C OMPOSITION
iWishFor... iWishFor...
Charlene Cloud Tan
Purr Data, computer keyboard: Charlene Cloud Tan
very day and ev y night every day and every night every day and every night every day and every night every day and every night every day and every night every day and every night every day and every night i wish for liberty every day and every night every day and every nigh every day and every d d every night every d every day and every every night every d
Acknowledgement ofCountry
The Queensland Conservatorium Composition Cohort acknowledges the First Nations people who are the traditional custodians of the land - the Jagera and Turrbal peoples. We pay respect to the Elders, past and present, and extend that respect to all Aboriginal and Torres Strait Islander peoples in the past, present and future.
netium netium Mark Sims
Flute: Nathan Smith
A work in 11EDO. This piece aesthetically draws upon the history of modernist flute music, in particular Varése's "Density 21.5", named for the density of platinum as the work was commissioned for the premiere of a new platinum flute. The density of technetium is roughly 11g/cm^3.
Bells
Bells Stelle Teffer
Tenor: Daniel Ren
Piano: Camillo Lanzafame
This piece is an adaptation of H.P. Lovecraft’s ‘The Bells’ , which is the 19th sonnet of his sonnet cycle "Fungi From Yuggoth".
Picture from the Library of Congress
In Which In Which We Exist We Exist
e Jamieson
bbeny Williams-Cherry
Amber Wang
ja M. Stewart eley Ninns scar Briggs
pired by a we should hare for the world we live in.
Badrudeen
Sameer Badrudeen
: Henry Pollard
nier Ridgeway
Hwang
psed psed Josh Pane
‘Eclipsed’ begins in a world with no sunlight. As the work unfolds, the music explores the physical and emotional sensation of shadow being slowly overtaken by light. The piece signififes the end of a profound darkness and transitioning into a hopeful and renewed world.
s Lament s Lament Christian Panjaitan
n 1: Evie Scott
n 2: Madison Sim
n 3: Amalie Grime
ble Bass: Jessica Clarke
ganically through a series of tr q that drift meditatively from one strain to the next. Scored for three violins and bass
– a combination that harkens back to the pre-baroque –the work is steeped in medieval modes and Far Eastern scales, punctuated by declamatory recitation.
Semar, a Chaplinesque figure fro is a clown-like servant who is nev and deeply revered – regarded sacred characters in t
Impermanence Impermanence
Nadeeka Karunasekara
Flute: Adeline Cassidy
ello: Emma Seedell-Greene
Piano: Christian Panjaitan
A piece that moves from peaceful to turbulent moods that never truly settle.
PHOTOS: ERIC HART, SIDNEY HOLLINGSWORTH, BELLA PETTERSEN
PROGRAM BY
CHARLENE CLOUD TAN GRAPHIC DESIGN IS MY PASSION