Q Magazine Fall 2024

Q U I N T E S S E N T I A L

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FALL CLASSICS ACTRESS MARIE-FRANCE PISIER IN A GREEN TRIUMPH SPITFIRE PARIS, 1966

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F E A T U R E S 44 ELIZABETH HURLEY Elizabeth Quinn Brown celebrates the sultry English model and screen siren who has championed breast cancer awareness for almost 30 years, and whose characters have included everything from an international spy, to a fembot, to the devil and even the Queen of England.

58 THE HENRI BENDEL LEGACY Brooke Kelly Murray recounts Tim Allis’ book about Bendel’s, chronicling the brand’s—and the man’s—remarkable place in the history of fashion.

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66 FINDING “PURA VIDA” AT THE FOUR SEASONS RESORT PENINSULA PAPAGAYO Micaela English discovers her own “pure life”, reconnects with the world around her and even befriends a family of howler monkeys at the luxury destination resort.

70 A NEW YORK STORY Elizabeth Kurpis c atches up with Sophia

and Fiona Robert to discuss their latest film, A New York Story, starring the two sisters and including an appearance by Whit Stillman—the Academy Award-nominated director of Metropolitan.

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76 FRESH OFF THE RUNWAYS Elizabeth Meigher and Brooke Kelly Murray offer defining moments and standout style from the Spring 2025 collections.

84 NYC’S “IT” INTERNAL MEDICINE MD, DR. AMANDA KAHN Micaela English visits Dr. Amanda Kahn, MD, a UES board-certified internist known for helping patients optimize their health and wellness so they can look and feel their best at any age—or as English puts it, “live longer and get glowier”.

88 THE FAMOUS FASHION FACE-OFF Chris Meigher recalls his

friend Tom Fallon’s account of “The Battle of Versailles”—a turning point in fashion—and one that marked the ascendency of ready-towear over couture and the arrival of American fashion in Europe.

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C O V E R Actress Marie-France Pisier in a green Triumph Spitfire, Paris, 1967 (Jean-Claude Deutsch/Paris Match via Getty Images)

A S P R E Y. C O M

THE CHAOS JE WELLERY COLLEC TION

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D E P A R T M E N T S 29 NOSTALGIA From happy co-eds riding basket bicycles to timeless fall tweeds, a look back at some of autumn’s fondest moments.

32 JEWELRY Sparkling earrings and brightly colored baubles to help you look luminous this fall.

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34 COATS Smart-looking toppers in an array of seasonal hues and fabrics.

36 BOOTS Take a cue from Betty Catroux, a sleek pair of knee-high boots are a fall wardrobe staple.

37 SUNGLASSES Be chic in the shade with our latest selection of sunnies.

38 ACCESSORIES Enticing hats, scarves and seasonal knick-knacks.

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40 CLUTCHES AND HANDBAGS Smart clutches and attractive top handles to help you soar this season and far into the future.

42 MEN’S APPAREL Let Jim Morrison’s laid-back look set the tone as you break on through to winter.

96 Q FOCUS Catch all of the best parties taking place this season, from Dallas to Dutchess County and New York City.

106 BEAUTY Look and feel fabulous with beauty essentials to help your hair shine and keep your skin hydrated throughout the cool months.

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108 EVENING LOOKS Swish and sway in eye-catching evening attire.

112 SHOPPING INDEX Track down items seen along these pages.

Q U I N T E S S E N T I A L

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DAVID PATRICK COLUMBIA

ELIZABETH MEIGHER

EDITOR-IN-CHIEF

EDITORIAL DIRECTOR

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Autumn unfolds with each leaf drifting down as if in choreographed surrender, the whole scene dipped in amber and rust. The air carries a crisp edge, a kind of refined chill that encourages velvet, cashmere and tweeds that linger like old lovers’ embraces. This season, fashion takes on an earthy sophistication, a move from the careless flirtations of summer into something more smoldering and grounded; high-neck camel coats and refined, gold-buttoned toppers step smartly into the season, as colors shift from the bright hues of summer into fall’s jewel tones. A well-turned collar, a swathe of burgundy or forest green, and suddenly one feels not merely dressed but costumed for the drama of shorter days and long, lamplit evenings. There is something exquisitely deliberate about fall—a time when every stitch and silhouette tells a story, whispering of firesides and the quiet marvel of watching the world exhale.

Returning Q Contributor Elizbeth Quinn Brown delivers “Living Legend” Elizabeth Hurley, who is certainly fascinating. To begin with, there’s that voice—with its deep, sultry, husky tone topped with a British accent—springing from the lips of a smoldering Hurley, who at almost 60 years old, is absolutely stunning (and with a bod to rival many of her much younger counterparts). All of Hurley’s characters on the big screen have displayed confidence in some form or another, running the gamut from an international spy, to a fembot, to the devil and even the Queen of England. No one will forget the black Versace “safety-pin” dress she wore as Hugh Grant’s date to the premiere of Four Weddings and a Funeral in 1994, a version of which was recently revived by Taylor Swift at the 2023 VMA’s.

And speaking of unforgettable fashion, in a rare occurrence Publisher and C.E.O, Chris Meigher, puts pen to paper for Q and recalls the time his friend Tom Fallon recounted “The Battle of Versailles”—a turning point in fashion—and one that marked the ascendency of ready-to-wear over couture and the arrival and acceptance of American fashion in Europe.

On the wellness front, Micaela English visits Dr. Amanda Kahn, MD, an Upper East Side board-certified internist with expertise in primary and preventive care, longevity and weight management, who helps patients optimize their health and wellness so they can look and feel their best at any age—or as English puts it, “live longer and get glowier”. Micaela also recounts her trip to the Four Seasons Resort Peninsula Papagayo, where she was able to discover her own “Pura Vida” (“pure life”) and reconnect with the world around her, even befriending a family of howler monkeys. Now that’s an escape worth taking.

Elizabeth Kurpis catches up with Sophia and Fiona Robert to discuss their latest film, A New York Story, starring the two sisters and including appearances by Annabella Sciorra and most notably, Whit Stillman—the Academy Award-nominated director of Metropolitan who also directed 1998’s cultish The Last Days of Disco, starring Chloë Sevigny and Kate Beckinsale. Will the Robert sisters live up to Stillman’s Gatsby-ish tone with tongue-in-cheek humor regarding Upper East Side “society”? It remains to be “scene”.

Counterclockwise from top right: models dressed in American Managing editor Brooke Kelly Murray recounts Henri Bendel and fashion at the Battle of Versailles, 1973; Henri Bendel the Worlds He Fashioned by Tim Allis (UL Press). The book tells the and the Worlds He Fashioned by Tim Allis; Elizabeth Hurley, story of the remarkable history of Bendel’s, beginning with the man 2002; Christian Louboutin Jane Botta boots in stretch brown who started it all in 1896 with his small hat shop in Greenwich Village, suede; Princess Caroline of Monaco At Monte Carlo Tennis which blossomed into Bendel’s, a designer clothing store that was Tournament, 1985; J.McLaughlin Chiara Polarized Sunglasses once an unparalleled symbol of style on 57th street, known for its in Tortoise; a look from Ralph Lauren’s Fall 2025 runway; classic brown and white striped branding. Although Henri Bendel’s Rebecca de Ravenel Classic Two-Drop Hammered Boullion doors closed forever in January of 2019, Bendel’s legacy lives on in the Earrings in Gold; Polo Ralph Lauren Buttoned memories of those who experienced its elegance and continue to tell Wool Jacket; Belperron Cuffs of 22k “virgin” gold; its story (and through some of us who still own a few of those brilliant Whit Stillman, Carolyn Farina, Sophia Robert and brown and white striped boxes!). ◆ Fiona Robert in A New York Story.

ELIZABETH MEIGHER EDITOR

AMERICA’ S JEWELER SINCE 1796

125 Greenwich Avenue, Greenwich Connecticut 06830 (203) 622-6205 · shrevecrumpandlow.com

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Elizabeth Quinn Brown > Elizabeth Quinn Brown is a freelance writer and editor, covering culture, design, travel, and style.

Her work has appeared in publications like Architectural Digest, Billboard, Grazia UK, GQ, and The Wall Street Journal. She resides in Connecticut with her family and her French Brittany, Gemma. The former features editor of Quest and Q returns this issue to celebrate the career of model and actress Elizabeth Hurly.

66 Elizabeth Kurpis > Elizabeth Kurpis may be a high-profile

fashion lawyer by day, but she is equally known as a tastemaker on the New York fashion, art, and charity scenes. She has spent the last nine years donating her time to The Frick Collection and Memorial Sloan Kettering’s Associates Committee. When she has a moment to spare, she enjoys traveling with her husband and two children, Chicky and Hunter. In this issue, Elizabeth catches up with Sophia and Fiona Robert to discuss their latest film, A New York Story, following the debut of The Country Club in 2023.

58 Tykischa Jacobs > Tykischa is the Creative Director for Quest and Q magazines. She uses her creativity to bring this delightful Fall Issue of Q to life, designing all of the editorial pages. A highlight of her work this season was crafting the Evening Looks feature, showcasing timeless pieces, including Reem Acra’s stunning floral embellished gown from the Spring 2025 collection. Beyond her professional pursuits, Tykischa enjoys exploring the outdoors and attending concerts across the tri-state area.

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44 < Micaela English Micaela English is a writer, storyteller, and

digital creator. Living in Brooklyn, NY, she launched her career in magazines. After six years at Town & Country, she departed as senior web editor to work in digital storytelling for brands like Anthropologie, Fresh and J.McLaughlin. She’s been published in InStyle, Elle, Architectural Digest, Marie Claire, and Town & Country. In this issue, Micaela writes about her trip to the Four Seasons Resort Peninsula Papagayo, as well as how to live longer, feel better and get “glowier” with NYC’s Dr. Amanda Kahn.

70 Brooke Kelly Murray > Brooke is the Managing Editor of Quest and Q magazines. In this issue, she writes about the Henri Bendel legacy, highlighted in a new book published by the University of Louisiana at Lafayette Press. Not to be missed are Brooke’s selection of accessories, and her coverage of the hottest parties-from New York to Dallas; or her roundup of the best new beauty products. In her free time, Brooke enjoys playing golf, traveling, and spending time with her British Blue cat.

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An English foxhunt in Kenya! Mr. and Mrs. Mason recreate an English foxhunt on their Kenyan

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estate, photographed by Slim Aarons, 1958.

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This page: 1. Princess Diana throws royal protocol aside to compete in the “mums’ race” at Prince Harry’s sports day in 1991. 2. Adele Astaire and a young Eliza Lambert Lloyd kick up their heels before Eliza’s debut in 1961. 3. Model Editha Dussler photographed by Horst P. Horst, 1966. 4. Legendary Dartmouth football coach Buddy Teevens ‘79, who passed away in 2023, on the field as “Quarterback of The Year” in 1979. 5. A model on a train wearing a green coat dress, photographed by Luis Lemus for Glamour, 1943. > Opposite page: 1. A children’s puppet party photographed by Toni Frissell, 1963. 2. Crew at St. Paul’s School, Concord, New Hampshire, 1967. 3. Girls ride basket-bicycles at Mount Holyoke as seen in Seven Sisters Style (Rizzoli). 4. New England prep à la Kiel James Patrick. 5. “I started being photographed for Harper’s Bazaar when I was 15 by Louise Dahl-Wolfe and I just loved it, you know, I felt like a movie star,” Gloria Vanderbilt told her son, Anderson Cooper, in his 2016 HBO documentary, Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper.

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New s Gr ou p N ewsp ap er s Lt d.; Oak S p r in g G ar d en Fou nd at ion ; H or st P. H or st ; Dar t mo u t h At h let ics ; L ui s LemusGetty I mages

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To n i Fr iss ell ; Ton i Fr iss ell ; S ev e n S is t er s St y l e ( R iz zol i); K ie l Jam es Pa t r ick; Th e N ew Yo r k Post A r ch i ves/ Getty I mages

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1. ELIZABETH GAGE Amethyst and Grey Pearl Kiss Pin of 18k yellow gold, 4 natural grey Akoya baroque pearls, 4 oval amethysts and one cushion-shaped amethyst, $29,700 at elizabethgage.com. 2. VHERNIER 18K Rose Gold Abbracio Clip-On Earrings, $7,500 at greenleafcrosby.com. 3. WEMPE Sensual Cocoon Pendant of 18k rose gold and 195 brilliant-cut diamonds, $28,175 at wempe.com. 4. ROLEX Oyster Perpetual Day-Date 36 in 18K Everose Gold and Diamonds, with a white, mother-of-pearl, diamond-set dial and diamond-set bezel, $60,350. Dial 212.397.9000 to shop Rolex at Wempe or visit wempe.com. 5. ASPREY Chaos Earrings in 18k White Gold with Multicoloured Gemstones including citrine, peridot and amethyst. $9,250 at asprey.com.

6. BELPERRON Couronne, Saddle and Roof Bangles, each of 22k “virgin” gold, starting at $17,500. Dial 212.702.9040, or visit belperron.com for more information.

H or s t P H or st /C on d é N as t /S h u t t er st oc k

Nena von Schlebrügge is a Swedish-German fashion model of the 1950s and 1960s, who is also the mother of American actress Uma Thurman. In 1955, when she was just fourteen yeas old, Nena met Vogue photographer Norman Parkinson while he was on tour in Stockholm, Sweden. “I’m a photographer at British Vogue,” the famed fashion photog said to the luminous young teen. “What is Blouge?” she replied, and apparently Parkinson fell in love that moment. Two years later, Nena moved to London to pursue a career in high-fashion modeling. Schlebrügge found immediate success and was soon invited to come to New York City by Eileen Ford of the Ford Modeling Agency to continue her modelling career.

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Sara Thom of Arkansas was kown for her classic beauty that

stood out; no other model looked like her. Her perfect, elegant face appeared in many ads for cosmetics, jewelry and furs. She was also featured on numerous magazine covers, most notably Vogue’s. In this photo, featured on the magaine’s cover in 1959, photographer Richard Rutledge captures her wearing a pillbox hat and jewels of emerald and diamonds, as she softly whispers into a gentleman’s ear. Prior to her modeling career, Sara attended the University of Arkansas, from which she graduated cum laude with a Phi Beta Kappa key. Her career spanned about a decade; beginning in the late 1950s, and lasting until her retirement in the mid-1960s.

1. GEMELLA JEWELS Sweetheart 18K Yellow Gold Diamond Necklace, $3,460 at gemellajewels.com. 2. KENNETH JAY LANE Crystal Drop Clip-On Earrings, $152 at saksfifthavenue.com. 3. KATE SPADE Poppy Power Statement Studs of cubic zirconia and plated metal, $98 at katespade.com. 4. VERDURA Maltese Cross Cuffs of black jade or cocholong, with diamond, pearl and 18k gold. Originally designed for Coco Chanel, Verdura’s cuffs are as bold and stylish today as they were in the 1930s. $59,500, dial 212.758.3388 or visit verdura.com for more information. 5. FRED LEIGHTON Signed White Topaz Silver-Topped Yellow Gold Collet Bangle, $6,000 at fredleighton.com. 6. CHANEL N°5 bracelet in 18k gold with diamonds, $10,400 at chanel.com. 7. REZA Wave Ring of whIte gold, one emerald-cut diamond and 6 diamond baguettes, $198,000 at worldofreza.com.

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1. ROSETTA GETTY button-up virgin wool-blend coat in black, $3,225 at farfetch.com. 2.MACKAGE Ceyla Double-Face Wool Coat with Sash Belt in Light Camel, $1,150 at mackage.com. 3. LIBEROWE Imperial woolbuttons, $3,000 at netaporter.com. 4. VALENTINO GARAVANI Rose Drill Double Coat in Ivory, $6,900 at saksfifthavenue.com. 5. PRADA Singlebreasted double wool caban jacket in Camel/White, $5,900 at prada.com.

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Ali MacGraw shot to fame as the star of the 1970

blockbuster film, Love Story. Few will ever forget the famous line, “Love means never having to say you’re sorry,” or the image of the actress on her death-bed, still looking as beautiful and perfectly put together as she does throughout the rest of the film. The collegiate, all-American prep fashion that MacGraw sports throughout the movie is still as iconic today as it was then. High-collar coats, long-sleeve swing dresses, soft fall knits and pretty bow-tied ponytails are still the right recipe for fall. Above, she is captured on camera by David Gahr in New York City in 1969, right before the film’s release.

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Davi d Gahr

blend bouclé coat in red, with an elegant Nehru collar and velvet-covered

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Princess Caroline of Monaco, born Janury 23, 1957, is the eldest child of Rainier III, Prince of Monaco, and his wife, former American actress Grace Kelly. She married Philippe Junot in 1978 until their divorce in 1980, after which she married Stefano Casiraghi until his death in 1990—the latter with whom she shared three children: Andrea, Charlotte and Pierre. She married Ernst August, Prince of Hanover in 1999, to whom she is still married and with whom she shares one daughter, Princess Alexandra of Hanover. Above, Princess Caroline is pictured at Monte Carlo Tennis Tournament in 1985 sporting classic black Wayfarers.

1.CELINE Three Dots 56MM Butterfly Sunglasses in Gradient Gray Black, $460 at saksfifthavenue.com. 2. J.MCLAUGHLIN Chiara Polarized Sunglasses in Tortoise, $138. 3. GUCCI Minimal 54MM Square Sunglasses in Burgundy, $285 at saksfifthavenue.com.com. 4. RALPH LAUREN Stirrup Andie Pilot Sunglasses, $210 at ralphlauren.com. 5. MAX MARA 55MM Round Sunglasses in Shiny Black Purple, $260 at saksfifthavenue.com. 6. PRADA Geometric Square Acetate Sunglasses, $367 at bergdorfgoodman.com.

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1. DIOR D-Shadow Heeled Boot in Black Leather-Effect Stretch Material with Macrocannage Motif, 3” heel, $1,690 at dior.com. 2. KHAITE Willow Leather Knee Boots in Cream, 3.5” heel, $1,980 at neimanmarcus.com. 3. BOTTEGA VENETA Atomic Boot in Brown Sugar, of lambskin with a back-zip closure, 3.5” heel, $1,650 at bottegaveneta.com. 4. VALENTINO GARAVANI Leather Knee High Boots with V Logo in Black, $1,990 at neimanmarcus.com. 5. CHRISTIAN LOUBOUTIN Jane Botta boot in stretch brown suede, 3.35” heel, $1,995 at us.christianlouboutin.com.

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Betty Catroux is a Brazilian-born French former Chanel model and fashion icon, who has long been heralded for her simple and androgynous style. She has been cited as a “muse” by both Yves Saint Laurent and Tom Ford, although in a 2020 interview with The New York Times, Catroux concedes, “I hate that word.” She admits to indulging in drugs and alcohol with Yves Saint Laurent, “I was a bad girl in the sense of doing everything that was forbidden, drinking and, well, you know the rest of the story of Saint Laurent.” Nevertheless, despite her years of excess, Ms. Catroux managed to marry well (her husband of 50 years descends from a celebrated French general) and raise two remarkably well-adjusted daughters, Daphne and Maxime. Above she is dressed in Yves Saint Laurent on New Bond Street, London, 1969.

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Ruth Neumann-Derujinsky was a striking figure in the fashion world of the 1960s. Known for her modeling work with top photographers of the time and her collaborations with esteemed designer brands, she epitomized the sophisticated, cosmopolitan style of the time. Her marriage to fashion photographer Gleb Derujinsky further cemented her place in the industry’s heart, as she became a muse for his lens. Here, she poses for Big Hat, 1965 by photographer Melvin Sokolsky.

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1. THE KEMBLE SHOP The perfect lightweight packable accessory for any outfit, this 5” hat in “Palm Beach Classic, Natural” blocks out the sun with a double layer of fine woven raffia, $75 at thekembleshop.com. 2. AERIN Beautifully presented in a luxurious shagreen box with brass hardware, this Luxe Shagreen Mahjong Set is an ideal after-dinner game for up to four players, $2,750 at aerin.com. 3. POLO RALPH LAUREN This new timepiece, the first Polo Bear watch exclusively designed for women and called The Ricky Trench Coat Bear, features the newest iteration of Ralph Lauren’s Polo Bear, who wears a trench coat over a tuxedo, with an intricate 3D-printed bear motif on the dial, $1,750 at ralphlauren.com. 4. LORO PIANA warm richness of fresh cinnamon, $75 at lafco.com. 6. VERONICA BEARD Maci Plaid Dickey Jacket in Russet Multi; $698 at veronicabeard.com. 7. ALA VON AUERSPERG Susie Silk Scrunchie in Lavender Mock Coffee, $40 at alavonauersperg.com. 8. PEG PEREGO The Primo Viaggio All-in-One gives your little one safety and comfort throughout all stages from birth to booster, $500 at pegperego.com.

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Cashmere Opera Stole in Shadow Gold, $1,250 at loropiana.com. 5. LAFCO This Spiced Pomander candle features bright bitter orange, decorated with clove buds, that nestles in the

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Harrison Ford, one of Hollywood’s most enduring stars, rose to fame in the 1970s, defining iconic roles that have become cultural touchstones. From the roguish Han Solo in Star Wars to the adventurous Indiana Jones, Ford brought charm, humor, and a touch of grit to every role. His ability to portray complex, flawed characters endeared him to audiences worldwide, transcending genres and generations.

1. THE COLONY PALM BEACH The Colony Hotel x Vilebrequin’s Men’s Swim Trunks in Jungle Print, $310 at the hotel’s gift shop and thecolonyedit.com. 2. BARTON PERREIRA Men’s Winton Zyl Square Sunglasses in Matte Sulcata Tortoise Forest, $520 at bergdorfgoodman.com. 3. ASPREY Hanover Small Backgammon in Saddle

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Leather in Oxblood, $3,900 at asprey.com. 4. ASSOULINE The latest addition to Assouline’s magnificent Ultimate collection explores the 100 most significant moments in the history of the NBA, $1,200 at assouline.com. 5. STUBBS & WOOTTON The Fox Noir Private Stock Slippers feature hand embroidered Fox Heads and are

G et t y Im ages

meticulously hand-crafted in Spain, $800 at stubbsandwootton.com. 6. BRIONI Men’s

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Calf Suede Belt in Coffee/Black, $700 at bergdorfgoodman.com. 7. ROLEX Rolex presents a new version of the Oyster Perpetual Sky- Dweller in 18 ct Everose gold and featuring a slate dial, price upon request at rolex.com.

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Clutching the Classics

Isabella Albonico, born in Florence in 1937, began modeling

in Europe at the young age of 15. Her career took a decisive turn when she arrived in New York in 1957, where her striking beauty quickly caught the attention of the fashion world. Her work in modeling and later acting, including her notable role in Smog (1962), established her as a timeless icon bridging European grace with American ambition. Here, she poses for a photo taken by Irving Penn for Vogue, June 1959.

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carried, $16,000 at asprey.com. 2. TOM FORD Textured Fabric Nobile Clutch in Dark Gold, $2,790 at tomfordfashion.com. 3. SAINT LAURENT Uptown Pouch in Grain de Poudre Leather in Dark Beige, $645 at ysl.com. 4. CULT GAIA The soft shell-like shape of the Jaala Nano Bag has an undulating texture that adds dimension, while the sparkling clear rhinestones glimmer, $498 at cultgaia.com. 5. LOEFFLER RANDALL Rayne Gold Bow Clutch in gold pleated lamé, $250 at loefflerrandall.com.

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C on d e Nast

1. ASPREY This 1781 Pochette Handbag in Havana features a crocodile exterior and the interior is lined with lambskin, ensuring a luxurious feel every time it is

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Lauren Bacall, with her smoky voice, striking beauty, and

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unmistakable presence, redefined Hollywood glamour in the 1940s. Discovered at 19, Bacall made her legendary debut alongside Humphrey Bogart in To Have and Have Not (1944). Bacall's onscreen magnetism and off-screen romance with Bogart became Hollywood lore, establishing her as a style icon. This photo of Bacall was taken by John Engstead for Harper's Bazaar, December 1944.

1. AKRIS Ai Medium Patchwork Leather Tote Bag, $2,190 at bergdorfgoodman. com. 2. BRUNELLO CUCINELLI Medium Belt Velour Bucket Bag, $4,200 at neimanmarcus.com. 3. BALENCIAGA Women's Rodeo Mini Handbag in Latte featuring smooth calfskin and aged-gold hardware, $2,990 at balenciaga.com.

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4. RALPH LAUREN RL 888 Metallic Calf-Suede Crossbody in Platinum, $2,700 at ralphlauren.com. 5. J.MCLAUGHLIN Tessare Woven Suede Handbag in Dark Brown, $398 at jmclaughlin.com.

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captivated the spirit of the 1960s with a blend of raw, blues-infused rock and dark, poetic lyricism. Rising to fame amidst the cultural revolution, Morrison became a symbol of rebellion, fusing music with provocative themes that challenged norms. His electrifying performances and unapologetic style made him a legend of rock, but his impact transcended music—forever marking him as a voice of the counterculture era. Here, Morrison is captured street-side in Amsterdam, 1968.

1. BRUNELLO CUCINELLI Nappa-Effect Shearling Coat, $13,500 at brunellocucinelli.com. 2. BILLY REID Knit Archie Jacket, $898 at billyreid.com. 3. J.MCLAUGHLIN Upland Quilted Jacket in Navy ($358), Collis Classic Fit Shirt in Glen Plaid ($148), Henry Cashmere 1/4 Zip in Heather Oatmeal ($328), Michael Belt in Brown Suede ($118), Redding StraightFit Chino Pants in Italian Moleskin ($228), jmclaughlin.com. 4. RALPH LAUREN Custom Slim Polo Bear Piqué Polo Shirt ($425) and Kent Handmade Cashmere Blazer ($5,995), ralphlauren.com. 5. LORO PIANA Milano Jacket ($4,900) and Carlo Pants ($1,550) in cashmere and virgin wool, us.loropiana.com.

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Ni c o van der Stam

Jim Morrison, the charismatic lead singer of The Doors,

Palm Beach 340 Worth Avenue 561-655-6857

New York

895 Madison Avenue 212-249-5200

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Elizabeth Hurley modeling in an Estée Lauder advertisement for Spotlight Skin Tone Perfector, 2000. Opposite page: Elizabeth Hurley at The Grosvenor House Art & Antiques Fair, London, 1996.

By Elizabeth Quinn Brown

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English rose Elizabeth Hurley is basically royalty (she has played Queen Helena on E!’s The Royals). From humble beginnings to hobnobbing with London’s elite, the shagadelic star is besties with Hugh Grant (Hurley’s ex-boyfriend) and Elton John while being god-mum to Victoria and David Beckham’s sons, Brooklyn and Romeo Beckham. All this, while being featured in a few films and helping to raise millions for breast cancer research.

Elizabeth Jane Hurley was born on June 10, 1965, in Basingstoke, an old market town in Hampshire—which is located in southern England. She was the middle child of three children, born to Roy Leonard Hurley (an officer in the Army)

E S TÉ E L A U D E R

Living Legend Elizabeth Hurley

BELLAZON.COM

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C OL ORI N G TH E PA S T ; N B C / C O U R TE S Y OF E L I Z AB ETH H U R L EY ; DAI LY M A I L ; I N S TAG R A M / @ E L I Z AB ETH H U R L EY 1 I N S TAG R A M

and Angela Mary Hurley (a teacher). In her teens (in the 1980s), Hurley rebelled, embracing punk. She sported a nose piercing and short, bleached hair (sometimes, with a pink streak). She was even in a band called the Vestral Virgins. She explained to The Sun in 2011: “I think what happened is that so many men took an interest, I wanted to make myself look as ghastly as possible […] I did not want them to whistle any more […] ‘That was part of my rebellion — and fitting in with the others.” Soon, she relocated from the suburbs to London. She shared, “I moved to London and stayed in a hideous bedsit in Finsbury Park. I did not know it was a dodgy area at the time. Besides, I probably looked so frightening myself, no one came near me. I finally realized I was not going to get work unless I took out my nose ring and dyed my hair black.”

She debuted on screen in Aria (1987), which consisted of 10 films (to famous songs from famous operas) by 10 directors. She started to be featured in a range of films, including the action-packed Passenger 57 (1992), starring Wesley Snipes. But it was, really, in the mid-1990s that she first found fame—and it was on the arm of Hugh Grant,

TE L E V I S I O N ; J O H N S T O D D A R T / P O P P E R F O T O V I A G E T T Y I M A G E S

B B C ; R G R C O L L E C TI O N / A L A M Y ; R I A LT O P I C T U R E S ; Y O R K S H I R E

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Clockwise from top left: Elizabeth Hurley at the age of 22 in her first major role as the lead in British TV series Christabel, about an English woman married to a German lawyer during the 1930s in Hitler's Germany; Hurley and Geoffrey Palmer star in Christabel, 1988; Patsy Kensit and Elizabeth Hurley in a promotional shot for Kill Cruise, 1990; Hurley as Lady Farthingdale in British TV show Sharpe's Enemy, 1994; the budding actress in 1992. Opposite page, counterclockwise from top right: Elizabeth Hurley embraces pixie-ish punk at the Batcave in London, 1984; Hurley as a little girl (left) with her grandmother and older sister, Kate; siblings Kate, Michael and Elizabeth Hurley, date unknown; Hurley during her punk phase in the 1980s.

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I've always wanted to be a spy, and frankly I'm a little surprised that British intelligence has never approached me.

A L A M Y ; I N S T A G R A M ; M A R I O TE S TI N O / C O N D É N A S T

—Elizabeth Hurley

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Elizabeth Hurley and Hugh Grant arrive at the premiere of Four Weddings and a Funeral in 1994— with the actress wearing her famous black Versace "safety pin" dress.

Opposite page, clockwise from left: 25-year-old Elizabeth Hurley strikes a pose; the actress models for Jordache, 2007; photogrpahed by Mario Testino for the cover of British

P EH TORTOO ACDRAERDCI H R T I GV OE ES S/ AHL EA RMEY

Vogue in 1999.

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at the premiere of his film, Four Weddings and a Funeral (1994). She was impossible to ignore, dressed in a black Versace number that was held together with gold safety pins.

Grant and Hurley had been introduced while filming Rowing with the Wind (1988). Later, Grant recalled: “At the time, I had an offer to do a serious BBC project. I couldn’t decide between that and this absurd, career-damaging Spanish thing. Then, I saw Elizabeth and went for the absurd Spanish film.” They dated until the late 1990s, including through the scandal involving Grant being arrested for soliciting prostitute Divine Brown. (He has blamed the stress he experienced around his appearing in his first Hollywood film, Nine Months (1995)). Grant and Hurley remain close, and when the actress gave birth to a son two years after their split, she asked Grant to be his godfather.

On the heels of her unforgettable appearance at the Four Weddings and a Funeral premiere, Hurley was selected as the new face of Estée Lauder. The New York Times said in 1995, “Lauder’s advertising has always projected a coolly elegant image. Ms. Hurley’s image is that of Hugh Grant’s sexy girlfriend, who wears revealing Versace dresses to movie-world events. Her smiling face and voluptuous body have been fodder for the paparazzi, who don’t seem to miss any opportunity to photograph her. At one time, the conservative Lauders might have shied away from such a flamboyant personality.” The publication continued, quoting Leonard Lauder, the president and chief executive

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Clockwise from top left: Elizabeth Hurley in New York City, 1999; Hurley strikes a pose at Annabel's in London, photographed by Nihat Odabaşı; attending the VH1/Vogue Fashion Awards on October 20, 2000 at Madison Square Garden in New York City; Ice Cube and Elizabeth Hurley star in Dangerous Ground, 1997; Hurley shows her rebellious side posing in a slinky Versace design for Ellen von Unwerth in 1997; Hurley in a dramatic shot wearing layers of white tulle, circa 1997; Hurley wears a pink cardigan in Los Angeles, California, while filming Dawg with Denis Leary, 2002. Opposite page, from above: Elizabeth Hurley models with two young girls for the Estée Lauder fragrance Beautiful,

C I N E M A ; E L L E N V O N U N W E R TH ; G O L D C I R C L E F I L M S

RON GALELLA VIA GETTY IMAGES; NIHAT ODABAŞI; GEORGE DE SOTA/GETTY IMAGES; NEW LINE

1998; Evelyn Lauder and Elizabeth Hurley New York circa 2010.

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Elizabeth Hurley at a screening of Strictly Confidential at Robin Williams Center in New York; the actress strikes a sultry pose for Ellen von Unwerth. Opposite page: Elizabeth Hurley dressed

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in Zara on her way to Austria.

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of Estée Lauder Companies, “But these are the 1990's and choosing this vivacious and sensual woman was a deliberate move away from a too-perfect beauty.”

Upon signing on with the famous cosmetics brand, Hurley soon became Global Ambassador for the Estée Lauder Companies’ Breast Cancer Campaign in 1996. The campaign was, partly, personal, since the budding model’s grandmother had died from the disease while it was still taboo to discuss. In the three decades since, Hurley has worked to raise awareness. She explained to InStyle in 2024, “I see how things could have been different for her. Now, we do our utmost to share what we know. My grandmother would have had different treatment today.”

In 1997, Hurley was featured in, perhaps, her most famous role: She was irresistible as Vanesssa Kensington in the iconic Austin Powers: International Man of Mystery (1997), starring Mike Myers (who, actually, co-wrote the script with director Jay Roach). The spy comedy remains a cult classic. Next, she linked with Brendan Fraser to play the devil in Bedazzled (2000), based on the 1967 film (which was based on the Faust legend).

She welcomed son Damian Charles Hurley, as a single “mum,” on April 4, 2002. A DNA test would prove the paternity of Hurley’s Ex Steve Bing—the American billionaire with business ties to Hollywood (who would succumb to suicide in 2020). In 2007, Elizabeth married Arun Nayar, the English millionaire, with two glamorous but intimate ceremonies in the Spring:

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E!; UNIVERSAL PICTURES; ALAMY/NEW LINE CINEMA

R E X ; L I O N S G A TE ; I N S T A G R A M / @ E L I Z A B E TH H U R L EY 1 ; G E T T Y I M A G E S ;

Clockwise from top left: Arun Nayar and Elizabeth Hurley depart for Elton John's Tiara Ball, London, England, 2010; Elizabeth Hurley in a scene from The Weight of Water; Elizabeth Hurley and Steve Bing; Shane Warne and Elizabeth Hurley; Alexandra Park and Elizabeth Hurley on horseback on set of The Royals; Elizabeth Hurley and Matthew McConaughey in a publicity still from Ed TV, 1999; Hurley stars in Austin Powers: International Man of Mystery, 1997. Opposite page, from above: Hurley in a film still for Bad Boy (also named Dawg) 2002; Elizabeth Hurley and Mike Myers in a promo shot for Austin Powers; International Man of Mystery.

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one in the Cotswolds and one in India’s Rajasthan. They would divorce in 2011, with Hurley citing “unreasonable behavior” and going on to date Cricket star Shane Warne. Hurley and Warne were engaged from 2011 to 2013.

In 2005, she founded Elizabeth Hurley Beach, which launched at Harrods. The inspiration to create a luxe resort-wear collection came from being raised in London, where she longed for sun. Since then, she has also starred in TV hits, including The CW’s Gossip Girl from 2007 to 2011 and E!’s The Royals from 2015 to 2018.

Hurley shared her best career advice to Red in 2017 (which she has also shared with Damian, who’s pursuing an acting career like his mother): “So, learn your lines and don’t fall over the furniture. When actors are in a panic, (bizarrely) they’ll miss their seat—one of the most important things in acting is to not panic and act like a human being.” And then, when it’s finished: “Bath time. I love bath time. I think it really started when I had a young child in the house, and any mother will tell you that when they are finally put down to sleep in their cut, it’s me time, time for a hot bath. Jo Malone Nectarine Blossom bath oil and a book.” How English! ◆

P E N D Z I C H / S H U T TE R S T O C K ; @ D A M I A N H U R L EY 1 I N S T A G R A M ; @ E L I Z A B E TH H U R L EY 1 I N S T A G R A M ; TI M W H I TB Y / E !

L I O N S G A TE ; I N S T A G R A M / @ E L I Z A B E TH H U R L EY 1 ; I N S T A G R A M / @ E L I Z A B E TH H U R L EY 1 ; H E L L O M A G R U S S I A . R U ; E R I K

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Clockwise from above: Sam Ashe Arnold and Elizabeth Hurley star in An Elephant's Journey, 2018; Hurley in the tub on her 55th birthday at her countryside home, Donnington Hall, Leicestershire, England; celebrating World Elephant Day at Sudeley Castle in 2022; the actress and her son, Damien Hurley, whose father is the late businessman Steve Bing, at a screening of Strictly Confidential this past April; Damien as a little boy; Hurley sporting a chain bikini from her swim line in 2021; the actress playing the Queen on the show The Royals. Opposite page, clockwise from lower left: Victoria Beckham, Elton John and Elizabeth Hurley attend the Elton John AIDS Foundation benefit in 2018; Ed Westwick and Elizabeth Hurley in Gossip Girl, 2012; Hurley playing Morgan le Fay in The Runaways, 2019; on the arm of Valentino Garavani at the Cannes Film festival in 2007.

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b r o o k e k e l ly M u r r ay

In the dazzling world of high fashion, few names have carried as much

allure and prestige as Henri Bendel. A new book, Henri Bendel and the Worlds He Fashioned, written by Tim Allis and published by the University of Louisiana at Lafayette Press, chronicles the brand’s—and the man’s—remarkable history.

Henri Bendel, born to Jewish immigrant parents in Lafayette, Louisiana, in 1868, was a visionary with an innate sense of style. Raised primarily by his mother after his father’s early death, Bendel developed a passion for fashion during his time at St. Charles College, a Jesuit institution where he eventually converted to Christianity. Following his education, Bendel pursued a career as a milliner

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Behind The Stripes: The Henri Bendel Legacy

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From left: Before international fame as a stage costumer and magazine illustrator, the Russian-born Parisian designer Erté sold dresses to Bendel, his first US buyer, who ordered 30 from his debut collection. This one, called “Splendeur,” circa 1916, was the artist’s own favorite; the cover of Henri Bendel and the Worlds He Fashioned. Opposite page, from above: The Bendel’s storefront with its two distinct striped-awning entrances in the early 1960s; Henri Bendel.

P r e ss U n i ve r s i t y o f L o u i s i a n a a t L a f ay e t t e

C h a l k a n d Ve r m i l i o n , L L C , A r t i s t s R i g h t s S o c i e t y ( ARC ) ; U L

and eventually opened his own women’s clothing store in Morgan City. After a fire destroyed his first store, Bendel moved to Manhattan in 1895 with his wife, New York native Blanche Lehman. Despite his assumed homosexuality, which later became an open secret among his family members, Bendel and Lehman embarked on a new chapter in the city, where he opened his first shop in Greenwich Village. Tragically, just two years into their marriage, Lehman, who was pregnant at the time, suddenly passed away. This heartbreaking loss deeply affected Bendel, driving him to channel all his energy into his work, where his career truly began to flourish.

Bendel’s first shop in Greenwich Village quickly became a favorite among New

York’s elite, including the Vanderbilts and Mrs. Astor’s 400. In 1907, he introduced the now-iconic brown-and-white striped boxes, solidifying his brand’s identity.

By 1913, Bendel had acquired two townhouses on West 57th Street, transforming them into a luxurious women’s emporium that catered to the most refined tastes in fashion.

Throughout his career, Bendel was a trailblazer. He pioneered in-store fashion shows, clearance sales, created private-label perfumes, and was the first retailer to bring Chanel to America. His flagship store on 57th Street, which was then a residential block, earned the area the nickname “the Rue de la Paix of New York,” a nod to Paris’s famed street of couture ateliers.

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A sketch of a Coco Chanel dress of 1921, from the Bendel Sketch Collection at the Brooklyn Museum in New York City.

It’s one of more than 7,000 sketches bequeathed to the museum by the store in the 1950s. Opposite page, clockwise from left: A 1940 Bendel’s ad in Vogue “for boudoir and bath” products with fabled model Lisa Fonssagrives, photographed

by George Platt Lynes; collage of Bendel’s labels; a 1920s Henri Bendel floralthemed flapper dress with hundreds of hand-sewn beads and sequins.

B r o o k l y n M u s e u m / H e n r i B e n d e l, L L C

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Vog u e C o n d e N as t ; H e n r i B e n d e l, L L C ; 1 s t D i b bs a n d L a u r e n L e p i r e o f T i m e l e ss V i xe n

As the 1920s roared in, Bendel was at the height of his influence, a key figure in New York’s fashion scene and a true tastemaker.

After Bendel’s death in 1936, the store was passed down to his nephew and his life partners. In 1957, the company was acquired by Genesco and operated under the direction of Geraldine Stutz, who led it through a period of innovation and growth. The final chapter began in 1985 when The Limited, Inc. took over, eventually moving the flagship store to 712 and 714 Fifth Avenue—the former Rizzoli bookstore and the old Coty Building —in 1991. Under The Limited, the focus shifted towards a younger, more commercial audience, marking a departure from the luxury heritage that had defined the brand for decades.

This period led to a gradual decline in the brand’s identity. Stutz, reflecting on the changes to Women’s Wear Daily in 1996, lamented the loss of the store’s character, noting that the over-expansion diluted Bendel’s uniqueness. What was once a symbol of high fashion became just another player in a crowded market, struggling to maintain its relevance.

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The great Lillian Gish wore a morning gown designed by Bendel in the 1920 film Way Down East. Opposite page: Bendel’s location at 520 Fifth Avenue. Visible in the doorway is young James “Buster” Jarrett, the doorman who would have a very long career with the store; 714 Fifth

Li b r ar y of Co n gr ess

Avenue location (inset).

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The final chapter of Henri Bendel’s story unfolded in 2018, when The Limited announced the closure of all Bendel stores, including the Fifth Avenue flagship. It marked the end of an era for a brand that had once epitomized luxury retail. Henri Bendel and the Worlds He Fashioned serves as a reminder of the brand’s rich history—from its bustles-and-corsets era to the days of furs and flappers, and the tailored chic of the 1930s—offering a glimpse into a world where style, not just fashion, reigned supreme.

“The unlikely, lively epic of how a gay, Jewish, small-town Southerner became Manhattan’s reigning taste arbiter, [the book] is a tour de force.

Allis offers up a treasury of fascinating new material that challenges received ideas about luxury consumption in America,” said fashion historian Amy Fine Collins. Though Henri Bendel’s doors have closed, the legacy of this iconic brand lives on in the memories of those who experienced its elegance and through those who continue to tell its story. u

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“Shop-Happy Bendel Girls” by Frenchborn illustrator Izak Zenou. Opposite page, from above: Geraldine Stutz in the Street of Shops in the early 1980s;

izak Zenou

a modern Bendel’s hat box.

by

Micaela english

C ou r t es y of Fou r Seasons

Finding My Pura Vida At Four Seasons Resort Peninsula Papagayo

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Clockwise from above: Virador Beach Club; poolside loungers; our columnist embarks on a hike.

Opposite page: Aerial view of the Four Seasons Resort Peninsula Papagayo, situated between the Pacific Ocean and Papagayo Bay.

C ou r t es y of Fou r Seasons

As I hiked up the staircase connect-

ing two Costa Rican beaches, each step revealed a new view of the Pacific Ocean, wild waves danced in a ballet of crystal blue. It was in this moment of solitude that I first heard them—I looked up, and there was a family of three howler monkeys, rustling high up in a tree, nature’s reminder of the beauty that was around me when I got quiet enough to listen. Just moments before, I had passed two hikers who had lamented their lack of monkey sightings, but as I tuned in, AirPods tucked away, and immersed myself fully in being present, nature opened up to me. Here, at the supremely grounding Four Seasons Resort Peninsula Papagayo, was where I discovered the ultimate travel blend of luxury and wildness, a place I could reconnect with the world around and within me.

After a whirlwind of New York City’s hustle, I embarked on a five-day solo wellness getaway along the stunning Golden Coast of Costa Rica.

In an era where solo travel whispers promises of transformative experiences akin to an Eat, Pray, Love journey, I discovered my own personal Pura Vida renaissance. ‘Pura Vida’ is all you’ll hear when in Costa Rica, translating to “pure life,” the energy of slowing down, enjoying life to the fullest, and all of the gifts around us. My intention with my stay was to feel more centered — my itinerary a mix of relaxation, adventure, and self-discovery.

Nestled between the Pacific Ocean and Papagayo Bay, Four Seasons Resort Peninsula Papagayo is not just a resort; it’s a boho-luxe enclave.

The rooms are personal havens, designed for relaxation and rejuve-

nation. I was particularly excited by the charming wooden pulpería sitting on my table—a dollhouse-like display filled with healthy snacks like vegan energy balls, fresh plums, nuts, and dried fruits, setting the tone for my wellness-focused retreat. My spacious outdoor porch, netted to keep mosquitoes at bay, inspired me to leave my doors wide open, allowing the sound of crashing waves to act as my noise machine as I fell asleep and awoke each morning. The beds, plush like clouds—a hallmark of the Four Seasons experience—tempted me to hit the snooze button, but the promise of a homemade vanilla syrup oat latte and fresh green juice on my porch each morning was an irresistible call to rise. Each sunrise found me journaling and sipping my wellness elixirs, accompanied by the morning chorus of nature.

Every day unfolded differently during my stay. After a vigorous hike one day, I was welcomed by bright sunshine, prompting me to surrender to the beach. I sank into a lounge chair, reading, going for saltwater swims, and strolling along the shore to watch little hermit crabs scuttling in and out of the ocean. I enjoyed a late lunch at Virador FA L L 2 0 2 4 /

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Counterclockwise from above: View of the pool areas; dinner at Virador Beach Club; wildlife sighting; Mediterranean salad bowl; the hotel's oversized camo

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Land Cruiser. Opposite page: Wellness session.

C ou r t es y of Fou r Seasons; M ic aela E n gli sh

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Beach Club, the resort’s culinary gem that fuses Mediterranean flair with Costa Rican freshness. Designed by architect Jorge Borja, the boho-chic vibe featured wooden lanterns of various sizes hanging from the ceiling, and the food was both healthy and delicious. I devoured a vibrant Mediterranean salad topped with freshly caught grilled mahi-mahi while watching the beach’s entertainment—monkeys swinging through the trees, coatis running across the sand, and hummingbirds flitting about like living jewels.

One day was purely adventurous. I was picked up in an oversized camo Land Cruiser, and headed to the hidden trails of Palmares. With an expert nature guide by my side, we explored a panorama of wildlife, lush plants, butterflies, birds, insects, and even looked up a tree that was inhabited by bats. That night I showered and ate dinner at Pesce, the Italian eatery overlooking the ocean. Over bites of thinly sliced zucchini carpaccio with lemon, Parmesan Reggiano dressing, and roasted pistachios and lemon shrimp scampi spaghetti I journaled and delighted in recounting all of the experiences I had that day.

My wellness moments were the most transformative. The spa was a light-filled oasis offering organic ISUN facials and body rituals, including a volcanic purification treatment with a volcanic ash scrub and a volcanic mud mask from the nearby Arenal volcano. After a deep tissue massage that eased all my knots, I melted into a state of total relaxation sipping on healing cacao. Then came for the mental massage, which turned out to be the highlight of my trip, an inner clarity session with the property’s resident wellness visiting practitioner for the month, Transformational Psychologist, Debra Greene, PhD. We did her kine-

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siology energy healing, Inner Clarity (IC), which was nothing less than life changing. During this kinesiology energy healing session, we used my body as a guide to identify and break away from limiting beliefs, achieving what felt like five years of therapy in just two hours.

Greene gave me homework, a way to integrate all of the learnings that I discovered in our session to keep my mindset fresh. It’s been fascinating to witness how my life and perspective have shifted since our session. My biggest takeaway, how much we can grow when we look to the roots of our fears and how to finally break free, to be free.

On my final full day, I awoke to the gentle sound of raindrops, the perfect backdrop for a wellness day of restorative yoga and sound healing at the newly built bamboo treetop shala (which translates in sanskrit to “home”). I walked up the steps to the sculptural open-air pavilion, and immersed myself in a deep yoga session followed by a blissful savasana and fresh mango mate. After my lunch break, I returned for a sound healing session that provided a complete energy reset, sealing in all the magic I had experienced throughout my stay.

As I descended the stairs from the shala in the early evening, the rain subsided, and the sun began to break through the clouds. I slipped into my bathing suit, and took one final dip in the Pacific. And then, as if on cue, Mother Nature graced me with the brightest sunset I’ve ever seen in my life, vivid shades of coral, violet, and peach reflecting off the ocean. In that moment I felt profoundly grateful for the beauty around me, to be alive, and for this pure experience to give me a fiveday rebirth. I carried every ounce of that Pura Vida energy back to New York City, and months later, I’m still riding the euphoric wave. ◆ FA L L 2 0 2 4 /

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A New York Story Featuring Sophia & Fiona Robert ElizabEth Kurpis

© Robert Sisters Pictures

by

Clockwise from above: Friends gather at an Upper East Side apartment in a scene from A New York Story; Sophia Robert, Fiona Robert and Francesca Root-Dodson in a scene from A New York Story; the U.S. Fund for UNICEF’s annual Snowflake Ball at Cipriani, alluded to in the film.

© Rober t Sisters Pictures; © GETTY IMAGES FOR UNICEF USA; Christine Han

Opposite page: Sophia and Fiona Robert.

Sister Act There’s a new sister act in town, and it goes by the name Sophia and Fiona Robert. Following a successful run of their debut film, The Country Club—about two resourceful teenage girls who hatch a plan to win a junior golf tournament prize at a prestigious Hamptons country club—the Robert sisters have returned to cover the opulent lives of the Upper East Side’s young and wealthy in their new film, A New York Story. Its cast of Whit Stillman, the Academy Award-nominated director of Metropolitan (from whom the sisters drew much inspiration), Logan Miller and Annabella Sciorra, helped earn the film a finalist position in the Golden Script Competition, as well as a world premiere at Geena Davis’ Bentonville Film Festival. I caught up with the Robert sisters to discover how they draw inspiration for their work, ponder the trials and tribulations of filming in New York City and reveal what to expect next.

Elizabeth Kurpis: Tell me a little about your background. Where did you grow up?

Fiona Robert: Our family’s story is often likened to the classic American Dream. Our grandparents did not go to college but worked hard and built a successful manufacturing business. Our grandmother, a secretary, gave our grandfather the $300 dollars she had saved to buy a fur coat to start their business. So, we grew up middle class in the Midwest, while gaining exposure to a more heightened socioeconomic status over time.

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From above: Kerbs Memorial Boathouse in Central Park; Whit Stillman and Carolyn Farina with Fiona and Sophia Robert in A New York Story (2024); an aerial view of

Elizabeth Kurpis: How did you find yourselves working in the film industry?

Sophia Robert: Fiona began acting at a very young age in plays, most notably as “Tasha” in The Long Red Road under the direction of the late Philip Seymour Hoffman. My career began as a ballerina, overseas. We both studied acting at NYU Tisch and had some experience as actors on TV and film sets. Our decision to make our own films was primarily due to our shared desire to make a movie with dynamic female leads.

Elizabeth Kurpis: Are you formally educated in film? Is it something you both wanted to pursue early on?

Fiona Robert: While neither of us have formally studied film, we learned about directing through our work with great directors. We’ve both always maintained a great appreciation for auteur cinema: Robert Altman, Sally Potter, Noah Baumbach and Wes Anderson, to name a few. We recognized the potential to make something personal and emotionally evocative through the art form of film. What’s more, the medium of “film” encompassed many of the art forms we were interested in, such as acting, music, painting and crafts, etc.

Elizabeth Kurpis: Why focus on New York Society in the film?

What was your inspiration for the movie?

Fiona Robert: We’ve lived in New York City for over 10 years. We wanted to write a love letter to the city so we started watching great New York films for inspiration. After rewatching Whit Stillman’s Met-

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Ajay Suresh/Flickr ; Christine Han/Rober t Sisters Pictures; Alexander Spatari/Getty Images

Central Park and New York City.

From above: Skaters at Wollman Rink in Central Park; Sophia and Fiona Robert attend Vertical’s L.A. premiere of A New York Story.

Gavin Hellier-Alamy; Phillip Faraone/Getty Images

ropolitan (1990) and Scorsese’s The Age of Innocence (1993), we realized we had something to add to the conversation that both of these films explore. Each movie is set on the Upper East Side of New York and ponders friendships, marriage and the societal pressures surrounding them. We knew firsthand that New York faces the same scandal, gossip and relationship issues of any small town. We also drew from our personal experiences to relay how philanthropic events have taken center stage as a way for young New Yorkers to mix and mingle in society.

Elizabeth Kurpis: What would you say is your favorite moment while filming?

Sophia Robert: Our favorite moment was creating a snowy night on 5th Avenue for the film’s final shot! Using a special effects team and a snow machine, we created winter’s magical first snowfall near Miner’s Gate at the 79th street entrance to Central Park.

Elizabeth Kurpis: What was the most difficult scene to film?

Looking back, would you have done anything differently?

Fiona Robert: There were a lot of challenging scenes. We filmed at 35 locations, and sometimes the whole crew had to pack up and drive between two or three in one day. The most difficult scenes were the ones outdoors. For example, walking along Madison Avenue and hoping passersby wouldn’t look into the camera—that was not easy. Beyond that, the most challenging scene was definitely the final gala, which included 50 background actors and lots

From above: Noelle Miller, Sophia Robert, Francesca Root-Dodson and Fiona Robert seated at Ladurée on Madison Avenue; filmmakers and sisters Sophia and Fiona Robert; a scene from A New York Story.

Elizabeth Kurpis: How has your perspective on New York Society evolved over time?

Fiona Robert: At first, I think we had preconceived notions—idealizing New York Society swirling with vast mystery and glamour.

But there’s no ‘wizard behind the curtain’. At the end of the day, it’s a group of uniquely privileged individuals from diverse backgrounds who have been afforded various advantages—mostly through hard work or luck. Some are great humanitarians, doing important work and using their advantages to raise money for good causes. And then there are others who take themselves too seriously, as depicted in our film. It’s important to follow your heart and form genuine friendships, no matter where you find yourself.

Elizabeth Kurpis: What do you want your audience to take away from A New York Story?

Fiona Robert: Every individual has to decide their path, and sometimes that means leaving your circle and finding a new one. Go where you are loved, and be who you truly are.

Elizabeth Kurpis: I love that you collaborate with each other on all the creative aspects of making your films. Was this an organic pairing or did you know from the onset that you wanted to work together?

Sophia Robert: It was completely organic. When Fiona started writing our first film, The Country Club, she would ask me for advice. Gradually it became a joint project that we produced together. Once we decided to insert ourselves into the film (as we are actors at heart), we got excited

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Hôtel Métropole Monte-Carlo; Hôtel Métropole Monte-Carlo; Hôtel Métropole Monte-Carlo

of extra gear. Everything had to be just right for each take. But we’d do it all the same again!

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A still of Fiona Robert and Paul Karmiryan in Central Park; a paty scene from A New York Story (2024); Annabel Fleming (played by Fiona Robert) and Theo Offit (played by Paul

Hôtel Hermitage Monte-Carlo; La Poste Monaco; Hôtel Hermitage Mon-

Karmiryan) share a kiss in the Hamptons.

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From above: Hôtel Hermitage Monte-Carlo‘s Jardin d’Hiver (or Winter Garden), a centerpiece rotunda designed by Gustav Eiffel of the Eiffel Tower in Paris; a 19th century postal stamp featuring Prince Charles III of Monaco; an exterior view of Hôtel Hermitage.

about the idea of making another film, A New York Story.

Elizabeth Kurpis: How would you describe your filming style?

Who are your greatest creative influences?

Fiona Robert: Grand. We love a visually stunning, sweeping ensemble piece. Our personal lives are filled with travel, emotion and groups of big personalities. That carries into our work. We would love to do an epic period piece someday. We are very inspired by the work of the late Anthony Minghella and other directors, such as Tarkovsky, Gus Van Sant and Terrance Malick, who remind audiences in every frame that film is visual storytelling.

Elizabeth Kurpis: Historically, we’ve seen brothers partner on film development and production, but rarely a sister act. What advice would you give female filmmakers looking to partner and break into the business?

Fiona Robert: You’re just as good as the boys, maybe better. But quite practically, you’ll be rejected a lot. It’s not personal, it’s the business. Keep going. Surround yourself with good people who you trust. If you want something, ask; it never hurts to send a cold email, invite someone to coffee, or to simply ask, “Would you like to be part of my/our project?”. Just always remember to do it with kindness.

Elizabeth Kurpis: Now that you’ve finished your sophomore film, what’s next for Robert Sisters Pictures?

Sophia Robert: A Gosford Park-style murder mystery set in the English countryside. We are hoping to start filming across the pond next spring! ◆ FA L L 2 0 2 4 /

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Runway Reviews by

Eliz abE th MEig hEr and brookE kElly Murr ay

Defining moments and standout style from the Spring 2025 runways

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From above: Christy Turlington Burns, Alex White, Naomi Campbell, Naomi Watts and Kelly Turlington Burns; one of the designer’s vintage cars greets guests upon arrival; a white tank and gold sequined fringe skirt featured in Ralph Lauren’s latest collection; Natalia Bryant and Diana Silvers attend the show; blue and white-stripes for men, women and children featured in Ralph Lauren’s latest Polo Ralph Lauren lines; Madeline O’Malley and Ryan Lally.

Z ach H ilt y /B FA .co m ; R al p h L au r en ; R alp h Lau r en ; R alp h Lau r en ; R al ph Laur en

Opposite page: models walk the runway.

Ralph Lauren This past September Ralph Lauren presented his Spring 2025 Ralph Lauren Collection, Purple Label and Polo Ralph Lauren lines for men, women and children at Khalily Stables in Bridgehampton. The designer is well-known for Hollywood-worthy runway experiences that transport guests into his world that is not only pictorial, but also personal. For his latest collection that world was Ralph Lauren’s treasured ‘home away from home’—the Hamptons—a treasured destination that the designer has been visiting with his family since the 1970s. The Hamptons are, “A natural world of endless blue skies, the ocean, green fields, and white fences, rusticity and elegance... It has been home, my refuge and always an inspiration,” reminisced the designer. The Spring 2025 Ralph Lauren Collection and Purple Label drew inspiration from the Hamptons’ natural splendor, epitomizing coastal sophistication and a spirit of romantic simplicity.

Iconic blazers, impeccably tailored suits and refined menswear shirts were rendered in a palette of blue and white, echoing the pristine sandy shores, expansive cerulean skies and the depths of the Atlantic Ocean. Classic prep returned to the runway with updated sophistication—gold-toned knits for women, breezy whites, bold stripes… Showstoppers included a simple white tank paired with a gold sequined fringe skirt and a strapless, sequined ombré blue gown… Seaside themes and sporting styles in shades of blue and crisp white continued into the Polo Ralph Lauren collection. Childrenswear reflected timeless charm synonymous with Ralph Lauren and cherished across generations. This season also introduced “The Ralph”, a new family of luxury handbags inspired

by Ralph Lauren’s passion for cars. The structural bags crafted from supple leather and featuring elegant hardware, simulate the interiors of vintage automobiles. Upon arrival, guests were greeted with a curated selection from Ralph Lauren’s world-class automotive collection—offering an inside look at his longtime passion for functional beauty, and furthering an appreciation for what will presumably be the season’s new “It” bag.

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Clockwise from bottom left: Designer Michael Kors; model wearing the collection’s White Cotton Oversized Blazer, Black Cotton Poplin Boyfriend Shirt, Black Cotton City Short, and holding the Manhatta Bag; model in the Black/White Floral Chiné Crepe Bra, Black/White Floral Chiné Cotton/Silk Skirt, Raffia Bucket Hat and holding the Sorrento Clutch. Opposite, clockwise from top left: Model in the Hemp Linen Serge Short Sleeve Jacket, Pearl Cashmere Bra, Hemp Linen Serge Trouser, and holding the Kiera Hobo Bag; Aerin Lauder; model wearing the Maritime Bonded Cotton/Wool Gabardine Coat, Java Merino Turtleneck, and Black Wool Serge Trouser; Anna Wintour, Olivia Wilde, and Huma Abedin; Carolyn Murphy; model in the Peanut Cashmere Dress with Raffia Fringe and holding the Sorrento Clutch.

Michael Kors Mediterranean romance took center stage at Michael Kors’ Spring/Summer 2025 runway show, held at The Shed in Manhattan’s Hudson Yards. Marking 35 years of collaboration with Italy’s finest craftsmen, tailors, and artisans, the collection is a love letter to the understated luxury of intricate details and expert handwork.

“For a designer, the greatest thing is to find partners who can bring your ideas to life, which is what Italy’s artisans have done for us for 35 years,” said Michael Kors. “So this collection really highlights that workmanship, tailoring and handwork, the qualities that make a piece special and unique, and turn it into something you want to wear every day and own forever. The dichotomies in the collection feel very Mediterranean to me, laid-back but luxurious, rustic but opulent, the sophistication of the city with the mood and attitude of a resort.”

This season, Kors fused the romance of 1950s fashion with the minimalist allure of the 1990s, drawing inspiration from vintage cinema and iconic photography. Texture was the star of the show. Against the backdrop of a custom soundtrack by Sebastien Perrin, models glided down the runway in relaxed raffia hand-embroideries, raffia fringe, artisanal floral embellishments, luxe lace, and sleek crushed satins and cottons.

Shaped silhouettes with cinched waists, slim long-line sheaths, and soft, flowing skirts paired with relaxed trousers brought an effortless elegance to life, accentuated by dramatic necklines and minimalist tailoring.

A palette of textured black and white was enriched with earthy hues— chocolate, ecru, and luminous shades of blue and green. Footwear stole the spotlight with sculptural heels and flat urban fisherman sandals, while hand-woven leather market bags, artisanal tassels, and braided-handled satchels added a final flourish of artisanal luxury. From start to finish, the focus on craftsmanship was undeniable—every piece an ode to timeless, wearable art.

Co u r t esy of M ic h ael Kor s

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From above: Models backstage; Simone and Nicky Zimmermann. Opposite page, clockwise from top left: Model wearing the Illuminate Draped Blouse, Illuminate Cargo Pant, Mellow Pearl Beaded Necklace, Beaded Bandana Scarf, and holding the Goldentime Large Fringe Tote; Helena Bordon, Charlotte Groeneveld, and Paola Alberdi; Isla Fisher; model in the Balance Braided Gown, Mellow Stone Necklace, Wild Sandal, and holding the Rapture Clutch; Emma Roberts; model wearing the Balance

Zimmermann Zimmermann’s Spring 2025 collection, Illumination, made waves at Paris Fashion Week with its debut at the Palais de Tokyo, drawing inspiration from the cult ’70s surf film Morning of the Earth. The collection, designed for women whose lives are effortlessly in sync with the natural world, represents the deep, symbiotic relationship between humankind and nature.

“The film is a celebration of free-spirited surfers whose passion brought them closer to nature. It’s so visually stunning—the way it captures the golden morning light and the color of nature is just so inspiring,” explained Creative Director Nicky Zimmermann. “We leaned into the aesthetics of the film more than surf itself—the irresistible way the film captures dappled light, the flowing movement of the sea, and that feeling of harmony between surfer and nature.” Zimmermann further reflected on her personal connection to the film, recalling her childhood days in Southern Sydney: “As a kid...I always loved those films, the freedom of the lifestyle and the beautiful way that the sand and the surf interacted with the golden sunlight.”

On the runway, the collection embraced an island sensibility with a modern twist—models appeared in scuba-paneled bodysuits that exuded a laid-back, off-duty surfer vibe, paired with rope skirts and windcheaters transformed into effortless dresses. Nature was woven into every detail, from wooden beads threaded on leather to hand-braided insets that evoked the craftsmanship of another era. Accessories showcased intricate dolphin motifs and turquoise gems, while broad-brimmed hats and braided sandals gave the looks a casual yet polished finish. Beaded scarves doubled as belts, and sporty, ’70s-inspired curved-lens sunglasses added a dash of retro flair. Zimmermann’s iconic handbags—crafted from soft nappa leather, linen, and cotton canvas—nodded to the brand’s Australian roots, with surfboard-inspired hardware and sculptural clutches embossed with kangaroo motifs.

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Batwing Bodice, Balance Maxi Skirt, and Long Brim Sunhat; Tamu McPherson and Tian Wei; models backstage.

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Clockwise from top right: A detailed look from Tory Burch’s latest runway collection; a close-up of Tory-Burch’s newly introduced pierced bag, with a removable ring; Alexa Chung walks the runway; a pale blue, stretch wool gauze shirt and wide-leg pant ensemble from Tory

Tory Burch The designer presented her latest Spring 2025 collection at Skylight at The Refinery, housed in the former Domino Sugar Factory. She described her latest line as highlighting “the synchronicity of movement and form.” Perhaps inspired by the Olympics, athletics seemed to be on the designer’s mind. “This collection began with the essence of sport: power and grace, precision and freedom,” Burch stated in her show notes. Athletic elements included tank bathing suits worn with draw-string karate pants, while less obvious sport references were striped-stretch wool gauze shirts paired with wide-leg trousers. Materials for Burch’s latest collection alternated “between sporty, sumptuous and strange: quilted cotton, waffle knits, and stretch wool gauze next to hand-twisted sequins, crystal beading and featherweight suede.” For spring/summer 2025, Tory Burch resurrected one of her traditional icons: the Reva ballet flat. “Originally launched in 2006, modern updates to the Reva include cutouts, a beveled coin and a new mule silhouette,” the brand explained in a statement.

And expanding on her hit pierced mule, the pierced bag appeared on Burch’s latest runway. Fashioned without any logos or branding, the bag was designed in a sleek, flat oval shape and crafted of soft and light unlined leather, with a single, oversized, removable gold ring adornment at the base. Burch also wowed the crowd with a surprise Alexa Chung runway appearance. Chung previously walked the runway during London Fashion Week back in 2003 and 2009—it was fun to see the fashion muse on the catwalk again. Belted structural blazers were a hit, as were tomboy-ish Peter Pan collars with edge, and the overall “sporty chic” look that echoed throughout the collection. u

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Burch’s Spring 2025 collection; Skylight at The Refinery in Brooklyn.

Clockwise from top right: Seating at Tory Burch’s Spring 2025 runway collection at The Refinery in Brooklyn; a close-up of backstage beauty; Kiki Layne, Bruna Marquezine, Kilo Kish and Ivy Getty sit front row; the Reva ballet flat is reintroduced during Burch’s latest runway collection; YuQi, Michelle Williams, Jodie Turner-Smith, Elizabeth Olsen and Mindy Kaling attend the show; a brown belted blazer and logo balloon

Sc ot t S a nsh o/B FA .c om ; S c ot t Sansh o /B FA . com ; Tor y Bu r ch ; S co t t S ans h o/ BFA .co m; Tor y B u r ch ; Tor y B ur c h

bag walk Tory Burch’s latest runway.

Dr. Amanda Kahn. Opposite page: The Metropolitan Museum of Art.

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Living Longer, Feeling Better, & Getting Glowier With NYC’s ‘It’ Internal Medicine MD Dr. Amanda Kahn by

Micaela english

C ou r t es y of Dr. A m an d a K ah n

In the age of the “Glow Up”—the trending social

media phrase translating to a positive transformation in one’s life, that caterpillar-to-butterfly change as we fully grow into ourselves— we’re all seeking ways to live our best lives. That’s how I found myself sitting in the waiting room of New York City’s most-whispered-about internist, Dr. Amanda Kahn, a gem known among Manhattan’s who’s who. Feeling inflamed, lacking energy, and experiencing an overall dullness, I was referred to Dr. Kahn by a few in-the-know fashion industry contacts and promptly scheduled an appointment on her booked calendar.

In her Upper East Side waiting room, cozy with classical music softly playing through the speakers and a crackling fire burning, I was surrounded by a chic array of patients—cool girls in Hermès Chypre sandals and business professionals in Manolo Blahnik Carolyne slingbacks—all awaiting their turn with the warm Dr. Kahn, a striking blonde in navy scrubs who greets every patient with a big smile. Bottom line: this is not your typical doctor’s office.

Not heavily promotional, Dr. Kahn’s devoted following and client base have grown solely through word of mouth. Her focus remains on her patients’ goals: slowing and reversing the aging process from the inside out, disease prevention, weight loss, intramuscular peptides, body contouring, and more. Not to mention, she is known for helping many big names with red carpet preparation to ensure they look and feel their very best when the cameras start flashing. As a patient of Dr. Kahn’s, I can confidently say that I have never felt less inflamed, more energetic, or enjoyed a more vibrant complexion. It feels as if I’ve been transported back to the halcyon days of my youth—sleeping better, working out more efficiently, and experiencing significantly less brain fog.

I sat down with Dr. Kahn for Quest to delve into her journey to medicine, the latest longevity innovations, and tips on how to live our best and healthiest lives. If you are on a health journey and looking to regain that pep in your step, the field of longevity medicine has seen a significant rise in interest and investment, and this might be the answer you’ve been seeking.

Q: What was it like growing up in NYC and how did you decide to pursue a career in medicine?

A: I was born and raised on the Upper East Side of Manhattan. I am grateful to have grown up in one of the greatest cities in the world, which afforded me countless opportunities to experience a rich cultural landscape—whether it was seeing Aida with my grandmother at the Metropolitan Opera or giving junior tours at the Met Museum.

Although there are no physicians in my family, I developed an interest in biology from a young age. In college, I was uncertain whether to pursue a PhD or attend medical school. Shortly after graduating from Columbia, I worked in an Alzheimer’s research lab for three years.

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While I found the research fascinating and gained invaluable insight into the aging process, I discovered that meeting with patients and study participants was far more rewarding than being in the lab. I then enrolled at Weill Cornell Medical College while continuing to work with the Chair of the Neurology Department at Columbia on neurodegenerative disease research. One of my favorite electives at Weill Cornell was titled “The Art of Medicine.” A group of medical students and a humanities teacher would visit The Met each week to study famous works, understanding how important it is to have a keen eye in medicine. For example, we studied one of Rembrandt’s self-portraits and tried to determine his medical conditions, such as rosacea. It was important to me as a medical student to learn how to evaluate people holistically and use non-specific cues to assess overall health.

Q: How did you get interested in longevity medicine and weight management?

A: My interest in dementia and how the brain ages permeated my early medical career. As a board-certified primary care physician, I work closely with patients to devise personalized treatment plans to slow the aging process, often at a cellular level.

Longevity medicine is a relatively new field that focuses on viewing each patient holistically to optimize health and wellness over a lifetime. Most of my patients are diligent about using clinical anti-aging skincare regimens, but now we can prevent and even reverse aging from the inside out through individualized supplements and pharmaceutical regimens. The medical community is beginning to view aging as a pathological process that can be treated like any other medical condition. No one is too young to start considering systemic anti-aging treatment. For every patient, aging well can mean something different, and I strive to provide care that goes beyond the basics of routine healthcare maintenance and prevention. I take a very patient-centered approach that often includes a full head-to-toe assessment, analysis of biomarkers in blood, urine, and stool, genetic testing, and imaging, all in conjunction with the patient’s personal goals for their health or areas of concern.

I encourage patients to have agency in this aspect of their health and empower them to take control of aging well.

My approach to weight management is similar in that I aim to understand a patient’s goals and meet them where they are while coaching them on what is safe and realistic to achieve. I first became interested in weight management several years ago when I witnessed how life-changing significant weight loss can be for patients. During my internal medicine residency, I took an elective at a weight management clinic where we were using the now ubiquitous GLP-1s off-label in non-diabetic obese patients exclusively for weight loss. I was in awe of how beneficial weight loss is for

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all aspects of health, including cholesterol management, high blood pressure, sleep apnea, knee and back pain, and even mental health.

What are the most common medical questions that you’re asked?

A: I am frequently asked, “How can I feel my best?” at any age. Often, I see patients who have sought a second or third opinion after feeling unwell and not receiving the attention they deserve from other professionals. As a female patient myself, I can empathize with how the medical system can sometimes dismiss individuals. I take pride in dedicating ample time to my patients to understand the full picture. When my patients work with me, they have 24/7 access and only work with one provider, which allows me to synthesize all the information and lead their treatment team. Given my training, I blend evidence-based medicine with cutting-edge treatments to personalize healing. To me, the question of feeling one’s best also translates into looking one’s best because when you feel great and confident in your skin, it creates a virtuous cycle.

Q: What do you think we can be doing to live healthier and more balanced lives?

A: As a primary care physician, I emphasize that preventive screenings are key. Unfortunately, cancer is on the rise among young people under 50. In addition to routine age-based screenings, I often recommend a full-body MRI, such as the Prenuvo scan, to cover areas not included in standard screenings. Early detection is one of the few cures for many forms of cancer.

As we age, levels of several important molecules within our cells decline. For example, NAD+ is a critical helper molecule that maintains cellular function and is known to decrease over a lifetime. By replenishing this molecule, we can keep our cells efficient, youthful, and healthy. Patients report improved energy, cognition, and a myriad of other benefits.

I also frequently prescribe an intramuscular form of glutathione, a master antioxidant that can sweep up free radicals throughout the body and neutralize oxidative stress. This protects cells from the accumulation of damage that can accelerate aging. Patients who use glutathione in a highly bioavailable form often notice clear and glowing skin, among other benefits.

While I prefer injectable NAD+ and glutathione by prescription, they do exist in weaker oral formulations that can be easily incorporated into a supplement regimen.

Weight training is critical in preventing bone and muscle loss. Maintaining muscle mass is essential for our health span, as it protects against injury and helps prevent insulin resistance, weight gain, and metabolic dysfunction. I also recommend a high-protein diet, aiming for 20-30 grams of protein per meal, which keeps us full and satisfied while supplying our muscles with essential building blocks. ◆

Co u r t esy of D r. A m an d a K ah n ; P r en u vo

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C our tesy of Dr. Amanda Kahn;

Clockwise from above: Columbia University; Dr. Amanda Kahn in her waiting room; strength training. Opposite page, from above: The Prenuvo scan; injectable NAD+.

The Famous Fashion Face-Off

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© Je a n - l u c e H u r é - C o u r t e s y o f B r i d ge m a n I m a ge s

Chris Meigher

Cour tesy of Rizzoli

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Some 17 years ago, after my daughter Elizabeth had convincingly persuaded me to support her launch of Q, a style magazine with pedigreed roots, I quickly realized that I knew little or nothing about the fashion industry. At the House of Luce, once nobly known as TIME Inc., I had run titles that covered news, sports, finance, entertainment and people. But none of them approached the fastidious—and tricky—realm of the rag trade. (Luce’s wife, Claire, told me later in life that: “Harry basically thought fashion was American models; the cover of Rizzoli’s The Battle of Versailles: The Fashion Showdown of 1973 (inset).

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Josephine Baker in YSL . Opposite page, from above: Liza Minnelli, David Mahoney, and Duchess of Windsor; CZ Guest and John Fairchild.

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frivolous ... until he met me.”) So I sought out the sage advice of professionals and pals throughout the fashion world who might “school me,” or at least keep me from making any stupid or costly blunders. One of the most helpful and kind souls was Tom Fallon, a well-placed fashion executive most respected for his tact and discretion—traits not always found back then on Seventh Avenue. During the mid-1960s and Swinging Seventies, Fallon had worked for both Halston and Bill Blass. The working press often referred to Fallon as the “consigliere,” and I was immediately taken with his broad knowledge of, and keen sensitivity to, the industry’s more subtle nuances. Rube that I was, I queried Tom as to exactly when it happened that authentic American style had finally made the full break from its more refined European influences. He gave me a quick, but precise tutorial on the post-WWII growth of American casual attire, most clearly evidenced in our natural embrace of sportswear. Tom reflected for a bit and then modestly told me that he had played a very small part in what he believed was the seminal event that put American designers FA L L 2 0 2 4 /

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© Bill Cunningham

and Gloria Guinness.

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Hubert de Givenchy, Halston, Fred Hughes, Palama Picasso,and Oscar de la Renta. Opposite page: Bethann Hardison (right).

© Je a n - l u c e H u r é - C o u r t e s y o f B r i d ge m a n I m a ge s

Q U I N T E S S E N T I A L

© Bill Cunningham

onto an equal footing with their international counterparts, most especially the French.

It happened on November 28th in 1973 during the first official Paris Fashion Week, when its now fabled opening night became known as The Battle of Versailles Fashion Show, pitting five of France’s most celebrated designers (Hubert de Givenchy, Emanuel Ungaro, Pierre Cardin, Marc Bohan for Christian Dior and Yves Saint Laurent) against a relatively unknown band of young Americans (Bill Blass, Halston, Oscar de la Renta, and Stephen Burrows, as well as Anne Klein along with her assistant Donna Karan). What began as not much more than a publicity stunt engineered by Eleanor Lambert to promote her clients, has mythically become—now more than 50 years later—the Woodstock of fashion shows. Tom Fallon, who was there helping to direct the American effort as Bill Blass’ assistant, calls it: “The accident that happened.” The late photographer Bill Cunningham squeakily hailed it: “the most creative fash-

ion show of the 20th Century.” Rizzoli’s new book, The Battle of Versailles: The Fashion Showdown of 1973 by Mark Bozek, unveils a treasure trove of rare photos from Cunningham’s archive coupled with additional images from his legendary colleague Jean-Luce Huré.

The event was fresh and it was fluid, and when Liza Minnelli belted out the opening number there were 10 Black models sashaying behind her with an energy and style that the stiffer, more formal French models just couldn’t match. At the end of the Americans’ performance, the sophisticated and mostly French audience threw their programs on the stage in tribute to the designers and the models. Back stage, the legendary Josephine Baker, who at 77 years old had modeled that evening for Christian Dior, threw her arms around 17-year-old Black American model Billie Blair and cried for her success. And Hubert de Givenchy shook Bill Blass’ hand and said in perfect English: “Tonight you have shown us a new younger way.” An American way, indeed! u FA L L 2 0 2 4 /

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Society, along with Tonne Goodman, Mark Guiducci, and Anna Wintour, hosted an exclusive screening of Hulu’s In Vogue: The 90s at NeueHouse. The series takes viewers behind the scenes of a transformative decade that elevated supermodels to celebrity status and turned music moguls into fashion icons, featuring some of the most prominent figures in both fashion and pop culture.

1. Prabal Gurung and Claudia Schiffer 2. Carlyne Cerf de Dudzeele and Linda Evangelista 3. Daniel Benedict and Anja Rubik 4. Lauren Bush Lauren and David Lauren 5. Tory Burch 6. Derek Blasberg 7. Vera Wang and Anna Wintour 8. Victor Glemaud, June Ambrose, Kathryn Neale Shaffer, and Hunter Abrams 9. Chloe Fineman and Tonne Goodman

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In late September, Dallas Contemporary welcomed 300 guests for its highly anticipated annual gala at the museum.

The evening showcased an exquisite dinner curated by Headington Companies’ renowned local restaurants, along with an exciting silent auction. An afterparty kept the celebration going with music by DJ Deven and DJS Rami + CB Smoove, plus a performance by members of the Bombshell Dance Project. The event was a tremendous success, raising over $1.3 million to support the museum’s education programs and exhibitions.

1. Annabell Toole and Diedrick Brackens 2. Members of Bombshell Dance Project 3. Leigh Anne Clark and Kasey Lemkin 4. James French and Gracie Hoffman 5. Missy Rogers Peck and Hannah Fagadau 6. Jason Kidd, Porschla Kidd, and Brian Bolke 7. Billy Fong 8. Jesse Coors-Blankenship and Kaleta Blaffer Johnson 9. Urvi Dalal, Cyndi Beauchamp, Christine Beauchamp, and Heather Lockhart

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During New York Fashion Week, Sabyasachi Mukherjee hosted a cocktail party at his West Village boutique honoring The Great Elephant Migration and celebrating its arrival in New York City. The moving art installation, conceived by Ruth Ganesh and the Elephant Family organization, features 100 life-sized elephant sculptures crafted in India by artisans of the Coexistence Collective to promote harmony between humans and the animals.

Staff, dressed in the brand’s turbans, served hors d’oeuvres, caviar, and Champagne alongside an elaborate dessert display. Previously showcased in Newport this summer, the elephants are now en route to Miami, where they will be on display at Art Basel in December.

1. Ruth Ganesh and Sabyasachi Mukherjee 2. Carolina Herrera 3. Stephanie and Jeffrey Sun 4. Elizabeth Kurpis 5. Mary Spirito, Adam Haggaig, and Feh Tarty 6. Jessel Taank 7. Allison Brainard and Lucy Wegerif 8. Oliver and Rose Tomalin 9. Francesca Vuillemin 10. Elephant sculpture

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Amenia

The Fourth Annual Wethersfield Garden Luncheon was held over Labor Day Weekend, welcoming nearly 400 guests to the breathtaking 1,000-acre Wethersfield estate. This year’s event paid tribute to the Founding Family, the direct descendants of Chauncey Devereux Stillman, the visionary behind this historic landmark now listed on the National Register of Historic Places. The luncheon was co-chaired by Deanna Mulligan, Simone Mailman, and Julia Brown, with a heartfelt tribute to the Stillman legacy generously underwritten by Barbara Tober.

1. Denyce Graves and Barbara Tober 2. Cristina Civetta 3. Deanna Mulligan, Julia Brown, and Simone Mailman 4. Permele and Garner Robinson 5. Cece Cord and Ronald Linclau 6. The Tempietto at the Belvedere 7. Lillian Chapman 8. Farnham Collins 9. Julia Feiren, Meghan Klopp, Brooke Kennan, and Molly Reilly

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New York

In early October, the New York City Ballet hosted its annual Fall Gala at the David H. Koch Theater at Lincoln Center. The evening began with a cocktail hour, followed by a captivating performance that included a world premiere by renowned New York choreographer Caili Quan, featuring costumes designed by the acclaimed Gilles Mendel of House of Gilles. After the show, guests enjoyed an elegant dinner and lively dance party.

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1. Justin Theroux and Dianna Agron 2. Brynn Whitfield 3. Georgina Bloomberg and Lili Buffett 4. Joshua Kamei and Lilah Ramzi 5. Dianna Agron, Jordan Roth, Hari Nef and Ludwig Hurtado 6. Laverne Cox 7. Richie Jackson, Deborah Edell, and Elizabeth Winter 8. Brooke Shields 9. Fernando Garcia and Nicky Hilton Rothschild 10. Talia Parkinson-Jones, Christopher John Rogers, and Zanna Roberts Rassi

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1.TRISH GOFF applying makeup, photographed by Arthur Elgort

in 1989. 2. CHANEL Hydra Beauty Micro Sérum Lèvres offers intense replenishing hydration, $60 at chanel.com.

3. LA PRAIRIE Life Matrix Haute Rejuvenation Cream, $1,950 at laprairie.com. 4. DIOR Limited Edition Rouge Dior Forever Liquid Sequin, $49 at dior.com. 5. EIGHTH DAY The Regenerative Serum is powered by a patented formula featuring the highest concentration of Eight Day’s proprietary Peptiderich Plasma® with 24 potent bioidentical actives that speak the language of skin, stimulating its innate ability to renew, restore, and regenerate, $325 at eighthdayskin.com.

6 SISLEY PARIS Phyto-Noir Mascara 1 in Deep Black, $80 at sisley-paris.com. 7. CHANTECAILLE 24K Gold Cream Intense, $460 at chantecaille.com. 8. DR. BARBARA STURM Following the success of the iconic Glow Drops, Dr. Sturm introduces Glow Cream, a rich, creamy moisturizer that imparts an immediate luminosity to the complexion and provides both instant and long-term hydration, $240 at drsturm.com.

9. AUGUSTINUS BADER The Rich Eye Cream deeply nourishes, while visibly firming, de-puffing, and smoothing fine lines and wrinkles for a replenished, rejuvenated eye contour, $205 at augustinusbader.com.

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1. KAREN BJORNSON sitting on a bathroom counter wearing a black lace and

ribbon bra and bikini by Vassarette for Vogue, June 1974, photographed

by Oliviero Toscani. 2. T3 The SinglePass StyleMax is a professional 1” flat iron with custom heat automation, $150 at t3micro.com.

3. GHD The new GHD Helios Hair Dryer in Icy Blue is a lightweight professional hairdryer with Aeroprecis technology for ultimate styling control and 30% more shine, $279 at ghdhair.com. 4. WELLFIT Introducing Beauty Tech: Full Body Skincare in under 2 minutes! Tapping into the Neuro-Glow trend, WELLFIT is crafted by science and customized by technology, maintaining overall wellness and skin health. WELLFIT offers four unique skincare solutions - Hydrate, Lift, Recover, and Balance. Visit wellfitskincare.com. 5. MEMO PARIS Indian Leather Eau de Parfum celebrates a majestic land, at once extravagant and delicate, animated by the presence of sacred animals, the tradition of offerings, and the aura of the Taj Mahal as a symbol of absolute love, $310 at memoparis.com. 6. MOROCCAN OIL A lightweight spray to instantly detangle, hydrate, and protect against thermal damage, $32 at moroccanoil.com. 7. CREED The Queen of Silk fragrance embodies the opulent luster and ethereal softness of silk, $445 at creedboutique. com. 8. OAK ESSENTIALS Santo Wood Eau de Parfum is a fine, clean fragrance inspired by nature, $110 at nordstrom.com. 9. VALERY JOSEPH Amplify Shampoo and Conditioner, $40 each at valeryjoseph.com.

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EVENING LOOKS

1 1.KRISTEN MCMENAMY Known for her unconventional, androgynous

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appearance, Kristen McMenamy models John Galliano’s strapless evening dress from the designer’s Spring 1995 collection, photographed by Steven Meisel. 2. MACH & MACH Le Cadeau Crystal Bow Slingback Pumps in black satin feature a crystal embellished folded bow accent and 2.5” heel, $720 at neimanmarcus.com. 3.OSCAR DE LA RENTA Crystal Pavé Spike Earrings, $490 at oscardelarenta. com. 4. ARMANI PRIVÉ A black embellished, strapless gown from the designer’s fall 2024 couture collection. 5.VHERNIER Abbraccio 18k White Gold Diamond Pavé Ring, $43,900 at saksfifthavenue.com.

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1 1 JEAN SHRIMPTON The 1960s muse models an organza gown by Yves Saint Laurent, photographed by William Klein for Vogue, 1964. 2. BELPEARL FLEUR White Diamond & Pearl Earrings of 18k white gold, South Sea pearls and white pavé diamonds, $5,000 at neimanmarcus. com. 3. JUDITH LEIBER L’amour Petit Coeur clutch in silver of handset crystals, 4.25”L x 2.75”H x .25”D with a 20” chain and a 9” handle drop, $1,295 at judithleiber.com. 4. REEM ACRA A floral embellished look from the designer’s spring 2025 collection.

5. ASPREY Storm Bracelet with diamonds set in white gold, price upon request, visit asprey.com.

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1. TWO STRIKING EVENING GOWNS The left is of white satin with beaded and embroidered trim by Lanvin, the right is white organdy with black polka dots by Pierre Balmain, photographed by Philippe Pottier, 1963.

2. CORNELIA JAMES Melissa Velvet Opera Gloves in black, $212 at corneliajames. com. 3. CAROLINA HERRERA A look from Carolina Herrera’s spring 2025 runway. 4. CULT GAIA Aiko Crystal-Embellished Top Handle Bag, $458 at saksfifthavenue.com. 5. VERDURA Byzantine Pendant Earclips, $12,500 at verdura.com.

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1. LAUREN HUTTON The 1970s model and actress wears a

dress by Galanos paired with David Webb jewelry, photographed by Bert Stern, 1971. 2.JUDITH LEIBER Couture Disco Ball crystal-embellished clutch bag, 4” x 4” x 4” with a 24” drop chain, $3,995 at saksfifthavenue.com.

3. AMINA MUADDI Begum 90mm ‘Glass’ Slingback Pumps with a 3.8” plexi pedestal heel, $1,215 at neimanmarcus.com. 4.REEM ACRA A goddesslike look from the designer’s spring 2025 collection. 5. GRAFF Tilda’s Bow Classic Diamond Drop Earrings of white gold set in white diamonds, $61,000 at graff.com.

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SHO P P I N G I N D E X

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> David Yurman: 888.398.7626 or davidyurman.com.

> Maja DuBrul: 325 E. Hopkins Ave., Aspen, Colo.,

> Dennis Basso: 825 Madison Ave., 212.794.4500.

970.920.1133.

> Diane von Furstenberg: dvf.com.

> Manolo Blahnik: 212.582.3007 or

> Dior: 212.931.2950 or dior.com.

manoloblahnik.com.

> Diptyque: 971 Madison Ave., 212.879.3330.

> Michael Kors: 800.908.1157 or michaelkors.com.

> Dolce & Gabbana: 212.249.4100 or

> Moncler: moncler.com.

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> Neiman Marcus: 888.888.4757

> EF Collection: efcollection.com.

or neimanmarcus.com.

> Elie Saab: eliesaab.com.

> Nouvel Heritage: nouvelheritage.com.

> Elizabeth Gage: elizabeth-gage.com. > Emilio Pucci: 212.901.5004 or

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emiliopucci.com.

> Orlebar Brown: At The Royal Poinciana Plaza in Palm Beach

F > Fabergé: 579 5th Ave., 646.559.8848. > Fendi: 598 Madison Ave. or fendi.com.

ANNA GROSTINA AND VITTORIA CERETTI IN “SHOPAHOLICS”, BY ELLEN VON UNWERTH

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G > GANT: 646.367.5416 or us.gant.com. > Gauhar Jewelry: gauharjewelry.com.

(561.328.3204) or orlebarbrown.com. > Oscar de la Renta: 888.782.6357 or oscardelarenta.com.

P > P. Johnson: pjt.com. > Patek Philippe: At Wempe New York or patek.com.

> Ghurka: 831 Madison Ave. or ghurka.com.

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> Gianvito Rossi: gianvitorossi.com.

> Ralph Lauren: 888.475.7674 or ralphlauren.com.

> Giorgio Armani: 877.361.1176 or armani.com.

> Riedel: riedelusa.net.

> Aerin: aerin.com.

> Graff: graff.com

> Rizzoli: 1133 Broadway or rizzoliusa.com.

> Akris: 835 Madison Ave. or akris.ch.

> Gucci: 877.482.2430 or gucci.com.

> Roberto Coin: At Neiman Marcus or Roberto Coin,

A > A La Vieille Russie: alvr.com. > Alexandra Mor: alexandramor.com.

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> Asprey: asprey.com.

> H. Stern: hstern.net.

B > Badgley Mischka: badgleymischka.com.

> Rolex: 800.36.ROLEX or rolex.com.

> Harry Winston: harrywinston.com.

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> Hermès: 800.441.4488 or hermes.com.

> Saint Laurent Paris: 212.980.2970 or ysl.com.

> Belperron: 745 Fifth Ave., 212.702.9040 or belperron.com

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> Bergdorf Goodman: bergdorfgoodman.com.

> Ippolita: ippolita.com.

> Betteridge: betteridge.com.

800.853.5958 and us.robertocoin.com.

> Saks Fifth Avenue: 877.551.SAKS or saksfifthavenue.com. > Salvatore Ferragamo: ferragamo.com. > Stuart Weitzman: 212.823.9560 or

> Bloomingdale’s: 800.777.0000 or

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bloomingdales.com.

> J.McLaughlin: 844.532.5625 or jmclaughlin.com.

> Bottega Veneta: 212.371.5511 or

> J. Mendel: 212.832.5830 or jmendel.com.

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bottegaveneta.com.

> Jimmy Choo: 877.955.2466 or jimmychoo.com.

> Tibi: 888.420.3334 or tibi.com.

> Brunello Cucinelli: brunellocucinelli.com.

> John Varvatos: johnvarvatos.com.

> Tom Ford: 212.359.0300 or tomford.com.

> Bulgari: bulgari.com.

> Judith Leiber: judithleiber.com.

> Tory Burch: toryburch.com.

> Burberry: 877.217.4085 or

> Julia Amory: 308 South County Road, Palm Beach, FL, or

burberry.com.

juliaamory.com.

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> Carolina Herrera: 212.249.6552 or

> Kotur: koturltd.com.

carolinaherrera.com.

stuartweitzman.com.

V > Van Cleef & Arpels: vancleefarpels.com. > Verdura: 745 Fifth Ave. 212.758.3388 or verdura.com. > Veronica Beard: 988 Madison Ave., 646.930.4746, or veronicabeard.com.

> Cartier: 800-227-8437 or cartier.us.

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> Chanel: 800.550.0005 or chanel.com.

> Linda Horn: 1327 Madison Ave. or lindahorn.com.

> Chopard: 212.223.2304 or us.chopard.com.

> Loro Piana: At Bergdorf Goodman.

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> Claire Florence: claireflorence.com

> Louis Vuitton: 866.VUITTON or vuitton.com.

> Wempe: 212.397.9000 or wempe.com.

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> Vhernier: vhernier.com.

E lle n von Un we r t h

dolceandgabbana.com.

LIVING IN THE PINK.

We look forward to welcoming you to Palm Beach’s pinkest hotel.

155 H A M M O N AV E N U E PA L M B E AC H FL 33 480 (561) 655-54 3 0 T H E C O LO N Y PA L M B E AC H .C OM

Graduated Diamond Riviere Necklace, Circa 1900

The Greenleaf & Crosby Estate Collection

Buying, Selling & Collecting Since 1868