Applause Magazine, December 13-17, 2017

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VOLUME XXIX • NUMBER 3 • NOV – DEC 2017

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Matt Kopec (Buddy) and the cast of Elf The Musical. Photo by Joan Marcus.

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BY JANICE SINDEN

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Thank you for your ongoing support. You make all the difference.

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Denver Center for the Performing Arts is a not-for-profit organization dedicated to creating unforgettable shared experiences through Broadway musicals, world-class plays, educational programs and inspired events.

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BOARD OF TRUSTEES Martin Semple, Chairman Daniel L. Ritchie, Immediate Past Chairman William Dean Singleton, Sec’y/Treasurer Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond L. Roger Hutson Robert C. Newman Alan Salazar Hassan Salem Richard M. Sapkin Robert Slosky Tara Smith June Travis Ken Tuchman Tina Walls Lester L. Ward Dr. Reginald L. Washington Judi Wolf Sylvia Young

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APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES William Dean Singleton, President Martin Semple, Vice President Judi Wolf, Sec’y/Treasurer Lester L. Ward, President Emeritus Roger Hutson David Miller Robert C. Newman Daniel L. Ritchie Robert Slosky Dr. Reginald L. Washington

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HONORARY MEMBERS Jeannie Fuller M. Ann Padilla Cleo Parker Robinson

Janice Sinden, President & CEO Denver Center for the Performing Arts

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Angie Flachman, Publisher For advertising 303.428.9529 or sales@pub-house.com coloradoartspubs.com

We hit an all-time subscription high, distributed nearly 30% more $10 tickets, entertained 15% more people at our Colorado New Play Summit and reached 15% more students through our in-school programs.

We invite you to join us on this path forward through your participation or with a gift. Please consider a donation to our Annual Fund, which will help us lay the foundation of an even brighter future — one that welcomes, supports and connects with the growing needs of our very vibrant community. To make a gift, please visit denvercenter.org/give or call 303.572.4594.

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Applause magazine is funded in part by

We launched the pre-Broadway debut of Disney's Frozen, reopened The Space Theatre and introduced tiny guests to our new Theatre for Young Audiences program.

We want to engage with you more deeply, advance inclusiveness and eliminate barriers to engagement. Starting with our newly crafted Community Engagement vision statement of “Together with the Community we will spark connections to ignite collaborations…,” we will launch a listening tour to invite community members to help us craft the end of the statement so that it best meets your vision for the DCPA.

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Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved.

Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.

This past year has been a milestone. We said goodbye to our past Chair Dan Ritchie and Artistic Director Kent Thompson and welcomed many new faces, most notably Chair Martin Semple and Associate Artistic Director Nataki Garrett.

As we look forward, we have three priorities: to advance equity, to connect with our community, and to renovate our Stage and Ricketson theatres to ensure that they are ADA compliant and accessible to all. These aren’t about numbers. These are about you — our patrons, our students, our supporters and our community.

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EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore SENIOR ART DIRECTOR: Adam Obendorf ART DIRECTOR: Kyle Malone SENIOR DESIGNERS: Casey Eickhoff, Brenda Elliott CONTRIBUTING WRITERS: Hope Grandon, Brittany Gutierrez

As the year nears its end, I reflect on our accomplishments and look toward our future.

But those are numbers, and while impressive, they don’t tell the story of a child standing, arms outstretched to catch snowflakes as they pour down inside a theatre. They don’t capture the joy of 5,000 students as they perform scenes of Shakespeare in every nook and cranny of our Arts Complex. And they don’t convey the artistry of our staff who work each day to perfect the simplest scenic element for your enjoyment.

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EXECUTIVE MANAGEMENT Janice Sinden, President & CEO Clay Courter, Vice President, Facilities & Event Services John Ekeberg, Executive Director, Broadway & Cabaret Deanna Haas, Chief Development Officer Vicky Miles, Chief Financial Officer Yovani Pina, Associate Vice President of Information Technology Shaunda VanWert, Vice President of Human Resources Charles Varin, Managing Director, Theatre Company Allison Watrous, Executive Director of Education

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RENT

STILL RELEVANT 20 YEARS LATER B Y D A N S U L L I VA N

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Musicals are time capsules. Oklahoma! recalls what we were fighting for in ’43; Hair shows what we were fighting about in ’67; A Chorus Line mirrors the anxieties of the ’70s; The Phantom of the Opera captures the gilded ’80s.

When we think of Rent, we think of the ’90s. Yet it hasn’t become a period piece. The music still sounds like today and the story sounds like a storm warning. The burning question, “How we gonna pay the rent?” echoes the not too distant past.

It was a question that was true of New York in the ’90s and one that Rent’s young composer-lyricist, Jonathan Larson, had often asked himself while waiting on tables in SoHo. When somebody proposed he write a campy uptown version of La Bohème, Larson decided instead to set it in the East Village and to take his characters as seriously as Puccini had.

The result was the megahit that every Broadway composer dreams of. Tragically, Larson died of an aortic aneurysm just before previews were to begin, as severe a shock as Rent’s co-producer, Kevin McCollum, ever hopes to sustain.

“Jonathan’s death was a tragedy,” McCollum said. “But it’s a mistake to see him as a character in his own story. It never occurred to him that he wasn’t going to be the new voice in the American musical theatre.”

Like La Bohème, Rent concerns a band of would-be superstars, not all of them geniuses, toughing out the winter in an unheated loft in the East Village. As members of Generation X, they speak the musical language they were brought up on: rock, pop, soul, salsa, disco, country.

Although hard to track, their adventures on Avenue B are both exuberant and alarming. And Rent shows why today’s parents agonize even more than their parents did when a child takes off to a roach-ridden apartment in the big city in order to “find out who I am.”

“Can’t you do that around here?” Mom and Dad want to say.

Instead they murmur, “Don’t forget to call.” Which the kid never does. So the parents do, and get voicemail.

Mom’s fake-cheery voice from Scarsdale gets a laugh in Rent, but not a mean one: Larson, a White Plains boy, shares her concern. La vie bohème on Avenue B is hardcore and high-risk. Where Hair once glossed over the penalties of freaking out, Rent deals with them. A music video for “the life,” it’s not.

Human, it is. One’s heart goes out to Mimi, the clueless cat-dancer, and to Roger, the out-of-tune guitarist, struggling to come up with his one great song (which keeps turning into Musetta’s waltz from Bohème).

Yet hope keeps breaking in. Plus a certain amount of self-dramatization. (I said these were young people.)

And true love, of course. (I said it was an American musical.) And a terrific score.

Rent may not have been the first big step that the rock musical had taken since Hair — we can’t forget Jesus Christ Superstar — but it was the most propulsive musical to surface in a long while, fired not only by the energy of the young, but by their desperate need to make their lives happen before they ran out of time.

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“We didn’t change Jonathan’s show.

We made it clearer by using the clues he left us. We didn’t go with the cliché, ‘What would Jonathan have wanted?’ He would have wanted people to come to his musical!”

COMING UP FROM BROADWAY:

STOMP COSTUME COLUMN

In 1991, after collaborating for ten years on several projects, Luke Cresswell and Steve McNicholas created a unique production of unconventional percussion, movement and visual comedy with STOMP.

— KEVIN MCCOLLUM, Co-Producer, RENT

Although STOMP is performed on the stage of a theatre, it is not a traditional musical or theatre production with a narrative. STOMP takes audiences through a journey of rhythm and finding the music through the everyday sounds we ignore.

Inspired by street performing and the rhythm of life, Cresswell and McNicholas found rhythm through the movements and sounds of people, objects, and even weather.

“Everything that happens in the show has to do with rhythm, said McNicholas “The prime directive for all the performances is: rhythm comes first.”

The intensity of the emotion does not swamp the ship. “Mindless,” the usual synonym for rock musicals, won’t work for this one. If Larson’s tunes sound like the Top 40 fare his kids grew up on, he wrote them as a theatre composer, with careful attention to character and situation. Meanwhile his lyrics have an ironic edge that keeps the show from whining.

“Jonathan did write a song about what victims his characters were; he took it out,” recalls McCollum, whose partner, Jeffrey Seller, had been tracking Larson’s career. Rent’s first workshop in ’93 hadn’t knocked Seller out.

The next winter, Seller said to McCollum: “Remember that thing I saw a year ago? They’re doing another workshop tonight.”

From brooms to garbage cans, from matchboxes to hubcaps, don’t miss your chance to hear the explosive and inventive sounds of STOMP returning to The Buell Theatre this spring (Feb 13 – 18).

McCollum wasn’t interested.

“The show starts; I don’t know what’s going on. A girl called Mimi comes out and sings, ‘Light my candle’ and I start to cry. And the next song, and the next, and it’s some of the best writing I’ve ever heard. At the end of the first act I turn to Jeffrey and say, ‘Get out the checkbook.’ ” It wasn’t that simple, of course. It got very complicated after Larson’s sudden death just as the show started previews in the winter of 1996. It left McCollum and Seller with an unfinished show. Larson’s score was amazing, his characters alive, but the story still needed sorting out.

A solution was proposed: Incorporate Larson’s stage directions into the dialogue. The device helped to clarify what the characters wanted — not perfectly, but well enough — and McCollum wasn’t about to apologize for it.

“We didn’t change Jonathan’s show. We made it clearer by using the clues he left us. We didn’t go with the cliché, ‘What would Jonathan have wanted?’ He would have wanted people to come to his musical!”

Thousands of performances later, they’re still coming.

Dan Sullivan directed the Eugene O’Neill Theater Center’s National Critics Institute and reviewed for the Los Angeles Times.

RENT • NOV 14 – 21 • BUELL THEATRE ASL Interpreted, Audio-Described & Open Captioned Performance: Nov 18, 2pm

Cast of STOMP • Photo by Steve McNicholas

“I’d been doing deals all day and just wanted to go home and read a book.

But Jeffrey says it’ll be good for me to go out. We walk into the New York Theatre Workshop. We see this huge stage with three metal tables set up.

Jeffrey says, ‘This is either gonna be brilliant or a total mess.’

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25 YEARS OF

A CHRISTMAS CAROL

BY JOHN MOORE Senior Arts Journalist

Over that time, more than 820,000 audience members have watched the Theatre Company present the timeless story complete with original songs, ghostly chills, period sets and costumes.

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APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

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It seems A Christmas Carol and its seasonal message of redemption and empathy for all is a perennial need in this country. Charles Dickens’ classic tale of the miser Scrooge’s spiritual redemption remains the DCPA Theatre Company’s most popular and mostproduced show. This holiday season marks the company’s 25th musical presentation of the story dating to 1990 — with two years off along the way.

Over that time, more than 820,000 audience members have watched the Theatre Company present the timeless story complete with original songs, ghostly chills, period sets and costumes. In that time, there have been 18 young Tiny Tims but only two versions of the script. From 1990-2004, the DCPA staged an adaptation written by Laird Williamson and Dennis Powers. Since 2005, the company has presented the adaptation

by Richard Hellesen and David de Berry.

Dickens wrote his opus in just six weeks, motivated in part by his own financial problems and in part by his anger seeing children working in appalling conditions in the tin mines and barely living in streets overrun with half-starved, illiterate urchins and orphans.

1843 1844 1845 1852 1870 1901 1990 2005 2007 2009 2015 2016 2017

COSTUME COLUMN

Charles Dickens publishes A Christmas Carol as a novel on December 19. By Christmas Eve, more than 6,000 copies are sold.

DCPA Theatre Company has produced A Christmas Carol since 1990 with very few interruptions. In fact, this year marks the DCPA’s 25th staging and Kevin Copenhaver’s 13th time designing costumes for the holiday classic.

The first stage presentation of A Christmas Carol is held, running for 40 nights. Within a year, eight rival A Christmas Carol theatrical productions are playing around London.

By now 13 editions of the A Christmas Carol novella have been released.

Charles Dickens’ works span the Victorian era (mid-to-late 1800s).

Hallmarks of this period include fitted bodices atop full skirts, high collared shirts and top hats, plus winter coats, scarves, shawls, bonnets and mittens. It is Christmas after all.

Charles Dickens gives the first of 127 public readings in London.

Charles Dickens’ death.

Scrooge, or, Marley’s Ghost is produced as a silent blackand-white British film. Since then, there have been at least 18 film variations featuring everyone from Albert Finney to Bill Murray to The Muppets to Mr. Magoo to Scrooge McDuck. Other actors to portray Scrooge on screen or stage include F. Murray Abraham, George C. Scott, Kelsey Grammer, Tony Randall, Hal Linden, Tim Curry and even The Who frontman Roger Daltrey.

Copenhaver’s team uses technological advances to recreate these period garments. While petticoats would have been made out of horsehair (otherwise known as crin, which is where we get the word "crinoline"), we now recreate that same structure with plastic.

The DCPA Theatre Company presents A Christmas Carol for the first time, an adaptation by Laird Williamson and Dennis Powers. Laird Williamson also directs, which he continues through 2004.

A Christmas Carol features more than 100 Dickensian costumes.

Since the production is an annual affair, it doesn’t require building 100 costumes from scratch — but a production of this size will always involve new touches.

The company switches to an adaptation by Richard Hellesen and David de Berry directed by Bruce K. Sevy.

Philip Pleasants plays Scrooge and continues as the primary Scrooge through 2015.

“An annual production gives the opportunity to reimagine moments and characters,” said Copenhaver.

“It’s fun to revisit things and not get stuck in a rut.”

The DCPA gives A Christmas Carol a year off in favor of Irving Berlin’s White Christmas and will do so again in 2012.

Charlie Korman is cast as Tiny Tim at age five. He would play the role for the next four years before aging up to play Young Scrooge in 2014. Korman would later play featured roles in the Theatre Company’s Lord of the Flies and Frankenstein.

Last season Copenhaver debuted a brand new design for the Ghost of Christmas Past, a stunning white costume that used more than 60 yards of fabric to create a luminous effect.

Elias Harger, the Theatre Company’s Tiny Tim the year before at age 7, is cast in Netflix’s "Fuller House," the sequel to the long-running hit family sitcom "Full House."

See if you can spot any new touches when A Christmas Carol returns to brighten the holiday season.

Sam Gregory becomes the eighth actor to play the Theatre Company’s Scrooge. Additionally, Melissa Rain Anderson takes the reins as director.

For the first time, a young female actor, Peyton Goossen, plays the role of Tiny Tim.

A CHRISTMAS CAROL • NOV 24 – DEC 24 • STAGE THEATRE ASL Interpreted and Audio Described performance: Dec 10, 1:30pm

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The 2016 company of A Christmas Carol. Photos by AdamsVisCom.

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ALL-FEMALE

CREATIVE TEAM SERVES UP A SLICE OF HEAVEN IN WAITRESS

BY JOHN MOORE

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The team behind the hit Broadway musical Waitress were elbow-deep into the creative process before anyone even noticed there were not yet any men in the room.

But it made perfect sense for a story like Waitress, the stage adaptation of Adrienne Shelly’s underdog 2007 indie film about an unhappily married pregnant waitress in the deep South, to be primarily birthed by women. It had just never occurred to anyone. It was certainly not something Director Diane Paulus set out to do. But the historical significance, albeit unintentional, soon became clear: Waitress opened in 2016 as the first musical in the 265-year history of Broadway with a female director, writer (Jessie Nelson), composer (six-time Grammy Award nominee Sara Bareilles) and choreographer (Lorin Latarro).

“I’ve said it time and time again: Every artist is in their position at Waitress because they were the best person for the job,” Paulus said. “There was no agenda to only consider women.

It’s just a reflection that women are at the top of their fields in composing, in writing and in choreography. This is the 21st century, and we all have benefited from the generations of women behind us who were told they couldn’t be the directors or the writers.”

“We need to set the example for the next generation of artists. We need to say to them: ‘Look, this is a place for anyone, if you work hard and you work with integrity.”

While it is a point of pride that this particular pie crust of history has finally crumbled, it is still disconcerting to Nelson that it took until 2016 for Broadway to reach the milestone, especially given that 68 percent of the Broadway audience is female.

“It means more to me as time passes because when it was first pointed out to us, we weren’t even aware of it,” said Nelson, who wrote both the Waitress screenplay and the Broadway book. “We were so focused on the work that it wasn’t about gender. It was about finding people who were really in sync with the creative vision that was forming.”

Now that Waitress has embarked on its first national tour, Desi Oakley, who plays the lead character of Jenna, calls it “an unbelievable honor to be a part of telling this story alongside these women creators. This is a dream come true, especially as a woman actor.

“There are men in the cast, and they are an important part of our story, but it just makes sense because this woman, Jenna, goes through some insanely woman-type things. She goes through a pregnancy, she goes through hormone shifts, she goes through being a wife, being a daughter and so much more. And so when Diane says to me, ‘Desi, when you have this contraction, let me tell you, it feels like this,’ or when Jessie says, ‘Hey, remember what it was like when you were a kid with your mom?’ — to be getting that kind of direct experience from these women that I can then dive into and pour into my portrayal of Jenna is insanely special.”

But Lenne Klingaman, who played both Juliet in the DCPA Theatre Company’s Romeo and Juliet and most recently a female Hamlet for the Colorado Shakespeare Festival, does not want the audience to think that Waitress is the theatrical equivalent of a chick flick.

—DIANE PAULUS, Director

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APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

“Waitress is the story of three women who are all taking huge risks in their lives by taking a leap into the unknown,” said Klingaman, who plays the anxious yet lovable waitress Dawn. “To really risk being your authentic self is relatable to anyone across any gender line.”

For Nelson, the greatest gift of her Waitress experience was the joy of collaborating with Sara Bareilles, who flooded America’s radios in 2007, the same year Waitress was released as a film. Her “Love Song” sold 9 million singles and vaulted her to an Album of the Year Grammy nomination.

COMING UP FROM BROADWAY: RODGERS & HAMMERSTEIN’S

THE KING AND I Performing at The Buell Theatre for the first time in 20 years is the Broadway classic The King and I, running (Jan 2 – 14). Get to know the history of the production with five fast facts.

Oakley said fans of the movie should love the stage musical as well, in part because Nelson wrote both. “Some of our lines come straight from the film,” Oakley said. “And then Sara Bareilles has incorporated the tone of the film right into her music. Sara is such a witty writer and a dynamic storyteller, and she can write a hook like nobody’s business. Sara’s words are real, just like our script.”

Nelson also brings the authenticity of having been a longtime waitress herself. And let her tell you: “You can know everything you need to know about a person by how they treat their waitress,” said Nelson, whose writing credits include I Am Sam with Sean Penn and Love the Coopers with Diane Keaton and John Goodman.

“You can size up a person’s character in two brushstrokes when you wait on them. I always called waitressing my Hollywood Finishing School because I learned everything I know about writing from waitressing.”

Perhaps that’s why she so deeply relates to Jenna, whose customers call her the “The Queen of Kindness and Goodness.” But you never really know what’s going on behind the smile of the person who’s filling your coffee cup at the Village Inn. “Jenna knows how to take care of everybody but herself,” Nelson said. “She presents this sunny exterior and she bakes these extraordinary pies and she’s the only one who can handle the most curmudgeonly customers. But secretly, she’s living this very dark secret that is really destroying her self-esteem and her hopes and her dreams. So just know that when a person serves you, there’s a whole human being behind there.”

And if it took a team of women to bring that story to Broadway audiences, Paulus said, let it be just the start.

“We need to set the example for the next generation of artists,” Paulus said.

“We need to say to them: ‘Look, this is a place for anyone, if you work hard and you work with integrity. If you tell important stories, this is not a closed door.’ We still have a long way to go for women. But, yes, this was a great landmark — and let’s hope it continues.”

WAITRESS • DEC 19 – 31 • BUELL THEATRE ASL Interpreted, Audio-Described Performance & Open Captioned: Dec 31, 2pm

Lenne Klingaman as Dawn, Desi Oakley as Jenna and Charity Angel Dawson as Becky in the National Tour of WAITRESS. Photo by Joan Marcus.

“Sara and I were both doing our very first musicals,” Nelson said, “so there were a lot of back and forth 2am emails saying things like, ‘How about a song right here that talks about how much Jenna loves baking?’ It was a lot of fun working with her. Sara can really capture characters with her music in such a beautiful way.”

1. The story of Anna Leonowens in The King and I is based on the 1944 best-selling novel Anna and the King of Siam written by Margaret Landon, which tells a fictionalized account based on the real Anna’s memoirs.

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4. The King and I features a cast of more than 50 people with multiple costumes, adding up to more than 200 costume designs.

5. The production has won various awards including Tony Awards for Best Musical, Best Actress, Best Featured Actor, and Best Scenic and Costume Design. (The film won five Academy Awards.)

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Jose Llana and Laura Michelle Kelly in Rodgers & Hammerstein’s The King and I. Photo by Matthew Murphy.

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ELF

THE MUSICAL

A NEW HOLIDAY CLASSIC

E

Elf, the 2003 Christmas movie, is America’s newest holiday classic. It ranks up there with It’s a Wonderful Life, A Christmas Story and Miracle on 34th Street. When Buddy, a six-foot-plus man raised by elves, sets out to find his father, his rosy, optimistic and endearing outlook on humankind thaws even the coldest heart — his dad’s. Director Sam Scalamoni discusses how collaborators brought this iconic movie to life for the tour of ELF The Musical.

Tell us about your experience directing ELF The Musical on tour.

Whose idea was it to put the elves at the North Pole on their knees?

When they were planning the tour, the original Broadway director was unavailable. So they passed it to me and I brought on my choreographer and design team. We re-imagined the whole show from scratch.

We came to the idea together.

When we came to Gregg Barnes, (the original Broadway costume designer who redesigned the show for the tour) with it he said, “Oh great, because I designed these amazing things; they’re called ‘knee shoes’” that wrap around the actors’ knees with a built-in kneepad. The actors are as comfortable as they can be and the shoes lay flat on the floor.

It’s really brilliant.

Did the writers resist the changes you wanted?

Not at all – in fact they really embraced our ideas. They see the tour or a run-through in the studio every year. So Tom will see it and might say, “This isn’t funny. This joke is working – this isn’t.” They had some strong opinions not only about things they wanted to keep, but some they wanted to change. For example, the second year the show was on Broadway they added a new song, “Happy All the Time.” It’s a very funny opening number Santa sings about how happy the elves are all the time and how he just needs a little break.

24

— SAM SCALAMONI, Director

Why do you think both the movie and now the musical have become such instant classics?

It’s one of the few contemporary films about the holidays that really connects with audiences. The fact that the story is present day with current content really strikes a chord with people.

See what chord — or funny bone — it strikes with you and your family this holiday season. It’s sure to make you “Happy All the Time.”

ELF THE MUSICAL DEC 13 – 17 BUELL THEATRE ASL Interpreted, Audio-Described & Open Captioned Performance: Dec 16, 3pm

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

Matt Kopec (Buddy) in Elf The Musical. Photo by Joan Marcus

It was an amazing experience! We were able to work with the original writers: Matt Sklar (music), Chad Beguelin (lyrics), Bob Martin (book) and Tom Meehan (book). They were incredible collaborators and they continue to work with us each year to refine it. ELF The Musical on tour is really its own entity and we’re very proud of that.

“The original writers… were incredible collaborators and they continue to work with us each year to refine it.

ELF The Musical on tour is really its own entity and we’re very proud of that.”

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DCPA EDUCATION CLASSES

A MOTHER’S INSIGHT

BY S U Z A N N E YO E

I

I enrolled my son in the Children’s Acting Program at the Denver Center for the Performing Arts (DCPA) when he was five. To see my tiny toddler on stage with 750 faces staring at him…well, I was nervous. But there he stood, dressed as Harry Potter, reciting his lines and fiddling non-stop with his pipe cleaner glasses. He didn’t appear scared. He was brave. He was confident. And — quoting another parent — he was taller in every way.

Did I do that? Well, I signed him up, but it was the DCPA’s extraordinary teaching artists — Tam, Allison, David, Stuart, Tim, Laurence, Jessica and so many others — who shaped that little guy. Who inspired him, encouraged him and told him he could be anything he wanted to be.

Well, he didn’t want to be an actor, that’s for sure. But he did want to do something even if it meant simply holding the curtain open in Charlie and the Chocolate Factory.

“Great,” they said. “We’ll put him in tech, work him to death and see if he has what it takes.”

And he did.

Now my son has some challenges. He has dyslexia. He has ADD. He is unfocused, not terribly academic and frustrated by mainstream education. But DCPA Education opened new doors for him. He worked two summers supporting the Teen Company productions, which, in turn, piqued his interest in sound design. He quickly moved from pressing “play” to begin a song to designing the entire soundtrack for a show.

Before I knew it, he wanted to audition for Stagecraft at Denver School of the Arts (DSA).

26

And there I was again. Nervous. Scared. How do you audition for Stagecraft? Well, let me tell you. It’s about how well you work with others. How you engage, collaborate and create.

And he’d learned all of that from the DCPA instructors.

Why was I worried? He wasn’t. Now he’s a Sophomore at DSA. He found his people.

This summer he wanted to spend every day working with the Teen Acting Program, but it’s popular! He could only work on Bard Wars: The Empire Striketh Back. Other kids needed a chance after all. He was disappointed that he couldn’t be at the DCPA every day. Until…

Tim McCracken, Director of the Adult Acting Program, asked him to run sound for the Master Class project — Trip to Bountiful — which sounded better than a trip to Florida!

Instead he made birds chirp, buses arrive and music play.

He told his friends, invited his grandmother, and tried (unsuccessfully) to play it “cool” around the adult cast.

Despite the fact that he just turned “Sweet 16,” he’s had experience with the full gamut of the DCPA’s acting program — child, teen and adult. Because of DCPA Education and its fun, creative and incredibly devoted teachers, my son has gained confidence, poise, creativity, craftsmanship, a strong work ethic and life skills. And even though I continue to give him a really hard time about his last starring role — he was a cow whose only line was “moo” — I couldn’t be more proud of the young man he has become. He was raised by a loving family and that family is the DCPA. Suzanne Yoe is editor of Applause, Director of Communications & Cultural Affairs, and mother to two aspiring artists — Edward and Alexia.

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

ELF THE MUSICAL

AND SEASON SPONSORS

NETworks Presentations, LLC presents

Music by

Book by

Matthew Sklar

Thomas Meehan and Bob Martin

Based on the New Line Cinema film written by David Berrenbaum

Lyrics by

Chad Beguelin

Featuring

Sam Hartley John Adkison Quentin Booth II Rendell DeBose Mark Fishback Mia Gerachis Heather Jefferies Marie Lemon Joel Stigliano with

Erica Christine Barton Nick Cayce Connor Coughlin Michael Doliner Andy Garcia Coleman Hemsath Jessica Ice Bradlee Laight Maryella Maloney Jenn Maurer Jennie McGuinness Megan McLaughlin Helen Regula Robin Eli Robles Alex Stewart Scenic Design

Costume Design

Gregg Barnes

Hair Design

Associate Costume Designer

Bernie Ardia

Anna Stainback

Orchestrations

Paul Miller

Shannon Slaton

Casting

Flying Effects

Stewart/Whitley

Vocal Arrangements

Doug Besterman

Executive Producer

Trinity Wheeler

David Chase

Music Director

John Mezzio

Production Manager

ZFX, Inc.

Dance Arrangements

Phil Reno

Music Supervisor/Coordinator

NETworks Presentations Cody O’Dell

Sound Design

Lighting Design

Christine Peters

Nate Patten

Production Stage Manager

Kelsey Clark

Associate General Manager/ Company Manager

Jack Stephens

Associate Director

Michael Whitney

General Manager

Gentry & Associates Jamey Jennings Tour Marketing & Press

Allied Touring

Choreography Recreated by

Nancy Renee Braun Choreography by

Connor Gallagher Directed by

Sam Scalamoni Exclusive Tour Direction

The Road Company, 165 West 46th Street, Suite 1101, New York, NY 10036 Originally Produced by

Warner Bros. Theatre Ventures in association with Unique Features

ELF THE MUSICAL

CAST OF CHARACTERS (in order of appearance)

Santa.................................................................................................................... MARK FISHBACK Buddy....................................................................................................................... SAM HARTLEY Walter.....................................................................................................................JOHN ADKISON Emily......................................................................................................................... MARIE LEMON Michael............................................................................................................ QUENTIN BOOTH II Deb...............................................................................................................HEATHER JEFFERIES Store Manager............................................................................................... RENDELL DeBOSE Jovie..........................................................................................................................MIA GERACHIS Mr. Greenway................................................................................................... JOEL STIGLIANO Ensemble......................................... ERICA CHRISTINE BARTON, CONNOR COUGHLIN, MICHAEL DOLINER, ANDY GARCIA, COLEMAN HEMSATH, JESSICA ICE, BRADLEE LAIGHT, JENN MAURER, JENNIE McGUINNESS, MEGAN McLAUGHLIN, HELEN REGULA, ROBIN ELI ROBLES, ALEX STEWART SWINGS NICK CAYCE, MARYELLA MALONEY UNDERSTUDIES Understudies never substitute for the listed performers unless a specific posting or announcement is made at the time of the performance.

For Santa: MICHAEL DOLINER; for Buddy: COLEMAN HEMSATH; for Walter Hobbs: JOEL STIGLIANO; for Emily Hobbs: HELEN REGULA; for Deb: JENNIE MCGUINNESS; for Store Manager: MICHAEL DOLINER; for Jovie: JENN MAURER; for Mr. Greenway: MICHAEL DOLINER; for Michael Hobbs: ROBIN ELI ROBLES Dance Captain: NICK CAYCE Assistant Dance Captain: MARYELLA MALONEY

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

Please turn off all electronic devices such as cellular phones, beepers and watches. The use of cell phones in the theatre is prohibited.

ACT ONE “Happy All The Time”....................................................................Santa, Buddy & Company “World’s Greatest Dad”....................................................................................................... Buddy “In the Way”...........................................................Deb, Walter, Emily, Michael & Company “Sparklejollytwinklejingley”.......................... Buddy, Jovie, Store Manager & Company “I’ll Believe in You”..............................................................................................Michael & Emily “In the Way” (Reprise)........................................................................................Emily & Walter “Just Like Him”.................................................................................... Buddy, Deb & Company “A Christmas Song”.........................................................................Buddy, Jovie & Company “World’s Greatest Dad” (Reprise).......................................................... Buddy & Company ACT TWO Entr’acte....................................................................................................................The Orchestra “Nobody Cares About Santa”......... Fake Santas, Store Manager, Waitress & Buddy “Never Fall in Love”.................................................................................................................Jovie “There Is A Santa Claus”...................................................................................Michael & Emily “The Story of Buddy the Elf”.......................................Buddy, Michael, Walter, Greenway, Emily, Deb & Company “Nobody Cares About Santa” (Reprise)........................................................................Santa “A Christmas Song” (Reprise).......Jovie, Buddy, Emily, Michael, Walter & Company THERE WILL BE ONE 20-MINUTE INTERMISSION MUSICIANS Conductor: Patrick Hoagland Associate Conductor/Keyboard: David Aaron Brown Reed 1: Jordan Standlee Reed 2: Jason Gresl Reed 3: Zack Bacak Trumpet 1: Hunter Brons Trumpet 2: Jonathon Spry Trombone: Christopher Caine Drums: Terrence Bates Music Coordinator: John Mezzio

ELF THE MUSICAL

MUSICAL NUMBERS

ELF THE MUSICAL

WHO’S WHO IN THE CAST SAM HARTLEY (Buddy). National Tour: Elf (Buddy), Beauty and the Beast (Beast). Off-Broadway: The Lightning Thief (Grover/Mr. Brunner u/s, Lucille Lortel Theater).

Recent: Ragtime (Stanford White, Ogunquit Playhouse), 54 Sings 1776 (Thomas Jefferson, 54 Below), Young Frankenstein (Dr. Frederick Fra nke nte in), Into the Wood s (Cinderella’s Prince/Wolf). Special thanks to Sam, Nate, and the entire Elf team. With love to my family and KPC. @samfred88 JOHN ADKISON (Walter Hobbs).

Nat’l Tour: The Music Man (Harold Hill). Favorite regional credits include Damn Yankees (Mr. Applegate), 1776 (John Hancock), Grease (Vince Fontaine) and Disney’s Beauty & the Beast (Lumiere). Numerous summer stock seasons spent with Barn Theatre, Blowing Rock Stage Co. and Theatre by the Sea. John is grateful to be spending this holiday season touring with Elf. When not on stage, he works as an independent filmmaker.

More at thisnthatfilms.net Luke 1:37 QUENTIN BOOTH II (Michael Hobbs) is a 7th Grader at Lakeview Middle School in Battle Creek, MI. This is his first professional role. He has been in 11 productions through his school and community, including Disney’s Lion King Jr. (Young Simba), High School Musical (Zeke Baylor), The Jungle Book (Mowgli) and 13 The Musical (Eddie). He would like to thank Management by Morgan, Big Mouth Talent Agency and his Aunt Marsha for making all this possible. Follow him on facebook @Quentin247.

RENDELL DeBOSE (Store Manager).

Is excited to join the Elf the Musical family. National Tours: Memphis (Bobby Dupree), Elf. Princess Cruise Lines/Holland America: Music of Denali. Regional: Shrek (Donkey), Broadway Palm Theatre; Dreamgirls (Jimmy Early), Springer Opera House; Peter Pan (Smee) and Big River (Jim), Dutch Apple. A proud graduate of Circle in the Square Theatre School. I would like to thank God and my Family for their support.

RendellDeBose.com MARK FISHBACK (Santa). National Tours: 42nd Street (Abner Dillon), Elf (’14/‘16), and West Side Story (Broadway revival, Doc). Thank you for supporting live theatre, enhancing your local community through the

Arts, and celebrating a little Christmas with us today. Happiest of Holidays!

MIA GERACHIS (Jovie) is so excited to bring one of her favorite movie characters to life on stage in Elf! Favorite past credits include: Legally Blonde (Elle Woods), All the Kids Are Doing It (Emmy Adams), Joseph…

Dreamcoat (Narrator), Rent (Mimi Marquéz) and Carrie the Musical (Chris Hargensen). She is a May graduate of the New Studio on Broadway at NYU Tisch School of the Arts. All the love and gratitude in the world to Mom, Dad, Zoë, friends, and teachers. miagerachis.com HEATHER JEFFERIES (Deb) is so excited to be a part of her first national tour. Credits include: Pirate Queen (Grace O’ Malley), Oklahoma (Ado Annie), The Crucible (Mary Warren), Big Fish (Jenny Hill), Wonderful Town (Ruth) and Servant of Two Masters (Smeraldina). BFA in Music Dance Theater from BYU. Thank you to Stewart/Whitley Casting and her wonderful managers at Whole Artist Management as well as her family and love of her life, Andrew Jefferies! heatherjefferies.com MARIE LEMON (Emily). National Tour: The Producers (Shirley), Elf (Emily).

Off-Broadway: The Berenstain Bears LIVE! (Mama Bear). BFA, Millikin University. With all my heart: Sam, Nate, cast, creative. For Mom, Dad, Sissy. marielemon.com JOEL STIGLIANO (Mr. Greenway, u/s Walter Hobbs) is thrilled to be back with his Elf Family. Credits: National Tour: Elf the Musical. Regional: Peter Pan, Lend Me a Tenor, Unnecessary Farce, The Crucible. Film/TV: Brain Games, Zarafa, Jess Archer Vs, Mobile Suit Gundam: The Origin. Thanks to Sam and the entire Elf Team for the opportunity and to Mom, the Bros., and Katie for the rest. MFA Ohio University. joelstigliano.com ERICA CHRISTINE BARTON (Ensemble) is overjoyed to be on the national making her national tour debut with Elf the Musical! She was last seen performing with the company of “Dance, Dance, Dance: America” (RWS Entertainment).

Proud New Yorker and OCU alumna.

She is grateful to her family and friends for their endless support and love. Thank you, Mom and Dad! Philippians 4:13

NICK CAYCE (Swing, Dance Captain, Asst. Choreographer) is thrilled to be returning to this beautiful show for his second year in a row! National Tours: Elf the Musical. Regional: The Producers, On the Town, The Music Man, R&H’s Cinderella, CATS (Mistoffolees), Hairspray. Cruise Ships: Royal Caribbean Cruise Lines. Dance Companies: Alabama Ballet, Nashville Ballet II. BFA, Point Park University.

Many thanks to cast, creatives, Stewart/Whitley and my AMAZING friends and family! @nickcayce CONNOR COUGHLIN (Ensemble) is thrilled to be in the ensemble of this joyous musical. Last year Connor toured the country with 42nd Street (Billy Lawlor). He is a proud graduate of the Royal Winnipeg Ballet and Circle in the Square. Thank you to all my teachers and to the company of Elf. MICHAEL DOLINER (Ensemble, u/s Santa, u/s Greenway, u/s Store Manager). National Tour debut!

Recent credits include: The Drowsy Chaperone (Underling) with the Cider Mill Playhouse, Spring Awakening (Moritz Steifel u/s), with the Hangar Theatre. Thanks to the Elf team, Baker Management, Mom and Dad, and to my IC family. Ithaca College BFA Musical Theatre 2017. michael-doliner. com ANDY GARCIA (Ensemble) is thrilled to be with the national tour of Elf The Musical! Regional: West Side Story (Action), Saturday Night Fever, Hairspray, Charlotte’s Web (Wilbur).

Ghost (Sam), In The Heights (Sonny), On The Town, The Pajama Game -BoCo. BFA Alum from The Boston Conservatory. Much love to his friends, family, Victor, Ismelly and his abuelas! Instagram: @andygarsha16 COLEMAN HEMSATH (Ensemble, u/s Buddy). National tour debut. Favorite credits: The Gold (NYMF), Far From Canterbury (Soho Playhouse), The Little Mermaid (Prince Eric- Cape Fear Regional Theatre), Gypsy (Hangar Theatre). Huge thanks to Sam, Professional Artists, Stewart/ Whitley, and mom and dad for helping him still believe in Santa. Ohio native and proud Ithaca College grad. @colemanscorner JESSICA ICE (Ensemble). Regional: Mamma Mia! (Pittsburgh Civic Light Opera), Guys and Dolls (Finger Lakes MTF), Cabaret (Lake Dillon Theatre

BRADLEE LAIGHT (Ensemble) is a native of Pittsburgh, Pennsylvania where he grew up dancing at his family’s dance studio! He performed with the Rockettes in the Radio City Christmas Spectacular and has won numerous regional and national dance competitions! A recent graduate of The American Musical and Dramatic Academy, his musical credits include Cats (Mungojerrie), Hazel Flagg, Off Broadway, and Disney’s Beauty and the Beast (Carpet)! He is thrilled to be a part of the touring company of Elf and wants to thank his family and friends for the love and support! @bradleelaight MARYELLA MALONEY (Swing, Asst.

Dance Captain) is thrilled to be joining the Elf family! Regional: Mamma Mia (Ogunquit Playhouse), The Music Man (Cape Playhouse), Cinderella (Gateway Playhouse), Ruby Rae in Best Little WH in TX (The Palace Theatre) Graziella in West Side Story (Opera North). A proud graduate of The Boston Conservatory, she has endless love for God and her wonderful family. @MaryellaM__ JENN MAURER (Ensemble, u/s Jovie). TV: Divorce. Regional: Grease (Sandy), A Man of No Importance (Adele), Beauty and the Beast (Silly Girl), The Addams Family (Bride Ancestor). Proud graduate of FSU. Many thanks to family and friends for always traveling far to see her perform, God for His unwavering support, and the Elf creative team!

JENNIE McGUINNESS (Ensemble, u/s Deb) is thrilled to return to Elf and spread Christmas Cheer this holiday season! BM: NYU Steinhardt.

National Tour: Beauty and the Beast (Marie, u/s Mrs. Potts/Bouche) and Elf (2014,2016). Regional: The Full Monty (Georgie), Marvelous Wonderettes (Suzy), The Last 5 Years (Cathy). Love and Hugs! For my family and Ben. MEGAN McLAUGHLIN (Ensemble) is thrilled to join the Elf National Tour!

Other favorite credits include 42nd Street National Tour, Crazy For You (FLMTF), 42nd Street (The LEX), Oklahoma! (FLMTF), and Will Rogers Follies (Lyric Theatre OKC). Iowa native and OCU grad. Many thanks to

the creative team and all my love to my family!

HELEN REGULA (Ensemble, u/s Emily) is thrilled to be performing on tour during her favorite season of the year! Happy Holidays Everyone! Past credits include Little Mermaid (Ursula), Footloose (Rusty), 25th Annual… Spelling Bee (Olive Ostrovsky), RENT (Joanne Jefferson), Cabaret (Texas), and Funny Thing…

Forum (Gymnasia). Texas State University: BFA Musical Theatre. helenregula.com ROBIN ELI ROBLES (Boy, u/s Michael Hobbs) is thrilled to be making his national tour debut in Elf the Musical! Regional credits: Dead Man Walking (Jimmy – Lyric Opera of KC), A Christmas Carol (Boy Soloist/ Sprite – KC Rep Theatre), Evita (KC Rep Theatre), The Little Mermaid (Flounder – MTKC), Addams Family (Pugsley – The Culture House). He would like to thank his family and friends who have helped make his dreams come true! @robinelirobles ALEX STEWART (Ensemble) is thrilled to be a part of Elf! Credits: Oklahoma!, (Ensemble, u/s Will Parker) Goodspeed Musicals, (Dream Curly) PCPA, Sierra Rep. Theatre, Pirates of Penzance (Frederic) PCPA, Nice Work… (Jimmy Winters), Boeing Boeing (Bernard) Summer Rep. Theatre, Sacramento Ballet Company Member 2010- 2014. Training: School of the Sacramento Ballet, Boston Ballet School, Pacific Conservatory Theatre. Thanks to the whole Stewart Clan, Melanie, Stewart/Whitley and BBR Talent. Happy Holidays!

THOMAS MEEHAN (Book) won the 2003 Tony® Award for co-writing the book for Hairspray after having won the 2001 Tony® Award for co-writing the book of The Producers. He received his first Tony® Award in 1977 for writing the book of Annie, which was his first Broadway show, and he has written books for the musicals I Remember Mama, Ain’t Broadway Grand, Annie Warbucks and the American version of Bombay Dreams.

His recent works are Annie, Chaplin, Elf The Musical, Young Frankenstein, for which he co-wrote the book with Mel Brooks, and Cry-Baby, co-written with Mark O’Donnell.

BOB MARTIN (Book). The Drowsy Chaperone (Book, “Man in Chair”), Tony® Award, Drama Desk Award,

Theatre World Award, NY Drama Critics’ Circle Award. Selected regional: The Drowsy Chaperone (L.A., Toronto, London), L.A. Stage Alliance Ovation Award, L.A. Drama Critics Circle Award, Olivier nomination; Minsky’s (Book, L.A.); Second City Toronto (performer 1994-2000, artistic director 2003-2004). Selected television writing. Canada: “Slings and Arrows” (writer, creative producer), “Michael, Tuesdays and Thursday” (writer, actor), “Made in Canada,” “Twitch City.”

MATTHEW SKLAR (Music) is a Tony®, Emmy®, and Drama Desk Awardnominated composer. His works include the Broadway musicals Elf and The Wedding Singer (Tony Award Nomination for Best Original Score, Drama Desk Award Nomination for Outstanding Music). He also wrote the music for The Rhythm Club (Signature Theatre), Judas & Me, and Wicked City (American Stage Company).

Matthew received a 2015 Primetime Emmy® Award Nomination for Outstanding Music Direction for the critically-acclaimed NBC stop-motion animated TV special “Elf: Buddy’s Musical Christmas”, starring Jim Parsons. He adapted and arranged the music of Marvin Hamlisch for the Emmy Award-winning documentary film Marvin Hamlisch: What He Did For Love, seen on PBS/American Masters. Matthew has contributed original songs/music to Sesame Street, Wonder Pets!, and the NBC Broadcast of The Macy’s Thanksgiving Day Parade. His music has been performed by major orchestras, including the Atlanta, Baltimore, and Indianapolis Symphony Orchestras.

As an 18-year-old freshman at New York University, Matthew began playing keyboards for the Broadway production of Les Miserables, eventually conducting the show at 21. He has also been a keyboardist, conductor, and/or arranger for many Broadway productions including Shrek, Caroline, or Change, Nine, Oklahoma, 42nd Street, Putting It Together, Annie Get Your Gun, On the Town, Titanic, Guys and Dolls, Sunset Boulevard, and Miss Saigon. Matthew also appeared onstage as “Oscar” in the Broadway revival of 42nd Street. Awards include the ASCAP Richard Rodgers New Horizons Award, the Gilman/ Gonzalez-Falla Theatre Award, and the Jonathan Larson Performing Arts Foundation Award. Matthew is a proud member of the Dramatists Guild, ASCAP, and the American

ELF THE MUSICAL

Company). Pittsburgh native, ALDC and James Madison University alumna. Much love to Mom, Dad, Josh, Olivia, Abby and Mrs. Miller.

JessicaIceNYC.com

ELF THE MUSICAL

Federation of Musicians, Local 802.

His music is published by Warner/ Chappell Music. Matthew was educated at The Juilliard School of Music (Pre-College Division), the Boston University Tanglewood Institute, and New York University.

CHAD BEGUELIN (Lyrics) is a fourtime Tony® nominee. His works include Disney’s Aladdin (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics) and The Wedding Singer (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award nomination for Outstanding Lyrics). His play Harbor premiered Off-Broadway at Primary Stages. Chad also wrote the book and lyrics for Judas & Me (NYMF Award for Excellence in Lyric Writing), The Rhythm Club (Signature Theater) and Wicked City (American Stage Company). He is the recipient of the Edward Kleban Award for Outstanding Lyric Writing, the Jonathan Larson Performing Arts Foundation Awards, the Gilman & Gonzalez-Falla Musical Theater Award and the ASCAP Foundation Richard Rodgers New Horizons Award. Chad is a graduate of New York University’s Tisch School of the Arts Graduate Dramatic Writing Program. He currently lives in New York with his husband Tom and their Yorkshire Terrier, Bailey.

SAM SCALAMONI (Director). Mr. Scalamoni is a freelance New York based director of theatre across the US and worldwide. He is proud to be the director of the critically acclaimed National Tours of Elf the Musical which celebrates its 10th and 11th company in 2017 with two tours crossing the U.S., one playing The Theatre at Madison Square Garden in December! Currently in development is a new musical, 1000 Faces, based on the life of film legend Lon Chaney, Unbelievable, based on baseball legend Jackie Mitchell and a stage adaptation of the MGM musical Summer Stock. Most recently he directed Disney’s Beauty and the Beast for the Ogunquit Playhouse and North Carolina Theatre. Mr. Scalamoni served as the Associate Director of the most recent National and International Tours of Disney’s Beauty and the Beast which he also supervised on Broadway and mounted multiple companies worldwide. He will be working on a new version of the show in Mandarin opening in Shanghai in 2018. He also directed Les Misérables winning the

SALT Award for Best Director of a Musical and Best Musical of the Year and Agatha Christie’s An Unexpected Guest, winning the Broadway World Award for Best Director of a Play both at Cortland Repertory Theatre.

Other tours directed; Nickelodeon’s Storytime Live! which broke box office records at Radio City Music Hall and the National Tour of The Gazillion Bubble Show. Mr. Scalamoni is a proud member of The Stage Directors and Choreographers Society. For Tricia, Spencer and Mia CONNOR GALLAGHER (Choreographer). Selected Credits: The Robber Bridegroom (Roundabout Theatre Company, 2016 Astaire Award); Found (Philadelphia Theatre Company); Beauty and the Beast (director and choreographer, Disney Cruise Line); Camelot (Westport); Tangled (Disney Cruise Line); The Hunchback of Notre Dame (Ogunquit Playhouse); The Twelve (Denver Center); The 25th Annual Putnam County Spelling Bee (Bucks County Playhouse); The Fabulous Lipitones (Goodspeed); Spidermusical (The Mint); Perez Hilton... (FringeNYC, Barrow Street Theatre, Joe’s Pub); Babes in Toyland (Lincoln Center); a n d ove r a d oze n s h ows fo r Theatreworks USA. Connor has created choreography for Glidden Paint, Luxxotica Eyewear, Hanky Panky underwear, The Writers Guild Awards, and the HIFA Festival in Zimbabwe.

Associate: Into the Woods (Public Theatre), Beauty and the Beast National and International Tours, Meet Me In St. Louis (Papermill Playhouse).

Upcoming: Beetlejuice (Broadway); The Magic School Bus (director, Theatreworks). Connor is a graduate of The Cincinnati Conservatory and made his Broadway debut as a performer in Beauty and the Beast. connorgallagher.com NANCY RENEE BRAUN (Choreography Recreation). Favorite associate choreographer credits include Beauty and the Beast and Tangled for Disney Cruise Lines, The Robber Bridegroom (Roundabout Theatre), Found (Philadelphia Theatre Co).

On TV, Nancy has choreographed for Blue Bloods (CBS) and assistant choreographed on Limitless (CBS).

She is also assistant choreographer for the movies The Week Of (starring Adam Sandler) and Rebel In The Rye, in which she is also featured. Nancy performed on Broadway in Gypsy.

Northwestern University graduate.

Best credit is mommy to my son Max!

CHRISTINE PETERS (Scenic Design).

Design Credits: 2012/ 2017 Elf Tour, First Date, Mickey & Minnie’s Doorway to Magic. Broadway (Associate Designer): Paramour, Les Misérables, Testament of Mary, Jekyll & Hyde, The Book of Mormon, Newsies The Musical, The Addams Family, Elf, Bonnie and Clyde, The House of Blue Leaves, Elling, Enron, Mary Stuart, The American Plan, Cyrano de Bergerac, Chita Rivera: The Dancer ’s Life.

National tours (Associate Designer): Waterfall, Aladdin, Newsies, Dirty Dancing, Andrew Lloyd Webber’s Wizard of Oz, The Phantom of the Opera, Jekyll and Hyde, Mary Poppins, Les Misérables, Beauty and the Beast.

Regional theater (Designer): Mary Poppins, Legally Blonde, Cinderella, Cats (Zoni Award, Set Design) Miss Saigon, The Man of La Mancha, My Fair Lady (Zoni Award), The Music Man. Midtown International Theater Festival (Designer): Tallish Tales: A Cautionary Fable for Children and Adults (MITF Award, Set Design).

GREGG BARNES (Costume Design).

Broadway: Tuck Everlasting (Tony nom.), Something Rotten! (Tony nom.), Aladdin, Kinky Boots (Tony nom., Olivier Award), Follies (Tony Award, Drama Desk Award), Elf, Legally Blonde (Tony nom.), The Drowsy Chaperone (Tony Award, Drama Desk Award, Outer Critics Award, Olivier nom.), Dirty Rotten Scoundrels, Flower Drum Song (Tony nom.), Side Show. Other: Dreamgirls (O l i v i e r n o m i n a t i o n ) , S i n a t r a (Radio City), Radio City Christmas S p e c t a c u l a r , P a g e a n t (O l i v i e r Nomination), The Kathy and Mo Show.

TDF Young Master Award.

PAUL MILLER (Lighting Design).

Broadway: Amazing Grace, The Illusionists, Legally Blonde (also, West End, Australia & Vienna), Freshly Squeezed, Laughing Room Only, as well as Irma La Duce, Where’s Charley, Lost in the Star, Of Thee I Sing and Music in the Air (Encores). OffBroadway: Marry Harry, Desperate Measure, Clinton - The Musical, Lucky Guy, Vanities - the Musical, Waiting for Godot (50th Anniversary Production), Nunsense, Addicted, Balancing Act, and others. Also on Broadway as Associate Designer: Macbeth, Three Days of Rain, Company, Sweeney Todd, Little Women, Hairspray, The Producers, Life x3, The Music Man, The Price, Saturday Night Fever, The Civil War, On The Town, The Sound of Music and Titanic. Regional: The Old Globe, Denver Center, Stratford Shakespeare Festival, Idaho Shakespeare, Cleveland Playhouse,

SHANNON SLATON (Sound Design) has designed many national tours including Bullets Over Broadway, The Illusionists, Turn of the Century, Shrek, Hairspray, The Producers, Kiss Me, Kate, Noise/Funk, The Full Monty, Contact, A Chorus Line, Tap Dogs, Sweeney Todd, The Wizard of Oz, The Drowsy Chaperone and The Wedding Singer. He was also the Advance Sound on Wicked and the Production Sound for The Phantom of the Opera on Broadway and the U.S. National Tour. Shows he has mixed on Broadway include: Man of La Mancha, Bombay Dreams, Sweet Charity, Jersey Boys, Dirty Rotten Scoundrels, The Drowsy Chaperone, Spring Awakening, Fela!, Anything Goes, Annie, Legally Blonde and Cabaret.

BERNIE ARDIA (Hair and Wig Design) has enjoyed a 37-year career, starting in television. He has designed over 75 productions including the currently running NETworks’ tours of The Sound of Music, Elf the Musical and Dirty Dancing. A few past highlights include Cameron Mackintosh’s Les Misérables (U.S. and Canada), Ragtime at The Kennedy Center, Kiss of the Spider Woman with Chita Rivera, Starlight Express at The Las Vegas Hilton, Cinderella with Eartha Kitt and Debbie Gibson, and ABC-TV “Happy Birthday, Hollywood”. It has been a thrill working with so many talented performers throughout his career including, Jeanne Cooper, Toni Tennille, Anita Gillette, Mary Wilson, Makenzie Phillips, Lynda Carter, Melody Thomas Scott and even Judge Judy! This production is dedicated to his sister. Mr. Ardia is also the author of Barbra Streisand in New York City.

ST E WA R T/ W H I T L E Y ( C a st i n g ) .

Duncan Stewart CSA & Benton Whitley CSA. BROADWAY/NY: The Great Comet, A Clockwork Orange, As You Like It, On The Town, Pippin, Chicago The Musical, La Cage Aux Folles, The Radio City Christmas Spectacular, Carnegie Hall West Side Story, The Band Wagon, Pageant; West End/U.K.: Thriller Live, Menier Chocolate Factory, West Side Story; Tours: Finding Neverland, Dirty Dancing, The Sound of Music, Into the Woods, The Bodyguard, Chicago The Musical, Once, Shrek, Elf, Flashdance, Anything Goes, Bullets Over Broadway, We Will Rock You; Upcoming: Prince of Egypt, Hadestown, The Man in the Ceiling, Back Home Again, Waterfall, August Rush; Regional: American Repertory Theater, Alley Theatre, Bay Street, Goodspeed, Theatre Under the Stars, Aslo Rep, Hollywood Bowl, TheatreWorks, Royal Caribbean. The Casting Society of America. Artios Award Winning. stewartwhitley.com DOUG BESTERMAN (Orchestrations). Three-time Tony Award winner: Fosse (1999), The Producers (2001), Thoroughly Modern Millie (2002). Broadway: Anastasia, Charlie and the Chocolate Factory, A Bronx Tale, It Shoulda Been You, Bullets Over Broadway, Rocky, On a Clear Day…, Sister Act, How to Succeed…, Elf, Young Frankenstein, Tarzan, Dracula, Seussical, The Music Man, Big, Damn Yankees. International: Guys and Dolls.

Regional: Little Dancer, Calvin Berger.

Film/television: Beauty and the Beast, “Peter Pan Live!,” “The Sound of Music Live!” Frozen, Mulan, Chicago.

JOHN MEZZIO (Music Supervisor/ Coordinator) has conducted several national tours including State Fair starring John Davidson, Victor/ Victoria starring Toni Tennille, Seussical The Musical, Cinderella starring Eartha Kitt and Deborah Gibson, the Royal National Theatre’s revival of Rodgers & Hammerstein’s Oklahoma! and The Wedding Singer. Additionally, Mr. Mezzio was Associate Conductor for Andrew Lloyd Webber’s Starlight Express at the Las Vegas Hilton. John was Musical Coordinator for several national and international tours including Sweet Charity starring Molly Ringwald, Annie starring John Schuck and Mackenzie Phillips, Hairspray, The Producers, A Chorus Line, Spring Awakening, Elf the Musical, Memphis, Bullets Over Broadway, Disney’s Beauty and the Beast and Shrek The Musical.

NATE PATTEN (Music Director).

Currently on Broadway: Charlie and the Chocolate Factory. Other Broadway: Beautiful: The Carole King Musical, School of Rock, Catch Me If You Can, Bonnie and Clyde. Kennedy Center: Elf the Musical. Off Broadway: Silence! The Musical (also in L.A.), The Toxic Avenger. Tours: Flashdance, We Will Rock You, Disney’s Beauty and the Beast, The Wedding Singer, The Wizard of Oz. Music Director/ Conductor for The Midtown Men. Nate is also the creator/host of a podcast called #BookedIt: a Broadway M u s i c i a n ’s G u i d e to Th e a t re , Facebook and Being #Grateful. @ BookedItpodcast MICHAEL WHITNEY (Associate Director, Fight Coordinator) currently serves as the Associate Artistic Director at Skyline Theatre Company located in Bergen County New Jersey.

He has also served as the Assistant Director for both the International and National Companies of Disney’s Beauty and the Beast. Michael has been very lucky to have had the opportunity to work with many regional theaters across the country.

Some include: The North Carolina Theatre, Theatre Institute at Sage, The Geva Theatre and Ogunquit Playhouse.

MUSIC THEATRE INTERNATIONAL (MTI) mtishows.com, is one of the world’s leading dramatic licensing agencies, granting schools as well as amateur and professional theatres from around the world the rights to perform the largest selection of great musicals from Broadway and beyond.

MTI works directly with the composers, lyricists and book writers of these shows to provide official scripts, musical material and dynamic theatrical resources to over 60,000 theatrical organizations in the US and in over 60 countries worldwide.

ALLIED TOURING (Tour Marketing & Press) is a full-service engagement management agency representing Broadway tours and other live touring events across North America. Current tours: An American in Paris, The Book of Mormon, Bright Star, Rogers & Hammerstein’s Cinderella, Elf the Musical, The Humans, Kinky Boots, Motown the Musical, RENT, School of Rock, Something Rotten!, and Irving Berlin’s White Christmas. Upcoming tours: Charlie & the Chocolate Factory and The Scenario.

THE ROAD COMPANY (Tour Booking) was founded in 1997 by Stephen Lindsay and Brett Sirota. In addi-

ELF THE MUSICAL

Asolo Rep, Riverside Theatre, Pasadena Playhouse, Baystreet Theatre, Lookingglass Theatre, Chicago Shakespeare, Goodspeed Playhouse and Paper Mill Playhouse among others. International: Sâo Paulo, Manila, Johannesberg, Beijing, Toronto, Montreal, Milan (La Scala) and London. National Tours: Shrek, Story Time Live, Wizard of Oz, Legally Blonde, Sweeney Todd, Hairspray, The Producers, Nunsense 20th Anniversary, Scooby Doo in Stage Fright, The Sound of Music. On television his work includes Live from Lincoln Center, numerous Showtime and Comedy Central specials and the internationally televised New Year’s Eve Celebration from New York’s Time’s Square for the last 18 years including concert appearances

by Lady Gaga, Justin Beiber, Cindy Lauper and others.

ELF THE MUSICAL

tion to multiple companies of Elf The Musical, current representation includes Wicked, Charlie and The Chocolate Factory, War Paint, The Band’s Visit, SpongeBob SquarePants, Rock of Ages, Clue, The Choir of Man, The Lightning Thief, The Illusionists, Dirty Dancing, The Sound of Music and Kinky Boots. The Road Company is made possible by Magaly Barone, Shawn Willett, Jenny Kirlin, Justine Spingler, Joe Reed and Josh Cape.

Tony Award-winning musical The Bridges of Madison County and the holiday hit Elf The Musical. The division is readying productions of 17 Again, Dave, Beetlejuice, Night Shift, A Star is Born and Dog Day Afternoon for the stage. WBThV also licenses third-party stage rights including such productions as The Bodyguard, Singin’ in the Rain, Hairspray, The Wizard of Oz, The Color Purple and 42nd Street.

KELSEY CLARK (Production Stage Manager) is thrilled to be a part of Elf. She is a proud alumna of SUNY Oswego and the Stagecraft Institute of Las Vegas, and was most recently a part of the stage management team for the National Tour of Annie. She likes Christmas spirit and avocados.

NETWORKS PRESENTATIONS LLC (Producer) from its inception over 20 years ago, has been an industry leading producer and manager of touring musical theatre productions and remains committed to delivering quality entertainment to audiences worldwide. Having toured over 70 productions internationally, NETworks current touring productions include Cameron Mackintosh’s The Phantom of the Opera, Les Misérables, Elf the Musical, Finding Neverland, A Gentleman’s Guide to Love & Murder, Dirty Dancing, The Sound of Music and Rodgers and Hammerstein’s The King and I.

JACK STEPHENS (Associate General Manager/Company Manager) has hit the road for national tours of Blue Man Group, Miss Saigon, Dora the Explorer LIVE, Sweeney Todd, Annie, Disney’s Beauty and the Beast, A Chorus Line (US/Tokyo), and The Magic of David Copperfield, among others.

TRINITY WHEELER (Executive Producer). Broadway: Les Misérables (Production Stage Manager). National Tour s: B u lle ts Ove r Broad way (Executive Producer), Elf the Musical (Executive Producer), Disney’s Beauty and the Beast (Executive Producer), The Phantom of the Opera (Supervisory Production Stage Manager), Les Misérables (Production Stage Manager), Mary Poppins (Production Stage Manager), Young Frankenstein starring Roger Bart and Rent starring Adam Pascal and Anthony Rapp. Trinity currently works on the national tours of Les Misérables, Finding Neverland, Dirty Dancing and Rodgers & Hammerstein’s The Sound of Music.

Instagram: @trinityonbroadway WA R N E R BROS. T H E AT R E VENTURES (Producer) develops and produces first-class musicals and stage productions from the company’s expansive catalogue. WBThV is currently represented on Broadway with Charlie and the Chocolate Factory and was previously represented on the West End by Olivier Award-winning musical Charlie and the Chocolate Factory and on Broadway by the stage adaptation of Stephen King’s Misery starring Bruce Willis and Laurie Metcalf and Tony Award Best Play winner The Curious Incident of the Dog in the Night-Time.

Other Broadway credits include the

STAFF FOR Elf The Musical Executive Producer Trinity Wheeler General Management Gentry & Associates, Inc. Gregory Vander Ploeg Jamey Jennings Brad Broman Kevin Persaud Jack Stephens Production Management NETworks Presentations LLC Jason Juenker Hector Guivas, Cody O’Dell, Emma Downey Tour Booking The Road Company Stephen Lindsay Brett Sirota 165 West 46th St, Ste 1101 New York, NY 10036 212.3025.5200 voice 212.302.5374 fax www.theroadcompany.com Tour Marketing & Press Allied Touring Marya K. Peters Andrew Damer Scott Praefke Anne Waisanen Sarah Dahlberg Jennifer Gallagher Meghan Kastenholz Anne Dailey Meyer Jacqueline Smith Casting Stewart/Whitley Duncan Stewart CSA, Benton Whitley CSA Paul Hardt; Christine McKenna; Danny Dunitz Company Manager Jack Stephens Production Stage Manager.............Kelsey Clark Assistant Director............................... Matt Kunkel Assistant Choreographer..... Betty Weinberger Assistant Choreographer...................Nick Cayce Assistant Costume Coordinator.......Jess Gersz Assistant Lighting Designer.....Blaine O’Donnell Moving Light Programmer...... Parker Conzone Associate Sound Designer.................Harry Platt Assistant Sound Designer...............Tyler Ponath

Hair and Makeup Coordinator.. Crysta Gsellman Head Carpenter............................... Jesse Van Swol Flyman............................................... Andrew Kutrufis Assistant Carpenter........................ Michael Ehman Head Electrician............................... Jason Cochran Assistant Electrician...........................Tessa Spence Head Sound.......................................... Maggie Burke Assistant Sound..................................... Eric Glauber Head Props.........................................Jim Markowiec Head Wardrobe................................... Emily Gothro Hair and Makeup Supervisor............. James Scott Rehearsal Conductor & Pianist........David Aaron Brown Fight Coordinator.........................Michael Whitney Production Assistants..................... Andy Crosten, Sarah Polinski Advertising Services.....................................................

Allied Integrated Marketing/Debbie Allamong, Doug Blemker, Eric Stormoen Radio Spot Production......................... HMS Media Television Spot Design/ Video Production.................................... HMS Media Production Photography........ Joan Marcus, Amy Boyle, Jeremy Daniel Merchandising...................................... Araca Group, Jimmie Dillon Accounting.............NETworks Presentations LLC Legal Services.................. F. Richard Pappas, Esq. HR & Payroll Services...... Human Resources inc.

Housing....................Road Concierge, an ALTOUR Company Travel Agency.....................................Janice Kessler, Carlson Wagonlit Travel Trucking................................................. Clark Transfer Busing............................... Clarion Coach, John Kroko; Croswell VIP Motorcoach Services, Chuck Morris Staff for NETworks Presentations Chief Executive Officer ............... Kenneth Gentry Chief Operating Officer............ Scott W. Jackson President........................................................Orin Wolf Executive Vice President Production............Seth Wenig Executive Assistant/Assoc. General Manager......Curt Owens Director of Finance................................. John Kinna Controller ......................................... Jennifer Gifford Director of Tour Accounting......... Laura S. Carey Executive Producer........................ Trinity Wheeler Senior Director, Booking & Engagements.....Mary K. Witte Director, Booking & Engagements...Colin Byrne Engagement Manager....... Esther Schwarzbauer Director of Marketing/PR................. Heather Hess Digital Marketing Strategist.......... Perrin Shapiro Senior General Manager.Gregory Vander Ploeg General Manager............................Jamey Jennings Asst. General Managers................... Brad Broman, Kevin Persaud, Jack Stephens Senior Production Manager.......... Jason Juenker Production Manager............Hector Guivas, Cody O’Dell Assistant Production Manager... Emma Downey Music Coordinator ...............................John Mezzio IT Manager.....................................................Tim Pizza Warehouse Manager................................ Brad Korff Warehouse Costume Coordinator..............Bobby Maglaughlin Office Manager.............................. Buddy Piccolino Administrative Assistants....................Carol Jewel Rehearsed at Ripley-Grier Studios, New York City Credits Scenery provided by Hudson Scenic Studios; Sound equipment by Sound Associates; Lighting equipment provided by Christie Lites; Properties by BrenBri Props; Flying Effects provided by ZFX, Inc.; Costumes prepared

by Arel Studio; Lynne Mackey Millinery; Tricorne Costumes; Jennifer Chapman; Karl Ruckdeschel; Jess Gersz; Rodney Gordon; Laduca Shoes; Worldtone Shoes; Lizet Rubinos; Gene Mignola; Diana Belanger.

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2017/18 BROADWAY SEASON

Tax & Financial Consulting, Accounting Services, IT Services CliftonLarsonAllen LLP Brian Enverso, Pat Guerieri

PLEASE BE ADVISED • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

Insurance Broker Services Maury Donnelly & Parr, Inc. Robert B. Middleton, Sr. and Meghan Shriver Financial Services and banking arrangements by SunTrust Bank Stock and Amateur rights for Elf The Musical are represented by Music Theatre International, New York City.

212-541-4684 www.mtishows.com Visit the Elf The Musical tour website at www.ElfTheMusicalOnTour.com

@ElfTheTour /ElfTheMusicalOnTour @ElfTheMusical #ELFTheMusical

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 6+ are welcome in our theatres and must be ticketed.

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719 Linda Ackerschott Carrie Breidenbach Vonnie Clough Janel Clough Craig Cory Cyndie Cory Laura Cotugno Steve Davies Anne Davis Carolyn Dore Deborah Guess

Mark Anthony Perry Elliot James R. Gralian John Kendrick

MAR 5 – APR 23

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Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

United Scenic Artists represents the designers and scenic painters for the American Theatre.

The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

Randy Mitchell Tanya M. Rist Albert Sainz, Sr David A. Wilson

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836.

THE BUELL THEATRE is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues.

CITY & COUNTY OF DENVER Michael Hancock, Mayor ARTS AND VENUES Kent Rice, Director For information call: 720.865.4220

ELF THE MUSICAL

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ELF THE MUSICAL

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CHICAGO STILL HAS THAT “RAZZLE DAZZLE” B Y G E N E V I E V E M I L L E R H O LT

— CANDY BROWN, Denver resident who originated the role of June

T

In the preceding year, while visionary director and choreographer Michael Bennett was developing A Chorus Line, the equally visionary Bob Fosse enlisted composer John Kander and lyricist Fred Ebb (Cabaret) to create a new piece too: the musical version of a 1926 play about an infamous dame who’d killed her husband.

Fosse was an established Broadway director and choreographer at this point (Pippin, Sweet Charity) with a corps of loyal dancers. Denver resident Candy Brown was one of them.

In January 1974, while Brown was dancing in Pippin, she and 18 other dancers gathered to discuss the challenges of being a Broadway gypsy, which eventually became the basis of Michael Bennett’s A Chorus Line.

Bennett’s project was an unknown quantity with only the glimmer of becoming something bigger, so some participants defected to more secure gigs, Brown among them. She joined Fosse’s Chicago.

“I felt a loyalty to Bob,” she said, “as Chicago would be my third project with him... not to mention the fact that no one knew if the Michael Bennett workshop would even be a show.”

A year later, Brown arrived for the first day of rehearsal, yet just after lunch, the cast was told that Fosse had been hospitalized. “I went numb,” said Brown. “We all were in a state of disbelief.” Work stopped as Fosse suffered two heart attacks and underwent bypass surgery.

Months later, the Chicago team reassembled and Fosse began to construct his iconic musical.

“Every costume, every gesture, every bit of lighting, every word and moment were all woven together to create the story,” said Brown, who played the role of June.

Chicago opened on Broadway on June 3, 1975, to enthusiastic audience response. Fosse considered it a compliment that some took offense at his cynical take on the American justice system and the cult of celebrity.

“When people walked out,” said Brown, “Bob got tickled because he figured that in order to be offended, they must have ‘got it.’”

But when the Tony Awards came around, the unconventional A Chorus Line won them all. In his review of Chicago’s 1996 revival, New York Times critic Ben Brantley reflected that the 1975 production of Chicago had been, “in a sense, the evil twin of its rival musical, as acerbic and coldhearted as the other was sentimental and warm.”

But Chicago would eventually get its due. The 1996 revival was a resounding success, winning six Tonys and a Grammy while Rob Marshall’s film version won the 2002 Academy Award for Best Picture.

Still considered one of Fosse’s towering undertakings, Chicago returns to Denver for a seventh time, and, after 20 years, is the longestrunning American musical on Broadway today.

It’s still got that razzle dazzle.

Genevieve Miller Holt is the General Manager for Broadway Across America in Cincinnati.

CHICAGO • NOV 28 – DEC 3 • BUELL THEATRE ASL Interpreted, Audio-Described & Open Captioned Performance: Dec 2, 2pm

28

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

Photos: (bottom left) Dylis Croman as Roxie Hart. Photo by Jeremy Daniel. (top) Terra C MacLeod as Velma Kelly and Ensemble. Photo by Paul Kolnik

“Every costume, every gesture, every bit of lighting, every word and moment were all woven together to create the story.”

The 1975/76 Broadway season made history. Meryl Streep earned her first Tony® nomination and Sondheim’s Pacific Overtures premiered on Broadway. And two of musical theatre’s most enduring musicals were created nearly simultaneously.

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PROUD SPONSOR OF THE DENVER CENTER FOR THE PERFORMING ARTS

“Our decision to become a corporate sponsor… is all part of our wider corporate citizenship thinking, which allows our employees to channel their talents and resources toward worthy causes and become invested in the community where we live and work.”

— T. SCOTT KENNEDY, COO AND PRESIDENT

A

Arts and culture are one of the few areas in life where we can share a common experience that brings us together and, hopefully, helps us create a better world.

As a locally-based insurance and health benefits brokerage, CCIG believes its support of the Denver Center for the Performing Arts (DCPA) is one of the best ways we can express our passion for the arts and our commitment to the health and welfare of our region at large. A commitment to giving back has been at the heart of CCIG’s values from the very day we opened our doors in 1985.

Culture is a big and growing part of the Denver economy, representing $1.8 billion in economic activity, according to the latest available figures. We’d love to see it grow even more. That’s why we’re happy to be a DCPA corporate sponsor, in hopes that our support not only can help pay the salaries of actors, set designers and others working in the performing arts, but also help drive cultural tourism, expand arts education and fuel job growth.

As brokers of insurance products designed to safeguard the hard work of our community’s entrepreneurs, that is important to us.

Arts and culture, of course, are much more than economic drivers; they can illuminate our inner lives and enrich our emotional world.

Studies have shown that participation in culture is significantly associated with good health and high life satisfaction. For example, one study into the effects of dance on people with Parkinson’s disease found that dance provided stimulation – not just physical, but emotional, intellectual and social.

As brokers of employee health benefits, that is important to us.

Arts and culture also are a means to public dialogue, helping us understand each other, build community and leadership.

Exposure to the arts opens people’s minds. It boosts their creativity. It makes them more innovative. It also creates a sense of pride and belonging.

As a corporate citizen, all of that is important to us. “Our decision to become a corporate sponsor is something we’re very proud of,” said T. Scott Kennedy, COO and President of CCIG. “It’s all part of our wider corporate citizenship thinking, which allows our employees to channel their talents and resources toward worthy causes and become invested in the community where we live and work.”

In addition to the DCPA, CCIG is proud to support several other organizations including the Special Olympics of Colorado, Metro Caring, Project Angel Heart, the Denver Rescue Mission and Habitat for Humanity. Learn more than CCIG’s corporate giving at http://thinkccig.com/careers/#community-involvement.

34

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

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IN THE SPOTLIGHT

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SHOWS

Denver Center for the Performing Arts’ biggest stars step into the spotlight — actors, designers, students and you.

First Date Now – Apr 22, 2018 RENT 20th Anniversary Tour Now – Nov 21

2

A Christmas Carol Nov 24 – Dec 24 The SantaLand Diaries Nov 24 – Dec 24 Chicago Nov 28 – Dec 3

ROBERT LEE HARDY

Mannheim Steamroller Christmas by Chip Davis Dec 9 – 10

1

ELF The Musical Dec 13 – 17

5

Waitress Dec 19 – 31

3

Rodgers & Hammerstein’s The King and I Jan 2 – 14 Zoey’s Perfect Wedding Jan 19 – Feb 25

4

American Mariachi Jan 26 – Feb 25

6

Photos by John Moore, Amanda Tipton Photography and Adams VisCom

The Great Leap Feb 2 – Mar 11

1 DCPA CEO Janice Sinden is pretty in pink when she performed for the 8th annual Dancing with the Denver Stars, a benefit to support education programs at Cleo Parker Robinson Dance. 2 OFF-CENTER stages The Wild Party under the direction of Amanda Berg Wilson, who discusses how to transform The Hangar at Stanley Marketplace for the immersive musical. 3 DCPA THEATRE COMPANY invites cast, crew, donors and civic partners to a season opening celebration following an electrifying take on Macbeth. 4 DCPA EDUCATION welcomes 18,000 children ages 3-9 to its new Theatre for Young Audiences program when they see The Snowy Day and Other Stories by Ezra Jack Keats. 5 DCPA staffers participate in a benefit performance for the Denver Actors Fund, which offers financial and practical relief for members of the Colorado theatre community who are in medical need. 6 DCPA BROADWAY invites the cast and crew of Frozen to join Trustees, donors and fans of all ages at a Gala to benefit for DCPA Education and commemorate the debut of this bound-for-Broadway musical.

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APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

STOMP Feb 13 – 18 Hamilton Feb 27 – Apr 1 This Is Modern Art Mar 22 - Apr 15 Disney's Aladdin Apr 6 – 28

Native Gardens Apr 6 – May 6 The Who’s Tommy Apr 20 – May 27 Human Error May 18 – Jun 24 School of Rock May 29 – Jun 10 The Book of Mormon Jun 13 – Jul 1 Les Misérables Jul 25 – Aug 5 On Your Feet!

Aug 8 – 19

FOR A COMPLETE LIST, VISIT DENVERCENTER.ORG Tickets for some shows are currently unavailable.

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Feb. 10, 2018 Experience art with soul at Art & Soul — a unique evening of artwork, art auction, demonstrations, live music, food, drink and inspiring people all at the historic Art Students League of Denver. Get more information at ASLD.org.

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APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

PHOTO COURTESY OF CORINNE RESTAURANT

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Our Peak Performance Package includes an overnight accommodation and appetizers or dessert for two in the 27th floor Peaks Lounge. You’ll also receive a $10 hotel credit when you show us your DCPA ticket stub.

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As another year comes to a close, we know you are asked to donate to numerous organizations.

We hope that you will consider giving to the DCPA as we work to create a resilient and unified community. By telling your stories we hope to foster shared understanding and respect for different backgrounds and life-experiences.

ARTISTIC LIVING STARTS WITH GIVING EVERY DONATION HELPS UPLIFT AND TOUCH THE COMMUNITY WE VALUE

• $25 helps send a child to a student matinee for their first live theatre experience • $50 helps bring new and diverse voices to the American theatre through our New Play Summit

DENVERCENTER.ORG/GIVE 44

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

Photo by Amanda Tipton Photography

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PROUD SPONSOR OF THE DCPA THEATRE COMPANY

“It’s imperative that Larimer Square supports the thousands of talented, creative and entrepreneurial theatregoers who fill the Arts Complex every season.”

— JEFF HERMANSON, PRESIDENT & CEO

T

The famed brick buildings on Larimer Square have worn many hats throughout their years on Denver’s most historic block. The celebrated Square has been home to Denver’s first Post Office, theatre, City Hall, barbershop, speakeasy and countless others. For nearly 160 years, Larimer Square has entertained and provided a community gathering hub for Denverites and out-of-towners that is unparalleled. Today, Denver’s oldest block continues to be recognized for its remarkable story, premier shopping, exquisite dining and entertainment.

Larimer Associates President & CEO, Jeff Hermanson, has taken great care to make it that way, spending the past 20 years attracting locallyowned, independent boutiques, clubs and restaurants to the block while preserving its beauty and charm.

Larimer Square provides visitors a unique experience that compliments the cultural offerings of its neighbor, the Denver Center for the Performing Arts (DCPA).

“Larimer Square has found the perfect partner in the DCPA,” said Hermanson.

“The exceptional combination of theater, music, nightlife, dining and shopping that our two special places provide is unrivaled.”

Larimer Square and the Denver Center for the Performing Arts share a strong commitment to the arts. The

46

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

Square has distinguished itself from other districts by creating a place for independently minded shops and restaurants, giving entrepreneurs the artistic freedom and support they need to make their business dreams a reality.

At the same time, Larimer Square offers an experience that complements the artistic and creative sensibilities of the DCPA and hosts multiple events each year to promote the arts including the popular Denver Chalk Art Festival and Art of Winter.

“It’s imperative that Larimer Square supports the thousands of talented, creative and entrepreneurial theatregoers who fill the Arts Complex every season,” said Hermanson. “We similarly support the many artists on Larimer Square. Our chefs, bartenders and merchants are some of the most creative in the city.”

In addition to the DCPA, Larimer Square is a proud supporter of the Downtown Denver Partnership, the Larimer Arts Association, Colorado Business Committee for the Arts, We Don’t Waste, Volunteers of America, the Denver Art Museum, and more.

“Denver is in the middle of an entrepreneurial and cultural transformation,” continued Hermanson.

“It’s been amazing to witness and an honor to be a part of this exciting change with our partners at The Denver Center.”

TICKETS START UNDER $20 for most concerts!

Faith - A Tribute to the Music of George Michael

A Colorado Christmas

NOV 25 SAT 7:30

DEC 15-17 FRI 7:30 SAT 2:30 & 6:00 SUN 1:00

Christopher Dragon, conductor

Christopher Dragon, conductor Colorado Symphony Chorus, Duain Wolfe, director Colorado Children’s Chorale, Deborah DeSantis, artistic director

n

Drums of the World

FAMILY

NOV 26 SUN 1:00 Colorado Symphony Percussionists

All-Beethoven Conducted by Brett Mitchell DEC 1-3 FRI-SAT 7:30 SUN 1:00

HalfNotes

CLASSICS

HOLIDAY n

Holiday Brass Returns to Boettcher Concert Hall

HalfNotes

HOLIDAY

DEC 20 WED 7:30 Colorado Symphony Brass

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Too Hot To Handel

Brett Mitchell, conductor Jeffrey Kahane, piano

Handel’s Messiah

DEC 22-23 FRI-SAT 7:30 HOLIDAY

DEC 8-9 FRI-SAT 7:30 Brett Mitchell, conductor Colorado Symphony Chorus, Duain Wolfe, director

Yo-Yo Ma with the Colorado Symphony DEC 10 SUN 7:30 Brett Mitchell, conductor Yo-Yo Ma, cello

HOLIDAY

SPECIAL

Christopher Dragon, conductor Cynthia Renee Saffron, soprano Vaneese Thomas, mezzo Lawrence Clayton, tenor Colorado Symphony Chorus, Mary Louise Burke, associate director

A Night In Vienna

HOLIDAY

DEC 31 SUN 6:30 Brett Mitchell, conductor HalfNotes Please join us for family-friendly activities 1 hour before the concert. presenting sponsor

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DCPA TEAM

DCPA Janice Sinden.......................................President & CEO Maggie Lamb................................ Executive Assistant to the CEO & CDO

BROADWAY & CABARET John Ekeberg.........Executive Director Broadway Alicia Bruce..........................................General Manager Ashley Brown................................... Business Manager Abel Becerra..................Technical Director, Cabaret Donna Hendricks........................ Executive Assistant to the Executive Director Broadway

DEVELOPMENT Deanna Haas................Chief Development Officer Shawn Bayer....................................Associate Director Megan Fevurly.....................Development Manager Katie Imhoff...........................Development Manager Melissa Olson......................Development Associate Marc Ravenhill.................................Associate Director David Zupancic...............Director of Development

EDUCATION

MARKETING, SALES & PATRON SERVICES

Claudia Carson........................................... Bobby G and Jill Schwager.Audience Development Associate Playwriting Coordinator Andrew Sanders................................Project Manager Leslie Channell................................Business Manager Rob Silk.........................Director of Creative Services Melissa Sumner..........Office Manager & Registrar Suzanne Yoe..............Director of Communications & Cultural Affairs Linda Eller................................................................Librarian Tim McCracken......................................Head of Acting

THEATRE SERVICES Andre Rodriguez..............................Teaching Artist & Shakespeare Coordinator Carol Krueger................ Theatre Services Manager David Saphier....................Teaching Artist & School Adam Alberti, Ethan Aumann, Nora Caley, Coordinator Samantha Egle, Jahnice Jones, Hadley Kamminga-Peck, LeiLani Lynch, Elizabeth Schmit...........................Assistant Registrar Aaron McMullen, Gregory Melton, Rachel Taylor.....................Teaching Artist & At-Risk Douglas Murphey, Joyce Murphey, Coordinator Margaret Ohlander, Dylan Phibbs, Stephanie Prugh, Valerie Schaefer, Lauren Veselak Ilasiea Gray, Chloe McCleod, Mica Ward..........................................Theatre Company Maggy Stacy, Justin Walvoord, House Managers Robyn Yamada....................................Teaching Artists TICKETING SERVICES

Jennifer Lopez.......Director of Ticketing Services Clay Courter..............................................Vice President, Facilities & Event Services Kirk Petersen..........................Assoc. Dir. of Ticketing Services – Patron Relations Dwight Barela, Zachary Brent, Micah White............................Assoc. Dir. of Ticketing Clint Flinchpaugh, Services – Subscription Services Michael Kimbrough.........................................Engineers Quentin Crump...............................Security Specialist Katie Pollard............................. Subscription Manager

Tom Duffin....................Manager, Event Technology Jessica Bergin, Vincent Bridgers, Tristan Jungferman ..............Box Office Managers Colin Dieck...................Event Technology Specialist Billy Dutton....................Senior Box Office Manager George Hartman....................................Chief Engineer Amanda Gomez...................VIP Ticketing Manager Stori Heleen.................Event Technology Specialist Román Anaya, D.J. Dennis, Edmund Gurule, Jaymes Kimbrough.......................Event Technology Noah McDermott, Specialist Hayley Solano................................................Show Leads Clint King.........................................Security Supervisor Kirsten Anderson, Roger Haak, Brian McClain..............................Custodial Supervisor Rebecca Hibbert, Scott Lix, Gregory Swan.............................Subscription Agents Chris Lagana, Matt Leaver, Tara Miller..............................................Events Managers Ally Beacom, Malcolm Brown, Rena Bugg, Brook Nichols..............Director, Event Technology Keenan Coke, Kelcee Covert, Jennifer Gray, Shari Hansen, Maggi Quinn........Director Facilities Management Noah Jungferman, Alia Kempton, Will Stowe....................Event Technology Specialist Daniel Lindsey, Gustavo Márquez, Tara Wenger............................................Facilities/Event Lisa McClellan, Clayton Nickell, Services Business Manager Gunnar Reinig, Jason Scoggins, Dawn Williams....................Director, Event Services Liz Sieroslawski, Brad Steinmeyer, Andrew Sullivan, Tomas Waples, Juan Loya, Carmen Molina, Cindy Yeast.................................................Ticket Agents Blanca Primero, Judith Primero, Angeles Reyes Soto.....................................Custodians

48

Sound Design

Vicky Miles................................Chief Financial Officer Craig Breitenbach..........................Director of Sound Eric Boone...................................Front End Developer Jennifer Jeffrey...........................Director of Financial Tyler Nelson...........................................Sound Designer Planning & Analysis Alex Billman, Madlyne Kuhl.......Sound Operators Heidi Bosk.......Senior PR & Promotions Manager Jonalyn Bradshaw............................. Education Sales Julie Schumaker.......................... Executive Assistant Stage Management to the CFO & Board Liaison Kurt Van Raden..........Production Stage Manager Coordinator Christoper C. Ewing............Senior Stage Manager Nathan Brunetti....................................Digital Manager ACCOUNTING Flora Jane DiRienzo.................Director of Strategic Jennifer Siemers................. Director of Accounting Kailey Buttrick, Rachel Ducat, Heidi Echtenkamp, Corin Ferris, Chris Lubke, Partnerships Michaele Davidson......................Senior Accountant Rick Mireles, Kristen O’Connor, Casey Eickhoff..................Senior Graphic Designer Linda Erickson................................Senior Accountant Lyle Raper, D. Lynn Reiland......... Stage Managers Brenda Elliott.....................Senior Graphic Designer Juliette Hidahl....................................Accounting Clerk Scene Shop Brianna Firestone................... Director of Customer Eric Moore...........................................Technical Director Experience & Loyalty Kim Stewart.........................................Staff Accountant Robert L. Orzolek..............................................Associate Hope Grandon........................ PR & Events Manager Technical Director HUMAN RESOURCES Brittany Gutierrez.............................Communications Albert “Stub” Allison..................Assistant Technical Coordinator Shaunda Van Wert..........................Vice President of Director Human Resources Jeff Hovorka............Director of Sales & Marketing Regina Matthews.......Director Human Resources Louis Fernandez III............................Lead Technician Jennifer Kemps........................Group Sales Manager Aubrey Antonsen.....................................HR Generalist Tyler Clark, Brian “Marco” Markiewicz, Emily Kent...................................Director of Marketing Wynn Pastor, Kyle Scoggins, Kyle Simpson Brian Carter..................Human Resources Manager Mara Zimmerman........................Scenic Technicians David Lenk...............................................Video Producer Jamie Hawkins......................................HR Coordinator Prop Shop Emily Lozow...........................Marketing Coordinator Jill Martinez............................................Payroll Specialist Robin Lu Payne............................ Properties Director Adam Lundeen....................Marketing Technologist Monica Robles............................Mailroom Supervisor Eileen S. Garcia.......Assistant Properties Director Kyle Malone......................................................Art Director

Carolyn Michaels............................................Copywriter Allison Watrous..............................Executive Director Cheyenne Michaels............Marketing Coordinator of Education John Moore................................Senior Arts Journalist Patrick Elkins-Zeglarski........Associate Director of Education and Curriculum Manager Adam Obendorf...........................Senior Art Director Stuart Barr.................Education Technical Director Joseph Schurwonn.........................Financial Analyst

FACILITIES & EVENT SERVICES

SHARED SERVICES

Jamie Stewart Curl, David Hoth, Georgina Kayes, Yovani Pina................... Associate Vice President of Katie Webster..........................................Props Artisans Information Technology Paint Shop Rick Bennett.................................................Director of IT Jana L. Mitchell...........................Charge Scenic Artist Simone Gordon.........................IT Program Manager Melanie Rentschler.......................Lead Scenic Artist Christopher Hoge......VoIP/System Administrator Kristin Hamer MacFarlane....................Scenic Artist Paul Howell...........................................................Help Desk Costume Shop Bobby Jiminez......Senior AudienceView Analyst Janet S. MacLeod.........................Costume Director/ Jacob Parker................................Software Developer Costume Design Associate David Tschan................................................Director of IT Meghan Anderson Doyle.............Costume Design Associate John H. Voorheis............Manager of Infrastructure INFORMATION TECHNOLOGY

THEATRE COMPANY ADMINISTRATION Charles Varin...................................Managing Director Ryan Meisheid.........Associate Managing Director Allison Taylor..................................Company Manager Katie Grayson..........Assistant Company Manager ARTISTIC

Carolyn Plemitscher, Louise Powers, Jackie Scott...........................Drapers Cathie Gagnon..................................................First Hand Sheila P. Morris..............................................................Tailor Costume Crafts Kevin Copenhaver..........Costume Crafts Director Chris Campbell...............Costume Crafts Assistant Wigs Diana Ben-Kiki.................................................Wig Master

Nataki Garrett................Associate Artistic Director House Crew Charlie Miller.................Associate Artistic Director/ Doug Taylor*..........................Supervising Stagehand Off-Center Curator Forest Fowler, Dennis Leach, Douglas Langworthy.....................Literary Director/ Stephen D. Mazzeno*, Kyle Moore*, Director of New Play Development Becca Pearce, Miles Stasica*, Tyler Stauffer*, Matt Wagner* Melissa Cashion.................................Artistic Producer (*IATSE Local 7 Stagehands)..............Stagehands Grady Soapes.............................Associate Producer/ Wardrobe Director of Casting Chad Henry........................................Literary Associate PRODUCTION

Brenda Lawson........................Director of Wardrobe

Teresia Larsen as Wardrobe Assistant.........Taylor Malott, Jessica A. Rayburn..............Wig Assistants

Robin Appleton, Amber Donner, Anthony Mattivi, Tim Nelson, Matthew Campbell.................Assistant Production Lisa Parsons Wagner, Manager Alan Richards.........................................................Dressers Julie Brou.Production & Artistic Office Manager Amoreena Knabb..................................................... Swing Jeff Gifford...............................Director of Production

Scenic Design Lisa M. Orzolek................Director of Scenic Design Kevin Nelson, Nicholas Renaud.............Scenic Design Assistants Lighting Design Charles R. MacLeod..................Director of Lighting Lily Bradford.....................Lighting Design Assistant Reid Tennis............................... Production Electrician Multimedia Gregory W. Towle...................Projection Supervisor Topher Blair.................................Multimedia Specialist

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

BIG MUSICALS

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denverOFFcenter.org

HOW MUCH DO YOU KNOW September 2017 ABOUT OUR HOLIDAY SHOWS?

CLUES 1 Lyric: I have to go out ___________ 2 Lyric: Measure your life in ___________ 3 Last name of RENT creator who died just hours after the show’s final dress rehearsal off-Broadway.

4 Longest-running revival in Broadway history, and it’s coming to Denver.

N E E T S G N I R P S R B Z 50

T L B L N B A R E I L L E S

L H N O S R A L O Q K F L Y

Z O G L D V M G N W O B L T

N O V I R Z A R S S S Y Q Z

R R O E N C R U S E N Z X X

J A G E I O L E V K T R L G

K D P H Y U T E T B F N R T

D N C T A R N T R E U E A M

DW Y Q Y W N Y G P J D K Q M S R T N I E Y R V R M R U O L G O N D R L G D Q W J Y

R G R Y G L L Y A U V P F J

N Y N M L M Z D G D W L L J

APPLAUSE • NOV – DEC 2017 • 303.893.4100 • DENVERCENTER.ORG

ic: I have to go out ___

11 Mannheim Steamroller has sold

5 Lyric: We both reached for it.

6 Chicago writers are Kander, Ebb and ___________.

7 Number of years Marley has been a ghost before visiting Scrooge.

8 Last name of the actor who is back to play Scrooge.

9 This boy is Ignorance. This girl is ___________ 10 Mannheim Steamroller is largely credited with establishing the genre of New ___________ music.

11 Mannheim Steamroller has sold more albums than Billy Joel, Bon Jovi and Bruce ___________.

12 Last name of the Mannheim Steamroller founder.

13 Name of the orphan who mistakenly crawls into Santa’s sack.

14 Actress ___________ Deschanel performs three songs in the Elf The Musical source film.

15 Last name of six-time Grammy nominee who wrote the music and lyrics to Waitress.

16 Last name of Waitress director who also launched the national tour of Pippin in Denver.

17 What’s inside of love? Sugar, butter, ___________.

For answers please visit denvercenter.org/news-center

Jerry MacKinnon in the Steppenwolf for Young Adults production of This Is Modern Art. Photo by Michael Courier.

TO LEAVE THEIR MARK ON THE WORLD, GRAFFITI ARTISTS RISK IT ALL

Art

AND

Soul.

Stroll to First Friday showings on Santa Fe. Walk to headline events at the DCPA. Catch the A-Line light rail to DIA. Cycle the Platte River Trail.

And, all the time, live in a new, contemporary residence crafted by one of Colorado’s most respected builders.

That’s life at CityHomes at Lincoln Park.

Come ready to fall in love, art and soul.

11th and Mariposa • from the $400s 303.300.8815 • kuhatlincolnpark.com