1964 rose marie

GAIETY THEATRE

R atlim ines a n d R a th g a r M usical Society PRESENTS

ROSE MARIE

R ad ios a n d all che m o s t f m o d e rn sound . e q u ip m e n t, in c lu d in g ‘ h i - f i and s te re o p h o n ic — th a t's o u r s t o c k a r P i g o tt's , t h e b est e q u i p p e d s o un d t ^ o r e in t h e c o u n t r y l

I

*

| H’PENNY INN everywhere

one meets people who

are cfoing

I W ellington Quay Opp. H 'Penny Bridge

s

(Prop: JOSEF LOCKE)

8 8 ! |

YOU are most welcome to visit our SIN GIN G LO U N G E

I |

MOSNEY*

O PE N F R O M 7.30 P.M. TO CLOSING TIM E

Good whiskeys

Popular fo r over

years

and brandies are all the better f n r

TVi\A/ait#»c

GAIETY THEATRE SOUTH

KING S T R E E T , DUBLIN 2

Te le gr am s: “ G A I E T Y ” D U B L I N T e l e p h o n e 78205 Pr o p ri e to r s : T H E G A I E T Y T H E A T R E ( D U B L IN ) LTD. R e s i d e n t Man ag er: JO E K E A R N S

H o u s e M an ag er: K E N R E E V E S

Nightly 8 p.m.

M atinee: Saturday 3 p.m.

C O M M E N C IN G

M O N D A Y , 9th

MARCH,

1964

RATHMINES AND RATHGAR MUSICAL SOCIETY presents

ROSE MARIE A

MUSICAL

R O M A N C E OF

THE CA N A D IA N

ROCKIES

Book and Lyrics by O T T O H A R 3 A C H and OSCAR H A M M E R S T E I N II Music by RU D O L F FR IM L and H E R B E R T S T O T H A R T By a rra nge m e nt with S A M U E L F R E N C H LT D ., London.

Ballet Mistress: DOLORES D E L A H U N T Y Musical Director: T E R R Y O ’C O N N O R Settings designed by JAM ES M A H O N and executed by B RIAN COLLINS E ntire P roduction and C horeography by M A R G A R E T BOYLE

Dress Circle 10/6

PRICES O F AD M ISSIO N P a rte rre G rand Circle 8/6 a n d 6/6 6/6 and 4/6

T h e p u b lic m ay leave a t th e end o f th e perform ance b y all e x it doors. Persons shall n o t be p e rm itte d t o stand or s it in any o f th e gangways in te rs e c tin g th e seating, o r to sit in any o f th e o th e r gangways^— Copy Bye-Law.

C R E A M IC E S ON SALE AT THE INTERVAL

S Y N O P S IS

ROSE M / ^RIE

ACT I

C H A R A C T E R S

J. 2.

3.

4.

5.

LADY BLACK

JO H N

E A G L E .......................................................................

LA

HEW SON

FIT Z PA T R IC K

H A W L E Y ............................................................ M A U R I C E

EDWARD EM ILE

HEATHER

j A N E ..............................................................................

Scene S cene Scene

1. A novelty sh o p in Q uebec. E ight m o n t h s have passed.

2. G r a n d Ballroom , C h a te a u F ro n te n a c , Q uebec. O n e m o n th later.

3. Im p res sio n — T h e cellar of a hotel on t h e river fro n t. Q uebec.

T h e sam e night.

4. O n a hill n e a r K oo te n ay Pass. O ne m o n th later.

5. “ T h e C a stle .” ^

S cene Scene

O ’S U L L I V A N

F L A M M E ......................................................... ................... J O S E P H

LANE

FOR R A T H M f N E S & R A T H C A R M U S I C A L S O C IE T Y Stage D i r e c t o r .................................................................................................................... r S E A M U S O 'N E I L L C h o ru s M is t r e s s ................................................................................................................. E ILE E N K N O W L E S H o n . S e c re ta r y ........................................................................................................................ C L E M P. R Y A N H o n . T r e a s u r e r ............................................................................................................... T H O M A S M U R T A C H

W A N D A ....................................................................................... C A T H E R I N E O ’C O N N O R BILL P H E L A N

H A R D - B O I L E D H E R M A N ................................................

K E N Y O N ........................................................................... .................. J O H N

JIM

A s s is ta n t S ta g e D ire c to r s .............................................................................................

COMYN

9th,

.........

MARTF

.............-

TA

*

F T . A M M F . ..............................................

10th, 16th, 17th , 18th , 2 0 t h and 21 st M ar ch

19th,

F O R G A IE T Y T H E A T R E LTD. [ i

M A K Y O CA L L A G H A JN ^

E T H E L B R A N D E R ........... ......................................................

A C A R E T A K E R .......................................................................

1 1 t h , 1 2 t h , , 1 3 t h , 1 4 t h and 21 s t ( M a t i n e e )

F IT Z PA T R IC K

L a d ie s a n d G e n tle m e n o f th e C h o ru s: Misses Jillian Bell, M a ry B re n n an . E na Boylan, N o e lle B yrne, D errill B ro w n , Celia B ruen, B a rb a ra F a r ra r, M a r y F e rguson, M iriam F itzp a tric k , E n a H a r r o l d , V e ra H e a d e , M ary H e a ly , Fide lm a K a v a n ag h , A n g e la M cBrien, M ary M c C a n n , L auri O ’Leary, D o re e n S h e rid a n , Eva Staveley, M iriam W illm an, l o a n Walsh.

Messrs. l a m e s A y lw a rd , D avid Brow n, C h a rle s B ru e n . D e sm o n d Byrne, S te p h e n Byrne,

I

Patrick C assidy, D e r m o t Daly, L e o n a rd D e sm o n d , l o h n Dillon, Michael F e a ro n , P a t Lawlor, Niall M c G u in n e ss, N oe l Magee, J o h n O ’Brien, T o m m y O’D w y er, Pat O ’D onovan, David Rowell. Eric Swan. Tony Sweeny, Bernard Synnott, Brendan Woods.

1

!

Dolores Delahunty, Clodagh Geary, Jan Murnaghan, Joan Conway, Marlene Redmond, Cecily Moore, Gabrielle MacDarby, Pauline Neylon, Louise O'Neiii.

D a n c e rs :

cuk$>%

nnUSH

“ ROSE

;

D O D O O ’H A G A N JOHN

C h a ra c te r c o s tu m e s b y B. j. S im m o n s , C o v e n t C a rd e n , L o n d o n . M o d e r n C o s tu m e s b y S a lly S p ruce, G re e k St..

L o n d o n . Rose M a r ie ’ s f r o c k , Sc. I. A c t I, and t h e f r o c k s in Ss. I A c t I! ( t h e shop) a r e C a lif o r n ia dresses, b y c o u r t e s y o f A l a n G ay L t d . , Sth. K in g St. Shop s ta n d s a n d m o d e l f ig u r e s b y c o u r t e s y o f O ’ C o n n o r & B a ile y L t d . Sth . W i l l i a m St. N ig h t d r e s s a n d n e g lig e e , Sc. I, A c t I I , b y c o u r t e s y o f G le n A b b e y T e x t il e s . T a lla g h t.

T o r c h e s b y c o u r t e s y o f D o c k re lis , Sth . G t. G e o rg e ’ s St. C h a n d e lie r b y c o u r t e s y o f H a n d c r a ft s . W i c k l o w St. F lo ra l d is p la y b y c o u r t e s y o f R o w a n s , W e s t m o r e l a n d St. Spray g u n b y c o u r te s y o f W a t e r s L t d ., E x c h e q u e r St.

BRUSH I. S. VARIAN & CO.

M A R I E ”

T h e p la y o p e n s in a saloon a t S a s k a tc h e w a n , p r e t e n t i o u s l y s t y le d L a d y la n e ’ s H o t e l , as k e p t b y a dam sel t h u s c a lle d , la n e is w o o e d b y S e rg e a n t M a lo n e o f t h e N o r t h - W e s t M o u n t e d Po lice , a n d t h e b o ld , bad, d e s p e ra t e p r o d u c t o f t h e g o l d d ig g in g s , k n o w n as H a r d - B o i l e d H e r m a n . O n e o f H e r m a n 's a ssociate s a t t h e g o l d f i e ld s w a s t h e f o r m e r " W i l d ] i m ’ ’ K e n y o n , w h o , o n h is w a y t o M o n t r e a l , h a d d e la y e d f o r a lo n g t im e a t t h e S a s k a tc h e w a n lo e d i s t r ic t , b e in g fa s c in a te d b y t h e p r i m i t i v e c h a rm s o f Rose M a r i e , t h e p r id e o f t h e n e i g h b o u rh o o d .

Rose M a r i e is t h e s is te r o f a F re n c h - C a n a d ia n f u r - t r a d e r , E m ile la F la m m e . w h o p r e f e r s m a r r y in g o f f t h e g i r l t o a r i c h m a n l i k e h is s c h e m in g e m p lo y e r, E d w a r d H a w le y , r a t h e r t h a n t o t h e re c k le s s )im . T h e l a tt e r . h o w e v e r . Rose M a rie r e a lly lo v e s ; H a w le y is a t t r a c t e d t e m p o r a r i ly t o W a n d a , t h e a r d e n t h a l f - c a s t e spouse o f a d e g e n e r a te I n d ia n , B la c k Eagle. T h i n k in g h e r h u s b a n d to be o u t o f a c t io n as a r e s u lt o f a d r i n k i n g b o u t.

W a n d a in v it e s H a w le y t o her c a b in , w h e r e t h e i r l o v e - m a k i n g is s u rp ris e d b y t h e u n e x p e c te d a p p e a ra n c e o f t h e In d ia n . T o save h e r lo ve r, W a n d a stabs B la c k E a g le t o d e a t h and p u t s t h e b la m e o f t h e m u r d e r upon K e n y o n , w h o h a d p r e v io u s ly q u a r r e ll e d w i t h t h e I n d ia n a b o u t a g o l d c la im .

T h u s j i m b e co m e s a f u g i t i v e , h id in g in a c h a r m in g l y pla ce d ‘ ‘ c a s tle ” in t h e m o u n t a in s . Rose M a rie is h e a r t b r o k e n , b u t t o p r o t e c t h e r lo v e r f r o m t h e " M o u n t ie s ” p ro m is e s t o m a rr y H a w le y , w h o k n o w s o f j i m ’ s w h e r e a b o u t s . P re p a r a tio n s f o r t h e w e d d in g go o n a p a c e , a n d e v e n t h e re a p p e a ra n c e o f t h e s t ill - h u n t e d K e n y o n d o e s n o t d e t e r Rose M a r i e f r o m p ro c e e d in g w i t h t h e c e r e m o n y , u n t i l in t h e n i c k o f t im e , W a n d a , w h o has b e e n f o u n d b y | im d a n c in g in W in n ip e g , a v o w s t h a t H a w l e y has b e e n h e r lo v e r, a n d t h a t s h e k i l l e d B la c k Eagle.

N a t u r a l ly , | im K e n y o n n o w t a k e s th e place o f t h e d i s c o m f it e d H a w le y , a n d e v e r y t h in g e n d s h a p p ily w h e n w e le a ve | im a n d his b r id e in t h e i r d e l i g h t f u l h o m e a m o n g t h e R o ckie s. ____________________________

CUkj*,

BHUSH

[ A N N ^ I NCCHER

Stage M anager ....... ■......................................................................... IAS. POTTER Chief E le c trc la n ........................................................................... PAT O’TOOLE

JO SE PH IN E SCA N LO N ROQF

L a d y Ja n e ’s Hole), Fond du Lac, S a sk a tc h e w a n , C anada.

Im pression— A Campfire.

Black E ag le ’s Cabin. O n e h o u r later.

Im p res sio n — T h e C am pfire again.

T o te m P o l e Lodge, n e a r K o o te n a y Pass in th e C a n a d ia n Rockies.

A few w e e k s later.

A C T II

B R IA N K I S S A N E

M A L O N E .........................................................

SCENES

S cene Scene S cene Scene S cene

(in o r d e r of a p p e a ra n c e )

SERGEANT

OF

91/92 Talbot Street, Dublin 1.

AT YOUR RECORD DEALERS

Vocal Gems from

“ ROSE M A R I E ” t

C LP 1148 (Stereo C F D 1258)

‘

28/6 + T.O.T.

SOUNDTRACK from the MGM FILM D 128

2 1 /- + T.O.T.

EXCERPTS from the soundtrack E P 659

9/6 + T.O.T.

★ ★ ★ S O M E T H I N G S P EC IAL FOR G & S LOVERS !

Sir Malcolm Sargent conducts

OVERTURES from Gilbert & Sullivan X LP 20003 (Stereo SLP 20003)

2 0 /- + T.O.T.

MORE GILBERT & SULLIVAN X L P 200032 (Stereo SLP 200032)

2 0 /- + T.O.T.

THESE L.P.s ARE T H E BIGGEST VAL UE IN T H E RECORD W O R L D T O -D A Y !

Write

f or

lists

of

o p era tic

and

your

o th e r

f av o u r it e r eco r d s t o THE 23

GRAMOPHONE

COMPANY

LIMITED

Lo w er D o m in i c k S t re e t , Du b li n 1.

DINfc

PEACEFUL LUNCHES

BEFORE AND AFTER THE SHOW AT

CAY

EVENINGS

D IN E .W IN E

AND

DANCE

RESTAURANT

IN

T Y P IC A L

ROM AN

SURROUNDINGS

BERNARDO Italian Cuisine

UN C O LN

PLACE

LA OAVERM \m m m 18 DAM E

R exarvations P h o n t 624 7J. PHONE

54642

STREET

COMPLETE THE EVENING WINE, DINE A N D DANCE at the

PENGUIN CLUB HIGH-CLASS CO N TIN EN TA L CUISINE STEAKS AND CURRIES TABLE CO OK IN G

Sit Back and Enjoy the Relaxing I

and In tim a te Atmosphere of D u b lin ’s Newest N ig h t Spot

|

44 LR. LEESON STREET (D O W N ST A IRS)

PHONE 6 5 6 9 7 O P E N N IG H T LY T O 3.00 A.M. (S U N D A Y — TO

M ID N IG H T )