Princeton University School of Architecture Workbook 14/15

Page 123

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COLLABORATIVE RESEARCH PROJECTS —

124 MODERN HISTORIOGRAPHY:

142 GONZALEZ GALAN — Ignacio The Logics of Arredamento: Circulation and Display of the Italian Interior, 1928–1963

LATIN AMERICAN ARCHITECTURE —

2012–13 and 2013–14 126 RADICAL PEDAGOGY© —  2010–11 and 2011–12; exhibition 2013–ongoing 128 PLAYBOY & ARCHITECTURE: 1953–1979 —  2008–09 and 2009–10; exhibition 2012–ongoing DISSERTATION ABSTRACTS —

130 ARAGÜEZ — José Form’s Patterned Idiosyncrasy 132 AVILÉS — Luis Postwar Rhetoric.Technology, History, Ornament (1947–1966) 134 BEDFORD — Joseph Re-enchanting Modernism: The Cambridge school and the hermeneutic theory of architecture (1965–1995) 136 BRITZ — Marc Durand in Deutschland: Formal Economy, Financial Argumentation, and the Scarcity of Means in German Architecture from 1799 to 1848 138 EVERSOLE — Britt The Disenchantment with Democracy: Architectural Models of Self-Organization, Italy 193x–196x 140 FABRICIUS — Daniela Calculation and Risk: The Rational Turn in West German Architecture, 1965–1985

144 GROSSMAN — Vanessa A Concrete Alliance: Modernism, Communism and the Design of Urban France, 1958–1981 146 HANDWERKER — Margo Public Displays of Effection: Ecological Art and Utility, 1969–1984 148 KOTSIORIS — Evangelos Komp’iuter Architecture(s), 195x–198x 150 MEISTER — Anna-Maria From Form to Norm: The Systematization of Values in German Design 192x–196x 152 OLAIYA — Yetunde Expert, Artifact, Fact: The Technopolitics of Architectural Production in French Black Africa, 1945–75 154 PANTELEYEVA — Masha First they learn to play Jazz, next they sell out the Motherland: Youth and Modernism in Soviet Russia during the Thaw, 1954–1965 156 RICCHI — Daria From Storia to History: Literature and Fiction in Italian Architectural Writing, 1940–1957 158 VANNUCCHI — Federica From Control to Discipline: Design and Power at the Milan Triennale, 1945–1973

PH.D. PROGR AM

Research topics in progress by students in the program include:


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