Qualia Contemporary Art
Beyond the Endgame Nine Artists from Paris Curated by Martina Köppel-Yang September 26 – November 14, 2026
Ru Xiaofan (b. 1954, Nanjing, China; lives and works in Paris, France)
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Ru Xiaofan Etude "las Meninas"n°4, 2023 Oil on canvas 28 3/4 x 23 5/8 in 73 x 60 cm
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Ru Xiaofan Temptation, 2025 Oil on Canvas 59 x 78 3/4 in 150 x 200 cm
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Ru Xiaofan Etude "las Meninas"n°1, 2022 Oil on Canvas 36 1/4 x 28 3/4 in 92 x 73 cm
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Ru Xiaofan Etude "las Meninas"n°4, 2022 Oil on Canvas 28 3/4 x 36 1/4 in 73 x 92 cm
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Ru Xiaofan Etude "las Meninas"n°8, 2022 Oil on Canvas 28 3/4 x 23 5/8 in 73 x 60 cm
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Ru Xiaofan Les amoureux (The Lovers), 2023 Oil on Canvas 28 3/4 x 19 3/4 in 73 x 50 cm
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Ru Xiaofan The Painter, 2025 Oil on Canvas 76 3/4 x 38 1/4 in 195 x 97 cm www.qualiagallery.com
Ru Xiaofan Une pomme (An Apple), 2023 Oil on Canvas 28 3/4 x 23 5/8 in 73 x 60 cm
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Ru Xiaofan Mon chien n°6 (My Dog N°6), 2025 Oil on Canvas 10 5/8 x 13 3/4 in 27 x 35 cm
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Ru Xiaofan
(b. 1954, Nanjing, China; lives and works in Paris, France)
Biography Ru Xiaofan is an acclaimed painter and sculptor whose practice bridges traditional Chinese aesthetics with European Western abstraction. Studying under master painters Pierre Alechinsky and Olivier Debré at the École nationale supérieure des Beaux-Arts in Paris, Ru developed a distinct visual language that fuses pop-surrealist sensibilities with classical ink and oil traditions. Known for iconic motifs such as balloons, anthropomorphic plants, and his seminal Cent Fleurs series, his work uses playful yet profound metaphors to investigate human desire, metamorphosis, cultural exile, and environmental reflection.
Education Resident Fellow, Casa de Velázquez, Madrid, Spain (1988–1990) MFA, École nationale supérieure des Beaux-Arts (ENSBA), Paris, France BA, Department of Fine Arts, Nanjing Normal University, Nanjing, China Selected Retrospectives & Solo Exhibitions 2022: Ru Xiaofan, He Xiangning Art Museum, Shenzhen, China 2020: Ode du Cheminement (Carte Blanche), Musée Guimet, Paris, France 2017: L'homme pense, dieu rit, Suzhou Museum, Suzhou, China 2014: Guest of Honour Exhibition, Art Paris, Grand Palais, Paris, France 2009–2010: Mon Jardin Secret, Today Art Museum, Beijing, China 2005: Safe Contact, Shanghai Art Museum, Shanghai, China Selected Group Exhibitions 2026: Flower Power, Kunsthal Rotterdam, Rotterdam, Netherlands 2023, 2024: Flowers Forever, Kunsthalle München, Munich, Germany / Bucerius Kunst Forum, Hamburg, Germany 2023: J'ai une famille, Musée National de l'Histoire de l'Immigration, Paris, France 2017: Libres figurations années 80, Fonds Hélène & Édouard Leclerc, Landerneau, France 2011: Artistes chinois de Paris, Musée Cernuschi, Paris, France Major Public & Institutional Collections Musée Guimet, Paris, France Today Art Museum, Beijing, China He Xiangning Art Museum, Shenzhen, China Fonds Régional d'Art Contemporain (FRAC) Île-de-France, Paris, France
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Wang Du (b. 1956, Wuhan, China; lives and works in Paris, France)
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Wang Du 一指禅 / Onefinger Zen, 2025 Resin 51 1/8 x 25 5/8 x 27 1/2 in 130 x 65 x 70 cm 35kg www.qualiagallery.com
Wang Du 飞弹 Missile A, 1999-2009 Newspaper 9 7/8 x 9 7/8 in, 25 x 25 cm 1 kg
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Wang Du 飞弹 Missile B, 1999-2009 Newspaper 9 7/8 x 9 7/8 in 25 x 25 cm 1 kg
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Wang Du 飞弹 Missile C, 1999-2009 Newspaper 9 7/8 x 9 7/8 in 25 x 25 cm 1 kg
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Wang Du
(b. 1956, Wuhan, China; lives and works in Paris, France)
Biography Wang Du is an internationally acclaimed sculptor and installation artist whose work critically interrogates mass media, consumer culture, and political propaganda. Moving to Paris in 1990, Wang developed a monumentally scaled practice that transforms ephemeral media imagery—newspapers, television broadcasts, and digital news clips—into physical three-dimensional sculptures. Guided by his mantra "I am media, I am reality, I am image," his work examines how the digital "third reality" constructs contemporary social consciousness, deconstructing the sensationalism and information overload of hyper-globalized society. Education Professor of Art, Department of Art, Université Paris VIII & École Superior d'Art de Brest, France (1997–2001) Professor, Institute for Architectural Research, South China University of Technology, Guangzhou, China (1985– 1990) BA, Guangzhou Academy of Fine Arts (GAFA), Guangzhou, China Selected Retrospectives & Solo Exhibitions 2025: USA Weather Report, Musée Cernuschi, Paris, France 2005: Wang Du, Yerba Buena Center for the Arts (YBCA), San Francisco, CA 2005: Wang Du, Vancouver Art Gallery, Vancouver, Canada 2004: Wang Du, Palais de Tokyo, Paris, France 2001: Wang Du: Défilé, Museum of Contemporary Art (MCA), Chicago, IL 2000: Wang Du: Défilé, Deitch Projects, New York, NY
Selected Biennials & Group Exhibitions 2013: Le Surréalisme et l'objet, Centre Pompidou, Paris, France 1999, 2013: Venice Biennale (APERTutto & Cuban Pavilion), Venice, Italy 2005: Lyon Biennale, Lyon, France 1998: Inside Out: New Chinese Art, San Francisco Museum of Modern Art (SFMOMA) / Asia Society, NY 1989: China/Avant-Garde, National Art Museum of China (NAMOC), Beijing, China Major Institutional Collections Centre Pompidou, Paris, France M+ Museum, Hong Kong San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA Les Abattoirs, Musée - Frac Occitanie Toulouse, France
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An Xiaotong (b. 1971, Xi’an, China; lives and works in Paris, France and Beijing, China)
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An Xiaotong Superheroes, 2022 Mixed Media / Lego Blocks 21.3 x 25.6 in 54 x 65 cm
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An Xiaotong Superheroes, 2022 Mixed Media / Lego Blocks 21.3 x 25.6 in 54 x 65 cm
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An Xiaotong Superheroes, 2022 Mixed Media / Lego Blocks 21.3 x 25.6 in 54 x 65 cm
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An Xiaotong Superheroes, 2022 Mixed Media/Lego Blocks 23.6 x 23.6 in 60 x 60 cm
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An Xiaotong
(b. 1971, Xi’an, China; lives and works in Paris, France and Beijing, China)
Biography An Xiaotong works across installation, ink painting, mixed media, and design to interrogate how digital culture and virtual connectivity reshape contemporary human experience. Transforming found imagery from websites, online forums, and video games into tactile forms—ranging from pixelated Lego friezes to stylized ink panoramas—An bridges digital virtuality with physical craft. Her recent practice features monumental monochrome ink landscapes reminiscent of photographic negatives, evoking schematic futures and post-catastrophic environments while engaging critically with traditional Chinese landscape painting.
Design & Interdisciplinary Practice Founder, ANXIAOTONG (Artistic Design Brand, est. 2008)
Selected Institutional Exhibitions & Fairs 2021: Mountain. Water – Drifting Stitches, Migratory Bird Space, Berlin, Germany (Solo) 2018: Landscape, Tang Contemporary Art, Beijing, China (Solo) 2018: Triple Parade: Biennale of Contemporary Jewelry, HOW Art Museum, Shanghai, China 2008: When, Where, Who..., UCCA Center for Contemporary Art, Beijing, China (Solo) 2006: Busan Biennale: Spreading, Busan, South Korea 2006: Art Basel Miami Beach & FIAC Paris, Presented by Galerie Anne de Villepoix, Miami, FL / Paris, France 2006: Floating City, 1st MoCA Shanghai Biennale, Museum of Contemporary Art, Shanghai, China
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Du Zhenjun (b. 1961, Shanghai, China; lives and works in Paris, France and Shanghai, China)
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Du Zhenjun 敏感线/ 黄色 Ligne sensible/ jaune , 2024 Oil on Canvas 59 x 59 in 150 x 150 cm
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Du Zhenjun 迁移 Déplacement, 2026 Oil on Canvas 59 x 59 in 150 x 150 cm www.qualiagallery.com
Du Zhenjun 敏感线/蓝色 Ligne sensible / bleu, 2024 Oil on Canvas 59 x 59 in 150 x 150 cm www.qualiagallery.com
Du Zhenjun 敏感线/红色 Ligne sensible / rouge, 2024 Oil on Canvas 59 x 59 in 150 x 150 cm www.qualiagallery.com
Du Zhenjun 动物 2 . Animal 2 , 2026 Oil on Canvas 15.7 x 15.7 in 40 x 40 cm www.qualiagallery.com
Du Zhenjun
黑头白狗. Chien blanc à tête noire, 2026 Oil on Canvas 15.7 x 15.7 in 40 x 40 cm
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Du Zhenjun Untitled, 2026 Oil on Canvas 15.7 x 15.7 in 40 x 40 cm www.qualiagallery.com
Du Zhenjun 三只狗. Trois chiens. Three Dogs. , 2026 Ink on Paper 15.7 x 15.7 in 40 x 40 cm www.qualiagallery.com
Du Zhenjun Untitled, 2026 Ink on Paper 15.7 x 15.7 in 40 x 40 cm www.qualiagallery.com
Du Zhenjun
(b. 1961, Shanghai, China; lives and works in Paris, France and Shanghai, China)
Biography Du Zhenjun is a pioneer of digital art and new media whose practice investigates technological power, global urbanization, and human existence in an information-driven society. Trained in traditional fine arts in Shanghai and advanced digital technologies in Rennes, Du creates immersive interactive installations, computergenerated photomontages, and AI-informed paintings. His monumental Tower of Babel series constructs sprawling, dystopian digital panoramas from thousands of internet-sourced images, critiquing overpopulation, environmental degradation, and geopolitical conflict in a hyper-connected world. Education & Academic Appointments Postgraduate Diploma, Digital Technologies, Regional School of Fine Arts, Rennes, France BA, School of Fine Arts, University of Shanghai, Shanghai, China Professor, Shanghai School of Fine Arts, Shanghai, China (1986–1991) Selected Retrospectives & Solo Exhibitions 2014: Babel Empire, Château de Chambord, Chambord, France 2013: Babel-World, ZKM Center for Art and Media, Karlsruhe, Germany 2009: Virtual Politics, Tang Contemporary Art, Beijing, China 2005: Human Zoo, Le Lieu Unique, Nantes, France 2003: Too Heavy Being Human, Festival d’Automne à Paris (La Conciergerie), Paris, France Selected Institutional Exhibitions & Biennials 2021: Guangzhou Image Triennial, Guangdong Museum of Art, Guangzhou, China 2019: Respektive Peter Weibel, ZKM Center for Art and Media, Karlsruhe, Germany 2018: 3rd Today's Documents, Today Art Museum, Beijing, China / GNAM, Rome, Italy 2008: Our Future, UCCA Center for Contemporary Art, Beijing, China 2007: Vom Funken zum Pixel, Martin-Gropius-Bau, Berlin, Germany Major Institutional Collections ZKM Center for Art and Media, Karlsruhe, Germany Musée de la Culture de Metz, Metz, France Centre d’Art Contemporain, Fondation Abbaye d’Auberive, Auberive, France Guangdong Museum of Art, Guangzhou, China
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Yang Jiechang (b. 1956, Foshan, China; lives and works in Paris, France and Heidelberg, Germany)
229 Hamilton Ave Palo Alto, CA, 94301
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YANG Jiechang These are Still Flowers 1910 - 2010, 2010 (Set of 2) 1/2: Wax on Paper 2/2: Mineral Colours and Ink on Silk Mounted on Canvas 1/2: 27 1/2 x 22 7/8 in | 70 x 58 cm 2/2: 37 3/4 x 29 1/2 in | 96 x 75 cm
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YANG Jiechang These are Still Flowers 1913 - 2013, 2013 (Set of 2) 1/2: Watercolour on Paper 2/2: Mineral Colours and Ink on Silk mounted on Canvas 1/2: 16 1/8 x 17 3/4 in | 41 x 45 cm 2/2: 40 1/8 x 30 1/4 in | 102 x 77 cm
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YANG Jiechang These are Still Flowers 1924 - 2013, 2013 (Set of 2) 1/2: Oil on Canvas 2/2: Mineral Colours and Ink on Silk mounted on Canvas 1/2: 16 1/8 x 14 1/8 in | 41 x 36 cm 2/2: 39 3/8 x 28 3/4 in | 100 x 73 cm
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YANG Jiechang These are Still Flowers 1913 - 2013, 2013 (set of 3) 1/3: Charcoal on Paper 2/3: Mineral Colours and Ink on Silk Mounted on Canvas 3/3: 2 Porcelain Flowers 1/3: 10 5/8 x 12 5/8 in | 27 x 32 cm 2/3: 15 x 20 1/2 in | 38 x 52 cm 3/3: each ca. 5 7/8 in | 15 cm long
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Yang Jiechang
(b. 1956, Foshan, China; lives and works in Paris, France and Heidelberg, Germany)
Biography Yang Jiechang is a internationally renowned master of contemporary ink, performance, and multi-media installation. Trained in traditional paper mounting, calligraphy, and Chinese painting at the Guangzhou Fine Arts Academy, Yang gained global acclaim following his inclusion in the landmark 1989 exhibition Magiciens de la terre at the Centre Pompidou. Renowned for his seminal 100 Layers of Ink series and expressive figurative compositions on silk, Yang integrates classical literati techniques with contemporary conceptual art, performance, and spiritual pragmatism to examine history, global politics, and human nature.
Education Sterling Visiting Professorship, Stanford University Medical School, Stanford, CA BA, Chinese Painting Department, Guangzhou Academy of Fine Arts (GAFA), Guangzhou, China Instructor, Guangzhou Academy of Fine Arts (GAFA), Guangzhou, China (1982–1988) Selected Retrospectives & Solo Exhibitions 2024: Yang Jiechang: Hundred Layers of Ink, M+ Museum, Hong Kong 2022: Carte Blanche à Yang Jiechang, Musée Guimet, Paris, France 2020: 3 Souls 7 Spirits, Shanghai Minsheng Art Museum, Shanghai, China 2001: Enlightened Blackness, Hong Kong University Museum and Art Gallery, Hong Kong 1989: Magiciens de la terre, Centre Pompidou, Paris, France Selected Biennials & Group Exhibitions 2024: Shanshui: Echoes and Signals, M+ Museum, Hong Kong 2021, 2025: Ink Dreams, Los Angeles County Museum of Art (LACMA), Los Angeles, CA 2017–2018: Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York / SFMOMA, San Francisco, CA 2013: Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York, NY 2003: 50th Venice Biennale (Zone of Urgency), Venice, Italy Major Institutional Collections Centre Pompidou, Paris, France The Metropolitan Museum of Art, New York, N M+ Museum, Hong Kong Los Angeles County Museum of Art (LACMA), Los Angeles, CA San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA
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Chen Zhen (1955, Shanghai, China – 2000, Paris, France)
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Chen Zhen Juechang - Fifty Strokes to Each, 1998 Video of Performance (Pictured: Still from video of "Juechang - Fifty Strokes to Each") 6 min 24 sec
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Chen Zhen Juechang - Fifty Strokes to Each, 1998 Video of Performance (Pictured: Still from video of "Juechang - Fifty Strokes to Each") 6 min 24 sec
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Chen Zhen
(1955, Shanghai, China – 2000, Paris, France)
Biography Chen Zhen was a pioneering figure in global contemporary art, renowned for his monumental installations that examined multiculturalism, consumerism, and spiritual philosophy. Moving to Paris in 1986, Chen transitioned from painting to site-responsive sculpture and installation, formulating his influential concept of "Transexperience"—a framework describing the dynamic synthesis of cultures, spaces, and lived realities. Diagnosed with an incurable blood disease at age 25, Chen incorporated medical instruments, traditional Chinese medicine, and found domestic objects into poetic dialogues exploring the relationship between human physical vulnerability, spirituality, and societal transformation.
Education & Academic Positions Advanced Studies, École Nationale Supérieure des Beaux-Arts & Institut des Hautes Études en Arts Plastiques, Paris, France Professor of Stage Design, Shanghai Theatre Academy, Shanghai, China Assistant Professor, Institut des Hautes Études en Arts Plastiques, Paris, France BA, Guangzhou Academy of Fine Arts (GAFA), Guangzhou, China Selected Retrospectives & Solo Exhibitions 2020: Chen Zhen: Short-Circuits, Pirelli HangarBicocca, Milan, Italy 2015: Chen Zhen: Without going to New York and Paris, life could be internationalized, Rockbund Art Museum, Shanghai, China 2003: Chen Zhen: A Tribute, MoMA PS1, New York, NY 2003: Chen Zhen, Palais de Tokyo, Paris, France 2001: Chen Zhen, Serpentine Galleries, London, UK Selected Biennials & Major Group Exhibitions 1999, 2007, 2009: Venice Biennale, Venice, Italy 1997: Gwangju Biennale, Gwangju, South Korea 1997: Lyon Biennial, Lyon, France 1997: Johannesburg Biennale, Johannesburg, South Africa Major Institutional & Private Collections Centre Pompidou, Paris, France Solomon R. Guggenheim Museum, New York, NY Tate Modern, London, UK M+ Museum, Hong Kong Pinault Collection, Venice, Italy / Paris, France
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Céline Shen (b. 1988, France; lives and works in Paris, France)
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Céline Shen NEBULA N°1, 2023 Collaboration: Céline Shen x Washmachine Digital art, color video (Pictured: Still from "Nebula Nº1") www.qualiagallery.com
Céline Shen NEBULA N°2, 2023 Collaboration: Céline Shen x Washmachine Digital art, color video (Pictured: Still from "Nebula Nº2")
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Céline Shen Nebula N°3, 2023 Collaboration: Céline Shen x Washmachine Digital art, color video (Pictured: Still from "Nebula Nº3")
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Céline Shen
(b. 1988, France; lives and works in Paris, France)
Biography Céline Shen is a multidisciplinary artist, designer, and researcher operating at the intersection of fashion, choreography, artificial intelligence, and digital media. Trained in philosophy at the Sorbonne, choreography at ISAC Brussels, and fashion design at ENSAD Paris, Shen conceives wearable sculptures, robotic performances, and "phygital" installations that investigate human-machine interaction, the aura of garments, and embodiment in digital ecosystems. Working closely with technology laboratories, her research-driven practice deploys generative AI, haptic interfaces, and performance to test how physical materials and digital intelligence cross-pollinate.
Education & Academic Appointments Pre-Doctorate, Fashion, Arts & New Technologies, ENSADlab, Paris, France Master II, Fashion Design, École des Arts Décoratifs (ENSAD), Paris, France Master I, Choreography, ISAC (Académie Royale des Beaux-Arts), Brussels, Belgium BA, Philosophy, Université Paris 1 – Panthéon-Sorbonne, Paris, France Selected Institutional Exhibitions & Performances 2026: Codes Morpho Senses, Château de Fontainebleau / MoMADe / French Ministry of Culture, France 2026: Tech Diplomacy Forum, UNESCO (Choreographic AI & Robotics performance), Paris, France 2025: Neuro Kinehaptic, Cité des Sciences (Sciences Infuses), Paris, France 2025: Artist Residency Exhibition, Abbaye de Maubuisson, Saint-Ouen-l’Aumône, France 2023: Nexus Design, French Consulate in Hong Kong, Hong Kong (Solo) Key Awards & Recognition 2020: Finalist, 35th Hyères International Festival of Fashion, Photography and Accessories 2019: Winner, ADAGP Révélation Design Prize Selected Press & Media 2026: Observer, "Céline Shen and the Art of Living with A.I." by Elisa Carollo 2023: Le Monde, "Aux frontières de l'artisanat, de l'art et des sciences..." by Sophie Abriat 2021: ARTE Channel, "Atelier A: Céline Shen" (TV Documentary Portrait)
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Felicitas Yang & Armando Milano Collaborative Duo; based in Paris, France)
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Armando Milano/Felicitas Yang There Is No Why, 2024 Short Film (Pictured: Still from "There Is No Why")
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Felicitas Yang & Armando Milano (Collaborative Duo; based in Paris, France) Felicitas Yang (b. Paris, France) Armando Milano (b. Columbus, OH, USA)
Biography Felicitas Yang and Armando Milano are a Paris-based artistic duo working across analog photography, moving image, and artist books. Yang grew up in Paris in a Chinese-German household, while Milano was raised in an Italian-American family in Ohio. After meeting during filmmaking studies in New York and working extensively in cinema camera and lighting departments in Los Angeles and Berlin, they established their joint practice in Paris. Drawing on their cinematic backgrounds, their practice focuses on sequence, duration, and the contextual relationships between images, investigating how context, language, and place shape visual narrative.
Education Felicitas Yang: BFA in Directing, New York Film Academy, New York, NY / Los Angeles, CA Armando Milano: BFA in Filmmaking, New York Film Academy, Los Angeles, CA
Selected Collaborative Projects & Exhibitions 2026: Coming Back (返嚟), Guangdong Nanhai Land Art Festival, Foshan, China 2025: The 1st Songshan Lake Biennale, Songshan Lake, China 2025: Kunst gegen Missbrauch, University of Applied Sciences Ravensburg-Weingarten, Ravensburg, Germany 2024: Δ (aka Punctuation), Galerie Espace Temps, Paris, France 2024: Windsong, Galerie La Moulinette, Paris, France
Selected Filmography & Awards 2026: Coming Back (Experimental Documentary) 2024: There is No Why (Experimental Short) 2022: Carte Blanche: Yang Jiechang (Short Documentary, Official Selection, Tallahassee Film Festival) 2020: A Box of Memories (Experimental Short, Black Maria Film Festival Jury Prize Winner)
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