Applause Magazine, Apr. 29-May 10, 2015

APPLAUSE

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VOLUME XXVI | NUMBER 6 | MAR – MAY 2015

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Gilgamesh Taggett as Oliver Warbucks and Issie Swickle as Annie in “I Don’t Need Anything But You” in Annie. © Joan Marcus

ANNIE

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MOTOWN THE MUSICAL

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VO LU M E X XV I | N U M B E R 6 | M A R – M AY 2 0 1 5

EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore DESIGNERS: Kim Conner, Brenda Elliott, Kyle Malone CONTRIBUTOR: Elizabeth Jewitt

LETTER FROM THE CHAIRMAN

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Applause magazine is funded in part by

Scott will build upon one of the DCPA’s most successful seasons to date, which welcomed more than 800,000 guests, educated more than 68,000 students and offered more than 600 school visits.

As President & CEO, he is excited to strengthen ties to the community, enrich your experience in our theatres and build upon the artistic excellence that has made the DCPA the nation’s largest nonprofit theatre organization.

When Scott joins us May 1, I will continue on as Chairman of the Board. My primary focus will be the reauthorization of the Scientific and Cultural Facilities District in 2016. For 25 years, your support of the SCFD has cultivated arts and culture in the metro area. Now, according to the National Endowment for the Arts’ recent report, Colorado ranks first in the nation in theatre, concert hall and museum attendance. This cultural renaissance would not have been possible without your help.

We hope you’ll join us again soon and celebrate our changes — a new CEO, a new season and, as always, another great show.

DAN L. RITCHIE Chairman & CEO Denver Center for the Performing Arts

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BOARD OF TRUSTEES Daniel L. Ritchie, Chairman & CEO Donald R. Seawell, Chairman Emeritus William Dean Singleton, Secretary/Treasurer Robert Slosky, First Vice Chair Margot Gilbert Frank, Second Vice Chair Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond L. Roger Hutson W. Leo Kiely III Mary Pat Link Trish Nagel Robert C. Newman Hassan Salem Richard M. Sapkin Martin Semple Jim Steinberg Ken Tuchman Tina Walls Lester L. Ward Dr. Reginald L. Washington Judi Wolf Sylvia Young _______________________

HONORARY MEMBERS Jeannie Fuller Glenn R. Jones M. Ann Padilla Cleo Parker Robinson

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As a valued member of our theatre family, we want you to be among the first to know our plans for the 2015/16 Theatre Company season. Highlights include All the Way (2014 Tony winner for Best Play), Sweeney Todd (musical adaptations by DeVotchKa), Shakespeare’s As You Like It and two brand new plays straight off of our New Play Summit. Your participation has made this one of our most successful seasons; we certainly hope you will return this fall. See our full season listing on pages 28-29 and make your plans to rejoin us in September.

While our Theatre Company breaks in the summer to plan, design and build its next exciting season, our Broadway lineup continues with Motown the Musical, Annie and Joseph and the Technicolor Dreamcoat. There also are many more family favorites just around the corner to fill late spring and summer with a variety of entertainment options.

As one season ends and another begins, we will welcome Scott Shiller as our new President & CEO. Scott is only the third individual to join the DCPA as CEO in its 36-year history. He comes to us from the Adrienne Arsht Center for the Performing Arts in Miami, Florida where he has served as Executive Vice President since 2007.

Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved.

Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.

Carolyn Foster, Executive Assistant to Daniel L. Ritchie Kim Schouten, Executive Assistant to Daniel L. Ritchie

HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES Lester L. Ward, President Martin Semple, Vice President Judi Wolf, Sec’y/Treasurer Donald R. Seawell, President Emeritus W. Leo Kiely III Daniel L. Ritchie William Dean Singleton Robert Slosky Jim Steinberg Dr. Reginald L. Washington Minumum Width .75” Maximum Width 2”

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SENIOR MANAGEMENT STAFF Clay Courter, Vice President, Facilities & Event Services John Ekeberg, Executive Director, Broadway Vicky Miles, Chief Financial Officer Jennifer Nealson, Chief Marketing Officer Kent Thompson, Producing Artistic Director, Theatre Company Charles Varin, Managing Director, Theatre Company David Zupancic, Interim Director of Development

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WEAR A HAT THAT SPEAKS VOLUMES. Join our Women with Hattitude benefit for the Women’s Voices Fund at the Denver Center for the Performing Arts.

Enjoy a delicious lunch, a surprise musical performance and a colorful parade of the day’s best hats — all to help women playwrights and directors be heard.

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BERRY GORDY’S

MOTOWN

The Temptations, MOTOWN THE MUSICAL First National Tour © Joan Marcus, 2014

MUSIC THAT CHANGED THE WORLD

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On January 12, 1959, Berry Gordy Jr. obtained a loan of $800 from his family and founded an enterprise he called Motown. He set up his Detroit headquarters in a modest house emblazoned with an immodest sign, “Hitsville U.S.A.” The slogan was premature, but prophetic. The company had its first hit record in 1960 and, between 1961 and 1971, landed 163 singles in Billboard magazine’s top 20, including 28 songs that reached No. 1.

Gordy discovered, developed and launched the careers of Smokey Robinson and The Miracles, Diana Ross and The Supremes, The Temptations, Stevie Wonder, Mary Wells, The Jackson 5, Michael Jackson and Marvin Gaye – to name just a few – and Motown became the most successful business owned and operated by an African American in the United States.

What Gordy accomplished had ramifications far beyond the world of music. Now his legacy is celebrated in Motown the Musical. “Berry Gordy is the Steve Jobs of the music field,” says Doug Morris, CEO of Sony Music Entertainment and co-producer of the show. “He’s the No. 1 creative executive in the history of the industry, an amazing American success story who changed the culture of the country.”

Although Motown was home mostly to black artists, Gordy envisioned the music as “the sound of young

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America” – and by that he meant Americans of all colors and ethnicities. He started Motown just before the Civil Rights Movement was in full flower, when neighborhoods throughout the country remained segregated and music by black artists was mostly relegated to black radio stations.

But Gordy “endeavored to reach across the racial divide with music that could touch all people,” as the Rock & Roll Hall of Fame acknowledged. And so he did. A brilliant entrepreneur with impeccable artistic taste, Gordy signed the best singers, hired the best musicians, the best songwriters, the best producers, and the best staff to “create, make and sell” irresistible songs with universal appeal.

It began, of course, with the sound, a thrilling amalgamation of gospel, blues, jazz, doo wop, and country. “I may not have always known what I was looking for exactly, but when I found it I knew it,” Gordy has said.

“Long before there were electronic synthesizers, I was looking for new ways to create different sound effects. We would try anything to get a unique percussion sound: two blocks of wood slapped together, striking little mallets on glass ashtrays, shaking jars of dried peas – anything. I might see a producer dragging in bike chains or getting a whole group of people stomping on the floor.”

— BERRY GORDY, FOUNDER OF MOTOWN In the early ’60s, when Motown was evolving and beginning to hit its stride, radio play was crucial to a song’s success. Gordy recognized that he needed an experienced, respected, well-connected point man who could infiltrate and shatter the color line of the airwaves, and in 1960 he brought on Barney Ales as vice president of distribution and sales. Ales had been a branch manager at Capitol Records in Detroit, then had his own record distributorship, and had relationships with disc jockeys and stations, black and white, all around the metropolitan area.

“My feeling, long before I went to Motown, was that music was music,” says Ales. “I never considered Motown a black company. It was owned by a black guy and had black artists, but it wasn’t a black company. It was a record company. And it was easy to sell the sound because people liked the sound.”

Robin Seymour, Detroit’s most popular radio personality of that era, was perhaps the only white disc jockey in the city to feature black music on his shows in the ’50s, prior to the founding of Motown. “When Berry Gordy came along, I started playing his records,” says Seymour. “Some of the sponsors hated the music, but they had kids and their kids thought it was the greatest music ever. The sponsors were getting results, so they were happy. The music really took off.”

In those days, according to Seymour and Ales, radio stations on the East and West coasts would not play a new record until it had been a hit in Detroit or Chicago or Cleveland. “The record had to be pretty high on the charts before a song was played in New York, regardless of whether the singer was black or white,” says Ales. “Later in the ’60s, when Motown had made it big, that changed. Stations would play a new record by a new artist.”

Seymour adds, “White disc jockeys around the country were eager to get and play this music. If I had a record I really liked, I’d call a disc jockey, say, in Boston on the big station there, and say, ‘You’ve got to hear this record.’

And he’d call the distributor to get a copy. Because the disc jockeys wanted to be connected with records and artists and songs that became hits, so they could say, ‘First introduced on our show.’”

Motown gradually became part of the fabric of America. “Music really makes the world vibrate,” says Morris. “And when multi-cultures vibrate together, it’s a great thing. That’s what Berry Gordy made happen. His music changed the world.”

MOTOWN THE MUSICAL MAR 31 – APR 19 BUELL THEATRE ASL interpreted, Audio-described & Open Captioned Performance Apr 18, 2pm Tickets: 303.893.4100 | denvercenter.org 800.641.1222 | TTY 303.893.9582 Groups (10+): 303.446.4829

Krisha Marcano (Florence Ballard), Allison Semmes (Diana Ross) & Trisha Jeffrey (Mary Wilson), MOTOWN THE MUSICAL First National Tour. © Joan Marcus, 2014

Cody Lyman, photo by Michael Brosilow

“I may not have always known what I was looking for exactly, but when I found it I knew it.”

COMING UP FROM CABARET:

DEFENDING THE CAVEMAN He’s kidding! He was goaded! But when Durango native Cody Lyman was asked how much better he is than the other seven “cavemen on call” who perform in the worldwide Defending the Caveman dynasty, he totally took the bait.

“Oh, quite a bit better,” Lyman said.

Take that, Neanderthals.

Lyman is happy to be heading back to his native state performing the one-man show (Apr 22-Jun 28) that Rob Becker made famous. It’s a theatrical conversation between a modern-day caveman (read: your average husband) and his audience about the ways men and women relate.

APPLAUSE: So there are eight caveman on call. Do you all go to a caveman camp together or something?

LYMAN: We rarely all get together at once.

There are legal concerns that might arise.

Local liquor sales would shoot through the roof. We all have the same script, but it really is eight different shows.

A: So how long have you been doing it?

L: Eleven years.

A: And do you get sick of it or could you do for the rest of your life?

L: I still love this show. I love that it speaks to everybody. One of my favorite things about it is that you get people who aren’t typical theater patrons. You know: Guys who show up in jeans. Or were dragged there by their wives. They’re upset that they are here, but they end up loving the show.

A: How do you classify this show — one-man theater, stand-up, couples’ therapy?

L: It’s very conversational. It has a lot of standup elements, but it has a lot of theatrical elements, too. What is it Steve Martin said?

“People want to laugh, they want free parking — and they want to get home early.”

A: So how do you know if you’ve had a good night?

L: One of my favorite things to do is to watch how people relate to one another while I am on stage. I love seeing lovers elbow each other in recognition. Most of all, I love seeing them leave the theater arm-in-arm.

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COMING SOON

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SPOTLIGHT

The 12 Now – Apr 26 Motown The Musical Now – Apr 19 Perception Apr 10 – 25

Denver Center for the Performing Arts’ biggest stars step into the spotlight — actors, designers, students and you.

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Annaleigh Ashford – Lost in the Stars Apr 11 – 12 Joseph and the Amazing Technicolor Dreamcoat Apr 22 – 26 Defending the Caveman Apr 22 – Jun 28 Annie Apr 29 – May 10 Cult Following May 8 Wicked Jun 3 – Jul 5 The Book of Mormon Aug 11 – Sep 13 Matilda The Musical Sep 9 – 20 Lookingglass Alice Sep 11 – Oct 11 As You Like It Sep 25 – Oct 25 Tribes Oct 9 – Nov 15 If/Then Oct 13 – 25 Murder for Two Oct 27 – Feb 21, 2016

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Disney’s The Lion King Nov 4 – 29 A Christmas Carol Nov 27 – Dec 27 A Christmas Story, The Musical Dec 16 – 27 The Nest Jan 22 – Feb 21, 2016 Dirty Dancing — The Classic Story On Stage Jan 26 – 31, 2016 All the Way Jan 29 – Feb 28, 2016 FADE Feb 5 – Mar 13, 2016

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The Wizard of Oz Feb 7 – 13, 2016 A Gentleman’s Guide to Love & Murder Feb 16 – 28, 2016

1. THEATRE COMPANY Playwrighting Fellow Matthew Lopez works with theatre majors at Denver School of the Arts. 2. SATURDAY NIGHT ALIVE

patrons had a sneak preview at the Patron Party hosted by the Westin Denver Foundation where artist Marcel Kahhak created an on-site painting to be auctioned at the blacktie fundraiser. 3. OFF-CENTER’s Cult Following kept people in the dark — literally — as participants confessed their secrets in this ongoing improv show. 4. BROADWAY’s Kids’ Night On Broadway at Rodgers + Hammerstein’s Cinderella included pre-show activities and a post-show Talkback with the cast. 5. EDUCATION students participated in a recent Public Speaking class, which is offered regularly year-round.

For complete photo coverage, visit the DCPA’s News Center at denvercenter.org/news-center.

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Riverdance — The 20th Anniversary World Tour Mar 8 – 13, 2016 Newsies Mar 23 – Apr 9, 2016 Sweeney Todd Apr 8 – May 15, 2016 once May 24 – 29, 2016 Disney’s Beauty and the Beast Jun 7 – 12, 2016 The Sound of Music Jun 21 – 26, 2016 Beautiful — The Carole King Musical Jul 19 – 31, 2016

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William Berloni with Sunny. Photos by Joan Marcus

LITTLE ORPHAN SANDY B Y S H E R Y L F L AT O W

T

“It’s really more of a life philosophy than a training philosophy.

It’s taking the time to understand someone else’s feelings and language, as opposed to assuming they should understand yours.”

— WILLIAM BERLONI

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The adorable, sad-eyed terrier mix playing Sandy in the national tour of Annie is Sunny, a four-year-old rescue dog who was named by her trainer, Tony Award honoree William Berloni, after the lyric “The sun’ll come out tomorrow.” Like her character in the beloved musical, the canine went from a hard-knock life to sunny tomorrows. But when Berloni found her, she had just one tomorrow remaining: she was only a day away from euthanasia.

Berloni came across Sunny when he was looking for a dog to play Sandy in the 2012 Broadway production. He already had two candidates and was asked to find a third. He saw an online photo of Bruno — the dog had been misidentified as male — at a Houston shelter on a Friday and called to ask if he could come to see her on Monday.

He was told she was scheduled to be put down on Saturday.

“The thing about my job is I connect with someone, whether it’s online or in person, and if I don’t take them, they sometimes die,” Berloni says. “A trainer who used to work with me was living in Houston and I said, ‘Go over and see the dog, and if she’s sweet pull her and we’ll get her to New York and find her a

home.’ It was less about the dog being a candidate for the show than it was about saving her life. It wasn’t until I temperament tested her — saw that she was friendly, and learned her aggression triggers and how she deals with stress — that I told the show we had one more candidate.”

She got the role, making her the tour’s lone holdover from Broadway. In fact, Sunny aside, the touring version is based not on the recent revival, but the original 1977 production. Martin Charnin, the show’s lyricist and original director, is again directing the musical, which has a book by Thomas Meehan and music

by Charles Strouse. The choreographer is Liza Gennaro, who has incorporated selections of her father Peter Gennaro’s original dances. The new design is by Beowulf Boritt (set), Suzy Benzinger (costumes) and Ken Billington (lighting).

Berloni, who has trained animals for 19 Broadway productions, as well as television and film, owes his career to Annie. He was an aspiring 19-year-old actor when he was asked to find and train a dog to play Sandy at the Goodspeed Opera House, where the show was first produced. “I had no idea what I was doing,” he says. So he trained the

Alyssa Fox

dog purely by instinct, which became the basis of the methodology he continues to use. “It’s really more of a life philosophy than a training philosophy. It’s taking the time to understand someone else’s feelings and language, as opposed to assuming they should understand yours.

You take a dog who’s happy, friendly, likes people, and deals with stress, teach them some behaviors where there’s a cookie involved at the end, and they’ll do what you want eight times a week.”

Berloni works only with rescue animals and estimates that he’s saved some 400 dogs over the years. When the animals aren’t performing, they live with Berloni, his wife and daughter on their Connecticut farm.

“We currently own 25 dogs,” he says. “They’re either actors in training, working actors, or retired actors. We also have a couple of horses and pigs, a llama, a donkey, a pony, two cats and a macaw. The dogs reside in special wings of our home; it’s a communal living situation. They pay the mortgage, so I figure they should have luxury accommodations.”

COMING UP ON BROADWAY:

ANNIE APR 29 - MAY 10 BUELL THEATRE

WICKED

ASL interpreted, Audio described & Open Captioned performance: May 10, 2pm Tickets: 303.893.4100 | denvercenter.org 800.641.1222 | Groups (10+): 303.446.4829

Gregory Maguire was born in 1955, in Albany, New York. He was a voracious reader who particularly enjoyed fairy tales, even when he was at the age when one was supposed to outgrow them. He wrote many books for children while building a career as a teacher, but soon sought out an idea for adult readers.

FUN FACTS ABOUT ANNIE • Annie is based on the Little Orphan Annie comic strip that ran from 1924 to 2010.

• When penned as a musical, it was rejected by 23 producers before being presented at the Goodspeed Opera House in 1977.

• The original Broadway run had 2,377 performances and won 7 Tony Awards.

• Annie was revived for Broadway in 1997 and 2012. It also has played in 34 different countries.

• Annie was reimagined for the big screen three times: 1982, 1999 and 2014.

• The show launched the careers of many young actresses: Sarah Jessica Parker, Molly Ringwald, Alyssa Milano and Jamie Lynn Seigler, just to name a few.

• And many celebrities have recorded “Tomorrow” including: Barbra Streisand, Johnny Mathis, Cissy Houston, Grace

The Company in “A New Deal for Christmas” in Annie.

Sunny as Sandy and Issie Swickle as Annie.

Reprinted from Playbill® Magazine, October 2014. PLAYBILL® is a registered trademark of Playbill Incorporated, N.Y.C. All rights reserved.

Used by permission.

“I became interested in the nature of evil,” said Maguire, “and whether one really could be born bad. When I realized that nobody had ever written about one of the most evil characters in our collective American subconscious, the Wicked Witch of the West, I thought I had experienced a small moment of inspiration.”

Published in 1995, Wicked was very well received by critics and readers, although some Oz purists were resistant at first to Maguire’s “heretical” story.

He is careful to point out that Wicked is not a prequel to The Wizard of Oz, but rather a reimagining of the same world.

Wicked was adapted into a Broadway musical in 2003. Since then it has broken box office records, delighting more than 2 million patrons worldwide. Winner of three Tony Awards and a Grammy, Wicked returns to The Buell June 3-July 5.

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Troika EnTErTainmEnT, LLC presents

Book By

music By

THomaS mEEHan

Lyrics By

CHarLES STroUSE

marTin CHarnin

original Production Directed by marTin CHarnin Presented on Broadway by mikE niCHoLS Produced by: STEPHEn r. FriEDman THE JoHn F. kEnnEDY CEnTEr for the PErForminG arTS

irWin mEYEr aLVin nEDErLanDEr aSSoCiaTES inC.

LEWiS aLLEn iCarUS ProDUCTionS

BaSED on “LiTTLE orPHan anniE” BY PErmiSSion oF TriBUnE ConTEnT aGEnCY, LLC. 2014

Starring

iSSiE SWiCkLE as “annie” LYnn anDrEWS and GiLGamESH TaGGETT aSHLEY EDLEr GarrETT DEaGon LUCY WErnEr JEFFErY B. DUnCan anGELina CarBaLLo aDia DanT LiLLYBEa irELanD SYDnEY SHUCk LiLLY maE STEWarT iSaBEL WaLLaCH at select performances aDia DanT as “annie”

amY BUrGmaiEr CamEron miTCHELL BELL JoHn CormiEr Brian CoWinG ToDD FEnSTErmakEr EVan maYEr JakE miLLS HiLLarY rEiTEr mEGHan SEaman HannaH SLaBaUGH LiLY EmiLia SmiTH CHLoE TiSo Scenic Design

Costume Design

BEoWULF BoriTT

Lighting Design

SUZY BEnZinGEr

Hair, Wigs & makeup

animals By

LUC VErCHUErEn for CamPBELL YoUnG aSSoCiaTES

kEiTH LEVEnSon

Tour marketing and Press

amY kaTZ CoUrTnEY DaViS

Executive Producer

ranDaLL a. BUCk

PETEr HYLEnSki Casting By

WiLLiam BErLoni

music Supervisor, music Director & additional orchestrations

Sound Design

kEn BiLLinGTon

JoY DEWinG CaSTinG JoY DEWinG, CSa & HoLLY BUCZEk, CSa music Coordinator

TaLiTHa FEHr TL mUSiC inTErnaTionaL

Exclusive Tour Booking

THE roaD ComPanY General manager

ToWnSEnD TEaGUE

Technical Director

ranDY morELanD Production manager

rYan P. mUrPHY

Choreographed By

LiZa GEnnaro Directed By

marTin CHarnin “anniE” is presented through special arrangement with mUSiC THEaTrE inTErnaTionaL, new York, nY. www.mtishows.com

Annie

and Season Sponsor

Annie

Cast

(in order of appearance) Annie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . issie swickle Annie (at select performances). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ADIA DANT Molly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lilly mae stewart Pepper.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . adia dant Duffy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . isabel wallach July. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Angelina carballo Tessie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lillybea ireland Kate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . sydney shuck Miss Hannigan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lynn andrews Bundles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . brian cowing Apple Seller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN CORMIER Dog Catcher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . cameron mitchell bell Asst. Dog Catcher.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN COWING Sandy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MACY/Sunny Lt. Ward. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jake mills Eddie.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . cameron mitchell bell Sophie the Kettle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . amy burgmaier Grace Farrell. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ashley edler Drake. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . todd fenstermaker Mrs. Greer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lily emilia smith Mrs. Pugh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . amy burgmaier Cecile. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MEGHAN SEAMAN Annette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . hannah slabaugh Oliver Warbucks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . gilgamesh taggett Star to Be.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . hannah slabaugh Rooster Hannigan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . garrett deagon Lily.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lucY werner Bert Healy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . cameron mitchell bell Fred McCracken. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN COWING Jimmy Johnson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . todd fenstermaker Buddy, the Sound Effects Man. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . john cormier Bonnie Boylan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . lily emilia smith Connie Boylan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MEGHAN SEAMAN Ronnie Boylan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . hannah slabaugh Harold Ickes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John cormier Frances Perkins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy burgmaier Cordell Hull.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAKE MILLS Henry Morganthau. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . cameron mitchell bell F.D.R. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFFERY B. DUNCAN Louis Howe.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN COWING Judge Brandeis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAKE MILLS ENSEMBLE amy burgmaier, cameron mitchell bell, john cormier, brian cowing, todd fenstermaker, jake mills, meghan seaman, hannah slabaugh, lily emilia smith DANCE CAPTAIN EVAN MAYER ASSISTANT DANCE CAPTAIN HILLARY REITER Swings evan mayer, HILLARY REITER, chloe tiso UNDERSTUDIES Understudies never substitute for listed players unless a specific notice is posted at the time of the performance.

For Annie: ANGELINA CARBALLO, ADIA DANT, SYDNEY SHUCK; For Oliver Warbucks: TODD FENSTERMAKER, JEFFERY B. DUNCAN; For Miss Hannigan: AMY BURGMAIER, LUCY WERNER; For Grace Farrell: LILY EMILIA SMITH, CHLOE TISO; For Star to Be: meghan seaman, CHLOE TISO; For Rooster Hannigan: JOHN CORMIER, EVAN MAYER; For F.D.R: TODD FENSTERMAKER, BRIAN COWING; For Bert: EVAN MAYER, JAKE MILLS; For Drake: JAKE MILLS, EVAN MAYER; For Mrs Pugh: CHLOE TISO; For Lily: MEGHAN SEAMAN, hannah slabaugh; For Molly: ANGELINA CARBALLO

SETTING New York City, December 1933 ACT I Overture “Maybe”.................................................................................................................................................................................................Annie “It’s the Hard Knock Life”........................................................................................................................................... Annie, Orphans “It’s the Hard Knock Life” (Reprise)..................................................................................................................................... Orphans “Tomorrow”..........................................................................................................................................................................................Annie “We’d Like to Thank You”.........................................................................................................................................Annie, Ensemble “Little Girls”.........................................................................................................................................................................Miss Hannigan “Little Girls” (Reprise).....................................................................................................................................................Miss Hannigan “I Think I’m Gonna Like It Here”.................................................................................................Annie, Grace Farrell, Ensemble “N.Y.C.”............................................................................................................. Oliver Warbucks, Grace Farrell, Annie, Ensemble “Easy Street”...........................................................................................................................................Miss Hannigan, Rooster, Lily “You Won’t Be an Orphan for Long”.................................................... Oliver Warbucks, Grace Farrell, Annie, Ensemble “Maybe” (Reprise).............................................................................................................................................................................Annie ACT II ENTR’ACTE “Maybe” (Reprise).............................................................................................................................................................................Annie “You’re Never Fully Dressed Without a Smile”..................................................................... Bert Healy, The Boylan Sisters “You’re Never Fully Dressed Without a Smile” (Reprise)............................................................................................. Orphans “Easy Street” (Reprise).......................................................................................................................Miss Hannigan, Rooster, Lily “Tomorrow” (Reprise)...................................................................................................Annie, Oliver Warbucks, F.D.R., Cabinet “Something Was Missing”........................................................................................................................................ Oliver Warbucks “Annie”...............................................................................................................................................................Grace Farrell, Ensemble “I Don’t Need Anything But You”.......................................................... Annie, Oliver Warbucks, Grace Farrell, Ensemble “Maybe”(Reprise).............................................................................................................................................................................Annie “A New Deal for Christmas”................................... Annie, Oliver Warbucks, Grace Farrell, F.D.R., Orphans, Ensemble

THERE WILL BE ONE 15 MINUTE INTERMISSION

ANNIE Orchestra Music Director/Keyboard: Keith Levenson Associate Music Director/Keyboard: Kelly Ann Lambert Keyboards: John Yun Woodwinds: Tansie Mayer, Tom Colclough, Todd Barnhart Violin: Eugene Kaler Cello: Nick Donatelle Trumpets: Robby Moser, Sonja Donatelle Trombone: Brian Troiano Bass/Tuba: Arnold S. Gottlieb Drums: Tom Bradford Band Tech: Arnold S. Gottlieb Music Coordinator: Talitha Fehr (TL Music International)

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

Annie

SCENES & MUSICAL NUMBERS

Annie

who’s who in the cast ISSIE SWICKLE (Annie) from Davie, FL. National tour debut as “Annie!” Huge thanks to Broadway Kids Studio, Michelle Ameerally, Broadway Artists Alliance, Jennifer Johns, Jonathan Brenner, Nancy Carson, Joy Dewing, Verna and family.

Mom, Dad, Max this is for you!

LYNN ANDREWS (Miss Hannigan) Favorite credits: Chicago (Mama Morton), Romeo & Juliet (Nurse), 30th Anniversary tour of Annie (Miss Hannigan). Lynn would like to thank her family and friends for their love and support despite, you know, all those funny things that happen. lynn-andrews.squarespace.com GILGAMESH TAGGETT (Oliver Warbucks) is thrilled to reprise “Daddy” after two seasons in Cleveland. Other favorite roles: Father (Children of Eden), Franz Liebkind (The Producers), Billy Flynn (Chicago) and Jud Fry (Oklahoma). Thanks to Martin, my road family and love to Allison.

ASHLEY EDLER (Grace Farrell) Thrilled to be a part of this amazing production! Off-Broadway/Theatre: Amanda (It’s Just Sex), Sharon (Girl’s Night the Musical), Nanette (No No Nanette) and Connie (1940’s Radio Hour).

Thanks family and friends for your continuous support and belief in me. brnashle.wix.com/ashleyedler GARRETT DEAGON (Rooster Hannigan) is a Southern California native who’s cockadoodle-doin’ it. Favorite roles: Burrs (The Wild Party), Perchick (Fiddler on the Roof), Macheath (The Threepenny Opera) and Jesus (Reefer Madness). BFA: University of California, Irvine. Thanks and love to my family-MDCMD. www.garrettdeagon.com LUCY WERNER (Lily, U/S Miss Hannigan) is thrilled to travel on her first tour!

Favorite credits include Logaine (Spelling Bee), Queenie (Wild Party), Carmen (Fame), and Hershey Park. Huge thanks to her beautiful family and family at Elon University!

JEFFREY B. DUNCAN (FDR, U/S Oliver Warbucks) returns for his 6th National tour of Annie. Previous Nat. Tours includes Oklahoma (Pa Carnes) and Ragtime (Henry Ford). Jeff would like to thank God, his family, friends and Martin Charnin for all they have done and love they give.

ADIA DANT (Annie Alternate, Pepper) age 10 from Indianapolis, IN, is excited to make her Broadway Tour debut.

Regional: Eastside Story, Peter Pan, Annie.

Special thanks to God, my Family, Nancy Carson, Walker Clark, Bob Marks, Karen Dryer, Lynne Mlott, Julie Bandy, Lynn Herrick, Joy Dewing.

TODD FENSTERMAKER (Drake, Ensemble, U/S Warbucks, FDR) National/ International Tours: West Side Story, Man of La Mancha, Damn Yankees, The Sound of Music, and The King and I. Regional: Annie (Warbucks), Showboat (Steve), 1776 (Rutledge), Sweeney Todd (Sweeney). Love and thanks to my family!

AMY BURGMAIER (Mrs. Pugh, Ensemble, U/S Miss Hannigan) Favorite credits: Catch Me If You Can 1st National Tour (Carol Strong), Legally Blonde (Paulette), Reefer Madness (Mary Lane), Chicago (Roxie), Hairspray and Forbidden Broadway. ISU: Advertising (BA) and Journalism (MS). Gratitude to Joy Dewing Casting, coaches and family! amyburgmaier.com

LILLYBEA IRELAND (Tessie) from Evansville, Indiana; enjoys singing, golf, and snuggling her dog Sweetie. Love and thanks to friends, family, parents & siblings (Andrew, Maddie, & Nick) who said dream BIG and follow it! Send smiles and follow her journey Twitter@lillybeaIreland :)

CAMERON MITCHELL BELL (Bert, Ensemble) is thrilled to be fully dressed with a smile. Off-Broadway: Time to Kill. National Tour: Clifford the Big Red Dog LIVE, Disney Cruise Line. Regional: Chicago, Disney’s Aladdin, Candide, Oklahoma, Thoroughly Modern Millie, You’re a Good Man Charlie Brown. cameronmitchellbell.com ANGELINA CARBALLO (July, U/S Annie, Molly) is a fun-loving nine year old who is thrilled to be in this amazing production. Thanks to Actor’s Playhouse, BAA, Nancy Carson, Troika Entertainment, Joy Dewing, STA, PPDC, Encore, family and friends for fueling her passion in musical theater.

JOHN CORMIER (Ickes, Ensemble, U/S Rooster Hannigan) Favorite credits: Jesus Christ Superstar twice (Jesus, Judas); Songs for a New World (Man 1); Al Carmine’s Bonus Army (Flint); Proof (Hal); Of Mice and Men (George); Twelfth Night (Aguecheek); Macbeth (Banquo); and Hamlet (Hamlet). 2013 MFA New School for Drama. www.johncormier.net BRIAN COWING (Bundles, Ensemble, U/S FDR) First National Tour. Originally from Madison, WI and a proud graduate of Oklahoma City University. Regional credits include: Spamalot, The Producers, 25th...

Spelling Bee and Drowsy Chaperone. He would like to thank his friends and family for all their love and support.

EVAN MAYER (Dance Captain, Swing, U/S Rooster Hannigan, Bert, Drake) National Tour debut! Regional: Music Theatre of Wichita- Fiddler on the Roof (Motel), Les Miserables (Joly), Legally Blonde (Kiki); Westchester Broadway TheatreMary Poppins, Ragtime. B.F.A. Indiana University. Love to family and friends across the country! www.evanmayer.net JAKE MILLS (Lt. Ward, Ensemble, U/S Bert, Drake) National tour debut!

Favorite performances include: Avenue Q, Spamalot, The Last 5 Years and Urinetown.

He thanks his wife and family for their constant prayer and support. Jer. 29:11 www.jakemills.me HILLARY REITER (Assistant Dance Captain, Swing) is thrilled to be a part of Annie! National tour debut: West Side Story 2013-2014. Graduate of SUNY Purchase (BFA in Dance). Special thanks to the creative team, Troika Entertainment, and my family!

MEGHAN SEAMAN (Ensemble, U/S Lily, Star to Be) National Tour debut! Favorite credits: Chicago (Roxie), Thoroughly Modern Millie (Millie) and 25th Annual..

Spelling Bee (Olive). BFA University of the Arts. Thanks Joy Dewing Casting, Troika and entire Creative Team. Dreams do come true. Love to Family and Braxton. www.meghanseaman.com HANNAH SLABAUGH (Star to Be, Ensemble, U/S Lily) is thrilled to be a part of the Annie national tour! Regional credits: Next to Normal (Natalie), Les Miserables (Eponine), Greta (Annie) and The Truman Show (Tina). BFA Musical

of Annie was in the summer of 2010 and since she has starred in over two dozen productions nationwide.

SYDNEY SHUCK (Kate, U/S Annie) 11 years old, from New York. Stage: School House Rock, Jr.; The Little Mermaid, Jr. (Ariel) Film: Live a Little (Haley). I want to thank GOD, my family, Nancy Carson, Peggy Stamps and Joy Dewing.

DONAVAN DOLAN (Production Stage Manager) National Tours: GHOST, Catch Me if You Can, Grease, Peter Pan 360, Jesus Christ Superstar, RENT, Mame, Barbie Live, Oklahoma!, A Chorus Line, Copacabana. Asia Tours: 42nd Street, The Sound of Music, and Thomas & Friends.

LILY EMILIA SMITH (Ensemble, U/S Grace Farrell) is thrilled to be performing in her first National Tour! Regional: Jellylorum in Cats (PCLO), Ensemble in White Christmas (Syracuse Stage), and young artist with the 2013 Glimmerglass Festival.

A Pittsburgh, PA native and a proud Syracuse University drama graduate.

LILLY MAE STEWART (Molly) Lilly Mae’s making her National Tour Debut!

Showboat (Asolo Repertory), Whistle Down the Wind (Theatre Zone), Fiddler on the Roof (Free Fall), Entertainment Revue, Les Miserables, Annie. Kisses to Kathryn Mitchell, Cynthia Ashford, Trapper Felides, family & friends! www.backstage.com/lillymaestewart/ CHLOE TISO (Swing, U/S Grace Farrell, Star to Be, Mrs. Pugh) Regional: On the Town at Barrington Stage, Seven Brides for Seven Brothers with Prather Entertainment, White Christmas at Northern Stage, and Drowsy Chaperone (Janet) at New London Barn. Sending love/thanks to my family, HD, 9Muse and Joy Dewing Casting!

ISABEL WALLACH (Duffy) is delighted to make her professional debut in Annie at 10! Special thanks to the Annie creative team, Joy Dewing Casting, Kristen, Amelia, Sue, Erin, and my Kidz Theater family. Much love to my amazing family and friends - especially Emma!

SUNNY (Sandy) is a 4-year-old terrier mix, discovered by guardian and trainer William Berloni at BARC Municipal Animal Shelter in Houston. Berloni found Sunny’s soulful eyes reminiscent of the Sandy from the original Broadway production. Sunny starred on Broadway in Annie, loves toys that squeak and all children, especially red-headed little girls.

MACY (Sandy) was adopted from Rocky Spot Rescue of Oklahoma City, OK in Dec 2009 by guardian and trainer William Berloni at the age of 18 months. Her journey is truly inspiring. Her first production

STEVE LISCIANI (Company Manager) joins Annie for his 5th season with Troika Entertainment. For the past two seasons, he was the Company Manager for the North American Tour of West Side Story and was the Assistant General Manager from 2010-2012. He previously worked for Berkshire Theatre Festival and Utah Shakespeare Festival. Mr. Lisciani received his Master’s Degree from Southern Utah University and undergraduate degree from Greensboro College.

MARTIN CHARNIN (Director, Lyrics) is celebrating his 57th year in the entertainment industry, which began in 1957 when he created the role of Big Deal (one of Jerome Robbins’ authentic juvenile delinquents) in the original company of West Side Story. He played the role for exactly 1,000 performances. Since then, he has been involved in over 140 theatrical, television, film, and night club productions as a director, producer, composer, or lyricist.

He is one of the dozen people who have won Emmys, Tonys, and Grammys, and the Peabody Award for Broadcasting.

Annie, which came to Broadway in 1977, originally ran for 2,377 performances, and has been revived there three times. He has directed Annie 19 times (after directing the original production in New York), in London, Montreal, Amsterdam, and Melbourne as well as Annie’s 14 national U.S. companies. He has collaborated with Charles Strouse, Vernon Duke, Marvin Hamlisch, Mary Rodgers, and twice with Richard Rodgers on I Remember Mama and Two by Two. He has written for, or directed, Fred Astaire, Ethel Merman, Jack Lemmon, Ann-Margaret, Jack Benny, Anne Bancroft, Betty Hutton, Sutton Foster, Sarah Jessica Parker, Catherine Zeta-Jones, Bebe Neuwirth, Barbra Streisand, Johnny Mathis, Larry Kert, Chita Rivera, Jane Lynch, Tony Bennett, Jason Alexander, and Jay-Z, among countless others, and for his wife, Shelly Burch (who originated a leading role in the original company of Nine), and who opened her new one-woman-show at the famed

Broadway Bistro, 54 Below, this past October. He currently has 3 new musicals (Love is Love, Robin Hood, Something Funny’s Going On) that are “circling over Kennedy” getting ready for production in 2014 and 2015, in New York, including a revival of Annie Warbucks, which opened Off-Broadway in New York in 1993 and will move to Broadway in 2015. This year, “Tomorrow” from Annie became one of the 100 most performed musical numbers in the last century.

THOMAS MEEHAN (Book) is a threetime TonyAward-winning book writer for the Broadway musicals Annie, The Producers and Hairspray. In addition, he has written the books of a dozen or so other Broadway musicals, including Richard Rodgers’ I Remember Mama, CryBaby, Mel Brooks’ Young Frankenstein, Elf, Chaplin and most recently Rocky (with Sylvester Stallone). A long-time contributor of humor pieces to The New Yorker magazine and an Emmy Award-winning TV comedy writer, he has also written a number of screenplays, most notably for To Be or Not to Be and Spaceballs.

He is a member of the Council of the Dramatists Guild.

CHARLES STROUSE (Music) A graduate of New York’s P.S. 87, Townsend Harris H.S., and the Eastman School of Music, Charles has studied composition with Aaron Copland, Arthur Berger, and David Diamond in the US and Nadia Boulanger in Paris. Charles has composed copious chamber music, two piano concertos, a string quartet and two operas. After which, being broke like most composers, he was a rehearsal pianist and dance arranger for many shows, played in bar rooms, ballet classes, at weddings and strip joints (a particular boon for one who was to write the music for the film The Night They Raided Minsky’s). One morning in 1960 he awoke to find he had written (with Lee Adams and Mike Stewart) Bye Bye Birdie (Tony Award), which is still among the most performed musicals in America, followed

by Golden Boy with Sammy Davis, Jr. (Tony Nomination). Then came, Applause (Tony Award), It’s a Bird, It’s a Plane, It’s Superman, Rags (Tony Nomination) and Annie (Tony Award). In between, there have been scores for movies including Bonnie and Clyde and All Dogs Go to Heaven. Throughout his career, Charles has received the Richard Rodgers, Oscar Hammerstein, Frederick Lowe and the Leonard Bernstein Awards for musical

Annie

Theatre, Indiana University. Mom, Dad, Ben, Luke - I love you! www.hannahslabaugh.com

Annie

achievement. He is married to director/ choreographer Barbara Siman and is the father of Benjamin (attorney, author, composer), Nicholas (psychotherapist), Victoria (screen writer) and William (also a screen writer.)

LIZA GENNARO (Choreographer) choreographed the critically acclaimed Broadway revival of The Most Happy Fella directed by Gerald Gutierrez, and the Broadway revival of Once Upon a Mattress starring Sarah Jessica Parker.

She has choreographed Off-Broadway and in regional theaters across America including: Roundabout Theatre, Actor’s Theatre of Louisville, The Old Globe, Hartford Stage, Guthrie Theater, The Goodspeed Opera House, Pittsburgh Civic Light Opera, Paper Mill Playhouse and The St. Louis “Muny” Opera. She collaborated with Stephen Flaherty and Frank Galati on their chamber musical Loving, Repeating: A Musical of Gertrude Stein for the About Face Theater in Chicago.In 2014, she choreographed Elf: The Musical at Pioneer Theatre, the 20th Anniversary Concert of Titanic: The Musical at Avery Fisher Hall, and she created a dance-pantomime of A Charlie Brown Christmas for the New York Pops Christmas Concert at Carnegie Hall. She is a member of the Tony Award Nominating Committee and on the Executive Board of the Stage Director and Choreographers Society. Liza has taught at Barnard College, Princeton University, Yale University and is currently on faculty at Indiana University. Her essay, “Evolution of Dance in the Golden Era of the American ‘Book Musical’” appears in The Oxford Handbook of the American Musical.

BEOWULF BORITT (Scenic Design) Broadway: Act One (Tony Award), The Scottsboro Boys (Tony Nomination), ...Spelling Bee, Rock of Ages, Sondheim on Sondheim, LoveMusik, Bronx Bombers, Chaplin, Grace, and The Two and Only.OffBroadway: more than 50 shows including The Last Five Years, Toxic Avenger, Miss Julie, Little Miss Sunshine, Roundabout, Public, MTC, Second Stage, Vineyard, MCC, Primary Stages, and The New Group. Other Designs: The Seven Deadly Sins (New York City ballet), Reel to Real (Beijing), Chaplin (Russia), Rock of Ages (London, Toronto, Australia), and The Ringling Brothers and Barnum & Bailey Circus. He received a 2007 Obie Award for sustained excellence.

SUZY BENZINGER (Costume Designer) Broadway and Nat’l Tours include Twyla Tharp and Billy Joel’s Movin’ Out, Saturday Night Fever, Ain’t Broadway Grand, Some Like it Hot and Miss Saigon. Her film design work includes Woody Allen’s Blue Jasmine with Cate Blanchett, for which she won the Costume Designer’s Guild Award for Best Contemporary Film Design of 2013, Whatever Works, Deconstructing Harry, Celebrity; and Don’t Drink the Water as well as the films Club Paradise and Walking the Dog. Dance includes The Joffrey Ballet and A.B.T. She designed two currently running Water Spectacular’s for Franco Dragone: The House of Dancing Water in Macau and Le Réve at the Wynn Hotel in Las Vegas.

Her commercial work includes designs for Elton John, Whitney Houston, Gloria Estefan and Paula Abdul. She is the proud recipient of the Irene Sharaff Young Master Award.

KEN BILLINGTON (Lighting Designer) has 98 Broadway shows to his credit including such theatre milestones as Sweeney Todd and the current production of Chicago. Many touring productions over the years including Chicago (worldwide), Riverdance (lighting supervisor) Fiddler on the Roof (from 1976 till 2012), White Christmas, 9 to 5, High School Musical, and The Drowsy Chaperone to name a few.

Other projects include Hugh Jackman in Concert, for SeaWorld Orlando, San Diego and San Antonio “The Shamu Shows” and from 1979 to 2006 the Radio City Music Hall Christmas Spectacular. Ken’s many awards include the Tony, NY Drama Desk, Outer Critics Awards, and the Ace Award for Television Lighting and the Lumen for his architectural work.

PETER HYLENSKI (Sound Designer) Grammy, Tony and Olivier award nominated. Selected Designs include: Rocky, Bullets Over Broadway, After Midnight, Motown, Shrek the Musical (New York, US Tour, London), Rock of Ages (New York, London, Toronto, Australia, Las Vegas, US Tour), The Scottsboro Boys, On a Clear Day, Lend Me a Tenor, Elf, Wonderland, Cry Baby, The Times They are A-Changin’, The Wedding Singer, Sweet Charity, Martin Short: Fame Becomes Me, Little Women, Brooklyn. Other credits: Le Réve at Wynn Las Vegas, Ragtime (London), Rocky Das Musical (Hamburg), King Kong (Melbourne), How to Train Your Dragon (International Arena Tour), Walking with Dinosaurs (International Arena Tour), Mame.

CAMPBELL YOUNG ASSOCIATES (Hair, Wigs & Makeup Design) Broadway: The Last Ship, The Cripple of Inishmaan, Les Miserables, Betrayal, Matilda, Ghost, One Man Two Guvnors, Private Lives, Spiderman, La Bête, Mary Stuart and Billy Elliot. London: Charlie & The Chocolate Factory, The Bodyguard, Matilda, Ghost, Sweet Bird of Youth, The Cripple of Inishmaan, Peter and Alice, Passion Play, Old Times, A Chorus of Disapproval, The Kings Speech, Hay Fever, Private Lives, Priscilla, Oliver!, Billy Elliot and An Inspector Calls. Opera: Anna Nicole (BAM), Elektra (Aix-en-Provence), L’enfant et les sortilèges (Bolshoi), Einstein on the Beach (international tour) and Prima Donna (Manchester International Festival) TV: “The Americans,” “House of Cards,” “Downton Abbey” and “Smash.”

WILLIAM BERLONI (Animal Trainer) 2011 Tony® Honoree for Excellence in Theatre.

Recipient of 2014 Outer Critics Circle Special Achievement Award. Broadway: Annie (original Sandy, 20th, 30th and 35th Anniversary revivals), Bullets Over Broadway, Lady Day at Emerson’s Bar & Grill, A Christmas Story, Joe Turner’s Come and Gone, Legally Blonde, Camelot, Frankenstein, The First, Alice in Wonderland, Oliver!, Anything Goes, Nick and Nora, La Bete, The Wiz, The Wizard of Oz, Dinner at Eight, Double Feature (NYCB), Chitty Chitty Bang Bang, The Woman in White, Awake, Sing, and The Lieutenant of Inishmore. Animal director for Because of Winn Dixie at the Delaware Theater Company March 2015.

Hundreds of Off-Broadway, regional productions, tours, movies and television shows. Trained the new Sandy for the upcoming “Annie” film starring Jamie Foxx and Quvenzhané Wallis. Author of “Broadway Tails.” Mr. Berloni owes his career to ANNIE creators Martin Charnin, Charles Strouse and Thomas Meehan and is thrilled to be back with them. www. theatricalanimals.com KEITH LEVENSON (Music Supervisor, Music Director, Additional Orchestrations) Broadway: Annie, She Loves Me, Dreamgirls, Peter Pan, The Flowering Peach, Best Little Whorehouse Goes Public. National Tours: Annie, Annie Warbucks, Jesus Christ Superstar, Chess, Big River, Dreamgirls, Godspell, Best Little Whorehouse In Texas. Music Director and arranger for The Who, Roger Daltrey, KISS, Meatloaf, Alice Cooper, Peter Frampton, Nigel Kennedy, YES and others. Libretto and lyrics for Starcrossed with Jeanine

TALITHA FEHR TL MUSIC INTERNATIONAL (Music Coordinator)strives daily to carry on the contracting traditions of her mentor, Sam Lutfiyya. Broadway: A Christmas Story.

National tours: Sister Act, The Wizard of Oz, Ghost The Musical, West Side Story, Evita, Catch Me If You Can, Priscilla Queen of the Desert, Come Fly Away, Mamma Mia!, A Christmas Story, Fiddler on the Roof, Jesus Christ Superstar, Cats, Chicago, Chitty Chitty Bang Bang, Chita Rivera A Dancer’s Life, Movin’ Out, and 101 Dalmatians. International tours: West Side Story, Sound of Music, Swing!, Cinderella, The King and I. Other: The Pirate Queen, 2010 winter Olympics Ceremonies.

JOY DEWING CASTING (Casting Director) Broadway: Soul Doctor, Wonderland. Off-Broadway: 50 Shades!, Til Divorce Do Us Part, Forever Dusty, The Voca People, Dear Edwina. Current/ recent tours: Joseph and the Amazing… (starring Diana DeGarmo and Ace Young), Mamma Mia, West Side Story and Bring It On. Dance companies: Rasta Thomas, Elizabeth Streb. Past tours: In the Heights, Fiddler on the Roof (starring Topol/Harvey Fierstein), Cats, 42nd Street, Legally Blonde, Jesus Christ Superstar (starring Ted Neeley) and Movin’ Out. TOWNSEND TEAGUE (General Manager) received a B.A. in Arts Management from Indiana University’s Individualized Major Program and is a member of the Association of Theatrical Press Agents and Managers. As General Manager he oversees Annie and Dancing Pros Live, and previously Ghost (1st nat’l), Bring it On (nat’l & Japan), West Side Story, and Priscilla QOTD (1st nat’l). Townsend was Company Manager for tours of Catch Me if You Can (1st nat’l), Cats, Les Misérables (25th anniversary), Mel Brooks’ Young Frankenstein (1st nat’l), and The Producers (1st nat’l & Las Vegas). Broadway credits include The Norman Conquests, Gypsy, Radio Golf, and The Producers. @townsendteague RYAN P. MURPHY (Production Manager) is currently in his seventh season with Troika Entertainment, having worked on over 40 national and international tours with a wide range of amazing artists. Current projects include the first national tours of Sister Act, Ghost: The Musical, and Evita, as well as tours

of West Side Story, Bring It On, and Andrew Lloyd Webber’s new production of The Wizard of Oz. Prior to joining Troika, Ryan spent time as a Production Supervisor, Stage Manager, and Executive Producer. Originally from Buffalo, NY, Ryan would also like to thank his family, friends, and husband, Joe, for all their love and support.

MUSIC THEATRE INTERNATIONAL (www.mtimusicalworlds.com) is one of the world’s leading dramatic licensing agencies, protecting the rights and legacy of composers, lyricists and book writers and supplying scripts and musical materials and other theatrical resources to theatres around the world. With over 250 titles in its catalogue, MTI has been the driving force in perpetuating great musicals such as Guys And Dolls, West Side Story, and Fiddler On The Roof, as well as many fine family musicals such as Disney’s Beauty & the Beast, Seussical, Shrek and Annie. Additionally, MTI is the home of The Broadway Junior CollectionTM, 70-minute adaptations of Broadway musicals designed for middle school children to perform [Annie, Jr, The Music Man, Jr, Disney’s Aladdin, Jr and many others] and the Kids Collection, 30-minute musicals for performance by elementary school children [Disney’s Cinderella and The Jungle Book among others.]

GOODSPEED OPERA HOUSE, Michael P. Price, Executive Director, is a non-profit organization dedicated to the preservation and advancement of musical theater and the creation of new works, located in East Haddam, CT. Annie premiered there in the summer of 1976.

RANDALL A. BUCK (Producer, Chief Executive Officer) has produced more than 50 productions across the globe for Troika Entertainment. Before joining Troika in 1999, Mr. Buck was Vice President and General Manager for Livent in Toronto. Mr. Buck was a stage manager for more than 20 years, surviving a year with Mary Martin and Carol Channing in Jimmy Kirkwood’s Legends!, a year in Japan with Siegfried & Roy, opening The Phantom of the Opera Music Box Company and opening Show Boat on Broadway. When not on the road Randy can be found in the Washington, D.C. area with his wife, Angela, and their daughter Sierra Ashley Buck.

DONALD KINDL (Chief Financial Officer) joined Troika in 1992 as the company’s comptroller and assumed his current role in 2000. In this role, he is responsible for the financial, administrative, and human resources aspects of the company. He holds both a Bachelor of Science degree in Accounting and a Masters of Business Administration from the University of Connecticut. He has been involved in the production of such great Troika shows as Cats, Starlight Express, Evita, Joseph and the Amazing Technicolor Dreamcoat, The Sound of Music, Smokey Joe’s Café, Swing, Come Fly Away and as well as many others. Mr. Kindl would like to thank his lovely wife Cindy and three wonderful children for their love and support over the years.

MICHAEL J. ORSINO (Chief Operating Officer) has enjoyed over a decade working around the world with Troika Entertainment, touring several years as a Stage Manager and Company Manager before landing in the office. A Philadelphia native and a graduate of DeSales University, Mr. Orsino is pleased to have settled down in Maryland with his wife Anissa, a fellow tour veteran and their sons Cameron and Carson.

TROIKA ENTERTAINMENT (Producer) has been the innovator in touring musical theater productions for over two decades, producing shows throughout North, Central, and South America, Europe and Asia. Additionally, the company is experienced in casino and leisure markets having produced for the Wynn, Caesars, Grand Casino, Hilton, Eldorado and Harrah’s. Current and upcoming productions include Dancing Pros: Live, Evita, Joseph and the Amazing Technicolor Dreamcoat and Sister Act. With strong ties to the Broadway community, Troika prides itself on delivering top quality productions to audiences worldwide. Please visit us at www.troika.com

Annie

Tesori and Alexa Junge. Composer of Winchell with Martin Charnin.

ANNIE TOUR STAFF

Production Manager. . . . . . . . . . . . . . . . . . . . . . . . Ryan P. Murphy Assistant Production Manager.. . . . . . . . . . . . . . . . . Anna Bate Marketing Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Courtney Davis Marketing Consultant. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Katz GENERAL MANAGER Booking Associate. . . . . . . . . . . . . . . . . . . . . . . . . . . . Doria Montfort Townsend Teague Budgeting & Forecasting Manager. . . George Lamberty Assistant General Manager. . . . . . . . . . . . . . . . . . . Brian Schrader Controller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan Rudzinski Staff Accountant. . . . . . . . . . . . . . . . . . . . . . . . . . . . Lourdes Castillo TOUR MARKETING & PRESS Staff Accountant. . . . . . . . . . . . . . . . . . . . . . . . . . . . Colin Djieugoue Amy Katz, Courtney Davis Accounting Clerk. . . . . . . . . . . . . . . . . . . . . . . . . . . . Marite Espinoza PRODUCTION MANAGER Warehouse Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . Scott Garrish Ryan P. Murphy Office Assistants.. . Miranda Lamberty, Natalia Lamberty EXECUTIVE PRODUCER Randall A. Buck

TECHNICAL DIRECTOR Randy Moreland COMPANY MANAGER Steve Lisciani EXCLUSIVE TOUR BOOKING THE ROAD COMPANY Stephen Lindsay, Brett Sirota www.theroadcompany.com CASTING JOY DEWING CASTING Joy Dewing, CSA, Holly Buczek, CSA Production Stage Manager. . . . . . . . . . . . . . . . . . . . . . . . . DONAVAN DOLAN Asst. Company Manager/ Asst. Stage Manager.. . . . . . . . . . . . . . . . . . . . . . Veronica Graveline Tour Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Keith Levenson Assistant to the Director. . . . . . . . . . . . . . . . . . . . . . . . . Shelly Burch Assistant to the Choreographer.. . . . . . . . . . Carrie VanDoren Animal Handler.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dustin J. Harder Associate Scenic Designer.. . . . . . . . . . . . . . . . Jared Rutherford Production Properties.. . . . . . . . . . . . . . . . . . . . . . . . . . . . Clista Jarrett Assistant Production Properties. . . . . . . Andrew Butkovich Associate Costume Designer. . . . . . . . . Martha Bromelmeier Hair, Wigs and Makeup Designer. . . . . . . . . . Luc Verchueren for Campbell Young Associates Assistant Hair and Wig Designer. . . . . . . . . . . Annalisa Proto Associate Lighting Designer. . . . . . . . . . . . . . . . . . . . . . . Mike Riggs Assistant Lighting Designer. . . . . . . . . . . . . . . . . . . . John Demous Moving Light Programmer.. . . . . . . . . . . . . . . . . . . . . . . . David Arch Production Electrician. . . . . . . . . . . . . . . . . . . . . . . . . Stephen Atwell Associate Sound Designer. . . . . . . . . . . . . . . . . . Simon Matthews Production Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Colle Bustin Production Sound Assistant.. . . . . . . . . . . . . . . . . . . . . Chris Powell Synth Programmer.. . . . . . . . . . . . . . . . . . . . . . . . . . . . Keith Levenson Rehearsal Piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Jones Dance Captain.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Evan Mayer Assistant Dance Captain. . . . . . . . . . . . . . . . . . . . . Angela Palladini Production Associates. . . . . . Rebecca Shield, Eric P. Vitale HEAD CARPENTER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jamie Kurtz Assistant Carpenter.. . . . . . . . . . . . . . . . . . . . . . . Christopher Haugh Assistant Carpenter.. . . . . . . . . . . . . . . . . . Mark “Sparky� Mallory Head of Properties. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abby Powers Assistant Properties. . . . . . . . . . . . . . . . . . . . . . . . . . . Stephen Ehrlich Head Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Lansing Assistant Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kirt Kaminski Assistant Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandi Fucci Head of Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marc Rongere Assistant Sound Engineer.. . . . . . . . . . . . . . . . . . . . . . . Jared Ullman Head of Wardrobe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brigid Brown Assistant Wardrobe. . . . . . . . . . . . . . . . . . . . . . . . . . . . Meredith Scott Head of Hair and Makeup. . . . . . . . . . . . . . . . . . . . . Patty LaRocco Physical Therapy.. . . . . . . . . . . NEURO TOUR, Physical Therapy, Inc. Medical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . Thomas Myers, MD Tutoring. . . . . . . . . . . . . . . . . . . . . . . . . . ON LOCATION EDUCATION Tutor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica Balun Accounting.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zwick & Banyai, PLLC Employee Benefits. . . . . . . . . . . . . . . . . . . . . . . . . . The Capital Group Insurance. . . . . . . . . . . . . . . . . . . . . . Maury, Donnelly and Parr, Inc. Legal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S. Jean Ward, Esq. B-roll. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HMS Media Creative Services. . . . . . . . . . . . . . . . Cosmic Designs, Rich Stein Production Photography. . . . . . . . . . . . . . . . . . . . . . . . . Joan Marcus Merchandise Provider. . . . . . . . . . . . . . . . . . . . . . . . . Creative Goods Merchandise Manager.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tracy Moss For TROIKA Entertainment Chief Executive Officer. . . . . . . . . . . . . . . . . . . . . . . Randall A. Buck Chief Operating Officer.. . . . . . . . . . . . . . . . . . . . Michael J. Orsino Chief Financial Officer. . . . . . . . . . . . . . . . . . . . . . . . . . . . Donald Kindl General Managers. . . . . . . Townsend Teague, Joe Christopher Assistant General Managers.. . . . Brian Schrader, Abram Best

For TROIKA Costumes Costume Director. . . . . . . . . . . . . . . . . . . . . . . . . Michelle Harrison Assistant Costume Director. . . . . . . . . . . . . . . . . . Alison Smith Work Room Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . Helen Jones Lead Stitcher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Browning Craft Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Risa Ono Crafts. . . . . . . . . . . . . . . . . . Mary Elise Collier, Naomi Davidoff, Izzy Lawlor, Eliza Vlasova Project Assistant. . . . . . . . . . . . . . . . . . . . . . . . . . . . Katherine Kraus Stitchers. . . . . . . . . . . . . . . . . . . . . . . . Kristin Czako, Daniel Duda, Suzanne Herbert, Sharon Landrum, Marla Parker, Mary Miles, Karen Murphy CREDITS Production travel by Road Rebel Entertainment Touring, San Diego, CA. Scenery fabricated and painted

by Global Scenic Serives, Inc., Bridgeport, CT. Custom painted drops by Scenic Art Studios, Newburgh, NY. Additional show props by CLISTA JARRETT. Soft goods by I. Weiss, Fairview, NJ. Lighting equipment from PRG Lighting, Secaucus, NJ. Motors provided

by Christie Lites, Orlando, FL. Sound by Masque Sound, East Rutherford, NJ. Costumes by Troika Entertainment Costume Shop, Glen Burnie, MD. Tailoring by Gilberto Designs, New York, NY. Undergarments by Bra*Tenders. Custom Hats by Arnold Levine. Backline by JONAS PRODUCTIONS, Fountaintown, IN. Trucking by Janco, LTD., Wayne, NJ. Rehearsed at RipleY-Grier Studios, New York, NY. Technical Rehearsals and Previews held at the STANLEY THEATRE in Utica, NY Wigs made by: CAMPBELL YOUNG ASSOCIATES

The buell theatre is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues.

City & County of Denver Michael Hancock, Mayor

Arts and Venues Kent Rice, Director

For information call: 720.865.4220

The musicians employed in this production are members of the American Federation of Musicians.

The International Alliance of Theatrical Stage Employees represents technicians, artisans, and craftspersons in the entertainment industry, including live theatre, film, and television production.

The Director-Choreographer is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.

United Scenic Artists represents the designers and scenic painters for the American Theatre.

Denver Center for the Performing Arts Denver Center for the Performing arts broadway team John Ekeberg..............................................Executive Director Jeff Hovorka ........................Director of Sales & Marketing Heidi Bosk.....................Senior PR & Promotions Manager Alicia Giersch.................................................General Manager Emily Lozow.......................................Marketing Coordinator Claudia Carson.......Bobby G Awards Program Manager

sales & marketing team Jennifer Nealson..............................Chief Marketing Officer Brianna Firestone...............................Director of Marketing, Theatre Company Rob Silk ........................................................... Creative Director Suzanne Yoe..........................Director of Creative Services and Cultural Affairs Jessica Bergin ........................................Box Office Manager Nathan Brunetti...............................................Digital Manager Katie Clow ................................................Box Office Manager Kim Conner.................................................... Graphic Designer FloraJane DiRienzo..............Business Relations Manager Anita Edwards.................................. Web Services Manager Brenda Elliott................................. Senior Graphic Designer Simone Gordon.............................................. Project Manager Hope Grandon..... PR & Events Manager, Theatre Company Emily Kent.......Marketing Associate, Theatre Company Jennifer Kemps......Business Relations Assistant Manager Laura Kirby................................................Box Office Manager Carol Krueger.............................Theatre Services Manager Dave Lenk............................................................... Videographer Jennifer Lopez.................... Director of Ticketing Services Kyle Malone.................................... Senior Graphic Designer John Moore........................................... Senior Arts Journalist Mark Onderdonk........................................Business Manager Kirk Petersen......Assoc. Director of Ticketing Services/ Patron Relations Christine Schempp...... Group Sales Business Associate Joe Schurwonn...................... Marketing Financial Analyst Jill Schwager......Student Matinee & Group Tours Associate David Smith...........................Assoc. Director of Ticketing/ Subscription Services Micah White......................................... Subscription Manager

Information Services Bruce Montgomery.....Director of Information Services Jim Hipp.....Associate Director of Information Services Bobby Jiminez..............Senior Audience View Specialist

Development Department David Zupancic................................................Interim Director Tiffany Grady...............................................Associate Director Shawn Bayer...............................................Associate Director Valerie Taron................................................Associate Director Mary Mosher.......Manager, Membership Groups/Major Gifts Chelley Canales..........................Development Coordinator Megan Fevurly.............................................Business Manager

Denver Center for the performing arts gratefully acknowledges the following support in its 2014/15 broadway season

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BRINGING ACE HOME JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

B This show shoots you out of a cannon from the very beginning.

— ACE YOUNG

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denvercenter.org

Boulder native Ace Young was born to be on “American Idol.” Being the youngest of five boys, he says, “made me very competitive very early in life.”

That life began in 1980 at Boulder Community Hospital. The Youngs bounced around Boulder from rented house to rented house because, Young says with a laugh, “no one ever wanted us in their house for more than a year.”

Why not? Five boys, he said.

“It was like a tornado.”

Young Ace was a bit of a rough-houser, he claims, but he also was an Eagle Scout who sang choir, played sports and took International Baccalaureate classes at Fairview High School. To pretty much anyone but Ace…he was a good kid.

“To my parents’ knowledge, I was a good kid,” he says with another chuckle. “But that didn’t mean everything I did was always parentally approved. Let’s just say my brothers got me out of a lot of trouble.”

Young started (parentally approved) voice lessons at age nine. His first paid performance was singing in front of the food court at Boulder’s Crossroads Mall when he was just 11. It was a family affair: His brothers carried speakers and his dad ran lights for a 30-minute show that

Ace Young as Joseph, Diana DeGarmo as Narrator and Company in Joseph and the Amazing Technicolor Dreamcoat. Photo by Daniel A. Swalec.

BY JOHN MOORE

included original songs and covers by the likes of Michael Jackson. There was even some 11-year old rapping in his set because, Young said, “Hey, Kris Kross was huge back then.”

Young has been huge ever since appearing on “American Idol” back in 2006.

He is now starring in the title role of the national touring production of Joseph and the Amazing Technicolor Dreamcoat and he is fulfilling a lifelong dream by closing that 15-month tour at his hometown Buell Theatre.

“You have to understand: The first theatre show I ever saw was Phantom of the Opera at The Buell Theatre in 1992,” he said.

Family outings meant a day at Boulder’s Dinner Theatre. “That was like going to church,” he added. “We got dressed up, we got a meal, and we watched an amazing show. I loved it.”

Young is starring in Joseph with his wife, Diana DeGarmo, playing the Narrator.

She was the runner-up on Season 3 of “American Idol,” but Young is happy that’s not where they met. “That’s because she was only 16 when she was on ‘Idol,’” he said, “and that would have been weird.”

No, Young met DeGarmo as a 22-year-old woman when they both were featured in

the Broadway revival of Hair (he as Berger and she as Sheila). “That was a very challenging show, and we both jumped fully into it,” he said. “Not only did we become best friends, but we fell in love.”

They are now performing together in a Joseph that Young guarantees is different from any you have seen before.

“We like to say this is not your mamma’s Joseph,” he said. “Andy Blankenbuehler, our director, is a Tony Award winner for a reason. We call him our modern-day Joseph. He has really pushed this production to a brand new level.”

In this staging, every brother has a unique personality. There are no throwaway songs. Every moment matters. And that titular technicolor dreamcoat?

“It has its own dressing room,” said Young – and he’s not kidding. “It is worth more than all of us.”

The coat was hand-sewn and hand-dyed with all 29 of its lyrical colors. It was designed after Marc Chagall’s famous stained-glass windows. “It literally jumps off the stage,” said Young.

Recent technological advances have allowed the creative team to push the visual limits of the show in other ways. Instead of just hearing about the troubling dreams Joseph interprets, for example, “You actually see the dreams happening onstage,” Young said.

Composer Andrew Lloyd Webber approved a change to the ending of the show that allows Young and DeGarmo to sing a wholly reimagined reprise of the opening song as a duet played to an acoustic guitar. “We sing it with a Simon and Garfunkel harmony vibe,” said Young, “and it tears the roof off every night.”

The couple is grateful for the growing trend of casting popular singers from competitive TV shows such as ‘American Idol’ and “The Voice” into Broadway and touring productions. And Young’s wife started it all.

“Diana was the first-ever “American Idol” finalist to do a Broadway show,” he said of DeGarmo’s year with Hairspray in 2006. “If it weren’t for her paving the way, I wouldn’t have had the opportunity to make my Broadway debut in Grease in 2008.”

He has advised anyone who follows in his TV footsteps to never take work that follows in TV, film or theatre for granted. “I let them know that the next thing you do after this has to matter, because so many of them don’t take it seriously and they think it is going to last forever,” he said. “But if you don’t do a good job, you are never going to be asked back.”

Young can’t imagine a better place to close this chapter of his professional career than Denver. “To be able to finish in my hometown where I grew up for the first 20 years of my life is just going to be amazing,” he said. But he’s even happier for his parents.

“My mom has about 170 friends coming to one performance — and I have known every single one of those 170 people my entire life,” he said. “I bet half of them changed my diapers.”

Those diaper-changers will see a show, Young promises, “that shoots you out of a cannon from the very beginning.”

And yet, what he loves most is the very end.

“Every night, I see kids in the crowd that have the bug,” Young said. “They are feeling what I felt when I saw Phantom at The Buell Theatre as a kid.

They are being inspired to be part of the arts. And when you are the one onstage giving that out, it feels like you are passing it forward.”

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT APR 22 – 26 BUELL THEATRE ASL interpreted, Audio described & Open Captioned performance: Apr 25, 2pm Tickets: 303.893.4100 denvercenter.org 800.641.1222 | TTY: 303.893.9582 Groups (10+): 303.446.4829

NOW PLAYING AT THEATRE COMPANY

THE 12 Q & A Across the Galleria in The Stage Theatre, a brand new rock musical is playing.

Developed by Tony-winning playwright/ lyricist Robert Schenkkan (All The Way) and composer Neil Berg, The 12 (through April 26) imagines what happened to Jesus’ disciples immediately after his death.

Neil Berg describes the project.

How did The 12 come about?

I wrote a musical version of The Prince and the Pauper for the Lambs Theatre [NYC], which is in a former church, so every day I was going to work in a church.

Being Jewish, I was always fascinated by religion. Christianity and rock and roll were both revolutions that changed the culture, so my original concept was to write a rock song cycle.

You met Robert Schenkkan.

How did the project change?

Robert liked my concept, but he felt a stricter focus would be more effective.

So it was his idea to narrow it down to the story of the apostles in the room just after Jesus’ death. What happens when you have a revolution and the leader is suddenly cut off? What do the followers do? This became about having belief in any cause.

What influences are reflected in your music for The 12?

You’ll hear some of The Who, a little Led Zeppelin, a little Tom Waits. John Lennon’s in there in the song called “Why.” And of course the ending is very U2 — the hopefulness, everything Bono has stood for in his career.

Do you have a sense of how this will be received?

If we’re telling the story the way we want to tell it, and everyone can bring their life history to it and celebrate it and enjoy it, that would be fantastic.

GO ALL IN FOR YOUR BIG NIGHT OUT We’ve arranged hors d’oeuvres, pre-show cocktails, a three-course catered dinner and, of course, prime orchestra seating. Make your evening complete by adding an overnight stay at the Westin Denver Downtown for a special VIP rate. We’ll do all the planning. You enjoy the spotlight.

TO

UPGRADE YOUR EVENING, CONTACT

ccanales@dcpa.org or call 303.446.4815 | denvercenter.org/vip

Impact Creativity is an urgent call to action to save theatre education programs in 19 of our largest cities. Impact Creativity brings together theatres, arts education experts and individuals to help over 500,000 children and youth, most of them disadvantaged, succeed through the arts by sustaining the theatre arts education programs threatened by today’s fiscal climate.

For more information on how “theatre education changes lives,” please visit: impactcreativity.org ($100,000 or more) CMT/ABC ♦ The Hearst Foundations ($50,000 or more) AOL♦ Schloss Family Foundation ($25,000 or more) Wells Fargo ($10,000 or more) Steven and Joy Bunson Lisa Orberg Southwest Airlines♦ ($5,000 or more) Frank and Bonnie Orlowski Edison Peres*

Jun 12, 2015 | $250

($2,500 or more) Buford Alexander and Pamela Farr Jennifer Bielstein* Cathy Dantchik* Paula A. Dominick* Howard and Janet Kagan* Michael Lawrence and Glen Gillen* Seth Newell* Laurie Podolsky* RBC Wealth Management George S. Smith, Jr.* Isabelle Winkles* ($1,000 or more) Pamela Curry* Jon Dorfman and Melissa Kaish* Bruce Ewing* Donna Fontana* Alan and Jennifer Freedman

VIP EVENING SERIES SPONSOR

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CONTRIBUTORS April 2013 – July 2014

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2015/16

SEASON LOOKINGGLASS

ALICE Stage Theatre | Sep 11 – Oct 11 Lookingglass Theatre Company’s LOOKINGGLASS ALICE Adapted and Directed by David Catlin from the works of Lewis Carroll Imagination soars and laughter and awe abound in Lookingglass Alice, Chicago’s gravity-defying hit inspired

by Lewis Carroll’s beloved stories. Called “Spectacular” and “Pure, unadulterated magic” by the Chicago Sun-Times, Lookingglass Alice is a marvel for all ages, transporting audiences down the rabbit hole to a circusinfused playground. With breathtaking theatricality and wildly inventive acrobatics, this wonderland adventure is one you won’t want to miss.

Some seats for this production may be adjusted to other great locations to allow for exciting scenic adaptations and the best view of the acrobatics.

Producing Partner: Isabelle Clark

AS YOU

LIKE IT Space Theatre | Sep 25 – Nov 1 AS YOU LIKE IT

By William Shakespeare

Shakespeare returns! After falling head over heels under each other’s spell, the lovers Orlando and Rosalind are separately banished and become entangled in a beguiling game of mistaken identity when Rosalind disguises herself as a young man. Merry mischief, curiosity, and surprise flourish in one of Shakespeare’s richest and most popular comedies, helmed by Producing Artistic Director Kent Thompson.

Producing Partners: Sheri & Lee Archer, Katy Atkinson, Isabelle Clark, Diana & Mike Kinsey

28

denvercenter.org

TRIBES Ricketson Theatre | Oct 9 – Nov 15 TRIBES

By Nina Raine In this scintillating drama, called “The best-written, deepest, most daring — and funniest — new play in recent years” by The Wall Street Journal, the members of Billy’s fiercely intelligent and proudly politically incorrect family share private languages, inside jokes and fiery arguments. But meeting Sylvia causes Billy, deaf since birth, to question what it means to be understood. Dissecting the possibilities of belonging, family and language, Tribes is as witty as it is heartrending.

THE

NEST Space Theatre | Jan 22 – Feb 21 World Premiere THE NEST

By Theresa Rebeck For the regulars at a struggling bar called The Nest, no conversation is off-limits, whether you’re speaking or eavesdropping…until a woman walks in and offers a large sum for the beautiful antique bar. Pulitzer Prize finalist Theresa Rebeck’s plays “may make you laugh or shudder (or both)” according to American Theatre, and with its feisty humor and scorching dialogue, this explosive new comedy holds a cracked mirror up to friendships, romantic relationships and families.

A Theatre Company Commission

SUBSCRIBE TODAY! 303.893.4100 | DENVERCENTER.ORG GROUPS (10+): 303.446.4829 | TTY: 303.893.9582

ALL THE

WAY

Stage Theatre | Jan 29 – Feb 28 ALL THE WAY

By Robert Schenkkan (The 12) All the Way, a “jaw-dropping political drama” (Variety), vividly portrays one of the most controversial, ambitious and ruthless figures of the 20th century — President Lyndon Baines Johnson. Set in the pivotal year between JFK’s assassination and Johnson’s reelection, LBJ hurls himself at the Civil Rights Act, determined to rebuild the country into The Great Society by any means necessary. Written by Pulitzer Prize-winning playwright Robert Schenkkan (The 12, The Kentucky Cycle), All the Way bowled over Broadway last year garnering the 2014 Tony, Drama Desk and Outer Critics’ Circle Awards for Best Play.

Producing Partners: Margot & Allan Frank, Robert & Judi Newman

FADE

Ricketson Theatre | Feb 5 – Mar 13 World Premiere FADE

By Tanya Saracho In this sharp, true-to-life new comedy, Mexican-American Lucia is hired to write for a Latina TV character in a cutthroat Hollywood TV studio. She soon discovers that the Latino studio custodian, Abel, has a windfall of plot ideas. As their friendship grows, Lucia begins incorporating Abel’s ideas into her scripts, fast-tracking her to success at work — and to complication in her personal life. FADE is a standout new play from Tanya Saracho, whose writing “lands in that sweet spot between comedy and drama.” (Chicago Tribune) A Theatre Company Commission Producing Partners: Diana & Mike Kinsey

SWEENEY

TODD Stage Theatre | Apr 8 – May 15 SWEENEY TODD Book by Hugh Wheeler Music and Lyrics by Stephen Sondheim Based on an adaptation by Christopher Bond Musical Adaptations by DeVotchKa DeVotchKa, the Grammy-nominated, Denver hometown music heroes, take on the legendary demon barber of Fleet Street, serving up a delicious reinvention of Sondheim’s magnificent musical thriller. Hell-bent on revenge, Sweeney Todd takes up with his enterprising neighbor in a devilish plot to slice their way through London’s upper crust. Justice will be served — along with audacious humor, bloody good thrills and DeVotchKa’s lush brand of gypsy punk.

ADDED ATTRACTION A Christmas Carol

By Charles Dickens Adapted by Richard Hellesen Music by David de Berry Stage Theatre | Nov 27 – Dec 27

Essential to the holiday season in Denver, A Christmas Carol promises to “warm your heart and renew your holiday spirit” according to the Examiner. Based on Charles Dickens’ classic novel, this joyous and opulent musical adaptation traces money-hoarding skinflint Ebenezer Scrooge’s triumphant overnight journey to redemption. A Christmas Carol illuminates the meaning of the holiday season in a way that has resonated for generations.

2015/16 SEASON SPONSORS

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“ U.S. Bank supports the DCPA because we believe our role as a good corporate citizen needs to include the arts in Denver and across the country.”

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— HASSAN SALEM, DCPA TRUSTEE & PRESIDENT OF U.S. BANK COLORADO

The arts help make Denver an amazing place to live and work by inspiring and motivating us and by creating a vibrant sense of community. The people at U.S. Bank value the power of the arts and are committed to supporting the magnificent programs and spectacular performances at the Denver Center for the Performing Arts (DCPA).

The arts educate, promote understanding, broaden our perspectives, enable us to share rich cultural experiences and provide an escape when needed. We are fortunate that the Denver arts community is a strong resource and has produced some of the nation’s finest theatres, museums and artists.

“U.S. Bank is honored to be a partner of the Denver community and to support the Denver Center for the Performing Arts and its vital role in making our city even more beautiful,” said Hassan Salem, president of U.S. Bank in Colorado.

“We salute the DCPA, a crown jewel in our community, for providing amazing performances, programs and outstanding arts education – whether it’s playwriting, acting, providing resources for teachers and classrooms, musical theatre or corporate training. U.S. Bank supports the DCPA because we believe our role as a good corporate citizen needs to include the arts in Denver and across the country.”

Employee community involvement and guidance from community leaders helps weave U.S. Bank into the fabric of Denver’s neighborhoods.

Last year, 513 employees volunteered more than 9,000 hours for local nonprofit groups. In addition, members of the local U.S. Bank board provide regular feedback to the bank’s senior leaders that help crystallize the company’s future with Denver in mind.

Patrice Covington as Martha Reeves (center) & Cast. Motown the Musical First National Tour. Photo by Joan Marcus, 2014.

U.S. Bank also is committed to providing consumers and businesses with a comprehensive range of financial tools and services to help them meet their goals. For clients with more complex financial needs, U.S. Bank offers wealth management services through its Wealth Management Group. From investment management services to trust and estate administration, the Wealth Management Group provides sophisticated advice and customized service.

“We couldn’t be more proud to be a supporter of the DCPA,” said Darren Markley, managing director of The Private Client Reserve of U.S. Bank in Colorado. “We consistently receive positive feedback from our clients who immensely enjoy attending performances at the DCPA. Supporting the DCPA is not only a valued civic commitment, it’s also an investment in our community and the future of Denver.”

Let’s all continue to enjoy the wonderful educational opportunities and celebrate the Denver Center for the Performing Arts. It helps make Denver an even more colorful and delightful place to live for people of all ages.

Investment products and services are: NOT A DEPOSIT

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U.S. Bank and its representatives do not provide tax or legal advice. Each individual’s tax and financial situation is unique. Individuals should consult their tax and/or legal advisor for advice and information concerning their particular situation.

Credit products offered by U.S. Bank National Association. Deposit products offered by U.S. Bank National Association. Member FDIC.

Come Sing With Us! Calling all boys and girls in grades 2-8!

Join Young Voices of Colorado Auditions May 19, June 4, June 16, 2015 Upcoming Concerts at DU Newman Center May 3, 2015 - 4:00 p.m.

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303.797.SING www.youngvoices.org

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Sundayâ&#x20AC;&#x201C;Friday Openâ&#x20AC;&#x201C; Close Across from Theatre 14th & Arapahoe St. â&#x20AC;˘ (303)991-2277 theoceanaire.com

1338 15th Street (15th at Market) in LoDo 303-974-5784 Tuesday-Saturday: 11-6pm Sunday: 11-4pm Closed Mondays Bring in your program for 10% off your purchase.

Littleton

2660 Main Street (Next to Savory Spice Shop) 720-328-4783 Monday: 10-5pm Tuesday-Friday: 10-6pm Saturday: 10-5pm Sunday: 11-4pm

LOCAL ORGANIC FOOD, SPIRITS & WINE

PRIME RIB SUNDAYS $16.00 OPEN 4PM ON SUNDAY

(We’re Serious About it!)

Accompanied by Quiet, Live Jazz & Classical

Pre-theatre 3 course dinner $35 per person

Open Mon-Sat, 5pm-Close 1512 LARIMER #38

(In the heart of Writer Square)

303.595.860O

www.redsquarebistro.com

LoDo 303.260.7222 | Lakewood 303.922.5800

Park Meadows 303.790.7744 | Broomfield 720.887.6200

ONLINE ORDERING AND RESERVATIONS AT PFCHANGS.COM

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BRING IN YOUR TICKET STUB FOR A GLASS OF WINE WITH PURCHASE OF AN ENTRÉE In the heart of Larimer Square

1512 Larimer Street • 303.534.1620 2816 E. 3rd Avenue • 303.320.4184

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Steak, Seafood, Game, Vegetarian & Special Dietary Requests

Four Diamonds AAA Four Stars - 5280 magazine Just 3 blocks from the theater complex 909 17th Street at Champa Call 303.296.3525 for reservations

SEAFOOD AND STEAKS

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The Cheesecake Factory features an extensive and creative menu of more than 200 dishes made fresh from scratch, along with more than 50 low-calorie “SkinnyLicious™” dishes and 50 signature cheesecakes & desserts.

Enjoy lunch, dinner, late night dining and Sunday Brunch.

1201 16th Street • Tabor Center • Denver (Just a short walk from the Performing Arts Complex, at the corner of 16th & Larimer St.

303-595-0333

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1515 Market Street Denver, CO 80202 (303) 571-0011 Check us on facebook for specials at www.facebook.com/1515Restaurant COMPLIMENTARY PARKING WITH DINNER ONLY

16 Market Square

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MORNING NEWS THAT’S AS FAST AS YOUR MORNING. CBS4 This Morning Team

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We know how busy you are in the morning, getting ready for work, getting kids out the door. You need a newscast that moves as fast as you: CBS4 Morning News. News, weather, and traffic to start your day without wasting your time.

Alan Gionet, Britt Moreno, traffic with Joel Hillan, and Lauren Whitney’s weather. Weekdays from 4:30 to 7am, only on CBS4. Colorado’s News Channel.

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The Unsinkable Molly Brown

Beth Malone, photo by Jennifer M. Koskinen.

Wicked

Alyssa Fox, photo by Joan Marcus

CBS4 is committed to supporting the Denver Center for the Performing Arts, and arts throughout Colorado.

©2013 Celestial Seasonings, Inc.

“Colorado’s Family Law Team”

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Take the FREE Celestial Seasonings tour – voted one of the Top Ten Free Tours in the country!

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The imagination and innovation spurred by the arts have never been more important to our economic vitality than they are today.

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HELPING TO ENHANCE THE FUTURE OF COLORADO’S CHILDREN

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CoBiz Financial and its family of services—Colorado Business Bank, Arizona Business Bank, CoBiz Insurance and CoBiz Private Client Advisors— applaud the Denver Center for the Performing Arts (DCPA) and its cultural contributions to Colorado.

CoBiz believes the DCPA’s mission—providing internationally acclaimed theatre to the Colorado community and arts education to children—is crucial for a vibrant, well-rounded city. As school funding for arts education decreases, the DCPA and other arts organizations are taking on the responsibility of engaging and enhancing the creative growth of young people.

The imagination and innovation spurred by the arts have never been more important to our economic vitality than they are today.

In its 14-year history, Biz Bash, the company’s signature concert fundraiser, has distributed more than $4.1 million to Colorado children-focused, not-forprofit charities.

The CoBiz Cares Foundation is an employee-funded, company-matched, grant-giving organization led by a diverse board of employees. Since its inception in 2009, the Foundation has granted more than $840,000 to worthy organizations. In addition, a culture of wellness and community involvement has led to countless volunteer hours, projects and team walks.

CoBiz encourages other companies and individuals to join in support of the DCPA to create an ever more energetic and enlightened community.

Is the person in seat D3

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Proctor’s Garden

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Honor Those You Love

COMPARE and SAVE!

With the Choice of Monarch Society “Thank you to each & everyone at Monarch Society for your help, support, kindness & compassion.

We will be forever grateful” - P & D

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35TH ANNUAL

NIGHT ALIVE

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8 Photos by Emily Lozow, John Moore and Steve Peterson.

photo credits 1. Corporate Co-Chair and DCPA Trustee Roger Hutson, Silent Auction Chair Claudia Miller, Event Chair Susan Stiff & Corporate Co-Chair and DCPA Trustee Hassan Salem 2. After Party band Chase â&#x20AC;&#x2122;N the Dream 3. Doug & Whitney Moehle with Gold Sponsors Susan & Leo Kiely 4. Featured entertainers Jarrod Spector and Jessie Muller with Roger & Meredith Hutson 5. Platinum Sponsor Fred Churbuck of the Salah Foundation with DCPA Trustee Judi Wolf 6. Corporate Committee member Tom Sheffield with wife Michelle 7. Rita and DCPA Trustee Navin Dimond 8. Gold Sponsor Erin Nichols of Always Best Care Senior Services with Mick Ostermeyer 9. Hassan & Sheila Salem 10. Ballroom dĂŠcor by Bella Calla 11. Gold Sponsors Kathie & Keith Finger 12. Denver Center Alliance President Kay Burke with Claudia Miller & Susan Stiff 13. Corporate Committee member Norm Franke with wife Lisa 14. DCPA Trustee and Silver Sponsor Margot Gilbert Frank with husband Allan Frank denvercenter.org

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Jarrod Spector, 2014 Tony nominee for Best Featured Actor in a Musical and Jessie Mueller, 2014 Tony winner for Best Actress in a musical

SATURDAY

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The Denver Center for the Performing Arts’ 35th annual Saturday Night Alive fundraiser was a sell out. More than 800 guests set an all-time record for the organization, raising a whopping $914,000 net to benefit its theatre education programs.

Chaired by Susan Stiff, Area Director of PR for Starwood Hotels and Resorts which has been a generous contributor to the gala for many years, the evening featured entertainment direct from Broadway. Jessie Mueller and Jarrod Spector of Beautiful: The Carole King Musical delighted the attendees in The Stage Theatre. But not before a dazzling display of trips, artwork, jewelry and much more in what has become one of Denver’s most celebrated Silent Auctions. Led by Silent Auction Chair Claudia Miller, sponsored

by Colorado State Bank & Trust, and supported by a matching gift from The Salah Foundation, guests bid high on more than 150 items while grabbing up surprise boxes donated by Cherry Creek North. By the end of the night, the auction raised more than $255,000 for DCPA education.

THANKS TO OUR EVENT SPONSORS & CHAIRS

Denver’s corporate community — led

by Corporate Co-Chairs and new DCPA Trustees Roger Hutson and Hassan Salem — had its best showing to date with 49 tables being sold to area business partners. This was particularly evident over dinner in the Seawell Grand Ballroom, where attendees enjoyed a scrumptious dinner served by Epicurean Group. Over dinner, guests were treated to a musical performance of “Being Alive” by DCPA education student Daniel Traylor. Following the show, attendees returned to the Ballroom for a dessert buffet and dancing to Chase ’N the Dream.

Proceeds from the evening will continue the work of DCPA Education’s programs, which served 68,000 students last year of which 58,000 were youth. In its 35-year-history, Saturday Night Alive has raised more than $18 million for these important programs. A sincere and heartfelt thank you to our volunteers, sponsors, corporate partners and patrons for their support over three decades.

EVENT CHAIR Susan Stiff CORPORATE CO-CHAIRS L. Roger Hutson & Hassan Salem SILENT AUCTION CHAIR Claudia Miller PLATINIUM SPONSORS The Salah Foundation United Airlines EMERALD SPONSORS Colorado Oil & Gas Industry U.S. Bank The Westin Denver Downtown GOLD SPONSORS Colorado State Bank & Trust Silent Auction Sponsor Always Best Care Senior Services DaVita Epicurean Group Kathie & Keith Finger Susan & Leo Kiely Molson Coors

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Founded in 2002, the gallery is known for luminous representational paintings depicting a vast range of subject matter, as well as abstract works.

Nationally noted as an exemplary artist-owned gallery, Denver’s Brushstrokes Studio-Gallery is the creative home of acclaimed painters (and long-time DCPA supporters) John Harrell, Kit Hevron Mahoney, Anita Mosher and Kelly Berger.

Founded in 2002, the gallery is known for luminous representational paintings depicting a vast range of subject matter, as well as abstract works.

Brushstrokes artists are represented internationally in private and corporate collections ranging from Colorado hospitals to Fortune 500 headquarters and private homes. They also have garnered scores of awards and art media coverage nationwide.

The artists welcome commissions, corporate art consultation, original paintings, giclee reproductions, pet

ANNIE, JOSEPH AND MR. GORDY...

Fun with an orphan, a dreamcoat and Motown.

portraits and affordable miniature paintings—while continually displaying freshly created art on the gallery walls.

After establishing itself as a cornerstone of the Old South Gaylord retail district for more than ten years, Brushstrokes moved to South Broadway’s Antique Row in early 2013.

In a gorgeous turn-of-the-century space, the group continues to further distinguish itself from other galleries with its welcoming studio setting where the artists paint most days.

The painters are passionate supporters of the organization’s internationally renowned programming. Anita, John, Kelly and Kit invite DCPA theatergoers to stop by for a visit.

1487 S. Broadway, at Florida Ave., 303-871-0800, Tue-Sat 11am-5pm or happily by appointment. www.brushstrokesstudio.com

ACROSS

2 Boulder’s Joseph is Ace: 8 Role John Huston, Rob Marshall and Will Gluck have all played on ‘Annie’ films 9 When it’s cold outside, I’ve got the month of: 10 ______ McArdle was Broadway’s first Annie 11 The little orphan was originally conceived to be a boy named: 12 Jacob had a daughter, too 13 William Robinson was better known as: 15 Berry Gordy got his start by writing his songs (two words) 17 A book Phil Collins would swear by

DOWN 1

The sun will come out:

3 The real victim of the brothers’ murderous crime 4 In the 2014 ‘Annie’ film, his character becomes Will Stacks 5 Stevie Wonder’s real last name 6 He played a clean-cut Joseph in the 1999 movie (two words) 7 Annie’s dog 9 “The First Lady of Motown” (two words) 14 Joe’s coat was scarlet and black and ______ and peach

For answers please visit denvercenter.org/news-center.

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16 Motown’s tight-knit group of studio musicians were known as the ______ Brothers

W.A. MOZART MAY 2 | 5 | 8 | 10 | 2015 OPERACOLORADO.ORG | 303.468.2030

Discover new music and stay connected to the Colorado music scene.

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THE 2014-2015 SEASON IS SPONSORED BY KEN AND DONNA BARROW

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One of the world’s most prestigious and innovative airlines, Lufthansa has proudly served the Denver market for more than 14 years. Through its extensive global network, Lufthansa, along with its Group members Austrian Airlines, Brussels Airlines and SWISS, as well as its Star Alliance partners, provides the metro area with access to more than 1,300 destinations worldwide and brings a significant economic boost to the city.

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cultural events and institutions around the world. In the Mile High City, the airline has sponsored the Denver Center for the Performing Arts for many years. Lufthansa also supports the German Forum in New York City, another of the carrier’s important US gateways, and partners with many cultural initiatives in Germany.

Lufthansa’s dedication to social responsibility further extends to humanitarian efforts. In November 2014, Lufthansa, in partnership with the Robert Koch Institute, provided the German government with the world’s

first evacuation aircraft for transporting and treating Ebola patients. Social and philanthropic endeavors centered around Lufthansa’s employee-founded charity, Help Alliance, provide care and support for children and impoverished communities around the world.

Together with its Lufthansa Group carriers, Lufthansa is proud to support the Denver Center for the Performing Arts again in 2015.

For reservations or additional information, visit lufthansa.com.

In the spirit of connecting people, countries and cultures, Lufthansa is a strong supporter of outstanding cultural events and institutions around the world.

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