羅芙奧季刊第17期 Ravenel Quarterly No. 17

㉱凑䄝䫖ᷱ㠳 Bringing Nature to the Table

No. 17 Summer 2016

| CONTENTS | 04

療癒的藝術 The Healing Power of Art

08

環球展覽預告 Global Exhibition Preview

10

羅芙奧 2016 春季拍賣會 港台聯手 鑑賞古今 When East Meets West, Classic Meets Contemporary In Ravenel’s Spring Auction

16

邱復生 收集 藝術 Chiu Fu-Sheng Collecting Art

22

藝術狂人劉海粟 現代中國百年輝煌 Outrageous Artist Liu Haisu – A Century of Resplendent Chinese Modern Art

38

把自然端上桌 Bringing Nature to the Table

48

三宅一生 ISSEY MIYAKE 穿上自由 Putting on Freedom

52

為什麼收藏？ ──今天說說柏金包 Bags to Collect? And Why Not? Birkins Tells

56

暖化 佳釀大風吹 Wine in the Age of Global Warming

60

王者靈魂 古董車 Soul of Old Machine

64

藝術浪潮•跨界有理 KAWS Across Boundaries – Art．Design．Product

68

生活藝廊 Life Gallery

貝爾納 •卡多蘭《萬壽菊》1972 年 油彩 畫布 162 x 130 cm 預估價：80 萬 - 120 萬港元 羅芙奧香港 2016 春拍 Bernard Cathelin, “Roses d’Inde des Rebattières”, 1972, oil on canvas, 162 x 130 cm Estimate: US$103,100 - 154,600. Ravenel Spring Auction 2016 Hong Kong

| Chief Editor’s Note |

The Healing Power of Art

生的收集藝術特殊觀點。拍賣旺季來臨，

naturally, dress freely, enjoy good wine,

本期讀者同時可預覽羅芙奧今年春拍的精

drive classic automobiles, and to live a life

彩藝術品、尊釀雲集，及精品包展售精選

of luxury and comfort that also conforms

療 癒 的 藝 術

亮點。

to the ideals of sustainable development.

Photo / Petersham Nurseries

In our artists section, the first and In the past few years, the global village

f o r e m o s t t o p i c i s t h e 1 2 0 - y e a r- o l d

has experienced wars, refugee crises,

birthday of deceased master Liu Haisu,

terrorist attacks, fires, snowstorms,

in commemoration of which the newly

rainstorms, earthquakes, and countless

relocated Liu Haisu Art Museum opened

other natural and manmade disasters

this year in Shanghai. In June, the

one after another. All of these events

museum will be launching the grand

過 去 幾 年， 世 界 地 球 村 接 連 面 臨 著 戰

have posed great challenges on the crisis

exhibition “ Re-writing Liu Haisu ” and

爭、難民、恐怖攻擊、火災、冰雪、暴雨、

coordination and danger awareness of

reinvigorating the Liu Haisu phenomenon,

地震等天災人禍，考驗著政府之間的應變

and between government administrations.

which is sure to become a subject of

協調與危機意識。人心普遍祈求回歸自然、

Meanwhile, the general public prays

fervent discussion. In terms of western

平靜與尋求心靈療癒。環保、生態保育等

for a return to nature, tranquility and

artists, American artist KAWS is featured,

議題早已成為世界顯學，影響所及，你我

for spiritual healing. Environmental

an unconventional figure whose work

生活早已涵蓋於此。

protection, ecological conservation and

spans fashion, action figurines and graffiti

other similar issues have already become

art. Our featured collector for this issue

《Ravenel》 季 刊 正 式 已 邁 入 第 五 個 年

globally prominent schools of thought with

is mass communication and television

度，四年多以來曾經介紹過許多藝術人文、

far-reaching impact that influence the

celebrity Chiu Fu-Sheng, who graciously

投資收藏、建築設計、美食佳釀、時尚經

daily lives of you and I.

shared with us his unique viewpoints on the collection of art. As the high season

典、珠寶飾品、奇珍異品、名仕專訪等等 豐富多元內容。在 No.17 新的一期，綠色

The Ravenel Quarterly has officially

思維讓我們向大自然學習，共存共生共享，

entered its fifth year of publication. In the

the No. 17 Quarterly will be afforded a

如何吃得自然、穿得自由、啜飲醇酒，行

past four years, Ravenel has introduced

abl ble firsthand preview of the remarkable

駛經典，讓生活既有奢華品味，也合乎永

many new or exciting events in the arts

artworks, fine wines and lluxury ux uxury

續發展的理想。

and humanities, investment collections,

handbags that are to be be the

architectural designs, gourmets and wine,

featured highlights ghl hlig igh ig hts of this

藝 術 家 的 單 元， 首 推 冥 誕 120 歲 的 劉

iconic fashions, jewelry, rarities, interviews

year ’ s R Ravenel a venel spring

海粟，今年上海劉海粟美術館新館開幕，

of famous figures, and many more topics

auction. ction. ct

六月份推出「再寫劉海粟」大展，劉海粟

both rich and diverse. An integral part

現象將成為話題；西洋藝術家則介紹跨越

of our No. 1 7 issue, green thinking

時尚潮流、公仔、塗鴉藝術的美國藝術家

enables us to learn from coexistence and

KAWS；收藏家單元有傳播影視聞人邱復

sharing with the natural world, how to eat

for bidding gains momentum, readers of

總編輯

4

No. 17 Summer 2016

羅芙奧藝術集團台北辦公室

發 行 人 王鎮華

Publisher: Arthur Wang

總 編 輯 陳惠黛

Editor-in-Chief: Odile Chen

主 編 黃千洳

Managing Editor: Tiffany Huang

10683台北市敦化南路二段76號15樓之2

電話：+886 2 2708-9868 傳真：+886 2 2701-3306 羅芙奧藝術集團北京辦公室

發 行 所 羅芙奧股份有限公司

Published by Ravenel Ltd.

地 址 10683台北市敦化南路二段76號15樓之2 Address: 15F-2, No. 76, Sec. 2, Dunhua S. Rd., Taipei 10683, Taiwan

網 址 ravenel.com

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Editorial Production: Likestudio Publishing Ltd.

羅芙奧藝術集團上海辦公室

地 址 10692台北市忠孝東路四段222號13樓

200050中國上海市長寧區鎮寧路465弄

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First issue: May, 2012

季刊 Quarterly

㉱凑䄝䫖ᷱ㠳 Bringing Nature to the Table

No. 17 Summer 2016

登記證：中華郵政台北雜字第1883號執照登記為雜誌交寄 ©版權所有 翻印必究。本刊圖文非經同意，不得轉載或公開播送。 ©All rights reserved. Use of editorial content without permission is strictly prohibited.

Tiffany 2016 Blue Book 蕨類造型鑽石鉑金手鐲

手作調和 專屬奢華體驗 King of Blends Text / Elki Photo / ROYAL SALUTE 1

暖 還 寒 之 際， 英 式 奢 華 的 最 佳 表

禮炮「King of Blends 調和之王」特展，特

徵－皇家禮炮，挾帶著東西方文化

別提供由蘇格蘭酒廠空運五款市面上沒有

的輝煌成就，由享譽國際藝術大師王俠軍、

販售的珍貴原酒，讓貴賓們親手體驗調和

英倫國寶級皮革設計師 Bill Amberg，為皇

威士忌的手作樂趣，創造屬於自己的「大

家禮炮量身打造各具風格的藝術精品，同

師精選」。

乍

時並於台北寶麗廣塲 BELLAVITA 精心打造 互動式品酩空間，以威士忌調和工藝最經 典三元素－時間、精緻工藝與調和技術為 主題，透過與不同的藝術呈現互動品酩， 進一步了解調和技術之精妙工藝。

調和出一瓶口感平衡柔順的威士忌，並 不是易事，就如同調酒師能精準調和出酒 體如此沉穩動人的皇家禮炮一樣，需經全 新的創造力更需長時間的練習，本次皇家

1. 具質感的長桌上配置了五款原液，讓貴賓 嘗試做出自己的「手工」調和威士忌。 The good quality long table is equipped with five types of stock solution, enabling distinguished guests to try their hand at making their own “handmade” blended whiskey.

2. 貴賓們精準地將五款原液按比例調和，親 自手作出專屬獨一無二的皇家禮炮調和威 士忌。 For honoured guests who are very precise when it comes to the blending ratio of the five kinds of whisky, there is hand-made, exclusive Royal Salute Blended Whisky.

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環球展覽預告 Global Exhibition Preview

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三宅一生的工作 MIYAKE ISSEY EXHIBITION: The Work of Miyake Issey

東京 國立新美術館 The National Art Center, Tokyo 2016 / 3 / 16 ∼ 2016 / 6 / 13 www.nact.jp

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視覺衝擊 Eye Attack: Op Art and Kinetic %VX ÿćăþ ÿćąþ

丹麥 路易斯安那美術館 Louisiana Museum Of Modern Art, Denmark 2016 / 4 / 2 ∼ 2016 / 5 / 6 www.louisiana.dk

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重構達達世界 Dadaglobe Reconstructed

紐約 現代藝術博物館 The Museum of Modern Art, New York 2016 / 6 / 12 ∼ 2016 / 9 / 18 www.moma.org

國立新美術館將舉辦史上最大規模的三宅一生

五、六十年代，藝術家們全神灌注在科學上，

1916 年瑞士伏爾泰小酒館裡，一群形形色色

特展《三宅一生的工作》。在其 45 年的職涯

巧妙透過光學帶來充滿幻奇浪漫的歐普藝術；

的藝術家和作家宣告達達主義的誕生。《重構

中，不管是一圓筒布料變出的「A-POC」、還

而接續的機動藝術，則透過運動創造出一個個

達達世界》事實上是藝術家 Tristan Tzara 向全

是結合民俗手染的「HaaT」、或者解構再解構

魅力瞬間。50 年來，路易斯安那美術館首度

世界「達達們」所提出的出版邀請，預計收錄

的「132 5.」，一塊布與身體之間的關係，透

打開大門，擁抱近一百件、多達 40 位藝術家

手稿、照片以及圖紙等等然而卻未能付梓，在

過本展將帶您直擊時尚大師的超級秘密。

所帶來的視覺衝擊。

百年之際這個項目終於得以成真。

The National Art Center will host the largest Miyake Issey exhibition in history with The Work of Miyake Issey. Over his 45-year career, whether it is the relationship between a piece of fabric and the body of cylindrical tubes of fabric as seen in A-POC, combinations of hand-dyed folk fabric as seen in HaaT, or construction and reconstruction as seen in 132 5., this exhibition will reveal to you the big secrets of this fashion guru.

In the 5 0 s and 6 0 s, artists immersed themselves in science. The ingenious use of optics brought about the fully illusory, romantic Op Art and the successive Kinetic Art, which created a enchanting moment through movement. Fifty year later, the Louisiana Museum of Art opened its doors. Embrace the visual impact of nearly one hundred pieces of art of no less than forty artists.

In 1916 , a diverse group of artists and writers declared the birth of Dada in the Cabaret Voltaire, Switzerland. “ Dadaglobe Reconstructed” was basically Tristan Tzara’s invitation to the world’s “Dadas” to publish.

It was to contain a collection of manuscripts, photographs, drawings, etc., but could not be realized. A hundred years later, this project has finally been completed.

圖片提供 L132 5. ISSEY MIYAKE, No.1 Dress, No.1 Jacket; Square Wool, Vol.4, 2010 Photo Hiroshi Iwasaki

圖片提供

圖片提供 Paris

Louisiana Museum Of Modern Art

2015 Artists Rights Society (ARS), New York ADAGP,

4 5

6 4

新世代英倫創造： 走進海澤維克工作室 New British Inventors: Inside Heatherwick Studio

臺北市立美術館 Taipei Fine Arts Museum 2016 / 3 / 5 ∼ 2016 / 5 / 15 www.tfam.museum

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2016 臨時展館計畫 Serpentine Architecture 4VSKVEQQI ĀþÿĄ

倫敦 蛇形藝廊 Serpentine Gallery, London 2016 / 6 / 10 ∼ 2016 / 10 / 9 www.serpentinegalleries.org

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情感的禮讚 Une Éducation Sentimentale

巴黎 朝露博物館 Le Musée Ephémère, Paris （凡登廣場 12 號 12, place Vendôme） 2016 / 2 / 6 ∼ 2016 / 9 / 24 cht.chaumet.com

上海世博會時為英國館種子聖殿操刀的設計

每到夏天，倫敦蛇形藝廊的臨時展館計畫就是

CHAUMET 自 1780 年創立以來便一直讚頌生

師湯瑪斯 • 海澤維克即將來台！倫敦皇家藝

建築界最關注的大事。今年由近來備受全球注

命與愛。每一件珍藏紀念品代表不同時代的永

術學院建築系主任凱特 • 古德溫策展，精選

目的 Bjarke Ingels Group（BIG）建築師事務所

恆情事，如拿破崙與約瑟芬皇后等多段傳奇摯

工作室 20 年來約 35 件原創代表作，藉實物

拿下主導權，將帶來一座由方塊堆砌而成、遠

愛。展出如訂婚戒指的真正前身─冠冕、交織

大小模型、測試品、照片、手稿、影片等 125

看像是閃閃發光的建築尖塔，同時更將會出現

誓約的 Liens 項鏈等，見證兩個多世紀以來的

個物件窺探團隊創意發想及具體實踐的過程。

四座不同的夏日之屋。

珠寶設計。

The designer of the UK Pavilion’s Seed at the Shanghai World Expo, Thomas Heatherwick, is coming to Taiwan! With Kate Goodwin of the Royal Academy of Arts, Department of Architecture in London as curator, the exhibition will feature about 35 original representative studio works covering 20 years. 125 models of different sizes, testers, photographs, manuscripts, videos, etc. show the process of creative thinking and concrete practice.

Every summer, the temporary exhibition plan at the London Serpentine Galleries is the focus of the construction industry. In recent years, the world’s attention has been directed at the architects of the Bjarke Ingels Group (BIG) and the piled-up blocks that from a distance look like a shining spire. At the same time, four different summer houses will also appear.

Ever since its founding in 1780, CHAUMET has been praising life and love. Each collection of memorial jewelry represents the eternal states of those different eras, such as Napoleon and the Empress Josephine as well as other times of legendary love. Exhibited like engagement rings of their true predecessors, crowns, Liens necklaces interwoven with vows, etc. in testify to jewelry design from over two centuries.

圖片提供 IwanBaan

圖片提供

上 海 世 界 博 覽 會 英 國 館 UKPavilion CREDIT

Bjarke Ingels Group

圖片提供

CHAUMET

羅芙奧 2016 春季拍賣會

港台聯手 鑑賞古今 When East Meets West, Classic Meets Contemporary in Ravenel’s Spring Auction Text•Photo / Ravenel International Art Group

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精彩可期的拍賣會與別開生面的精品鑑賞會， 增加收藏多樣性，構築精緻生活就從今年春季開始。 Thrilling auctions and eye-opneing selling exhibition provide exellent opportunity to diversify and enrich your collection.

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本

季率先於香港舉槌的藝術拍場，收

巴黎畫派諸位大師的作品，也在此次拍 次 次拍

錄三件朱德群於其創作生涯各時期

賣中，夏卡爾、烏拉曼克、卡多蘭、杜菲、 菲 菲、

的重要油畫抽象作品，形色構成皆極具特

布拉吉利、艾斯比利等。夏卡爾獨到的 的

色。為一同慶祝劉海粟一百廿歲冥誕以及

藝術手法完成《花籃》；卡多蘭以別緻的 的

上海劉海粟美術館新館開館，羅芙奧呈獻

繪畫方式，延續了法國那比畫派精髓， ，

劉海粟極具個人代表性的黃山題材鉅作，

作品《萬壽菊》透過琥珀色、米色、黃 黃

《憶寫黃山天海一線天》潑彩巨作氣勢磅

色以及秋季綠色等溫暖色系，散發出

礡 ，《金箋山水─黃岳雄姿峙古今》秀麗典

極為浪漫的懷舊情懷。烏拉曼克的《村

雅，後者與北京人民大會堂懸掛的海老名

莊小教堂》即為展現了畫家獨具戲劇

作為同一構圖，備顯珍稀尊榮。

性張力的出色作品。胡奧 • 杜菲所作 《巴黎塞納河》中展示著精巧、雅緻

西洋藝術家日漸受到亞洲市場追捧，近

如書寫一般的畫法，縮影出 1930 年

二十件的西洋現代與當代名家之作豐富藏

代巴黎帶有未來感的城市風景，為一

家的收藏，包括超現實主義大師安德烈 •

件富有時代意義的傑作。

馬松的稀有傑作《四重奏》、《水火之間》， 馬松受東方書法影響，其自動性繪畫概念 與行為意識，啟發了傑克森 • 帕洛克等美 國藝術家，開展出最耀眼的紐約畫派美術 運動；西班牙大師安東尼 • 塔皮埃斯創造 了獨一無二的藝術風格，勇於創新的抽象 藝術，結合符號象徵主義，賦予作品豐富 含義，作品《圓浮雕》也是此次拍品亮點 之一。現年 95 歲的法蘭西學院院士皮耶─ 伊夫 • 特墨，向來以線條表現著稱，兩件 稀有的鍍金銅雕作品《黃金多寶魚》與《金 牛創世紀》，出色的線條表現與哲學思辨令 人驚豔。

1. 趙無極《01.11.86》1986 年 油彩 畫布 89 x 116 cm 預估價：3,600 萬 - 4,400 萬台幣 羅芙奧台北 2016 春拍 ZAO Wou-ki, “01.11.86”, 1986, oil on canvas 89 x 116 cm Estimate: US$1,102,900 - 1,348,000 Ravenel Spring Auction 2016 Taipei

2. 28.30 克拉天然海水藍寶及鑽石戒指 An aquamarine and diamond ring

3. 花卉花園系列套鍊組 A set of diamond jewelry

4. NILO 鱷魚皮 Constance 包附銀色金屬配件 A NILO crocodile Constance bag with palladium hardware HERMÈS, 2013, 25 x 14 x 8 cm

5. 安德烈 • 馬松《四重奏》1974 年 油彩 畫布 100 x 81 cm 預估價：90 萬 - 140 萬港元 羅芙奧香港 2016 春拍 André MASSON, “Quatuor”, 1974, oil on canvas 100 x 81 cm Estimate: US$116,000 - 180,400 Ravenel Spring Auction 2016 Hong Kong

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無論是經典的斯貝賽區單一麥芽威士忌、 充滿生命力的艾雷島之作、受到世界級藏 家矚目的 MMA 麥芽狂人金牌品項、亦或是 席捲全球藏家的日本威士忌，豐富的藏品 盼能滿足每一位藏家的收藏需求。

除了四場精彩可期的拍賣會，本季新闢 「手袋及精品鑑賞會」，以四十餘款不敗 經典愛馬仕包為主打，搭配色彩奪目、品 質與設計兼備的珠寶首飾，提供品味絕佳 的女性藏家以優雅的姿態、理性的價位， 直接購入市場上難得的夢幻逸品。精品部 專家特別推薦屢屢製造拍場競投熱潮的霧 面喜馬拉雅 NILO 鱷魚皮柏金包，流行趨勢 1

所指 Kelly Cut 晚宴包、Constance 方包、鴕 鳥皮 25 公分柏金包等小包款，讓仕女們的

「寂靜歡喜—古今人文藝術專場」網羅

羆、丁雄泉為春拍最值得持續注目的海外

佛像、宋瓷、文房、水墨、攝影、賞石等

華人藝術標的；當中《給我一個彩虹》為

多個門類的拍品，選擇具有中國傳統文人

丁雄泉旅居紐約時顛峰作品。台灣現當代

氣質的古今藝術，體現別具風雅的生活態

版塊則聚焦在最具當代寫實氣質的葉子奇

The Modern & Contemporary Art

度。本場集合了一組佛教藝術精品，其中

《山在花蓮》，以及現代水墨之父劉國松早

Auction in Hong Kong will unveil this

一件十三－十四世紀的早期尼泊爾西藏文

年抽象作品與席德進「台灣山水，中國意

season ’ s series of auctions. The auction

殊菩薩立像為倫敦著名古董商史賓克的舊

境」特色畫作；中國當代藝術翹楚周春芽

offers three oil works by Chu Teh-chun

藏，並於 1997 年展覽出版，其後一直未

1999 年的《紅石》充滿生命氣息，極具爆

from different significant periods with

曾在市場上露面，大英博物館亦有此類館

發力，而後勢看好的袁遠亦有氛圍獨特的

distinctive motifs. In conjunction with

藏。本件佛像具有尼泊爾造像的形態與審

寫實畫作。

Liu Haisu’a 120th anniversary, important

美 ，又兼備西藏造像的神秘與深邃，顯示 出高超的藝術水準，非常難得。

ink and color ink paintings of Liu Haisu’s 日本當代藝術集結最具代表性的草間彌 生《夏日祭典》、《無限累積的點》油畫與

台北藝術拍場以華人早期現代藝術趙無

多件紙上作品，另有村上隆、奈良美智紙

極 1980 年 代 藍 灰 調 作 品《01.11.86》 領

上及雕塑創作及具體派標竿人物白髮一雄

銜，作品調性內斂沉穩，展現其泰然自若，

油畫。立體作品類蒐羅到朱銘太極、人間

從容大方的藝術觀外也體現華人抽象繪畫

系列木雕，李真、黃柏仁與中國當代頂尖

的藝術高度，而同儕朱德群三件來源完美

雕塑家，展望《假山石系列 #76》與李暉

的佳作，《迴響》、《幸福的相逢》、《橘

《琥珀 • 龍》。羅芙奧 2016 春拍以亞洲

黃的筆跡》，無不顯示朱氏對於色彩掌握

現代藝術經典，結合當代多位傑出藝術家

的睿智與早已內化的中西藝術精髓；一代

逸品，積極關注亞洲藝術生態，並提供藏

現代藝術教育家林風眠最為藏家追捧的仕

家精品購藏焦點。

女圖，《仕女彈阮圖》也囊括在是次春拍， 足以一探三位巨擘對華人現代藝術的深遠 影響。

本次春季尊釀雲集拍賣會徵集 940 個品 項，側重老年份波爾多與勃根地白酒，豐 富的品項橫跨世界重要葡萄酒產區；因應

三位曾旅居美國的創作者朱沅芷、陳蔭

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衣櫃升級又增值。

全球威士忌狂潮，精心挑選 340 多個品項，

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| Issue |

beloved subject matter of Yellow Mountain will be presented; “Yellow Mountain - Sea of Clouds” and “Golden Landscape - Yellow Mountain” are both rare pieces to find.

Western artists and their works are g a i n i n g m o r e v i s i b i l i t y i n A s i a . We assemble close to twenty timeless works by renowned Western artists, including surrealist André Masson’s “Quatuor” and “Entre l’eau et le feu”, the great Spanish

artist Antoni Tàpies’s “Circulo con relieve ” , and Pierre-Yves Trémois ’ s gilt bronze sculptures “ Le Turbot Aberrant ” and “ Le Bison Genèse ” . Splendid works

3

by artists of Ecole de Paris are also on the auction list, including Marc Chagall’s “La

Buddhism art will be presented, an ancient

provenance, “Rebondissement”, “Béatitude

corbeille de fleurs ” , Bernard Cathelin ’ s

Nepalese statue of Manjusshri from the

entrevue ” and “ Touches oranges ” all

th

th

“Roses d’Inde des Rebattières”, Maurice

13

to 14 century in the collection of

exhibit Chu ’ s acuminous grasp of color

de Vlaminck ’ s “ Église du village ” , and

Spink & Son; such statue was exhibited

and his full internalization of the essence

Raoul Dufy’s “La Seine à Paris”.

in 1997 along with a publication, it was

of both Chinese and Western art. A

in the hand of private collectors since and “ Literati: Quiet Affection ” , as quoted

from a Tibetan poetry and it connotes

was never on the market; similar example can be found at the British Museum.

away from the busy world and enjoy the collection, is special auction showcasing

The art auctioin in Taipei has Zao Wu-

a variety of carefully selected traditional

ki ’ s blue-gray toned work “01 . 11 . 86”

and contemporary artwork that illustrates

in the 1980 s take the lead. Three fine

Chinese literati spirit. A large collection of

works by Chu Teh-chun, with impeccable

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1. 朱德群《橘黃的筆跡》2004-2005 年 油彩 畫布 130 x 162 cm 預估價：2,600 萬 - 3,800 萬台幣 羅芙奧台北 2016 春拍 CHU Teh-chun, “Touches Orangées” 2004-2005, oil on canvas, 130 x 162 cm Estimate: US$796,600 - 1,164,200 Ravenel Spring Auction 2016 Taipei

2. 13-14 世紀 尼泊爾西藏 銅鎏金文殊菩薩 高：39.2 cm 倫敦著名古董商史賓克的舊藏 估價待詢 Cast Gilt Copper Alloy Manjushri, Nepal 13th-14th Century H: 39.2 cm Collection of Spink & Son Estimate on request

3. 丁雄泉《給我一個彩虹》1979 年 壓克力 畫布 102 x 127 cm 預估價：800 萬 - 900 萬台幣 羅芙奧台北 2016 春拍 Walasse TING, “Give Me a Rainbow” 1979, acrylic on canvas, 102 x 127 cm Estimate: US$245,100 - 275,700 Ravenel Spring Auction 2016 Taipei

4. 岳敏君《帽子系列》2005 年 油彩 畫布 140 x 170 cm 預估價：180 萬 - 280 萬港元 羅芙奧香港 2016 春拍 YUE Minjun, “Hat Series”, 2005, oil on canvas 140 x 170 cm Estimate: US$232,200 - 360,800 Ravenel Spring Auction 2016 Hong Kong

1

painting highly sought-after by collectors,

Yuan will also be represented at auction

will present more than nine hundred

“ Lady Playing Moon Guitar ” by premier

with realistic paintings that engender a

lots with emphasis on vintage Bordeaux

modern art educator Lin Fengmian, will

unique, illusory atmosphere

and Burgundy white and crossing some

also be included. This master collection

of the world ’ s most important vineyards.

offers the perfect opportunity to explore

The category of Japanese contemporary

In response to the global fanatic over

the profound influence these three titans

art includes one of its most representative

whisky, we assemble three hundred and

have exerted upon Chinese modern art.

artists, Yayoi Kusama, in the form of oil

fourty lots of whisky, including single malt

paintings titled “ Summer Festival ” and

from Speyside, the energetic Islay, MMA

Yun Gee, George Chann and Walasse

“Infinity Dots”, as well as many works on

Golden Award winning bottles, and the

Ting, all three of whom have resided

paper. Takashi Murakami’s and Yoshimoto

highly saught-after Japanese whiskies.

in the US, are iconic overseas Chinese

Nara ’ s paper and sculpture works as

artists most worthy of extensive attention

well as oil paintings by Kazuo Shiraga,

for this season. In terms of the Taiwanese

exemplary figure of the Gutai Group,

contemporary area, an especial emphasis

will also be featured. Three-

is placed on Tzu-chi Yeh ’ s elegantly

dimensional works encompass

realistic “ Mountain, Hualien ” , early

Ju Ming ’ s Taichi and Living

abstract works by Liu Kuo-sung, father of

World wood sculpture series, Li

modern ink painting, as well as Shiy De-

Chen, Poren Huang, Chinese

jinn ’ s “ Taiwanese landscapes, Chinese

contemporary art leading

impressions ” feature works. Chinese

sculptor Zhan Wang’s “Artificial

contemporary art dignitary Zhou Chunya’s

Rock #76”, and Li Hui’s

1999 “ Red Rocks ” is filled with vitality

“Amber-Dragon”.

In addition to the four thrilling auctions, Ravenel 2

and has great explosive force, while the increasingly critically acclaimed Yuan

禁 止 酒 駕

F i n e s t & R a r e s t Wi n e s

酒 後 不 開 車

安 全 有 保 障

| Issue |

| 拍賣 Auctions | 場次 Session

時間 Time

現代與當代藝術

May 29, 11:00 AM

Modern & Contemporary Art

寂靜歡喜：古今人文藝術專場 Literati: Quiet Affection

香港 君悅酒店 宴會大禮堂 Hong Kong Grand Hyatt Grand Ballroom

香港 君悅酒店 宴會大禮堂 Hong Kong Grand Hyatt Grand Ballroom

June 3, 12:00 PM

台北 富邦人壽大樓國際會議中心

Finest & Rarest Wines

June 4, 1:00 PM

Taipei Fubon International Conference Center

亞洲現代與當代藝術

June 5, 2:00 PM

尊釀雲集

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May 29, 2:00 PM

地點 Location

Modern & Contemporary Asian Art

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

is presenting an excitng selling exhibition t h i s s p r i n g , “ Ti m e l e s s H a n d b a g s & Jewelry ” . With more than fourty iconic

| 預展 Previews | 場次 Session

May 14, 1:00 PM – 6:00 PM

HERMÈS handbags under the spotlight and dazzling jewelry of top quality and design, lady connoissuers are able to pick up the collectible pieces gracefully and

現代與當代藝術 Modern & Contemporary Art

寂靜歡喜：古今人文藝術專場

at reasonable prices. Standout pieces

Literati: Quiet Affection

include a Matte Himalaya Nilo Crocodile

尊釀雲集

Birkin Bag and trending smaller size bags such as Kelly Cut, Constance, and a 25

時間 Time

May 15, 11:00 AM – 6:00 PM May 21, 10:00 AM – 6:00 PM

Finest & Rarest Wines

亞洲現代與當代藝術 Modern & Contemporary Asian Art

May 22, 10:00 AM – 6:00 PM

地點 Location

台中 豐藝館 (台中市西區五權西路一段110號) Taichung Fong Yi Art Gallery

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

cm ostrich Birkin. Update and upgrade your wardrobe with these finely selected treasurable handbags and jewelry.

手袋及精品鑑賞會 Timesless Handbags & Luxury Collectibles Selling Exhibition

May 27, 12:00 PM – 7:00 PM May 28, 10:00 AM – 7:00 PM

1. Lot 362 DRC Romanée-Conti 2005 3 瓶原木箱 預估價：1,200,000-1,600,000 台幣 Lot 362 DRC Romanée-Conti 2005 3 bts/OWC Estimate: US$36,800-49,000

2. Lot 899 輕井澤 海港城限定版 35 年雪莉單桶 預估價：240,000-320,000 台幣 Lot 899 Karuizawa Harbour City Limitied 35 Years Old Sherry Butt Estimate: US$7,400-9,800

3. 陳逸飛《周莊》油彩 畫布 100 x 150 cm 預估價：160 萬 - 240 萬港元 羅芙奧香港 2016 春拍 CHEN Yifei, “Zhou Village”, oil on canvas 100 x 150 cm Estimate: US$206,200 - 309,300 Ravenel Spring Auction 2016 Hong Kong

尊釀雲集

June 3, 10:00 AM – 7:00 PM

Finest & Rarest Wines

亞洲現代與當代藝術 Modern & Contemporary Asian Art

June 4, 10:00 AM – 7:00 PM

** 預估價不包括買家佣金 Estimates do not include buyer’s premium.

香港 君悅酒店 M樓茶園 Hong Kong Grand Hyatt Tiffin

台北 富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

邱復生 收集 藝術 Chiu Fu-Sheng Collecting Art Text / Andrea Chiu Photo / Chang Ming Wei 張明偉

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| The Collector |

跳脫藝術市場的買賣觀點，引領台灣媒體風潮多年的邱復生 認為，藝術的價值更勝於價格，然而與其物質性的擁有藝術 作品，不如精神性的收藏藝術思維成為無價的記憶，這才是 藝術最重要的價值。 Looking beyond the view of art as a tradeable commodities, Chiu Fu-Sheng, a longtime leader of media trends in Taiwan, sees the value of art as being much more than the price it holds on the market. Rather than physically seeking to own a large amount of art, one might instead treat the collection of art as a spiritual journey, collecting artistic thought which then become priceless memories. It is these memories that give art its true value.

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術品當然有新的、有舊的，舊的

精神性的。「人們為什麼會欣賞、甚至進而

就 是 古 董， 新 的 就 是 年 輕 的 創

買下藝術？就是因為它超乎我們的想像，

作，不管新舊，我的主張都是讓藝術成為

美到這種程度，所以就會想要擁有」，邱復

生活的一部分」，台灣土地開發集團董事長

生喚醒我們人與藝術相遇的那個初衷。不

邱復生開門見山的這麼說到；然而不僅如

過他更進一步地比擬，就像買書，你看到

此，數度引領台灣媒體風潮的邱復生，對

這本書覺得很好，買回家是為了要看；藝

於藝術收藏的看法，同樣有著自己獨到的

術品亦然，反倒是在生活裡遇上了，覺得

見解。

不錯就買了。就算是買了，買回來也是放

「藝

進生活空間裡而非收進倉庫，如果沒有適

1. 站在村上隆鮮少於國內公開的「伊諾其公仔 系列」旁，低調的邱復生認為炫富無意義， 以純美學角度鼓勵人們因真心喜好而收藏。 Standing beside Takashi Murakami’s rarelyexhibited “Inochi” series, Chiu Fu-Sheng, a lowkey man, finds it pointless to flaunt wealth. From an aesthetical perspective, he encourages people to collect out of pure love.

2. 大溪家中一隅，映照出邱復生不擺真花，而 以花卉畫作來裝點居家空間的巧思。

從來不將自己定位為藏家，有別於傳統

合的空間擺放，他也不會非把藝術品買回

A corner in his house in Daxi reveals Chiu FuSheng’s ingenuity by choosing flower paintings over real flowers in decorating his living space.

藝術市場偏向物質性的買賣觀點，邱復生

家不可，「藝術品放進倉庫就太可憐了，不

3. 村上隆一系列版畫與築空間共譜活潑氣氛。

之於藝術反倒是更偶然、有機的、甚至是

是嗎？！」邱復生這麼說。

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Combined, Takashi Murakami’s woodcuts and ARKI GALÉRIA space create a vibrant vibe.

塑《戀人》這麼說，「因為我已經記住了， 我也曾經擁有過，已經存到我腦子裡面， 我的第三世界就充滿藝術」，邱復生接著 說：「所以收藏角度不同，不一定要擁有。 你可以擁有沒負擔的，去買、去賣都不是 我的生活。」邱復生擁有的是價值、買的 是畫面。

因而，與其把莫內買回家的不切實際， 他選擇親身走訪莫內的家。發現，那艘阿 讓特伊的船還在，還有，莫內應該很愛吃 吧！他的廚房設備可比擬餐廳等級，同時 莫內也收藏了日本浮世繪的作品，果然對 他的畫風有所影響。甚至，日本直島的島 主夫人為了莫內的《睡蓮》蓋出了一座世 界級的美術館，他也親往現場一探究竟。 「我想知道莫內是怎麼生活的；梵谷曾在 1

哪個位置取景作畫，這些都讓我對藝術家 的理解更豐富、更完整，這不也是一種動 態的收藏？！」邱復生這麼說到。又或是 那幅洪瑞麟三、四十年前畫的《淡水觀音 山》，他也去藝術家取景的角度拍了張照 片，站在淡水河口邊上，他才恍然大悟， 為何畫家筆下的觀音山是藍色的。「收藏 是為了讓你擁有美好的記憶，有記憶了， 就可以把空間讓出來，擁有更多更美好的 記憶」，邱復生說。

2

「建築本身就是地表上的裝置藝術 品！」一路以來，希望推動美好的藝術融 入生活裡，「我把它叫做『夢想生活』」，

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在這樣的邏輯下，邱復生認為藝術應該

部分，這和邱復生對於藝術的想法如出一

而築空間的誕生便是一種夢想生活的實

收集而非收藏。現下許多人的藝術收藏目

轍。又如朱銘，傳統充滿撕裂感的刀法在

踐，不做收門票的展覽，如以台灣為主題

的是獲利，然而對他來說比價格更有意義

朱銘手中卻呈現出如風的動感，因而邱復

的台灣 50 現代繪畫、水墨、版畫系列展

的是價值。就像 2009 年促成國際當代藝

生認為他的「功夫」系列特別好；還有《觀

覽，紀錄半世紀在地藝術發展、「2010 年

術大師村上隆首度來台辦個展，爾後更將

自在》，對於並非鑽研於宗教藝術領域的

後的告白─吳炫三 • 池上鳳珠創作展」傳

Geisai 藝術祭引入台灣，當我們問起村上

藝術家來說，朱銘刀下的觀音乘風而坐，

達吳炫三對於自我生命周遭奔放的情感與

隆什麼樣的特質吸引了他？邱復生竟回答

果然自在；以及朱銘的《關公》，因為刀

池上鳳珠柔美堅毅的鄉野童年回憶；更在

道：「我喜歡村上隆的思想！」對他而言，

背向前而缺少殺氣所以很多人不收藏，邱

金門打造具有綠思維的建築設計─光庭創

村上隆是繼包浩斯和安迪沃荷之後，不但

復生卻看上了一尊，然而和賣家磨了六年

藝基地。「我認為藝術應該買得到也買得

不遺餘力的讓年輕藝術家有機會嶄露頭角

價錢永遠談不來，他也不買。「價錢對，

起」，邱復生鼓勵收的不只是作品、而是

的重要推手，同時村上隆也提倡從版畫入

我就賣給他」，邱復生指著築空間入口處

作品背後所代表的歷史、背景、社會文化

門，低預算門檻就能讓藝術變成生活的一

出自法國藝術家 Béatrice Bissara 之手的雕

與故事。

| The Collector |

“Of course there is new art and old art.

Old art pieces are antiques, new ones are youthful creations. But regardless of old or new, my goal is to make art a part of our lives,” explains Taiwan Land Development Group president Chiu Fu-Sheng openly.

Moreover, as a long time leader of media trends in Taiwan, Chiu also provides his unique insight to the matter of art collection.

Chiu has never thought of himself as a collector, making him a unique character in the traditional art collectors ’ market

3

which focuses so heavily on the physical buying or selling of artworks. Chiu ’ s

art. But he takes this another step forward

comes across during his everyday life that

relationship with art is instead inadvertent,

to remind us of our original purpose, and

catches the eye. Even though it is bought,

organic, or even spiritual. “Why do people

compares the buying of art with buying

he incorporates them into his living

appreciate, and even go so far as to

a book, “ When you find a book in the

space rather than stashing them away in

purchase art? It’s because when something

bookstore that you like, the purpose of

a warehouse. If there is no suitable space

is beautiful beyond our imagination, then

buying the book and taking it home, is

for a piece of art he finds, then he won ’t

we want to own it.” says Chiu, describing

so that you can finish reading it; so it is

insist on buying it. “ It ’ s such a waste to

how we feel when first encountering such

with art. ” Therefore, he buys art that he

put works of art into warehouses, wouldn’t you say?!” exclaims Chiu.

1. 朱銘以青銅塑成的《觀自在》，氣定神閒坐 落二樓庭院。 “Avalokiteśvara (Guan Zi Zai)”, Ju Ming’s bronze sculpture, sits solemnly in the courtyard on the 2nd floor.

2. 一扇福州漆雕屏風，看得出刻劃宮廷生活的 細膩與用色鮮活。 A lacquered and carved Fuzhou screen displays the exquisiteness and vibrant colors shown and used in depicting royal lives.

3. 看中金門的重要地理位置，光庭創藝基地以 「光影」作為打造空間隔間，甚至是流瀉於 空間的藝術主軸。 （台灣土地開發股份有限 公司提供） Kinmen was chosen as the place for presentation due to its pivotal geographical location.

“Shadows” are used by Gallery of Light Creative Base to compart space and serve as the core of the art piece. (Provided by Taiwan Land Development Corporation)

4. 洪瑞麟少見油畫作品《淡水觀音山》，獨特 藍色調吸引邱復生欣賞。 “Kuan-yin Mountain in Tamsui”, a rare painting by Hung Jui-lin, resonates with Chiu Fu-Sheng by its unique blue.

4

Under such logic, Chiu Fu-Sheng

with Chiu ’ s view towards art. Another

believes that art should be collected

example is Juming, who using painting

but not simply turned into collections.

knives which traditionally create a sharp,

Many art collectors now collect art for the

lacerated look, is able to paint fluid wind

purpose of turning a profit, but for Chiu,

like movements. For this reason, Chiu

the intrinsic value of art holds a greater

especially likes Ju Ming ’ s “ Kung Fu ”

value than the price of art. Just like in

series, and “ Carefree Buddha. ” For an

2009 when internationally prolific artist

artist whose focus is not in religious arts,

Takashi Murakami came and held his first

the Buddha created by Ju Ming ’ s knife

solo exhibition in Taiwan, as well as the

rides on the wind effortlessly. In addition,

following introduction of the Geisai art

because Ju Ming ’ s “ Guan Gong ” holds

fair into Taiwan, and we asked Chiu what

his blade with the cutting edge facing

qualities of Takashi Murakami attracted

backwards, it is often criticized as not

him, he surprised us by responding with, “I

looking intimidating enough and therefore

like Takashi Murakami’s way of thinking!”

less desired by collectors. But Chiu has

To him, Takashi Murakami is the first

long had his eyes on Ju Ming ’ s “ Guan

already memorized this piece, it ’ s been

person since Bauhaus and Andy Warhol to

Gong,” but has been unable to agree upon

a part of my life and exists in my mind

not only spare no effort in paving the way

a price with the artist for the past six

already, it has enriched my third world

to new opportunities for young artists, but

years, and has finally given up on buying

with art, ” explains Chiu. Chiu continues

also advocate beginning from print art. The

it. “If the price is right, I’ll sell it to him,”

by stating that, “ That is why there are

use of print art greatly lowers the budget

says Chiu pointing at a statue near the

several different ways to collect, you don’t

entry level, allowing art to become a part

entrance of ARKI GALÉRIA by French

need to own something physically. You can

of everyday life, which agrees strongly

artist Béatrice Bissara titled “Lovers”. “I’ve

collect without such burden, going out to

1

20

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| The Collector |

3

buy, to sell, just isn’t me”. What Chiu Fu-

and only then, when standing near the

Beyond these exhibits, an entire building

Sheng owns is intrinsic value, what he is

mouth of Danshui River, did he suddenly

was established using eco-friendly

buying is an image.

realize, why the artist painted Gaunyin

designs to create the Guang Ting Creative

Mountain blue. “Collecting is so that you

Base in Kinmen. The entire building

Therefore, rather than unrealistically

can create beautiful memories, once you

was designed using green architectural

buying Monets and taking them home, Chiu

have your memory, you can let go of the

concepts – a brightly lit hall serving as a

chose to instead visit Monet’s home. Upon

tangible to create more space for more and

creative base. “ I believe that art should

visiting, he found that the boat in Argenteuil

more beautiful memories,” states Chiu.

be accessible and also affordable.” Chiu Fu-Sheng advocates not the collecting of

is still there, and that Monet was probably a great lover of food! His kitchen is as

“Buildings themselves are works

artworks themselves, but the collecting of

well-equipped as any restaurant. At the

of art installed onto the surface of the

the history, background, and social and

same time, Monet also collected Japanese

earth! ” This whole time, the goal has

cultural stories of art.

ukiyo-e art. The influence of ukiyo-e

been to promote a better life through the

style art can be seen in his paintings. The

incorporation of art, “I call it, ‘the dream

master and madam of Naoshima island

life’.” The birth of ARKI GALÉRIA itself

even built a world class art museum to hold

is a realization of the dream life. There,

Monet ’ s series titled “ Water Lilies” , and

no tickets need be purchased to enjoy

Monet himself has visited the museum on

these exhibitions. For example, exhibits

Naoshima. “I want to know how Monet lived;

like the “50 years of Modern Taiwanese

the view Van Gogh used for his painting.

Paintings: Paint, Ink” print series focused

These are all things that provide me with a

on the topic of Taiwan by documenting

deeper, richer and fuller understanding of

half a century of local art development,

these artists. Isn’t this a kind of dynamic

and “ Confessions from 2010 onward:

collection!? ” exclaimed Chiu. Or that

A-Sun Wu & Paloma Chang’s Creations”,

painting by Hung Jui-Ling that he did three

conveyed A-Sun Wu ’ s perspective on

or four years ago titled “Danshui Guanyin

the uninhibited emotions from his life

Mountain”. Chiu also went to the place that

and Paloma Chang ’ s gentle conviction

inspired the painting and took a picture,

towards her rustic childhood memories.

1. 築空間以福建客家磚牆搭配「裸設計」為概 念的桌椅。 ARKI GALÉRIA uses the concept of Fujian Hakka brick wall paired with “naked design” for their tables and chairs.

2. 為實現「夢想生活」，打造花蓮洄瀾灣日出 山莊。（台灣土地開發股份有限公司提供） Huilanwan Sunrise Village was built to make “ideal lives” a reality. (Provided by Taiwan Land Development Corporation)

3. 法國藝術家 Béatrice Bissara 的《戀人》雕塑， 為築空間注入浪漫溫柔的生動氣息。 The sculpture “Lovers”, crafted by French artist Béatrice Bissara, injects a romantic, gentle, and vibrant vibe into ARKI GALÉRIA.

藝術狂人劉海粟 現代中國百年輝煌 Outrageous Artist Liu Haisu – A Century of Resplendent Chinese Modern Art Text / Odile Chen 陳惠黛 Photo / Ravenel International Art Group、李政希

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| Art & Investment |

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1.《憶寫黃山天海一線天》1987 年 彩墨 紙本 144 x 366 cm 預估價：2,400,000 - 3,600,000 港元 羅芙奧香港 2016 春拍 “Yellow Mountain - Sea of Clouds”, 1987, ink and color on paper, 144 x 366 cm Estimate: US$309,300 - 463,900 Ravenel Spring Auction 2016 Hong Kong

藝 術 家 劉 海 粟， 鼎 足 於 二 十 世 紀 華 人 藝 壇， 經 歷 西 方 新 思 潮， 投 身 改 革 中 國 畫， 既 遵 循 傳 統 卻 又創新大膽。主張思想自由，提倡藝術風格多樣化，影響力卓著。師法自然，勝於自然。「金箋 黃 山 」 可 說 是 劉 海 粟 的 獨 門 妙 手， 他 畫 古 人 皆 愛 的 黃 山， 選 用 富 麗 堂 皇 的 金 箋 紙， 充 滿 東 方 神 秘氛圍，展現中國山水畫的輝煌樣貌。 Liu Haisu, a remarkable modern artist and educator who stood out as paragons of Chinese art from the 20 th century. He travelled down the path of traditions yet was also bold and daring. He chose to employ extravagant gold-coated paper with an elegance and sense of delicate refinery that was free of brazen splendor; he incorporated the tones and shadows of Western paintings to express the majestic, opulent dimensions of Chinese mountain and water painting.

2

016 年 3 月 16 日，中國現代藝術家

為中國大陸第一座以個人名字命名的國家

前藏品已達兩千件，其中海老的創作至少

劉海粟誕生滿一百二十歲誕辰，中國

級美術館，集收藏保管、學術研究、展覽

有 700 多件，新建築設計取自海老黃山圖

郵政當天宣布發行以劉海粟作品為圖樣的

陳列、教育推廣、文化交流等功能於一體

的「雲海山石」意境，線條大氣、洗練，

三款郵票，引來無數郵迷排隊搶購。同時

的綜合性藝術博物館，藏品包括畫家生前

遠觀宛同巨石磐踞雲海之上。這間氣勢不

上海「劉海粟美術館」新館展開試營運及

收藏的唐宋元明清歷代名家如石濤、巨然

凡的新建築，被譽為浦西最美的美術館。

召開藝術研討會，並宣告 6 月盛大推出「再

的書畫真跡 300 多件，及其個人創作 360

寫劉海粟」大展，以紀念這位不凡美術家

件、200 多件現代書畫，全部無償捐獻給

與教育家的創新精神。

國家。故鄉常州也有一座劉海粟美術館， 獲 30 件真跡館藏，另 20 多件捐贈與南京

上 海「 劉 海 粟 美 術 館 」 舊 館 建 立 於

藝術學院。如今二十多年後，上海的劉海

1. 劉海粟美術館新開館慶祝劉海粟一百二十歲 誕辰。

1995 年 3 月 16 日畫家百歲誕辰時，該館

粟美術館遷館長寧區延安西路的新址，目

Liu Haisu Art Museum newly opened its door in conjunction with the artist’s 120th anniversary.

1

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| Art & Investment |

藝術叛徒的世紀恩怨 劉海粟，江蘇常州人，出生於清光緒 22

過歐洲遊歷求學後歸國，帶回西方最新的

反譏上海美專為野雞學校，不屑一讀。個

年，西元 1896 年，童年即顯露繪畫的興

思潮，投身改革中國畫，其影響力與貢獻

性強烈、自負甚高的劉海粟難抑怒意，出

趣。14 歲時赴上海學習，進入周湘創辦的

十分卓著。畫壇對於他們各有評價，但最

面反擊論戰。兩位大畫家從此不睦，當時

「背景畫傳習所」，這所學校專門教授法國

常為人提及的為徐悲鴻與劉海粟之間激烈

的好友梁宗岱、蔡元培，努力企圖緩和兩

新式劇場背景畫法及活動佈景構造法，皆

的論戰。兩位年紀相仿的江蘇同鄉，人生

人的衝突。甚至在 1950 年代，中共總理周

屬於西洋畫，一年後返鄉。1912 年劉海粟

各自精彩，卻始終有瑜亮情結，爭鋒相對，

恩來仍嘗試要當調人，希望化解誤會，力

和友人烏始光共同創辦中國第一所美術學

恩怨糾結一輩子，他們的激辯與口誅筆伐

促團結共同為美術教育奉獻，不料徐悲鴻

校「上海美術院」（1915 年改名上海圖畫

成為後人撰寫近現代美術事件的素材，甚

病故，仍無法遂得心願。藝術家之間的恩

美術院），並任副校長，後任校長。英雄出

至在徐悲鴻過世之後，仍舊延續數十年。

怨情仇蔓延不休，直至 1994 年劉海粟百年

少年，建校那年他年方 17 歲，膽識過人見

糾葛近一世紀的恩怨情仇，曾為有心人為

後才得默默告歇。

地不凡。

此出書，書名就取為《世紀恩怨》。

劉海粟（1896-1994）、徐悲鴻（1895-

早年的徐悲鴻曾經考入劉海粟當年創辦

1957）、 林 風 眠（1900-1991）， 三 位

的上海美專，為期不長。1932 年報章上的

出色的現代美術家及教育家，鼎足而立於

「劉海粟、徐悲鴻師生」的說法，卻讓傲

二十世紀的華人藝壇，他們的一生都經歷

氣逼人、年長一歲的徐悲鴻頗不以為然，

思想前衛大膽 開創現代藝術先河 劉海粟早年創立上海圖畫美術院，為民

李仲生早年也曾入上海美專研究所學習。

術》，撰文介紹塞尚、高更等印象派畫家。

族培育新血，主張思想自由、兼容並蓄，

十年樹木，百年樹人，創校教育的功德殊

1919 年響應蔡元培之號召，在美專招收女

注重師法自然，尊重學生個性，提倡藝術

勝，並非大師徐悲鴻情緒相譏貶抑如野雞

生，開啟中國男女同校之先，知名女畫家

風格之多樣化，尤其引鑒西方教育，教授

學校那般不堪。

潘玉良就曾因此報考上海美專入學。

西畫的成績顯著，自己也在其中學習自勉。 雖為私立學校，仍聘請蔡元培、梁啟超、

作為上海美專的創始人和校長，劉海粟

凡此種種，藝術評論家認為劉海粟的革

王震、沈恩孚、黃炎培等為校董，設立中

在現代美術教育史上締造數個「第一」的

新創意早已超出美術史的本身，他的不畏

國畫、西洋畫、工藝圖案、雕塑、高級師

紀錄，至今仍饒富意義。例如，1915 年「首

懼傳統權威的堅持與奮鬥，象徵著中國社

範、初級師範等科別。1921 年改名為上海

創人體模特兒」，在民風保守的當年，掀起

會告別傳統、邁向現代的掙扎歷程。

美術專門學校，簡稱上海美專。二十世紀

巨大波瀾，被斥為「藝術叛徒」，激怒軍閥

近現代史上幾位重要的美術家，如朱屺瞻、

孫傳芳，予以法辦通緝。後來蒙蔡元培大

王濟遠、李可染、黃鎮、蔡若虹、常書鴻、

力聲援，案件延宕十年才告落幕；1918 年

莫樸、許幸之、潘玉良、沈之瑜、韓尚義、

他帶領學生到杭州西湖寫生，突破了關門

程十髮等都先後於上海美專就讀，爾後在

畫畫的傳統教學規範，「倡導旅遊寫生」；

各自的領域引領風騷。台灣抽象藝術之父

1918 年創辦中國第一本美術專業雜誌《美

出國遊學考察筆會 作品為日、法政府收藏 北 大 校 長、 全 國 教 育 總 長 蔡 元 培

1928 年劉海粟在全國教育會議上提出舉

輯出版《世界名畫選集》叢書，收錄莫內、

（1868-1940），對於劉海粟有知遇之恩，

辦「全國美展」的議案獲得通過，並受聘為

雷諾瓦、馬蒂斯、塞尚、梵谷等各家傑作，

可說是他生命中重要的貴人，連上海美專

籌備委員。同年，在蔡元培的資助下，赴法

而 自 己 的 作 品 則 編 入 最 後 一 冊， 自 信 如

校歌的作詞者也是蔡元培。蔡元培曾如此

國巴黎遊學，訪歐約三年時間，遍訪博物館

此，無怪乎得罪了一票同期留歐畫家如徐

撰文介紹他：「劉海粟的藝術，是傾向於

與美術館，臨摹德拉克洛瓦、林布蘭、塞尚、

悲鴻等。

後期印象主義。他的畫，純是直觀自然而

梵谷等名畫，還曾親晤畢卡索和馬蒂斯等大

來， 忠 實 的 把 對 於 自 然 界 的 情 感 描 寫 出

師。他的油畫作品《前門》、《向日葵》、

1934 年在民國政府的資助下，劉海粟

來；所以他畫面上的線條裡結構裡都充滿

《休息》兩度入選巴黎秋季沙龍展，而《盧

赴 歐 洲 各 大 城 市 舉 辦「 中 國 現 代 畫 巡 迴

著自然的情感。他的個性是十分強烈，他

森堡之雪》則為法國政府購藏，中國人以西

展」，歷時一年返國，受到肯定與推崇，

的作品裡處處可以看得出來。……」1920

畫入選於法國美術館，不僅是個人榮譽，也

同時出版畫論與美術史書籍。中日戰爭爆

年代初期不僅邀請劉海粟赴北大演講現代

是國家光榮。法國學者賴魯阿在旅歐展覽會

發後，劉海粟率師生舉辦救濟難民的書畫

美術思潮，亦聘請他起草初中藝術課程綱

序文中寫道：「看他在盧森堡朔風凍雲中所

展，並赴南洋印尼、新加坡與馬來西亞等

要。1927 年 劉 海 粟 訪 問 日 本， 會 晤 知 名

寫來的雪景，枯枝盤錯，在力的韻律中表白

地巡迴展覽，所得匯款捐助國內抗戰。戰

畫家石井柏亭、橋本關雪、小室翠雲等人。

它的無聲的詩意」，並稱讚劉海粟為「中國

爭時在雅加達避難，創作一批南洋時期的

訪日期間，昭和天皇購藏了他的《泰山飛

文藝復興的大師」。

油畫作品。戰爭結束後，也曾到台北的中 山堂舉行個展，一生閱歷豐富，叱吒風雲。

瀑》畫作留念，足見劉海粟在美術界受關 愛之程度。

返國後，他將歐洲現代藝術名家作品編

十登黃山 畫遍黃山為藝壇典範 縱觀劉海粟一生的藝術，並無所謂叛徒

派畫家塞尚、梵谷、高更畫風影響頗深。

久，幾乎涵蓋了劉海粟一生的藝術實踐活

之實，他仍秉承前人傳統而來，再加以改

在留下的油畫作品中，可以看出他狂熱的

動。他以黃山為題材創作的作品，包括有

革創新。他的標新立異，在仍舊保守的舊

浪漫情懷。而在國畫家中，他尤其喜愛清

速寫、素描、油畫、國畫，蔚為壯觀。

時代裡搶盡畫壇的風采，無怪乎要遭人嫉

代大師石濤（1642-1707）不拘陳法的性

妒。年輕時歷經軍閥通緝、戰爭時又被日

格。一次機緣下，好友陳師曾陪同劉海粟，

他曾引石濤的名言「黃山是我師，我是

軍追捕，文革期間則被打成右派，抄家數

到北京的王府井、琉璃廠及榮寶齋遊歷，

黃山友」，師法自然，勝於自然。劉海粟不

十次，兩度中風中輟繪畫，甚至不能言語。

途中他購買了一幅石濤的《黃山圖》，這不

斷地畫黃山，畫出屬於自己的黃山，他自

艱困的環境中，磨練他的心志與畫藝，他

僅是他開個人正式收藏之先河，也從此與

言「昔日黃山是我師，今日我是黃山友」

忍辱負重，壓抑年輕時張揚的脾氣，曾說：

黃山結下了不解之緣。

是他自己的寫照，他要畫出黃山的雄偉。 後期他以潑墨、潑彩創作黃山，添加西畫

「休言冷落門羅雀，換得十年磨畫功。」晚 年登高黃山，創作熱情不減，尤其書畫創

一生鍾愛黃山，除了早年油畫作品，劉

技法滋潤中畫，風格特出，增加創作的豐

作上個人風格益加突出，最為人津津樂道，

海粟最重要創作也多以黃山為題材，若說

富性。1980 年代東京藝術大學校長平山郁

晚年所畫的黃山創作也成為他的個人生涯

聖 • 維克多山是保羅 • 塞尚凝視崇敬的

夫對他的中國畫十分讚賞，指出：「他的潑

最重要的代表作。

聖山，那麼黃山也正是劉海粟藝術追尋的

彩山水，大膽使用石青和朱砂，展現了中

聖山。他從 1918 年第一次跋涉黃山，到

國畫前所未見的一個新世界。」

劉海粟的個性豪放不羈，受西洋後印象

26

了 1988 年第十次登臨，時間跨越七十年之

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巨幅黃山畫再現市場 百廿誕辰劉海粟現象可期 2006 年一場紀念劉海粟 110 年誕辰的 研討會上，有專家提出用一個字來概括幾 位中國二十世紀名家的作品特色，形容得 恰如其分：吳昌碩是「蒼」，齊白石是「趣」， 黃賓虹是「潤」，徐悲鴻是「雄」，李可染 是「厚」，傅抱石是「秀」，林風眠是「雅」， 潘天壽是「霸」，而劉海粟則是「狂」。這 個說法非常有趣，劉海粟的「狂」不是狂 妄，也不是瘋狂，而是「狂放」，是豪情激 蕩、是內力外揚，他是表現派的浪漫畫家。

個性會創造命運，熱愛自由的劉海粟自 年輕時即顯現他的狂放特質，逃婚、逃學， 追求自我，成就自我。1930 年代詩人好友 梁宗岱形容他是「入了堂奧的畫家」，他寫 道：「 力， 不 消 說， 就 是 你 的 畫 的 徽 號， 你的畫就是力的化身。無論識者與外行， 一見你的畫便捲進那顫動的強勁的力的漩 渦。」作家好友徐志摩也讚許劉海粟是「一 個玄學思想的畫家」，他曾寫道：「你盡可 以不喜歡他（劉海粟）的作品。你盡可以 從各方面批評他的作品，但在現代作家中 你不能忽略他的獨佔的地位。他是在那裡， 他並且強迫你的注意。尤其在這人才荒歉 的年代，我們不能不在這樣一位天賦獨厚 的作者身上安放我們絕望中的希望。」

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劉海粟的確是中國現代畫壇上怪奇的人 物，既遵循傳統卻又創新大膽。他學西畫出 身，卻也熱畫中畫，他畫古人皆愛的黃山，

彩潑墨山水，氣勢不凡。

後的精心創作，對於喜愛劉海粟作品的藏 家，能珍藏金箋版的《黃岳雄姿》實是不

選用富麗堂皇的金箋紙，端莊精緻豪無俗氣 感，融匯西畫的色感光影，展現了中國山水

而金箋黃山可說是劉海粟的獨門妙手，

畫的輝煌樣貌。在羅芙奧香港 2016 春拍中，

畫於金箋紙的作品更顯稀有。黃山的氣勢

徵集到巴西華僑周雲鑑先生舊藏兩幅劉老黃

在金色的烘托下輝煌耀眼，充滿東方的神

山題材的稀有精品，一幅是《憶寫黃山天海

秘氛圍。北京人民大會堂中曾懸掛劉海粟

一線天》巨幅創作，另一幅是《金箋山水─

的大作《黃岳雄姿》（藏於釣魚台國賓館），

黃岳雄姿峙古今》華美橫軸。《憶寫黃山天

尺幅有 119 乘以 493 公分，略大於此次拍

海一線天》尺幅恢宏長達 366 公分，繪於金

賣的《憶寫黃山天海一線天》，然而取景構

秋時節憶寫黃山的天海一線天的英姿，白煙

圖則與同樣為 1983 年的《金箋山水─黃岳

裊裊，秋葉霜紅，湛藍冷翠，濃烈色彩的潑

雄姿峙古今》幾無二致，這是他九登黃山

可多得的機會。

1. 藝術家自畫像 1922 年 油彩 畫布 54.5 x 44.5 cm 私人收藏 Artist self-portrait, 1922 oil on canvas, 54.5 x 44.5 cm private collection

1

風格獨特辨識度高 行情有想像空間 回顧歷年劉海粟的市場行情，因風格審美

品留在和他情感更濃烈的上海。在台灣也有

而最高價的油畫作品則是 2014 年杭州西泠

取向，及關係地緣之故，他的畫作在南方尤

不少收藏劉海粟畫作的藏家，羅芙奧過去拍

印社所拍出的 1962 年作品《上海廟會》的

其受到歡迎。他的風格偏向西畫，活躍於上

賣的作品多出自台灣的藏家委託。晚年劉海

1,322.5 萬人民幣。

海，不少高價的紀錄都在南方的藝術市場締

粟來往美國與香港頻繁，香港也有一些劉海

造。早年曾躲避戰禍旅居南洋，留下幾件佳

粟畫作收藏。根據《名家翰墨》雜誌 1990

劉海粟的畫作市場跨越書畫與油畫兩

作，在當地也有結交舊遊知己。新加坡老畫

年創刊號「劉海粟特輯」中的報導，1987

類，如同徐悲鴻、林風眠、吳冠中等，但

家劉抗，即是劉海粟的得意門生，文革期間

年潑彩《黃山九龍瀑》以 31 萬港元拍出，

其行情仍未到高不可攀的境地，贗品的情

曾率新加坡美術考察團拜訪劉海粟，而總理

1990 年代以前劉海粟在香港拍賣會上的成

況也不若其他畫家嚴重，相對於藏家而言，

李光耀也曾會見，顯見對其尊重。1987 年

交行情大多在十萬港元之內。

仍舊比較容易入手。據悉他一生的創作不

他再次拜訪新加坡時，一幅潑墨黃山畫以 10 目前在拍賣市場上最貴的一幅劉海粟作

不算多產，而其個人美術館與南京藝術學

品是《黃山雲海》366 公分的巨畫，原預

院已藏至少七百多幅，流通於市場的作品

而過去台灣曾舉辦過數次劉海粟的畫展，

估 價 500 萬 至 800 萬 人 民 幣， 後 來 拍 出

相對稀有。以國家級博物館的規格，劉海

造成轟動。1990 年在歷史博物館舉行畫展，

3852.5 萬人民幣的天價，2011 年由上海

粟的藝術持續有學者的研究探討，未來也

他也來台拜訪過去上海美專的學生，據悉有

朵雲軒拍賣。居次的是同樣有 365 公分長

可能出版全集，對於藝術家的生平、藝術

人曾提議要比照張大千模式，在台灣為他建

的彩墨畫《黃山》，2012 年在北京的東方

風格、鑑定鑑賞，都有較好的考證與判斷，

立個人美術館，不過最後他選擇把畫作與藏

求實拍賣會上拍出 2,016 萬人民幣的高價。

這應該也是收藏者的利多消息。

O n M a r c h 1 6 , 2 0 1 6 , t h e 1 2 0 th

artist ’ s birthday. The museum was the

pieces of artworks including works by

anniversary of Chinese modern artist Liu

first national-level art museum in China

luminaries such as Shitao and Juran dating

Haisu ’ s birthday, China Post announced

to be named after an individual. It was a

from the Tang, Song, Yuan, Ming, and

the release of three stamps featuring three

multi-function art museum that integrated

Qing dynasties. The museum collection

of Liu ’ s artworks, attracting throngs of

artwork collection and preservation,

also included 360 original pieces as

enthusiastic philatelists who queued up

academic research, exhibitions and

well as over 200 paintings and works of

to make the latest acquisition for their

displays, educational promotion, and

calligraphy, all of which were donated,

collections. At the same time, the newly

cultural exchange. Housed within the

gratis, to the State. The Liu Haisu Art

completed venue of Shanghai’s “Liu Haisu

museum ’ s collections were over 300

Museum in Liu ’ s homeland Changzhou

萬新加坡幣價格賣給大華銀行。

Art Museum” began its trial operations in conjunction with an art seminar. It also announced that in June, major exhibition “ Re-writing Liu Haisu ” will be officially

launched to commemorate the innovative spirit of this extraordinary artist and educator.

The predecessor of Shanghai ’ s “ Liu Haisu Art Museum ” was founded on March 16, 1995, on the centenary of the

28

超過四千件，以高壽近百歲藝術家而言，

1

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was the recipient of donations in the form

2000 items in the museum ’ s collection,

rocks standing proud in a sea of clouds

of 30 authentic artworks, while another 20

of which at least 700 pieces are works

when viewed from a distance. It is

pieces were donated to Nanjing University

by Master Liu. The design concept of

therefore no surprise that this imposing

of the Arts. Today, after a period of over

the museum’s new building was inspired

new building has been lauded as the most

two decades, the Liu Haisu Art Museum

by “ Cloud Sea Rock Mountain, ” Liu ’ s

exceptionally designed art museum of the

in Shanghai has been relocated to its

portrayal of the majestic Yellow Mountain.

entire Puxi area.

new address on Yan ’ an West Road in

Boldly delineated and exquisitely molded,

Changning District. There are currently

the structure is reminiscent of colossal

The Art Traitor’s Enmity of a Lifetime Liu Haisu was born in Changzhou,

back the newest trends and concepts

to the two of them as “Master Liu Haisu

Jiangsu Province in 1896 . Even as a

from the West and dedicating themselves

and his student Xu Beihong” antagonized

child, he expressed an avid interest in art.

to reformations in Chinese painting.

the proud and haughty Xu who was the

He went to further his studies in Shanghai

Their influences and contributions were

elder by one year. He turned around and

when he was 14 and joined the “Landscape

significant. Each of them has earned

showed his derision by claiming that the

Painting Seminary ” founded by Zhou

widespread critical acclaim or triggered

Shanghai Art School was a “degree mill”

Xiang. The school specialized in the new

heated discussions in the art world, the

and that he considered himself to be way

French theater stage background painting

most well-known story among which is the

above its caliber. Liu Haisu, who had a

methods and construction methods for

intense controversy between Xu Beihong

forceful arrogant personality, could not

stage sets, which were all conducted in

and Liu Haisu. The two were similar

contain his anger and rebutted ferociously.

Western artistic styles. He returned home

in age and both hailed from Jiangsu.

From this point on these two great masters

after a year. In 1912, Liu and his friend

Separately, they each led an exciting life

were in continuous contention, regarding

Wu Shiguang co-founded the first school

yet continued to vie and compete against

which their close mutual friends at the

of arts in China, the “Shanghai Academy

each other in conflicts and enmities that

time, Liang Zongdai and Cai Yuanpei,

of Art ” (renamed Shanghai Academy

lasted throughout their lifetimes. Their

persistently attempted to resolve these

of Chinese Painting in 1915 ). Liu also

fiery disputes and arguments became the

misunderstandings so the two could come

assumed the role as deputy headmaster

subject of discussion in written works and

together and contribute to art education.

and later, headmaster. “Great heroes start

peculiar incidents in modern art that have

But even after Xu Beihong passed away

young,” the year the school was founded

been passed down to later generations.

from illness, this wish never came to

he was only 17, perfectly exemplifying his

Even after the death of Xu Beihong, the

fruition. The conflict and enmity between

extraordinarily boldness and insight.

gossip continued to circulate for several

the two artists lived on and it was only in

decades. Their near-century long enmity

1994 , when Liu reached his centenary

and conflict was even turned into a book

that discussions were finally laid to rest.

Liu Haisu ( 1896 - 1994 ), Xu Beihong ( 1895 - 1957 ), and Lin Fengmian ( 1900 -

titled “Enmity of a Lifetime”.

1991 ) were three remarkable modern

artists and educators who stand out as

In the early days, Xu was accepted into

th

the art school Liu founded in Shanghai,

century. They had all studied in Europe

but he did not remain enrolled for long. In

and later returned to China, bringing

1932, a newspaper article which referred

paragons of Chinese art from the 20

1. 新建成的劉海粟美術館提供青年藝術家展露 才華的全新平台。 The new Liu Haisu Art Museum will become a venue for young artists to showcase their talent.

Forward-Thinking and Courageous: Pioneer of Modern Art Liu founded the Shanghai Academy

Shangyi, and Cheng Shifa all studied

finally closed after over a decade. In 1918,

of Chinese Painting in his early years to

at the Shanghai Art School and later

when he took his students to Hangzhou’s

help the country cultivate new artistic

became the outstanding artists within their

Xihu (West Lake) to sketch, he subverted

talent. He advocated freedom of thought,

respective creative dimensions. Li Chung-

traditional methodologies of teaching

eclecticism, emphasis on a natural

Shan, the founding father of abstract art

stipulating that painting should be done

approach in teaching, respect for the

in Taiwan, also studied at the school ’ s

indoors by “ advocating travel painting

individuality of students, and promoted the

graduate institution in his early adulthood.

in nature”. In 1918, he founded the first

diversification of artistic styles. He also

“It takes a decade for trees to grow but a

specialized fine art magazine in China

introduced Western education methods

century for people to become sophisticated

called “Fine Arts” where he wrote articles

and achieved significant outcomes in

and cultivated,” the school has achieved

to introduce Impressionist artists such as

Western painting instruction, through

much since its founding and has never

Paul Cézanne and Paul Gauguin. In 1919,

which he himself also attained growth and

been the worthless “ degree mill ” which

in response to Cai Yuanpei’s urgings, he

development. Although the Academy was

master Xu Beihong had accused it of being

began to accept female students at his

a private school, he still appointed Cai

in his words of anger.

school, and was also the first to pioneer

Yuanpei, Liang Qichao, Wang Zhen, Shen

co-ed education in China. Renowned

Enfu, and Huang Yanpei to the school’ s

As founder and headmaster of the

female artist Pan Yuliang applied for and

board of directors and established courses

Shanghai Art School, Liu Haisu is

was accepted into the art school due to

including Chinese Painting, Western

attributed with many “ first instances ”

this innovative measure.

Painting, Industrial Design, Sculpting,

in the history of modern art education,

Higher Teacher Education, and Primary

some of which are memorable and

As can be discovered from all of the

Teacher Education. In 1921, the Academy

exceptional even today. For example, he

above, art critics believe that Liu Haisu’s

was renamed Shanghai School of Fine

was the pioneer of “ human models ” in

revolutionary innovations have far

Arts, although the school is generally

1915 which caused immense scandal in

surpassed the boundaries of art history.

referred to as the abbreviated Shanghai

the conservative society of the past. He

His fearless determination and persistence

Art School. Prominent modern artist of

was denounced as an “ art traitor ” and

exhibited in the face of traditional

century, such as Zhu Qizhan,

antagonized the warlord Sun Chuanfang

authorities stand as a representation of

Wang Jiyuan, Li Keran, Huang Zhen, Cai

who issued a warrant for Liu’ s arrest. It

the aspects of Chinese society that were

Ruohong, Chang Shuhong, Mo Pu, Xu

was only due to the support and efforts of

beginning to depart from tradition and

Xingzhi, Pan Yuliang, Shen Zhiyu, Han

Cai Yuanpei that the case was delayed and

enter into modern struggles.

the 20

th

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Overseas Travels and Studies: Works Collected by the Japanese and French Governments Cai Yuanpei ( 1868 - 1940 ), President

to copy the renowned paintings of Delacroix,

“ Chinese Modern Art Exhibition Tour ”

of Peking University and the Minister of

Rembrandt, Cézanne, and van Gogh. He

which was held for a year before his return

Education of China, played a critical role

also had opportunities to meet great masters

home. He received much affirmation and

in the life of Liu Haisu by offering him

such as Picasso and Matisse in person. His

praise for this feat, at the same time of which

continued support and encouragement. Even

oil paintings “ Front Door ” , “ Sunflower ” ,

he also published books on art theories and

the lyrics to the school anthem of Shanghai

and “ Respite ” were twice selected to be

art history. After the outbreak of the Sino-

Art School had been personally penned

exhibited at Paris’ Salon d’Automne, while

Japanese War, Liu Haisu led his teachers

by Cai. In an introduction Cai wrote about

another artwork titled “Snow of Luxembourg”

and students in the organization of aid

Liu, he stated that, “ Liu Haisu ’ s art has

was purchased by the French government.

relief exhibitions to help refugees. He also

qualities of the Post-Impressionism style.

For a Chinese artist to have a Western style

personally went on an exhibition tour to

His paintings come from direct observations

painting displayed in a French art gallery,

Indonesia, Singapore, and Malaysia to raise

of nature, they are faithful replications of his

this was not merely a personal achievement

funds for war relief efforts. During the war he

feelings and emotions for nature. This is why

but an honor to his homeland. French

took refuge in Jakarta and created a series of

in his works you can see in each line and

scholar Louis Laroy thus wrote in the preface

oil paintings depicting his time in the Asia-

structural component the passion he has for

of the European Exhibition Tour, “gazing

Pacifics. After the war ended, he held a solo

nature. He is a strong-willed individual, a

upon the snowy scene which he distilled

exhibition at Taipei’s Zhongshan Hall. All

characteristic that can be seen everywhere

from the piercing North Wind and frozen

these experiences testify to an eventful and

in his artworks…” In the early 1920s, Cai

mists of Luxembourg, the entwined branches

exciting life filled with glory and pride.

invited Liu to Peking University to hold

embody a silent lyricism so articulately

lectures on modern art trends and also

expressed by its powerful rhythms,” and

appointed him to draft the curriculum for

additionally commended Liu as the “Master

the nation’s junior high art classes. In 1927,

of the Chinese Renaissance”.

Liu visited Japan and met renowned artists Ishii Hakutei, Hashimoto Kansetsu, and

After Liu returned to China, he compiled

Komuro Suiun. During his visit, Emperor

and published a book series on the works

Hirohito purchased his painting “Taishan

of famous modern European artists called

Flying Waterfall” as a keepsake, from this it

“ Anthology of Famous Paintings” . These

can be seen that Liu was much beloved and

artworks included renowned pieces by

appreciated in the art world.

Monet, Renoir, Matisse, Cézanne, and van Gogh and in the last volume he included

In 1928 , Liu Haisu ’ s proposal at the

works of his own. It comes as no surprise

national education conference to hold a

that such confidence was seen as an affront

“national art exhibition” was passed and he

by certain members of his contemporaries,

was appointed as a preparatory committee

especially those who had also studied in

member. In the same year, with funding

Europe, such as Xu Beihong.

provided by Cai Yuanpei, he went to Paris for study and travel. He relocated to Europe for

In 1934, under the funding support of

around three years, a time during which he

the Nationalist government, Liu travelled

visited numerous museums and art galleries

to major European cities to organize the

1.《黃山圖 》1985 年 彩墨 紙本 143 x 367 cm 成交價：16,800,000 台幣 羅芙奧台北 2014 秋拍 “Yellow Mountain”, 1985, ink and color on paper 143 x 367 cm sold of US$539,672 Ravenel Autumn Auction 2014 Taipei

Ten Ascents of Yellow Mountain: Full Expressions of Yellow Mountain Serve as a Model of Art An overview of Liu Haisu ’ s artworks

as Cézanne, van Gogh, and Gauguin.

Liu Haisu painted Huangshan repeatedly

will show no factual evidence that he was

Out of all traditional Chinese artists,

in effort to create the Huangshan of his

an “ art traitor;” instead, he continued to

he particularly favored the refreshing

mind. He said, “ In the past Huangshan

employ traditional methods passed on

and unrestricted style of Shitao ( 1642 -

was my teacher, today I am Huangshan’s

from his predecessors and supplemented

1707 ), a master from the Qing Dynasty.

friend”, a portrayal of his artistic thought

these methods with his own revolutionary

Once, Liu Haisu and a good friend Chen

and his fervent desire to adequately

innovations. His unconventional

Zhizeng went to visit Beijing’s Wangfujing,

express the grandeur of Huangshan.

originality stole the show in the art world

Liulichang, and Rongbaozhai. On the

In later years he used sprayed ink and

during a period of extreme conservative

trip he bought the painting “Huangshan”

sprayed paint to delineate Huangshan

thought. Little wonder then that people

by Shitao. This was the beginning of his

w h i l e We s t e r n p a i n t i n g t e c h n i q u e s

were envious of his achievements. He was

personal formal collection, it was also at

complemented Chinese techniques in the

wanted for arrest in his youth by a warlord,

this crucial point that his fate became

enrichment of his paintings. This unique

hunted by the Japanese army during

inseparably intertwined with the majectic

style added to the vibrancy and diversity

the war, branded as a rightist during the

peaks of Huangshan.

of his artistic style. Ikuo Hirayama,

Cultural Revolution, raided dozens of

president of Tokyo University of the

times, suffered a stroke twice to the extent

Throughout his life, Liu remained

Arts in the 1980 s greatly admired Liu ’ s

that he had to give up painting and even

deeply fascinated by and enamored of

Chinese paintings. He pointed out, “ In

lost the power of speech. These harsh

Huangshan. Apart from early oil paintings,

his sprayed paint depictions of mountains

circumstances have only contributed to

many of his most important works were

and waters, he daringly used azurite and

his strength of character and enhanced his

mostly also inspired by Huangshan. If

cinnabar to create a heretofore unknown

artistic skills. He suffered great indignities

Mont Sainte-Victoire was Paul Cézanne’s

universe in the world of Chinese painting.”

and insults and was often forced to

holy mountain, then Huangshan was the

suppress the eloquent temper of his youth.

holy mountain that Liu Haisu sought

He once said, “To be silent and forsake all

to depict through his art. From his first

others allows one to gain a decade’s worth

ascent of Huangshan in 1918 to his

of hard earned skills.” In his later years

tenth in 1988 , the time period spans

he climbed Huangshan (Yellow Mountain)

seventy years, which includes almost

on multiple occasions, and never lost

all of Liu ’ s artistic activities. His works

his passion for art. In particular, his

featuring Huangshan as the main theme

calligraphy paintings showed a significant

include sketches, drawings, oil paintings,

breakthrough, resulting in artworks that

and traditional Chinese paintings, all

were most generally acclaimed. The

outstanding creations with their individual

paintings of Huangshan created in his

traits of magnificence.

later years also became the most iconic works of his career.

He once quoted Shitao’s famous saying, “ Huangshan is my teacher, I am

32

Liu Haisu was intrepid and uninhibited,

Huangshan ’ s friend ” to explain how the

and he was deeply influenced by

emulation of nature may result in beauty

Western Post-Impressionist artists such

that surpasses even natural scenery itself.

1.《金箋山水─黃岳雄姿峙古今》1983 年 彩墨 金箋紙 98.5 x 183 cm 羅芙奧香港 2016 春拍 預估價：850,000 - 1,300,000 港元 “Golden Landscape - Yellow Mountain” 1983, ink and color on gold-coated paper 98.5 x 183 cm Ravenel Spring Auction 2016 Hong Kong Estimate: US$109,500 - 167,500

| Art & Investment |

1

Reappearance of Giant Huangshan Painting on the Market: Anticipating the Liu ,EMWY 4LIRSQIRSR JSV XLI ÿĀþ %RRMZIVWEV] At a seminar held to commemorate

description of “freedom from restraint,” an

saying, is the symbol of your works, your

Liu Haisu ’ s 110 anniversary in 2006 ,

impassioned outpouring, a release of inner

works are the representations of your

an expert used one word to describe the

strength, all of which he embodied as a

strength. Whether it ’ s expert or layman,

distinct features of the works of famous

Romantic artist of Expressionist thought.

once they see your art they are swept

20

th

into the powerful whirlwind of strength. ”

century artists. The descriptions

were quite apt. For Wu Changshuo it was

Character creates destiny. Liu, who

His good friend and prominent writer Xu

“bleak”, for Qi Baishi it was “fun”, Huang

has treasured the idea of freedom and

Zhimo also lauded Liu as “an artist with

Binhong’s was “rounded”, Xu Beihong was

his defiance against restraint since a

mystic ways of thinking.” Xu once wrote,

“grand”, Li Keran was “impenetrable”, Fu

very early age by running away from an

“ You may dislike his (Liu Haisu) works,

Baoshi was “elegant”, Lin Fengmian was

arranged marriage and from school, all

“graceful”, Pan Tianshou was “domineering”,

for the pursuit of individuality and the

while Liu Haisu was “wild”. This portrayal

fulfillment of the self. 1930 s Poet and

is quite interesting because Liu Haisu ’ s

good friend Liang Zongdai described him

term of “ wild ” does neither refers to

as an “artist who has entered the depths.”

arrogance nor to madness. It is rather a

He wrote, “ Strength, it goes without

you may criticize his creations from all

and water painting. At the Ravenel Hong

and is even rarer than usual as the work

angles, but you simply cannot ignore the

Kong Spring 2016 Auction, we collected

was created on gold-coated paper. The

unique status he holds amongst all modern

two rare paintings of Huangshan by Liu

imposing aura of Huangshan is augmented

artists. He is right there and he grabs your

that had previously been part of a vintage

by this golden splendor, imbuing the

attention. Especially in this time when

collection owned by Mr. Zhou Yunjian, an

painting with the mysteries of the Orient.

talent is hard to come by, we cannot help

Overseas Chinese residing in Brazil. One

Inside Beijing’s Great Hall of the People,

but place our hope born from despair on

is the giant painting “ Yellow Mountain

Liu ’ s masterpiece “ The Magnificence of

this extraordinarily gifted artist.”

– Sea of Clouds ” while the other is an

Yellow Mountain” (now in the collection

opulent landscape painting “ Golden

of Diaoyutai State Guesthouse) once hung

Liu Haisu was indeed an unusual

Landscape – Yellow Mountain ” . “ Yellow

in public view. The size of the painting

character in the realm Chinese modern

Mountain – Sea of Clouds ” features a

is 119 cm by 493 cm and is slightly

art world, he travelled down the path of

total length of 366 cm and depicts the

larger than the “ Yellow Mountain – Sea

traditions yet was also bold and daring.

magnificence of the panoramic horizons

of Clouds ” included in this auction.

His background was in Western painting,

of Huangshan ’ s skies and flowing water

But the imagery and structure of this

but he was also passionate for traditional

immersed in under golden autumn

painting is almost exactly the same as the

Chinese styles and techniques. He

sunlight. The white plumes of smoke,

“ Golden Landscape – Yellow Mountain ”

painted Huangshan, which has always

the crimson of the autumn leaves, the

of 1983. This fine work was created after

been beloved by the ancients; he chose

cold blue of the rushing waters, the rich

Liu ’ s ninth ascent onto Huangshan. For

to employ extravagant gold-coated paper

contrasts of the sprayed paint and ink

collectors of Liu Haisu’s works, this is a

with an elegance and sense of delicate

mountain water painting are all absolutely

once-in-a-lifetime opportunity to add the

refinery that was free of brazen splendor;

breathtaking.

rare masterpiece “ The Magnificence of

he incorporated the tones and shadows of

Yellow Mountain” on gold-coated paper to

Western paintings to express the majestic,

“Golden Landscape – Yellow Mountain”

opulent dimensions of Chinese mountain

is entirely in the unique style of Liu,

your collection.

1

| Art & Investment |

Easily Recognizable Unique Style: Potential Room for Market Growth Looking back at past markets

Taiwan are keen to acquire the works

markets, which also goes for Xu Beihong,

for Liu Haisu’s artworks, due to

of Liu Haisu, while many of his past

L i n F e n g m i a n , a n d Wu G u a n z h o n g .

aesthetic preferences and geopolitical

auctioned pieces have been commissioned

But the prices for Liu ’ s works are still

circumstances, his paintings have been

by Taiwanese collectors. In his later years,

attainable, while issues with counterfeits

especially popular in the south. His style

Liu Haisu frequently visited the US and

are also not as severe as with other artists.

is more Western and he was most active

Hong Kong, which is why some of Liu ’ s

All of this means that for collectors, the

in Shanghai, so most of the record high

works can also be found in Hong Kong.

works are still relatively accessible. It has

prices were created in the art markets of

According to article “Special Feature on

been reported that Liu did not create more

the south. In his early years, he sought

Liu Haisu” from the first issue of the Han

than 4,000 pieces of artworks during his

refuge from the war in the Asia-Pacifics

Mo Xuan journal of 1990, the piece “Yellow

lifetime; for an artist who lived to almost a

and left behind several fine pieces.

Mountain Nine Dragon Waterfall” of 1987

hundred, he was not extremely prolific. As

During the Cultural Revolution, renowned

was sold for HK$ 310 , 000 in auction.

his personal art museum and the Nanjing

Singapore artist Liu Kang, who was one

Before the 1990 s, most of Liu Haisu ’ s

University of the Arts hold at least 700

of Liu Haisu ’ s favortie students, led an

works sold for around HK$ 100 , 000 at

pieces in their collections, very few of

art delegation from Singapore to visit Liu

Hong Kong auctions.

Liu ’ s artworks are still available on the

Haisu. He was once received by former

market. With an artistic status equivalent

Prime Minister Lee Kuan Yew. Their

Currently, the most expensive work

to that of national-level art museums, Liu

respect for him can clearly be seen from

of Liu Haisu on the auction market

Haisu ’ s artistic styles are continuously

these interactions. During his second

is “ Landscape ” , a 366 cm painting of

being researched and studied. In the

visit to Singapore in 1987, a sprayed ink

massive scale. The original estimated price

future there is also the possibility that a

painting of Huangshan was sold to United

was between RMB 5 million to 8 million;

complete collection with better research

Overseas Bank for SGD 100,000.

in the end it was sold for the astounding

outcomes and analyses would be published

figure of RMB 38 . 525 million(US$ 5 . 78

on the life, artistic styles, appraisals and

The numerous Liu Haisu exhibitions

million) at Duoyunxuan of Shanghai ’ s

critiques of this great master. This should

that have in the past been held in

2011 auction. In second place is the

also prove to be useful news to collectors.

Taiwan always cause quite a stir among

365 cm colored ink painting “ Yellow

appreciative enthusiasts. In 1990, he held

Mountain, ” which sold for RMB 20 . 16

an exhibition at the National Museum of

million(US$ 3 . 024 million) at Beijing ’ s

History, and has also visited Taiwan to

Dongfangqiushi auction in 2012 . The

see former Shanghai Art School students.

most expensive oil painting was “Shanghai

It has been suggested that a personal art

Temple Fair ” of 1962 which sold for

museum should be established in his

RMB 13 . 225 million(US$ 1 . 984 million)

honor in Taiwan, based on the Chang Dai-

at the Xiling Imprinting Corporation of

Chien model, but in the end, he chose

Hangzhou’s auction in 2014.

to keep his artworks and collection in Shanghai, a city with which he holds

The artworks of Liu Haisu span across

stronger ties. A number of collectors in

the calligraphy painting and oil painting

1.《黃岳雄姿》1983 年 彩墨 金箔 紙本 98.5 x 183 cm 成交價：3,680,000 港元 保利香港 2012 秋拍 “Magnificent Scenery of Mount Huang”, 1983 ink and color and gold paper, 98.5 x 183 cm Sold for US$471,040 Poly Hong Kong Autumn Auction 2012

劉海粟作品二十大拍賣成交排行 ;VW 4VZ[ ,_WLUZP]L 7HPU[PUNZ I` 30< /HPZ\ ,]LY :VSK H[ (\J[PVU 排名 9HUR

圖檔 0THNL

作品 >VYR

預估價 ,Z[PTH[L

成交價 :VSK H[

RMB 5,000,000 - 8,000,000

RMB 38,525,000 US$ 5,779,750

RMB 6,000,000 - 8,000,000

RMB 20,160,000 US$ 3,024,000

RMB 8,000,000 - 12,000,000

RMB 13,225,000 US$ 1,983,750

RMB 8,000,000 - 12,000,000

RMB 12,880,000 US$ 1,932,000

RMB 11,000,000 - 12,650,000

RMB 12,650,000 US$ 1,897,500

RMB 8,000,000 - 12,000,000

RMB 11,500,000 US$ 1,725,000

RMB 10,000,000 - 15,000,000

RMB 11,500,000 US$ 1,725,000

RMB 8,800,000 - 12,000,000

RMB 10,752,000 US$ 1,612,800

RMB 8,000,000 - 12,000,000

RMB 10,580,000 US$ 1,587,000

RMB 6,800,000 - 8,800,000

RMB 9,545,000 US$ 1,431,750

黃山雲海

1

Landscape 1986 Ink and color on paper, mounted 142.5 x 366 cm

黃山

2

Yellow Mountain 1987 Ink and color on paper, mounted 143 × 365 cm

上海廟會

3

Shanghai Temple Fair 1962 Oil on canvas 82 × 61 cm

黃山頌

4

Yellow Mountain 1985 Ink and color on paper 143 × 365 cm

山水

5

Landscape 1982 Ink and color on paper, mounted 141 × 358 cm

拍賣地點／時間 (\J[PVU +H[L

上海朵雲軒 DuoYunXuan Shanghai July 2, 2011

北京東方求實 Dongfangqiushi Beijing April 20, 2012

杭州西泠印社 Xiling Yinshe Hangzhou December 13, 2014

北京東方求實 Dongfangqiushi Beijing July 20, 2012

北京盛天泰 Shengtiantai Beijing December 16, 2012

黃山煙雲潑彩巨幛神品

6

(Yellow Mountain) 1984-1986 Ink and color on paper, mounted 145 × 1090 cm

黃山松林

6

Forest in Yellow Mountain 1982 Ink and color on paper, mounted 145 x 372 cm

上海嘉禾 Jiahe shanghai December 13, 2011

中國嘉德 China Guardian Beijing November 21, 2014

裸女

8

Nude 1931 Oil on canvas 80 x 50 cm

鬥雞圖

9

Cock Game 1940 Oil on canvas 58 x 71 cm

黃山蓮花峰

10

36

Lotus Peak in Yellow Mountain 1962 Oil on canvas 93 x 62 cm

北京匡時 Council Beijing June 6, 2010

杭州西泠印社 Xiling Yinshe Hangzhou December 15, 2013

杭州西泠印社 Xiling Yinshe Hangzhou July 8, 2012

| Art & Investment | 排名 9HUR

圖檔 0THNL

作品 >VYR

預估價 ,Z[PTH[L

成交價 :VSK H[

RMB 1,200,000 - 1,800,000

RMB 9,072,000 US$ 1,360,800

RMB 1,200,000 - 1,800,000

RMB 8,848,000 US$ 1,327,200

RMB 2,800,000 - 3,500,000

RMB 8,400,000 US$ 1,260,000

RMB 3,000,000 - 4,000,000

RMB 6,900,000 US$ 1,035,000

RMB 800,000 - 1,800,000

RMB 6,670,000 U$$ 1,000,500

TaiHe JiaCheng Beijing November 26, 2011

RMB 6,325,000 US$ 948,750

廣州華藝

RMB 6,000,000 – 8,000,000

RMB 5,980,000 US$ 897,000

北京華辰

RMB 2,000,000 - 2,800,000

RMB 200,000 - 300,000

RMB 5,824,000 US$ 873,600

RMB 2,200,000 – 3,200,000

RMB 5,712,000 US$ 856,800

RMB 120,000 - 180,000

RMB 5,175,000 US$ 776,250

巴黎聖心院

11

Church in Paris 1931 Oil on canvas 73 x 60 cm

雪霽（盧森堡）

12

Snowscape in Luxembourg 1931 Oil on canvas 72 x 60 cm

鯤鵬展翅

13

Plum Tree and Eagle 1980 Ink on paper, mounted scroll 173 x 506 cm

神龍

14

(Dragon) 1987 Ink on paper, mounted 124 x 730 cm

潑彩淋漓

15

(\J[PVU +H[L

杭州西泠印社 Xiling Yinshe Hangzhou December 18, 2009

杭州西泠印社 Xiling Yinshe Hangzhou December 18, 2009

上海朵雲軒 DuoYunXuan Shanghai, December 16, 2010

廣州皇瑪 Huangma Guangzhou December 19, 2011

北京泰和嘉成

(Splash-ink and Color) 1988 Ink and color on paper 143 x 365 cm

艷鬥漢宮春

16

Flowers 1987 Ink and color on paper, mounted 180.5 x 564 cm

Holly’s Guangzhou May 24, 2015

黃山蓮花峰

17

Lotus Peak of Huangshan Mountain 1962 Oil on canvas 93 x 62 cm

松鷹圖

18

(Pine and Eagle) 1986 Ink and color on paper, mounted 140 x 362 cm

Huachen Beijing May 20, 2011

北京東方求實 Dongfangqiushi Beijing April 20, 2012

聖揚喬爾夫飛瀑

19

Water Fall 1934 Oil on canvas 79.5 x 59.5 cm

黃山朝暉

20

Mountains 1987 Ink and color on paper, mounted 83 x 146 cm

北京匡時 Council Beijing June 6, 2010

南京經典 Classic Auction Nanjing July 24, 2011

（製表 / Odile Chen & Tiff Wong。資料更新 update 2016.3.4 參考資料：雅昌藝搜）

B r i n g i n g N a t u r e t o t h e T a b l e

ć&#x160;&#x160;č&#x2021;Şç&#x201E;śçŤŻä¸&#x160;ćĄ&#x152; Photo / Sosein

For humans, learning from nature is a timeless tradition of coexistence, symbiosis, and sharing. Today, taking the ecology and mood of nature as an inspiration for creating moving moments which leave lasting impressions is widespread, whether in fashion aesthetics, jewelry craft, or architectural spaces. Recently, we have also seen the emergence of a trend towards promotingâ&#x20AC;&#x153;green foodâ&#x20AC;?in the realm of food.

With promotion of sustainable development as their goal, so-calledâ&#x20AC;&#x153;ingredient-orientedâ&#x20AC;?home made meat, honey, butter and other agricultural products all use foodstuffs taken from their own farms.

Creating a comfortable, natural, country-style atmosphere has even found its way to the dining space. â&#x20AC;&#x153;You Are What You Eatâ&#x20AC;?connects London, Tokyo, and Taipei, leading the search for the sumptuous to a UL^ KLĂ&#x201E;UP[PVU VM NLU\PUL NV\YTL[ MVVK

38

| Special Report |

師法自然是人類學習和生命共存、共生、共享的永恆之道。 今天，不論時尚美學、珠寶工藝、建築空間都以大自然的生態、情境為靈感創造出令人感動、 感念的時刻；近來美食圈也興起一股「綠食」風潮。 推廣農糧永續發展為目標，家畜、蜂蜜、奶油等農產和食材都取用自自家農場，所謂「食材 取向」的家製。甚至用餐空間也都融入田園風格，營造舒適、自然氛圍。 倫敦、東京和台北連線「You Are What You Eat」，尋訪「真實的美味」。

1

1. 擁有明星主廚 Felix Schneider 的德國紐倫 堡新型概念餐廳 Sosein，傳遞一種食用新 鮮食物的飲食觀。（Sosein 提供） New concept Nuremberg restaurant Sosein with star chef Felix Schneider conveys its own view on fresh food. (Provided by Sosein)

B L A C K BULL FARM 1

6 4-12 段 12 五 義路 8 市信 8 / 台北 2723 59 rm.com Add 2 fa ll 6 u 8 b 8 + lack Tel / ww.b w / We b

號

捷 1 樓（

運象

山站

出站

行 ，步

約3

分鐘

）

「每道料理都採用最好食材、由師傅親 手 完 成， 並 且 現 點 現 做。（All Dishes use

家 製 食 材 正 夯

only the finest ingredients and are genuinely hand made to order.）」， 為「 家 製 」 精

Text / 伊森 Photo / BLACK BULL FARM

神（home made） 下 了 清 楚 註 腳。 台 北 BLACK BULL FARM（BBF） 餐 廳， 以 澳 洲有機草飼牛、冷藏空運和熟成處理等 3 個關鍵，端出「食材取向」的牛排，詮釋 真實的美味。

將家製精神重現城市生活的餐桌，從早 餐到晚餐，安全、有機、新鮮的各國優等 食材的獨有味覺中，累積有關海鮮、肉類、 橄欖油、醋、乳酪、威士忌等各類食材的 豐富經驗，除了地方風土特色、產業與市 場動態的專業觀察，再加上美食愛好者的 菜市場及廚房實作心得，BBF 餐廳賣的是 「不惜重本、用好料的誠意」。 2

40

| Special Report |

頂級牛排是 BBF 餐廳收服饕客味蕾的驚

熟成處理。「熟成」不但為牛肉增添風味，

喜。關鍵在精選唯一能兼顧「美味」與「相

更是讓草飼牛緊實肉質變得軟嫩的重要步

對低脂」的「草飼牛」。有機放養草飼牛

驟，讓饕客入口即知：美味與有機安全，

的特色是相對野放的牧養方式。牛隻不受

一點也不衝突。

柵欄圈限，在廣闊草原成長、以自然野草 為食，直到 3 ∼ 5 歲。由於運動量充足，

BBF 信 義 路 旗 艦 店， 設 有 乾 式 熟 成 設

牛隻脂肪含量較低，肉質緊實。饕客可大

備，在氣候潮溼的台灣做乾式熟成，除了

口吃肉，但又避免攝取過多油脂。

得留意調節溫濕度，「時間」是另一個重 要變因，每批進口牛肉，也因而都清楚加

「產地」是牛排市場的另個熱門話題。

註屠宰時間。平均至少需時 35 天的乾式 熟成，必須自屠宰日起算，才能精準推估

基於養殖因素考量，決定選用澳洲康乃

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爾 草 原 地 區 OBE 牧 場（OBE Organic） 的 有機放養草飼牛。「OBE Organic」從飼養

「吃」是生活樂事。到餐廳享受被服務

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食材是美味的靈魂，對於頂級牛排，還要

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桌、餐椅、垂吊的手工銅燈，在晨昏變化

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牛肉的餐廳，因為「冷凍再解凍」的過程

又真心的食物。

會 損 及 牛 肉 品 質， 冷 藏 是 保 鮮 的 最 佳 選 項；空運則為爭取時效，以儘速進行乾式

3

1. BLACK BULL FARM 的牛排採用空運冷藏 的澳洲人道飼養有機草飼牛製作。 BLACK BULL FARM’s Australian steaks are produced from humanely-reared, grass-fed cattle and shipped by air in cold storage.

2.「家製」作法煎出的牛排，口感紮實、飽滿 多汁，風味絕佳。 Homemade-style cooked steak with a firm texture that is plump and juicy has an exceptional flavor.

3. 餐桌與餐椅全是用印尼爪哇合歡木打造，與 銅製燈具共譜奢華悠閒氣氛。 All the dining tables and chairs are made from Java wood. The copper lights compose a relaxed atmosphere of luxury.

乾式熟成帶骨菲力 熱中「稀有珍品」帶骨菲力的牛排行家，不能錯過國內目前唯一以空運冷 藏配送澳洲有機牧場放養草飼牛肉，新鮮直送 BLACK BULL FARM 餐廳 的帶骨菲力；為確保頂級部位牛肉（帶骨菲力、頂級肋排等）的最佳賞味 鮮度，先經過 7 天乾式熟成處理，以增加風味、軟嫩肉質。 帶骨菲力非常考驗廚師技巧，以希臘進口橄欖油煎至三分熟，牛排表面呈 現焦糖化，在海鹽襯托下，凸顯肉質微甜，菲力最為著稱的柔細多汁「骨 邊肉」，軟嫩口感，更是牛排饕客爭相的精華。

BBF 乾式熟成牛排最佳賞味指南 • 牛排必須冷藏保鮮。冷凍再解凍會破壞肉質（如果煎牛排時發生出水情 形，應該就是冷凍再解凍的牛排） • 唯有帶骨牛肉才適合乾式熟成，純粹的牛肉肉排不會做熟成處理。 • 平均約須 21 天熟成，但並非愈長愈好。熟成時間長，牛肉的水分散失 多，尤其是國人偏愛的「上蓋肉」，因水分逸散變乾的部分愈多，削去 的耗損也愈多，提高成本，也浪費美味，熟成因而重視溫度、濕度、時 間的控制。 • 口感偏好，「三分熟」是最能呈現乾式熟成牛排美味的推薦熟度。

「OBE Organic」何謂有機牧場 OBE 有機牧場位於澳洲中部的康乃爾草原地區（Channel Country），草 原上蜿蜒密布的溪流，為康乃爾贏得「河道之鄉」的別名，百萬年來，洪 水帶來的礦物質及養分，滋長了超過 250 種原生牧草，因而造就康乃爾成 為自由放牧區，更得天獨厚的是，自然地形使得康乃爾與澳洲其他農業區 隔離，迴避鄰近農田小飛機所噴灑農藥的汙染，確保環境不受波及。 在這塊從未使用殺蟲劑、除草劑、非有機肥料的土地上，OBE 家族自第一 代起就採取放牧飼養，牛隻在廣達 700 多萬公頃的草原上自由成長，沒有 柵欄圈限，每天的步行距離甚至可達 8 公里，因而造就低脂、緊實的肉質。 如今「OBE Organic」是由康乃爾地區三十多家理念相同的草飼牛養殖戶 共同組成的合作企業，養殖全程不使用化學藥品、生長激素、不使用營養 添加物。 並委託位於昆士蘭、獲得澳洲永續農業協會（NASAA）放牧設施認證的全 澳第二大肉牛專門屠宰場「Grantham」，進行可降低動物緊迫、兼顧動物 福祉，並確保肉品品質的人道屠宰。 整體而言，「OBE Organic」從牛隻牧養、運輸與繫留、屠宰分切、加工 與物流等流程，取得多項國際認證，包括美國農業部（USDA）、澳洲永續 農業協會（NASAA）、澳洲有機認證（ACO）與清真認證（HALAL）。

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P e t e r s h a m Nurseries Café

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Text / Yasmin Photo / Petersham Nurseries

走進 Petersham Nurseries Café 只有四個 字「鳥語花香」。聞著濃濃草香，耳朵傳

, Road sham

AB 10 7 y, TW e r r u m, S rsha Pete

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然是高級料理。餐廳也順勢推出許多花草 料理，每道料理都搭配色彩繽紛的小花。

這 家 位 於 英 國 Richmond 的 一 星 餐 廳， 2

以溫室為主題。最近更被《Time Out》評 選為倫敦前 100 名餐廳。Nurseries 指的就 是苗圃。早在 1970 年這裡只是一片花花 草草的荒地，直到 2004 年改造成功開始 正式營業，顧客除了體驗大自然用餐的氛 圍更可順便逛逛當地設計師精緻的家居用 品。主廚 Damian Clisby 帶領團隊採用花園 內新鮮種植的蔬菜做為食材，搭配個人創 意，在花園情境中，享用意想不到的佳餚。 1. 溫室花園餐廳一年四季體驗不同景致。 The Petersham Nurseries restaurant has different viewing experiences the year round.

2. 採自園內的新鮮時蔬搖身變為桌上菜餚。 Seasonal vegetables are taken fresh from the garden to the kitchen and then served on your table.

F l o r i l e g e

如花般優美詩集 Text / 袁青（東京越洋） Photo / Hanshun

寸土寸金的東京，即使是米其林三星餐

法式劇場更奢華的饗宴嗎？

廳都可能排排座，順著石階走進澀谷區法式

44

料 理 餐 廳「Florilege」， 眼 前 不 禁 被 22 個

廚藝界比美「奧斯卡」頒獎，2016 年亞

座位，圍繞著隨季節更替花草枝枒布置的開

洲最佳 50 大餐廳最新名單出爐，果然，東

放式廚房，廚師們在如舞台般中島區料理菜

京的法國餐廳「Florilege」脫穎而出，拿下

色，完成後，直接將料理盛在有田燒的盤子

「最 值 得 關 注 獎」。 無 獨 有 偶，2009 年 自

裡遞給客人，並由主廚向客人解說使用的食

立門戶，年輕俊俏的主廚川手寬康（Kawate

材以及想法，饕客們如同觀賞著，也參與著

Hiroyasu）也被票選為國際餐飲圈最具潛力

這場美食表演，這分震撼，還有比餐廳變成

的明日之星。

1. 在 Florilege 可親眼見證廚藝精湛的料理過 程，彷彿置身藝術盛宴。 At Florilege you can witness an exquisite cooking process that makes you feel like being part of an artistic feast.

2. 隨季節更替的花卉綠意，盎然生趣。 The lush greenness of flowers and plants that change with the seasons brings an exuberant joy of life.

3. 細膩的料理精神與絕佳烹調手法，美食宛如 揮灑藝術般迷人。 The spirit of exquisite cooking and the excellent cooking techniques make the food fascinating, like a work of art.

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曾 擔 任 東 京 三 星 餐 廳 Quintessence 副 主 廚， 創 立「Florilege」 的 川 手 寬 康 笑 著 說，因為找不到三星的對手，「所以我自 己開店。」高中畢業，踏上料理人的路。 從 東 京 當 地 的 星 級 法 式 餐 廳， 到 法 國 南 部 Montpellier 雙 胞 胎 兄 弟 檔 米 其 林 名 廚 Laurent 與 Jacques Pourcel 旗下。川手寬康 融合東方食材與法式創意手法的料理，在 日本美食評論網 Tabelog 的餐廳排行榜上， 名列第七名的超人氣名店，平均一個半月 換一次菜單，川手寬康笑稱有一對慕名的 客人，七年來，少說光臨過 100 次，吃遍 他 所 有 菜 單， 也 令 他 絞 盡 腦 汁；Florilege 餐廳 CP 值高且富有和風創意，一般客人 至少要在一個月前先預約。

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川手主廚對於料理的堅持，其實來自環 保。同樣的食材，在不同的時間與地點， 加上截然不同的處理手法，創造出風格迥 然的料理，「不浪費任何食材，」這也是 川手寬康法式料理的真髓與奧妙。例如， 他選擇比美松阪的宮崎種牛，但關鍵在，

3

充分發揮物種生命，別人 3 年就宰殺，川 手卻等到 13 年半，但嚐一口他用稻草燻 過的馬鈴薯泥打底，薄薄鋪上一層宮崎牛 肉的料理，令人齒頰留香；奢侈享用食材 的同時，也能感受到主廚在處理珍貴生命 時，總抱著絕對物盡其用作出好菜給客人 的心意、及一種對食材的情意。把剩餘的 蔬菜切下和牛骨、不用的內臟一起熬煮成 備用的高湯或當醬汁入菜，看川手主廚一 邊動手擺盤把野生的蕃薯埋在櫻花土裡， 一面可以感受著他蘊含在食物中的深情。

俊朗的川手寬康舉手間散發纖細優雅的 氣質，但他日本風格的法式菜卻有一種豪 邁與力道；色彩繽紛且意含豐富。前菜是

4

蔬菜，中段主餐的肉品必然有兩道，不管 是點鴨肉還是兔肉，都會用到內臟，獨樹 一格的鵝肝，淋上匠心獨具的醬汁，十分 到味。以詩詞文學作品集的法文 Florilege 為餐廳命名，川手寬康希望呈現如詩畫般

2

美麗又引人的環境與美食，不正是頂級料 理缺一不可的精采嗎？ 3

1. 許多饕客看準主廚川手寬康的手藝而來。 Numerous guests have seen chef Kawate Hiroyasu perform his craftsmanship.

2. 物盡其用，感念這片土地孕育出珍貴食材的 心情也化作料理一景。 With everything serving its purpose, the gratitude for the ingredients this piece of land nurtures also becomes part of the cuisine.

3. 眾多細膩烹調手法交織而成的美味饗宴，五 感俱全。 Many cooking techniques merge to produce a delicious feast that appeals to all five senses.

4. 注重食物新鮮度及製作過程的川手寬康，提 倡環保不浪費的心意。 Kawate Hiroyasu pays particular attention to the food freshness and production process, with the intention to promote eco-friendliness and reduction of waste.

三宅一生

ISSEY MIYAKE

穿上自由 Putting on Freedom Text / 袁青（東京越洋） Photo / 台灣君梵 1

48 48

| W Worldly orld or orld ld Goods | ldly

一生的靈魂寄存在藝術創作裡的三宅一生，純粹溫柔。創作，有時候就是反射的鏡子。三宅一生的作 品充滿感性、優秀技巧，和不時發散出只有「傑作」才有的簡單和純粹。 三宅一生的時尚總是走在時代尖端，常常給予新衝擊及感動；但也像靜止雕塑，卻也隱含了無限的躍 動性。他看向世界的眼光，展現了創作者毫無止盡的好奇心。大師揮灑藝術的創造力是野心十足的， 但在人格上，三宅一生所隱藏的卻是對珍惜生命，愛惜自然以及藝術的謙虛。讓我們撇下身形的限 制、曲線的煩惱，輕鬆享受輕盈織布所帶來的獨特。感動於三宅一生「穿出自在、快樂」的感召吧！

Issey Miyake, whose soul of life is in the creation of art, is pure and gentle.

Sometimes creativity is just the reflection of a mirror. Issey Miyake’s work is full of sensibility, superior technique, and he often creates only “masterpieces”, which possess a simplicity and purity.

Issey Miyake’ s fashion is always on the cutting edge, frequently generating a new driving force or sentiment. But like motionless sculpture, it’s somehow also able to suggest an unlimited vibrancy. The vision with which he looks at the world conveys the endless curiosity of the creator. The creativity with which the master paints his art is brimming with ambition, but as far as personality is concerned, what Issey Miyake conceals is an appreciation of the value of life, a cherishing of nature, and an artistic modesty. Let us leave aside the limitations of stature, and the concerns about curves, sit back and enjoy the unique qualities brought by the light and graceful weaving. Moved by the appeal of Issey Miyake’s“piercing through comfort and happiness”!

裝是與我們最息息相關的設計，把

界刺激，身體所作的動作和姿勢，帶來了

服裝作為新的表現媒體，繼承日本

設計靈感。抽象的衣服，在人們穿上它之

衣服文化的基礎，用最新科技的纖維研究

後才第一次擁有了形，發揮它原本的功能。

成果和聚酯纖維素材的再生開闢前進的道

三宅製造各種服飾之前，都會思考的問題。

服

2

路。瞭解三宅一生同時，一窺日本創作的 歷史和現況。將自古代流傳至今的傳統織 物，應用了現代科技，結合個人哲學思想， 創造出獨特而不可思議的織料和服裝。每 在設計之前，總是與布料寸步不離，把它 裹在、披掛在自己身上，感覺它、理解它， 三宅一生說：「我總是閉上眼，等織物告訴 我應去做什麼。」

三宅先生一直在「自由、革新、傳統、 環保」等主題進行挑戰。身體——也就是 衣服的原點。三宅先生自身的設計工作總 是以身體為出發點。身體有形且能感受外

3 1. 對三宅一生來說，服裝設計就像是和身體、 衣服的對話，布料和身體之間的空間才是 重點。 For ISSEY MIYAKE, fashion design is like a dialogue between the body and clothes. The key is the space between the body and fabric.

2. PLEATS PLEASE ISSEY MIYAKE 與田中一 光合作的 SHARAKU 浮世繪系列。 The SHARAKU Ukiyo-e series is a collaboration created by PLEATS PLEASE ISSEY MIYAKE and IKKO TANAKA.

3. 三宅一生突破布料特性的限制，設計出可 壓平如紙，穿上身卻又能隨人體曲線變化 的服裝。 ISSEY MIYAKE broke through the restrictions of fabric characteristics, designing clothing that can be pressed flat as paper and shaped according to body shape.

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1. 三宅一生擅於將傳統與創新結合，內斂作品 合，內斂作品 散發禪意哲理。 g tradition and ISSEY MIYAKE excels at combining rted works to innovation, enabling his introverted exude Zen philosophy.

2. 線性條紋的優雅隨意，簡單展現人體曲線的 現人體曲線的 輪廓。 Elegant and casual, the linear stripes tripes clearly ody. manifest the contour lines of the body.

3. 看似隨興「褶」出服裝線條，讓平面的布料 讓平面的布料 展現有形紋理。 The seemingly arbitrary “folded” clothing lines hibit tangible enable the planar fabric to exhibit texture.

4. 不侷限於服裝，「一塊布」可折疊的特性甚 折疊的特性甚 影效果。 至延伸至燈具，形成有趣的光影效果。 Not limited to clothing, the foldable characteristics of “a piece of cloth”” can even be extended to lamps, forming intriguing guing lighting effects.

5. 向穿衣服的人和環境表達敬意，三宅一生的 ，三宅一生的 創作蘊藏東方思維。

2

Paying a tribute to the environment nt and people SSEY MIYAKE wearing clothes, the works of ISSEY harbor Eastern ideals.

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對三宅先生來說，設計就像是和身體、

創作。他認為，製作衣服就要向穿衣服

衣服對話，布料和身體之間的空間才是重

的 人 和 環 境 表 達 敬 意。A-POC 和 132 5.

點。最大的特點就在於同時具有機能與革

ISSEY MIYAKE 就是以這樣的想法所創造

新，並且讓穿上它的人行動不會受限。正

出 來 的。A-POC 是 1998 年 三 宅 先 生 和 藤

因為「一塊布」的形狀是抽象的，當被穿

原大先生共同開發的，具有劃時代意義的

上後，身體的活動不但不受衣服限制，反

衣服。考慮到衣服完成時的形狀，在製作

而會據身體形狀隨之變化。

布料時把布料做成管狀，幾乎不會產生「廢 料」。

「縐褶」在三宅先生的創作裡佔了很重 要的一席之地。自從三宅先生開發出了獨

2010 年 發 表 的 132 5. ISSEY MIYAKE

特的縐褶之後，把布料剪裁後進行縐褶加

是 由 跨 領 域 的 專 家 們 集 結 而 成 的 creative

工的縐褶技術一直被運用在他的作品裡。

team 和 Reality Lab 所 共 同 開 發 的。 利 用

在 1990 年 初， 為 了 威 廉 福 爾 賽（William

再生聚酯纖維，通過計算所製造出來的衣

Forsythe） 所 率 領 的 法 蘭 克 福 芭 蕾 舞 團

服，可以折疊成幾何形狀，在展開來穿上

（Ballett Frankfurt），創造出了解放身體、

後，隨著人的動作而被賦予了生命。132 5.

同時充滿玩心與創意的、具有實用性的縐

ISSEY MIYAKE 超 越 製 造 衣 服 的 概 念， 把

褶。使用可以加熱的聚酯纖維布料，三宅

保特瓶回收重新製成纖維、甚至是燈具的

先生終於完成了——通過讓布料和身體貼

製造，體會魅力來自和無數有意義的設計

和的古老技法「縐褶」，不僅具有美的要

相遇。驚人奇突的創意，同時又具有寬泛、

素，還具有實用性的衣服終於創造出來了。

雍容內涵。三宅一生基於東方製衣枝術的

因為三宅先生的嘗試，讓身體和衣服的關

創新，反映關於自然和生命的哲學。「看似

係 產 生 了 新 的 變 化。1993 年 作 為 縐 褶，

無形，卻疏而不散。」正是這種沉蘊的東方

PLEATS PLEASE 誕生了。

抒發，賦予了神奇的穿著魅力。

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為什麼收藏？ ──今天說說柏金包 Bags to Collect? And Why Not? Birkins Tells Text / Lynn, Ling H. 石靈慧 Photo / Ravenel International Art Group

「投資柏金包（愛馬仕）比黃金更好！」美國時代週刊近來根據獵包人網站的發現，指出：「過去 35 年來， 柏金包的價格，平均每年增幅高過 14%，勝於 S&P 500 的 8.7%，更遠遠優於黃金的負 1.5%，快速增值 的柏金包，投資價值當然勝過黃金 1！ “Birkin Bags are Better Investment Than Gold”Recently Time Magazine cited the finding of Baghunter. com, to state that HERMÈS Birkins has been appreciated in price by 14.2% per annum in the last 35 years average, compared to the S&P average of 8.7% a year and gold’ s -1.5%. As such, rapid and steady value appreciation makes the Birkin Bags an investment target much superior to gold 1 !

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| Luxury |

黃金與動物皮料手袋來比對價值或

雙數成長，愛馬仕 2015 年營收近 412 億

真實不虛的愛馬仕獨門工藝所造就的那一

攀比增值性，不免顯得荒謬或笨拙，

歐元，其中 3 成是淨利，股價也總是高過

包，而這包，根本是他牌的類似設計、便

然而，直到你鏗鏘說起：柏金包比起黃金

LVMH；但愛馬仕絕不輕易增產，堅守奢侈

宜一百倍的超 A 級仿品都無可取代。

還要貴，許多人對於女性手上皮包的珍貴

品供應必要的「稀珍性」。

拿

我 喜 歡 設 想， 柏 金 包 現 象 —— 包 迷 們

價值，只怕不能滋生出什麼想像力；而的 確，那被稱作「慾包」、「幸福神物」、「挽

雖然奢侈品巨頭 LVMH 旗下羅列著最懂

對柏金包這份絕對炙熱的鍾愛，也許只有

著的時尚蜜糖」或「貴婦必秀的名片、身

興風作浪的「慾包」造潮名牌，尤其是我所

「追求真美近乎偏執」這個概念才能妥善

份包」的神聖尤物：柏金包（的鱷魚皮版），

熟悉的 LOUIS VUITTON，搶奪「全世界最

說明——若你有機會見證那叫人歡呼：「世

若乾脆照著重量計算，就是「貴」過黃金，

昂貴皮包」霸主地位的競爭激烈，愛馬仕卻

界上怎麼可能存在著這麼美的包包？」、

這是事實──此包一般價位，在 42,000 到

好比名錶界的百達翡麗，穩固地佔據「天

體驗那與「美麗驚奇」相遇的震撼，便能

432,000 美元區間（截至目前）。

價」的指標地位；拍賣會上，兩款愛馬仕皮

理解：這梗，並不是「投資增值性（ROI）」

包的高貴身價尤其顯赫，卻也只能自我打破

或「品牌忠誠度」這回事能交代得了的。

且慢驚呼：皮包只是「皮包」、不外乎

紀錄：柏金包與凱莉包，2015 年 6 月，佳

是名牌「商品」，不管它的鱷魚皮怎麼稀

士得以 146,000 英鎊在香港拍出了一只豔

珍、工藝怎麼超凡，哪裡值這麼多……？

粉鑲鑽鱷魚皮鉑金包，客氣地以 2 千英鎊

Although taking gold and animal

well,「貴瘋了」的價格沒成過問題，為了

之「少」，讓伊麗莎白泰勒「天下第一包」

skin handbags for comparison on their

求之不得的「夢幻柏金」四處奔走，恭候

的紀錄被超越。

value and investment return might seem

有朝一日獲得「購買恩賜」的「柏金包聖 教徒」， 並不限於好萊塢巨星、名媛貴婦

clumsy or redundant, but considering 此際，若看官對於「動物皮料製的手袋」

the common perception may need the

的價值，開始肅然起敬，推想：既然鱷魚

right fuel to induce deserved imagination

皮包貴過黃金，那麼一個鱷魚的養殖場，

and proper respect towards their value,

不就等同於黃金的農場、金礦源源不斷的

until it is heard load and clear that

皮柏金包價位是 432,000 美金 ，早就給

礦脈？卻不過，當今只有愛馬仕非常奧妙

the Birkins (Crocodile version to be

買下拎走，還說真正的「天價柏金包」，

的「煉金術」──融合製包工藝與行銷神

precise) practically cost more than gold,

是高至 190 萬美元（接近今天的 6,300 萬

技的獨門絕活兒──能讓區區鱷魚皮變出

and so even by weight! And indeed,

台幣）的四款鑲著千顆鑽的貴金屬柏金包。

黃金！

these gorgeous bags, that inspires the

與拜金時尚女，別奇怪人人都有柏金夢。

專家會告訴你：目前愛馬仕最貴的鱷魚 2

21 century concept of It Bag, Charm of 須知：這具足增值、收藏價

Bliss, Armed Candy, Status Bag or the

值的皮包，若不是 Lady Gaga

Must Have Name Card, are priced at the

年到 6 年不等──令市場觀察

（等等明星名流）提過的柏

range of US$46,000 - 240,000 for now…

家超級興奮，也使年營收一貫

金、 凱 莉 包， 就 至 少 必 是

Just when you are compelled to wonder

無視於蕭條景氣的愛馬仕柏金傳 奇的「等候列」──據估計從 2

that a bag is just a BAG, generally products are produced for brands commercial gains. May the crocodile skin be the rarest and the artisans ’ skill

1. 不論皮質、作工都讓人欲罷不能的愛馬仕 手工包。 HERMÈS is second to none when it comes to craftsmanship.

2. 傳說中的喜馬拉雅鱷魚柏金包，市場要價超 過 600 萬台幣。 The legendary Himalaya Birkin was asked for more than US$200,000 in the market.

2

1

ultra superb, what makes it commands

Proofed to defy recession and financial

unchallengeable by far. With it ’ s Kelly

the price so sky high beyond reasoning?

crisis, the legendary waitlist of Birkin is

and Birkin bags’ enjoying their collectors’

One may very well rest assured, that the

reportedly 2 to 6 years, which enormously

relentless fascination in major auction

desirability of Birkin has not, and perhaps

excites industry analysts, and which may

house, they can but only constantly breaks

will not, become lessened which is

be very well accounted for the 2 digits

their own records. At Christie, a fuchsia

apparent by the knowledge that while the

revenue growth HERMÈS regularly

diamond-encrusted crocodile Birkin set

eager Birkin fans rush to buy one, they are

commends. The company turns over 41.2

the the highest record at £146 , 000 in

largely made to waitlist humbly, for the

billion in sales in 2015 and 30% of which

2015 as the most expensive handbag

“favor” finally granted to finally buy and

is net profit. With share price substantially

sold at auction, which broke the previous

own one. Those fans who are otherwise

higher than LVMH, HERMÈS declares its

record of the Birkin once owned by

referred to as members of Birkin cult, are

life long efforts in containing any increase

Elizabeth Taylor by only £2,000.

not limited to Hollywood stars, society

in supply which is critical to seal the

ladies and fashion victims at all.

perception of “rarity”.

2

Export information also says that the

Rigorous competitions among luxury

most expensive croco Birkin thus far, is

brands makes c reator of the It Bags

2

54

priced at US$ 432 , 000 which had been

and or the world ’ s most expensive bag a

privately sold by the house, but the real

Super Brand status worth the everlasting

Sky High tickets of all HERMÈS products

fight. While holds firmly the superior

are 4 high jewelry Birkin bags made of

status, HERMÈS, an equivalent to Patek

thousand diamonds and precious metal.

Phillippe of the watch world, has been

| Luxury |

While one might begin to be convinced of the absolute value of Birkins, and accept that the skin of crocodile may be made to become bags that out-value gold, one can then imagine the crocodile farm may very well be seen as gold mine, and such farming can then be gold mining, gold growing! Yet it is, nevertheless, not entirely how things simply worked.

It is the arts, the crafts and the science of HERMÈS that have the so called “ alchemistic ” power under controlled.

And it is only HERMÈS, among all luxury brands, who is capable of performing the magic of the kind, the esthetics, the artisanal craftsmanship, the marketing tactics infused all being accounted for, for the bags that valued surpass gold.

3

than perhaps one would realize the expectation of ROI (return of investment)

A most remarkable factor to know is, with Birkins, it is simply irreplaceable, those who desire or own the bags, would

and the concept of Brand Loyalty could explain the Birkin fetishism only less than a friction. This thought does please me.

not care for a less expensive look alike offer by other brands, it has have to be the Birkin of HERMÈS. Nor would they be satisfied by a “perfect” knock off 1/100 of the cost.

I do prefer the thought, that perhaps

註1“Why The Hermès Birkin Bag is a Better Investment Than Gold”. Source from: http://

time.com/4182246/hermes-birkin-bag-investment-gold/ ( Time.com, Jan.15, 2016)

1. 愛馬仕為頂級客戶製作的獨一無二包款， 和式絲綢刺繡搭配絕版山羊皮。 HERMÈS customizes one of a kind handbags for loyal clients, like this chèvre leather & silk kimono Birkin.

2. 保存狀況良好的老年份柏金或凱莉最受到收 藏家追捧。 Vintage Birkin or Kelly in pristine condition attracts collectors.

3. 柏金包於 1986 年上市，魅力不減反增，甚 至成為投資新選擇。 Since its launch in 1986, Birkin never fails to impress. It even becomes an alternative investment instrument.

註2“Hermès Birkin bag sells for record £146,000 at Christie’ s auction” . Source from: http://

w w w. t h e g u a rd i a n . c o m / f a s h i o n / 2 0 1 5 / jun/01/hermes-birkin-record-most-expensive-handbag-christies-auction.

the Birkin phenomenon, the intense desire, the fascination to covert, can only be accounted for as “ an determination

About the Author

in posses the manifestation of true and ultimate beauty and refinement so

作者石靈慧教授為 Bliss Consulting 執行長，{ 名牌學 V1} 等書作者，中國文化大學時尚與 品牌學程教授，並為國立故宮博物院品牌授權與開發審查委員，其前任 LVMH 時尚集團暨

fearless to an extreme of paranoia ” And

LOUIS VUITTON、LOEWE、CÉLINE、FENDI 等品牌總經理，旅居紐約十年期間從事商場視

should you find a chance in witnessing

覺行銷、櫥窗與劇場設計，擁有美國康乃爾大學藝術碩士學位。

the overwhelming joy, surprises and inspiration when de-boxing the long

Lynn, Ling H. Shih is the CEO of Bliss Consulting, book author of { Luxury Branding Myth, 2015 } , Professor, Director as well as committee member of Brand Asset Development

desired Birkin, when they cried: “How on

for National Palace Museum, previously she was the CEO of world luxury giant: LVMH

earth would something so beautiful exists?

fashion Group Taiwan. Lynn’s diverse expertise encompasses Visual Merchandising, Stage,

“or when one personally experiencing the

close encounter of such wonderfulness,

Costume and Creative Designs. She resided in New York City prior to Taipei for more than one decade and holds a MFA degree from Cornell University.

法國 義大利

美國

南非 智利

暖化 佳釀大風吹 Wine in the Age of Global Warming Text / Pan Yunzhi 潘芸芝

Photo / Ravenel International Art Group、Top Photo Group 達志影像

氣候暖化是全球最急迫的議題，對於看天吃飯的葡萄酒業者而言，自然也不例外。隨著 2015 年夏季創下 法國史上第二高溫記錄，氣候暖化對於釀造葡萄酒的影響已如醒鐘般，再次敲響了酒業的憂心。 Global warming is one of the most pressing issues facing the world today – and this is doubly true for those in the wine industry, which is an agricultural business heavily susceptible to the whims of Mother Nature. France experienced record-high temperatures in the summer of 2015, the second hottest season in the history of France. Clearly, the impacts of climate change are becoming an alarming wake-up call to all wine makers across the industry.

禁

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「（波爾多）很可能無法再繼續種植梅洛 了。」本應九或十月才採收的梅洛，如今 多在八月便成熟。過熟的葡萄導致酒款失 去新鮮度，令釀成的紅酒與右岸原本的經

中國

典特性大相逕庭。原本優雅、適合搭餐， 酒精度中等的右岸紅酒，在近幾年逐漸成 為葡萄酒大師 Clive Coates 所形容：「沒有 骨架的水果炸彈。」

為了面對大自然投出的變化球，波爾多 釀酒業者紛紛早採梅洛，以圖挽救原本的 經典風格。波爾多葡萄酒公會 CIVB 也開始 進行一項為期八年的計劃，找來超過 50 種 耐旱耐熱的品種，欲透過實驗找到適合在 波爾多種植的品種，其中包括了義大利的 山吉歐維榭，以及希臘的希諾瑪洛和阿塞 蒂克等。

澳洲 根據 Destrac 的說法，以卡本內蘇維濃和 格那希配種得到的瑪莎蘭表現不錯，葡萄牙 的國產杜麗佳也十分傑出。而原本已經是法 定品種之一，卻因過晚成熟而種植比例偏低 的小維鐸，很可能捲土重來，再次成為波爾 多新寵兒。然而，無論協會研究結果為何， 經典的風味，恐怕只會成為過去。

釀酒版圖大洗牌 1

全球暖化對於葡萄酒並非全亮紅燈。過 去十年來，其實有不少名酒產區得益於氣 候暖化，包括德國摩賽爾河等德白產區， 以及法國阿爾薩斯與香檳等地，就連英國 也開始釀出品質優秀、廣受好評的氣泡酒。

相

較於其它農作物，葡萄樹對於周遭

在這些緯度較高、氣候較寒涼的產區，葡

重新定義波爾多

萄熟成度因氣候暖化而獲得改善，單寧與

環境的變化是出了名的敏感。如果

一小段坡、一股季風，或日夜溫差多上 1、

一份由聯合國監督的調查發現，波爾多

2℃，就足以在不同副產區造就出完全不

到 2050 年 之 前， 可 能 會 高 出 較 1975 ∼

同的微型氣候，試想產區年均溫升高 1 ∼

2005 年的均溫整整 4℃。在這裡，梅洛很

2℃，或全球每年升溫 2℃，對於葡萄酒的

可能成為第一個被淘汰的品種。法國國立

風格會有多麼驚人的影響。

農業研究機構研究員 Agnes Destrac 表示：

不

開

車

安

全

糖份開始升高，因而較少見到酒體稀釋、 清淡無味的壞年份。 1. 全球葡萄酒產區版圖正在快速變動中。 The wine production territory is changing rapidly around the global.

有

保

障

然而一份調查發現，截至 2050 年，全球

fluctuations in elevation, a seasonal monsoon,

temperature for the period from 1975 to

恐有 2 / 3 的優質酒產區將面臨存亡威脅，

or an increase of 1 or 2 degrees Celsius in

2005. By that time, Merlot may be the first

這些地區的產量不但預計面臨高達 85% 的

day-and-night temperature discrepancy is

species to become history. Agnes Destrac,

縮減，品質更可能大不如前。隨著氣候不斷

enough to create microclimates in different

a researcher from a French national

暖化，未來的葡萄酒的理想栽種緯度可能將

sub-regions. The effect of an average annual

agriculture research agency stated, “Merlot

由目前的南北緯 40 ∼ 50 度上提 5 度，這

temperature rise of 1 to 2 degrees Celsius

may not continue to grow ‘in Bordeaux’.”

表示包括波爾多與隆河等在內的南法產區、

will have on wineries, or how an annual

What was originally meant to be harvested

納帕、北義多區、南非，以及西班牙利奧哈

rise of 2 degrees Celsius across the globe

in September or October is now maturing

和斗羅等區，將全數排除在外。

will affect wine flavors, could very well be

in August. Over-ripe grapes will rob the

startling.

wine of its freshness, giving a drastic

取而代之的葡萄酒產區新星，則包括有 英國南部、俄羅斯，甚至瑞典等緯度偏北 的地區。事實上，最近開始愈來愈流行的

contrast to its original Right-Bank classic

How Bordeaux Is Being Redefined

澳洲塔斯馬尼亞島，也可以說是其中一例。

taste. What was originally elegant and suitable to complement a meal with mild alcohol content is now becoming “a fruit

也許不用到 2050 年，我們所熟知的優質

According to a study overseen by

酒產區，將會大規模洗牌，而精打細算的

the UN, global annual temperature is

葡萄酒藏家們，或許已在積極收購經典產

estimated to be 4

區的佳釀，並研究新星產區的潛力酒莊了。

1

bomb with no hard edges, ” according to Master of Wine, Clive Coates.

degrees Celsius

Faced with such unpredictable changes

higher by 2050

in nature, Bordeaux’s wineries are

than the average

harvesting Merlot ahead of schedule in

Compared to other types of crops,

order to save its previously classic flavor.

grapevines are known for their sensitivity

Bordeaux’s wine guild is also conducting

to environmental changes. Even minor

an eight-year plan gathering 50 heatresistant and drought-resistant species on an experimental search for the one suitable to grow in Bordeaux including Sangiovese from Italy and Xinomavro and Assyrtiko from Greece.

According to Destrac, Marselan – a hybrid of Cabernet Sauvignon aand Grenache – is doing well, a s i s To u r i g a N a c i o n a l f r o m Portugal. Originally a legitimate P species with a low plantation percentage due to late maturity, p Petit Verdot might very well make a comeback and once again become Boudreaux’s rising

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| Wine |

degrees. This would mean that wineries throughout southern France, Napa Valley, Italy’s northernmost regions, South Africa, and Rioja and Douro in Spain could be entirely driven out of business or otherwise relegated to a minor role in wine production.

Wineries in the south of England, Wi Russia and even in areas as far north as Russ Sweden are becoming new rising stars.

Swed The island of Tasmania in Australia, which is receiving an increasing amount star. Regardless of the results of the

due to global warming, resulting ng in

association ’ s survey, previously classic

higher tannin and sugar content. ent.

flavors may become a legend in the part.

C o n s e q u e n t l y, v i n t a g e s o f

of at attention, can even be counted among these the important new wine producing regions.

Perhaps by as early as 2050, reg many of the premier wineries we m

tasteless wines with little or noo

The Shifting Landscape of Winery Locations

know and love today will be phased k

body may be a rarer occurrence

out o amid this major reshuffling. In

in these areas.

response to this changing landscape, r

Global warming may not spell doom

H o w e v e r, a r e c e n t s t u d y

and gloom for all wineries worldwide. In

shows that by 2050, two-thirds

fact, over the past decade, numerous well-

of the world ’ s finest wineries

known wineries have actually benefited

will be faced with a sink-or-

from the effects of global warming,

swim situation. Production is

including Mosel winery in Germany and

not only expected to decrease

the regions of Alsace and Champagne

by 85 %, but quality is also expected

in France. Even England has begun to

to take a drastic hit. As the climates of

brew high quality sparkling wine which

these regions continue to warm, the ideal

has received widespread acclaim. In

latitude at which to cultivate grapes, which

regions at higher latitudes with colder

is currently between 40 and 50 degrees

climates, grapes will improve in maturity

latitude, may shift north by as much as 5

many prescient wine collectors – in m addition to collecting classic wines a from well-known wineries – are f already actively researching and a seeking out potential new stars from s these up-and-coming regions. t 3

1. 經典的波爾多五大酒莊的新年份作品是否仍 能持續在全球暖化的影響下屹立不搖 ?

Can the new vintage from the five prestigious Bordeaux premier grand crus weather through global warming?

2. 過去以圓潤優雅舉世聞名的波爾多代表葡萄 品種梅洛 Merlot，如今因為氣候的變遷面臨 過早成熟的困境。 Bordeaux Merlot used to be famous for its elegant and silky texture. Due to climate change, it faces the challenge of over-ripe and early harvest.

About the Author 作者潘芸芝，信奉文字書寫、美食美酒與古典樂。曾於《Decanter 品醇客》與《LE PAN 朗潘》等國內外專業葡萄酒雜誌擔任多年文字記者、編輯與翻譯，並於葡萄酒商務網站 「iCheers 愛酒窩」擔任兩年的網站編輯。目前為自由文字工作者，全職編輯、翻譯與撰文，

3. 得 益 於 氣 候 的 暖 化， 德 國 Mosel 及 法 國 Alsace 等產地開始因為氣候暖化，穩定地 帶來單寧架構完整的作品。 Benefited from the effect of global warming, Mosel in Germany and Alsace in France are producing wines with better structured tannin.

並攻讀 WSET Diploma 認證。

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王者靈魂 古董車 Soul of Old Machine Text / Jackie Wang（ROUTES路馳） Photo / ASTON MARTIN、BMW、BUGATTI、JAGUAR

汽車發展史是從歐洲開始的，起源於 1885 年 Karl Benz 製造了第一輛內燃機汽車。一百多年後 的今日，當我們回顧整個汽車發展過程中，電子科技已經大量取代以往的傳統機械式功能，也 因此許多車迷認為古董車才是最具有靈魂的汽車。 The history of automobile development dates back to 1885 when Karl Benz built the first combustion engine vehicle. As we reexamine the progress of the development, digital technology has massively taken over the traditional mechanics. That’ s why many car enthusiasts praise vintage cars for their touch of old soul.

60

| Classic |

2

只能出租給各種活動作展示，一來有助於 提升個人在圈內的知名度、二來也算有一 筆收入。畢竟法規政策目前還沒開放，老 爺車進口有很多的限制與規範，即使出租 也算是一門半壟斷的生意，當然出租價也 不是一般人能負擔得起的。

所以，在收藏古董車之前，初步要先鎖 定目標，然後翻閱大量書籍資料瞭解一部 車的歷史，再查詢各家拍賣行是否曾拍賣 過這部車，瞭解這部車每年拍賣時起標價、 成交價的漲跌幅度。儘管這些資訊並不是 1

百分之百具有指標作用，因為市場行情是 瞬息萬變的，但至少讓你在下手前有比較

收藏或投資 累積知識再出手 Collection or Investment Do Your Homework First

量 1920 至 1940 年份的古董車。這一批車

清晰的概念，不至於買了個賠錢貨回來。

雖然年份夠老、品牌夠響，但並不能算是 稀有、甚至是夠經典的車款；再者他入手 的價格都偏高，因此未來能否順利拍賣成

曾有一位收藏家，純粹認為買進一批古

交或是私下脫手，這都還是個未知數。如

董車先存放著，等未來政策開放後是有利

果不能找到接手人，那他這筆投資生意就

可圖的。這種叫做古董車投資，就跟買字

得虧本了。

畫等藝術品一樣，期待將來得到市場青睞。

1. JAGUAR E-Type 也是許多人喜歡收藏的二 戰後經典跑車，一般來說此車在拍賣市場 裡的行情始終居高不下，是一部非常值得 收藏的老車。 JAGUAR E-Type is on the top collecting list of classic cars of the WWII. It generally attracts high bids in auctions.

但是他在對古董車拍賣市場一知半解、

發燒友、但也不排除等著做拍賣生意的機

2. 對於老爺車投資這門生意，以客觀標準來 看，必須在拍賣市場上被認定為值錢的品 項，這種老車才值得入手等升值。

且在沒有做足功課的情況下，就買進了大

會，在市場尚未打開之前，他的收藏品就

Objectively speaking, vintage cars worthy of investment are the ones sold in auction.

還 有 另 一 類 收 藏 家， 本 質 上 是 古 董 車

二戰前生產的老車 才能稱為古董車 Only Cars Manufactured before WWII Can Be Considered Vintage

機空氣力學的啟發，BUICK 設計了 LeSabre

經典、但經典的一定是老車，如以主觀上

概 念 車， 讓 車 輛 設 計 進 入 新 紀 元。 以

的認定，只要是個人喜歡的都值得收藏；

ROLLS-ROYCE 1939 年 Phantom III 的軸距

但以客觀標準來看，必須在拍賣市場上被

為 3607mm 來看，1948 年產的 PORSCHE

認定為值錢的，這種老車才值得做投資。

356 軸距已經縮短到 2100mm，可見當時 車輛設計的概念有著顛覆性的改變。

老式汽車的分類在世界上並沒有統一標

由於汽車文化上的差異、再加上國人尚 未涉獵這個市場，因此許多人產生錯誤觀

準，因為各國汽車工業所開始的年代不一，

古 董 車（Vintage Car） 意 指 二 戰 前 生 產

念，總認為目前依然存在於世的超高端奢

且隨著時間演進，也讓認定標準產生客觀

的老車，但比較值錢的品牌車款很多我們

華品牌的二戰前老爺車，在市場上非常具

上的變化，比如英國與美國對老車的界定

都沒聽過，如 Duesenberg 這個早已不存在

有收藏價值。其實這些品牌的老爺車都不

就有很大的差別。

的車廠，其 Model J 可拍出 3.25 億台幣的

算貴（除非是某位名人曾經擁有過的才有

高價。而 1929 年 MERCEDES-BENZ S-Type

可能拍出高價），你要收藏也行，各憑個

Sportwagon、1937 年 540K Roadster，也具

人的主觀喜好，但如果是要投資，它們並

備 1.5 ∼ 3 億台幣的價值。

不能獲取翻倍暴利，甚至有時還會賠本。

從汽車的生產年代來算，1920 年前生產 的 稱 為 Antique Era、 從 1920 年 至 二 戰 之 前的為 Vintage Era。可以發現，二戰之前 的車都是四四方方的龐然大物，二戰之後

如果以生產年代來算，只要年份超過 要 年份超過 20

因為汽車工業突飛猛進，且受到當時戰鬥

年以上的應可列入老車範疇。老車不代表 。 老車不代表

2

經典車款 越稀少越值錢 The Less the Merrier 如果喜歡收藏二戰前的老爺車，最好找 尋參加過早期 Grand Prix（F1 的前身）的 賽車。因為當年如 FERRARI 等這些以具有 賽車 DNA 為號召的品牌根本還沒成立，所 以二戰前最值得收藏的品項以 BUGATTI 與 ALFA ROMEO 的 GP 賽車為主，它們是少 數參加過早期 GP 且目前還存在的品牌。但

1

JAGUAR E-Type

LAMBORGHINI 350 GT

1961 年問世到 1974 年停產，被譽為當代最美麗的跑車，連 Enzo Ferrari

當 350 GTV 原型車的量產計畫失敗後，350 GT 成為 LAMBORGHINI 第

都對它的外型設計讚嘆不已。結合優美外型、高性能表現、極有競爭力

一款市售跑車。1964 年日內瓦車展發表時，的確造成市場震撼，也給競

的價格，造就 E-Type 高達 7 萬多部的銷售成績。每年各種老爺車拍賣會

爭對手 FERRARI 不小的壓力。比起 ASTON MARTIN DB5，350 GT 的產

總受到收藏家關注；JAGUAR F-TTPE 就是它的後繼車型。

量更少，從 1964 年銷售至 1966 年被 400 GT 取代，這兩年之中 350 GT 僅生產了 135 部。

2016 年 RM 亞利桑那拍賣會 成交價 981 萬 台幣

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2011 年 RM 倫敦拍賣會 成交價 810 萬台幣

| Classic |

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這類在二十世紀初期的老款賽車多半都成

都搶著要，當然這也離不開市場炒作，因

鬆，但經典古董車不是有錢就一定能買得

了汽車品牌博物館的鎮店之寶，很少能在

此拍賣價格通常會超過上億台幣。但如果

到，物稀為貴、價高者得的遊戲規則，讓

拍賣會看見蹤跡。

是想小小賺一筆、順便過一把收藏家的癮，

古董車成為投資新方向。

下方推薦幾部值得收藏或投資 、入手價格 經 典 車（Classic Car）大 多 指 二 戰 後 至 1980 年間的車款，其中以產量少、市場上

也不貴的經典車型，而且都是國人很熟悉 的品牌。

其實，古董車收藏投資是門很大的學問， 專家也沒辦法百分之百、面面俱到的告知

很稀有、車型承襲多代至今持續生產、在賽

所有拍賣訣竅與收藏細節，必須得由你親

場上有過輝煌記錄、當年在市場上受到好

但如果你想成為古董車拍賣圈中矚目的

自進入這個領域後跟著老手們慢慢學習。

評、具有高工藝標準，都可以稱作經典款。

焦點，非那種貴到天價的車型不買的人，

但有一點很重要，在收藏古董車的過程中，

FERRARI 倒 是 有 多 款 經 典 車 型 在 拍 賣 市

可以學到很多汽車知識、並提高個人的汽

以現今年份倒推，大部分的經典車都出

場價格始終居高不下，最著名的例子就是

車文化水準與素質。

現在二戰後的五十∼七十年代前。嚴格說

2012 年 以 10 億 台 幣 成 交 的 250 GTO。

來，老款 Mini 、老款 FIAT 500、老款 VW

FERRARI 250 GTO 是收藏家們心目中的珍

Beetle、甚至是第一代 VW Golf 等歷久不衰

品，六十年代初期在美國市場售價是 1 萬

的車型都算是經典，但這些車短期內適合

8 千美元，以現今眼光來看似乎不貴，但

收藏多過於投資，畢竟它們是大批量生產

這部車只生產了 39 輛、而且得經過 Enzo

的。 而 屬 於 高 價 位 的 經 典 跑 車，JAGUAR

Ferrari 對買家做資格審查後才得以購買。

E-Type、PORSCHE 356、FERRARI Dino

因為購買不易、產量極少，加上曾在 1962

246、ASTON MARTIN DB5 等， 都 是 國 人

年 Sebring 12 小時耐久賽拿下亞軍，行情

非常熟悉的名字。

極好。

基本上，投資報酬率高的品項就是大家

Only 1,023 ASTON MARTIN DB5 were manufactured, making it highly sought after in auction.

2. 以現今的標準來看，1980 至 2000 年生產 的轎車只能算是老車、舊車。 Going by contemporary standard, vehicles manufactured between 1980 and 2000 are considered old or secondhand cars instead of vintage.

3. 二戰前的古董車以參加過 Grand Prix 賽車 最為熱門，如 BUGATTI。

買包、買錶、買鑽石對富豪們來說很輕

MERCEDES-BENZ 300SL

1. ASTON MARTIN DB5 總 共 只 生 產 了 1,023 部，因此在拍賣市場中非常受到歡迎。

Vintage cars before WWII which had entered the Grand Prix, such as BUGATTI, are hot items among collectors.

PORSCHE 356

1952 年競技版的 300SL（W194）在 Le Mans 大賽獲勝，1954 年市售版

是 PORSCHE 品牌第一款量產車，長青跑車 911 就是由 356 所衍生出來

300SL（W198）問世。300SL 以街道版賽車的定位成功打入市場，它的

的後繼車型。從 1948 年問世至 1965 年停產，356 歷經了多次小改，從

賣點就是那一對海鷗翼，在 10 年的銷售週期內 300SL Gullwing Coupe 與

最初版本到 356C，大約生產了 76,300 輛，一般相信目前至少有半數左

敞篷版加起來總共 3,258 部。300SL 是每位知名收藏家中必有的車型，

右的 356 還保有其日常使用的功能性，也因此各大拍賣會中很容易見到

如 Ralph Lauren。

356，成交價多半介於 10 ∼ 20 萬美元。

2012 年 RM 美國圓石灘拍賣會 成交價 3,645 萬台幣

2012 年 RM 艾美利亞拍賣會 成交價 480 萬台幣

藝術浪潮 • 跨界有理

KAWS

%GVSWW &SYRHEVMIW ³ %VX (IWMKR WMKR 4VSHYGX Text / Crystal Tang AN團團精品） Photo / COMME des GARÇONS（TUAN TUAN Ravenel International Art Group、Top Photo Group roup 達志影像 1

KAWS，美國布魯克林藝術家，以獨特普普藝術風格創作眾多內容豐富且極具影 響力的作品，跨範疇包含圖像、繪畫、產品設計、壁畫及大型雕塑作品。 KAWS, a Brooklyn-based artist, has created a prolific body of influential work under the Pop Art tradition. The artist’ s wide-ranging practices include graphics, paintings, product design, murals and large-scale sculptures.

64

2

| The Artist |

K

AWS 運用壓克力顏料呈現乾淨鮮明 的巨大圖像畫作，以及活用玻璃纖

維、銅、鋁、木材等材料創作的龐大雕塑， 再再表現著複製性印刷圖像在藝術和商業 設計中，已能跨越文化與語言領域界限。

本名是布萊恩 • 唐納利的 KAWS 生於美 國紐澤西。成長於澤西市、熱衷滑板時期， 經常以創作筆名「KAWS」的緊密文字組合 圖像，裝飾於貨運列車和牆壁上，以塗鴉 創 作 的 方 式 宣 示 般 展 現 自 身 才 能。KAWS 於 1992 年畢業於中學後，開始運用看不 到筆觸的畫法，以壓克力顏料添加創作在 廣告影像之上，在創作部分與原廣告無縫 銜接的同時，亦推翻了廣告牌和公共廣告 的原始影像。 KAWS 在 1996 年畢業於紐約視覺藝術學 院，取得插圖藝術學士學位。1999 年與日 本服飾品牌 BOUNTY HUNTER 合作，設計 了第一件乙烯基玩具《同伴》，日後因受到 美國普普藝術家湯姆 • 衛塞爾曼及雕塑家

3

克拉斯 • 歐登伯格的影響，而開始製作《同 伴》的數種版本。最初設計小型乙烯基玩具 的這一步，成為之後 KAWS 創作大型雕塑

除了商業方面的發展，KAWS 同時在創

裝的繪畫。許多收藏樣版玩具的朋友們，

作品的契機，甚至進一步影響其藝術生涯。

作巨幅畫作以及吸塑包裝繪畫之中刻劃著

會在一件角色模型花上 3,000 美元。我想，

他的熱情。許多人臆測 KAWS 加強對於漫

如果我有相同的錢我會買畫。但他們之中

此 外， 這 次 冒 險 的 初 次 嘗 試 不 僅 聚 集

畫和流行文化標誌性人物的運用，是起源

全 球 藝 術 玩 具 社 群 的 關 注，KAWS 在 商

他受雇於迪士尼擔任動畫師期間對於角色

業 部 門 引 起 的 潮 流， 更 促 進 了 隨 後 與 眾

文化的關注。藝術家在 2000 年將《辛普

多 知 名 品 牌 的 合 作。 包 含： 日 本 時 裝 品

森一家》運用於個人藝術創作中，取名為

牌 A BATHING APE、UNDERCOVER、

《辛普森》的早期系列作品顯示其針對標

日 本 玩 具 公 司 Medicom、 日 本 潮 流 品 牌

誌性角色的關注，更在作品中顛覆了這部

SANTASTIC!、 商 業 巨 頭 NIKE、 美 國 潮 流

美國家喻戶曉卡通的原創意象。「我認為

品牌 Supreme 、契爾氏化妝品、軒尼詩法

卡通能如此融入人們生活是件奇怪的事，

國白蘭地公司以及時尚品牌 MARC JACOBS

尤其是其相較於正規政治的影響力。」再

等。KAWS 以兩根大腿骨交錯的骷髏頭和

者， 對 於 極 具 代 表 性 角 色 所 進 行 的 再 製

打叉的眼睛為商標繼續發展，並持續與流

作，已成為 KAWS 作品的中心概念及特色，

行文化圈裡極具影響力的焦點人物合作，

他利用過的角色包含藍色小精靈、海綿寶

例如歌手菲瑞 • 威廉斯個人專輯《Girl》

寶、米其林和米老鼠。他獨特的藝術手法

與時尚品牌 COMME des GARÇONS 合作香

模糊了藝術、設計和商品的界限，在註解

水瓶設計，以及美國歌手肯伊 • 威斯特專

「包裝的繪畫」系列作品概念時，對於「跨

輯《心碎節拍》的封面設計。

界」表示：「我以系列作品的方式製作包

1. KAWS，美國布魯克林藝術家，以獨特普普 藝術風格創作眾多內容豐富且極具影響力 的作品。 KAWS, a Brooklyn-based artist, has created a prolific body of influential work under the Pop Art tradition.

2.《同伴（Karimoku 版本）》2001 年 木雕 版數 21/100 27 x 12.4 x 6.5 cm 預估價：550, 000 - 750,000 台幣 羅芙奧台北 2016 春拍 “Companion (Karimoku Version)”, 2001 wood sculpture, edition no. 21/100 27 x 12.4 x 6.5 cm Estimate: US$16,900 - 23,000 Ravenel Spring Auction 2016 Taipei

3.《無題（迷彩骷髏頭）》1999 年 壓克力 畫布 40.6 x 40.6 cm 預估價：240,000 - 360,000 港元 羅芙奧香港 2016 春拍 “Untitled (Camo Skulls)”, 1999 acrylic on canvas, 40.6 x 40.6 cm Estimate: US$30,900 - 46,400 Ravenel Spring Auction 2016 Hong Kong

沒有人在收藏藝術……。我對於商品即藝 術的概念很有興趣。創作一系列的繪畫， 全部以手工印製於畫布上，接著大量製造 吸塑包裝的泡殼用來包裝這些畫，在包裝 背面則以模切方式切割出形狀，讓人們能 看得到這些畫布的內框支架，就像市售玩 具的包裝會開一個小洞口標示『擠壓我』 一樣。」

KAWS 於全球各地美術館及藝廊定期設 展。包含美國賓州藝術學院、美國沃斯堡 現代藝術博物館、香港海港城、英國約克 郡雕塑公園、法國巴黎貝浩登藝廊；紐約、 香港及美國洛杉磯的 HONOR FRASER 等。 KAWS 的作品現典藏於美國紐門當代美術 館、英國 Zabludowicz 及 Rosenbaum。 1

The artist ’ s large, bright

to subvert imagery on billboards

attention in the global art toy community,

and graphical canvases

and public advertisements, he

his prevalence in the commercial sector

immaculately rendered

would utilized acrylic paint with

fostered subsequent collaborations with

in acrylic paint and

no visible brushstrokes in attempts

other labels such as A Bathing Ape,

monumental large-

to make his additions appears

Undercover, Medicom, Santastic in the

scale fiber glass,

seamlessly as part of the original

East and household commercial giants

bronze, aluminum and

advertisement.

wood sculptures often exhibits many replicating

In 1996, KAWS subsequently

imageries that surpass the

g r a d u a t e d f r o m N e w Yo r k ’ s

realms and boundaries of

S c h o o l o f Vi s u a l A r t s w i t h

linguistics and culture,

a Bachelor of Fine Arts in

transpiring between art

illustration. The artist designed

and commercial design.

2

his first vinyl toy “ Companion” in 1999 with Japanese apparel

In retrospect, Brian Donnelly is a native

Bounty Hunter and began to make editions

of New Jersey, commonly known as KAWS,

as artists such as Tom Wasselmann and

whose talent was manifested in the form of

Claes Oldenburg inspired him greatly at

graffiti through his passion for skateboard

the time. This initial step in designing

growing up in Jersey City, where he would

small vinyl toys would later become the

frequently adorned freight-trains and walls

gateway for KAWS’ subsequent large-scale

with the pseudonym KAWS has a liking for

sculptural work further down his career as

how the formation of these letters worked

an artist.

together cohesively. Upon his graduation from secondary school in 1992, he began

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This initial venture garnered much

3

| The Artist |

such as Nike, Supreme, Kiehl’s cosmetics,

the conception of his Packaged paintings,

blister packs to hold them and the back

Hennessy and Marc Jacobs from the

“ I did them as a series of packaged

had a die-cut shape that let you see the

West. As he continued to developed

painting. I have all these friends at the

stretcher, like the little ‘squeeze me’ hole

his trademark figures with its soft skull

time who were collecting prototype toys

in the packaging of a toy.”

crossbones and crossed-out eyes, he continues to collaborate with influential

K AW S r e g u l a r l y e x h i b i t s i n

figures of the pop-culture such as

museums and galleries worldwide.

Pharrell Williams on his perfume

The artist has exhibited in the

bottle “Girl” the singer had created

Pennsylvania Academy of Fine

in junction with Commes des Garcons

Arts, The Modern Art Museum of

in celebration of his solo album. The

Fort Worth, Harbor City in Hong

artist has also designed the cover art for

Kong, the Yorkshire Sculpture Park,

recording artist Kayne Wests’ album “808s

Gallery Perrotin in Paris, New York and Hong Kong and the Honor Fraser Gallery

& Heartbreak.”

just to name a few. KAWS works are currently in public collections such as the

Alongside the more commercial sector,

Nerman Museum of Contemporary Art,

KAWS portrayed his passion for painting on large canvases and paintings

the Zabludowicz Collection and the

inserted into plastic blister packages.

Rosenbaum Collection.

Many speculated that this interest originates from the time when the artists was employed at Disney as an animator, a period which intensified his appropriation of iconic characters

1.《展現過去》2014 年 絲網版畫 版次 30/250 81 x 81 cm 預估價：30,000 - 50,000 港元 羅芙奧香港 2016 春拍

from comic books and popular culture.

These sentiments are manifested in some

“Presenting the Past”, 2014, screenprint in colors edition no. 30/250, 81 x 81 cm Estimate: US$3,900 - 6,400 Ravenel Spring Auction 2016 Hong Kong

of KAWS ’ early series executed in the 2000 , entitled “ The Kimpsons ” , where

the artist subverted the predominant

2. 由 KAWS 所設計，菲瑞 • 威廉斯個人專輯 《Girl》與時尚品牌 COMME des GARÇONS 合作的香水。

American cartoon, The Simpsons into his own artistic productions. KAWS reasons

KAWS designed the perfume bottle “Girl”, which was released in junction with COMME des GARÇONS to celebrate Pharrell Williams’ solo album “Girl”.

that “ I found it weird how infused a cartoon could become in people ’ s lives; the impact it could have, compared to regular politics.” Moreover, a reworked of

4

other iconic characters that became the central characters in KAWS ’ paintings

and dropping three grand a figure. I was

include the Smurfs, Sponge Bob Square

thinking. If I had that money I’d be buying

Pants, the Michelin Man and Mickey

artwork. I ’ d be buying drawings. But

Mouse. KAWS ’ unique artistic approach

none of them were collecting art… I was

deliberately blurs the boundaries between

interested in the idea of product as art. So

art, design and product. These sentiments

I did a series of painting, all hand-printed

can be illustrated when he comments on

on canvas, and then mass-produced these

3.《同伴》2013 年 彩繪 乙烯 雕塑 限量 500 版 12 x 19 x 30 cm 預估價：9,000 - 15,000 港元 羅芙奧香港 2016 春拍 “Companion: Passing Through”, 2013 painted cast vinyl, edition of 500 12 x 19 x 30 cm Estimate: US$1,200 - 1,900 Ravenel Spring Auction 2016 Hong Kong

4.《同伴（灰）》2007 年 綜合媒材 塑膠 125 x 50 x 33 cm 預估價：650,000 - 850,000 台幣 羅芙奧台北 2016 春拍 “Companion (Gray)”, 2007 mixed media plasitc, 125 x 50 x 33 cm Estimate: US$19,900 - 26,000 Ravenel Spring Auction 2016 Taipei

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