GUILLERMO GALINDO
Tortoise: Messages, Variations, Interpretations On view January 14 – February 28, 2026
Qualia Contemporary Art 229 Hamilton Ave Palo Alto, CA 94301 +1 650-656-9132 info@qualiagallery.com w w w.qualiagallery.com
Radiant Helpers, 2025 Print: graphic intervention over double exposure photography (Edition 1/1) 24 x 32 in
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Prescient Vision Keeper, 2025 Print (Edition 1/1) 24 x 32 in
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Echoes of Elysium, 2025 Print: graphic intervention over double exposure photography (Edition 1/1) 24 x 32 in
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Listening through Veils, 2025 Print: graphic intervention over double exposure photography (Edition 1/1) 24 x 32 in
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Constellation Vessel, 2025 Acrylic on canvas 45 x 120 in
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My Secret Garden, 2025 Acrylic on canvas 45 x 120 in
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Radiation Shield, 2025 Acrylic on canvas 45 x 120 in
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Pinball Enigma, 2025 Acrylic on canvas 86 x 36 in
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Rabbit Hole, 2025 Acrylic on canvas 88 x 36 in
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Nebula 1: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 2: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 3: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 4: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 5: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 6: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 7: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 8: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 9: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 10: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 11: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 12: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 13: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 14: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 15: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 16: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 17: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 18: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 19: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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Nebula 20: Phases of Diaphanous Eons in Temporal Suspension, 2025 UV cured acrylic on brushed aluminum board 8 x 10 in
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BIOGRAPHY
GUILLERMO GALINDO Guillermo Galindo is an experimental composer, sonic architect, and performance and visual artist whose work redefines the conventional limits between music and art. His multidisciplinary approach explores politics, heritage, humanitarian issues, spirituality, and social awareness. Galindo’s acoustic work covers everything from commissioned orchestral compositions for the OFUNAM (Mexico University Orchestra) and Oakland Symphony Orchestra and Choir to computer interactive works, audible sculptures, visual scores, and more. Galindo has exhibited widely nationally and internationally, including at major biennales and art fairs XIV FEMSA Biennial, Mexico; Art Basel, Miami, FL; FIAC, Paris, France; and Documenta 14, both at Athens, Greece and Kassel, Germany. He has held exhibitions at The Getty, Los Angeles, CA; Yerba Buena Center for the Arts, San Francisco, CA; Cantor Center for Visual Arts, Stanford, CA; Huntington Library, Pasadena, CA; Santa Cruz Museum of Art and History, Santa Cruz, CA; The John and Geraldine Lilley Museum of Art, Reno, NV; Institute of Contemporary Art, Boston, MA; Minneapolis Institute of Art, Minneapolis, MN; MOCA, Miami, FL; The Ford Foundation Center for Social Justice, NY; and more. Galindo’s work is in the permanent collections of the National Gallery, Washington D.C.; Solomon R Guggenheim Museum, New York, NY; LACMA, Los Angeles, CA; de Young Museum, San Francisco, CA; Crystal Bridges Museum of American Art, Bentonville, AR; Thomas Foundation Art Museum, Santa Fe, NM; and Rollins Museum of Art, Winter Park, FL. Galindo is a recipient of the Fleishhacker Foundation Eureka Grant, a 2022 SFMOMA SECA Award Finalist, 2024 Guggenheim Fellow, and 2025 Roswell Artist-in-residence. Most recently, Galindo exhibited a three-part installation responding to Picasso’s Guernica (1937) at SITE Santa Fe, and had a solo exhibition at the Anderson Museum of Contemporary Art in Roswell, New Mexico.
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