou

sowing the seeds of art in the little boy.

( 1908 - 1986 ), and in November of

But before long, another world war broke

the same year Buffet ’ s work “ La

out. The Nazis occupied Paris, and the

ravaudeuse de filet ” was shown

young Buffet thoroughly witnessed all the

at the Salon d ’ Automne – another

horror and misery of war, an experience

piece that was bought by Girardin

that would later shape and inform his

for his collection, which at his death

artistic output. After being expelled from

he bequeathed in its entirety to the

middle school, he took evening classes in

Musée du Petit Palais. Later, this

sketching and, at the astonishingly young

collection came into the possession

age of 15 , was accepted into the Ecole

of the Musée d ’ Art moderne de la

Nationale Supérieure des Beaux-Arts de

Ville de Paris, the most important

Paris, where he studied painting for two

1

Buffet collection currently held by

years under Eugène Narbonne ( 1885 1973), a figurative painter of some renown.

any French museum which will also the critics Guy Weelen and Michel Brient

be the focus of the museum’s retrospective

organized the first solo exhibition of Buffet’s

exhibition kicking off on October 14 this

In 1946 , Buffet produced his first

work at the Art Impressions bookstore in

year and running until February 26, 2017.

self-portrait ( “ Self-portrait ” ), which was

Paris. French writer Raymond Cogniat

displayed at the Salon des Moins de

visited this exhibition and bought the oil

Trente Ans, an event sponsored by the

painting “ Nature morte au poulet ” for

Galerie Beaux-Arts. The painting garnered

the Musée national d’art moderne, giving

immediate attention, and in the same year

another boost to Buffet’s fledgling career.

he made the acquaintance of writer and

24

artist Pierre Descargues (1925-2012), who

Beginning in 1949, Buffet held

soon became one of Buffet ’ s biggest and

annual exhibitions, becoming an artist

most ardent supporters, publishing many

of prodigious output. He also met Dr.

positive reviews and praising his work ’ s

Maurice Girardin, a heavyweight art

intrinsic value.

collector who would buy 17 of his works

1.《花》1965 年 壓克力 紙本 65 x 49 cm 私人收藏 “Flowers”, 1965 acrylic on paper, 65 x 49 cm Private collection

2.《百合花》1955 年 油彩 畫布 81 x 65 cm 私人收藏 “Lily”, 1955 oil on canvas, 81 x 65 cm Private collection

| Art & Investment |

2

1

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26

In 1950 , Buffet met Pierre Bergé,

all kinds of settings and with a special

half a century, right up to Buffet ’s death

then a young man from Oléron who had

knack for business and networking. He

in 1999.

arrived in Paris only a couple of years

was particularly well connected in Paris

before and was still just beginning to

fashion and cultural circles. Emmanuel

According to Nicholas Foulkes’

make his way. Dreaming of becoming a

David was one of his acquaintances, and

biography, Bernard Buffet was more than

writer, Bergé quickly befriended Buffet

very fond of the glamorous lovers that

“ just ” a famous artist during the jet set

and did much to help facilitate the young

Bergé and Buffet then were ǐ so much so

50s: together with novelist and playwright

artist ’ s success. For eight years, the gay

that he even introduced them to another

Françoise Segan, director and screenwriter

“ golden couple ” epitomized the perfect

up-and-coming young art dealer, Maurice

Roger Vadim, actress Brigitte Bardot, and

partnership: the ambitious man from

Garnier ( 1920 - 2014 ). David encouraged

fashion designer Yves Saint Laurent, he

the province and the art scene ’ s whiz

Garnier to open up his own gallery

made up the “Fabulous Five,” and was by

kid cum jet set darling only parted ways

and become an agent for Buffet ’ s work.

many considered to be the most prominent

when Bergé found a new lover in fashion

This was a crucial turn in Buffet ’ s life

member of that illustrious group. For a

designer Yves Saint Laurent. Bergé was

and career, because Garnier went on to

while, Buffet with his photogenic good

a man of refined tastes and many talents:

become his most important agent, as well

looks and artistic reputation was the most

an articulate writer, but also blessed with

as a major authority on his work. The two

iconic figure of postwar France, a darling

exceptional social skills, quite at ease in

remained friends and partners for almost

of the media and a veritable superstar.

| Art & Investment |

In creative terms, the heyday of Buffet’s

and expressive as ever, as well suited to

even Picasso, and he decided to look for

career were the years he spent with Pierre

his new, more optimistic and ornamentally

recognition abroad. He had always enjoyed

Bergé. Even though his works from that

enhanced visual narratives as they had

particular popularity in Japan, where many

period were mostly melancholy and gray,

been to his earlier miserabilist subject

were attracted to the “calligraphic” appeal

both in terms of palette and subject

matter. Encouraged by his friend and

of his forceful black brushstrokes and

matter, those years also marked the height

agent Maurice Garnier, in 1961 Buffet

striking contours. Wealthy banker Kiichiro

of his popularity on the art market, prior

painted a series of paintings depicting

Okano ( 1917 - 1995 ) collected more than

to the recent resurge of interest in his

the life of Christ, as well as portraits,

a thousand paintings by the artist, and in

oeuvre. Under Bergé ’ s loving and expert

still lifes, and landscapes. Today, Buffet

1973 founded the Musée Bernard Buffet

patronage, Buffet advanced to the highest

is probably best known for his laconic

in Shizuoka Prefecture ’ s Sunt˛ District.

circles of society, and his works sold so

paintings of clowns and matadors, often

Okano, who revered Buffet as the “ Pope

well that in addition to being a celebrity

considered to epitomize the artist’s earlier

of French Art, ” made it into US visual

he quickly became a very rich man who

succinct style and strongly individualist

arts magazine ARTnews ’ list of “ Top 200

could afford to buy several castles. He

brand of expressionism. It is in these

Collectors” in 1990 and 1991, a distinction

also owned a chauffeur-driven Rolls

most iconic works that the artist first

that was entirely based on his extensive

Royce Silver Ghost, was always smartly

established the basic vocabulary of his

collection of works by Bernard Buffet.

dressed and always moving among the rich

own artistic language, and his style has

and famous. In 1958, Bergé published a

influenced a considerable number of

The series of paintings of the life of

biography of the artist at Editions Pierre

painters, including for example Taiwan ’s

Christ from 1961 had originally been

Cailler, titled “ Bernard Buffet, ” and the

Shiy De-jinn.

made for the Chapelle de Chateau l ’ Arc

Galerie Charpentier, which frequently

near the artist’s home in southern France,

exhibited works by École de Paris artists,

In 1958, President de Gaulle appointed

but ten years after its completion the

held the first retrospective of Buffet ’ s

André Malraux ( 1901 - 1976 ) as Minister

series was requested for the collection of

work. In a sense, that year marked the

of Cultural Affairs, a writer who had

the Galeries d’Art moderne du Vatican by

pinnacle of his life and career. But it was

previously won the prestigious Prix

Monseigneur Pasquale Macci, secretary

also in this year that he and Bergé began

Concourt and had even been considered

to Pope Paul VI. Today, they remain

to go separate ways, at a time when Buffet

for the Nobel Prize in Literature. Malraux

on permanent exhibition at the Vatican

was only 30 years old.

had a decided preference for abstract art,

Museum. In 1962 , his daughter Virginie

and frequently derided figurative painting

was born, and one year later his daughter

Shortly after the breakup, he made the

as “tacky,” considering it outdated kitsch

Danielle. A son followed after another

acquaintance, via some artist friends, of

that only people with little or no taste would

ten years, in 1973, and was named

writer and chanteuse Annabel Schwob,

enjoy. In his mind, the intellectual elite

Nicolas. Those were years of family bliss

and the two married before the year

should favor the abstract movement, which

and a comfortable existence, yet Buffet

1958 was out. They would stay together

he was determined to use as a vehicle for

continued to paint as long as he could: it

for the rest of their lives, and Buffet

reestablishing the reputation of Paris as

was his one true passion in life.

painted a large number of portraits of his

the center of the art world. Consequently,

beautiful wife, as well as erotic paintings

during his tenure as Minister of Cultural

of Annabel, showing her completely or

Affairs, galleries and museums felt a strong

partly nude. During this phase, his palette

pressure to focus on abstract artists at the

became more bright, varied, and daring,

expense of painters who preferred a more

and his compositions started to convey a

figurative style. Suddenly, Buffet found his

greater range of emotional depth. His lines

work relentlessly ridiculed by numerous

and brushstrokes, however, were as sharp

critics and fellow painters, including

1.《城堡》1959 年 油彩 畫布 96 x 128 cm 私人收藏 “Castle”, 1959 oil on canvas, 96 x 128 cm Private collection

Late Recognition at Home Having once been hailed as “Picasso’s heir,” critical opinion began to turn against Buffet when André Malraux and much of the establishment all but ostracized the artist during the 60s, and cut off his opportunities for further development in his native country. However, he had always been a much admired artist in other countries, where critics and the general public continued to take a much more favorable view of his work. Back in France, when Picasso died in 1973 , Malraux wrote a gushing biography praising the exceptional achievement of one of the 20 th century ’ s best known artists. But with many of the old guard

1

on their way out, the tide already began

28

to turn again, albeit haltingly, this time

Pont des Arts. At the same time, the Musée

Bernard Buffet ’ s name may not roll

in Buffet ’ s favor. The same year Picasso

de la Poste held a retrospective exhibition of

as easily off the tongue as that of other,

passed away, Buffet was named “Chevalier

the artist’s work. In 1991, Buffet designed

better known artists, but we should

de la Légion d ’ Honneur, ” a distinction

the motif for another stamp, this time the

remember that in the 1950 s and 60 s he

reserved for the highest military or civil

25 . 7 franc one, which was issued a year

was a household name, nay, a genuine

merits. One year later, in 1974, the artist,

later. During the 1990s, the last years of his

wunderkind and jet set star whose

still only 46 years old, was elected to the

life, Buffet accepted numerous invitations

lightning success saw him ranked first

Académie des Beaux-Arts – the youngest

to appear at retrospectives of his work being

among the top ten postwar artists by

man at the time to be granted this lifetime

held at museums and galleries around the

1955 . By 1956 , a medium-sized oil

honor. The number of members at the

world, including in Japan, Russia, Germany,

painting by Buffet would sell for as much

Académie is strictly limited, and a new

and Taiwan (Kaohsiung). A taciturn and

as £5,000 – at the time, that was enough

appointment can only be made, usually

occasionally morose man, Buffet was a

money to buy you a couple of houses. In

at the recommendation of academic

truly prolific artist who created more than

Japan, many found Buffet’s work with its

luminaries and experts, when an existing

8 , 000 paintings. Virtually “ addicted to

“calligraphic” brushstrokes and forcefully

member has died. This partly explains

painting,” he soon lost interest in life when

intersecting lines to be reminiscent of

why Chinese-born painters Chu Teh-chun

Parkinson’s disease began to take hold in

traditional Eastern art, not least because

and Zao Wou-ki were only elected to the

his 60s, making it impossible to continue

of the comparatively sparing use of color

Académie des Beaux-Arts at the advanced

working as an artist. Who knows how many

in much of his work. Unsurprisingly then,

age of 77 and 81, respectively.

more works he might have produced had

when art dealers began to import his work

he lived another 20 or 30 years? As it was,

to Japan, they found his paintings to be

In 1978 , at the request of the French

Buffet committed suicide on October 4 ,

a big seller. To this day, the late Kiichiro

Postal Administration, Buffet designed a

1999, suffocating himself with a plastic bag

Okano is remembered as one of the most

new 3 franc stamp showing L’Institut et le

– a tragic end to a full and dazzling life.

avid collectors of Buffet’ s art anywhere.

| Art & Investment |

Prices for Buffet’s work in Japan reached

by the Musée d ’ Art moderne de la Ville

reappraisal. In the past, Buffet has not

a peak around 1990 , when the country ’s

de Paris, one in 2012 , the other this

always been taken seriously by the critics,

postwar economic miracle was nearing

year ’ s special retrospective, as well the

especially in his native France. It is

its end. Since the “ lost decade ” of the

retrospective exhibition at the Musée

only fair that this modern-day master of

90 s, however, prices have taken a bit of

de Montmartre et Jardins Renoir, offer

figurative painting should receive the more

a hit. Buffet’s suicide in 1999 triggered a

a new generation of art aficionados

levelheaded and unbiased assessment he

renewed interest in the artist and his life,

an opportunity to reevaluate this long

certainly deserves. Abstractionism ruled

which had been glamorous and successful

neglected artist’s work. The sharp rise in

much of the art world for several decades,

as well as poignant and sad.

prices for Buffet’ s works at international

but we should remember that the new

auctions in recent years also shows

type of figurative painting spearheaded

that the time seems ripe for a thorough

by artists like Buffet also played a

The two Buffet solo exhibitions held

very important role in the development of postwar contemporary art. Buffet ’ s contributions are finally being fully recognized, and it is up to us to give him his proper place in the history of art.

1.《左輪手槍》1949 年 油彩 畫布 46 x 65 cm 成交價：2,307,692 台幣 羅芙奧香港 2013 春季拍賣會 “Le Revolver”, 1949 oil on canvas, 46 x 65 cm Sold of US$77,320 Ravenel Spring Auction 2013 Hong Kong

2.《藍色繡球花》1958 年 油彩 畫布 64.5 x 45 cm 成交價：2,444,444 台幣 羅芙奧香港 2012 秋季拍賣會 “Hortensias Bleus”, 1958 oil on canvas, 64.5 x 45 cm Sold of US$85,161 Ravenel Autumn Auction 2012 Hong Kong

2

貝爾納．畢費作品二十大拍賣成交排行 Top 20 Most Expensive Works by Bernard BUFFET Ever Sold at Auction 排名 Rank

圖檔 Image

作品 Work

預估價 Estimate

成交價 Sold at

GBP 700,000 - 1,200,000

US$ 1,500,008 GBP 1,022,500

小丑音樂家（薩克斯風）

1

Les Clowns Musiciens, le Saxophoniste 1991 Oil on canvas 225.4 x 270 cm

馬戲團（小丑音樂家）

2

Le Cirque, Clowns Musiciens 1955 Oil on canvas 195 x 300 cm

US$ 1,095,620 FRF 5,500,000

艾菲爾鐵塔

3

La Tour Eiffel 1955 Oil on canvas 145 x 96 cm

Deux Clowns, Saxophone 1989 Oil on canvas 130.2 x 162.3 cm

US$ 996,300

CNY 3,200,000 - 4,500,000

US$ 799,616 CNY 4,950,000

US$ 175,000 - 225,000

US$ 797,500

US$ 140,000 - 180,000

US$ 770,000

GBP 120,000 - 180,000

US$ 747,977 GBP 458,500

US$ 400,000 - 600,000

US$ 634,000

US$ 300,000 - 400,000

US$ 581,000

FRF 500,000 - 600,000

US$ 502,975 FRF 3,000,000

街景

5

Scène de Rue 1956 Oil on canvas 97.2 x 130.2 cm

La Place VendôMe 1962 Oil on canvas 96.5 x 130.1 cm

Arlequin 1956 Oil on canvas 130 x 96.5 cm

小丑

8

Clown 1977 Oil on canvas 92.2 x 65.9 cm

Bouquet de Zinnias 1964 Oil on canvas 195.5 x 96.5 cm

30

Christ en Croix 1946 Oil on canvas, wood 163 x 153 cm

MatsArt Israel February 16, 2016

上海佳士得 Christie’s Shanghai April 26, 2014

Sotheby’s New York February 26, 1990

Christie’s New York February 26, 1990

倫敦蘇富比 Sotheby’s London February 6, 2014

Sotheby’s New York November 6, 2015

紐約蘇富比

基督釘刑

10

Anaf Lyon June 13, 1990

紐約蘇富比

百日草花束

9

里昂 Anaf

紐約佳士得

小丑

7

Christie’s London June 22, 2016

紐約蘇富比

梵登廣場

6

倫敦佳士得

以色列 MatsArt US$ 550,000 - 650,000

兩個小丑（薩克斯風）

4

拍賣地點／時間 Auction/Date

Sotheby’s New York November 5, 2014

巴黎塔尚 Tajan Paris December 16, 1997

| Art & Investment |

排名 Rank

圖檔 Image

作品 Work

預估價 Estimate

成交價 Sold at

FRF 1,800,000 – 2,200,000

US$ 494,408 FRF 2,940,000

GBP 120,000 - 180,000

US$ 485,808 GBP 314,500

威尼斯

11

Venise 1957 Oil on canvas 89 x 146 cm

波琉港

12

Port de Beaulieu 1957 Oil on canvas 89 x 130 cm

巴士底廣場與自由女神

13

La Place de la Bastille et le Génie 1956 Oil on canvas 146.7 x 114.3 cm

US$ 485,996 GBP 280,000

小丑

14

Hammer price US$ 469,000 FRF 2,450,000

Le Grand Clown 1955 Oil on canvas 230 x 150 cm

兩個小丑與低音鼓

15

Deux Clowns à la Grosse Caisse 1989 Oil on canvas 130.5 x 162.5 cm

GBP 140,000 - 180,000

大麗花花束

16

US$ 464,825 GBP 289,250

Hammer price US$ 444,894 GBP 40,000

Bouquet de Dahlias 1964 Oil on canvas 146 x 115 cm

菊花花束

17

Bouquet de Chrysanthèmes 1965 Oil on canvas 100 x 73 cm

Hammer price US$ 442,320

戴禮帽的小丑（紅色背景）

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Clown au Chapeau Melon Fond Rouge 1977 Oil on canvas 81.5 x 55 cm

JPY 15,000,000 - 20,000,000

Hammer price US$ 439,560 JPY 54,000,000

百日草

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Zinnias 1963 Oil on canvas 65 x 46 cm

Hammer price US$ 422,214

玫瑰瓶花

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Vase de Roses 1964 Oil on canvas 73.7 x 60.7 cm

Hammer price US$ 422,214

Auction/Date

東京塔尚 Tajan Tokyo December 7, 1989

倫敦蘇富比 Sotheby’s London June 20, 2013

倫敦佳士得 Christie’s London June 26, 1990

巴黎 Kohn Kohn Paris December 10, 1996

倫敦佳士得 Christie’s London February 10, 2011

倫敦佳士得 Christie’s London June 26, 1990

紐約蘇富比 Sotheby’s New York February 26, 1990

東京每日 Mainichi Tokyo July 4, 2015

紐約蘇富比 Sotheby’s New York February 26, 1990

紐約佳士得 Christie’s New York February 26, 1990

（製表 / Tiff Wong。資料更新 update 2016.9.13 Source: Artprice.com、Artnet、Christie’ s、Sotheby’ s）

分享經濟 Text / Aline Photo / Lena The Fashion Library、onefinestay、WeWork

全球經濟和世界連網的發展，從分享到共享，一鍵在手，世界都可以出租。 拜科技之賜，以分享取代交易的「分享經濟」Sharing Economy 從食衣 住行席捲新世代的經濟規模─智慧工作場所、高級訂製服租借到「豪華版」 的 Airbnb 住屋分享。共享經濟的商業模式，強調分享、資源再利用，也 是一種活化資源、客製化的新經濟形態。 With the development of global economy and world networking, from private to public sharing, everything is at our fingertips all times; and everything around the world can be rented.

Thanks to technology, the Sharing Economy is replacing traditional transaction methods; starting from a new generation of economic patterns in sectors such as food, clothing, housing, transportation, smart workplaces, and haute couture rental, to the“Deluxe Edition”of Airbnb house sharing service. The Sharing Economy’ s business model emphasizes the concept of sharing and reusing resources, and it is also a new customized economic pattern for activating resources.

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超級大管家 34

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事實上從工業時代走向美學經濟時代，

加薩走廊的一個集體農場裡長大，紐曼在

OA 辦公室的制式形態早已不是讓想像力馳

退伍後便懷抱著美國夢前進紐約，遇上了

騁的翅膀，而是囿限靈感的乾涸湖泊。從

麥克凱爾維後便開始聯手 co-working 辦公

二十世紀六十年代出現的小隔間、九十年

室的租賃事業，麥克凱爾維負責室內設計，

代辦公室裡的足球桌與彈性上下班時間，

商 業 模 式 則 由 紐 曼 一 手 包 辦。 從 第 一 間

最後，能帶來啟發的是一本書、一場電影、

WeWork 在紐約 SoHo 區開張至今，WeWork

一杯咖啡、甚至是一個瞬間，絕對不是了

不但沒有虧過一毛錢，如今更是價值 50 億

無生趣的藍白配色辦公室或無止盡的會

美金的公司，然而 co-working 並非新點子，

公元前十三世紀，摩西帶領以色列人渡

議，工作不只是為了麵包，必須結合理想

究竟 WeWork 如何擄獲現代工作者的心？

過紅海來到富饒的應許之地，二十一世紀，

與熱情，才是美學經濟時代人們所追求的

換以色列人帶領我們擺脫辦公室桎梏走向

工作模式。

用社群加值創意經濟 Community-Based, Value-Added, Creative Economy

創意新時代，「WeWork」正用共享經濟思 維締造新工作藍海！

WeWork 成立於 2010 年，創辦人為麥克 凱爾維（Miguel McKelvey）與紐曼（Adam Neumann）。麥克凱爾維出生於貧窮的美 國大家庭裡，而紐曼則在以色列南方靠近

1. 沒有制式的 OA，取而代之的是能激發靈 感的空間設計。 There is no standard design or layout. Instead, each location is designed to stimulate and inspire.

2. 位於好萊塢的 WeWork。 WeWork in Hollywood.

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3. 紐約 SoHo 西區的 WeWork 更設有遊戲間。 The WeWork in New York’s Soho District also has a game room.

4. 波士頓接待區的設計，大大的 slogan 彰顯 了共享經濟的意義。 The design of the Boston location’s reception area features large slogans expressing the significance of the sharing economy.

5. 只要能讓創意自由，辦公室當然也可以長 得像餐廳。 As long as it can encourage inspiration, an office can also be designed to seem like a restaurant.

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只做你愛的，其餘交給 WeWork Just Do What You Love, Leave the Rest to WeWork

他許多加值服務可供選購，就如同 WeWork 的標語「只做你愛的 Do what you love」， 其餘煩人的雜事 WeWork 幫你搞定。

目前 WeWork 在全球擁有超過一千四百

WeWork 知道對於任何新創團隊而言，空

名員工，一百多個服務點遍佈三十多個城

間成本和設備絕對是最大的負擔，況且，

市，服務超過一萬家公司，會員超過六萬。

現代的工作者要的不只是一個有網路、可

2016 年更正式進駐亞太區。會員只要每月

以使用電腦的地方，空間本身必須具備某

繳交一筆固定費用，就可以享用 WeWork 提

種程度的美感足以讓靈感孕生之外，他們

供的所有服務，包括：24 小時提供茶水、

更希望能專心聚焦於工作本身，擁有辦公

咖啡與啤酒的廚房、Wi-Fi、電話、客廳、

空間卻不要有伴隨辦公空間而來的所有瑣

辦公設備、印表機、傳真機、廁所、浴室、

事，WeWork 正是所有新創團隊最襯職的超

行軍床……在美國甚至提供健保，還有其

級大管家。

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不只是工作空間，更是社群 Not Only A Working Space, but Also A Community 當然，不僅著眼於設備和服務，除了擁 有專屬 app 之外，WeWork 更發佈了自己的

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社 交 網 絡 WeWork Commons， 每 位 會 員 們 不但可以藉此了解各式社群活動訊息，更 能線上找到分布在世界各地的其他會員， 而在線下，WeWork 極其舒適的環境讓所有 不同領域的創業工作者得以輕鬆交流，甚 至，如果發現最近缺少什麼類型的公司， WeWork 還會主動邀請公司進駐，用以確保 WeWork 的組成夠多元。

從硬體走向軟體，從活動包辦到創投， 接下來 WeWork 更將推出結合辦公空間和生 活住宿的打包式合租服務 WeLive，創造共 享經濟最大的附加價值，便是 WeWork 無可 取代的成功之路！

1. 好萊塢的接待區傳遞出豐沛的藝術能量。 The reception area of the Hollywood location radiates an abundance of creative energy.

2. 就連臥榻也被選用為公共空間的家具，只 要能刺激副交感神經的就是好設計。 Even couches have been chosen as furniture for public spaces, as good design also involves providing places for rest and replenishment.

3. 華盛頓唐人街的 WeWork 廚房，可以看見 大家不只愛工作更愛美食！ The kitchen of Washington Chinatown’s WeWork. You can see that we not only love to work but also love to eat!

4. 位於華爾街上的 WeWork 理所當然充滿上 流士紳的氣息。 Naturally the WeWork on Wall Street has a classy and dignified atmosphere.

5. 波 士 頓 南 站 的 公 共 區 域 簡 直 就 像 lounge bar 一樣輕鬆迷人。 The public area of the Boston South Station location is just as relaxing and inviting as a lounge bar.

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城市靈魂 The Vibrant City Soul 以 前 住 飯 店， 享 有 的 是 眼 界、 國 際

豪宅就是你家

style、是建築硬體；但誰不想下榻的地方 豪華之餘也像家一般舒適放鬆？ Airbnb 的 崛起其來有自，即使在荷包緊縮的時代， 旅行也想要擁有如當地人般「Live There」 2

的感受，吃的道地、認識在地藝術家、不 想要被貼上觀光客的標籤……成立超過 10 個年頭的 Airbnb 成功地在一百九十多個國 家連結出兩百多萬個房源。

然而真實經驗是，很多時候 Airbnb 無法 彰顯在地城市精神，只能算是所謂的短租預 訂平台。還可以有什麼樣的想像？

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為城市注入旅人精神 Let the City Pour into the Spirit of the Traveler 2009 年， 原 為 風 險 投 資 顧 問 的 馬 什 （Greg Marsh），有一天從辦公室走回位於 倫敦最昂貴住宅區 Mayfair 的家的路上…… 走著走著，發現多數房屋的燈都是熄的， 迸出一個念頭：為何不好好利用擁有這些 市中心黃金地段房子的主人們出外旅行時 的空檔？這些比旅館更有生命力和個人特 色的豪宅不正是旅人最想要的靈魂解藥？ 馬什毅然決然辭去工作，整合閒置豪宅出

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租的 onefinestay 就這樣誕生了！

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1. 前身是 1626 年打造的飯店，無怪乎 Rue Saint-Antoine 如此的精緻細膩。 Formally a hotel that was constructed in 1626, it’s no wonder the residence on Rue SaintAntoine is so exquisite.

2. 想要在羅馬 Via della Scala 充滿色彩與文 化的家住上一晚 ? 只要一萬台幣左右就能 達成願望！ Want to spend a night at a colorful and culturally rich residence on Rome’s Via della Scala? For only around NT$10,000 you can fulfill your desire!

3. 紐 約 Chelsea Townhouse 豐 沛 的 藝 術 收 藏，與藝術學校無異。 This townhouse in Chelsea, New York features a rich collection of art, no different from that of an art school.

4. 坐落於好萊塢山上的 Multiview Drive 不僅 擁有絕景，更有一望無際的溫水游泳池。 Located on Multiview Drive in the Hollywood Hills, the residence not only offers a spectacular view but also a vast heated swimming pool.

5. 絕 佳 的 挑 高 與 各 式 經 典 的 設 計， 倫 敦 的 Summers Street 可 以 徹 底 感 受 到 主 人 的 品味。 Featuring magnificent high ceilings and all kinds of classic design, you can really taste the owner’s personal style in this residence on London’s Summers Street.

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如 果 說 Airbnb 是 將 空 房 改 成 旅 館 服 務 背包客，那麼 onefinestay 就是將豪宅變身 成五星級酒店，不過 onefinestay 花了不少 力 氣， 比 如 堅 持 提 供「 量 身 訂 製 的 款 待 Handmade Hospitality」，onefinestay 拜 訪 不 下上百間的豪宅，找出最舒適、又充滿風 格的旅人之家。而所謂「量身訂製的款待」 就是一個超五星的服務團隊，不但屋主不 需與旅人會面以保持隱私，並有專人迎賓，

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房間裡的所有設備與服務從備品到盥洗用 具也早有專人安排妥當，如需預定當地外 賣、或是景點推薦等其他安排，還有一支 免 費 使 用 的 iPhone 讓 下 榻 的 旅 人 可 以 24 小時致電專人服務。

所謂的共享經濟不止是聚少成多，將閒 置資源分享給他人從而創造出價值更是共 享經濟 的 原 意。 目 前 onefinestay 在 倫 敦、 洛杉磯、紐約、巴黎、羅馬等五座城市提 供房源，邁阿密即將成為第六座。即使相 對高端且小眾，但 onefinestay 實現的不是 消費等級的劃分，而是一種通過資源整合 與創造的「升級消費與服務」。這正是為何 onefinestay 成為共享經濟的王道。 2

1. 每 個 角 落 都 讓 人 心 生 讚 嘆 的 McKinley Avenue，每晚要價超過八萬台幣不是沒有 道理。 For this residence on McKinley Avenue where every corner is breathtakingly impressive, a nightly charge of more than NT$80,000 is not unreasonable.

2. 由四位年輕人所擁有的 Lilyville Road II， 以其對於建築和設計的品味打造出這幢優 雅又時尚的當代宅邸。 This elegant and stylish mansion on Lilyville Road is owned by four young people and was built with according to their taste in architecture and design.

3. 擁有寬闊草地的獨棟木屋，入住羅馬 Via Capo di Bove 就像是住進中古歐洲莊園園 主的家。 Located within a large meadow, staying at this chalet on Rome’s Via Capo di Bove will make you feel like you are living at the manor of medieval European lord.

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時尚圖書館 1

為 LENA 的四位創辦人都擁有時尚與設計的

雖然目前 LENA 只有一間店、也只提供

背景，她們就像是私人造型師般為所有會員

女裝租借，但共同創辦人 Suzanne Smulders

採購並篩選設計。此外，LENA 更以三個系

這麼說到：「我們的夢想是人們渡假時，只

列呈現她們所關注的時尚面向：「Vintage」

需帶著簡單的行李和借衣證，因為全世界的

即使衣櫃永遠處於爆炸狀態，但你知道

搜羅了五十到九十年代初期，質感與作工精

LENA 都是妳的衣櫃！」

嗎？我們永遠穿的都是那 20%。更甚而，

良、充滿藝術感的復古衣著；「新銳設計」

美國人平均一年一人丟棄近 5 公斤的舊衣，

則是新銳設計師們曝光的絕佳平台，同時消

也就是說光是美國一年就丟掉 150 億公斤

費者的穿著回饋對這些時尚後浪來說更是別

的衣服，我們被時尚綁架了嗎？

具意義；最後一個系列便是 LENA 最關心的

全世界都是妳的衣櫃 The Whole World Is Your Wardrobe

「永續」系列，這些品牌不但以環保永續為 作為全球時尚的創意先鋒，荷蘭既然孕

己任，並追求永不過時的設計，時尚也能穿

育 出 了 Viktor & Rolf 和 Iris van Herpen， 對 於

出美好的未來，這就是 LENA 想要傳達出的

快 速 時 尚 所 帶 來 的 過 度 消 費、 再 加 上 共

核心概念。

享 經 濟 的 興 起， 荷 蘭「 共 享 衣 櫃 」 品 牌 ── LENA 的迅速崛起，一點也不令人意外。

穿喜歡了再買 Try-before-Your-Buy 看準女性喜新厭舊的心態，甚至常常並 未試穿但因為價格低廉就網購的消費模式， 在 LENA 時尚圖書館裡，只要每個月花上 20 歐元，妳就能擁有一張「借衣證」，每次 透過扣點的方式租借衣服，以三個月為期， 妳愛穿多久就借多久，穿上癮了，還可以用 優惠的價格買下據為己有。在廣達 45 坪的 空間裡，LENA 提供了超過 1,200 件的衣服， 也就是說成為 LENA 的會員，等於擁有一 個隨時會自動添購新衣的衣櫃，同時，更因

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1. LENA 的四位共同創辦人。 LENA’s four co-founders.

2. 以 Vintage、 新 銳 與 永 續 為 品 牌 核 心， LENA 追求的就是永不過時的時尚設計。 With core values of vintage, cutting-edge and sustainable design, LENA is a brand in pursuit of fashion that will never become outdated.

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關西 La Cime 一口入魂

Kansai La Cime Love at First Bite Text / Y. Dolem Photo / La Cime

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| Cuisine |

兒時成長在奄美大島的記憶、薩摩鄉土料理的滋味，深深嵌在 La Cime 主廚高田佑介（Takada Yusuke）的每 一顆味蕾，他將頂級法餐的技術融合日本在地食材，串成在家鄉演出的異國劇場，每一盤，都是一幕精彩。 With the memory of growing up in Amamishima, The taste of Satsuma’s local cuisine is deeply embedded in every taste bud of La Cime’s head chef, Takada Yusuke. He combines top level culinary skills with local Japanese cuisine. Stringing together the exotic theater of his hometown, every dish is a delightful experience.

在

法文中，La Cime 有山頂、頂端的意 涵，餐廳的三角形 logo 象徵天、地、

人的風土哲學，也隱喻客人、料理與空間 三個構成餐廳的核心要素 。今年 La Cime 在關西版的米其林指南從一星躍升至二星， 空間仍是一貫樸白素雅，讓料理作為餐桌 上最亮眼的主角，在聚光燈下，緩緩吐露 出四季時令的五感美學。

高田佑介出生在鹿兒島南部的奄美大 島，銀帶鯡（KIBINAGO）的生魚片、豬軟 骨、雞飯、薩摩油炸魚肉餅這些薩摩特產 菜，養育這位未來名廚的童年味覺，帶有 天然甜味的鹿兒島黑豬，與秘製甜味噌、

2

砂糖與燒酒的獨特燉法，產生奇妙的味覺 組合，讓他很小就領悟到各種食材的風味，

本節目《料理的鐵人》中競賽廚師製作法

白現代風格靜謐居於町間，線條簡約、白色

也萌生對料理的志趣。高田從 1991 年料理

式料理時，那樣細膩手藝與專注神情，深

牆面，沒有一絲多餘的綴飾，將 La Cime 六

專門學校畢業後，就開始在各西式餐廳任

深影響高田佑介，在法國習藝的他，受到

個英文字母襯托得當。店內有三桌可容納 2

職，後因自覺不足決定前往法國進修，日

巴黎米其林三星餐廳 Le Meurice 主廚 ，現

至 4 人的圓桌，與五桌 2 人桌，一面黑牆

為法國當紅大廚雅尼克 •

旁種植著一株綠色植物，是在灌木上緩慢成

亞 蘭 諾（Yannick Alleno）

長的藍莓，桌上的美味宛如被夢境調過色，

的錄用。

一切都如此合理自然卻又妖豔奇幻。

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獨當一面的獨舞 Taking Charge in a Solo Dance 「不僅僅是乍看之下的 華麗而已，同樣要有一種初 嚐就能勾起的懷念感。」從 鹿兒島到法國又回到日本， 高田佑介在 2010 年回到日 本大阪開設屬於自己的 La Cime 餐廳，位在大阪御堂 筋線「本町」站附近，以黑

1. 新鮮牡蠣與蘑菇、當季野菜譜出土地與海洋 的對話。 The use of fresh oysters, mushrooms and seasonal vegetables creates a culinary dialogue between the land and the sea.

2. La Cime 位在大阪御堂筋線「本町」站附近 街上，星級美味大隱隱於市。 Located in Osaka near Honmachi subway s t a t i o n o n t h e M i d o s u j i L i n e, La C i m e i s exceptional fine dining hidden within the city.

3. 米其林二星餐廳 La Cime 主廚高田佑介。 The head chef of the two Michelin-starred La Cime restaurant is Yusuke Takada.

輕盈現代的 La Cime 從來不說潮牌的語

蔥的甜，串起了寬廣的體驗；而

言，高田佑介認為自己的法國料理技法，

法式餐廳常見的濃郁蝦湯，在 La

要奠立在日本最古老的史書《古事記》中

Cime 的表現是以不經額外調味的

的「稽古照今」（古典不可疏遠），將經典

白色杏仁果搭配酸甜果肉，將輕

料理隨著科技與靈感更加深化。每兩個月

灑海鹽再炙烤的蝦肉，沉浸在滿滿

換一次菜色，以四季作為挑選食材的依據，

蝦醬味的濃汁，在輕與重之間，高田

例如今日入秋，普羅旺斯的燉菜和龍蝦即

佑介永遠知道最完美的平衡距離。主

會躍上餐桌，冬季則會以根莖類與菇類食

菜海鱸魚，下層襯著細膩的刀剁餡料，嚐

材為主，在 La Cime 的半開放式廚房，幾

起來滋味豐富，除了濃郁野生的香菇氣味，

場烹飪演出令人感到輕鬆愜意，撲鼻的香

還帶著洋蔥、紅蘿蔔與肉末甜味，黃色的

氣也毫不遮掩瀰漫成日法融合的星級饗宴。

醬汁則是用各種蔬菜和白豆燉煮而成，質

展店短短 2 年內，La Cime 即獲得米其林一

地輕柔滑順，與魚肉相搭香醇卻不膩口。

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星的肯定，更於今年年初拿下米其林二星 的殊榮。

奄美大島的魚香，滿滑肥美的油脂一直 留在高田佑介的料理記憶，他偏好用魚，

酸甜苦辣鹹鮮，六感知六味 Sour, Sweet, Bitter, Hot, Salty, and Fresh, The Six Senses Discover Six Tastes

Add / 大阪市河原町 3 丁目 2-15 河原町 Usamibiru 1F

那是對家鄉的追憶。日本馬加鰆魚（Swara

Tel / +81 6-6222-2010

niphonia），是台灣土魠魚的近親，搭配茄

Web / www.la-cime.com

子泥（Puree）、加入貝類高湯的白色奶醬， 還有以紅酒作底的褐色醬汁，帶點微辣， 是相當大膽的魚類法式料理，也將第六味 ──海鮮特有的 umami（鮮味）藏於醬汁

「鵝肝凍、梨子與法國苦苣，在同一盤

中，做為一口入魂的美味鑰匙。

面上，像是劇碼中的不同角色，既甜又鹹 再加上一點苦味，味覺，即為情緒的一部

La Cime 展現「新酒館」（neo-bistro）風

分。」高田佑介做的是「情緒的料理」，是

格的菜式，兼具創意與美感，完成度高且

人生的況味。一道前菜，以加入海藻的米

少贅物，看似簡單的可樂餅包裹著比目魚

脆片搭配法式血腸裹竹炭粉，鮭魚與山葵

肉和芹菜奶油，一挖開奶油融化在勺間，

的組合經典又萌現創意，接下來的蝦與甜

鹹甜間是大器的小食，還有嚐來極似義大

菜佐葡萄柚、糖漬火蔥，則以環狀的薄切

利帕瑪森火腿的薄切生魚片、以鹽麴和豆

甜菜根為主軸，下層藏有飽滿多汁的蝦肉，

漿調成醬汁佐以鱒魚；鹿兒島產的薩摩雞

更在意料之外，迸出葡萄柚的酸和糖漬火

與筍，搭配被烘製成咖啡色薄片的香脆雞 皮……，每一道菜都是不同的劇本，在精 心設計的舞台上，讓人期待再三。

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得到主菜的撫慰後，服務生送上餐後飲 料，符合主廚一貫堅持，上頭印有來自奄 美大島的各式茶葉，搭配以芹菜製成的 冰淇淋結合法式花生粉，捲上青蘋果 的起司蛋糕使用口味重的藍紋乳酪， 卻造就質地疏鬆、奶味清淡的輕盈 質感，做為一場劇幕的結局使味覺 充盈著想像空間，期待下一季的風 味演出。

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1. 開胃菜以日本頂級料理的八寸與和 菓 子為 延伸，是優雅靜美的法國味。 The appetizer uses inspiration from Hassun (a seasonal themed second course from Japanese Kaiseiki fine dining) and Wagashi (traditional Japanese confections), creating an elegant and beautiful French flavor.

2. 高田佑介的創作靈感經常來自山林田野，模 擬鳥巢意象的前菜，也顛覆穀物的烹飪型態。 Yusuke Takata’s creative inspiration often comes from the mountains, forests and fields.

The hors d’oeuvre simulates a bird’s nest, and subverts the traditional cooking style of grains.

3. 以日本料理常見的大根（蘿蔔）與法國松 露，組合出藝術品般的傑作。 French truffles are combined with Daikon (radish), a common item in Japanese cuisine, to create an artistic masterpiece.

4. 以簡單橄欖油與獨門醋汁調味的香草蔬菜， 帶有季節的原味與 Fine Dining 新體驗。 Pure olive oil and unique vinegar seasoned vanilla vegetables provide seasonal flavor and a brand new fine dining experience.

5. 如花藝般的雪酪甜點巧妙融合秋季森林的 食材。 The dessert sorbet, appearing like a floral arrangement, is a clever fusion of autumn forest ingredients.

6. 蛋白、糖霜與白花，在漆黑的盤上平衡出酸 甜之美。 Egg white, frosted sugar and white flowers rest on a black plate, creating a beautiful balance of sweet and sourness.

| Cuisine |

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周夢蝶 翁狄森 ( (VIEQMRK SJ E &YXXIVÂ] Dickson Yewn Di Text / Ethan Photo / Dickson Yewn

古代所謂 謂「 首 飾 」， 指 的 是 頸 部 以 上 至 少 有 超 過 15 種戴法的 種戴法的裝飾；至於珠寶，雖有顯富意義，但配 合個性和心情 合個性和心情，則更能凸顯出主人品味。 透過「中國文化為本，展示女性韻味為旨」的當代美學審 1

視，翁狄森讓珠寶成為可佩戴的藝術品。

“Head ornaments”documented in the past refer to pieces of adornment at the neck or a bove. They can be worn at least 15 different ways. Jewelry is not only a sign of wealth; it can also emphasize the wearer’ s taste in accordance to personality and mood.

Through a close examination of the modern aesthetic of“Chinese culture as the basis; displaying femininity as the purpose” ose”, Dickson Yewn has turned jewelry into wearable pieces of art.

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| Luxury |

何

謂「當代藝術」？什麼又是中國文

念攝影集，他選擇和別人不一樣的切入點，

與傳統，翁狄森常喟嘆、惋惜，這麼美好、

化？看似天經地義、理所當然，但

處處滲透著強烈的東方美學的珠寶，飽含

偉大的歷史文化，中國人懂得欣賞的卻很

古典意蘊又不失摩登現代。

少；我們總認為西方比較進步，比較時尚。

對出身珠寶世家，來自香港的珠寶設計師

一味仿效，反而不中不西，既難以讓西方

翁狄森來說，其實正反映著他的成長、生

人認同，更無法贏得東方青睞；沒有特色、

活經歷和人文哲學。自小習畫、受藝術薰

也就因為這股血液裡流動的民族情感，

陶，對中國歷史文化及藝術，情有獨鍾，

品牌取名「淵」。透過方與圓架構的珠寶系

沒想到繞了一大圈，曲曲折折做了四、五

列「天圓地方」，詮釋的是《易經》思維。

年 Artist 之後，最終仍選擇了珠寶設計，而

而對於所見與真實之間的「虛與實」，讓翁

創意就是講故事。翁狄森強調「中國」

且成就了翁狄森一心想要為中國文化「平

狄森如火如荼地興起以「莊周夢蝶」典故，

的意象應該是「多元化的」；明式桌椅的線

反」的一股力道。

進 行 以 一 甲 子，60 隻 彩 蝶 為 題 的 創 作 計

條、青銅雕塑，傳統藝術到古代建築、文化

畫。花和蝶是珠寶常見的主題，但翁狄森

物件到歷史配飾；「中國文化一向象徵吉祥

在美學領域裡翁狄森可以說是全才型，

手下的每隻蝶，從品種、大小和名字都有

寓意」，彷彿看見他投身電影製作時蒙太奇

但是談吐舉止，一派文人氣息的他，並不

考據，1:1 真實比例呈現的彩蝶，「停落在

手法的縮影「窗花」系列：世異時移，隨著

想被隨便貼上「中國風」的標籤。「叫法國

肩頭」，美得脆弱，也美得體現出「大自然

心境變化以及對於生命感悟，翁狄森將自己

米其林大廚作一道麻婆豆腐或小籠包，但

給予的信任」，令人讚嘆之餘，也更動容於

想像為坐在庭院中向外望的中國文人，古典

也許不會比媽媽的手藝好。」拿著一些所謂

翁狄森「發乎於情」的初衷。

雕窗外，代表著迅速變化的世界；如果「窗

靈魂，遑論藝術的價值。

花」、「剪紙」系列珠寶，是對中國民間基

東方「元素」就是叫「中國風」設計？翁 狄森自許為「當代文人」，堅持多元跨媒體

生於香港，留學法國巴黎及加拿大攻讀

層美學的反映；「如意鎖」到「譽牡丹」等

藝術，曾參與十多個世界各地的團體藝術

藝術及工商管理，紐約 FIT 攝影及珠寶設

則是翁狄森嘗試將幾近失傳的傳統清代宮廷

展覽、舉行了七次個人展覽及出版個人概

計，接受西方教育，骨子裡熱愛中國歷史

首飾精巧繁複工藝的傳承。

如何重拾這份被遺忘的美麗？透過翁狄 森「中國文化為本，展示女性韻味為旨」 的當代美學審視，讓珠寶成為可佩戴的藝 術品。「創作是做回自我，是向內心看，從 世界尋找。」通過珠寶傳承，翁狄森相信， 「當代中國藝術，永不寂寞。」

1. 極其考究的端紫斑蝶，設計追求擬真之美， 栩栩如生。 Devoting the utmost attention to mimic the true nature of the species, the lifelike Striped Blue Crow brooch is ready to fly.

2. 靈感源自中國傳統，「窗花」系列將幾何或 富有吉祥寓意的圖案轉化為難得一見的珠 寶設計。 Inspired by Chinese traditions, the Lattice collection makes use of geometric patterns that carry auspicious meanings.

3. 窗花系列翡翠雞翅木手鐲，虛實交錯，細膩 蜿蜒成手腕上最美的風景。 The delicately crafted Floral Lattice Jadeite We n g y Wo o d B a n g l e s h o w s t h e m o s t extraordinary scenery on the wrist.

4. 一手打造「淵」珠寶品牌的翁狄森，以古代 宮廷御用珠寶工匠的作品為藍本，用現代人 的審美眼光打造適合配戴的藝術品。

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Using the imperial jewelry as blueprint, Dickson Yewn has turned jewelry into wearable pieces of art with his contemporary aesthetic.

elements ” make something “ Chinese style” design? Dickson Yewn sees himself as a contemporary literati, insisting on doing diverse, transmedia art. He has participated in over ten group art exhibitions all around the world, held seven solo exhibitions, and published a collection of his own conceptual photography. Choosing a different angle from the others, his jewelry exudes strong eastern aesthetics, integrating the classic and the modern.

Because of this deep-seated feel for his ethnicity, the brand is named “YEWN” (meaning “vast” or “profound”).

The squared and round design of the “Circular Sky and Square Earth ” jewelry

line depicts philosophy from the Book of Changes. Equally inspired by the “Dreams and Reality ” found in our perceptions and the world as it is, and based on the 1

Chinese story of “Zhuangzi Dreaming He Was a Butterfly”, Dickson Yewn set about to create a series of 60 colorful butterflies.

Flowers and butterflies are common

What is “ contemporary art ” ? What is

is an all-round talent, but the literate

themes in jewelry, but Dickson Yewn took

Chinese culture? These questions seem

designer refuses to be casually labeled

great care when researching the species,

straightforward, but for Dickson Yewn,

a s “ C h i n e s e s t y l e ” . “ Yo u c a n g e t a

sizes, and names of the butterflies, so

a jewelry designer from Hong Kong

French Michelin Chef to make mapo

that every butterfly crafted is recreated at

who was born into a family of jewelers,

tofu or soup dumplings, but it probably

1 : 1 scale. The butterflies “ rest on one ’ s

these questions reflect his growth, life

won ’ t be as good as mom makes them ” ,

shoulder ” , with a fragile beauty that

experiences, and personal philosophy. He

he said. Does using so-called “ eastern

displays the “trust given by nature”. The

was introduced to art and learned to paint at a young age, becoming infatuated with Chinese historic culture and art. But after four or five years of twists and turns as an artist, he chose a career in jewelry design.

This decision also became a driving force in Dickson Yewn ’ s quest to “ redress ” Chinese culture.

In the aesthetic field, Dickson Yewn

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| Luxury |

pieces are awe-inspiring, and so is Dickson Yewn’s spontaneous burst of creativity.

Born in Hong Kong, and having studied art and business management in Paris, France and Canada, and photography and jewelry design at New York ’ s FIT, Dickson Yewn has received a Western education.

Ye t w h a t h e t r u l y l o v e s i s Chinese history and tradition.

He often laments how few Chinese people appreciate their beautiful, grand history and culture; and how Chinese people always seem to think that the West is better, and more fashionable. Always copying the West creates results that are

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neither Chinese nor Western, making it difficult to gain either identification with the West or the favor of the East. Such creations lack distinction, and soul, let alone artistic value. rapidly changing world. If the “ Lattice ” Creativity is storytelling. Dickson Yewn

and “Papercut” collections are reflections

stresses that our impressions of “China ”

of Chinese folk aesthetics, then the “Lock

should be diverse: the lines of Ming

of Good Wishes ” and “ Glorious Peony ”

Dynasty furniture; bronze sculptures;

series are Dickson Yewn’s attempt to bring

traditional art and ancient architecture;

back the nearly lost, intricate artistry of

cultural objects and historic ornaments.

traditional Qing court jewelry.

And among these, “ Chinese culture has always used symbols of good fortune”.

How to regain this forgotten beauty?

Through Dickson Yewn ’ s contemporary

Like the montage techniques from his

aesthetic of “Chinese culture as the basis;

work in filmmaking, the Floral Lattice

displaying femininity as the purpose ” ,

Collection depicts the world changing

jewelry becomes wearable pieces of art.

with the passage of time, as our moods and

“Creation is finding oneself again, looking

realizations about life change. Dickson

inwards, and seeking within the world ” .

Yewn sees himself as a Chinese literati

Through a legacy of jewelry, Dickson Yewn

sitting in a garden looking outwards:

believes that “ contemporary Chinese art

outside the classical lattice window is the

will never be alone”.

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1. 因蜜雪兒 • 歐巴馬佩戴而聲名大噪的翡翠 如意窗花戒指，爾後更被譽為「歐巴馬戒 指」。 The Wish Fulfilling Lattice ring became the iconic “Obama ring” after Michelle Obama wore it to a royal event.

2. 延續窗花系列的創作理念，「窗 • 花」將 山水庭園等絕妙的自然風景，縮影在手。 U s i n g t h e c l a s s i c a l La t t i c e c o l l e c t i o n a s blueprint, the Floral Lattice collection combines this venerable architectural art form with beautiful sights of rivers and mountains to create this masterpiece.

3. 自然系列方形戒指，創作源於中國文化「天 人合一」理念。向大自然中美好的樹木及花 朵致敬。 Inspired by the Chinese philosophy of “The sky is round and the earth is square”, the Zi Ran collection pays tributes to the beautiful nature.

4. 笑談姓名看得出命中缺木的翁狄森，自幼喜 好蒐集木頭，也巧妙將溫潤木質融匯成設計 中獨樹一幟的元素。 Dickson Yewn jokes about his hobby of collecting wood because of the lack of “wood” element in his character, and how he integrates this material into his unique designs.

實

酒杯中的旅程

地走入葡萄酒酒莊，踩上滿植著葡 萄藤的土地，便能深刻感受到大地、

人與葡萄酒之間強烈的連結與羈絆。結合著

Journey Through a Wine Glass

產地的人文與歷史演變、過去的地理環境、

Text & Photo / Eva Tang 唐維怡

就是如此多變、如此充滿人為所無法掌控

與當年的氣候、雨量、陽光，葡萄酒的世界

的變數，卻又是如此精密且小心翼翼地被

對於熱愛美酒的人來說，再也沒有比親身蒞臨葡萄園更令人 興奮的了。一瓶葡萄酒的誕生離不開孕育著果實的那片土 地，用軟木塞封存在玻璃瓶內的，不僅僅是瑰麗的酒液，更 是產區的風土與釀酒師的風格。

「人」這個因素所調配控制著。

Opus One 談到加州葡萄酒於世界舞台的崛起不得

For wine connoisseurs, there is nothing more exciting

不提到 1976 年的巴黎審判，當時的主辦 人為了將新世界美酒帶進法國市場，舉辦

than a trip to a vineyard. A bottle of wine is inseparable

了這場加州和法國知名酒莊的盲飲品酒會。

from the land where the grapes are cultivated; the bottle

就連主辦人也沒有預料到，這場盲飲會的

not only contains jewel-toned liquid sealed by a cork, but

紅白酒冠軍竟然落在來自美國加州的 Stag’ s

also the terroir of the land and the craftsmanship of the

Leap Wine Cellar 與 Château Montelena，

winemaker.

讓原先默默無名的美國酒就此聲名大噪。 自 此， 新 舊 世 界 的 連 結 也 開 始 頻 繁 了 起

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止

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駕

酒

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| Wine |

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厚，像杯新鮮萃取的葡萄綜合莓果汁，單

的鐵質；酒款有著沉靜優雅的黑櫻桃氣息，

寧與酸度支撐出的骨架瘦高結實，口感優

隨著時間推移，漸漸出現蕃茄乾與果醬般

雅，是需要時間慢慢品嚐等待的酒款。

更加渾圓鮮甜的風味，在口中迸發的鮮甜 汁液彷彿吃了一把新鮮的黑色漿果，細緻

Diamond Creek

的單寧與平衡的酸度帶來穠纖合度的骨架。 Gravelly Meadow 佔 地 約 5 英 畝， 為 平 坦 的

位 於 Diamond Mountain 產 區 的 Diamond

碎石土壤；香氣揉合黏土質地的礦物風情

Creek 酒 莊 ，自 創 立 以 來 ，老 莊 主 Al

與鮮豔的花香，甫一入口便能感受到其高

Brounstein 便 發 覺 每 塊 土 壤 的 不 盡 相 同 會

大的體格，單寧結實卻柔順，充滿咀嚼感，

創造出個性截然不同的葡萄酒，因此多年

尾韻帶著沉香般的木質調性，久久不散。與

來 秉 持 著 法 國 勃 根 地 的「Terroir」 釀 酒 哲

Red Rock Terrace 隔著條小路對坐的 Volcanic

學，將莊內葡萄園依據土壤狀況的不同區

Hill，土壤質地為火山灰；滿缽新鮮的黑醋

分為四個地塊，每個地塊分開釀造，分別

栗與飽滿的鐵質風味，單寧厚重而強壯，口

來，著名的 Opus One 便是波爾多五大之一

打 造 出 Red Rock Terrace、Volcanic Hill、

感卻是不可思議的輕盈舒服。而在過去 40

的 Château Mouton 與 加 州 釀 酒 先 驅 Robert

Gravelly Meadow 與 Lake 四款皆由 Cabernet

年中僅生產了 14 次的 Lake Vineyard 可以說

Mondavi 於 1978 年攜手合作的傑作之一。

Sauvignon 釀製的酒款。

是 Diamond Creek 的旗艦酒款，也是美國膜

1

拜酒之一，據說口感上是更加的優雅細緻， Opus One 的 Winery Tour 起 始 於 富 麗 堂

Red Rock Terrace ，佔地約 7 英畝，起始

皇 的 Salon， 牆 上 掛 著 的 是 曾 與 Château

於辦公大樓窗臺下方，紅色的土壤含有豐富

最近一次的年份為 2013 年。

Mouton 合作藝術酒標的藝術家作品。轉至

有趣的是，儘管在 1976 年的巴黎大審

實驗室，工作人員們在採收季前，每天都

判揚眉吐氣，半個世紀前，卻沒有人看好

要到葡萄園進行抽樣，協助釀酒師進行是

加州的葡萄酒產業。二代莊主 Philip Ross

否要採收的判斷。同時，從葡萄牙來的軟 1. Opus One 的 第 一 階 段 桶 陳 區， 每 年 會 有 1,000 多桶新釀造的酒被注入法國橡木桶， 在此經過第一年的陳年。

木塞也要在這邊進行檢驗，一有問題，就 需全數送回。莊主表示，Opus One 產量已

Grand Chai in Opus One. One thousand barrels are arranged side by side in this Grand Chai, where the wine is nurtured and aged in new French oak during the first year of its life.

極為稀少，倘若出現軟木塞感染的問題就 太可惜了，因此力求把 corked（軟木塞感 染所造成的酒質變異）的機率從一般酒廠

2. 來自 Kistler 酒莊採收季後的 Chardonnay 風 乾葡萄串。

平均值 3 ~ 6% 降到 0.8% 以下。

The Chardonnay raisin in Kistler Vineyard several weeks after harvest season.

3. Diamond Creek 酒莊一景，站在此處可以 看見莊內的三個葡萄地塊。

如果說二軍酒款 Overture 像是一盤肥美 的蕃茄奶油義大利麵，口感軟軟肥肥，果 汁般甜美易飲；旗艦酒 Opus One 則飽滿強

不

開

車

Beautiful vineyards of Diamond Creek.

Surrounded by Gravelly Meadow, Red Rock Terrace, and Volcanic Hill.

3

安

全

有

保

障

甚 至 表 示， 當 初 舊 世 界 列 級 酒 莊 根 本 不

Actually stepping into a winery and onto

winemakers in determining whether the

認為新世界如美國加州有能力將 Cabernet

the soil in which the grape vines flourish,

grapes are ready for harvest. The corks

Sauvignon 等 屬 於 法 國 的 葡 萄 品 種 成 功 復

you can experience the powerful ties that

imported from Portugal are also tested

育，因而毫不吝嗇地分享了植株，老莊主

bind the soil, the climate, the past, and

here and, if any issues were detected,

Al Broustein 就是這麼得到了 Diamond Creek

the people. In the world of wine, there are

the whole batch will be sent back. That

最一開始的葡萄植株。

too many factors man cannot control, in

is because Opus One seeks to reduce the

the meanwhile, it is carefully controlled

possibility of corked bottle due to the

and monitored by man.

already extremely low yield and that by

小小的葡萄園加上 100% 全新法國橡木 桶的使用，使得 Diamond Creek 所有產品線 的年產量一直維持在 2,000 箱左右，但前

doing this, they were able to control the

Opus One

corked rate under 0.8%, while the average rate is 3%-6%.

任莊主 Al 與現任莊主 Philip 的野心卻不小， 1960 年代挑戰了全加州第一家以 Cabernet

The rise of Californian wine on the

Sauvignon 為主的酒莊，如今更試圖以其超

global stage cannot be mentioned without

If Overture were said to be a rich plate

低產量的高品質酒款征服全世界，將其酒

recounting the 1976 Judgement of Paris,

of pasta with tomato-cream sauce, or as

款帶入 25 個國家、45 個城市，可想而知

the blind tasting wine competition held in

sweet and palatable as a cup of juice,

其酒款是多麼的供不應求。

Paris. The organizer planned to introduce

Opus One is as robust and strong as a

the wines of the New World to the French

glass of freshly-pressed juice of grapes

實地走訪酒莊後，每一回執起葡萄酒杯，

market. But surprisingly, even for the

and berries. The balance of tannin and

閉上眼從感受香氣開始那一刻起，便能感

organizer, the champion of red and white

acidity in the wine creates a sturdy yet

受到葡萄園那炙熱的陽光、生意盎然的葡

wines turned out to be Stag’s Leap Wine

refined structure with an elegant finish. It

萄葉和帽簷下揮汗的採收工人……，每一

Cellar and Château Montelena, both from

is a wine that needs to be savored slowly.

杯酒彷彿就都是一場美妙的邂逅！

California, bringing these previously unknown American wines into the 1

Diamond Creek

limelight. From then on, collaboration between the Old and New World became

After establishing Diamond Creek

more frequent. The famous Opus One is

Vineyards in the Diamond Mountain

such a masterpiece, born from the 1978

region, the late owner Al Brounstein

partnership between Château Mouton, one

discovered that the land contained various

of the five First Growth Bordeaux winery,

soil types that could create wines with

and Californian pioneer vintner Robert

very different characteristics. Therefore,

Mondavi.

he upheld the Burgundy winemaking philosophy of “ Terroir ” and divided

The Winery Tour of Opus One begins

his vineyards into four different areas

in the magnificent Salon, where works

according to the soil type. Each area has

of artists who collaborated with Château

its own winemaking process; the Cabernet

Mouton to create the beautiful wine labels

Sauvignon wines produced in these four

hang on the walls. From there, the tour

areas are Red Rock Terrace, Volcanic

turns to the laboratory where the staff

Hill, Gravelly Meadow, and Lake.

collects vineyard samples every day before the harvest season to assist the

52

禁

止

酒

駕

Red Rock Terrace covers about 7

酒

後

| Wine |

in the New World – such as the ones in California – had the ability to cultivate French grapes like Cabernet Sauvignon, so they generously shared some cuttings.

This was how the old estate owner Al Brounstein obtained the first grape vine cutting for Diamond Creek.

Because of Diamond Creek’s small scale vineyards that use 100% new oak barrels from France, the annual yield of the whole lines were around 2000 crates. But late owner Al and current owner Philip have big ambitions. In the 1960 s, the winery took on the challenge to be the first winery producing only Cabernet Sauvignon in California. Now, its wine has been 2

introduced to 25 countries and 45 cities, and is attempting to continue to expand its territory with their extremely low quantity

acres of the land starting below the

is Volcanic Hill, where the soil is, as its

wine, not difficult to imagine how short in

office building terrace, and the red soil

name, volcanic ash. The wine made in

supply these wines are and will be.

is rich in iron. Its wines contain the

this area composes of fresh black currants

gentle elegance of black cherries which

and iron with robust and strong tannins,

After visiting the winery in person,

gradually transform into a full-bodied

but the flavor is surprisingly refreshing

every time one lift up a glass of wine

flavor that tastes like sundried tomatoes

and light. Lake Vineyard, which has only

and close your eyes, it is almost like you

and jams. The burst of juicy sweetness is

produced 14 times in the past 40 years, is

can smell the aroma of the soil in the

like biting into ripe blackberries, while

the flagship wine of Diamond Creek and

vineyards and feel the searing heat of the

the sophisticated tannins and balanced

one of the most sought-after wines in the

sun on the vine leaves as the perspiring

acidity create a smooth and round

US. It is said that the flavor of the wines

workers harvesting the grapes. Each glass

structure. Gravelly Meadow is around 5

are particularly elegant and subtle. The

of wine is just like going on a beautiful

acres of flat gravelly soil. The aroma of the

most recent year of production was 2013.

journey, having that fascinating encounter!

wine contains a hint of clay with a clear floral scent; a single sip is enough to feel

Interestingly is that even after the 1976

its full-bodied structure. It incorporates

Judgement of Paris, nobody paid much

firm yet smooth tannins and has a chewy

attention to the Californian wine industry

Grape Vine Grafting presented in Opus One Winery.

texture. It has an oaky finish that is

half a century ago. Second-generation

reminiscent of incense as it lingers in the

winery owner Philip Ross reveals that

2. Ridge Vineyard 發酵期間的淋皮作業。這項 作業是為了讓酒液與果皮得到更加充分的 接觸。

mouth. On the opposite side of Red Rock

the top wineries of the Old World at the

Terrace and separated by a small path

time did not believe that the vineyards

不

開

車

安

全

1. 展示於 Opus One 酒廠的葡萄藤嫁接。

The pumping process in Ridge Vineyard.

Pumping over is one of the process during fermentation to increase the skin contacts.

有

保

障

普普藝術先驅

亞力士 • 凱茲 The Pioneer of Pop Art Alex Katz Text / Crystal Tang 鄧秀麗 Photo / Ravenel International Art Group、 1

Top Photo Group 達志影像

54

| The Artist |

亞力士 • 凱茲熱情洋溢的具象繪畫，色彩鮮明，大膽簡約，獨樹一格，

1980 年代晚期至 1990 年代，凱茲的創

而被喻為「普普藝術」先驅。在其多產的藝術生涯中，亦嘗試各種素材；

作專注在大幅風景畫，多半以「環境」為

石版、蝕刻、絲網、木刻、橡膠，更挑戰時尚，以及複製雕塑，重塑「寫

主題，尤其是美國紐約州、緬因州的自然 美景，畫中景物常刻意以柔邊呈現。1986

實美感」的時代風格。

年，一系列以夜晚為題材的作品問世，與

Alex Katz is enthusiastic on painting, and his artworks always with bright

早前以白晝為題的作品大相逕庭。1990 年

colors, simple but full of fearless feeling, that is the reason why he is

代至二十一世紀初，凱茲對於光影的探索

called “The Pioneer of Pop Art.” In his productive art life, Alex tried to

及變化手法明顯有了改變，改以錦簇的花

use variety of materials, such as slab, dissolving carve, silk, wooden crave or even fashion and copied crave, rebuilt“The Reality”style.

團為題，描繪許多盛開的花朵，重拾 1960 年代的初次嘗試，當時他創作大量特寫， 有的以叢叢花朵呈現，有的則單獨一朵。 簡而言之，凱茲一直追求作品的成長蛻變， 努力不懈。

力士 • 凱茲筆下的寫實美感，部分

看板啟發，開始創作大型畫作，時常以人臉

源自他對 1950 年代抽象表現主義

為素材。凱茲通常先在纖維板上勾勒出小幅

的回應，當時他全心探討形式主義與再現

油彩草圖，再用炭筆或鉛筆描繪細節；接著，

回顧生平，1928 年經濟大蕭條爆發後不

理論，對肖像畫越來越熱衷，完成多幅妻

有時利用投影機將草圖放大，再採用印花粉

久，凱茲舉家遷至紐約市皇后區近郊──

子伊達的肖像。兩人於 1958 年結為連理，

轉印法將草圖轉畫到巨型畫布上。這項技法

文化多元的聖阿爾巴斯。1946 年進入紐約

婚後伊達時常擔任丈夫的模特兒，身影出

可追溯至文藝復興時期，先在草圖上戳出許

曼哈頓的柯柏聯盟學院就讀，這所頂尖學

現在凱茲 250 多幅作品中。單色背景向來

多細孔，再將粉狀顏料壓入細孔，將草圖轉

院專攻藝術、建築、工程，在這裡凱茲師

是凱茲作品中的一大特色，他的具象繪畫

移至最終的畫布上。最後，凱茲在巨型帆布

事著名的俄裔美籍畫家坎特爾，鑽研現代

熱情洋溢，以獨樹一格的平面方式呈現，

前為成品作最後的妝點。除了大型畫作外，

藝術理論與技法。畢業時獲得獎學金進入

色彩鮮明，風格大膽簡約，多數學者因此

凱茲也嘗試各種素材，例如版畫、石版畫、

緬因州的斯考希根繪畫雕塑學校，1984 年

視凱茲為普普藝術的先驅。

蝕刻版畫、絲網版畫、木刻版畫、橡膠版畫、

取得名譽博士學位，此後凱茲每年都會回

服裝，之後又挑戰時尚設計，以及將繪於木

到緬因州的林肯維爾市度過夏天。

亞

在 1960 年代初期，凱茲受到影視和廣告

板或鋁板上的剪紙圖樣複製成獨立雕塑。 凱茲曾多次受託創作，其中一件作品完 成於 1977 年，為紐約時代廣場創作一幅 看板，作品長達 75 公尺左右，沿著雷電華 通用公司大樓兩側，在 18 公尺高的塔樓上 又分為三層，總計有 23 幅女性臉部肖像， 組成了帶狀看板，每幅肖像約 6 公尺高。 1980 年，美國聯邦總務署推動建築美化，

1. 亞力士 • 凱茲《綠色的伊達》1969-1978 年 油彩 畫布 101.6 x 75.6 cm 預估價：5,000,000 - 7,500,000 台幣 羅芙奧 2016 秋季拍賣會「薈萃」 Alex KATZ, “Ada with Green”, 1969-1978 oil on canvas, 101.6 x 75.6 cm Estimate: US$159,100 - 238,700 Ravenel Autumn Auction 2016 “SELECT”

2. 克里斯托夫 • 謝爾伯格《亞力士．凱茲》 2003，展於德國巴登 - 巴登的弗里德布爾達 博物館，攝於 2012 年 11 月 14 日。這件作 品為「人的意象」展覽其中一件。

2

A Visitor views Christoph Schellberg’s “Alex Katz” from 2003 at the museums Frieder Burda in Baden, Germany, November 14 2012. The artwork is part of the exhibition “Images of man”.

委託凱茲為紐約富利廣場上新建的聯邦檢

Alex Katz ’ s stylized aesthetic stems

charcoal or pencil. Next, the artist would at

察署大樓繪製一幅油彩帆布壁畫，寬、高

partially from his artistic response to

times blow up the drawing with a overhead

各約 6 公尺，目前陳列在 Cardinal Hayes Pl

Abstract Expressionism as he explored

projector to be subsequently transfer

街的聯邦建築裡。

between formalism and representation.

to a large canvas through pouncing, a

Beginning from the 50 s, Katz became

technique of the Renaissance artists

在豐沛創造力的藝術生涯中凱茲多次獲

increasingly interested in portraiture and

that entails pushing powdered pigment

獎，自 1951 年起在世界各地展出，共計個

has completed numerous portraits of his

through small perforations pricked into

展 200 多場，團體展將近 500 場。1986 年，

wife, Ada, whom he married in 1958 and

the cartoon to recreate the composition

凱茲在惠特尼美術館舉辦回顧展，1988 年

had since been the subject on the artist’s

on the surface to be painted. Katz would

在布魯克林藝術博物館舉辦版畫回顧展，

canvas for over 250 works throughout his

then proceed to paint his enormous canvas

隨後在全美和歐洲各地分別舉辦了多場大

career. Katz’s monochromatic background

each session. The artist also dedicated

型展覽。包括：倫敦薩奇美術館（1998）、

became a defining characteristic in his

himself to printmaking and lithography,

紐約 P.S.1 當代藝術中心（1997-8）、紐約

work, his vibrant figurative paintings

etching, silkscreen, woodcut, linoleum

布魯克林博物館（1988）。最值得一提的

are rendered in a distinguished flat style

cut, costume and later fashion designs and

莫過於 1996 年緬因州科爾比學院藝術博

infused with heightened colors and a bold

freestanding sculptures of cutout figures

物館在保羅．舒普夫展廳深度展出凱茲的

simplicity that many scholars regard as

painted on wood or aluminum.

系列作品。當今全美國只有少數展廳願意

precursors to Pop art.

In the late 1980 s and 1990 s, Katz

個別展出在世藝術家的作品，保羅．舒普 夫展廳是其中之一。2007 年凱茲接受紐約

In the early 1960s, Katz was inspired by

focused much of his attention on large

國家學院博物館表揚，獲頒終身成就獎。

films, television, and billboard advertising,

landscape paintings that he characterizes

其作品收藏於全球各地 100 多處公共機構，

frequently with cropped faces. Katz

as “environmental”. The artists’ landscape

尤其以美國為多，包括：芝加哥藝術博物

paintings of larger scale usually began

paintings often feature beautiful scenic

館、紐約布魯克林博物館、匹茲堡卡內基

with a small oil sketch of his subject on

views of New York and Maine. Katz

美術館、紐約大都會藝術博物館、英國泰

a masonite board, he would then proceed

deliberately loosened the edges of the

德美術館等。

to making a smaller detailed drawing in

forms in his landscape paintings. Katz began painting a series of night pictures

1

in 1986 , which contrasts greatly from the sunlit landscapes he had previously painted. Throughout the 1990 s and into the 21 st century, the artist ’ s exploration and variations on the theme of light falling through branches is apparent. At the beginning of the new millennium, Katz also explore in the theme of floral in profusion, covering his canvases with blossoms similar to those he had first explored in the late 1960 s, when he painted large close-ups of flowers in clusters and in solitude. It is apparent that Katz’s work continues to grow and evolve through out his prolific artistic career.

In retrospect, Kat ’ s family moved to a

56

| The Artist |

Art. Solo exhibitions were taken in Saatchi Gallery, L o n d o n ( 1 9 9 8 ) ; P. S . 1 / Institute for Contemporary A r t , N e w Yo r k ( 1 9 9 7 8 ) and Brooklyn Museum

( 1988 ). The one should be highlighted was the one in Paul J. Schupf, Colby College Museum of Art displaying all series of Katz ’ s works. There is only few Artists can be picked up for this honor.

Besides, he won the Life Achievement Award from National Academy Museum 2

in 2007 . Works by Alex Katz can be found in over

diverse suburb of Queens in St. Albans

above Times Square, New York City. The

100 public collections worldwide. Most

at the outset of the Depression in 1928.

billboard extended 247 feet long along

notably, those in America include: The

He enrolled in a prestigious school of art,

two sides of the RKO General building

Art Institute of Chicago; The Brooklyn

architecture, and engineering at the The

and wrapped in thee tiers above on a

Museum; Carnegie Museum of Art,

Cooper Union Art School in Manhattan

60 -foot tower and consisted of a frieze

Pittsburgh; The Metropolitan Museum

in 1946, where his training was based in

composed of 23 portrait heads of women.

of Art, New York and the Tate Gallery

Modern art theories and techniques and

Each portrait measured twenty feet high.

(England), among others.

studied extensively under Morris Kantor.

in 1980 , Katz was commissioned by the

Katz was awarded with a scholarship upon

US General Service Administration's Art

his graduation at the Skowhegan School

in Architecture Program to create an oil

for Painting and Sculpture in Maine

on canvas mural in the new United States

where subsequently received an honorary

Attorney’s Building at Foley Square, New

doctorate in 1984 and has since then

York City. The mural measures, is 20 feet

continued his relationship as a summer

high by 20 feet wide and resides inside

resident of Lincolnville, Maine. Katz’s has

the Silvio V. Mollo Building at Cardinal

been the recipient of numerous accolades

Hayes Place & Park Row. Since 1951 ,

throughout his prolific career alongside

Alex Katz ’ s works have been included

countless solo and group exhibitions.

in more than 200 solo exhibitions and nearly 500 group exhibitions worldwide.

Katz has completed numerous

Major exhibitions of Katz's landscape and

commissioned works over the years. One

portrait painting in America and Europe

of which was completed in 1977 , when

followed his 1986 Whitney Museum of

the artist was commissioned to create a

American Art retrospective and 1988 print

work to be produced in billboard format

retrospective at the Brooklyn Museum of

1.《黑裙》1960 年 油彩 畫布 183.5 x 214.5 cm 布蘭德霍斯特博物館典藏 Alex KATZ, “The Black Dress”, 1960 oil on canvas, 183.5 x 214.5 cm Brandhorst Collection

2. 美裔畫家亞力士 • 凱茲於 2003 年 2 月 11 日在德國漢堡的堤壩之門美術館展示他的 畫作。這是藝術家第一次在歐洲展出「剪 影」系列作品。1959 年至 2002 年之間創 作出 45 件剪影作品包含直立和臥躺形式， 以木材或鋁製成，足以讓亞力士 • 凱茲被 列為普普藝術家。不僅如此，他創造自我獨 特的風格，至五十年代以來不僅在活躍於美 國，同時也具聲望於歐洲。 US painter Alex Katz stands among his works of art in Hamburg, Germany, 11 February 2003.

The first European exhibition of the artist’s cutouts opens in the museum “Deichtorhallen” in Hamburg. 45 standing or lying silhouettes made from wood or aluminium, all created between 1959 and 2002, are to be seen. And is classified as a Pop Art artist, however, he has created his very individual style. He has been well-known in the US since the 50s and has recently gained popularity in Europe.

黃花梨收藏為時不晚 The Collecting Times of Huanghuali Text / Vivi Ying He 何瑩 Photo / William Ng

近年來，拍賣頻創紀錄的明式黃花梨家具，引起更多收藏的關注。黃花梨 家具的價格近二十年來至少漲了二十倍，其中一些精品級上漲可能接近 五十倍。現在收藏為時不晚。 Huanghuali furniture has been breaking through the auction record in recent years. According to this reason, it is called one of the hottest items in the market.The price of Huanghuali furniture has raised about twenty times in 20years, some of the luxury ones should be 50 times.

Thus, we can say it is time to collect it.

入行三十多年來，黃花梨的價格

明朝黃花梨家具和南北朝佛像、宋代木

只漲不跌。」香港恆藝館主人黃

雕、戰國古玉，宋代以及清康雍乾三代的

花梨行家王就穩感慨地說：「很多當年賣出

瓷器、商周青銅器一樣，佔有重要歷史地

的家具，現在已經是上千萬的天價了。」

位，瓷器和書畫的門類已經進入億元時代

「我

多年，目前來說，最頂級的黃花梨家具不 過數千萬人民幣，可以肯定的說從明朝到 過 五百年後的今天，明式黃花梨家具的價格 五 還沒有完全被反映出來，潛力很大。收藏 還 品項廣闊，涉及瓷器、文房之外，同時擁 品 有一百多件黃花梨家具的香港收藏家陳永 有 杰也這樣表示。 杰 擁有 170 餘件黃花梨家具，並且做 了二十多次公開展覽的收藏家葉承耀醫 生表示：「依我看，最近五年明式黃花梨家 生 具的價格會是現在的數倍，因此對於開始 具

1. 十七世紀黃花梨四出頭官帽椅。王就穩恆藝 館藏品。 A rare Huanghuali four corner’s exposed official's hat armchair, Collection of Charles Wong, owner of Ever Arts Gallery. L: 60.5 cm W: 47 cm H: 119.5 cm

2. 2012 年 10 月，香港葉承耀醫生的黃花梨 收藏展現場。

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The exhibition site of Dr. Yip Shine Yiu’s Huanghuali collection in October 2012, Hong Kong.

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2

計劃全面收藏黃花梨家具的藏家來說，不

座 屏 賣 了 110 萬 美 金。 另 一 個 大 座 屏 以

第二、審美觀；第三、稀有性；第四、再

是很好的時機。希望很快在中國內地也可

250 萬港元，也在 93 年賣給了美國富得基

造性，意為是否可複製，若不可複製則價

以看到具備一個完整體系，且涵蓋各個門

金的老闆 Nick Johnson。現在這兩件起碼都

值更高。有專人做過統計，明式黃花梨家

類的藏家出現。」

在 2 千 ∼ 3 千萬港元以上了。2000 年，

具的存世量大約在 5 千 ∼ 1 萬件，這個量

收藏家陳永杰以 20 萬港元買了一對非常好 了 對非常好

剛好可以形成一個國際市場。

黃花梨具有稀有性

的黃花梨方凳，現在起碼 500 萬港元以上。 「作為行家，永遠要把最好的給客人，而 給客人，而

週末午後，來到王就穩位於香港上環荷

賺得最多的永遠是收藏家。」

李活道的「恆藝館」，在兩層閣樓品茗聊 天。從 16 歲時做木工入行開始修理古董家

融於生活的收藏

具，直到 1989 年，開館專營黃花梨家具， 八十年代在荷李活道上專營黃花梨的家具

陳永杰說自己對收藏的喜愛是融於血 愛是融於血

店鋪有十多家 ，目前只留下四、五家了，

脈裡的，從小學集郵開始 ，之後收集航 之後收集航

「恆藝館」便是這一路走來的堅持。一些

空公司撲克牌，再精於收藏瓷器、文房、 器、文房、

重要收藏家也是長期從這裡買貨來建立自

黃花梨家具，最近正研究茶香道。和一般 道。和一般

己的收藏，其中包括曾經在北京故宮舉辦

收藏家專攻一個門類不同，陳永杰在每個 永杰在每個

展覽的「兩依藏」主人馮耀輝，和另一位

領域的收藏都頗具規模，儘管 管 1998 年才

香港重要的收藏家陳永杰。

開始收藏黃花梨家具，但第一年就買了 一年就買了 數十件，之後十年，大大小小總共收了 小總共收了

八十年代初期到九十年代初期是香港黃

上百件。他認為收藏應該是「獨樂樂 獨樂樂 ，

花梨家具的黃金時期，那時大批家具從中

不如眾樂樂」，因此盡可能把收藏展示 收藏展示

國運來都集中在香港，價格僅僅幾萬到幾

在家中，並且不定期更換，與志同道 與志同道

十萬港元就已經可以買到非常好的精品。

合的朋友分享。

1993 年王就穩遇到兩個非常好、尺寸巨大 的黃花梨大座屏，一件 150 萬港元賣給了

目前最頂級的黃花梨家具價格潛 價格潛

加州中國古典家具博物館，大約相當於那

力很大。具體決定價格的因素要看 素要看

時的 20 萬美元；之後 1996 年在紐約「佳

以下幾點：第一、這件藝術門類 門類

士得」加州中國古典家具的專拍上這個大

是 否 在 歷史上佔有一席之地； ； 3

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陳永杰的家，進門便是一對黃花梨南官

玉山房」就是其中一個叔叔留給我的。我

1. 陳永傑書房內的黃花梨畫案與四出頭官帽椅。

帽椅配香几，旁邊的黃花梨活榫結構龍紋

從二十多歲開始收藏古玉、書畫和陶瓷，

翹頭案上陳列著乾隆時期名家巴慰祖的木

直到 1988 年，偶然在伍嘉恩女士那買了

A Huanghuali painting table and a Huanghuali four corner’s exposed official's hat armchair in the study of Frank Chan.

雕。進入會客區，映入眼簾的是一對黃花

一對黃花梨圈椅，之後就決定專注於全面

梨玫瑰椅配西班牙古典家具，黃花梨大摺

收藏明式黃花梨家具，當時的決心也造就

疊式塌配一張非常少見的黃花梨禪椅，陳

了他，二十多年來不間斷收藏的各個門類

永杰還親自示範在禪椅上打坐。書房的陳

精品中，明式黃花梨家具幾乎是博物館級

設也是中西結合，黃花梨畫桌、大羅漢床、

的標準。

漢磚琴桌和西式現代家具放在一起是那麼 切合自然。而畫桌邊一幅寫著「任性風流」

葉醫生說：「中國藏家還是會把收藏作為

的書法，原來意指「任本性如風之流動一

投資，依我看，最近五年明式黃花梨家具

般自然，」這是同樣喜歡藝術的陳夫人送給

的價格是現在的兩倍，因此對於那些現在

陳永杰的，可見兩人共同的愛好與品味。

開始計劃全面收藏黃花梨家具的藏家來說， 正是時機。此外，他還有一個獨特的觀點

價格翻倍 商機無限

「當代的黃花梨家具和紫檀家具也值得關 注」，現在目前海南黃花梨都要一、兩千萬

葉承耀是香港著名的皮膚科醫生，「我

港元一噸，原料就已經具價值，因此這些

所有的錢都用於收藏。」我的兩個叔叔也是

用上好的黃花梨和紫檀製作的當代家具值

收藏家，喜歡收藏古玉，我收藏的名號「攻

得關注。

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2. 黃花梨南官帽椅一對配香幾，陳永傑收藏。 A pair of Huanghuali southern official's hat armchairs and Incense stand, Collection of Frank Chan.

3. 十七世紀黃花梨通花大座屏。王就穩恆藝 館藏品。 A finely craved Huanghuali large screen 17th century, Collection of Charles Wong, owner of Ever Arts Gallery. H: 210 cm W: 150 cm.

4. 黃花梨玫瑰椅一對配西班牙古典傢俱，陳 永傑收藏。 A pair of Huanghuali rose chairs and Spanish classic furniture, Collection of Frank Chan.

地域分權： 維也納當代藝術博覽會 Polyphony of Centers: viennacontemporary Text / Jason, Chung Tang Yen 嚴仲唐 Photo / viennacontemporary、Liang Gallery 尊彩藝術中心

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如何成功地經營一個藝術博覽會 ? 秘訣在於：「量身為收藏家與畫廊打造策略，然 後超越期待。」畢竟，「藝術是投資，但許多收藏家是為了對藝術的愛好而收藏。」 How to run a successful Art Fair? Well, the secret should be “do a specific plan for each collector and gallery and then making it out of expectation.”After all,“Art is taken to be an investment, but for most of the collectors, it’ s more like a hobby and taste for them.”

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在

過去幾年全球藝術博覽會的研究 中，瑞士策展人漢斯所說過的「地

域分權」概念是在全世界都可以觀察到的 現象，大型藝術博覽會品牌像巴塞爾、斐 列茲、斐雅克只能代表全球藝術界一部分 的百分比，這很顯然是國際化，但非真正 的全球化。

維也納的主流藝博會 viennacontemporary 「維也納當代藝術博覽會」，是奧地利最大 的藝博會，原名為 Viennafair 成立於 2005

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年，今年是改名後的第二年，維也納是個 歷史悠久、孕育傳統的城市，也是當代藝

新聞媒體現今的傳輸速度是即時的，人們

育計畫」，這與其他的重要藝博會來的相

術的文化礦坑，在市中心可見許多美術館、

會旅行、做出決定，如果提供的機會絕佳，

似，是綜合平衡學術與藝術市場的行銷。

博物館、藝術空間、畫廊以及迷人的畫廊

不管他們在哪裡都會造訪，當開幕日的反

家、藝術家一起創造的最佳藝術景點，提

應出色的時候，我們會在展覽尾聲時遇到

供最佳的藝術史與建築。

更多國際的觀眾。」

根據維也納藝博會的藝術總監克莉絲丁

藝術博覽會有無法避免的商業性質，在

納所述，成功經營一個藝術博覽會的秘訣

藝術界累積更多的影響力無疑是個新的現

就在於：「量身為目標族群：收藏家與畫廊

象，維也納當代藝博會結合藝術教育來宣

的需求打造策略，然後超越他們的期待。

傳展覽的策略是「擁有實力堅強的旅行教

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1. 維也納當代藝博展場照，右為希臘藝術家 Jannis Varelas 的作品。 Viennacontemporary Installation Shot, Greek artist Jannis Varelas’s work on the right.

2. 藝博會的座談會是每年度的焦點之一。 The fair’s talk programs is one of the highlights of the annual event.

3. 今年的場地 Marx Halle 外觀。 Exterior view of Marx Halle, the venue of the fair.

人們造訪藝術博覽會的原因不盡相同，

In my past years of my effort on doing

最顯然的是觀賞新作品並收藏，當詢問藝

research for different art fairs, Hans Ulrich

術總監是否收藏藝術以及對於藝術投資的

Obrist’s idea of “polyphony of centers” was

看法時，她的回答是：「我收藏是為了對

evident on a global scale. Mega art fair

藝術的熱愛，雖然我看到有人對藝術收藏

chains like Art Basel, Frieze and FIAC

視為投資，但還有許多的收藏家是為了對

can only represent a certain percentage of

藝術的愛好而收藏。」

the global artworld, it is internationalism, but not globalism.

「我們是世界上唯一一個能展現從中 歐、西歐到西方的藝術博覽會，我們有從

This article issue is mainly

東方與西方造訪的藏家。」這些就是維也納

focused on Vienna ’ s premium art fair

藝博的獨特賣點，今年，該藝博會更加推

“viennacontemporary”, the largest art fair

廣文化交流，台灣的尊彩藝術中心首次參

in Austria, which came from Viennafair

與展覽，另外有兩家中國畫廊參展，博而

established in 2005 .And now is the

勵畫廊與偏鋒新藝術空間，營造出獨特新

second year after renaming. The below

鮮的選擇，在過度飽和的藝術市場吸引有

part the interview with Artistic Director

經驗的專業藝術人群。

Christina Steinbrecher-Pfandt.

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Vienna as a prestigious city with old tradition, and also a core of contemporary art. There are many museums, art spaces, galleries, and also artists in the city center. That is why Vienna is famous to be a wonderful destination of art, art history, and architecture.

According to Christina, the secret of running a successful fair is “ doing an objective for the target group, followed by the need to make strategy for collectors and galleries, and then exceeding these expectation.” She said,“news is immediate n o w, p e o p l e d o t r a v e l i n g a n d m a k e choices, if the offer is good that people will come to see you no matter where you are. When you did a great opening in the beginning, the event will be boom day by day until the ending without boundaries.

Art fairs are inevitably commercial and no doubt it is a new phenomenon that gains more momentum in the artworld 1

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recently, viennacontemporary ’ s approach

| Issue |

to combine education in the arts in terms

for new artworks art and then collecting

“ We are the only art fair in the world

of promoting the fair to have a “ strong

them. When I asked Christina that does

that offers this range of galleries from

traveling educational program” is similar

she collect art works and what is her

Central and Eastern Europe and the West,

to other major art fair brands, which

suggestion of art investment. She said, “I

we have collectors from East and also

balances between academic and art field.

do collection and that is because I am an

West. ” These are the selling points of

art enthusiast. I know some people take it

viennacontemporary. The fair promotes

as an investment, but most of collectors do

cultural exchange with Liang Gallery from

collection due to habit.”

Taiwan and the other two galleries from

People who go for visiting art fairs with different reasons, one of main purposes is

Mainland China, Boers-Li Gallery and PIFO Gallery, all of them participate in Vienna ’ s viennacontemporary this year.

Creating a unique selection for attracting some professionals in art market.

1. 維 也 納 當 代 藝 博 的 藝 術 總 監 Christina Steinbrecher-Pfandt。 V i e n n a c o n t e m p o r a r y ’s A r t i s t i c D i r e c t o r Christina Steinbrecher-Pfandt.

2. 陳依純《明日孤城》2015-2016 年 有聲彩色錄像 10 min 尊彩藝術中心 Chen I-Chun, “Tomorrow’s Lonely City” 2015-2016, color video (loop) with sound 10 min Liang Gallery © Courtesy of Liang Gallery, Taipei City, Taiwan

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3. 維也納當代藝博展場照。 Viennacontemporary Installation Shot.