2018 Queensland College of Art Design graduate catalogue

2018 Design Graduate Catalogue

Queensland College of Art, Griffith University

QUEENSLAND COLLEGE OF ART GRIFFITH UNIVERSITY

DESIGN

GRADUATE CATALOGUE

2 01 8

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CONTENTS

7 FOREWORD Dr Mike McAuley

25 INTERIOR ENVIRONMENTS Alexandra Hall

8 VISUAL COMMUNICATION DESIGN

Shalom Tuifa’asisina Cameron Wheeler Clare Anthony

Emily Stewart

Junyuan Yi

Elke Nutting

Yu-chin fang

Adam Young

Lawrence Angelo Rescar

Naiomi Viegas

Cheyne Honeyman

Faith Aladin

Rhianna Field

David Earley

Cho Ting Chan, Eva

Ivandhia Nangin

Nathan White

Chan Long Nok (Janice)

Larissa Vayro

Samuel Downie Carla Vizgaudis

37 INDUSTRIAL DESIGN

Sheridan Tully

Lachlan Davy

Kyle Ward

Kyle Mortensen

Bridget Ryan Rebekah Schalcher

47 DESIGN STAFF

Maylen Walker

23 PRODUCT DESIGN Phoebe Caton Tegan Russell

47 SUPPORTERS

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FOREWORD

What Is Design?

In our post industrial world we now recognise that it is the role of designers to not simply make products, but to contribute to social and economic well being; to essentially make the world a better place. Fundamentally, design is about identifying and solving problems practically and creatively. From divergence through to convergence, analysis to synthesis, critical to applied, all designers at a fundamental level go through a similar process of understanding and scoping a problem, ultimately creating a solution which, to use Herbert Simon’s terminology, ‘satisfices’ the situation or turns an ‘existing situation’ into a ‘preferred one’.

We now accept this approach as the essence of what is commonly described as ‘design thinking’.

In recent times we have added to the idea of design as a process and the making of things, the understanding that design is also about creating ‘experiences’. This new understanding places design at the centre of almost everything humans do. It also allows us to see that design is about social innovation and human well-being. But we must never forget that human well-being also requires designers to be focused on the well-being of our planet.

And that is why designers must question everything.

And so to our graduates, our next generation of thinkers, do-ers and social innovators. The projects on show will demonstrate much of what has been described here; you will see design thinking in action. You will see the solution focused outcomes of inquiries into all sorts of issues affecting human beings.

Dr Mike McAuley Program Director, Bachelor of Design and Bachelor of Design Futures Queensland College of Art Griffith University

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Correlations exhibition catalogue - Cover | 2018 Spiral bound catalogue with a variety of paper weights, colours and textures 23.5cm x 18.5cm Correlations exhibition catalogue - Spread | 2018 Spiral bound catalogue with a variety of paper weights, colours and textures 23.5cm x 18.5cm Correlations exhibition catalogue - Detail | 2018 Spiral bound catalogue with a variety of paper weights, colours and textures 23.5cm x 18.5cm

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EMILY STEWART Visual Communication Design instagram.com/embernadette_design This catalogue was designed in Liveworm studio for an artists book exhibition titled ‘Correlations’. The brief asked for a catalogue that resembled an artist book itself. I chose to focus on the beauty of human and mechanical errors found in print, as well as the tactile experience of the printed book. This project aligned with my interest in exciting and expressive print design.

The Metamorphosis | 2017 Cover redesign Garden Of Weird | 2018 Brand image Natural Flora and Fauna | 2018 Illustrations

ELKE NUTTING Visual Communication Design elkerae.com As a visual storyteller, I aim to evoke certain emotions with each piece. I manipulate colours, characters, textures, and form to cultivate an overall feeling in my work. I believe design is a powerful tool used to communicate, motivate, or enhance the sensations of a viewer.

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Terror from outer space | 2018 3D animation

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ADAM YOUNG Visual Communication Design

I’m a Designer with a back ground in Illustration, 2d and 3d Animation. My main passion is Visual effects film making including stop motion Animation. It is my hope to be a valuable member of an Animation studio, producing animated short films or features telling stories with a sharp edge, taking Stop motion into unexplored territory.

Lolita | 2016 Book cover design Face Type | 2017 Typography design

NAIOMI VIEGAS Visual Communication Design naiomiviegas.com Hi. I’m Naiomi. A creative who believes design should engage, inspire and interact in all of its forms to create value for people and more importantly communities.

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Halbfett Hooks | 2016 Band poster Carlo and Lucky Wedding invitations

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FAITH ALADIN Visual Communication Design faithaladindesigns.com/ I am an aspiring graphic designer who loves to make things that are quirky and interesting. I like to experiment and make my designs by hand, whether it be by drawing on a tablet or making the end product myself.

Gig Poster | 2017 Typography Tally Chart | 2018 Infographic Custom Typeface | 2017

DAVID EARLEY Visual Communication Design davidearley.net I, as a designer, wish to be able to make things that are not only appealing to look at, but also effective and appropriate for whatever it’s intended purpose is. I have tried to approach these particular single-imaged works in this manner.

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2020 Asia Foundation Strategic Plan | 2017 Layout design RAILS | 2018 Rebrand project BANKSIA Lux Wear | 2018 Branding project

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IVANDHIA NANGIN Visual Communication Design

I am a visual communication designer based in Brisbane.

I strive to explore the opportunities out there and keen to take in any new knowledge out there. Skilful in digital design with speciality in branding, document and graphic design.

Futureline | 2017 Typeface design Rip It Real Good; Getamungstit Food Edition | 2018 Cover concept Vietnamese Showcase | 2018 Booklet layout

CHAN LONG NOK (JANICE) Visual Communication Design instagram.com/janicechanlongnok Designing is fun and enjoyable, since there are many possibility exist a small idea, it is good to observe, think and test it out. A simple action could help you achieve in a huge discovery, don’t be afraid to be too simple. One simple inspire could be a motivation in any design. The most important thing during design was to create a piece which can speak by themselves.

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WARPED | 2018 Booklet design

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SAMUEL DOWNIE Visual Communication Design samueldownie.com/ I am a Designer who appreciates physical illustrations that are amplified by digital editing. I find my best results come from a healthy mix between digital and physical. This design shows this healthy mix by being a typographically led, digitally created set of fonts that have been printed and physically altered for a final creative design.

Sunbeams | 2017 Digital Painting

CARLA VIZGAUDIS Visual Communication Design carlavizdesign.com This picture is the latest in a project I’ve been working on for years. In 2007 I posted my first piece of digital art online, and I have re-created it every two years since then. When I was young all I wanted to draw was horses and mermaids, and it’s nice to return to that mindset every so often.

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Alice in Wonderland | 2018 Book cover redesign Dawson Art & Design Brochure | 2016 Layout design Mooody Milk Chocolate | 2018 Branding project

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SHERIDAN TULLY Visual Communication Design sheridantully.com Sheridan Tully is an aspiring graphic designer and illustrator for the young and the young at heart. With a curious and playful creative process, her passion is recognising the beauty in her surrounding world; the magic in the mundane.

Tribute | 2018 Digital typeface design

KYLE WARD Visual Communication Design

Getting the opportunity to rework my favourite band’s typeface from their latest album was an assignment that I had great fun with. I’ve always been fascinated by the imperfections that can be found within monoprints, and this task provided the opportunity to use the grungy aesthetic already employed by the band. When I sent the lead singer the concept through Instagram he replied with ‘Cool man.’

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Artisan: Expanded Discrete States | 2017 Exhibition identity design Taso Music | 2017 Logo design Bloom | 2018 Ink and digital illustration

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BRIDGET RYAN Visual Communication Design bridgetryancreative.com Based in Brisbane, Bridget Ryan specialises in colourful illustrations and engaging graphic design. Her style reflects her upbeat attitude towards design and is passionate about what she does. Bridget has been drawing since her younger years and has continuously developed her meticulous eye for design, allowing her to explore and create in many mediums.

Hand Drawn Illustration Griffith University research seminar | 2017 Flyer concept design Digital Collage Cover concept

REBEKAH SCHALCHER Visual Communication Design bekschalcher.com Visual Communication Designer with a love for illustration and the Australian environment.

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Typeface Design RAILS Rebrand That’s RAD! Forensics

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MAYLEN WALKER Visual Communication Design maydcreative.com The thing I love about design is exploring different creative parameters and discovering things you never thought you’d enjoy creating.

Silhouette Seat | 2018 Made of Bamboo Plywood 70cm x 70cm x 65cm Luxurate Light | 2018 Made of Bamboo Plywood and Veneer 5.7cm x 70cm x 70cm Petal Pendant | 2018 Made of Anodised aluminium 167cm x 90cm x 90cm

PHOEBE CATON Product Design phoebecaton.wixsite.com/rosedesign My approach to design involves experimenting with form and manufacturing methods both digital and hands-on, using biomimicry to create unique designs inspired by natural forms and user interaction. The following projects express my values as a designer and my interests in creating beautiful and functional products.

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Stitch Chair | 2018 CNC Routered Pine Plywood 120 x 100 x 70 Plume Light | 2018 Laser Cut Pine Plywood 20 x 38 x 100

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TEGAN RUSSELL Product Design tegangracerussell.wixsite.com/designportfolio I have aimed to merge geometric and organic elements in most of my product design work, which has become majorly furniture focused. I aim to research and implement sustainable materials and processes into my designs, and consider the entire usable lifespan of what I create.

Endeavour Foundation Redesign | 2018 Digital 22.5 x 22.5 The Workshop | 2018 Digital Active Space | 2018 Digital

ALEXANDRA HALL Interior Environments alexandrahall.myportfolio.com I am excited about designing spaces and places that invoke emotion, create meaning, and deliver an experience. I aim to promote an ethic of care in my work, and encourage a more responsible relationship to places, objects, materials, and environments. I’m hoping to become involved in projects at the intersection of design and art, and which advocate a design futures approach.

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Kutta Mulla Gorinna (KMG) Learning Centre | 2018 Interior Design Project 240cm x 1895.5cm x 1280cm KMG Learning Centre | 2018 Floor plan KMG Learning Centre - Entrance | 2018 Wayfinding / IT Room

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SHALOM TUIFA’ASISINA Interior Environments

In proposition for Kutta Mulla Gorinna (KMG) Alternative Learning Program, the aim of this project was to rearrange into a setting that is more adaptable; creating room to grow and aiding in the involvement of the Program’s expansion.

The proposed design allows maximum usage, utilization and the optimization of the interior.

Specs used: - wayfinding - modular furniture - partition walls (move-able)

Endeavour Foundation | 2018 Revit redesign 22 x 24 cm

CAMERON WHEELER Interior Environments

This redesign taught me the importance of research and conceptual development before the physical design process.

Also understanding the longevity of what is designed, and the positive and negative results that effect the space, and its users.

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Tech Now | 2016 Revit 225mm x 225mm

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CLARE ANTHONY Interior Environments

This space has been turned into a technology store that would be located inside QCA.

Endouvea Foundation Learning Centre | 2018 Gallery section Endouvea Foundation Learning Centre | 2018 Activity area pespective & section

JUNYUAN YI Interior Environments

The pictures are perspectives of the Endouvea Foundation Learning Centre, which will be a space dedicated to support clients with intellectual disabilities to experience social interactions and life-skill development. The aim is to create an inclusive environment with minimised visual and sound stimulation elements adapting to the clients’ varies physical and mental health conditions.

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Endeavour Foundation PDF 594 x 841 mm

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YU-CHIN FANG Interior Environments

My concept is bringing the shopping centre into space and using the shop window as the main idea.

By utilizing space, with the combination of wood and glass as the chosen building materials for mostly the walls. This is to let the clients easily to see what each room is, without entering the room and this can help clients make better and more tailored decisions.

APARTMENT Store | 2018 Axonometric Drawing 21 x 29.7 Rustic & Modern Kitchen Design | 2017 2-Point Perspective Rendered Drawing 21 x 29.7 East West Food Indooropilly | 2017 2-Point Perspective Rendered Drawing 29.7 x 42

LAWRENCE ANGELO RESCAR Interior Environments

My work consists of an intertwining spatial functionality and aesthetical appeal with the use of drawing & hand-rendering mediums. As a designer, valuing the concept of long-lasting design and being able to generate a design that impacts the world in a positive way.

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Endeavour Foundation Collaboration | 2018 Gum Tree Flourish | 2017 Privacy Window Laminate Corten Tree House | 2016–2017 Interior Environment

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CHEYNE HONEYMAN Interior Environments

I have always been influenced by nature, engaged and captivated by the varying colours and textures scattered across the landscape, organic shapes of the trees towering above me, the aroma of sweet nectar in the air, and birds singing as the wind rustles the leaves. Our environment shapes who we are as individuals and as a collective, I want to create environments that are natural and nurturing.

Two Bears Espresso | 2018 Autodesk Revit 22x16 Sip and Slide | 2018 Autodesk 3ds Max 22X16cm

RHIANNA FIELD Interior Environments

Two bears espresso was a small cafe redesign that had many functionality issues. It was a project I enjoyed due to the challenges I was faced with. Working with small spaces has been something I have appreciated during my Studies at QCA as it forces creative problem-solving thinking.

The second image was a result of an open project with the aim to learn 3ds max.

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Optical shop redesign | 2018 Sketches, floor plan and front display wall 2480x3508

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CHO TING CHAN (EVA) Interior Environments

I am an interior design with a passion for spaces. In my opinion, architecture and artificial environment has an interconnection with human being. My works is aiming for a better value in practical uses in a sustainable environment.

yte.SPACE Infill Housing Concept - Exterior | 2018 Exterior digital rendering 14.06x25x0 yte.SPACE Infill Housing Concept - Interior One | 2018 Digital Rendering 14.06x25x0 yte.SPACE Infill Housing Concept - Interior Two | 2018 Digital Rendering 14.06x25x0

NATHAN WHITE Interior Environments nathanwhitedesign.com As an interior designer I strive to create clean, beautiful, efficient spaces that are curated to deliver what is truly necessary to the end-user. The yte.SPACE concept stems from this design philosophy. A small infill housing unit, it is added to an existing lot and delivered in a state of raw beauty that is finished over time by the end-user improving affordability and sustainability.

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Liveworm Reception - Bubble Bench | 2018 Sketch - Copic Markers 60 x 230 x 60 Curved Apartment | 2018 Sketch - Copic Markers/Pencil 300 x 400 x 600 Curved Apartment | 2018 Sketch - Copic Markers/Pencil 300 x 400 x 600

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LARISSA VAYRO Interior Environments larissavayro.wixsite.com/portfolio I have focused on practical works throughout my three years of study, often turning to furniture design to get the opportunity to personally construct my design proposals.

I often enjoy looking outside the box of traditional briefs and hope to enter the industry in an area that gives me the chance of using my knowledge and design skills to mould new ideas into the future of design.

The Phoenix Necklace | 2017 Solidworks, Rhino, and Meshmixer.

Image was rendered in Keyshot.

20 x 40 x 15 The Celtic Art Stool | 2017 Solidworks. Image was rendered in Keyshot.

40 x 60 x 25 The Fig Tree Lamp | 2018 Solidworks, and Rhino.

Image was rendered in Keyshot.

35 x 15 x 15

LACHLAN DAVY Industrial Design

My name is Lachlan, I am a undergraduate at Griffith University studying a Bachelor of Industrial Design. The projects presented in these images demonstrate my skills that I have obtained over my years of study, while reflecting my personal interest in natural aesthetics and traditional manufacturing techniques.

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Shell-f | 2017 Solidworks. Rendered in Keyshot 100cm x 50cm x 20cm Midas | 2017 Solidworks, Meshmixer, and Rhino.

Rendered in Keyshot 2cm x 8cm x 20cm Demon masque | 2017 Solidworks, Meshmixer, and 3Matic.

Rendered in Keyshot 35cm x 14cm x 10cm

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KYLE MORTENSEN Industrial Design

I have found myself drawn to two sources of design inspiration. The first is that of old mechanical systems and industrial architecture the boast an elegant efficiency.

The second inspiration source is nature; the shapes and patterns are gentle and organic, but have a beautiful mathematical precision. I find combining elements of these contrasting sources creates interesting designs.

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DESIGN STAFF 2018 HEAD OF DESIGN

Aurelie Maron

Jon Harris

Prof. Ming Cheung

Charles Willmore

Kaecee Fitzgerald

Charlotte Kessler

Kara Simpson

Chenoa Pettrup

Kellie O’Dempsey

Christian Ruediger

Kelly McIlvenny

Christopher Bambury

Kevin Finn

ACADEMIC STAFF

Christy Den

Kirsty Volz

Prof. Andrew Brown

Clint Harvey

Kurt Melvin

Mr Dale Patterson

Dan Wilson

Lani Weedon

Mr Daniel Della-Bosca

David Harris

Lennah Kuskoff

Mr David Sargent

Dorota Nazarewicz

Libbi Reed

Dr Dominique Falla

Elvira Sebegatoullina

Liz Christiansen

Dr Eleni Kalantidou

Emma Hodgson

Luke Janniste

Dr Jason Nelson

Erich Elkins

Marine Clave De Otaola

Mr Joshua Nicholas

Forrest Gillham

Meegan Cameron

Ms Lorraine Marshalsey

Gabriella Wilson

Meryl Keoskie

Ms Michelle Douglas

Gabrielle Wild

Michele Wake

Ms Petra Perolini

Geoff Ebbs

Mitch Cameron

Ms Rae Cooper

Hannah Ison

Naomi Hay

Dr Sam Canning

Isaac Brown

Natalia Mokwinski

Mr Seth Ellis

Jacinta Giles

Natalie Haskell

Mr Tristan Schultz

Jacqie Josey

Natasha Dennis

James Alley

Nicholas Brand

SESSIONAL STAFF

James Brownlie

Patrick Connaughton

Adrian McCormack

James Moolenschot

Paul Bardini

Alejandra Ramirez Vidal

James Ugarte

Paula Hardie

Alex Innocenti

Jason Grant

Phil Budgen

Alinta Krauth

Jason Haggerty

Phillip Aitken

Ana Cespedes

Jeff Licence

Rachael Wellisch

Anastasia Tyurina

Jennifer Sanzaro-Nishimura

Rebecca Barnett

Anthony Speed

Jens Granmorken

Rebecca Ross

Ashley Whamond

Joanne Choueiri

Robert Ditcham

PROGRAM DIRECTOR Dr Mike McAuley

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Rowan Lamont

SUPPORT STAFF

Sasha Hickson

Alex Innocenti

Sasha Vanmelick

Anne-Maree Garcia

Sean Costain

Florence Amery

Scott Roberts

Julie Lambert

Shari Lyon

Natasha Kershaw

Shehab Uddin

Sharon Searle

Skye Smith

Trudy Jensen

Sonya Peters Sue Stone Tarryn Smith Thomas Oliver Mokany Tom Allen Tristan Griffin Troy Baverstock Zoe Fraser

PROUDLY SUPPORTED BY

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Design by Nikolina Sika at Liveworm Studio, Queensland College of Art, Griffith University