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CONTENTS HEAVY NEI1L
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11)4
A H U A R Y
101.
•
XVII.
HO.
I
4 Gallery:
Words &
Museum Seouektiai Art Pictures
The Miracle, of by
of
Life
Bo.icfl
34 HOMBfiE: TIE Leader
by Antonio Segura and Jo« Orttr
63 Striptease by iVIiirfc Martin, Polls a Inn CuniQ',
Efilrif
Cbrii Wart,
/\ij.iti
Alidad Ausbnbr. Join
Mock
Wbite.
S)imr. Scoll Giiiaiiyhii
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UN IlJIrUN
72 TOBBIO BEHH dy Carlos
Trillo
JIM
unJ Emrs'o Gurcro
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Sequential Alt
244 MAIN STREET THE
ROUNDHOUSE
NORTHAMPTON MASSACHUSETTS
10
open tuesday - Sunday 12 -
6
free
413 586 8545
5
admission
LOCATION :hc historic
Roundhouse, built in 1856 at a and now totally renovated to
gas works
historic preservation standards
FOCUS sequential art of the 1970s, '80s, and '90s
devoted entirely to contemporary works in the genre of comic illustration
POUNDED doors opened to the public October 1992 with the creative input of Kevin Eutman ind the permanent loan of his private art
which now contains over 7,000 illustrations
Election to the archives
GOAL to give fantasy illustration
and
the graphic
form of storytelling the exposure and respect
it
deserve*
CHRIS ACHILLEOS
SIMON STEPHEN
R
THRILL
BISLEY
BISSETTE
you
will actually experience (he origins of sequential art entering through a cave co view prehistoric drawings, and travel pair hieroglyphics, medieval paintings, totem
poles and pillars, ending in filled
VAUHGN BODE
a graffiti
subway tunnel
ORIGINALS four
galleries;
of framed
arr, sculptures,
props, and rare col lee tab let change
BRIAN BOLAND
approximately every other month (not just for kids, the upstairs gallery often s
adults-only material)
HOWARD CHAYKIN RICHARD CORBEN
GUIDO CREPAX DAVE DORMAN
FRANK FRAZETTA
MAX FREZZATTO MICHAEL GOLDEN RUSS HEATH
JAIME HERNANDEZ JEFF
JONES
MICHAEL KALUTA
THOMAS KIDD JACK KIRBY HARVEY KURTZMAN LIBERATORE
INTERACT (he center of the museum features i ciryscape of fun with a library of the latest in
graphic narratives, exciting computer programs, challenging comic games, a
bird's-eye view of an artist's workspace as
show off your own writing and illustration style
well as a chance to
MANARO
MILO
MARK MARTIN PAUL MAVRIDES
DAVE McKEAN
FRANK MILLER MOEBIUS
JON
J
MUTH
OLIVIA
MICHAEL PLOOG
GEORGE PRATT
HUGO
PRATT
JOHN SEVERIN SPEND a fully stocked gift shop features current groundbreaking graphic novels and reference books, tee shirts, comic memorabilia, as well as vintage collectibles
and
PERKS museum members go
GILBERT SHELTON
curiosities
BILL
SIENKIEWICZ
to invitation only
exhibit openings with the creators, receive
and a quarterly newsletter, have (he opportunity to purchase limited signed prints and exclusive souvenirs as well as special discounts on gift shop merchandise gallery updates
DAVE SIM BARRY SMITH
FUTURE upcoming events include round table
WILLIAM STOUT
discussions, artist appearances,
and an educational outreach program for schoolchildren
VARGAS
FUNDING the
museum
is
a non-profit
organization
through donations, shop sates, and grants
raising operating costs
memberships,
gift
please write for information
on how you can
supporr the graphic narrative
art
form
CHARLES VESS BERNIE
WRIGHTSON
„.
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I
'
MERE AT THE BOTTOM OF TROPICAL SEA EVERVTHING IS CM.M...TOO CALAI..
-
THE OPERATION HAS A CODE NA*!E:"OVERLORD WHICH IN TURTLE LANGUAGE MEANS- OPERATION LAYING EGGS. RIGHT NOW WE ARE AT HOUR "H" DAV "J", MINUTE "I". AS THE ELDEST GIVES THE SIGNAL, ALL THE TURTLES BEGIN TO EMERGE. OPERATION OVERLORD HAS BEGUN... .
LANDING TAKES PLACE AT " I" HOURS, AS PLANNED. ESS LAVING /MUST TAKE PLACE AT TIDE. THEV WILL HAVE TO ADVANCE INTO OPEN TERRAIN.
OTHER PROBLEMS WILL FACE THEM HERE. CONCBtVEO FOR RAPID MOVEMENT MUCH REDUCED AUTONOMY ONCE TH£V ARE ON LAND. THEY ARE ABOUT AS
_ICE
SKATES.
IN
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HOURS. AT LOW
THE WATER. TURTLES HAVE A
FLEXIBLE
AS A STARCHED DRESS ON
_
THEV MUST PAV CLOSE ATTENTION TO THE SMALLEST OBSTACLE. AVOID THE TINIEST 6REASV BIT OF PAPER OR TUBE OF SUNTAN LOTION. PROGRESS IS SLOW OVER THE INERT BODIES THAT STRETCH ALONG THE BEACH,
UP IN THE SttY. BfBDS OF PREY
OPERATfON OVERLORD FULL OF JOY,Lf*E
THE
FOUOW
THEIR PROeBESS. TURTLE
E6SS ABE ONE OF THE1S FAVOR/TE WEALS
IS SUCCESSFUL. THE EXHAUSTED TURTLES WADOLE BACK TO THE MEN WHO KNOW THEY WLL ftjjjTtOTg AND HAVE PLENTY OF ALE
WD AFTERNOON
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SREEZE DISPELS The SOPORIFIC EFFECT OF THE HOT SUN AND oivfcS a/VES THEIR THfcfR 5TREN6TH STbcnatu BACK m,*w Th£/« VACATION ON THEIR BACKS.
TO THOSE who SPEND
RETURN TO CIVILIZATION RESPONDINS TO THE APPEAL OF AS TO THE PRE CIOUS CARfiO IN THEIR TOTE BA<V».
LEAVIN© NATURE BEHIND, THEY
WITH NO
/NK-LIN6
FEW WONTHS LATER. FAR FROM A HOSTILE NATURE AND PREDATORY
THREE PIECE SUIT.
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BEAK'S,
THE PIN0-PON6 BALLS WILL
THE FRIOATE BIROS GRADUALLY CONE TO REALIZE THAT SOWETHINe UNUSUAL ANSER WITH FOUL LAN6UASE-
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THE
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HAVE TO SAVE THAT CHICK OVER THERE FROM THE PAWS OF AM ENORMOUS 60R/LLA.. J
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BOSSES FROM HEAOQUARTERS..
~Wl£Am THE DARKEST AND MOST CRITICAL MOMENTS OF HUMAN H/STORV THAT TRUE LEADERS APPEAR; MEN WITH IT IS IN
A WILL OF (RON WHO. THANKS TO THEIR ENERSV AND
CHARISMA, ©ATHER 8EHIND THEM THE FEEBLE-HEARTED AND THE INDECISIVE. INTO WHOM THEY INSTILL THE STRENGTH.-
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IN A FEW MONTHS. WE V HAVE EXTERMINATED ALL THOSE USELESS OLD WEN AND WOMEN WHO SURVIVE LIKE RATS AMONG
THERLHNS...
HEAVY METAL 38
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fT'S LOCKED/
WERE
TRAPPED'
HEAVY METAL 58
59 HEAVY
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HEAVY METAL
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63 HEAVY METAL
HEAVY METAL 64
^FORGET AUYELVISES
BUT THET.MECAMt AND HEAD FOR FLORIDA, WHERE HE 'YoUWE MOWN OR, HEARD FOR HIM TO LEAVE QUICKLY klotJ THE HEARTS °FTHE g(;dmRS/l £Lt S)Vm) R 'OF And Meet ELVIS '" THE NORTH POLE ^ELVIS THE ELF'' OP THE FAMI
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HE'S A SHY LITTLE RftSO* WITH A CASE OF THE CUTES!
ELVIS MAY
BE:
SHORT IN SHE
BllTHE's NEVER SHORToN SPOOK!
FRON\ THE PftYiNG 6YES of nosy NEIGHBORS like MRS.MELVIN? L1 IIW I
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only time will tell. ..if The
gwtwsrs oonvt
first!
Little gree^ MAN?TfHiirt
WW, NO! THW'S V/ERYWoTrtiMG fuWN,HRs.WELvlw//FUNNY
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1
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HOW LONG WIILTHE GATHERS
B6ABLE ToK6£ p LITTLE. ELViS A SECK.ET. ? .
3iD
NOD SAYJ'SLF
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SHELF.
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THAT NOISE?
'yea.meah.'t. saw A LITTLE GREEIM
It'lAN picking rAY \PfilSIES/.g.eEHHlM?j
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TMI55ING FLOWERS...
?
TUMEIN ANDFi(10 0UTHH»l
Tthat Ain'tThe VJAY It "HAPPENED.' I'LL TELL KNOW -ELVIS IS TOO YOU WHAT REALLY WENT KIND, Too CLTI5...AND DOU/N.'YOOSEF.IVA THE TooMuch.'ON I'GLF"-. 1\RCflL KID WHO DISCOVERED^ AMERICA'S #1 SITCOM
THE GlIMTHERS ALREADY
ELVIS'
a 3
65 HEAVY METAL
^
[HERE
IS
THE TROTH.'
IS P\S .
I CALL
STORY.' IT.
]
w_
IT ALU BEGAN CHRISTIES EVE I V|AS
$W INS ARotfND IMAlTiNG
FO^SANTA WHEM
IM
PROPS ElVIS
AT FIRST,EL.VIJ ««IRRESi$TA8l£. HE Wot) OVER mY ENTIRE Fami«
OOWC JAERE? '
,/WDN'T HACK T«f NORTH. fWl.EANYfi|oft.E/CM.l*E
9 1990.10)93 MICHKUUShENKER
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CLMISTBAfriOSIC.
\6ftH-HA- HA-HA/
BUT AS THE DAWS PASSED, W£ COGH-WTBEUEVe OUR EYB5
and ears
/WITH THOSE, TBoTS, iT'Mf GOT ANOTHER can work ok; Atop,
w ME ANP m Family hereout, 6lws AGARAS6SAL&....
ElViS HAD TtlRHED into an
THEN.ONE. DAY, WHILE
INTOLERABLE DR.UNK, RouTlNEW PILFERING THE
HELT3
CABINET AMD ANO SOUOOTO gAR^CE/ sub-3ectimg us to OUtRAgetous Displays; KliNE
HE skipped ToumwuhthE MONEY HE MADE AND, IAST WE. neflRB,
was Seen
in1
HOLLVWoop PARTYING
WTtiTHEOLSEN TWINS
HEAVy METAL 66
JONolN He's Got A HIT WITH
THE
pOOB TUBE7AND I GOT SEVERAL
HITS WITH THE BELT/BuT I'VE fvY Lesson: NO
LEARNED
MORE PET 61V6S
^ECHORRAH/DOU'T
Just
Tit TH6RE LIKE ME POT GOtD.'cHA^GE THE cHAwigeL/r£flN'Tsr/i«
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67 HiAV? METAL
HEAVY METAL 68
WEIRD WEST SHOW -
BY
HACK WHITE
HEAVY METAL 70
HEAVY METAt 72
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HEAVY METAL 74
75 HEAVY METAL
HE
I
WAS L00KIN6 OUT
WAS D0ZIN6.
IT
OF THE WOTP0W...WATCHIN6 THE SCENERY 60 BY, SOMEWHERE IN HIS MIND'S
LULLED BV THE MUFFLED
SOUND
OF THE ENGINE, STILL A LITTLE INTOXICATED BV JOHN'S PERFUME.
ROSE FROM BETWEEN MY THI6HS. WE HAD MADE LOVE RI6HT BEFORE
IfY
/MV
/MOUTH,
EYE...
I
I
LEFT.
CAN 3TILL TASTE
Hf/rt.
77 HEAVY METAL
THE MAN OCCUPYING THE WINDOW SEAT HAD WONDERFUL ARMS, JUST THE WAV FOREARMS. CAN PICTURE A MAN'S SEX PERFECTLY OUST BY SEEING HIS ARMS. MY EYES CLOSED. I
I
/
I
LIKE
THEM. ESPECIALLY HIS FIND OUT MORE.
WANTED TO
SLEPT...VERY LITTLE. ...WHEN / WOKE UP CAUGHT HIM LOOKING AT ME. AT MY CHEST. MY COTTON DRESS HAD A LITTLE. HI5 EYES WERE BURNING. HE TURNED AWAY. UNEMBARRASSED. AS SOON AS HE SAW ME LOOKING HIM. MY BUS STOP CAME UP A FEW MINUTES LATER.
OPENED
AT
HEAVY METAl 78
/
fwmjm THE MAN ALSO 60T Off THE BUS. AS WAITED TO 6ET MV BA6 FRO* THE LU66A6E BIN THE »AN DISAPPEARED c BAD...THAT MORWNe. THE VILLAGE LOOK-ED VERY LOVELV, AIL ITS COLORS BRIGHT AND SHWV LKl?% SOMEONE'S MEMORY...AND WAS C0IWN6 TO VOUR HOUSE. I
TOO
I
HE
WAS
UR/NATIN6. FACIM6 THE SUN.
79 HEAVY METAL
HE
5AW WE RI6HT
HEAVY METAL 80
AWAY. HE
WAS LOOKING AT
WE.
WITH
A SL/6HT, IRONIC 5MJLE
BUT SERIOUS EYE5.
I
WENT TOWARD
THEN
I
PUT
m
HIM,
AS
HYPNOTIZED. HIS SEX WAS SWELLIN6 SLOWLY. A DROP 6LISTENED ON ITS
IF
Sue DOWN.
1
I
KNELT AND
I
DRANK
>A\\
TIP.
IT.
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7<<
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HEAVY METAL
^
HE STARTED LIFTING MY DRESS, VERY CAREFULLY. AT ONE POINT, I HAD TO LET HIS SEX FALL OUT OF MOUTH IN ORDER TO LET MY DRESS 60 OVER MY HEAD.
^1
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maHi HEAVY MEIAl 82
HIS TO YOU AS SOON AS P0SSIBLE..-8Uf I'VE COT TO HIDE MOW.
DON'T WORRY MY love.rm m CONTROL' SEE
YOU
LATER...
^
CMianvhilc,
at iKe
O'Hrim
Theater.
THAT CA6E IS AS SOLID AS AN TOWER rtiAPE OF MATCHES. «V
EIFFEL
OEAE TCHOMS...
^m\
m > V
HEROES WHOSE PALE EfFISJES HWE BECOME SUCH A MVTH IN HOU.YWOO07
CMeanvhiU,
at iKe J^irporl..
LIFT OFF PILOT,
/WHV
HURBV UP/ 1
DO«T\
YOU JU5T SAV \ OLLOW THAT CAR")
m
WWLE YOU'RE at
v
/
^
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^ SBl
fl-t THIS
IS A ZEPPELIN
M-ll.THE DIVA,
THE PRINCE OF THE SKV...
^F ::$&&
WOT FN
CAR CHASE
IN A
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HAH AW A.'
THAT OLD IDIOTIC
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HERE 60' HAVE I
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$1
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YE£S-WHyyy?
THERE'S IN
A SUY RI6HT FRONT Of US WHO
FITS VOUR DE5CR/PTI0N ...AT ABOUT 13:00 NORTH/NORTH
^7^
O'Brien Theater.
^\,../^B|
BOSS. DON'T
r
1
WANT TO KNOW
I'M
IN
\\
...
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STORY...
\f
TOO MUCH UJ ijk U-i( kt_l PAIN L^
W^SI^L
60T TO
KILL HIM'
THERE'S
NO OTHER WAY
A 1
THE ENP Of THIS
^
WE'VE 1
^H B
CM 5TAVIN6 DON'T EVEN
HERE'
OUT.
Later ...anl
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END