Screen Savor Rememberance of Things Past

by Gregg Shapiro Contributing Writer

If the mayor of Sandusky, Ohio hasn’t done so yet, he should definitely present gay filmmaker and native son, Todd Stephens, with a key to the city. Stephens has managed to make Sandusky, which Charles Dickens described as “sluggish and uninteresting…something like the back of an English watering-place out of the season,” somewhat captivating. He did so in David Moreton’s beloved, queer 1996 flick “Edge of Seventeen” (for which Stephens wrote the screenplay), as well as his 2001 directorial debut “Gypsy 83” and 2006’s over-thetop comedy “Another Gay Movie.”

Sandusky also figures prominently in Stephens’ wonderful award-winning new movie “Swan Song” (Magnolia Pictures). “Inspired by a true icon” (Pat Pitsenbarger, 1943-2012), “Swan Song” stars Udo Kier as Mr. Pat, the formerly famous hairdresser known for the magic he worked with a brush, a comb, and hairspray on the heads of the city’s socialites.

Retired for years, following a series of bad breaks, including a stroke, Pat is reduced to residing in an assisted living facility, wearing sweatpants and gym shoes

with Velcro straps, sneaking a few puffs on a More cigarette when he can.

Pat’s fortunes could potentially change following a visit from lawyer Shanrock (Tom Bloom), who tells him that not only has his richest former client Rita (Linda Evans) died, but that she stipulated in her will that she wanted Pat to do her hair and make-up, for which he will be paid $25k. Pat, who hasn’t “pulled hair in years,” initially declines because he had a falling out with Rita, when she ceased to be his client and went to the salon named Kharma across the street, which is run by his competitor (and former employee, Dee Dee (a restrained Jennifer Coolidge). Pat tells Shanrock, “Bury her with bad hair.”

After a restless and emotional night, Pat has a change of heart. He digs out his fanny pack, stuffs it and his pockets with some Mores, favorite rings, a check from the government, his scissors and other accoutrements, and slips out of the home.

As Pat flies the coop, “Swan Song” becomes a road movie on foot. On his route to the funeral home, Pat pops into a convenience store, stops off at the cemetery where his lover, David, is buried, pays a visit to his former beauty supply store which is now a Black hair salon (one of the best scenes in the movie) and jumps rope with some kids. When he gets to the former location of his and David’s old house, he’s heartsick to discover that it’s been torn down. Because David, who died in 1995, didn’t have a will, everything went to his nephew, leaving Pat with nothing.

Inside Kharma, Pat and Dee Dee have a showdown (another marvelous scene), but Dee Dee relents and gives Pat the bottle of once-popular shampoo for which he’s been hunting.

A couple more significant happenstances — one with Rita’s gay grandson Dustin (Michael Urie) and a marvelous visit to a local gay bar on its closing night (after 41 years!) — as well as what appears to be a reunion with old friend Eunice (Ira Hawkins), and the stage is set for Pat’s final meeting with the deceased Rita.

Stephens masterful “Swan Song” screenplay proves that he hasn’t lost his gift for comedy and drama, something he first demonstrated in “Edge of Seventeen.” “Swan Song” is the kind of movie where you laugh out loud, have a good cry, and then laugh so hard you cry. Kier gives a career-high performance and deserves to be remembered during awards season. Coolidge, and the rest of the supporting cast are all exceptional, allowing “Swan Song” to take wing and soar. : :