Applause Magazine, Oct. 9–Nov. 15, 2015

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VOLUME XXVII | NUMBER 2 | SEP – NOV 2015

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APPLAUSE

SIGHTLINE

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BY SCOTT SHILLER

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EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore ART DIRECTOR: Kyle Malone DESIGNERS: Kim Conner, Brenda Elliott Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved.

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Screen Test

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On my first official day of work for the Denver Center for the Performing Arts, I tweeted a selfie with our staff at the end of our company meeting (see for yourself @scottshiller on Twitter). For me, it felt natural to record such a big life event and share that moment with others in my extended network. Isn’t that why social media and mobile devices go hand-in-hand? Instant celebration.

Recently, however, mobile devices and theatre seem to be at odds. A couple of remarkable incidents in New York City — actress Patti LuPone taking a phone out of an audience member’s hands during a performance and, separately, an audience member trying to use a false outlet on set to recharge a phone — have drawn widespread criticism. I’ve seen laments for etiquette, personal stories of bad behavior, name-calling and hand wringing. Following her incident, Patti LuPone herself published “5 Rules for Theater Etiquette” in the Wall Street Journal.

I believe this is a test. How will we, as theatre professionals and audiences, find common ground for mobile devices in theatres?

I understand the impulse to record big life events (and smaller ones) in a social way. I also understand why it’s disruptive when the lights are down and the cast and crew are performing their magic.

Naturally, our impulse as theatre professionals is to stop it. We’ve worked long and hard hours to bring you into our temporary world; the real one on your screen can wait.

Or can it? If we believe we’re creating something utterly unique and unforgettable on our stage, is it fair to call it off limits? Isn’t it a natural occasion to capture, record or post about because it is so unique and unforgettable? To be clear: I’m not advocating rude or disruptive behavior. I just wonder if zero tolerance is the only long-term solution to mobile devices. It’s the easiest, certainly.

But is it the end of the discussion?

If we want to welcome all people to the theatre, we have to accept that some might not be familiar with its traditional etiquette. We have to understand that we’re wrestling with technology and behavior that theatre has never seen in its two thousand year history. We have to honor the joy of instant celebration as well as the art of live performance. So if you see someone crossing the line, please be kind. Remember a time you were unsure of what to wear or how to act. Most important, remember your first show — and how you wanted to share it with everyone you knew.

SCOTT SHILLER President and CEO Share your thoughts at denvercenter.com/sightline

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IF/THEN: CHOOSING

BETWEEN TWO ROADS DIVERGED

Idina Menzel and Anthony Rapp in If/Then | Photo by Joan Marcus

BY JOHN MOORE

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Broadway superstar Idina Menzel chose to star in the national tour of If/Then in Denver and perform in the first six cities that follow. Castmates LaChanze, Anthony Rapp and James Snyder then signed on as well.

If/Then is a contemporary new musical that explores how vastly changed one woman’s life might have turned out if fate and her own choices had been different. We all make decisions every day that have the potential to impact not only the course of our lives, but of those closest to us.

Case in point was Menzel’s consequential decision: “If Idina didn’t choose to launch the tour, then it wouldn’t be touring,” producer David Stone said flatly. “It’s as simple as that.” But because she did, If/Then is now believed to be the first musical of the modern Broadway era to be launching a national tour with all of its major principal cast reassembled.

And Menzel wouldn’t want it any other way.

“What’s so exciting about this for me is that it is completely brand-new material,” Menzel said. “But the best

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thing about If/Then are the people who are involved with this project.

I’m smart enough to know to work with smart people.”

Some of those smart people include Director Michael Greif, who discovered Menzel when he cast her as wildchild Maureen in the landmark 1996 production of Rent; Tom Kitt (music) and Brian Yorkey (book and lyrics), whose Next to Normal in 2010 became the first musical to win the Pulitzer Prize for Drama since…well, Rent; and her Wicked producer, David Stone, who also produced Next to Normal.

“To me, it’s absolutely essential that we have Idina and LaChanze and Anthony and James heading out for the first leg of the tour,” Yorkey said.

“Because they are paving the way for the people who will follow. And they are showing the world once again that they believe in this kind of quirky, notentirely-traditional new show of ours.

To me, that means everything.”

Next to Normal was significantly boosted when Broadway star Alice Ripley chose to go out on the road with the show, Stone said. But it’s

incredibly rare. And even less likely with Menzel, given the rocket ship her career has been on since she sang the ubiquitous anthem “Let it Go” for the hugely popular animated film, Frozen.

“The fact that Idina is now doing this tour and bringing this story to Denver and beyond when she has a million things pulling her in all different directions…” Kitt said. “It just means a great deal.”

She’s doing it because there is no understating how important If/Then has become to Menzel, who has remained fiercely committed to the show from the very beginning.

“If/Then is especially meaningful for me because I had the opportunity to develop it for several years with the creative team, whom I have come to consider family,” Menzel said.

If/Then follows two distinct storylines in the life of Elizabeth, a city planner who moves back to New York to restart her life in a city of infinite possibilities. But when her carefully designed plans collide with the whims of fate, her life splits into two parallel paths. If/Then follows both stories

simultaneously as they intersect at the meeting of choice and chance.

Many women can relate, Menzel said.

Starting with Menzel, who started over herself last year as a single mother in her 40s. “Shows come into your life when you need to learn something about your life that they have to teach you,” she said. “If/Then put its arms around me and taught me about choices. It has taught me that you have the opportunity and the power to wake up and start your life over every single day.”

But If/Then wasn’t always Menzel’s story. In the writers’ inaugural treatment, Kitt and Yorkey imagined their protagonist to be a 25-year-old woman from Denver who moves to the Big City.

The story would explore all the different paths her life might take.

It was Stone who suggested, “Well, wouldn’t it be more interesting if she were older and coming back to New York with some baggage?” he said.

The writers loved the idea — and so did Menzel. Suddenly Kitt and Yorkey found themselves writing If/Then for a singular performer “who ultimately will be recognized as one of the legendary instruments of the American musical theatre,” Yorkey said. “So you better make it worth her while if you are writing songs for her.”

No pressure.

“To be able to write for someone like Idina is a privilege and a thrill and also a challenge,” Yorkey said. “As a songwriter, it’s like being a race-car driver and getting to take the most

brilliant Porsche out on the track: You better well know how to drive it.”

Kitt says that Porsche of a voice has a range so huge, “She can really go anywhere. She sings as high as the highest people can go. And then she has a wonderful richness to her low notes as well. There is just nothing that she can’t do.”

Including, apparently, taking her Porsche out for a few months on the open road.

“I’m so thrilled to launch the show’s national tour and to send it off across the country and around the world,” Menzel said. “I am very much looking forward to sharing this original musical with Broadway fans who weren’t able to travel to New York and see it there.”

Look for additional coverage of If/Then, including our expanded interviews with Idina Menzel and other members of the cast and crew, at denvercenter.org/news-center Idina Menzel’s quotes were compiled from various sources & publications for this story.

IF/THEN OCT 13 – 25 BUELL THEATRE ASL interpreted, Audio described & Open captioned performance: Oct 25, 2pm Tickets: 303.893.4100 | denvercenter.org Groups: 303.446.4829

FIND YOUR VOICE

“If/Then put its arms around me and taught me about choices. It has taught me that you have the opportunity and the power to wake up and start your life over every single day.”

Enjoy a creative learning experience: acting, improv, on-camera and more.

Idina Menzel has been known for playing iconic, larger than life characters: Maureen: The omnivorous, omnisexual performance artist from Rent Elphaba: The original Wicked witch Elsa: The animated Frozen princess If/Then has allowed her to play real flesh and blood: Elizabeth: A very human woman seeking a fresh start in If/Then

Idina Menzel in If/Then. Photo by Joan Marcus

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Denver Center for the Performing Arts’ biggest stars step into the spotlight — actors, designers, students and you.

As You Like It Sep 25 – Nov 1 Tribes Oct 9 – Nov 15 If/Then Oct 13 – 25 Cult Following Oct 21 & 23 and Feb 12 & 13, 2016

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Murder for Two Oct 27 – Feb 21, 2016

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Disney’s The Lion King Nov 4 – 29 A Christmas Carol Nov 27 – Dec 27 The SantaLand Diaries Nov 27 – Dec 27 Mannheim Steamroller Christmas by Chip Davis Dec 12 – 13 A Christmas Story, The Musical Dec 16 – 27 Shaping Sound Jan 19, 2016 The Nest Jan 22 – Feb 21, 2016

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Dirty Dancing — The Classic Story On Stage Jan 26 – 31, 2016 All the Way Jan 29 – Feb 28, 2016 FADE Feb 5 – Mar 13, 2016 The Wizard of Oz Feb 7 – 13, 2016

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1. The Container Store at Park Meadows graciously hosted CLOSETS & COCKTAILS at which more than 350 guests committed to organizing their clutter by investing in new closets, and by extension, the DCPA. 2. DCPA movers and shakers gathered poolside for “Through the Looking Glass”, a fantastical fundraiser at the Four Seasons. Complete with mermaids, music and a drag queen of hearts, the event benefited our Education programs. 3. DCPA President & CEO Scott Shiller represented our Theatre Company, which was recognized with 11 Henry Awards from the Colorado Theatre Guild. All of the DCPA’s awards were for new works: The 12, Benediction and The Unsinkable Molly Brown. 4. DCPA EDUCATION came alive this summer with hundreds of children in dozens of acting camps. The two-week Musical Madness class is always a crowd pleaser, culminating in a final performance in the 750-seat Stage Theatre. 5. PHAMALY THEATRE COMPANY once again commandeered The Space Theatre for its summer production of Cabaret.

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A Gentleman’s Guide to Love & Murder Feb 16 – 28, 2016 Riverdance — The 20th Anniversary World Tour Mar 8 – 13, 2016 Disney’s Newsies Mar 23 – Apr 9, 2016 Sweeney Todd Apr 8 – May 15, 2016 once May 24 – 29, 2016 Disney’s Beauty and the Beast Jun 7 – 12, 2016 The Sound of Music Jun 21 – 26, 2016 Beautiful — The Carole King Musical Jul 19 – 31, 2016

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LOOKINGGLASS ALICE: A TUMBLE THROUGH TIME

Molly Brennan in Lookingglass Alice. Photo by Liz Lauren, courtesy of Lookingglass Theatre Company.

BY CHRISTINE DOLEN

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The story of a little girl who tumbled down a rabbit hole into a strange land has captivated the world since 1862, when the Victorian academic who would become Lewis Carroll dreamed it up.

Oxford mathematician Charles Dodgson invented the tale of Alice in Wonderland to entertain Alice Liddell and her sisters as they traveled along the River Thames.

The result of a child’s familiar plea — “Tell us a story!”

— would later transform the slender, stammering Dodgson into Carroll, the successful author of Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass (1871). Ever since, the wildly fanciful tale of that tumble into a chess-themed land of nonsense, illogic and lessons learned has inspired generations, including Lookingglass Alice director-playwright David Catlin.

One of the eight founders of Chicago’s Tony-winning Lookingglass Theatre Company, Catlin has worked on three stage interpretations of the story, the first when he, future “Friends” star David Schwimmer and others were students at Northwestern University in 1986.

Backed by $500 in Schwimmer’s saved bar mitzvah money, the students opened their production at a small Northwestern venue on lucky Friday the 13th in February 1987. After taking it to the Edinburgh Festival Fringe, they decided to start a company built around literary adaptations and ensemble-based physical theater. They launched in 1988 with member David Kersnar’s adaptation of Through the Looking Glass, the new company’s name a nod to its inaugural production.

Lookingglass persevered, building its reputation on Chicago’s hot theater scene with such productions as Schwimmer’s adaptation of Upton Sinclair’s The Jungle and Mary Zimmerman’s celebrated Metamorphoses.

Nomadic for its first 15 years, the company moved into its current home at the historic Water Tower Water Works. To celebrate that milestone, Catlin was commissioned in 2003 to create the play that became Lookingglass Alice.

Inspiration came in the form of a question, the first complete sentence uttered by his 18-month-old daughter, Saylor: “When can I get my ears pierced?”

“I thought that maybe this could be my gift to her, telling her not to be in such a hurry to grow up,” Catlin recalls.

Influenced by the thrilling, edge-of-your seat work of Cirque du Soleil, Catlin and his collaborators decided to let circus arts help tell the story.

“Circus touches that irrational part of ourselves, and it’s filled with whimsy and nonsense. It feels appropriate to the story, a little bit giddy,” he says.

To that end, award-winning choreographer Sylvia Hernandez-Distasi, co-artistic director of The Actors Gymnasium in nearby Evanston, infused the show with tumbling, aerial work, stilt-walking, balancing feats and, in the case of Humpty Dumpty, a spectacular fall.

Premiering in 2005, Lookingglass Alice became an ongoing success for the company, returning for four runs and traveling to other cities.

Denver Center President and CEO Scott Shiller chose Lookingglass Alice as the 2015 summer show at Miami’s Adrienne Arsht Center for the Performing Arts when he was its executive vice president.

Returning to see the show in Miami, Shiller observed, “One of the great things about Lookingglass Alice is that it pushes the boundaries of theatrical storytelling and theatrical magic. It asks the audience to go on a

“Carroll’s story had so much in there for whatever age you are. It doesn’t talk down to kids. It speaks to them, giving them complicated things to think about… It has layers and layers. Sometimes it’s light, sometimes it’s deeper, and at times it’s scary.”

— DAVID CATLIN, DIRECTOR / PLAYWRIGHT

journey with the characters and use their imagination to become part of the storytelling…. The Cirque du Soleil model uses the circus arts to overwhelm your senses. Lookingglass Alice allows you to imagine a world, while being thoroughly deliberate with their choices and at the top of their craft. It’s both transparent and theatrical.”

Catlin thinks the components of Lookingglass Alice make it appeal to different ages on multiple levels.

“It has elements of circus, delicious wordplay and fantastical characters,” he says. “Carroll’s story had so much in there for whatever age you are. It doesn’t talk down to kids. It speaks to them, giving them complicated things to think about… It has layers and layers. Sometimes it’s light, sometimes it’s deeper, and at times it’s scary.”

Samuel Taylor gets to demonstrate his range as both actor and acrobat in Lookingglass Alice. He plays the White Knight, who ages backward, as well as the buttoned-up Dodgson.

The White Knight rides a 6-foottall unicycle while carrying a picnic basket, and he recites Jabberwocky while running through the audience, eventually leaping into the arms of Alice.

“The White Knight is who Lewis Carroll wanted to be…a version of the author who is capable of all the nonsense and wonder that Dodgson was incapable of living in his real life,” Taylor says. “He represents the joy of the child brain carried forward into adulthood.”

Taylor jokes that he and his cast mates — Lindsey Noel Whiting, Lauren Hirte, Adeoye, Molly Brennan and Kevin Douglas — call themselves “the Aliceholes.” But he’s serious when he says that, despite the extensive physical training and emphasis on safety, “Alice is the gold standard of hard. The circus is hard, the running and screaming is hard, and you almost never stop moving backstage.”

Brennan plays the comically imperious Red Queen among other roles. Though she grows smaller by stages, initially Brennan is literally a towering presence: “It’s like being on a parade float. I stand on a 12-foothigh rolling apparatus that looks like [the bottom of] a dress. I put a bodice on, then add a 3-foot-tall wig.”

Whiting, who will alternate performances as Alice with Hirte in Denver, pronounces Lookingglass Alice “fun, but it feels really poignant.” Alice’s eagerness to transform from pawn to queen, from child to adult, drives her through the fanciful, adventure-filled chess game that is Wonderland.

“Really, the heart of it is her holding onto childhood vs. growing up,” Whiting says.

Adds Douglas: “It resonates because it’s about growing up so quickly. Then life passes you by, and you wish you’d taken your time.”

Saylor Catlin turned 13 in midAugust (and now wants to get her nose pierced). Though her father’s gift didn’t slow her down, it has become a gift shared by thousands.

Lookingglass Alice has been entertaining audiences for more than a decade, embodying and advancing the mission of a company with roots in Carroll’s wondrous world: “…our goal is to fire the imagination with love, to celebrate the human capacity to taste and smell, weep and laugh, create and destroy, and wake up where we first fell — changed, charged and empowered.”

Christine Dolen is The Miami Herald’s theater critic.

LOOKINGGLASS ALICE SEP 11 – OCT 11 STAGE THEATRE ASL interpreted & Audio described performance: Oct 3, 1:30pm Tickets: 303.893.4100 | denvercenter.org Groups: 303.446.4829

The cast of A Christms Carol. Photo by Jennifer M. Koskinen.

COMING UP FROM THEATRE COMPANY:

A CHRISTMAS CAROL

After Charles Dickens wrote his holiday classic in a frenzied six weeks in 1843, he became one of the first famous writers to give public readings of his work. Ten years after A Christmas Carol (playing The Stage Nov 27 - Dec 27) was published, Dickens began to tour England and America performing his piece. Here’s a little about his acting antics: • When he toured New York around Christmas of 1867, people camping for their tickets created a line that was a mile long. The tour earned him around $20,000 (nearly $1.5 million today) and exceeded the royalties he earned from the books.

• On performance days, Dickens would drink two tablespoons of rum mixed with cream for breakfast, a pint of champagne for lunch and a sherry with a raw egg beaten into it right before he went on stage.

• Due to his health, he had to stop performing in 1870. His last words to the audience were, “...from these garish lights I vanish now for evermore, with one heartfelt, grateful, respectful, and affectionate farewell.”

To read more about Dickens’ peculiar performances, visit mentalfloss.com or amazon.com.

Happy reading, everyone.

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W I N N E R — 2 0 1 4 T O N Y AWA R D F O R B E S T P L AY

ALL THE WAY

By Robert Schenkkan

JAN 29 – FEB 28 •

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Inside the Writer’s Studio with Heidi Julavits and Ben Marcus

Saturday, October 3 Denver Art Museum • 6:30 PM Don’t miss the popular and unpredictable on-stage reading and conversation between highly accomplished authors and literary tastemakers Heidi Julavits and Ben Marcus. Come hear the husband-and-wife duo dish on balancing work and family, gender issues, and the challenges of living with a writer.

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TRIBES — LEARNING TO LISTEN

BY JOHN MOORE

“Tribes is about how we communicate, and how we don’t communicate.

And one of the great ironies of this play is that it’s the non-deaf characters who are actually really bad at communication.”

— STEPHEN WEITZ, DIRECTOR

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F

Family stories are the backbone of the American theatre. And Death of a Salesman, A Long Day’s Journey Into Night and August: Osage County are central vertebra on the spine of the canon. They all center on families who talk well enough…they just can’t seem to actually communicate with one another.

Nina Raine’s Tribes takes that irony one step further. Her acclaimed play is about a family that really can’t communicate. And the fact that youngest son Billy was born deaf is just part of the problem.

“This is a family that is fraught with love and miscommunication and hierarchies,” said Stephen Weitz, who is directing Tribes for the Theatre Company. “I mean, Death of a Salesman is the same family, in some ways, and August: Osage County. But by adding this extra element of deafness as an obstacle to communication, I think Nina Raine has taken the traditional family drama and spun it on its ear a little bit.”

The never-named British family in Tribes has been described as an intensely intellectual bunch of dueling narcissists who use words as their weapons of choice. The parents are writers with three adrift children, all in their 20s and all living at home. Daniel is writing a thesis about how “language doesn’t determine meaning.” Ruth is a halfhearted opera wannabe. And while Billy may be deaf, his parents didn’t raise him to be handicapped — and they tell him that.

“They essentially pretend he’s not deaf,” Weitz said. “Certainly there is no malice behind that. I think in their minds, they are doing good by him by raising him to be, quote, ‘normal.’ And in the end, that turns out maybe to have been not the best choice.”

Now Billy has met a girl named Sylvia who grew up with deaf parents and is now losing her own hearing. She knows American Sign Language. He does not. Signals are seriously being crossed all over this play.

“Tribes is about how we communicate, and how we don’t communicate,” Weitz said. “And one of the great ironies of this play is that it’s the non-deaf characters who are actually really bad at communication.”

The live theatre was born for the public exchange of ideas, however heightened or artificial. But deafness, of course, makes communication and human connection significantly more difficult, whether on stage or in life. Yet the Tribes playwright, Weitz believes, has taken this obstacle and turned it into a tremendous advantage.

“This is going to be a visceral experience for people unlike what they normally have at the theatre because they are going to have to be part of the communication exchange,” Weitz said. “This isn’t one of those plays where people can sit back and be passive, because it will fly by.”

That’s where Charlie Miller, the DCPA’s resident multimedia specialist, comes in. Throughout her play, Raine’s script calls for supertitles — projected translations audiences most commonly see as they translate foreign words at the opera. Here, supertitles are used to help the audience understand what the deaf characters are saying. But it’s a tricky and intentionally unreliable device, Miller says.

“Not everything that is signed is translated for the audiences and sometimes the translations take on a life of their own,” Miller said.

“So I think it becomes more complex than that in a really good way.”

It’s only fair, after all, that if “hearing” people can use language to obscure and confuse meaning rather than to elucidate — why shouldn’t that tool be available to all of the Tribes characters?

In this family, barriers to communication, real or imagined, might even be seen as a relief or a protection when that family is not asking the tough questions.

LOGO WITH SUBDIVISIONS

presents

BY

Nina Raine With

Tad Cooley, Isabel Ellison, Kate Finch, Stephen Paul Johnson, Kathleen McCall, Andrew Pastides

SCENIC DESIGN BY Lisa Orzolek

COSTUME DESIGN BY Meghan Anderson Doyle

PROJECTION DESIGN BY Charlie I. Miller

LIGHTING DESIGN BY Shannon McKinney

DRAMATURGY BY Heidi Schmidt

DIRECTOR OF PRODUCTION Jeff Gifford

SOUND DESIGN BY Craig Breitenbach

VOICE AND DIALECT COACHING BY Kathryn G. Maes Ph.D

STAGE MANAGER Rachel Ducat

DIRECTED BY Stephen Weitz

TRIBES was commissioned and first presented by English Stage Company at the Royal Court Theatre on 14 October 2010.

TRIBES was presented by Barrow Street Theatre, New York, NY in 2012.

TRIBES is presented by special arrangement with Dramatists Play Service, Inc., New York.

The video and/or audio recording of this performance by any means whatsoever are strictly prohibited.

THE RICKETSON THEATRE | OCTOBER 9–NOVEMBER 15, 2015

SHOW SPONSOR

SEASON SPONSORS

TRIBES

Scott Shiller, President & CEO Kent Thompson, Producing Artistic Director

TRIBES

CAST

(in order of appearance)

CHRISTOPHER.................................................................................................................................. STEPHEN PAUL JOHNSON BETH.................................................................................................................................................................... KATHLEEN MCCALL RUTH............................................................................................................................................................................ISABEL ELLISON DANIEL............................................................................................................................................................... ANDREW PASTIDES BILLY................................................................................................................................................................................... TAD COOLEY SYLVIA..................................................................................................................................................................................KATE FINCH

Deaf Accessibility Consultants.....................................................................................HANDS ON PRODUCTIONS, LLC Associate Projection Designer.......................................................................................................................... TOPHER BLAIR

Stage Manager......................................................................................................................................................... RACHEL DUCAT Production Assistant.............................................................................................................................................DANA REILAND Stage Management Apprentice..........................................................................................................................LEXI HOLTZER

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

SETTING Present Day.

ACTING COMPANY

TAD COOLEY (Billy). At the Theatre Company: Debut. Regional Theatre credits include Tribes (Philadelphia Theatre Company, Pittsburgh’s City Theatre Company). Next year he will be performing in the world premiere of I Was Most Alive With You by Craig Lucas in Boston (Huntington Theatre Company). Tad recently appeared on ABC’s “Secrets and Lies.” Tad would like to dedicate this performance to his girlfriend, Andrea Weinzierl.

ISABEL ELLISON (Ruth). At the Theatre Company: Debut. Theatre in London: The Children’s Hour (West End), Red Bud (Royal Court).

Theatre in Chicago: The Night Alive (Steppenwolf Theatre), Measure for Measure (Goodman Theatre), The Crucible (Indiana Repertory Theatre), An Inspector Calls (Remy Bumppo Theatre), The How & The Why (TimeLine Theatre), Hamlet (Writers Theatre). TV: “Chicago Fire.” Training: Guildhall School of Music & Drama in London. Isabel is a Colorado native and now lives in Brooklyn.

KATE FINCH (Sylvia). At the Theatre Company: Debut. Broadway: Prymate (Allison standby) at the Longacre Theatre.

She has performed on stages in Chicago, London, Kansas City, and New York. Favorite roles include Viola in Twelfth Night (Secret Theatre, NYC), Belle in A Christmas Carol, Sylvia in Tribes (Portland Stage Company), and Barbara in SOUND (INK’D Festival, Playwright’s Realm, NYC). Films/Shorts: “The Final Illusion,” “Better Lives,” and “English20.” Training: BFA, Drake University.

STEPHEN PAUL JOHNSON (Christopher). At the Theatre Company: A Skull in Connemara. Other Theatres: Hudson Valley Shakespeare Festival (NY), 16 seasons, 40 roles including King Lear, Prospero, Shylock, Titus Andronicus. Other Regional: A.C.T. (San Francisco), Shakespeare Theatre (D.C.), Oregon Shakespeare Festival, Alabama Shakespeare Festival, Asolo Theatre (FL); PCPA/ Theatrefest (CA) artist-in-residence, six years. Touring: West Side Story 50th Anniversary World Tour (Lt. Schrank). TV: “Boardwalk Empire,” “Law & Order,” “Law and Order: SVU.” Training: MFA, American Conservatory Theatre.

KATHLEEN MCCALL (Beth). At the Theatre Company: 10 seasons. Kathleen has been a professional actress for over 30 years working on Broadway, OffBroadway, national tours, and at regional theatres throughout the country, as well as in television and film. She is an inductee of Marquis Who’s Who of American Women in the Arts and a Lunt/Fontanne Fellowship Recipient. Training: London Academy of Music and Dramatic Art. www.kathleenmccall.net ANDREW PASTIDES (Daniel). At the Theatre Company: Debut. Regional Credits: Half N’ Half N’ Half (Merrimack Rep), Goldfish (Magic Theatre), The Glass Menagerie (Two River Theatre Co.), The Chosen (Cleveland Play House), Molly’s Delicious (Arizona Theatre Co.), Tartuffe (Two River), Gross Indecency: The Three Trials of Oscar Wilde (Theatre Alliance). New York credits include Love Song (59E59), Makeout Session (Barrow Group).

TV/Film credits include: “Blue Bloods,” “Suits,” “Law and Order,”

“MA,” Hank and Asha, Shadows and Lies, Perfectly Normal. Best Actor Award for Hank and Asha at The Nappa Vally Film Festival and the Wild Rose Film Festival. Training: SCGSAH, UNCSA. PLAYWRIGHT

NINA RAINE (Playwright). After graduating from Oxford, Nina Raine began her career as a trainee director at the Royal Court Theatre. She dramaturged and directed the hard-hitting verbatim play Unprotected at the Liverpool Everyman, for which she won both the TMA Best Director Award and the Amnesty International Freedom of Expression Award for an Outstanding Production on a Human Rights Theme. Unprotected was also nominated as Best Regional Production by whatsonstage.com.

Rabbit is Nina’s first play, for which she won London’s Evening Standard Award 2006 for Most Promising Playwright, the Critics’ Circle Award 2006 for Most Promising Playwright, and was nominated as Best London Newcomer by whatsonstage.com.

The play was also shortlisted for the Verity Bargate Award 2004.

It premiered at the Old Red Lion Theatre in 2006 and after a sellout run transferred to the Trafalgar Studios in London’s West End, followed by a production for Brits Off Broadway in New York in 2007.

Nina’s second play, Tiger Country, was shortlisted for the Sphinx Theatre Brave New Roles Award, and is under commission to the Royal Court Theatre.

DIRECTOR

STEPHEN WEITZ (Director). At the Theatre Company: Jackie & Me, Othello, Richard III, King Lear, Midsummer, Tom Sawyer. Other Theatres: Stupid F**king Bird, Ambition Facing West, SantaLand Diaries, And the Sun Stood Still, Seminar, Bach at Leipzig, How the World Began (Boulder Ensemble Theatre Company), Good on Paper (Creede Repertory Theatre).

Producing Ensemble Director of the Boulder Ensemble Theatre Company.

TRIBES

WHO’S WHO

TRIBES

ARTISTIC STAFF

CRAIG BREITENBACH (Sound Designer). At the Theatre Company: Just Like Us, Sense & Sensibility The Musical, Irving Berlin’s White Christmas, Ring of Fire: The Music of Johnny Cash, A Christmas Carol, To Kill a Mockingbird, A Midsummer Night’s Dream, Mama Hated Diesels, Eventide, A Raisin in the Sun, Quilters, A Prayer for Owen Meany, Noises Off, Third, A Funny Thing…Forum, King Lear, Amadeus, Crowns, The Clean House, Measure for Measure, A Flea in Her Ear, Fire on the Mountain, The Misanthrope, The Three Sisters, Love’s Labor’s Lost, The Skin of Our Teeth, Betrayal, Spinning Into Butter, Dinner With Friends, Gross Indecency: The Three Trials of Oscar Wilde, The Laramie Project, The Little Foxes. Awards: 2008 Henry Award for Plainsong.

MEGHAN ANDERSON DOYLE (Costume Designer). At the Theatre Company: 10 seasons. One Night in Miami…, Appoggiatura, Vanya and Sonia and Masha and Spike, Jackie & Me, The Giver, Superior Donuts, Well and Ed, Downloaded.

Other Theatres: Off-Center (CULT FOLLOWING seasons 1-4), DCPA Cabaret (I Love You, You’re Perfect, Now Change! and Five Course Love), Curious Theatre Company (In The Red and Brown Water, Good People, The Brothers Size, A Number, Up, tempOdyssey), The Aurora Fox (Metamorphoses), National Theatre Conservatory Rep (16 productions).

Special Awards/Training: BA, Theatre, University of Denver; MFA, Costume Design, University of Florida.

KATHRYN G. MAES Ph.D (Voice and Dialect Coach). At the Theatre Company: Benediction, Appoggiatura, Vanya and Sonia and Masha and Spike, Lord of the Flies, The Unsinkable Molly Brown, Animal Crackers, Shadowlands, Hamlet, black odyssey, A Christmas Carol, Jackie & Me, The Most Deserving, Just Like Us, Death of a Salesman, When We Are Married, Fences, The Three Musketeers, Heartbreak House, Great Wall Story. Other Theatres: Royal Shakespeare Company, Royal National Theatre (Arthur Miller’s American Clock).

Special/Training: Voice and Dialect Coach for numerous professional theatre companies in the United

States, Head of Voice at DCPA Theatre Company and the National Theatre Conservatory 1989 to 1992.

Ph.D. in Theatre Arts, University of Pittsburgh; Advanced Diploma in Voice Studies, Central School of Speech and Drama, London, England.

SHANNON MCKINNEY (Lighting Designer). At the Theatre Company: Vanya and Sonia and Masha and Spike. Other Theatres: Colorado Shakespeare Festival (Othello, Much Ado About Nothing), The Arvada Center (Saturday Night Fever, Memphis, End of the Rainbow, Man of La Mancha), Curious Theatre Company (The Brothers Size, Detroit, Red), Indiana Repertory Theatre, Steppenwolf Theatre, The Court Theatre, Lookingglass Theatre.

Special/Awards: CTG Henry Award for Outstanding Lighting Design (The Whipping Man, Painted Bread, Man of La Mancha, Red). Company Member of Curious Theatre.

CHARLIE I. MILLER (Projection Designer). At the Theatre Company: 6 seasons, 27 productions.

Highlights include: Lord of the Flies, black odyssey, Just Like Us, The Giver, American Night, The House of the Spirits, Reckless, Mama Hated Diesels, When Tang Met Laika, and Ed, Downloaded. Off-Center: Lived/ Re-Lived, Wheel of Misfortune, Cult Following, Drag Machine, DATE*.

Other Theatres: Ed, Downloaded workshop (Roundabout, NYC); username: FAUST (Boston). Special/ Awards/Training: BA, Harvard, 2010 and 2011 Denver Post Ovation Awards, 2012 Henry Award, 2013 Best of Westword Awards.

Co-Curator of Off-Center.

LISA ORZOLEK (Set Designer).

At the Theatre Company: 200+ productions/23 seasons. One Night in Miami…, Benediction, Vanya and Sonia and Masha and Spike, Shadowlands, Jackie & Me, Death of a Salesman, Great Wall Story, The Liar, Superior Donuts, Othello, Well, The Voysey Inheritance, The Trip to Bountiful, Gee’s Bend, Third, The Pillowman, Living Out, After Ashley, A Lovely Sunday for Creve Coeur, Boston Marriage, Visiting Mr. Green, Blue/Orange. Other Theatres: A Midsummer Night’s Dream, Macbeth, Complete Works of Shakespeare (Abridged), Richard II (Colorado Shakespeare Festival);

Love...Perfect...Change, Five Course Love, Girls Only, The Taffetas, My Way (DCPA Cabaret); Twelfth Night, God’s Country (National Theatre Conservatory). Training: BFA in Scenic Design, Boston University.

HEIDI SCHMIDT (Dramaturg).

Dramaturgy: Colorado Shakespeare Festival (The Inspector General, Richard III, Macbeth, The Merry Wives of Windsor, Twelfth Night Taming Of The Shrew school tours); Local Theater Company (Faith).

Directing: CU Boulder (Picnic, Melancholy Play), CSF Education (As You Like It), readings for Curious New Voices, Athena Project, Paragon Theatre. Other: props design (Curious Theatre), Associate Artist (LOCAL Theater), teaching and doctoral work at CU Boulder.

HANDS ON PRODUCTIONS LLC (Deaf Accessibility Consultants).

Specializing in Deaf access to the performing arts, HoP works with theaters throughout the Denver community and beyond to make performance open to all audiences.

We are proud to support theaters incorporating Deaf actors as well as shadow interpreting. We are thrilled to be part of the Tribes team.

STAGE MANAGEMENT

RACHEL DUCAT (Stage Manager).

At the Theatre Company: One Night in Miami…, Appoggiatura, Shadowlands, black odyssey, The Most Deserving, A Weekend with Pablo Picasso, The Giver, Heartbreak House, Two Things You Don’t Talk About At Dinner, The Liar, Superior Donuts, The Catch, The House of the Spirits and Grace, or the Art of Climbing. Other Theatres: Twelfth Night, Treasure Island, Richard III (Colorado Shakespeare Festival); Curious Theatre Company; Jersey Boys, Wicked, Dirty Dancing (Broadway in Chicago); Chicago Shakespeare Theatre; Cleveland Play House, Hope Summer Repertory Theatre. Training; BA Theatre Production, University of Delaware.

EXECUTIVE STAFF

KENT THOMPSON (Producing Artistic Director) is in his 11th season leading the Theatre Company. At DCPA, he has directed productions of Amadeus, Just Like Us, A Midsummer Night’s Dream, Other Desert Cities,

CHARLES VARIN (Managing Director) and his team are responsible for administrative, financial and business operations related to producing the Theatre Company’s season of productions and other artistic and educational initiatives. Prior to DCPA, Charles was General Manager for Geva Theatre Center in Rochester, NY and also has worked at Glimmerglass Opera, Asolo Repertory Theatre and Florida Studio Theatre.

BRUCE K. SEVY (Associate Artistic Director and Director of New Play Development) has directed such memorable Theatre Company productions as Animal Crackers, When We Are Married, Heartbreak House, Mariela in the Desert, The Voysey Inheritance, A Prayer for Owen Meany, Doubt, All My Sons, Master Class, Mrs. Warren’s Profession, A Christmas Carol, Cat On a Hot Tin Roof, The Little Foxes, Molly Sweeney, Amy’s View, Valley Song,

Pierre, Dinner With Friends and The Cripple of Inishmaan.

As Director of New Play Development, he oversees both the artistic and practical components of the Theatre Company’s successful Colorado New Play Summit, including commissions from outstanding American playwrights.

He has directed for Arizona Theatre Company, Cleveland Play House, Lark Play Development Center, Kansas City Repertory Theatre, Virginia Stage Company, Alabama Shakespeare Festival, Northlight Theatre, San Jose Repertory Theatre, Eugene O’Neill Theater Center, Pioneer Theatre Company, A Contemporary Theatre, Seattle Repertory Theatre, Empty Space and Intiman Theatre in Seattle, the Kimo Theatre in Albuquerque, and Utah Shakespearean Festival.

His popular production of 2 Pianos, 4 Hands has been seen at more than 20 theatres nationally, including the Theatre Company’s successful 2003 production.

JEFF GIFFORD (Director of Production) is in his third season at the DCPA and oversees every­thing you see on stage except the actors.

Guiding world premieres to their first opening night is especially gratifying and Jeff has worked on more than 35 of them. Among his favorites are Dinner with Friends, The Violet Hour, The Beard of Avon, Mr. Marmalade, and the new musical FLY. Jeff holds an MFA from California Institute of the Arts.

The Directors and Choreographers are members of the Stage Directors and Choreographers Society, an independent national labor union.

The actors and stage managers employed in these productions are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

Backstage and Ticket Services Employees are represented by the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States and Canada. (or I.A.T.S.E.) Scenic, Costume and Lighting designers are represented by United Scenic Artists Local USA-829, IATSE Member of the Colorado Theatre Guild

PLEASE BE ADVISED that once the show begins: • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited during the performance.

• CHILDREN 4+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres.

Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836.

The Theatre Company is grateful for the funds provided by the Scientific and Cultural Facilities District.

Special thanks also to grants from Arts & Venues Denver; the Helen G. Bonfils Foundation; and contributions from corporations, foundations and individuals.

The Theatre Company is a division of the Denver Center for the Performing Arts, a not-for-profit organization serving the public through the performing arts.

The Theatre Company operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; and the Stage Directors and Choreographers Society. The Theatre Company also operates under an agreement with Denver Theatrical Stage Employees Union, Local No. 7 of the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States and Canada.

The Theatre Company is constituent of Theatre Communications Group (TCG), the national organization for not-forprofit resident theatre companies.

The costumes, wigs, lighting, props, furniture, scenic construction, scenic painting, sound and special effects used in connection with this production were constructed and coordinated by the Theatre Company’s Production Staff.

TRIBES

Irving Berlin’s White Christmas, Plainsong, Eventide, & Benediction, and A Flea in Her Ear, among others.

Three of Kent’s major accomplishments since moving to Denver have been the establishment of the Colorado New Play Summit (a premier national festival for new American plays, producing 24 world premieres in its first ten years), the Women’s Voices Fund (an endowment that supports the development of new plays by women), and Off-Center (programming designed to attract the next generation of audiences and artists).

Prior to moving to Denver he was Producing Artistic Director of the Alabama Shakespeare Festival (ASF) for 16 years. In 1991 Kent created the Southern Writers’ Project, designed to commission and premiere new plays, producing 16 world premieres during his tenure. Kent served for eight years on the Board of Directors for Theatre Communications Group (the national organization for not-forprofit resident theatre companies) and as its president for three years.

In addition, he has served on peer review panels for the NEA (also chair), TCG, The Pew Charitable Trusts, The Fulbright Scholars Program, The Wallace Funds, The Doris Duke Foundation and The Andrew W. Mellon Foundation, among others.

DESIGN YOUR OWN SEASON & SAVE UP TO $112

Illustrations by Kyle Malone

WITH A THEATRE COMPANY POWER PASS

POWER PASS VOUCHERS CAN BE USED FOR ANY DATE OF ANY THEATRE COMPANY SHOW. AVAILABLE IN SETS FOR 4, 6, 8 OR 10 TICKETS STARTING AT 8 PAYMENTS OF $30* 4- and 8-payment installment pricing includes a single $10 fee. Some restrictions may apply.

DENVERCENTER.ORG/SUBSCRIBE 303.893.4100 • GROUPS: 303.446.4829 THEATRE COMPANY SEASON SPONSORS

MAKING THEATRE ACCESSIBLE TO ALL For the run of Tribes, the Theatre Company is testing a new system to greatly expand our services for patrons who are Deaf or hard of hearing: Closed Captioning Devices.

The closed captioning devices must be reserved in advance at denvercenter.org/tribes (subject to availability). Each device is configured with closed captioning software and comes with an adjustable seat mount, enabling users to enjoy private captioning services in any seating location.

For more information about all our accessibility services, please visit denvercenter.org/accessibility

THEATRE COMPANY SEASON SPONSORS

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Membership for the season is a cool $20 and it’s all savings from there.

DENVERCENTER.ORG/RADVANTAGE 303.893.4100

“You see that both in the characters who can hear, and in those who can’t,” Weitz said. “These parents have their own marital issues going on. Their other son, Daniel, has mental-illness issues that are not being addressed. The daughter has some self-esteem issues that are not being dealt with. For this family that is so invested in communication and debate, they are not ultimately talking about the central issues of their lives. So in many ways, they are the ones who are cut off from communication, while their deaf son is the one who is learning to communicate fully. That’s the central irony of the play.”

Tribes is one of the first plays in DCPA history that will feature actors with disabilities playing characters with those same disabilities. That’s good for the creative team, the deaf community and DCPA audiences, Weitz said.

“I am a big fan of any theatre that makes the audience have to work harder because I feel that theatre is at its most powerful when we are an active participant, and I think this play does that remarkably well,” he said.

But in the end, he believes, Tribes is not that much of a departure.

“I think people are going to find that underneath that veneer of deafness, the themes and the issues of this play are akin to a lot of plays people have been coming here to see over the years.”

TRIBES OCT 9 – NOV 15 | RICKETSON THEATRE ASL interpreted & Audio described performance: Nov 7, 1:30pm Tickets: 303.893.4100 | denvercenter.org | Groups: 303.446.4829

AT THE DCPA, POWERFUL THEATRE IS ACCESSIBLE TO ALL Audio Enhancements Assistive listening devices, open captioning at select performances, American Sign Language interpretation Visual Enhancements Large print & Braille programs, audio-description services Wheelchair Access Wheelchair and companion seats; ramps, elevators and courtesy wheelchairs Discounts Discounts are available for select ASL, audio-described and open captioned performances Email Newsletter Sign up at ckrueger@dcpa.org to receive a monthly email of upcoming accessible performances Guide to our Theatres Explore our theatres and accessible programs with our new video at denvercenter.org/accessibility

Illustration by Kyle Malone

For a full list of services and accessible performance dates, please visit denvercenter.org/accessibility

Assistive listening devices sponsored by

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The Company ofJoan Matilda The Musical National Tour. Photo by Joan Marcus.

The National Touring Company of Wicked | Photo by Marcus 2015

A PROBLEM LIKE MATILDA

BY MICHAEL SCHULMAN/ T H E N E W YO R K E R ; © CO N D É N A S T

Overlooked by witless adults, Matilda uses brainpower — which builds into telekinesis — to triumph over stupidity. “She wins by being clever,” Minchin says.

TIM MINCHIN

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T

Three years before Roald Dahl died, he was stumped by a five-year-old.

Like many of his protagonists, Matilda Wormwood was a precocious youngster surrounded by monstrous adults and grotesque peers. Although Dahl was known for archness, even cruelty — remember Violet Beauregarde, in Willy Wonka’s factory, blowing up into a huge blueberry — the new book seemed unusually savage. According to Dahl’s biographer, Donald Sturrock, his editor was so dismayed by the manuscript that the author, for the first time in his career, had to beg him for a response.

So Dahl scrapped the manuscript and started over. By the time the book was published, in 1988, Matilda had been refashioned into an underdog. Born to a car salesman and a television-obsessed peroxide blonde, she spends her days at the library, teaching herself to read Nicholas Nickleby. “Her mind was so nimble and she was so quick to learn that her ability should have been obvious even to the most half-witted of parents,” Dahl wrote.

Two decades later, the Royal Shakespeare Company asked the director Matthew Warchus to stage a musical version of Matilda. The first step was to find a songwriter. “We kept saying, ‘It’s

about a genius, and there’s got to be some genius in the songs,’ ” Warchus said. One night, he went to London’s Bloomsbury Theatre to see a one-man show by Tim Minchin, a wild-haired Australian comic known for ribald songs, such as “Inflatable You,” an ode to a blow-up doll. Misbehavior served light: the perfect match for Dahl.

“He’s got his own secular kind of fervor,” Warchus said. “You tend to think of satire as a substitute for emotion, and he manages to entwine them. And that’s why you can enjoy the cleverness and intricacy of his writing and have tears running down your cheeks at the same time, or be laughing helplessly at some goofy, childish reference to boobs or something. It’s high and low at the same time.”

Adaptations of Dahl tend to be overly perverse (Tim Burton’s movie of Charlie and the Chocolate Factory) or not perverse enough (the 1996 film of Matilda).

But the version created by Warchus and Minchin, with a book by Dennis Kelly, was impeccably stylized. Matilda premiered in Stratford-Upon-Avon in late 2010 and transferred to the West End the following fall. (It opened on Broadway, at the Shubert, in April 2013 and embarked on a national tour of the US in May 2015.)

The Telegraph called it “the best new British musical since Billy Elliot” and praised Minchin’s “smashing score that combines take-home melodies with delicious lyrical wit.” Matilda was nominated for ten Olivier Awards and won seven, more than any other show in history, earning it a place in the 2013 edition of Guinness World Records.

When conducting this interview, Minchin had just arrived at J.F.K. from London. He had a lot on his schedule: in addition to Matilda rehearsals, there were meetings for potential projects, including two stage musicals and an animated film for DreamWorks. “Six years ago, I couldn’t…get a gig,” he said. “Now people are asking me to write everything, because they think there’s some magic formula. Writing musicals is a huge challenge,” he went on. “They teeter on a knifepoint of mawkish sentimental rot.”

When it came to turning Matilda into a musical, Minchin created a pintsize freethinker in his own image. Overlooked by witless adults, Matilda uses brainpower — which builds into telekinesis — to triumph over stupidity.

“She wins by being clever,” Minchin says.

One morning, Minchin walked into a sunlit rehearsal studio on 42nd Street, where a dozen children, who play Matilda’s schoolmates, were seated in front of music stands.

“Hello, maggots,” Minchin said.

“Hi, Tim!” they answered in unison.

Deborah Abramson, the children’s music director, stood at a piano. “Stick out your tongues and write ‘Tim Minchin’ in cursive,” she instructed. The kids obeyed.

At Abramson’s command, the kids adopted faultless English accents and sang a song from Act II, “When I Grow Up”.

“That was great,” Minchin said. “Good timing. Good diction.”

“You sound like English children,” Minchin said afterward. “I won’t have to fire any of you.”

He took an elevator down to another rehearsal room. As in the London production, four actresses play the title role in rotation.

The girls gathered around the piano to sing “Naughty,” Matilda’s solo, with Minchin playing jazzy accompaniment. Afterward, an associate director quizzed them: “What do you know about this song?”

“She’s gaining confidence,” Oona Laurence (age 10) said.

“She’s thinking of doing something bad,” Sophia Gennusa (age 9) added.

Minchin told them that his daughter, who is six, initially had trouble understanding the song. “She would ask, ‘Why is she being naughty?’ She couldn’t get her head around the fact that Matilda was condoning the thing I tell her not to be. I explained that sometimes, if a big person is really mean, the only thing a little person can do is break the rules.” The girls nodded: a lesson in moral relativism.

Milly Shapiro (age 10) asked, “What was the hardest song to write?”

“Miss Honey’s song,” Minchin said, referring to “My House,” sung by the beleaguered teacher who becomes Matilda’s confidante. “Because Miss Honey isn’t demonstrative — do you know what that means?” The Matildas looked perplexed.

“It’s someone who demonstrates things. Like, if you were going to write a song for me, it would be easy: ‘Hi, I’m Tim!’ I’m extroverted. But Miss Honey doesn’t say what’s on her mind, and neither does Matilda. She keeps to herself.”

The girls nodded: a lesson in dramaturgy.

Matilda, Minchin says, is “an avatar for all our ambitions when we’re little and powerless. She’s perfect in the face of the horrible people around her.”

Jelani Remy as “Simba” and the ensemble in “He Lives in You” from The Lion King National Tour. ©Disney. Photo: Joan Marcus.

COMING UP FROM BROADWAY:

DISNEY’S

THE LION KING

roars back into Denver Nov 4 – 29.

Is your memory as wobbly as a warthog’s or as mighty as a meerkat’s?

Test your knowledge before you go.

1. How many times is “Hakuna Matata” heard in each performance?

A) 100 B) 25 C) 150 D) 1,000 2. Who is Mufasa’s informant and friend, a bird?

A) Michael B) Scar C) Zazu D) Sarabi 3. Who is Simba’s sinister uncle who conspires to become the king?

A) Scar B) Mufasa C) Ed D) Lester 4. Who is Simba’s childhood friend, a young female cub?

A) Sarabi B) Shenzi C) Nala D) Phyllis 5. Who are the two friends who share their simple philosophy of “Hakuna Matata” with Simba?

A) Shenzi and Banzai B) Mufasa and Zazu C) Fred and Ginger D) Timon and Pumbaa 6. What kind of animal is Timon?

A) Cat B) Elephant C) Meerkat D) Camel 7. What kind of animal is Pumbaa?

ASL interpreted, Audio described & Open captioned Performance: Sep 20, 2pm Tickets: 303.893.4100 denvercenter.org Groups: 303.446.4829 Cassie Silva and Quinn Mattfeld in Matilda The Musical National Tour.

Photo by Joan Marcus.

8. What song does Rafiki sing at the beginning of The Lion King to invite the animals of the savannah to celebrate the birth of Simba?

A) Hakuna Matata B) Circle of Life C) Can You Feel The Love Tonight D) Happy Birthday

Answers: 1-B, 2-C, 3-A, 4-C, 5-D, 6-C, 7-A, 8-B

MATILDA THE MUSICAL SEP 9 – 20 | BUELL THEATRE

A) Warthog B) Rhinoceros C) Hippopotamus D) Caterpillar

COMPLETE EVENING SUBSCRIPTIONS

Photos by Adams Design + Photo

Upgrade your experience with incredible seats, cocktails and dinner, behind-the-scenes meet and greets, and professional networking.

WE SAVED THE BEST SEATS IN THE HOUSE JUST FOR YOU. When you want the greatest Broadway experience in Denver, our Best of Broadway Society treats you to first-class service before, during and after the show. While enjoying all eight of our big Broadway productions, you’ll receive front-and-center orchestra seats, pre-theatre cocktails, dinner at Kevin Taylor’s and a private intermission in the Wolf Room.

We also provide personalized ticketing and exchange services to all shows, including our non-Broadway offerings.

BEST OF BROADWAY 2015/16 SEASON Matilda The Musical | Sep 9 or 11 If/Then | Oct 13 or 23 A Christmas Story, The Musical | Dec 16 or 18 Dirty Dancing – The Classic Story on Stage | Jan 26 or 29 A Gentleman’s Guide to Love & Murder | Feb 16 or 19 Disney’s Newsies | Mar 23 or 25 The Sound of Music | Jun 21 or 24 Beautiful – The Carole King Musical | Jul 19 or 22 Due to the nature of theatrical bookings, all shows, artists and dates are subject to change.

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BE IN GOOD COMPANY — OUR OWN. For theatre fans who want to get to know our players personally, the Directors Society allows you to meet and greet our incredible cast at our select Wednesday evening showings. Enjoy an intimate experience over dinner and drinks and see what happens after the curtains close.

DIRECTORS SOCIETY 2015/16 SEASON Lookingglass Alice | Oct 7 As You Like It | Oct 21 Tribes | Nov 11 The Nest | Feb 3 All the Way | Feb 17 FADE | Mar 2 Sweeney Todd | Apr 15

WHEN THE SHOW IS OVER, THE PARTY HAS JUST BEGUN.

Photo by Studio JK

These lively and entertaining experiences for professionals and actors alike let you loosen your tie, have fun and make new connections. At select Thursday showings, mingle over drinks and appetizers before the show and party with the cast afterward at Larimer Square’s hotspots.

MARQUEE CLUB 2015/16 SEASON Lookingglass Alice | Sep 24 All the Way | Feb 11

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FIND THE SUBSCRIPTION THAT SUITS YOU AND JOIN TODAY! David Zupancic: 303.446.4811 | davidz@dcpa.org | denvercenter.org/members

AS YOU LIKE IT: Illustration by Kyle Malone

A WOMAN’S WOMAN IN A MAN’S WORLD

BY JOHN MOORE

T

The upcoming Theatre Company season could be described as the Year of the Woman. A lineup filled with strong, independent female characters kicks off with the most fully realized woman in the Shakespeare canon — and you might be surprised to learn who she is.

Sorry, Juliet, Cleopatra and Lady M. The largest female role in all of Shakespeare is Rosalind of As You Like It. The late Anne Barton, one of the 20th century’s foremost Shakespeare scholars, went so far as to say the gender-bending heroine (and hero!) “is as central and dominating a figure in her fashion as Hamlet is in his own, very different play.”

Rosalind is, simply put, the rare woman Shakespeare treated like a man. Think about it: Rosalind starts this pastoral comedy in a rather grim place. Her father has been banished and she escapes her murderous uncle by bravely exiling herself to the forest. And yet she manages as well as any man here — by dressing like a man.

“I find it particularly interesting to look at this play right now because here is such a strong and complex central female character who is also beautiful and charming and smart,” said Theatre Company Producing Artistic Director Kent Thompson, director of the Company’s first-ever staging of As You Like It in its 37-year history. “I like her wit, her pluck and her sense of heart.”

Rosalind is especially self-aware when it comes to matters of the heart. Thompson calls her “the greatest wedding planner in Shakespeare.” That’s because the play ends with

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four weddings and no funerals — essentially all at her direction. One of those four weddings, of course, is her own.

And to Orlando, a really good guy and a true gentleman.

But the Arden Forest is not the same enchanted timberland as in A Midsummer Night’s Dream. This is a forest where all the romantic players pine for partners who pine not back. Think of As You Like It as a hormonal The Tempest without the magic.

And yet…four weddings. Thompson calls Rosalind “the great psychologist of all the people around her.” But at her core, she’s just a girly-girl in love. And it’s fun for us to watch her grow more jealous…of herself.

Her eventual partnership with Orlando is so well-matched and true that 400 years later, it feels to a modern audience as a downright contemporary coupling. “I think Orlando teaches Rosalind heart and passion,” Thompson said. “And she teaches him intellect, wit and being able to see the world not through those rose-colored glasses.”

Rosalind is perfect for these gender-fluid times. She is a woman pretending to be a man pretending to be a woman — both a man’s man and a woman’s woman.

“I think all of that together creates both great sexual and comic tension,” Thompson said. “That is delicious for the audience because of course we know what’s going on. So it’s great fun to watch.”

All the more remarkable given that Shakespeare created Rosalind in the Elizabethan era. “It’s still very much a patriarchal world,” Thompson said. “But Shakespeare is kind

“I find it particularly interesting to look at this play right now because here is such a strong and complex central female character who is also beautiful and charming and smart.”

— KENT THOMPSON

AS YOU LIKE IT SEP 25 – NOV 1 | SPACE THEATRE ASL interpreted & Audio described performance: Oct 17, 1:30pm Tickets: 303.893.4100 | denvercenter.org | Groups: 303.446.4829

COSTUME COLUMN To invoke a stark contrast between Duke Frederick’s stuffy palace and the pastoral Forest of Arden, Theatre Company costume designer Denitsa Bliznakova relied on the transformative power of her pieces to reveal the deeper emotions of the characters in Shakespeare’s As You Like It. “The characters will be learning a lot about themselves and others throughout the play,” said Bliznakova, “and a visual transformation is necessary to tell the story.”

Inspired by the Impressionist movement of the late 1800s, the set and costume design teams created a vivid, vibrant world where the courtly characters could break away from the confines of their strict society and freely express themselves. As the play progresses from the cold, man-made world of the palace to the magical forest, the characters literally strip off their inhibitions and don more colorful, comfortable clothing.

“The people from the palace, in a way, will be shedding away the layers of their past as they are shedding away pieces of their clothing,” she continued. “The ladies will replace their constricting corsets that emphasize the suffocating feeling of this world they live in for light, fresh blouses and full skirts.”

Even disguised as a man, the lady Rosalind will take control of her life through the freedom and anonymity of her clothing. Masculine details like oversized buckles and leather boots add to the believability of her guise without removing her femininity.

So loosen your laces and throw out those smelling salts. Let this lover’s tale of mistaken identities envelop you.

© Jennifer M Koskinen | Merritt Design Photo

of the Elizabethan feminist.” For evidence, look no further than the fact that Rosalind gets the final word in As You Like It — making her the only female character in the entire Shakespeare canon who gets to deliver the epilogue.

The only other Bard female who drives the action forward as efficiently as Rosalind Thompson suggests, might be Juliet. “She actually is the strongest person in Romeo and Juliet,” he said. “She’s the one who is proactive and goes to the Friar. He’s the one who falls down crying. She figures out a way to do it, and she’s willing to go there, even though she may die. But Rosalind is really the only female Shakespeare character who manages to direct everything down to that last scene.”

And Rosalind is just the first of many strong female protagonists on the Theatre Company’s 2015/16 season. Lookingglass Alice will present a much more active Alice than Wonderland readers are used to. The role is so physically demanding, in fact, that two actors will alternate performances. Tribes features a hard-of-hearing young woman named Sylvia who opens up a whole new world to a young deaf man named Billy. The protagonist in FADE is a novice named Lucia who gets a job writing on a major TV drama. The Nest is a biting ensemble comedy that includes three significant and distinct New York women. And let’s not forget Mrs. Lovett, who stirs up the pot in Sweeney Todd — with human flesh.

When asked if he will be celebrating this yearlong trend of strong, proactive female protagonists, Thompson joked, “I will be celebrating it now that I am conscious of it.

“But I think it makes sense, because we are committed to women playwrights, we are committed to new writing and we are committed to women actors. But if you look at it, yes, it is very true that there will be vigorous female protagonists throughout the season. I think that’s really emblematic of a lot of interesting work that is going on right now, with stronger female characters being portrayed.”

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“Our economy thrives on the generation of ideas, not just the manufacturing of goods and products,” says Vectra Bank Colorado President and CEO Bruce Alexander. “Learning to think both critically and creatively about solutions enables us to successfully navigate an increasingly complex world.”

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“We are honored to partner with organizations that give so generously to enable communities to flourish,” he adds. “We are privileged to be part of DCPA whose caliber is undeniable, from the performances it showcases to the experiences it delivers, to its educational outreach.”

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2015–2016 Season cupresents.org 303-492-8008

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Sept. 27 Twyla Tharp Dance 50th Anniversary Tour

Oct. 9 SFJAZZ Collective Tribute to Michael Jackson

Nov. 6 Irish Chamber Orchestra Gábor Takács-Nagy, conductor

Dec. 11 Soweto Gospel Choir Jan. 21 Diavolo

Feb. 14 BODYTRAFFIC

March 1 Rising Stars of the Metropolitan Opera

March 31 Indigo Girls with the CU Symphony Orchestra

April 15 Pablo Ziegler and Lara St. John Piazzolla Central Park Concert Redux

Plus Eklund Opera, Takács Quartet, Holiday Festival and Spring Swing All performances are on the CU-Boulder Campus

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DCPA TEAM DCPA Scott Shiller..............................................................President/CEO

BOX OFFICE Jennifer Lopez.........................Director of Ticketing Services Kirk Petersen...........................................Assoc. Dir. of Ticketing Services – Patron Relations David Smith.............................................Assoc. Dir. of Ticketing Services – Subscription Services Jessica Bergin, Katie Clow-Pollard, Tristan Jungferman, Laura Kirby, Alec Sydlow................................................Box Office Managers Micah White..............................................Subscription Manager Malcolm Brown, William Dutton III, Kevin Dykstra, Elisabeth Link, Molly McDonough......................................................Show Leads Kirsten Anderson, Ashley Brown, Scott Lix, Gregory Swan........................Subscription Agents Maggie Blumer, Rena Bugg, Shandi Chavez, DJ Dennis, Marianne Geyer, Patye Gibbons, Nicole Giordano, Jennifer Gray, Edmund Gurule, Rebecca Hibbert, Joel Innes, Noah Jungferman, Megan Kelly, Michael Lang, Brett Martinez, Zach Page, Shane Rodriguez, Juan Carlos Sánchez, Ereece Thomas, Tomas Waples....................... Ticket Agents

BROADWAY & CABARET John Ekeberg........................... Executive Director Broadway Alicia Giersch..................................................... General Manager Abel Becerra.................................. Technical Director, Cabaret Kevin Replinger........... Operations Business Administrator Anson Nicholson..............................Sound Engineer, Cabaret

DEVELOPMENT David Zupancic.................................Director of Development Shawn Bayer.................................................... Associate Director Chelley Canales...................................Development Associate Megan Fevurly.....................................Development Associate Melissa Olson........................................Development Assistant Marc Ravenhill................................................. Associate Director Valerie Taron.................................................... Associate Director

EDUCATION Allison Watrous........................................Director of Education Jessica Austgen................................................ Teaching Artist & Shakespeare Coordinator Stuart Barr.................................. Education Technical Director Claudia Carson.........................................Bobby G Coordinator Leslie Channell............................................. Education Registrar Patrick Elkins-Zeglarski................................................Education Curriculum Manager Linda Eller..............................................................................Librarian Tim McCracken..................................................... Head of Acting Jannett Matusiak............................................ Business Manager Michelle Patrick...................Corporate Training Coordinator David Saphier..............School Coordinator/Teaching Artist Mackenzie Sherburne, Justin Walvoord, Robyn Yamada.................................................... Teaching Artists

FACILITIES & EVENT SERVICES Clay Courter.....Vice President, Facilities & Event Services James Babcock...................................................................Engineer Dwight Barela......................................................................Engineer Leah Brinks.............................................................. Event Manager Devon Chandler...... Assistant Director, Event Technology Clint Flinchpaugh...............................................................Engineer Stori Heleen.................................Event Technology Specialist Heather Kaufman.....................................Facility Operations & Business Manager Michael Kimbrough...........................................................Engineer Jaymes Kimbrough..................Event Technology Specialist Clint King............................................................Security Specialist Terry Koch...................................................Director, Engineering John Lower.............................................................. Chief Engineer Brian McClain............................................. Custodial Supervisor Tara Miller................................................................. Event Manager Brook Nichols................................Director, Event Technology

Danielle Porter....................................................... Event Manager Kassie Sanders...........................Event Technology Specialist Alyssa Stock....................................Assistant Project Manager Dawn Williams.....................................Director, Event Services Juan Loya, Carmen Molina, Blanca Primero, Judith Primero, Angeles Reyes Soto, Francisco Trujillo............................................................Custodians

MARKETING & SALES Jennifer Nealson..................................Chief Marketing Officer Heidi Bosk......................... Senior PR & Promotions Manager Nathan Brunetti............................ Digital Marketing Manager Kim Conner.........................................................Graphic Designer Flora DiRienzo........................................ Strategic Partnerships Anita Edwards.......................................Web Services Manager Brenda Elliott......................................Senior Graphic Designer Brianna Firestone....................................Director of Marketing Simone Gordon...................................................Project Manager Hope Grandon..........................................PR & Events Manager Jeff Hovorka............................. Director of Sales & Marketing Jennifer Kemps........................................Group Sales Manager Emily Kent...................................................... Marketing Manager David Lenk............................................................. Video Producer Emily Lozow........................................... Marketing Coordinator Kyle Malone.................................................................... Art Director Carolyn Michaels...........................................................Copywriter John Moore................................................Senior Arts Journalist Donna Rossi............................Customer Experience Director Joseph Schurwonn......................................... Financial Analyst Jill Schwager...............Education Group Sales Coordinator Rob Silk................................................................. Creative Director Suzanne Yoe...........................Director of Marketing Services & Cultural Affairs THEATRE SERVICES Carol Krueger.................................. Theatre Services Manager Ethan Aumann, Nora Caley, Gregory Melton, Douglas Murphey, Joyce Murphey, Margaret Ohlander, Valerie Schaefer, Mica Ward..................... Theatre Company House Managers

SHARED SERVICES Vicky Miles................................................ Chief Financial Officer Jennifer Jeffrey...................................Senior Financial Analyst ACCOUNTING Jennifer Siemers........................................ Director Accounting Jessica Beers...................................................... Staff Accountant Sara Brandenburg.........................................Senior Accountant Michaele Davidson.......................................Senior Accountant Georgette Maddox...........................................Payroll Specialist HUMAN RESOURCES Regina Matthews......................... Director Human Resources Brian Carter...................................Human Resources Manager Donald Gabenski.............................................................Reception Jamie Hawkins...................................................... HR Coordinator Monica Robles............................................Mailroom Supervisor INFORMATION TECHNOLOGY Bruce Montgomery........Director Information Technology Rick Bennett.................................................... Network Architect Jayson Cowley......................................Network Administrator Jim Hipp................................................. Associate Director of IT Christopher Hoge.......................VoIP/System Administrator Bobby Jiminez......................... Senior Audienceview Analyst John H. Voorheis............................ Manager of Infrastructure

THEATRE COMPANY ARTISTIC Kent Thompson.............................................. Theatre Company Producing Artistic Director Bruce K. Sevy............... Director of New Play Development Douglas Langworthy ........... Literary Manager/Dramaturg Chad Henry....................................................... Literary Associate Emily Tarquin...................................................Artistic Associate/ New Play Coordinator Grady Soapes.............................................. Artistic Coordinator PRODUCTION Jeff Gifford...............................................Director of Production Melissa Cashion....................Associate Production Manager Julie Brou...................Production & Artistic Office Manager

Scenic Design Lisa M. Orzolek................................ Director of Scenic Design Matthew Plamp, Nicholas Renaud..............................Scenic Design Assistants Lighting Design Charles R. MacLeod...................................Director of Lighting Lily Bradford.....................................Lighting Design Assistant Reid Tennis............................................... Production Electrician Multimedia Charlie I. Miller...................... Resident Multimedia Specialist Topher Blair............................Multimedia Assistant/Operator Sound Design Craig Breitenbach...........................................Director of Sound Tyler Nelson.......................................................... Sound Designer Alex Billman, Frank Haas..............................Sound Operators Stage Management Christopher C. Ewing................ Production Stage Manager Matthew Campbell, Rachel Ducat, Aja M. Jackson, Kurt Van Raden.................Stage Managers D. Lynn Reiland......................................... Production Assistant Corin Ferris, Lexi Holtzer, Kristen Littlepage.......................Stage Management Interns Scene Shop Eric Rouse.......................................................... Technical Director Robert L. Orzolek..................... Associate Technical Director Josh Prues.................................... Assistant Technical Director Albert “Stub” Allison, Louis Fernandez III.......................................... Lead Technicians Justin Hicks, Brian “Marco” Markiewicz, Keli Sequoia, Mike Van Aartsen, Ross Wick..................Scenic Technicians Prop Shop Robin Lu Payne.............................................Properties Director Eileen S. Garcia......................... Assistant Properties Director Jamie Stewart Curl, Charles Dallas, David Hoth, Georgina Kayes, Katie Webster......................Props Artisans Paint Shop Jana L. Mitchell...........................................Charge Scenic Artist Melanie Rentschler........................................Lead Scenic Artist Brian Proud...................................................................Scenic Artist Rachael Gibson.............................................................Paint Intern Costume Shop Janet S. MacLeod..........................................Costume Director/ Costume Design Associate Meghan Anderson Doyle........ Costume Design Associate Carolyn Plemitscher, Louise Powers, Jackie Scott............................................................................Drapers Cathie Gagnon, Belinda Haaland............................First Hand Sheila P. Morris........................................................................... Tailor Kelly Jones, Jenny Milne, Beth Walker....................Stitchers Costume Crafts Kevin Copenhaver............................Costume Crafts Director Shirleen DiFonzo.................................Costume Crafts Artisan Wigs Diana Ben-Kiki............................................................... Wig Master House Crew Doug Taylor*..........................................Supervising Stagehand Mariah Becerra*, Jim Berman*, Jennifer Guethlein*, Stephen D. Mazzeno*, Miles Stasica*, Tyler Stauffer, Matt Wagner* (*IATSE Local 7 Stagehands)................................ Stagehands Wardrobe Brenda Lawson........................................Director of Wardrobe Maria Y. Davis, Taylor Malott............................Wig Assistants Robin Appleton, Amber Donner, Anthony Mattivi, Tim Nelson, Lisa Parson, Alan Richards.................. Dressers ADMINISTRATION Charles Varin...................................................Managing Director Ryan Meisheid...........................Associate Managing Director Allison Taylor..................................................Company Manager Kerri Mirtsching.................................... Business Administrator

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The Denver Center for the Performing Arts gratefully acknowledges the generous support of the following donors of $100 or more for activities July 1, 2014 – June 30, 2015.

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FLORENCE K. RUSTON AWARD FOR PHILANTHROPHY IN THE ARTS

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EXTRAORDINARY GIVING Robert & Judi Newman/ Newman Family Foundation*^ Daniel L. Ritchie* Citizens of the Scientific & Cultural Facilities District Womens Voices Fund

CHAIRMAN’S CIRCLE PLATINUM $100,000+ Helen G. Bonfils Foundation Joy S. Burns* CBS4 The Denver Post Community Foundation Doris Duke Charitable Foundation Entercom Broadcasting Epicurean Culinary Group OpenBox The Salah Foundation The Shubert Foundation U.S. Bank United Airlines Wilks Broadcasting

CHAIRMAN’S CIRCLE GOLD $50,000-$99,999 Colorado Public Radio Comcast Fidelity Investments Margot & AllanFrank*^ HealthONE The Joan & Phill Berger Charitable Fund Leo & Susan Kiely*^

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Molson Coors Temple Hoyne Buell Foundation June Travis*^ The Westin Denver Downtown

CHAIRMAN’S CIRCLE SILVER $25,000-$49,999 Always Best Care Senior Services Anadarko Petroleum Corporation Anonymous Anthem Blue Cross & Blue Shield Atlantic Trust Private Wealth Management James Barlett^ Dr. & Mrs. Barry Berlin*^ Isabelle Clark*^ CoBiz Financial Colorado State Bank & Trust Mr. & Mrs. Tom Corley/ The Corley Legacy Foundation DaVita, Inc. Edgerton Foundation Faegre Baker Daniels Keith & Kathie Finger Sam & Nancy Gary Ms. Hilja Herfurth L. Roger & Meredith Hutson//HRM Resources, LLC The Lewis E. Myers Jr. Scholarship Fund Mary Pat Link & John Strohm PwC Mark Sexton Bob & Carole Slosky*^ Steinberg Charitable Trust* in honor of Dorothy Denny Stonebridge Companies Ken & Debra Tuchman Welborn Sullivan Meck & Tooley, P.C. Wells Fargo Bank Marvin & Judi Wolf* Minumum Width .75” Maximum Width 2”

CHAIRMAN’S CIRCLE BRONZE $15,000-$24,999 Abend Gallery Doug & Catherine Benson BKD CPAs & Advisors Doug Morton & Marilyn Brown Centerplate Chotin Foundation Robert & Kathleen Clark Constellation Wines Alex & Cathy Cranberg/ Aspect Energy, LLC Mr. Stanley Di Cicco Rick & Shelly Sapkin/ Edgemark LLC Mr. Jack Fitzgibbons & Mrs. Adrienne Ruston Fitzgibbons* Norm & Lisa Franke Terry & Noel Hefty* Mike & Diana Kinsey*^ Larimer Square Karolynn Lestrud* Macy’s Marie Maltz Millstone Evans Group of Raymond James Mr. & Mrs. Ralph Nagel Pioneer Natural Resources USA, Inc Craig & Maria Ponzio Martin & Jo Ann Semple^ Jim & Alison Shetter*^ Singleton Family Foundation* Paul & Wendy Spencer Sprint Press Denver Jim Steinberg* TeleTech Mr. & Mrs. Jerry Tepper Xcel Energy/Xcel Energy Foundation Whole Foods Market

CHAIRMAN’S CIRCLE $10,000-$14,999 Anschutz Foundation Sheri & Lee Archer/ New Wave Enviro Products, Inc.* Bank of the West Wealth Management

Doug & Abby Brown Bill & Betty Buchanan Ms. Kay Burke Larry & Margaret Byrne Centerre Construction Citi Private Bank/ Citibank, N.A. Kevin & Dawn Collins Mr. & Mrs. John Dunn Mr. & Mrs. Ed Dwight El Pomar Foundation Faction Media Scott & Amy Fisher Forte Information Resources LLC John & Jeannie Fuller*^ Ms. Amy Gaines & Mr. Ron Litvak John Carlen & Jean Gleason Kevin D. Heupel & Alexandre Garrett IMA Financial Group Impact Creativity/National Corporate Theatre Fund Jeanne Land Foundation John Madden Company, Ltd Diane Kremer Jason & Alison Lewis MDC Holdings, Inc./ Richmond American Homes Mabel Y. Hughes Charitable Trust Steve & Gayle Mooney Morgan Stanley Private Wealth Management Jeff & Shellie Munn* John & Sherri Nitta Pavestone The Publishing House^ Mr. & Mrs. Neil Ray Mr. & Mrs. Roger Stansbury Henry H. & Lorie Gordon Topher & Emelie Straus Mr. Steve Talley Teocali Energy LLC Jack & Penny TerHar Thomas D. Lookabaugh Foundation University of Denver Walter S. Rosenberry, III Charitable Trust

5280 Magazine Anonymous Katy Atkinson Bank of Oklahoma Barbizon Light of the Rockies Mr. & Mrs. Jim Bender Boeing Global Corporate Citizenship The Broadway League Brownstein Hyatt Farber Schreck Mr. Randy Carter Comcast Spotlight Crestone Partners, LLC Gully Stanford & Dorothy Denny* Denver Center Alliance The Denver Foundation Denver Theatre District EKS&H Fairfield & Woods, P.C. FirstBank Holding Company of Colorado Alan & Katie Fox* Hard Rock Cafe Hein & Associates, LLP Ms. Kathy Huwaldt iHeart Media (KBCO, KHOW) The Integer Group JHL Constructors Inc. Glenn Jones and Dianne Eddolls* Marcel Kahhak/Kahhak Fine Arts & School Ms. Barbara Kelley KYGO William La Bahn Lufthansa German Airlines Mariel MarkWest Energy Partners Mr. Pat Spieles & Ms. Carol McMurry Ms. Carol Mielke* Mr. & Mrs. Mike & Julie Mills MKK Consulting Engineers Neiman Marcus Nordstrom at Cherry Creek Osage Initiatives Mr. Bob Grabowski & Ms. Ann Padilla* PCL Construction Services Inc. Tim Penrod in honor of Child & Family Support Services, Inc. Ms. Ronna N. Phelps Miriam C. Robins Mr. Spencer Ross Ms. Ellen Scott Semple Brown Design, P.C. Luxury Outerwear Dodie Simmons Mrs. Katharine Stapleton

Lori Steinberg* Thomas & Beatrice Taplin Fund* Target Group Thiry-O’Leary Foundation Turner Morris, Inc. Venture Technologies Tina Walls Williams* Williams Jewelers WPX Energy*

PLAYWRIGHT’S CIRCLE $2,500-$4,999 Anonymous (3) Willis Ashby & Karen Burch Mr. & Mrs. Russell Atha* AudienceView Ticketing (USA) Corporation^ Judith Babcock Ms. Sheryl Babiarz Mr. Mark Bedinger Ray & Denise Bellucci LaFawn Biddle Ralph & Florence Burgess Charitable Trust Dr. Jennifer Caskey Chateau du Pin CIGNA Dr. Tom Reiley & Mrs. Linda Cobb-Reiley Jerry Conover & Jacquelyn Wonder Cook Street Consulting Mr. Leslie Crispelle & Mr. Glenn Tiedt Denver Life Magazine John & Sandra Downing John Ekeberg & Jennifer Schwem^ Mr. Ken Elliott Win & Melissa Farnsworth Larry & Joanne Fisher in appreciation of Mary Mosher FOOD & WINE Four Seasons Hotel Sally & Alan Gass*^ Mr. & Mrs. Guy Geoly Chuck & Pat Griffith* Laurel Haberstroh Mr. & Mrs. Duke Hartman Hays Companies of Denver Ms. Juliette Hemingway Hon. Robert Fullerton & Ms. Beverlee Henry Fullerton* Mr. Jon Seay & Ms. Robin Heppler Tom & Dianne Honig Barbara Huff & Jack Hanley Mr. & Mrs. C. Howard Johnson Frank & Marti Judson Patricia Kacerguis Ms. Elizabeth Kirkpatrick* Rick & Molly Klau Mr. John Kulich

Peter Mannetti & Ruth Krebs Mid-Range Performance Group Mr. & Mrs. James Miller Mr. Don Johnson & Ms. Arlene Mohler-Johnson* Mr. Michael Munn Mr. & Mrs. Ed Osborne Mrs. Toby Pippin* Don & Grace Quade Reign Magazine Rocky Mountain PBS Rollie R. Kelley Family Foundation Fund Mark & Maxine Rossman Ms. Stephanie Schultz Zunesis Jeremy & Susan Shamos Shaver-Ramsey Fine Rugs Marlis & Shirley Smith SSB Consulting Group LLC Ms. Susan Stiff The Style Studio by Keri Blair Sunshine Silver Mines Mr. Scott Vasina Mrs. Gene Koelbel Ms. Rachel Williams & Mr. Mike Weissmann* Dr. & Mrs. David Wong Dr. Eve Wood & Mr. Thomas Wieber Mr. & Mrs. Steven Woodward*

ACTOR’S CIRCLE $1,000-$2,499 9News AG Edwards & Sons, Inc. Ms. Valerie Alford Anonymous (5) Mr. & Mrs. Gary Antonoff Lucky Vidmar & Aubrey Ardema Ms. Liz Armstrong Mr. Hartman Axley Dr. Patricia Baca Mr. Don Bain Baker Hostetler Jim Balmer Barefoot Wine & Bubbly Mrs. Karen Barker Ms. Sybil Barnes Peter Baumgartner Mr. Sherwin Beck Donald & Martha Bender Kelly Berger with Brushstrokes Studio Mr. Paul Biederman Ms. Monica Bingham Mrs. Murri Bishop* Mrs. Randi Bloomenthal Tom & Doris Blyth Mr. Rick Boatman Jeffrey & Susan Bogue Bill Bottoms The Brown Palace Hotel Brad & Tangy Buchanan Mr. Steven Bunten

Mr. & Mrs. Keith Burge Christopher & Stephanie Campbell Center for the Arts Crested Butte Merle Chambers & Hugh Grant* Cherry Creek Country Club Mr. & Mrs. Ken Chez Mr. Montgomery C. Cleworth James & Irene Collins Community First Foundation Ms. Ellen Connor Rita Cook The Sam & Beth Coyle Family Charitable Fund Mr. & Mrs. Kyle Craig Ms. Jeanie Curley Ms. Katie Cymbala* Mr. & Mrs. Jay Davidson Michael Day & Pamela Tarquin Mrs. Annette Deines Delta Dental of Colorado Denver Athletic Club Denver Film Society Denver Theatrical Wardrobe Union Local 719^ Mr. John DiCarlo Mr. Brett Dolan Down South, LLC^ Mr. & Mrs. David Duke Mr. & Mrs. Steve Dumonceau Sharon Dunlap Mr. David Easter Anita Edwards* Elway’s Steakhouse Ms. Linda Embree EnCana Oil & Gas Lois Felt* Fineline Graphics First National Wealth Management Al & Terri Fisher Mr. David Flake Mrs. Alice Foster Mr. Freeman “Bud” Fowler Mr. Lawrence French & Mr. Gregory Sargowicki Ms. Ellen Fromm Mr. Daniel Riehl & Ms. Barbee Futrell-Riehl The Gant H. Robert & Lois Gill The Gilman Family Foundation Giving Generations Foundation Ms. Maureen Graff Mr. Tennyson Grebenar Mr. Gerald Padmore & Ms. Myrtle Rose Greene Derek Handley & Rebecca Kincheloe Handley Ms. Marilyn Harris Rhondda Evans Hartman & The Jackson H. Fenner Foundation

Henry E. Wurst Family Foundation Mr. & Mrs. Russell O. Stewart, Sr./The Henry Laird Smith Foundation Ms. Cathey Herren Mrs. Julie Hill Mr. Dave Steiner & Ms. Ann Hinkins-Steiner* Guy Holman Mrs. Trisha Hood Carol & Jerry Huller Mr. Joseph Hyland Independent Presenters Network Inc.^ J ALBRECHT DESIGNS Ms. JJ Jaggers Ms. Mollie Jankovsky Jay Feder Jewelers Paul R. Jeselnick & Andy W. Strickland Jay Johnson The Kappler Marrack Foundation Leslie Kaye Heather Kekstadt & Dave Nesslage Ivan Kelly Ms. Deborah Kelly Joe Kelso Cindy Kent & Tudor Coleman Mrs. Kelly Kiefer Kinder Morgan Foundation Mr. & Mrs. Michael King Mrs. Cynthia Klaiber Bettyjean Kriss Joseph Kurgan Lakewood Country Club Leede Operating Company Mr. David Lettin Ms. Stephanie Levert The Little Nell Ms. Michelle Lucero Nora Macintyre Carolyn MacRossie Diane MacRossie Kit Hevron Mahoney with Brushstrokes Studio Gerald R. & Carole J. Makela Mr. Kyle Malone Paul Manoogian Drs. David & Heidi Markenson Mr. & Mrs. Tom Marsh Mar-Tek Industries Ms. Amy McClenathan Mr. Aaron McDowell Mr. Graham Phipps & Ms. Carol McEnroe* Mr. & Mrs. Bryce McTavish Thelma Meister MGM Grand Hotel & Casino - Las Vegas Victoria Miles*^ Ms. Barbara Miller Ms. M. Miller Mr. David Miller & Ms. Lisa Farber Miller in honor of Dan Ritchie

THANK YOU

PRESIDENT’S CIRCLE $5,000-$9,999

THANK YOU 38

Kansas Millers Gregory Milzcik Miro Jewelers Mr. & Mrs. Kenny Moore Mrs. Lynnette Morrison Ms. Anita Mosher with Brushstrokes Studio Mr. & Mrs. Wayne Murdy Ms. Jocelyn Murphy William & Megan Mutch James Neely Mr. & Mrs. Gordon W. Netzorg* Mr. Bruce E. Newhall Newman Center for the Performing Arts Denny & Judy O’Brien Ms. Stacy Ohlsson Vance Opperman in memory of Nancy Opperman Mrs. Corie Opperman in memory of Nancy Opperman Ms. Elizabeth A. Orr Ms. Lois Paul Mr. & Mrs. Dan Paulien Ms. Debra Perry & Mr. Jeffrey Baldwin* Chris Perschbacher & Travis Fasching Mr. Kirk Petersen Linda & Richard Pierce PostModern Company Mr. Bill Richins Mr. & Mrs. Monroe M. Rifkin Fred & Ayliffe Ris Ms. Tina Risch* Rockford Gray LLC Molly Ross* Dr. & Mrs. Jason Roth Ms. Peggy Rottner* Sage Hospitality Resources L.L.C. Sanctuary Mr. & Mrs. Kirk Scheitler John Schneider & David Auten Mr. Mats Schold Ms. Betsy Schutte Seasons 52 Donald R. Seawell* Brian Sells Mr. & Mrs. Stan Sena Earl & Lisbeth Sethre Shell Oil Company Foundation Joseph A. Shively Mr. Danny Showers Ms. Marlene Siegel* Mr. Randy Fitch & Mr. Terry Siek Ms. Ruth Silver*^ Miss Pamela Sletten Ms. Janis Starkey Mr. Wesley L. Strode Stephen & Susan Struna Caroline & Al Stutson Sunset Luxury Limousines Ms. Suzanne Swanson Peter & Janet Swinburn* Paul & Brooke Talbot

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Mr. & Mrs. Douglas Tashiro Tim Thein & Michael Siebecker Kent Thompson & Kathleen McCall*^ Ross & Sue Thompson Mr. & Mrs. Al Troppmann Mr. John Trueblood Dee Turner University of Denver Division of Athletics & Recreation University of Denver School of Hotel Restaurant & Tourism Management Mr. Carl Unrein USAA Colorado Springs Campus V.I.P. Tours of New York Paco Varela & Tim Wilson Ms. Patricia Villegas Wagner Equipment Co. Philip & Linda Waldbaum Mrs. Sandra Walling Lester & Rosalind Ward* Dr. & Mrs. Reginald Washington Mr. David Wedmore The Wickaninnish Inn Winter Park Resort Ms. Carol E. Wolf* Mr. & Mrs. Thomas Wood Pesha & Rob Wright* Dr. & Mrs. Ronald Yaros Curtis Zeigler Robert Zupkus

DESIGNER’S CIRCLE $500-$999 Mr. Richard Adams Dr. Dina Brudenell & Mr. Edward Altman* Altum Investments Tammy &erson Mr. Jeremy Anderson Anonymous (5) Ms. Elizabeth Armstrong Mr. Andrew Armstrong & Ms. Christine Elliott-Armstrong Ascent Private Capital Management Mr. & Mrs. Charles Atkins Frank & Jeanette Azar Ms. Karen Baczkowski Ms. Amy Baranoucky Lovedy Barbatelli Barolo Grill Ron & Martha Berge Mrs. Fran Berry Mr. & Mrs. Dave Betker Mr. James Bien & Mrs. Judith Ann Newman Mrs. Shirley Birdsong Mr. Michael Blackman Mr. John Blair Mr. Robert Blauvelt & Mr. Michael Corrigan Mr. & Mrs. Paul Bortz Libby Bortz Mrs. Katherine Brachle

Ms. Karen Brown Patrick Brown Judi & Dan Burk Mrs. Terri Carlin Mr. Kevin Chiappone Bijal Choksi Bob & Liana Clark Ms. Ellen Coleman^ Colorado Ballet Rick Colts Mr. & Mrs. Mark Colville Mr. Michael Conner Chad Corder Patrick Cott Mr. & Mrs. Thomas Cox Mr. Craig Crescas Tony Cretella Paul & J’ne Day-Lucore The Deane Family Fund Mr. & Mrs. Jordan Dechtman Greg Deickman Mr. & Mrs. Bruce & Carleen Dierking Ms. Joy Dinsdale* Ms. Barbara Dorsey Brian Edick Mr. Stephen Edmonds Mr. David Engbrecht Brianne Engel in honor of Jessica Austgen Enstrom’s Candies Aaron Espinoza Mr. & Mrs. James W. Espy Mr. & Mrs. William Evans Mr. & Mrs. Howard L. Farkas Ms. Amy Feaster Mr. & Mrs. Paul Ferguson Mr. & Mrs. Richard Fieman Mira Fine Ms. Trese Foley Lea Ann Fowler Mr. Gregory Foy Ms. Deborah Friedman Cissy Fry Wilson Christine Frye Mr. Gary Funk LuAnn Gafvert Karen Garcia Mr. & Mrs. David Garson GE Foundation Kristi Geonetta Glenn & Kim Goodwin Richard & Juli Gordon Ronald & Vivian Gordon Grand Lodge on Peak 7, Michael Millisor Lisza Gulyas Julie Gunlikson* Jayne Hackworth Ms. Julia Haddad Ms. Margaret Hainey The Hamlin Family Fund Mr. & Mrs. Bryan Hassler Daniel Hassler Mr. James Hayes Rod & S&y Henderson Brian Hendricks Ms. Maureen Hendricks Ms. Deborah Hinrichs

Mr. & Mrs. George M. Hopfenbeck, Jr. Kelley Howes Kim Huskins IBM Mr. & Mrs. John Immele Bud & Kaye Isaacs Ms. Eleanor Isbill The Jigsaw Fund Mr. & Mrs. George Johnson* Stock Jonekos Dr. & Mrs. Brian Joondeph Mrs. Angela Kadey Katie Mullen’s Dr. Jan Kennaugh & Mr. Chip Horne Matthew Korkow Mrs. Donna Kornfeld Mr. & Mrs. Paul Korus Gary Kubinak Mrs. Margaret KurtzMiosek Joan Kurz Rory Lamberton Mr. & Mrs. Gene Langfeldt Dr. & Mrs. Dennis Lanier Mr. & Mrs. Gary LaPlante Mr. Chris LaRoche & Ms. Sallie Vanasdale Mrs. Teri LaTulippe Mr. Michael Laureano Mr. Robert Libuse Corren Lind Dr. Gretchen Lobitz Mrs. Lisa Lund Brown Pika Lynch Ms. Ginnie Maes Jerry Maglio Ryan Maier* Ms. Marcia Malone Ms. Susan Martella Mary & Robert Mathews Mr. William Mathews & Ms. Joy Godesiabois Jan McClaren Mr. Brian McCleary Lisa McConnell Dr. Kelli McKee & Prof.

DC Reed McNeil Designer Portraits Jonathan Meador Michael A.Meisinger Natalie Mesko Mrs. Carol Milanesi Ms. Carol Miller Mr. William E. Miller Gene & Dee Milstein Ms. Rayanne Mori Julie & John Mork Ann Mosso Mr. Chris Murphy National Cinemeida Mr. Ben Nesbitt Janet Nessinger Ms. Nancy Nielsen Scott Noyes Ms. Stephanie Odak Osage Initiative J & L Parsons Ms. Leah Peer Michawl Perrego

Mr. and Mrs. Marc Pinto* Ms. Taryn Poteet Mrs. Kathleen Potter Mr. Steven Powell Mr. Bob Prettyman Koger & Marcie Propst Edward Pulido Pura Vida Fitness & Spa Mr. & Mrs. Gary Ray RedShift Framing Robert & Myra Rich Blair & Kristen Richardson Steven & Joan Ringel Ms. Susan Rodger Victor Tusselavage Ann-Marie Russell Mr. & Mrs. William Russell Odette Sahakian Mrs. Lorraine Salazar Dr. & Mrs. Paul M. Scheele Carmel Scopelliti Ms. BJ Scott in honor of Scott Family Children and Grandchildren Doug & Mary Scrivner Dr. Jay Seller & Mr. Paul Ferraresi Theresa & Marston Shelton Samuel Shkolnik Ms. Sally Shuler David Simmons Mr. Thomas Smith Cheryl L Solich & John W Kure Ms. Mary Spillane Dr. & Mrs. Harlan Spritzer Kathryn & Hanspeter Spuhler^ Mr. Brion Stapp Adam Stark Mr. Michael Steward Mrs. Lila Stewart Mr. & Mrs. Daryl Stewart Shelley Stone Dr. John Swenson Mrs. Melanie Tafaro Mr. & Mrs. Jon R. Tandler Philip & Page Tatar Deborah Tesoriero Mr. Steven Thompson Ms. Amanda Tipton Mr. & Mrs. Warren Toltz Alison Tomlinson Trenka Real Estate John & Pamela Tumler Florencia Ilate usable Venice Ristorante & Wine Bar Ms. Renee Verspoor Ms. Judith Vetter Ms. Herminia Vigil Mr. & Mrs. Paul Vorndran Ed & Patty Wahtera Colin A. Walker Connie Walker-Hout Lawrence Wall Ms. Terry Wallace Ms. Kareen Wardell Waste Management Inc. Mr. & Mrs. Steven Weil

PROPMASTER’S CIRCLE $250-$499 Mr. Peter Abuisi Ms. Andrea Nicole Ackerman* Karla & John Adam Ms. Lynna D. Adell Mr. & Mrs. Frank Adler Mr. Stewart &erson Bryce & Patricia &erson Mrs. Sherri Anderson Anonymous Artworks, etc., LLC/ Kathleen Perry Lenny Bates Natrisha & Shawn Bayer Geralyn & Doug Beahm Karen Beauvais Mr. Rick Bender Drs. Angela Betker & Anthony Simon Ms. Marcia Bishop Ms. Laura Bittner Mrs. Annette Bowin Mr. & Mrs. Cole Brannick Ms. Nancy Brock Ms. Debra Brooks Luby Mr. Herbert Buchwald Mrs. Hayan Buergisser Mr. & Mrs. Donald Burkhardt Mr. Natalie Burr Mr. Rudolph Butler Mr. & Mrs. Ron Butz Ms. Heather Callahan Mr. Dennis Callan Ms. Claudia Carbone Carpet Contractors Mrs. Colleen Carrico Ms. Deborah Carter Ms. Shelly Catterson in memory of Kent Haruf Mr. & Mrs. Harold Celva Central City Opera Prof. Gerald W. Chapman Ms. Keri Christiansen* Ms. Kathleen Clark Ms. Kathy Clifton Mr. & Mrs. Michael Collins Mr. Francis Conanan in honor of Lilia Antenor Cruz Mrs. Patricia Cooper Mr. Joe Craven Curious Theatre Company William & Karen Curtis Curtis Hotel Custom Creations Photography Ms. Cynthia Daniels Vicki & David Dansky Ms. Laura Dean Desmond Brown Group, Your Castle Real Estate

Devils Thumb Ranch Ms. Maggie Divelbiss Tarikah Dixon Mrs. Perri Dombroski Ms. Sylvie Drake* Mr. & Mrs. Larry Dreller Douglas & Martha Dyckes Mr. William Eastman Mr. & Mrs. Carl Eklund Jamine Elliott Ms. Mary Emlen Mr. Paul Erlendson Linda Fabian Gary & Michelle Feinberg Marjorie Felsburg Mike & Elisa Ferrari Mr. Jim Foster Ms. JoAnne Friedman Stephanie Cluff/Galvin Family Foundation Ms. Elaine Gampel Ms. Stephanie Garcia Mrs. Velvia Garner Kathleen Geise Mr. & Mrs. George Gibson Ms. Savita Ginde Mr. Tony Glassier Glenmoor Country Club Mr. Todd Graden Ms. Kristen Graham John & Beverly Hachmeister Jan Hammond Mike Hance Mr. & Mrs. Vance Harral Tad Harris Ms. Bobbie Haworth Mr. & Mrs. William Haynes Mrs. Joan Hazen Mr. John Helfrich Ms. Pamela Hirschman Sheila Hoff Mr. & Mrs. James Hood Lori Howle Mr. & Mrs. Jeffrey Hubbach Ms. Gloria Hutchinson Jennifer & Eric Jacobson Charles Johnston Ms. Mary Anne C. Johnston Jeff & Donna Jones JW Marriott Denver Cherry Creek Rebecca & George Kalinowsky Donald J. & Susan C. Kany Mr. Brad Kaplan Ms. Linda Peaker Karstens in memory of Nancy Opperman Mr. John Keim Mrs. Deb Kelly Kevin Kelly Tony C. Key Beatrice Kirtland Roberta & Mel Klein Mrs. Janet Klotz in memory of Steve Peter & Roberta Knott Ms. Linda Konde Mr. & Mrs Kenneth Kozyra

Kroenke Sports Enterprises Adira Kubica Kris Lamers Theresa Lanigan Lasair Aesthetic Health, PC* Prof. Richard S. Leaman Mr. John Lee Prof. Shadi Letson Frieda & Joel S. Levine Andrew Lewis Lido Wine Merchants Dawn Lissy Ms. Corlis LIttlefield Live Love Lash Denver Dominic Lloyd Mr. & Mrs. Harold Logan Lone Tree Arts Center Dominic Lopez Ms. Miquela Luna Mr. & Mrs. John MacFarlane Jon & Ginnie Madsen Julie Mallon Dr. Nancy Mayfield Jacey McDaniel Mr. Steve McGrath Mr. Bryan McRoberts Mr. Robert Meade Jr. Al & Carol Meny Meridian Golf Club Microsoft Mary Miller Mr. Jeff Lawhead & Mr. Frend John Miner Stuart Mitchell Mrs. Karen Mitchell Cathe Mitchell Susan Mitnick Mr. Joseph Moenich Nancy Moore Mr. & Mrs. William Moore Dr. Vicki Moore Mari Morin Sharon Mushkin Brent Mutsch Ms. Laura Nachbur* Ms. Marcia Naiman Ms. Mieko Bailey Erin Nichols Kevin & Samantha O’Hara Ms. Rhonda Olguin Ms. Marilyn Oliver Mr. Steve Olson Jean & Ed Onderko Mrs. Donna Outlaw Robin & Stuart Pack The Palm Restaurant Chuck & Helina Palmer Ms. Tegan Palmer Susan S. Parkhurst Frank Nowell & Julie Parsons Nancy & Richard Peters Mr. Thomas Pham Mr. & Mrs. Edward Pinfield Paula L. Pinkley Mr. Steve Pirner Ms. Margaret A. Platte Frank & Linda Plaut*

Mr. & Mrs. Keith Pockross Jeff Powers Mr. Glen Pray Ms. April Prohaska Mrs. Phyllis Pryor Ms. Veronica Quinn Gary Rahe Cyndy & Don Redifer Mr. Mark Reese & Ms. Martha Graves Reese William & Mary Carol Riaski* Mr. Kent Rice^ Mr. Richard Robbins Ms. Nancy Roeder Donald & Janenne Rosen Gretchen Rosenberg Mr. & Mrs. Jack Rotole Leonard Rozek Ms. Katie Rubano James Rusk Jeanne Rutledge Santa Fe Opera Mrs. Pamela Schindelar Mr. & Mrs. Wayne Schmitt Ruth Schoening Dr. Roberta Shaklee Scott & Kerry Shiller Mr. James Sirko Ms. Nicole Smith Snowmass Tourism St. John Knits St. Julien Hotel & Spa Dr. & Mrs. Robert Sterrett Michael Stevens Catherine Sweeney The Brass Bed The Denver Post Thomas Hanson CPA in memory of Marion Patton Eric Thompson Ms. Leia Thompson Ms. Linda Thompson Ms. Barbara Thorngren^ Adrian Tinsley Laura Tobey Kip & Mary Ann Travis^ Mr. Scott Richardson & Ms. Cynthia Treadwell* The Trim Family Mr. & Mrs. Howard L. Turetzky Richard Turner Mr. & Mrs. Robert Uhler Vail Cascade Resort Valley Country Club Ms. Klasina V&erWerf James & Carole Vowell Mr. & Mrs. Richard F. Wagner Mr. & Mrs. Robert W. Wallace Mr. & Mrs. Samuel Wallace Linda & Leonard Walmsley Mr. Jerome Webster Jr. Ms. Debra Weiss Martha R. Welborn Mr. & Mrs. Michael West Stan White

Mr. & Mrs. Lindell Whitney Mr. & Mrs. Kemper Will Mr. & Mrs. Craig Williams Mr. & Mrs. Donald Williams John Richard Williams Mrs. Jimmie Wolf Dr. Sheila Wright* Mr. & Mrs. Dan Wulf Steven Wyatt YesMail Mr. Andrew York

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Mr. Tommy Berry Mr. & Mrs. Charles Biederman Mrs. Susan Bishop Mr. Scott Bitcon Ms. Beverly Black Mr. Ronald Blair Mr. Stephen Blateric Ms. Deborah Blue Kerri Blum Richard Blumberg Ms. Penelope Bolte Mr. Tom Bonfili Ms. Julie Boston Boulder Dinner Theatre Ms. Sue Bovey & Ms. Carol Bell Mr. & Mrs. Richard Bowman Ms. Paula Boyka Ms. Marge Bozarth Dr. H L Brammell Ms. Barbara Brannen Mr. Andre Branum Mr. Rick Schwartz & Ms. Lynda Brecke Breckenridge Gr& Vacations Brewers Association Briggsdale High School Drama Class^ Dr. & Mrs. Bruce Brookens Ms. Lyndal Brookhart Mr. Eugene Brooks Ms. Carol Brookshire Mr. Pete Brown Ms. Ingrid Brown Mr. & Mrs. Thomas Brown Mr. & Mrs. Wesley A. Brown Mr. & Mrs. Gregory Bruce Dr. & Mrs. Richard W. D. Bryan Christina James Buchanan Rogene & Sandy Buchholz Janet Buckner Mr. Jim Bumanglag Ms. Georgia Burgess in honor of Aiden and Sophia Burgess The Bushnell Center for the Performing Arts^ Ms. Kerri Butler Ms. Jill Butzin Mr. Kevin Cahill in memory of Ms. Helen Bonfils Mr. & Mrs. Douglas M. Cain Minerva Canavan Mr. & Mrs. Reynolds Cannon* The Capital Grille Mr. Kevin Capp Kendall & Steve Carbone Carla’s A Classic Design Ms. Barbara J. Carlson Mr. & Mrs. John Carlson Mr. and Mrs. Dirk McDermott* Dr. & Mrs. Marc Carpenter

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Ms. Mary Ellen Miller Steven & Karen Miller Mr. Richard Miyamoto Ms. Sharon Moddelmog & Mr. Harold Jensen Mr. & Mrs. Michael Modiz Ed & Yolanda Montez Mr. Joseph Moreng Mary Morrill Ms. Margaret Morton Marjorie Moss Ms. Myrna Mourning Moxie Mr. Norman R. Mueller Mr. & Mrs. Joe Munoz Mr. Michael Tupper & Ms. Naseem Munshi Mr. Tom Murnan in memory of his beloved wife, Joan Gamel Murnan The Music of ABBA Ms. Pam Naiman Rachel Namoff National Repertory Orchestra Ms. Bonnie Neiheisel Ms. Katharine Nelson Drs. Harold & Sarah Nelson Ted & Jill Nelson in honor of Tyler Nelson Ms. Suzanne Nelson Mr. & Mrs. Charles Newcom Ms. Maralee NobisJacobsen Zonnie Noel NoRTH Italia Emilee Noyes James G. Nussbaum Mr. & Mrs. Paul Oberman Ms. Nancy O’Brien Ms. Helen Olson-Hull Mr. James O’Neal Opus Fine Dining & Aria Wine Bar Bradley Orr Oster Jewelers Ms. Patricia Pacey Mr. Joe Palladino Dr. Mark Palmer Mrs. Delores Pardner* Mr. & Mrs. Gary Parish Ms. Tanya Park Ms. Patricia Parkhouse Ms. Lisa Parrett Dr. & Mrs. Frank Parrish Patxi’s Pizza Pelham Pearce^ Dr. & Mrs. David S. Pearlman Evangeline Pell in memory of Nancy Opperman Mr. & Mrs. Bradley A. Pelsue Erik Peltz Ms. Susan Pensiero Ms. April Perman* Mrs. Maribeth Peters Ms. Virginia Phillips Ms. Marjorie Phye

Piatti’s Restaurant Mr. Jeffrey Pickard Ms. Paula Pierce & Mr. Allan Prochazka Mrs. Dena Pinsker Toby Pippin Pam & Don Piro Ms. Kathryn Pitner & Mr. Robert Leatherman Mr. Peter Plaut Portl& Center Stage prAna Janie & Pat Prendergast Lauren Press Mr & Mrs. Dennis Preston Liz Prize & Andy Cahalan Pure Barre Cherry Creek North Mrs. Beth Rabin Scott Raderstorf Ms. Glenda Rainold* Nijole Rasmussen Ms. Patricia Rawlings Alexander & Cynthia Read Stephanie Reeman Ms. Nicole Reinan* Jill Repella Dr. & Mrs. Ronald Resnick Ms. Kathleen Reynolds Cherie Rheault-Peperzak Maxine & Ed Richard Louise Richardson Ms. Ann Richardson Alfred Richter John & Nancy Riede Riverside Symphony Bob & Dianne Rizzuto Mr. & Mrs. William Roberts Ms. Jeanne Robertson Sam & Eileen Robinson Ms. Vada Robinson* Mrs. Colleen Rockers Rocky Mountain Pro Tek & Khachederian Rug Spa Marcia L. Rodgers Room & Board Ms. Linda Rosales Ms. Judith Rosenbaum Mr. Terry Roybal Mr. & Mrs. Wallace SaBell Ron & & Julie Sachs Ms. Andrea Sahlen Mr. J. Lee Sammons Mr. & Mrs. J. Patrick Sanders Stan & Sue Sanders Mr. Matthew Savoie & Mr. Bryan Penny Dr. Kathleen Sawada Ms. Sandra Scherer Mr. & Mrs. Donald Schiff Karen Schmidt Ms. Jane Schmitz Ms. Beth Schorr-Ratzlaff Ms. Lindy Schossow Saul & Julie Schwarz Mr. John Sears The Second City, Inc.^ Mr. & Mrs. David A. Seeland Mr. & Mrs. Richard Segel Mr. Billy Seiber

Mr. Stephen Seifert Mr. Stephen Seifert in honor of L. Roger & Meredith Hutson Dr. & Mrs. Michael Sennett Ms. Valere Shane Ms. Carla Shankle Mrs. Kersten Sharrock Ms. Katy Shaw Mr. & Mrs. David Sher Mr. Mark Sherock Mr. James Shivley Mr. & Mrs. Martin Shore Ms. Connie Silva The Silverman Family Ms. Artis Silverman Simply Moore Mr. Mark Sinclair Mariea Singleton Mr. Doug Sipes & Ms. Lyn Price Ms. Becky Skougstad Kathleen & John Sloan Mr. & Mrs. Gil Smink Ron & Sheryle Smith Ms. Sharon Smith in memory of Nancy Opperman Tannah Snow SOL Lingerie Edie Sonn Mr. & Mrs. Tim Sorrells Allen Spelman Mr. & Mrs. John Spillane Ms. Kris Spring The SpringHill Suites Denver Downtown at MSU Denver Ms. Shelly St. John Karen Stark in memory of Nancy Opperman Mr. Rod Steedman Mrs. Charlotte Steele Mr. & Mrs. Edward Stenby Mary Janet & Alan Stenger Ms. Ruth Rebeck Stern^ Stone Legends Fred Stone & Dan Peregoy Fred Stone & Dan Peregoy in memory of Charity Jenene & James Stookesberry Stephanie & Arthur Strasburger Mr. & Mrs. Steve & Susan Suggs Mr. Christopher Sullivan Ms. Linda Sundbye Ms. Jeanne Surbrugg Dr. Sandra Surbrugg Mr. & Mrs. Meyer Sussman Ms. Eve Suzuki Ms. Victoria Sweetser Ms. Lori Szymanski Mr. & Mrs. Gary Taddeo Target Resource Group^ Ms. Liz Telea & Ms. Ruth Telea Tennessee Performing Arts Center^ J&P Terry

Ms. Linda Teves Ms. Christie Tew David & Patti Theil Mr. Craig Thill Ms. Beverly R. Thygesen Mr. & Mrs. Donald Tolin Dr. David Tomasetti Mr. Blair Tomb Toni Palmer Designs Ms. Iris H. Topkis Mr. E. Lester Townsend Mr. & Mrs. Trafton Tredick, Jr. Ms. Carole Ulmer & Ms. M.A. O’Mara Vanderpool Pipeline Engineers Inc. Susan VanNess* Ms. Alys Veal Bernice Veney Mr. Jerome Hudleson & Ms. Sara Villano Ms. Violet Edwards* Anthony & Imojean Vollack Ms. Heidi Vonnieda Waffle Brothers Ms. Beverly Walter Thomas Walton Mr. Wilson W. Wampler Water Works Car Wash Mr. & Mrs. Galen Weaver Mr. & Mrs. Timothy Webb Mr. Kirk O. Weber Mr. & Mrs. Stephen Weeks^ Ms. Jane Ellen Weeks^ Mr. John F. Weeks^ Ms. Susan Weinstein* Ms. Stephanie Welsh* Ms. Wendy Ritter* Dr. Marsha Wheeler-Miller Thomas & Ronna Whitten Thomas & Kimberly Whyte Betsy Wiersma Camp Experience* Deirdre Wildman Dr. & Mrs. Richard Williams Ms. Becky Wilson Stephanie Winchester Wings Over the Rockies Air & Space Museum Mr. & Mrs. Gerald Wischmeyer Mr. George Chaitlin & Ms. Millie Wolkowicz Mr. Mark Wong Mr. Glen Woodson XOXO Salon Mr. & Mrs. John Yost Ms. Katrina Zakhem Dr. & Mrs. Carl N. Zimet Mr. & Mrs. Ronald Zimmerman *Women’s Voices Fund ^Randy Weeks Memorial Fund

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Mr. & Mrs. William Kreidler Jessica Kropuenske Ms. Kathleen Kurtz Ms. Holly Kylberg Mr. & Mrs. Christopher Lane Joanne& John Laporta Mr. & Mrs. Les Larson Mr. Joe Lattone Mark Lawson Robert Layton Mr. Randy Lazzell Le Creuset William & Cynthia Lee Jennifer Leitsch Frank & Ginny Leitz Mrs. Nancy Leonard Dr. & Mrs. Michael & Michela Lepore Mrs. Jody Levin Lisa Lewis Mr. & Mrs. Richard Liesemer Ms. Diana G. Lirtzman Wendy Littlepage LivFit Kitchen Mr. William Logan^ Ms. Lynn Logman Mrs. Lois MacPhee* Ms. Debra Lowrey Mr. & Mrs. Gary Lozow Luca Decor, Contemporary Art Lululemon Athletica Ms. Vera Luster Mr. Thomas Mabry Ms. Jedeane MacDonald Cone Mr. & Mrs. David MacKenzie Ms. Susan Magruder Dr. James Makowski Mr. & Mrs. Gilbert March& Marg’s Taco Bistro Ms. Joan Markle Dr. Howard Markman in honor of Dan Ritchie Mrs. Suzanne Marquez Elana Martin in honor of Shirley Bias Ms. Destiny Marvin Ms. Mary Katherine Pagels* Ms. Deborah Massa Marian Matheson Mrs. Carla Matheson The Mathilde U. & Albert C. Elser Foundation Matrix Spa Ms. Michelle Maxie Mr. Myron McClellan Mr. & Mrs. James McCotter Mr. Chris McDonald Chuck & Debra McKenney Jane McNellis Ms. Suzanne McNitt Gary Meeks Mr. Christopher Merrell Greg & Debbie Merrill Anne Marie Messinger* Mr. Elliot Miller

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HOW WELL DO YOU KNOW THE SHOWS? Try our puzzle and find out.

ACROSS

2 Lookingglass Alice is adapted from the works of _______ Carroll 6 Shakespeare’s As You Like It takes place in the _______ Forest 8 Miss Trunchbull locks her students in a cupboard called The _______ 10 Matilda’s ill-timed birth interrupted Mrs. Wormwood’s _______ contest 11 A film studio owned by Disney … and the name of a Shakespearean fool 13 How many impossible things Alice believes in before breakfast 16 Through the Lookingglass, and what Alice found_______ 17 If/Then writers also penned Broadway’s Next to _______ 18 Many of us have been “_______ as the days go by” 19 Iconic city where If/Then is set

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1 The Americans with _______ Act just turned 25 in July 3 Two hard-of-hearing actors just shared this leading role in Phamaly Theatre Company’s Cabaret 4 She starred in Broadway’s Tribes … and St. Elmo’s Fire (last name) 5 Idina Menzel sang “Let it Go” in what ubiquitous movie?

7 Tribes Director Stephen Weitz also runs the local _______ Ensemble Theatre Company 9 Children’s novelist of Matilda fame (two words) 12 All the _______ is a stage 13 A film with theme similar to that of If/Then: _______ Doors 14 Common Shakespearean animal part that symbolizes a cuckolded husband 15 Matilda’s child-hating principal was once an Olympic _______-throwing champion

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