Ravenel Spring Auction 2014 Hong Kong 羅芙奧香港2014春季拍賣會

克綽永康 - 福壽康寧吉祥雅物 A MAGNIFICENT COLLECTION OF IMPERIAL CHINESE WORKS OF ART

SPRING AUCTION 25 MAY, 2014 HONG KONG

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I N T E R N A T I O N A L

A R T

G R O U P

IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the rules and regulations set out by Ravenel Auction Hong Kong Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1. Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a security deposit are required.

2.

Security deposit in the amount of HK$100,000.

3. The security deposit of HK$100,000 must be transferred to Ravenel's specified Bank account prior to 20th May 2014, details as follow: Beneficiary's Name: Ravenel Auction Hong Kong Limited Beneficiary Bank's Name: The Hongkong and Shanghai Banking Corporation Limited Beneficiary Bank Address: 1 Queen's Road Central, Hong Kong SWIFT Code: HSBCHKHHHKH Beneficiary's Account No: 808-347959-292 (HKD) The bank should be notified that the transfer must be exactly $100,000HKD. The payer will be responsible for any associated bank service fees.

4. After the 20th May 2014, parties interested in obtaining a paddle number must submit a cash security deposit in the amount of HK$100,000 during the Hong Kong previews (From 23rd to 24th, May 2014) or two hours prior to the commencement of the auction on the day thereof. (25th May 2014). Acceptance will cease half an hour prior to the commencement of the auction. (No other forms of payment will be accepted).

5. Telephone/written/ internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the security deposit transferred to Ravenel's specified Bank account before the 20th May 2014.

Alternately, the interested party may make a cash payment of HK$100,000 to obtain a paddle number for the purposes of placing a telephone/written/internet bid(s).

6. If the security deposit has been transferred prior to the 20th May 2014, suitable proof or documentation is required.

Once this information is verified, the payer will be contacted for details of his/her paddle number.

7. If the payment of the security deposit is made on the day of the auction, the payer may obtain his/her paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.

8. Return of the Security Deposit:

(1) Completed Transaction: For successful bidder with a security deposit made through wire transfer, the hammer price and buyer's premium will be deducted from the security deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. For bidders with security deposit made

by Cash, the hammer price and buyer's premium will be deducted from the security deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund.

(2) Nil Transaction: For individuals with a security deposit transferred by wire, the security deposit will be returned within 14 business days through means of a wire transfer. Cash security deposit will be returned to individuals on the same day after the auction.

9. Successful bidder must settle the payment (hammer price with buyer's premium) prior to receiving the lot(s) on site. If the price exceeds the amount of the security deposit, the successful bidder may settle the outstanding balance through the following means:

(1) A cash payment in HKD. (2) A credit or China UnionPay payment: The credit payment must not exceed HK$500,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.

10. Ravenel Auction Hong Kong Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.

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Contact Person HONG KONG Crystal Tang crystaltang@ravenel.com +852 2889 0859 ext.784 TAIPEI Masa Chen masachen@ravenel.com +886 2708 9868 ext.687

給予買家的重要通知

本拍賣會依據「羅芙奧香港拍賣有限公司拍賣規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下 規則： 1.

有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記 文件以及繳納保證金。

2.

保證金 : 港幣拾萬元。

3.

保證金需於 2014 年 5 月 20 日以前完成匯款至本公司指定帳號如下 : Beneficiary's Name: Ravenel Auction Hong Kong Limited Beneficiary Bank's Name: The Hongkong and Shanghai Banking Corporation Limited Beneficiary Bank Address: 1 Queen's Road Central, Hong Kong SWIFT Code: HSBCHKHHHKH Beneficiary's Account No: 808-347959-292 (HKD) 匯款時請指示銀行本公司需實收港幣拾萬元整 , 銀行手續費請匯款人負擔。

4. 2014 年 5 月 20 日之後，若欲參與競投領取牌號者需於香港拍賣預展期間 (2014 年 5 月 23 日至 24 日 ) 或拍賣當日（2014 年 5 月 25 日）拍賣開始前 2 小時以港幣現鈔拾萬元支付 ( 恕不接受除現金之外之其 他繳納方式 ), 收款將於拍賣前半小時截止。 5. 電話 書面 網路競投 : 競投者如不能出席拍賣會，可透過電話 書面 網路方式進行競投。登記申請 手續以及保證金之繳納亦需在 2014 年 5 月 20 日以前完成匯款至本公司指定帳號。 6.

如於 2014 年 5 月 20 日以前完成保證金匯款，請提供我方可證明已匯款的證明文件。確認收到保證金匯 款後，我們將與競投者聯繫並與之確認其競標牌號。

7. 拍賣當天已繳納保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以 確認身份。 8. 保證金退還方式 :

(1) 有成交 : 保證金以「匯款」方式完成者 , 扣除應支付予本公司之款項 ( 包含落槌價、佣金及其他費用 ) 後 , 若有餘額需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。保證金以「現 金」方式完成者 , 扣除應支付予本公司之款項 ( 包含落槌價、佣金及其他費用 ) 後 , 若有餘額需退還， 本公司將於拍賣當日以現金退還給買家。

(2) 未成交 : 保證金以「匯款」方式完成者 , 本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 保證金以「現金」方式完成者 , 本公司將於拍賣當日以現金退還給買家。 9. 若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價與佣金 ) 金額超過保證金金額時，買方得以下列 方式結清帳款 :

(1) 港幣現鈔。

(2) 信用卡與銀聯卡 : 刷卡上限為港幣伍拾萬元。信用卡與銀聯卡持有人必需是買家本人 , 本公司不接受 他人之信用卡。 10. 羅芙奧香港拍賣有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包 含保證金）保留全部的決定權。

諮詢 香港 鄧秀麗 crystaltang@ravenel.com +852 289 0858 ext.784 台北 陳砥翰 masachen@ravenel.com +886 2708 9868 ext.687

RAVENEL SPRING AUCTION 2014 HONG KONG A Magnificent Collection Of Imperial Chinese Works Of Art

羅芙奧香港 2014 春季拍賣會 克綽永康 - 福壽康寧吉祥雅物

AUCTION

拍賣日期 / 地點

Sunday, 25 May 2014, 2:00pm Four Seasons Hotel Hong Kong (Four Seasons Grand Ballroom) 8 Finance Street, Central, Hong Kong

2014年5月25日（日） 下午 2:00 香港四季酒店（四季大禮堂） 香港中環金融街8號

PREVIEWS

預展日期 / 地點

Taipei

台北 2014年5月17日（六） 上午10:00至下午7:00 2014年5月18日（日） 上午10:00至下午7:00 富邦人壽大樓國際會議中心 台北市敦化南路一段108號B2

Hong Kong

香港 2014年5月23日（五） 下午2:00至下午7:00 2014年5月24日（六） 上午10:00至下午7:00 香港四季酒店（四季大禮堂） 香港中環金融街8號

Saturday, 17 May 2014, 10:00am - 7:00pm Sunday, 18 May 2014, 10:00am - 7:00pm Fubon National Conference Centre B2, No.108, Sec. 1, Dunhua South Road, Taipei, Taiwan

Friday, 23 May 2014, 2:00pm - 7:00pm Saturday, 24 May 2014, 10:00am - 7:00pm Four Seasons Hotel Hong Kong (Four Seasons Grand Ballroom) 8 Finance Street, Central, Hong Kong

As requested by the Buyer, we are delighted to offer the condition reports of all the auction items, provided, however, such items will be sold “as is”. In addition, the Buyer is requested to take note of the transaction agreement and the explanations of the provisions regarding the notice of noguarantee. This auction catalogue: HK$ 300 per copy

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Arthur WANG 王鎮華

Chairman 董事長

Clara KUO 郭倩如

Vice Chairman 副董事長

Lorries CHANG 張增偉

C.E.O. 執行長

陳啟正 James Chen 古文物部總監 Head of Chinese Works of Art Dept

鄧秀麗 Crystal Tang

張淳茹 Sabrina Chang

專家

營運部 協理 Senior Manager

Specialist

Operation Department

陳砥翰 Masa Chen 專家 Specialist

陳芊如 Carrie Chen 客戶發展與服務部 高級專員 Senior Coordinator, Client Development and Services Department

簡詩蕙 Raze Kan 營運部 營運專員 Operation Officer Operation Department

RAVENEL STAFF AND SERVICES FOR THIS SALE

CONSULTANTS

CATALOGUE SUBSCRIPTION

COLLECTION AND SHIPPING

Specialist Masa Chen

Taiwan

Taiwan

Carrie Chen Tel: +886 2 2708 9868 ext.975 Email: carriechen@ravenel.com

Dylan Wang Tel: +886 2 2708 9868 ext.973 Email: dylanwang@ravenel.com

Hong Kong, International

Hong Kong, International

Raze Kan Tel: +852 2889 0859 ext.732 Email: razekan@ravenel.com

Raze Kan Tel: +852 2889 0859 ext.732 Email: razekan@ravenel.com

Beijing

China

Helen Zhang Tel: +86 10 8587 8099 ext. 21 Email: helenzhang@ravenel.com

Jason Dong Tel: +86 10 8587 8099 ext.22 Email: jasondong@ravenel.com

Tel: +886 2 2708 9868 ext. 687 Email: masachen@ravenel.com Specialist Crystal Tang Tel: +852 2889 0859 ext. 784 Email: crystaltang@ravenel.com

PHONE BIDS AND WRITTEN BIDS Taiwan Masa Chen Tel: +886 2 2708 9868 ext. 687 Email: masachen@ravenel.com

Hong Kong, International Crystal Tang Tel: +852 2889 0859 ext. 784 Email: crystaltang@ravenel.com

Beijing Helen Zhang Tel: +86 10 8587 8099 ext. 21 Email: helenzhang@ravenel.com

Shanghai Echo Yang Tel: +86 21 2411 9575 Email: echoyang@ravenel.com Remarks: If you are unable to attend the auction in person, you may tender the bid by phone or you may use the absentee bid forms attached at the back of the auction catalogue to tender your bid. It is also possible to bid online for selected lots. Please refer to ravenel.com for more information.

In view of the limited phone line services at the auction, please inform us 24 hours prior to the auction for arrangements. Particularly for those of you who need foreign language assistance of the bidding.

ONLINE BIDS Register at LiveAuctioneers www.liveauctioneers.com/sign-up

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Shanghai Echo Yang Tel: +86 21 2411 9575 Email: echoyang@ravenel.com The catalogues are available for subscription.

For details of subscription, please refer to the explanations of the catalogue or contact the above persons.

Remarks: All the items auctioned may be collected upon receipt of payments. The Buyers are requested to arrange for collection as soon as possible to facilitate warehouse inventory circulation and centralize management. We accept personal and corporate checks, however collection may be made only when such checks are honored.

We apologize for no acceptance of traveler’s checks. Other items may be collected at the Ravenel Ltd. The business hours are 9:30 am to 6:30 pm, Monday to Friday.

Our professional administration department may make recommendations of arrangement or the most appropriate transportation for you.

Ravenel is glad to provide you with the condition report of any of the items at the auction, however, the buyers must note that all the items at the auction are sold “as is”. Please refer to the Transaction Agreement at the back of the catalogue. Please refer to the “Transaction Agreement to the Buyers”.

羅芙奧香港 2014 秋季拍賣會服務部門及連絡人

諮詢專家

目錄訂閱

取貨及運輸事宜

陳砥翰 電話：+886 2 2708 9868 轉 687 電子信箱：masachen@ravenel.com

台灣

台灣

陳芊如 電話：+886 2 2708 9868 轉975 電子信箱：carriechen@ravenel.com

王俊達 電話：+886 2 2708 9868 轉973 電子信箱：dylanwang@ravenel.com

香港．國際

香港．國際

簡詩蕙 電話：+852 2889 0859 轉 732 電子信箱：razekan@ravenel.com

簡詩蕙 電話：+852 2889 0859 轉 732 電子信箱：razekan@ravenel.com

北京

中國

張鶴軒 電話：+86 10 8587 8099 轉21 電子信箱：helenzhang@ravenel.com

董戈 電話：+86 10 8587 8099 轉22 電子信箱：jasondong@ravenel.com

鄧秀麗 電話：+852 2889 0859 轉 784 電子信箱：crystaltang@ravenel.com

電話書面競標聯絡人 台灣 陳砥翰 電話：+886 2 2708 9868 轉 687 電子信箱：masachen@ravenel.com

上海 香港．國際 鄧秀麗 電話：+852 2889 0859 轉 784 電子信箱：crystaltang@ravenel.com

北京 張鶴軒 電話：+86 10 8587 8099 轉21 電子信箱：helenzhang@ravenel.com

楊琴 電話：+86 21 2411 9575 電子信箱：echoyang@ravenel.com 本目錄開放各界訂閱，詳細訂閱辦法，請參 照目錄之說明或請洽上述聯絡人。

註一：所有拍品在貨款結清後，即可取貨； 買家請儘早通知安排取貨事宜，以利倉庫存 貨流通和集中安排辦理，本公司接受個人及 公司支票付款，惟需在兌現後始能提貨。恕 不接受旅行支票付款。其他各項貨品可在羅 芙奧辦公室提領，上班時間為週一至週五上 午9:30至下午6:30。 註二：我們的專業行政部門可為您建議或安 排最適當的運輸方式。

上海 楊琴 電話：+86 21 2411 9575 電子信箱：echoyang@ravenel.com 註一：如您無法親臨拍賣現場，可以電話投 標方式競標；亦可利用附在此目錄後面之委 託競投表格；或可參與網上競投，詳情請洽 羅芙奧官方網頁。 註二：鑑於拍賣現場電話有限，欲以電話投 標方式競標的投標者，請於拍賣前24小時通 知我們為您安排，尤其對需用外國語言服務 之投標者。

網上競投 請前往 LiveAuctioneers 註冊 www.liveauctioneers.com/sign-up

羅芙奧樂意提供您本次拍賣當中任何一項拍 品的狀況報告書，惟準買家需注意拍品均是 以「當時認定」之狀況賣出，相關細項請參 照目錄後之業務規則。請參照買家需注意事 項。

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目次 / Contents 2

給予買家的重要通知

IMPORTANT NOTICE TO BUYERS 4

羅芙奧秋季拍賣會

SALE INFORMATION 6

羅芙奧之服務

RAVENEL SERVICES 12

克綽永康 - 福壽康寧吉祥雅物

A MAGNIFICENT COLLECTION OF IMPERIAL CHINESE WORKS OF ART

197

業務規則

TRANSACTION AGREEMENT 203

委託競投表格

ABSENTEE BID FORM 205

中國歷代年表

CHRONOLOGY

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A Magnificent Collection Of Imperial Chinese Works of Art 克綽永康 - 福壽康寧吉祥雅物 第一部份

Lots 8001 - 8060

Lot 8001 A ROCK CRYSTAL ‘GOAT’ BELTHOOK QING DYNASTY

The arched belthook terminating with the head of a goat with a pair of incurving horns in relief.

L: 13 cm HK$ 20,000 - 32,000 NT$ 78,000 - 125,000 US$ 2,600 - 4,100

清 水晶羊首帶鉤 帶鉤水晶雕成，羊首，鉤腹至中段隆起，腹身光素，趾部浮 雕短尾，鉤背隆起處起束腰橢圓形鈕。通體打磨光亮，簡約 俐落之餘，猶能充分展現水晶的剔透特色。

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Lot 8002 A PEONY LACQUER BOX AND COVER MING DYNASTY

Of circular form, finely carved both on the cover and base with a large peony blossom surrounded by leaves and buds, the interior and the base lacquered black.

D: 4 cm HK$ 60,000 - 96,000 NT$ 234,000 - 375,000 US$ 7,700 - 12,400

明 金屬胎剔紅牡丹紋圓蓋盒 袖珍蓋盒金屬胎，呈蒸餅式，兩面紋飾雷同，通體外堆朱 漆，內髹深褐色漆，外壁以剔紅技法，滿雕纏枝牡丹朵花， 牡丹枝葉繁茂，朵花綻放，展現盎然活潑的自然生機。

Lot 8003 A BLUE AND WHITE STEM CUP MID-QING

The cup has a body of globular form standing on a flared foot, finely enameled in cobalt blue on the body with centralized dianthus borne of a leafy undulating stem, below double bands at the rim. The base of the cup and the flaring foot are decorated with frieze of florets, undulating scrolls and lappets on the three registers, the footring left unglazed.

D: 21.5 cm PROVENANCE: 1. Beijin Cheng Xuan Auction, 24 Noverber 2006, lot 0232 2. Poly Auction, 24 Noverber 2009, lot 3505 HK$ 60,000 - 96,000 NT$ 234,000 - 375,000 US$ 7,700 - 12,400

清中期 青花纏枝花卉紋高足碗 碗敞口，弧腹，下承外撇高圈足。通體釉下青花裝飾，外壁口沿外飾兩道弦紋， 腹壁繪纏枝花卉紋，高足中央起凸弦紋，弦紋上飾二方連續捲雲紋，弦紋上飾折 枝花卉，弦紋下飾蕉葉紋。整器畫工精美，青花發色濃豔，為青花瓷器中的典雅 之作。 來源： 1. 2006年11月24日北京誠軒秋拍，編號0232 2. 2009年11月24日北京保利秋拍，編號3505

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Lot 8004 A PAIR OF FAMILLE ROSE WINE CUPS

GUANGXU SIX-CHARACTER MARK IN UNDERGLAZ BLUE AND OF THE PERIOD (1875-1908)

The deep, thinly potted sides rising to a slightly everted rim, delicately painted on the exteriors with narcissus growing amidst rockwork, with trailing spring blossoms on a grassy field.

H: 5 cm PROVENANCE: Poly Auction, 24 Noverber 2009, lot 3503 HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清光緒 粉彩蘭花芝草紋杯一對 杯一對，撇口，深弧腹，圈足。通體施透明白釉，外壁繪 粉彩湖石蘭花芝草紋，蘭花自有君子的雅潔表徵，而靈芝 湖石則有如意長壽的吉祥寓意。底書青花「大清光緒年 製」雙行六字款書款。 來源：2009年11月24日北京保利秋拍，編號3503

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Lot 8005 A CARVED BAMBOO-ROOT LIBATION CUP QING DYNASTY

The cup is of irregular shape naturalistically carved in high relief in simulation of a section of a pine trunk, detailed with nodules imitating tree bark and carved in openwork with growing pine on extended gnarled branches, the wellhollowed interior of the cup left plain.

L: 11.6 cm HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清 竹根雕松樹形杯 杯利用竹根的天然造型做松樁一段，隨形敞口，左右高低不 同，外壁浮雕松幹的開裂剝落，松枝盤曲成柄，松針如輪， 重重疊疊，癭瘤露出，展現歷經風雨的自然生機，是一件構 思奇巧佳作。

Lot 8006 A YELLOW JADE PEBBLE 18TH CENTURY

Of pebble form finely worked with foliate tendrils issuing flowering blossoms, the reverse with inscriptions reading Xiang Yuan Yi Qing TingTing Jing Zhi , the stone of an even celadon tone with creamy white veining and russet inclusions, skillfully utilize to extenuate the leafy sprigs on the base.

L: 6 cm HK$ 40,000 - 64,000 NT$ 156,000 - 250,000 US$ 5,200 - 8,200

清18世紀 黃玉折枝蓮花紋隨形珮 珮呈鵝卵狀原石貌，通體略扁。黃玉雕成，局部有褐色斑，兩面雕工。一面利用 褐皮原色巧作折枝蓮花，蓮花勁挺；另一面打磨平滑後，琢「香遠益清亭亭淨 植」八字文，末署：「子岡」二字款。

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Lot 8007 A ‘LADY WITH MONKEY’ WHITE JADE GROUP 18TH CENTURY

Worked in the form of a lady dressed in loose robes standing with her legs crossed, a playful monkey clambering on her shoulder, the stone of an even celadon tone.

L: 5.3 cm HK$ 70,000 - 112,000 NT$ 273,000 - 438,000 US$ 9,000 - 14,400

清18世紀 白玉仕女戲猴珮 和闐白玉雕成，玉質潔白，溫潤凝膩，作仕女戲猴貌。仕女頭綰高髻，額髮中分， 身著交領及膝短袍，下露交足肥褲。右臂垂放腰際，左臂高舉過肩，手挽攀於右肩 上的獼猴。獼猴立於仕女肩背，除情態可愛外，更有「輩輩封侯」的吉祥寓意。

Lot 8008 A BAMBOO DOUBLE-GOURD BRUSHWASH QIANLONG AND OF THE PERIOD (1736-1795)

Finely carved to the form of a double gourd decorated on the exterior with further leafy tendrils issuing from the stem, borne with additional double gourd, the interior well-hollowed.

L: 13.8 cm HK$ 150,000 - 240,000 NT$ 586,000 - 938,000 US$ 19,300 - 30,900

清乾隆 竹雕「瓜瓞綿綿」瓜式洗 以帶有橫節的竹莖再對剖為器，正面利用竹心的空囊為膽， 作瓠瓜貌。洗口周緣起圓唇，蒂梗蜿蜒，瓜葉扶疏。背面浮 雕藤蔓纏繞，上有大小不一的磊磊果實，形塑出「瓜瓞綿 綿」的美好寓意。

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Lot 8009 A BRONZE INCENSE BURNER QING DYNASTY

Of compressed bulbous form supported on three tripod conical feet, flanked by two upright loop handles rising from the mouth rim, the base with a six character reign mark within a rectangular cartouche.

D: 10 cm HK$ 50,000 -80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清 銅梨皮冲耳三足爐 直口起唇，溜肩垂腹，圜底，下承三乳足。口緣兩側立冲 耳，通體銅色如梨皮，全器光素，線條圓曲有度，底部減地 方框，上署陽文「大明宣德年製」三行六字楷書款。

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Lot 8010 A HUANGHAULI RECTANGULAR BOX QING DYNASTY

Of rectangular box secured with a circular two-part lock plate and cloudform hasp to the front, adorned with further metal attachments with keyfret ends protecting the corners and sides of the box, flanked by a pair of gilded rectangular handles on the narrow sides.

L: 35.7 cm HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

清 黃花梨光素長方蓋箱 箱為黃花梨製成，蓋口與箱口分別起一道燈草線，其它一任光素，展現黃 花梨的瑰麗木紋。立牆四角用銅葉包裹，蓋面四角鑲釘雲肩紋銅飾件(左 上角經修補)，正面圓面葉，拍子雲肩紋，兩側面安提環。

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Lot 8011 A LADAKH STYLE BRONZE FIGURE 13TH CENTURY

The ferocious figure cast seated in dhyanasana on a lotus base, wearing a dhoti and elaborate jewelry across his shoulders holding an attribute in each hand, surmounted by a five panel crown.

H: 10.9 cm Ladakh is located in India, near the Ngari region in Tibet. The present lot is infused with the exquisteness of the stylistic approaches characteristic of Ladakh while simultaneously highlighting the beauty of Himalayan Buddhist figures of the 13th to 15th century.

HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

13世紀 合金銅拉達克風格財神 合金銅，頭戴五葉寶冠，眉間現白毫，雙耳垂璫，法相莊嚴。帛帶繞肩， 項垂瓔珞，袒前胸，身著高腰長袍，袍衣貼體。右臂高舉，手持彎刀；左 臂輕置腰間，手握刀鞘。右舒坐於覆蓮座上。 拉達克位於印度的喀什米爾東部，西藏阿里地區以西。拉達克造像具有獨 特的藝術魅力與審美情趣，是喜馬拉雅佛造像藝術體系中的一支奇葩，主 要流行於13至15世紀，所作佛像材質多採合金銅，一般銅色細膩光亮，古 樸典雅，欣賞本拍品亦作如是觀。

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Lot 8012 A GILT BRONZE MULTIPLE HEAD AND ARM AVALOKITESVARA 18TH CENTURY

Modeled standing upon a lotus pedestal with the central hands held together in Anjali mudra , the gesture of respectful salutation, with nine faces of the Avalokitesvara arranged in three tiers, the heads decreasing in size as it raises to the upper tiers, each serene face incised with a raised urna in between the elongated earlobes, dressed in a flowing dhoti decorated with a foliate trim, further festooned with an intricate network of elaborate beaded jewelries.

H: 36 cm HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

18世紀 銅鎏金九面八臂觀音立像 觀音菩薩九面八臂，身著圓領通肩長袍，腰束長裙，袍衣貼體。胸 前與裙面垂掛華麗瓔珞，雙手當胸合十，其餘六臂呈左右對稱排 列。長裙下露跣足，立於三層仰式蓮瓣座上。是件觀音立像，體態 曼妙修長，八臂曲線柔美，為觀音八臂化身的精品造像。 類似器： 北京故宮博物院藏有一件風格類似的十八世紀 《十一面觀音立像》可資參考，詳見：王家鵬主 編，《藏傳佛教造像》，上海：上海科學技術出版 社，2003年，頁216。

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Lot 8013 A BRONZE FIGURE OF BUDHAI MING DYNASTY

The rotund deity modeled with a broad smiling face flamed by a pair of elongated ears below a six panels crown, seated with his left leg bend horizontally and the right leg drawn up where his hand rests upon holding an eighteen beads rosary, dressed in a loose flowing robe wrapped around the shoulder exposing his protruding belly.

H: 33 cm HK$ 400,000 - 640,000 NT$ 1,563,000 - 2,500,000 US$ 51,500 - 82,500

明 青銅彌勒菩薩坐像 彌勒呈坐姿，頭戴五葉寶冠，冠葉嵌化佛，寬顙豐頰，長眉短頸，雙耳垂 肩，張口開懷，僧衣滑落兩肩，袒胸露肚， 體態臃腫，兩臂自然垂放腿足之上，右手持 念珠，左手握布袋巾口。雙腿右膝屈立，左 膝內盤，呈自在舒坐貌。 類似器： 日籍華裔知名佛像藏家新田氏曾庋藏一件明 〈青銅彌勒佛坐像〉，風格與本拍品極其 類同。詳見：《金銅佛造像特展圖錄》，台 北：國立故宮博物院，1987年，頁214。

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Lot 8014 A JADE DISH OF NINE COMPARTMENTS LATE-QING

The central saucer of square form finely worked with floral sprigs on the sides, the other eight radiating compartmental saucers of triangular form similarly decorated on the sides, assembled together forming a square dish of nine sections with indented corner, the stone of a soft celadon tone, inscribed with a four character studio mark within a square.

L: 19 cm Compare with a compartmentalized circular dish in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.116, p.131.

HK$ 120,000 - 192,000 NT$ 469,000 - 750,000 US$ 15,500 - 24,700

晚清 寶恩堂款 白玉九連盤 九連盤白玉雕成，玉質青白。全器由一件四方盤與八件三角形盤，組成三層 方中壓方的九連盤。九連盤敞口斜腹，圈足，外壁淺浮雕折枝朵花紋，正中 四方盤的底部鐫有「寶恩堂藏」四字陽文款。全器收納於紅木老木匣中。

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Lot 8015 A BLUE AND WHITE ‘LADY AND CHILDREN’ VASE EARLY-QING

Of bulbous form rising to a protruding compressed disc on the neck below the wine cup-shaped mouth, the body decorated with a continuous scene of ladies watching over their playful sons, further accompanied by female attendants, one holding a basin and another holding a bundle amidst pierced garden rockworks below a band of floral motifs set in between two bands of double lines, the neck encircled with a band of lappets and further leafy scrolls below the mouth rim.

H: 19 cm PROVEANCE: Christie's New York, 27 September 2005, lot 194 HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

清早期 青花戲曲人物瓶 瓶呈復合式，杯形口，瓶式腹。口緣與腹瓶口緣各飾一圈醬色釉，通體施 透明白釉，外壁杯形口腹外飾釉下青花垂葉紋，瓶式腹的頸壁飾一圈蕉葉 紋，弧腹上下兩道花卉錦地寬帶紋，兩寬帶紋之間繪青花戲曲人物圖。是 件青花戲曲人物瓶，造型特殊，所飾人物充滿濃郁的生活氣息，是一件清 雅有趣的逸品 來源：2005年9月27日紐約佳士得秋拍，編號194

Lot 8016 A SET OF GILT BRONZE RITUAL GHANTA AND VAJRA MING DYNASTY

The gilt bronze Vajra with eight prongs on either side frieze with lotus petals with a baluster form handle in the center, the Ghanta with gilt handle cast with a figure with its feature finely incised, wearing a eight prongs domedshaped crown encircled with a band of teardrop panels rendered in openwork, the bell body cast in relief with a frieze of ferocious masks suspending pendent beaded jewel strands, set in between a band of lappet and a band of vajra motifs.

H: 23.5 cm (Ghanta), L: 16.7 cm (Vajra) The Ghanta and Vajra are indispensible hand held ritualistic instruments according to Tibetan Buddhism. While the vajra is symbolic of the male attribute of skillful means, the Ghanta represents the feminine attribute of wisdom and supreme knowledge. Taken together, it is connotative of the union of the aforementioned attributes, which ultimately leads to enlightenment and liberation. In retrospect, the third emperor of the Ming dynasty, the Yongle emperor was a fervent Buddhist, Tibetans lamas and the heads of various sects were invited to visit China to instruct him on Tibetan Buddhism. These guests were gifted with titles and ritual objects. The high regard of the recipient for receiving ritualistic objects was confirmed again almost two hundred years later, when the Qianlong emperor received a Ghanta and Vajra set from the Seventh Dalai Lama for his seventieth birthday. Compare with a very similar pair of a ritual Ghanta and Vajra dated to the Ming dynasty, illustrated in The Museum of art in San Francisco , United States, 1994, p.42.

HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

明代 銅鎏金金剛杵暨金剛鈴 金剛杵通體鎏金，球形中心點像兩端延伸，上下各飾一圈蓮瓣紋，蓮瓣外各 承九股叉。金剛鈴僅鈴把施以鎏金，大智慧波羅密多女神頭上頂半個金剛 杵，鈴身外淺浮雕蓮瓣紋與瓔珞，鈴口浮雕一圈金剛杵。金剛鈴與金剛杵 作為藏傳佛教的常用法器，其中金剛鈴代表智慧與女 性，金剛杵代表慈悲與男性，當手持者雙手相交時， 除了隱喻男性與女性的親密結合外，更代表智慧與慈 悲的結合。 類似器： 西藏博物館藏有一組金剛鈴與金剛杵，風格與本組拍 品雷同，詳見：一西主編，《海外回流西藏文物精 粹》，北京：文物出版社，2012年，頁174。

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Lot 8017 A ROBIN’S EGG GLAZE CENSER WITH A SILVER RETICULATED COVER QING DYNASTY

Of compressed lobed melon form moulded with a pair of fruiting melons on leafy sprigs at the rim, covered overall in an attractive mottled turquoise glaze, stopping short on the flattened base, the silver reticulated cover decorated with further foliate and leafy motifs in openwork.

D: 12.5 cm The decorative motif of melons of the present lot symbolizes fecundity due to its physical attributes of containing many seeds. It is a prevalent motif in the Qing dynasty; it features large and smaller melons hanging delicately on their leafy vines. Melons are pronounced as gua while smaller melons are referred to as die . Taken together, melons and smaller melons formulate the pun for guadie mianmian, which translates as ‘ceaseless descendants for generations to come’.

HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清 爐鈞釉南瓜式洗 洗作南瓜造型，廣口，口緣內斂，口緣邊塑小果實，瓜瓣式腹，通體施爐鈞釉， 口緣外有流淌的垂釉現象。爐鈞釉是於窯爐內採低溫燒成的仿鈞釉，首創於雍正 時期。是件爐鈞因早年流入東瀛，後經藏家添加銀蓋而成為別具一格的香爐。

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Lot 8018 A PAIR OF CELADON GLAZE WALL-VASE QIANLONG AND OF THE PERIOD (1736-1795)

Each of meiping form with wide shoulders below the gently flaredl neck on one side and flattened on the other, covered all over in a glaze of a pale bluish-green celadon glaze, the recessed base enameled with the four character reign mark.

H: 15 cm HK$ 180,000 - 288,000 NT$ 703,000 - 1,125,000 US$ 23,200 - 37,100

清乾隆 豆青釉壁瓶一對 壁瓶作半瓶式，小口短頸，豐肩，長圓腹，腹下漸收，半圓形圈 足。後壁平直，近中部上端並鏤有用於懸掛的凹槽。通體施豆青 釉，底部書青花「乾隆年製」雙行四字篆書款。

Lot 8019 A POLYCHROME ‘DRAGON’ BASIN WANLI AND OF THE PERIOD (1573-1619)

Of foliate form resting on a recessed foot below the everted rim, finely decorated on the interior with a pair of dragons in pursuit of a flaming pearl amidst stylized clouds in the well, the sides and everted rim similarly decorated with alternating dragons in enamels of red and blue, the biscuit base inscribed with the six character reign mark in cobalt blue within double circles.

Compare with a box with a very similar decorative motif, illustrated in Selected Treasures of Chinese Art. Min Chiu Society , Hong Kong Museum of Art, Hong Kong, pl. 148, pp.326-327.

D: 40 cm HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

明萬曆 五彩雲龍趕珠紋盆 盆作五瓣朵花形，花口，折沿，弧壁，平底。通體五彩裝飾，外壁滿飾纏枝花卉紋，盆心花式開 光，開光內繪紅藍雙龍趕珠紋，內壁與折沿處皆繪五組兩兩相向競逐的行龍。是件五彩盆用色艷 麗，所繪行龍生動流暢，底部書青花雙圈「大明萬曆年製」雙行六字楷書款。

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Lot 8020 A BOWL WITH DESIGN OF CHICKENS IN CONTRASTING COLOURS YONGZENG SIX-CHARACTER MARK WITHING A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735)

The rounded sides exquisitely decorated with a continuous scene of a long tailed cockerel, hen and chicks in a garden setting and divided by sprays of flowering peony and asters growing from pierced rockworks amidst plantain leaves, the interior with a central medallion enclosing a further cockerel and hen perched upon pierced rockworks amidst peony blooms and flowering asters next to further plantain leaves, all set in between double bands encircling the mouth rim and the straight foot, the base with a six character reign mark within a double circle cartouche.

D: 15 cm Compare with a pair of very similar chicken bowls attributed to the Yongzheng reign, sold at Christie’s London, 12 May 2009, Lot 166.

HK$ 500,000 - 800,000 NT$ 1,953,000 - 3,125,000 US$ 64,400 - 103,100

清雍正 鬥彩蕉石禽雞紋碗 碗敞口微撇，深弧腹，圈足。碗心雙圈青花內繪蕉石鳴雞圖，外壁口沿外與足牆上皆飾兩圈平 行弦紋，腹壁繪通景禽雞覓食圖，但見叢竹、蕉葉與湖石交錯的青草上有大、小群雞兀自覓 食，營造出家和萬事興的康樂景象。通體構圖疏朗，用色淡雅，底書青花雙圈「大清雍正年 製」雙行六字楷書款。

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Lot 8021 A WHITE JADE VASE AND COVER QIANLONG AND OF THE PERIOD (1736-1795)

Of compressed baluster form, encircled by bands and interlocking ruyi below the waisted neck in relief, the bottom worked with further keyfrets motifs with a protruding tip on the narrow sides, flanked by foliate handles in openwork, the domed cover incised with lappets surmounted by a compressed circular knob.

H: 17.1 cm The present lot incorporated elements derived from Hindustan artworks. More specifically, a combination of both Hindustan and Chinese elements contribute to the rarity of the present lot. Compare with a vase of similar decorative style currently residing in the Palace Museum in Beijing, illustrated in Jarewares (second edition) , Shanghai, Shanghai Scientific & Technical Publishers, 2008, p.308.

PROVENANCE: Christie's London, 6 June 2000, lot 93 HK$ 800,000 - 1,200,000 NT$ 3,125,000 - 4,688,000 US$ 103,100 - 154,600

清乾隆 白玉雲紋花式耳蓋瓶 蓋瓶整料和闐白玉雕成，玉質姣好，潔白溫潤。蓋作覆式光素荷葉貌，近頂面處 浮雕一圈蓮瓣紋，頂上浮雕花蕾形為鈕。瓶身修長，撇口起方唇，長頸，頸兩側 透雕如意捲葉紋為耳。溜肩，扁圓腹，腹下近底部漸斂，下承束腰圈足。腹壁近 肩處飾兩道弦紋，弦紋下一圈如意紋。腹壁光素，惟近底足處，復以剔地技法， 浮雕四瓣雲肩如意紋，雲肩如意紋像一朵盛開的花瓣，擎托起整件蓋瓶，全器設 計新穎，具有張力十足的美學造詣。 來源： 2000年06月06號倫敦佳士得，編號93 比對： 是件蓋瓶的造型風格隱隱具有痕都斯坦的風韻，或是以痕都斯坦的蓋瓶加入中原 裝飾元素而完成的一件特殊蓋瓶。風格雷同的痕都斯坦蓋瓶北京故宮博物院藏有 一件清〈青玉嵌金纏枝花紋瓶〉可供參考，詳見：張廣文主編，《玉器》(下)， 上海：上海科學技術出版社，2008年，頁308。

Lot 8022 A JADE LOTUS BRUSH WASHER QING DYNASTY

Finely worked as a large hollowed lotus leaf and one smaller bud borne on a leafy, budding stem that forms the base, the translucent, well-polished stone of white tone with russet inclusions.

L: 9 cm HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

清 白玉荷葉式洗 洗白玉雕成，作一束蓮式。荷葉向上翻捲，自然形成 內膽。是洗花口，荷葉腹，圜底。腹壁模擬荷葉的 天然肌理，雙鉤自然流轉的葉脈，莖梗自蒂部繞於 一側，表面滿布褐色皮斑，既生動表現蓮荷的盎然生 機，同時也寄託了「一世清廉」的自我惕勉。

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Lot 8023 A YELLOW JADE BUFFALO CRAVING MING DYNASTY

Well carved as an buffalo with its head turned backwards below curved horns of his mount, lying with forelegs tucked underneath and its tail curled, the hooves carved in relief on the underside, the yellow stone of with russet inclusions.

L: 7 cm The buffalo crouches with legs bent and its gentle expression is intended to evoke the benevolence of the god worshiped as the water deity who controlled irrigation. Moreover, due to its purpose as a farm animal, it is also connotative of the spring and agriculture and more specifically, its endurance and physical strength. These qualities can be seen in the present lot, as the heavy hulk of the buffalo’s body and study legs. The contours of the back and the recesses accentuating the horns depicted on the present lot are distinctive qualities. Compare with a buffalo carving modeled in a very similar posture in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.44, p.73. Another jade buffalo dated to the midMing is illustrated in Chinese jades of five centuries , Charles E. Tuttle company, Tokyo, pl.9, pp.56-57.

HK$ 550,000 - 880,000 NT$ 2,148,000 - 3,438,000 US$ 70,900 - 113,400

明 黃玉臥牛 整料黃玉雕成，局部有褐色斑。牛呈回首伏臥貌，四肢收於腹下，尾巴輕 甩於後腿之上。頭際雙角觸抵前肢，身軀因伏臥的緣故顯得肌理鬆垮，形 象表現牛隻辛苦工作後的輕鬆情態。是件黃玉牛，雕工渾圓，器形飽滿， 是一件兼具案頭擺設與掌中盤玩的精美玉珍。

Lot 8024 A FINELY CARVED ZITAN ‘LADIES GATHERING’ BRUSH POT, BITONG 18TH CENTURY

Finely carved around the cylindrical body in relief with a group of ladies seated on low back armchairs and reticulated stools around a four-legged square table engaging in a leisurely game with two attendants nearby, all supported on three protruding foot.

D: 16.5 cm HK$ 280,000 - 448,000 NT$ 1,094,000 - 1,750,000 US$ 36,100 - 57,700

清18世紀 紫檀木雕仕女博弈圖筆筒 筆筒紫檀木雕成，直筒形，下承四方矮足，底部周緣起一圈燈草線， 腹壁浮雕仕女博弈，仕女四人坐於方桌前，手捻長方牙牌作博弈消遣 貌，所鐫人物或坐或立，情態各異，具有引人入勝的筆墨韻致。

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Lot 8025 A HUANGHUALI EGRETS BRUSH POT, BITONG LATE-MING

The brush pot is of cylindrical form with a frieze below the mouth rim, the sides carved with a continuous scene of egrets perching upon an intricate network of gnarled branches and flowering prunus, all set in between a band of spiral motif below the mouth rim and the foot resembling protruding rockworks.

D: 16.4 cm HK$ 400,000 - 640,000 NT$ 1,563,000 - 2,500,000 US$ 51,500 - 82,500

明晚期 黃花梨松鶴延年筆筒 筆筒黃花梨木雕成，圓筒式，下鑲圓凸底，底面下承三矮足。口緣 外起一道波浪錦地寬帶紋，腹壁浮雕通景樹石花卉禽鶴圖，所雕 紋樣意象繽紛，然各種花草數石俱隱含長壽的表徵，統合觀之，似 乎即有「群仙祝壽」的吉祥寓意。是類滿工筆筒，紋樣繁中可見章 序，所雕花紋細膩光潤，處處顯露晚明美學的裝飾風格。

Lot 8026 AN ALOESWOOD ROSARY AND A MATCHING TIN BOX QING DYNASTY

The rosary, shou chuan composes with eighteen aloeswood beads, one end with a double-gourd form, the matching box in the shape of a qin , finely incised with bamboo leaves and Daichunlin on the cover.

L: 16.5 cm, D: 10 cm (Aloeswood Rosary) The present lot composes of eighteen beads infused with the subtle notes of aloeswood, completed with a tin box decorated in the shape of a qin and finely incised with further bamboo leaves and seals reading Daichunlin . Daichunlin originated and had a great reputation in Yangzhou as it was widely known that their fragranced powder contained trace elements of precious pearl powder.

When the Kangxi emperor visited southern Yangzhou , the eunuch greatly appreciated the Daichunlin and even bought fragranced powder back to the Imperial Palace.

HK$ 600,000 - 960,000 NT$ 2,344,000 - 3,750,000 US$ 77,300 - 123,700

清 沉香十八子手串暨南錫香盒 十八子手串沉香木刨成，串珠顆粒碩實，油結飽滿，香氣清淡。所盛錫盒作 古琴貌，天地子母口套盒，蓋面鐫勁挺的叢竹紋，一旁署「戴」、「春林」 上下三字方框楷書款。戴春林是創立自明崇禎年間的老字號香舖，位於繁華 的揚州，據聞戴春林家的香粉因含有天然的珍珠粉，因此當時即以名貴著 稱。清康熙皇帝南巡揚州之際，太監們對戴春林的香粉十分青睞，特地將一 批香粉「貢品」帶回宮中。於是，揚州戴春林的聲名鵲起，所製香粉也從此 名動公卿。

46

Lot 8027 A BRONZE TRIPOD CENSER MING DYNASTY

Of compressed globular form rising to an everted mouthrim above the waisted neck, the plain body raised on three stumpy foot, the base with the six character reign mark within a square catouche.

D: 11.8 cm HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

明 銅鬲式三足爐 爐盤口，口沿面微內斜。束頸，扁肚，鼓腹，圜底， 下承三矮柱足。通體銅質精量，皮色斑爛古雅。手感 沉實，造型典麗莊重。底部中央減地四方框，內署陽 文「大明宣德年製」三行六字楷書款。

48

Lot 8028 A BRONZE TRIPOD CENSER WITH ANGLED HANDLES QING DYNASTY

Of compressed form with a waisted neck flanked by a pair of angular looped ring handles, all supported on three conical foot, the base with the six character reign mark within a square catouche.

D: 15 cm HK$ 60,000 - 96,000 NT$ 234,000 - 375,000 US$ 7,700 - 12,400

清 銅鋬耳三乳足押經爐 爐廣口平唇，短頸，溜肩，垂腹，腹下承三乳足，腹壁兩側起鋬耳。通體光 素，皮色金光內含，曼妙可愛。底部中央減地四方框，內署陽文「大明宣德 年製」三行六字楷書款。

Lot 8029 A BRONZE 'LION HEAD' CENSER MID-QING

Of bulbous form rising to a sligthy everted mouth rim from the circular base, flanked by a pair of ferocious lion heads handles in relief, inscribed with the four characters Yong cub zhen wan within a square cartouche.

D: 12.5 cm HK$ 120,000 - 192,000 NT$ 469,000 - 750,000 US$ 15,500 - 24,700

清中期 銅獅耳雪花金爐 爐平口起唇，束頸鼓腹，圈足，腹壁兩側塑獅首為 耳。通體光素，銅質滿布雪花金，雪花金呈飄飛貌， 繽紛雅致。底部中央減地四方框，內署陽文「永存珍 玩」雙行四字篆體私家款。

50

Lot 8030 A SMALL BOXWOOD STAND QING DYNASTY

The square surface raised on four columnar feet with an incurving end, decorated on the apron with four panels of foliate scrolls rendered in openwork below the slightly waisted sides.

H: 5 cm HK$ 15,000 - 20,000 NT$ 59,000 - 78,000 US$ 1,900 - 2,600

清 黃楊木方凳式座 座呈方凳式，黃楊木雕成，座面打磨光亮，完美展現黃楊木的木紋美。束 腰下雕鏤空捲葉紋彭牙，內翻花式馬蹄腿。全器整料雕就，形制素雅，具 有綠葉襯花的視覺效果。

Lot 8031 A FAMILLE ROSE ‘HUNDRED BUTTERFLIES’ VASE

GUANGXU IRON-RED SIX-CHARACTER MARK AND OF THE PERIOD (1875-1908)

The bulbous body resting on a circular footring below the elongated neck rising to a flared mouthrim, the body decorated with colorful butterflies flying amidst flowering sprigs and florets, the base with the six character reign mark.

H: 40 cm HK$ 30,000 - 48,000 NT$ 117,000 - 188,000 US$ 3,900 - 6,200

清光緒 粉彩花卉百蝶紋賞瓶 瓶口外撇，長束頸，溜肩，球腹，肩部凸起兩道寬帶 紋，圈足。通體施透明白釉，肩部寬帶紋敷描金彩， 頸、肩、腹繪折枝花卉彩蝶紋，所繪花卉彩蝶用色 鮮麗明亮，洋溢一股生氣盎然的自然氣息。底書紅彩 「大清光緒年製」雙行六字楷書款。

52

Lot 8032 A FAMILLE ROSE ‘LANDSCAPE’ MIEPING REPUBLIC ERA

Of meiping form resting on a flattened foot, enameled on the body to the continuous scene of a red-crested crane perching upon rockworks with its head tiled up looking towards the boundless sky with its beak gently open, amidst grassy sprigs and a pine tree, further cranes of smaller scale depicted on the other side, perching upon rockworks with lingzhi outcrops emerging for misty clouds below inscriptions on the shoulder.

H: 28.5 cm PRONEANACE: Bonham's Hong Kong, November 2009 HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

民國 程意亭 粉彩松鶴延年梅瓶 瓶唇口，短頸，豐肩，長圓腹，腹下漸收，至底部微外撇，圈足。腹壁一 面以粉彩繪通景松蔭靈鶴圖，畫工細膩，用色艷麗，另一面上方留白處墨 書：松鶴延年，丁丑春仲，擬南沙老人大意，為詒局長雅政，翥山程意亭 畫。底書紅彩方框「佩古齋」三字篆書款。 程意亭（1895-1948），珠山八友之一，字體孚，名甫，號翥山子、泊山山 民，齋名佩古齋，江西樂平縣人，近代著名陶瓷畫家，所繪花鳥瓷畫，向 以嚴謹工秀著稱。 來源： 2009年11月香港邦瀚斯

Lot 8033 A FAMILLE ROSE ‘LANDSCAPE’ VASE REPUBLIC ERA

Of cylindrical form rising to a elongated neck below the everted mouthrim, finely enameled on the tubular body with a continuous scene of a two figures sailing on a sampan on the quiet misty lake across from the shore with further rockworks and a pavilion under the shade of the luscious pine tree and other fruiting branches amidst a mountainous landscape in the distance, all set in between a band of keyfrets on the straight footrim and ruyi heads with further circular bosses oencircling the neck with further scrollwork below the everted mouth.

H: 13.5 cm PROVENANCE: Bonhams's Hong Kong HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

民國 張志湯 粉彩山水亭閣小瓶 瓶撇口，短頸，折肩，長圓腹，腹下至底部微斂，圈足。口緣外與圈足外壁皆飾 一圈墨彩幾何紋，頸部飾如意雲肩垂簾紋，腹壁繪粉彩山水亭閣圖，畫工細膩， 意境悠遠，一面留白處墨書：溪山攬勝，張志湯寫於珠山。底書紅彩方框「亦陶 齋」三字篆書款。 張志湯（1893--1971），齋名亦陶，江西婺源縣人，擅長山水，筆法工細、構圖 謹嚴。晚年在教學之餘，偶作粉彩花卉小品，姿態輕盈，設色淡雅，尤為精妙。 來源：香港邦瀚斯

54

Lot 8034 A JADEITE ‘CHILONG’ PENDANT QING DYNASTY

Worked to the form of a chilong with a pair of upright ears feasting on a succulent fruit with a foliate stem issuing further leafy sprigs.

L: 5.2 cm This lot includes a certificate of authenticity issued

by Cathay Gem Consultant Limited.

HK$ 800,000 - 1,280,000 NT$ 3,125,000 - 5,000,000 US$ 103,100 - 164,900

清 翡翠螭龍銜瓜珮 珮呈長方狀，翡翠雕成，作螭龍銜瓜貌。螭龍弓 背立於瓜瓠上，瓠瓜自蒂頭處垂降流轉的蔓葉， 通體設計新穎，別出心裁。是件翠玉珮翠色勻 淨，瓜蝶與螭龍的組合，或有「望子成龍，子孫 萬代」的吉祥寓意。 註：附中國寶石顧問有限公司鍳定書

Lot 8035 A ‘BUTTERFLY AND ROTATING FIGURES’ WHITE JADE PLAQUE 18TH CENTURY

Skillfully worked to the from of a simplified butterfly, its spreading wings rendered in openwork enclosing a pair of rotatable smiling figures, the well-polished stone of an even celadon tone.

L: 5.5 cm HK$ 160,000 - 256,000 NT$ 625,000 - 1,000,000 US$ 20,600 - 33,000

清18世紀 白玉蝴蝶合和二仙轉心珮 珮呈蝴蝶形板片狀，整料和闐白玉雕成，板片厚實。通體作蝴 蝶展翅貌，上下有交錯內翻的捲葉紋，兩翼作長橢圓形開光， 開光內透雕合和二仙，二仙各呈立姿，上下有凸榫與開光鉚 合，並可隨意左右轉動。是件轉心珮設計精巧，能稱轉心珮中 的清妙佳器。

56

Lot 8036 A WHITE JADE FLOWER CARVING 18TH CENTURY

Naturalistically worked to the form of an elegant stem issuing blossoming flower with two buds emerging from behind, the stone with strikes of light russet inclusions.

L: 6 cm HK$ 120,000 - 192,000 NT$ 469,000 - 750,000 US$ 15,500 - 24,700

清18世紀 白玉帶皮玉蘭花珮 白玉雕成，局部有褐色斑，通體作並蒂玉蘭花株 貌。枝梗下垂覆一朵玉蘭花，頂端有含苞待放小 花苞，玉蘭花馥郁清香，經常與牡丹和為玉堂富 貴，然則玉蘭花單獨意象，或有「吉祥美好」的 清妙寓意。

Lot 8037 A SAPPHIRE EWER QING DYNASTY

The compressed bulbous vessel supported on a short splayed foot, the handle well carved in the form of a circular ring, the translucent stone of even pale celadon tone.

L: 14 cm HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清 青玉光素匜 整料和闐青玉雕成，作摹古青銅匜造型，廣口，匜口 周緣一端起唇，另一端打漥，通體矮而寬，一端有 流，另一端鏤雕圈形鋬，圈足。全器光素，純然以古 雅的簡約造型，懾人心魄。

58

Lot 8038 A JADEITE FIGURE OF MAGU QING DYNASTY

The graceful deity modeled standing with her hair tied in a topknot, dressed in a loose robe with long sleeves falling in neat folds, holding a gnarled stalk of lingzhi in both of her hands, next to a deer with its head gently tilted in the direction of the deity, one of its knee gently bent, the stone mottled with spinach green and russet inclusions.

H: 22.7 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

清 翡翠雕麻姑獻壽 整料緬甸翠玉雕成，通體構圖採左虛右實，前實後虛思維 揮灑，亦即右側與正面為實，左側與後面為虛，實的部分 雕麻姑，麻姑頭綰高髻，面容祥和，身著交領長袍，右臂 在上，左臂在下，手握靈芝。麻姑一側鏤雕行鹿，鹿銜靈 芝，靈芝草以透雕的技法表現，增添翠玉擺件的靈動氣 息。 民間傳說，謂麻姑因父親對待工人苛刻，乃假作雞鳴而使 工人得以休息，然因懼怕父親責備而逃入山中，其父聞知 果然勃然大怒，乃放火燒山欲置麻姑於死地。恰巧王母路 經此地，急忙降下大雨，將火滅熄。王母了解事情的始末 後，對麻姑愛民之心大加贊賞，不僅收麻姑為弟子，而並 帶她到南方的一座山中修煉，這座山就是南城縣西邊的麻 姑山。麻姑山中有十三泓清泉，麻姑就用此泉水釀造靈芝 酒。十三年酒成，麻姑也修道成仙，正好王母壽辰，麻姑 就帶著靈芝酒前往瑤台為王母祝壽。王母大喜，封麻姑為 虛寂衝應真人。

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Lot 8039 A JADE CUP AND QUATREFOIL SAUCER SET MING DYNASTY

The cup rising to a gently flared sides below the straight footrim, flanked by a pair of delicate ruyi sprig handles rendered in openwork, the body further incised with a continuous flowering blossoms borne on leafy tendrils, the foliate shaped dish with a circular recessed indentation in the center intended for placement of the cup, the surface decorated with various blossoming flowers and buds issuing from leafy tendrils, the rim encircled with a band of keyfrets, the stone with further light russet inclusions.

D: 19 cm (plate), D: 10 cm (cap) HK$ 250,000 - 400,000 NT$ 977,000 - 1,563,000 US$ 32,200 - 51,500

明 玉花卉紋托杯 玉色乳白，局部有褐色沁斑與點狀蝕斑。杯與托合為一組，杯敞 口，深弧腹，圈足，兩側透雕花葉板片為鋬，腹壁雙勾纏枝花卉 紋。托盤呈海棠式，盤口面緣琢二方連續方雷紋一圈，托盤中央 減地成凸起圓台，圓台直徑恰可容納杯足，圓台外的盤面以陷地 深刻技法，高浮雕纏枝花卉紋。是件托杯用料大器，所鐫花紋典 麗瑰美，且萬代富貴的吉祥寓意，信為明代貴冑的珍貴用器。

62

Lot 8040 AN AGATE EWER AND COVER QING DYNASTY

The bulbous ewer finely worked in fluted forms on the exterior, with an upright spout and a looped handle issuing from a goats head with a pair of downward curving horns with a suspending ring, the domed cover terminating below a flower-form finial.

L: 17.5 cm EXHIBITED: The jade carving art in the Ch'ing dynasty , National Museum of history, Taipei, 1996, p.33.

Compare with an agate ewer and cover from the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.117, p.131.

HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

清 瑪瑙筋瓣紋執壺 整料冰糖瑪瑙雕成，通體薄胎。壺蓋為半球狀，圜頂，頂上浮雕雛菊朵花為鈕。 壺體似球形，腹壁滿飾直筋狀菊瓣紋，壺嘴光素，壺把作羊首銜 環，圈足。 是件執壺造型優美，整體裝飾紋樣繁中有序，壺把設計新穎獨 特，是痕都斯坦玉作風格中的難得精品。 著錄：林淑心撰文《清代玉雕藝術》，台北：國立歷史博物館， 1996年，頁33。

Lot 8041 A FAMILLE ROSE PEACHES AND MEDALLION BOWL

GUANGXU SIX-CHARACTER MARK IN IRON-RED AND OF THE PERIOD (1875-1908)

The bowl is potted with deep curved sides rising to a straight foot rim, enameled in vibrant tones with four roundels containing various scholar’s objects including auspicious vases filled with flowers and ears of grain, lanterns and auspicious fruits, all reserved on a yellow ground with fruiting double gourds and flowering vines below a band of keyfrets, the interior with a medallion enclosing a phoenix and a dragon in pursuits of a flaming pearl amidst stylized clouds, the base with the six character reign mark.

D: 19.5 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

清光緒 黃地粉彩纏枝葫蘆開光博古紋碗 碗敞口，弧腹，腹下漸斂，圈足。通體內施透明白釉，外罩黃釉彩為地。碗 心金彩圓圈紋內，繪行龍戲珠與丹鳳朝陽紋。是碗口沿一圈金彩，口沿下飾 一匝粉彩二方連續方雷紋，腹壁作四個圓形開光，開光內填博古紋，開光外 繪纏枝葫蘆紋，取其「瓜瓞綿綿」的吉祥寓意。底足書紅彩「大清光緒年 製」雙行六字楷書款。 類似器： 南京博物院藏有一件清光緒〈黃地粉彩纏枝葫蘆開光博古紋碗〉風格與本件 拍品雷同，詳見：徐湖平主編，《中國清代官窯》，上海：上海文化出版 社，2003年，頁469。

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Lot 8042 A BLUE AND WHITE ‘DRAGON’ VASE 18TH CENTURY

Well potted with a elongated neck, finely painted on the body in rich tones of underglazed blue with a continuous scene of a striding five-clawed dragon in full flight above turbulent waves amidst stylized clouds and classic scrolls, all set in between a band of keyfrets encircling the straight footrim and a double band beneath the mouth.

H: 46 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

清18世紀 青花雲龍紋長頸瓶 瓶直口，長頸，溜肩，垂腹，圈足。通體釉下青花裝 飾，口沿外兩圈青花弦紋，足牆外一圈青花二方連續 方雷紋，近底足處繪江崖海水紋，頸腹外飾雲龍紋， 行龍昂首弓軀，長尾盤繞頸壁，四周襯以火雲紋，整 體行龍威猛矯健，火雲飛動流暢，予人氣派威嚴的皇 家威儀。

66

Lot 8043 A BLUE AND WHITE ‘LOTUS’ CHARGER QING DYNASTY

Finely potted with shallow sides rising from a slightly tapered foot ring, well painted in an even cobalt blue on the interior with a bouquet of lotus blossoms, buds and leaves secured with a ribbon at the stem enclosed within double line border on the well, surrounded by a band of subsidiary composite flowers and mallow blossoms borne on leafy vines on the side below another band of foliate scrolls beneath the rim, the exterior similarly decorated with a further frieze of lotus scrolls above a band of keyfrets, the biscuit rim unglazed.

D: 35.5 cm Compare with a blue and white charger with a very similar decorative motif, sold at Sotheby’s Hong Kong, 8 October 2010, lot 2776.

HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

清 青花一束蓮大盤 盤廣口微外撇，淺弧腹，廣圈足。通體釉下青花裝飾，口緣內與足牆外皆飾一圈 忍冬紋，盤內腹壁繪纏枝花卉紋，盤心兩圈弦紋內繪一束蓮紋，寓意 「一世清廉」之意。盤外腹壁繪一圈纏枝花繪，近口緣處飾一 匝二方連續方雷紋，底足內施透明白釉，無款。是件青花 大盤的裝飾紋樣雖具有宣德遺風，然青花呈色明顯非 蘇麻離青的進口鈷料，故屬清代摹古的復刻之作。

Lot 8044 A BRONZE GILT SPLASH VASE QING DYNASTY

Of baluster form resting on a gently sprayed foot below the flared everted rim, decorated on the body with an archaistic taotie on a central flange against a leiwan ground above a band of lappets on the upper register, flanked by a pair of looped handles issuing from animal heads, further adorned with anther raised band encircling the foot, mottled with splashes of gold all over.

H: 27.5 cm HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

清 銅點金獸面紋獸首吞柱耳瓶 瓶銅鑄，通體點金裝飾。盤口，束頸，溜肩，折腹， 腹下漸收，近底足處復外撇，圈足。肩壁兩側起獸首 吞柱耳，腹壁上端減地雷紋錦地，上飾浮雕獸面紋， 獸面紋下飾一圈凸銜紋，弦紋下飾八卦變形蕉葉紋， 底部減地四方框，內署陽文「大明宣德年製」三行六 字楷書款

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Lot 8045 A PAIR OF BRONZE FIGURES QING DYNASTY

The well-modeled Taibai dressed in a loose robe with a double guard vessel tied to his waist, looking in the direction of his bare footed companion in an ensemble made of leaves with his protruding belly exposed.

H: 20.5 cm HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

清 銅太白醉酒擺件 雙人左右併立，人物一高一低，高者頭戴巾冠，兩邊冠帶 垂肩，身著交領寬袍，腰繫葫蘆酒囊，一派步履蹣跚的微 醺模樣。一旁小童，頭髻高冠，身著袒胸短衫，下半身圍 百葉短裙，手挽一旁高士，作交語貌。是件銅雕人物擺 件，造型特殊，或以為是太白醉酒的另一種罕見造型。

70

Lot 8046 A BRONZE DRAGON CENSER MING DYLASTY

Of compressed bulbous form resting on a flattened circular base, flanked by loop handles on the waisted neck rising to a gently flared rim extending to the patinated interior, the plain body extends to a patinated interior, the reticulated cover decorated with four five-clawed writhing scaly dragon in full flight amidst dense swirling clouds rendered in openwork, encircled with a band of the eight emblems against a ground of keyfrets on the outer rim, surmounted by a jade finial exquisitely worked to the scene of egrets perch next to an blossoming lotus with its head gently lifted up in a graceful posture, the base with the six character reign mark within a slightly sunken square cartouche.

D: 25.4 cm The present lot of a charming censer exhibits qualities of the elegant form and exquisite casting techniques on the bulbous censer found in the Xuande yiqi tupu . The inspiration behind the circular foot, bowl shaped container and looped handles resembles the physical attributes of a bronze gui vessels, which in antiquity were used for offerings of boiled grain. The cover embellished with a combination of the meticulous depiction of four writhing dragons under the intricately worked finial of egrets and blossoms testify to the superb craftsmanship of the present lot. While the cover serves an aesthetic function, it also serves to prevent dust from getting inside the interior, which might taint the fragrance of the incense. The bronze censer of the Xuande reign had been highly sought after by connoisseurs and collectors traditionally for its impeccable quality, as the Xuande emperor had been known to commission the production of various bronze vessels for Imperial altars, offices and halls of the palace after receiving fourteen and five-eighths tons of copper as tribute. Compare with a censer of similar form with a reticulated bronze cover toppled with a jade finial but composed of jade on the body, illustrated in The complete collection of treasures of the palace museum, Jadeware II , Hong Kong, pl.182, p.230. See also another censer of similar form, illustrated in China’s Renaissance in Bronze. The Robert H.Clague Collection of Later Chinese Bronzes , Phoenix Art Museum, 1993, pl.35, p.170-171. Compare with a small censer with a domed-shaped cover similarly surmounted by a delicate jade finial, sold at Sotheby’s Hong Kong, 8 October 2010, lot 2714.

HK$ 2,500,000 - 4,000,000 NT$ 9,766,000 - 15,625,000 US$ 322,200 - 515,500

明 銅蚰龍耳爐 銅爐碩大沉重，廣口微外撇，短頸，溜肩，鼓腹，圈足。腹壁兩側出蚰龍耳，通體光素，底部署減 地方框，陽文「大明宣德年製」三行六字楷書款。是爐器型古雅，鑄工考究，皮色光潤，予人厚重 沉穩的視覺觀感。銅爐並配有頂蓋與圓座，蓋、座紅木雕成，木蓋外壁透雕雲龍趕珠紋，近蓋沿浮 雕一圈雷紋錦地暗八仙寬帶紋，頂面鑲蓮塘鷺鷥玉爐頂為鈕。圓底座中央作圓形開光，開光內透雕 祥雲麒麟紋。是件銅爐連同蓋座皆精工細作，整體造型端莊大氣，是宣德銅爐中的少見精品。

72

74

Lot 8047 A PAIR OF MINIATURE BRONZE MIRRORS HAN DYNASTY

Each with bands of sawtooth patterns on the outer rim and ridges on the outer fields, further encircled by simplistic animals on the inner field below the central knob, the other of circular form similarly decorated.

D: 7.5 cm, D: 6.8 cm HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

漢 禽鳥紋鏡一對 鏡一對，一大一小，皆呈黑漆古。半球形鈕，凹面凸背。鈕 座周緣作水禽圖，兩水禽間綴以乳丁圈紋，水禽紋外圍以一 圈短平行線紋，平行線紋外復緊壓一圈鋸齒紋，鏡緣斜出。

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Lot 8048 A BRONZE FIGURE OF A SEATED LAMA 17TH CENTURY

Seated in padmasana with a meditative expression wearing layered robes falling in neat folds around the extremities exposing one of his feet, his hands in mudra in reference to the turning the wheel of Dharma.

H: 11.5 cm HK$ 400,000 - 640,000 NT$ 1,563,000 - 2,500,000 US$ 51,500 - 82,500

17世紀 銅鎏金三世達賴坐像 髡髮光顙，蹙眉斂眼，神情專注。身著通肩式袈裟，衣褶流 轉自然，雙手當胸結說法印，足掌露於僧袍之外，全跏趺坐 於巾毯上。是件高僧坐像，所澆銅質姣好，通體鎏金，局部 斑剝，更顯時代遞嬗的自然風化痕跡，又造型簡練，形象寫 實，頗能彰顯三世達賴索南嘉措(1543-1588)的弘法精神。

Lot 8049 A GILT BRONZE FIGURE OF GUANYIN 18TH CENTURY

Seated on a rectangular pedestal delicately holding a newborn in her warm embrace, the face crowned by an elaborate diadem, dressed in a long sleeve robe falling in neat folds finely incised with a brocade rim.

H: 11 cm HK$ 500,000 - 800,000 NT$ 1,953,000 - 3,125,000 US$ 64,400 - 103,100

清18世紀 銅鎏金送子觀音坐像 觀音頭戴鳳冠，耳後巾帶垂掛兩肩，法相莊嚴。身著高領對襟長袍，袍襟 鐫花式錦地，衣袍貼體，雙臂當胸，手捧嬰兒，開右襟，作哺乳貌。下半 身袍衣內著長裙，翹右足，舒坐於四方高台上，足踏四方矮几。是件鎏金 造像，形象稀罕，鎏金厚實，或以為是送子觀音的特殊藝術類型。

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Lot 8050 A SMALL GILT BRONZE FIGURE OF AVALOKITESVARA 12TH / 13TH CENTURY

Modelled standing gracefully on a lotus pedestal in a tribhanga pose, the left hand grasping onto lotus stems blossoming at the shoulder, adorned with an elaborate diadem below the circular earrings, festooned across the body with beaded necklaces and foliate armlets, wearing a draped flowing dhoti .

H: 13 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

12至13世紀 銅鎏金觀音立像 觀音通體鎏金，鎏金局部剝落。頭戴五葉寶 冠，雙耳垂璫，法相祥和。上半身袒露，胸垂 瓔珞，臂套釧環。雙臂自然垂放腰際，右手 施與願印；左手持蓮蕾長枝。下半身束貼體 長裙，跣足，立於覆蓮圓形座上，座上邊緣起 一圈聯珠紋。是件觀音立像，身軀作三折扭動 貌，體態婀娜，和諧美好，嶄露韻味十足的藝 術魅力。

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Lot 8051 A HUANGHUALI RECTANGULAR 'QILIN' BOX QING DYNASTY

Of rectangular form, finely carved in openwork with the scene of a scaly qilin with its head turned backwards amidst a pine garden with blossoming peony, secured with a metal mount on the side and further mountings on the sides.

L: 22.5 cm HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

清 黃花梨麒麟紋長方屜盒 長方盒，黃花梨木，盒蓋橫向開啟。蓋面頂透雕麒麟紋，其 形如馬，狀似鹿，尾若牛尾，背上有長毛，腹部滿布鱗片， 張口吐火，表徵祥瑞。盒身四角用銅葉包裹，方形拍子。全 器雕工精美，又能表現黃花梨的天然木紋，能稱佳器。

Lot 8052 A HUANGHUALI MIRROR STAND

清 黃花梨雙龍首折疊式鏡架

QING DYNASTY

The central support formed from a rectangular lattice frame with a protruding top bar carved with stylized scrolls on each end, supported on a hinged back support securing the position of the stand.

H: 44.5 cm HK$ 120,000 - 192,000 NT$ 469,000 - 750,000 US$ 15,500 - 24,700

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鏡架黃花梨，正面橫豎木棖隔成十格開光，頂部浮雕雙 龍首，正中開光的一對支柱和獨板條以合頁連接，可折 叠收藏。是件黃花梨鏡架，使用時可支起撐鏡，不用時 可平放，線條優美，為古代鏡架中的簡約逸品。

Lot 8053 A CLOISONNÉ ENAMEL TRIPOD CENSOR

清 掐絲琺瑯纏枝寶相花捲葉式耳蓋爐

QING DYNASTY

Finely decorated on the lobed bulbous body with flowering begonia and intricate foliage and scroll work below a band of lappets, flanked by a pair of foliate gilded handles on the straight mouthrim incise with a band of keyfrets, all supported on three animal masks stumpy foot, the cover decorated with a reticulated section, surmounted by a floral finial.

H: 13.5 cm HK$ 90,000 -144,000 NT$ 352,000 - 563,000 US$ 11,600 - 18,600

器分蓋與身，蓋壁透雕纏枝紋，近頂面飾掐絲琺瑯花卉 紋，頂面置雙層菊瓣蕾為高鈕。爐身作海棠式腹，花口， 口沿外飾一圈陰刻鎏金方雷紋，頸部填一匝藍色琺瑯釉圓 圈紋，兩側安鎏金捲葉式耳鋬，腹壁施天青釉地，復以掐 絲技法飾多彩的纏枝寶相花，圜底，腹下承三獸首吞柱 足，獸首與足底鎏金。

Lot 8054 A JADEITE MONEY GROUP QING DYNASTY

Worked in the form of a monkey holding a fruiting branch of peaches on his shoulder, the features of the monkey finely worked in relief with a wrinkle rendered as a series of recesses on the forehead.

H: 5.5 cm The depiction of a monkey with peaches rendered with green jade is symbolic of longevity. Compare with a jade group with a similar subject matter of monkey as the present lot in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.65, p.84.

PROVENANCE: Christie's New York, Lot 1325 HK$

120,000 - 192,000

NT$

469,000 - 750,000

US$

15,500 - 24,700

清 翠玉巧雕靈猴獻桃 翠玉雕成，通體利用墨翠與綠翠的天然顏色差，巧雕 靈猴獻桃。靈猴以墨翠質地表現，呈屈膝高跪姿，雙 手捧蟠桃枝，蟠桃碩實且以嬌豔欲滴的綠翠表現，下 承銀質几式底座。是件靈猴獻桃設計巧妙，整體圖像 亦有封侯長壽的吉祥寓意。 來源：紐約佳士得，編號1325

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Lot 8055 A ROBIN EGG’S GLAZE ‘DOUBLE-GOURD’ BOTTLE VASE QIANLONG AND OF THE PERIOD (1736-1795)

Well potted of double section rising from a square base, the cuboid lower globe transform at the waist to a spherical upper globe, covered in a finely-mottled glaze of rich turquoise of robin egg’s tone continuing slightly over the interior of the mouth rim and pooling to a deeper turquoise in the carved recesses to accentuate the design. The six character reign mark inscribed on the base.

H: 30 cm The present lot exhibits a round upper section resting on a square lower section, which is connotative of the traditional Chinese conception of the universe as tian yuan di feng , translating to ‘the sky is round while the land is square.’ Compare a similar vase exhibiting a similar decorative motif from the Huaihaitang Collection, illustrated in Ethereal elegance, porcelain vases of the Imperial Qing, The Huaihaitang Collection , pl.103, p.302.

HK$ 800,000 - 1,280,000 NT$ 3,125,000 - 5,000,000 US$ 103,100 - 164,900

清乾隆 爐鈞釉天圓地方葫蘆瓶 瓶作特殊葫蘆式，瓶口至腰部略呈水滴狀，下腹為方形，四方矮圈足，展現天圓 地方的東方哲學思維。通體施爐鈞釉，釉層肥厚，流淌自然。底署「大清乾隆年 製」三行六字陽文印款。 爐鈞釉乃仿鈞窯紫紅斑所作的低溫釉。可細分為「素爐鈞」與「渾爐鈞」兩種。 其中素爐鈞釉面呈藍綠相間的麻點紋，而渾爐鈞則釉面呈紅綠相間的麻點紋，燒 造時秞面自然混合垂流，表現渾然天成的美感，又以雍正、乾隆時期的景德鎮製 品最為精美。 類似器： 朱湯生（Julian Thompson），《莊紹綏收藏中國瓷器》，香港，莊氏集團，2009 年，頁222-223。

Lot 8056 A TURQUOISE GLAZE NARCISSUS TRAYS 16TH CENTURY

Of cylindrical form raised on three low feet, decorated on the exterior with a light turquoise glaze over a continuous meandering leafy foliate motif around the exterior of the body. the interior similarly decorated with turquoise glaze.

D: 25.5 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

16世紀 孔雀綠釉青花纏枝牽牛花水仙盆 盆板沿口，淺弧腹，腹下折沿內斂，平底，下承三矮雲肩式 足。腹壁上下緣各飾兩圈平行弦紋，上下銜紋內繪青花纏枝 牽牛花紋，腹底壁繪二方連續青花忍冬紋，通體滿罩孔雀綠 釉，青花在孔雀綠釉的掩映下呈現黑色，以致全器具有明艷 古雅的特殊藝術效果。

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Lot 8057 A BAMBOO-ROOT FIGURE OF BUDHAI QING DYNASTY

The rotund deity modeled with an affectionate laugh flamed by a pair of elongated earlobes, leaning against a rockwork inscribed on the back with the artist’s name, his right leg bend horizontally and the left leg drawn up where his hand rests upon holding a long beaded rosary, dressed in a loose flowing robe wrapped around the shoulder exposing his protruding belly.

H: 11 cm Zi Shi Zhou originates from Jiading, whose exquisite craftnabship was recorded and praised in the Zhu ren lu .

HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

清 封始岐 竹根雕布袋和尚 布袋和尚竹根雕成，髡髮寬顙，濃眉大耳，張口露齒，仰頭歡 笑。臉型肥碩，袍衣垂落肩臂，袒前胸，露肥肚，兩臂自然下 垂，右手持握巾袋，左手捻珠串，倚袋舒坐，一派大肚能容的 福樂神態。是件竹根雕器型碩大，所刻人物圓潤細緻，姿態摹 刻淋漓盡致，係屬名家之手的清雅佳器。 封始岐，清代嘉定（今屬上海）人，字時周。《竹人錄》載， 謂其性恬澹，家貧無以自給，藉技能以資衣食，所製亦工妙。

Lot 8058 A PAIR OF BRONZE QILIN MING DYNASTY

Each cast in a seated position on all fours with its hooved feet tucked underneath, its head slightly lifted turning to one side with its mouth slightly open exposing its sharp incisors above the beard, framed by a pair of horns above spiky triangular flanges on its scaly back extending to an upturn tail.

L: 56 cm HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

88

明 銅麒麟一對 麒麟一對，呈伏臥貌，回首昂頸，濃眉凸眼，額頭出鹿角，張口 露齒，頷下一綹垂鬚，頸部亦有垂鬣，神態和煦。前肢左弓右 屈，後肢收於腹下，身披麟甲，背有鋸齒脊，四肢關節飾有火雲 紋，火焰形尾向上昂揚。是對麒麟，做工細膩，整體造型可謂極 盡想像之能事，置於齋閣陳設，能添空間的古雅與祥瑞氣息。

Lot 8059 A BLUE CONG-SHAPED VASE

GUANGXU SIX-CHARACTER MARK AND OF THE PERIOD (1875-1908)

Sturdily potted in anarchistic form of a square section rising to a slightly incurving circular mouth, moulded in relief with the Bagua , the Eight Daoist Trigrams on each rectangular side, all under a thick blue glaze, the base with a six character reign mark.

H: 29 cm HK$ 30,000 - 48,000 NT$ 117,000 - 188,000 US$ 3,900 - 6,200

清光緒 祭藍釉八卦紋琮式瓶 瓶圓口，短頸，平肩，四方直腹，圈足。腹身四 壁貼塑八卦紋，八卦排列由右而下，分別為： 乾、坎、艮、震、巽、離、坤、兌等，又《易 傳》認為八卦象徵天、地、雷、風、水、火、 山、澤等八種自然現象，也因此掌握了八種天 象，也就可以提前知曉人間的一切禍福。通體內 外施祭藍釉，底書青花「大清光緒年製」雙行六 字楷書款。

90

Lot 8060 A FAMILLE ROSE CONCH-FORM PALETTE JIAQING SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1796-1820)

The palette is well formed in the form of a shell, decorated with minute raised bosses in simulation of the texture of the shell, covered in pale blue glaze with misty red strikes on the interior of the well, the base inscribed with the six character reign mark.

L: 8.8 cm PROVENANCE: Sotheby's Hong Kong, 25 April, 2004, lot 59 HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

清嘉慶 粉採仿螺貝形筆舔 通體呈板片狀的螺貝貌，以螺貝內外唇的交錯空洞為如意式淺 腹，腹壁施透明白釉，腹壁周緣繪一匝金彩，腹池面描紅彩裝 飾，螺貝四螺層，表面滿布乳凸小點，上施天藍釉，底部無 釉，中央減地方框，內書釉下青花「大清嘉慶年製」三行六字 篆書款。 來源：2004年4月25日香港蘇富比，編號59

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A Magnificent Collection Of Imperial Chinese Works of Art 御用皇珍 Lots 8061 - 8070

Lot 8061 A BRONZE CENSER MID-QING

Of compressed form with a raise band encircling the bulbous mid-section, flanked by a pair of loop handles simulating the texture of a twisted rope on the mouth rim, the base of the foot respectively inscribed with "Gan " "Qing " and "Gong " and inscribed with the six character reign mark.

D: 8.3 cm HK$ 20,000 - 32,000 NT$ 78,000 - 125,000 US$ 2,600 - 4,100

清中期 乾清宮款繩索橋耳三足爐 爐敞口，口沿兩側起繩索橋耳。束頸，弧腹，腹壁最廣處起一道凸弦紋。 圜底，底部中央署「大明宣 年製」三行六字陽文真書款。下承三矮蹄 足，蹄足底面分鑄「乾」、「清」、「宮」三字款。 是件銅爐皮色彷彿棠栗，沉韻內涵，又表面滿布漆古斑斕，更添典雅綿潤 的簡約氣息，與之凝望摩娑，能銷塵俗虛應的繁瑣疲累。 明代十四位皇帝和清代的順治、康熙兩 位皇帝，都曾以乾清宮為寢宮。他們在 此宮居住並處理日常政務。皇帝讀書學 習、批閱奏章、召見官員、接見外國使 節乃至舉行內廷典禮和家宴，也都在這 裡進行。據此，宣德銅爐能清楚標誌 「乾清宮」用款，當與御用文物有極大 的關聯。

94

96

Lot 8062 A CLOISONNÉ ENAMEL 'THREE RAMS' PAPERWEIGHT QIANLONG AND OF THE PERIOD (1736-1795)

Of rectangular form finely depicting three rams amidst a luscious garden with outcrops issuing flowering peonies and lingzi sprigs on a grassy field below a flittering butterfly in near proximity in brilliant tones of cloisonné enamels, all reserved against a bright turquoise ground, the base incised with the a six character reign mark within a rectangular panel.

L: 10.5 cm HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

清乾隆 掐絲琺瑯「三陽開泰」鎮紙 鎮紙長方板片狀，正面以掐絲填釉做花草禽蟲圖，遠景以 天青琺瑯釉為天，祥雲丹陽高掛遠空，中景以草綠琺瑯釉 為地，綠樹成蔭，花草扶疏，一派風和日麗的太平景象。 近景湖石靈芝相映間，三隻山羊悠閒於草地上覓食，綰合 出「三陽開泰」的吉祥寓意。背面及四側壁鎏金，下方側 牆上鐫橫書「大清乾隆年製」長方雙框六字楷書款。 是件鎮紙手感沉重，做工精湛，鎏金厚實，詩情畫意的構 圖既具有文人雅致意韻，更有表徵吉祥康寧的美好寓意， 信為帝王案頭清供的日用珍品。

Lot 8063 A SMALL CLOISONNÉ ENAMEL BOX AND COVER WANLI AND OF THE PERIOD (1573-1619)

Of circular form with gilded metal surrounding the edges, the cover enameled with a pair of succulent pomegranate one of which bearing seeds borne on meandering leafy scrolls and blossoming flowers in brilliant tones of cloisonné enamels, the bottle with a gilded six character reign mark enclosed within a rectangular panel frieze by interlocking ruyi heads amidst further foliate scrolls, all reserve against a vibrant turquoise ground.

For a similar cloisonné enamel box measuring 3.9cm, sold at Sotheby’s Hong Kong, 8 October 2010, lot 2713.

D: 8.3 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

明萬曆 掐絲琺瑯石榴紋圓蓋盒 盒呈蔗段式，平頂，直壁，平底。蓋面施藍色琺瑯釉為地，上飾纏枝石 榴果花紋，石榴多仔，故有多子的象徵，以致纏枝石榴自有「萬代多 子」的吉祥寓意。盒壁飾掐絲填彩纏枝朵梅，盒內暨外盒周邊通體鎏 金，底面掐絲填彩如意雲紋為地，中央嵌飾掐絲填紅彩「大明萬曆年 造」雙行六字長方框楷書款。 類似器： 是件圓盒的款飾以掐絲填釉法表現，顯現萬曆朝獨特的製作風格，北京 故宮博物院藏有一件明萬曆〈掐絲琺瑯纏枝靈芝紋圓盒〉，整體狀態除 紋樣略有不同外，其它製作手法與款識幾無二致。詳見：李久芳主編， 《金屬胎琺瑯器》，上海：上海科學技術出版社，2001年，頁55。

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Lot 8064 A FIVE-CLAWED DRAGON BLUE ROBE DAOGUANG AND OF THE PERIOD (1821-1850)

A blue ground robe exquisitely woven with golden dragons above turbulent waves and three protruding mountains amidst the eight auspicious emblems and flittering bats, all reserve against stylized clouds and classic scrolls.

L: 140 cm x W: 190 cm HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

清道光 藍地緙絲金龍彩雲紅蝠八吉祥海水江崖紋龍袍 圓領右衽，前後開裾，衣袖加中接袖，馬蹄袖端。天藍色 緙絲面，天青色紗裡。石青色素緞接袖，五彩雲蝠金龍領 袖邊，飾銀錦緣。袍身前後及兩肩各飾一正面金龍，下襟 飾四行龍，裡襟緙行龍一，合為九龍。龍紋之外間飾紅蝠 祥雲暨八吉祥紋，紅蝠祥雲寓意洪福齊天，下幅飾海水江 崖紋。是件緙絲龍袍配色淡雅，清麗和諧，所緙技法嫻 熟，圖案清晰莊重，為龍袍中的精品。 類似器： 年代與紋樣雷同的緙絲龍袍，可參見：黃能馥、陳娟娟， 《中國龍袍》，北京：紫禁城出版社，2006年，頁364。

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Lot 8065 A BLUE AND WHITE FLORAL BOWL

YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHING A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735)

The bowl potted with rounded sides rising from a straight footring, decorated on the exterior with meandering leafy scrolls bearing flowering blossoms in between freezes of double bands, the interior with double bands below the mouth rim and a medallion enclosing a stylized lotus amidst further leafy sprigs.

D: 14.5 cm HK$ 600,000 - 960,000 NT$ 2,344,000 - 3,750,000 US$ 77,300 - 123,700

清雍正 青花纏枝牽牛花紋碗 碗敞口，深弧壁，圈足。通體以釉下青花為飾，口緣與足牆各 飾兩道弦紋，腹壁外繪纏枝牽牛花紋，碗心兩道同心圈紋內繪 折枝寶相花，底書青花「大清雍正年製」雙行六字雙圈楷書 款。是件青花發色淡雅，構圖疏朗，筆意柔和，為雍正朝早期 刻意模擬成化朝青花的摹古作品。 類玉器： 1.2006年11月2日德國納高，編號1079 2.2006年11月8日倫敦蘇富比，編號89 3.台北故宮博物院藏有明成化類似造 型，可資參考，詳見：蔡和璧執行編 輯，《成化瓷器特展圖錄》，台北： 國立故宮博物院，2003年，頁61。

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Lot 8066 AN IMPORTANT AND VERY RARE LARGE IMPERIAL BRONZE ALTAR VASE QIANLONG AND OF THE PERIOD (1736-1795)

The heavily cast vase is separated into four registers, the main body decorated to either side with a pair of confronting five-clawed writhing dragons in pursuit of the flaming pearl amidst swirling clouds. The other registers on the shoulders are similarly decorated each containing a further pair of dragons in the pursuit of flaming pearls with the exception of a band of pendant ruyi heads above raised bosses and c-scrolls in between a set of archaistic dragon handles suspending oval rings. The foot encircled with a band of lappets above the six character reign mark cast within a rectangular cartouche.

H: 48 cm The impressive pear-shaped vase would have been part of an altar set of Buddhist origin commonly referred to as the wugong , which comprises of a censer (xianglu ), two candlesticks (zhutai ) and two vases (heaping ).

They were utilized in the halls dedicated to the ancestors in the Imperial palace or in the tombs of highranking officials. Woodblock printed books confirmed the existence of these altar sets as early as the Yuan dynasty, although some speculate that they originated in the Southern Song period. The present lot seems to have been casted, with its meticulous decorative motifs hammered and chiseled after casting to define the exquisite form and details, instilling the vase with a crispness often associated with carved lacquer. Compare with an entire five pieces altar set, the vase similarly casted with the six character reign mark, illustrated in China’s Renaissance in Bronze. The Robert H. Clague collection of later bronzes 1100-1900 , Phoenix Art Museum, 1993, p.38, pp.180-181. See also a similar altar vase sold at Christie’s Hong Kong, 28 November 2012, lot 2254.

PROVENANCE: Formerly in the Collection of F. Gordon Morrill.

HK$ 800,000 - 1,280,000 NT$ 3,125,000 - 5,000,000 US$ 103,100 - 164,900

清乾隆 御製銅鑄雲龍戲珠紋雙龍活環耳壺 壺盤口，束頸，溜肩，垂腹，外撇圈足。通體滿工，口沿外寬帶紋內浮雕雲龍趕珠紋。頸肩壁中部兩道凸 弦紋，逕分三道寬帶紋，其中最上兩層皆飾雲龍趕珠紋，最下一層飾疏朗的雲肩如意紋。頸壁兩側安一對 夔龍垂環耳，耳壁亦飾如意雲紋。腹壁外滿飾高浮雕雙龍戲珠朵雲紋，足牆外壁上層飾一圈蕉葉紋，下層 正面減地長方框橫書陽文「大清乾隆年造」楷書款，足底面一側鐫雙鈎「奉先殿」三字。底部分別貼有F. Gordon Morrill collection 與南紀蓭主等收藏標籤。是件銅壺沉重碩實，整體裝飾紋樣繁縟典麗，充分顯露 氣派威嚴的皇家氣息。又底部鐫有「奉先殿」三字，故知為清朝皇室家廟的重要禮儀供器。 來源： 是器原屬著名收藏家F. Gordon Morrill珍藏，後分別由日本、瑞士等私人藏家收藏。 補充： 此壺應為佛前五供之一，原陳設於紫禁城奉先殿。「奉先殿」為清朝皇室家 廟，位於紫禁城內景運門之東，乃供奉清朝列帝列后神位之要地。 比較： 相同類似器曾出現於2012 年 11 月 28 日，香港佳士得秋拍Lot2963。

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Lot 8067 A RED OVERLAY GLASS BOTTLE VASE ON A SNOWY WHITE GROUND QIANLONG AND OF THE PERIOD (1736-1795)

Carved through the red overlay with oval panels of flower sprays issuing from rockwork, the neck encircled with further panels with flowering blossoms, all against a ground of undulating foliage scrolls.

Compare with a very similar snowflake white vase with red overlay, illustrated in Selected Treasures of Chinese Art. Min Chiu Society , Hong Kong Museum of Art, Hong Kong, pl. 224, pp.460-461.

H: 27.6 cm HK$ 400,000 - 640,000 NT$ 1,563,000 - 2,500,000 US$ 51,500 - 82,500

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清乾隆 珍珠地套紅玻璃纏枝番蓮紋直頸瓶 瓶為吹製而成，直口，細長頸，球形腹，圈足。通體半透明珍珠地套紅色 玻璃，頸壁前後各兩組扇形和圓形開光，開光內浮雕折枝花卉，開光外飾 纏枝番蓮紋。腹壁前後各有一個圓形開光，開光內填折枝花卉，開光外滿 飾浮雕纏枝番蓮紋。正面口沿下鐫橫書「大清乾隆年製」六字款。 是件玻璃直頸瓶，做工繁複，花卉線條翻捲自然，裝飾造詣成熟，紅白兩 色搭配巧妙，視覺效果極佳，信為清宮珍藏的宮廷珍玩。 類似器： 乾隆時期的白套紅玻璃立件可參見：張榮主編，《光凝 秋水：清宮造辦處玻璃器》，北京：紫禁城出版社， 2005年，頁202-203。

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Lot 8068 A GILT BRONZE BODHISATTVA

QIANLONG SEVEN-CHARACTER MARK CAST IN A RECTANGULAR PANEL AND OF THE (1736-1795)

Cast seated in padmasana , the whorl pattern hair framing the downcast eyes and slightly puckered lips in a serene expression with a raised urna , dressed in a loose flowing robes with a finely executed brocade border opening at the chest, inscribed with Da qing Qianlong nian jing zao within a rectangular panel above the lotus pedestal.

H: 20 cm HK$ 700,000 - 1,120,000 NT$ 2,734,000 - 4,375,000 US$ 90,200 - 144,300

清乾隆 清淨佛 是佛局部泥金，通體手感甚重。螺髮高髻，頂嵌摩尼寶珠，髮際齊平。 垂耳下方成橢圓形，法相莊嚴和悅。身著袒右肩式袈裟，右肩頭搭覆袈 裟一角，衣襬飾兩道聯珠紋，兩聯珠間鐫刻古錢紋錦地。雙手施轉法輪 說法印，全跏趺坐於覆蓮座上，覆蓮之上飾三排聯珠凸紋，正面署減地 方框陽文橫書「大清乾隆年敬造」六字楷書款，下緣陰刻「清淨佛」三 字，底座後方刻「般若品」三字。 是件清淨佛作工典麗，局部泥金與手感厚實的特色，說明梵華樓的典型 風格，故知為清宮藏傳佛教信仰的佛堂造像精品。 比較： 今北京故宮博物院梵華樓一室般若品，西壁第四層第十龕，有類似藏品 可供參考。 梵華樓位於寧壽宮東路，是紫禁城內藏傳佛教佛堂之一，建成於乾隆41 年(1776)。

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Lot 8069 A CLOISONNÉ ENAMEL BUDDHIST WHEEL

清道光 掐絲琺瑯嵌寶石法輪立座

The Wheel with eight spokes enameled with the eight auspicious emblems and alternating semi-precious stone centered by a lion circular medallion, the border enameled with interlinking scrollwork interrupted by eight nodes inlay with gems along the outer edges, raised on a lotus base, the bottom enameled with Daoguang Nian Zhi (made in the year of Daoguang) within a circular roundel and further formalized lotus scrolls.

座呈圓形覆瓣蓮式，覆蓮下兩道寬帶紋，上層填黃地鑲寶石捲葉紋，下層 飾藍地鎏金聯珠紋。覆蓮上起束腰圓形几台高座，几檯周緣凸起鎏金聯珠 紋，蓮珠下一圈兩兩相疊的桃實紋。几檯之上安巨型法輪，法輪中央起半 圓凸球，凸球四周起蓮珠紋，外接八個菱形長輻，輻面飾掐絲黃地填彩八 吉祥紋，兩幅之間嵌桃形鑲寶石間飾。輪輻外兩道聯珠紋成形一圈寬帶 紋，寬帶紋內填天青釉地掐絲捲葉紋，輪廓外安八個桃形鑲寶石花飾。底 足內天青釉地上，起一道紅釉圈紋，圈紋外飾掐絲纏枝番蓮紋，圈紋內十 字寶相花間填對讀「道光年製」四字黃釉款。

DAOGUANG AND OF THE PERIOD (1825-1850)

The eight Buddhist emblems include the Buddhist wheel, conch, umbrella, canopy, lotus bloom, fish and entrails. It is generally believed to have originated from the introduction of Buddhism in China. Historically, the Lun or wheel is reminiscent of the wheel of the law, a symbol of the Buddhist doctrine leading to perfection. It is commonly depicted as a whirling sphere. The present lot of a fine cloisonné enamel Buddhist wheel thus symbolizes perfection and endless rotation.

H: 31 cm HK$ 250,000 - 350,000 NT$ 977,000 - 1,367,000 US$ 32,200 - 45,100

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是件法輪立座用色華麗，工藝精湛，署款黃釉，信為道光朝的佛前御用陳 設供器。 類似器： 北京故宮博物院藏有一件清雍正〈畫琺瑯八寶蓮花紋 法輪〉，除畫琺瑯的裝飾技巧與本拍品不同外，其餘 裝飾風格幾乎雷同，誠可作為宮廷文物的比對參考。 詳見：李久芳主編，《金屬胎琺瑯器》，上海：上海 科學技術出版社，2001年，頁205。

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Lot 8070 A RARE IMPERIAL ZITAN MOUNTED TABLE SCREEN INLAY WITH AN ARCHAIC JADE BI QIANLONG AND OF THE PERIOD (1736-1795)

The plain bi of greyish green with cloudy creamy white and strikes of russet inclusion, mounted in a square zitan frame carved with four in circular motif in the four cardinal directions, the bi secured by a central plug carved with the trigrams qian of Qianlong, the reverse inscribed with a gilt poem within the rectangular panel, the frame fitting into a stand carved with archaistic scrollwork and raised bosses above a central taotie mask set in between further archaistic scrolls on the apron, resting on a slightly slanted feet, the material of even dark colour with characteristic graining.

H: 33.2 cm The Imperial inscriptions on the present lot eulogizes the disc and the poem reads: 詠黃玉璧 伯雍種太寧 子產薦圎靈 色自如蒸栗 精惟化填星 剛柔叶中德 温潤永千齡 鄙矣趙卿問 懷哉鮑氏銘 御製玉璧詩 臣蔣賜棨敬書

Roughly meaning: Imperial poem of Jade bi According to the book Sou Shen Ji (In Search of the Supernatural) of the Eastern Jin dynasty (AD 317-420), Yang Bo Yong plants seeds of stone to grow jade.

During the Spring and Autumn Period (770-476 BC), Zi Chan, a statesman of the State of Zheng, refused to sacrifice precious jade wares for the prevention of fire disaster.

Fine quality yellow jade exhibits colour resembling the steamed chestnut and the “earth star”, Saturn. It should be neither too hard nor too soft and has shiny luscious appearance that last for eternity.

Zhao Jianzi, Minister of the Jin State in Eastern Zhou (770-256 BC) coveted the jade pendant, a national treasure of the Chu State. He once asked Wang Sun Yu, an official of the Chu State if the jade pendant was still in the State.

The Inscription of Jade Bi written by Bao Hangqing of the Southern dynasties (420589) is memorable.

Written by the official Jiang Ciqi (1730-1802)

The Collected Poetry of the Qianlong Emperor contains over seven hundred poems on jade, which testify to the importance of the material. The intricately carved table screen not only has an ornamental value of beautifying the surroundings, furnishings like the present lot also serves a functional purpose. The inlay of a bi signifies a popular Chinese idiom Mian bi si guo , which entices one to ponder over his mistakes thus engages in critical thinking and self-assessment for betterment. Furthermore, the beauty of the bi inlaid on the present lot lies in its sheer size and the plain undecorated surface as it fully extenuates the colors and naturalistic inclusions of the stone. It is thus extraordinary in both dimension and workmanship. The juxtaposition of the dark brownish zitan and the lighter jade inlay also creates a brilliant, yet sober effect, while the slanted feet on which the screen rests upon is another rare and distinguishable feature. Compare with a very similar table screen inlaid with a bi-disc and inscribed with a 48 characters poem by Qianlong bearing his seal mark from the Collection of the National Palace museum in Taipei, illustrated in Masterworks of Chinese jade in the National Palace Museum, Taipei, 1973, pl.4 and another table screen with Imperial inscriptions within a circular roundel on the same side of the inlay . Compare with yet another plain archaic jade bi mounted on an 18th century. Carved zitan wood stand attributed to the Peking Palace workshops, included in the Hong Kong O.C.S. Exhibition Arts from the scholar’s studio, 1986, Catalogue no.181, where it remarked that the majority of works with poetic inscriptions by the Qianlong emperor date from the latter part of his reign. Two other bi inlay table screens are illustrated in the illustrated catalogue of Chinese jade artifacts in the National Palace Museum, pls.68 and 189. For another mounted on a less elaborate stand, see the catalogue of Chinese government Exhibits for the international exhibition of Chinese art in London, 1935, vol. IV, no.3.

HK$ 6,000,000 - 9,600,000 NT$ 23,438,000 - 37,500,000 US$ 773,200 - 1,237,100

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清乾隆 紫檀雕御製玉璧嵌玉璧座屏 座屏邊座紫檀木雕成，屏心正中作圓形開光，開光外緣凸起 一圈繩索紋，屏心邊框亦起一周繩索紋，縧板四邊頂淺浮雕 繩索繫帶玉璧紋，正面開光內嵌黃玉璧，黃玉光素斑斕，展 現大器不琢的典雅氣息。玉璧中心嵌有紫檀圓形開光，開光 周緣亦起一圈繩索紋，繩索紋內浮雕八卦之一的「 」符號及 雙夔龍紋。背面鐫隸書填金〈御製玉璧詩〉一首，末署：臣 蔣賜棨敬書。座屏之站牙、餘塞板、披水牙與座墩等紫檀面 板，皆滿雕變形勾連雲紋與獸面紋。 是件座屏用料講究，雕工瑰麗華美，所鐫〈御製玉璧詩〉工 整有度，渾化純熟，處處顯露高雅別致的皇家氣息，據傳原 屬義大利某軍官家族所藏。 比對： 北京故宮博物院藏有一件〈花梨嵌玉璧插 屏〉可堪比對。詳見：朱家溍主編，《明 清家具》(下)，上海：上海科學技術出版 社，2002年，頁196。 補充： 蔣賜棨（1730—1802），字戟門。江蘇常熟人。蔣廷錫孫， 蔣溥子。貢生出身。歷任雲南府知府、江安督糧道、戶部左 侍郎、順天府府尹、光祿寺卿，官至戶部侍郎，倉場總督。 〈詠黃玉璧〉：「伯雍種太寧，子產薦圓靈。色自如蒸栗， 精惟化填星。剛柔葉中德，溫潤永千靈。鄙矣趙卿問，懷哉 鮑氏銘」。該詩收錄於《清高宗御製詩文全集》(五)，台北： 國立故宮博物院，1996年，頁5-387。

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A Magnificent Collection Of Imperial Chinese Works of Art 克綽永康 - 福壽康寧吉祥雅物 第二部份

Lots 8071 - 8125

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Lot 8071 A JADE BOWL

QIANLONG AND OF THE PERIOD (1736-1795)

Worked with round sides and a slightly flared rim, supported on a circular footring, the stone of an even color with veining of dark brown inclusions, the base with four character reign mark.

D: 17 cm Compare with a bowl in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.105, p.125.

HK$ 100,000 - 160,000 NT$ 391,000 - 625,000 US$ 12,900 - 20,600

清乾隆 火燎玉宮碗 玉質或因經火燎緣故而呈現鈣化現象，通體呈乳濁色，牛毛紋滿 布，局部有黑褐色綹線。是碗撇口，深弧腹，腹下漸收，圈足，底 面署「乾隆年製」雙行四字隸書陰刻款。是碗外型大器，簡約凝 練，具有濃郁的宮廷氣息。

Lot 8072 A JADE LIONS CARVING MING DYNASTY

Worked to the form of two perched lions next to reticulated rock rocks, the parent lion pouncing on a brocade ball tied with ribbons next to its youngster pulling onto a leafy sprig bearing a pair of succulent peaches, the stone mottle with strikes and veining of darkest brown inclusions.

L: 24 cm HK$ 1,000,000 - 1,600,000 NT$ 3,906,000 - 6,250,000 US$ 128,900 - 206,200

明 火燎玉太獅少獅山子 通體呈秋葵色，局部有鈣化現象，整體以巨岩平坡為基座，基座上 起橫斜桃樁，枝幹上桃實累累，成獅立於右側作戲球貌，幼獅背對 匍匐於左側作銜枝貌，全器雕工精美，獅首刻劃細膩，雙獅構圖除 美觀外，亦有太獅少獅的吉祥寓意。獅子自古在人們心目，即有壓 邪避凶的作用，後來化身為看宅守門的石刻。又「獅」與「事」、 「嗣」諧音，以致獅瑞形象也有表徵「事事如意」的吉祥寓意，除 此之外，成獅伴幼獅的形象，亦有「子嗣昌盛」的美好連結。

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Lot 8073 A WHITE JADE MOUNTAIN BRUSH REST QING DYNASTY

Of irregular shape with rounded peaks of varying heights in simulation of a mountain range with contours intended as a brush rest, further decorated on the sides with rocky outcrops, gnarled pine trees and lingzhi growing under the rounded sun emerging from misty clouds, the well polished stone of an even milky white tone.

L: 22.8 cm HK$ 250,000 - 400,000 NT$ 977,000 - 1,563,000 US$ 32,200 - 51,500

清 白玉丹陽蒼松硯屏 整料和闐白玉雕成，作山石叢樹狀。正面嶙峋的崖壁間峰 巒矗立，丹陽高掛天際，代表鑾峰高聳，近景平坡處蒼松 斜出，背面層巒疊峰，地勢險峻，顯露高絕的深山景色。 通景杳無人跡，形塑出「曲徑苔封人迹絕」的無我境界。

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Lot 8074 A WHITE JADE FIGURE OF MAGU QING DYNASTY

Finely modeled in the form of a standing figure of a female immortal, dressed in a voluminous robe falling in neat folds, holding in her right hand a fruiting branch extending to three luscious peaches on her back, the other hand with a lubed straw basket overflowing with lingzhi sprigs, the stone of an even pale celadon tone.

The present lot depicts Magu on her way to attend the banquet of the Queen Mother of the West holding a basket filled with lingzhi .

H: 16 cm HK$ 180,000 - 288,000 NT$ 703,000 - 1,125,000 US$ 23,200 - 37,100

清 麻姑獻壽擺件 整料和闐白玉雕成，玉質甚佳，麻姑長髮梳理工整，腦後綰墜髻，鵝蛋 臉，五官清秀，身著多層交領寬袍，袍衣過膝，衣袍內束長裙，裙下露出 雙足。右臂高舉過肩，手握桃枝，枝上桃實垂於背後，左臂置於腰間，手 提蓆籃，通體略顯前傾，作彎腰採芝貌。是件麻姑人物，除表情勾勒傳神 外，又能強調靈芝的意象，讓麻姑以靈芝釀酒的形象，得以傳達「延命長 壽」的不盡祝福。

Lot 8075 A FIGURE OF A SCHOLAR

WANLI AND OF THE PERIOD (1573-1619)

Finely long-bearded figure finely modeled standing in contemplation, dressed in a scholar's hat inlaid with an oval stone and loose robe falling in elegant folds, his left hand emerges from the long sleeve holding onto the rims of his belt.

H: 14.5 cm HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

明萬曆 虯角文官立像 文官以俗稱虯角的海象牙雕成，頭戴幞頭冒，幞頭另 以紫檀雕嵌。寬鼻小眼，嘴上蓄鬚，身著寬袖長袍， 右臂置於腰間，手握腰帶，左臂自然垂放，衣褶線條 流暢，下露雙足。通體雕工具簡約風姿，但文官一派 仙風道骨，展現強而穿透的藝術感染力。

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Lot 8076 A PAIR OF BLUE ENAMEL FISH BOWL MID-QING

Each bowl has rounded sides rising from a slightly concave foot, decorated to the interior with three delicate goldfishes with its tail swaying against a luminous white ground, the exterior enameled blue below the gilt mouthrim, the based enamel in cobalt blue with the four character reign mark within double squares cartouche.

D: 8 cm HK$ 250,000 - 400,000 NT$ 977,000 - 1,563,000 US$ 32,200 - 51,500

清中期 天藍釉杯一對 杯敞口，深弧腹，腹下漸收，圈足。碗裡施透明白釉，透明釉上繪三尾金 魚，口緣飾一圈金彩，外壁罩天藍釉，釉色如雨過天青，予人晴空疏朗的 韻致，底書青花雙方框「養和堂製」雙行四字楷書款。據清人許之衡《飲 流齋說瓷》一書載：「瓷款之堂名、齋名者，大抵皆用楷書，製品之人有 四類，一為帝王，一為親貴，一為名士而達官者，一為雅匠良工也。」 又，「養和堂」位於圓明園內，建於雍正四年。

Lot 8077 A FAMILLE ROSE ‘LOTUS’ VASE DAOGUANG AND OF THE PERIOD (1821-1850)

The ovoid body rising to a gently flared neck above the straight footrim, intricately enameled on the body with the alternating auspicious character Ji and blossoming stylised lotus in between a gilt Buddhist swastika symbol and a ruyi suspending a pendant tassel, amidst a dense foliate lotus scrolls, all set in between stiff lappets at the foot and an alternating band of ruyi heads and auspicious bats at the shoulder, the neck similarly decorated below another band of ruyi heads on the rim, the base inscribed with four characters vertically in iron red.

H: 33.5 cm The intricate decoration motif against a rich famille rose ground manifest the majestic elegance of the present lot. While the swastika is a Buddist symbol expressing the good omen of wan . The presence of auspicious bats, wan and lotus scrolls formulate the rebus for hungfu wannian , which translates to ‘great fortune for myriad years.’

Compare a similar vase exhibiting a similar decorative motif from the Huaihaitang Collection, illustrated in Ethereal elegance, porcelain vases of the Imperial Qing, The Huaihaitang Collection , pl.135, p.374.

See a famille rose vase decorated in with a very similar motif sold at Sotheby’s Hong Kong, 7 October 2010, lot 2126.

HK$ 150,000 - 240,000 NT$ 586,000 - 938,000 US$ 19,300 - 30,900

清道光 粉彩綠地描金纏枝番蓮紋瓶 瓶撇口，長頸，溜肩，長圓腹，腹下漸收，圈足。外壁滿施綠釉為 地，口沿外施描金一圈，描金下飾黃彩如意雲肩紋，肩部一圈花卉錦 地寬帶紋，寬帶紋下繪黃彩如意雲肩紋，腹部近底足處飾一圈變形蕉 葉紋，足牆外壁繪二方連續荷花紋，頸壁與腹壁作纏枝番蓮花紋，蓮 花底懸垂磬，上托卍字；左右安「吉」字；綰合出「洪福齊天，吉慶 萬福，萬代富貴」的吉祥寓意。底書紅彩直方框「賜經樓製」單行四 字篆字款。 類似器： 2002年12月1日上海敬華秋拍，編號0984

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Lot 8078 A GARLIC-HEAD PILGRIM FLASK QIANLONG AND OF THE PERIOD (1736-1795)

Of flattened circular form rising from a waisted foot above the waisted neck extending to a garlic-shaped mouth, flanked by a pair of arched strap handles that terminate on the narrow sides on the neck, the body with an intricate network of foliate scrolls in underglazed red, the sides with further meandering veins bearing flowering blossoms, the base inscribed with the six character reign mark.

H: 18 cm The decoration on the present lot constitutes a rare type as it is arranged in concentric bands radiating outward from a pointed star panel. The dense motif is reminiscent of Near Eastern inlaid metalwork, particularly in the form and shape of their dining utensils intended for the oversea market. In retrospect, the craftmen in Jingdezhen created works of Near Eastern forms intended for foreign exotica. The aforementioned design was re-created by potters of the Yongzheng emperior. Compare with another exhibiting very similar decorative motifs sold at Sothyby’s Hong Kong, 31 October 1974, lot 227.

HK$ 500,000 - 800,000 NT$ 1,953,000 - 3,125,000 US$ 64,400 - 103,100

清乾隆 釉裡紅錦紋如意耳扁壺 蒜頭形口，短頸，頸部中段起一圈凸弦，扁圓腹，口、肩處飾對 稱的如意耳，腹下收弧，下承外撇圈足。通體釉裡紅裝飾，紋飾 局部模糊。蒜頭口作上下交疊的雲肩紋一圈，頸部繪朵花，腹部 中心繪折枝蓮花，其外逐層飾磬形與六邊形花格，花格內填繪海 濤、方勝與花卉等錦地，腹壁兩側飾纏枝花卉，足牆飾朵雲紋。 底書青花「大清乾隆年製」三行六字篆書款。 類似器： 是類扁壺為清代早中期模擬永樂青花瓷的一種類似，一般多作青 花，釉裡紅較為少見，如北京故宮博物院即有一件清雍正〈青花 錦紋如意耳瓶〉風格與本件拍品雷同，詳見：耿寶昌主編，《青 花釉裡紅》(下)，香港：商務印書館，2000年，頁113。

Lot 8079 A CUP WITH DESIGN CHICKENS IN CONTRASTING COLOURS YONGZHENG WITH SIX-CHARACTER REIGN MARK (1723-1735)

Thinly potted with rounded sides resting on a slightly recessed base, the exterior of the sides delicately enameled in pale underglazed blue and characteristic enamels of soft tone with a continuous scenes of a black-tailed cockerel looking in the direction of a hen surrounded by chicks, all amidst garden rocks with outcrops of vibrant camellias and lilies in delicate enamels of yellow, red, blue, and green, set in between line borders in underglazed blue, the base with a six character reign mark.

The cup is thinly potted out of fine white paste while the transparent glaze is more apparent on the base. Since the reign of Wanli, the chicken cup had been regarded as the paradigms of the finest Chenghua porcelain. According to Gu Yingtai in Bowu Yaolan , there was a record that Emperor Wanli once owned a pair of such chicken cups adorned with roosters, hens and chicks, the emperor set a precedent and purchased them a hundred thousand dollars. Due to its great prevalence, the design of the chicken cup was reproduced in subsequent reigns as epitomizes by the present lot.

The Emperor of Yongzheng would send samples of the originals from the Palace collection so that reproductions could be manufactured with their own reign mark. The size and the composition of the present lot resembles the qualities of a sophisticated composition of a Chenghua piece with the exception of the utilization of black on the tail of the cockerel. According to according to the Jijiu pian , the origin of such delicate composition may have been derived from the spring scene of cockerel with their tails tilted up as they embrace the warm spring and also from paintings of a hen in search of food with the company of her chicks, as observed from the National Palace museum’s collection of Qing paintings. Chicken cups are coveted by connoisseurs and Museums worldwide and are known to exist in numerous public collections such as in the Beijing Palace Museum, the Taipei National Palace Museum, the Baur Collection in Geneva, the Metropolitan Museum in New York, the Victoria and Albert Museum, the Percival David foundation in London among other distinguished private collections. Compare with two pairs of Chicken cups dated to the same reign as the present lot, a finished Yongzheng doucai pair contrasts with an unfinished pair where the entire design is finely delineated in a soft underglazed blue, illustrated in Qing Imperial Porcelain , The Chinese University of Hong Kong, Hong Kong, 1995, pl.60 and another Yongzheng creation illustrated in Selected Treasures of Chinese Art . Min Chiu Society, pl.165, pp.360-361.

Courtesy of the National Palace Museum, Taipei.

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See also another doucai style chicken cup dated to later reign, illustrated in The Museum of East Asian Art Bath England. Inaugural Exhibition , Vol.1, pl. 189, p.240 and another illustrated in Ho Wing Meng, The Emperor’s lost treasure. Remnants of unrecorded. Remnants of unrecorded Chenghua porcelain , 2004, pl. 2 and 3. Compare also with another Chicken cup illustrated in Imperial porcelain of the Chenghua reign excavated from Zhushan. Jingdezhen , pl. C55, pp.198-199. See also a doucai chicken cup exhibiting a similar decorative design sold at Sotheby’s Hong Kong, 1 November 1974, lot 256.

D: 8 cm PROVENANCE: China Guardian Auction, 2010 HK$ 1,000,000 - 1,600,000 NT$ 3,906,000 - 6,250,000 US$ 128,900 - 206,200

清雍正 鬥彩雞缸杯 杯敞口，深腹，臥足。通體鬥彩裝飾，外壁繪兩組子母雞悠閒於草地覓食，兩組雞群隔以洞石月季與 湖石蘭花，所繪圖樣清雅秀美，能臻下真跡一等的擬真境界，底書青花雙方框「大清雍正年製」雙行 六字楷書款。此類鬥彩雞缸杯以明代成化朝所製作品最受世人追捧，清代以降歷朝皇帝多有仿製，其 中又以雍正朝所模擬的雞缸杯最具藝術造詣水平。 來源：2010年中國嘉德春拍 類似器：2000年10月31日，香港佳士得編號911

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Lot 8080 A SAPPHIRE ANIMAL MASK DESIGN VASE MID-QING

The heavily constructed baluster vase supported on a spreading foot with a straight footrim, flanked by mythical beasts handles suspending a ring on the neck, the body worked with archaistic scrolls and motifs, the polished stone is of a pale green tone mottled with white and russet inclusions.

H: 26.5 cm HK$ 400,000 - 600,000 NT$ 1,563,000 - 2,344,000 US$ 51,500 - 77,300

清中期 青玉獸面紋獸首吞柱活環壺 整料和闐青玉雕成，作仿古青銅壺造型。壺直口微侈，束 長頸，溜肩，球形腹，腹下承外撇圈足。頸壁兩側高浮雕 獸首吞柱活環為雙耳，腹壁上下各起兩道凸弦紋，兩弦紋 內減地雷紋錦地上壓淺浮雕獸面紋為寬帶紋。是件獸面紋 玉壺耗料費工不在話下，通體造型莊重，裝飾紋樣典雅， 是18世紀仿古風潮下的典型宮廷美器。 類似器： 北京故宮博物院藏有一件清乾隆〈和闐青玉獸耳活環 壺〉，觀其整體風格與本拍品極其雷同，詳見：李久芳主 編，《中國玉器全集•6•清》，台北：錦繡出版事業， 1994年，頁125。

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Lot 8081 A SPINACH JADE BOWL 18TH CENTURY

The bowl has deep rounded sides flaring slightly at the rim, supported on a short circular footring. the stone of a dark green tone with darker speckles.

D: 18.8 cm HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

清18世紀 碧玉光素大碗 整料碧玉雕成，內含黑色斑點。碗撇口，弧 腹，腹下漸收，圈足。通體光素，不施任何紋 樣，著重表現碧玉如潑墨流彩般的抽象墨色肌 理，是一件能添想像空間的簡約雅器。

Lot 8082 A GILT BRONZE SEATED FIGURE OF TARA 18TH CENTURY

Seated with her legs folded in padmasana on a double lotus base, her right hand in vajrapradama with lotus blooming on either sides of her shoulders, the serene face of radiate opulence frame by a crown of five jeweled plaques below a network of elaborate jewelries festooned across her torso, wearing a dhoti of flowing rhythmic elegance embossed with rich foliate designs visible from the reverse.

H: 39.5 cm The present lot of a seated Tara is the widely worshiped goddess of compassion, the turquoise inlaid adorning the crown is a common approach utilized to enhance the sumptuousness of the goddess.

Tara is worshipped by laymen and lames across centuries and its great popularity coincided with the growth of Tantric worship early in western Tibet and subsequently had a profound influence on Buddhism. There are essentially twenty-one forms of Tara and according to popular folklore, the legendary origin of Tara is related to the great Bodhisattva Avalokiteshvara. As he witnessed the ever-increasing misery of humanity, he shed an endless stream of tears of compassion streaming down his face and from the tears the White Tara was born from his left eye. It is highly probable that the present lot is a depiction of Sitatara (White Tara) as the gesture of her right hand in varada mudra and her crossed leg folded in padmasana signifies a trademark of the deity. Depictions of Tara in both painted as well as sculptural forms have been conceived, such as the impressive images of White Tara gracing the halls of the Patala palace, constructed by the Great Fifth Dalai Lama in 1645 above Lhasa over the ancient ruins of Songtsen Gambo's castle. Compare with another White Tara similarly adorned with a five panel crown and decorated with precious turquoise inlays, illustrated in The Museum of art in San Francisco , US, 1994, p.49.

HK$ 800,000 - 1,280,000 NT$ 3,125,000 - 5,000,000 US$ 103,100 - 164,900

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清18世紀 蒙古風格 銅鎏金大持金剛坐像 頭戴五葉寶冠，束葫蘆式髮髻，耳後束髮僧帶垂覆兩 肩，耳戴輪花形耳璫，兩眉之間現白毫，法相莊嚴。袒 上胸，頸掛華麗瓔珞，兩肩擎托蓮蕾枝，蕾上左安鈴， 右置杵，雙手交於胸前，腰束袍裙，裙衣貼體，全跏趺 坐於仰覆蓮座上。蓮座後鐫四行梵文。大持金剛是藏傳 佛教的密宗主尊，為釋迦牟尼說密法時顯現的本初佛形 象。 類似器： 北京故宮博物院藏有一件清康熙〈大持金剛坐像〉可資 參考，詳見：王家鵬主編，《藏傳佛教造像》，上海： 上海科學技術出版社，2003年，頁240。

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Lot 8083 A SEATED FIGURE OF MULTIPLE ARMS AVALOKITESVARA 17TH CENTURY

Seated on a lotus base in padmasana with both hands held together in Anjali mudra , the gesture of respectful salutation, the serene face incised with an urna, crowned with an elaborate diadem before a high topknot, festooned across the chest with an intricate network of beaded jewelry, further detailed with florets armlets.

H: 13.5 cm HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

明17世紀 銅鎏金四臂觀音坐像 頭戴五葉寶冠，兩側繒帶向上飄飛，眉間現白毫，法相 祥和。胸前垂掛華麗瓔珞，前雙臂當胸，手結合掌印， 後兩臂屈肘高舉，手施結印，腰下束長裙，裙衣貼體， 全跏趺坐於仰蓮座上。通體鎏金完好，是一件製作精美 的藏傳佛教造像。

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Lot 8084 A GOLD-LACQUERED WOOD SEATED FIGURE OF SADAKSARI AVALOKITESVARA MING DYNASTY

Exquisitely modeled with a serene benevolent expression with a lowered gaze, the eyes and eyebrows painted in blacked, with four-arms seated on a lotus base in padmasana with his primary hands held together in namaskar mudra , the secondary hands are brought up to shoulder height in karana mudra , dressed in a flowing robe gathered in pleated folds at the front, with further loose scarves draped over the principle arms, further adorned with jewelry festooned across the bare torso, earrings, bracelets, armlets and anklets, the serene face crowned with an elaborate multi-pointed diadem centered with an image of Amitabha in relief before a high topknot surmounted by a gold-lacquered sphere and falling in thin curled plaits over the shoulders, the gold lacquer covering the piece shows a warm reddish tone from the underlying of cinnabar red lacquer with further sutras in the interior.

The dating of the present lot is consistent with the result of a carbon 14 analysis from the Laboratory of Ion Beam Physics. Zurich.

H: 57 cm The consecration cavity of the present lot contains three mustard seeds and a variety of documents, which were retrieved by Danielle Estienne, the Conservator supervised the Curator at the Musee d’Ethnologie de Geneve. The present lot contains one and a half Chinese pamphlets with text from the lotus sutra. One Chinese pamphlet with Daoist text originating from the Daharani of Immaculate Ushnisha. The partial fragments of a blue silk book cover bearing a title slip for a sutra of the Medicine Buddha and three rolled up tablets with a Chinese and Tibetan labels with both Chinese and Tibetan text written on the exterior. It contains seven pages of a mantra from the Dharani of Immaculate ushnisha and a single page with the Essence of Causation Mantra written in Tibetan. The fourarmed Tantric image of the Bodhisattva Avalokitesvara is known as Sadaksari . The deity is often depicted holding a lotus spray and a garland of beads in the secondary hands.

The four-armed Guanyin is also referred to as the liu zi Guanyin in reference to the six syllable Sanskrit mantra associated with Om mani padme hum . In retrospect, the imagery of the Sadaksara Guanyin first appeared during the Song dynasty. Gold-lacquered wood figure of Sadaksari Avalokitesvara attributed to the Ming dynasty are rare. For Sadaksari Avalokitesvara of a smaller scale constructed with a different medium of Gilt bronze from the Palace Museum in Beijing, illustrated in Treasures of the Palace Museum – Tibetan Buddhist sculpture , Hong Kong, p.167, p.177. Compare also with a Tibetan gilt bronze four arm figure of Avalokitesvara attributed to the 11th century from the Qing court collection, illustrated in The complete collection of treasures of the palace Museum , pl.50, p.51 and another dated to the 12th century, pl.114, p.119.

PORVENANCE: 1. Private Collection Switzerland, Acquired in the 1960s 2. Spink & Son Ltd., London HK$ 800,000 - 1,280,000 NT$ 3,125,000 - 5,000,000 US$ 103,100 - 164,900

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明 木雕金漆四臂觀音坐像 頭戴五葉寶冠，冠葉內嵌化佛，頂束葫蘆式高髻，上安牟尼寶 珠，耳際繒帶垂落兩肩。雙目俯視，面容圓潤，法相莊嚴。上 半身袒露，胸前垂掛瓔珞，雙肩搭帔帛，帔巾沿臂飄垂。胸前 兩臂當胸結合掌印，後二臂屈肘高舉，右手捻珠，左手持蓮(已 失)。腹部微凸，腰束長裙，裙衣貼體，露出跣足，全跏趺坐。 來源： 1. 瑞士私人收藏 2. Spink & Son Ltd. 倫敦

Lot 8085 A GILT BRONZE FIGURE OF BUDDHA 18TH CENTURY

Modelled standing with hands in abhaya and varadamudra , the serene face framed by elongated earlobes with hair pulled back over the prominent ushnisha , dressed in a flowing pleated robe finely incised with a foliate motif at the hem and collar, all supported on a waisted square pedestal.

H: 16 cm HK$ 30,000 - 48,000 NT$ 117,000 - 188,000 US$ 3,900 - 6,200

18世紀 銅鎏金旃檀佛立像 釋迦牟尼佛呈立姿，頭梳高髻，頂飾摩尼珠，法相莊 嚴。身著通肩寬袍，袍衣貼體，如出水之姿。右臂高 舉施無畏印；左臂屈肘斜出，結與願印。雙層裙襬露 出雙足，下承有束腰須彌座。是件立佛衣紋流動自然 且具律動秩序，具有精美瑰麗的藝術魅力。

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Lot 8086 A CINNABAR LACQUER ‘PEONY’ BOX AND COVER YUAN DYNASTY

Of circular form finely carves with three flowering peonies amidst leafy sprigs on the cover in high relief, sides with leafy scrolls bearing further blossoms the interior and base lacquered black.

D: 10.2 cm HK$ 350,000 - 560,000 NT$ 1,367,000 - 2,188,000 US$ 45,100 - 72,200

元 剔紅牡丹紋圓蓋盒 盒作蒸餅式，通體黃漆素地雕朱漆花紋，盒內與足底髹黑漆。蓋面雕三朵 纏枝牡丹，盒面雕纏枝花卉紋。底部左側署有「楊茂造」三字針刻款。楊 茂，元代雕漆名家。生卒不詳。據清光緒《嘉興府志•嘉興藝術門》載： 「楊茂嘉興府西塘（西塘亦名平川，在今浙江雜善縣北二十里）楊匯人， 剔紅最得名」。又工戧金、戧銀法。

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Lot 8087 A RARE WHITE NEPHRITE BRUSH WASH MID-QING

Exquisitely worked to the form of a folded lotus leaf, the exterior with additional conglomeration of lotus blossoms and leafy tendrils issuing from a curved undercut stems forming a root.

The lotus is indigenous to ancient China and the present lot skillfully render the flower and its various component, including its petals and stems, unopened, Zhou Dunyi (1017-1073 CE), the writer of a well-known essay about lotus, referred to the elegant plant as ‘the flower of purity and integrity’ since it emerges from mud but the beautiful form of the lotus remain unstained while it grows. Compare with a very similar vessel worked in the form of an elegant lotus leaf from the Palace Museum in Beijing, illustrated in The complete collection of treasures of the Palace Museum, Jadeware II , Shanghai, 2008, no.187, p.226.

L: 24 cm PORVENANCE: Christie's New York, 19 September, 1999, lot185 HK$ 800,000 - 1,200,000 NT$ 3,125,000 - 4,688,000 US$ 103,100 - 154,600

清中期 白玉荷葉式洗 整料白玉雕成，通體碩大渾厚，作荷葉自然翻捲貌。荷葉邊沿呈不規則自然隨形，邊葉向 內翻捲，內雕放射狀粗脈。背面一束蓮梗為足，表面亦滿雕放射狀粗脈。是件荷葉洗雕工 寫實，有如剛從荷塘採摘回來的新鮮荷葉，既有栩栩如生的自然生機，而且一束蓮的意 象，亦有「一世清廉」的自我期許。 來源：1999年9月16日紐約佳士得秋拍，編號185 類似器： 北京故宮博物院藏有一件清〈青玉荷葉水族洗〉可資參考，詳 見：張廣文主編，《玉器》(下)，上海：上海科學技術出版社， 2008年，頁227。

Lot 8088 A JADE ‘ELEPHANT AND BOYS’ CARVING QING DYNASTY

Well carved as an elephant standing on its four stumpy foot with its head turned backwards and tail curled, wearing an elaborate tasseled saddle blanket finely carved in relief with auspicious bats amidst stylized clouds, a boy clambering its back holding a lingzhi sprig in his hand with which he uses to direct the elephant, another smiling boy emerges from the back grasping onto a leafy stalk, the stone of good pale green colour with areas of russet inclusions.

H:7 cm The charm of the subject matter and the three-dimensionality of the present lot depicts an elephant with its truck curled on its sides and eyes carefully delineated. The saddle blanket terminating with nine tassels symbolizes longevity and eternity while the depiction of a boy climbing on an elephant represents qi xiang , which translates to auspicious. Compare with an elephant and buys carving modeled in a very similar posture in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades-Ming dynasty to early twentieth century , San Francisco, pl.312, p.282. Compare also with another elephant and boys jade carving in the Palace Museum, Beijing, illustrated in The complete collection of treasures of the Palace Museum. Jadeware III , Hong Kong, 1995, pl.97 and 98, pp.117-118. See a similar jade elephant from the Richard J. Robertson collection, sold at Christie’s New York, 28th March 1996, lot 1.

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HK$ 350,000 - 560,000 NT$ 1,367,000 - 2,188,000 US$ 45,100 - 72,200

清 白玉雙童洗象 和闐白玉雕成，局部有褐色斑。瑞象伏臥於地，身披雕有蝙蝠的華麗鞍 毯，回首，一童子匍匐於象背，手捻如意靈芝，另一童子亦手托靈芝，跪 立於象耳旁。通體觀之，是類童子洗象雖以洗象形象呈現，但卻具有「太 平有象」與「福壽如意」的吉祥寓意。 類似器： 北京故宮博物院藏有一件清〈青玉雙童洗象〉 風格雷同，可資參考，詳見：張廣文主編， 《玉器》(下)，上海：上海科學技術出版社， 2008年，頁178。

Lot 8089 A RARE WHITE NEPHRITE SHOU CHARACTER VASE AND COVER QIANLONG AND OF THE PERIOD (1736-1795)

Of octagonal form, carved in low relief on two sides with a shou character framed by archaistic dragons above a band of pendent leaf tips on the neck interrupted by ruyi-sprig handles, the matching cover surmounted by a knop finial, with opaque white mottling throughout and some areas of added russet coloring.

H: 26.4 cm PROVENANCE: Formerly in the collection of Mr. Cai Chen Nian During the patronage of Qianlong in particular, jades were primarily the indulgences of the Imperial family and the aristocracy. In contrast to the crafts of ceramics or porcelain, there are no two jades with identical components as the variations in physical properties, coloration and naturalistic inclusions are seemingly endless and this inconsistency contributes to its aesthetic value. The present lot of a functional object for daily use or for the connoisseurship of delightful pursuit epitomizes the prevalent style at the time. Although vases varied in shape and style, they were fundamentally shaped with a relatively small mouth, broad shoulders and a wide girth. The technique of hollowing the interior through the narrow opening of the mouth testified to the accomplishments of the Qianlong craftsmen. Moreover, the design of the present lot draws its creative inspiration from ancient forms and styles, commonly referred to as Fanggu , which literally translate to the imitation of antiquity. Archaistic vases such as the present lot were likely to have been modeled after early bronzes, and incorporated ancient motifs such as the leiwen , archaic stylised dragons as well as the elongated blade like patterns resembling banana leaves while the central shou (longevity) character set in between the chilongs reinforces the simplicity of the decoration and extenuates the natural beauty of the stone. The manipulation and added coloring of the russet inclusions on the vessel further testifies to the commitment in imitating the ancient form. Compare with a wine vessel with a very similar stylized dragon and shou character from the Collection of Sir Bernard Eckstein, illustrated in Stanley Knott, Chinese Jade throughout the age , pl. CIV, p.127. Another vase worked with the motif of archaistic dragons and further flanked by loose handles is currently residing at the National Palace Museum in Taipei, illustrated in Masterworks of Chinese jade in the National Palace Museum , Taipei, 1973, pl.147, p.180. Another vase bearing a centralized shou character in the Metropolitan Museum of art, illustrated in Chinese jade of five centuries , Metropolitan Museum of Art, 1969, pl.31, pp. 116-117. Compare also with a jade box bearing the same shou character sold in Sotheby’s Hong Kong, 18 May 1989, lot 751.

HK$ 6,000,000 - 8,000,000 NT$ 23,438,000 - 31,250,000 US$ 773,200 - 1,030,900

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清乾隆 白玉雙龍拱壽如意耳八棱蓋瓶 瓶八棱八面，長頸折肩，腹下漸收，下承外撇八棱圈足。瓶蓋腹壁飾 一圈三角蕉葉紋，頂面淺浮雕八棱鈕座，座上起有束腰八棱方鈕。頸 壁淺浮雕兩兩錯落交疊的變形蕉葉紋，兩側透雕如意靈芝耳鋬。腹部 上層壓地隱起雙龍捧壽紋，下層以一匝凸弦紋區隔，弦紋下飾如意蕉 葉紋。是件蓋瓶通體方折有度，造型渾厚大器，又雕工精美瑰麗，誠 然是一件寓意福壽康寧的頂級玉雕陳設。 來源：是瓶曾屬台北知名藏家蔡辰男的舊藏珍品。 類似器： 北京故宮博物院藏有一件清乾隆〈白玉象耳活環獸 面紋六棱壺〉可堪比對。詳見：許曉東主編，《故 宮博物院藏品大系•玉器編•10•清》，北京：紫 禁城出版社，2011年，頁32。

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Lot 8090 A SOAPSTONE LIONS GROUP KANGXI AND OF THE PERIOD (1662-1722)

Superbly carved with the recumbent beast pouncing on a ribbontied brocade ball with a recumbent young lion on its back, their bodies facing in the same directions, both with bulging eyes and flared nose above the slightly agape mouth exposing four sharp incisors.

L: 18 cm HK$ 380,000 - 608,000 NT$ 1,484,000 - 2,375,000 US$ 49,000 - 78,400

清康熙 壽山石太獅少獅擺件 整料壽石山雕成，主體精雕一立獅，立獅側首前視，雙眼炯炯， 寬鼻垂耳，張口露齒，情態憨萌。頸背浮雕數綹捲鬣，前肢一腳 踏彩帶，一腳踩繡球，後肢屈膝弓立。背脊上攀伏的幼獅作向下 探試貌。全器勾勒生動，透過成獅與幼獅的肢體互動，表現出歡 樂的喜慶氛圍，是一件藝術造詣頗高的齋閣陳設。

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Lot 8091 A YELLOW JADE RECUMBENT SEAL YUAN DYNASTY

The columnar seal is of square section, surmounted by a recumbent mythical beast with a pair upright ears above the bulging eyes and flared nose, the base plain, the yellow stone with strikes of dark brown and russet inclusions.

L: 4.5 cm HK$ 90,000 - 144,000 NT$ 352,000 - 563,000 US$ 11,600 - 18,600

元 黃玉獬豸鈕四方印 整料黃玉雕成，通體滿布紅褐色綹線沁痕。印身作四方矮式二台 階，平頂，頂面上高浮雕一呈蹲踞貌的獬豸瑞獸，印面無文。 獬豸，古代傳說中的瑞獸，外觀似羊，一說似鹿，頭頂正中出獨 角，短尾，羊蹄。喜居水邊，性情忠烈，見二人相鬥，會以獨角 觸撞不對的一方；見二人爭吵亦會咬噬理虧者，因其與生俱來的 公正不阿本能，自古即被視為能斷是非的神獸。

Lot 8092 A WHITE JADE CATFISH GROUP QING DYNASTY

Worked to the form of two catfishes opposite each other with a sprig of lingzhi in mouth, the scales on its tail finely incised on the underside, the well-polished stone with veining of russet inclusions.

L: 5.8 cm The subject matter of the present lot is identified by the long barbels of the catfishes. It is a depiction of a young and mature catfish embracing each other to create an oval, possibly due to the shape of the pebble from which it was worked to create the present lot. The catfish is referred to as the nianyu , a pun for the words year and abundance respectively. The depiction of a pair of catfish like the present lot is connotative of nian nian youyu , which is an auspicious phrase representing ‘continuous abundance year after year.’ Furthermore, the ruyi sprig the mature fish grasp onto with its mouth signifies ruyi while the pair of catfishes is a homophone for year. Taken together, they symbolizes niannian ruyi , which translates to ‘may your wishes come true year after year’.

Compare with a carving modeled in a very similar posture in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.295, p.271. See also another jade carving, illustrated in Selected Treasures of Chinese Art. Min Chiu Society , Hong Kong Museum of Art, Hong Kong, pl. 219, pp.454-455.

HK$ 130,000 - 208,000 NT$ 508,000 - 813,000 US$ 16,800 - 26,800

清 白玉鯰魚珮 和闐白玉雕成，玉質潔白，光澤溫潤。雙鯰魚呈首尾相銜貌，扁平臉，大口，上下頷有鬚，口銜 靈芝草，造型生動，寓意「年年有餘」與「年年如意」，是一件吉祥討喜的精巧護身玉。

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Lot 8093 A JADEITE FIGURE OF DONGFANG SHUO QING DYNASTY

The standing deity dressed in a loose robe falling in neat folds, finely incised with a shou medallion on the shoulders and a foliate brocade rim ending in pointy ends, one hand hidden under the folded long sleeve, the other grasping onto a succulent peach, the stone of a vibrant green with minute yellowish and cloudy white inclusions.

H: 32.5 cm

Dongfang Shuo was a courtier from the court of Han Wudi (14087 BCE), he is considered an immortal who can grant longevity, the immortal is often depicted as an elderly man in scholar’s clothing, holding a peach, the fruit of longevity. Compare with a bowl in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.324, p.290.

HK$ 600,000 - 960,000 NT$ 2,344,000 - 3,750,000 US$ 77,300 - 123,700

清 翡翠東方朔 整料翡翠雕成，東方朔頭戴巾冠，寬顙豐頤，頷下一綹長鬚，目光 如炬，身著寬袖長袍，袍下束長裙，裙襬下露雙足，腰繫絲帶，雙 臂交於右側胸膛，手托蟠桃，一派智者長壽的仙風道骨模樣。也讓 人聯想東方朔偷桃的寓言典故。 有關東方朔偷桃的典故，遽聞漢武帝壽辰之日，宮殿前一隻黑鳥從 天而降，武帝不知其名。東方朔隨即解釋說：「此為西王母的坐騎 『青鸞』，言下之意是王母即將前來為帝祝壽。」頃刻間，果然西 王母攜七枚蟠桃飄然而至。西王母除自留兩枚仙桃外，其餘五枚獻 與武帝。帝食後欲留核種植。西王母言：「此桃三千年始生實，中 原地薄，種之不生。」又指著東方朔說：「此人曾三次偷食我的仙 桃。」據此，根據東方朔偷桃之說，後世遂也以東方朔為長命一萬 八千歲以上的壽星。除此之外，後世帝王壽辰，也常用東方朔偷桃 的圖像做為典慶的誌賀。

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Lot 8094 A JADE BOY GROUP QING DYNASTY

Finely modeled in a playful posture with one leg in front of the other, dressed in loose garment tied with a loose ribbon in the front, one of his hands lifted carrying a brocade ball over on his shoulder.

L: 5.5 cm HK$ 70,000 - 112,000 NT$ 273,000 - 438,000 US$ 9,000 - 14,400

清 白玉童子戲球 白玉雕成，玉質姣好，潤澤無暇。童子作交足行戲 狀，頭綰頂髻，笑臉盈盈，身著對襟短袍，腰束肥 褲。右臂高舉過肩，左臂斜出微屈，繡球拋於背後， 兩手持弄彩帶，做嬉戲表演貌。

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Lot 8095 A CLOISONNÉ ENAMEL POTTED ‘LINGZHI’

QING DYNASTY

The rectangular potted lingzhi delicately emerging from gilded stems issuing eight auspicious lingzhi heads, finely embellished with various enamels simulating the gradations of its texture in its natural state.

H: 47 cm The beautiful enameling on the lingzhi of the present lot captivates the beautiful form of the fungus. The lingzhi is connotative of longevity and immortality as it resembles the head of the wish granting scepter ruyi.

HK$ 120,000 - 200,000 NT$ 469,000 - 781,000 US$ 15,500 - 25,800

清 青玉花盆金屬胎琺瑯九靈芝盆景 長方盆中空，青玉雕成，折沿，倭角四方直腹，通體光素。盆內安隔板， 隔板面滿黏細碎珊瑚短枝，上插靈芝枝槎，枝槎九出，通體鎏金，上安七 彩琺瑯釉九靈芝，九靈芝寓意九如，九如取其：如山、如阜、如陵、如 崗、如川之方至、如月之恒、如日之升，如松柏之蔭、如南山之壽，俱是 歌頌祝壽的美辭。是件盆景寓意吉祥，亦是一件裝飾瑰麗的齋閣陳設。 類似器： 北京故宮博物院藏有一件清〈青玉碗式盆玉石靈芝盆 景〉，可資參考，詳見：徐啟憲主編，《宮廷珍寶》， 上海：上海科學技術出版社，2004年，頁49。

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Lot 8096 A LARGE CLOISONNÉ ENAMEL TIERED CENSER AND COVER QIANLONG AND OF THE PERIOD (1736-1795)

The brazier raised on three gilt-bronze elephant-head supports caparisoned in jeweled garlands, the sides decorated in enamel with stylized lotus and scrolls against a turquoise ground, encircled by a band of ruyi below the wide everted rim finely decorated with leiwan patterns, the domed cover with three large stylized lotus and scrolls within ruyi shaped panels reserved against a pierced ground of auspicious bats amidst swirling clouds, surmounted by a recumbent elephant reclining on all fours with its truck and tail swiped sideways, further caparisoned in jeweled garlands, toppled with a finial in the form of the precious vase which the elephant carries.

H: 48 cm The present lot exhibits the charming decorative motif on the dome cover of an elephant, xiang toppled with a previous vase, ping on its back. Taken together, it is connotative of the phrase taiping youxiang , which translates to ‘when there is peace, there are signs.’ This decorative motif was prevalent particularly during the Qing dynasty. Similar but larger scale brazier grace the halls of Palaces, see a pair of large braziers with a similar domed cover and elephant-shaped feet currently residing in the Palace of Heavenly Purity in the Forbidden City, illustrated in The Forbidden City: Collection of Photographs by Hu Chui , Bowers Museum of Cultural Art, 1998, pl. 32. Vessels such as the present lot not only serve an ornamental value, they were historically utilized during the winter months in the Imperial palaces. The elaborate decorations and craftsmanship of the present lot is very similar to the quality of the larger multi-tiers vessels that were used in the Imperial palaces. For other forms of vessels such as a basin utilized for heating purposes during the cold mouths, illustrated in A lofty retreat from the red dust, the secret garden of Emperor Qianlong , Hong Kong Museum of Art, 2012, pl.38, pp.184-185.

HK$ 900,000 - 1,100,000 NT$ 3,516,000 - 4,297,000 US$ 116,000 - 141,800

清乾隆 掐絲琺瑯纏枝番蓮紋象首耳三足蓋爐 器分蓋與爐，蓋作覆碗式，平頂，頂上安臥象，象背上置寶瓶，寓意「太平有象」。蓋 上瓶腹、鞍毯與蓋壁雲肩紋皆飾天青釉地掐絲纏枝花卉紋，頂碗蓋與蓋腹透雕雲紋飾以 鎏金。爐身圓口，短束頸，垂圓腹，圜底，下承三象首鼻式高足，頸壁兩側安朝天捲曲 的象首鼻為耳。通身口沿外飾一匝二方連續方雷紋，方雷紋下飾一圈如意雲紋，腹壁飾 天青釉地掐絲纏枝花卉紋，寓意「萬代富貴爐」，耳與三高足飾以鎏金。是件三足蓋 爐，造型碩大，裝飾華麗，金碧輝煌，為乾隆時期的琺瑯陳設精品。 類似器： 北京故宮博物院藏有一件清中期〈掐絲琺瑯勾連蕉葉紋象耳足爐〉可堪比對。詳見：張 麗主編，《故宮博物院藏品大系•琺瑯編•3•清掐絲琺瑯》，北京：紫禁城出版社， 2011年，頁244。

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Lot 8097 A FIVE-COLOUR TAPESTRY EDICT JIAQING AND OF THE PERIOD (1796-1800)

Mounted as a hand scroll opening with a four character heading in a vertical line, Fengtian Gaoming , 'By Command of Heaven', flanked by a pair of dragons, followed by texts written in standard form reading from left to right in Chinese, set in the middle with two stamped seal impressions, all on a five colour tapestry woven with a pattern of stylized ruyi clouds mounted as a hand scroll.

L: 297.5 cm HK$ 40,000 - 64,000 NT$ 156,000 - 250,000 US$ 5,200 - 8,200

清嘉慶 五色織錦滿漢合璧奉天誥命 誥命以五色織錦為地，卷前經緯起雙龍「奉天誥命」篆字，後以五色 滿漢文書寫誥授江南河標中軍副將今陞江西九江鎮總兵之事，末署嘉 慶貳拾肆年正月初壹日，並鈐「制誥之寶」漢滿文璽。 誥命又稱誥書，是皇帝封贈官員的專用文書。清封贈一品至五品官員 授以誥命，其提名、撰擬、繕寫、核對至頒發皆有嚴格規定。本件已 經重新托裱。

190

192

Lot 8098 A PAIR OF SAPPHIRE DUCK AND TURTLE CANDLE HOLDER QIANLONG AND OF THE PERIOD (1736-1795)

Each of narrowed cylindrical section with the uppermot drip pan with conical ends intended for the placement of a candle above a duck with its beak slightly agape, its feathery wings wide spread, standing upon a turtle and a snake, all supported on a larger round drip pan encircled by a frieze of leiwen on the everted rim, all supported on three ruyi -shaped foot, the recessed base gilt with a four character reign mark.

H: 22.5 cm PROVENANCE: Christies lonelon, 19 November, lot 200 EXHIBITED: The Jade Carving Art in The Ch'ing Dynasty , Taipei: National Museum of History, 1996, pp. 100-101 HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,2000

清乾隆 青玉「海宴河清」燭台 整料青玉雕成，成對燭台，玉質凝膩。頂托作三層設計，由上而下作逐層地減狀，盤心 正中有一燭扦；頂托下承一細圓柱，連綴於雁首之上，雙雁呈振翅欲飛貌，通身翅羽雕 琢纖細，雙足踏海龜，取其海宴河清之意。海龜匍匐於敞口大盤上，大盤平沿，口沿面 方雷紋，淺弧腹，腹壁外浮雕蓮瓣紋，平底，下承三矮雲式足。底署陰刻填金「乾隆年 製」四字款。是類燭台為清宮常見類型，造型特殊，寓意吉祥，是玉雕燭台中的特殊品 類。 來源：1992年11月19日倫敦佳士得封面，編號200 著錄： 林淑心撰文，《清代玉雕藝術》，台北：國立歷史博物館，1996年，頁 100-101。 類似器： 1.Sotheby's , New York, 1995年 9月23日，編號256。 2.北京保利2008年5月31日，編號2667。

194

Lot 8099 A WHITE JADE PEONY BRUSH WASHER QING DYNASTY

Worked in the form of a blossoming peony with its stem constituting the base extending to further meandering leafy stalks rendered in openwork, the stone of an even pale tone, the exquisite stand finelly worked with a leafy foliage bearing the auspicious double-gourd in openwork.

L: 15 cm The stand of the present lot incorporated the decorated motif of the auspicious double-gourds, which in essence is connotative of the wish for 'continuous offspring for generations after generations.' Taken together with the peony depicted on the brush washer, it constitutes the auspicious wish for eternal wealth.

HK$ 700,000 - 1,120,000 NT$ 2,734,000 - 4,375,000 US$ 90,200 - 144,300

清 白玉纏枝牡丹紋水洗 水洗白玉雕成，玉質瑩潤潔白。水洗的主體作一牡丹花蕾造形，花蕾內膛掏空成 膽，中可儲水為洗。花瓣形圓口，扁腹，平底，腹外壁以剔地浮雕技法，琢飾相 互交疊的花瓣紋。底部以斜刀勾勒出花瓣輪廓，連結蒂部的枝梗自一側斜出，蜿 蜒至一端後，又反轉繞過花瓣底部，最終收於另一端且呈葉脈盤繞狀。下承鏤空 蔓藤葫蘆四季花卉紋黃揚木底座，其中蔓藤的纏枝蔓帶可諧音萬代，而葫蘆因為 是多子的果實，合而觀之，自有「子孫萬代」的隱喻。 牡丹，花朵碩大，姿容端莊，自古以來即有：「萬花一品」的稱號，又牡丹天香 夜染，雍容華貴，因此也有「富貴花」的美譽，宋人周敦頤《愛蓮說》嘗謂： 「牡丹，花之富貴者也。」事實上，牡丹不僅成為歷代文人品詠的最佳對象，同 時萬花一品的尊貴形象，也讓牡丹具有富貴的表徵。由此看來，水 洗作纏枝牡丹，應該也隱含了富貴萬代的吉祥寓意。 著錄： 陳啟正撰文，《采風玉潔：玉器精選展》，台北：國立歷史博物 館，2011年，頁145。

196

Lot 8100 A JADEITE BAMBOO VASE QING DYNASTY

Worked in the form of a bamboo section surrounded by further bamboo stalks around the body, the stone with russet veining and spinach green inclusions skillfully utilized in depicting the vibrant bamboo leaves.

H: 16 cm Bamboo exhibits physical qualities such as a straight exterior and hollow culm, symbolizes humility and fidelity because its ability to survive harsh weather as it is likely for it to bent but rarely breaks.

It is a plant that is very dear to the Chinese population since many objects are made of bamboo. Compare with a jade vase worked in the form of bamboo with bamboo leaves from the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.290, p.268. Compare also with a vase rendered in the form of bamboo but with spinach jade, illustrated in The complete collection of treasures of the palace museum. Jareware III , Hong Kong, 1995, pl.51, p.63.

HK$ 350,000 - 560,000 NT$ 1,367,000 - 2,188,000 US$ 45,100 - 72,200

清 翡翠竹節花插 翠玉雕成，作新簧老竿叢生貌。主體做左右並立的老竹，竹莖四 節，四四成對。又口緣斜出，竹根前端嫩竹翠葉垂曳，展現十足 盎然生機。是件竹節利用翠地巧雕，能添清新的視覺氣息，除此 之外，通體圖像又具有「事事如意」與「節節高升」 的美好寓意。 著錄： 林淑心撰文，《清代玉雕藝術》，台北：國立歷史博 物館，1996年，頁140

198

Lot 8101 A WHITE JADE 'PEONY' VASE QIANLONG AND OF THE PERIOD (1736-1795)

Of compressed globular form resting on a protruding oval foot, finely worked with flowering peonies blossoms amidst undulating foliate scrolls on the body, encircled by a band of lappets around the slender neck with further c-scrolls on the bulbous section below the mouth rim, the stone with paler snowy speckling throughout.

H: 13 cm HK$ 300,000 - 480,000 NT$ 1,172,000 - 1,875,000 US$ 38,700 - 61,900

清乾隆 白玉牡丹花卉紋瓶 瓶整料白玉雕成，蒜頭口，直頸，溜肩，圓腹，腹下漸收，下承圈足。 通體以淺浮雕技法裝飾，口緣外飾如意紋，頸壁上端飾高低交錯的蕉葉 紋，腹壁浮雕折枝牡丹紋。全器造型優美，雕工細膩，是案頭陳設不可 或缺的珍玩。

Lot 8102 A FAMILLE ROSE ‘DRAGON AND PHOENIX’ VASE GUANQXU SIX-CHARACTER MARK IN IRON-REED AND OF THE PERIOD (1875-1908)

Each of baluster form rising resting on a circular foot, the body enameled with a five-clawed dragon and phoenix in flight amidst stylized clouds above a band of swirling waves in brilliant enamels of red green, blue, magenta, and purpled, further encircled with a raised band separating the second register of blossoming flowers issuing from scroll works on the shoulder, the upper register of the neck with another five-clawed dragon in flight, the scaly body finely outlined in gilt against a ground of stylized clouds below a band of ruyi underneath the mouthrim, the base enameled with the six character reign mark.

H: 39 cm HK$ 180,000 - 288,000 NT$ 703,000 - 1,125,000 US$ 23,200 - 37,100

清光緒 粉彩描金龍鳳紋賞瓶一對 賞瓶一對，撇口，束頸，溜肩，肩部兩道凸弦紋，球形腹，腹下漸 收，圈足。通體罩透明白釉，釉上施粉彩裝飾。口緣下一圈黃地粉紅 釉彩如意雲肩紋，頸部繪工筆紅彩描金行龍趕珠，龍紋外圍繞繽紛的 五彩祥雲。肩部兩道凸弦紋滿施金彩，兩弦紋內繪 纏枝寶相花，寶相花上嵌壽字。腹壁飾多彩描金龍 鳳紋，龍鳳作行逐趕珠貌，腹部近底足處飾海濤 紋。底書紅彩「大清光緒年製」雙行六字楷書款。 類似器： 北京故宮博物院藏有一件清光緒〈粉彩描金雲龍賞 瓶〉風格雷同。詳見：葉佩蘭主編，《琺瑯彩•粉 彩》，香港：商務印書館，1999年，頁269。

200

Lot 8103 A FAMILLE ROSE RED GROUND ‘HEI CHARACTER’ BOWL DAOGUANG SEAL MARK AND OF THE PERIOD (1821-1850)

Delicately enameled all around the well-potted body in pink, blue, yellow and turquoise with long continuous leafy meanders of lotus heads, surmounted by alternate gilt auspicious characters and stylized lotuses, the base with the six character seal mark.

D: 21 cm Compare a related famille rose baluster vase decorated with a very similar motif, illustrated in The Complete Collection of Treasures of the Palace Museum, Porcelains with Cloisonne Enamel Decoration and Famille Rose Decoration , Hong Kong, 1999, pl.123.

HK$ 350,000 - 560,000 NT$ 1,367,000 - 2,188,000 US$ 45,100 - 72,200

清道光 粉紅地粉彩三多雙喜寶相花紋碗 碗甚大，侈口，深弧腹，腹下漸收，圈足。碗內與足底施透明白釉，外壁罩粉紅色 地，復以諸色粉彩飾勾繞有桃葉、蝙蝠與寶相花的四方連續纏枝花卉紋。惟兩兩寶相 花的留白處因明顯嵌有囍字，故知「多福、多子、多壽」的吉祥寓意之外，實為是專 為光緒皇帝大婚訂燒的官樣御瓷，底書紅彩「大清道光年製」三行六字篆書款。 類似器： 南京博物院藏有一件清道光〈粉紅地粉彩雙喜三多寶相花 紋碗〉風格雷同，詳見：徐湖平主編，《中國清代官窯瓷 器》，上海：上海文化出版社，2003年，頁384。

202

Lot 8104 A RARE DOUCAI GRAPE DISH

CHENGHUA WITH SIX CHARACTER REIGN MARK (1465-1487)

Exquisitely potted with rounded sides resting on a circular footring, the exterior encircled with alternating fruiting peaches sprigs and flowering leafy magnolia sprigs set in between two bands of lines in underglazed blue, the interior enameled at the center with grapes borne on meandering leafy vines bearing succulent strands of grapes, the recessed base with a six-character reign mark enclosed in a double square cartouche.

D: 8.3 cm The delicate depiction of luscious grape on the present lot testifies to the sophisticated composition of Chenghua porcelain and is among the rarest and most highly prized of Chenghua porcelain. Although porcelain adorned with the grape design existed as far back as the Yuan dynasty, the Chenghua prototype is considered as far more superior due to the subtlety of its composition, the brilliance of its colors and liveliness of the drawing. Chenghua doucai wares were not merely made for daily usage in the Palace, they were also special Imperial ware intended for appreciation due to the political developments of the Imperial palace at the time. In the book, Gutong ciqi kao (A study of the ancient bronzes and porcelain), Liang Tongshu commented, “The Chenghua porcelain are the best of all the overglazed painted wares of the past. They are finely painted with the best enamels and are at times even more vividly and marvelously executed than the comparable works of old masters.” The origin for the grape design may have been sketches from nature, possibly in the Imperial gardens during the summer and autumn seasons. Its composition may also have been partially derived or adopted from paintings such as a hand scroll with grapes by the Song monk Wen Riguan and Jigang, who had been complimented time and again on his distinguish ability to paint grapes. Furthermore, the subject matter of grapes with their multiple fruits symbolize fertility, continuity of the family line, abundance, and vigorous growth, these auspicious attributes made have contributed to its appearance on vessels to be used on celebratory occasions, particularly for Chenghua Imperial porcelain. According to the Gu Tai in Bowu yaolan (Important criteria for studying ancient objects), small dishes similar to the present lot were rarely made before the Chenghua period. The delicate small dish was intended to be utilized as chopstick holder during large celebratory banquets along with a coordinated set of matching wine cups and stem cups during the late Chenghua period. Compare with a doucai cup with bunches of grapes hanging down from thick foliage and a stem cup and a stemcup decorated with entwining vines, illustrated in A Legacy of Chenghua. Imperial porcelain of the Chenghua reign excavated from Zhushan. Jingdezhen , the Tusi Museum of Art, Hong Kong, 1993, C100, C117 and C104, pp.288-289. Compare also with a grape dish exhibited at the National Palace Museum, illustrated in Everlasting Chenghua porcelain , National Palace Museum, 2003, pp.3637. See also the aforementioned wine cups and stem cups made to be used as a set, illustrated in The emperor’s broken China. Reconstructing Chenghua porcelain . An exhibition of Chinese porcelain of the Chenghua period recently excavated from the Imperial kiln site at Jingdezhen in South China, 2010.

HK$ 5,200,000 - 8,320,000 NT$ 20,313,000 - 32,500,000 US$ 670,100 - 1,072,200

Courtesy of the National Palace Museum, Taipei 台北國立故宮博物院

204

明成化 鬥彩葡萄紋淺腹杯 杯廣口，淺弧腹，腹下漸收，圈足。碗心繪纏枝葡萄 紋，枝延蔓繞，間有留白，頗有書畫小品的筆墨韻 致。口沿與足牆各飾一匝青花弦紋，腹壁繪兩兩相對 的折枝花卉紋。通體布局錯落有致，所繪紋樣清麗和 諧，底書青花雙方框「大明成化年製」雙行六字楷書 款。 成化時期的鬥彩杯向以精美素雅著稱，圖案有群雞、 高士、嬰戲、葡萄與鸚鵡等樣式，造型亦有敞口、撇 口、深腹、淺腹、圈足、臥足的多樣分別，此杯為扁 腹圈足，是成化鬥彩流行的典型類型之一。 註：本件鬥彩小杯局部經修整 類似器： 1. 2012年4月4日香港蘇富比「玫茵堂」專場，編號24 2. 蔡和璧執行編輯，《成化瓷器特展圖錄》，台北： 國立故宮博物院，2003年，頁177。

206

Lot 8105 A WHITE JADE DRAGON PLAQUE QING DYNASTY

Worked in the form of an archaic dragon with its coiled inward, finely incised pointed ears above the mouth rendered in openwork, the body with c-scrolls and spirals, retaining small areas of russet skin near the extremities of the tail.

L: 8.5 cm HK$ 80,000 - 128,000 NT$ 313,000 - 500,000 US$ 10,300 - 16,500

清 白玉龍紋珮 和闐白玉雕成，局部有褐色斑。通體呈板片狀，作首尾相 銜的團龍，團龍身軀向內捲曲，長尾收尖，其餘部分以透 空處理，身軀飾變形勾連雲紋，全器造型古雅，輕靈秀 美，是一件可隨身佩帶的吉祥護身玉。

208

Lot 8106 A WHITE JADE 'POMEGRANATE' CARVING 18TH CENTURY

The attractive pale green carving with russet inclusions, naturalistically worked in the form of two succulent pomegranates issuing from a gnarled leafy stem, with an insect depicted feasting on one of the fruit, the composition skillfully incorporating the natural russet streaks of the stone into the composition of the pomegranate seeds on the reverse, all boldly worked in high relief.

L: 6 cm HK$ 280,000 - 448,000 NT$ 1,094,000 - 1,750,000 US$ 36,100 - 57,700

清18世紀 白玉榴開百子珮 和闐仔玉雕成，局部有淺褐色斑，作並蒂雙石榴，一面枝葉纏 繞，上有綻放的朵花，另一面石榴爆裂，露出滿溢的石榴仔，果 實之上並停駐一隻小蟬。蟬與石榴都有多子的表徵，以致是件石 榴珮美觀之餘，亦有「多子多孫」的吉祥寓意。

Lot 8107 A ‘FIGURES PLAYING MUSICAL INSTRUMENTS’ WHITE JADE GROUP 18TH CENTURY

Exquisitely worked to the form of three figures playing the drum, one figure standing next to another who lunges upon a kneeing figure as they perform with their musical instruments, the pleats on their lose garment finely executed, the stone of an even white tone.

L: 5 cm HK$ 380,000 - 608,000 NT$ 1,484,000 - 2,375,000 US$ 49,000 - 78,400

清18世紀 白玉雜耍人物珮 白玉雕成，立體圓雕，玉質潔白，溫潤無瑕。通體作三人 雜耍娛眾貌，左側一人呈高跪姿，中央持鼓仕女一腳踏於 跪立之人的膝蓋上，至於右側持扇的儒士則作攙扶貌。通 體著重三人的肢體表現，恣意營造歡樂太平的吉祥氛圍。 是一件讓人愛不釋手的清雅珍玩。

210

Lot 8108 A WHITE JADE FIGURES UNDER PINE CARVING QING DYNASTY

Modeled with a bearded scholars dressed in a loose long sleeves robe grasping onto a ruyi scepter in his right hand, standing next to a smiling boy holding an auspicious infinite knot with both hands, both standing under the shade of the pine tree amidst pieced rockworks, the well-polished stone of a pale celadon tone with minute light russet inclusions.

H: 17 cm HK$ 950,000 - 1,520,000 NT$ 3,711,000 - 5,938,000 US$ 122,400 - 195,900

清 白玉松石人物山子 山子以整料和闐白玉雕成，通體以壁立當空的湖石為背景，湖石清瘦， 外壁凹凸玲瓏，其間石眼皺透，跌宕多姿之餘，不禁讓人聯想起《漁陽 石譜》所載：「元章相石之法有四語焉，曰秀、曰瘦、曰皺、曰透， 四者雖不能盡石之美，亦庶幾云。」又湖石正常情況下因可長保金剛不 壞，故世人又多以「壽如金石」比擬，倘若再加上歲寒不凋的長青老 松，那麼圖像所意旨的長壽寓意也就不在話下了。此外，松石之前的平 坦處，亦琢刻一組立雕人物，人物一老一少，皆呈立姿。老者高額巾 髻，長髯垂胸，深著寬褲長袍，面容慈祥，一手輕撫一旁童子，一手握 持如意並高舉及肩。而立於一旁的童子，頭梳雙髻，雙臂當胸正嬉弄雙 環，一派康樂溫馨的和煦模樣。正所謂：圖必有意，意必吉祥，老者 持握如意與童子手嬉雙環的組合意象，稍加思索，然 則「如意圓滿、老少平安」的吉祥寓意也就呼之欲出 了。下承靈芝湖石紋酸枝底座。 著錄： 陳啟正撰文，《采風玉潔：玉器精選展》，台北：國 立歷史博物館，2011年，頁64-65。

212

214

Lot 8109 AN ARCHAISTIC WHITE JADE MARRIAGE BOWLS QIANLONG AND OF THE PERIOD (1736-1795)

The heavily constructed bulbous vessel of semi-spherical form delicately carved on the exterior with a centralized taotie below two confronting archaic birds and further scrollwork, flanked on the sides with loose ring handles suspended from auspicious bats at the rim, all supported on five ruyi-shaped feet, the stone of an even luscious colour.

D: 23.2 cm PROVENANCE: Sotheby's Hong Kong, 30 October 2000, lot 353 White jade with its transparent body, lustrous and bright characteristics, is defined in the Shuwen as “the fairest of stones.” Indeed the taotie on the present lot is perhaps the most frequently recurring motif used in the art of the jade carvers especially during the reign of Qianlong, when it was fashionable to create decorative objects imitating old masterpieces or imparting them with the elegant air of antiquity. Compare with a vase dated to the Qianlong period similarly worked with lappets and the taotie masks is currently residing at the National Palace Museum in Taipei, illustrated in The complete collection of treasures of the palace museum. Jareware III , pl.148, p.181. For more marriage bowls resting on similar ruyi shaped feet, see Jade a study in Chinese archaeology and religion , pl. L, pl. CXXVIII and pl. CXXIX on pp.325-328. See another, illustrated in Chinese jades of five centuries , Charles E. Tuttle company, Tokyo, pl.37, pp.128-129. See also another, illustrated in The complete collection of treasures of the palace museum. Jareware III , Hong Kong, 1995, pl.59, p.71. Compare with a similar marriage bowl sold at Sotheby’s Hong Kong, 8 October 2010, lot 2616.

HK$ 5,000,000 - 7,000,000 NT$ 19,531,000 - 27,344,000 US$ 644,300 - 902,100

清乾隆 白玉獸面紋蝠耳活環五足洗 整料和闐白玉雕成，器型碩大。洗圓口，弧腹，腹下漸收，瓶底，下承五雲葉式矮足。 腹壁兩側鏤雕蝙蝠鈎尾活環為雙耳鋬，腹壁以減地技法，淺浮雕構圖複雜的獸面紋，獸 面紋複眼，眼眶兩端收尖，儘管是模擬青銅鼎彝上的神祕紋樣，卻有十八世紀復古風潮 下的典型風格。是件五足洗耗料費工，選用大料一氣呵成，又雕工講究細微精緻表現， 誠然是乾隆時期不可多得的頂級玉雕陳設。 來源：2000年10月30日香港蘇富比秋拍，編號353 類似器： 北京故宮博物院藏有一件清乾隆〈和闐玉蝠蓮紋獸耳活環洗〉，造型與本拍品雷同，詳 見：李久芳主編，《中國玉器全集•6•清》，台北：錦繡出版事業，1994年，頁215。

216

218

Lot 8110 A BLUE AND WHITE BOWL

YONGZHENG SIX-CHARACTER IN UNDERGLAZE BLUE AND OF THE PERIOD (1723-1730)

The rounded sides are decorated on the exterior with six alternating pairs of foliate medallions separated by foliate spandrels between double line borders, the base with the Yongzheng six character seal mark within double circles.

D: 10 cm HK$ 200,000 - 320,000 NT$ 781,000 - 1,250,000 US$ 25,800 - 41,200

清雍正 青花忍冬紋碗 敞口，弧腹，腹下漸收，圈足。口沿外與近底足處各飾兩道青花弦紋，腹 壁上端飾一圈芝草紋，其下繪六組忍冬紋。底書青花雙圈「大清雍正年 製」雙行六字楷書款。通體青花發色淡雅，所繪圖樣筆觸流暢，布局對稱 疏朗，又忍冬紋具「延年益壽」的吉祥寓意，處處顯露雍正朝娟秀雅致的 美學風尚，誠為青花美器。 類似器：2001年10月29日香港佳士得，編號810

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Lot 8111 A FAMILLE ROSE ‘HUNDRED BATS’ BALUSTER VASE

GUANGXU IRON-RED SIX CHARACTER MARK AND OF THE PERIOD (1875-1908)

Potted with a compressed globular body supported on a straight foot rim rising to a long cylindrical neck, enameled on the body with iron-red bats flittering amidst stylized cloud scrolls, all set in between a band of ruyi -heads below the mouth rim and lappets encircling the foot, the based enameled with the six character reign mark.

H: 32 cm HK$ 30,000 - 48,000 NT$ 117,000 - 188,000 US$ 3,900 - 6,200

清光緒 粉彩百蝠祥雲荸薺瓶 直口，長頸，溜肩，鼓腹，腹下漸收，圈足。口緣下飾描 金弦紋一圈，弦紋下繪黃地粉紅釉彩如意雲肩紋，頸部與 腹部滿飾五彩祥雲與百蝠紋，寓意「洪福齊天」，腹壁下 近底足處飾一圈變形蓮瓣紋，蕉葉紋下描金弦紋一圈。底 書紅彩「大清光緒年製」雙行六字楷書款。

Lot 8112 A PAIR OF FAMILLE ROSE ‘DRAGONS’ SAUCERS

GUANGXU IRON-RED SIX-CHARACTER MARK AND OF THE PEROD (1875-1908)

Finely potted with gently rounded sides above the circular footring, the interior enameled with a pair of scaly five-clawed dragons in pursuit of a flaming pearl amidst stylized clouds and classic scrolls, all below a band of keyfrets encircling the rim.

D: 9.5 cm HK$ 12,000 - 19,200 NT$ 47,000 - 75,000 US$ 1,500 - 2,500

清光緒 粉彩描金紅彩雙龍趕珠小碟一對 小碟一對，敞口，淺弧腹，圈足。口沿上描金彩，口沿下飾一圈粉彩幾何 錦地寬帶紋，碟心內繪首尾相逐的雙龍趕珠紋，龍紋外飾紅彩火雲紋與五 彩祥雲，通體顯露典型的光緒官窯裝飾風格，底書紅彩「大清光緒年製」 雙行六字楷書款。

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Lot 8113 A POLYCHROME SMALL JAR WANLI AND OF THE PERIOD (1573-1619)

Of bulbous form tapering at the foot with a flattened base, decorated on the body with fishes with its fins finely depicted amidst florets and leafy sprigs in vibrant tones of wucai , all set in between a band below the straight rim and triple bands near the extremities of the base.

H: 7 cm HK$ 15,000 - 24,000 NT$ 59,000 - 94,000 US$ 1,900 - 3,100

明萬曆 五彩魚藻紋小罐 短直口，豐肩，圓腹，腹下漸收，臥足。通體以藍、紅、黃、綠 等彩釉，繪通景魚藻紋，所繪圖樣古樸敦厚，具有鮮活的自然生 命氣息，底書青花雙圈「大明萬曆年製」雙行六字楷書款。

Lot 8114 A FAMILLE ROSE MAGNOLIA WATERPOT QING DYNASTY

The domed-shape vessel rising to a circular opening above the flat base, decorated on the sides with a spring scene of delicate flowering magnolia issuing from leafy branches.

D: 6 cm HK$ 12,000 - 19,200 NT$ 47,000 - 75,000 US$ 1,500 - 2,500

清 粉彩暗花彩蝶花卉紋水丞 斂口，豐肩，馬蹄腹，淺圈足。腹壁滿飾暗花，透明釉上繪 粉彩折枝花卉，花葉扶疏，朵花綻放，一旁有彩蝶翩翩飛 舞，予人清雅麗質的書卷氣息。

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Lot 8115 A ZITAN BRUSH POT, BITONG QING DYNASTY

Of plain cylindrical form, the wood of a rich dark reddish-brown tone.

H: 17 cm HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清 紫檀筆筒 筆筒紫檀木刨製，直桶形腹，胎壁厚實，通 體光素，不施任何裝飾紋樣，惟全器打磨光 亮，紫檀木紋的天然肌理表露無遺，具有大 器不琢的簡約丰姿。

Lot 8116 A WHITE JADE ‘RAMS AND LINGZHI’ GROUP QING DYNASTY

Worked to the form of three reclining rams with incurving horns and their legs tucked underneath, the smaller goats each biting onto a sprig of lingzhi, the well-polished stone of an even tone.

L: 4.2 cm The connotation behind the present lot is symbolic of the Taoist sentiment “Three rams bring the beginning of prosperity in the morning” by relation to the pronunciation of the word sheep in Chinese, as yang emblems represents the sun according to the Taoist eight. Hence, the imagery of three rams altogether thus represents San yang kai tai . Compare with a jade ram in the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades. Ming dynasty to early twentieth century , San Francisco, pl.64, p.83. See also a jade group of three rams, illustrated in The complete collection of treasures of the palace museum . Jareware III, Hong Kong, 1995, pl.51, p.63.

HK$ 68,000 - 108,800 NT$ 266,000 -425,000 US$ 8,800 - 14,000

清 白玉三陽開泰 整料和闐仔玉雕成，三羊一大二小，四肢收於腹下，作伏臥圍繞貌，所圍成 的空間嵌有太極圖像，綰合出「三羊開泰」的吉祥寓意。

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Lot 8117 A YELLOW JADE CARVING OF AN ELEPHANT MING DYNASTY

Worked in the form of an elephant resting on all fours with feet tucked on the reverse, its truck and tail swift to the side, the stone with dark brown and yellowish brown inclusions.

L: 6 cm Exotic animals sculptures as tributes from other countries generated interest in the Qing court. Similar to the present lot, the tribute elephant is likely to be depicted in three-quarter profile with its head and tail turned sideways in many Imperial paintings. Compare with a jade elephant modeled in a similar posture from the Collection of the Asian art museum of San Francisco, illustrated in Later Chinese Jades – Ming dynasty to early twentieth century , San Francisco, pl.58, p.80.

HK$ 220,000 - 352,000 NT$ 859,000 - 1,375,000 US$ 28,400 - 45,400

明 黃玉四不像瑞獸 黃玉雕成，表面滿布褐色沁斑。瑞獸側首伏臥，四肢收於腹下。通 體造型渾圓，雕工古樸，特別是象首，獸身，馬尾等充滿幻想性的 恣意組合，生動表現了四不像瑞獸的典雅形象。

Lot 8118 A WHITE JADE ‘RUYI’ PLAQUE QING DYNASTY

The plaque flanked by a pair of archaic birds in openwork, the center incised with the four character ru xin ru yi , the reverse with a pendant Te-ching or single sonorous stone terminating with two tassel ends hanging vertically, a loop at the top intending for stranding purposes.

L: 7.8 cm HK$ 320,000 - 512,000 NT$ 1,250,000 - 2,000,000 US$ 41,200 - 66,000

清 白玉如心如意珮 和闐白玉雕成，玉質姣好，白皙無瑕。通體呈板片 狀，作如意雲肩形，兩側浮雕莨苕葉為飾，一面以壓 地隱起技法，淺浮雕垂磬紋；另一面先減地一層，然 後於中央琢出「如心如意」的篆字陽文。全器雕工雅 致，清麗娟秀，是一件能致人瑞兆的精美隨身玉珮。

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Lot 8119 A CELADON JADE ‘EGRETS’ DISH QING DYNASTY

The shallow dish is carved rising to a flaring rim supported on a short straight foot, finely incised on the wells of the interior with c-scrolls, the center with an egret flying upon the boundless sky looking in the direction of two egrets swimming in the quiet pond and one standing near the shore, finely incised with a florets on the recessed base and keyfrets encircling the base of the footrim, the stone with strikes of russet inclusions.

D: 17 c m HK$ 220,000 - 352,000 NT$ 859,000 - 1,375,000 US$ 28,400 - 45,400

清 青白玉蓮塘鷺鷥紋盤 整料和闐玉雕成，局部有褐色斑。敞口，淺腹，腹下漸收，圈足。通體滿 工裝飾，腹壁內外皆飾淺浮雕變形蓮瓣紋，盤心飾蓮塘鷺鷥紋，寓意「一 路連科」。圈足面陰刻一匝二方連續方雷紋，底部鐫古錢紋。全器雕工典 雅，是一件注重裝飾美學的珍玩佳器。

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Lot 8120 A 'HAN LIN TING GE ' TIN JAR AND COVER QING DYNASTY

The baluster body is decorated with the scene of a seated figure reading a book on his low table inside his dwelling with an open window and door open, amidst bamboo outside the garden, further engraved with inscriptions, the circular cover unadorned.

H: 8 cm HK$ 60,000 - 96,000 NT$ 234,000 - 375,000 US$ 7,700 - 12,400

清 錫「寒林亭閣」蓋罐 厚胎錫製，罐蓋短直頸，豐肩，肩以下漸收，淺圈足。腹部 一面刻寒林亭閣人物圖，一面鐫：家住寒林過客稀，一林風 雨夢初回。道人日課無餘事，了卻彈琴便讀書。李漁詩。墨 居士刻等銘。底部署：仙人掌。茶詩李白仙人掌，且作盧仝 走筆章。乾坤。白雲。

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Lot 8121 A DOUBLE GOURD TIN ‘CHRYSANTHEMUM’ VASE QING DYNASTY

Of double gourd form resting on a broad straight footrim, finely incised with blossoming Chrysanthemum and leafy sprigs around the body of the upper and lower sections.

H: 14 cm HK$ 15,000 - 24,000 NT$ 59,000 - 94,000 US$ 1,900 - 3,100

清 錫折枝菊花紋葫蘆瓶 瓶作葫蘆形，短頸，束腰，疊腹。通體以陰刻技法飾 折枝菊花紋，菊花花瓣呈舌尖狀，兀自展現馥郁清香 的雅緻氣息。又全器以菊花裝飾，似乎也有「吉祥長 壽」的美好寓意。

Lot 8122 A QUATREFOIL TIN JAR AND COVER QING DYNASTY

Of quatrefoil form resting on four short feet, decorated with a raised vertical band on the four sides of the body, the cover unadorned, the base inscribed with a four character artist's mark.

H: 9.5 cm HK$ 20,000 - 32,000 NT$ 78,000 - 125,000 US$ 2,600 - 4,100

清 錫瓜棱形蓋罐 瓶作瓜棱形，罐蓋短直頸，平肩，八瓣瓜棱形腹，平 底，底面四角出四矮足，底部中央署：「張昆玉造」 雙行四字楷書款。

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Lot 8123 A BRONZE 'GOLD SLASHES' VASE QING DYNASTY

Of globular form rising to a wide circular mouth, the bulbous body in simulation of a cinched saddle with raised double bands across the neck and body in simulating of a tied rope, further adorned with splashes of gilded irregular splashes all over.

H: 13 cm HK$ 150,000 - 240,000 NT$ 586,000 - 938,000 US$ 19,300 - 30,900

清 銅點金繫繩皮囊瓶 瓶敞口，直頸，頸下作四囊腹，圈足。瓶外壁起繩 索，繩索緊緊綑繫四皮囊，然後復纏繞頸壁。局部點 金裝飾，通體造型特殊，設計新穎，是一件藝術效果 極強的案頭陳設。

Lot 8124 A SMALL GILT BRONZE ‘FIGURES’ BOWL MID-QING

Modeled with deep rounded sides rising from a straight foot, decorated on the exterior with two quatrefoil roundels enclosing a figure standing under the shade of the luscious pine as the sailor of a sampan emerges from rockworks on the quiet lake, while anther figure fishing on a sampan with a basket filled with the day’s catch amidst rockworks and gnarled pine trees, the other side decorated with three figures, a long bearded figure walking next to a child, both carrying firewood on their backs returning to their brick dwelling amidst a luscious pine garden, all reserved against diaper motifs on a bright gilt ground, the base with the four chacater Qianlong chenhan within a square cartouche.

D: 9.5 cm HK$ 350,000 - 560,000 NT$ 1,367,000 - 2,188,000 US$ 45,100 - 72,200

清中期 銅鎏金漁樵耕讀宮碗 銅碗胎體厚實，手感沉重。敞口，深弧腹，圈足。腹壁前後作二開 光，開光外以鏨刻技法滿飾金錢紋，開光內以陷地深刻技法，浮雕煙 波垂釣圖與山樵暮歸圖，底部署「乾隆宸翰」雙行四字篆字方框陽文 款。通體雕工細膩，既如工筆小品，更有金壁輝煌的皇家氣息。

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Lot 8125 A ROCK CRYSTAL 'LOTUSES AND LINGZHI' VASE QING DYNASTY

Of flatten globular form with a waisted neck below the straight mouthrim, the body decorated with blossoming lotuses and buds in high relief issuing from outcrops at the base, flanked by a pair of delicate ruyi sprig handles with loop handles, toppled with a cover surmounted with a domed-shaped finial.

H: 16.5 cm Rock crystal were often crafted in a manner similar to jade carving as the clarity of rock crystals made them an ideal alternative for vessels.

HK$ 50,000 - 80,000 NT$ 195,000 - 313,000 US$ 6,400 - 10,300

清 水晶寶鴨穿蓮靈芝活環耳蓋瓶 整料水晶雕成，器分蓋與瓶。蓋作覆碗式，蓋壁光素，頂面高浮雕寶 珠鈕。瓶身圓口，束頸，溜肩，肩下瓶形外壁浮雕寶鴨穿蓮紋，底部 飾湖波紋，頸壁兩側鏤雕靈芝活環耳為鋬。

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CHINESE WORKS OF ART (HONG KONG)

The following provisions are entered into by and between Ravenel Auction Hong Kong Limited, , as the auctioneer(hereinafter referred to as “the Company”) and the Seller (hereinafter referred to as the “Seller”). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter referred to as the “Buyer”). The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Buyer should pay special attention to Article 2, Section 5which provides limitations as to the legal responsibilities of the Company.

Article 1.Definition Some of the phrases commonly seen herein are defined as follows: 1. “The Buyer” shall mean highest bidder accepted by the Company.

2. “The Prospective Buyer” shall mean any potential bidder willing to attend the auction sale hosted by the Company.

3. “The Seller” shall mean the mandator who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company.

4. “The Lot” shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue.

5. “Hammer price” shall mean the highest bid with respect to one particular auction item accepted by the auctioning party.

6. “The Buyer’s Premium paid by the Buyer” shall mean the fee based on a certain percentage of the Hammer price paid by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a.

7. “The Reserve Price” shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price.

8. “Counterfeit” shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints).

9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company).

Article 2.The Buyer 1. The Company as the Agent The Company, as the auctioning party, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer.

2.Prior to the Auction a. Authentication We strongly recommend that the prospective buyers conduct their own authentication for the items they are interested in bidding prior to the auction. We provide no guarantees to the buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot’s certificates (with the exception of the guarantee with regard to counterfeits as defined in Article 1 of the Transaction Agreement). b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The Company does not guarantee that the Lots on auction are in good working condition and the descriptions in the catalogue must not be construed as implying such. The description of the auction items also do not imply that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally, or that there will be any free repair or replacement of parts. We strongly recommend the Prospective Buyers to personally view the items for which they plan to bid before the auction itself. If a Prospective Buyer is unable to view an item for whatever reason, then in our role as a service provider, we would be more than happy to offer our opinion of an item’s special characteristics and current condition. However, the Company is not a professional restorer of the Lots; therefore, any description in the catalogue or any statement provided by the Company is purely the Company’s subjective opinion and not a statement of fact, not for representations or warranties.

The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in “as is” condition.The Company does not provide any representation or guarantee as to the conditions of any of the items. Unless otherwise stated in laws of Hong Kong, the Company does not provide any warranty with the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue.

Premium Lot In order to bid on “Premium Lots” the Buyer must complete the required pre-registration application and deliver to The Company such necessary financial references, guarantees, deposits and / or such other security as The Company’s may in its absolute discretion require for your bid. The Companydecision whether to accept any pre-registration application shall be final. We recommend you complete and return the Lot pre-registration form in this catalogue in the manner required therein or contact the Company at least 5 working days prior to the relevant sale in order to process the pre-registration. Please bear in mind that we are unable to obtain financial references over weekends or public holidays. The Company will provide a special paddle number for the register of “Premium Lot”. ○ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer’s Premium.

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d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lots and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes.

Many auction items fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her own judgment or estimation independently regarding the items.

3. In the Auction a. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. b. Registration Prior to the Bidding The Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. The Prospective Buyers should also note that the Company may be requested to conduct credit checks against Buyers. c. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. d.Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the forms attached to the explanations of the catalogue; provided, however, bid commission instructions are delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions. The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. e. Bid by Phone The Company will make proper effort to contact the bidder so he can participate in the auction by phone if the Prospective Buyer makes arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any Prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. f. Online Bids via LiveAuctioneers If the bidder cannot attend the auction, it may be possible to bid online via LiveAuctioneers for selected Lots to bear individual buyers’ responsibilities. This service is free and confidential. For information about registering to bid via LiveAuctioneers, please refer to ravenel.com.

Bidders using the LiveAuctioneers service are subject to the additional terms and conditions for online bidding via LiveAuctioneers, which can be viewed at ravenel.com and be revised by the Company from time to time. g. Exchange Rate Conversion Board There will be an exchange rate conversion board operating at the auctions. The exchange rate is calculated at the exchange rate of the one-month future goods reported to the Company from the bank when starting business on the day of the auction. Nonetheless, the auction will still be conducted in HKdollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board. h. Recorded Images There is image projection in the auctions; however, errors may occur during the operation.

The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. i. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items.If the auctioneer announcethe points for attention before the auction or the bidding, the Buyer shall pay attention for any announcement as its own responsibility. j. Successful Bids Under the sole discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement.

The Buyer shall be responsible to the Seller for performing the obligations and responsibility of a Buyer.

4. Following the Auction a. The Buyer’s Premium of Each Lot Payable by the Buyer (1)The Buyer should pay the hammer price and, in addition, the Buyer’s Premium to the Company. For hammer price below HK$ 8,000,000 (inclusive), the Buyer’s Premium should be calculated at 20% of the hammer price.

(2)For hammer price higher than HK$ 8,000,000, total amount of the Buyer’s Premium should be that the first HK$ 8,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12%. b. Taxes All the payments payable by the Buyer to the Company do not include any government tax any commodity or service taxes or any other value added taxes. The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon request. All payments due (including the hammer price,

Buyer’s Premium and any applicable taxes) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit.

If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to The Company are made in any currency other than HK dollars, the Company will collect from the Buyer any foreign exchange expense incurred therefrom, including bank charges and foreign exchange Buyer’s Premiums. The exchange rate of the payments to the Company in any currency other than HK dollars should be the exchange rate reported by the Hong Kong and Shanghai Banking Corporation (HSBC) to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period. The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Packaging and Transportation The Buyer is requested to note that he should bear all the risks after expiration of the said 7 days period or from collection of such items(whichever is the earlier), without prejudice to the Company’s right. f. Referral of Packaging or Transportation Companies The shipping department of the Company may act as the agent of the Buyer to arrange for delivery. Although we can refer freight forwarders upon special request, the Company will not be held liable for any legal responsibilities in this regard.And the Buyer shall prepay the freight charges. g. Remedies for Non-Payment of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1)An interest at the annual rate of no higher than 10% plus the base interest rate of Hong Kong and Shanghai Banking Corporation (HSBC) will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and the commission) multiplied by the number of delayed days as fine for the default. The payment to be made by the Buyer mayoffset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company’s sole decision.

(2)To exercise lien of any items owned by the Buyer and held by the Company for any purposeincluding but without limitations other transactions. The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his non-payment. The proceeds shall make up for the payment due.

(3)If the Buyer owes the Company several payments as a result of different transactions, the payments will setoff any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments.

(4)Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/ or to require a security deposit from the Buyer before accepting any future bids from him.

If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a)To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim. (b)Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions. (c)To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any cost incurred as a result of the non-payment by the Buyer. h. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. i. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer’s wishes to apply for an export permit does not affect the Buyer’s responsibility to make the payments in 7 days following the auction date; nor does it affect the Company’s right to impose interest on delayed payments.

If the Buyer requests that the Company applies for the export permit on his behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes.

If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom.

5. The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6.

Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Buyer, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein.

6. Return of Payments for Counterfeits The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields; or b. The method used to prove that the Lot is a counterfeit is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer’s payment can only be refunded when the following terms are met: 1. The Buyer must notify the Company in writing within 10 days following the auction day that he considers the relevant auction item a counterfeit. The Buyer must return the Lot to the Company within the following 14 days after notice and the said notice and the condition of the item must be the same as on the auction day and without any damage.

2. Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim.

Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer can not claim interests.

The interests of the warrantee cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer’s name is recorded from the Company when the Lot is sold.

Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction.If the result of appraising and verifying whether the Lot is a counterfeit by the Company conflicts with the evidence provided by the Buyer, the Company’s said result shall prevail over the evidence provided by the Buyer.

Article 3.The Seller 1. The Company as the Agent The Company acts as the agent of the Seller at a public auction. The Closing Agreement of the Lot is the agreement by and between the Buyer and the Seller, through the agency of the Company on behalf of the Seller. The Seller shall be responsible to the Buyer for performing the obligations and responsibility of a seller.

2. Expenses The Seller shall bear costs relating to the following: a. Packing of the Lot and shipping to the Company for the auction b. Any applicable shipping insurance c. The packaging and shipping if the item is delivered back to the Seller. Any applicable custom duties d. Insured under the Company art relic insurance policy (explained in detail later) indicate cohere (we point below) e. Any repairs made to the Lot as per prior agreement with the Seller f. Authentication made by independent professionals appointed by the Company which the Company believes to be necessary in preparing the catalogue explanations. g. Any independent professional opinions appointed by the Company which the Company deems proper h. The storage, loading and unloading and custody of the Lot after the auction (if applicable) i. The administration cost of the Company reaches the total amount of 10% of all the expenses and 10% of the damages incurred as a result of client services provided. j. Any marketing and promotional expenses 3. Insurance Coverage to be Arranged by the Company a. Unless otherwise agreed by the Company, the Lot will be automatically insured under the the Company art relic policy in the amount as deemed appropriate and estimated by the Company.

However, the insured amount is not the amount the Company undertakes to be successfully reached during the auction. b. The Company will collect 1% of the hammer price from the Seller or 1% of the Reserve Price if the Lot is not successfully auctioned as the insurance fee. If the shipping is arranged by the Company, an additional amount will be collected by the Company from the Seller as the shipping insurance. Such amount varies depending on the individual condition of each auction item. The Company will refer a freight forwarder if necessary. However, in no event shall the Company be not responsible for any legal responsibilities and liabilities incurred therefrom. c. The Lot will remain insured up to 7 days after the auction date. If the Lot has not been sold, it will be at the Seller’s risk upon the expiry of 7 days. d. We are unable to accept responsibility for damage caused by woodworm or changes in atmospheric conditions, moisture, force majeure or unforeseeable conditions, or any reason not attributable to the Company.

4. Insurance Purchased by the Owner If the Seller instructs the Company specifically that it is unnecessary to purchase insurance for the Lot, the risks shall be borne entirely by the Seller until the Buyer makes all the paymentsand the Lot is delivered to the Buyer. The Seller must indemnify the Company, the employees and agents of the Company and the Buyer (if applicable) any claims in connection with the auction against the Company, the employees and agents of the Company and the Buyer, regardless of the cause of such claim, without any conditions. The Buyer must be responsible and also pay for the expenses incurred as a result of such claim if requested by the Company, the employees and agents of the Company and the Buyer, even if such expenses are made as a result of negligence by the Company, the employees and agents of the Company and the Buyer without proof of legal responsibility. The Seller must informby himself/herself the underwriter of the Seller the provision herein.

5. Commitments Made by the Seller with Respect to the Lot The standards for the Company to handle the Lots are provided hereunder. These standards also stipulate and limit the sale relationship between the Seller and Buyer. In the event such standards are incorrect in any aspect, the Company or the Buyer may bring legal actions against the Seller.

The Company should base the purchase and handling of auction items on the following undertaking made by the Seller: a. The Seller is the only legal owner of the Lot and has the unlimited rights to assign his ownership to the Buyer which should not concern any third party right or claim (including but without limitations copyright claims, liens, mortgage). b. The Seller complies with all the laws in connection with the import and export of auction items and any other laws and has notified the Company in writing any failure to comply with such rules in the past. c. The Seller has notified the Company in writing of any major modifications in the Lot to the best of his knowledge and any concern the third party has raised with respect to the ownership of the Lot and the condition.

In the event of any inaccuracy of the above a, b and c now or in the future, the Seller must guarantee, if requested, to identify fully the Company and/or the Buyer all the claims, legal fees, attorney fees or other costs and expenses arising herefrom, whether caused by the Lot or the auction proceeds.

6. Auction Arrangements a. The Company has absolute discretion over the description of the auction in the catalogue, display layouts, authentication opinions, location and method of the auction, who will be allowed to bid and the acceptance of the bid price, whether to seek professional opinion and whether to combine or separate the Lots. b. Any price estimates, whether verbal or written are strictly opinions and shall not serve as a guarantee of the final price for the Lot to be sold. c. The Seller cannot withdraw the sale of the Lot without obtaining the prior written consent from the Company. The Company reserves the right to withdraw, suspend, or terminate the sale and authorization of the Lots for the following reasons. These reasons include: 1. The Company is doubtful about the definition or authenticity of the Lot or the accuracy of the statement referred to in Articles 5a, b. or c; or 2. Any violations of the Transaction Agreement; or 3. The Company deems it inappropriate to include the Lot in the auction.

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d. Withdrawal of Mandate or Authorization (1)The Seller may not withdraw, suspend or terminate his/her/its mandate for the Item(s) or the authorization to the Company under this Agreement without prior written consent of the Company.

(2)In the case of such withdrawal, suspending or termination stated in paragraph A, the Seller shall pay the Company an amount equivalent to 40% of the Reserve Price as punitive damages in addition to the compensation for damages or economic loss to the Company.

(3)In case of default or breach of this Agreement, the Company may cancel or terminate this Agreement anytime and the Seller shall also pay all costs and expenses incurred by the Company under this Agreement.

7. Auction Rules a. The Company will auction the item according to the Reserve Price. The Reserve Price may not be higher than the minimum of the estimates set in the catalogue except otherwise if the Reserve Price agreed is in a currency other than HK dollars and the ReservePrice is higher than the minimum of the estimates caused by the exchange rate fluctuation between the Reserve Price agreement day and the auction day. Under such circumstances, except where otherwise agreed by the Company, the ReservePrice shall be in HK dollars calculated by the exchange rate at the closing of the market the day immediately before the successful auction. b. If the bid price is lower than the ReservePrice, the Company is in no way to be held liable; however, the Company is entitled to auction the item at a price lower than the ReservePrice. If the Company so auctions the item, the Company is responsible to pay the Seller the difference between the closing price and the ReservePrice. c. The Seller may not increase the price with his own or other third parties’ name, nor participate in the bidding of his/her/its auction item(s)with his own or other third parties’ name, however, The Company is authorized to bid on behalf of the Seller at the price not higher than the Reserve Price.

8. After the Successful Auction a. Settlement Upon the successful auction, the Company will request the Buyer to make full payment no later than within 7 days following the auction date, including the compensation payable by the Buyer. Upon payment by the Buyer, unless the Company receives a notice claiming such auction item is a counterfeit (as defined in Article 2 of the Transaction Agreement) or other necessary conditions, the Company will remit to the Seller within 60 workdays following the successful auction day an amount equal to the closing price taking away all the expenses payable by the Seller. In the event the Buyer delays the payment, the Company will remit to the Seller within 7 workdays following the payment in full by the Buyer.

Unless otherwise instructed by the Seller in writing, the Company will make its payment in HK dollars. If the Seller requests to pay in currencies other than HK dollars, the exchange rate should be according to what the Hong Kong and Shanghai Banking Corporation (HSBC) reports and the Company announces on the auction date. b. Closing of the Transaction and Handling Fee (1)The transaction is closed when the Buyer has paid the Company in full after the auction.

(2)The handling fee is payable to the Company after the closing of the transaction. c. Non-payment by the Buyer If the Buyer fails to make all the payments due within 7 days following the auction day, the Company is entitled to negotiate special terms in connection with the payments, storage, and insurance on behalf of the Seller and act as deemed necessary by the Company to collect payments payable from the Buyer.Any and all damages, costs, expenses or fees incurred shall be borne by the Seller. However, the Company is not responsible for making payment to the Seller nor for bringing any legal actions on behalf of the Seller. The Company will discuss with the Seller to adopt appropriate actions to claim auction payments from the Buyer. d. Counterfeits If the Buyer convinces or make the Company doubt that the Lot is a counterfeit (as defined in Article 1 of the Transaction Agreement) or stolen good or involved in any illegality within ten (10) days after the Buyer settles all payments and collects the Lot from the Company, the Company will return the hammer price (The Company may deduct the reasonable expenses and fees incurred) received from the Buyer and the Lot will be returned to the Seller or forwarded to the Police for handling. The Seller shall not object to the Company’s decision and handling in accordance with this Lot and make any claim or allegation. The Company will notify the Seller of such matter and the Seller shall return to the Company without objection the entire payment received within three (3) days of such notification, and shall pay the Company fees and expenses, and any and all losses, damages or related expenses and fees. In case that the Seller’s failure of payment and compensation obligations, the Seller shall pay the interest for delay of the entire payment by the best saving rate of the Hong Kong and Shanghai Banking Corporation (HSBC)plus ten percent (10%) per annum.

In addition, the Company may collect one percent (1%) of the total amount of the hammer price plus the Buyer’s Premium paid by the Buyer as the compensations for breach of contract. The Company may decide to offset the Seller’s payment payable to the Company from the Company’s or other subsidiaries’payments due to the Seller in other transactions. e. Items Not Successfully Auctioned (1)Any items not successfully auctioned, not included in the auction or withdrawn from the auction for any reason must be collected by the Seller within 35 days upon notification by the Company to the Seller that he must reclaim the Lot. (2)A storage fee of HK$300 per day per piece will be imposed on each item not collected after such 35 day period together with an additional charge for purchasing insurance coverage.

The Seller may not reclaim such item until all the payments due are made.

(3)Such items may be removed to a third party warehouse if not collected in 60 days after the notification of collection is issued. The expenses arising therefrom shall be borne by the Seller.

(4)The Company may dispose of the Lot in the manner it deems appropriate if such item is not collected within 90 days following the auction date or the notice date (whichever is the earlier). Such disposal includes removing the item to a third party warehouse with the associated expenses borne by the Seller and to auction such items under terms deemed appropriate by the Company (including the terms of estimates and the ReservePrice). The Company will pay the Seller the auction proceeds after payments owed are offset.

(5)The Company is authorized to act as the sole agent of the Seller within 2 months following the auction for any auction item withdrawn from the auction or not sold. The Company may auction in private the item based on net amount the Seller may receive (the amount after deducting all the expenses payable by the Seller) or sell such item in private at a lower price agreed upon by the Company and the Seller. The Company has the rights to offset all expenses payable by the Seller in advance. Under such circumstances, the Seller’s responsibilities and liabilities to the Company are the same as during an auction.

9. Photographs and Display The Seller agrees the Company have rights to make the photographs, illustration, recordings and other reproduced images of the Lot. The Company owns all rights to the photographs, illustration,recordings and other reproduced images of the Lot made by the Company. All the rights(including but without limitation the copyright) of such images shall belong to the Company and the company is entitled to use such images in any manner it deems appropriate,and the Seller has no objection.

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10. Taxes a. According to the tax laws of Hong Kong, The Company shall submit to the competent revenue agency the name of the Sellerand other relevant documents supplied by the Seller. b. If the Seller is a Hong Kong resident (corporation or individual), according to the tax laws of Hong Kong, no withholding amount of the profit tax will be deducted. However, The Company shall reserve the rights to claim for the tax amount and other related expenses (including but not limited to interests, penalty) from the Seller if the representation made or document provided by the Seller is not true. c. Where the Seller is a foreigner, the Seller agrees that The Company may deduct an amount equivalent to 0.5% of the hammer price or the Reserve Price (if the Reserve Price is higher than hammer price) and submit the deducted amount as Profits tax to the competent revenue agency. The amount to be withheld by The Company shall be subject to change once the applicable tax rate is adjusted.

Article 4.Terms Applicable to Both the Buyer and the Seller 1. Intellectual Property Rights Intellectual property rights (including but without limitations, the copyright or patent) of all the images, photographs and written material in connection with the Lot shall maintain and belong to the Company at any time. The Buyer or any person may not use such items without obtaining prior written consent from the Company.

2. Notices All the notices distributed according to the Transaction Agreement herein shall be made in writing. Any notice shall be deemed served to the recipient on the second day following delivery if sent by mail. If the recipient is abroad, the notice shall be deemed served on the fifth working day following delivery by mail.

3. Severability a. If any part of the Transaction Agreement is deemed invalid, illegal or unenforceable by any court, such part can be ignored and the rest of the Transaction Agreement continues to be valid and enforceable to the maximum extent permitted by the law. b. The conditions of the Buyer under Article 2 exclusively apply to the relationship between the Company and the Buyer, which the Seller shall not apply. And the conditions of the Seller under Article 3 exclusively apply to the relationship between the Company and the Seller, which the Buyer shall not apply.

4. This Agreement is entered into the parties in English and Chinese. If there is any conflict with two versions, the Chinese version shall prevail.

5. This Agreement may be revised or modified by the Company from time to time, and the Prospective Buyer, the Buyer andthe Seller agree to obey the revision or modification.

6. Jurisdiction The Transaction Agreement is governed under the Hong Kong laws and the interpretation and effect of the Rules shall be subject to the laws of Hong Kong. The Buyer and Seller shall submit themselves to the exclusive jurisdiction of the Hong Kong courts for the interests of the Company.

香港古董業務規則

本業務規則，為羅芙奧香港拍賣有限公司 (「本公司」)作為拍賣公司與賣家訂立合約之條 款，亦作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀各項規則並 完全同意遵守本業務規則。準買家、買家請特別留意第二條第5項，其對本公司之法律責任作 了限定。 一. 本業務規則所用詞彙之定義 在本業務規則中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1.「買家」：指本拍賣公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣之自然人或法人。 4.「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以任何編號描述之一 項或多項物品。 5.「落槌價」：指本拍賣公司就某一拍賣品而接受之最高出價之價款。 6.「買家佣金」：指買家按拍賣落槌價之某一百分比而支付之費用；收費率如第二條第4a項 所列。 7.「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之價格售出。 8.「膺品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺詐意圖，以就拍賣 品之作者、來歷、年代、時期、文化或來源進行欺騙，而對此等事項之正確描述並未在目 錄之描述上反映出來，而拍賣品在拍賣當日之價值，遠低於按照目錄之描述所應有之價 值。按此定義，任何拍賣品均不會因為有任何損壞及 或任何形式之修整而成為膺品。 9.「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險之價值（不論保險 是否由本公司安排購買）。 二.買家 1. 本公司作為賣家之代理人 作為拍賣公司，本公司以作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中 成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2.拍賣前 a. 鑑定物品 本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之物品。除香港法例 (如商品說明條例)另有規定外，本公司不會就拍賣品及其證明文件之真偽對買家作任何 保證。 b. 拍賣品狀況之重要注意事項 請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述，皆已提及顯著的損 壞，惟不包括所有的缺陷、瑕疪與不完整。對任何拍賣品之描述亦不應視作表示其無經 過重整或修理，亦不應視作對拍賣品狀態或保存情況的陳述或保證。在目錄中若有狀態 陳述的缺乏或損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議，準買 家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢閱，不應依據目錄中的 描述或陳述，因為任何在目錄中所列出的描述或陳述是為純粹本公司的主觀意見，並非 提供聲明或擔保。準買家知悉並瞭解所有拍賣品均以「現狀」售出。除香港法例(如商 品說明條例)另有規定外，本公 司對於任何拍出之拍賣品狀態不作任何承諾或保證。 c. 符號表示 以下為目錄中所載符號之說明 高估價拍賣品 為對「高估價拍賣品」（ ）作出競投，買家必須填妥拍賣品預先登記表，並向本公司 交付所需的財務狀況證明、擔保、存款證明及 或本公司可絕對酌情要求買家為競投須 作出的其他抵押。本公司對是否接受任何預先登記申請有最終決定權。本公司建議買家 在有關拍賣日期至少五個工作日前聯絡本公司，以進行預先登記。請注意本公司不能在 週末或公眾假期期間取得財政狀況證明。「高估價拍賣品」登記競投者，本公司將提供 特殊的競投牌號參與競投。 ○ 保證項目 拍賣品編號旁註有○ 符號者，表示賣家已取得本公司保證，可在一次或一連串拍賣中得 到最低出售價格。此保證可由本公司、第三方或由本公司與第三方共同提供。保證可為 由第三方提供之不可撤銷競投之形式做出。若保證拍賣品成功售出，提供或參與提供保 證之第三方可能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或參與 保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家佣金。 d. 目錄說明 本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、日期、年代、尺 寸、材質、歸屬、真實性、產地、保存狀況或估計售價之陳述，或另行對此等方面之口 頭或書面陳述，均僅屬本公司主觀意見之陳述，不應依據為確實事實之陳述，亦不應視 為本公司對於任何拍賣品之狀態所作之承諾或保證。目錄圖示亦僅作為參考而已，不應 作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。拍賣價格之估計， 不應依據為拍賣品會成功拍賣之價格或拍賣品作其他用途之價值陳述。 許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有些說明或鑑定意見書 會提述拍賣品之損壞及 或修整資料。此等資料僅作為參考而已，如未有提述此等資 料，亦不表示拍賣品並無缺陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任 有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查明並了解，並就拍賣 品為自己獨立之判斷及評估，確使自己感到滿意。 3.拍賣時 a. 拒絕入場 拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地進行，本公司具有完 全之決定權，可行使權利拒絕任何人進入拍賣場地或參與拍賣而無須作出任何解釋。 b. 競投之前作出登記 每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身分證明。準買家應注 意，本公司通常會要求對買家作出信用核查。 c. 競投者為買家 競投者將被視為買家而須承擔獨立之法律責任，除非登記時已經與本公司書面協定，競 投者僅為第三人之代理人，且該第三人須為本公司所同意接受者。

d. 委託競投 如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公司將盡適當努力代 其競投，但代為競投指示須於拍賣前送抵本公司。如本公司就某一拍賣品而收到多個 委託競投之相等競投價，而在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣 品會歸其委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承諾所限， 而拍賣進行之情況可能使本公司無法代為競投。由於此項承擔乃本公司為準買家按所 述條款提供之免費服務，如未能按委託作出競投，本公司將不負任何法律責任。準買 家如希望確保競投成功，應親自出席競投。 e. 電話競投 如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競投者，使其能以電 話參與競投，但在任何情況下，如未能聯絡或無法參加電話競投，本公司對賣家或任 何準買家均不負任何責任。 f. 即時網上競投 若準買家未能出席拍賣會，或可透過 LiveAuctioneers 網上競投服務於網上競投指 定拍品，而承擔買方獨立責任。此項服務乃免費及保密。有關透過 LiveAuctioneers 網上競投服務登記，進行網上競投之詳情，請參閱本公司網頁 ravenel.com。使用 LiveAuctioneers 網上競投服務之準買家須接受透過 LiveAuctioneers 網上競投服務進行 即時網上競投之附加條款（可參閱羅芙奧 ravenel.com），以及適用於該拍賣之業務規 則所規範，本公司得隨時修改該業務規則。 g. 匯率轉換顯示板 拍賣會中，本公司會使用匯率轉換顯示板，然而競投仍會以港幣進行。匯率轉換顯示 板僅供參考，不論是顯示板所示之拍賣品編號或是港幣競投價之相等外匯，其準確程 度均可能會出現非本公司所能控制之誤差。買家因依賴匯率轉換顯示板（而非因以港 幣競投）所導致而蒙受之任何損失，本公司概不負責。 h. 錄映影像 在拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是否與成功拍賣之拍賣品 相配合，或是如翻版影像之質素，本公司對買家均不負任何責任。 i.拍賣官之決定權 拍賣官具有絕對決定權，包括但不限於有權拒絕任何競投、以其決定之方式推動出 價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併拍賣，以及如遇有誤差 或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始前或於相關拍賣品競標前對應注意 事項作出通告，買家須自行注意此等通告。 j. 成功競投 在拍賣官之決定權下，下槌即顯示對最高競投價之接受，視為賣家與買家之成功拍賣 合約之訂立。買家即應對賣家負擔買受人之義務及責任。 4.拍賣後 a. 買家支付每件拍賣品之佣金費率 (1)買家除支付落槌價外，另須支付買家佣金予本公司，落槌價於港幣捌佰萬元以下 者（含港幣捌佰萬元），以20％計算。 (2)落槌價於港幣捌佰萬元以上者，採分二級計價，其中港幣捌佰萬元以20％計算， 超過港幣捌佰萬元之部份再以12％計算，加總計算佣金金額。 b. 稅項 買家應付予本公司之所有款項均不包括任何國家或地區稅賦、貨物或服務稅或其他稅 款。如有任何此等稅項適用，買家須負責按有關法律所規定之稅率及時間，自行繳付 此稅款。 c. 付款 成功拍賣後，買家須向本公司提供其姓名及永久地址。如遇要求，買方亦須提供付款 銀行之詳情，包含但不限於付款帳號。買方應於拍賣日期後起算七天內悉數支付應付 予本公司之款項（包含落槌價、佣金，以及任何適用之稅款及其他費用）。即使買家 希望將拍賣品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。 買家如未向本公司支付應付之全部款項，則不能取得拍賣品之所有權，即使本公司已 將拍賣品交付予買家亦然。如支付予本公司之款項為港幣以外之貨幣，本公司將向買 家收取所引致之任何外匯費用。這包括銀行收費與兌換貨幣之規費及匯差。 以港幣以 外之貨幣付款予本公司之匯率，依拍賣日現場由香港匯豐銀行公佈之匯率，並以本公 司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品 除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣之拍賣品，直至所 有應付予本公司之款項已悉數由買家支付為止。拍賣品在暫時保留期間，由成功拍賣 日後起算七天將受保於本公司之保險，如屆時拍賣品已被領取，則受保至領取時為 止。七天期滿後或自領取時起（以較早者為準），拍賣品之風險全由買家承擔。 e. 包裝及搬運 本公司謹請買家注意，成功拍賣日後起算七天期滿後或自領取時起，拍賣品之風險全 由買家承擔，但不得損及本公司之權益。 f. 介紹裝運及運輸公司 本公司之貨運部門在買家要求下可為買家介紹運輸公司、安排付運及購買特定保險， 但本公司在此方面不負任何法律責任。買家必須預先繳付運送費用。 g. 不付款之補救辦法 如買家並未有在成功拍賣日後起算七天內付款，本公司即有權行使下述一項或多項權 利或補救辦法： (1)在成功拍賣日後起算七天仍未付款，則按不超過香港匯豐銀行最優惠利率加10%之 年利率收取整筆欠款之利息。此外本公司可同時按日收取依賣價（含佣金）1％計 算之違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷本公司或其他附屬 公司在任何其他交易中欠下買家之款項，買方絕無異議。 (2)對任何屬於買家所有而因任何目的（包含但不限於其他交易）而由本公司管有之 物品行使留置權，並在給予買家有關其未付之欠繳之14天通知後，安排將該物品出 售並將收益用以清償該未付之欠款。 (3)如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項用以清償就任何 特定交易而欠下之任何款項，而不論買家是否指示用以清償該筆款項。 (4)在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投，或在接受其任何 競投之前先收取買家一筆保證金。如買家未有在三十五天內付款，本公司除上述者 外，另有權為下述一項或多項權利或補救辦法： (a)代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉數賠償為基準 之法律程序之訴訟費及律師費等相關費用。 (b)取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售予買家之拍賣 品之交易。 (c)安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連同因買家未有 付款而引致之任何費用一併向買家索償。 h. 未有領取已購拍賣品 如已購得之拍賣品未有被買家在成功拍賣日後起算七天內領取，則不論是否已付款， 本公司將安排貯存事宜，費用由買家承擔。而買方在付清所引起之貯存、搬運、保險 及任何其他費用，連同欠本公司之所有其他款項付清後，買家才可領取已購得之拍賣 品。

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i. 出口許可證 除本公司另有書面同意外，買家希望申請出口許可證之事實，並不影響買家在成功拍 賣日後起算七天內付款之責任，亦不影響本公司對延遲付款收取利息之權利。 如買家要求本公司代為申請出口許可證，本公司有權向其收回與此項申請有關之付出款 項及零碎開支連同任何有關之稅款。 如買家不管需要有出口許可證之事實而作出付款，本公司並無責任退還買家因此而引致 之任何利息或其他開支。 5. 本公司之法律責任 本公司僅在第二條第6項所列之情況下，得將退還款項予買家。除此之外，不論賣家或本 公司，或本公司任何僱員或代理人，對任何拍賣品之作者、來歷、日期、年代、尺寸、 材質、歸屬、真實性、產地、保存狀況或估計售價之陳述，或任何拍賣品之任何缺陷， 均不負有任何責任。賣家、本公司、本公司之僱員或代理人，不論明示或暗示，均無就 任何拍賣品作出任何保證。 6. 膺品/贓物之退款 如經本公司拍賣之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實為膺品 或贓物，則交易將取消，已付之款項於交付賣方前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納之意見，或清楚 表明有抵觸當時學者或專家普遍接納之意見，或 b. 證明拍賣品為膺品之方法，只是一種在目錄出版前仍未普遍獲接納使用之科學程序， 或是一種在拍賣日仍屬昂貴得不合理或並不實際或很可能會對拍賣品造成損壞之程 序，則本公司無論如何並無責任退還任何款項。此外，買家只在滿足下述條件下方可 獲得退款： 1. 買家必須在付款領取拍賣品後的十日內以書面通知本公司，說明買家認為有關拍賣 品乃膺品或贓物之詳細理由及證據，並通知後十四日內及將拍賣品送還本公司，而 其狀況應維持與拍賣當日相同，不得有任何損壞；及 2. 送還拍賣品時，買家須出示證據，足以使本公司確信拍賣品乃膺品或贓物(本公司保 有最終及不可異議的決定權)。在任何情況下，本公司均毋須向買家支付多於買家就 有關拍賣品而支付予本公司之款項，而買家亦不能索取利息或任何賠償。 本條款之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本發票之買家所有 (該買家名稱確係被記載於發票上)，該名買家並須自拍賣後一直保持拍賣品擁有人之身 分，而且並無將拍賣品之任何利益讓予任何第三人。本公司有權依據任何科學程序或其 他程序確定拍賣品並非膺品，不論該程序在拍賣當日是否已使用或已在使用，如本公司 驗證拍賣品是否屬於贗品之結果與買家出示證據相衝突者，應以本公司驗證結果為準。 三.賣家 1. 本公司作為代理人 本公司在公開拍賣會中，以作為賣家代理人身份行事。拍賣品成功拍賣後，即產生賣家 通過本公司之代理與買家達成之合約，由賣家負責向買家履行出賣人義務及責任。 2. 開支 賣家須負責與下述各項有關之費用： a. 將拍賣品包裝並運予本公司作拍賣。 b. 任何適用之運送保險。 c. 如拍賣品交回賣家其包裝與付運。若拍賣品由海外進口，付運費與進口適用之稅項。 d. 受保於本公司之精品保險單（下文另有解釋）。 e. 預先與賣家協定之對拍賣品作出之任何修整。 f. 本公司為擬定目錄說明指定需由外界專家作出之鑑定。 g. 本公司指定之任何外界專家意見。 h. 拍賣品拍賣前後之裝卸、貯存及保管等費用。 i. 本公司之行政費用，金額為因賣家而引致之一切費用及損害金額之10%。 j. 任何市場之推廣及廣告費用。 3. 由本公司安排保險事宜 a. 除非與本公司另有協定外，否則拍賣品將自動受保於本公司藝術品精品保險單，保險 值為本公司自行評估 當時認為適當者。然而保險金額並非本公司承諾拍賣品會成功拍 賣之款額。 b. 本公司將向賣家收取拍賣落槌價之1%或若未拍賣成功時以拍賣品底價之1%，作為保險 費。如由本公司安排運送，本公司將向賣家收取額外款項，作為運送保險費，款額視 每宗拍賣品之特定情況而定。如有需要，本公司可建議/介紹承運人，但不論於何種情 況下，本公司均不承擔任何有關此方面之運送法律責任。 c. 拍賣品在成功拍賣日後起算七天內保險仍然有效。如拍賣品未能成功拍賣，保險屆期 以後風險全由賣家承擔。 d. 由蛀木蟲、空氣、水份情況轉變或其他不能預見或人力不可抗拒情況而對拍賣品造成 之損壞，或其他非可歸責於本公司之事由所致之損壞，本公司不承擔任何法律責任。 4. 物主購買保險 如賣家特別指示本公司毋須為拍賣品購買保險，風險全由賣家承擔，直至拍賣品交付予 買家為止。賣家無條件同意須保障本公司、本公司之僱員與代理人，以及買家（如適 用）免負因拍賣品而針對本公司、本公司之僱員與代理人，以及買家索償之賠償責任， 而不論索償因何引起。賣家亦同意應本公司、本公司之僱員與代理人，以及買家所要 求，負責償還因此種索償而引致之開支，縱使本公司、本公司之僱員與代理人，以及買 家有疏忽之處，而未證明有任何法律責任而作出之付款，亦須償還。賣家須自行將本條 條款揭露予賣家之承保人。 5. 賣家就拍賣品所作之承諾 本項列出本公司處理拍賣品之基準，規範賣家與買家之間的買賣關係。如此基準在任何 方面有不確實之處，本公司或買家可採取針對賣家之法律行動。本公司處理拍賣品及購 買拍賣品，均以賣家所作之下述承諾及擔保為基準，賣家承諾及擔保如下： a. 賣家為拍賣品之唯一所有權人及/或合法持有人，具備將其所有權及相關所有權利(於無 質押、無產權負擔及無涉及第三人權益或申索的情況下)轉讓予買家之無限制權利。 b. 賣家已遵守一切與拍賣品之進出口有關之法律或其他方面之規定，並已將過去任何第 三人未能遵守此等規定之事以書面通知本公司。 c. 賣家已將其所知之有關拍賣品之任何重大修改以及第三人就拍賣品之所有權、狀況或 歸屬所表示之任何關注以書面通知本公司。 如上述a、b或c等三項擔保有任何不確實之處，賣家須應本公司及/或買家之要求，完全負 責及彌償本公司及 或買家一切因此而引起之損失索償、訴訟費、律師費、所有費用及 開支，而不論是因拍賣品還是因拍賣收益而引起。

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6.拍賣安排 a.本公司對目錄內拍賣品之描述與圖示方式、鑑定意見書、拍賣地點與方式、讓何人進場 競投以及競投價之接受、是否應尋求專家意見，以及將物品合併或分開拍賣等均有完 全之決定權。 b.任何估價，不論口頭或書面，均只屬意見，而非拍賣品最終可賣得的價錢之保證。 c.未得本公司事前書面同意，賣家不可撤回拍賣品之委託。但本公司保留隨時因後述原因 而撤回、中止或終止拍賣品委託授權之權利。此等原因為： (1)本公司對拍賣品之界定或真實性或上述第5a、 b或c項所指之承諾之準確性有懷疑； 或 (2)有任何違反本業務規則之情況；或 (3)本公司認定將拍賣品納入或繼續執行拍賣並不適當者。 d. 撤銷委託或授權條款 (1)非經本公司事前書面同意，賣家不得撤回、中止或終止對於標的作品之委託或授予 本公司之權利。 (2)賣家依前項規定撤回、中止或終止拍賣品之委託或授與本公司之權利者，委託者除 應對本公司負損害賠償或經濟上損失賠償責任外，尚須支付委託底價之40%作為懲 罰性違約金付與本公司。 (3)如賣家有任何違約情事，本公司有權隨時終止委託事項，賣家須支付本公司所有之 前為履行委託或授權工作所產生之費用及開支。 7. 拍賣守則 a. 本公司將會參照底價進行拍賣品之拍賣程序。底價不得高於拍賣目錄所印登載估價之 下限，但如所同意之底價為港幣以外之貨幣，並因協定底價之日與成功拍賣之日上匯 率波動而致底價高於估價下限，則不在此限。在此情況下，除本公司另行同意外，底 價須為相等於以緊接成功拍賣前一個工作天之收市匯率計算之港幣款項。 b. 如競投價不能達到底價，本公司在任何情況均不負有任何責任，但本公司有權決定將 拍賣品以低於底價拍賣。如本公司如此將拍賣品拍賣，本公司將有責任向賣家支付成 交價與底價之差額。 c. 賣家不得以自己或第三人名義隨意哄抬競投價格，不得以自己或第三人名義參與競標 拍賣品，亦不得聘請任何人代賣家參與競投，惟本公司有權代理賣家參與競投。 8.成功拍賣後 a. 結算 成功拍賣後，本公司協助賣方要求買家最遲於成功拍賣日後7日內全數付款。在買家付 款後，除非本公司收到通知謂拍賣品為膺品，否則，本公司會於成功拍賣日期後60個 工作天，將一筆相等於成交價減去賣家應支付之所有費用之款額匯予賣家。如遇買家 延遲付款，則本公司將在買家付款後7個工作天內匯款予賣家。如因任何理由而使本公 司在買家付款前即已付款予賣家，則本公司即獲得拍賣品之完整之擁有權與所有權。 但在本公司因拍賣品為膺品而被迫向買家收回拍賣品下，賣家方須將已收取之拍賣收 益退還予本公司。 除賣家另有書面指示外，本公司將以港幣付款。如賣家要求以港幣以外之貨幣付款， 依拍賣現場由香港匯豐銀行公佈之匯率計算付款金額。 b.賣家支付每件拍賣品之手續費： (1)本公司之拍賣須至拍賣完成後買家實際付清所有款項予本公司時，視為交易完成。 (2)當交易完成，賣家須依約定支付本公司手續費。 c. 買家不付款 如買家在成功拍賣日後起算7天內未支付應付之全部款項，本公司即有權代理賣家就 付款、貯存與保險而協定特別條款，並有權代理賣家採取本公司認為適當的任何步驟 以向買家收取其應付之款項，因而產生之相關費用及損害，概由賣家自行承擔。但本 公司並未承擔任何付款責任，亦無義務代理賣家採取任何行動(包括但不限於法律行 動)。但本公司將與賣家討論如何採取適當行動以向買家追討拍賣款額。 d. 膺品/贓物 如買家於付款領取拍賣品後之十日內，使本公司相信或懷疑拍賣品為膺品或贓物或涉 及任何不法情事者，本公司得自行決定無條件買家交付之拍賣落槌價(本公司得扣處因 此所致之相關處理費用)予買家時，而拍賣品將由本公司退回賣家或送交警方處理，賣 家不得異議或對本公司主張任何權利或請求，賣家並應於本公司通知後，於三日內無 條件退還其所得之全數金額予本公司，賣家並應於十日內付清相關基本支出費用，及 賠償本公司因此所致之所有損失、損害及相關費用等。逾期退還、給付者，賣家應另 外支付按不超過香港匯豐銀行最優惠利率加10%之年利率收取整筆欠款之利息。此外 本公司可同時按日收取依賣價（含佣金）1％計算之違約金。本公司亦得自行選擇將賣 家未付之款項，用以抵銷本公司或其他附屬公司在任何其他交易中欠下賣家之款項， 賣家絕無異議。 e. 未能成功拍賣之拍賣品 (1)任何拍賣品如未能成功拍賣，或不包括在拍賣之內，或因任何理由而撤回、中止或 終止拍賣，則在本公司發出通知予賣家要求賣家領回拍賣品後之35天內，賣家必須 領回拍賣品。 (2)任何此等拍賣品如在35天過期後仍未領回，本公司可向委託者徵收每天每件標的作 品參佰港元 (HK$300)貯存費，並收取額外費用以購買保險。賣家須在付清所有未付 費用後，方可領回拍賣品。 (3)此等拍賣品如在發出領回通知後之60天內仍未領回，則可被移往第三人之貨倉貯 存，開支費用由賣家承擔。 (4)任何此等拍賣品如在拍賣日期後或上述通知日期後之90天內（以較早之日期為準） 未被領回，則本公司可視乎是否合適而將該拍賣品處置。處置包括將拍賣品移往第 三人之貨倉而開支費由賣家承擔，以及將該拍賣品按本公司認為適當之條款（包括 有關估價與底價之條款）公開拍賣。本公司其後會將拍賣收益扣除所有欠款後支付 予賣家。 (5)任何拍賣品如在拍賣中收回或未能成功拍賣，則本公司有權代理賣家在拍賣後的兩 個月內作為賣家之獨家代理人，按賣家可收取之淨款額（即扣除賣家應付之一切費 用後之款額），私下出售拍賣品。本公司得事前扣除所致之費用。在此情況下，賣 家就該拍賣品而對本公司所負有之責任、義務及付款條件等，與拍賣品成功拍賣時 一樣。 9. 圖片與圖示 賣家同意本公司有權對拍賣品制作照片、圖示、錄像或其他形式的影像制品，此等照 片、圖示、錄像及影像制品之著作權及其他一切權利均屬本公司所有，且本公司有權以 任何本公司認為適合之方式使用之，賣家絕無異議。

10.稅制 a. 依香港稅法規定，拍賣品成交後委託者須提供報稅名單及相關資料，由本公司提報稅 捐單位。 b. 如果賣家為香港公司或香港居民，根據香港稅法，本公司毋須向賣家代扣香港利得 稅。如果本公司其後發現賣家之聲明及文件不實，本公司保留向賣家追討香港稅款及 其他相關費用（如利息、罰款及律師費等）的權利。 c. 若委託者非香港本地人士，委託者並同意本公司直接代扣落槌價或底價(如底價高於落 槌價)之0.5%，作為拍出後之利得稅，由本公司代為申報並繳交稅捐單位。由本公司 扣除的款項將隨著當時的稅率而調整。 四.買家與賣家均適用之條件 1. 智慧財產權 與拍賣品有關之一切影像、圖示與書面材料之相關智慧財產權(包括但不限於著作權、 專利等)，於任何時候均屬於本公司之財產及所有。未得本公司事先書面同意，賣家、 買家或任何人均不得使用。 2. 通知 a. 根據本業務規則發出之通知，均須以書面發出。如採用郵遞發出，則在付郵寄出後第 二個工作天，視為收件人已合法收受；如收件人在海外，則為付郵寄出後第五個工作 天，視為收件人已合法收受。 b. 本公司根據本業務規則、委託授權書或買家所提供之聯絡資料對賣家或買家發出之通 知，凡已依據委託授權書後附或買家所提供資料上所載的地址、電子郵件地址或傳真 號碼統稱「聯絡方式」)以書面發出該通知者，均視為該通知已有效發出。若賣家或 買家之聯絡方式有變更時，應立即以書面通知本公司。 3.可分割性 a. 如本業務規則有任何部份遭任何法院認定為無效、不合法或不可強制執行，則該部分 可不予理會，而本業務規則之其他條款仍繼續有效及可強制執行。 b. 本業務規則第二條買家條款項下之各條款，專屬適用本公司與買家間法律關係，賣家 不得主張適用。本業務規則第三條賣家條款項下之各條款，專屬適用於本公司與賣家 間法律關係，買家不得主張適用。 4.本業務規則同時存在中文及英文版本，如二版本內容有所歧異，應以中文版條文為準。 5. 本業務規則得隨時由本公司修改，買方及賣方均同意遵守修改後之業務規則。 6. 法律及管轄權 本業務規則受香港法律規範，本業務規則之解釋與效力均適用香港法律。賣家與買家須 服從香港法院之排他性管轄權。

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ABSENTEE BID FORM The absentee bid forms must be delivered to the Customer Service Department at least 24 hours before the auction begins. The bid forms may be faxed to: Tel: +852 2889 0859 Fax: +852 2889 0850

Auction

Bidder’s Details Name ID number Address

Address

Post code Tel Fax

RAVENEL SPRING AUCTION 2014 HONG KONG A Magnificent Collection Of Imperial Chinese Works of Art

Date Sale No. Location

Sunday, 25 May 2014, 2:00pm HC1401 Four Seasons Hotel Hong Kong (Four Seasons Grand Ballroom) 8 Finance Street, Central, Hong Kong

1. Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.).

The completion of a registration form and the payment of a security deposit are required.

2. In the event that the bidder chooses not to be present at the venue on the day of the auction, the bidder may place an absentee bid through means of a telephone, written or internet bid. A registration form must be completed and the security deposit transferred to Ravenel’s specified Bank account before the 20th May 2014 in order to obtain a paddle number for the purposes of placing a telephone/ written/internet bid(s).

Mobile Email

Signature (We must have your signature to execute this bid.)

It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder.

I understand that Ravenel provides such bid services for the convenience of customers and Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received.

I understand that if my bid is successful, I shall pay the final hammer price together with the Buyer’s Premium and any applicable sales tax. The Buyer’s Premium shall be calculated as 20% of the final hammer price (not applicable to wines). For detail please refer to Articles 4a, c and d of the Transaction Rules to the Buyer. (4a. The Buyer’s Premium of Each Lot Payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the Buyer’s Premium to the Company. For hammer price below HK$ 8,000,000 (inclusive), the Buyer’s Premium should be calculated at 20% of the hammer price.

(2) For hammer price higher than HK$ 8,000,000, total amount of the Buyer’s Premium should be that the first HK$ 8,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12%.)

The bid shall be subject to the Transaction Rules prescribed in the catalogue. Please note especially the limited guarantee and exclusive warrantees that may be provided for certain items.

PLEASE PRINT LEGIBLY Auction item number (in numerical order)

Title

Bid price (HK$) (excluding buyer’s premium)

Interested buyers should provide Ravenel with their current bank and/or other relevant material to ensure all bids will be accepted and the delivery of the auction item will not be delayed, and authorize us to verity the provided informations with the bank. Kindly provide this information for processing in advance of the auction date.

Bank Reference Approval Name of the bank Address of the bank

Name of the account Account number Contact of the bank Tel. No.

Ravenel Auction Hong Kong Limited Room 1307A, 13/F, 39 Healthy Street East, North Point, Hong Kong Tel: +852 2889 0859 Fax: +852 2889 0850 ravenel.com

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委託競投表格 委託競投表格須於拍賣24小時前送抵客戶服務部。競投表格可傳真至： 電話：+852 2889 0859 傳真：+852 2889 0850 投標者資料 客戶編號 （如有） 姓名 身份證號碼 地址 郵碼 電話 傳真 簽名

拍 賣 名 稱： 羅芙奧香港 2014 春季拍賣會 克綽永康 福壽康寧吉祥雅物 拍 賣 編 號：HC1401 香港拍賣日期：2014 年 5 月 25 日（星期日） 下午 2:00 香港四季酒店（四季大禮堂）香港中環金融街 8 號

1. 有意參與競投的買家需事前辦理登記申請手續：請出示 有效証件 ( 如：身份証明、護照…) 並填寫登記文件以及 繳納保証金。 2. 競投者如不能出席拍賣會，可通過電話 書面方式進行 競投。登記申請手續以及保証金之繳納亦需在 2014 年 5 月 20 日以前完成匯款至本公司指定帳號。以取得電話 書面競標牌號。

行動電話 電郵

（本公司在取得閣下之簽名後方才接受競標）

茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。 本人亦明白，羅芙奧為方便顧客而提供代為投標的服務，羅芙奧不因怠於投標而負任何責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以 最先收到者優先辦理。 本人知悉如投標成功，本人應付之購買價款為最後之落槌價加上買家佣金（連同該最後落槌價及買家佣金之營業稅）買家佣金依最後落槌價乘以 佣金費率得之。詳見業務原則規定第 4 條 a,c,d 之規定。（4a. 買家支付每件拍品之買家佣金費率：（1）買家除支付落槌價外，另須支付買家佣金 予本公司，落槌價於港幣捌佰萬元以下者（含捌佰萬元）以 20％計算；（2）落槌價於港幣捌佰萬元以上者，採分二級計價，其中港幣捌佰萬元 以 20％計算，超過港幣捌佰萬元之部份以 12％計算；加總計算佣金金額。） 本競投，本人同意並遵守本目錄所載所有業務規則（特別是有限保證、不負其他瑕疵擔保等規定）。

請用正楷填寫清楚 拍賣品編號 （按數字順序）

名

競投價（港元） （買家佣金不計在內）

稱

為確保所有投標均得以接受及拍賣品之送交不延誤，有意買家應向羅芙奧提供往來銀行或其他適當之參考資料，並予以授權羅芙奧得向銀行查證。 該等資料應及時提供，以便在拍賣前著手處理。

銀行證明 銀行名稱 銀行地址 羅芙奧香港拍賣有限公司 香港北角健康東街39號13樓1307A室 Tel: +852 2889 0859 Fax: +852 2889 0850 ravenel.com

銀行帳戶名稱 銀行帳號 銀行聯絡者 銀行電話

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CHRONOLOGY 中國歷代年表

新石器時代 商 周 秦 漢 三國 晉 南北朝 隋 唐 五代 遼 宋 北宋 南宋 西夏 金 元 明 洪武 建文 永樂 洪熙 宣德 正統 景泰 天順 成化 弘治 正德 嘉靖 隆慶 萬曆 泰昌 天啟 崇讀 清 順治 康熙 雍正 乾隆 嘉慶 道光 咸豐 同治 光緒 宣統

10th - early 1st millennium BC NEOLITHIC 16th Century - C. 1050 BC SHANG DYNASTY C. 1050 - 221 BC ZHOU DYNASTY 221 - 206 BC QIN DYNASTY 206 BC - AD 220 HAN DYNASTY AD 220 - 265 THREE KINGDOMS AD 265 - 420 JIN DYNASTY AD 420 - 589 SOUTHERN AND NORTHERN DYNAST1ES AD 581 - 618 SUI DYNASTY AD 618 - 907 TANG DYNASTY AD 907 - 960 FIVE DYNASTIES AD 907 - 1125 LI AO DYNASTY AD 960 - 1279 SONG DYNASTY AD 960 - 1127 Northern Song AD 1127 - 1279 Southern Song AD 1038 - 1227 XIXIA DYNASTY AD 1115 - 1234 JIN DYNASTY AD 1279 - 1368 YUAN DYNASTY AD 1368 - 1644 MING DYNASTY AD 1368 - 1398 Hongwu AD 1399 - 1402 Jianwen AD 1403 - 1424 Yongle AD 1425 Hongxi AD 1426 - 1435 Xuande AD 1436 - 1449 Zhengtong AD 1450 - 1456 Jingtai AD 1457 - 1464 Tianshun AD 1465 - 1487 Chenghua AD 1488 - 1505 Hongzhi AD 1506 - 1521 Zhengde AD 1522 - 1566 Jiajing AD 1567 - 1572 Longqing AD 1573 - 1619 Wanli AD 1620 Taichang AD 1621 - 1627 Tianqi AD 1628 - 1644 Chongzhen AD 1644 - 1911 QING DYNASTY AD 1644 - 1661 Shunzhi AD 1662 - 1722 Kangxi AD 1723 - 1735 Yongzheng AD 1736 - 1795 Qianlong AD 1796 - 1820 Jiaqing AD 1821 - 1850 Daoguang AD 1851 - 1861 Xianfeng AD 1862 - 1874 Tongzhi AD 1875 - 1908 Guangxu AD 1909 - 1911 Xuan tong

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