2017/18 Winter Collection

&Company

Quidley

Winter Collection 2017 / 2018

&Company

Quidley

Winter Collection 2017 / 2018

375 Broad Ave South Naples, FL 34102 239-261-4300

www.QuidleyAndCo.com

This time of year is often a time of reflection. I am grateful for the opportunity to pursue my passion and do something I truly love. I wake up looking forward to what the day will bring such as connecting a great piece to the right owner or seeing a painting for the first time, I am equally grateful for my family, my team, artists we represent and for all our collectors, many I have the privilege to call friends. For anyone that crosses the threshold of one of the galleries, I believe it is evident that the Quidley & Company team enjoys working together and your visits are the reason why..

The following is a selection of new paintings and sculpture that we have recently received. Included within that are favorites that David, Joe, Adam, Ali and Sonia have chosen. I have the good fortune to curate and choose which artists we represent, so I could not possibly choose favorites. Please enjoy what our artists have been creating. -Chris Quidley

Joe

Adam

Ali

David

Sonia

Greg Haynes (American, b. 1980)

Box of Jellies I, oil on panel, 36 x 36 inches I remember the first time I tried Jelly Belly, I was on the beach in Pensacola, FL, I was probably 10 years old. My family and I had just left a candy shop and I was astounded that this jelly bean company could come up with so many different flavors, and execute them almost perfectly. My favorite has always been the popcorn. Looking at this remarkable oil painting by Greg Haynes brings me back those fun family vacations. -Adam

Thomas Swanston (American, b. 1956)

Late Departure, oil on canvas, 42 x 60 inches The works of Thomas Swanston are a brilliant blend of imagery, technique and atmosphere. The rhythm and repetition of a migration is a good reminder of the cyclical nature of life, and although the cranes are only anonymous silhouettes, we relate to them on their journey, traveling through time and space, going somewhere new, or returning home. -David

Eric Zener (American, b. 1966)

Gliding Through the Light, mixed media, 26 x 41 inches I have coveted Eric Zener’s work for a long time and now we finally have it in our galleries! I love good figurative pieces, so Eric’s work has always spoken to me.

But, it was his vibrancy and abstraction of the air bubbles in the water that really grabbed my attention. This piece would be a wonderful addition to any room of a vacation home, especially in the pool house. -Adam

Scott Fraser (American, b. 1957)

Flamingos, oil on canvas, 4 x 8.5 inches As a Florida native, these flamingos remind me of home while putting a smile on my face. The adorable baby birds following their mother perfectly capture Scott’s characteristic whimsical imagery, but on a much smaller scale. Appropriately featured in our Naples, FL Gallery, this would make a great gift with a fun beach element. -Ali

Erik Koeppel (American, b. 1980)

Heart of the Wilderness, oil on canvas, 35 x 48 inches Erik’s paintings harken back to a time when artists took their easels outdoors and painted the beautiful landscapes of the Hudson River Valley. His work comes out of his reverence for nature in its purest form. When I look at his work I am constantly captivated by his love for, and mastery of, traditional representational art and techniques. His body of work has been exhibited and collected nationally and internationally. Erik’s proficiency has led him to become one of the youngest contemporary artists whose work is regularly exhibited along side the historic masters of the 19 th and early 20 th centuries. -Joe

Philip Buller (American, b. 1954)

Time Trace, oil on canvas, 51 x 48 inches Abstract art has always captivated me, not so much for the message or symbolism that an artist may want to convey but for the boldness and risk taking he or she takes with the use of color, strokes, shapes and movement. Buller’s Time Trace elevates these elements to give the viewer an intensely satisfying work of art. This painting is definitely one that I would never tire of because of its allure and beauty. -Joe

Gary Ruddell (American, b. 1951)

Domestic Life, oil on panel, 52 x 54 inches I have always been impressed by Gary Ruddell’s work. His painting style is so unique and his pieces always contain a narrative in which we as the viewers are enticed to figure out. The narrative in “Domestic Life” is pretty straight forward and this scene of two children playing in a room shows just how well Gary can handle depth and shadows. I also think it’s great that these lucky kids have a whole room in which to create their own art. -Adam

Susan Moss (American, b. 1944)

Earthslide #386, oil crayon on paper, 50 x 38 inches Susan Moss’ work it a celebration of color and movement. Her work is infused with the emotions that she is feeling when painting and reflects her sense of nature, spirituality and humanity. Reminiscent of the Color Field painters of the 40’s and 50’s, Susan deftly pays homage to them and, at the same time, establishes her own take on this movement. - Joe

Tim Thompson (British, b. 1951)

Maria off Sandy Hook, oil on canvas, 30 x 40 inches ‘Maria off Sandy Hook’ has all the hallmarks of a great Tim Thompson, dark stormy seas, crisp lines, historical accuracy, and human drama. Art and interior design trends the last decade or so have been moving strongly towards bright, colorful and often abstract artwork for the home, but sometimes a room just needs a classic marine painting, and there is nobody that does it better than Tim Thompson.

-David

Kevin Barrett (American, b. 1962)

Ignite, aluminium, 13 x 6 x 5 feet Barrett’s unique shapes stacked on one another in sometimes a precarious manner mesmerize the viewer challenging balance while striking harmony. I am enamored by how light and shadow play such an important role in his strikingly masculine work. Please join us for the opening of an exhibition of Barrett’s most recent work on Januray 17th in our Naples gallery.

TS Harris (American, b. 1966)

Beach Sunlight, oil on canvas, 48 x 36 inches I love the vibrant colors. The painting feels like it’s in motion and makes you want to enter in the spirit of the day ahead. -Sonia

Ardan Ozmenoglu (Turkish, b. 1979)

21 Grams, mixed media, 38 x 50 inches Ardan’s highly original medium of Post-it notes has always drawn me into each scene she masterfully creates. This piece from Snow White in particular captivates me, as it is both nostalgic and intriguing, Ardan creates a sense of duality through her works; highlighting the past vs the present and raising the questions of how modern society views such past images today? “21 Grams” is a vibrant and playful take on this thought provoking commentary, and would be a great addition to any collector in looking to add an avant-garde element to their collection. -Ali

Stephen Coyle (American, b. 1956)

The Tide is Rising, alkyd on canvas, 36 x 36 inches Who doesn’t want to be that person, lying in the water, your arms and feet dangling in the water, your eyes closed feeling the warm sun on your face. If this does not evoke the feeling of being on vacation nothing does. I love where the painting brings me and that feeling of peace and serenity. Stephen is able to capture a snap shot of being on the beach or in the water often with a humorous title that makes us all smile. Please join us for an exhibition of recent paintings depicting your favorite beach on March 14th in our Naples Gallery.

Oriana Ingber (American, b. 1986)

Oyster with Lemon, oil on canvas, 5 x 7 inches I love oysters; raw, broiled, fried, it doesn’t matter. I grew up in New Orleans and lived on Cape Cod for a while, so I have had my fair share. Every October and November I even go out to the flats in Barnstable, MA and rake my own. I love how Oriana painted this one. She brings you up-close to the oyster and lemon. You can see the shine and almost taste the brine. -Adam

Scott Prior (American, b. 1949)

Nanny Napping, oil on canvas, 48 x 60 inches This piece (painted in 1998) and other new and older works will be available as part of the upcoming solo exhibition for Scott Prior, opening February 21st in our Naples Gallery.

Margaret Bowland (American, b. 1953)

Motions of Grace, oil on canvas, 86 x 60 inches Grace, in all its forms, is a gift. Whether it’s believed to be given to us by a higher being, or from those we love, this paintings evokes the peace and serenity that comes from accepting grace. I look at this painting often and am transported to a more spiritual place. How fitting that, in an uncertain and disturbing time in history, that this should remind me how much we all need to know grace and to do our best to bring grace to others. And, what better time of year to bring this gift to others! -Joe

Tracey Harris (American, b. 1970)

The Theory of Gravity and Other Things that Bring Us Down oil on panel, 24 x 30 inches I love watching people discover Tracey’s work for the first time. It is my favorite part about her work. At first people will approach a ‘book painting’ with a casual observance viewing the obvious. After a few moments of staring it is always followed by a big smile to uncontrollable laughter. Often times, when the laughter dies and one can catch their breath and breathe again we hear, “I just have to get this.” She has the innate ability to help us see our own flaws and realize we can laugh at ourselves.

Flick Ford (American, b. 1954)

Blue-Ringed Octopus, watercolor, 36 x 36 inches This vibrant depiction of what appears to be a cute octopus is deceiving as the blue ringed octopus is one of the deadliest creatures on earth. It has the ability to kill 26 people in just minutes. This represents one of six in a new direction and series Flick has created that he calls Marine Micro Macro, each one is magnified 4 times from life size, all on 36x36 pieces of paper and all with eye popping color.

Shawn Huckins (American, b. 1984)

Sunset...Where the Romance Fades, acrylic on canvas, 20 x 28 inches Shawn’s works have always intrigued my inner art historian, as he translates traditional American paintings of the 18th century into a commentary on today’s forms of communication. Through simple stenciled acronyms and phrases painted atop the canvas, Shawn transforms each idyllic landscape and eloquent portrait into a contemporary commentary. “Romance Fades…” is a particular favorite of mine.

It not only stands alone as an aesthetically captivating image, but also acts as a great conversation piece for any home. -Ali

Donald Jurney (American, b. 1945)

A Highland Autumn, oil on canvas, 30 x 46 inches No artist is more of a master of shadow and light than Donald Jurney. I want to jump into this landscape, straddling the rocks while hanging on to the trees in search of that body of water in the background. Donald has a way of leading the viewer on a trip of mystery and discovery with lush imagery and broad strokes of his brush.

Patrick Livingstone (Irish, b. 1956)

Smoking Pot, oil on canvas, 20 x 20 inches Smoking Pot has always been a favorite piece of mine from Patrick’s oeuvre. The incredible detail within each hanging pot juxtaposed against a vibrant blue background is captivating to say the least. This whimsical still life portrays a humorous and fascinating contemporary take on the imagery of 1920’s Surrealism. -Ali

Carlos Madrid (Peruvian, b. 1950)

Composition with Lemons, oil on canvas, 13 x 17 Carlos Madrid’s paintings are a master class in color theory and form. His ability to create a still life, such as this, strikingly shows his mastery in bringing this genre of art to a new level of artistry. In the stillness of this painting one can see the influence of his adherence to the practices of meditation and yoga. More then a talented painter and draftsman, Carlos is someone I appreciate for his ability to bring the varied influences of his life into his body of work. -Joe

Jeremy Miranda (American, b. 1980)

Night Harvest, oil on canvas, 24 x 20 inches This painting makes me want to crawl in to the picture and visit the beautiful magical greenhouse in the background. It takes you back to nature, which I love. -Sonia

Marianne Mitchell (American, b. 19)

Island Life, oil on panel, 24 x 24 inches Sometimes an abstract painting is an abstract painting and sometimes it is much more. Introducing Marianne Mitchell to the Quidley & Company team. In this painting we can see the sky and the sea represented by warm yellows and oranges followed by intense greens and blues respectively. With wide areas of color and pattern, Mitchell has provided the viewer with what is needed to have us make a connection.

Renato Meziat (Brazilian, b. 1952)

The Wind, oil on canvas, 36 x 48 inches Living in Southwest Florida, Renato’s painting reminds me to take time in my life to enjoy the calming allure of the water and the wonder of nature. It’s more then just a beautiful painting. It’s a reminder that we should not take for granted that which surrounds us. This painting transports me to a very peaceful place and puts me in a very soothing and tranquil mindset. -Joe

Peter Quidley (American, b. 1945)

This Side Up, oil on panel, 24 x 36 inches Known for figurative work, this is quiet a departure for Peter Quidley, but is an excellent image to capitalize on his masterful glazing techniques. ‘This Side Up’ will be featured in our group exhibition ‘Wet’ opening January 24th in the Naples Gallery.

Janet Rickus (American, b. 1949)

Long, oil on panel, 20 x 20 inches There’s something about a Janet Rickus’s still life that I just can’t pin down. Her compositions, the objects, her palettes, all float around in a nebulous zone avoiding definition. They are simple and sophisticated, rustic and contemporary, organic and structured. The contradictions reign in ‘Long’ as the winding, textured carrots lean on the crisp, symmetrical, vertical containers, creating a tension that won’t let allow this painting to be ignored. -David

Ian Marion (American, b. 1983)

Light Array, oil on canvas, 32 x 44 inches I love the clarity: the vast empty sky stretched out for infinity; The clouds look like bright cotton balls in the sky. -Sonia

Sergio Roffo (American, b. 1953)

Quidnet Sunrise, oil on canvas, 18 x 30 inches This was Roffo’s last painting of the summer season on Nantucket, and it feels that way. A beutiful and tranquil sunset, this painting captured the emotions of the end of summer; relaxed, reflective, recharched ,and content. It’s almost pre-nostalgic, standing there, breathing in one last long look to capture the moment before you leave, knowing the long cold winter ahead. -David

Hunt Slonem (American, b. 1951)

Abraham, oil on canvas, 48 x 48 inches Hunt Slonem’s Bunnies seem to be his most coveted subject matter at the moment, but my favorite is his Abe series. Hunt has reframed this historic figure as a pop-art icon. There is something about the feel of having an Abraham Lincoln painting in your study or library. Maybe it’s because of what Abe stood for. Or, perhaps it’s the black and white, loose painterly style of the painting. Whatever it is, “Abraham” is sure to be a smart statement-piece addition to your collection by a world-renowned artist. -Adam

Robert Stark III (American, b. 1964)

Unresolved Discussion, oil on panel, 9 x 9 inches Stark comically personifies each object within his still lifes through careful and well thought out placement. The two green peppers in “Unresolved Discussion� capture this most for me, as I have always seen the veggies as two people slightly miffed with one another, as they face back to back. The small scale of this fun painting allows for it to lighten the mood of any size kitchen. -Ali

Karen Woods (American, b. 1963)

Across the Park, oil on canvas, 20 x 27 inches I think the painting is peaceful, reminds me of how it feels to be looking outside of a window on rainy day. I also love the contrast between the bright blue skies and the dark woods below. -Sonia

Anne Packard (American, b. 1933)

Anne’s, oil on canvas, 40 x 40 inches Anne’s is a special example by an artist with an extraordinary life and career. At first glance, like all of her work, the viewer is transported on the water on a raw, wet, stormy day. What is difficult to see from the image that is readily evident of viewing the painting in person is the complexity of color and deliberate layering of deep rich color in order to portray what appears to be a simple scene. Anne evokes a sense of peace in all of her work, that allows the viewer to let out their breathe and relax. Regardless of where her work is installed, having a Packard in a room transforms the area.

KEVIN BARRETT January 17, 2018 Naples Gallery

WET January 24, 2018 Naples Gallery

SCOTT PRIOR February 21, 2018 Naples Gallery

STEPHEN COYLE March 14, 2018 Naples Gallery

&Company

Quidley

Fine Art

Boston • 38 Newbury Street • Nantucket • 26 Main Street • Naples • 375 Broad Ave South • Westport • 12 Wilton Road • QuidleyAndCo.com

617.450.4300 508.228.4300 239.261.4300 203.226.3304