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FIRST JULY 2015 ISSUE 1

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Theatre News with West End Wilma

BEVERLEY KNIGHT

JOINS THE CAST OF CATS THE MUSICAL

MATT CARDLE NOW STARRING IN MEMPHIS THE MUSICAL

nnWEST END LIVE nnLIZA MINELLI TO PLAY THE LONDON PALLADIUM

ZIZI STRALLEN TO PLAY MARY POPPINS IN UK TOUR

BEND IT LIKE BECKHAM

Y SAVILE AN AUDIENCE WITH JIMM

MAMMA MIA!

AT S T E K K TIC EATRE

BOO

SHOWF

IL

M/TH O C .

T S MFIR

WORDS FROM THE EDITOR

INSIDE THIS ISSUE

Hello dears!

04 ZIZI STRALLEN AND MATT LEE TO STAR IN THE UK AND IRELAND TOUR OF MARY POPPINS

Wilma here from westendwilma.com. You might have seen my monthly theatre blog posts I’ve been writing at showfilmsfirst.com for the last while. Or maybe you haven’t!

I am delighted to have been asked to put together this theatre news magazine for the lovely people at Show Film First and hopefully this will be the first of many issues!

As well as news you will find reviews of some of the hot new shows that have come out lately and even a cheeky interview or two! You can also see all the action from this years West End Live, free concert that was held in Trafalgar Square recently.

Check out my website westendwilma.com for all the latest news, reviews, interviews and competitions!

Wilma xx

For enquiries please email wilma@westendwilma.com

06 BEVERLEY KNIGHT TO STAR IN CATS THE MUSICAL 08 AN INTIMATE EVENING WITH LIZA MINNELLI AT THE LONDON PALLADIUM 10 GABRIELLA WILLIAMS HAS TEA WITH WILMA TALKING ABOUT HER NEW ROLE IN MAMMA MIA! 12 TAKE A LOOK AT THE NEW CAST OF MAMMA MIA! IN ACTION 14 MATT CARDLE JOINS THE CAST OF MEMPHIS THE MUSICAL AS HUEY CALHOUN 16 NEW CAST OF LES MISERABLES CLIMB THE BARRICADES OF THE QUEEN THEATRE 17 HARRY POTTER AND THE CURSED CHILD TO PLAY IN 2016 18 SISTER MARY MCARTHUR’S STARRY-STAGEY-SCOPES 20 THEATRE REVIEWS 22 AN AUDIENCE WITH JIMMY SAVILE 23 COOL RIDER RELEASE CAST RECORDING 24 WEST END LIVE 26 BEN FREEMAN, DIANA VICKERS AND PAUL CATTERMOLE TO STAR IN THE UK TOUR OF THE ROCKY HORROR SHOW 27 CAST AND CREATIVE TEAM ANNOUNCED FOR SINATRA THE MAN & HIS MUSIC AT THE LONDON PALLADIUM

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ZIZI STRALLEN AND MATT LEE TO STAR IN THE UK AND IRELAND TOUR OF MARY POPPINS ZIZI STRALLEN will play ‘Mary Poppins’ and MATT LEE will play ‘Bert’ in the forthcoming UK and Ireland tour of their multi award-winning musical MARY POPPINS, opening at Leicester Curve on 12 October 2015. Full casting will be announced shortly.

Tour schedule below.

ZIZI STRALLEN is currently starring as ‘Lana’ in Matthew Bourne’s “The Car Man”. She was most recently seen in the West End in “Cats” and the multi award-winning “Merrily We Roll Along”. Her other West End credits include “Rock of Ages”, “Dirty Dancing” and “Chitty Chitty Bang Bang” and Matthew Bourne’s “Cinderella” at Sadler’s Wells. She has also appeared in “The Music Man” at Chichester Festival Theatre, and as ‘Penny Pingleton’ in “Hairspray” at Leicester Curve.

MATT LEE played the role of ‘Bert’ in “Mary Poppins” when the show opened in Australia, his portrayal winning him the prestigious Helpmann Award for Best Actor in a Musical. His other theatre credits in Australia include “Miss Saigon”, “The Witches of Eastwick”, “Rent”, “Grease” and “The Boy from Oz”. Matt was also a permanent member of the judging panel for Australia’s “So You Think You Can Dance”.

Cameron Mackintosh said today “It’s hard to believe that it is already 11 years since Mary Poppins first landed on the London stage. My goodness……time flies even faster than our beloved Nanny! I’m delighted to be bringing her back to the UK and for the first time to Dublin, after spreading her magic around the world. Since we originally staged the production we have found even more magical ways to stage this timeless tale. I’m also thrilled to have cast yet another of the extraordinarily talented Strallen family in the role of Mary and pair her with one of the most brilliant Berts we have been fortunate to find worldwide. I know Zizi and Matt will be practically perfect in every way and a show-stopping tour de force”.

The magical story of the world’s favourite Nanny arriving on Cherry Tree Lane has been triumphantly and spectacularly brought to the stage with dazzling choreography, incredible effects and unforgettable songs. The stage version of MARY POPPINS is brilliantly adapted from the wonderful stories by PL Travers and the beloved Walt Disney film.

The stage production of MARY POPPINS is co-created by Cameron Mackintosh and has a book by Oscar-winning screenwriter and Downton Abbey creator, Julian Fellowes. It has a timeless score by Richard M Sherman and Robert B Sherman including the songs Jolly Holiday, Step in Time, Supercalifragilisticexpialidocious and Feed the Birds with new songs and additional music and lyrics by the Olivier award-winning British team of George Stiles and

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Anthony Drewe. The producer for Disney Theatrical Productions is Thomas Schumacher.

The internationally renowned and multi award-winning creative team assembled for MARY POPPINS is led by stage and film director Richard Eyre. Co-direction and Choreography is by Matthew Bourne, with Co-choreography by Stephen Mear. Set and Costume Design is by Bob Crowley with Lighting Design by Natasha Katz, Sound Design by Paul Groothuis and Orchestrations by William David Brohn. The International Tour of MARY POPPINS is Directed

by Anthony Lyn and James Powell with Original Choreography adapted by Geoffrey Garratt. Musical Supervision is

by Stephen Brooker.

The stage production of MARY POPPINS originally opened in 2004 and ran in the West End for three years and over 1,250 performances. During this time it won the Olivier Award for Best Theatre Choreography and Best Set Design as well as the Evening Standard Award for Best Set Design and the Variety Club Award for Best Musical. The Broadway production ran for over six years where it won the Tony Award for Best Set Design.

The show has subsequently played to great success in Holland and Mexico. It has toured Australia, New Zealand, the U.S, the UK, has been seen by over 11 million people and is currently breaking box office records in Vienna.

MARY POPPINS 2015/16 UK AND IRELAND TOUR DATES MONDAY 12 OCTOBER – SATURDAY 24 OCTOBER 2015 LEICESTER CURVE THURSDAY 29 OCTOBER – SATURDAY 28 NOVEMBER 2015 BRISTOL HIPPODROME THURSDAY 3 DECEMBER 2015 – SATURDAY 9 JANUARY 2016 BORD GAIS ENERGY THEATRE, DUBLIN WEDNESDAY 20 JANUARY – SATURDAY 5 MARCH 2016 PALACE THEATRE, MANCHESTER WEDNESDAY 9 MARCH - SATURDAY 23 APRIL 2016 BIRMINGHAM HIPPODROME WEDNESDAY 27 APRIL – SATURDAY 21 MAY 2016 FESTIVAL THEATRE, EDINBURGH WEDNESDAY 25 MAY – SUNDAY 19 JUNE 2016 MAYFLOWER THEATRE, SOUTHAMPTON WEDNESDAY 29 JUNE – SATURDAY 30 JULY 2016 THEATRE ROYAL, NORWICH WEDNESDAY 3 AUGUST – SATURDAY 3 SEPTEMBER 2016 THEATRE ROYAL, PLYMOUTH THURSDAY 8 SEPTEMBER - SATURDAY 29 OCTOBER 2016 THEATRE ROYAL, NEWCASTLE www.marypoppins.co.uk

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BEVERLEY KNIGHT TO STAR IN ANDREW LLOYD WEBBER’S RECORD BREAKING CATS THE MUSICAL Beverley Knight is to star in Andrew Lloyd Webber’s record-breaking musical Cats to play the role of Grizabella. Returning to the London Palladium from 23 October 2015, Lloyd Webber’s record breaking Cats will run for a ten week season until 2 January 2016.

Beverley Knight said: “To be asked to join the company of Andrew Lloyd Webber’s historic show was so exciting and totally unexpected as, vocally, I am so different to the many incredible women who have sung the classic Memory over the years.

To follow in their footsteps is something to truly relish! I am really looking forward to transforming into Grizabella with her fabulous costume and amazing make up and to be playing the role at the London Palladium. Working with Andrew will be a real privilege.”

Queen of British Soul Beverley Knight is a singer, songwriter and record producer who has been one of the UK’s most consistent artists since the release of her debut album in 1995. Having sold over a million albums in the UK, scoring several top 10’s and four gold certified albums as well as the platinum selling Voice: The Best Of Beverley Knight, her latest critically acclaimed album Soul UK, was a top 15 charting album upon its release in July 2011. To date, she has won three MOBO Awards, an Outstanding Achievement Award at the Urban Music Awards, been three times nominated for Best Female at the Brit Awards and twice nominated for the prestigious Mercury Music Prize.

Knight has presented four series of Radio 2 show Beverley’s Gospel Nights and appeared in two series of hit BBC1 show Just The Two Of Us as well as appearing on stage with the likes of Prince, Stevie Wonder and Take That. Last summer, she wowed a viewing audience of one billion with a rendition of the song I Am What I Am at the opening ceremony of the London 2012 Paralympic Games. Knight, who in 2007 was awarded an MBE for her services to music and charity, is currently working on her

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eighth studio album. Beverley Knight recently played the leading role of Rachel Marron in The Bodyguard at the Adelphi followed by Felicia in Memphis The Musical at the Shaftesbury Theatre.

Based on T. S. Eliot’s Old Possum’s Book of Practical Cats, Cats returned to the West End in December last year reuniting the original creative team - Director Trevor Nunn, Associate Director and Choreographer Gillian Lynne, Designer John Napier and Composer Andrew Lloyd Webber. Nicole Scherzinger and then Kerry Ellis played the role of Grizabella in this sell-out Palladium run. In July this year Jane McDonald will play Grizabella in an 8 week season at Blackpool Opera House.

On just one special night of the year, all Jellicle cats meet at the Jellicle Ball where Old Deuteronomy, their wise and benevolent leader, makes the Jellicle choice and announces which of them will go up to The Heaviside Layer and be reborn into a whole new Jellicle life.

Cats, one of the longest-running shows in West End and on Broadway, received its world premiere at the New London Theatre in 1981 where it played for 21 record-breaking years and almost 9,000 performances. The production was the winner of the Olivier and Evening Standard Awards for Best Musical. In 1983 the Broadway production became the recipient of seven Tony awards including Best Musical, and ran for eighteen years. Since its world premiere, Cats has been presented in over 30 countries, has been translated into 10 languages and has been seen by over 50 million people worldwide. Both the original London and Broadway cast recordings won Grammy Awards for Best Cast Album. The classic Lloyd Webber score includes Memory which has been recorded by over 150 artists from Barbra Streisand and Johnny Mathis to Liberace and Barry Manilow.

Visit www.showfilmfirst.com/theatre for tickets.

FOR A STRICTLY LIMITED TEN WEEK SEASON AT THE LONDON PALLADIUM

Photo: Matt Crockett

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AN INTIMATE EVENING WITH

LIZA MINNELLI AT THE LONDON PALLADIUM

Liza Minnelli was born in Los Angeles and made her screen debut as a toddler in the musical In the Good Old Summertime in 1949. One of the world’s bestloved entertainers, she won Tony awards for Flora, the Red Menace in 1965, Liza at the Winter Garden in 1977, The Act in 1978 and Liza’s at the Palace in 2009.

Nominated for an Academy Award® for The Sterile Cuckoo in 1969, she went on to win the Best Actress prize for her best-known film, Cabaret (1973), which also won her a Golden Globe Award and a BAFTA. She won an Emmy for Liza with a Z (72) and was also the recipient of a Grammy Legend Award in 1990 making her one of the few artists who have won entertainment’s top six awards. Film credits include Charlie Bubbles (67), Tell Me That You Love Me, Junie Moon (70), Lucky Lady (75), A Matter of Time (76), New York, New York (77), Arthur (81), Stepping Out (91), and Oh In Ohio (06).

Currently in her sixth decade of performing, Liza Minnelli, winner of four Tony Awards, an Oscar, a Grammy, two Golden Globe Awards, an Emmy and a BAFTA, remains one of the world’s most consummate performers and beloved entertainers. In film, on record, on stage and on television, Liza has won critical acclaim, a multitude of fans, and recognition from her peers in show business, giving new dimension and credibility to the word ‘superstar.’

Now Liza is to follow in the footsteps of Hollywood movie greats Sylvester Stallone, Al Pacino, John Travolta and Arnold Schwarzenegger by getting up-close and personal with her British fans on stage in the West End. An Intimate Evening with Liza Minnelli, at the world famous London Palladium on Sunday 20 September, promises to be a truly un-missable event. Unlike her concerts, Liza will be interviewed for 90 minutes live

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on stage talking about her extraordinary career, from growing up in Hollywood to the present day. The evening will end will a few intimate songs from Liza, accompanied by her long time musical director and pianist Billy Stritch, plus a Q&A session with her fans in the audience.

Liza said: “I’m always so excited to return to Britain, which I’ve considered to be a second home for many years. I have so many friends there and I look forward to being back again for these special intimate evenings.

Whenever I do concerts people always say they want to hear about me growing up, being on Broadway, in the movies, the people I’ve met and worked with… so this will give me a chance to share a lot more of those stories. I can’t wait to see you all again!”

An Intimate Evening with Liza Minnelli will be Liza’s fiftth engagement at the London Palladium – her first was in 1964 when Liza and her mother, Judy Garland, sold out two special concerts. Liza also appeared there in solo concert runs in 1973, 1978 & 1986. To celebrate this, Liza will be inducted into the London Palladium Hall of Fame - her photo will be hung next to her mother and alongside Frank Sinatra, Sammy Davis Jr, Dean Martin and the other American stars that have performed at the venue from the 1950s to the present day. An Intimate Evening with Liza Minnelli is destined to be a night, which will not be forgotten!

Liza will also perform An Intimate Evening with Liza Minnelli in Sheffield at the City Hall on Tuesday 22 September and at the Clyde Auditorium, Glasgow on Thursday 24 September.

TS AT E K C I T K BOO /THEATRE T.COM

FIRS SHOWFILM

GA BRIELLA W I LLIA MS

HAS TEA WITH WILMA TALKING ABOUT HER NEW ROLE IN MAMMA MIA! For those who may not be familiar with your work, can you give me a little run down of some of your career highlights so far?

My career has been a very recent adventure! I haven’t actually graduated yet; I will graduate with a degree (hopefully) from ArtsEd in September. I had the luxury of being asked to leave a little early to play Chris Hargensen in ‘Carrie – The Musical’ at the Southwark Playhouse this May. Little did I know that my luck would continue and I would be asked to join the 2015 London Cast of ‘Mamma Mia!’ as Sophie Sheridan. It was a lot of hard work but I think I will always look back at the month, where I was fortunate enough to be rehearsing for Mamma Mia! in the daytime and performing Carrie in the evening, as a highlight.

For those who may have never seen the show, can you tell me what MAMMA MIA! is about and the character you play?

Mamma Mia! is a beautiful story about a single mother, Donna, and her daughter, Sophie (my role). Sophie and her mother live on a Greek Island along with a small group of friends who help run Donna’s taverna; including Sophie’s fiancé Sky. The musical tells the story of Sophie’s search for her father and the mischief she causes along the way. Oh… and it just so happens to be told through the greatest hits of Swedish pop sensation ABBA! Sophie is a fabulous part. She’s a 20 year old girl full of confidence and love. She would do absolutely anything for her friends and family. She’s quite bohemian … I like her.

Do you have a favourite ABBA song or one that you are particularly enjoying right now in the show?

When I’m on stage listening to Dianne sing “Slipping Through my Fingers” it’s very hard not to turn around and just watch – It’s a very poignant song and she sings it SO beautifully. But It’s ABBA! It’s all pretty awesome!

If you could only ever watch one more theatre show, what would it be and who would be your dream cast?

These questions are tough. I’m a big fan of an epic musical like Les Mis or Miss Saigon, lots of drama and crying, so I’d love to see a huge budget West End production of Jekyll and Hyde! I wouldn’t know where to start with casting it though – I’d have a bash at Lucy haha! I know Drew McOnie is currently choreographing a production at The Old Vic, I’ll go and watch that and get back to you.

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Have you ever had any funny/disastrous on-stage experiences?

I don’t know how much you know about Mazz Murray, our Tanya in Mamma Mia!, but she is an absolute devil.

She adores being troublesome on stage and has already had the entire cast in stitches. She’s untameable. If something funny happens on-stage in Mamma Mia! 2015-16 you can be certain of one thing: Mazz was involved.

You recently played Chris in Carrie the Musical at the Southwark Playhouse. How does it feel going from a fairly small show to a huge one in a matter of weeks?

What are the biggest differences you have had to adjust to?

The big difference between Carrie and Mamma Mia! was the scale of each production. The theatres were vastly different sizes! They are both marvellous shows with great music and I was very lucky to have absolutely stunning casts and creatives in both.

I felt a lot of pressure with both shows. Carrie because it wasn’t successful on Broadway and we were going to be the Original London Cast and Mamma Mia! because it is hugely successful worldwide. I wanted to at least live up to the standard of the previous 17 years in the West End. Excitingly another huge difference was that in Carrie I was the baddy, I had the opportunity to be a proper b***ch. Chris was hated; it was incredible to hear the audiences reaction to her! In Mamma Mia! I’m ballsy but I’m certainly not a baddy. Sophie is totally earthy and likeable.

Why do you think people should come and see MAMMA MIA!?

You will not have a better night out anywhere else. The music is legendary. It’s a fun filled, family show that’s appropriate for any and every audience. Our audiences vary from children to hen parties! Every single person leaves the theatre smiling and singing and dancing.

Plus… the boys are okay looking, too…

Thanks for having Tea With Wilma Mamma Mia is currently booking until 23 April 2016.

Visit www.showfilmfirst.com/theatre for tickets

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TAKE A LOOK AT THE NEW C A ST OF MAMMA MIA! IN ACTIO N Photos: Brinkhoff & Mรถgenburg

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MATT CARDLE

JOINS THE CAST OF MEMPHIS THE MUSICAL AS HUEY CALHOUN Multi-platinum selling recording artist and songwriter Matt Cardle, who rose to fame winning the seventh series of ITVs The X Factor has joined the cast of MEMPHIS THE MUSICAL in London. Cast and company of the award-winning ‘Best Musical’ at the Shaftesbury Theatre are delighted to welcome Matt who will star as radio DJ ‘Huey Calhoun’ from 6 July, taking over from Killian Donnelly who originated the role in the West End. Matt will join Queen of British Soul, Beverley Knight who extends her run as club singer ‘Felicia Farrell’ in MEMPHIS THE MUSICAL through October 2015.

Matt Cardle says: “I’m thrilled to be making my acting and West End debut in Memphis. From the first time I saw the show I felt I had a real connection with the character of Huey. It’s no secret that I worked for many years before my breakthrough as a musician.

I started my first band when I was 12 years old and spent at least 15 years recording albums and sending demos to record companies before finally having my voice heard. It was the united love from family and friends, similar to that at the heart of the Memphis story, that saw me through. I am truly honoured to be sharing the stage with the incredible Beverley Knight, I’ve admired her work for such a long time and can’t wait to get started in the show”.

Beverley Knight says: “I can’t wait to continue my Memphis journey into the autumn with Matt - who will be a fantastic addition to our Memphis family. We all know he has a “fantastical” voice; I think many will be wonderfully surprised by his ability on stage. We are all going to miss Killian when he leaves but his last few weeks will be party time at the show! Bring it all on!

Hockadoo!”

Booking for MEMPHIS THE MUSICAL at the Shaftesbury Theatre continues through to the end of its scheduled run in the West End on 31 October

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2015 with early plans in progress for a major tour of the UK and Ireland from Autumn 2016.

Written by Grammy® Award-winning David Bryan, a founding member of Bon Jovi, and Joe DiPietro, MEMPHIS THE MUSICAL will continue to star Rolan Bell as ‘Delray’, Tyrone Huntley as ‘Gator’, Claire Machin as ‘Gladys’, Jason Pennycooke as ‘Bobby’ and Mark Roper as ‘Mr. Simmons’, with Keisha Atwell, Arielle Campbell, Mark Carroll, Joseph Davenport, Momar Diagne, Carly Mercedes Dyer, Kimmy Edwards, Hillary Elk, Laura Ellis, Charlotte Gorton, Yasmin Harrison, Benjamin Harrold, Waylon Jacobs, Rachel John, Dean Maynard, Devon McKenzie-Smith, Tim Newman, Simon Ray-Harvey, Jon Robyns, Ashley Rumble, Kyle Seeley, Helen Siveter, Dawnita Smith, and Alex Thomas.

Inspired by true events from the underground dance clubs of 1950s Memphis, Tennessee, MEMPHIS THE MUSICAL follows the fame and forbidden love of a radio DJ who wants to change the world and a club singer who is ready for her big break.

Olivier and Tony® Award-winning MEMPHIS THE MUSICAL, which opened at the Shaftesbury Theatre to huge audience and critical acclaim in October last year, is Directed by Christopher Ashley with Olivier Award-winning Choreography by Sergio Trujillo, Scenic Design by David Gallo, Costume Design by Paul Tazewell, Lighting Design by Howell Binkley, Sound Design by the Olivier Award-winning Gareth Owen and Musical Direction by Tim Sutton.

MEMPHIS THE MUSICAL is produced in London

by Junkyard Dog Productions, Marleen and Kenny Alhadeff, Barbara Freitag, Joseph Smith and John Brant.

Visit www.showfilmfirst.com/theatre for tickets

Photo: Bonnie Britain

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DO YOU HEAR THE PEOPLE SING?

NEW CAST OF LES MISERABLES CLIMB THE BARRICADES OF THE QUEEN THEATRE

Photo: Bonnie Britain

Now in its record breaking 30th year, Cameron Mackintosh is delighted to announce new casting for “LES MISÉRABLES” at the Queen’s Theatre. Joining the cast are: Phil Daniels as ‘Thénardier’, Jeremy Secomb as ‘Javert’, Rachelle Ann Go as ‘Fantine’; Katy Secombe as ‘Madame Thénardier’ and Zoë Doano as ‘Cosette.’

Peter Lockyer will continue to star as ‘Jean Valjean’, Rob Houchen as ‘Marius’ and Carrie Hope Fletcher as ‘Eponine’. Bradley Jaden, who is currently in the ensemble, will play ‘Enjolras’.

The full company are: Adam Bayjou; Sanne den Besten; Edd Campbell Bird; Oliver Brenin; David Burnip; Phil Daniels; Jordan Lee Davies; Zoë Doano; Tamsin Dowsett; Carrie Hope Fletcher; Rachelle Ann Go; Katy Hanna; Matthew Harvey; Rob Houchen; Bradley Jaden; Matt Jeans; Charlotte Kennedy; Emma Kingston; Peter Lockyer; Jo Loxton; Luke McCall; Ryan O’Gorman; Jo Parsons; Adam Pearce; Michael Riseley; Jeremy Secomb; Katy Secombe; Courney Stapleton; Jessamy Stoddart; Samantha Thomas; Lee Van Geleen; Helen Walsh and Paul Wilkins.

Phil Daniels rose to fame through his roles in “Quadrophenia” and “Scum”. Other notable TV credits include: “Moonfleet”, “Holding On”, “Outlaws”, “EastEnders”, “Rock & Chips”, “New Tricks” and “Poirot”. His theatre credits include most recently” Knight Of The Burning Pestle” at Shakespeare’s Globe as well as “This House” at the National Theatre and “Anthony & Cleopatra” at Shakespeare’s Globe.

Jeremy Secomb is currently playing the title role in the sold out “Sweeney Todd” at Harrington’s Pie and Mash Shop. His other theatre credits include: “The Phantom of the Opera” at Her Majesty’s Theatre, “Lend Me A Tenor” at the Gielgud Theatre and “Priscilla Queen of the Desert” at the Palace Theatre.

Rachelle Ann Go has just finished playing the role of ‘Gigi’ in Cameron Mackintosh’s new production of “Miss Saigon” at the Prince Edward Theatre for which she won the Whatsonstage Award for Best Supporting Actress in a Musical. She is a well-known TV star in her

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native country, the Philippines having won the “Search for a Star” contest. Rachelle is also a double-platinum recording artist.

Katy Secombe returns to the role of ‘Madame Thénardier’ having last played the part in 2012 opposite Matt Lucas.

She most recently played the role of Brenda in “I Can’t Sing! The X Factor Musical” at the London Palladium.

Previous theatre credits include: “The Lyons” at the Menier Chocolate Factory and ‘Rosie’ in “Mamma Mia!” at the Prince of Wales Theatre.

Zoë Doano is currently playing the role of ‘Johanna’ in the sold out “Sweeney Todd” at Harrington’s Pie and Mash Shop. Her other theatre credits include: ‘Marianne’ in “The Grand Tour” at the Finborough Theatre; “High Society” UK Tour, “Sweet Smell of Success” at The Arcola Theatre, ‘Frenchy’ in “Grease” in the West End and The Sound of Music UK Tour. Her TV credits include: “Hollyoaks” and “Doctors”.

Prior to joining the West End cast in 2014 Peter Lockyer completed a year and a half run as Jean Valjean in the sold-out North American 25th Anniversary Tour of “Les Misérables”. He has also appeared as ‘Chris’ in “Miss Saigon” on Broadway and in the first National tour and as ‘Marius’ in the 10th Anniversary production of “Les Misérables” on Broadway.

Rob Houchen trained at Guildford School of Acting and after graduating toured Germany with “The 12 Tenors”.

Carrie Hope Fletcher played ‘Young Eponine’ at the Palace Theatre in 2001. Her West End credits include ‘Jemima Potts’ in “Chitty Chitty Bang Bang” at the London Palladium and ‘Jane Banks’ in “Mary Poppins” at the Prince Edward Theatre.

Bradley Jaden’s theatre credits include: “Ghost”, the original UK tour, “Shrek The Musical” at the Theatre Royal, Drury Lane, “The 12 Tenors” tour of Europe and Japan and “Peter Pan” at the West Yorkshire Playhouse.

Visit www.showfilmfirst.com/theatre for tickets

HARRY POTTER AND THE CURSED CHILD TO PLAY IN 2016 Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany,Harry Potter and the Cursed Child, a new play by Jack Thorne, will receive its world premiere in London’s West End in the summer of 2016 at the Palace Theatre.

Produced by Sonia Friedman Productions, Colin Callender’s Playground Entertainment and Harry Potter Theatrical Productions, tickets for Harry Potter and the Cursed Child will go on public sale this autumn, details of which will be announced summer 2015 and will be shared on the official website in late July.

Harry Potter and the Cursed Child will be directed

by John Tiffany with movement by Steven Hoggett, will have set designs by Christine Jones, costumes

by Katrina Lindsay, lighting by Neil Austin, music by

Imogen Heap, sound by Gareth Fry and special effects

by Jeremy Chernick.

J.K. Rowling is the author of the seven Harry Potter novels, which have sold over 450 million copies and have been translated into 78 languages, and three companion books originally published for charity. She is also the author of The Casual Vacancy, a novel for adults published in 2012, and, under the pseudonym of Robert Galbraith, is the author of the Cormoran Strike crime series. She is currently working on a screenplay for the film Fantastic Beasts and Where to Find Them, based on the characters in her Harry Potter companion book of the same name. www.harrypottertheplaylondon.com Photo: Warner Bros

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SISTER MARY MCARTHUR’S STARRY-STAGEY-SCOPES

Sister Mary McArthur, lives in Saint Peter’s of the Sister’s of the Third Removed in Soho. She has performed in West End Eurovision, Cape Town, New York and is the secret love child of Elaine Paige. This month she is peering into her crystal ball to see what life has in store for us.

AQUARIUS January 20 – February 17 Naughty, Naughty, what you did last month to your flatmate was unforgiveable! Just because she got seen for Eastenders and you didn’t it’s not her fault. Yes she may have had intercourse of a sexual nature to get the audition, but really given her dodgy prawns the night before the casting.

Confess.

PISCES February 18 – March 19 Have you thought about a career as an agent. Maybe it’s time to enjoy life a lot more. Go to openings of envelopes, charge clients 25%, have three houses, call everyone sweetie, drink loads of champagne and represent a Strallen.

ARIES March 20 –April 19 Nobody would blame you for buying that Pineapple dance bag- but let’s face the truth, you can’t dance – so what’s the point in auditioning for the West End Christmas revival of Cats. Maybe when it plays Cockermouth but not the Palladium dear.

TAURUS April 20- May 20 I know it’s been a difficult month, no auditions, no money and no life. Get up and do something. Don’t sit on your bum waiting for your agent to call- get out into the big bad world dear and do something creative.

GEMINI May 21 – June 20 Decisions come in many forms, yes it’s exciting to be offered the run as Balooq in The Jungle Book in Ripon, but let’s face it dear- no one isn’t going to come and see you. Yes its work dear- but make sure you know what the benefits will be?

CANCER June 21 – July 22 What an amazing month is coming up for you, some really exciting news coming your way. Keep focused, concentrate and sparkle. A once in a lifetime opportunity will arise from no-where. Make sure you are ready or it. Broadway is calling…

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LEO July 23 – August 22 The lord gave each and every one the spunk to do what can be done. You have plenty of spunk and get up and go this month. Don’t hold back. It will all work out in the end.

Trust your instincts.

VIRGO August 23rd –September 22 Oh dear me, because of the moon crossing over Uranus and the 4th line of Scorpio clashing with the rising moonlight it’s an unsettling time for you. Maybe it is time to put the makeup bag away, cancel Equity and delete your spotlight.

LIBRA September 23 – October 22 You can still be with the wizard – yes you can fix it. It’s not all doom and gloom but don’t let your crush on your director get the better of you. Keep professional at all times. He has a wife and 14 children.

Remember you’re talented and gorgeous there is someone for everyone.

SCORPIO October 23 – November 21 Two major planets are clashing with Scorpio this month, it will make you very insecure.

Because of this you will suffer from moods swings and athletes foot, whatever you do, don’t let this into the professional environment.

SAGITTARIUS November 22 – December 21 Last week you thought everything was sorted, you knew your career path – but has your agent really told you the truth about that commercial. Make sure you examine all the details in the contract again. He may be hiding the money and the demand for Blue M and M’s only.

CAPRICORN December 22 – January 19 Yes – the show was a big sell- out hit! But dear it was only a 3 week run in a 60 seat theatre. That does not mean it’s going to transfer to the West End. The sooner you start living your life again and embrace the future it will be best for everyone. Stop dreaming.

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REVIEWS Bend It Like Beckham

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In more recent years, films have served the premise for a number of musicals. Some have become triumphant with their success, such as Billy Elliot and Once. Bend it Like Beckham does not fit into this category by any means. It had a lot of potential, with the storyline centring around our country’s most loved sport and the film having success with nominations at the BAFTAs and Golden Globes. However, this is diluted by the forgettable music and cheap humour.

Howard Goodall’s songs lie on the same standard as England’s penalty-taking skills; hit and, most of the time, miss, with complete lack of catchy ‘hooks’ as well as lazy lyrics from Charles Hart. The need to bring back unnecessary reprises is one of the key reasons why the show drags to nearly three hours long.

Paul Mayeda Berges’ script does not have the same wit and quick-fire humour as the film. Berges seems to presume that over-exaggerating the Indian stereotype can be funny and that all Londoners are supposed to sound like Essex ‘chavs’. Instead, at times, his script and Gurinder Chadha’s direction become uncomfortable for the audience as we question whether his ‘jokes’ are supposed to be funny or incredibly insensitive.

Some positives, however, were Preeya Kalidas’ vocal performance, unsurprisingly, and Jamal Andreas’ lighthearted sense of humour. Nonetheless, Jamie Campbell Bower’s leading performance disappoints, with a bland vocal showcasing little vibrato or dynamic, lacking the potential he once had in his breakthrough performance in the film version of Sweeney Todd. musicals. However, if you have good memories of the film version of Bend it like Beckham, don’t bother with the show.

Reviewed by Barry O’Reilly / Photo: Ellie Kurttz Bend It Like Beckham is currently booking at the Phoenix Theatre until 24 October 2015.

Visit www.showfilmfirst.com/theatre for tickets.

Constellations

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Have you ever wondered about the infinite possibilities of the universe and the concept of parallel worlds splintering off as the result of every decision you have ever, and never, made? No? Ok well it’s time to start. But rather than reading a heavy tome on mechanical physics, Nick Payne’s play Constellations will neatly sum up the concept of endless parallel universes by following the relationship between two characters.

Marianne and Roland meet at a BBQ. She cracks a joke and how Roland reacts to it starts off the infinite possibilities of what could have happened. In one version he laughs, another he looks at her weirdly, another he comes back with another joke etc… This then spurns a spider web of Sliding Doors style events, where missed opportunities, coincidences and chance meetings all create an alternative reality. If it sounds complicated that’s because it is. Your brain automatically tries to make links between the different universes to create a linear plot but as soon as you let go of the notion of following a set timeline the production becomes much easier to follow.

Payne has written a beautiful text that highlights how while we may want to be masters of our own destiny, most of our choices come down to pot-luck. Impressively he has sculpted fully realised characters in each universe and the actors, Louise Brealey and Joe Armstrong, rise to the challenge of repeating the same lines but with different means (it’s the perfect example of ‘It’s not what you said, it’s how you said it). The only trouble is that by splintering off into infinite versions of Marianne and Roland it’s quite hard to form a connection with them, because even if something devastating happens in one reality, in another everything is fine.Visually, Constellations is stunning. Tom Scutt’s bare set is filled with hundreds of floating white balloons, creating a space-like atmosphere. Why there are balloons is revealed at the end and it’s so unusual I imagine Instagramers must have gone into overdrive when first seeing it. Lee Curran’s lighting design is leaned upon to infer different universes and his use of colours keeps the production looking otherworldly.A short production for a touring show, Constellations is an interesting mash up of science, quantum physics, theatre & love and certainly worth a visit this summer.

Reviewed by Roz Carter / Photo: Johan Persson Constellations is tour around the UK. The show will then return to the West End to play a limited run at the Trafalgar Studios from 9 July-1 August 2015. Visit www.showfilmfirst.com/theatre for tickets

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REVIEWS

1984

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1984 is a play based on the 1949 book by George Orwell, telling the story of a political system that controls society. Anyone found to not be believing the information they are fed, is punished and destroyed. It has similar conotations to the Queen inspired musical We Will Rock You, set in a futuristic world where old music has been banned, instruments buried and anyone found to be listening to rock and roll (or anytthing that isn’t synthasised), is arrested.

Matthew Spencer, as Winston, gives a creepy, erratic performance as the man who rebels against what is socially acceptable and fights for what he believes is morally right. Janine Harouni gives a brilliant performance in her professional stage debut as Julia. Her piercing eyes tell the story of a woman scared to be who she really is until she finds solace in Winston and whilst falling in love they also rebel against society with the support of each other. Mandi Symonds gave a great performance as Mrs Parsons. She was the motherly figure that kept the others in their place.

The problem with 1984 is that is doesn’t translate well onto the stage. It is so complex, so intense, that even now I’m not quite sure I understand exactly what was happening. Using terms like ‘Newspeak’ for modern day language, ‘Oldspeak’ for old language, ‘Big Brother’ for the people in charge and ‘Thoughtcrime’ for people who go against the rules and dare to have other beliefs, makes this gobbledygook language hard to follow when it is already mixed in with a story which jolts throughout time.

The use of lighting and video projection is well done in this show and gives a more modern feel, showing how different types of media can be used within theatre these days and creatives aren’t confined to just using the actors on the stage. The show has an eerie horror feeling and when the lights suddenly go out, the audience brace themselves for what they are going to see next. With scenes of torture in this production it certainly isn’t a fun night out but is a very well put together show.

1984 was brilliant, yet with the confusing and hard to follow story left me wondering exactly what I had just experienced.

Whose Line Is It Anyway

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Clive Anderson is bringing a touch of nostalgia to London’s West End for the next couple of weeks with a live stage version of the 1980’s hit comedy TV show Whose Line Is It Anyway.

Four improvisation comedy performers battle it out in a series of hilarious games where they have to act out scenes and make up songs on the spot, using a variety of random words chosen by the audience (and sometimes with the audience members themselves).

Pointless points are awarded for their efforts and have no actual worth by the end of the show but this helps to add to the humour.

The comedians vary during this run depending on what night you go but performers include Colin Mochrie, Greg Proops, Brad Sherwood, Steven Frost and Josie Lawrence. The improvised music is provided by the current musicians performing in the US version of the TV show.

What is great about this show is that it allows the audience to squirm from the safety of their seats at the comedians on stage doing what most of us would see as our worst nightmare (having to make stories up on the spot and make a fool of ourselves). These people aren’t self conscious about themselves at all and will do just about anything in order to get a laugh.

Whose Line Is It Anyway is a brilliant night out and hilarious fun. At almost two and a half hours long the show does go on a bit longer than necessary but you certainly get your moneys worth. Even if you never watched the TV show, the quick wit of the performers is great to watch and it had me chuckling all the way through.

Reviewed by West End Wilma / Photo: Manuel Harlan Whose Line Is It Anyway… Live is played at the Adelphi Theatre until 5 July 2015.

Reviewed by West End Wilma / Photo: Alastair Muir 1984 is playing at the Playhouse Theatre until 5 September 2015 - Visit www.showfilmfirst.com/theatre for tickets.

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AN AUDIENCE WITH JIMMY SAVILE

PARK THEATRE

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Jimmy Savile was one of Great Britains most well loved and honoured TV personalities.

Hosting the BBC Music show Top of the Pops and his smash hit TV show Jim’ll Fix It, where children’s dreams were made realities live on air. Jimmy raised over £40 million for charity over the years and was seen as one of the most respectable men in the world. But after his death in 2011, hundreds of police reports surfaced from women claiming they had been sexually abused by him as children. But why did they wait until he was dead to make these claims? Or did they speak out before then but were silenced by Jimmy and the power he held as a celebrity?

The story focuses around Lucy (a factual amalgamation of several victims), who at twelve years old was raped by Jimmy Savile in the TV room of Stoke Mandeville hospital. Not knowing what was happening to her she didn’t fight but when she realised what had happened was wrong she tried to speak out but no one believed her.

People don’t want to believe these kind of things about famous people. We want to keep believing that they are wonderful because if we believe they are not, what hope is there left for us ‘normal folk’?

Complaints of this nature were brushed off as ‘Just Jimmy being Jimmy’. This story is spliced with a BBC television recording of This Is Your Life, where Jimmy was interviewed and and the audience are introduced to many of the people that believe ‘Saint Jimmy’ could have done no wrong. It shows the dichotomies of how Jimmy Savile lived and was perceived.

Jimmy was a man invincible because he did so much good. If a nurse would see him doing something inappropriate to a child, they would turn a blind eye. After all, Jimmy owned the hospital and if he were sent to prison then his chariatable donations would stop and the hospital would not survive. He was a man who was allowed to get away with it. He was religeous and believed God was the fabric of his life. He made everyone feel happy and special but sometimes he went too far. He lived by the motto that ‘when a man knows he has done wrong he can make up for it by doing good’ and that is exactly what he did, he counteracted the terrible things he did in his life by raising over £40 million for charities.

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TV impressionist, Alistair McGowan is uncomfortably realisitic as Jimmy Savile, with his long white hair, tracksuit, gold chains and a cigar that rarely leaves his mouth. It brings you back in your mind to his TV shows like Jim’ll Fix It, the show where millions of children would write to him every year asking him to help them make their dreams come true. Writing to Jim’ll Fix It was like writing a letter to Santa Claus at Christmas. Schools would encourage children to write in so they could practice writing. Years will have passed with these children feeling bruised that they never received a reponse from Jimmy but I’m sure over the last few years, since the allegations have come out, people are more relieved that they never got on to the show.

Leah Whitaker plays the role of abuse victim Lucy with anger in her eyes and hatred in her voice. A woman who has had to grow up screaming to the world about her abuse but never being believed.

The other three members of the small cast of five take on a number of different roles. Charlotte Page is the innocent BBC TV crew member who witnesses the abuse but it made to keep quiet about it. She also plays the terrified but determined police woman who has fear in her eyes when talking to Jimmy but determination to have justice seen. Robert Perkins plays the other police man and also newspaper editor who tries to publish the story whilst Jimmy is alive but gets threatened by Jimmy, causing the story to be dropped.

An Audience With Jimmy Savile is a bitter pill to swallow, only four years after his death. It is a brilliantly told and well acted account of the allegations made against him but at no point does it feel like an attack on the man himself. It is informative and sensitively put together. For anyone who may have turned the pages of the newspapers, not wanting to know the details, perhaps now it is time to see this play and find out.

Reviewed by West End Wilma / Photo: Helen Maybanks An Audience With Jimmy Savile plays at the Park Theatre until 11 July 2015.

COOL RIDER RELEASE CAST RECORDING

Following the FIVE STAR success and rapturous reception of the cult sequel flop turned West End triumph, Cool Rider releases its Original Studio Recording.

The film told the heady and daring love story of two unlikely lovers and their road to romance from bowling alley to burger joint, sing-a-long-a-sex education class to talent show, and long (and beautifully lit) romantic motorcycle rides to a slightly incongruous luau ending.

Now, this smash hit concert has been reimagined as a brand new cast recording featuring the hit songs Who’s That Guy?, Score Tonight, Cool Rider Reproduction, Girl for all Seasons and the haunting melody of Rocka-Hula Luau (Summer Is Coming), and an incredible 10 piece band!

Celebrating the infamous styles, moves and wheels of the greatest high school of all time, the Cool Rider Original Studio Recording will pay homage to the concert, immortalising not only the unforgettable songs, but the work of Arranger and Orchestrator Lee Freeman.

Ashleigh Gray and Aaron Sidwell will return for another ride, with Reece Shearsmith leading the class again in a lesson on ‘Reproduction’.

The rest of the principal cast includes: Niki Evans (X Factor, Blood Brothers, Legally Blonde), Mark Anderson (Book of Mormon, Mary Poppins), Bronté Barbé (Shrek), Daniel Buckley (Loserville, Book of Mormon), Joshua Dowen (Dogfight, The 25th Annual Putnam Country Spelling Bee), Lucinda Lawrence (Charlie and the Chocolate Factory, Drunk, Chicago), Hannah Levane (Sister Act, We Will Rock You, High School Musical), and Niall Sheehy (Miss Saigon, Les Miserables).

Ashleigh Gray’s many recent theatre credits include Elphaba on the UK Tour of Wicked, Martha in the UK Tour of The Secret Garden, Lorraine in the UK Tour of I Dreamed A Dream; Kim in the UK Tour of Taboo, Emily in Myths and Hymns at the Finborough Theatre and Miranda in Betwixt! at Trafalgar Studios. Ashleigh has also made guest appearances in Momentous Musicals, Susan Boyle in Concert, Lee Mead at The Pheasantry and West End Men. Aaron Sidwell’s career began at 18 when he was cast as Steven Beale in the BBC’s long running drama EastEnders. Theatre includes Michael Dork in Loserville at the Garrick Theatre, Jack Sprat in the UK No.1 Tour of Carnaby Street, Ham in Children of Eden at the Prince of Wales Theatre and Kyle Gibson in The Prodigals at the Gilded Balloon, Edinburgh Festival.

Reece Shearsmith is best-known for his television work in The League of Gentlemen, Psychoville, Inside No 9 and The Widower. He recently starred on stage in Betty Blue Eyes at the Novello Theatre, The Producers at Theatre Royal Drury Lane and Ghost Stories at the Duke of York’s Theatre.

Cool Rider was originally directed by Guy Unsworth and choreographed by Matt Krzan, with musical direction by Lee Freeman, It is produced by Christopher D. Clegg and James DP Drury, with original casting by Jacob Sparrow.

The Original Studio Recording is available for worldwide purchase from CoolRiderLive.com on CD and Limited Edition Selections LP, and digitally in the UK on iTunes.

Website www.CoolRiderLive.com Photos: Matt Crockett westendwilma.com

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WEST END LIVE

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WEST END LIVE

The free musical extravaganza, West End Live, showcasing the best of the West End, is now the largest event of its type in the world and attracts crowds of more than 500,000 people over the course of the weekend.

Organised by Westminster City Council in partnership with the Society of London Theatre, the celebration delivers a star-studded, packed weekend of free entertainment from some of the West End’s biggest shows.

Take a look at the action that took place on stage in Trafalgar Square on Saturday 20 and Sunday 21 June 2015.

Photos: Bonnie Britain westendwilma.com

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BEN FREEMAN, DIANA VICKERS AND PAUL CATTERMOLE TO STAR IN THE UK TOUR OF THE ROCKY HORROR SHOW of S Club 7 also performed at Party At The Palace as part of Queen Elizabeth II’s Golden Jubliee celebrations on 1 June 2002.

Since its first appearance at the Royal Court Theatre in June 1973, Richard O’Brien’s The Rocky Horror Show has become the world’s favourite Rock N’ Roll musical. It has been performed worldwide for over 40 years in over 30 countries and has been translated into more than 20 languages. Director Christopher Luscombe created a stunning new production to celebrate the 40th Anniversary and this critically acclaimed version of the classic show is back by popular demand, now embarking on a year-long national adventure starting at Brighton’s Theatre Royal on 14 December 2015.

X Factor finalist and star of the stage version of The Rise and Fall of Little Voice, Diana Vickers will star in the role of Janet Weiss. S Club 7 star, Paul Cattermole, will play the role of Eddie and Dr. Scott.

Emmerdale actor, Ben Freeman, will join Diana and Paul, playing the role of Brad Majors. Following his huge success in over 900 performances of the 40th Anniversary Global Tour of The Rocky Horror Show, Kristian Lavercombe returns as Riff Raff.

Further casting to be announced soon.

Diana Vickers (Janet) first came to public attention in 2008 when she was a finalist on The X Factor, before signing a record deal with RCA Records and getting a number one single and album. After her second album, Diana starred in the West End production of The Rise and Fall of Little Voice, for which she received excellent reviews from the press and the role won her the Whatsonstage.com Theatregoers’ Choice Awards ‘London Newcomer of the Year’. She then went on to star in the West End production of Duck House alongside Ben Miller and Simon Shepherd.

Paul Cattermole (Eddie / Dr. Scott) has just completed the sold out S Club 7 Bring It All Back 2015 UK Tour with the other members of S Club 7 after they reformed at the start of the year. The group initially shot to fame in 1999 and had four number one singles and a number one album, as well as a series of TV shows including Miami 7, LA 7, Hollywood 7 and Viva S Club. Paul and the rest

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Ben Freeman (Brad) is best known for playing the role of Scott Windsor in Emmerdale, but he also starred on stage in the West End productions of Legally Blonde, Dreamcoats and Petticoats and Wicked. He has also starred as The Fonz in the UK touring production of Happy Days.

Kristian Lavercombe (Riff Raff) delighted fans when he starred in over 900 performances of The Rocky Horror Show as Riff Raff in The Rocky Horror Show’s 2013 / 2014 40th Anniversary World Tour in 2013, before continuing in the role as part of the global 40th Anniversary Tour.

This musical extravaganza features all of its famous musical classics including “Science Fiction/Double Feature”, “Dammit Janet” and of course, the timeless floor-filler, “The Time-Warp”.

The Rocky Horror Show was first performed on 19 June 1973 at the Royal Court Theatre andcontinues to break box office records around the world, currently selling out in Australia, Germany, Switzerland, Japan and Austria. It tells the story of Brad and his fiancée Janet, two squeaky clean college kids who meet Dr Frank’n’Furter by chance when their car breaks down outside his house whilst on their way to visit their former college professor. It is an adventure they’ll never forget, with fun, frolics, frocks, and frivolity, bursting with timeless songs and outrageous outfits. Directed by Christopher Luscombe, The Rocky Horror Show is a guaranteed party, which famously combines science-fiction, horror, comedy and music and encourages audience participation meaning, of course, getting dressed in your most outrageous fancy dress.

Many stars, including Russell Crowe, Tim Curry, Jerry Springer and Meatloaf have appeared in The Rocky Horror Show over the past four decades.

Ready to thrill you with fun and naughty moments, O’Brien’s Rocky Horror Show is the boldest bash of them all. Be warned, this show has rude parts!

Photo: EMG Marketing

CAST AND CREATIVE TEAM ANNOUNCED FOR SINATRA THE MAN & HIS MUSIC AT THE LONDON PALLADIUM Karl Sydow, award-winning producer of productions ranging from Our Country’s Good to Dirty Dancing and Backbeat, has announced the team behind what is set to be the most visually stunning stage production of 2015. The best creative talents in theatre will create a multimedia spectacular in honour of the centenary of icon Frank Sinatra. Sinatra The Man & His Music at the London Palladium is the official celebration of Frank Sinatra’s centenary year and opens on 10 July, marking 65 years to the day since Sinatra’s first ever performance in the UK at the Palladium back in 1950.

Sydow has handpicked his team from the best in theatre, music, technology, dance and design in order to create an unforgettable West End show. The creative team includes multi award winner David Gilmore as Director whose past accolades include Daisy Pulls It Off, The Hired Man and Grease. The stage set has been designed

by Ray Winkler of Stufish Entertainment Architects.

Stufish has designed impressive sets for the BRITs, NFL Super Bowl, tours for U2, The Rolling Stones, JeanMichel Jarre and Robbie Williams. Leo Warner from world leading video and projection design company 59 Productions, was a winner at the 2015 Tony Awards for his work on American In Paris, and will be integral in bringing Sinatra to life on stage using the state of the art technology with never-before seen footage from the Sinatra Estate. Lighting virtuoso Patrick Woodroffe who has worked with The Rolling Stones, Lady Gaga, AC/DC, The Three Tenors, and on the Opening and Closing ceremonies for the London 2012 Olympics and Paralympic Games is on board to ignite the stage with his world-class expertise. Choreographers Glenn Wilkinson and Jacquie Biggs will create the routines for the company of 20 dancers that will accompany Sinatra on stage. Between them Wilkinson and Biggs have an unrivalled amount of experience performing in the West End, and most recently restaging Dirty Dancing across the world. Rounding off the creative team is the West End’s finest Musical Supervisor, Gareth Valentine.

Also announced today is the company of 20 dancers who have been rigorously auditioned by choreographers Wilkinson and Biggs in order to find the most talented individuals. The dancers, hailing from all across the UK will bring depth and energy to Sinatra’s performance.

Sinatra The Man & His Music at the London Palladium also stars stunning a 24-piece orchestra to perform the music live under Sinatra’s voice. Conductor Richard John will lead the orchestra to match the emotion and tempo of the original masters of Sinatra’s voice giving the audience an experience which is as close as they will get to hearing Frank Sinatra live.

Sinatra The Man & His Music at the London Palladium is a completely unique celebration of the Frank Sinatra’s legacy. The high-tech show features 3D, rotoscoped imagery, rare and never before seen footage from the family’s archives and original masters of Frank Sinatra’s voice, to bring the great man back to the stage of the London Palladium – the first venue Sinatra played anywhere outside of the US. Talking about what audiences can expect, Nancy Sinatra said: “The Palladium show will be as close as we can get to a live Frank Sinatra concert. Using technology, his wonderful voice, state of the art sound and all of the images, the audiences will understand the magic of the man and why he was the legend, the icon, the brilliant musician that everyone who did see him live actually remembers.”

Sinatra The Man & His Music at the London Palladium opens on 10 July and runs for three months and is the only show to have the support of the Sinatra family.

Visit www.showfilmfirst.com/theatre for tickets

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