RAJKUMAR UG PORTFOLIO 2023

Design Portable folio

Thanks!

To mentors

Credits

tocad Au Ph

otoshop

Level 2

tchup

Cept University Shiv Hari English Medium School SV Campus

esign Ind

01 Making Studio 02 Detailing and Construction 03 Design Fundamentals

Vray

College School

Ske

20 19 20 18

Lumion

at Workshop Inc 20 21 0102Internship Working Drawing 20 20 03 Spatial planning and organization

Level 1

2 time nominated for design excellence award 2020 & 2023 College Program Ambassador 2023

strator Illu

Design 20 23 0102Hospitality Institution Design Internship at Studio Maroon 20 22 03 04 Retail Design

Software Skills

R hi n o

Level 3

Experience

Curricular vitae

Designer Rajkumar Mehta +917984100818

DOB 18 07 1998 +917984100818

I`m 24 years old Interior Designer while I`m studied Interior rajkumarsem10@gmail.com Design at Cept University. Originally I`m an Indian and I Instagram/rajkumarmehta_ lived in Gujarat. I`m currently working in ‘Ahmedabad. twitter.com/rajkumarsem10

Me

01 09 Ornare

Ornamentation and its Articulation in Interior Realm.

01 Digital Design Center 02 Retail space: Traditional games

ont e nts

02 29 BBtSD

Brand Building through Spatial Design.

01 House Of Rule Breakers

03 37 Intern

01 WSI workshopinc 02 Achyutam Design 03 Studio Maroon

04 43 EiD

Exploration in Design: Material in Focus 01 Khel Experience Center

06 51 Travelers Home

Space Planning & Organization 01 B R E A T H : Unfolding an Envelope

05 61 In-Detail

Making Is Realizing 01 Kite Making 02 Stool Design

ORNARE Ornamentation and its Articulation in Interior Realm

01 Introduction to the Studio : The studio focuses on ‘design’ role of ornamentation in the interior realm. The studio will investigate the definitions, notions, and theories of luxury and its influence on the design process.

To Evaluate the necessary approaches of making and construction, that can be studied with the idea of ornamentation and its related processes.

To utilize ornamentation in the given syntaxes such as materiality and construction of elements, functional and structural attributes of a system, form, and material, etc. for the various spatial interventions in interior space.

Derive the relationship between ornamentation and function - construction aesthetics of interior design practices = ornamented articulation in interior realm.

09

Enveloping the light Center of Digital design IDEA Idea is to create space using simple material like meshes and fabric in relation to the tower of shadows, which is the material of both light and shadow, plane and texture and when light fall, the inherent pattern of fabric or mesh the layer shadow or light become new ornamentation.

PROGRAM BRIEF The idea is to capture this contrast by interpreting the site as a center of digital design for the young generation of digital field, and also the digital production area where models, prototypes, final products and processes will be produced by the enthusiasts.

Studio Tutor: Prof. Kireet Patel Ornamentation and its Articulation in Interior Realm

Site System

Analysis

The Volume of tower and nature of the existing site.

Site grid

SITE Tower of shadows Chandigarh, India.

1952

By Le Corbusier

Tower of shadows is a remarkable built structure by Corbusier This modern architecture is an example of contrast of mass and void, light and dark and traditional and contemporary the building tracing the path of the sun using shadow cast on both inside and outside of the tower.

This majestic structure is situated between the parliament building and the palace of justice and is precisely aligned on the north-south axis to interrupt the symmetry of the capitol complex huge central square.

Tower’s north side is completely open, while the other three sides feature vertical cross walls set at various slants and horizontal wing walls of different depths.

Ornamentation and its Articulation in Interior Realm

Sun path study across different time of day.

Various sizes of bries soleil already it is full of ornare.

E3

E2

LEVEL 1 PLAN AT 1500 MM

E1 Ornamentation and its Articulation in Interior Realm

Spatial Theme

Articulation

Trying to create balance between new and old.

Existing volume and addition of 9m leaving 2m space in between.

The form existing informing the form of new.

LEVEL 2 PLAN AT 4500 MM Ornamentation and its Articulation in Interior Realm

Bries soleil cavity where the light convert into the shadows.

Tracing the intangible ornare from site to create new age ornare.

Various sizes of bries soleil already it is full of ornare.

Material selection Any material can create complex ornamentation it depends on the technique and tools, where and how we are using.

Ornamentation and its Articulation in Interior Realm

RED Admin and meeting rooms

CYAN Cafeteria studio and workshop spaces BLUE Workshop and studios

Block Model Around the Tower of shadows

DD EXHIBITION SPACE

Material palette

TYVEK

MULTI COLOR SHEET

MS &SS

Program spaces 1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

Entry Helical staircase Ex on evolution of DD Lounge Administration Meting area Server room Breakout space Washroom m/f DD experiment lab Bridge Spiral staircase Passage 3D model exhibition space Studio i for software skill Studio ii DD production & fabrication techniques Workshop

OSB

TERRAZZO

SECTIONAL PERSPECTIVE

SOFT STONE Ornamentation and its Articulation in Interior Realm

Ornamentation and its Articulation in Interior Realm

ELEMENT OF DISPLAY & TRANSIT BETWEEN FLOORS Layer of assembly and construction of the element 20Mm htk osb (oriented strand board) as base.

40Mm box section for framing and light integrated inside the frames.

Tyvek fabric to envelope the frame as display elements.

SECTION BB’

Element of revealing space and defining form.

Ornamentation and its Articulation in Interior Realm

Ornamentation and its Articulation in Interior Realm

ASSEMBLY OF STAIRCASE CONNECTING THE BRIDGE.

Tread base in perforated sheet.

Osb ( oriented strand board ) as tread .

Stringer structure and riser in ms to achieve a heavy span.

Bridge structure using i beam and flooring in perforated sheet.

HELIX CONNECTING THE BRIDGE Ornamentation and its Articulation in Interior Realm

ORNARE Ornamentation and its Articulation in Interior Realm

1.2 Exercise Brief: A site, measuring 10m x 6m x 7.5m was given for designing the shop. Constraints such as making 50% of the floor area as mezzanine, usage of staircase, bridge and 5 facades were also introduced along with other functional spatial requirements such as displays, space dividers, reception table etc. With these requirements, a Ornamented shop and lounge to designed.

Scaling, contextualizing representing through small specific program and site relationship is attempted as spatial meaning or ornamentation to understand the aesthetic meaning of ornamentation.

Learning Outcomes: Designing of spatial elements with idea of ornamentation concluded from module 1 Binding of different elements of ornamentation together in a volume Designing a process for ornamentation understanding materials and techniques used for making elements of Ornare.

Ornamentation and its Articulation in Interior Realm

Traditional games Understanding the language of ornamentation IDEA : Scaling, contextualizing representing through small specific program and site relationship is attempted as spatial meaning or ornamentation to understand the aesthetic meaning of ornamentation.

Studio Tutor: Prof. Kireet Patel Ornamentation and its Articulation in Interior Realm

Volume exploration

Space

EQUAL IMPORTANCE TO EACH PRODUCTS USING AND ZIG-ZAGAND PLANES CREATING SPACE IN THE CREATING SPACE BY INTERSECTING. DIFFERENT SIZE OF PLANE FOR THE HIERARCHY IN PRODUCTS AND FLEXIBLE SPACE

BY USING OFSPACE CIRCULAR EQUAL IMPORTANCE TOLINEAR EACH PRODUCTS USING LINEAR ZIG-ZAG PLANES SPACE IN THE SPACE BY INTERSECTING. DIFFERENT SIZE OF PLANE FOR THEDISPLAY. HIERARCHY INADAPTIVE PRODUCTS DISPLAY. ADAPTIVE AND PARTS FLEXIBLE

BY USING PARTS OF CIRCULAR PLANAR MODULE IN 4 DIRECTION A SENSE OF SURPRISE IN THE MOVEMENT. MULTIPLE HEIGHTS BREAKS THE MONOTONY INBREAKS SPACES.THE MONOTONY IN SPACES. SHAPES. PLANAR MODULE IN 4 DIRECTION A SENSE OF SURPRISE IN THE MOVEMENT. MULTIPLE HEIGHTS SHAPES.

BY USING TECHNIQUE OF ORNAMENTATION

BY USING TECHNIQUE OF ORNAMENTATION TO ALTER THE ELEMENTS. TO ALTER THE ELEMENTS. PRODUCT RANGE SPINNING TOP

TWIRLER PEG TOP WHIP TOP

STEM BOAT

IN VARIOUS PATTERN AND COLORS

PRODUCT RANGE

5 STONES SPINNING TOP

TWIRLER IN DIFFERENT COLORS AND PEG TOP SHAPES WHIP TOP MARBLE

CLIENT MANAGEMENT 5 STONES

IN DIFFERENT COLORS AND SHAPES

MARBLE Ade - strands of opaque white and color, making Ade - strands of opaque white and color, making STEM BOAT

lemon-ade, lime-ade, orange-ade, etc. lemon-ade, lime-ade, orange-ade, etc.

IN VARIOUS PATTERN AND COLORS

GILLI DANDA

Cat's eye or catseye - central eye-shaped colored Cat's eye or catseye - central eye-shaped colored GILLI DANDA inserts or cores

LAGORI (SATOLI)

(CHESS) LAGORICHATURANGA (SATOLI)

IN VARIOUS MOTIFS AND PATTERNS AND SIMPLE ONES

IN VARIOUS MATERIAL AND SHAPES

inserts or cores IN VARIOUS MOTIFS Beachball - three colors and six vanes. Beachball - three colors and six vanes.

AND PATTERNS Devil's eye - red with yellow eye.

Devil's eye - red with yellow eye.

AND SIMPLE ONES INMATERIAL DIFFERENT MATERIAL AND DESIGNS IN VARIOUS AND SHAPES

CHATURANGA (CHESS)

IN DIFFERENT MATERIAL AND DESIGNS

CLIENT MANAGEMENT

ONLY TRADITIONAL GAMES ONLY TRADITIONAL GAMES AND TOY WHICH ARE AND TOY WHICH ARE -15 PEOPLE AT A TIME -15 PEOPLE AT A TIME -MINIMUM SIZE OF DISPLAY-MINIMUM SIZE OF DISPLAY 150 BY 150 MM 150 BY 150 MM -DISPLAY PRODUCTS AND -DISPLAY PRODUCTS AND PRODUCT TO BE STORE PRODUCT TO BE STORE -BOTH ONLINE AND OFFLINE -BOTH ONLINE AND OFFLINE TRANSACTION TRANSACTION - TARGET AUDIENCE - TARGET AUDIENCE ABOVE 5 ABOVE 5

CYLINDRICAL VOLUMESEACH WITH VOLUME DIFFERENT HEIGHTS EACH VOLUME FULL VOLUME WITH OUT AS VOLUMES WITH CYLINDRICAL DIFFERENT HEIGHTS CENTRALIZED FULL VOLUME CENTRALIZED WITH THE MASS COMING OUT ASTHE MASS COMING OPENS UP AS NEW VOLUME OF SPACE MEZZANINE. OPENS UP AS NEW VOLUME OF SPACE MEZZANINE. FRAMING THE VOLUME OPEN, SEMI CLOSURE AND CLOSURE ENTRANCE WITH HUGE AS THE FRAMING VOLUME OF IDEA IS TOAS USE CIRCULAR ELEMENTS THE AS MODULE ENTRANCE TO CHANGE THE HUGE VOLUME, THE VOLUME AS OPEN, SEMI CLOSUREAS AND CLOSURE WITH CUBOIDS AS THEVOLUME, VOLUMECUBOIDS OF MEZZANINE BECOME THE CENTER ATTRACTION FROM IDEA IS TOTHE USEROAD CIRCULAR ELEMENTS MODULE TO CHANGE MEZZANINE BECOME THE CENTER OF ATTRACTION FROM THE OF ROAD SPACES VISUALLY. INTERACTION TO THE GROUND SPACES VISUALLY. INTERACTION TO THE GROUND SIDE VIEW SPATIAL MOVEMENT IN THESPATIAL SPACE MOVEMENT IN THE SPACE SIDE VIEW

CLIENT MANAGEMENT

MY ORNARE

Only traditional games And toy which are -15 People at a time -Minimum size of display 150 By 150 mm -Display products and Product to be store -Both Online and off line transaction - Target audience Above 5

Any material can create complex ornamentation, depends on the technique, tools and tectonics when how and where we are using.

Using simple material can make complex spaces simple.

SPATIAL ORGANIZATION OF ELEMENTS IN SPACE Ornamentation and its Articulation in Interior Realm

HC MS BOX

80 X 50 X 6MM (RHS) RECTANGULAR HOLLOW BOX SECTION

T TAINLESS STEEL b UT SLEEVE

6MM MM THK. WHITE POWDERED COATED FOLDED MS PLATE

HC SUPPORT (Honeycomb FISCHER INJECTION matrix) TECHNOLOGY FIS V BOLTS

ONATE

S

10 MM THICK MS BASE PLATE 4 MM THK. MS PLATE

MEZZANINE ANCHOR DETAIL

FRAMING

2MM THK. MM L SECTION DARK GREY POWDER COATED FLOORING FRAME

K GREY OATED

YLIC GN

LUMOYNX HC

3OMM DIA WHITE 6MM MM THK. WHITE POWDERED COATED POWDERED COATED MS PIPE FOLDED MS PLATE

6MM (RHS) ULAR BOX SECTION

TYPICAL SCAFFOLDING LED FLORESCENT JOINERY INCANDESCENT

NJECTION OGY FIS

BAR CONSTRUCTION BLOCKING 6MM THK. MS MOUNTING ANGLE

CK MS TE

2MM THK. MM L SECTION DARK GREY POWDER COATED FLOORING FRAME

LUMOYNX HC BACKLIT 3OMM DIA WHITE POWDERED COATED SUPPORT MSHC PIPE (Honeycomb matrix)SCAFFOLDING TYPICAL JOINERY POLYCARBONATE BRACKET

HC SUPPORT (Honeycomb matrix)

LIGHTING 4 MM THK. MS PLATE FRAMING FRAMING

STAIRCASE TREAD DETAIL

MM L

2MM THK. MM L SECTION DARK GREY POWDER COATED FLOORING FRAME

EY POWDER FLOORING

80 X 40MM THK.MS BOX SECTION 3OMM DIA WHITE POWDERED COATED MS PIPE M12 X 100 316 STAINLESS STEEL HEX FLANGE NUT SLEEVE TYPICAL SCAFFOLDING ANCHOR JOINERY BOX OF 100

WHITE ED COATED

SCAFFOLDING

10 MM THICK MS BASE PLATE

STAIRCASE GROUND ANCHOR DETAIL

80 X 50 X 6MM (RHS) RECTANGULAR HOLLOW BOX SECTION

6MM MM THK. WHITE POWDERED COATED FOLDED MS PLATE

FISCHER INJECTION TECHNOLOGY FIS V BOLTS 10 MM THICK MS BASE PLATE

SPATIAL QUALITY OF SPACE JUSTIFYING THE THEME OF ORNARE. Ornamentation and its Articulation in Interior Realm 6MM DIA DARK GREY POWDERED COATED

2MM THK. MM L SECTION

2MM THK. MM L SECTION

MEZZANINE PLAN

GROUND LEVEL PLAN AT 1500MM Ornamentation and its Articulation in Interior Realm

SPATIAL QUALITY OF SPACE JUSTIFYING THE THEME OF ORNARE. Ornamentation and its Articulation in Interior Realm

Ornamentation and its Articulation in Interior Realm

Professional practice Internships

03

WORK SHOP INC

About firm : Workshop Inc. is a multi-disciplinary design practice comprising of architects, designers and artists operating within the fields of architecture, interior design, products, graphics and installations. Based in Ahmedabad, the practice takes a consistent, holistic approach to spatial design and interior architecture and offers a profound understanding and interpretation of the full range of creative possibilities.

We seek out narratives for each project and focus less on form–making. Our projects are developed from a core idea that governs the design, using simple solutions to achieve the end-product. The resultant of our cross-disciplinary work allows us to fuse art, graphics and space as a part of a single canvas.

Estd. 2014

Boss: Varun and Keta Shah 37

NOTE: REVISED SWITCH BOARD OF FRIDGE AND MICROWAVE KITCHEN STOVE AS PER SELECTION

0.51

OVERHEAD STORAGE FNISHED IN APPROVED LAMINATE

0.75

Workshopinc

0.31

0.65 SINK

CHOKDI 2.75 X 1.84

SECTION 1

KITCHEN 3.65 X 6.29

0.51

SECTIO

0.51

0.75

0.51

OVERHEAD STORAGE

01 Internship

2.09

0.63

0.51

0.63

0.51

0.31

0.51

STONE COUNTER

0.50

PAC

0.51

MANDIR

1.21

2.08

0.54

0.69

0.35 UNIT BUILT IN MICROWAVE AND STORAGE

0.52

FRIDGE

0.70 2.53

0.54

0.80

0.08

ABOUT FIRM LANGUAGE

COLUMN PACKING IN APPROVED VENEER

0.90

PULL OUT DRAWERS

SHUTTER

TRAY PULL OUT DRAWERS DRAWER

SHELF TRAY

DESK STONE GRANITE COUNTER SHUTTER FINISH IN APPROVED LAMINATE SHADE DRAWERS FINISH IN APPROVED LAMINATE SHADE

0.85

4 EQUAL DIVISION

1.83

1.27

0.33 0.33

0.12 0.12

SECTION 1 ALIGN FLUSHED PEN HOLDERS

MANDIR

0.32

DRAWER

SKIRTING 0.08

PACKING

0.32

0.10

DRAWER SHELF DRAWER

0.75 0.75

DRAWER DRAWER

2.10

SHELF

0.40

PEN HOLDERS

SECTION 2

KITCHEN

read an conside 2. Any am

0.04

1.00

TILE DADO

0.71

0.21

0.21

FINGER GAP AS PER DETAIL

0.90

2.66

0.34 0.08 0.08

0.20

SHUTTER TRAY AS PER DETAIL AA

0.40

SHUTTER

SHELF

FINGER GAP AS PER DETAIL

0.20

0.78 0.64 0.15 0.15

MICROWAVE FRIDGE

FINGER GAP AS PER DETAIL

CLIENTGENER CHINTN1. All dime

SHELF

HANGER

2.72

SHUTTER

0.80

0.09

SHUTTER HANGER

PROJECT DES CHINTN RESID

SHUTTER FINISH IN LAMINATE SHELF APPROVED SHADE

0.70

0.30

0.30

0.52

1.02

SHUTTER

SHELF

SHUTTER

0.28

0.51 0.51

SECTION 1

SHELF

HINGE SIDE

FINGER GAP AS PER DETAIL

0.56 0.56 0.74

FINGER GAP AS PER DETAIL SHELF

SHUTTER

0.32 1.00

SHUTTER

1.22

SHUTTER

LEGENDS

0.53

0.51

0.75

0.52

0.56

SHUTTER

SWITCH BOARD

2.09 0.51

CHOKDI 2.75 X 1.84

FALSE CEILING

1. All dimensions are in meter & millimeter.Dimensions are to be read and not measured, and internal dimensions to be considered as plaster to plaster SHUTTER 2. Any ambiguities to be referred to the Architect.

STONE COUNTER

0.18 0.18

0.18

SECTION 2 SECTION 3 0.70 0.70

SHUTTER

GENERAL NOTES

NOTE: REVISED SWITCH BOARD OF FRIDGE AND MICROWAVE

SINK

SECTION 5 SECTION 4

SECTIO

The projects are developed from a core idea that governs the design, using simple solutions to achieve the end-product. The resultant of the crossdisciplinary work allows to fuse art, graphics and space as a part of a single canvas.

5

0.34 0.15

0.15

0.52

0.78

1.04

FRIDGE

0.18

0.79 0.79

0.79 0.79

0.75 0.75

FINISH IN APPROVED FINISH IN APPROVED LAMINATE LAMINATE

0.580.05

0.05

0.05

0.05

0.20

0.05

0.05

0.97

0.05

0.05

0.38 0.39

0.39 0.05

0.05

0.97 0.20 0.38

0.28 0.28

4MM GROOVES 4MM GROOVES

0.97

0.97 0.39 0.39

0.19 0.39

0.39

0.48 0.48

0.48 0.48

6MM DOOR 6MM MS DOOR MS FRAME FRAME 4MM GROOVES 4MM GROOVES

4MM GROOVES 4MM GROOVES

AS LAMINATE LAMINATE AS PER SELECTION PER SELECTION

1.14

1.14

LAMINATE LAMINATE AS AS PER SELECTION PER SELECTION

1.15

1.15

0.28 0.19 0.28

50MM THK.50MM DOORTHK. DOOR FRAME FRAME 1.94

50MM THK.50MM DOORTHK. DOOR FRAME FRAME

1.94

0.06 0.03 0.58

0.05

0.050.06 0.09 0.19 0.03 0.09

0.05

0.05

4MM GROOVES 4MM GROOVES

BEAM

0.75 0.75

0.20 0.36 0.36

0.20 0.36 0.36

0.05 0.19

BEAM

FINISH IN APPROVED FINISH IN APPROVED PAINT PAINT

0.05

0.18 0.38

0.38

FALSE CEILING FALSE CEILING

LAMINATE LAMINATE AS AS PER SELECTION PER SELECTION PLAN

0.090.10

4MM GROOVES 4MM GROOVES

FOR LOCATIONLOCATION FOR DOOR HANDLE DOOR HANDLE

0.09

2.05

2.05

2.09

2.09

2.10

2.10 0.10

LOCATIONLOCATION FOR FOR DOOR HANDLE DOOR HANDLE

FOR LOCATIONLOCATION FOR DOOR HANDLE DOOR HANDLE

30 X 4 MM 30 MSX 4 MM MS PLATES PLATES

2PARTS 0.06 3PARTS 2PARTS 2PARTS 3PARTS

0.90

0.90

2PARTS 0.38

0.06 0.38

0.06

3PARTS

0.38 0.19

0.02 0.05 0.38

0.05

0.28

0.02 0.02 0.02 0.190.06 0.19 0.19 0.19 0.19

0.06

0.90

0.90

0.90

0.90

20MM FLUTTING 20MM FLUTTING

0.06

2PARTS 3PARTS 3PARTS 2PARTS 2PARTS 3PARTS 2PARTS 4PARTS 0.03 0.030.03 0.03 0.28 0.12 0.19 0.19 0.19 0.12 0.19 0.39 0.03

MAIN DOOR MAINELEVATION DOOR ELEVATION

INTERNALINTERNAL DOOR ELEVATION DOOR ELEVATION

INTERNAL DOOR

0.02

ENTRY

1.07

1.07

ENTRY

ENTRY

20MM FLUTTING 20MM FLUTTING

0.04 0.02 0.08 0.04 0.04 0.08 0.05

0.48

5PARTS 0.48

0.04

30 X 4MM MS 30 XSECTION 4MM MS SECTION

SAFETY DOOR

0.05

0.03

DETAIL DETAIL

PLAN

PLAN

1.07

1.07

ENTRY

ENTRY

0.060.03 0.06 0.03 0.06 0.06 0.06 0.06 0.030.06 0.06

0.06

0.06

DETAIL DETAIL

PLAN

0.52 0.30

0.56 0.56

0.09 0.90

DOOR TO TOILET

CLIENTCLIENT CHINTAN CHINTAN

DRAWING DRAWING NAME NAME

REVISION REVISION DRAWING DRAWING NO. CODE NO. CODE

DOOR DESIGN DOOR DESIGN

CHR 1 CHR 1

SHELF TRAY

TRAY

DRAWER

DRAWER

SHELF

0.08 0.62

1.58

BEDROOM

0.30

SECTION 2

0.83

DOOR

SCALE SCALE NOT TONOT SCALE TO SCALE 22 12 2021 DATE DATE 22 12 2021 MEHTAMEHTA ISSUEDISSUED

BY RAJKUMAR

BY RAJKUMAR

0.21

0.40

0.75 0.75

SHELF

12MM THK. MS ROD FINISH IN APPROVED MATT GREY COLOR

0.30

0.14 0.08

SHELF

PROJECT PROJECT DESCRIPTION DESCRIPTION DRAWING INTENTION INTENTION HANGER HANGERDRAWING CHINTAN CHINTAN RESIDENCE RESIDENCE DESIGNDESIGN

0.20

PEN HOLDER

12MM THK. MS ROD FNISH IN APPROVED MATT GREY COLOR

0.21

6MM THK. MS SHELF IN APPROVED MATT GREY FINISH

0.10

30 4MM MS SECTION 30 4MM MS SECTION

20MM THK. PLYWOOD SHELF

0.20

20MM FLUTING20MM FLUTING

0.32 1.00

5 PARTS 1.49

LAMINATE

0.30

0.66

0.29

0.29

0.29

ensions 1. All dimensions are in meter are& in millimeter.Dimensions meter & millimeter.Dimensions are to be are to be nd not read measured, and not measured, and internal and dimensions internal dimensions to be to be eredconsidered as plaster to asplaster plaster to plaster mbiguities 2. Any ambiguities to be referred to be to referred the Architect. to the Architect.

LAMINATE

0.32

4MM GROOVES 4MM GROOVES

0.32

0.29

LEGENDS LEGENDS

2.66

RAL GENERAL NOTESNOTES

1.00

1.66

0.29

0.33 0.33

0.75

0.46

0.22

4PARTS 5PARTS 0.39

0.03

0.18

PLAN

1.07

0.18 0.18

PLAN

0.30

PLAN

32MM THK.32MM DOORTHK. DOOR

MAIN DOOR

0.56

1.07

0.03 0.03

SAFETY DOOR SAFETYELEVATION DOOR ELEVATION

0.30

ENTRY

PLAN

30 X 4 MM 30 MSX 4 MM MS PLATES PLATES

20MM FLUTTING 20MM FLUTTING

0.60

BEDROOM WARDROBE

SECTION 3

CHR

CHR

Achyutam Designs 02 Internship

ABOUT FIRM Achyutam Design is a multi-disciplinary design practice comprising of architects, designers operating within the fields of architecture, interior design, products, Based in Ahmedabad, the practice takes a consistent, holistic approach to spatial design and interior architecture and offers a profound understanding and interpretation of the full range of creative possibilities.

Boss: Shikha Parmar & Ashish Parmar Internship

Internship

A

B

SPATIAL PLANNING PLAN AT 1500 MM Internship

SECTION BB’

SECTION AT AA’ Internship

Travelers Home Space planning and Organization

05 Introduction to the Studio : A traveler to a place becomes an explorer of time, space and culture. Such travelers during the pause seek a warm abode which allows one to transform, celebrate and sink in the city sooner, lending possibilities to explore and connect to the place vividly. The focus of this unit is to design interiors of a shelter for a group of travel enthusiasts, embedded into the urban treasure house of memory and sensation. One will rethink the idea of ‘shelter’ to diversify and dignify interior experiences of daily activities performed. The design must provide both pragmatic and importantly a sensorial experience distilling the characteristics of the site for an appropriate spatial narrative. As part of pedagogic method, a tool box shall be derived with relevant materials and elements. The studio enables to conceptualize and evolve grammar of interior space manifested through nature of materials while integrating order of activities.

51

BREATH Unfolding an Envelope IDEA Unfolding An Envelope is a Traveler’s home which is in Goa, Vagator beach on the edge of cliff. The space was designed taking inspiration from Goan Veranda’s.

The abilities of veranda was translated into the spaces, adaptive spaces with wide panoramic view of the ocean and the beach. Celebrating the Veranda space through minimizing the walls. The space has been designed integrating flexibility, framing outside through semi-open and creating fragile shelter using metal and wood.

Studio Tutor: Prof. Shikha parmar & Sweta Jain Space planning and Organization

Site System

Analysis

N

N

N

STEP DOWN

Spatial Orientation tracing the north and sun movement in the given volume.

Volume hierarchy according to the context of given site condition.

N

N

N

Balance to the form

SITE A given volume on Vagator Beach.

STEP DOWN

Goa, India.

N

Vagator is a lively coastal area centered on Vagator Beach, known for its striking red cliffs. At neighboring Ozran (Little Vagator) Beach, Vagator Cliff is a popular party spot drawing hip crowds to watch the sunset from sea-view bars and clubs.

Harsh light block

Space planning and Organization

Balance to the form

Balance to the form

N

N

N

N

N

N

STEP DOWN

STEP DOWN

Harsh light block

Volume hierarchy according to the context in given site condition.

Division and orientation of the volume keeping in mind the tropical climate of Goa.

Access and path-space relationship considering private and semi private spaces.

Diagonal Balance of the space, having west side a helical staircase and a circular seating.

Balance to the form

N

N

N

N

STEP DOWN

Harsh light block

Harsh light block

N

Harsh light block

Space planning and Organization

STEP DOWN

Space transformation

Harsh light block

Articulation

N

Harsh light block

Intangible Qualities Intangibles qualities of the element selected as a core space in abstract form.

-Framing the outside view -Flexibility in movement and Split out spaces.

-Adaptive for users.

-Sheltering the under space with fragile structure of roof.

Space planning and Organization

Section AA’

Plan

Space planning and Organization

Section BB’

Front Elevation

Space planning and Organization

In-detail Making is Realizing

06 Introduction to the Studio : Today as creators, we find ourselves amid a new paradigm shift of the 4th industrial revolution - where our physical and digital worlds are completely blended together. The background concern of this studio unit was to bridge the gap between abstract drawing board ideas and making techniques - both in the way; how ideas can be embodied in materials and making processes and how thinking through materials and making processes can tease out ideas. This revolutionary digitized transformation has changed how we design things, how we make things, who makes these things, and the very nature of what we make. Design no more exists passively on the drawing board as an amalgamation of abstract ideas and functionalities, but it actively addresses issues related to material optimization, making techniques, etc. at an ideation level.

Academically to find some precision in such process, instead of working on abstract concepts, an analogical method was introduced to students wherein, each one of them studied the given natural object – to extract underlying logics of function, form, structure, growth, etc. These logics were further employed to create modular or transformable elements for definite functions

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In-Detail Making is Realizing KITE MAKING At the time of slicing of bamboo angle and thickness is Important.

-What material should be used so the kite can be made as light as it has to be.

-Elasticity of bamboo which helps the kite to retain its 3d shape.

-How the optimization works.

-Tensile Property of bamboo.

Studio Tutor: Profs. Vishal & Niyati Making is Realizing

OPTIMUM STOOL DESIGN Bending property of the bamboo.

Optimum stool can be made by only using the basic property of the bamboo.

The bamboo is in its size, lightness and strength an extreme product of nature. It is stable and because of its cavities an extreme light and elastic building material.

The reinforcement by diaphragms and its physical conditions cause its enormous superiority compared to other building materials.

Paper can take compression if appropriate type of weaving pattern is used.

Thread became more stronger when it comes together and becomes a rope, having more strength.

Making is Realizing

Special Thanks!

Ar. Vasav bhatt

rajkumarmehta.official@gmail.com +91 7984100818