CU Presents Magazine Artist Series Winter 2014, Jan. 22, 2015

2014–2015 Season

Be engaged. Be inspired. Be here.

Global performance. World-class entertainment.

You have to be here.

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Contents

wishes you a wonderful

Artist Series pros calling CU musicians to the stage............ 6 Calendar........................................ 8 CU guitar festival strikes a global chord.............................. 12

2015!

Faculty Tuesdays......................... 24 Artist Series donors..................... 26 Takács donors............................. 30 Eklund Opera Program donors.... 32 Personnel.................................... 34

Advertising Information

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SPOTLIGHT

Artist Series pros calling CU musicians to the stage For nearly eight decades, the Artist Series has brought some of the world’s top musicians, dancers, theater troupes and personalities to Boulder’s doorstep.

Playing with top-notch acts before a large audience can also be a valuable experience for students who hope to perform professionally after graduation.

Hundreds of artists, from poet Carl Sandburg in 1939, to Paul Robeson as Othello and the Trapp Family Singers of “Sound of Music” fame in the 1940s, conductor and violinist Isaac Stern in 1970 and Ladysmith Black Mambazo and MOMIX in the 21st century have graced the stage at Macky Auditorium.

“Much of the work our students will do as professional musicians will be in the popular-commercial genre. It is increasingly important for our students to be comfortable and conversant with various styles, beyond traditional classical music,” says Gary Lewis, director of orchestral studies. “This opportunity will be invaluable to them and it will be great fun to collaborate with such a wonderful artist as Natalie Merchant.”

And in recent years, some have specifically requested that CU-Boulder College of Music students join them in creating an evening of scintillating entertainment.

This year, eight musicians will play Mozart, Beethoven and Mendelssohn for the Bill T. Jones/Arnie Zane Dance Company’s Play and Play on Jan. 22. And on April 2, the CU Symphony Orchestra will accompany platinum-selling alt-rock sensation Natalie Merchant in a performance of her songs.

SPONSOR

“Any time you get to collaborate across the arts it’s a worthwhile and exciting opportunity,” says Zachary Reaves, cellist for the graduate-student ensemble Altius Quartet, which will play Jan. 22. “And it’s really great to see a dance company using live music; a lot of them don’t these days.”

To buy tickets for Natalie Merchant with the CU Symphony Orchestra on April 2 go to cupresents.org or call 303492-8008.

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2014-15 Calendar

The Artist Series presents the world’s finest performers in classical music, jazz, theater, dance and world music in majestic Macky Auditorium.

For detailed information and tickets, go to cupresents.org.

BILL T. JONES/ ARNIE ZANE DANCE COMPANY

Play and Play Thursday, Jan. 22, 2015, 7:30 p.m.

Choreographed to some of the world’s best-loved and most seminal works of classical music— Mozart, Ravel, Schubert—and performed with live musicians, Bill T. Jones’ astonishingly original, muscular work, Play and Play, is dance like you’ve never seen it before. Winner of two Tony Awards and recipient of a MacArthur “genius” grant, Jones has continually expanded the possibilities of dance.

Sponsored by James & Associates.

MEDESKI, MARTIN AND WOOD with ALARM WILL SOUND

Friday, Feb. 6, 2015, 7:30 p.m.

Get ready for incomparable originality, a little jamming and a lot of fun when the hip, cutting-edge chamber music of Alarm Will

Sound melds with the eclectic avant-jazz-funk sound of Medeski, Martin and Wood. The groove-oriented trio, a hit on the jam-band circuit pioneered by the Grateful Dead, and the versatile new-music ensemble will take you on an evening of daring collaboration and thrilling improvisation.

THE ASSAD BROTHERS with ROMERO LUBAMBO

Thursday, Feb. 19, 2015, 7:30 p.m.

Exotic Latin flair takes the stage when the Assad Brothers, Brazil’s most celebrated classical guitarists, join with jazz guitar virtuoso Romero Lubambo for Samba Exótico, an exploration of Samba and Choros, a popular 19th-century genre that blossomed in Rio de Janeiro. With its roots in Africa and unique fermentation in the coastal city of Bahia, Samba vibrates with the essence of Brazil.

Sponsored by Shaw Construction and partnered by HB Woodsongs.

NATALIE MERCHANT with THE CU SYMPHONY ORCHESTRA

Thursday, April 2, 2015, 7:30 p.m.

Over her stellar 30year career, Natalie Merchant has been the driving force behind alt-pop sensation 10,000 Maniacs and embarked on a multi-platinum solo career, always delving deep into the human condition with her lyrical storytelling. Now she brings that same searching literary sensibility and her distinctive vocal style to new heights in a performance of her music, old and new, arranged for orchestra.

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E K L U N D

Wide-ranging repertoire, lavish scenery, drama and amazing voices—CU Opera has it all. Director Leigh Holman and Music Director Nicholas Carthy showcase the talent of the future in three productions each season. Go to cupresents.org for detailed ticket information and times.

COSÌ FAN TUTTE

By Wolfgang Amadeus Mozart March 13-15, Macky Auditorium Mozart’s witty opera buffa follows 24 hours in the lives of two beautiful sisters whose scandalous infidelities make for a comic romp that was considered too hot for audiences even in the early 20th century. Featuring some of the composer’s most sumptuous arias, duets, this production will be set in the late 1950s with a nod to the famous film, Pillow Talk. Sung in Italian with English surtitles.

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L’INCORONAZIONE DI POPPEA (THE CORONATION OF POPPEA)

By Claudio Monteverdi April 23-26 Music Theatre, Imig Music Building Monteverdi’s drama about sex, crime and realpolitik during the debauched reign of the Roman Emperor Nero, turns conventional morality on its head—virtue is punished and greed rewarded. The score soars but the sensual duet between Nero and his lover—eventually wife—Poppea, Pur ti miro, pur ti godo—meaning, “I gaze at you, I possess you”—is the pièce de résistance. Sung in Italian with English surtitles.

This production will be styled after the hit Netflix realpolitik series House of Cards, starring Kevin Spacey.

SPRING SWING

Sunday, April 12, 2 p.m., Macky Auditorium Join the CU Concert Jazz Ensemble and guest artists for a swinging return to the Big Band era. The program will feature music from the ensemble’s new recording, a tribute to the greatest bands and composers of the era, including Benny Goodman, Glenn Miller, Duke Ellington, Count Basie and more. A special guest will join the band as well! Brad Goode, director

Tomorrow’s talent is onstage today with a wide variety of performances from CU students and faculty. For detailed ticket and event information go to www.colorado.edu/theatredance.

TARTUFFE

By Molière Translated by Christopher Hampton Directed by Lynn Nichols Feb. 13-22, University Theatre French playwright Molière’s comic masterpiece skewers religious hypocrisy, mindless piety and sexual deceit. It was so daring at the time of its writing that audience members could be excommunicated for seeing it. Tartuffe tells how a “man of the cloth” worms his way into the gullible heart of Orgon, a rich family man, and tries to take him for all he has. It takes a desperate trap by Orgon’s wife Elmire to expose the imposter.

JESUS CHRIST SUPERSTAR

Lyrics by Tim Rice, music by Andrew Lloyd Webber, Directed by Cecilia Pang April 10-19, University Theatre Ever since the controversial rock opera by Andrew Lloyd Webber and Tim Rice was

released as a concept album in 1970, it has enflamed the passions of critics and fans alike.

The story of Jesus of Nazareth during his final days, from the time of his arrival in Jerusalem to his crucifixion, this high-energy, immensely popular show plunges deep into the hearts of the men and women, from Judas Iscariot to Mary Magdalene to Pontius Pilate, who played a part in one of the most momentous stories ever told.

THE CURRENT

April 17-19 Charlotte York Irey Theatre A showcase of vital new works by CU dance faculty and Millicent Johnnie, the 2014-15 Roser Guest Artist in Dance. Johnnie has performed with Urban Bush Women, Cleo Parker Robinson Dance Ensemble, Hubbard Street Dance Chicago and choreographed for Grammy Award-winning artists Usher Raymond, Chrisette Michele and Los Hombres Calientes, and record labels Def Jam, Columbia, Interscope, Arista Records and others.

The Grammy Award-winning quartet— Edward Dusinberre, violin; Károly Schranz, violin; Geraldine Walther, viola; and András Fejer, cello—has been selling out concerts for three decades at CU-Boulder with an irresistible blend of viruosic technique and engaging personalities.

All Takács performances take place in Grusin Music Hall. Takacsquartet.com

TAKÁCS QUARTET

Sunday, Jan. 25, 2015, 4 p.m.

Monday, Jan. 26, 2015, 7:30 p.m.

Beethoven

TAKÁCS QUARTET

Sunday, March 8, 2015, 4 p.m.

Monday, March 9, 2015, 7:30 p.m.

Haydn, Beethoven, Schubert

TAKÁCS QUARTET

Sunday, April 26, 2015, 4 p.m.

Monday, April 27, 2015, 7:30 p.m.

Haydn, Carter Pann, Cesar Franck

The nation’s second-oldest Shakespeare festival raises the curtain June 5 for its exciting 2015 season. CSF is a unique Boulder experience you won’t want to miss — magic, mirth, mayhem … and mountains. Go to coloradoshakes.org for more information and tickets.

MUCH ADO ABOUT NOTHING

Directed by Jim Helsinger, Orlando Shakespeare Theater June 5-Aug. 9 Mary Rippon Outdoor Theatre Romantic, raucous and razor-sharp, the Hamlet of Shakespeare comedies strikes hilarious chords even as it reveals timeless truths about love, change and acceptance. The men have returned victorious from war, but the merry sparring — and sparks — between Benedick the stubborn bachelor and witty, self-assured Beatrice have just begun.

WITTENBERG

Directed by CSF Producing Artistic Director Timothy Orr June 11-Aug. 8 (Colorado premier) University Theatre To believe or not to believe? That is the question when Prince Hamlet, a dazed-and-confused senior at Wittenberg University, circa 1517, is caught in the crossfire between two giants

of philosophy — and ego — the freethinking skeptic Dr. Faustus and stuffy, guilt-ridden Martin Luther. Punny, funny, brainy and zany, David Davalos’ ingenious mashup is equal parts Tom Stoppard, campus caper and metaphysical mind-trip.

OTHELLO

Directed by Lisa Wolpe, Los Angeles Women’s Shakespeare Co. June 26-Aug. 8 Mary Rippon Outdoor Theatre In a country at war, Othello the Moor commands with authority and nobility of spirit, drawing strength from his bold and beautiful wife, Desdemona. But he has placed his trust in one of Shakespeare’s most sinister villains, Iago, who would sow seeds of doubt and destruction in the garden of their love. Passion, jealousy and murder explode in a sexy theatrical thriller that tumbles toward a diabolical finale

HENRY V

Directed by Carolyn Howarth, director of CSF’s 2014 Henry IV, Part 1 July 16-Aug. 9, University Theatre England’s crown rests on the head of the once wild and undisciplined acolyte of Falstaff, Prince Hal, now a wise and noble monarch leading his country into war with France.

Rousing and cinematic in scope, Henry V raises compelling questions about leadership in a troubled world that powerfully echoes our own.

With this production, CSF completes the fourplay Henriad history cycle begun in 2013.

HENRY VI, PART 1

Aug. 2 and 5 , University Theatre Back by popular demand, CSF presents two exclusive, “original practices” performances of the rarely produced saga of Henry V’s son. Last seen onstage at CSF in 1967, the play features one of Shakespeare’s most intriguing females, Joan of Arc. Both 2014 “OP” shows sold out, so buy your tickets early! | 303.492.8008 | 9

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SPOTLIGHT

CU guitar festival strikes a global chord As it turns out, there was no need to fret. The CU International Guitar Festival debuted in February 2013, attracting 41 top performers from around the world, including China, Serbia and Latin America.

The winners took home thousands of dollars in prizes and returned to Boulder in 2014 to teach and perform.

In just over three years, Nicolò Spera has put CU-Boulder on the map as a true global mecca for classical-guitar teaching, performance and competition.

When he arrived in 2011 to launch the College of Music’s classical-guitar program, the renowned Italian performer defied conventional wisdom on easing into a new job and launched plans to host a guitar festival and competition on campus.

“It was one of my biggest dreams,” says Spera, assistant professor in the Ritter Family Classical Guitar program, “but I knew it would take a long time.

Often when you launch something new it doesn’t work. You hope it does more or less well and hope to have a second one.”

The second bi-annual festival will take place Feb. 19-21, featuring compeNICOLÓ SPERA. COURTESY PHOTO. tition among 40 to 50 of the world’s most talented guitarists, as well as master classes and performances by Brazil’s Assad Brothers — “(T)he best two-guitar team in existence, maybe even in history,” according to the Washington Post — the Italian SoloDuo and Nigel North, hailed as “the greatest lute player of all time” by England’s Birmingham Post.

“Basically, we have the two greatest classical guitar duos in the world, the Assad Brothers, the greatest of the 20th century, and SoloDuo, representing the future,” Spera says. “I am so grateful and ecstatic for the fantastic collaboration with the Artist Series and Macky Auditorium, which bring to Colorado the greatest artists in the world.”

All events are free except for the Artist Series performance by the Assad Brothers and Brazilian jazz virtuoso Romero Lubambo at 7:30 p.m. Feb. 19 in Macky Auditorium. For tickets, go to cupresents.org or call 303-492-8008.

Tartuffe

Jesus Christ Superstar

By Molière

Feb. 13-22

Tickets start at $17

By Tim Rice and Andrew Lloyd Webber

University Theatre

Tickets start at $19

April 10-19

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Theatre & Dance University of Colorado Boulder

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The guitar festival is supported by grants from the Roser Visiting Artist Program and the CU President’s Fund for the Humanities as well as private donations. Spera’s success recently inspired CU-Boulder alumni Michele “Mikhy” and Mike Ritter to endow the classical-guitar program.

For a full schedule of festival events, go to cuguitarfestival.com.

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Beethoven’s “Emperor” Concerto

SAT., JAN. 17—7:30 PM CONRAD TAO, PIANO BEETHOVEN Overture to The Creatures of Prometheus HAYDN Chaos from The Creation MILHAUD La création du monde TAO Pangu BEETHOVEN Piano Concerto No. 5 (“Emperor”)

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SAT., FEB. 14—7:30 PM PHILIPPE QUINT, VIOLIN CORIGLIANO The Red Violin WAGNER Prelude and Liebestod from Tristan und Isolde TCHAIKOVSKY Romeo and Juliet Fantasy-Overture

Season Finale: Dvořák’s Cello Concerto

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20142015SEASON

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• Storybook Ballet a student performance

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Bill T. Jones/Arnie Zane Dance Company Bill T. Jones Artistic Director

Janet Wong Associate Artistic Director Featuring

The Company Antonio Brown, Rena Butler, Cain Coleman, Jr., Talli Jackson, Shayla-Vie Jenkins, I-Ling Liu, Erick Montes Chavero, Joseph Poulson and Jenna Riegel In Play and Play: An Evening of Movement and Music “… take something and do something to it, and then do something else to it ...”

— Jasper Johns Production Staff Stacey Boggs, Sam Crawford and Carley Manion The creation of new work by the Bill T. Jones/Arnie Zane Dance Company is made possible by the company’s Partners in Creation: Ellen Poss, Jane Bovingdon Semel and Terry Semel; Anne Delaney; Stephen and Ruth Hendel; Eleanor Friedman and Jonathan Cohen; and Zoe Eskin.

Tonight’s performance will be approximately 70 minutes, with a 15-minute intermission.

Join us for Twittermission! Tag us in your post or selfie and you could win a $100 CU Presents gift certificate.

ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

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ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

Program Spent Days Out Yonder

(2000) Choreography by Bill T. Jones Music by Wolfgang Amadeus Mozart, String Quartet No. 23 in F Major, K. 590, Andante (1790) Music performed by Altius Quartet (Andrew Giordano, violin, Joshua Ulrich, violin, Andrew Krimm, viola, and Zachary Reaves, cello) Lighting by Robert Wierzel Costumes by Liz Prince Danced by The Company

Continuous Replay

(1977, revised 1991) Choreography by Bill T. Jones and Arnie Zane Music composed and assembled by Jerome Begin with material from Ludwig Van Beethoven’s String Quartet Op. 18 No. 1 and String Quartet Op. 135 Music performed by Altius Quartet (Andrew Giordano, violin, Joshua Ulrich, violin, Andrew Krimm, viola, and Zachary Reaves, cello), Magee Capsouto, violin, Mei-Mey Segura-Wang, violin, Laura Eakman, viola, and Andrew Brown, cello.

Lighting by Robert Wierzel Costumes by Liz Prince and the Company Danced by The Company Jenna Riegel as “the clock”

Intermission D-Man in the Waters

(1989) “In a dream you saw a way to survive and you were full of joy.” — Jenny Holzer Choreography by Bill T. Jones Music by Felix Mendelssohn, Octet for Strings in E-flat major, Op. 20 (1825) Music performed by Altius Quartet (Andrew Giordano, violin, Joshua Ulrich, violin, Andrew Krimm, viola, and Zachary Reaves, cello), Andrew Brown, cello, Magee Capsouto, violin, TBA #1, TBA #2 Lighting by Robert Wierzel Costumes by Liz Prince Danced by The Company D-Man in the Waters is dedicated to Demian Acquavella.

The first movement of D-Man in the Waters was commissioned by The St. Luke’s Chamber Ensemble and was made possible with public funds from the New York State Council on the Arts.

The 2011 reconstruction of D-Man in the Waters was supported by the American Dance Festival with funding from the SHS Foundation and the Mary Duke Biddle Foundation. The reconstruction was conducted in residence at Bard College and the University of Virginia.

Company History Over the past 32 years the Bill T. Jones/Arnie Zane Dance Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane.

Today, the company is recognized as one of the most innovative and powerful forces in the modern-dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011, the Bill T. Jones/

Arnie Zane Dance Company merged with Dance Theater Workshop to form New York Live Arts, of which Bill T. Jones is artistic director.

The repertory of the Bill T. Jones/Arnie Zane Dance Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice and stagecraft and includes musically driven works as well as works using a variety of texts. Some of its most celebrated creations are evening-length

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works, including Last Supper at Uncle Tom’s Cabin/ The Promised Land (1990, Next Wave Festival at the Brooklyn Academy of Music); Still/Here (1994, Biennale de la Danse in Lyon, France); We Set Out Early … Visibility Was Poor (1996, Hancher Auditorium, Iowa City); You Walk? (2000, European Capital of Culture 2000,Bolgna, Italy); Blind Date (2006, Peak Performances at Montclair State University); Chapel/ Chapter (2006, Harlem Stage Gatehouse); Fondly Do We Hope … Fervently Do We Pray (2009, Ravinia

Festival, Highland Park, Illinois); Another Evening: Venice/Arsenale (2010, La Biennale di Venezia, Venice, Italy); Story/Time (2012, Peak Performances); and A Rite (2013, Carolina Performing Arts at the University of North Carolina-Chapel Hill). The Company is also currently touring Body Against Body an intimate and focused collection of duet works drawn from the Company’s 30-year history.

Co-founders Bill T. Jones (Artistic Director/Co-Founder/ Choreographer) is the recipient of the 2014 Doris Duke Award; the 2013 National Medal of Arts Award; 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award, 2007 Obie Award and 2006 Stage Directors and Choreographers Foundation Joe A. Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the 2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; the 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the 2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and the 1994 MacArthur Foundation Fellowship (the “Genius Award”). In 2010, Mr. Jones was recognized as Officier dans l’Ordre des Arts et des Lettres by the French government and in 2000 The Dance Heritage Coalition named him “An Irreplaceable Dance Treasure.”

Mr. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He has created more than 140 works for his company.

Mr. Jones is Artistic Director of New York Live Arts, an organization that strives to create a robust framework in support of the nation’s dance- and movementbased artists through new approaches to producing, presenting and educating. For more information visit www.newyorklivearts.org.

Arnie Zane (Co-Founder/Choreographer) (1948-1988) was born in the Bronx and educated at Binghamton University, the State University of New York. In 1971, Arnie Zane and Bill T. Jones began their long collaboration in choreography and in 1973 formed the American Dance Asylum in Binghamton with Lois Welk. Mr. Zane’s first recognition in the arts came as a photographer when he received a Creative Artists Public Service Fellowship in 1973. Mr. Zane was the recipient of a second CAPS Fellowship in 1981 for choreography, as well as two Choreographic Fellowships from the National Endowment for the Arts (1983 and 1984). In 1980, Mr. Zane was co-recipient, with Bill T. Jones, of the German Critics Award for his work, Blauvelt Mountain. Rotary Action, a duet with Mr. Jones, was filmed for television, co-produced by WGBH-TV Boston and Channel 4 in London.

Company Profiles Antonio Brown (Dancer), native of Cleveland, Ohio, began his dance training at the Cleveland School of the Arts and received his BFA from The Juilliard School in 2007 under the direction of Lawrence Rhodes. While there, he performed works by Ohad Naharin, Jose Limon, Jiri Kylian, Eliot Feld, Aszure Barton, Jessica Lang, Susan Marshall and Larry Keigwin, among others. Mr. Brown has also worked with Malcolm Low/Formal Structure, Stephen Pier, Nilas Martins Dance Company, Sidra Bell Dance New York and Camille A. Brown & Dancers. In addition to working with the company, Mr. Brown also performs with Gregory Dolbashian’s The Dash Ensemble and has choreographed on Verb Ballets, August Wilson

Center Dance Ensemble, Perry Mansfield Performing Arts School and Camp and various other companies, schools and intensives across the United States. His work has also been shown at The Juilliard School, Center for Performance Research, NYC Summer Stage, Riverside Church and Hunter College. Mr. Brown joined the company in 2007 and is grateful to share his gifts and talents with the world.

Rena Butler (Dancer) is a native of Chicago. She studied under the instruction of Anna Paskevska and Randy Duncan at The Chicago Academy for the Arts high school. Ms. Butler received her BFA from Purchase

ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

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ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

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College, the State University of New York, Purchase Conservatory of Dance and studied dance abroad at Taipei National University of the Arts in Taiwan. She graduated cum laude and was the recipient of the Bert Terborgh Dance Award. Ms. Butler has also danced for Kyle Abraham/Abraham.In.Motion, David Dorfman Dance, Luna Negra Dance Theater, Mettin Movement and salsa dance company Pasos Con Sabor. Ms. Butler is featured in Dance Magazine’s March 2013 article “On the Rise,” FORMA collective magazine and online fashion and culture site, Refinery29.

Cain Coleman, Jr. (Dancer) started his dance training in high school at The Center for The Arts at Henrico High.

He later joined The City Dance Theatre of Richmond, Virginia. After training at the Conservatory of Dance at Purchase College, SUNY, he began dancing with Philadanco and The Martha Graham Dance Company.

He has performed works by Paul Taylor, George Balanchine, Martha Graham, Talley Beaty, George Fazon, Christopher Huggins, Ray Mercer and many more. He has been seen on “Good Morning America,” “Good Morning New York” and “So You Think You Can Dance.” As an emerging choreographer he has presented works at Purchase College, Regional Dance Association, The Girl Effect Project, Bare Bones Dance Project, and has produced a few of his own shows. Mr. Coleman joined the Company in 2014.

Talli Jackson (Dancer) was born and raised in Liberty, New York. He received his first training with Livia Vanaver at the Vanaver Caravan Dance Institute in upstate New York. He has received full scholarships from the American Dance Festival in 2006 and 2008, the Bates Dance Festival, and the Ailey School. Since moving to New York City in 2006, Mr. Jackson has had the pleasure of working with Francesca Harper, Paul Matteson and Erick Montes. In 2013, Mr. Jackson was honored with a Princess Grace Award in dance, and was nominated for a Clive Barnes Award. He has been a member of the Bill T. Jones/Arnie Zane Dance Company since 2009.

Shayla-Vie Jenkins (Dancer), originally from Ewing, New Jersey, received her primary dance instruction from Watson Johnson Dance Theater and Mercer County Performing Arts School. In 2004, she graduated with honors from the Ailey/Fordham BFA program. She has performed with The Kevin Wynn Collection, Nathan Trice Rituals, Kazuko Hirabayashi, The Francesca Harper Project, Yaa Samar Dance Theater, and A Canary Torsi. In 2008, she was featured among Dance Magazine’s “On The Rise” performers. Ms. Jenkins joined the Company in 2005.

I-Ling Liu (Dancer), a native of Taiwan, received her BFA from Taipei National University of the Arts in 2005. She has performed with Ku and Dancers, Taipei

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Crossover Dance Company, Image in Motion Theater Company, Neo-Classic Dance Company, and in works

by Trisha Brown, Lin Hwai-Min and Yang Ming-Lung.

Ms. Liu joined the Company as an apprentice in 2007 and became a member of the Company in 2008.

Erick Montes Chavero (Dancer), originally from Mexico City, trained at the National School of Classical and Contemporary Dance. In 2004 he was featured in Dance Magazine’s “25 To Watch.” He holds a fellowship in choreography from The New York Foundation for the Arts. In 2009, he was part of the program In the Company of Men at Dance New Amsterdam. He has been part of the River to River Festival in collaboration with DJ Spooky, The Boogie Down Dance Series at Bronx Academy of Arts and Dance and has been presenting his work in collaboration with the choreographers Bill Young and Colleen Thomas for the Gorillas-Fest and The LIT Festival, The Tank at DCTV and E-Moves at The Gatehouse/Harlem Stage. In 2010 he worked in collaboration with choreographers Jennifer Nugent and Yin Mey in the creation of a Ballet for the National Dance Academy of Beijing. He has presented his choreography in Mexico, Colombia and Spain. Mr. Montes-Chavero joined the company in 2003.

Joseph Poulson (Dancer), originally from Philadelphia, received undergraduate and graduate degrees from the University of Iowa and Bennington College, respectively. From 2000 to 2010 he was a member of Susan Marshall & Company, David Dorfman Dance, Bill Young/Colleen Thomas and Dancers, Creach/ Company and Acanarytorsi, receiving a New York Dance and Performance “Bessie” Award in 2009.

He has also performed with Elena Demyanenko, Jeanine Durning, Mark Morris Dance Group, Lisa Race, Susan Scorbatti, Peter Schmitz, Will Swanson and Punchdrunk’s New York production of Sleep No More. Mr. Poulson joined the company in the summer of 2012.

Jenna Riegel (Dancer), a native of Fairfield, Iowa, has been a New York-based dancer, performer and teacher since 2007. Ms. Riegel holds an MFA in dance performance from the University of Iowa and a BA in theater arts from Maharishi University of Management. She has performed and toured nationally and internationally as a company member of David Dorfman Dance, Alexandra/Beller Dances, Bill Young/ Colleen Thomas & Dancers, johannes weiland and Tania Isaac Dance. Ms. Riegel began working with the Company as a guest artist in 2010 and was ecstatic to join the Company in 2011.

Stacey Boggs (Lighting Supervisor) is a New Yorkbased lighting designer whose works include Theatre Three’s The Diary of Anne Frank, CAT’s Inside/Out, 651’s Soundtrack 63, Waterwell’s Marco Millions

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(based on lies), The|King|Operetta, #9, I Love a Piano (national tour). She has designed with choreographers Robert Moses, Troy Powell, Christopher Wheeldon and Mina Yoo. She has worked as a lighting supervisor for The Wooster Group and as the technical and lighting director for Ailey II. Ms. Boggs has worked at Glimmerglass Opera, Florida Grand Opera and Michigan Opera Theater. She has designed the lighting for many window displays in the New York City area.

She graduated from New York University’s graduate design program in 2005. Ms. Boggs joined the Bill T. Jones/Arnie Zane Dance Company in 2013.

by Gordon Monahan. Soon-to-be-released albums include new works by John Zorn on Tzadik, composers Index Zero in works written for violin duo, String Noise (her husband, Conrad Harris, violinist in FLUX Quartet) and a new release by composer Phill Niblock. Ms. Harris is also a violinist in the highly acclaimed disco phenomenon, Escort. Upcoming engagements include performances in a production of Samuel Beckett plays, directed by Joy Zinoman, appearances at the Beyond Cage festival in New York, a celebration of the John Cage centennial, and performances of John Cale’s Paris 1919 at the Next Wave Festival, BAM.

Sam Crawford (Sound Supervisor/Sound Designer) completed degrees in English and Audio Technology at Indiana University in 2003. A move to New York City led him to Looking Glass Studios where he worked on film projects with Philip Glass and Björk. His recent sound designs and compositions have included works for the Bill T. Jones/Arnie Zane Dance Company (Venice Biennale, 2010), Kyle Abraham/Abraham.In.Motion (Pavement, 2012) and David Dorfman Dance (BAM’s Next Wave Festival, 2013). He currently holds positions as both sound supervisor for the Bill T. Jones/Arnie Zane Dance Company and Music Director for David Dorfman Dance. Mr. Crawford also plays lap steel and banjo in various groups, including Bowery Boy Blue (Brooklyn) and Corpus Christi (Rome).

Carley Manion (Stage Manager) is an Oregon native.

While studying at the University of Oregon for her BFA in dance, she also studied stage management.

She continued work in dance at Jacob’s Pillow Dance Festival where she worked with many companies for four years. The Pillow served as the perfect doorway into the dance world and Ms. Manion stepped through it eagerly. Before taking her position as stage manager for the Bill T. Jones/Arnie Zane Dance Company in 2014, she worked with the Trisha Brown Dance Company, Kyle Abraham and Camille A. Brown among others.

Hannah Emerson (Company Manager) completed her BFA in contemporary dance from the University of North Carolina School of the Arts in 2011. While enrolled, she studied with and was selected to perform works by many respected dance artists. She moved to New York shortly after being awarded the William R. Kenan, Jr. Fellowship at the Lincoln Center Institute.

Choosing to remain in the northeast, she has held administrative positions at New York Live Arts and The Yard while continuing to be artistically involved in the dance community. Ms. Emerson joined the Company in 2014.

Pauline Kim Harris (Musical Director) is always trying to expand and create a new listening experience.

Grammy-nominated for The Olde School (East Village Opera Company, Universal/Decca), she has been described as a “sorceress” of the violin. From ground-breaking classical, genre-bending crossover to the envelope-pushing experimental/avant-garde/ contemporary, Ms. Harris has dazzled audiences worldwide. She has performed with Peter Gabriel, Sting and Jeff Beck; recorded on albums by Jay Z, Lenny Kravitz, Jane Siberry, Tyondai Braxton and David Byrne/Fat Boy Slim; worked with Merce Cunningham Dance Company, American Ballet Theater, City Ballet of New York and Savion Glover.

Most recently, Ms. Harris performed with choreographer Margie Gillis in a new piece for violin and theremin

Kyle Maude (Director of Producing and Touring) graduated from Drake University with a BFA in theatre.

She has worked with Ballet Tech/Feld Ballets New York, The Royal Ballet School of London, Buglisi-Foreman Dance and Lesbian Pulp-o-Rama! Ms. Maude joined the Company in 2003.

Liz Prince (Costume Designer) has worked extensively with Bill T. Jones since 1990. She has also designed for Doug Varone and Dancers, Jose Limon Dance Company, Dayton Contemporary Dance Company, American Ballet Theater, Washington Ballet, Pennsylvania Ballet, PHILADANCO, Houston Ballet, Dendy Dance, Pacific Northwest Ballet, Dortmund Theater Ballet, Mikhail Baryshnikov’s White Oak Dance Project, Meg Stuart, Lucy Guerin, Tamar Rogoff, Claire Danes, PILOBOLUS, Neil Greenberg, Jane Comfort, Bebe Miller, Ralph Lemon and David Dorfman. Her costumes have been exhibited at The New York Public Library for the Performing Arts, Cleveland Center for Contemporary Art and Snug Harbor Cultural Center.

Robert Wierzel (Lighting Designer) has worked with artists in theater, dance, new music, opera and museums and on stages throughout the country and abroad. He has worked with choreographer Bill T. Jones and his company since 1985. Projects include Blind Date, Another Evening/I Bow Down, Still/Here, You Walk?, Last Supper at Uncle Tom’s Cabin/The Promised Land, How To Walk An Elephant, and We Set Out Early … Visibility Was Poor. Other works with Bill T. Jones include projects at the Guthrie

ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

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ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

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Theatre, Lyon Opera Ballet, Deutsche Opera Ballet (Berlin), Boston Ballet, Boston Lyric Opera, the Welsh dance company Diversions and London’s Contemporary Dance Trust. Robert has also worked with choreographers Trisha Brown, Doug Varone, Donna Uchizono, Larry Goldhuber, HeidiLatsky, Sean Curran, Molissa Fenley, Susan Marshall, Margo Sappington, Alonzo King and Joann Fregalette-Jansen.

Additional credits include national and international opera companies, Broadway and regional theater.

Mr. Wierzel is currently on the faculty of New York University’s Tisch School of the Arts and the Yale School of Drama.

Janet Wong (Associate Artistic Director) was born in Hong Kong and trained in Hong Kong and London.

Upon graduation she joined the Berlin Ballet where she first met Bill T. Jones when he was invited to choreograph on the company. In 1993, she moved to New York to pursue other interests. Ms. Wong became rehearsal director of the Company in 1996 and associate artistic director in August 2006.

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New York Live Arts Artistic Director

Bill T. Jones

Executive Director and CEO

Jean Davidson

Director of Programs

Thomas O. Kriegsmann

Tyler Ashley, Executive Assistant/Board Liaison

Board of Directors

Richard H. Levy, Board Chair Helen Haje, Vice Chair Stephen Hendel, Vice Chair Joe Azrack, Treasurer Terence Dougherty, Secretary Jean Davidson, Executive Director and CEO Bjorn Amelan Muna El Fituri Bill T. Jones Helen Mills Slobodan Randjelovic Jane Bovingdon Semel Catherine R. Stimpson David Thomson Kweli Washington Judith Zarin

New York Live Arts Staff

Bill T. Jones/Arnie Zane Dance Company Janet Wong, Associate Artistic Director Bjorn G. Amelan, Creative Director Kyle Maude, Director of Producing and Touring Stacey Boggs, Lighting Supervisor Carley Manion, Stage Manager Hannah Emerson, Company Manager Sam Crawford, Sound Supervisor Robert Wierzel, Resident Lighting Designer Liz Prince, Resident Costume Designer Bill Katz, Artistic Consultant Pauline Kim, Musical Director

Programming and Engagement

Jaamil Kosoko, Director of Engagement and Education Leah Cox, Director of the New York Live Arts/Bard College Partnership Isabella Hrelijanovic, Producing Associate Rakia Seaborn, Associate Artist Program Manager

Production

Anita Shaw, Director of Production Michael Zimmerman, Technical Director Laura Bickford, Lighting Supervisor Meredith Belis, Production Coordinator Megan Byrne, Production Coordinator Stephanie Byrnes Harrell, Production Coordinator Lilli De Armon, Production Coordinator Ashley Vellano, Production Coordinator Rochelle Riley, Production Apprentice Amine Hechehouche, Production Apprentice Jacklyn Hecker, Production Apprentice

Development

Dan Zanella, Interim Director of Development, Individuals Lynn Stern, Interim Director of Development, Institutional Gifts Tricia Smit, Manager of Individual Giving Alexandra Burke, Development Assistant

Marketing and Public Relations

Liliana Dirks-Goodman, Director of Marketing and Design Elizabeth Cooke, Associate Director of Communications Katie Jennings, Marketing Manager

Operations and Finance

Andrea Nellis, Interim General Manager Donald Heath, Director of Finance Nupur Dey, Associate Director of Finance and Human Resources Jeff Berzon, Bookkeeper Alyssa Alpine, Rental Manager Danielle Doell and Xavier Hageman, Receptionists Tyler Ashley, Executive Assistant

ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

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ARTIST SERIES — Bill T. Jones/Arnie Zane Dance Co., Jan. 22, 2015

Box Office and Front of House

Christine Jacobsen, Box Office Manager Shantelle Jackson, House Manager Renne Colbert, House Manager Max Canion, Head Usher Julie Goldberg, Head Usher Tony Carlson, Denisa Musilova, Tara Sheena, Eli Tamondong, Nehemoyia Young, Front of House Staff

Consultants

Marcum LLP, Certified Public Accountants, Inc. Kozyn & Company, Fundraising Ian Douglas, Photographer Lowenstein Sandler, PC, Pro-bono Counsel Located in the heart of Chelsea in New York City, New York Live Arts is an internationally recognized destination for innovative movement-based artistry offering audiences access to art and artists notable for their conceptual rigor, format experimentation and active engagement with the social, political and cultural currents of our times.

At the center of this identity is Bill T. Jones, a world-renowned choreographer, dancer, theater director and writer.

New York Live Arts was formed in 2011 by the merger of Dance Theater Workshop and the Bill T. Jones/ Arnie Zane Dance Company. Inspired by the legacies of Mr. Jones and Dance Theater Workshop, New York Live Arts is a vibrant hub of contemporary dance and movement based experimentation, offering audiences meaningful experiences that are both thought provoking and intimate. We commission, produce and present performances in our 19,326-square-foot facility, which houses a 184-seat theater and two sizable studios that can be combined into one large studio. New York Live Arts serves as home base for the internationally acclaimed touring company of Mr. Jones, provides an extensive range of participatory programs for adults and young people and supports the continuing professional development of artists. newyorklivearts.org.

New York Live Arts 219 West 19th St., New York, NY 10011 212-691-6500; fax 212-633-1974 newyorklivearts.org North American Representation by Opus 3 Artists of Bill T. Jones/Arnie Zane Dance Company by: 470 Park Avenue South, 9th Floor New York, NY 10016 212-584-7500 Email: info@opus3artists.com opus3artists.com European representation of Bill T. Jones/Arnie Zane Dance Company by: Gillian Newson Associates Office + 44 20 7622 8549; Mobile + 44 7768 166381 Email: gillian@gilliannewson.com

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here’s something special about life at Frasier. And it’s reflected in the smiling faces and close connections you’ll see everywhere on our spacious, graceful campus. Is it our stellar setting, close to all the best Boulder attractions? Our gorgeous selection of living spaces and long list of amenities and activities? The sense of belonging to a spirited community of friends and family? The opportunity to pursue new passions? Or the peace of mind that comes from our continuum of on-site-care? Whatever the reason, one thing is certain: no place compares to home sweet Frasier.

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Dreams

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Formerly The School of Ballet Nouveau Colorado

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Classes in Ballet, Jazz, Modern, Contemporary, Tap, Dance With Me, Adaptive Dance, Adults, Boys and more!

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Faculty Tuesdays

Faculty Tuesday recitals are held at 7:30 p.m. in Grusin Music Hall in the Imig Music Building at CU-Boulder. All performances are free and open to the public. (Musical programs and performers subject to change.)

JAN. 27

Erika Eckert, viola, and Margaret McDonald, piano

A Musical Journey for Two

FEB. 17

Geraldine Walther, viola, with Matthew Dane, viola d’amore, Margaret McDonald, piano, Lina Bahn, violin, Sharon Park, violin, and Andrew Brown, cello

MARCH 10

Paul Erhard, double bass, Margaret McDonald, piano, Jeffrey Erhard, voice, and Robbie Erhard, cello

Indo-Western Fusion with a Twist of Jazz

Rachmaninoff’s Sonata in G minor, Op. 19, Tomas Ades’ Arcadiana and a viola duo.

FEB. 3

Jeffrey Nytch and Carter Pann, composers, with Christina Jennings, flute, Jennifer Bird-Arvidsson, soprano, Andrew Cooperstock, piano, Margaret McDonald, piano, Erika Eckert, viola, Chas Wetherbee, violin, and special-guest flutist Lindsey Goodman

FEB. 24

Nicholas Carthy, piano, and Alexandra Nguyen, piano

Dances from the Old World

MARCH 17

Daniel Kellogg, composer, Bjorn Arvidsson, librettist and tenor, with Hsing-Ay Hsu, piano, and singers

World premier of Packer, a one-act chamber opera about the infamous Alferd Packer

Words in Music, Music in Words

FEB. 10

Alexandra Nguyen, piano, with Silver Ainomäe, principal cellist for the Colorado Symphony Orchestra, cello, Matthew Chellis, tenor, and Charles Wetherbee, violin

Fantasies and Fairy-Tales

MARCH 3

Robert Spillman, composer, with Matthew Chellis, tenor, Sarah Barber, mezzo-soprano, Adam Ewing, baritone, Christina Jennings, flute, Gary Lewis, conductor, Margaret McDonald, piano, Alexandra Nguyen, piano, and faculty and student ensembles

Poetry into Song, song settings of poetry by James Wright, Emily Dickinson, Li Bai and Ezra Pound

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MARCH 31

College of Music faculty Christina Jennings, flute, David Korevaar, piano, Daphne Leong, and Allan McMurray, with guests Julie Simson, Matthew Dane, James Buswell and Carol Ou

Richard Toensing Memorial Concert

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Artist Series

The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide worldclass performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.

BENEFACTOR Mark and Margaret Carson Carson-Pfafflin Family Foundation Paul Bechtner Foundation Greg Silvus and Melanie Miller Ellen and Joshua Taxman SPONSOR Diane and Richard Dunn Daryl and Kay James Mary Lamy Louise Pearson and Grant Couch PATRON Anonymous Joan McLean Braun Chris and Barbara Christoffersen Ruth Carmel Kahn Midge Korczak Hal Osteen Scott Wiesner and Janet Ackermann SUPPORTER Anonymous Albert and Nancy Boggess Fiona and Marv Caruthers Carol and Michael Gallucci Doree and Jerry Hickman Myra Jackson Susan and Jon Lounsbury Heidi and Jerry Lynch Janet and Scott Martin Robert and Sandra McCalmon Judy and Alan Megibow Barbara and Irwin Neulight Jerry and Jamie Orten Mikhy and Michael Ritter Alicia and Juan Rodriguez Lawrence and Ann Thomas CONTRIBUTOR Gil and Nancy Berman Ellen and Dean Boal Norma Ekstrand and Tom Campbell Martha Coffin Evans and Robert Trembly Gregory and Gladeane Lefferdink Harold and Joan Leinbach Robert and Francine Myers Gary and Beth Rauch Stephanie and Alan Rudy Kenneth Pope and Christine Willis 26 |

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MEMBER David Beausang Shirley Carnahan Pauline and Noel Clark Catherine Cloutier Kenneth Dell Fran Evans Leslie and Merrill Glustrom John Graham and Lorin Lear Pamela Leland Judah and Alice Levine Thomas and Gail Madden Paul and Kay McCormick Janet and Hunter McDaniel Tammy Noirot Kim and Rich Plumridge Randall Rutsch Ruth Shanberge in memory of Carol Seideman Mary Ann Shea and Steven Meyrich Courtland and Carolyn Spicer Zoe Stivers Randi and Anthony Stroh Tom and Karen Thibodeau Lloyd Timblin Jr. Geoffrey Tyndall Derek Van Westrum Vince and Caroline Wayland ARTIST SERIES ADVISORY BOARD Gil Berman Rodolfo Betancourt Ellen Boal Joan McLean Braun John Davis Diane Dunn Clay Evans Michael Gallucci Lissy Garrison Laima Haley Daryl James, President Maryan Jaross Ruth Kahn Jerry Orten Louise Pearson Erika Randall Gregory Silvus Ellen Taxman Nicholas Vocatura

CORPORATE SPONSORS: Boulder CPA Group (Formerly Mark H. Carson & Associates, P.C.) Caplan & Earnest Center Copy Boulder, Inc. Frasier Meadows Retirement H.B Woodsongs Hurdle’s Jewelry James & Associates, LLC Roser Visiting Artist Endowment Shaw Construction WESTAF IN-KIND SPONSORS Boulder Weekly Colorado Public Radio The Daily Camera Flowers in Bloom Hotel Boulderado KUNC KUVO Liquor Mart The Pines Catering

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2525 ARAPAHOE, BOULDER 303.396.6366 WWW.PIZZERIADALUPO.COM

HAPPY HOUR | LATE NIGHT PATIO | BEER TO GO 1631 Coalton Rd, Superior, CO 80027

1123 Walnut Street 303.447.1345 walnutbrewery.com

(in the Safeway Shopping Center)

303-494-6000 • delvickios.com Open 4:30 Mon-Fri and 9am-9pm Sat & Sun

A TRUE TASTE OF GREECE Local. Fresh. Organic.

One of the “8 Hottest New Restaurants In Denver & Boulder” by ZAGAT

Beer Garden Opens Memorial Day – Labor Day Lunch served Friday & Saturday Anytime, with Anyone, for Anything.

Your go to place for great food, wonderful friendly service and Euro ambiance.

Czech Us Out! Happy Hour Daily from 4:30-6:30 pm Dinner from 5pm until close Open Tuesday-Saturday 7521 Ute Highway • Longmont, CO 80503 www.praharestaurant.com 303.702.1180

music

experience the

Mediterranean Restaurant 2480 Canyon Blvd @ The Village Shopping Center 303-938-8800 voltaboulder.com Sunday Brunch 10a-2:30p Lunch (Tues-Sat): 11a-2:30p Tapas Hour: 4:30p-6p Dinner: 5:30p-9p Sunday Greek Night: 5:30p-9p

Pearl St. Patio Sake Bar & Whiskey Lounge Happy Hour Everyday 3-6pm 1136 Pearl St., Boulder www.boulderjapango.com

TasTe modern mexican cuisine new Pollo mango mole

2013–2014 Season Global performance. World-class entertainment.

You have to be here.

Dinner and theatre go together like the Takács Quartet and Boulder. Make sure your restaurant advertising is part of that equation.

www.ColoradoArtsPubs.com 303.428.9529

TwenTy ninTh sTreeT 1680 29th st 303.444.2260 cantinalaredo.com Join us for ValenTine’s day

Takács Society

The Takács Society is formed by the College of Music and provides the resources critical to supporting the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attracting and retaining exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.

BENEFACTOR Albert and Nancy Boggess Gary and Judith Judd in memory of Fay Shwayder Norma R. Johnson Fund in memory of Fay Shwayder Janet and David Robertson The Takács Quartet SPONSOR Pamela Decker Marion Thurnauer and Alexander Trifunac PATRON Catharine Hawkins Foundation Thomas and Carol Cech Chris and Barbara Christoffersen Carol Lena Kovner Kathleen Sullivan John and Carson Taylor SUPPORTER Anonymous Anne Heinz and Ron Yaron Robert R. Kehoe Walter and Eileen Kintsch Maxine Mark Lise Menn Virginia M. Newton Newton Family Fund, Inc. Neil and Martha Palmer Mikhy and Michael Ritter Susan and David Seitz Lawrence and Ann Thomas James and Lena Wockenfuss

CONTRIBUTOR Virginia and Stanley Boucher William and Alice Bradley Christopher and Margot Brauchli Noel and Pauline Clark Robert and Lenore Damrauer Jon and Liz Hinebauch Harold and Joan Leinbach Nancy and Paul Levitt Patricia and Robert Lisensky Cheryl Stevenson and James Cannon Lynn Streeter Randi and Anthony Stroh Patricia Thompson MEMBER Lois Abbott Maria and Jesse Aweida Ted and Ingrid Becher Marda Buchholz Kevin and Diana Bunnell Patricia Butler Shirley Carnahan Penny Chenery Charlotte Corbridge Joann and Richard Crandall Barbara and Carl Diehl Carolyn and Don Etter Jean and Bob Fischer Marcia Geissinger and Neil Ashby Mary and Lloyd Gelman Steve Goldhaber and Mariana Goldhaber-Vertenstein Dianne and Kenneth Hackett David Hammer Bruce and Kyongguen Johnson Jennifer and Bob Kamper Caryl and David Kassoy

If you would like to name a seat in Grusin Music Hall, please call the College of Music Development Office at 303-735-6070.

Make all gifts payable to the University of Colorado Foundation and mail to Takács Society, CU College of Music, 301 UCB, Boulder, CO 80309-0301.

For credit card payments, questions or additional information, please call the College of Music Development Office at 303-735-6070.

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Mireille Key Alice and Judah Levine Albert and Virginia Lundell Heidi and Jerry Lynch Kamilla Macar Thomas and Gail Madden Caroline Malde Nancy and John Malville J. Richard and Marjorie McIntosh Peter and Doris McManamon Christopher Mueller and Martha Whittaker Joan Nordgren Alison and Graham Oddie Joanie Oram Julie and Wayne Phillips Arthur and Ina Rifkin Joanna and Mark Rosenblum JoAn Segal Ruth Shanberge in memory of Carol Seideman Todd and Gretchen Sliker Grietje Sloan Carol and Art Smoot Jan and Charles Squier Helen Stone Berkley Tague Laurie and Arthur Travers Mary and Peter Van Etten Betty Van Zandt Thomas VanZandt Christopher and Leanne Walther Nurit and Jim Wolf Bill Wood M. Yanowitch

WATERSHED SCHOOL

.com

College Preparatory Grades 6-12

EDUCATION FOR A SUSTAINABLE FUTURE The Center Stage Club offers online versions of CU Presents Magazine for patrons to read before performances.

And, check out upcoming metro-area performing arts events in the calendar.

The World is Our Classroom

Fostering critical thinking, academic excellence and character development through real world learning.

NOW ACCEPTING APPLICATIONS

CenterStageClub.com

1661 Alpine Ave. Boulder, CO 80304 www.watershedschool.org info@watershedschool.org 303.440.7520

The Center Stage Club is produced by Colorado’s Performing Arts Publications

Experience the Experience the Experience the

Art Difference ArtCleaners Cleaners Differen Art Cleaners Difference in Dry Cleaning, in Dry in Cleaning, Dry Cleaning, Laundry Laundry and and Alterations Alterations Laundry and Alterations Simply the Best Since 1921

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FOR TICKETS: www.jesterstheatre.com or 303.682.9980

303.447.8700 303.447.8700 • • artcleaners.com artcleaners.com | 303.492.8008 | 31

Friends of the Eklund Opera Program E K L U N D

The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country.

Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize CU Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting CU Opera, please contact our Development Office at 303-735-6070.

BENEFACTOR Anonymous The Academy Charitable Foundation, Inc. Allen Family Fund Paul Eklund Bob Graham Ann Oglesby SPONSOR Alan and Martha Stormo PATRON Chris and Barbara Christoffersen Albert and Betsy Hand Bob and Mikee Kapelke Ken and Ruth Wright Wright Family Foundation SUPPORTER Anonymous Caulkins Family Foundation John Hedderich Jo and David Hill Mikhy and Mike Ritter Rotary International District # 5450 Lawrence and Ann Thomas CONTRIBUTOR Donna and Ken Barrow Jim and Judith Bowers Robert and Lenore Damrauer Walt and Mary Ruth Duncan Martha Coffin Evans and Robert Trembly David and Janet Hummer Harold and Joan Leinbach Burr Lloyd Dennis Peterson Dave and Ann Phillips Richard and Caroline Van Pelt Peter Wall

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MEMBER Judith Auer and George Lawrence Bob Burnham and Gail Promboin Allene Cash Ben and Gale Chidlaw Wallace and Beryl Clark Sara-Jane and William Cohen Peter and Joan Dawson Richard and Margaret Dillon Lloyd and Mary Gelman Ellen and John Gille Steve Goldhaber and Mariana Goldhaber-Vertenstein Susan Graber Janet Hanley Linda L. Johnson Frank and Marion Kreith Nicholas and Mollie Lee Patricia and Robert Lisensky Heidi and Jerry Lynch Bruce Mackenzie Marian Matheson Byron and Cathy McCalmon Denise McCleary and Paul Von Behren Corinne McKay Richard and Donna Meckley Pat and Bob Meyers Marilyn Newsom Margaret Oakes Robert and Marilyn Peltzer Juan and Alicia Rodriguez Elaine Schnabel Ruth Schoening JoAnn Silverstein and Nevis Cook Helen Stone Daniel Urist

GRANTS Denver Lyric Opera Guild Galen & Ada Belle Spencer Foundation Louis and Harold Price Foundation Roser Visiting Artist Endowment The Schramm Foundation

ABOUT THE EKLUND FAMILY OPERA PROGRAM

Recognizing the importance of the arts and live-vocal performance in an increasingly distracted world, long-time Boulder resident Paul Eklund made a generous gift in October to help establish a $2 million endowment at the CU-Boulder College of Music.

Funding from the endowment will help support three opera productions each academic year, the CU New Opera Workshop and an opera-scenes program for new students.

From left, Paul Eklund, Director of Opera Leigh Holman and Dean of the College of Music Robert S. Shay

Gala

presents a

Tar a Performing Arts High School

Benefit

for the purchase and rehabilitation of the historic

NOMAD PLAYHOUSE 1410 Quince Avenue, Boulder

M arch 6 – 8, 2015

The weekend’s events to celebrate the theatre will be an eclectic performing arts lineup including film, dance,

bluegrass, Irish and classical music, theatre and more!

Featuring

Joan van Ark in My Life in ‘Logues and Songs, memories of Boulder, Broadway and beyond Pete & Joan Wernick with members of The Long Road Home bluegrass band

TAR A NOM AD GALA

For more information see www.nomadplayhouse.org

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Personnel COLLEGE OF MUSIC ADVISORY BOARD Robert Shay, Dean James R. Austin Chris Brauchli Steve Bruns Bob Bunting Jan Burton John Davis Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lissy Garrison Lloyd Gelman Doree Hickman David Hummer Daryl James Caryl Kassoy Robert Korenblat Erma Mantey Joe Negler Susan Olenwine Mikhy Ritter, co-chair Becky Roser, co-chair Mark Tezak Jeannie Thompson Jack Walker HONORARY DIRECTORS Dean Boal Bob Charles Eileen Cline Donna Erismann Dave Grusin

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STAFF Joan McLean Braun, Executive Director Nick Vocatura, Operations Director Laima Haley, Marketing Director Clay Evans, Communications Director Daniel C. Leonard, Marketing and Public Relations Coordinator Melinda Plett, Publications Coordinator Karen Schuster, Graphic Designer Rachel Dodson, Emily Scraggs, Amelia Weller, Public Relations Assistants Margaret Romero, Production Assistant Andrew Metzroth, Box Office Manager Michael Casey, Box Office Services Coordinator Ciara Glasheen-Artem, Sydney Bogatz, Starla Doyal, Lucas Munce, Melanie Shaffer, Bradley Steinmeyer, Box Office Assistants Kevin Harbison, Recording Engineer Nancy Quintanilla, Financial Manager Ted Mulcahey, Piano Technician MACKY AUDITORIUM STAFF Rudy Betancourt, Director John Jungerberg, Operations Manager Sara Krumwiede, Assistant Director JP Osnes, Technical Director Rhett Snyder, Assistant Technical Director Rojana Savoye, House Manager Nicole Anderson, Assistant House Manager Program editor: Clay Evans Cover design: Karen Schuster

PATRON INFORMATION • CU Presents venues are fully accessible to patrons using wheelchairs and those with other special needs. Please call the box office as early as possible at 303-4928008 to make arrangements.

• Parking is available in the Euclid Avenue Autopark, Lot 310, and Lot 204 for $4 per evening or weekend day. Lot 380 (near Macky) is reserved for VIP members of the Artist Series. Drop-off and handicap parking is available near all venues. For more information about the best parking options for each venue, please call the box office at 303-492-8008.

• Food is permitted in seating areas of Macky Auditorium and the Mary Rippon Outdoor Theatre, but prohibited in other campus venues unless otherwise noted.

• Photographic and recording devices are prohibited.

• All programs, artists and prices are subject to change.

• All sales are final; no refunds. Subscribers may exchange tickets for another night or performance with no exchange fee; single-ticket exchanges are subject to a $3 per ticket exchange fee. Exchanges are subject to availability and must be made at least one business day prior to performance; an upgrade fee may apply.

• CU presents will hold all events as scheduled unless the CU-Boulder campus is closed due to hazardous weather. We will make every effort to notify patrons of an emergency closure as soon as the situation arises. For detailed information on the Colorado Shakespeare Festival’s rain policy, please visit coloradoshakes.org.

• Patrons are encouraged to call CU Presents at 303-492-8008 for information on the suitability of events for children.

• Patrons are encouraged to be considerate of those around you and to refrain from wearing strong fragrances.

• Can’t use your tickets? Return them to the CU Presents box office as a taxdeductible contribution prior to the beginning of the performance.

• The University of Colorado Boulder is a smoke-free campus.

University of Colorado Museum of Natural History STEPS IN STONE, WALKING THROUGH TIME The movements of animals across the landscape are captured in the tracks they leave behind. Some tracks last only a few moments and others become fossils that endure for millions of years.

Steps in Stone is a fantastic opportunity to see amazing fossil tracks, many of which have never been on display before, and learn about animals in ancient environments.

1421 P E A R L

b o u l d e r a r t s a n d c r a f t s . com Bowl by Hudson Beach Glass 303-443-3683 Ornaments by Fritz Lauenstein

Open 7 Days a Week. Always Free.

Located on CU Main Campus Henderson Bldg., 15th & Broadway.

303-492-6892 cumuseum.colorado.edu

We’re celebrating 15 years as a Colorado company. To us, Colorado is home. But we’ll go to the ends of the earth to bring you the rare and beautiful. So let’s mark this 15th anniversary with something uniquely special. Stop in and see us — Jim and Ron Cherry Creek North : Denver

hwhome.com

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Pearl Street : Boulder

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Landmark : Greenwood Village