Upcoming Events
2021-22 SEASON
Classically Modern
Saturday, April 2 // 5:30 PM Sunday, April 3 // 7:00 PM Southern Theatre
C H A M B E R
Martina Filjak, piano David Danzmayr, conductor
O R C H E S T R A
SEASON SUPPORT SEASON PARTNERS
614.464.0066 • www.promusicacolumbus.org
C O L U M B U S ,
Saturday, May 7 // 5:30 PM Sunday, May 8 // 7:00 PM Southern Theatre
P R O M U S I C A
Mendelssohn’s Italian
O H I O
Vadim Gluzman, violin & creative partner Joshua Roman, cello & composer David Danzmayr, conductor
OUR MISSION
To deliver a world-class chamber
About the Orchestra ProMusica and our 37 musicians are redefining what it means to be a chamber orchestra. For four decades, ProMusica’s programs have honored the classics and celebrated the contemporary through world-class performances and creative approaches to musical storytelling. Led by Music Director David Danzmayr and Creative Partner Vadim Gluzman, renowned violinist, the orchestra reaches a broad audience across the city—as the resident orchestra at the intimate Southern Theatre in downtown Columbus, and at notable venues beyond the I-270 outer belt. In 2017, ProMusica made its Chicago debut performing for a sold-out crowd at the North Shore Chamber Music Festival. We embrace an array of eras and influences—as masters of classical works, champions of bold new commissions and innovators of crossover collaborations, ProMusica’s performances are time-tested and modern, presented in ways that few orchestras can. We are widely recognized as
orchestra experience through:
Board of Trustees and Administration
Innovative programming, Audience intimacy, Exceptional talent & Artistic excellence
a national leader in promoting contemporary repertoire— with 68 commissions and more than 120 world and regional premieres by composers including Pulitzer Prize winners Kevin Puts and Aaron Jay Kernis, Gabriela Montero, Michael Daugherty, Lera Auerbach, Conrad Tao and Joshua Roman. In addition, ProMusica has an active recording program with 13 CDs released to date. This is a testament to the world-class musicians on stage who thrive on artistic exploration and risk-taking—performing with the highest skill, emotion and humanity for our audiences. Deeply rooted in our city’s cultural fabric, ProMusica’s community outreach programs impact approximately 17,000 lives each season. Musicians travel to local schools, senior citizens attend live rehearsals, and underserved youth are given life-changing opportunities with the power of music. Programs such as “Play Us Forward” offer an integrated, in-school curriculum, while family concerts at Columbus Metropolitan Library branches provide arts access in nurturing neighborhood environments. “Coda: Post-Concert Conversations” give the opportunity for a direct dialogue between audiences and guest artists— deepening engagement with the music and performers. Our annual Summer Music Series at Franklin Park Conservatory & Botanical Gardens is free and open to the public, demonstrating our unwavering commitment to offer accessible and transformative performances to all residents in our community. ProMusica is a truly personal arts experience, one that’s full of surprise and delight and belonging. ProMusica is more than an orchestra. It’s a movement. And we’re thrilled you’ve chosen to be a part of it tonight.
OFFICERS President President-Elect Vice-President Vice-President Treasurer Secretary
William Faust, Ologie Matthew Fornshell, Ice Miller LLP Patricio Garavito, Cardinal Health Susan Lubow, BakerHostetler Elizabeth Turrell Farrar, V orys, Sater, Seymour & Pease LLP Bob Redfield, Civic Leader
TRUSTEES Maceo Bates, PNC Bank +Lavea Brachman, Brookings Institution +Ryan Crowley, Citi Lynn Elliott, Columbus Window Cleaning Adam Ferguson, Huntington Bank Joan Herbers, The Ohio State University Laurie Hill, Civic Leader Dave Humeston, CoverMyMeds Brent Jackson, Fifth Third Bank +Stephen Keyes, Abercrombie & Fitch Nichole Marshall, Pinterest Bill McDonough Elizabeth Moyo, Porter, Wright, Morris & Arthur LLP Jessica Mrowzinski, Worthington Industries John Pellegrino, ProMusica Musician Representative Susan Quintenz, Civic Leader Julie A. Rutter, American Electric Power Lee Shackelford, Physician Mark Sholl, Hilliard City Schools +Todd Swatsler, Partner (retired), Jones Day Sergio Tostado, Jones Day EX-OFFICIO Janet Chen, Chief Executive Officer The Tom Battenberg & Helen Liebman Chair David Danzmayr, Music Director The Elizabeth M. Ross Music Director Betty Giammar, Sustaining Board Representative
ADMINISTRATION Janet Chen
Chief Executive Officer T he Tom Battenberg & Helen Liebman Chair David Danzmayr Music Director The Elizabeth M. Ross Music Director Vadim Gluzman Creative Partner & Principal Guest Artist Yvette Boyer Finance Manager Carolyn Jakubczak Ticketing & Patron Services Manager Suzanne Jennison Operations Assistant Ann Kriewall D irector of Education & Community Engagement Matthew Kurk D irector of Advancement & Engagement Brittany Lockman Director of Marketing Mariana Szalaj Director of Orchestra Operations The Regie & David Powell Chair Margaret Wells Executive Assistant & Board Liaison Lisa Wente Grants Consultant TRUSTEES CIRCLE Artie Isaac, Chair Deborah Anderson Tom Battenberg Milt Baughman Mark Corna Peter Costanza Patt DeRousie James Elliott Beverley Ervine Jim Ginter Melissa Ingwersen
+ Executive Committee Member 20 2 1 -22 SEA SO N | p ro m u s i ca co lu m b u s .org
2021 - 22 S E AS ON | promu sica col u mbu s. org
Suzanne Karpus Donna Laidlaw Boyce Lancaster Dr. Wayne Lawson Mary Lazarus Peggy Lazarus Nancy Marzella Dr. William Mitchell Elizabeth Williams Bernie Yenkin
The Elizabeth M. Ross Music Director
David Danzmayr D AV I D D A N Z M AY R THE ELIZABETH M. ROSS MUSIC DIRECTOR VIOLIN 1 Katherine McLin, concertmaster The Donald G. Dunn Chair Rebecca Willie, assistant concertmaster The Joan M. Herbers Chair Ling Ling Huang* The Deborah Raita Chair Shannon Lock* The Dyann & E. Joel Wesp Chair Lisa Kim* The Fran Luckoff Chair Ann Yu* The Laurie & Thomas W. Hill Chair VIOLIN 2 Eric Kline, principal second The Wilson Family Chair Amy Cave The Randy & Marilyn Miller Chair Vladimir Gebe* The Jim & Ida Copenhaver Ginter Chair Barbara Scowcroft* The Elizabeth Williams Chair Shreya Sachdev*
VIOLONCELLOS Marc Moskovitz, principal The Barbara Trueman Chair Cora Kuyvenhoven T he Bob & Mary Frances Restrepo Chair Joel Becktell The Donna K. Laidlaw Chair Nora Willauer* The William K. Laidlaw Chair BASSES Boris Astafiev*, principal The John F. Brownley Chair Rachel Calin* The Kathryn D. Sullivan Chair ORCHESTRA MANAGER Mariana Szalaj The Regie & David Powell Chair *Substitute musicians The Musicians of the ProMusica Chamber Orchestra are members of, and represented by, the Central Ohio Federation of Musicians, Local 103 of the American Federation of Musicians.
VIOLAS Mary Harris, principal The Margaret & Jerome Cunningham Chair Stephen Goist The Regie & David Powell Chair Michael Isaac Strauss The Anne Powell Riley Chair Amanda Grimm* The Keith F. & Katherine B. Dufrane Trust Chair
“ The performance was an unmitigated triumph.” –Michael Tumelty, The Herald
“Extremely good, concise, clear, incisive and expressive” writes The Herald of David Danzmayr, who is widely regarded as one of the most talented and exciting European conductors of his generation. Following a successful tenure as Chief Conductor of the Zagreb Philharmonic Orchestra, Danzmayr was appointed Conductor Laureate, the youngest ever to hold this title in the orchestra´s history. Performing regularly to sold-out audiences in Zagreb´s Lisinski Hall and having been awarded the Zagreb City Award, Danzmayr and his orchestra repeatedly toured to the Salzburg Festspielhaus, where they received standing ovations performing the prestigious New Year’s concert, and to the Wiener Musikverein. Danzmayr serves as Music Director of the creative and unique ProMusica Chamber Orchestra, an orchestra comprised of musicians from all over the United States. Here, he regularly commissions world-renowned composer/performers to appear in the first performances of their works alongside the great classics, a mission that extends the creative spirit of classical music and places the core repertoire in a modern context. In February 2021, David was announced as the new Music Director of the Oregon Symphony. Previously David Danzmayr served as Music Director of the Illinois Philharmonic Orchestra in Chicago, where he was lauded regularly by both the Chicago Tribune and Chicago Classical Review for his performances. He was also the only conductor in the Chicago area, who programmed a piece of American music at every concert. David has won prizes at some of the world´s most prestigious conducting competitions including a 2nd prize at the International Gustav Mahler Conducting Competition and prizes at the International Malko Conducting Competition. For his extraordinary success, he has been awarded the Bernhard Paumgartner Medal by the Internationale Stiftung Mozarteum. Building these early successes into a far-reaching international career, Danzmayr has quickly become a sought-after guest conductor for orchestras around the globe, having worked in Europe with the Deutsche Kammerphilharmonie Bremen, Vienna
20 2 1 -22 SEA SO N | p ro m u s i ca co lu m b u s .org
Radio, Stuttgart Radio, City of Birmingham, Hamburg, Basel, Bamberg, Odense, and Iceland symphonies, as well as Essener Philharmoniker, Bruckner Orchester, Mozarteum Orchester, Swedish Chamber Orchestra and others. In North America, his talents have propelled him to the finest of U.S. and Canadian orchestras in a very short time, where he has already conducted the likes of the Minnesota Orchestra, the Detroit, Houston, Oregon, Milwaukee, Utah, Vancouver, San Diego, Colorado, North Carolina, Pacific, New Jersey, and Indianapolis symphonies, the Los Angeles Chamber Orchestra and Grant Park Festival just to name a few. Besides numerous reinvitations, he will make major debuts this season with the Baltimore Symphony, San Antonio Symphony, Virginia Symphony, the Rochester Philharmonic and the BBC Orchestra of Wales. He has served as Assistant Conductor of the Royal Scottish National Orchestra, which he conducted in more than 70 concerts so far, performing in all the major Scottish concert halls and the prestigious, Orkney based, St Magnus Festival. David Danzmayr received his musical training at the University Mozarteum in Salzburg where, after initially studying piano, he went on to study conducting in the class of Dennis Russell Davies. Danzmayr was strongly influenced by Pierre Boulez and Claudio Abbado in his time as conducting stipendiate of the Gustav Mahler Youth Orchestra and by Leif Segerstam during his additional studies in the conducting class of the Sibelius Academy. Subsequently, he gained significant experience as assistant to Neeme Järvi, Stephane Deneve, Carlos Kalmar, Sir Andrew Davis, and Pierre Boulez, who entrusted Danzmayr with the preparatory rehearsals for his music.
“Clearly Danzmayr has what it takes.” –John von Rhein, Chicago Tribune
2021 - 22 S E AS ON | promu sica col u mbu s. org
Katherine McLin The Donald G. Dunn Chair
Violinist Katherine McLin enjoys an extremely varied and prolific performing career as a concerto soloist, recitalist, and chamber and orchestral musician. Since her debut with the Oregon Symphony at the age of fifteen, Katie has made over 100 appearances as soloist with orchestras across the country. In addition to performing the standard canon, she is an enthusiastic advocate of new music and has either premiered or given second performances of concerti by John Adams, Lera Auerbach, Hans Gal, and Joel Puckett. Katie appears on 20 compact disc recordings under the Summit, Centaur, and Opus One labels. Her live and recorded performances have been broadcast on NPR’s Performance Today, NYC’s WQXR, and local television and radio stations throughout the country. As a member of the McLin/Campbell Duo with pianist Andrew Campbell and frequent chamber music collaborator with colleagues around the world, Katie performs extensively throughout the United States and abroad. She serves as a guest artist at numerous summer chamber music festivals, most recently with the Interharmony International Music Festival (Italy), Saarburg Chamber Music Festival (Germany), Chintimini Chamber Music Festival (OR), Red Rocks Music Festival (AZ), and the Orlando Chamber Players at the Festival of the Black Hills (SD). Since 2007, Katie has held the position of Concertmaster of the ProMusica Chamber Orchestra. Previously she served as Concertmaster of the Brevard Music Festival Orchestra,
A Delightful Evening with ProMusica Katherine McLin, violin David Danzmayr, conductor Chattanooga Symphony, Arizona Philharmonic, Michigan Sinfonietta, and the Aspen Sinfonia Orchestra, and Principal Second Violin of the Michigan Opera Theater Orchestra. A committed and passionate teacher, Katie was awarded the Evelyn Smith Professorship in Music at Arizona State University in 2016, a three-year endowed position that recognizes a faculty member who demonstrates outstanding leadership in their field. In 2004 she was awarded the Distinguished Teacher Award for the College of Fine Arts, chosen from over 170 faculty, and was a finalist for the 2007 university-wide ASU Professor of the Year award. Katie received her doctorate in violin performance from the University of Michigan as a student of Paul Kantor. She holds additional performance degrees from Indiana University and the Oberlin College Conservatory, and for three years was an orchestral fellowship recipient at the Aspen Music Festival. Her former teachers include Franco Gulli, Josef Gingold, and Kathleen Winkler.
20 2 1 -22 SEA SO N | p ro m u s i ca co lu m b u s .org
Saint Mary Catholic Church // Sunday, March 20 // 7:00 PM
VAUGHAN WILLIAMS
Fantasia on a Theme by Thomas Tallis
PIAZZOLLA The Four Seasons of Buenos Aires arr. Leonid Desyatnikov I. Otoño Porteño II. Invierno Porteño III. Primavera Porteña IV. Verano Porteño
Katherine McLin, violin
2021 - 22 S E AS ON | promu sica col u mbu s. org
Katherine McLin The Donald G. Dunn Chair
Violinist Katherine McLin enjoys an extremely varied and prolific performing career as a concerto soloist, recitalist, and chamber and orchestral musician. Since her debut with the Oregon Symphony at the age of fifteen, Katie has made over 100 appearances as soloist with orchestras across the country. In addition to performing the standard canon, she is an enthusiastic advocate of new music and has either premiered or given second performances of concerti by John Adams, Lera Auerbach, Hans Gal, and Joel Puckett. Katie appears on 20 compact disc recordings under the Summit, Centaur, and Opus One labels. Her live and recorded performances have been broadcast on NPR’s Performance Today, NYC’s WQXR, and local television and radio stations throughout the country. As a member of the McLin/Campbell Duo with pianist Andrew Campbell and frequent chamber music collaborator with colleagues around the world, Katie performs extensively throughout the United States and abroad. She serves as a guest artist at numerous summer chamber music festivals, most recently with the Interharmony International Music Festival (Italy), Saarburg Chamber Music Festival (Germany), Chintimini Chamber Music Festival (OR), Red Rocks Music Festival (AZ), and the Orlando Chamber Players at the Festival of the Black Hills (SD). Since 2007, Katie has held the position of Concertmaster of the ProMusica Chamber Orchestra. Previously she served as Concertmaster of the Brevard Music Festival Orchestra,
A Delightful Evening with ProMusica Katherine McLin, violin David Danzmayr, conductor Chattanooga Symphony, Arizona Philharmonic, Michigan Sinfonietta, and the Aspen Sinfonia Orchestra, and Principal Second Violin of the Michigan Opera Theater Orchestra. A committed and passionate teacher, Katie was awarded the Evelyn Smith Professorship in Music at Arizona State University in 2016, a three-year endowed position that recognizes a faculty member who demonstrates outstanding leadership in their field. In 2004 she was awarded the Distinguished Teacher Award for the College of Fine Arts, chosen from over 170 faculty, and was a finalist for the 2007 university-wide ASU Professor of the Year award. Katie received her doctorate in violin performance from the University of Michigan as a student of Paul Kantor. She holds additional performance degrees from Indiana University and the Oberlin College Conservatory, and for three years was an orchestral fellowship recipient at the Aspen Music Festival. Her former teachers include Franco Gulli, Josef Gingold, and Kathleen Winkler.
20 2 1 -22 SEA SO N | p ro m u s i ca co lu m b u s .org
Saint Mary Catholic Church // Sunday, March 20 // 7:00 PM
VAUGHAN WILLIAMS
Fantasia on a Theme by Thomas Tallis
PIAZZOLLA The Four Seasons of Buenos Aires arr. Leonid Desyatnikov I. Otoño Porteño II. Invierno Porteño III. Primavera Porteña IV. Verano Porteño
Katherine McLin, violin
2021 - 22 S E AS ON | promu sica col u mbu s. org
The Elizabeth M. Ross Music Director
David Danzmayr D AV I D D A N Z M AY R THE ELIZABETH M. ROSS MUSIC DIRECTOR VIOLIN 1 Katherine McLin, concertmaster The Donald G. Dunn Chair Rebecca Willie, assistant concertmaster The Joan M. Herbers Chair Ling Ling Huang* The Deborah Raita Chair Shannon Lock* The Dyann & E. Joel Wesp Chair Lisa Kim* The Fran Luckoff Chair Ann Yu* The Laurie & Thomas W. Hill Chair VIOLIN 2 Eric Kline, principal second The Wilson Family Chair Amy Cave The Randy & Marilyn Miller Chair Vladimir Gebe* The Jim & Ida Copenhaver Ginter Chair Barbara Scowcroft* The Elizabeth Williams Chair Shreya Sachdev*
VIOLONCELLOS Marc Moskovitz, principal The Barbara Trueman Chair Cora Kuyvenhoven T he Bob & Mary Frances Restrepo Chair Joel Becktell The Donna K. Laidlaw Chair Nora Willauer* The William K. Laidlaw Chair BASSES Boris Astafiev*, principal The John F. Brownley Chair Rachel Calin* The Kathryn D. Sullivan Chair ORCHESTRA MANAGER Mariana Szalaj The Regie & David Powell Chair *Substitute musicians The Musicians of the ProMusica Chamber Orchestra are members of, and represented by, the Central Ohio Federation of Musicians, Local 103 of the American Federation of Musicians.
VIOLAS Mary Harris, principal The Margaret & Jerome Cunningham Chair Stephen Goist The Regie & David Powell Chair Michael Isaac Strauss The Anne Powell Riley Chair Amanda Grimm* The Keith F. & Katherine B. Dufrane Trust Chair
“ The performance was an unmitigated triumph.” –Michael Tumelty, The Herald
“Extremely good, concise, clear, incisive and expressive” writes The Herald of David Danzmayr, who is widely regarded as one of the most talented and exciting European conductors of his generation. Following a successful tenure as Chief Conductor of the Zagreb Philharmonic Orchestra, Danzmayr was appointed Conductor Laureate, the youngest ever to hold this title in the orchestra´s history. Performing regularly to sold-out audiences in Zagreb´s Lisinski Hall and having been awarded the Zagreb City Award, Danzmayr and his orchestra repeatedly toured to the Salzburg Festspielhaus, where they received standing ovations performing the prestigious New Year’s concert, and to the Wiener Musikverein. Danzmayr serves as Music Director of the creative and unique ProMusica Chamber Orchestra, an orchestra comprised of musicians from all over the United States. Here, he regularly commissions world-renowned composer/performers to appear in the first performances of their works alongside the great classics, a mission that extends the creative spirit of classical music and places the core repertoire in a modern context. In February 2021, David was announced as the new Music Director of the Oregon Symphony. Previously David Danzmayr served as Music Director of the Illinois Philharmonic Orchestra in Chicago, where he was lauded regularly by both the Chicago Tribune and Chicago Classical Review for his performances. He was also the only conductor in the Chicago area, who programmed a piece of American music at every concert. David has won prizes at some of the world´s most prestigious conducting competitions including a 2nd prize at the International Gustav Mahler Conducting Competition and prizes at the International Malko Conducting Competition. For his extraordinary success, he has been awarded the Bernhard Paumgartner Medal by the Internationale Stiftung Mozarteum. Building these early successes into a far-reaching international career, Danzmayr has quickly become a sought-after guest conductor for orchestras around the globe, having worked in Europe with the Deutsche Kammerphilharmonie Bremen, Vienna
20 2 1 -22 SEA SO N | p ro m u s i ca co lu m b u s .org
Radio, Stuttgart Radio, City of Birmingham, Hamburg, Basel, Bamberg, Odense, and Iceland symphonies, as well as Essener Philharmoniker, Bruckner Orchester, Mozarteum Orchester, Swedish Chamber Orchestra and others. In North America, his talents have propelled him to the finest of U.S. and Canadian orchestras in a very short time, where he has already conducted the likes of the Minnesota Orchestra, the Detroit, Houston, Oregon, Milwaukee, Utah, Vancouver, San Diego, Colorado, North Carolina, Pacific, New Jersey, and Indianapolis symphonies, the Los Angeles Chamber Orchestra and Grant Park Festival just to name a few. Besides numerous reinvitations, he will make major debuts this season with the Baltimore Symphony, San Antonio Symphony, Virginia Symphony, the Rochester Philharmonic and the BBC Orchestra of Wales. He has served as Assistant Conductor of the Royal Scottish National Orchestra, which he conducted in more than 70 concerts so far, performing in all the major Scottish concert halls and the prestigious, Orkney based, St Magnus Festival. David Danzmayr received his musical training at the University Mozarteum in Salzburg where, after initially studying piano, he went on to study conducting in the class of Dennis Russell Davies. Danzmayr was strongly influenced by Pierre Boulez and Claudio Abbado in his time as conducting stipendiate of the Gustav Mahler Youth Orchestra and by Leif Segerstam during his additional studies in the conducting class of the Sibelius Academy. Subsequently, he gained significant experience as assistant to Neeme Järvi, Stephane Deneve, Carlos Kalmar, Sir Andrew Davis, and Pierre Boulez, who entrusted Danzmayr with the preparatory rehearsals for his music.
“Clearly Danzmayr has what it takes.” –John von Rhein, Chicago Tribune
2021 - 22 S E AS ON | promu sica col u mbu s. org
OUR MISSION
To deliver a world-class chamber
About the Orchestra ProMusica and our 37 musicians are redefining what it means to be a chamber orchestra. For four decades, ProMusica’s programs have honored the classics and celebrated the contemporary through world-class performances and creative approaches to musical storytelling. Led by Music Director David Danzmayr and Creative Partner Vadim Gluzman, renowned violinist, the orchestra reaches a broad audience across the city—as the resident orchestra at the intimate Southern Theatre in downtown Columbus, and at notable venues beyond the I-270 outer belt. In 2017, ProMusica made its Chicago debut performing for a sold-out crowd at the North Shore Chamber Music Festival. We embrace an array of eras and influences—as masters of classical works, champions of bold new commissions and innovators of crossover collaborations, ProMusica’s performances are time-tested and modern, presented in ways that few orchestras can. We are widely recognized as
orchestra experience through:
Board of Trustees and Administration
Innovative programming, Audience intimacy, Exceptional talent & Artistic excellence
a national leader in promoting contemporary repertoire— with 68 commissions and more than 120 world and regional premieres by composers including Pulitzer Prize winners Kevin Puts and Aaron Jay Kernis, Gabriela Montero, Michael Daugherty, Lera Auerbach, Conrad Tao and Joshua Roman. In addition, ProMusica has an active recording program with 13 CDs released to date. This is a testament to the world-class musicians on stage who thrive on artistic exploration and risk-taking—performing with the highest skill, emotion and humanity for our audiences. Deeply rooted in our city’s cultural fabric, ProMusica’s community outreach programs impact approximately 17,000 lives each season. Musicians travel to local schools, senior citizens attend live rehearsals, and underserved youth are given life-changing opportunities with the power of music. Programs such as “Play Us Forward” offer an integrated, in-school curriculum, while family concerts at Columbus Metropolitan Library branches provide arts access in nurturing neighborhood environments. “Coda: Post-Concert Conversations” give the opportunity for a direct dialogue between audiences and guest artists— deepening engagement with the music and performers. Our annual Summer Music Series at Franklin Park Conservatory & Botanical Gardens is free and open to the public, demonstrating our unwavering commitment to offer accessible and transformative performances to all residents in our community. ProMusica is a truly personal arts experience, one that’s full of surprise and delight and belonging. ProMusica is more than an orchestra. It’s a movement. And we’re thrilled you’ve chosen to be a part of it tonight.
OFFICERS President President-Elect Vice-President Vice-President Treasurer Secretary
William Faust, Ologie Matthew Fornshell, Ice Miller LLP Patricio Garavito, Cardinal Health Susan Lubow, BakerHostetler Elizabeth Turrell Farrar, V orys, Sater, Seymour & Pease LLP Bob Redfield, Civic Leader
TRUSTEES Maceo Bates, PNC Bank +Lavea Brachman, Brookings Institution +Ryan Crowley, Citi Lynn Elliott, Columbus Window Cleaning Adam Ferguson, Huntington Bank Joan Herbers, The Ohio State University Laurie Hill, Civic Leader Dave Humeston, CoverMyMeds Brent Jackson, Fifth Third Bank +Stephen Keyes, Abercrombie & Fitch Nichole Marshall, Pinterest Bill McDonough Elizabeth Moyo, Porter, Wright, Morris & Arthur LLP Jessica Mrowzinski, Worthington Industries John Pellegrino, ProMusica Musician Representative Susan Quintenz, Civic Leader Julie A. Rutter, American Electric Power Lee Shackelford, Physician Mark Sholl, Hilliard City Schools +Todd Swatsler, Partner (retired), Jones Day Sergio Tostado, Jones Day EX-OFFICIO Janet Chen, Chief Executive Officer The Tom Battenberg & Helen Liebman Chair David Danzmayr, Music Director The Elizabeth M. Ross Music Director Betty Giammar, Sustaining Board Representative
ADMINISTRATION Janet Chen
Chief Executive Officer T he Tom Battenberg & Helen Liebman Chair David Danzmayr Music Director The Elizabeth M. Ross Music Director Vadim Gluzman Creative Partner & Principal Guest Artist Yvette Boyer Finance Manager Carolyn Jakubczak Ticketing & Patron Services Manager Suzanne Jennison Operations Assistant Ann Kriewall D irector of Education & Community Engagement Matthew Kurk D irector of Advancement & Engagement Brittany Lockman Director of Marketing Mariana Szalaj Director of Orchestra Operations The Regie & David Powell Chair Margaret Wells Executive Assistant & Board Liaison Lisa Wente Grants Consultant TRUSTEES CIRCLE Artie Isaac, Chair Deborah Anderson Tom Battenberg Milt Baughman Mark Corna Peter Costanza Patt DeRousie James Elliott Beverley Ervine Jim Ginter Melissa Ingwersen
+ Executive Committee Member 20 2 1 -22 SEA SO N | p ro m u s i ca co lu m b u s .org
2021 - 22 S E AS ON | promu sica col u mbu s. org
Suzanne Karpus Donna Laidlaw Boyce Lancaster Dr. Wayne Lawson Mary Lazarus Peggy Lazarus Nancy Marzella Dr. William Mitchell Elizabeth Williams Bernie Yenkin
Upcoming Events
2021-22 SEASON
Classically Modern
Saturday, April 2 // 5:30 PM Sunday, April 3 // 7:00 PM Southern Theatre
C H A M B E R
Martina Filjak, piano David Danzmayr, conductor
O R C H E S T R A
SEASON SUPPORT SEASON PARTNERS
614.464.0066 • www.promusicacolumbus.org
C O L U M B U S ,
Saturday, May 7 // 5:30 PM Sunday, May 8 // 7:00 PM Southern Theatre
P R O M U S I C A
Mendelssohn’s Italian
O H I O
Vadim Gluzman, violin & creative partner Joshua Roman, cello & composer David Danzmayr, conductor